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EZTree Shuts Down

John3 writes "Easytree.org, a popular Bittorrent tracking site also known as EZT, shut down today after their ISP received threatening letters from attorneys. Unlike sites like Lokitorrent that have been shut down in the past, torrents on EasyTree were usually unreleased live musical performances rather than commercial product. Is a site that shares old Stevie Nicks, Frank Sinatra, and Ian Hunter live shows really that much of a threat to the music industry?"

28 of 497 comments (clear)

  1. Yes by SamMichaels · · Score: 4, Insightful

    Is a site that shares old Stevie Nicks, Frank Sinatra, and Ian Hunter live shows really that much of a threat to the music industry?

    Yes. History has shown that if you give people an inch, they go the whole way. If they want to be successful (both image-wise AND legal) they need to pursue ALL cases of piracy.....even if it's older bootlegs.

    1. Re:Yes by Roguelazer · · Score: 4, Insightful

      Is it really a bootleg if the data isn't even sold anymore? I mean, that's like abandonware... sorta...

    2. Re:Yes by kgruscho · · Score: 2, Insightful

      in that it's generally still illegal, yup pretty much.

      bootlegs are also generally illegal.

    3. Re:Yes by AnonymousNoMore · · Score: 5, Insightful

      Yes and no. The majority of material spread by EZT was from bands that allow taping and there was no issue with that.

      The things that led to the downfall of EZT was the availability of recordings of artists that do not allow taping and the fact that these recordings keep showing up on ebay.

      Are old live recordings of Sinatra a threat to the industry? Hell yes. Have you heard the crap they pass off as music these days?

    4. Re:Yes by OECD · · Score: 4, Insightful

      Is a site that shares old Stevie Nicks, Frank Sinatra, and Ian Hunter live shows really that much of a threat to the music industry?

      Only if the Music Industry is releasing similar product (and they're not, by and large.) It's not like folks who are into these files are not buying the studio releases.

      I have a friend who is queer for U2. He has just about everything they've ever released. Now, U2 may not think it's worth it to release CDs of every show on, say, their Zooropa tour. Now, how are they (U2) being hurt when my friend amasses a bootleg collection? He's already bought everything they're selling. If they missed an opportunity for a sale (by not selling recordings of every single one of their shows) it's their fault.

      --
      One man's -1 Flamebait is another man's +5 Funny.
    5. Re:Yes by John3 · · Score: 5, Insightful

      So instead of letting fans get access to these shows via torrents the music industry will drive them back to bootleggers who sell these shows on CD for a profit. Does anyone else remember when you had to buy a bootleg LP for $15 or $20 in order to hear studio outtakes or live unreleased shows? To me, the best thing about P2P networks is that they take the criminal middle-man (bootlegger) out of the equation and let the fans trade materials directly.

      --
      "We make our world significant by the courage of our questions and by the depth of our answers." Carl Sagan
    6. Re:Yes by IAmTheDave · · Score: 4, Insightful

      I will be honest - yes. I disagree. The fact is people have not stopped downloading music. As a matter of a fact, shortly after killing Napster, the number of people downloading and sharing eclipsed Napster's all time high (from a 2001 Wired article)

      It's not closing Napster which helped the record industry (which many independent agencies determined HELPED the record industry sales) but about providing viable alternatives. Why is P2P slowing? Because of iTunes, Rhapsody, Napster 2.0, etc. etc.

      --
      Excuse my speling.
      Making The Bar Project
  2. that much of a threat to the music industry? by Anonymous Coward · · Score: 5, Insightful

    Are they that much of a threat to the music industry?

    No! They're not a threat at all. You see, all it takes is a letter from someone claiming to be a lawyer and they are shutdown. Easy Peasy.

  3. Naked Emperors by Saxerman · · Score: 4, Insightful
    Is a site that shares old Stevie Nicks, Frank Sinatra, and Ian Hunter live shows really that much of a threat to the music industry?

    Of course. The threat is one of control. The RIAA is a music cartel who's entire business model exists around the premise of being the best way for aspiring artists to get their music out to the masses and make some money while doing so. This business model requires the perception that they control the market to the largest extent possible. Every nick in their armor is one more chance someone else might realize that the Internet has blown the doors off content distribution business models.

    --

    A steaming cup of soykaf would be real wiz right now.

    1. Re:Naked Emperors by ThreeE · · Score: 2, Insightful

      Excuse me, but someone out there has the rights to those live shows -- and it isn't EZTree. Moreover, those recordings were made illegally in the first place. If you don't like the law, work to get it changed. If you break the law, get ready to pay the fine and/or do the time.

  4. Yes by Hatta · · Score: 5, Insightful

    Is a site that shares old Stevie Nicks, Frank Sinatra, and Ian Hunter live shows really that much of a threat to the music industry?

