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Digital Music Sales Skyrocket in 2005
Luke PiWalker writes "The market for digital music hit $1.1 billion in 2005, more than triple 2004 sales. But the industry, wanting to wring the maximum profit out of the consumer, remains fixated on piracy." From the article: "The IFPI also called on ISPs to join the fight against music piracy, which it claims severely erodes the profits of its 1,450 member record companies across the globe. The IFPI added that the legitimate music business was gradually gaining ground on digital piracy. It said research showed that in Europe's two biggest digital markets -- Britain and Germany -- more music fans are now legally downloading music than illegally file-swapping."
Now can they please stop suing their consumer base?
He who knows best knows how little he knows. - Thomas Jefferson
How are they measuring piracy? How can they possibly get reliable figures on the level of music piracy.
Not that I am necessarily complaining. If the industry is content to consider that online piracy is not as big as legal downloads perhaps they will leave online music alone and look at people who actually make money from piracy (e.g. sales of counterfit CDs/DVDs)?
-- "You never mentioned comets before, Mac. This opens up a whole new area of negotiation." - Gordon Urquart
Aren't CD's also digital music, not just that downloaded crap?
This seems to have little to do with any anti-piracy efforts from the record labels and much more to do with the wide-spread availability of legal markets for digital music for the first time.
When will the RIAA stop these senseless lawsuits and focus on the digital download market. Piracy will always exist, accept that and work on growing your customer base instead of increasing the number of enemies.
http://religiousfreaks.com/This is just another ploy to try and persuade people to legitimately buy music. They should realize by now, that no amount of sugar coating will make buying music any better. It's still a rip off and always will be. I've downloaded music ever since the beginning of napster (back when it was actually cool...) and won't be buying any time soon...
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These companies try to prevent downloading illegal music, without providing a platform to download legal music. ITunes was one of the first to cater that and thats why it is a success but more needs to be done especially with files with DRM
They called me mad, and I called them mad, and damn them, they outvoted me. -Nathaniel Lee
"...But the industry, wanting to wring the maximum profit out of the consumer, remains fixated on piracy..."
Well, I guess having a sizeable chunk of your expected income stolen will cause a certain amount of 'fixation'. I am an IP lawyer, so I may be slightly biased, but if people want something that someone else went to the trouble of creating, doesn't it seem kinda fair if the creator asks to get paid? I have trouble understanding why so many people seem to condone simply *taking* it... and then playing the 'Evil industry' card on the rightholders to boot! Seems a bit incongruous to me. There's such a thing as free music: download stuff that bands put online for your enjoyment or make some of your own, already.
Nothing will ever make me pay my own hard earned money for a DRM'd file or CD. It is just not going to happen. I have no interest in buying inferior products.
Personally, I think increased online sales would have to do with the quality and convenience. I don't have any idea how many times I downloaded some song, then when you play it back, it's something completely different than what you expected because some bonehead mislabeled it.
I don't know what bit rate you can get from legal online services but I also got really tired of the crappy 128bit rate that it seems like everyone ripped to. I recently just finished re-ripping every CD I own to 256bit and I can tell the difference. I would think you won't get all the background garbage noise in a legal download either. At least I would hope there are no (pop, crackle, fizz) in the legal downloads.
Convenience is a huge factor too. I fully understand that one person's fav band is another's most hated. However, I got sick of buying CDs because the group had a couple of tunes on the radio that I thought were really good only to get home and find out the other 8-10 tracks on the CD are crap! The ability to buy single tracks, at least to me, has value.
who are best compared to kings sitting in chairs on the beach commanding the tide not to rise.
It was entirely predictable too.
Music is a pre-hominid, semi-simian, refexive action/reaction. It demands instant gratification. In the internet age, that means music delivered over the ether.
Because of the medium, the scatter/gather packet distribution, the "priviledged communication" nature of the channel, the end-to-end control, podcasters are going to eat the lunch of the broadcastering RIAA represented.
The fact that podsafe music is incredibly more effective at getting people's music out there cheaply and without requiring compromise by the artists, that the only lazy or stupid people will sign up with them.
The RIAA will go away once enough of their members go broke, like the ticks on the necks of the vampire bats that are feeding off of the artists.
The Pod Safe Music Network, Pod Cast Delivery Network (representing growing legions of 'indy' artists) and iTunes Music Store (representing the drying up pool of major label 'signed' artists and 'aggregating podcasts.)
MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
...file-swapping is always going to be prevalent and is only going to become more prevalent as we all become geeks. The reason legal downloading is gaining headway is because it is getting simpler and appealing to the older crowd (finally adopting new gadgets like mp3 players). It takes a certain amount of computer aplitute in order to efficiently file-swap, a skill that is only going to be more common in the future.
"But the industry, wanting to wring the maximum profit out of the consumer, remains fixated on piracy."
Wow man that's terrible. Just like those greedy bastards who have bricks and mortar stores go after shoplifters.
Look, the industry's attempts to combat piracy have been ill-advised and ineffectual. Sony's use of a rootkit, for example, was downright unethical; it's a "solution" they should have rejected. They knew or should have known it would damage their customers' computers.
However, to condemn an entire industry because they're concerned about people stealing from them shows a level of moral retardation just as grave as Sony's.
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I don't see why the fact you're "an IP lawyer" should have anything to do with what side you're on. So am I, as it happens. So, for that matter, is Eben Moglen, and I don't seek him rushing to support the RIAA any time soon.
This isn't about people being paid money they deserve - I don't have any problem with the record industry charging for their products, and I don't (generally) make (many) illegal copies of music or have any great sympathy for those caught putting 000s of tracks on file-sharing services
The point is that though that the music industry is turning file-sharing and "piracy" into a scapegoat and using this to at best inconvenience, at worst rip-off their legitimate customers (or even compromise their computer systems - can you say, "rootkit"?). Copy-protected CDs, restrictive licensing/DRMing of music downloads (so that people moving from the US to Europe lose all their iTunes downloads, for example). Twenty years ago if you changed your hifi you didn't have to repurchase your entire record collection. Now? Oops, please tell me you didn't switch from an iPod to another make of "MP3" player? And whaddya mean you bought a copy-protected CD and now you want to listen it on your iPod? Go buy a downloaded version as well, you thief!
The fact is that what makes money for the record companies is good music that people want to buy. It's the failure to find any really bankable, long-term, good quality acts that is the real problem for the record industry, but they prefer to make examples of a few "pirates" rather than address those deeper-rooted problems.
This story only goes to underline this - find the right product, the right price and the right delivery mechanism, and people really do prefer to buy the legitimate goods rather than going for illegal copies.
A more realistic example is a known but not super-famous group like They Might Be Giants. Sure, you can get all their stuff on P2P, but you also have the option of buying straight from them on their web site. I like them and want them to keep making music full-time, so I will choose the latter. And since I've only seen them in concert once, they'll end up making more money from me by selling music - which is their primary business.
I've said it a hundred times - people do NOT pay for music. They never have, except for the short period of time when music was only available on phonograph records and cheap cassette recorders were not available. Even then, hobbyists recorded music on reel-to-reel tape drives and exchanged them.
People pay for legal download services only because using the P2P systems is so difficult (search for the music, join a queue, wait for five hours to download the file, get a crappy file, etc., ad nauseum, not to mention configuring the software in the first place, a task some people find difficult.)
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"It's a decent and light hearted analogy but I think there's a bit more to it than just cash flow."
What the?
If it's not about money, what *is* it about?
Thinking outside my Head