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Judge Says RIAA "Disingenuous," Decision Stands

NewYorkCountryLawyer writes "Judge Lee R. West in Oklahoma City, Oklahoma, has rejected the arguments made by the RIAA in support of its 'reconsideration' motion in Capitol v. Foster as 'disingenuous' and 'not true,' and accused the RIAA of 'questionable motives.' The decision (PDF) reaffirmed Judge West's earlier decision that defendant Debbie Foster is entitled to be reimbursed for her attorneys fees." Read more for NewYorkCountryLawyer's summary of the smackdown.
The Court, among other things, emphasized the Supreme Court's holding in Fogerty v. Fantasy, Inc. that "because copyright law ultimately serves the purpose of enriching the general public through access to creative works, it is peculiarly important that the boundaries of copyright law be demarcated as clearly as possible. Thus, a defendant seeking to advance meritorious copyright defenses should be encouraged to litigate them to the same extent that plaintiffs are encouraged to litigate meritorious infringement claims." Judge West also noted that he had found the RIAA's claims against the defendant to be "untested and marginal" and its "motives to be questionable in light of the facts of the case"; that the RIAA's primary argument for its motion — that the earlier decision had failed to list the "Fogerty factors" — was belied by unpublished opinions in which the RIAA had itself been involved; that the RIAA's argument that it could have proved a case against Ms. Foster had it not dropped the case was "disingenuous"; and that the RIAA's factual statements about the settlement history of the case were "not true." This is the same case in which an amicus brief had been filed by the ACLU, Public Citizen, EFF, AALL, and ACLU-Oklahoma in support of the attorneys fees motion, the RIAA questioned the reasonableness of Ms. Foster's lawyer's fees and was then ordered to turn over its own attorneys billing records, which ruling it complied with only reluctantly.

195 comments

  1. Hey, RIAA by Himring · · Score: 5, Insightful

    Judges can't fix your flawed business model and/or lack of innovation....

    --
    "All great things are simple & expressed in a single word: freedom, justice, honor, duty, mercy, hope." --Churchill
    1. Re:Hey, RIAA by BeansBaxter · · Score: 5, Insightful

      I would think the RIAA might be a little nervous about paying legal fees to all the wrongfully accused however. It might make their selection of random file sharers a little more difficult. The way it should be handled I think.

    2. Re:Hey, RIAA by sconeu · · Score: 5, Interesting
      Or, as Heinlein said over 60 years ago,

      There has grown up in the minds of certain groups in this country the notion that because a man or a corporation has made a profit out of the public for a number of years , the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary public interest. This strange doctrine is not supported by statute nor common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped ,or turned back, for their private benefit.

      -- The Judge in "Life-Line"

      --
      General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
    3. Re:Hey, RIAA by Anonymous Coward · · Score: 0

      I've been boycotting the RIAA for a couple of years now. I listen to live music and I buy t-shirts and merchandise from the bands I listen to.

      http://www.archive.org/details/audio

      Those bastards won't get a red cent from me until they stop harrasing their customers.

    4. Re:Hey, RIAA by asilentthing · · Score: 1

      so pretty much everything they're making on settlements goes right back into paying these court fees. Brilliant!

      --
      --- these days, what with business and stuff, you gotta get your emails...
    5. Re:Hey, RIAA by Workaphobia · · Score: 4, Interesting

      Correct, but as someone a few posts up said, politicians can take on this role. Lessig demonstrated in Free Culture that, throughout history and today, industries will seek to artificially preserve their irrelevant business models via the courtroom and our Congress.

      And for the past decade or so, they've been succeeding.

      --
      Evidently, the key to understanding recursion is to begin by understanding recursion. The rest is easy.
    6. Re:Hey, RIAA by thc69 · · Score: 1

      I have mod points and I wish I could mod you up more. Too bad 5 is the limit.

      --
      Procrastination -- because good things come to those who wait.
  2. Sadly.... by 8127972 · · Score: 5, Insightful

    .... I suspect that this will not stop the MAFIAA from making the lives of millions of Americans miserable. They'll just blow it off and it will be business as usual for them.

    --
    This is my opinion. To make sure you don't steal it, it's covered by the DMCA.
    1. Re:Sadly.... by jfengel · · Score: 1, Interesting

      Millions?

    2. Re:Sadly.... by melikamp · · Score: 4, Insightful

      I would not be so sure about that. If this decision withstands the test of time, many lawyers will be willing to take on at least some of the cases, since the salary will now come out of **AA's pockets. The obvious outcome will be that more people will engage in illegal filesharing (seeing that it is possible to go to court and win), while **IA will have to pay considerably more for its "war on piracy".

    3. Re:Sadly.... by pdboddy · · Score: 4, Insightful

      Quite the contrary, this is setting precedence, and there are a number of other cases where RIAA is not only in danger of losing, but also in danger of having to pay lawyer fees. Think of how many cases they have filed, knowing they can't win all of them but hoping the defendants will cave to pressure and settle. Now imagine these defendents standing up for themselves and going to court... RIAA *could* end up losing quite a bit of money, quite a few lawsuits and what remains of their tattered credibility. It will also give pause to other companies pondering this sort of litigation.

      --
      Julie Moult is an idiot.
    4. Re:Sadly.... by Hijacked+Public · · Score: 5, Funny

      You don't just count the people being sued, you have to also consider the great many Slashdotters who believe that any expectation that you pay anything at all for any media that can be digitized equates to misery.

      That they be denied the ability to obtain, free of charge, the latest pop music in a format that not only plays on any conceivable device but was also developed by people who share their particular political and philosophical leanings with regard to software....that is truly misery for them.

      Bands make money from touring. DRM is evil. You can make unlimited copies of a song for no marginal cost. I only listen to independent bands anyway. Live music is better. The president of the RIAA has a monocle and stokes a cat all day. Ogg Vorbis is a good name for a file format. Micropayments are the future. Outmoded business model.

      --
      "Sacrifice for the good of The State" - The State
    5. Re:Sadly.... by Maxo-Texas · · Score: 5, Insightful

      I agree. It's a shame that people are trying to undermine the successful and legitimate efforts by these businessmen to successfully lock up all major distribution channels, radio stations and to have laws passed to extend their copyrights indefinitely or as jack valenti said, "forever plus one day."

      It's just wrong that corporations should not be able to force artists into contracts which deny them any profits after millions of dollars worth of sales. If this goes on, we might see the destruction of copyrighting sequences of notes and see entire new genre's of music like blues which shamelessly infringe on the same set of riffs for different songs.

      A unique combination of generations of producers, lawyers, organized criminals, and the congressmen and senators that they bought have worked hard to create a virtual monopoly. Where is our respect for all that work?

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    6. Re:Sadly.... by Anonymous Coward · · Score: 3, Funny

      The president of the RIAA has a monocle and stokes a cat all day.

      If cat-stoking is as illegal in the US as it is in Europe, this might just start a case worth watching.

    7. Re:Sadly.... by bigmauler · · Score: 2, Funny

      It is also abhorrent how all of these close minded slashdotters seem to follow the flawed Americanized idea
      of "innocent until proven guilty"
      I for one want no part ina group that follows such an evil trend.
      When coroporations sue, we should automatically side with the selfless corporations as they are most likly right.

    8. Re:Sadly.... by Anonymous Coward · · Score: 0

      I'm really sorry you had to resort to sarcasm to get your point across.

    9. Re:Sadly.... by Anonymous Coward · · Score: 0

      Ogg Vorbis is a great name (or names). Like "MPEG1 Layer 3" is so much better. Anyhow, speaking of the vorbis, here's a Vorbis IC for you.

    10. Re:Sadly.... by teflaime · · Score: 4, Insightful

      One point...Most bands really do make their money from touring, not from their records. In fact, if you pay attention at all, you hear horror stories from everybody who isn't a corporate rock fuck about how if they had to rely on album sales they would starve to death.

    11. Re:Sadly.... by Mr2001 · · Score: 5, Funny

      I tried to stoke a cat once, but I couldn't figure out which end the coal was supposed to go in.

      --
      Visual IRC: Fast. Powerful. Free.
    12. Re:Sadly.... by radish · · Score: 3, Insightful

      It's just wrong that corporations should not be able to force artists into contracts which deny them any profits after millions of dollars worth of sales.

      Show me one example of a record company holding a gun to a band member's head to make them sign a contract.

      Nope?

      Then the artists have nothing to complain about. They were offered a contract and they took it, if they didn't read it properly, or better yet have it read for them by someone competent, it's entirely their own fault. The work I do for my employer generates a lot more income for them than they pay me - but that's exactly how companies generate profit for their shareholders. I wonder what would happen if Linus turned around tomorrow and said that he'd changed his mind about using the GPL for Linux and would actually like $1 a copy from everyone currently using it? The collective "WTF??!?? STFU!!" would be deafening. He chose how to license his work, and just like the anecdotal starving musician he's stuck with that decision.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

    13. Re:Sadly.... by certain+death · · Score: 0

      baaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahahahahahaaaaaa aaaaaaaaaaaaaaaaaaaa!!!!!! I almost pist myself on that one!!!!!

      --
      "My immediate reaction is "WTF? What kind of moron doesn't make things 64-bit safe to begin with?" Linus
    14. Re:Sadly.... by Anonymous Coward · · Score: 0

      I agree that Ogg Vorbis is a bad name for a file format(or anything at all) but DRM is not evil??!! You must be a main attraction at parties.

    15. Re:Sadly.... by pegr · · Score: 2, Insightful

      Show me one example of a record company holding a gun to a band member's head to make them sign a contract.
       
      You could make an anti-trust argument... that the music publishers have an unfair advantage over musicians due to collusion and unfair business practices.

      Otherwise, its just taking advantage of the stupid, which I believe is still legal...

    16. Re:Sadly.... by Sancho · · Score: 1

      It's just wrong that corporations should not be able to force artists into contracts which deny them any profits after millions of dollars worth of sales. You want to protect the artists from themselves? They entered into those contracts freely.
    17. Re:Sadly.... by some_yahoo · · Score: 0, Troll

      You know, it's always the thief that declares his right to the spoils.

      If it is as you assert that bands make all their money from touring, then answer this...

      1. why do they bother putting out CDs at all?

      2. where are the bands saying "screw media, we're releasing everything on the 'net for free to boost our ticket sales"?

      The fact is that just because something is easy to steal doesn't make it yours.

      The bands that release their stuff free on the 'net are garage bands who aren't ready for primetime.

      --
      --- I'd rather live with false hope than with false despair.
    18. Re:Sadly.... by Sancho · · Score: 3, Insightful

      It's said multiple times in each RIAA/MPAA story: civil suits do not have to pass the reasonable doubt test. They only have to pass the preponderance of the evidence test. This is because the reasonable doubt test would rarely even apply in civil cases, and when it DID apply, it would be an almost insurmountable barrier. You'd get nasty people causing damage to other people and getting away with it without compensation to the victim. It's just unfortunate that corporations and individuals are considered to be on the same playing field when it comes to courts.

    19. Re:Sadly.... by jimicus · · Score: 1

      The president of the RIAA has a monocle and stokes a cat all day.

      Really? How do you stoke a cat, anyway?

    20. Re:Sadly.... by DarkSarin · · Score: 5, Insightful

      No, there wasn't a gun involved, but there might as well have been.

      If you are trying to make a living by writing and selling music, then you have essentially three choices--market it on your own, make it free and try to make money touring (if you can get noticed); or you might be able to secure an independent label contract, market it essentially on your own, and hope to make money touring; or, if you get lucky, you can get noticed, sign a major label (read: RIAA) contract, and be stuck with whatever terms they offer, because while some people are good enough to have multiple labels clamoring over their stuff, this is unusual. Instead most bands are lucky to have any label be willing to sign them and there are always others willing to take your place.

      The result is that RIAA labels, in effect, have huge amounts of buying power when it comes to negotiating artist contracts. These contracts are typically draconian in nature, and leave most bands actually losing money for a while, although the label is raking in lots of cash.

      Now, if you go with an independent label, you just have to HOPE that you get famous and make money. The same is true of no label deals, and in all cases you are expected to tour relentlessly and hope for the best. NPR did a fluff piece on the Dresden Dolls a while back that talks about how the band was making less money than the people they had to hire to make the tour work! Sad.

      The point is that being an artist isn't easy, and the RIAA does NOTHING to make it easier for the vast majority. Only a very few actually get deals that reward them in line with the amount of CDs they sell relative to the amount of work it requires from the artist.

      I have no expectation of free music, but I DO expect that the price I pay get passed mostly on to the artist with only a small percentage going to the label and distributors (including the retailer). This isn't what happens, and I know why people are pissed.

      --
      "We don't know what we are doing, but we are doing it very carefully,..." Wherry, R.J. Personnel Psychology (1995)
    21. Re:Sadly.... by MetalPhalanx · · Score: 5, Insightful

      I think you might have missed an important sentence in the GP post... the one that explains how the corporations can hold a gun to a band member's head. I'll point it out: (emphasis mine)

      It's a shame that people are trying to undermine the successful and legitimate efforts by these businessmen to successfully lock up all major distribution channels, radio stations and to have laws passed to extend their copyrights indefinitely or as jack valenti said, "forever plus one day."

