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The Adobe Photoshop Elements Crafts Book
Sdurham writes "Adobe Photoshop and its many siblings have long been a staple of artists, photographers, and programmers interested in doing serious image manipulation. Increasingly, Photoshop's younger sister Photoshop Elements comes prepackaged with digital cameras. Yet many of the users of these cameras lack the time or patience to tackle the steep learning curve of the Photoshop family and are left asking "How do I do ... ?". Elizabeth Bulger's The Adobe Photoshop Elements Crafts Book attempts to bridge the gap between Photoshop skill level and personal creativity by stepping the reader through 14 different craft projects. In doing so, Bulger tries to provide the basic Photoshop Elements skills necessary for readers to pursue their own projects after finishing the book." Read the rest of Sdurham's review.
The Adobe Photoshop Elements Crafts Book
author
Elizabeth Bulger
pages
156
publisher
Peachpit Press
rating
6
reviewer
Sdurham
ISBN
0321368967
summary
Crafts is a small book, and will not appear overwhelming to casual computer users. At 156 pages, its 17 chapters range from six to 15 pages each. The book can be divided into two general sections. In the first section, comprising chapters one through three, Bulger introduces Photoshop Elements and progressively works through image manipulation from opening files to selecting and editing portions of images. These chapters can be skimmed or skipped by those users familiar with the majority of tools and commands in the many flavors of Photoshop. For the uninitiated, which will probably be most of Bulger's target audience, these chapters provide an important foundation to completing the projects later in the book. In the first of these, "Photoshop Elements Basics," the author starts by discussing the Toolbox and provides a nice full-page reference that clearly labels each tool. This comes in handy for beginners later on when Bulger instructs readers to use particular tools. However, she is careful to include the Toolbox icon along with each command she uses during the projects, so readers should be able to reference this page less and less as they move through the book. In addition to the different dialogue boxes discussed here (Palettes, Options bar, Photo Bin), Bulger also spends a little time explaining different image file formats and a summary of image resolution basics. It should be noted, however, that these are BASIC explanations. She attempts to give just enough information to get an inexperienced user moving.
In "Working with Layers" the reader is introduced to what can be a frustrating subject for Adobe beginners. Bulger does a nice job of working through the process of layer manipulation by using, you guessed it, a pizza as an example. Unfortunately, what would normally be an important introduction to the topic is marred by the fact that Bulger fails to adequately explain how to obtain the sample image (no disc is included with the book). Her only mention of it is "If you want to use this pizza image to learn how to work with layers," (and if I'm a beginner following the book, I do want the image, "you can download it from www.photoshopcrafts.com Web site." But for readers only vaguely familiar with using computers to do image work (i.e. some soccer moms or grandparents) this may be too little information to get the image. Even worse, those users who do visit the site and click on the pizza image thumbnail are presented with a JPEG file. No PSD file is available, and using the JPEG file prevents readers from following the chapter because no layers are available.
The final introductory chapter tackles another challenging subject for beginners, the many selection tools found in Photoshop Elements. This chapter feels like a good refresher for someone who is only moderately familiar with the differences between the different lasso selection tools. Again, however, Bulger may confuse her target audience by using terms without explanation. When showing readers the Inverse Selection function, she uses the term "ghosting." For experienced users this does not give pause for thought, but since these first three chapters are primarily for users with little experience, readers may be confused by the term. No glossary is included, but by using the Index the term "ghosting" can be found over seventy pages later. Oddly, it is this later entry where Bulger gives a good explanation of the term. While insignificant in itself, small errors like this do prevent inexperienced users from building confidence with the software prior to beginning the projects.
Of course, The Adobe Photoshop Elements Crafts Book is not primarily an introduction to Elements in general but instead is meant to allow users of varying levels to jump right in and start being creative. This is where the book becomes interesting. Creating Gingham giftboxes, garden journals, aprons, placemats, pillows, and Parisian tiles are some of the projects covered. In this review I have worked through creating the Travel Photo CD cover (because of personal need and lack of workspace to varnish or paint...), but every project chapter follows the same format. The introductory page of each project chapter has a picture whatever the reader will create and a summary of the skills that will be used to make it. A list of "Stuff You Will Need" is given next, and then each page of the chapter is divided into two columns, the left for photos of each step and the right for explanations on how to move along. The photos are crisp, and whenever they display a menu option a red circle surrounds where to click. This works well for those more inclined to see things done rather than read them.
Working through the Travel CD cover project, a few problems cropped up. First, the book is targeted at Elements 4.0, and for users of older versions (I have 2.0) the placement of commands and general variation is different enough to cause confusion. In addition, many of the steps do not clearly articulate what should be occurring on screen. This is where the nice images really come in handy. The greatest complaint, however, is that each step does a fair enough job of telling the reader what to do, but lacks any real explanation of why to do it. A beginner will have trouble transferring the specific steps in one project to their own creations (speaking to Photoshop commands here, not generalities like creating a tile).
