Slashdot Mirror


MP3's Loss, Open Source's Gain

nadamsieee refers us to a piece up at Wired on the fallout from Microsoft's recent courtroom loss to Alcatel-Lucent over MP3 patents. From the article: "Alcatel-Lucent isn't the only winner in a federal jury's $1.52 billion patent infringement award against Microsoft this week. Other beneficiaries are the many rivals to the MP3 audio-compression format... Now, with a cloud over the de facto industry standard, companies that rely on MP3 may finally have sufficient motivation to move on. And that raises some tantalizing possibilities, including a real long shot: Open-source, royalty-free formats win."

86 of 331 comments (clear)

  1. is storage that big of an issue anymore? by User+956 · · Score: 3, Insightful

    And that raises some tantalizing possibilities, including a real long shot: Open-source, royalty-free formats win.

    Why is it always Ogg Vorbis? What about FLAC?

    --
    The theory of relativity doesn't work right in Arkansas.
    1. Re:is storage that big of an issue anymore? by Smallest · · Score: 2, Insightful

      storage might be less of an issue, but streaming .WAV files would suck suck suck

      --
      I have discovered a truly remarkable proof which this margin is too small to contain.
    2. Re:is storage that big of an issue anymore? by CRCulver · · Score: 5, Insightful

      Because lossy and lossless formats fill different niches.

    3. Re:is storage that big of an issue anymore? by Anonymous Coward · · Score: 4, Funny

      Yeah! And what kind of name is Ogg Vorbis anyway!? ..

      Stupid stupid name!

    4. Re:is storage that big of an issue anymore? by mumblestheclown · · Score: 3, Interesting

      Why not? Beacause at some point you reach the point of diminishing returns. There is always the next great format that is n% better. But at some point people just don't care any more. Do you look at the file size of your mp3s any more? can you REALLY tell the difference between 256khz and 512khz (hint: if you say 'yes', you are lying). At some point you have to stop fighting over that last n% and start working towards what is achievable. To put it another way, you have to stop playing theory (the art of the theoretically possible), and start playing politics (the art of achieving the practically doable.)

    5. Re:is storage that big of an issue anymore? by garcia · · Score: 4, Interesting

      can you REALLY tell the difference between 256khz and 512khz (hint: if you say 'yes', you are lying).

      If you can't then your hardware for listening sucks. Put on a set of great headphones and tell me you can't hear the noise in a 256k lossy music file created from a CD. Make a FLAC of that same file and tell me if you hear that noise.

      FLAC is far superior to any lossy formats but it creates absolutely huge files and yes I do pay attention to the size of my music collection because it's all in FLAC or SHN.

    6. Re:is storage that big of an issue anymore? by Nexx · · Score: 3, Funny

      256kHz and 512kHz? I can't hear much above 20kHz, nor do I think my computer can produce that sound in the 16bit-44kHz audio formats, given Nyquist limits.

    7. Re:is storage that big of an issue anymore? by e4g4 · · Score: 3, Funny

      can you REALLY tell the difference between 256khz and 512khz (hint: if you say 'yes', you are lying) I sure can, 512khz is an octave higher than 256 khz :P (I know, i know, you meant kbps).
      --
      The secret to creativity is knowing how to hide your sources. - Albert Einstein
    8. Re:is storage that big of an issue anymore? by Sciros · · Score: 2, Informative

      Yes, storage is still a big issue. CDs still hold 700 megs, meaning that the number of FLAC songs they can hold (as opposed to compressed songs like ogg or mp3) is much smaller.

      CD players would all have to become DVD players to make up for the difference.

      Hard drive space may be cheap, but recordable media hasn't grown in size (well, there is Blu-Ray but the cost is prohibitive to the point of not being worth discussing). So yes, file size is still a big deal unless you don't listen to music on recorded CDs (for instance, mp3 CD in the car).

      --
      I like basketball!!1!
    9. Re:is storage that big of an issue anymore? by dextromulous · · Score: 4, Informative

      can you REALLY tell the difference between 256khz and 512khz (hint: if you say 'yes', you are lying).
      What the hell are you talking about? Nobody in their right mind would use a sampling rate of 256khz for so many reasons I won't even start listing them here... Since you are probably referring to kbps, I am still confused. 512kbps is not a valid rate for an "MP3" file.

      can you REALLY tell the difference between 256khz and 512khz (hint: if you say 'yes', you are lying)
      YES, I can REALLY tell the difference between a filtered audio file and a compressed audio file. Some people still listen to music that was created by real instruments, you know. The easiest way I have found to hear the difference is when listening to various cymbals and string instruments. When filtered, the high frequencies sound like they are eminating from a tin-can. Maybe your high-frequency range has been too damaged because the volume on your iPod is set too high...
      --
      There are two types of people in the world: those who divide people into two types and those who don't.
    10. Re:is storage that big of an issue anymore? by Maxo-Texas · · Score: 2, Informative

      Some people can.

      I have a friend who can see the difference between 60fps and 72fps in online games and 60fps bugs the crap out of him.

      I can hear the difference if i put on a CD and listen to it side by side- but not otherwise. MP3's - regardless of how good sound a little "muddy" compared to a CD.

      However you are probably right that 256kbps vs 512kbps are basically the same (both will have some muddiness compared to a pure cd but be similar to each other).

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    11. Re:is storage that big of an issue anymore? by PopeRatzo · · Score: 3, Interesting

      This leads me to a question I've wanted to ask the Slashdot community:

      When music files are available on a website, which format makes you happiest?

      I've considered all the usual suspects, mp3, ogg, flac, even wma. If you were visiting a website of a favorite musician, in which format would you prefer to see the music offered? DRM is absolutely not an issue, but I might attach a small digital "tag" or signature (audible or inaudible at the end of the file), not to prevent copying, but rather to identify the piece's author.