      In the days before the internet, the record labels made life for independent artists as hard as they could, to force them into restrictive contracts. Good luck trying to get any air time on a significant radio station as an independent artist. And the strange thing about bands, is that while you can make money touring, you first have to gain a strong following. To do that, people have to hear you. If you can't get any air time the only way to do that is tour with other bands. But chances are, unless you're very original AND very good, most people will not remember your material nearly as well as whatever song that one of the labels has playing on the radio every 20 minutes all day long. NOT accepting a contract with a record label was a death knell for almost any band. Of course, there is always the possibility of arguing for a better contract, but it's not likely to be improved much, unless you really are very good and very original.

      Of course, now with the internet their efforts to lock up the major distribution channels are starting to fail, so they are flailing wildly in an attempt to gain control over this new and unexpected threat. So far, they seem to be having some trouble, and I hope it continues that way.

    22. Re:Sadly.... by heinousjay · · Score: 1

      Yeah, nothing gets a party rolling like an anti-DRM screed.

      --
      Slashdot - where whining about luck is the new way to make the world you want.
    23. Re:Sadly.... by Anonymous Coward · · Score: 0

      Hmm..

      I was thinking about your comment for a while... It's tragic that the music corporations are not giving the performers a bigger cut of the profits.

      That is, until you realize that these performers are expecting to be paid millions of dollars for, umm, performing. The "artists" nowadays rarely play their own instruments. Sometimes they can't even sing without extensive tweaks from software. Even if they do the whole thing -- write the songs, play the instruments, sing -- it's still a ways away from the art for art's sake.

      OK, so music is a business. One pop star is just like any other. The companies promote the "latest thing" by seeding MySpace, payola to the radio stations, having some band/performer do the soundtrack for some teen movie, having the cool kids on the latest teen TV series listening, etc.. It's all about image. Carefully crafted image, in fact. Gone are the days when scouts would actively look for interesting sounds. Now, a bunch of suits get together in a meeting room and look for a performer that appeals to some untapped demographic. Then the performer is chosen and his/her image tailored to appeal to that demographic.

      That's why teen bands were/are so popular. Back in high school and college, the kids that got together to form a group tended to get together because they had similar interests. But it's telling that the pop groups now are so incredibly eclectic. There's a rebel with spiky hair. There's the introspective, quiet type. There's the cutey. I.e., every member chosen to appeal to a particular demographic. It's not sinister, just the way of the business.

      This said, there are some talented musicians out there. Why they chose to sign on with these big names is theirs to know, but if it was because of the lure of millions then that's something they have to live with.

    24. Re:Sadly.... by hxnwix · · Score: 1

      I agree? Amen? Right on? Weak sauce.

      Fuckin' A? That's a spicy meatball!!

      On the topic of the RIAA, what Maxo-Texas said.

    25. Re:Sadly.... by Anonymous Coward · · Score: 0

      set PRECEDENT, not precedence

    26. Re:Sadly.... by Artifakt · · Score: 5, Interesting

      The RIAA and MPAA individual members have all, without one single exception, lost at least one suit, filed by an artist or multiple artists, where the corporations were caught concealing the true status of profits, under-reporting gross or net take, and/or over-reporting expenses, billing for expenses not actually incurred, double, triple, and even quadruple billing. In several of these cases they have committed such large numbers of 'convenient mistakes all just happening to fall their way' that the judges deciding those cases have freely used terms such as "egregious", "willful" and even "rising to a level that is undoubtedly criminal" in their decisions. Last I heard how the law is supposed to work, contract fraud is supposed to be illegal, even with no armed force involved.
            Yes, you could possibly justify an anti-trust argument, but how about this broader one. If artists are still entering into contracts with a group of companies that have all been caught cheating on contracts, there must be some unfair advantage to keep them doing it. Whether it's a monopolistic trust that leaves them no better options, or the group otherwise enjoys selective immunity from paying the full price of their contract violations is irrelevant. The government could vigorously prosecute where conduct crosses the line to criminal accounting practices, lieing under oath, and so on, and this would help a great deal whether there is a proven monopoly or not.
            Sure, some of it, at least a little, can be blamed on various artist's stupidity. Put a clause in your recording contract that says there will be bowls of all green M&Ms available at all times on the soundstage, and you can expect to pay very dearly for it. Fair enough, but not nearly all the artists are that stupid. Which seems more likely, that there are so many artists too stupid to realize the risks, or that many of them do know they are going to get screwed, but feel like all better alternatives are closed off to them, and hope to be the one who isn't screwed too badly.
            Prior post amounts to saying "show me a successful white collar criminal who turned to blue collar methods when they didn't have to, or agree I'm right!" I'm rather surprised you're rebutting only one part of it and letting the rest stand.

      --
      Who is John Cabal?
    27. Re:Sadly.... by Maxo-Texas · · Score: 1

      I agree. And all that nonsense about breaking up "company stores" that kept workers in virtual slavery back in the 1800's was nonsense. I think it is wonderful to have a captive audience of customers who you can sign contracts with and then execute them in a way so they can never get free of the contracts.
      http://www.cbc.ca/documentaries/bigsugar/sugar.htm l
      http://links.jstor.org/sici?sici=0010-4175(198610) 28%3A4%3C729%3A%22MFOST%3E2.0.CO%3B2-Y

      If it is legal, then screw'em I always say. I think abolishing debtor's prison was a terrible idea in fact and it was great that we recently reduced people's ability to declare bankruptcy when they develop catastrophic illnesses. Honest businesses were just losing too much money on destitute people who still had a small amount of money they could fork over. The way we charge people without insurance five to ten times as much for the same procedure as we charge the insurance ($75 vs $1500 in some cases) company so we can have a "retail" rate is completely legal. Vicious and evil-- but completely legal.

      All these things and eternal copyrights for mickey mouse are what makes America great.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    28. Re:Sadly.... by jimbojw · · Score: 1

      That they be denied the ability to obtain, free of charge, the latest pop music in a format that not only plays on any conceivable device but was also developed by people who share their particular political and philosophical leanings with regard to software....that is truly misery for them.
      No need to be miserable - there are now plenty of alternatives
    29. Re:Sadly.... by Anonymous Coward · · Score: 0

      I have no expectation of free music, but I DO expect that the price I pay get passed mostly on to the artist with only a small percentage going to the label and distributors (including the retailer). This isn't what happens, and I know why people are pissed.

      The two biggest problems with your expectations are:

      1.) Most of the buying public isn't willing to spend any time trying to find new music. Whatever sources they have, they go to them and take one of the first few items displayed. This means that if you don't have the money to get on radio stations or store shelves, you're unlikely to get anywhere.

      2.) Most people like their music to be over produced, over compressed and with a big mid scoop taken out of it. While the latter two considerations are mostly matters of bad taste, the former requires a lot of money.

      In other words, the RIAA thrive in large part because of the demands of the market. If the public weren't so fucking lazy and stupid - wanting their music to be dinner at Applebee's rather than a delicious home made roast - it'd be a lot easier for more musicians to generate some revenue from their earlier (rougher) recordings which could fund better-made recordings down the line. One of the best things about the digital music age is that most people are listening to music at a much worse audio quality than before, so production values may become less important so long as they're properly aimed at certain common mp3/AAC recording resolutions.

    30. Re:Sadly.... by ffflala · · Score: 4, Insightful

      You're laboring under the assumption that it is in fact, some inherent quality of the music that most greatly influences the music on which you are willing to spend money.

      A few years ago I saw an estimate that around 100 CDs were being created per day, every day. It seems like a fairly conservative estimate. Assuming that's in the ballpark, in the time it takes you to listen to one CD, around 3 others will have been created. And you can't listen to music 24/7.

      Distribution power has tremendous influence on what music will sell. Great distribution power --physical sales and the airplay, good PR, and buzz needed to push those CDs to the register-- requires a lot of capital. It is the exception for heavily marketed product to completely flop: even the worst will go gold if it's crammed down enough throats (thanks, Clear Channel!) I'm not talking postering, I'm talking about pay for play.

      The reason you buy bands --the reason you may even identify with them-- is because you found mention of them in the first place. In a world where you're exposed to thousands of advertisements every day, it is far more likely that you came across them in an ad of some sort; or at least the person who told you about them did.

      So your expectation for all your money to go to the artist, at least in the case of the RIAA label bands, is misplaced. Don't fool yourself -- most of the capital that gave them the huge sales did not, in fact, come from their musical efforts. They simply have the gratification of being the faces of the advertising campaign that is their latest CD.

    31. Re:Sadly.... by shark72 · · Score: 2, Interesting

      "It's just wrong that corporations should not be able to force artists into contracts which deny them any profits after millions of dollars worth of sales."

      It's much worse than you think. I'm at the director level for a company that makes PC peripherals. I'm in charge of $40MM of business a year, yet my employment contract (which I was "forced into" in the same sense that artists are "forced into" recording contracts) includes a salary that isn't one hundredth of that amount. I've probably been responsible for half a billion dollars of sales, yet I'm firmly in the middle class.

      I believe that everybody should pirate as much music as their hard drive will hold, if they feel that it's the right thing to do. "I pirate to save money" or "I pirate because I give fuck all about respecting the rights of somebody whom I haven't even met" are good rationalizations for doing so. Inequities in contract negotiations aren't a particularly good rationalization, as that's something that we all have experience with -- on both sides of the desk.

      --
      Sitting in my day care, the art is decopainted.
    32. Re:Sadly.... by defile · · Score: 2, Insightful

      Sure, some of it, at least a little, can be blamed on various artist's stupidity. Put a clause in your recording contract that says there will be bowls of all green M&Ms available at all times on the soundstage, and you can expect to pay very dearly for it. Fair enough, but not nearly all the artists are that stupid. Which seems more likely, that there are so many artists too stupid to realize the risks, or that many of them do know they are going to get screwed, but feel like all better alternatives are closed off to them, and hope to be the one who isn't screwed too badly.

      I don't see how these are bad deals. Going by the deal Negativland posted on their web site as proof of pure evil, the record label takes a bet on an unproven band, distributes their sound through channels that the band could never develop on their own (pre-internet), pays all of the band's production and travel expenses, does some promotion, etc. All the band has to do is show up.

      If the band sucks ass, the record label writes off the loss and the band never says a word on how unfair it was that they didn't get to participate in the losses. If the band does well, while it's true the record label enjoys most of the profits (since they bore most of the risk), the band is the one that has proven themselves and can set the terms when their contract comes up for renewal. The record label is just a commodity at that point and the band can shop around for better deals.

      (And they really have no one to blame but themselves if they can't see down the line and sign obscenely long contracts with unfavorable terms.)

    33. Re:Sadly.... by shark72 · · Score: 3, Insightful

      The situation you describe also applies very well to writing software, building houses, selling ice cream, and innumerable other professions. Try to go it alone, work with a small company, or work with a big company. Each have reasons that make them good, and bad. This is part of doing business in modern society, no matter what your business is. Why would ye olde Invisible Hand make an exception for the music industry?

      "I have no expectation of free music, but I DO expect that the price I pay get passed mostly on to the artist with only a small percentage going to the label and distributors (including the retailer). This isn't what happens, and I know why people are pissed."

      Why would you expect that? When you put together the end-to-end costs of recording, producing, marketing and selling a CD, the studio time (including the paying of the session musicians) and the royalties (in which the songwriters, composers, and featured performers are paid) are but a small percentage of the cost.

      You probably already know that retail margins are anywhere from 10% (Amazon) to 50% and more (Best Buy, etc.) across all categories. Music is no different. If this is truly pissing you off, how do you cope with the anger of paying 10% - 50% markup for everything you buy?

      --
      Sitting in my day care, the art is decopainted.
    34. Re:Sadly.... by Some_Llama · · Score: 2

      "The president of the RIAA has a monocle and stokes a cat all day. "

      Oh, so the president of the RIAA burns cats for warmth, I knew it! Thanks for the info but it's not as if we needed any additional ammo to hate this man...

    35. Re:Sadly.... by mdozturk · · Score: 1

      If you are good at what you do, tour hard, write good music, you can make money. Here is an example: Ani Difranco.

    36. Re:Sadly.... by Kazoo+the+Clown · · Score: 1

      One point...Most bands really do make their money from touring, not from their records. In fact, if you pay attention at all, you hear horror stories from everybody who isn't a corporate rock fuck about how if they had to rely on album sales they would starve to death.

      Somebody makes money on album sales (or at least used to, pre-internet), it's just not the bands. The RIAA isn't going after the copyright infringement for mere principles...

    37. Re:Sadly.... by rm69990 · · Score: 1

      Millions of course is a slight exaggeration. Not to defend the RIAA, but they have only filed ~20,000 lawsuits.

    38. Re:Sadly.... by Ambidisastrous · · Score: 3, Interesting

      Yes, that's how it used to work before music went digital. Record labels were abusive back then, too, and we still see the occasional case of some formerly well-known but now downtrodden artist suing a label for unpaid royalties. Not only are the contracts pretty hardball on artists at the time of signing, but labels also have the ability to illegally drop their end of the contract if the artist doesn't take off -- if you're not selling albums, you certainly don't have money to hire a lawyer, do you? Anyway.

      The industry of identifying and distributing recorded music no longer requires the billions of dollars currently invested in it. Recording is cheaper than it's ever been -- not that that was responsible for most of the markup in the first place -- and the problem of distribution is more solved than the RIAA would care to discuss. If it weren't for the RIAA's additional efforts to stifle online and independent radio, and other forums for finding new music, that source of value in the industry would also be considerably leaner.

