The DRM Scorecard
An anonymous reader writes "InfoWeek blogger Alex Wolfe put together a scorecard which makes the obvious but interesting point that, when you list every major DRM technology implemented to "protect" music and video, they've all been cracked. This includes Apple's FairPlay, Microsoft's Windows Media DRM, the old-style Content Scrambling System (CSS) used on early DVDs and the new AACS for high-definition DVDs. And of course there was the Sony Rootkit disaster of 2005. Can anyone think of a DRM technology which hasn't been cracked, and of course this begs the obvious question: Why doesn't the industry just give up and go DRM-free?"
Just because the ability exists to crack it, doesn't mean that the average Joe on the street can do so.
It discourages casual copying, nothing more, but I can't imagine it was intended to do any more. Nobody's that stupid.
"It is possible to commit no errors and still lose. That is not a weakness. That is life." -Peak Performance
Frivolous lawsuits. Until the RIAA finally realizes that its lawsuit tactic isn't working it's the only attempt at DRM that hasn't been made completely useless yet. Unfortunately I don't see that happening unless/until they lose bigtime in multiple court cases.
I have this massive pile of digital rights that I really need to manage. Yet every fucking piece of management software I download has been hacked. There's not even any patches for this shit. How the fuck am I, as a concerned citizen, supposed to manage my rights?
Is Blueray. That's going to last another decade.
Your ad here. Ask me how!
The same effect has been observed in software for years, Windows XP had an activation thing built in, anyone who knew what they were doing would bypass it, anyone who didn't (and didn't know anyone who did) would eventually go and buy superfluous copies of software they already owned.
Okay, let's try Alex Wolfe's argument in a different context:
"When you list every major law implemented to "protect" life and property, they've all been broken. Can anyone think of a law which hasn't been broken, and of course this begs the obvious question: Why doesn't society just give up and go law-free?"
DRM doesn't have to be perfect to do its job, anymore than law enforcement has to be "perfect". It just has to be effective enough to keep Joe Average from copying the file. Whether or not DRM is actually "good" or "bad" for media producers is a completely different argument, but Wolfe's sophomoric reasoning does nothing to address it.
The best DRM is rot13. No one has ever cracked that yet in nearly 25 years.
In the eyes of the DMCA, the best DRM is ROT26.
The theory of relativity doesn't work right in Arkansas.
we (geeks) can do it because we are prepared to go through the many steps to remove the DRM
the average joe needs a (free) really easy (integrated) app that strips the DRM, no command line stuff or blind them with options
and (in|un)stallers hell i bet they dont even know what DRM is other than the dialog in their player saying "sorry you dont have a license"
just a simple
no need for finding keys or running multiple apps to crack it just a press button and joe can play his file again
the easier it is to do something the more people will do it
but as far as this goes: "However, like true Brits, they're soldiering on and releasing it, possibly convinced that it's not much use worry about what those stupid Americans are up to with their software schemes, anyway." I think they got it pretty bang on.
No one ever expected DRM to stop all copying. That was never it's purpose. The purpose of DRM was to curb copying, which it has done. Everyone realizes there will always be a way to get around DRM (or anything else really) if you really want to. But if you can implement DRM and stop 50% or 75% of copying, that is a big improvement. That is exactly what they did. They implemented a solution that will reduce copying by the average person, which means more money in their pockets since less people are copying CDs and giving them to friends (and no, I'm not claiming every person who copied a CD would go and buy it, but certainly some of them will).
DRM works under the same concept as locking your car. IF someone really wants in, they will get in. But it certainly cuts down on the casual person who will take an easy opportunity, but doesn't care enough to put in the effort to get around the measures you put in place.
"Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
Last I looked Cable HDTV DRM still hasn't been cracked which sucks if you want to use a myth box. You can only get an HDMI with HDCP signal out which I also don't think has been cracked. I really hope they do crack it so I can watch the HDTV that I pay for on my computer whenever I want. As a side note I once talked to my friend(who works for comcast) about driving a GNU/Linux driver for the CableCard. He told me it would be hard and was 100% sure we would be taken to court. The CableCard apparently looks to make sure the hardware using it is certified. Cracking that shouldn't be to hard but apparently the deal that at least comcast has with the content providers is that if there DRM is cracked they have 30days to fix it otherwise they have to recall all devices with the DRM capability and destroy them. Then they can issue new ones with newer DRM, otherwise they risk losing that content.
DRM is just "an electronic lock".
There's a well known saying "Locks secure you against honest people" (or words to that effect).
The hard-core/organized/professional criminals have the skills, technology and motivation to bypass these "security measures".
Remember people, locks aren't about making you secure, they're about making you FEEL secure.
s/locks/airport security screening procedures/
s/locks/the department of homeland security/ (well, that and political empire-building and creating a police-state by stealth)
Smokey The Bear Says: Only YOU can prevent the violation of your civil rights "in the interest of National Security".
