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Bush Signs a New Fair-Use Bill

BostonGunNut writes "Today President Bush signed a bill that gives legal protection to companies that provide software that can automatically filter specific content from DVDs for personal use. This bill, called the Family Entertainment and Copyright Act, allows companies to provide filtering software without being sued into oblivion by Hollywood. The legislation also allows the Library of Congress to save and protect old movies and home videos that might otherwise be lost."

134 comments

  1. Wish these were rights I want, or could agree with by squiggleslash · · Score: 2, Interesting
    Kind of makes sense: A form of fair use where, if you use it, you end up with less than you started, and you insult the artists who produced the content for you. We can have more freedom, as long as we're asking for the freedom to be restricted?

    I'm not overly impressed by this, as you can probably tell. Can we at least do the decent thing, and require that companies that provide such "filtering" solutions rename the films they edit, and take the makers of that film off the credits, if they so wish? This basic right would be afforded to the movie creators by a studio that forces edits upon a movie before release. Why shouldn't it apply to those selling edits of a film against those same artists' wishes?

    I guess, if it's on Dubya's desk for signing right now, then the answer is "No. We don't want to do this because we hate artists, either because we're right wing pseudo-moralists, or certain types of technie freeloaders."

    I'm curious to know if the editing of movies or the editing on moral grounds is the only thing allowed by the bill, or if the "right" to edit goes further. If it does, we may have a massive loophole that allows people to alter anything they can redistribute. Ship a GPL'd app, for example, and include proprietary "edits" to the binaries. *shudder*

    BTW, on the home movies thing, are they serious? Exactly when did private, deliberately unpublished, material become something to be preserved for future generations? Is this a poor write-up by the article submitter?

    --
    You are not alone. This is not normal. None of this is normal.
  2. Perfect! by kenthorvath · · Score: 1

    Doesn't dvdshrink have the ability to cut chapters from the disc that it copies? If this were advertised as a feature for removing material that one finds objectionable, wouldn't that make dvdshrink legal as well?

    1. Re:Perfect! by j0e_average · · Score: 1

      That would be gopchop for the non-MS crowd. Works pretty well, too!

    2. Re:Perfect! by cpt+kangarooski · · Score: 1

      No.

      It only allows making portions of an authorized copy imperceptable, without fixing the imperceptabilities.

      So you can't this exemption to create a new disc. Only to black out the screen or something, when playing an otherwise ordinary commercially released disc.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  3. There's a great idea... by 0x461FAB0BD7D2 · · Score: 4, Insightful

    Getting parents, who are less tech-savvy than their kids, to use technology in order to prevent their teens from viewing gratuitous scenes.

    Here's a crazy idea, and it'll save you the hassle of learning how to set the DVD-player's clock: teach them right from wrong, y'know, as parents are supposed to do.

    Yes, it sounds crazy, but it just might be crazy enough to work.

    1. Re:There's a great idea... by exp(pi*sqrt(163)) · · Score: 1
      it just might be crazy enough to work
      People have been doing that for millennia. It works fairly well but it's not 100% reliable. This is well known. It's hardly a crazy idea and given its lack of reliability it seems reasonable to use other methods of education too.
      --
      Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
    2. Re:There's a great idea... by avi33 · · Score: 2, Insightful

      Why do you assume it's the teens that need protection?

      My kids are small (under 6) and I have hand edited music files to remove curse words, so they can listen to decent music without growing their vocabularies in unsavory ways (hint: not damn or hell). They should be exposed to great music, not Kidz Bop Volume 37. If .0007% of that music is inappropriate, I just scrubbed it out. Big apologies to the artist, but wtf, I'm not publishing it. It's time consuming and a little sloppy, so I don't do it to all of my music, just when I'm making a mix for them.

      It's a little hypocritical when everyone gets all bent out of shape over the artist's rights in this case, when those rights get stomped everywhere else. When a music label publishes explicit and clean versions of music, it's accepted. When a movie is shown on TV, in most cases it's censored (unless it's saving Private Ryan). Plus, it's censored by some archaic standard where "damn" is ok, but "god damn" is not, and who knows what criteria they use for violence or sex these days. Wouldn't you rather control your own media? There are a bunch of movies that I think my kids should see, but I just don't want them to hear a handful of words.

      In some video games (SoF comes to mind), you can pre-install the level of gore (you need a password to see the 'explicit' versions). Why can't I do that with media? I'd like to put a filtered CD player in my kids' rooms, and give them access to all of my music, knowing that clean versions would come out the speakers. Sure, it would sound a little ridiculous in spots, but so do 'clean' versions of music, and censored movies on TV. I'm not going to run every bit of media through a G-rated transmogrifyer and expect it to keep them doe-eyed and naive for the next 10 years.

      I don't pretend that I can shelter them from language (or anything else) forever, I think that they should be exposed to cool movies and music, and I should be the one with my finger on the censorship button, for now at least. I realize that by the age of ten, they'll probably figure out how to deactiviate it anyway.

      I don't think that one company should be the benefactor for a special law, but maybe other hardware manufacturers can make this a little more achievable.

      I think last time this came up on /. I got some flame similar to the post above, like 'be a parent and teach them right from wrong' or 'watch/listen with them and explain why' but little kids don't work like that.

    3. Re:There's a great idea... by Acidic_Diarrhea · · Score: 1
      "learning how to set the DVD-player's clock"
      Most DVD players I've seen in retail outlets don't have clocks.
      --
      I hate liberals. If you are a liberal, do not reply.
  4. Family Entertainment and Copyright Act Legislation by BandwidthHog · · Score: 4, Funny

    Glad to see Congress is finally being a bit more honest about their backronyms.

    --

    Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
  5. "family values" by Zork+the+Almighty · · Score: 4, Insightful

    It seems like you can get anything done if you make it sound like a Christian issue. All this time we have been whining about the DMCA, the freedom to reverse engineer, etc. and nothing was done until this. If we framed the fair-use issue in terms of a personal right to censor the vile bile spewed by atheist Hollywood we would have won. Prehaps the Bible endorses file sharing. Someone should look.

    --

    In Soviet America the banks rob you!
    1. Re:"family values" by DustMagnet · · Score: 1
      Prehaps the Bible endorses file sharing. Someone should look.

      I'm pretty sure that after Moses came down from the mountain and read The Ten Commandments, he verbally granted everyone a license to redistribute the text. He must have or else everyone violated the one about stealing his ideas.

      --
      'SBEMAIL!' is better than a goat!!
    2. Re:"family values" by Anonymous Coward · · Score: 0

      Deuteronomy 17:18-19 And it shall be, when he sitteth upon the throne of his kingdom, that he shall write him a copy of this law in a book out of that which is before the priests the Levites: And it shall be with him, and he shall read therein all the days of his life...

    3. Re:"family values" by Jherek+Carnelian · · Score: 1
      Prehaps the Bible endorses file sharing.
      Ecclesiastes 11:1 Cast your bread on the waters; for you shall find it after many days.
      Since it says it will take "many days" the scripture obviously refers to a very low-bandwidth bread connection. Nevertheless it is quite clear that file sharing is a good christian family value and only liberal scum in league with the UN and the forces of evil would ever say otherwise.
    4. Re:"family values" by Evro · · Score: 1

      "Be fruitful and multiply."

      Pretty easy to multiply music files, right?

      --
      rooooar
    5. Re:"family values" by Jherek+Carnelian · · Score: 1

      "Be fruitful and multiply."

      The first part sounds like endorsement of gay marriage to me. But I guess it only applies to gay mathematicians.

    6. Re:"family values" by Farmer+Tim · · Score: 1

      "I'm pretty sure that after Moses came down from the mountain and read The Ten Commandments, he verbally granted everyone a license to redistribute the text."

      But not before destroying the source code...

      --
      Blank until /. makes another boneheaded UI decision.
    7. Re:"family values" by meringuoid · · Score: 2, Insightful
      Prehaps the Bible endorses file sharing. Someone should look.

      Feeding of the five thousand.

      Your man Jesus has attracted a massive crowd of fans, admirers, hangers-on, bystanders, people with nothing better to do, and general riff-raff, none of whom have apparently bothered to bring lunch. He finds a kid who has brought some food, a small quantity of fish and bread. He proceeds to copy the fish and bread and redistribute it to all these thousands of people.

      I'm sure the local bakers, fishermen, hot dog salesmen and related tradesmen were fucking livid. He was infringing on their intellectual property - had he paid for a license for that bread recipe? No! - and undermining their business model. Thousands of people were employed in the food industry, after all. Wheat farmers, millers, bakers... all depend on the business, and all their livelihoods are threatened once Jesus starts duplicating loaves and fishes on a massive scale and freely distributing his pirate food.

      So remember: when you follow Jesus, you're supporting COMMUNISM!

      --
      Real Daleks don't climb stairs - they level the building.
  6. Questions, Please by 4of12 · · Score: 4, Interesting

    allows companies to provide filtering software

    So of course this was done to permit commercial entities to provide filtering software to slice out "objectionable" parts of a copyrighted work before it gets passed to a viewer.

    Will it protect individual citizens from doing the same thing - that is, providing filtering software - supposing that my criterion for obscenity includes what others call "advertisements"?

    --
    "Provided by the management for your protection."
    1. Re:Questions, Please by cpt+kangarooski · · Score: 2, Informative

      Obscenity isn't a factor. You can just filter out whatever you want, whatever you consider it to be, provided you otherwise comply with the exemption (or of course, some other exemption).

      It does refer to 'limited portions' but given recent caselaw, presumably that can apply to a lot. ;)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  7. nice by Anonymous Coward · · Score: 2, Interesting

    I'm glad to see that already in the first 5 posts we have people trying to reconcile their "OMG BUSH IS TEH EVIL!!11" 'opinions' with their pro-fair-use opinions.

    No blood for oil, right guys?

    I totally have no problem posting this, but the crack-abusing mods will mod me down within minutes for daring to suggest that perhaps Bush is, you know, not evil. Anonymous it is, then.

    1. Re:nice by Anonymous Coward · · Score: 0
      You'll probably be modded down... for being an idiot. There's not a single post where anyone's trying to reconcile pro-fair use beliefs with a dislike of Bush's agenda.

      This is a "fair use" right most of us don't want and never asked for. It's also one that may, ultimately, undermine the GPL and other licenses based upon control over modifications.

  8. DeCSS by RealityMogul · · Score: 1

    DeCSS could be called a "filter" I think. C'mon everybody, quit bitching and start looking for loopholes.

    1. Re:DeCSS by dpilot · · Score: 1, Insightful

      You're absolutely right. As someone else mentioned, it's really sick that we've been groaning for years about erosion of fair use, and here comes a fair use expansion riding on the coattails of "family values." I'm sure any true fair use expansion is targeted, minimal, and accidental. But hey, whatever we can get.

      Now we just need a buzzterm for it. Mining, Datamining, ????mining?