      Now, identifying who's good and who sucks has value. We're used to seeing creative content spoonfed to consumers by some industry, since that's how music, movies, and print publishing have always been. But what about websites? The Web is a content industry that sprung up without an industry to be its cheerleader: You wouldn't expect a WWWAA to select the "best" websites for us, advertise them, and tack on a commission for the service -- and still be the primary way to access web pages. You can use a search engine, can't you?
      It should and will be the same with any digitized content, eventually. A combination of Musician's Friend and Google can effectively replace 95% of the existing recording industry.

      However, musicians still often seem a little obsessed with the glamor of the old way. It's not as fun to tour in a beat-up van for years and know you'll never be on Cribs. That's not hot. We like watching a few lucky musicians become stupidly rich, then maybe realize they don't actually have that much in the bank and go broke 3 years later. The old content industry is much better at delivering tabloid material and meteoric rise-to-fame, crash-and-burn stories, the ones that let one-hit wonders live like Al Pacino in Scarface for exactly 18 months, nail twins, and burn their own mansions to the ground. That's why I learned guitar in the first place. It's probably why most people pay attention to popular music. We'll have more independent music in the new digital era, but we won't have the flagrant, unsustainable insanity that piques the public interest. E! will die.

    39. Re:Sadly.... by The_Wilschon · · Score: 4, Insightful

      Did you even read the first paragraph of the GP? You know, where he pointed out that the record companies don't just ask for artists to sign contracts that some might consider unfair (arguable whether they are unfair or not, conceded). They ask for this, and then they turn around and commit contract fraud by lying to the artists about how much money is really being brought in, etc. Whether the original contract was fair or not, and whether you think contract fraud is fair or not, the law of the land says that contract fraud is no bueno.

      The fact that people still sign contracts with these companies is very suggestive that perhaps they feel that there are no alternatives. It suggests that people are resigned to getting screwed over, not necessarily on the contracts themselves, but on how closely those contracts are followed. It suggests that people feel like there is no alternative but to idly sit by and watch the law be broken. I say that this is a very bad thing indeed.

      --
      SIGSEGV caught, terminating

      wait... not that kind of sig.
    40. Re:Sadly.... by JAFSlashdotter · · Score: 2, Interesting

      Of course, now with the internet their efforts to lock up the major distribution channels are starting to fail, so they are flailing wildly in an attempt to gain control over this new and unexpected threat. So far, they seem to be having some trouble, and I hope it continues that way.

      I hope internet radio isn't part of the new and unexpected threat, since recent changes in royalty rules (retroactive to 1-Jan) are going to put most of those independent outlets off-the-net.
      --
      We apologize for the preceding message. All those responsible have been sacked.
    41. Re:Sadly.... by Anonymous Coward · · Score: 0

      What "free of charge"? What bullshit you spout. The only entity being cut out of the payment stream is the one whose business model got usurped. There's still plenty of paying going on (ISP fees, MP3 players, etc ad infinitum).

    42. Re:Sadly.... by NewYorkCountryLawyer · · Score: 2, Informative

      Probably more like ~25,000.... but of course only they know for sure.

      --
      Ray Beckerman +5 Insightful
    43. Re:Sadly.... by Phoobarnvaz · · Score: 2, Interesting

      A unique combination of generations of producers, lawyers, organized criminals, and the congressmen and senators that they bought have worked hard to create a virtual monopoly.

      What the RIAA...MPAA & other outdated business models fail to understand is the role history will play in their demise. The prime example is that of rail & bus passenger travel in America. Any question about this...look at the train/bus routes & the cost of traveling these ways 20-50 years ago.

      --
      Don't worry about the world coming to an end today. It's already tomorrow in Australia. - Charles M. Schulz
    44. Re:Sadly.... by Mathinker · · Score: 1

      "You probably already know that retail margins are anywhere from 10% (Amazon) to 50% and more (Best Buy, etc.) across all categories. Music is no different."

      If an artist receives 15 points in their deal (and remember, that's a very good deal) then he is entitled to aprox. $.09 a track.

      91% >> 50% (and 9% to the artist is a "very good deal"!)

      "the end-to-end costs of recording, producing, marketing and selling a CD" ... are mostly decreasing. Why are the labels not then increasing what they pay to the artists?

    45. Re:Sadly.... by shark72 · · Score: 2, Insightful

      "91% >> 50% (and 9% to the artist is a "very good deal"!)"

      Huh? I was referring to retail margins -- the markup that the retailer charges. The GPP believes that the retailers should be paid less than the artists. All fine and good, but manufacturers -- no matter what business they are in -- don't get to set retail margins.

      I sell computer peripherals. Amazon makes about 15 points on my products; Best Buy makes about 50 points. This is out of my control, and has nothing to do with the salary of anybody who touches the products from start to finish -- including mine. Whether I make 0.01% of the retail price, or 1%, or 0% or 100%, Amazon and Best Buy will add whatever markup they please. Amazon and Best Buy will generally make more than the salary of the highest-paid employee who touches the product. This is a sad fact of the retail industry as a whole, but it angers the GPP that the music industry doesn't work differently.

      By the way, I should point out another misconception. If, say, in selling computer peripherals my salary averages 9% of the sell-in price, it's not accurate to say that my employer gets to keep the other 91%. The rest goes to all the other innumerable costs of sale... usually, it's ultimately somebody else's salary. Getting back to the record industry... Warner Music managed to keep about 3% of their income last year. The other 97% all went to other people. If their average artist collected even a 4% royalty, they did better than the record company.

      ""the end-to-end costs of recording, producing, marketing and selling a CD" ... are mostly decreasing. Why are the labels not then increasing what they pay to the artists?"

      Ugg... I wish that this were true! Hard good supply chain costs have gone up a lot in the past few years, due to rising fuel prices. There are new and exciting ways to market products, such as the Internet, but the salaries you pay to the people who do the marketing sure aren't going down. Believe me, I really, really wish you were right.

      Either way, CD prices are in freefall (something like a $5 drop in average retail price over the past few years). As for why record labels aren't paying artists more out of the goodness of their little hearts... they don't have to! They're not looking out for the artists' best interests. There's always more people looking for a recording contract than can get one, so the record companies have little motivation to raise their royalty rates.

      If this doesn't make sense to you, imagine yourself in any business where (like the record industry) the production costs are going up, retail prices are being forced down, and there are people waiting in line to come work for you. Paying your employees or contractors more wouldn't be an obvious first priority.

      --
      Sitting in my day care, the art is decopainted.
    46. Re:Sadly.... by tsa · · Score: 0

      I'm in charge of $40MM of business a year, yet my employment contract (which I was "forced into" in the same sense that artists are "forced into" recording contracts) includes a salary that isn't one hundredth of that amount. I've probably been responsible for half a billion dollars of sales, yet I'm firmly in the middle class.

      One hundredth of 40 million is 400000. Four hundred thousand dollars a year is NOT middle class. I guess you meant to say that you earn forty thousand a year, which is even less than I do in my scientist yob. I pity you.

      --

      -- Cheers!

    47. Re:Sadly.... by rah1420 · · Score: 1

      But the poster said he specifically had a salary that wasn't one hundredth of $40MM.

      So there. :)

      --
      Mit der Dummheit kämpfen Götter selbst vergebens.
    48. Re:Sadly.... by mwvdlee · · Score: 1

      So basically, a band that makes great music but doesn't want to or cannot tour, doesn't deserve to make any money?

      --
      Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
    49. Re:Sadly.... by LuYu · · Score: 1

      Think of how many cases they have filed, knowing they can't win all of them but hoping the defendants will cave to pressure and settle.

      Should be:

      Think of how many cases they have filed, knowing they can't win any of them but hoping the defendants will cave to pressure and settle.

      The RIAA's plan must have been to get everybody to settle. Otherwise, how could they go to court with such flimsy evidence?

      These lawsuits are a scam: pure and simple. They are frivolous, and it is about time somebody filed a class action suit to return thousands of individuals their life savings.

      --
      All data is speech. All speech is Free.
    50. Re:Sadly.... by mpe · · Score: 1

      I would not be so sure about that. If this decision withstands the test of time, many lawyers will be willing to take on at least some of the cases, since the salary will now come out of **AA's pockets.

      In such cases you'd have the defeating the RIAA being in the interests of the lawyers as much as the clients.

    51. Re:Sadly.... by TheVelvetFlamebait · · Score: 2, Interesting

      I agree. It's a shame that people are trying to undermine the successful and legitimate efforts by these businessmen to successfully lock up all major distribution channels, radio stations...
      If that's all they're trying to do, then fair enough, I say. Oppose! Oppose to the bitter end. The problem is, that is not all they are trying to do. They are trying to stop piracy - an illegal and harmful (to the people supplying the goods) practice that some current distribution channels are propagating. They'd have no leg to stand on if we all just stopped pirating. You could argue against this by asserting that they would come up with some phoney or misleading statistics, or pay a politician, but I don't think it would fly. Critics would just have to point out the flaws in the research/assertions, or do their own impartial research.

      It's just wrong that corporations should not be able to force artists into contracts which deny them any profits after millions of dollars worth of sales.
      Who's forcing? It's an investment. They provide the money, they provide the equipment, the manpower, and the marketing, the artist provides the rights to the music. What's so immoral about that? It's not like they don't have alternatives, and it's not like they can't make a decision of their own.

      A unique combination of generations of producers, lawyers, organized criminals, and the congressmen and senators that they bought have worked hard to create a virtual monopoly.
      Not to mention people. Y'know people, as in we the people? As in, people who believe (like me), that artists deserve some rights and some financial reimbursement if their music is successful? People who aren't blinded by the demonisation of copyright holders? People who believe that even if they use the legal system to be complete assholes, that still doesn't mean that we have a right to piracy? Remember those people?

      Actually, I think it's kinda sad that the GP, easily the most insightful post I've seen in several weeks on an RIAA thread, is rated funny, and that he will get no karma and little respect for his ironic insight.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    52. Re:Sadly.... by teflaime · · Score: 1

      The record companies and entertainment lawyers make their money off album sales, the bands make their money for touring. It is also enlightening to note that the RIAA does NOT represent bands. It represents labels. Except for maybe Metallica, but they're corporate rock fucks so who cares?

    53. Re:Sadly.... by chrish · · Score: 1

      I think the poster referred to the people buying the RIAA's products. Have you seen the crap that's selling at your local CD store these days?

      *shakes cane and yells at kids to get off his lawn*

      --
      - chrish
    54. Re:Sadly.... by Maxo-Texas · · Score: 1

      Man,
      I agree with you with regard to recent works (as in under 28 years old).

      For anything over that age, I think you misapply the word piracy.

      Riaa and others have pirated public property (for goddess's sake, just consider the travesties of "Happy Birthday Song" and "It's a wonderful Life") and made it clear that their intention is to take it "forever plus one day" and to charge the world for every instance until the end of time.

      Copyright exists to encourage creation of works which will then enter the public domain. It was never created to create indefinate monopolies for corporations.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    55. Re:Sadly.... by TheVelvetFlamebait · · Score: 1

      I agree. But my figure for copyright is more like 10-15 years. If you are still making money off it by then, it's part of our culture, and you have no right to own it any more. Anything above that is greed, IMHO.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    56. Re:Sadly.... by shark72 · · Score: 1

      "One hundredth of 40 million is 400000. Four hundred thousand dollars a year is NOT middle class. I guess you meant to say that you earn forty thousand a year, which is even less than I do in my scientist yob. I pity you."

      I pity you for your reading comprehension skills. ;-) The other fellow has already pointed out your mistake.

      Going off-topic here for a second: I make closer to $400K than $40K. Per my friend zillow.com, my home's value is in the 25th percentile for the county in which I live -- meaning that 3/4 of the rest of the houses are worth more than mine (in English terms: it's a bit of a crap hole). It doesn't even break 50th for my city, or even my ZIP code. Yet it's in the 90th percentile for home values across the USA. And home value ~= mortgage payment.

      So, if you pity me, it should be for choosing to live in the fucked up economy that is the Silicon Valley. Perhaps Max Zorin had the right idea.

      --
      Sitting in my day care, the art is decopainted.
    57. Re:Sadly.... by drinkypoo · · Score: 1

      I agreed with that sentiment 100% up until the point at which you don't have to sell singles to get on the charts. Which is now. And it was big news mostly because some unsigned bands had two of the top ten spots in the UK. The future is coming, and the music labels don't like it much...

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    58. Re:Sadly.... by Fujisawa+Sensei · · Score: 1

      .... I suspect that this will not stop the MAFIAA from making the lives of millions of Americans miserable. They'll just blow it off and it will be business as usual for them.

      With the garbage they're putting out, they've already succeeded; and that was before the lawsuits.,/p>

      --
      If someone is passing you on the right, you are an asshole for driving in the wrong lane.
    59. Re:Sadly.... by Trogre · · Score: 1

      Unfortunately that doesn't work for those artists whos works don't easily translate to a live show.

      Movie actors come to mind.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    60. Re:Sadly.... by teflaime · · Score: 1

      Off topic, a little? Movies aren't the subject here. Music is. The RIAA doesn't have anything to do with movies.

    61. Re:Sadly.... by Mathinker · · Score: 1

      > Huh? I was referring to retail margins -- the markup that the retailer charges. The GPP believes that the retailers should be paid less than the artists.

      Yes, I agree that the GPP was not being realistic, but my reply had to do with your blithe statement: "Music is no different." It is. You continue to show exactly how much you don't understand about the difference in the continuation of your post. Or at the very least, you greatly deemphasize the differences in order to be able to view the situation as being parallel to your own.