    Anything that provides quality product free of charge is going to cut into the sales of overpriced crap. What really scares them is that people may discover there's more to music than k0rn and j-lo.

    --
    Give me Classic Slashdot or give me death!
  5. A threat? by Rightcoast · · Score: 4, Insightful

    It is when these companys want every last penny, and DVD boxed sets of old rat pack performances, etc., go for anywhere from 22 bucks to 99 bucks.

    Even if it's a different performance and is only availible through bootleg channels (I.E. Grateful Dead), they are scared to death a fan might "get their fix" and not buy a boxed set.

    Ridiculous.

  6. Re:live performances vs. commercial product by RagingChipmunk · · Score: 4, Insightful

    Every performance is copyrighted. If you make a work, you own the copyright to it. Your question was more "does the record company have rights to the artist's live performance", and that would boil down to the contract they signed.

    I would think that the record company does hold some rights to the live performances.

    Sucks, but, i think thats the way it is.

    --
    The only PT Boat Journal on the web: http://www.PT171.org
  7. A site like this is fine... by Dana+P'Simer · · Score: 4, Insightful
    if the artists that performed the live show agree to having thier performance made available in this way. What people around here just don't seem to get is that it is the performer that owns the performance and it is thier consent that is required to allow the copies to be made. In most venues the unauthorized recording of a live show is grounds for removal from the premesis and is a violation of the agreement you entered into when you purchased and used the ticket to the event. If the event takes place in a public venue then there can be no restrictions on the use of a recording. However, my guess is that most of these bittorrents were "boot-leg" recordings obtained in a clandestine manner.

    A great example of what I am talking about is the Greatful Dead. If my recollection of my GD days are clear they basiclly didn't care if you recorded a boot leg of thier concerts. If they were touring today, my guess is that they would be happy to allow this sort of distribution.

    Those that don't choose to allow it, whether you like it or not, have the right to defend thier copyrights. If you don't like the fact that a performer decides to enforce thier copyright, don't listen to thier music. Just don't steal thier music and then justify it by saying they are *ssh*les for not giving it to you for free in the first place.

    1. Re:A site like this is fine... by servoled · · Score: 4, Insightful

      The Grateful Dead are perfectly fine with distribution of their lives shows. In fact, you can go here and download 2775 of them right now (in flac, shn or other lossless codes).

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
  8. Re:A threat??? by Dana+P'Simer · · Score: 4, Insightful

    If the site did not contain any copyrighted material that the clients of these lawyers owned then they would have no standing to bring a law suit. This is not "alternative" music it is popular music that is being distributed for free without due compensation to the copyright holders. If the site only contained music and live shows that were voluntarily posted by the artists/copyright holders, there would be no legal way for the RIAA, MPAA, or any other entitiy to shut down the site.

  9. Re:live performances vs. commercial product by jschottm · · Score: 2, Insightful

    It's a tricky question at the minute that combines several fields of law. Recently (IIRC) there was a ruling that stated that the current US laws against bootlegs were unconstitutional, not because the idea was unsound, but specifically because it gave a perpetual time period, in violation of Section 8 clause 8 of the constitution. That states:

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    So that law may be rewritten and come back.

    The other legal issue is whether or not someone has the right to tape a concert. Most of the bands on btree specifically allowed and encouraged taping. However, there is no inherent right to record a performance, so someone making the tape could be sued for doing so if there was no permission. Whether that tape could be distributed after the fact is another question entirely, which I don't know the answer to.

  10. alot of the music on that site was legal, some not by wazzles · · Score: 2, Insightful

    Many of the bands featured on EZT allowed non-commercial trading of live shows yet some don't however allow trading of their shows even if you can't buy the live material in a store otherwise. No one is profiting from these bittorrent sites so its a bummer that the artists and their lawyers get so upset. I guess EZT is going to leave us much like the awesome sight sharingthegroove.org did a while back. Atleast bt.etree.org is still up!

  11. Of course they're no threat by intnsred · · Score: 4, Insightful

    To answer the question, of course they're no threat.

    This is all about power: corporations have it, the people (nor their democratically-oriented institutions) do not.

    In a time when air is sold on the streets of Mexico City, where the WTO is pushing the idea of private ownership of water, this is just another symptom of capitalist greed run amok.

  12. Re:Just go offshore? by Anonymous Coward · · Score: 2, Insightful

    Yeah, but aren't only the web site and .torrent file in China? The peers would be everywhere.

  13. Misinformation by Mattcelt · · Score: 4, Insightful

    EZTree stole that intellectual property

    This is an oxymoron. "Intellectual" property cannot be stolen, by definition. Only physical property can be stolen. IP can be copied, infringed, abused, improperly used, or devalued, but without actual removal or destruction of the original, no "theft" exists.

    You(pl) cannot recreate the definition of stealing to make copyright infringment sound more destructive or immoral. I won't let you.

    EZTree certainly committed a crime.