      If you have time I'm even interested in knowing which bitrate you'd prefer and whether 5.1 surround vs regular stereo is important to you.

      Thanks.

      --
      You are welcome on my lawn.
    12. Re:is storage that big of an issue anymore? by LunaticTippy · · Score: 2, Insightful

      I like 128k mp3 AND either high-bitrate mp3 or flac. Even on a modem a 128k mp3 is downloadable and they sound ok. If it's really good I like to see a high quality option. You'll probably lose some interest if people have to download 50MB just to see if they like it. I don't care about 5.1 surround. Too much music I already have is stereo.

      I used to prefer ogg on principle, but frankly I'm too lazy. I have a swim-proof mp3 player and anything can play mp3s. I got tired of fighting $5 mp3 players, mp3 players in cars, and mp3-only device categories.

      Alternatively, I would like some mid-quality stream with a high quality download option. If you're setting up a streaming server anyway why not have 2 or 3 quality settings?

      --
      Man, you really need that seminar!
    13. Re:is storage that big of an issue anymore? by FunkyELF · · Score: 3, Funny

      Years from now when you can buy multiple terrabyte portable mp3 players, someone will still choose to store 10 million ogg/mp3 files instead of 1 million FLAC files. All legal files of course.

      I'm sure the math of off but you get the point.

    14. Re:is storage that big of an issue anymore? by NMerriam · · Score: 4, Informative

      If you can't then your hardware for listening sucks. Put on a set of great headphones and tell me you can't hear the noise in a 256k lossy music file created from a CD.


      All the double-blind tests by audiophiles at Hydrogenaudio and other sites that due true ABX testing disagree with you. For most people, most of the time, with most types of music, pretty much every modern codec is transparent well below 256kbps.

      Yes, people can train themselves to listen for the specific artifacts of different codecs, but if you're not an audio engineer, why would you want to?
      --
      Recursive: Adj. See Recursive.
    15. Re:is storage that big of an issue anymore? by hkgroove · · Score: 2, Informative

      can you REALLY tell the difference between 256khz and 512khz (hint: if you say 'yes', you are lying).

      It's already been established you meant kbps.

      But, yes, you can. Instead of your iPod headphones or car stereo, listen to the difference in an actual studio or club with a properly tuned sound system. And I don't mean self-powered Mackies or Yorkvilles running off of a Pioneer 600. Try something with a Rane or Allen & Heath with Turbo Sound, then we'll talk!

      The difference between 256 and 320 and WAV is noticeable in both the crispness of high-hats and the warm of the mids / synths of a track. Under 320 it almost seems logarithmic how quickly the sound deteriorates.

    16. Re:is storage that big of an issue anymore? by QuasiEvil · · Score: 3, Informative

      The obvious answer is lossless (FLAC, etc.) so that I can store it perfectly and then recompress it into whatever I need. However, that takes a lot of bandwidth to distribute, so I'd have to say my next choice would be high bitrate MP3s (256 or 320kbps) because they work *everywhere*. (I can't tell the difference, so I stick to 256kbps myself. I'd like to see a statistically valid double blind test that shows any difference in perception.)

      I admire the Ogg Vorbis project for creating a free codec that may not be patent-encumbered, but my cars and my iPod don't play ogg files. Considering that I think of my cars as my personal listening studio, well, they're first on the importance list when it comes to compatibility. MP3 for me, and it will be for the foreseeable future.

    17. Re:is storage that big of an issue anymore? by NMerriam · · Score: 4

      Sorry, I don't take their word when I can tell IMMEDIATELY when I'm listening to an MP3. Their double blind test sucked apparently.


      You don't have to take their word for it -- take the tests yourself. Or make your own, install ABX software and see if you can tell to any statistically significant consistency when you're listening to the original CD rip vs a 320kbps MP3. You'll be in a pretty small group if you can.

      It's not like this is all being done in a dark room by a cabal somewhere. Put your ego where your mouth is -- lots of people "know" that they have to have the best possible quality, and then find out the hard way that they can't tell a 128kbps AAC from a DAT master when asked to prove it in a double-blind ABX test.
      --
      Recursive: Adj. See Recursive.
    18. Re:is storage that big of an issue anymore? by CRCulver · · Score: 4, Informative

      Ogg Vorbis is the Xiph.org foundation's lossy format. FLAC is the Xiph.org foundation's lossless format. Clear now?

    19. Re:is storage that big of an issue anymore? by Anonymous Coward · · Score: 5, Funny

      So I should buy better hardware so I can hear the noise in my MP3s?

    20. Re:is storage that big of an issue anymore? by JohnnyLocust · · Score: 5, Informative

      Ogg Vorbis is the Xiph.org foundation's lossy format. FLAC is the Xiph.org foundation's lossless format. Clear now?


      Ogg is Xiph.org foundation's streaming container format. Vorbis is Xiph.org foundation's lossy audio codec. FLAC is Xiph.org foundation's lossless audio codec. Everyone's clear now :)
    21. Re:is storage that big of an issue anymore? by imbaczek · · Score: 2

      google rockbox.

    22. Re:is storage that big of an issue anymore? by TheRaven64 · · Score: 3, Insightful

      Most of my music is 320kbps so I do like better bitrates but a 20mb VBR mp3 or ogg file does not sound that much different than a 40mb FLAC file of the same song. If you are using a hard-drive based player, however, then the number of disk reads is directly proportional to your disk rate, and your battery life is inversely proportional.
      --
      I am TheRaven on Soylent News
    23. Re:is storage that big of an issue anymore? by alx5000 · · Score: 3, Funny

      I want my... I want my Mp3...
      I want my... I want my Mp3...