      --
      The living have better things to do than to continue hating the dead.
    2. Re:DeCSS by nelsonal · · Score: 2, Insightful

      That's the way politics almost always works. Things don't happen politically because they are the best ideas, they happen because some bright person adds them to a popular issue. Elected officals maximize votes, so they only care about popular issues (except in the rare case of an of an official who has a passionate pet issue). If you want to get something done politically, you have to play the game and find a more powerful ally to support your issue. The geeks just are not a large enough voting bloc to win support on a national issue by ourselves, so working with "strange bedfellows" will likely be how anything is acomplished.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    3. Re:DeCSS by fm6 · · Score: 1
      Does DeCSS filter out Kate Winslett's breasts when you're watching Titanic with your grandkids? If not, don't expect Republican politicians to care about it.

      People do have a right to control what they watch. But it's kind of sad that this kind of self-censorship gets expedited treatment, while you can still be prosecuted for circumventing the Region protection on a movie that hasn't been released in your area.

    4. Re:DeCSS by dpilot · · Score: 1

      And I thought it mostly worked on campaign contributions, and popularity of an issue was second. (or the popularity was bought by the contributor)

      --
      The living have better things to do than to continue hating the dead.
    5. Re:DeCSS by nelsonal · · Score: 1

      Campaign contributions are only really useful for providing resources that will [buy] votes. Campaign contributions are important but look at Steve Forbes he can spend all the money he wants, and will likely never be elected to anything, which is what his real goal is. Sure some cash greases the wheel, but if the cash comes at the cost of votes, it better buy more votes than it costs. Several hundred million for political contributions not buy NABLA much political support, but an email blast from the old moral majority or ACLU gets the wheels of government turning nine times out of 10.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
  9. Directors rights and contracts by metoc · · Score: 3, Interesting

    A number of directors have clauses in their contracts that prohibit edits, cropping, etc. of their films without their permission.

    I wonder how the courts will view legislation that essentially overrules these clauses; and what the MPAA, Hollywood and the Directors Guild are going to do.

    1. Re:Directors rights and contracts by LordNimon · · Score: 1
      A number of directors have clauses in their contracts that prohibit edits, cropping, etc. of their films without their permission.

      Contracts with whom? The customer? The electronics manufacturer? I don't think so. When I bought the DVD, I don't remember signing a contract that said I had to watch the whole thing from start to finish, and neither did the electronics manufacturer.

      I'm glad this law was passed, but I have a hard time understanding why it was even necessary. As far as I'm concerned, this technology is nothing more than an automatic fast-forward button. How can that be a copyright violation?????

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
    2. Re:Directors rights and contracts by metoc · · Score: 2, Insightful

      The clauses discuss the presentation to the end user. If the end user wants wear an eye patch and ear plugs while hanging upside down well to each his own.

    3. Re:Directors rights and contracts by damiangerous · · Score: 1
      As far as I'm concerned, this technology is nothing more than an automatic fast-forward button. How can that be a copyright violation?????

      Ask ReplayTV, who were sued into oblivion because of their automatic commercial skip.

    4. Re:Directors rights and contracts by cei · · Score: 1

      A third party is creating a derivative work without the consent of the author and profiting by doing so -- a clear copyright violation by any interpretation of the law. Until today.

      --
      This sig intentionally left justified.
    5. Re:Directors rights and contracts by LordNimon · · Score: 1

      If I fast-forward through a movie I'm watching, or press the next-chapter button, am I also creating a derivative work? Have I violated a copyright?

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
    6. Re:Directors rights and contracts by LordNimon · · Score: 2, Informative

      They just didn't have the money to fight this in court. They would have won had they continued. There are plenty of VCRs that have a commercial-skip feature, and none of those manufacturers were "sued into oblivion". In fact, Sony would have had to sue itself if commercial skipping technology were really illegal.

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
    7. Re:Directors rights and contracts by cmiller173 · · Score: 1

      I'm prety sure that the "Dirivative Work" would have to be in a tangible medium to be a copyright violation. Remember that copyright comes into effect when the expression of an idea is fixed in a tangible medium, paper, disc, celluliod, etc. I dont think the new law reduces or removes the prohibition of public performances and it specifically prohibits the production of copies with the "objectionable" material already removed. It simply makes it explicitly legal to do "on-the-fly" removal of "objectionable" material.

    8. Re:Directors rights and contracts by cpt+kangarooski · · Score: 1

      Actually, it's not clear at all. It's not clear that a derivative is being created, and it's not clear that even if one is, a preexisting exemption wouldn't cover it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    9. Re:Directors rights and contracts by flabbergast · · Score: 1

      Mod the parent poster up. There are no "contracts" outside of the director and the producers/movie studios. The director may have a contract with the movie studio to not edit his film, but once its out in the open, does this contract mean no one can edit the film? This falls under fair use. However, distributing the film once you've recut is a legal grey area: its like sampling in hip hop. But, this is a moot point because the copies of the film in question are purchased legitimately, then either "censored" or "edited" depending on how you want to look at it.

    10. Re:Directors rights and contracts by cei · · Score: 1

      No. But if you published a paper saying "At 0:23:48 fast-forward for 10 seconds. Then at 0:32:56 hit the next-chapter button" etc, then you ARE creating a derivative work and you are violating copyright by the nature of distributing the paper that you wrote to other parties.

      --
      This sig intentionally left justified.
    11. Re:Directors rights and contracts by cei · · Score: 1

      Isn't a hard-coded edit-list, downloaded from ClearPlay a tangible medium?

      --
      This sig intentionally left justified.
    12. Re:Directors rights and contracts by cei · · Score: 1

      My argument (which is moot now that this has been signed into law) is that the edit list could not exist without the original film and is inherently a derivative work in and of itself.

      --
      This sig intentionally left justified.
    13. Re:Directors rights and contracts by LordNimon · · Score: 1

      Can you cite any legal precedence for that example? I find it ridiculous that a instructions on when to fast-forward through a movie constitute a derivative work. I'm sorry, but I just can't believe that.

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
    14. Re:Directors rights and contracts by LordNimon · · Score: 1

      Yes, but the list itself is not a derivative work.

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
  10. Wow by finkployd · · Score: 0


    Did two wrongs just make a right?

  11. Re:Wish these were rights I want, or could agree w by black+mariah · · Score: 1
    Exactly when did private, deliberately unpublished, material become something to be preserved for future generations?
    Ever see films of Hitler at home? Churchill? Important historical figures make home movies too.
    --
    'Standards' in computing only impress those who are impressed by things like 'standards'.
  12. Won't Please Somebody Think of the Children? by Anonymous Coward · · Score: 0, Troll

    Oh, don't worry about having to program it yourself. Nope, ClearPlay (http://www.clearplay.com/) will figure out which parts are objectionable and auto-edit them out for you. Like those eeeeevil parts in the SpongeBob movie (no joke! see http://www.clearplay.com/Releases.aspx)

    1. Re:Won't Please Somebody Think of the Children? by WarPresident · · Score: 1

      Like those eeeeevil parts in the SpongeBob movie (no joke! see http://www.clearplay.com/Releases.aspx

      Apparently SpongeBob is polluting the mind of my nephew...

      Thematic Elements and Related Content in Movie:
      Revealing Clothing
      Threatening Dialogue
      Comical Fighting/Action
      Non-Graphic Injury/Wound
      Bar/Club Environment

      You get that just by flicking through the commercials on TV.

      --
      Here come da fudge!
  13. Does it also allow one to sell "juicy additions"? by PaulBu · · Score: 1

    ... just for the balance... If one can sell a "family friendly" add-on to a DVD movie to block "bad" scenes (which, IMHO, is fair -- one can always skip through scenes with a remote control, a little automation of that process should not be illegal) -- can one sell additional footage to turn a family friendly movie into a "frathouse-friendly" version with simulated actors engaging in, hmm, unexpected acts? It might even fall under the parody clause of the fair use...

    Paul B.

  14. Misleading headline by wizarddc · · Score: 2, Informative

    This is the same legislation that make recording a movie in the theatre a felony with a potential three year jail sentence. I don't know how pro fair use it is. I don't think recording and pirating a movie like that should be legal, but it shouldn't warrant jail time.

    --
    Th
    1. Re:Misleading headline by HTH+NE1 · · Score: 1

      And forfeiture and destruction of all copies as well as of all equipment used to make them on top of that three-year sentence.

      Why? Because there may be latent images inside that hardware, so to destroy all copies, one must destroy the evil technology tainted with it too?

      So if you're to risk a three-year sentence, better also use cheap-ass equipment, because you ain't gettin' it back.

      (I can't wait until the first person to undergo successful reconstructive brain surgery gets his implants seized and destroyed for trying to enter a movie theater.)

      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    2. Re:Misleading headline by Anonymous Coward · · Score: 0

      They had to do something to throw Hollywood a bone or else the law would never have been passed. This is the real world.

  15. Loopholes and the DMCA by metoc · · Score: 1

    Write a V-chip style filter for video and/or audio streams (DVDs, WMV, AAC, etc.). This would require that have a method for decoding the stream. Pretty much protects you from the DMCA, as long as YOU don't distributes copies.

  16. Overrated? by Anonymous Coward · · Score: 0

    How sad. You knew it wasn't a troll or flamebait, but you modded it down anyway.

  17. Re:Wish these were rights I want, or could agree w by Goyuix · · Score: 1

    While it is clear you don't like this example of our lawmakers working hard (or hardly)... your comparison to the GPL isn't entirely well founded, and neither is my critique - but hey, this is /. .....

    Basically if you were to change a GPL'd work you would still have to adibe by the license, you are redistributing it - not changing the license.

    The folks who edit a movie and resell it (ignoring DMCA / encryption breaking laws) are realistically no different to selling old CD's (or buying them) from a CD exchange. First Sale is a very important thing to me. CD's are generally scratched to some degree from these places - thus altering the data, intentionally or not - are they evil too? Besides, most places are very upgront about the media being edited, as well as making available lists of what they do edit.

    Now for software that does this on the fly, or rentals ... well I think that is a bit more of a gray area. I haven't fully fleshed out what I think is right or wrong there, but personally I don't have a problem with these methods - but then again I am the kind of person who definitely prefers the "airplane version" or a film to the theatrical/DVD edition of the film.

    Of course, I haven't read the article or the bill itself, nor I am even a lawyer so my comments are nothing more than karma burning / whoring.

  18. Great idea... by Dr.+Bent · · Score: 3, Funny

    Me: "Ok, so lets see if I can make a "clean" copy of this DVD..."

    Software: HELLO, WHAT WOULD YOU LIKE TO FILTER?

    [ ] Sexual Content
    [ ] Violence
    [ ] Adult Language
    [X] FBI Copyright Warning

    Me: Perfect! Just the way I want it. Anyone have a blank DVD?

  19. Re:Wish these were rights I want, or could agree w by david+duncan+scott · · Score: 3, Insightful
    Exactly when did private, deliberately unpublished, material become something to be preserved for future generations?

    The day that historians found useful and interesting material in things like diaries and letters, that's when.

    As for "deliberately unpublished", well, I would imagine that most people just never really thought about it one way or the other.