Ultimately, The Adobe Photoshop Elements Crafts Book is a slick, well designed book with interesting projects. It is weakened from a lack of clarity and minimal explanations of why? that would greatly increase its utility in transferring the lessons to other ventures. It is a book well-suited to someone who already has a basic understanding of the Photoshop family, but perhaps one that may be a little unclear for real beginners. It will definitely appeal to readers with an independent spirit for creating or personalizing their surroundings."
You can purchase The Adobe Photoshop Elements Crafts Book from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
Crafts is a small book, and will not appear overwhelming to casual computer users. At 156 pages, its 17 chapters range from six to 15 pages each. The book can be divided into two general sections. In the first section, comprising chapters one through three, Bulger introduces Photoshop Elements and progressively works through image manipulation from opening files to selecting and editing portions of images. These chapters can be skimmed or skipped by those users familiar with the majority of tools and commands in the many flavors of Photoshop. For the uninitiated, which will probably be most of Bulger's target audience, these chapters provide an important foundation to completing the projects later in the book. In the first of these, "Photoshop Elements Basics," the author starts by discussing the Toolbox and provides a nice full-page reference that clearly labels each tool. This comes in handy for beginners later on when Bulger instructs readers to use particular tools. However, she is careful to include the Toolbox icon along with each command she uses during the projects, so readers should be able to reference this page less and less as they move through the book. In addition to the different dialogue boxes discussed here (Palettes, Options bar, Photo Bin), Bulger also spends a little time explaining different image file formats and a summary of image resolution basics. It should be noted, however, that these are BASIC explanations. She attempts to give just enough information to get an inexperienced user moving.
In "Working with Layers" the reader is introduced to what can be a frustrating subject for Adobe beginners. Bulger does a nice job of working through the process of layer manipulation by using, you guessed it, a pizza as an example. Unfortunately, what would normally be an important introduction to the topic is marred by the fact that Bulger fails to adequately explain how to obtain the sample image (no disc is included with the book). Her only mention of it is "If you want to use this pizza image to learn how to work with layers," (and if I'm a beginner following the book, I do want the image, "you can download it from www.photoshopcrafts.com Web site." But for readers only vaguely familiar with using computers to do image work (i.e. some soccer moms or grandparents) this may be too little information to get the image. Even worse, those users who do visit the site and click on the pizza image thumbnail are presented with a JPEG file. No PSD file is available, and using the JPEG file prevents readers from following the chapter because no layers are available.
The final introductory chapter tackles another challenging subject for beginners, the many selection tools found in Photoshop Elements. This chapter feels like a good refresher for someone who is only moderately familiar with the differences between the different lasso selection tools. Again, however, Bulger may confuse her target audience by using terms without explanation. When showing readers the Inverse Selection function, she uses the term "ghosting." For experienced users this does not give pause for thought, but since these first three chapters are primarily for users with little experience, readers may be confused by the term. No glossary is included, but by using the Index the term "ghosting" can be found over seventy pages later. Oddly, it is this later entry where Bulger gives a good explanation of the term. While insignificant in itself, small errors like this do prevent inexperienced users from building confidence with the software prior to beginning the projects.
Of course, The Adobe Photoshop Elements Crafts Book is not primarily an introduction to Elements in general but instead is meant to allow users of varying levels to jump right in and start being creative. This is where the book becomes interesting. Creating Gingham giftboxes, garden journals, aprons, placemats, pillows, and Parisian tiles are some of the projects covered. In this review I have worked through creating the Travel Photo CD cover (because of personal need and lack of workspace to varnish or paint...), but every project chapter follows the same format. The introductory page of each project chapter has a picture whatever the reader will create and a summary of the skills that will be used to make it. A list of "Stuff You Will Need" is given next, and then each page of the chapter is divided into two columns, the left for photos of each step and the right for explanations on how to move along. The photos are crisp, and whenever they display a menu option a red circle surrounds where to click. This works well for those more inclined to see things done rather than read them.
Working through the Travel CD cover project, a few problems cropped up. First, the book is targeted at Elements 4.0, and for users of older versions (I have 2.0) the placement of commands and general variation is different enough to cause confusion. In addition, many of the steps do not clearly articulate what should be occurring on screen. This is where the nice images really come in handy. The greatest complaint, however, is that each step does a fair enough job of telling the reader what to do, but lacks any real explanation of why to do it. A beginner will have trouble transferring the specific steps in one project to their own creations (speaking to Photoshop commands here, not generalities like creating a tile).