      Now look at them Lucents
      That's the way you do it
      You play your music on your Mp3
      That ain't workin'!
      That's the way you do it
      Get your money for patents
      and your suits for free

      Now that ain't workin'
      That's the way you do it
      Lemme tell you these guys ain't dumb
      Maybe get a lawsuit for your little codec
      Maybe get a lawsuit for your Zune

      We gotta install class action lawyers
      Custom codec circuitery
      We gotta move these patent infringements
      We gotta move these Alcatel bills

      [...]

      --
      My 0.02 cents
    24. Re:is storage that big of an issue anymore? by mczak · · Score: 4, Funny

      I sure can, 512khz is an octave higher than 256 khz Oh a bat reading slashdot. You sure have good ears if you can hear those frequencies!
    25. Re:is storage that big of an issue anymore? by Frank+T.+Lofaro+Jr. · · Score: 2, Funny

      It's a better name than GIMP.

      --
      Just because it CAN be done, doesn't mean it should!
    26. Re:is storage that big of an issue anymore? by Jesselnz · · Score: 5, Informative

      iPods can play ogg/flac files, as can any mp3 player supported by Rockbox.

      http://rockbox.org

    27. Re:is storage that big of an issue anymore? by Frank+T.+Lofaro+Jr. · · Score: 3, Funny

      I have a patent pending algorithm that allows reproduction above the Nyquist limit by using a reverse-aliasing predictor transform.

      It can represent up to the sampling rate, instead of half the sample rate.

      Using complex elements in the transformation matrix one can get 2X, but that causes many terms in the transform to not cancel out until the end, and thus uses too much RAM (O(N^2)) for embedded applications. I've even got it up to 8X the sample rate using quaternions, but the exponentially increased complexity makes it impractical even for the desktop (slower than real-time on a 3 GHz PC).

      --
      Just because it CAN be done, doesn't mean it should!
    28. Re:is storage that big of an issue anymore? by afidel · · Score: 3, Informative

      Yep, MP3 only sucks with a bad encoder (most of them). Using Fraunhoffer or LAME you can get files that 99+% of the time can't be distinguished from the original at ~220Kbps VBR. AACPlus amazingly sounds good (not great) at 48Kbps (see somafm.com), we've come a long way since the days of 128Kbps CBR MP3's from crappy encoders.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    29. Re:is storage that big of an issue anymore? by Jherek+Carnelian · · Score: 2, Informative

      Do like that site in Russia does - keep a lossless copy on the backend and then allow the customer to specify the format and bitrate and then do a transcode on the fly. You can make it simple for non-geeks by providing a short list of typical encodings with short descriptions as to what they are good for, and then charge less for the lower-quality versions (or charge more for the higher-quality, just depends on you look at it). You could even pre-encode a couple of common formats if you worry about cpu utilization on the server.

      5.1 is nice - you would have to go with AC3 and DTS (preferrably full-bitrate DTS) to have a chance of any wide-spread interest but it is only nice if mixed by someone who knows what they are doing, otherwise it is just a gimmick.

    30. Re:is storage that big of an issue anymore? by ElBeano · · Score: 2, Insightful

      I've been encoding to ogg vorbis for several years, for personal use and for streaming media servers I manage. I occasionally use mp3 (lame encoded) for compatibility with other devices and for podcasts. I have no problems with playing my ogg files since I use compatible players from iriver and will not own a car audio system without a stereo mini plug. Because I care, others have seen the advantages and converted too. From reading the posts below, there are a lot of sheep reading slashdot.

    31. Re:is storage that big of an issue anymore? by Vintermann · · Score: 2, Insightful

      These days I'm grateful if it plays non-DRM-encumbered formats, let alone open formats :-/

      --
      xkcd is not in the sudoers file. This incident will be reported.
    32. Re:is storage that big of an issue anymore? by bzipitidoo · · Score: 2, Interesting

      Yes, and I'll add that vorbis has superior sound quality. mp3 degrades rapidly when you go below 128kpbs while vorbis is still very good at 96kbps. To get transparent sound out of the mp3 format, some people feel they have to push the bitrate all the way up to 320kbps. With that high a bitrate, might as well just use FLAC. For most music, vorbis achieves transparency at 192kpbs.

      I keep an eye on http://wiki.xiph.org/VorbisHardware . Next time I get a car radio, I'd like one with an input jack but without a CD player. Take some of the complexity and expense out of the car radio and let the portable music player handle the decoding and reading of media be that from a CD, or flash memory or a mini HD. I'd like the car radio to be like a home stereo amp and tuner and nothing more. So far, I haven't seen anything that fits.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    33. Re:is storage that big of an issue anymore? by caluml · · Score: 2, Insightful

      I used to prefer ogg on principle, but frankly I'm too lazy. I have a swim-proof mp3 player and anything can play mp3s. I got tired of fighting $5 mp3 players, mp3 players in cars, and mp3-only device categories.

      Yep. And the date that the patent expires isn't that far away now.

    34. Re:is storage that big of an issue anymore? by Cadallin · · Score: 2, Interesting
      No, you buy better hardware so that when you listen to high quality classical or other acoustic recordings, you have the dynamic range and frequency response to actually hear both the loud and the quiet parts of the music. The sounds of violin, cello, cymbals, or piano (as in a real concert grand) get damaged by lossy encoding.

      When listening to hyper-compressed pop or electronica, yes, there's no point. I do indeed doubt its possible to tell the difference between such music encoded lossily at reasonable bitrates and lossless encodings. Enjoy. Those of us who enjoy classical need better equipment, of course our equipment also tends to be brutally revealing of the poor mastering practices used for pop music.

    35. Re:is storage that big of an issue anymore? by Bob+Uhl · · Score: 2, Informative

      I'd like to see a statistically valid double blind test that shows any difference in perception.