    Picture this: you find an 8mm movie in the attic of an old house. None of the people are identified, and the previous owners, who bought the house in 1965, don't know anything about it. The movies show interesting glimpses of life on the home front during WW II -- Rosie the Riveter at the company picnic, recruits doing the Lindy Hop before they ship out. At the time, this wasn't history, it was just life, and seemed interesting only to those involved, and even they put it away and forgot about it. Now it might be fascinating, but wait -- who holds copyright? Under the Sonny Bono Copyright Term Extension Act , the answer was, of course, Walt Disney, but now perhaps that's changed, and for the better.

    Of course, now that I've actually read the article, it looks like all it does is fund the LoC's efforts to preserve and restore old images, a good thing but not a copyright issue at all.

    --

    This next song is very sad. Please clap along. -- Robin Zander

  20. How to pass a bill by FidelCatsro · · Score: 2, Informative

    1: write bill and pass it to freind in congress
    2: name bill Family values & (for this example) Biological warfare program
    3: Pay other freinds in congress to acuse people who do not support the bill of "Being Unamerican" and "not caring about the children"
    4: pay off ramainder / lobby
    5: celebrate your multi billion dollar contract

    This bill may have some usefull atributes that could help you lot over in the states be allowed to crack the CSS restrictions which is no doubt good (if it ends up being ruled as such).
    Though i do worry about how they can tack the magic "family values" on to everything and magicaly pass it with little trouble...

    --
    The only things certain in war are Propaganda and Death. You can never be sure which is which though
    1. Re:How to pass a bill by Anonymous Coward · · Score: 0

      Actualy it was ment to be 100% funny but nevermind hee i must of missed joke by being a too close to the truth

      FidelCatsro Mewow

  21. I have - and LIKE - ClearPlay by crimethinker · · Score: 4, Interesting
    After much research, we bought one of the RCA players with "ClearPlay" functionality, and signed up for an annual membership. Don't tell me you've never seen a movie and said, "that was great except for ..." How about Kevin Costner's butt in Dances With Wolves, or Robin Hood, or any other movie he ever made. Did I need to see his pasty white cheeks? (No.)

    My 2nd biggest complaint with ClearPlay is that you can't see a list of what was removed, i.e. "f*** at 23:20, brief nudity at 25:41" etc. My biggest complaint is that I can't make/modify my own filters, such as removing Hogarth's "guns are bad" speech from The Iron Giant. I love that movie (even though it's more a kids' movie), and I like to watch it with my kids, so I just hit the chapter skip button and poof - no more Hogarth railing about the evils of gun ownership. (And if guns are so bad, why did he take his BB gun with him when he went looking for the giant early in the movie?)

    To sum it up, there's nothing wrong with ClearPlay. They're not forcing you to buy it, nor forcing you to use it. Much like proprietary vs. open-source, the issue is choice, or more specifically, do I have a choice at all?

    -paul

    --
    Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    1. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      They're not forcing you to buy it, nor forcing you to use it. Much like proprietary vs. open-source, the issue is choice, or more specifically, do I have a choice at all?

      No, the real question is whether ClearPlay has a right to create a derivative work from a copyrighted movie. Now, apparently, they do. Whether they should have that right is another issue.

      If ClearPlay has a right to filter out sexual content from a movie, do I have a right to add sexual content to copyrighted movies? What about the people who would like to watch Disney's Snow White and the Seven Dwarves -- but would really like a group sex scene between Snow White and the dwarves? Don't they have a choice? Couldn't my firm hire animators to create and insert such scenes via a special DVD player? Would that be wrong?

      Maybe I should publish a coffee table book containing colorized versions of Ansel Adams B&W photographs. If ClearPlay can create modified versions of movies, why can't I publish a book of modified Ansel Adams photographs?

      At some point you have to look beyond what you want and ask whether your desire to see a modified version of a movie should override the right of a director and studio to control the artistic content and vision of their movies.

    2. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      Instead of censoring a movie, it's better to watch the parts you don't agree with, and, if your children are watching, too, then, it's an opportunity to teach them why you disagree. For example, there really is nothing wrong with gun ownership, especially in rural areas. Guns take out rabid animals, provide food if necessary, can be used defensively, are used in several sports, etc. That's all the kids need to know, really. Some dumb kids movie shouldn't be teaching them, you should.

    3. Re:I have - and LIKE - ClearPlay by EngMedic · · Score: 1

      if movies constitute art (and that's a stretch sometimes, i know), then willingly modifying the finished work constitutes an aesthetic offense of the highest order. A work of art conveys meaning, and that meaning is intentionally placed by the artist (most of the time). If you don't like the meaning, don't view the artwork at all -- don't distort it to something that it's not. I feel that this applies both to the viewers and the creator, post-creation (see george lucas..).

      What you do in your own home is none of my business, really -- so if you feel like ruining a film, be my guest. Just keep that choice bit in mind.

      This is not a new trend -- the victorians had a nasty habit of painting clothes onto nude paintings, and it's taken thousands of man-hours to fix the mess they left behind, just as an example.

      --
      filter: +3. Hey, look! all the trolls went away!
    4. Re:I have - and LIKE - ClearPlay by crimethinker · · Score: 1
      If ClearPlay can create modified versions of movies, why can't I publish a book of modified Ansel Adams photographs? (emphasis mine)

      You just answered your own question. Because ClearPlay doesn't publish anything but "cut lists." It's the high-tech and highly-precise equivalent of giving the parents ta printed document that says, "at 23 minutes and 20 seconds into the film, hit Mute. Un-mute two seconds later."

      the real question is whether ClearPlay has a right to create a derivative work from a copyrighted movie

      They didn't before this bill, and they still don't. I am creating the derivative work in my own home for private use, using tools that ClearPlay provided. If I were to rip and alter the movie, and seed a torrent with it (or seed a torrent with an unaltered rip), then I would be in a lot of trouble. If ClearPlay did that, they'd get hammered, too.

      Now, if Snow White and the dwarves getting nasty is your thing, then go ahead and make an altered version, or hire someone to do it, and view it in your own home. Call you friends to come over and see it, too, but the day you distribute it count on a lot of angry phone calls from Disney's lawyers, and if you can't mount a parody defense, YUO = 0WN3D.

      P.S. search archive.org for SpaceMoose; one cartoon was called "Snow White and the Semen Dwarves."

      For all the ranting and raving I see on /. about "it's my DVD, if I want to play it on linux, if I want to skip the commercials, if I want to make a backup/archival copy, I should damn well be able to," I don't see why [some] /.'ers object so much to me skipping parts that I feel are inappropriate for my kids.

      -paul

      --
      Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    5. Re:I have - and LIKE - ClearPlay by crimethinker · · Score: 1
      What you do in your own home is none of my business, really -- so if you feel like ruining a film, be my guest. Just keep that choice bit in mind.

      As I pointed out in another reply, that's the crux of the issue: I bought the DVD, I own it, and I will watch it in the way I see fit. If that means plopping in "Gladiator," "The Matrix," "We Were Soldiers," or "Black Hawk Down" and using the chapter skip to watch only the fight scenes, then that is my right as the owner of the disc. Some movies will still be perfectly viewable when editted, and others won't.

      I seem to remember that ClearPlay had a press release a while ago, maybe at the time they joined the lobbying effort to get this bill passed, that there were some movies which just weren't amenable to filtering. Schindler's List was one they mentioned specifically, and I would have to agree. Edit out the violence, the nudity (particularly the physical exams at the train tracks with the old men and women running wind sprints to see who would live and who would die), and you've lost the entire movie.

      This is not a new trend -- the victorians had a nasty habit of painting clothes onto nude paintings, and it's taken thousands of man-hours to fix the mess they left behind, just as an example.

      Didn't people at one time suspect that the Mona Lisa was originally a nude? Would you be offended if the person who owned that painting before it came to the Louvre had fashioned a "mask" to hang over the painting and obscure the naughty bits? They've altered how the art is presented, but the art itself remains completely intact. Same concept with my DVD's.

      -paul

      --
      Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    6. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      Because ClearPlay doesn't publish anything but "cut lists." It's the high-tech and highly-precise equivalent of giving the parents ta printed document that says, "at 23 minutes and 20 seconds into the film, hit Mute. Un-mute two seconds later."

      That's quite different, because then you would know what was being skipped, muted, etc. The ClearPlay system leaves the viewer unable to discern whether a movie he/she just saw was confusing, lacked emotional impact, etc. because the director lacked talent or because the ClearPlay butchery "damaged" the movie.

      Can you see the cut lists? Can you see where the movie will be fast-forwarded? Do you know when a split-second mute will be applied? No, because ClearPlay didn't publish that. In fact, the so-called "cut-list" is a closely guarded secret which is not published at all. It is basically an encrypted series of commands so that ClearPlay, not you, can modify a movie on-the-fly.

      Now, if Snow White and the dwarves getting nasty is your thing, then go ahead and make an altered version, or hire someone to do it, and view it in your own home.

      Or, maybe I could have a PS-2 program that rendered the nasty scenes in real-time. Then, by your argument, I would not be publishing a derivative work. It would just be a set of instructions to a computer so that it could create the scenes on the fly. Sounds analogous to me.

      I don't see why [some] /.'ers object so much to me skipping parts that I feel are inappropriate for my kids.

      I don't object to that at all. I object to some business distributing derivative works for profit without the permission of the directors or studios. While not all to my taste, movies are art. They are an expression by actors, actresses, screenwriters, and directors. If, when filming Saving Private Ryan, Tom Hanks thought that the horrors of war needed to be shown for emotional impact, how dare ClearPlay subvert his wishes?

      I also object to parents turning over the responsibility for deciding what their children should and should not see to some third party. What some group of Mormon's in Utah thinks is appropriate for children should not become your standard due to the "convenience factor" of using the ClearPlay service.

    7. Re:I have - and LIKE - ClearPlay by maxjenius22 · · Score: 1

      Tom Hanks thought that the horrors of war needed to be shown for emotional impact, how dare ClearPlay subvert his wishes?

      If Tom Hanks wants us to run naked across the Mojave Desert singing camp songs, how dare we subvert his wishes?

    8. Re:I have - and LIKE - ClearPlay by maxjenius22 · · Score: 1

      Didn't people at one time suspect that the Mona Lisa was originally a nude? Would you be offended if the person who owned that painting before it came to the Louvre had fashioned a "mask" to hang over the painting and obscure the naughty bits? They've altered how the art is presented, but the art itself remains completely intact. Same concept with my DVD's.

      That has to be the weirdest analogy I have ever seen... or will ever see.

    9. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      I'm the original AC, who was for some reason modded as a troll for pointing out that the bill has some pretty obvious immediate beneficiaries (was I being inflammatory? Flip, yes, but inflammatory? OK, I'll let it go.). I didn't even say it shouldn't be passed, nor did I say the company was eeeeeevil. I have never seen a movie and said "that was great except for ..." and followed it up with "man, I wish somebody would watch the movie for me and decide what I don't want (my kids) to see." I don't like turning over my decision making on such matters to companies, no matter how well-intentioned they are. "There's nothing wrong with ClearPlay" ... well, there are things wrong with ClearPlay, as you point out yourself; I think the ones you point to are actually pretty deep, because they speak to a philosophy of "let us do your thinking for you." I think it's worthwhile to point out that some might find this objectionable, even if they think having the sorts of capacities provided for in the bill are valuable. But hey, if you find the service valuable, go ahead and use it.