      > I sell computer peripherals. Amazon makes about 15 points on my products; Best Buy makes about 50 points. This is out of my control,

      I somehow guessed that you would make some kind of analogy between music distribution and physical goods distribution. The retail margin is out of your control for two reasons, neither of which applies to the music industry. First, you are (I would guess) a smaller player than Amazon or Best Buy. The music industry, on the other hand, is an extremely powerful cartel with billions of dollars of income. Secondly, and more importantly, you have competition. Unless you sell some kind of very specialized peripherals which are heavily protected by patents, there is no legal problem for someone else to produce competing products, and Amazon and Best Buy can choose to work with your competitors if you don't agree to their terms. In the music industry, competition is prevented by copyright and the fact that demand is largely generated via advertising and the advertising is almost totally controlled (or was, until the Internet sprang up) by the music industry.

      > If, say, in selling computer peripherals my salary averages 9% of the sell-in price, it's not accurate to say that my employer gets to keep the other 91%.

      First of all, even though the music industry pushed through legislation in the US which enabled them to consider their signed musicians as employees (with respect to gaining copyright control over all of their work), they're not. Musicians are artists. They are the geese which lay the golden eggs. I'll admit that some employees in other industries are perhaps as especially creative in what they do as musicians in the music industry, but the vast majority of employees are not. Even if you don't agree with that, musicians are performers, and those other creative employees are not.

      > Warner Music managed to keep about 3% of their income last year. The other 97% all went to other people. If their average artist collected even a 4% royalty, they did better than the record company.

      When I look at WMG on Yahoo Finance I see a profit margin of only 0.3%! Checking the income statement there shows SG&A of 72% of gross income. For comparison, GE and Johnson & Johnson had SG&A's more in the line of 50% of gross income, and Microsoft was running 37%. Unfortunately, since this is a lumped expenditure which includes the entire payroll of WMG and all its advertising expenses, I cannot judge whether the big difference here is because the music industry is more heavily dependent on advertising, or whether its other expenses, like top executive salaries, are larger. Frankly, I'd guess that even though the music industry does depend on advertising, its advertising costs are offset by the monopoly it has on its product (e.g., radio stations are dependent on the music industry to provide them with content, because if they went elsewhere, the independent content they would obtain wouldn't be on MTV, and visa versa).

      > There are new and exciting ways to market products, such as the Internet

      And those ways were what I was actually talking about; in the case of the music industry, its product can even be distributed via the Internet (another difference).

      > As for why record labels aren't paying artists more .... They're not looking out for the art

  3. Nice to see... by Churla · · Score: 3, Interesting

    It's nice to see a judge finally start applying some "put up or shut up" logic to this mess. Actually this looks more like a "Put up AND shut up", but I'm willing to run with that as well.

    --
    I'm a fiscal conservative, it's a pity we don't have a political party anymore
    1. Re:Nice to see... by StikyPad · · Score: 2, Funny

      I'd rather see him say "Put up or put out."

    2. Re:Nice to see... by Churla · · Score: 1

      Yeah, but think for a second what the majority of big business lawyers look like. You might reconsider that last part ;)

      --
      I'm a fiscal conservative, it's a pity we don't have a political party anymore
    3. Re:Nice to see... by Ykant · · Score: 1

      What about, "Shut up and put out?"

      --
      Spelling, grammar, punctuation? We need something that checks logic.
  4. Finally! by Lockejaw · · Score: 5, Interesting

    because copyright law ultimately serves the purpose of enriching the general public through access to creative works, it is peculiarly important that the boundaries of copyright law be demarcated as clearly as possible
    It's about time we started hearing this sort of thing again.
    --
    (IANAL)
    1. Re:Finally! by Anonymous Coward · · Score: 0

      Why?

      Do you think the RIAA is in the business of denying you access to creative works? I would think the opposite, since that it how they make money.

    2. Re:Finally! by pdboddy · · Score: 5, Informative

      They make their money by making people buy one cd for the car, one for the computer, one for the portable cd player, and download mp3s for their iPod/mp3 player... The sort of thing the copyright laws were supposed to prevent.

      --
      Julie Moult is an idiot.
    3. Re:Finally! by MightyYar · · Score: 1

      They most certainly are in the business of providing access to THEIR creative works, but they are have an interest in seeing their works provided rather than the works of the competition. All you have to do is look at what broadcast radio has become to see what they would like the internet to look like. Of course, the thought of taming the internet is the delusion that makes them seem so clueless to "us" Slashdotters. They will eventually have to figure out how to make money without selling very many CDs as the "music is free" crowd gets older.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    4. Re:Finally! by Himring · · Score: 2, Funny

      Fogerty v. Fantasy, Inc

      Is that the one where John Fogerty had to prove he didn't sound like himself?...

      --
      "All great things are simple & expressed in a single word: freedom, justice, honor, duty, mercy, hope." --Churchill
    5. Re:Finally! by MindStalker · · Score: 1

      Yes, every time they and the RIAA push legislation to extends copyright they are denying the public access to vast quantities of creative works that can and should be use to create new works.

    6. Re:Finally! by Profane+MuthaFucka · · Score: 5, Interesting

      Yes, they are, and I include all copyright holders in this as well. Go out and try to find a brand new Travelling Wilbury's CD. You can't, and you won't be able to until sometime near the year 2100 when it goes into the public domain.

      Same goes for the original recordings of some classic albums. I don't want the greatest hits copyrighted from 2006, I want to buy a brand new CD with the same record that I grew up with. Take THAT Corey Hart, you stupid Canadian money grubber. You had what, two records? And one of them was a hit? I want to buy your "First Offense" CD, not the Corey Hart greatest hits. It's absurd that you've even got a greatest hits anyway, when "First Offense" had all of hits anyway.

      If copyrights were limited as they should be, Corey Hart would be in the public domain by now, or soon, and I could just get a copy of the CD from anybody.

      Right now, I don't have any way to get a legal copy of the CD I want to buy. Thank god I already have the entire run of "The Golden Girls" on DVD, or I would have to wait until the next century for my masturbation material.

      --
      Fascism trolls keeping me up every night. When I starts a preachin', he HITS ME WITH HIS REICH!
    7. Re:Finally! by HeadachesAbound · · Score: 3, Informative

      Ripped from an email in response to a fax that I sent concerning copyright issues / problems. It may be a form response, but who knows, maybe somebody is paying attention.

      >>>>>>
      Thank you for contacting me regarding copyright protection. I welcome your thoughts and comments on this issue.

      Copyright protection has been central to America's prosperity and job creation. Movies, books, computer software, television, photography and music are among our unique American products and some of our most successful exports. United States industries depending on copyright protection employ nearly 4 million workers and produce over $65 billion of our exports ( more than agriculture and automobile manufacturing.

      Protecting content in a high-technology age is a new and daunting problem, and copyright protection is an important challenge as the broadband revolution offers even more far-reaching possibilities and opportunities. With new speed and interactivity, the entire store of movies, music, books, television and raw knowledge can be made widely available. I believe copyright protection is a foundation of innovation, and copyright law should work to ultimately protect the best interests of consumers. Intellectual property is the creative core of the information age, and I agree this is a pivotal issue for Congress to address.

      I appreciate hearing from you and hope you will not hesitate to keep in touch on any issue of concern to you.

      Sincerely, Kay Bailey Hutchison

    8. Re:Finally! by PrescriptionWarning · · Score: 1

      you forgot about buying the song again for your cellphone, and then again for your ringtone for your cellphone.

    9. Re:Finally! by NormalVisual · · Score: 2, Funny

      They make their money by making people buy one cd for the car, one for the computer, one for the portable cd player...

      And this is after you'd already bought the same album on vinyl and cassette 20 years ago.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
    10. Re:Finally! by Himring · · Score: 5, Informative

      Funny? If only it were a joke. To me, John Fogerty being made to go to court to prove he didn't sound like himself (comparing new recordings he did to old when changing labels) is one of the prime examples of the insanity that is the RIAA....

      --
      "All great things are simple & expressed in a single word: freedom, justice, honor, duty, mercy, hope." --Churchill
    11. Re:Finally! by R2.0 · · Score: 1

      "The sort of thing the copyright laws were supposed to prevent."

      Huh? Considering that basic copyright law was written before recorded music even existed, I doubt that the fair use rights for an iPod were considered.

      --
      "As God is my witness, I thought turkeys could fly." A. Carlson
    12. Re:Finally! by StikyPad · · Score: 2, Funny

      Not to mention one vinyl for the home, one for the computer, one for the car, and one for the portable record player.

    13. Re:Finally! by prockcore · · Score: 1

      Go out and try to find a brand new Travelling Wilbury's CD


      I have a feeling that has something to do with the fact that George Harrison and Roy Orbison are both dead.
    14. Re:Finally! by Myopic · · Score: 1

      Neither you nor your senator made your political desires clear, but if you will allow my assumption, I think her outlook is the opposite of yours. You probably said something like "hey, copyright is supposed to enrich culture, but it's all fucked up and I think you ought to fix it" and she probably meant something like "I support the DMCA, I support DMCA2, and I think Napster was devilspawn". Her response was a thinly veiled way of saying "I think copyright restrictions should be tightened, not loosened".

    15. Re:Finally! by goodtim · · Score: 3, Funny

      Right now, I don't have any way to get a legal copy of the CD I want to buy. Thank god I already have the entire run of "The Golden Girls" on DVD, or I would have to wait until the next century for my masturbation material. I really wish there was a -1, Disturbing mod.
      --
      "Flee at once, all is discovered."
    16. Re:Finally! by iamtheantipudge · · Score: 1

      Oh c'mon. Are you going to tell me that having some copies of this wouldn't make you just a little bit flushed?

      --
      Fuck you for not taking back your lies. - pudge
    17. Re:Finally! by AaronLawrence · · Score: 1

      I think you drank the Kool-Aid. You read what you wanted to hear into her words.

      "Copyright protection is a foundation of innovation" means "we need to protect our IP-based industries at all costs".
      "Copyright law should work to ultimately protect the best interests of consumers". Everyone knows that the best interests of consumers is to have lots of big hollywood movies to choose from.

      It's pretty obvious the intention if you read the first paragraph, where she makes it clear that the big concern is all that money rolling in.

      --
      For every expert, there is an equal and opposite expert. - Arthur C. Clarke
    18. Re:Finally! by quag7 · · Score: 1

      Same goes for the original recordings of some classic albums. I don't want the greatest hits copyrighted from 2006, I want to buy a brand new CD with the same record that I grew up with. Take THAT Corey Hart, you stupid Canadian money grubber. You had what, two records? And one of them was a hit? I want to buy your "First Offense" CD, not the Corey Hart greatest hits. It's absurd that you've even got a greatest hits anyway, when "First Offense" had all of hits anyway.

      Thanks. This bit just sent me into a jimson weed-like hell trip. At present I am drowning in the semen of an Enochian fire demon who is grunting Anne Murray's "Shadows in the Moonight" at me backward while roasting me over an open flame fueled by the manure of two thousand backbenchers in Satan's all-goat parliament.

      When I come to, I am going to hunt you down, and I am going to go to work on you with a crucifix made of papal bones and a water tower full of holy water. Consider yourself marked, Legion - I will drive you out of our dear friend, Profane MuthaFucka - a prince...nay, a SAINT. I will cure him of this terrible affliction. The power of Christ compels you. And yeah, fuck you, I'm bringing Max Von Sydow with me. With the old Ming the Merciless getup too. And ninjas. I am not fucking around.

      Original Corey Hart releases are not available because all responsible for his career have been hunted down and "staked" to the earth in graveyards under full moons; it is precisely this kind of decency and sensibility that we Americans look for in our Canadian friends to the North; unlike us they contain and *deal* with their evil. For the most part. I can see you've evaded them.

      We must fight for the souls of all mankind. And as soon as I get out of this fiery demon-seed apocalypse (and recover from the week or so of temporary blindness which typically results), and following the aforementioned exorcism, I'm going after what is left of Loverboy. Even in my significantly reduced state, I should prevail.

      Remember:

      No one can take away your right to fight...

      and...

      to never surrender.

    19. Re:Finally! by pdboddy · · Score: 1

      The CD is just one example, not the be all end all of what copyright is about. It's about fair use of anything you buy, not just the iPod.

      --
      Julie Moult is an idiot.
    20. Re:Finally! by Profane+MuthaFucka · · Score: 1

      At least some of their records were recorded prehumously, or premortem, but they are out of print because the families won't allow more CD's to be made. If their copyrights were to expire in 2011, then you better believe they'd be selling as many as they could sell before then.

      --
      Fascism trolls keeping me up every night. When I starts a preachin', he HITS ME WITH HIS REICH!
  5. Let me be the first to say by pak9rabid · · Score: 3, Informative

    Yay for legal precedent

  6. Yay by jswigart · · Score: 4, Funny

    Another bit of a gut check for the Rectum Insertion Academy of America.

    1. Re:Yay by Lord_Breetai · · Score: 1

      Another bit of a gut check for the Rectum Insertion Academy of America.

      A taste of their own medicine, if you will.

      --
      "You are only young once, but you can be immature forever." -www.animemusicvideos.org
  7. Question by MicktheMech · · Score: 4, Interesting

    Maybe I missed it, but if the RIAA complied with the order to show their attorney's fees, does that mean they're available in some accessible court document somewhere?