      Better than a simple double-blind test: a (double-blind, of course) triangle test. In a triangle test, each subject is given three samples of two substances and is asked which two are the same, and which he prefers. Answers to the second question are only counted if the first question is correct.

      This is used a lot of in beer tastings, in order to help eliminate a little bit of untrustworthiness from the results.

  2. The title of the post makes no sense whatsoever... by garcia · · Score: 4, Informative

    And that raises some tantalizing possibilities, including a real long shot: Open-source, royalty-free formats win."

    Yet the title of the article says it's "Open Source's Gain"?

  3. the problem with format patents by timster · · Score: 4, Interesting

    We shouldn't pretend that a patent cloud over MP3 means that everyone will move to Vorbis. The trouble is that the numerous patents for audio compression aren't limited to any specific format; they are patents on ideas and mathematical functions, like all software patents. So it's hard to say that Vorbis doesn't infringe just because it's open. Remember with patents, you are still liable even if you come up with the same idea independently.

    So does anybody really know if there are any patent issues with Vorbis? Has an audit been done somewhere that I haven't heard about?

    --
    I have seen the future, and it is inconvenient.
    1. Re:the problem with format patents by nadamsieee · · Score: 2, Informative

      The trouble is that the numerous patents for audio compression aren't limited to any specific format...

      You mean patents like these..? :(

    2. Re:the problem with format patents by Hrodvitnir · · Score: 4, Funny

      That's what you think! They could be infringing on stuff that hasn't been patented yet. Then they'll be screwed.

      --
      "There are more important things than stopping terrorism. Upholding the Constitution is one of them." - Ars Forumer.
    3. Re:the problem with format patents by massysett · · Score: 4, Informative

      Wikipedia article has a link and says "Although Xiph.Org states it has conducted a patent search that supports its claims, outside parties (notably engineers working on rival formats) have expressed doubt that Vorbis is free of patented technology."

    4. Re:the problem with format patents by Overzeetop · · Score: 2, Insightful

      I understand the attempt at humor, but you may be more correct than you intended. Without really knowing the details, my understanding of this patent was that everybody thought they have already complied, but some portion of the patent was effectively backdated and became a "new" requirement for full licensing. There may yet be patents that Vorbis violates that have not surfaced, which are applicable to the code base and predate the Vorbis development. That would suck.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    5. Re:the problem with format patents by Chryana · · Score: 2

      I was going to post something to that effect, but you beat me to it. So I will add to what you just said the following.
      - as soon as Vorbis gains popularity, you can expect every patent troll out there to search for conflicting patents, so Vorbis may not be any better than another proprietary format in that regard. At the very least, choosing a proprietary format gives you someone to sue if the format you chose is infringing.
      - furthermore, Vorbis is not such a hot choice for portables right now because of poor battery life.The playback time when playing Vorbis may be reduced by as much as 33% as compared to mp3 playback.

    6. Re:the problem with format patents by jonwil · · Score: 3, Informative

      I seem to recall that before AOL would allow Nullsoft to add OGG to WinAMP, AOL carried out a through patent search and declared OGG "safe" from patents and therefore safe to include in WinAMP.

    7. Re:the problem with format patents by Technician · · Score: 2, Insightful

      We shouldn't pretend that a patent cloud over MP3 means that everyone will move to Vorbis.

      The chilling effect is the fact Microsoft did pay for the MP3 format. Even though they had a fully paid up license, another party claimed otherwise and won. It would be just like having a fully licensed copy of Windows Vista and Apple winning a lawsuit against you for the 3D desktop effects and winning.

      It calls questions the liability of propery licensed software of any kind and expecialy software codecs. Having a license from the license holder is not good enough anymore. This alone may drive the move to formats without such an obvious liability.

      --
      The truth shall set you free!
  4. Everyone's thinking this ... by iknowcss · · Score: 4, Insightful

    If mp3 gets fazed out, doesn't any one else get the sick feeling that the next "de facto" may be an inherently DRM encumbered format? This could be terrible. Hopefully ogg will take off more.

    --
    Life is rarely fair. Cherish the moments when there is a right answer.
    1. Re:Everyone's thinking this ... by Have+Blue · · Score: 2, Informative

      The natural successor to MP3 is AAC. And before someone starts complaining about Apple, AAC is just as much of an open standard as MP3 is, and does not include any DRM.

    2. Re:Everyone's thinking this ... by steelfood · · Score: 4, Interesting

      Yes and yes!!! Bingo!

      A bit of strategic nudging from the RIAA here and there with their lawyers, and we might just see many of the large commercial audio tools (rippers and players) entirely drop non-drm format support in an upcoming version. iTMS for example, might entirely drop their mp3 encoding support.

      Of course, in reality, mp3's won't be going anywhere, patent violation or not; it's far too established. We'll see wma's more often, but private music collections will still be mp3.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
  5. the big problem by niloroth · · Score: 2, Insightful

    of course is the fact that most people simply refer to digital music, regardless of format, as MP3's. Most people already have a digital music player that will not play FLAK or OGG. People have no desire, or know how to turn their multiple gig music collection into a new format.

    Trust me, i would rather FLAK was the standard, but at least for the moment, it seems to have missed the boat.

    I may of course be entirely wrong.

    --
    09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
  6. i'm not a fan of microsoft but... by someone1234 · · Score: 4, Insightful

    I don't believe they did any wrong. They even paid Fraunhofer, who were widely known as the owners of the mp3 patent. Not telling anyone that they own any mp3 patent and then jumping at the biggest user is simply evil. This kind of abuse should be punished, even if it was not a pure software patent. M$'s WMP is pure software, so if the patent isn't one, then they wouldn't infringe it! The only good thing was in this that an american company was beaten american style. This might lead to some patent reform.