    10. Re:I have - and LIKE - ClearPlay by crimethinker · · Score: 1
      There's like, this horse, and he's laying on the ground. I can't see his chest rising and falling at all, so I think he's dead. Let me get a whip and I'll join you in the beating.

      The ClearPlay system leaves the viewer unable to discern whether a movie he/she just saw was confusing, lacked emotional impact, etc. because the director lacked talent or because the ClearPlay butchery "damaged" the movie.

      Did you read my comment before you replied? That's my #2 complaint, that I can't tell what is missing. The system has a little bit of control, in that I can tell it by category what to skip and what to leave alone, and in some of those, there are degrees (i.e. comic violence, violence, graphic violence), but still, you are fundamentally right on this particular facet and I agree with you: I wish I could tell exactly what is being left out. I wish I could make a derivative work, for personal use, of their cutlists.

      I object to some business distributing derivative works for profit without the permission of the directors or studios.

      I swear I am going to apply for a sales or PR position at ClearPlay, I do enough defending and explaining. ClearPlay does not distribute others' copyrighted works. They distribute precise instructions in a machine-readable form for your DVD player to skip scenes or mute dialog that someone matched up to a list of criteria. That's ALL.

      There was another "editted-movie" business, also based out of Utah, called CleanFlicks, that would make a "personal archival copy" for you, minus the naughty bits. Basically, you sent them your original DVD (proof you owned the movie), and they sent it back to you with a DVD-R of an "editted" copy, bascially with you accepting their entire cutlist, no changes. I don't know if they're still in business, but IMHO they were at least toes-on-the-line, if not already over it.

      -paul

      --
      Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    11. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      If Tom Hanks wants us to run naked across the Mojave Desert singing camp songs, how dare we subvert his wishes?

      Because that would be visible to others against their will. You don't just happen to see "Saving Private Ryan" as you go off-roading in the desert.

    12. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      Did you read my comment before you replied? That's my #2 complaint, that I can't tell what is missing.

      Yes, and I'm saying that the complaint you voice shows why the ClearPlay is not "publishing" a "cut list", as you claimed.

      ClearPlay does not distribute others' copyrighted works. They distribute precise instructions in a machine-readable form for your DVD player to skip scenes or mute dialog that someone matched up to a list of criteria. That's ALL.

      The derivative work is what appears on your screen. That's what you are paying for -- ClearPlay producing the derivative work that you watch. ClearPlay's business model isn't selling you written instructions for editing your own videos. Instead, they moved their automated editing equipment into your home and the edit is done in real-time there -- but it's being done by them, not by you.

      Referring to my previous post:

      Or, maybe I could have a PS-2 program that rendered the nasty scenes in real-time. Then, by your argument, I would not be publishing a derivative work. It would just be a set of instructions to a computer so that it could create the scenes on the fly. Sounds analogous to me.

      Do you agree with that analogy? If not, why? I would not be distributing images of Snow White, just computer instructions on how to create them through rendering.

      I don't know if they're still in business, but IMHO they were at least toes-on-the-line, if not already over it.

      But you're arguing that the technological means of achieving on-the-fly editing should make it legal for ClearPlay to create derivative works which appear on your screen. I just don't see why creating the derivative work at viewing time is somehow morally superior to editing it ahead of time and sending back an edited copy on optical media.

    13. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      I've just read this thread and I am struck by how many times you have asserted that ClearPlay is creating or distributing a derivative work. If that were the case, they would already have been sued into a smoking hole in the ground by the content industry. Given the alacrity with which the contemporary content industry uses copyright legislation to get their way, the fact that they haven't done so in this case is a pretty clear sign that ClearPlay is not, in fact, creating or distributing a derivative work. They may very well be enabling their customers to create such derivative works, but leaving aside questions as to the moral superiority of this approach we can certainly state that it doesn't seem to be illegal.

      I think that the collective legal might of Hollywood probably has a better idea of what does or doesn't constitute a derivative work than the average slashdot denizen, don't you? I mean, IANAL... but then again I rather doubt whether you are a lawyer either ;)

    14. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1
      I think that the collective legal might of Hollywood probably has a better idea of what does or doesn't constitute a derivative work than the average slashdot denizen, don't you? I mean, IANAL... but then again I rather doubt whether you are a lawyer either ;)

      From The digital censor: Utah firm locked in legal battle over software that blocks out sex and violence on DVDs by Benny Evangelista, San Francisco Chronicle Staff Writer, published on Monday, January 20, 2003:

      In September, the DGA fired back with a counterclaim against CleanFlicks, widening the scope of the litigation to include ClearPlay and 12 firms that offer cleaned-up movies.

      In December, eight major studios -- Warner Bros., the Walt Disney Co., Metro-Goldwyn-Mayer, Sony Picture Entertainment, Universal Studios, Twentieth Century Fox, Paramount and DreamWorks -- also sued, claiming that the editing companies violated trademark laws and that only copyright holders have the right to make the "derivative works" that the edited videos become.
      Apparently I'm an above average Slashdot denizen and a lot closer to being a lawyer than you are. ;-)

    15. Re:I have - and LIKE - ClearPlay by crimethinker · · Score: 1
      the ClearPlay is not "publishing" a "cut list", as you claimed.

      OK, so let's instead call it an "encrypted delta for a known set of data." The data is not exactly clear, some binary format that I have yet to decipher, and it is a delta, or change-set, to be applied against the play list contained on the DVD. The deltas are matched to the DVD by disc catalog number, so the ClearPlay folks can pretty much count on "if the catalog number is 12345, these are the changes we apply." It's a cut-list, but it's not exactly in an easy-to-understand format. What did you want, XML? (Well, yes, I would have liked an OPEN format so I could make my own, see complaint #1 against the ClearPlay system.)

      Back to your Snow White analogy now. If you want to make a computer program that opens the DVD (remember to pay your DVD-CCA license fee first!), and then plays snippets of it so that Snow White says (mentally insert choppiness into speech as the player skips around looking for the right bits), "oh, Dopey, Sneezy, spank me, ravish me, make me scream," and distribute that program, you'd probably be able to get away with it after an expensive court battle. If your program instead grabbed portions of the video image (Snow White bending over to pick something up, Dopey smiling that Dopey smile, etc.) and composited them, you'd be treading a very fine line to distribute that program. And of course if you took the resulting video and distributed that, Disney would sue you into the ground.

      ClearPlay was threatened with a lawsuit, the one that started with CleanFlicks. Remember them? I pointed them out earlier as being on much shakier ground, since they were distributed modified media. ClearPlay is different, as we've already hashed over too many times. Their reponse to getting dragged into the CleanFlicks debacle appears to have been to help pass a law that explicitly legalizes what they (ClearPlay) do. Remember, the Constitution gives Congress the power to set copyright terms and durations, including our very precious (and ever-dwindling) right of fair-use.

      I'm just asking for the same sort of control that people wanted when they hacked CSS so they could make a linux DVD player, or the Go Video folks set up their player to skip all the trailers, warnings and commercials. I bought the DVD, paid good money for it, and I will watch it however I damn well please. I want CONTROL. Not control over your DVD's, just mine. You watch what you want, and I'll watch what I want.

      If you think I'm committing a crime against some director's "artistic vision," go ahead and look down on me, just like Bill G. looks down on us "open source hippies." But I will continue to use the tools I have available to control my own media experience to the largest extent possible.

      What's your alternative? Will you put me in a straightjacket and clip my eyelids open to make me watch the movie exactly how the dircetor thought I should? Real horrorshow flicks at the sinny, eh, Alex?

      -paul

      --
      Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    16. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      I have to say that I like you -- despite our differences on this subject.

      OK, so let's instead call it an "encrypted delta for a known set of data."

      That works for me. Want to buy a delta between the Windows XP Pro ISO and the Mandriva Linux ISO? It certainly wouldn't be an infringement since it's just a list of differences.

      If your program instead grabbed portions of the video image (Snow White bending over to pick something up, Dopey smiling that Dopey smile, etc.) and composited them, you'd be treading a very fine line to distribute that program.

      But what if my program rendered the characters for additional scenes in real-time? Would one could argue that it was not me distributing the likenesses of those characters -- just encrypted instructions for creating them.

      ClearPlay was threatened with a lawsuit, the one that started with CleanFlicks.

      No, they were actually sued. The Director's Guild of America amended the suit and included ClearPlay.

      I'm just asking for the same sort of control that people wanted when they hacked CSS so they could make a linux DVD player, or the Go Video folks set up their player to skip all the trailers, warnings and commercials. I bought the DVD, paid good money for it, and I will watch it however I damn well please. I want CONTROL.

      I'm really with you as far as demanding control over my DVDs and I'll even grant that I'd side with the Go Video folks as the trailers, warnings, and ads were not what the consumer paid for when they bought the disc. Those things also aren't part of ther artistic creation that is the movie.

      But what you're asking for is not control, but rather the permission to give control to a third party to create a derivative work for display on your screen. I realize that the language I use may sound somewhat tortured, but this is a subtle (but important) principle that I feel merits precise language.

      I'd support ClearPlay's right to distribute editing instructions to anyone in human-readable form. That's free expression and deserves protection. And I am completely in favor of your fair-use rights to mute, fast-forward, rewind, speed-up, or slow-down play while you watch the movie. I even acknowledge that you have a fair-use right to make a "Paul's Cut" of any movie you buy.

      What galls me is that CleanFlicks, ClearPlay, and the handful of other companies engaged in this kind of editing are potentially harming the reputation of a director and presenting their own "vision" of how the movie should be viewed to thousands of people.

      From a business perspective, suppose that Steven Spielberg and Universal Pictures decide that a "family-friendly" version of Schindler's List would be a big seller. Maybe Spielberg and Universal envision a family buying two versions: an unedited one for the parents and a less scary one for them to share with the children. Why should the market for that be undermined by ClearPlay's cleaned-up version? Why should ClearPlay reap the rewards when they don't own the copyright to the movie?

      If you think I'm committing a crime against some director's "artistic vision," go ahead and look down on me, just like Bill G. looks down on us "open source hippies." But I will continue to use the tools I have available to control my own media experience to the largest extent possible.

      I don't look down on you. I just believe that there's a big difference between you exercising your fair-use rights and ClearPlay essentially selling on-the-fly edits of works they don't own.

      What's your alternative? Will you put me in a straightjacket and clip my eyelids open to make me watch the movie exactly how the dircetor thought I should? Real horrorshow flicks at the sinny, eh, Alex?

      This may come as a shock, but before there were DVDs -- or even VHS, parents decided what movies were appropriate for their kids. If they thought that the kids weren't ready to see a Stanley Kubrick movie, then they didn't take the kids to see it. They didn't hire someone to transform the Kubrick movie into some kind of kid-friendly (and probably artistically butchered) flick.

