RIAA Drops P2P Lawsuit Strategy, Goes Local
An anonymous reader writes "Wondering why the RIAA hasn't announced 800 lawsuits per month any more? Well, they're still suing people, but have developed a new strategy according to Slyck.com. Instead the RIAA is looking to be more localized, focused and personal with its new strategy."
As another reader puts it, the RIAA "will opt to file lawsuits on a weekly basis and work with local media to give it a more geographically relevant feel." Perhaps they'll also pick their targets a bit more carefully.
Great.
"more localized, focused and personal?"
What, are we talking warm, fuzzy, happy, huggie-time lawsuits from your friendly neighborhood big-brother cartel?
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Translation : In national press we're getting made to look like the bad guys, so we're going to keep doing it but focus our attacks. So instead of it being in the big news papers it'll only make the local ones and we'll look like better guys instead of villians.
We see this in the UK when police raid places, it's ignored on the major news channels but local ones make if their main feature.
Either way it's the same shit, different day news wise.
I like muppets.
piracy had been contained!? Is the RIAA talking out of both side of its mouth again. Or, does one hand of the RIAA not know what the other is doing? Hmm.
idm owns me
Ha. This is a repost, but I thought it good enough to give another chance - I really think someone should run with it.
...
Boycotting the RIAA will only result in more cries of, "Pirates! Pirates!". I think a different boycott is in order.
On the RIAA page, there is a list of labels that associate themselves with the RIAA - remember, the RIAA is a group of labels, and other music related 'entities' that like the lobbying power that the RIAA gives them.
Not buying CDs, videos or DRMd files is not going to hurt the RIAA - they make their money from 'dues' from the individual labels. Not buying CDs will only help the RIAA make a case that it's due to piracy, and make that case to those who make the laws.
However, if a boycott was organized that picked, let's say five, (smaller) labels from that list, and let them know that no CDs from them will be purchased that month or year by the organized boycott, calls of piracy hurting sales could be refuted on that smaller scale,(Not that they can't be refuted now...)
Labels who think that calling their customers thieves, handing out lawsuits, restricting fair use, and lobbying for the demise of independent music is ok will get a message that their customers will not stand for it.
Issues with this:
In order to work this boycott has to be big, organized, and educated. Big, so the set of music the particular few labels include intersect with the boycotting group. The boycott doesn't work if no one was going to buy that music anyway. Those sales 'lost' to apathy will be blamed on piracy, and used to lobby for more restrictions and copyrightholder power.
Oraganized, so that the chosen labels (picked by size and choice of music: see above) get an actual message : "You are being boycotted by x number of people who have agreed that they will not buy your labels offerings until: (insert ultimatum here - hell freezes over, a year passes, or my favorite, disassociation with the RIAA) This notice should be sent anywhere that would reproduce it, and those not 'signed up' should be
Educated, so that they know what the RIAA is (not a company per se, but a collection of companies), why the boycott is happening, and how they can help.
There are certainly other things to take into account, such as the 'list' is by design, not accurate. There have been cases where the RIAA has claimed membership by some small (and suddenly successful) lables, in order to present a 'united front' and spread the message that RIAA=success/no RIAA=obscurity.
I'm convinced that the only way to kill the RIAA is to go after the legs - small and medium labels that support it. Once these smaller labels have severed their connection with the RIAA, the RIAA will have less money to lobby for DRM and the extention of copyrights, less money to pay lawyers to sue your dead grandma, less money to push their skewed facts, figures and arguments to an uneducated public.
Remember, the RIAA's money comes from labels and manufacturing, whose money comes from you. Small, focused strikes by a large educated group are the only way to win.
They turned off their automatic lawsuit generator.
Wondering why the RIAA hasn't announced 800 lawsuits per month any more?
World Cup?
839*929
Or the RIAA/MPAA are so befuddled that they sue people who aren't guilty of much of anything. If they think this is somehow going to put a better face on their draconian tactics then they are even more egotistical and deluded than I had previously realized. If nothing else, it will rally local P2P groups and rouse them into action, and the local publicity the RIAA/MPAA is seeking will not be as friendly as they imagine. In fact, i see this backfiring on them in the long run, as the average customer begins to wonder why they are paying so much for this content.
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You know, at first I thought that the attorneys who work for the RIAA were blood-sucking leeches for going after all of those people like they do. However, the more I think about it the more I think that they truly are brilliant. They have tapped into a seemingly endless supply of cash at the RIAA by trying to accomplish something that will never work: shutting down file sharing entirely.
If they ARE blood-sucking leeches, they are very smart blood sucking leeches. Bravo!