    --
    Patents Drive Free Software as Hurricanes Drive Construction Industry
  7. Hardware prices are the real issue by ZachPruckowski · · Score: 3, Insightful

    Portable Music Players will play whatever it's cheapest to get hardware for. Hardware decoders for WMA, AAC, and MP3 are easy to find and often high-quality because they're sold in high-volume. By contrast, decoders for Ogg Vorbis are harder to come by, and are less efficient because they're not high-volume (and thus competitively improved). Thus it may be worth it to just take a few-cent royalty hit as opposed to switching to a more expensive, less-efficient hardware decoder.

    1. Re:Hardware prices are the real issue by John+Whitley · · Score: 3, Interesting

      Portable Music Players will play whatever it's cheapest to get hardware for.


      Which is exactly why iPods all use software decoders on general purpose embedded cores. Having a codec-specific chunk of silicon fails to be a solution the instant you want to do anything other than decode (or encode) one specific format. As soon as you need to handle a number of different encoded formats or do both decode and encode, that codec-specific hardware doesn't look so spiffy anymore.
    2. Re:Hardware prices are the real issue by Bertie · · Score: 3, Interesting

      I believe it's also more processor-intensive, so you need faster hardware to do the decoding. It's certainly harder on the batteries in any device that can handle it. On the upside, it's more space-efficient and sounds massively better bit-for-bit, even compared to LAME's best efforts.

      Anyway, moral of the story is: go buy a Samsung Z5. Near enough the same size as an iPod Nano, more solidly built, and just as nice UI-wise, but with more functionality, and about twice the battery life. Sounds great, too. Oh, and it's a fair bit cheaper. Yes, it does Ogg.

  8. There's a worry here by heretic108 · · Score: 2, Interesting

    Would I be right to worry that when I upgrade to the next Ubuntu release, or update within the release I'm running, that I might find several programs and libraries quietly dropping their MP3 support, leaving me with gigs of unplayable files?

    Are linux distros about to get hit with a torrent of C&D letters?

    OGG won't be able to take over completely from MP3 until most/all home stereos are able to play ogg CDs in the same way they can now play MP3 CDs, and until most/all personal music players can work with ogg files.

    --
    -- In the beginning was the WORD, and the WORD was UNSIGNED, and the main(){} was without form and void...
    1. Re:There's a worry here by imbaczek · · Score: 5, Funny

      Are linux distros about to get hit with a torrent of C&D letters? Nah, nobody will seed.
    2. Re:There's a worry here by Trogre · · Score: 2, Interesting

      While not prevalent in the industry yet, but this chip is a start.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    3. Re:There's a worry here by Max+Littlemore · · Score: 2, Insightful

      ...you can simply write a script to convert all your mp3s into wav and then into ogg

      BZZZZZZZZZZT! No way! At least not for anyone who enjoys listening to music, as distinct from people you enjoy carefully discerning something vaguely musical from a bunch of garbled noise. MP3 and vorbis are both lossy codecs, so the mp3 you start with is already missing information, you convert that to wav, you're still missing that information, you convert that to vorbis, you throw out more information and degrade the audio.

      It's worse than dubbing tape to tape because of the nature of the formats. With tape you get a bit of hiss and mild degradation for each generation, subject to the quality of the equipment you use for dubbing. With lossy digital compression you get crappy sounding artifacts, in the same way as heavily compressing a jpeg gives you visual artifacts. Even though vorbis is technically better than mp3, and subjectively sounds better, it doesn't improve an mp3 sample, it kills it and that's not an option.

      In my case, the only reason I use mp3 at all is that there is a player in my phone. IIRC vorbis is more complicated to decode and therefore more of a drain on power. This may have changed with hardware decoders, but if everything switches to vorbis, I'll need a new player or a new phone and mp3 player because a firmware upgrade wont cut it.

      --
      I don't therefore I'm not.
  9. convert by Cytlid · · Score: 3, Interesting

    time sox song.mp3 song.ogg
    22.845u 0.336s 0:23.19 99.9% 0+0k 0+0io 0pf+0w

    Not bad, cpu is only 2.4ghz. This was a 3.5mb mp3 and it ended up as a 2.9mb ogg.

    --
    FLR
  10. AAC is the most likely winner by TedTodorov · · Score: 5, Insightful

    As much as we may wish for Ogg Vorbis to succeed, the most likely beneficiary is AAC, simply because of iTunes' default settings. I strongly suspect AAC has already caught up to MP3 in popularity.

    Most people just rip their CDs using the defaults, and thanks to the iPod, iTunes is surely the most popular digital audio program out there. I haven't heard with any patent threats to AAC, so I would suspect that more companies and people will move in that direction.

    Bonus: AAC sounds better than MP3 at the same bit rate.

    1. Re:AAC is the most likely winner by swilver · · Score: 3, Insightful

      I strongly suspect AAC has already caught up to MP3 in popularity.
      Reality check needed here, AAC has nowhere near the penetration of MP3 just because iTunes uses it as a default. People were ripping CD's and playing MP3's long before iTunes even existed (I think I started in 1995 or so), building HUGE collections of MP3's which were shared by the harddisk load (because downloading an MP3 over the internet still took like 15 minutes using a 56k modem). Even now I hardly encounter AAC's (unless they're encoded into an AVI stream).

      As for the story that MP3 infringes on some patents, well it has no impact on how I will use my music. I also seriously doubt AAC will be patent free (or any other audio compression format for that matter), it's just that MP3 is popular right now and it's a nice big target.

  11. Or just WMA by phorm · · Score: 2, Interesting

    And that raises some tantalizing possibilities, including a real long shot: Open-source, royalty-free formats win.