    17. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      "In December, eight major studios -- Warner Bros., the Walt Disney Co., Metro-Goldwyn-Mayer, Sony Picture Entertainment, Universal Studios, Twentieth Century Fox, Paramount and DreamWorks -- also sued, claiming that the editing companies violated trademark laws and that only copyright holders have the right to make the "derivative works" that the edited videos become."

      so: the edited videos might well be derivative works, but the cutting instructions aren't, which is the crux of what we're discussing. I understand the trademark infringement claim, especially on behalf of the directors, given that these movies are still proposed to the public as "[Studio Name] presents a [Director's Name] film".

      A more astute legal mind would have grasped the attempt at misdirection ;)

    18. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      so: the edited videos might well be derivative works, but the cutting instructions aren't, which is the crux of what we're discussing.

      No, that's what you're discussing -- not what I'm discussing or what the lawsuits were discussing. My contention is that it doesn't matter if the video is delivered on DVD, via the airwaves, or via an automated, on-the-fly editing system like ClearPlay uses. Moving the final editing process from the ClearPlay headquarters to the viewer's home does not change the fact that ClearPlay is delivering a derivative work.

      Tell you what: Take two ISO images, one of Windows XP and the other of the free, downloadable demo version of Lindows. Publish a file which is the result of XORing the two ISO images. Then, anyone with that file and the Lindows ISO could create a Windows XP CD. You can claim that the XOR file does not contain any copyrighted material (either from Microsoft or Lindows), but I bet that a judge won't agree with you.

      A more astute legal mind would have grasped the attempt at misdirection ;)

      A really astute legal mind would have read the entire text of the lawsuits as well as listened to presentations from attorneys on both sides to understand better. It took me some time, but it was time well spent. ;-)

    19. Re:I have - and LIKE - ClearPlay by crimethinker · · Score: 1
      I have to say that I like you -- despite our differences on this subject.

      It's mutual.

      Want to buy a delta between the Windows XP Pro ISO and the Mandriva Linux ISO? It certainly wouldn't be an infringement since it's just a list of differences.

      And now we get into all the nuances of copyright, like the "20% rule" or "how many notes in sequence constitute infringement?" and all that cal. The ClearPlay data files for something like 300 movies runs about 2.5 MB. That's off the top of my head, so don't be surprised if I'm off by a bit. I looked at one of the files once and was able to see clear separations at 128KB, which is probably the sector size of the flash memory they use to store the filters on the player, one filter per sector I'm guessing. So, 128KB of diffs for a movie that takes 5GB on a disc, what's that percentage? Whereas your XP vs. Mandriva ISO diff set would probably be as large as the ISO itself. I wouldn't be surprised if the court said your ISO-diff is just a weakly-encrypted copy of the XP ISO, with the Mandriva ISO serving as the decryption key.

      ClearPlay was threatened with a lawsuit, the one that started with CleanFlicks.

      No, they were actually sued. The Director's Guild of America amended the suit and included ClearPlay.

      You're right, and I mis-spoke. They were threatened by the outcome of a lawsuit that started with a different party, but grew to include them. I think the DGA should have sued separately, as CleanFlicks was doing something, IMHO, vastly different than ClearPlay.

      What galls me is that CleanFlicks, ClearPlay, and the handful of other companies engaged in this kind of editing are potentially harming the reputation of a director and presenting their own "vision" of how the movie should be viewed to thousands of people.

      Artistic vision, shmartistic vision. 99% of the movie-viewing public can't taste the difference between shit and french fries. You also make it sound like people (in their home, not at a movie theatre) don't realize they're turning on a cut-list and modifying the presentation of a film. Well, maybe my kids don't realize it, but really, do you care what my kids think of the "artistic vision" of the doofus that directed Harry Potter?

      If "artistic vision" is so important, why do I see movies on television all the time, prefaced with "this film has been modified to fit this screen, to run in the time alloted, and editted for content" ? Because the directors are whores, and they will sell their artistic vision to the top bidder. Television networks will pay them money, and need to, because they are presenting the film. ClearPlay is not presenting the film, they are saying, "take this data you already paid for (the DVD), here's some code to make it skip and mute parts that might offend you based on the preferences you set."

      From a business perspective, suppose that Steven Spielberg and Universal Pictures decide that a "family-friendly" version of Schindler's List would be a big seller. Maybe Spielberg and Universal envision a family buying two versions: an unedited one for the parents and a less scary one for them to share with the children. Why should the market for that be undermined by ClearPlay's cleaned-up version? Why should ClearPlay reap the rewards when they don't own the copyright to the movie?

      Schindler's List is a poor choice. Spielberg has made some statements that lead me to believe he will never re-cut it. I attended Brigham Young University in the early 90's. The on-campus theatre would rent the "airline version" of a film, and then further bleep it. As I understood the story, they wanted to screen Schindler's List, but there wasn't a cut-down version. The proposal on the table at the time was to actually do an edit, to remove the nudity and whatever swearing there was, but Spielberg said his studio would make sure the Varsity Theatre never got another one of th

      --
      Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    20. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      Whereas your XP vs. Mandriva ISO diff set would probably be as large as the ISO itself. I wouldn't be surprised if the court said your ISO-diff is just a weakly-encrypted copy of the XP ISO, with the Mandriva ISO serving as the decryption key.

      Could be. That would be a reasonable ruling (meaning that it probably would not happen).

      I think the DGA should have sued separately, as CleanFlicks was doing something, IMHO, vastly different than ClearPlay.

      I view it as essentially the same: Delivering a derivative work to a customer's screen. The only difference is in the details of how they get it to the customer.

      If "artistic vision" is so important, why do I see movies on television all the time, prefaced with "this film has been modified to fit this screen, to run in the time alloted, and editted for content" ? Because the directors are whores, and they will sell their artistic vision to the top bidder.

      Some will and some will not. But don't you think that, from an ethical standpoint, it should be up to the owners of the film to decide who gets to make the edits?

      As I understood the story, they wanted to screen Schindler's List, but there wasn't a cut-down version. The proposal on the table at the time was to actually do an edit, to remove the nudity and whatever swearing there was, but Spielberg said his studio would make sure the Varsity Theatre never got another one of their films again.

      It sounds like artistic vision is important to some directors, doesn't it? It doesn't sound like Spielberg was a "whore" who would sell his artistic vision to the top bidder, does it?

      ClearPlay is not presenting the film, they are saying, "take this data you already paid for (the DVD), here's some code to make it skip and mute parts that might offend you based on the preferences you set."

      But what the customer is ultimately paying them for is to edit a film for them. That the edit takes place at the viewer's home is of little consequence since ClearPlay controls the edit (with some categorical choices by the viewer).

      Artistic vision, shmartistic vision.

      Not your strongest argument to date...

      99% of the movie-viewing public can't taste the difference between shit and french fries. You also make it sound like people (in their home, not at a movie theatre) don't realize they're turning on a cut-list and modifying the presentation of a film.

      Sure they realize that the film is being modified, but, as you pointed out, they don't know what the specific modifications are. They are left with an opinion of the film that they just saw -- and many will not differentiate between a bad film and a film damaged by Clearplay's edit. Cut the scenes of forced sexual contact out of Dr. Zhivago, and the viewer is left wondering why Lara is so cold towards Victor Komarovsky. That's a film that epitomizes the term "artistic vision" and director David Lean's reputation should not be tarnished by a clumsy edit by ClearPlay.

      Well, maybe my kids don't realize it, but really, do you care what my kids think of the "artistic vision" of the doofus that directed Harry Potter?

      Harry Potter was a film made for children. Why would it need ClearPlay editing?

      Schindler's List is a poor choice. Spielberg has made some statements that lead me to believe he will never re-cut it.

      But the principle is still there: If there is money to be made by distributing a cleaned-up version of a movie, that money belongs to the film's owners, not to ClearPlay. If Director X wants to release two versions, knowing that some families will buy both, his market should not be undercut by ClearPlay.

      Because I'd like to demonstrate to the studios that if they put out stuff where I don't have to cover my kids' ears every third word, there's a market for it.

      Your use of ClearPlay undercuts your ability to do that. The studio releases a movie with f

    21. Re:I have - and LIKE - ClearPlay by crimethinker · · Score: 1
      But don't you think that, from an ethical standpoint, it should be up to the owners of the film to decide who gets to make the edits?

      No, due to right-of-first-sale. I paid for it, I can do whatever I want with it, including a horrifically clumsy edit that makes Spielberg look like a complete hack. And after seeing what he did to E.T.'s re-release (swapping walkie-talkie's for guns) I'm not sure that it's really all that difficult to make him look like a hack anyway.

      When I watch a "butchered" film in my own home, the director is not being harmed, despite any rantings to the contrary. His "artistic vision" can go to hell when compared to my preferences as the consumer who paid for his movie. If I want to edit it, I can. Legally, and morally. If I want to hire someone else to edit it, either personally with a fine-tooth comb, or a service like ClearPlay, I can. Again, legally and morally. If the director doesn't like it, he shouldn't sell the movie in the home video market at all. In the theatres, the film reels run end-to-end, just as the director wanted it; if his artistic vision is so important, release it only to the theatres.

      But the principle is still there: If there is money to be made by distributing a cleaned-up version of a movie, that money belongs to the film's owners, not to ClearPlay. If Director X wants to release two versions, knowing that some families will buy both, his market should not be undercut by ClearPlay.

      The directors apparently didn't think there's enough market there, so they didn't. Somebody else stepped in to fill the void. I am cynical enough that I think "artistic vision" is their smokescreen for "we didn't realize we were leaving any money on the table, and we want that money, too."

      Your use of ClearPlay undercuts your ability to do that. The studio releases a movie with foul language and you buy it. That you watch it with ClearPlay is information that the studios never get.

      Absolutely correct. The studios do not get any direct feedback, which is why some of my more "orthodox" friends refuse to buy ClearPlay - to them, it's still wrong, because when you buy the uneditted DVD, you're paying money to people who made these morally wrong movies, and supporting them in their immoral activities. I take a more pragmatic approach: I can take a movie that was unsuitable for my children, and with a little technology, make it viewable.

      The only way the studios get feedback right now is indirectly: they can look at the number of ClearPlay players sold (they cost more than a regular player, so you don't buy one if you don't want the feature), and the number of subscribers to the ClearPlay service. People don't pay good money for nothing, so the studios at some point will notice, or have it rubbed in their faces like with this bill.

      -paul

      --
      Pistol caliber is like religion: everyone has their favourite, and theirs is the only right choice.
    22. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      My contention is that it doesn't matter if the video is delivered on DVD, via the airwaves, or via an automated, on-the-fly editing system like ClearPlay uses. Moving the final editing process from the ClearPlay headquarters to the viewer's home does not change the fact that ClearPlay is delivering a derivative work.

      No, the final product may be a derivative work, but the list of time codes to blank or bleep aren't. By your standards, *any* kind of editing software or hardware - including the fast forward and rewind buttons on the remote control - would constitute a "derivative work". That's plainly ridiculous.