I guess I won't be needing that Swedish piracy insurance now.
Yes, the threat of legislation and consistent bullying tactics are a surefire way to get me to "enjoy" my music legally. Basically all they want to do is make it look like they are catching people every day (and I'm sure they are) and then publicize that in local papers. I don't care if Robert Vaughn in Washington D.C. gets caught for file-sharing, but if Jimmy across the street gets a fine, well then I'd better be scared.
I wonder if the RIAA has done any public image surveys since they decided to start terrorizing their consumers? It's one thing to try to protect your intellectual property; it's another thing entirely to shake down every person with an internet connection. I can't think of one person nowadays who thinks the record industry is anything but a pack of devils; I just wish there was some way of translating that revulsion into serious market reform. They're just jackals, plain and simple.
..for a more localized, focused and personal experience.
Swedish plasma phys. PhD student; MSc EE; knows maths, programming, electronics; finance interest; seeks opportunities
So why are the local papers and stations acting as PR shills for the RIAA? Are they stupid or just getting cash?
Does any ./er read local news?
So they're adopting the Business Software Alliance model, right? Will they adopt it fully? Will they allow for retroactive purchase and penalties to be paid in an extralegal manner rather than pursuing the manner in courts?
Wordnik, a dictionary project which aims to collect
"We hold that one who distributes a device with the object of promoting its use to infringe copyright, as shown by clear expression or other affirmative steps taken to foster infringement, is liable for the resulting acts of infringement by third parties," Justice David H. Souter wrote in court's decision.
So Dell, Gateway, Microsoft, Apple, etc, all need to specifically have a disclaimer stating "don't use our stuff to infringe copyright"? Currently, it looks like Dell, Gateway, Microsoft, Apple, etc are all guilty...after all, their products are all used to "infringe copyright". Same with hard drive manufacturers, cd/dvd burner manufacturers, burning software manufacturers, etc.
That and, of course, we wouldn't want to hold individuals responsible for their own actions. It seems to me that gun manufacturers could now be held responsible for murder wouldn't it? Maybe a bad analogy, but is a gun really manufactured to specifically murder people? I agree with the lower courts decision completely - it just makes logical sense. But the fact that it was overturned 9 to 0 by a higher court tells me that a few people were bought and paid for.
Content Management System: A pretentious way of saying "text editor."
I guess you are either flamebaiting or you must work for the RIAA -- anyone who pays attention to the world knows that the RIAA is a pile of garbage. Just look into some of the crap that they've done (hint: the article summary had 3 cases where the RIAA was playing the role of a tool).
Going after 12 year olds for "violating" intellectual property rights is bullshit -- when was the last time you asked a 12 year old about intellectual property rights and got any answer other than a headscratch and a "huh?".
Telling a 15 year old she has to lie in court otherwise she will be tried for perjury is not only unethical but brutal. If you're religious, placing your hand on the bible and swearing to go that you're telling the truth and then having to lie because the RIAA told you to is "just protecting intellectual copyright"?
Suing a woman who has never used a computer in her life... doesn't that just scream "I'm the RIAA and I don't look into things before I try to ruin peoples' lives by suing them into the poorhouse"?
They're NOT protecting the artists that they suppossedly represent (via the record companies that they represent):
http://en.wikipedia.org/wiki/Riaa
"In 1999, Stanley M. Glazier, a Congressional staff attorney, inserted, without public notice or comment, substantive language into the final markup of a "technical corrections" section of copyright legislation, classifying many music recordings as "works made for hire," thereby stripping artists of their copyright interests and transferring those interests to their record labels. Shortly afterwards, Glazier was hired as Senior Vice President of Government Relations and Legislative Counsel for the RIAA, which vigorously defended the change when it came to light. The battle over the disputed provision led to the formation of the Recording Artists' Coalition, which successfully lobbied for repeal of the change."
"In 2006, the RIAA claimed that ripping CDs and backing them up does not constitute fair use, because tracks from ripped CDs do not maintain the controversial DRM to protect the music file from copyright infringement. They argue that, there is no evidence that any of the relevant media are "unusually subject to damage" and that "even if CDs do become damaged, replacements are readily available at affordable prices.""
That's right, they want you to buy a new CD when yours breaks... after all, they're "unusually subject to damage", right? Those thing pieces of plastic scratch more easily than my ass! Ripping the CD to my computer (and not sharing it) is not fair use? They don't want me putting it on my mp3 player so I can take my 800+ CD collection wherever I want without hiring a personal music assistant? Damn, well I guess I could employ one of the people the RIAA sued into the ground for pretty cheap. By the way, about 20 of those cds no longer work due to scratches, thankfully I have all my music ripped to my computer so I was able to burn myself a backed up copy -- I store all my cds in the cases they come in or in proteced and padded cd booklets so it's not like I'm mishandling them.
