18th Century Pigment to Revolutionize Chip Design?
Scarlet X writes "Researchers at the University of Washington have discovered a possible nonvolatile magnetic semiconductor and are investigating its use for 'spintronics,' an emerging technology that is concerned with manipulating and controlling the charge, flow and magnetism of electrons. The possibilities for the material 'cobalt green,' a paint developed by American Revolution era artists, as a spintronics material is exciting. Should the magnetic properties of the paint at room-temperature prove able to reliably control the wild spinning of excited electrons in a processor, not only could the size of processors reduce substantially, but the constant limiting factor, how to keep things cool, could disappear."
While I'm sure spintronics circuits would have their own way of performing calculations, I can't imagine energy wouldn't be expended in the process.
If energy is expended, then the temperature of the component will rise. If the temperature rises, it'll be likely to require cooling. (Especially as more energy gets expended with designs capable of higher computation loads.)
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It definitely brings a new twist to the term "Prior Art"!
In this case it wouldn't apply, but given the subject mateer it had to be said.
As a watercolour pigment, cobalt green is increasingly hard to find. Winsor&Newton no longer stock, nor DalerRowney. The only remaining major supplier seems to be Schminke. It's a really useful colour for making lively blacks, but the point of mentioning here is that these paintmakers all cite poison/health/product liability issues as reasons for its withdrawal. Best not kiss your circuit board any more than you should lick your brush tips.
Sven Rinman is spinning in his grave :)
With Great Power Comes No Love Life! - Samit Basu
but the constant limiting factor, how to keep things cool, could disappear
I guess I'll have to buy a heater...
dnuof eruc rof aixelsid
You would need a pretty small brush to make them work fast enough to be really useful.
Someone like Chinese micro-painter Jin Yin Hua who has painted an image of a giant panda on a single human hair could really do it justice.
However for simpler curcuits it could be good to do.
I personally would prefer to put this ink into an inkjet printer and get better results.
liqbase
This research has been going on for a long time - you may have heard of it here and it's likely going to take a while before we see it since it still needs to be perfected and then economical and make its way into industry. As far as I can tell by reading the UWNews article, all they did was discover that an old pigment can work. Not that it isn't cool, but it's not really likely to advance science significantly, especially because a previous article in PRL which was published in 2004 mentions this effect.
Shameless copy from wikipedia:
While the timeframe is correct, the sentence in the posting (to me) suggests it's an american invention...
Sorry for the slightly off-topic, non-american-centric post. Now please continue enjoying your duplicates^H^H^H^H^Hexiting new stories and comments ;).
Intosi
I love the line "Imagine that random access memory is accessible immediately". What a prat.
Lesson to all journalists: if you don't know enough to say anything on a subject, don't try to say anything yourself - just report what other people say and you'll be fine. Try to add your own tag-lines, and you'll end up saying something stupid like this.
Grab.
Cobalt green is people!
;)
Next thing they'll be breeding us like cattle for electronics.
...them.
Can I have a hurrah for these?
but by chemists, Artists didnt even like it
The preparation of zinc oxide at the end of the eighteenth century made the development of cobalt green, also known as zinc green, possible.
The Swedish chemist, Rinmann is credited with developing a process for making a compound of cobalt and zinc in 1780 that he published with the Stockholm Academy of Sciences. Arthur Herbert Church published Rinmann's process in his book, The Chemistry of Paints and Painting. According to Church, cobalt green was made with the compounds of oxides of zinc and cobalt by mixing them "with an alkaline carbonate" and then exposing the mixture to strong heat. After washing the sediment that resulted, the pigment was ready to grind. The pigment was always bluish-green in spite of the ability to widely vary the proportion of zinc to cobalt oxides in production. The compound that is formed is chemically joined.
Cobalt green was a semi-transparent, moderately bright green. Most sources cited considered it to be absolutely permanent as most pigments produced at high temperatures are. However, tests made in 1847 and published in 1910 showed a browning of the color in full-strength and a fading of it when mixed with lead white. The colormaker, Blockx, added that the date of the tests bears certainty that the green was made by Rinmann's process,
Artists did not favor cobalt green although it could safely be mixed with all other pigments and was a fast drier in oil. The poor tinting strength and high cost of cobalt green kept it in limited use. Field called it, "chemically good and artistically bad"
history of cobalt green
We'll take our Cobalt Green, and a little Titanium White, and just paint some happy little resistors here in the corner.. they'll live right here right across the board from their little friends the capacitors beneath the happy clouds.
Goodnight Bob Ross, wherever you are!
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Can you overclock it?