    1. Re:Question by zappepcs · · Score: 1

      I was thinking exactly that, but don't know where to look. I'd be real interested in finding out what it is costing them to sue file sharers. I'd be willing to bet that hits their bottom line nicely, and might encourage member companies to think a bit about what they are paying for.

    2. Re:Question by ZachPruckowski · · Score: 4, Informative

      Nope, they're sealed - the RIAA won the fight to keep them out of the public eye, citing possible damage to other lawsuits in progress.

    3. Re:Question by Anonymous Coward · · Score: 2, Insightful

      I really don't think this could damage other suits in progress, since they could make the same request. More likely it would harm their extortion business... if people knew they would be safe spending 100 grand on a nice big lawyer and have it reasonably covered in attorney's fees they might be more confident in their ability to win said fees and come out from a lawsuit even or perhaps ahead. If they think anything over 10 grand might be considered "unreasonable" they might not be so confident in their lawyer.

      And of course revealing how much they spend on lawsuits might make people even more likely to boycott them, not wanting to finance extortion but rather the artists. Or maybe they'd just be less guilty about stealing music.

    4. Re:Question by iminplaya · · Score: 1

      Or maybe they'd just be less guilty about stealing music.

      Who? the RIAA, right? After all, they are the thieves here, not the customers, and I don't believe they ever felt guilty about stealing music. Besides, if the government approves, it isn't stealing. Stealing is against the law. They have the unique advantage of being able to change the law as needed to suit their purpose.

      --
      What?
    5. Re:Question by NewYorkCountryLawyer · · Score: 5, Informative
      They are presently confidential.

      But when the Court's final decision fixing the amount of fees is issued, the details will probably be in the decision.

      And if the RIAA appeals, then the underlying papers will be filed as part of the appellate record, and it is highly unlikely that the appeals court would keep them confidential.

      --
      Ray Beckerman +5 Insightful
    6. Re:Question by Adriax · · Score: 1

      I can see how this could be damaging.
      It probably proves the whole lawsuit campaign is nothing more than them tossing huge chunks of money at the courts in the hope it scares everyone into not only stop copying, but even stop practicing fair use, and buying every cd as it comes out "just to be on the safe side".

      --
      I don't suffer from insanity, I enjoy every minute of it!
    7. Re:Question by jellie · · Score: 1

      Thanks for the updates, Mr. Beckerman.

      Does this mean that they will finally have to pay up? I know the original decision was one to celebrate, but since then, it seems like the RIAA has been throwing every argument to either stall or reverse the decision (although the judge says it is not final). It would be unfortunate if they could drag this issue on, even though the case is over.

      I also like the judge's first footnote in which he cites other RIAA cases to refute their argument. IANAL of course.

    8. Re:Question by NewYorkCountryLawyer · · Score: 4, Informative
      With each dilatory move the RIAA has made in Capitol v. Foster, it seems to be digging its grave just a little bit deeper.

      I can't for the life of me fathom what they are doing other than enriching their lawyers. Plus they're ensuring that Ms. Foster's attorney will have a nice payday at the end of this, which will enable her to help many more RIAA victims.

      They're turning a $55,000 attorneys fees award into a $150,000 award, and spending a lot of money to do it.

      Plus they're ensuring that their fee arrangements -- which they don't want people like me to know about -- will become public.

      Go figure.

      I've been in the litigation field for 32 1/2 years, and I can't imagine what they are thinking.

      But Capitol v. Foster has already given the rest of us a number of excellent judicial precedents, and it seems that more are on the way.

      --
      Ray Beckerman +5 Insightful
    9. Re:Question by Anonymous Coward · · Score: 0

      You guys are my heroes. :)

    10. Re:Question by Maximum+Prophet · · Score: 2, Interesting

      I've always heard that you can win a judgement against a large corporation and they can just sit on it, forcing you to go to court to sue to get your money. Then they sit on that judgement, ad infinitum. (Look up the guy who sued Ford Motor Corporation for the delayed windsheild wiper device)

      How far can it go before a judge orders the Sheriff to go down to the RIAA headquarters and begin to auction off their property to pay the judgement? That's what would happen if an individual "just sat on a judgement" against him.

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    11. Re:Question by ChronosWS · · Score: 4, Informative

      IANAL, but I would think the judge would then cite the corporation for contempt, which probably gives the judge a fair bit of latitude to make things happen. Corporations could also have their business licenses revoked, income could probably be taken by the government, etc. Remember even though corporations are considered legal persons, they still exist because the government and legal system lets them.

      Would be interesting to know what the full process is though.

    12. Re:Question by NewYorkCountryLawyer · · Score: 2, Informative

      I don't think it would be very hard to collect a judgment against these companies....

      --
      Ray Beckerman +5 Insightful
    13. Re:Question by NewYorkCountryLawyer · · Score: 1

      1. "Though the wheels of God grind slowly, yet they grind exceeding small."

      2. I loved that footnote, too.... in his gentlemanly way pointing out their complete and total dishonesty.

      --
      Ray Beckerman +5 Insightful
    14. Re:Question by permaculture · · Score: 1
      Maximum Prophet asked:
      "How far can it go before a judge orders the Sheriff to go down to the RIAA headquarters and begin to auction off their property to pay the judgement?"

      Here's an example of just that, over here in the UK.

      http://money.guardian.co.uk/saving/banks/story/0,, 1994533,00.html

      --
      Environmentalism is the new Victorianism. Everyone ties on a green corset and pretends we're virtuous.
  8. In legalese, "Disingenuous" means... by R2.0 · · Score: 5, Funny

    "Lying Bitches"

    --
    "As God is my witness, I thought turkeys could fly." A. Carlson
    1. Re:In legalese, "Disingenuous" means... by baomike · · Score: 1

      >
      They can , but they only do it if there is no one around to lift them
      into their favorite tree each night.

  9. NewYorkCountryLawyer? by Sporkinum · · Score: 2, Funny

    New York Country Lawyer? Is that some sort of pre-hyperchicken?

    --
    "He's lost in a 'floyd hole"
    1. Re:NewYorkCountryLawyer? by Sporkinum · · Score: 1

      Not quite sure why my post got modded troll. Off topic? Maybe..
      It's a Futurama reference. Original New York, hence the pre. Hyperchicken is the Country Lawyer in the New New York world of Futurama. http://en.wikipedia.org/wiki/List_of_recurring_ali en_characters_from_Futurama#Hyperchicken

      --
      "He's lost in a 'floyd hole"
  10. Why don't "we the people" by Sodade · · Score: 4, Interesting

    Revoke RIAA member's corporate charter? Invalidate their predatory contracts with artists. Thile we're at it, eliminate Ticketmaster. This leaves room for a non-profit system for promoting and desseminating music. We need a blue-collar musician class.

    1. Re:Why don't "we the people" by Stanistani · · Score: 1

      I thought they already nerfed troubadours. Or was that paladins? I always forget.

    2. Re:Why don't "we the people" by hackstraw · · Score: 3, Insightful

      We need a blue-collar musician class.

      In older times, this was called a union. Its kindof a bad word today, but in order for artists to get around the RIAA and Tickemaster and any new incarnation of the same, a union may actually be something that can protect their rights.

    3. Re:Why don't "we the people" by Sodade · · Score: 1

      With the RIAA and Ticketmaster out of the way, there would be room for a taxpayer funded (cheaper than dealing with RIAA lawsuits) non-profit system for promoting peer-reviewed bands (since promotion is the only thing that the RIAA has to offer). This wouldn't require a union I don't think.

    4. Re:Why don't "we the people" by Mattintosh · · Score: 4, Informative

      "Unions" are for laborers. Factory workers, service-job workers (bus drivers, retail clerks, etc.) should be in unions. (Or not, depending on how they feel on that issue.)

      "Guilds" are for artists and creators. Engineers, actors, painters, musicians, and even computer programmers should be in guilds, not unions. (Again, "or not" applies here.)

      Unions got a bad name from the corrupt officials in their organizations (past, present, and probably future). Guilds don't have that problem.

    5. Re:Why don't "we the people" by SithLordOfLanc · · Score: 1

      I hope you're not suggesting that musicians not profit from their music (not that they do now.)

    6. Re:Why don't "we the people" by boldtbanan · · Score: 1

      Um...isn't that what the RIAA is technically supposed to be? Not that it actually represents the artists' interests.

    7. Re:Why don't "we the people" by tnk1 · · Score: 1

      Revoke RIAA member's corporate charter? Invalidate their predatory contracts with artists. Thile we're at it, eliminate Ticketmaster. This leaves room for a non-profit system for promoting and desseminating music. We need a blue-collar musician class.


      Because "We the People" is represented by Congress and Congress doesn't feel like it. Additionally, there's a good chance that a significant portion of "The People" don't actually care. Note that "the People" tends to include people who think an MP3 is an older version of a popular German-made submachine gun.

      And lets face it, musicians don't want to be blue-collar any more than I do. At least your standard pop, rock, or rap artists don't. How can you live a rock and roll lifestyle without a healthy dose of cash? That bottle of Kristal costs 500$ a pop, last I checked.

      (Most) Artists don't want to hear "non-profit" associated with their profession. They just want to have the recording industry stop giving it to them up the ass. Profit and getting filthy rich is just fine by them. The public's interest and the artists' interests coincide currently because it is the publishers who are screwing people over. Artists, like baseball players, are quite capable of banding together into a guild or union and acting just like the RIAA and getting paid incredible amounts of money to make music too.

      Bear in mind that artists want MP3s as a means of cheap distribution and PR which frees them from a useless middleman, the publisher. That means that they are willing to go along with the digital revolution to a large degree. But don't think that they are doing it as a group for any other reason than to either promote or monetize themselves in some way. And I don't blame them, because they have a right to enjoy a living from making music, if there is demand for it. Still, your idea of super cheap (even free), and ultra easy-to-obtain music is not going to necessarily be their idea of it.

    8. Re:Why don't "we the people" by Alizarin+Erythrosin · · Score: 3, Funny

      Thile we're at it, eliminate Ticketmaster.

      You spelled "Ticketbastard" wrong.
      --
      There are only 10 kinds of people in this world... those who understand binary and those who don't
    9. Re:Why don't "we the people" by steelfood · · Score: 1

      Not particularly coherent today, so forgive me if not everything makes sense, but I'll take a shot at replying.

      http://www.freelancersunion.org/

      What they do, except perhaps with more of a music slant. Like offering discounts to equipment/promotional resources or pairing producers with singers, etc. If done right, it could theoretically completely replace what the RIAA does. RIAA members owning a good chunk of the major media outlets does present a challenge to the organizers of such a union, the RIAA could be driven to extinction by this alone even without the internet.

      Add the internet as a viable alternative promotion channel to more traditional forms of media, and it might actually fly.

      Ironic thing is, this model would bring the music industry far closer to a free market than one that involves the RIAA. That is, assuming the union leaders aren't eventually corrupted by the money. After all, the music industry is huge.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    10. Re:Why don't "we the people" by Grishnakh · · Score: 3, Funny

      "Guilds" also evokes images of brave warriors, armed with magic swords and shields, courageously exploring dangerous dungeons full of orcs, trolls, and other denizens.

      If I join an engineer's guild, do I get to carry a sword around and wear chain mail armor made of mithril?

    11. Re:Why don't "we the people" by ffflala · · Score: 2, Informative

      Ah, there IS a musician's union. It's been around for over a century: the American Federation of Musicians.

      http://www.afm.org/public/home/index.php/

    12. Re:Why don't "we the people" by Khashishi · · Score: 4, Funny
      If I join an engineer's guild, do I get to carry a sword around and wear chain mail armor made of mithril?

      No, but you do get to carry a gold pen and you get to wear armor for your pocket.

    13. Re:Why don't "we the people" by shark72 · · Score: 2, Informative

      "Um...isn't that what the RIAA is technically supposed to be? Not that it actually represents the artists' interests."

      No; not hardly. They represent the recording industry. From their "about" page (emphasis mine):

      The Recording Industry Association of America (RIAA) is the trade group that represents the U.S. recording industry. Its mission is to foster a business and legal climate that supports and promotes our members' creative and financial vitality. Its members are the record companies that comprise the most vibrant national music industry in the world. RIAA members create, manufacture and/or distribute approximately 90% of all legitimate sound recordings produced and sold in the United States.

      Musicians have their own alliances. Somebody's already pointed out the AFM; There are also the ASCAP and BMI; both are performance rights societies run by and for musicians.

      Slashdotters often consider ASCAP and BMI to be just as evil as the RIAA, but I should point out that ASCAP/BMI and the RIAA are often at odds with each other, because they represent groups of people who are on the opposite ends of the business deals.

      --
      Sitting in my day care, the art is decopainted.
    14. Re:Why don't "we the people" by Anonymous Coward · · Score: 0
      "Unions" are for laborers.

      You got a problem wit dat, asshole?

    15. Re:Why don't "we the people" by Anonymous Coward · · Score: 0

      "Unions" are for laborers. Factory workers, service-job workers (bus drivers, retail clerks, etc.) should be in unions. (Or not, depending on how they feel on that issue.)

      "Guilds" are for artists and creators. Engineers, actors, painters, musicians, and even computer programmers should be in guilds, not unions. (Again, "or not" applies here.)



      Real professionals join Associations: American Bar Association, American Medical Association, American Dental Association...