    23. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      No, the final product may be a derivative work, but the list of time codes to blank or bleep aren't. By your standards, *any* kind of editing software or hardware - including the fast forward and rewind buttons on the remote control - would constitute a "derivative work". That's plainly ridiculous.

      It is ridiculous. And it's not my contention.

      The final product is the issue. Customers aren't paying to have a list of timecodes and edit instructions. They're paying to see a version of Spiderman, The Matrix, or Titanic without the "dirty bits." So what they are buying are derivative works.

      If they want to fast-forward or hit mute based on some cue-sheet sent to them from ClearPlay, that's fine. Then the cue-sheet really would be the issue because that's what the consumer would be paying for. Now they're skipping that and going right to paying for a derivative work to be presented on their television screen.

    24. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      The final product is the issue. Customers aren't paying to have a list of timecodes and edit instructions. They're paying to see a version of Spiderman, The Matrix, or Titanic without the "dirty bits." So what they are buying are derivative works.

      The issue is the rights of the consumer versus the rights of the producer. All this talk about ClearPlay distributing a "derivative work" ignores the fact that every ClearPlay customer has bought or rented the DVDs they play on their ClearPlay equipped DVD player. If ClearPlay was distributing actual copies of Spiderman, The Matrix, or Titanic without the "dirty bits," then it would be an open and shut case of copyright infringement - even if they were buying one copy of the studio cut for each copy of the cleaned up cut they were selling. But they aren't doing that: they are proposing a service that allows people who have legally bought or rented a DVD to exercise their legal rights in choosing how they watch their DVD. At least that's the way the most business friendly congress in recent history seems to see it.

    25. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      The issue is the rights of the consumer versus the rights of the producer. All this talk about ClearPlay distributing a "derivative work" ignores the fact that every ClearPlay customer has bought or rented the DVDs they play on their ClearPlay equipped DVD player.

      It's not being ignored at all. But, since the consumer is not watching the DVD that they bought and is, instead, viewing a derivative work put together on-the-fly, it's a side issue.

      But they aren't doing that: they are proposing a service that allows people who have legally bought or rented a DVD to exercise their legal rights in choosing how they watch their DVD.

      No, they are providing a service which produces an on-the-fly derivative work based not on what the consumer wants, but, instead, based on what ClearPlay thinks is appropriate (divided into categories). Is a slap against the cheek of a hysterical person violence? Is a mother nursing a baby sexual content? These are decisions being made by the movie editors at ClearPlay, not by the consumer.

      At least that's the way the most business friendly congress in recent history seems to see it.

      There's no doubt that the right-wing zealots in Congress, many of whom have been whining about the evil, liberals in Hollywood, think that it's a good idea. They think that levying millions of dollars in fines because of one exposed nipple is reasonable, too, so it's not like Congress has the most progressive values in the world. I think that the Right Wing members of Congress are like the O.J. jury -- they are using the law to send a message rather than trying to make the right decision.

    26. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      These are the same "right wing zealots" who have created a legal climate in which big business can use the DMCA to get their way without even needing to involve the courts: these days the very mention of "copyright" pulls sites offline in the blink of an eye. These are the same "right wing zealots" who have just recently extended copyright terms to their longest ever in American history. These are the same "right wing zealots" who propose - with a straight face - to put people in jail for downloading music off of the internet.

      If there were any credit to the claim that this was about copyright violation, this matter would never have gotten as far as it has - ClearPlay doesn't have that kind of legal muscle. This is about your rights as a consumer to do what you will with your legally acquired DVD movie. And that includes the right to hire a third party to prepare a list of scenes to be cut or bleeped. If it's legal for me to do it myself, why isn't it legal for me to hire someone else to do it for me?

    27. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      If there were any credit to the claim that this was about copyright violation, this matter would never have gotten as far as it has - ClearPlay doesn't have that kind of legal muscle.

      But you forget that these are the same right-wing zealots who held Congressional hearings about Janet Jackson's nipple being flashed for a split second. They are the same right-wing zealots who levied record fines for "indecency" against radio and television stations. This is how they kiss-up to the ultra-conservative Christian voters.

      This is about your rights as a consumer to do what you will with your legally acquired DVD movie. And that includes the right to hire a third party to prepare a list of scenes to be cut or bleeped. If it's legal for me to do it myself, why isn't it legal for me to hire someone else to do it for me?

      The first sale doctrine gives the purchaser the right to create derivative works for their own use. Clearplay is not the purchaser of the DVD and, therefore, does not have those rights. It is legal for you to hire a third party to edit your DVD, but it is not legal for the third party to do the editing. If that's confusing, think of it this way: There is no law against you paying someone for a ride to the airport. But there is a law against that person operating an unlicensed taxi servive.

      That you can legally do something yourself does not imply that you can legally hire someone to do it for you. You can bring youself to orgasm legally, but you cannot legally hire someone else to bring you to orgasm.

    28. Re:I have - and LIKE - ClearPlay by Anonymous Coward · · Score: 0

      It is legal for you to hire a third party to edit your DVD, but it is not legal for the third party to do the editing. If that's confusing, think of it this way: There is no law against you paying someone for a ride to the airport. But there is a law against that person operating an unlicensed taxi servive.

      That's not confusing, that's just faulty logic in which only a licensed taxi service may contract to drive you to the airport (or wherever). If I hire a limo, a truck (say I'm having a crate delivered), engage the services of a private chauffeur, or pay the neighbor's kid to drop me off, that doesn't make any of them an "unlicensed taxi".

      That you can legally do something yourself does not imply that you can legally hire someone to do it for you. You can bring yourself to orgasm legally, but you cannot legally hire someone else to bring you to orgasm.

      Completely contrived example: by default it is illegal to hire or otherwise engage someone to do something illegal. That's why the law punishes the guy who hires the hit man as well as the hit man himself. Prostitution is illegal, which is why solicitation is illegal as well.

      By your comprehension of a derivative work, it is illegal for me to let my next door neighbor use the DVD remote when watching a disk at my place.

    29. Re:I have - and LIKE - ClearPlay by fmaxwell · · Score: 1

      That's not confusing, that's just faulty logic in which only a licensed taxi service may contract to drive you to the airport (or wherever).

      No, it's not faulty logic. I never claimed that only a licensed taxi could drive you to/from the airport. If you want to pay your next door neighbor to drive you there, you can. But your next door neighbor can't legally hang out at the airport offering to drive random strangers home for a fee.

      Completely contrived example: by default it is illegal to hire or otherwise engage someone to do something illegal. That's why the law punishes the guy who hires the hit man as well as the hit man himself. Prostitution is illegal, which is why solicitation is illegal as well.

      But you are ignoring the point: That you are legally permitted to do something for yourself does not imply that you can legally hire someone else to do it for you -- or that someone is legally permitted to provide said service for a fee.

      By your comprehension of a derivative work, it is illegal for me to let my next door neighbor use the DVD remote when watching a disk at my place.

      No one knows my comprehension of "derivative work" better than I do, and I can state, categorically, that I never thought illegal the hypothetical situation you just posed.

      Ever heard the term "reasonable man" as it applies to the law? The law is not binary. It recognizes shades of gray. Judges use judgment when making decisions: Did the framers of copyright law intend to leave a loophole for on-the-fly creation of derivative works? Did they want a for-profit third party to be able to provide the kind of service that ClearPlay does? I don't think so. If they prohibited companies from selling you a derivative work on film, tape, LP, or other media, why do you think that they would have wanted a company like ClearPlay to provide on-the-fly editing for profit? That's the key question: What is the intent of the copyright law? Obviously, this administration felt that they had to specifically make a law permitting what ClearPlay is doing, so they must have thought that it was either previously illegal or of questionable legality.

  22. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1
    I wasn't making a comparison with the GPL, I was asking if the the GPL might be less enforceable under these circumstances.

    The GPL gives me a right to redistribute as long as I redistribute source, including of any modifications. Now, if I do indeed find a way of getting a GPL'd program onto a user's computer (which may not involve redistribution on my part), and independently release a binary equivalent of a "diff" file, the question I have is whether this law now makes this legal? After all, the GPLs power relies upon my agreeing to it. If I don't agree to it, all I have are "fair use" rights such as the one discussed. If I can edit something I don't personally distribute (or find a way of getting a judge to agree my distribution is seperate from my providing of an edit - and that's a question) then do I have a loophole?

    This is a question, not a statement. I don't know how the law is worded. The law may explicitly be talking about DVDs, or more widely about movies, or more widely about any copyrighted material. It may only exempt edits made for "moral" reasons. It may only exempt edits that remove rather than add material. ALl of these would invalidate what I'm concerned about.

    As for the CD scratches comparison, that's a random and unintended modification of data of the type the artist would know goes with the territory, not an intentional modification of the artist's work designed to change the actual meaning of what the artist was trying to say. (And, yes, no matter how gratuitous, those sex scenes and swear words the censorship mob are always trying to cut do make a difference to the overall meaning of a movie. That applies as much to removing Mr Pink beating a driver whose car he wants to hijack in Reservoir Dogs as it does Aileen Wournos being raped in Monster. The removal of either affects how we see the character. The latter's removal would render the entire message of the movie at odds with the maker's intentions. An ink blot that appears fleetingly on the 35mm film, however, wouldn't.)

    --
    You are not alone. This is not normal. None of this is normal.
  23. Interesting by tadd · · Score: 1

    In reference to the "family values" comment modded troll for some reason - he was right: Actually, it does, indirectly. Unfortunately this and other issues are conveniently ignored by the "religious right", their "interpretation" of the Bible, like that of most fundamentalist movements, tends to be inductive in nature. The number of Biblical quotes taken out of context, especially by "Evangelicals" is staggering. (See war, capital punishment, capitalism, and social justice issues, care for the ill and poor, etc., etc. most of the American Religious Right's take on these issues is misinterpreted at best and blatantly false at worst to what the "Gospel" (whether you believe in it or not, not the point here) actually says.) I am both an American and a Christian though at ties I am not so proud to call myself either because of the aforementioned issues, among others.

    --
    [what?]
  24. Fuck. by cpt+kangarooski · · Score: 4, Informative

    Don't get me wrong -- the Orphan Works and new 110 exemption are both good, if very half-assed.

    But this comes with significant new civil and criminal penalties that are just apalling.

    Oh, and this has nothing whatsoever to do with fair use. The new 110 exemption is a statutory exemption. It applies regardless of fairness, if the criteria it sets forth are satisfied. The title of the /. article is a huge misnomer.

    You can read it here.

    The breakdown is basically:

    Title I -- very very bad
    Title II -- good, but not as good as it could be.
    Title III -- meh
    Title IV -- good for rather limited uses, but also not as good as it could be

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    1. Re:Fuck. by NotoriousQ · · Score: 1

      Since I know you are a layer, but not my lawer, I am asking for an opinion and not advice.

      If I read this bill correctly, I may be given 3 year in jail for bringing a digital camera (yay 30 secs of crappy quicktime) into a theater, even if I am not using it, but it is visible?