    What about WMA, since it's an MS format I'm assuming that they don't have to deal with the same issues as mp3, and many other companies already support it on their products (car stereo, portable players, dvd players, etc). I'm not sure what the licensing terms are, but even if mp3 disappears it doesn't mean that an open format will automatically be the one to take the stage (not that I would mind in the least if ogg/flac support did increase)

  12. Created Issue by twitter · · Score: 4, Informative

    M$ forbade ogg to users of their "plays for sure" DRM. This blatantly anti-competitive action was slapped down in the EU, and lamely explained as a "mistake", but is a reason every cheap "mp3 player" does not also play ogg vorbis like my Trekstore or my Zaurus does. The hardware issue is spurious and there are low resource vorbis codecs.

    Software patents suck and I'm happy I have mostly avoided mp3. It was a pain to get in the first place and it's still a pain. Too lame will give you "mp3" for your cheap player without patent problems, but vorbis is technically superior. Most of my music is ogg and I don't have any real problems enjoying it.

    --

    Friends don't help friends install M$ junk.

  13. Portable turntable by theshowmecanuck · · Score: 4, Funny

    I prefer to keep a portable turntable in my pants. The vinyl tends to skip when I fart, but I can really hear the difference between crappy digital and the analog. The vinyl record sounds better too.

    --
    -- I ignore anonymous replies to my comments and postings.
    1. Re:Portable turntable by kbielefe · · Score: 5, Funny

      I can really hear the difference between crappy digital and the analog
      That's why I got one of those new-fangled mp3 players that converts the digital music to analog when outputting it to the speakers.
      --
      This space intentionally left blank.
  14. Why sue Microsoft? by BobPaul · · Score: 3, Insightful

    This is probably really obvious, but why did they sue Microsoft instead of Fraunhaufer? It seems Fraunhaufer is the one selling a product based on Alcatel's patents. Wouldn't it make more sense to go to the source of the infringement instead of suing the customers?

    1. Re:Why sue Microsoft? by Dan+Stephans+II · · Score: 2, Informative

      FTA Lucent and Fraunhofer worked together to develop a patent suite for MP3. The question is raised ITA regarding whether ALU should be seeking its cut of the revenue stream on MP3 licensing from Thomson and not from M$. I presume M$ will prevail on appeal, hard to root for them but it's hard to root for a broken patent system that rewards "Intellectual Property Portfolios" (also FTA Lucent was looking to sue on their patent portfolio to shore their finances up...)

  15. Re:How to play Vorbis on an Ipod? by damien_kane · · Score: 2, Informative

    www.rockbox.org

    Howtos are on the site.
    You flash the bootloader (using a tool they provide), then extract the daily-built rar file to your iPod (which you have to have formatted and enabled for Windows USB Mass-Storage compatibility).
    Then, just start copying your music to your iPod/harddrive in whatever format/directory structure you want.
    AAC, MP3, FLAC, OGG, etc, all supported

  16. Re:am I the only one who hates forced subject? by NDPTAL85 · · Score: 2

    You just said it twice.

    --
    Mac OS X and Windows XP working side by side to fight back the night.
  17. All formats may be in danger by Anonymous Coward · · Score: 3, Informative

    Acutally, all formats may be in danger. The Alcatel-Lucent-Bell Labs patent is very generic and can theoretically be applied to all digital audio formats.

    http://crunchgear.com/2007/02/24/patent-monkey-det ails-on-alcatels-15-b-win-against-microsoft/

    1. Re:All formats may be in danger by Frank+T.+Lofaro+Jr. · · Score: 2, Insightful

      Time to go back to .au files.

      --
      Just because it CAN be done, doesn't mean it should!
  18. Ya, it is by Sycraft-fu · · Score: 4, Informative

    So suppose I'm making a videogame, one area I find that OGG is popular in. You are absolutely limited to a dual layer DVD for storage space, no publisher will go over that. In reality, I probably have to try to fit it on 4 or 5 CDs and/or a SL DVD. There are still plenty of computers with CD-ROMs only, with otherwise new hardware, so DVD only releases are somewhat rare. Ok so we have to consider the audio assets. Sound effects are a big deal, they are often stored in a lightly compressed or uncompressed format. However music and voice, well that's another thing entirely. Suppose you want a fairly robust soundtrack at like 2 hours and you want a lot of voice acting, which pushes 10 hours (not at all hard to do).

    So the music is 44.1khz, 16-bit, 2-tracks, the voice you cut down a bit and do 22khz, 16-bit 1 track. That's about 2.6GB uncompressed. FLAC tends to get around 50% compression, so 1.3GB or so. Ouch. That requires over 2 CDs to do. If I'm on a DVD it's still a good amount of space. If we want to stick to a SL DVD, that means only 3.4GB for all other assets.

    Now what if we go OGG? Well for speech we can easily go 64k. We can probably even push it to less if we want but 64k should give great speech quality. For music we could go pretty low since it is in game (UT 2004 is only 96-128k) but heck, we'll be generous and say 256k which is "CD Quality" on everything but the very best gear. That totals about 500MB. Much better, under a single CD now and nearly a 3x savings over FLAC. We can easily halve that again by going 32k and 128k respectively and still probably sound great to the vast majority of users.

    For a music collection, sure use FLAC. It's your drive, you determine how much space you want to buy. For games, however, you need to be economical about it. You don't want your assets taking up more space then they have to, that can artificially limit your market.

  19. Re:standard vs chaos by Dan+Ost · · Score: 2, Interesting

    Out of curiosity, when does this patent expire?

    --

    *sigh* back to work...
  20. Re:No, you just don't know by Anonymous Coward · · Score: 2, Funny

    WMA at 64kbps sounds almost exactly like MP3@128kpbs

    You have my sympathy. How did you lose your hearing?