    16. Re:Why don't "we the people" by HugeFatty · · Score: 1

      If I join an engineer's guild, do I get to carry a sword around and wear chain mail armor made of mithril? Sure, if that's what you'd like. But you have to find your own mithril.
      --


      I am clearly fatter than you.
    17. Re:Why don't "we the people" by Rudisaurus · · Score: 1

      "Guilds" are for artists and creators. Engineers, actors, painters, musicians, and even computer programmers should be in guilds, not unions. (Again, "or not" applies here.)
      As another poster has pointed out, professionals are represented by organizations generally known as Associations. Real engineers -- the professional kind, not the train-driving kind or the Microsoft "certified systems" kind -- have professional associations in every state of the union and every province in Canada. It's the mandate of those associations to safeguard the public through limitation of the use of the terms "professional engineer" and "P.Eng." and to ensure that professional-quality service is given to clients by enforcement of qualification standards and through requirements for continuing professional development.

      Guilds have a romantic association with the Middle Ages and wandering itinerants. It's kind of a cool notion that one would belong to a fraternity of fellow crafts, all plying the same trade. Realistically, however, it's a bit anachronistic when applied to computer programming or engineering today.

      Today, rather, it's the amount of study required at the university level which generally distinguishes a professional from a craftsman or a tradesman. Thus, there are trade guilds and craft guilds -- but there are no professional guilds (that I'm aware of).

      Cheers,
      R. Stocker, Ph.D., P.Eng.
      --
      licet differant, aequabitur
    18. Re:Why don't "we the people" by Builder · · Score: 1

      The RIAA have no contracts with artists. The RIAA have absolutely nothing to do with artists at all.

    19. Re:Why don't "we the people" by Sodade · · Score: 1

      Whoah there cowboys! I wasn't suggesting that the musicians themselves be non-profit - merely that musicians need a non-profit "service provider" to enable them to promote their music sucessfully without having to rely on the monster that the RIAA embodies. Profit follows promotion.

  11. fscking A!! by VorlonFog · · Score: 4, Informative

    It's about damned time. Now how and when can we get Sony, Macrovision, and the MPAA to back off? They just killed the open-source FixVTS website, and gagged everyone involved. Just like they did with RipIt4Me a month ago. Way too much open-source innovation is being squashed, and it's a crime they're quashing any discussion of it, too.

    1. Re:fscking A!! by CelticWhisper · · Score: 2, Interesting

      How can they truly stop it, though, if it's open-source? All that would need to happen is for one person to have downloaded the source .tar and distributed it far and wide, unofficially. Let a programming team in a foreign country pick up the project and keep it alive.

      This is why I really wonder about the sanity of some of the developers of these ripping apps--if you know there's a real, tangible threat from the industry, why-oh-why do you never release your source? DVD Decrypter, DVDFab, and DVD Shrink are all (at least, at one point I thought they were) closed-source even if some are/were free.

      I understand the desire for notoriety in the warez scene, but sometimes the greater good must be served. Open the source.

      --
      Help protect civil rights from abuse by the TSA - visit TSA News Blog.
      http://www.tsanewsblog.com
    2. Re:fscking A!! by Mattintosh · · Score: 3, Informative

      Too bad they're thoroughly incompentent in everything they do.

      FixVTS

      RipIt4Me

      Sony, Macrovision, and the MPAA are a little vaklempt. Discuss amongst yourselves.

    3. Re:fscking A!! by the_humeister · · Score: 1

      Exactly! It's about time we did a file system check!

  12. I felt a disturbance on the net... by Black+Parrot · · Score: 5, Funny

    ...like a thousand record company executives suddenly sending each other whiney e-mails.

    --
    Sheesh, evil *and* a jerk. -- Jade
    1. Re:I felt a disturbance on the net... by StikyPad · · Score: 1

      I vote that the next person who uses a tired slashdot meme gets a great disturbance to the braincase.

    2. Re:I felt a disturbance on the net... by amohat · · Score: 1

      I thought it was funny. You ain't. Lighten up.

  13. Judges, no... by NeutronCowboy · · Score: 5, Interesting

    ... but politicians can. How much does a Senator or Representative go for, these days?

    --
    Those who can, do. Those who can't, sue.
    1. Re:Judges, no... by kalirion · · Score: 1

      Democrat, Republican, or Independent?

  14. Unequal income litigation by iamacat · · Score: 5, Interesting

    We need a reform whereby when litigants have dramatically unequal net worth, the plaintiff is required to reimburse defendant's lawyers up to the amount that they themselves spend on legal services. The plaintiff can then argue for whatever damages they can convince jury the defendant can pay based on their income level. The same should hold true in criminal cases. When prosecutor feels the crime is grave enough to justify calling dozens of expensive expert witnesses, surely the suspect should be given a chance to prove themselves innocent. Justice shouldn't depend on your bank account, especially since we all know how many rich guys are crooks.

    1. Re:Unequal income litigation by DDX_2002 · · Score: 5, Interesting
      Should there be an award of costs if you sue someone and lose? Damn straight, that's how the British and the Canadians have always done it and it really cuts down on frivolous litigation. Costs in those systems aren't anything near actual solicitor-client costs, but they're high enough to make people think twice about wasting the court's time and the defendant's money.

      As to damages based on respective income level, dear god no. That change would completely and utterly overwhelm your first point - if McDonalds injures me to the tune of an actual loss of $1 out of my pocket, I shouldn't be able to claim $1000 just because they're a big company. That creates an enrichment in me and a huge incentive to sue big companies over frivolities. Conversely, if someone backs into Bill Gates' car, he should get less than the cost of fixing it why, exactly? If I have a $1 loss, it is perfectly reasonable to say megacorp defendant who caused the loss need to pay me $1, my filing fees and a reasonable amount on top of the real loss for my discomfort/trouble/pain/annoyance, but as a matter of legal and economic theory, I should *never* come out ahead by suing. A lawsuit is not a jackpot and god help us all if it ever becomes such (though many would argue the US is already there). Now, having said that punitive damage awards do happen- those enrich the plaintiff and are economically questionable, especially on the scale sometimes seen in US courts. But the theory is, megacorp can afford to lose $3 to cause a $1 injury if they actually make $3.25 by doing it or if they only get caught at this one time in ten, so sometimes you need to put a thumb on the scale, as it were. Punitive damages are intended to send the clear message not to do the complained of act again and avoid hundreds or thousands of other people having to sue to make the same point. They are also meant to be rare and in Canada, actually are.

      --
      MHO. YMMV. Any resemblance between this post and real persons, or reality in general, was accidental.
    2. Re:Unequal income litigation by Hemogoblin · · Score: 1

      ... the plaintiff is required to reimburse defendant's lawyers up to the amount that they themselves spend on legal services. Apparently you haven't been following this case so I'll fill you in. Essentially, the case against the defendent was "dismissed with prejudice" and should she will be reinbursed for her legal fees. The RIAA balked at the amount she demanded and tried to argue that it was far too large an amount. The defendent replied "Well, how much did you spend? If you spent more than I did, the amount I'm asking for should be reasonable." The RIAA didn't want to reveal how much they had spent, but the judge forced them to. The amount is confidential right now, but NYCL has mentioned it might become public later. In conclusion, the charges have been dropped and the RIAA is going to be paying all/most of her legal fees.

      Apparently its common practice to see how much the other party has spent on legal fees to determine what is reasonable as reinbursement.
    3. Re:Unequal income litigation by Grishnakh · · Score: 1

      I partially agree. Backing into Bill Gates' car shouldn't result in me paying less than the actual damage.

      However, I'm a big supporter of punitive damages. Without them, companies tend to see lawsuits as a "cost of doing business". Companies will happily pollute rivers as long as the cost of doing so (measured in payouts to those affected who bother to pursue them) is less than the savings resulting from this deed. A few large punitive damage awards can bankrupt a company, which is a good thing: if the company can't operate ethically and legally, it has no business operating at all. If anything, the system is much too lenient with these companies: bankruptcy shouldn't be an option, and all the executives and managers of the company should be personally liable when misbehavior is caught and punished. Yes, it's supposed to be like this already, but not nearly to the extent that it should be; usually, they get off scot-free.

      As for lawsuits not being jackpots, why not? What's wrong with that? If a company does something illegal and unethical, which results in real damage to a plaintiff, then why shouldn't that sufferer be awarded a huge amount of money in compensation? Why shouldn't he come out ahead (though the "ahead" part is questionable anyway, depending on the damage: did he lose a limb due to poor/nonexistent safety measures? You can't ever fully compensate for that.)? If the company doesn't want to lose its shirt to a plaintiff, then maybe they shouldn't do illegal stuff to begin with. What's wrong with that concept?

      Companies in Canada probably don't do all the illegal, damaging stuff that American companies do, which is probably why punitive damages are rare there.

    4. Re:Unequal income litigation by iamacat · · Score: 1

      We are talking about two different things. If I am involved in the accident with Bill Gates, he sues me and he gets legal help which is out of my budget, he should be required to reimburse my lawyers for the same amount. Only then can justice be served to determine who is really responsible for the accident. This is irrelevant to the question on how much I should have to pay if I lose. I would suggest though, that if Bill Gates chooses to drive his $10M car on a public road, his insurance company should cover any damages in an accident instead of me. I have no control over the value of what other people drive on the road and can only be required to pay for or insure vehicles comparable to mine.

    5. Re:Unequal income litigation by deblau · · Score: 2, Interesting

      We need a reform whereby when litigants have dramatically unequal net worth, the plaintiff is required to reimburse defendant's lawyers up to the amount that they themselves spend on legal services.

      This won't work, and here's why:

      Most cases, say 98% or so, never make it to trial. Why? If the lawyers figure out that one side or the other had a clear advantage, they will settle, because it's in their clients' respective best interests. So going to trial is (usually, roughly) a coin flip. Which is how it should be: you go to trial because both sides have good arguments and you need a neutral third party to analyze (judge) the relative merits of both sides and render a decision. (And don't forget, the overwhelmingly vast majority of the RIAA cases settle. Why? Because the defendants really did violate the copyright law, and they know it.)

      Now on top of that you want to impose a system-wide penalty, where if you lose the coin flip you're out twice as much? That's going to act as a disincentive for people with legitimate problems to seek help in the courts. People will only sue if they think they have such an overwhelming advantage that they must win (and the case will likely settle anyway). This keeps close cases out of courts, which is exactly contrary to a primary purpose of the court system (namely, to decide close cases).

      The plaintiff can then argue for whatever damages they can convince jury the defendant can pay based on their income level.

      Plaintiffs do this already.

      The same should hold true in criminal cases.

      Criminal cases are about more than the harm the defendant allegedly did against the victim, they're about the harm to everyone else. If you are robbed, that sucks for you, but it also sucks for your neighbors who are now scared about being robbed, property prices fall, more cops are needed to patrol your area, etc. etc. Which is why criminal cases are brought by the State, not the victim. The public policies behind crime have little to do with the defendant's ability to pay.

      When prosecutor feels the crime is grave enough to justify calling dozens of expensive expert witnesses, surely the suspect should be given a chance to prove themselves innocent.

      Go down to your local District Attorney's office some day. Really, call up and schedule an appointment. I'm sure they'd be thrilled to know that a random member of the public is taking personal interest in what they do. Ask them how many cases they've called dozens of expensive expert witnesses on. Heck, ask them how many cases they've called more than three witnesses on, where two were at the scene and one was the cop who wrote up the report. They just don't have the money.

      Seriously, more people should do this. Courts are open to the public, but the public doesn't show up. Then people say the system is all wrong and needs to change.

      Justice shouldn't depend on your bank account, especially since we all know how many rich guys are crooks.

      Leaving aside the argumentum ad lazarum implication, I ask you this question: would you rather have a justice system where everyone can afford quick-and-dirty justice, where complex issues are resolved by each side getting 5 or 10 minutes to talk, where judges take a few minutes and rule from the bench? Or do you want a system where people take the time and energy and money to do things fairly, where both sides have the chance to address all of the issues, where everyone has a chance to be heard?

      Being fair and impartial is HARD. For the most minuscule example, read the Federal Rules of Evidence. An example: hearsay. In order to avoid the problem of "he said-she said", the rules are that witnesses can't generally talk about what someone el

      --
      This post expresses my opinion, not that of my employer. And yes, IAAL.
    6. Re:Unequal income litigation by DDX_2002 · · Score: 1
      Yeah, that's not how it works. Your basic argument is the same as that if you only tap a guy on the nose, you shouldn't have to pay if his rare medical condition causes his head to explode as a result, killing him stone dead. That's not how it works, though - the thin skull principle says you ARE liable for the full amount if you caused the damage. Moreover, the law hardly wants to create a disincentive to owning expensive automobiles nor to incentivize bad driving based on a maximum payout that is based on average car value.

      Why should Bill G's insurance company take the hit for YOUR wrongdoing? They won't. They'll pay Bill, then they'll sue you on a subrogated claim in Bill's name for the amount that they had to pay him to fix his auto. In turn, YOUR insurance company will pay the damages, because that's what YOU paid them for. They're out for your wrongdoing because they agreed that if you screwed up they'd cover it, and charged you a premium every month/quarter/year for the service.

      Did you actually spend the same amount as Bill? Then why would you get reimbursed for expenses you didn't incur? That's why costs awards are usually based on tariffs and not on actual dollar amounts paid - hire the best lawyer you can, but if you hire OJ's dream team for a contract dispute with your newspaperboy over the saturday edition landing on your roof, you shouldn't get that back if you win, and the newspaperboy shouldn't get a multimillion donation for his defence.