      Is that right?

      --
      badness 10000
    2. Re:Fuck. by cpt+kangarooski · · Score: 4, Insightful

      No.

      The new 18 USC 2319B makes it an offense to, in pertinent part, knowingly use or attempt to use, a camera. Possession of one is a factor that can be looked at, but the statute actually says that mere possession of a camera isn't enough to support a conviction.

      So if you bring one in, with the intent to use it, that's enough. But if you bring one in, and don't use or attempt to use it, that's not enough.

      The trick is in how we determine your intent, if you get caught at an early stage. It's easy if you've set it up on a tripod, patched it into the sound system, and have your finger on the record button. It's harder earlier, but still possible.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  25. To the Mod by Anonymous Coward · · Score: 0

    Bush Lover!

    1. Re:To the Mod by Anonymous Coward · · Score: 0


      Mmmm...clams.

  26. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1
    Of course, now that I've actually read the article, it looks like all it does is fund the LoC's efforts to preserve and restore old images, a good thing but not a copyright issue at all.
    Rereading the article, I see what you mean, and withdraw my concerns. To respond to the other part, I agree that film might be fascinating, but it strikes me that distributing it without the copyright holder's consent is an invasion of their privacy, whether what appears is apparently innoculous or not. In time, of course, it will fall into the public domain, and we at least keep a decent space of time between someone's death and this fall to ensure most reasonable concerns about privacy are addressed.

    I would suggest two ways around this: a program encouraging people to submit their diaries and other personal materials for public archival, and a program encouraging those who have found materials belonging to someone else to have it stored, with a release date - assuming the copyright holder is never found - set to at least 100 years from the best estimate available of when the material was made, and at least 50 from now, and with the material on-view but not copyable immediately (unless the rights holder is found.)

    Both ensure an archive available to historians, while protecting the legitimate privacy interests of those who made the materials. We're not talking about materials ever intended for public consumption, we shouldn't treat them the same way.

    --
    You are not alone. This is not normal. None of this is normal.
  27. Re:Wish these were rights I want, or could agree w by cpt+kangarooski · · Score: 2, Informative

    Can we at least do the decent thing, and require that companies that provide such "filtering" solutions rename the films they edit, and take the makers of that film off the credits, if they so wish? This basic right would be afforded to the movie creators by a studio that forces edits upon a movie before release.

    No, and IIRC, it actually takes care to avoid such a possibility arising. I'd have to poke around with the effects on federal trademark law and preemption of state laws. It hasn't been the part of the bill that I've been most concerned with, and I've been kind of busy as of late.

    I'm curious to know if the editing of movies or the editing on moral grounds is the only thing allowed by the bill, or if the "right" to edit goes further.

    Morality is not a factor. You can render imperceptable whatever you want. If you don't like the mushy parts of the latest star wars film, but like the fight scenes, you can make an appropriate EDL.

    And no, it only applies to motion pictures (which includes TV, given the way the law is written). Not other kinds of works, like books or software, or whatever.

    Although I don't see what's wrong with cutting out parts of books for one's own consumption, if that's how you get your kicks, or selling the same, if you're upfront about it. It's not as though the original artist is harmed or is unable to compete.

    BTW, on the home movies thing, are they serious? Exactly when did private, deliberately unpublished, material become something to be preserved for future generations? Is this a poor write-up by the article submitter?

    There's some funding for the National Film Preservation Board, or whatever it's called, but it's not as though they can march in and make you hand stuff over. They just get to buy things and preserve them. Maybe preserve deposit copies at the LoC too. You can probably calm down.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  28. This is unnecessary by SunFan · · Score: 0


    If GWB and the Republican Party really cared about the Constitution and restricted government/lower taxes, why do they keep passing bills that fit the needs of special interests--i.e., their interests?

    For completeness, the Democrats are no better.

    --
    -- Microsoft is the most expensive commodity operating system and office suite vendor in the marketplace.
    1. Re:This is unnecessary by Anonymous Coward · · Score: 0

      Eh, you're wrong about your last sentence. You've slipped into "omg I must be fair and balanced" and gotten rid of your critical thinking skills. Congradulations, you are one of Bush'd fans.

    2. Re:This is unnecessary by SunFan · · Score: 1


      The "Republicans" are supposed to be the party leaning toward "less government". GWB blows that out of the water: record deficits, religion-motivated legislation (wanting to re-write the Constitution, no less), complicating social security, tighter federal control of our schools, the "war on terror" game, etc.

      The "Democrats" appear better, but they're not a ton better in the end: the "war on drugs" game, who knows how many more "feel good" programs they can create, nationalized health care makes me nervous, gun control makes me nervous, etc.

      The only thing recently the Democrats clearly did better on was the federal budget. The graphs of the deficit over time speak for themselves. Given the unsteady economic growth, lately, I'd feel much more comfortable with the deficit brought under control. There's only so much debt foreign countries are willing to buy, and the fantasy will wear thin eventually.

      I'm going to vote for third parties as much as possible in the future, regardless of the "throwing a vote away" nonsense. Especially where I live it's like 200% republican, so any votes the contrary would show up more prominently.

      --
      -- Microsoft is the most expensive commodity operating system and office suite vendor in the marketplace.
  29. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1

    Ignore the first part of the parent. I've just read the bill, and it's explicit about only covering audio and video. No problems with the GPL, unless you try to license your next blockbuster under the GPL.

    --
    You are not alone. This is not normal. None of this is normal.
  30. Indeed the end user has ultimate control by marcus · · Score: 1

    Of the presentation and always has.

    Volume, balance, mute, color, brightness, contrast, pause, FF, REW, and finally... EJECT!

    --
    Good judgement comes from experience, and experience comes from bad judgement.
    - W. Wriston, former Citibank CEO
  31. Re:Does it also allow one to sell "juicy additions by SunFan · · Score: 1


    This is a good point. What about editing the film so _only_ the nudity, sex, and violence are left? In "preserving" "fair use" rights, do they preserve equal rights?

    --
    -- Microsoft is the most expensive commodity operating system and office suite vendor in the marketplace.
  32. Cleaned up DVD by mknewman · · Score: 1

    I can just see it now, "Debbie Does Dallas, Bible Belt Edition". Marc

    1. Re:Cleaned up DVD by Farmer+Tim · · Score: 1

      I can just see it now, "Debbie Does Dallas, Bible Belt Edition".

      Why would you want to watch an FBI warning followed by some credits?

      --
      Blank until /. makes another boneheaded UI decision.
    2. Re:Cleaned up DVD by hplasm · · Score: 0

      "Debbie Does Nothing".

      --
      ...and he grinned, like a fox eating shit out of a wire brush.
  33. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1
    Although I don't see what's wrong with cutting out parts of books for one's own consumption, if that's how you get your kicks, or selling the same, if you're upfront about it. It's not as though the original artist is harmed or is unable to compete.
    Doing so for yourself is entirely different to doing so for other people. I don't have a problem with most personal uses of copyrighted-by-other's material, but when it comes to saying "Hey everyone, do you want to watch a cleaned up version of XYZ?", and selling edits and presenting the film as a merely sanatized version of the original that's fundamentally the same only without the material-it-would-be-morally-wrong-to-even-view, then, yes, I have a big problem with it. I think it's misrepresenting the original artist to put, under their name, something that clearly they wouldn't say represents what they were trying to do and say at all.

    That's why I asked whether, at the very least, an artist could at least have their name removed from an "edited" version if they didn't consent to the edits. It strikes me as remarkably abusive of the artists to not do so, and is actively misrepresenting them and their works.

    That a law would be passed not only allowing this, but actually encouraging it and doing everything possible to prevent an artist disassociating themselves in any practical way from an edit, I find very sad.

    --
    You are not alone. This is not normal. None of this is normal.
  34. Re:Wish these were rights I want, or could agree w by GreyWolf3000 · · Score: 4, Funny
    I sympathize with you, but look on the bright side...

    We can finally watch Episode 1 without Jar Jar in it!

    --
    Slashdot: Where people pretend to be twice as smart as they really are by behaving like children.
  35. Re:Wish these were rights I want, or could agree w by Rick+the+Red · · Score: 1
    1) I'm not an important historical figure, dispite what my ego may tell me. So why should the LoC have access to and permission to archive and make public anything I create?

    2) George W. Bush is an important historical figure. Will we see every little thing he produced in the LoC? I doubt it. If we ever see any of it, it will be what GWB wishes us to see at the GWB Presidential Library. The LoC won't see any of his personal, private stuff. Given that, why should it be allowed to possess anyone else's, then?

    --
    If all this should have a reason, we would be the last to know.
  36. Re:Wish these were rights I want, or could agree w by Rick+the+Red · · Score: 1

    Does this law make The Phantom Edit legal? Anyone know where I can get a copy?

    --
    If all this should have a reason, we would be the last to know.
  37. Re:Wish these were rights I want, or could agree w by black+mariah · · Score: 1
    1) I'm not an important historical figure, dispite what my ego may tell me. So why should the LoC have access to and permission to archive and make public anything I create?
    From the article, which I know you didn't read:
    The legislation also reauthorizes a Library of Congress program dedicated to saving rare, culturally significant works, such as home movies, silent-era films and other works that are unlikely to be protected by the big studios.

    The videos of you egging your neighbor's house on Halloween aren't significant. Videos of Hitler having a barbecue with Rommel are. The Zapruder film is. Home videos of 9/11 are. You see where this is going?
    --
    'Standards' in computing only impress those who are impressed by things like 'standards'.
  38. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1
    Heh.

    Actually, I recall Lucas has always been fairly liberal with the whole people setting things in his universes thing, and initially didn't have a problem with The Phantom Edit until it blew up into a thing that looked like would take sales away from the real thing.

    I can imagine he'd be relatively happy with a technology that allows people to buy Star Wars DVDs and view edits of them. A rare case.

    --
    You are not alone. This is not normal. None of this is normal.
  39. Re:Wish these were rights I want, or could agree w by troyboy · · Score: 3, Informative

    The law does not allow you to make or distribute a copy of the modified work with teh deleted scenes. It only allows you to sell and use technology that removes segments to create the modified work. So, it would be legal to distribute a device that transforms The Phantom Menace into The Phantom Edit, but not to distribute The Phantom Edit by itself. It seems to me that this would be tricky to accomplish with a DVD player unless it is specifically designed for it, but would be easier with software on a computer (but would DeCSS be required?!?).

  40. MOD PARENT UP!!!1!! PRO-BUSH!!!1!!!!!11 by Anonymous Coward · · Score: 0

    Oh, someone did! Even though it was completely wrong (the first five messages aren't reconsiling anything, dumbass)

  41. Odd bedfellows--pro and anti-nudity unite. by jbn-o · · Score: 2, Interesting

    Modulo any clauses I haven't read closely enough, I see this new law as possibly serving two audiences -- it can be used to allow hiding certain scenes in movies, be they scenes that contain nudity, foul language, violence, or anything else deemed objectionable. It can also be used to hide scenes that *do not* contain these things. So we have an odd bedfellows situation: both those who, for instance, want to keep views of women's breasts off of their TVs and those who only want to see women's breasts are served by the same law and the same list of indices describing where one can find such images.