  21. Most interesting tidbit from the article by Optic7 · · Score: 2, Informative
    Was what they said about Ogg Vorbis patent-free claims. I hadn't thought about this before, so it takes off a little bit of the worry-free feeling I had regarding Ogg Vorbis previously:

    Vorbis is not a slam-dunk, however. Notably, its royalty-free claims have not been sanctioned by MP3 patent-holders and companies that adopt it could wind up with exactly the same legal headaches that Microsoft suffered this week over MP3. In fact, despite its longstanding regard among digital music aficionados, Ogg Vorbis has been unable to make serious commercial in-roads.
    and

    The second is that the same patents now being squabbled over by licensors of the MP3 codec could eventually threaten Ogg Vorbis. "To this day, we still have lawyers tell us they won't support Ogg because Thomson would come after them," Montgomery said.
  22. Re:standard vs chaos by mackyrae · · Score: 2, Informative

    Patents are good for 20 years.

    --
    look! it's a bird, it's a plane, it's....a girl? yes, a girl browsing Slashdot on Linux
  23. Re:if (!playsonipod){format.languishInTheMargins() by MooUK · · Score: 2, Informative

    iTunes is by no means the only way to get content onto your iPod. There are multiple ways for multiple platforms; all you need to do is look.

  24. Can't be true by tkrotchko · · Score: 2, Informative

    WinAmp plays all formats including WMA, WMP, MP3, MP4, ACC.

    I'm not sure what you're saying is accurate.

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
  25. Someone tried! by matt+me · · Score: 3, Funny

    Yeah! And what kind of name is Ogg Vorbis anyway!? .. You think Moving Picture Experts Group-1 Audio Layer 3 has a certain buzz to it?
  26. Sorry, MP3 is here to stay... by dexomsrc · · Score: 2, Informative
    At this point it should be obvious to anyone that a victory over the omnipresence of the MP3 format in the realm of digital audio formats is a mere pipe dream, at least within the next few years. The Slashdot headline for this story is obviously pandering to the affinity that many technology literate people have for digital formats unencumbered by patents, in this case the Xiph.Org offerings of Vorbis for lossy and FLAC for lossless audio compression (there also exists Theora for video, but this discussion revolves only around audio, specifically lossy compressed audio, so we'll limit the scope of discussion to that category of digital media format).

    It is obvious that the core of the current dilemma with respect to the MP3 format revolves around patents, patents that are licensed across national borders no less (Fraunhofer IIS being the German research organization previously recognized as the sole patent holder for the technology involved in encoding and decoding MP3s). But within the framework of discussing a movement away from the MP3 format as a result of ambiguity on the legal weight behind Alcatel-Lucent's claims (which were obviously convincing enough to defeat Microsoft's well-funded lawyer teams in a United States federal court of law), we must examine the source of the format's omnipresence in the first place. Yes, $1.65 billion USD is nothing to sneeze at, and if Microsoft's appeal doesn't go through, there will very well be a motivation for other big players on the market to drop MP3 encoding support from their audio products (it remains to be seen if Alcatel-Lucent's patents also cover decoding).

    But why is MP3 the de facto audio format in the market? The true reason has nothing to do with Fraunhofer, their patents, and especially not Alcatel-Lucent. It was merely the only viable format for copying and transferring audio files at the pivotal point in the evolution of the Internet when it become viable to do so. Nullsoft's Winamp provided out-of-the box support for MP3s in 1997, followed by the release of Napster in 1999 which kickstarted the real explosion of music trading, almost solely in MP3 format. The average person today who has a digital music collection has the majority of their files in the MP3 format. This lawsuit will not compel them to covert these files to Ogg Vorbis, especially if the much more tangible benefits of higher quality per filesize ratio has not already enticed them (not to mention the quality degradation of conversion from one lossy format to another).

    So, Microsoft got nailed for including MP3 encoding support in Windows Media Player. But in all of this speculation about the industry migrating away from MP3 as a result of this lawsuit, did anyone stop to consider that MP3 is not even the default format that WMP encodes to? And sure, iTunes has support for encoding to MP3 as well, but is the default not to rip to MPEG-4 AAC from digital audio CDs? And even so, none of this changes the fact that MP3 is still the most commonly used file format for audio files on Bit Torrent, Usenet, IRC, etc. Most organized ripping groups use LAME anyway, so it's not as if they aren't already using software that infringes upon patents once compiled. No, it's quite obvious that patents have little to nothing to do with MP3's claim to fame as the most popular digital audio format, just as it should be readily apparent that dubious patent claims by Alcatel-Lucent will have nothing to do with any sort of mass migration away from the MP3 format in the next couple of years.

    It's 2007. Any significant gains for the Free/Open Source community will come when the MP3 patent expires in 2010 and GNU/Linux distributions can include support for the format by default, sans royalties. It's naive to think that anything significant will happen with respect to some sort of organic migration away from one of the most classic examples of "format inertia" within the next three years, be it corporate-backed or not.

    1. Re:Sorry, MP3 is here to stay... by Teancum · · Score: 4, Interesting

      The only comparison that I could possibly give here is with the GIF image standard that also had nearly identically widespread use by nearly every website, dial-up BBS, and computer lab. It was The Image Standard that all other image file formats were compared to, and several graphic image manipulators only dealt with the GIF format at all.

      And then came Unisys, who instituted insane royalty policies that effectively killed the format for anybody who wanted to create software that used the format or even post GIF images on their websites. I know this first hand, because I tried to obtain a license for a software package that I wrote that would display GIF images on stadium scoreboards. Unisys was insisting on a 5% royalty for the entire system, meaning the entire scoreboard. Needless to say that other than as a demonstration to prove the software could be written (it was anyway, but not sold until the patent expired), we didn't sell the GIF codec with the stadium software. BTW, that was 5% of $20 million, which was considered insane by my supervisors for just a few stupid images that could easily be converted to other formats instead.