      Moreover, why should I have to pay YOU to defend yourself? I haven't done anything wrong, I claim that YOU'RE the one in the wrong - and until the court decides, who can say otherwise? Should the government pay to bring you up to my level? Maybe they will, to an extent - but is matching Bill G dollar for dollar REQUIRED to achieve justice? I doubt it.

      Economically, I will pay as much to pursue a claim or defend one as I think it is worth to me. If I value NOT having to pay you at $X, then there is no one better than me to say whether that is right or wrong. Here's the thing - you may not value your claim the same way. Almost by definition, as a plaintiff it will be worth the cost of your injury plus aggravation. If it's going to cost three times more to bring a case to trial than it's worth to you, that should be a signal your claim isn't worth pursuing. It is not in society's best interests to encourage people to behave economically irrationally when contemplating litigation or worse, to publicly subsidize litigation that is economically irrational UNLESS there is a broader societal interest. IOW, if society has an economic interest in the dispute, it may make sense to assist the private litigant - but this isnt' always the case.

      As someone above pointed out, corporations will gladly pollute if the cost of fines is less than they make. This is because we don't have a proper system for valuing the environment. As a society, and a justice system, we don't put a price tag on clean air and water, on global warming NOT happening. Instead, we look at lost jobs and products not made and the price of oil... oil has another price, which we're not factoring in.

      Getting back to the TFA, a system where litigants paid more of the other party's costs if they lose would restrain some of the RIAA's worst abuses, and those of nuisance litigants generally. The present costs award is a step in the right direction, but a full and broad loser pays system would go IMHO be preferable. As noted above, yes, it would discourage marginal cases. I'm not convinced that's bad.

      --
      MHO. YMMV. Any resemblance between this post and real persons, or reality in general, was accidental.
    7. Re:Unequal income litigation by Mr2001 · · Score: 1

      Should there be an award of costs if you sue someone and lose? Damn straight, that's how the British and the Canadians have always done it and it really cuts down on frivolous litigation. Costs in those systems aren't anything near actual solicitor-client costs, but they're high enough to make people think twice about wasting the court's time and the defendant's money. Doesn't it also cut down on legitimate lawsuits?

      I mean, suppose a big company (like Microsoft, since this is /.) sells me a defective product (like Vista, just to make the mods happy) and I have a legitimate claim against them. Today, I know that if I lose, I'll only have to pay my own lawyer. But if I might have to pay their lawyers too, and I know their lawyers are damn expensive, then that might be enough to scare me into submission. Even if I know the only way I could lose the suit is on some obscure technicality, I don't want to take that risk because it'd bankrupt me.
      --
      Visual IRC: Fast. Powerful. Free.
    8. Re:Unequal income litigation by dodobh · · Score: 1

      And don't forget, the overwhelmingly vast majority of the RIAA cases settle. Why? Because the defendants really did violate the copyright law, and they know it.

      Or it was just cheaper to settle than to ligitate. The judgement about the RIAA having to pay costs just happens to change the economic balance in favour of the innocent, but poorer individual.

      --
      I can throw myself at the ground, and miss.
    9. Re:Unequal income litigation by iamacat · · Score: 1

      Moreover, why should I have to pay YOU to defend yourself? I haven't done anything wrong, I claim that YOU'RE the one in the wrong - and until the court decides, who can say otherwise?

      Why should I spend money to defend myself from YOU? I haven't done anything wrong, I claim you are just harassing me for the heck of it. I say you should reimburse me for the same expenses that you are undertaking until I am proven guilty. Then we can talk about you getting compensated for both your damages and such expenses as a reasonable person would spend in this case. If it's really a cut and dry case, you don't have to spend too much on lawyers, right?

    10. Re:Unequal income litigation by iamacat · · Score: 1

      This keeps close cases out of courts, which is exactly contrary to a primary purpose of the court system (namely, to decide close cases).

      I, for one, don't want a court system that ever awards "close" cases to plaintiff. Maybe standards of proof can be a bit lower than in case of a serious crime, but there should be pretty clear that defendant broke the law or displayed horrible disregard for others and actions can really be traced to that particular person or organization. MP3s downloaded over an open access point shouldn't count and neither should McDonald selling hot coffee, well, hot. The current system ends up harassing far more innocent people than it punishes guilty. Doctors are quitting their practice because they can not afford malpractice insurance. People refuse to babysit a friend child for a fear of paying millions because of an unavoidable accident. Everything comes with 20 pages of disclaimers to the point that we fail to understand the real dangers.

    11. Re:Unequal income litigation by Dal+Platinum · · Score: 1

      I don't disagree with punitive damages. I do disagree with them going to the claimant.

      Punitive damages should go to a third party, like a charity/organisation that both parties can agree on. So, in a case against MS, rather than one person getting $5M, the money should be given to a related organisation (EFF, etc.).

      Having these sort of payouts go to a single person is crazy, and only encourages lazy people to get sue-happy in the hopes of getting a jackpot payout.

      This hasn't started in the UK yet, but I can see it on the horizon.

    12. Re:Unequal income litigation by Grishnakh · · Score: 1

      I still don't see the problem here.

      Suppose some assembly line worker loses his hand because his employer blatantly ignored OSHA regulations, etc. So the jury awards him $30 million in punitive damages. Why shouldn't the guy who lost his hand get the $30M jackpot? It's not like he intentionally got his hand cut off (if he did, that should be provable by the defense). It'd be a just compensation for such a horrible thing to suffer with for the rest of his life.

      I can understand the concern about sue-happy people, but in cases where the offender was really, truly negligent, I don't see the problem. People being sue-happy isn't going to make companies more negligent; if anything, it should make them far less negligent if they have half a brain.

      What I see in the US causing problems is not huge punitive damages. They happen, but it's not that often; it's usually only for cases where the negligence or other bad behavior is really extreme, and the jury wants to send a clear message. The thing that causes all our problems are baseless lawsuits; lawyers are happy to take these up because they make money off them even if they lose, and also they force the defendants (who may not have as much money for lawyers) to settle or litigate when the case should have been thrown out, because it costs so much just to prepare a defense even if it's baseless. This barratry (sp?) doesn't result in huge punitive damages, but it does result in a lot of money wasted on legal fees.

      As for both parties agreeing to a charity or organization, that's not a good idea either. If MS lost a lawsuit, they'd never agree to give the money to the EFF. And why should the offending party have a say in their punishment anyway? That's exactly what happened in the MS anti-trust trial. Bush's attorneys basically asked MS what kind of punishment they should get, and of course they came up with a slap-on-the-wrist that actually helped them instead of hurt them.

  15. Correction by Anonymous Coward · · Score: 0

    because copyright law ultimately serves the purpose of enriching the general public through access to creative works

    That should read:

    because copyright law ultimately serves the purpose of enriching those in the general public who may own stock in corporations that control access to creative works

  16. Finding common ground in a new age by Borland · · Score: 5, Interesting

    The RIAA is a cure that is worse than the disease, piracy, that it fights. Frankly, I hope they do end up paying out the ass for their McLawsuit business model. That said, it always seems that arguing fairness on digital media is like arguing abortion: It is difficult to find middle ground, let alone win, an argument with a true believer.

    My own stance is often conflicted on digital media. I've never deluded myself into thinking I'm striking a blow for justice by downloading a game, software, song, show, etc. gratis. But the often clumsy DRM does sometimes make me regret a legitimate purchase. With BT games, I can take my machine to a LAN party without bringing a single disc. With a legitimate game, I'd either have to bring the discs or patch it as if I had obtained an illegal copy. Hell, I wanted a few songs right away to exercise with, so I downloaded the MSN service and bought a few bucks worth of songs: Easy as pie...until I restore my system, or until MSN folded into URGE without properly supporting legacy customers.

    Even this far into the Internet age we still haven't developed proper analogues to physical media. You can loan a book to a friend; the only DRM is the security sticker removed at the store. How do you easily loan an audio book to a friend, without making it easy to endlessly provide perfect copies? The business model needs updating, but to what? As it stands, we are buying encrypted paper books that can only be read with a cipher key licensed to an individual.

    But even that metaphor breaks down easily, since paper books employ near-universal formats that anyone literate in the language can read. Since the format is interpreted by the human mind, not a computer, any irregularities in the format (i.e. manga style graphic novels) can be adapted on the fly. We don't have to consider if a book comes in .doc, .avi, .mp3, or other format and choose the correct interpreter in addition to the language barrier.

    Ease of use is key to adoption, but what is the balance between business and consumer? Is it fair that iTunes limits players or is it fair to demand that iTunes support an open format? Damned if I know the answer.

    1. Re:Finding common ground in a new age by zzo38 · · Score: 1

      .... Is it fair that iTunes limits players or is it fair to demand that iTunes support an open format? Damned if I know the answer. No, neither is fair. But it is fair to request that iTunes support an open format, no fair to demand such thing (make your own if you want an open format!).

      The RIAA is a cure that is worse than the disease, piracy, that it fights. .... Yes, that is true (in my opinion and many others).
    2. Re:Finding common ground in a new age by Anonymous Coward · · Score: 0

      It's pretty straightforward--pay per use, but very, very cheap. Why? I'll tell you:

      Who wants a hard drive full of music/movies/books? You gotta back it up, move it around to different machines, it's nothing but work work work all the time. HD movies are what, 30 gigs? Not small.

      I would cheerfully pay .04 cents for Pink Floyd's Comfortably Numb, every time I listen to it, if I don't have to manage the damn file. I can jam out all night for a buck twenty. Reasonable recompense for services rendered--storing and sending the file to me on demand. In Ogg format. I can keep it if I really want to...but why would I want to?

    3. Re:Finding common ground in a new age by r3m0t · · Score: 1
      "Is it fair that iTunes limits players"

      Dude, it's called Fairplay! Of course it's fair!

    4. Re:Finding common ground in a new age by Borland · · Score: 1

      Who wants a hard drive full of music/movies/books?

      Many people do despite the illogic of it. Of my considerable book library at home, I may only re-read a fraction of the novels again. A smaller fraction of those books are read over and over again because they are favorites. Similar behavior surrounds any audio book, software package, or other thing I purchase.

      Your suggestion attempts to rewrite our conception of ownership and property rights on consumer goods. Rentals have always served this niche of temporary ownership, but the larger balance of consumers prefer to posses unlimited rights to their property. Divx and related schemes failed for many reasons, but among them is that people didn't like property rights that are later revoked.

      This is not to say that your method will not see adoption. Cell phone extras like ringtones often take this route. You get a background or ring for some trifle that gives you access for 90 days. I find nickel and dime practices like this annoying, but I also find leasing cars a bad practice while some people love it. I subscribe to Safari, which terminates my right to view their content if I drop the subscription.

      There is space for your idea and similar propositions, but I hope there is always an outlet for persistent content.

  17. Hurrah! Perhaps the tide will turn! by HikingStick · · Score: 3, Insightful

    I'm just glad to be reading another piece of good news in the whole fair use / RIAA abuse spectacle! Thank God for a judge who was willing to look for precedent, and was not simply willing to let yet another case go by that would have kept the thumb screws down on yet another defendant.

    --
    I use irony whenever I can, but my shirts are still wrinkled...
  18. Try Thinking Next Time. by twitter · · Score: 4, Insightful

    You don't just count the people being sued, you have to also consider the great many Slashdotters who believe that any expectation that you pay anything at all for any media that can be digitized equates to misery.

    It's more like the 125 million US citizens with an ISP connection that might be wrongly accused and threatened with the loss of all their life savings.

    That they be denied the ability to obtain, free of charge, the latest pop music in a format that not only plays on any conceivable device but was also developed by people who share their particular political and philosophical leanings with regard to software....that is truly misery for them.

    Yes, I'd like my music to play on restrictionless devices. If you like having to beg permission to play and copy your files or keep running your OS. I'm not sure why anyone would prefer that but to each his own. Perhaps you would like one of Mr. Gates' bed o'nails and pillow full-o-thorns to sleep on?

    Bands make money from touring. ... blah blah blah

    You don't have a real job do you?

    --

    Friends don't help friends install M$ junk.

    1. Re:Try Thinking Next Time. by hotdiggitydawg · · Score: 3, Funny

      It's more like the 125 million US citizens with an ISP connection that might be wrongly accused and threatened with the loss of all their life savings. Since when did having an ISP connection... nay, even a computer become a requirement for being sued by the MAFIAA?
    2. Re:Try Thinking Next Time. by Gallowglass · · Score: 1

      Do you read the news? Or are you living in a cave?

    3. Re:Try Thinking Next Time. by hotdiggitydawg · · Score: 1

      Yes, I read the news. Perhaps more than you do I suspect.

  19. How would that help generate campaign funds? by DogFacedJo · · Score: 1

    Why would a lawmaker want to pursue such a reform? Wouldn't that just piss off almost all the lobbies and people with enough income to make good use of a tax deduction?
        I'd love to see such a reform - but who would support it financially?

        Not to imply that our laws are written within a corrupt framework; well, perhaps I do suspect that.

  20. Funny accounting..... by tinkerghost · · Score: 5, Interesting

    Also remember that both the movie & record distributors have been caught repeatedly doing some very funny accounting in reguards to what makes a 'profit'. Most of the contracts issue an advance followed by royalties after a net-profit has been gained.

    ISTR that a producers new Ferrari was once considered an 'expense' in calculating net profits. For a modern example of this look no farther than New Line Cinema & Peter Jackson - LOTR1 is showing $100M+ discrepency in the audit. That's a lot of money to be 'disputed' as an expense - like 2 more movies. Worse, although it's in the contract, NL is trying to bar Jackson from auditing the books on the other 2 movies. We are talking potentially 1/2 of $1B in profits being swept under the table & hidden from the 'Artists'.