  42. Re:Wish these were rights I want, or could agree w by Rick+the+Red · · Score: 0, Flamebait
    Yes, I see where this is going. The USA Patriot Act gives the Gummint the "right" to take my stuff without telling me, and now the LoC has the "right" to archive whatever the Gummint takes.

    Seriously, you say this is for "culturally significant works." Who decides if my home movies are or are not culturally significant? More to the point, how can they make this decision without first seeing my home movies? I'll bet this law gives them the right to accquire anything they want, then later decide what to keep. This opinion is based not on my reading the law but rather my perceptions of those who make our laws.

    --
    If all this should have a reason, we would be the last to know.
  43. Re:Wish these were rights I want, or could agree w by Anonymous Coward · · Score: 0
    Ever notice that the ones that complain most about their freedoms are the ones that rarely go outside and USE THEM?
    Ever notice that whenever you try to solve a problem, it's always the last thing you try that works, if anything works at all?
  44. Re:Wish these were rights I want, or could agree w by cpt+kangarooski · · Score: 3, Insightful

    Doing so for yourself is entirely different to doing so for other people. I don't have a problem with most personal uses of copyrighted-by-other's material, but when it comes to saying "Hey everyone, do you want to watch a cleaned up version of XYZ?", and selling edits and presenting the film as a merely sanatized version of the original that's fundamentally the same only without the material-it-would-be-morally-wrong-to-even-view, then, yes, I have a big problem with it. I think it's misrepresenting the original artist to put, under their name, something that clearly they wouldn't say represents what they were trying to do and say at all.

    So would you object to it, so long as it was clear that the edits were Alice's Edits of Bob's Movie? Just because Alice has made an EDL doesn't totally divorce it from Bob. Now they're both involved. So long as everyone is clear and up front about it, I don't see a big problem. Alice is not putting it forward as entirely her own work, and Bob is not having it put forward as entirely his either. Frankly, for Bob to disassociate himself from it would be misleading -- he is associated with it to some degree.

    Importantly though, I don't give a crap about artistic integrity. I just don't want the audience to be confused or misled about what it is that they're buying or watching. If they're fully informed, I'm happy.

    And looking through the relevant part of the law, it appears that 1) there are no federal trademark remedies against the 110 editors, 2) they do have to include a conspicious notice as to the fact that it's edited, 3) I'd still have to investigate as to state causes of action, but I think that Congress' intent is fairly clear.

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    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  45. How will this affect Archive.org? by Caseyscrib · · Score: 1

    Will this allow sites such as Archive.org to keep copies of movies? If I remember correctly, they fought a lawsuit to store such things under the fair-use clause but lost.

  46. Re:Wish these were rights I want, or could agree w by Phillup · · Score: 2, Funny

    culturally significant

    Like the Paris Hilton video?

    I think that qualifies as a "home movie"...

    ;-)

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    --Phillip

    Can you say BIRTH TAX
  47. Re:Wish these were rights I want, or could agree w by black+mariah · · Score: 0, Flamebait

    You're a fucking idiot, dude. If you honestly have to ask ANY of those questions you seriously need to shut your computer off and go outside.

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    'Standards' in computing only impress those who are impressed by things like 'standards'.
  48. fun w/ acronyms by Anonymous Coward · · Score: 0

    So if someone sues, would it then go to the court as a Family Entertainment and Copyright Act Legal Matter, thus giving a case of FECAL Matter?

  49. Unintended consequences? by cwsulliv · · Score: 1

    It'll be interesting to see how this plays out in the long term. As the capability for filtering becomes universal in DVD players, I expect Hollywood to begin supplying their own filters.

    Then there will be no limit to the amount of pornography and violence in the average film. Unfiltered it will be XXX. Push the appropriate button to tone it down to X, R, PG-13, G - whatever you want.

  50. Re:Does it also allow one to sell "juicy additions by MacJedi · · Score: 1

    In that case you might be interested in NWA - Straight Outa Compton - Explict Content ONLY version.

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    2^5
  51. Re:Wish these were rights I want, or could agree w by unitron · · Score: 1

    Unfortunately things have gotten to the point where it is culturally significant.

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    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  52. Re:Does it also allow one to sell "juicy additions by SunFan · · Score: 1


    No, this is about _editing_, not just renaming the same thing...

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    -- Microsoft is the most expensive commodity operating system and office suite vendor in the marketplace.
  53. Re:Wish these were rights I want, or could agree w by BostonGunNut · · Score: 1

    Is this a poor write-up by the article submitter?

    Why don't you RTFA and find out?

  54. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1
    So would you object to it, so long as it was clear that the edits were Alice's Edits of Bob's Movie?
    If Bob objects, and as far as he's concerned, this isn't his movie any more, then, yes, I'd object to it. Of course, regardless of what should be done, we know what is being done: these types of editors are being marketed as "clean" versions of named movies. Not different movies using footage from named movies, but essentially the same thing, only cleaner. We already know how the names of the artists concerned are to be abused.

    If you make a different movie, one that an artist whose work you "based it upon" wants no part in, then why name it after the original work, and why include the artist's name? Answer: because you're still wanting to trade off those names, you want people to assume what you're producing is actually some form of the real deal. And it isn't. If the relevent politicians and lobbyests were being honest and respectful, they wouldn't have spent this amount of effort trying to avoid movie houses from invoking trademarks. They're being dishonest here. Blatently. I don't care how reasonable a "standard disclaimer", doubtless added to the hundred or so already attached to every movie, might look.

    Importantly though, I don't give a crap about artistic integrity.
    I never accused you of anything of the sort. You made it clear in the GGP that as far as you're concerned, it's all about the money:

    It's not as though the original artist is harmed or is unable to compete.

    Ah. Yes. If people are watching some bullshit you didn't do that nonetheless has your name on it, you're not harmed. Because you can still make money. Right. I just wish this kind of crappy souless materialism wasn't so common these days. Your values are definitely not my values.

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    You are not alone. This is not normal. None of this is normal.
  55. Re:Wish these were rights I want, or could agree w by cpt+kangarooski · · Score: 1

    If you make a different movie, one that an artist whose work you "based it upon" wants no part in, then why name it after the original work, and why include the artist's name? Answer: because you're still wanting to trade off those names, you want people to assume what you're producing is actually some form of the real deal.

    Not necessarily. As I said, it's a fact. If I buy a car, rice it out, and sell it, the fact that it's been modified doesn't change that consumers are best informed knowing what it originally was; if I just said it was a car, then how can people make a careful buying decision not knowing if I started with a sports car or a compact? Also, trademarks are only source identifiers, never good identifiers. Usually the titles of individual works cannot be a trademark, since this a) doesn't tell buyers where it comes from, and b) would interfere in uses of the work not covered under the copyright monopoly. If I reprint a public domain work, I'm allowed to use the name of the author and the work in doing so, as long as I don't mislead people.

    You made it clear in the GGP that as far as you're concerned, it's all about the money

    No, as far as copyright law and policy should be concerned, it's all about the public interest, and with regards to what aspect of authors we use in incentivizing them to create, we use their greed.

    Copyright is utilitarian; it's economic. It's inappropriate to entertain silly notions of some sort of romanticized kind of authorship.

    This is because the objective of copyright is to slake the public's unquenchable thirst for works and freedom with respect to those works, as much as possible. That's it. It's a noble goal, but one that should be approached pragmatically. It certainly doesn't involve caring about artists, only caring about how to exploit artists just as a farmer exploits his milk cows, or whatever.

    This has always been the way copyright works, and it's a good system. We're just screwing it up lately, in no small part due to people with attitudes like your own, who can't treat it rationally.

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    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  56. Re:Mmm...Chili by Rod+Beauvex · · Score: 1

    Speaking of chili, I have something to say that's completely unrelated to it, and this is it.

  57. Re:Wish these were rights I want, or could agree w by Anonymous Coward · · Score: 0
    In time, of course, it will fall into the public domain

    Long ago that was true, but realistically is there any reason to expect the publisher lobby won't be able to extend copyright terms forever?

  58. Re:Wish these were rights I want, or could agree w by squiggleslash · · Score: 1
    Not necessarily. As I said, it's a fact.
    Except it isn't. It's a lie.
    If I buy a car, rice it out, and sell it, the fact that it's been modified doesn't change that consumers are best informed knowing what it originally was; if I just said it was a car, then how can people make a careful buying decision not knowing if I started with a sports car or a compact?
    Bad analogy. Nobody advertises a riced-out car as "A Pontiac Firebird designed by John Smith at General Motors." And even if we pretend my issue is purely with the title of the film, which conveys a hell of a lot more than the name of a car, the analogy would still be utterly moronic, because the last part of your sentence can easily be covered by you describing the car. "It's a sports car", you could say.

    And most ricers aren't tricking out a car to turn a sports car into a Sedan.

    No, as far as copyright law and policy should be concerned, it's all about the public interest, and with regards to what aspect of authors we use in incentivizing them to create, we use their greed.

    Copyright is utilitarian; it's economic. It's inappropriate to entertain silly notions of some sort of romanticized kind of authorship.

    As far as the constitution goes and the Universal Declaration of Human Rights, a predominantly US-written document, it's not purely economic. The Constitution doesn't limit the author's rights to those that are economic, and copyright law doesn't generally allow something simply because it doesn't hurt sales and revenue. The UN Declaration of Human Rights goes further and talks explictly about moral rights. So historically, you're talking out of your arse.

    In any case, despite you appearing to think the contrary, you just agreed with me. You are only interested in the money. You think the only way an artist can be harmed is if their ability to make money from their own works is compromised. You have little understanding of why people produce art, and why they'd want control over how its used in their lifetimes, especially when it's attributed to them.

    We're just screwing it up lately, in no small part due to people with attitudes like your own, who can't treat it rationally.
    I fail to see how your view is more "rational" than mine. In your world, artistic integrity doesn't exist. No rational artist would create works of any serious value and merit in a world in which someone with an agenda hostile to their's can take that work and push it as a legitimate version of the original. The bill that's passed is all about that. It explicitly and needlessly allows something to happen that in any other context would result in defamation suits. And why? So that "editors", currently the majority of which sympathetic to the views of the administration, can pass off their works as those of other's.

    The truth is, you're an extremist. It's one thing to say "You know, people should be able to build upon other's works", it's another to claim that people should have views, works, opinions, et al attributed to them that clearly they wouldn't touch with a ten foot pole. You support the latter. Beyond a simple, generic, hatred of artists, something the language you choose more than hints at, I can't see any rationale for your views, and a generic hatred of artists is anything but rational.

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    You are not alone. This is not normal. None of this is normal.
  59. Re:Wish these were rights I want, or could agree w by GigsVT · · Score: 1

    Copyright was never about privacy. Until pretty recently, works weren't even covered by copyright unless explicitly declared as such.

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