      If you look around today on the web, the GIF format, even now that the patent has expired, is largely a minor file format and its use is largely fading still. Jpeg files largely took over the slack, although file formats like PNG and others did come up to help take up the slack from GIF as well.

      In this situation, it is up to those stakeholders of the MP3 file format to see just how far they will try to milk their patents and attempt to extort those companies who have published MP3 players. If the royalties are modest and they use their head (like not going after FLOSS developers), you may be right that the MP3 file format is so entrenched that there will not be any other file format. But if they get a case of greed and stupidity, it will mean the death of the file format.

  27. Re: The title of the post makes no sense whatso... by Dolda2000 · · Score: 4, Interesting
    Not only that, but I suspect that it is in fact far from what the title appears to want. The fact that it is Microsoft which has lost the lawsuit makes me think that it's just going to get worse for everyone instead. I mean, think about it for just a millisecond: Microsoft loses the right to distribute MP3 decoders with Windows -- What do you think will happen:
    1. They turn around 180 degrees and include a Vorbis decoder with every version of Windows.
    2. They advertise WMA even more than before.
    Emphasizing, again, that this is Microsoft, which do you think seems more likely?
  28. Even more anal retentive by DrYak · · Score: 5, Informative

    Ogg is Xiph.org foundation's streaming container format. Vorbis is Xiph.org foundation's lossy audio codec. FLAC is Xiph.org foundation's lossless audio codec. Everyone's clear now :)


    - Ogg is a container like Matroshka (MSK) or AVI (but better than that one. Almost anything is better than AVI)
    - Vorbis is a sound codec, just like AAC.

    FLAC is a format that considers both the compression codec AND the container (something like MPEG : you have both codecs, like MPEG-2 MPEG-4, MPEG Audio Layer III, and containers like MPEG Programm (MPG files)).
    You can have a stand alone FLAC file (with one given container format) or by using another switch on the command line, you can have FLAC compressed audio inside an OGG container.
    The first is called "Native FLAC", the second "Ogg FLAC". See here

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
    1. Re:Even more anal retentive by evilviper · · Score: 4, Informative

      - Ogg is a container like Matroshka (MSK) or AVI (but better than that one. Almost anything is better than AVI)

      Gah!

      First of all, it's Matroska and the extension is MKV.

      Second, whether AVI is better or worse than Ogg is debatable. Any who has ever written an Ogg (de)muxer curses it's name frequently. It's extremely codec-specific, and the format is rather loosely defined, with no consistent standard way to do much of anything....

      AVI has it's limitations, but they are few. Most of the problems people experience with AVI is due entirely to limited software which doesn't properly handle AVIs. The rest of the problems tend to be a result of lack of standards... For instance, Vorbis can fit into AVI just fine, but unfortunately, Xiph didn't define HOW exactly, so everyone has started doing it in their own, mutually incompatible way. Ditto for subtitles, and other meta-data.

      So, the biggest problem with AVI is lack of any single official standards authority. Ogg has the same problem, but worse, since Xiph have ignored all efforts to extend Ogg to handle other formats, and now nothing is compatible.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  29. OGG is spreading. by DrYak · · Score: 2, Informative

    In addition to several "no-name" asian breand, most of current Samsung models play OGG (next to MP3 and WMA) out-of-the-box. And that's a brand that is quite widespread in shops.

    Several older asian player, that were mostly pure software player, with a general purpose processor and decompression implemented as a interger/fixed-point software in the firmware, can be flashed to add support for additional formats (ie.: using official plugins from the constructor, no need to completly replace the firmware with RockBox).

    Also, most PDA and SmartPhone (except the future locked-iPhone) can install software player that support playing OGGs from the flash media (or from the internal drive if you happen to have some model like the LifeDrive). TCPMP is such an example for Palm OS and Win CE.

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
    1. Re:OGG is spreading. by badasscat · · Score: 2, Informative
      I bought the Samsung player exactly for that reason. OGG support was a great thing - at 64kbps it sounds better than a 128kbps mp3 (IMHO). That means I can stick twice the music on the player!

      I suppose if you're happy, that's all that matters, but your personal opinion doesn't really hold up against a double blind test. The summary:

      The first (obvious) conclusion is: No codec delivers the marketing plot of same quality as MP3 at half the bitrates.
      Lame MP3 at 128kbps wins, followed by Ahead/Nero HE AAC on 2nd place, CodingTechnologies' MP3pro on 3rd place, Ogg Vorbis on 4th place, Real Audio, QuickTime AAC and WMA9 tied near the middle of the graph, and FhG MP3 definitely at the bottom.


      I just get sick of this continuing myth that any modern lossy compression format can sound "twice as good" as any other, or "just as good" at half the bit rate. No proper test has ever borne any of that out, and in fact, it seems like more often than not the formats touted as the best end up doing the worst in these tests. mp3 always seems to come out near the top even when comparing at the same bit rate, at worst in the middle, despite being among the "oldest" formats of the bunch.
  30. It is all a question of frequency you can hear by aepervius · · Score: 2, Insightful

    If you are anywhere above 15 year old, chance is that above 40khz you hear nothing (which is why the "teenager supressor" function so well : they emit very high frequency that anybody with hair beside above the head cannot hear, or at least the majority). No transform that 40khz back to a number of bit per second, and you will see that anybody hearing a difference is either fooling itself, or has not yet reached drinking age, or is one of those rare 1 out of 10000 which keep a good hearing above that frequency for a few years more. Seeing that the third case is a rarity, chance is that if you hear a diffrence, and have a real driving licence, then you are fooling yourself.

    --
    C. Sagan : A demon haunted world:
    http://www.amazon.com/gp/product/0345409469/
    visit randi.org