The RIAA is not in the interest of protecting rights of the artist or the consumer -- they're in the interest of making themselves rich and powerful.
A computer once beat me at chess, but it was no match for me at kick boxing.
Even music artists on smaller labels don't see much money from their record sales. Of course, the more money their label makes the more the label wants to use on their next album for production, promotion, etc.
After speaking to an artist on a small label I was told that the most money they see and retain is from merchandise they sell at concerts, excluding cd's.
Even cd's sold on websites don't necessarily put more money into the pocket of the artists, because the same percentage goes right to the label.
If you really want to piss of the RIAA and the record companies, while you're downloading the album illegally, just go to that band's website and purchase a t-shirt or some other piece of merchandise that does not contain their music.
(even if their label is associated with the RIAA or not)
Ignorance is not a defense...if this little rant is the best you can come up with, I wish you luck in FPMITAP (federal pound me...)
Why go fast when you can go anywhere? O|||||||O
Hmm. I've always suspsected that the goal of DRM is to make you pay for the same thing over and over. This confirms my suspicion.
Interestingly enough, this is still on the RIAA's website:
How is it not a defense? How about coming up with a good argument against it, rather than your own little rant. Google for Candy Chan and the RIAA and this is one you'll get. http://recordingindustryvspeople.blogspot.com/2005 /09/priority-records-v-chan-riaa-case.html
Since it wasn't the mother, she had no knowedge of computers, they moved right on to her daughter.
"The RIAA sued the defendant Candy Chan, who had no experience or knowledge of computers. It was possible that her 13 year old daughter may have had a file sharing account.
The RIAA continued to argue that Ms. Chan was indirectly liable for providing a computer to her teenage daughter. After taking Ms. Chan's deposition, the RIAA moved to add the 13 year old child as a defendant.
Ms. Chan's attorney, John Hermann of Berkley, Michigan, objected, arguing that the daughter was a minor and that the Court would have to appoint a guardian ad litem to protect the interests of the child, before for the child before they could proceed.
In the meantime, Mr. Hermann indicated that he would make a motion for summary
judgment on behalf of Ms. Chan.
The RIAA then immediately moved to withdraw its own case against the mother."
Do the RIAA and MPAA realize they're a joke? Maybe not to the unfortunate people who get sued (a good friend of mind among them), but to everyone else? In some countries you can get RIAA insurance! They sue people who have never used a computer, little girls, dumb parents, and pretty much anyone they happen to randomly pick.
This is not going to work, anymore than their initial batch of lawsuits did. There needs to be some serious discussion of how to reform the music and movie industries and create a system where:
1) Customers know what is and is not right/legal and why.
2) Customers WANT to get music and movies legally.
Neither of those things is ever going to happen as a result of restrictive DRM (which actually punishes customers who obey the law) and lawsuits (which generate extremely bad publicity and create a rebel/pirate underground that only intensifies the file sharing culture).
I'm not going to pretend that #2 is easy, but no matter how you look at it that's the way it's got to be unless you want to sue or put on trial a huge percentage of the US population including the majority of college students.
Haiku for you!
I would, if properly convinced the defendant was guilty, fine him thus:
$3 for every song on his computer ($1 Itunes price, $2 punitive), minus $36 for every physical CD he owned ($3 a song, figure an average of 12 songs a CD).
It's enough to make the kid feel pain for violating the law, without being absurd. While a $20,000 judgement against you would suck, it's not unpayable.
Of course, a $20k judgement may not make such a law suit a net financial loss for the RIAA, but they can cry me and the rest of the Jury a river.
Also remember that the Jury is the ultimate arbriter of both the defendant and the law- even if the law says he's to be fined $1000 per song or such nonsense, a jury does not have to follow that in setting an award.
IANAL but you can read about Jury Nullification yourself.
Alcohol, Tobacco and Firearms should be the name of a store, not a government agency.
This has been my personal experience as well. Just to reinforce:
I've had the luxury of being a part of a band signed twice to a small labels. We made absolutely nothing, despite experiencing moderate success.
Since then, we've purposely avoided label interest so we can control our own music and merchandise (and destiny). We record everything ourselves and release all music under a creative commons license. So far, it's working well.
We have broken even on our bar tabs, equipment, promotion, and gas... we never broke even under a label.
I don't buy a bit of this "RIAA helps musicians" crap.
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