    I wouldn't be so sure of this if I were you. IIRC, the legality of bittorrent (among other P2P applications) is being contested in the Supreme Court right now. AFAICT, there is no evidence that EZTree was even seeding the torrents - in which case, they were not even infringing on anyone's copyright - they were simply contributing to infringement, which may or may not be considered a crime (in the U.S., which is where I presume EZT is located) based on the court's decision.

    Oh -- and never confuse legality with morality or illegality with immorality. The two concepts are, at best, weakly related.

    Oh, how true. It's a knife that cuts both ways - some moral things are illegal, and some legal things are immoral.

  14. Re:Shutting down Bittorrent one site at a time by Nom+du+Keyboard · · Score: 2, Insightful
    If they hosted even one copyrighted work, they broke copyright law.

    I reply:

    Substantially non-infringing uses.

    You were speeding once. Should you lose your car?
    You stole a package of chewing gum. Is that Grand Theft?
    You made a mistake once. Does that make all your actions those of a hardned criminal?

    It's not a perfect world. If there is an infriging performance, notify them to remove the tracker. Only if they don't do that quickly enought then might you consider threating a lawsuit. These lawyers are nothing more than legal extortionists in my opinion. The law should not be allowed to be used as a club against those who cannot afford to defend themselves.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  15. Re:Loaded questions and spin by QRDeNameland · · Score: 5, Insightful

    torrents on EasyTree were usually unreleased live musical performances The key word in that sentence is USUALLY. As a (now former) EZT user, that "key word" is, in fact, wrong. The EZT moderators were quite meticulous in their identification and banning of any material that was officially released. Ditto for any material from artists who objected to their shows being posted there, such as The Allman Brothers Band. Offending torrents were, as far I could ever tell, banned before anyone ever got a chance to snatch them. Lots of those live performances ARE commercial stuff too. Go look at the CD aisle at Best Buy, and imagine that, there are plenty of professionally produced live concerts. Nope, wrong again, not on EZT...any such recording would have been banned in short order. They took great pains to comply with the law, and still they were shut down.

    --
    Momentarily, the need for the construction of new light will no longer exist.
  16. Re:Live Concerts are owned by Label by jokell82 · · Score: 4, Insightful
    Yes, they are illegal, which is why the poster took pains to say "...unreleased live musical performances..." rather than the better-known term "bootlegs" which is what they really are. Nice spin doctoring there.
    As someone who records "unreleased live musical performances," I think I have the authority to say you have absolutely no idea what you are talking about.

    The term "bootleg" usually refers to a recording of a band who does not allow recording (usually called a stealth recording) that is offered up for sale. Tapers hate bootlegs, we tape for our own and others enjoyment, not to make money off someone else's hard work. However sometime some shady individuals get a hold of our recordings and put them up on Ebay. There are entire groups of tapers dedicated to bringing these illegal auctions down.

    The record stores that were raided deserved it, but offering up the shows for free to anyone who wants them is ok in my book.
    --
    I dunno who it is
    but it prolly is fhqwhgads.
  17. The real result... by myarbrough · · Score: 2, Insightful

    ...will be the eventual widespread use of more-secure, hard-to-prove-who's-using-it, hard-to-prove-what-its-used-for file sharing software. Something like Freenet, although I'm not trying to start a debate about a particular project's privacy/security.

    Remember, enough complexity = reasonable doubt.

    The problem is, truly bad actors can use those more-secure options. Terrorists, kiddie fiddlers, David Hasselhoff. I know they're already out there doing their secret, ugly stuff, but the more prevalent those options are the better for those bad actors.

    So, in effect, the RIAA/MPAA is

    1) engaging in an 'arms race' it ultimately cannot win and
    2) encouraging/promoting a much darker internet.

    Meanwhile, sales are up for DVD's, and the music industry continues to puke out horrible pap and insist that the reason nobody's buying is piracy.

  18. Re:Threat? by Subliminal+Fusion · · Score: 2, Insightful

    Because if they hold the key on all the major distribution channels, they believe they can sell more of *their* product. If the distribution channels are open to any/everyone, more product will be sold, but a lower percentage of that product will be theirs.

  19. Re:Free thought is a challenge to authority! by trewornan · · Score: 2, Insightful
    Communism - which seems to be the goal of the FOSS information wants to be free set

    Hey, Mr McCarthy, haven't you heard - Communism isn't being used as the big scary thing anymore. What you should say now is something about FOSS being "TERRORIST".

  20. Re:Of course it was a threat. by generationxyu · · Score: 2, Insightful

    Then they should release it commercially. If Radiohead released their show at Radio City, I'd buy it today. They haven't. So I traded for it. It's an amazing show. Next time they come to Chicago, you can be sure I'm buying a ticket. Bootleg trading is for recordings you *can't* buy commercially.

    --
    I mod down pyramid schemes in sigs.