  21. Ali-Baba! by Anonymous Coward · · Score: 0
  22. Evil? by Anonymous Coward · · Score: 0

    "DRM is evil."

    DRM by itself? It certainly isn't in the consumer's interest, and ultimately is bad for everyone in the long run. But from a practical standpoint, there's nothing wrong with it. But you add the might of the government to enforce DRM schemes and turn entire classes of citizens into criminals solely to enforce profits and I think you are creating something evil.

    If you're a record company, movie company, or any kind of media company, I think you should be allowed to put a lock on all your stuff. The minute I buy it, though, I should be allowed to get around that lock without the threat of financial ruin and incarceration.

    But we're all guilty of this sort of stuff. Everybody wants the government to interfere where it really has no business and in the end, we've got the government involved in a lot of stuff that benefits no one but tiny groups of constituents. Like today, the FCC said "congress should regulate violence on TV, for the sake of the children" (no joke, go to the washington post). And most comments are in favor! But then you gore their little ox ("the government should ban SUVs!", "you can't smoke in the privacy of your own home", "You must immunize your daughter for an STD!"), then government is bad. We're all hopeless addicted and everytime we ask the government to intervene in private disputes ("My neighbor must not cut down his own tree!") then we're begging for bad results every day.

    And we're all guilty of this. Every one. Everybody wants a nanny to make things better and smooth off the edges. I think it will take a revolution at this point to fix thing. But we're all too busy. Even me, I just bought a big screen TV and I just want to be left alone to watch it. I'm just as guilty.

  23. Thank you for your form letter about [issue] by symbolset · · Score: 1

    It's important that we consider carefully the effects of [issue]. With my carefully worded statement I assure you that I'm on your side on [issue], no matter what it is.

    You have to consider that [the business interests opposed] have a great deal of money and are willing to fund my reelection so I can work on this urgent issue for you. Remember that their great business is what provides [jobs to thousands of impoverished Pakistani factory workers/drugs for washed up one hit wonders/hope for world peace/progress on global warming].

    I believe it's important to consider [issue] in the light of both [voters, businesses] like yourself and [prev. alternate]. I'm sure I can count on your support.

    My staff enjoys sending out these boilerplates and hope you will invite them to send you one on every topic you desire, so you can compare them to each other and gauge our sincerity. If you would like to donate $5,000 or more to my election campaign, I would love for you to attend a dinner in my honor where you can hear me state my nebulous position and have some terrible chicken.

    --
    Help stamp out iliturcy.
  24. +1, Sassy by thegnu · · Score: 1

    OUCH!

    --
    Please stop stalking me, bro.
  25. Market Fluff and Comercial Darwinism by Oriumpor · · Score: 1

    So why not do away with artificially propped up labels and artists and over marketed crap altogether? How many thousands of leisure products (books, movies, albums) get produced that end up getting recycled at best, or landfilled at worst? Let em fail if they aren't worth listening to.

    Art for arts sake is a dead concept for most of the crap I end up chucking in the bin after 10minutes/50 pages/2 tracks. How much bubblegum can the world actually chew?

  26. The real purpose of copyright is to make money by Helldesk+Hound · · Score: 1

    > The Court, among other things, emphasized the Supreme
    > Court's holding in Fogerty v. Fantasy, Inc. that "because
    > copyright law ultimately serves the purpose of enriching the
    > general public through access to creative works, it is peculiarly
    > important that the boundaries of copyright law be demarcated
    > as clearly as possible.

    Actually, the purpose of "copyright" is to give someone (or some organization) exclusive rights, for a fixed period of time, to produce copies of something for the primary purpose of making money by selling those copies.

    Personally I think that copyright for recorded music, film, or images, should be based also on availability for copies to be purchased by the public.

    Thus, if something is out of print (so to speak) - no matter how long it is out of print - then the copyright holder should not be able to sue for infringement of copyright if the copies were distributed during the time the said item was out of print.

    I think that is fair and reasonable. After all, if they intended to make money by selling copies then they would have copies available for purchase.

    I also think that copyrights for recorded music should only apply for 25 years from the date of the first release.

    That gives the producer of the recorded music more than enough time to make their money from selling millions of copies, and then that gives all the rest of us the right to enjoy the best of those recordings without the expense of royalties or copyright fees.

    Of course if someone, for example, re-released an old recording after having, say, cleaned up the recording by substantially removing noise and other recording defects with the resulting work being technologically a much improved product over the original then they should be able to benefit from the results of their work by means of a copyright.

    1. Re:The real purpose of copyright is to make money by zzo38 · · Score: 1

      Of course if someone, for example, re-released an old recording after having, say, cleaned up the recording by substantially removing noise and other recording defects with the resulting work being technologically a much improved product over the original then they should be able to benefit from the results of their work by means of a copyright. but only the original author should get a copyright for that. I also think that if no copyright for out of print, then also things with DRM (such as the old NES/Famicom games, no longer available, but now they put on Virtual Console with DRM) then it should also be considered out of print, until they fix their mistake and remove all of the DRM, then the original company is "printing" it again.
    2. Re:The real purpose of copyright is to make money by The+Cisco+Kid · · Score: 1

      I'll go further - 'copyright' should be renamed 'sell-for-profit-right'..

      It means only the original xxxxrights holder can sell for profit, and has nothing to do with 'copying'. The only reason 'copy'right was named that way was becuause there was no concept of personal 'copying' at the time.

    3. Re:The real purpose of copyright is to make money by Helldesk+Hound · · Score: 1

      > I'll go further - 'copyright' should be renamed 'sell-for-profit-right'.
      >
      > It means only the original xxxxrights holder can sell for profit, and has
      > nothing to do with 'copying'. The only reason 'copy'right was named that
      > way was becuause there was no concept of personal 'copying' at the time.

      Retailers already can sell for profit - and they do. But they don't hold the copyright.

      the key point here is that a copyright controls the manufacturing (or autofacturing :o) ) of copies of something, which the copyright holder can then sell for profit.

      Joe public should be able to make copies of something for private use, or for free distribution when the copyright holder does not have "original" copes readily available for sale.

    4. Re:The real purpose of copyright is to make money by Helldesk+Hound · · Score: 1

      >> Of course if someone, for example, re-released an old recording after
      >> having, say, cleaned up the recording by substantially removing noise
      >> and other recording defects with the resulting work being technologically
      >> a much improved product over the original then they should be able to
      >> benefit from the results of their work by means of a copyright.
      >
      > but only the original author should get a copyright for that. I also think
      > that if no copyright for out of print, then also things with DRM (such as
      > the old NES/Famicom games, no longer available, but now they put on Virtual
      > Console with DRM) then it should also be considered out of print, until
      > they fix their mistake and remove all of the DRM, then the original company
      > is "printing" it again.

      I think that the person or organization who does the work of cleaning up and restoring a *formerly* copyrighted work should get the benefit of their efforts by getting the copyright of any copies made of the cleaned-up/repaired version.

      If the original copyright-holder does that, then great. But too bad if they can't be bothered to keep making available a work to the public.

      There are thousands of copyrighted works (other than books) that are not currently available to the public.

      There are even more books that have previously been published but are not currently available for the public to purchase.

      I know of an organization which operates a print-on-demand service because demand is not sufficiently high enough to have thousands of copies of each work sitting in a storeroom. But they want to keep their works available for purchase in order to stop other organizations from making photocopies of existing copes that they have already bought.

      As for DRM... DRM has never stopped me from accessing a work. I think for the purposes of this discussion about copyright, DRM is a red herring. DRM has already been shown to be highly disliked by the public, and record companies have already started to sell digital copies of music without DRM encumbrances.

    5. Re:The real purpose of copyright is to make money by The+Cisco+Kid · · Score: 1

      retailers who sell CDs (for example) so do under the authority of the record label they get them from. They are selling them on behalf of the publisher.

      Joe public should be able to make copies of things for private use regardless of wether the copyright holder has copies for sale. (Considering that in order for Joe public to make the copy, he has to have obtained, and presumably paid for, a copy from the rights holder.

    6. Re:The real purpose of copyright is to make money by zzo38 · · Score: 1

      I think that the person or organization who does the work of cleaning up and restoring a *formerly* copyrighted work should get the benefit of their efforts by getting the copyright of any copies made of the cleaned-up/repaired version. If the original copyright-holder does that, then great. But too bad if they can't be bothered to keep making available a work to the public. I should just say that if it worked like that then people will steal copyrights and stuff. (Unless the old version is still public domain. If the old version is still public domain, then it isn't as much as a problem as it would be otherwise.) Still, even if you fix a previously copyrighted work then you can still sell it and stuff
    7. Re:The real purpose of copyright is to make money by Helldesk+Hound · · Score: 1

      > retailers who sell CDs (for example) so do under the authority
      > of the record label they get them from. They are selling them
      > on behalf of the publisher.

      No they're not.

      They are selling merchandise just like any other retailer.

      Ditto for second-hand CD shops, ditto for supermarkets, and ditto for clothing shops.

    8. Re:The real purpose of copyright is to make money by The+Cisco+Kid · · Score: 1

      The point was, they are not violating either existing copyright law, or even the RIAA's vision of copyright law, by doing so, and even if copyright were to be repurposed 'sell-for-profit-right', they would still be able to do so, since end-users pretty much dont buy directly from RIAA members, but rather through retailers that obtain the product through wholesalers that are supplied with it by the RIAA members, with the specific intention that the CD's get distributed for retail sale.

  27. The RIAA HAS no principles by j_w_d · · Score: 2, Interesting

    The whole issue has nothing to do with artists and everything to do with corporate business. One small change in copyright law would completely eliminate much of this. Rewrite the law so that copyrights cannot be sold or inherited and instead reside with the artist for the artist's lifetime. Artists can license rights, possibly even exclusively, so a corporation can make money if so inclined, but the license cannot be perpetual. Allow no organization to own a copyright, since by definition organizations are incapable of creative work - a business or arganization can fund it, but because a business is a fictive individual, bar it from ever being able to claim a copyright. Better yet get rid of the idea of applying the same rights to corporations that individuals have.

    --
    ------ The only greater hazard to your liberty than n politicians is n+1 politicians.
  28. Love the quote... by TheVelvetFlamebait · · Score: 1

    ... pity it can't be applied to the RIAA. Shame, really.

    --
    You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  29. It was *BROWN* M&M's - and here's why.. by Anonymous Coward · · Score: 1, Informative

    http://en.wikipedia.org/wiki/Van_Halen As one of the first major bands with a full stage show to appear in many smaller cities, Van Halen had an extensive set of technical and logistical requirements including power availability and stage construction details that a venue had to comply with. Many venues in these markets had not previously dealt with such a large-scale show, and were not equipped to handle Van Halen's massive stage and light show, sometimes resulting in damage to the band's equipment and the venue, once nearly killing a roadie setting up the instruments. The band's demands were not limited to technical issues: their now infamous contract rider specified that, among other personal needs, a bowl of M&M candies, with all of the brown ones removed, was to be available in the band's dressing room. According to David Lee Roth (from his autobiography, Crazy from the Heat), this was not due to an antipathy for brown chocolate candy, but rather was listed with the technical portion of the contract in order to check up on whether venue management and technical staff were correctly reading through, checking, and honoring the technical and safety provisions set in the contract. On arrival, if brown M&M's were found in the dressing room, then the band had reason to believe other parts of the contract were also not being fulfilled, and subsequently, every line of the contract was to be double-checked, to ensure safety prior to and during the show. Some shows were canceled because of a venue's inability to handle the band's stage or equipment safely.

  30. "Questionable Motives?" by Cleon · · Score: 2, Insightful

    The RIAA's motives are not "questionable," in that there is no question about what those motives are:

    1. Ever-increasing profits at all costs.
    2. Protection of their predatory, exploitative business model at all costs.
    3. Complete market domination for 1) and 2) above.
    4. Total control over the distribution of music.

    --
    Gifts for Geeks - Stuff that really matters!
    1. Re:"Questionable Motives?" by Maniac-X · · Score: 1

      Yeah, but that was not the intended meaning of questionable.

      This was:

      questionable
      -adjective
      1. of doubtful propriety, honesty, morality, respectability, etc.
      - from dictionary.com

      And it certainly fits the list you gave.

      --
      (A)bort, (R)etry, (I)gnore?_
  31. USA politicians are* not* for sale... by vinn01 · · Score: 1

    ...they are for rent.

    They are not even honest enough to stay bought.

    The USA has the best laws money can buy.

  32. Guilds are for professional too by vinn01 · · Score: 1

    Guilds go way back. They were not just for wandering itinerants.

    I recall that Leonardo da Vinci was refused entry into the his father's guild (for accountants) because Leonardo was a bastard (he was born to an out-of-wedlock mother). So Leonardo joined the Guild of St. Luke (the guild of artists ). The rest is history...

  33. Re:It was *BROWN* M&M's - and here's why.. by Gazzonyx · · Score: 1

    Wow, coming from Van Halen. I must admit, it's a brilliant idea. I wouldn't have thought of this as a litmus test. Then again, I niavely assume that people read my documentation before bothering me about design decisions...so, the fact that I wouldn't have thought of it doesn't say that much.

    --

    If I mod you up, it doesn't necessarily mean I agree with what you've said, sorry.