Ultimately, The Adobe Photoshop Elements Crafts Book is a slick, well designed book with interesting projects. It is weakened from a lack of clarity and minimal explanations of why? that would greatly increase its utility in transferring the lessons to other ventures. It is a book well-suited to someone who already has a basic understanding of the Photoshop family, but perhaps one that may be a little unclear for real beginners. It will definitely appeal to readers with an independent spirit for creating or personalizing their surroundings."
You can purchase The Adobe Photoshop Elements Crafts Book from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
is in the same boat as SCO
http://gimp.org/
The only Shop you'll ever need. And it's free too.
The book can be divided into two general sections.
This is best done with a machete.
Old people fall. Young people spring. Rich people summer and winter.
Nuff Said.
[Fuck Beta]
o0t!
Drew Curtis can eat my balls of all the collected schmegma because he is a moronic coward who deserves to die. If I were you, I would hate fark. But since I am not you, I would regret being you if I were indeed you, So, IN CONCLUSION...GOOD DAY, SIR!
Save yourself $2.64 by buying the book here: he Adobe Photoshop Elements Crafts Book. And if you use the "secret" A9.com discount, you can save an extra 1.57%!
This was posted over half an hour ago, and still has only 10 comments. Obviously nobody cares.
Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
Why not also post the amazon link to buy the book plus a place to put in my credit card, boo on you for posting something that is a blatant advertizement for photoshop and a book that a person must purchase photoshop to use
BSD managed to make then Jordan Huubard And abroad for America. You, part of GNAA if continues to lose
Yet many of the users of these cameras lack the time or patience to tackle the steep learning curve of the Photoshop family and are left asking "How do I do ... ?
...?" but rather the "I didn't know you could do that!" catergory. Besides a batch or two of red eye, how often does the average consumer actually even care about the end product? Judging by my Inbox, apparently not much as most don't even take the time to figure out how to resize or compress a picture before sending it to the masses. Besides, who needs to spend $ on a book when they can just call the tech/geek in the family.
Considering the widescale use of digital cameras today, I can't help but think a lot of the lack of use of this software stems not from "How do I do
If big boobed women work at Hooters do one legged women work at IHOP?
I prefer the book Microsoft Paint : A guide to drawing naked stick figures on public computers
Given that the reviewer only gave this book a 6 out of 10, I'm wondering if the reviewer or other readers could recommend a book on Photoshop Elements that might be closer to a 10. I've been spending more time with my new camera (Canon 2 IS), and am thinking an upgraded camera should be accompanied by an upgraded user :-)
Alternately, is there anything similar out there for the latest version of the GIMP?
What programmers use photoshop for image manipulation? Does photoshop even take data from stdin? Why not use imagemagick or gd?
I was called out to a small document writing office, as one of their older PC's was running out of space, they had no clue why.
/obscure? //wrong site! ///more than one fark reference on slashdot? ////O RLY?
Nothing installed, just basics. They had about a 20-25GB (Hooooeoeooewg at the time) hard disk.
I found almost 20gb of BMP files that the users had been storing, basically, random screen grabs. in BMP. Some were composite and were 8-16 mb files.
They had filled 20gb in BMP's, not even run length encoded. Most of it was black and white text, saved in a 32 bpp un compressed file.
more than 3000 BMP images.
*shudder* Almost makes you want to start some kind of 'save the hard disk' foundation.
Every year BMP files destroy an area of hard disk the size of the united kingdom. Act now, boycott bmp files on the web, and visit jpeg2000 compliant porn websites.
I wonder if fractal compression is actually better on lesbian porn that hetro porn.
Think about it... thats right... think about it...
signed
Tod the Miller of the Vale BSC SSC
please type the word in this image: signed
random letters - if you are visually impaired, please email us at pater@slashdot.org
#hostfile 0.0.0.0 primidi.com 0.0.0.0 www.primidi.com 0.0.0.0 radio.weblogs.com
I took a class on Photoshop at my community college, now, I'm not claiming to be the best in the world here, but most of what we learned had to do with image surgery (say, making it look like your fat bitch assed Aunt that you hate to hell and back, completely disappear from the picture, with only a few hints something got photoshopped). So, one of the first things I look to Photoshop for is doing this kind of work. My question is, if GIMP doesnt have the tools (if its not on the tools pallet, for all practical purposes, they might as well not even be there) Photoshop has for this kind of work, how do I do it in GIMP? Which is one of the major reasons the current GIMP not only cant touch Photoshop, but Adobe has a 30 mile restraining order on GIMP.
BTW: On the other hand, GIMP did have an impressive array of included textures to choose from (that weird little bubbly orange lava thing, umm... interesting)...
I know someone used to work at Adobe in the elements team. They got the axe due to the Macromedia merger.
This post was actually pretty insightful.
Why was Photoshop Elements missing from Consumer Report's review of digital photo editing software? That seems like a bizarre oversight raising the question of how qualified CR is even do software reviews. Another option would be that the review pool was stacked to provide a specific outcome.