Visit CryptoGnome in his home.
no crack.
www.purevolume.com/martyd
A mechanism that is difficult to crack (whether that is a physical lock or DRM or password) makes it harder for the cracker and reduces the likelihood of someone actually doing the cracking. That removes casual crackers from the equation.
It also makes the cracking act more deliberate and makes it far harder for someone to claim: "That diamond got in my pocket.... I just found it on the sidewalk and thought it had been thrown out." or "Oh that music on my MP2 player... I thought it was free!"
Engineering is the art of compromise.
I don't rember ever seeing DIVX ever being cracked. The fact that it failed in the market and you could get the exact same content off of a non-DIVX DVD aside, I don't know of a crack for it.
But everything that has been in use for a little while or on successful product? Yeah, it's cracked. The article doesn't even begin to mention all the software protection schemes that are no longer effective.
Comment forecast: Bits of genius surrounded by a sea of mediocrity.
TOR
Plausible deniability
Analogue hole
What we miss is a file sharing program that makes use of a TOR like network and stores the files in a plausibly deniable container by default (i.e no need to be a computer geek) so that everyone can use it. Such a program would essentially be a tactical nuke against the record label's business model. Some time ago I may have considered promoting this immoral, but after I had a night ruined by region codes ( my girlfriend* at the time had bought me a present while visiting the states ) I sort of want to see this bullshit fail as much as possible. Unfortunately I don't know shit about designing a decent network so I can't write the stuff myself, but if things continue the way they do it is only a question of time before somebody does it.
*Yes yes, I know I'm not supposed to have had a girlfriend and post to slashdot... If it helps maintain the stereotype I could disclose that I'm nocturnal, skinny and still living with my mother...
Perhaps this has already been mentioned, but the dongle systems that protect many Mac music applications and plugins seem to have held up so far, as in either iLok
or some of the Synchrosoft dongles. Logic Pro 7 is not really something that has been cracked yet either, to my (admitedly limited) knowledge.
From what I recall reading, when H2O did manage to [k] Nuendo, it took them so long that I think they said
they were not going to bother doing it more, as the process was just too annoyingly time-consuming.
Theoretically, these systems could probably be made to protect anything which is a software-based application. Not sure if this qualifies as DRM, rather than just some 'copy-protection'
technique but certainly it has helped ensure that many small developers of quality audio plug-ins survive because their creations cannot be cracked.
Z.
There's only one copy protection system I know of that hasn't been (meaningfully) cracked, and that's MediaCipher, created by Motorola for the cable TV crowd. Ironically, it was one of the first ones ever created. (Of course, it helps that the boxes implementing MediaCipher are only rented -- never sold -- to end-users.)
Copy protection next showed up in a major way for computer games, most notably for the Apple ][ computer. This fetish briefly spread into applications software as well as games, until the users thundered, "No Fscking Way." It took about four to six years for this to shake out.
Despite the fact that there is no conclusive evidence that copy protection has any meaningful impact on sales, anti-copying measures are still used extensively, but by no means universally, throughout the games industry. In particular, Unreal Tournament's initial anti-copying measures are little more than perfunctory, and are later dropped entirely.
Near as I can determine, copy protection advocates claim as axiomatic that unsanctioned copying will depress sales to livlihood-threatening levels. They cleave to this axiom with a fervor usually associated with religious fundamentalists. However, every time this axiom is honestly examined, mitigating or even entirely contradictory evidence is discovered. Yet the myth persists.
It's not the technology we need to combat (since Turing proved it can never work). It's the defective thinking.
Schwab
Editor, A1-AAA AmeriCaptions
Was someone a little strapped for cash?
"Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
Unfortunately, the analogy doesn't quite hold. Breaking into bank vaults is more like performing a brute force attack on a DRM scheme, every time you wanted to break it. DRM schemes don't work like that. Typically once a scheme is compromised, it becomes possible for anyone subject to it to break it almost instantly. All it takes is for someone to write a quick tool that automates the cracking process and all the barriers presented by the DRM scheme pretty much fall away.
I'd say that DRM schemes are like having one giant bank vault. Yes, it will eventually get compromised, and once it is, everything inside is trivial to take.
Last time I checked, you can strip the FairPlay DRM from iTunes music files pretty easily, but nobody has released a tool that does the same for video files purchased from iTunes.
So ya can't yet burn that episode of "Lost" you bought on iTunes to a DVD.
I stole this sig from someone cleverer than me.
That does not "beg the question" at all. http://en.wikipedia.org/wiki/Beg_the_question
What annoys me is that while current versions of QTFairUse strip the DRM off audio files just fine, nobody as of yet has put out a simple tool to strip off FairPlay from Apple's video files. If it's the same DRM scheme you'd think they'd just extend FairUse to do video files as well, but they've just not done that. I guess there must be some issue with the exploit they use that precludes using that hole for video as well I suppose...
It's been what, 2+ years since Apple started selling videos and still no crack?
If a job's not worth doing, it's not worth doing right.
one definition of insane is doing the exact same thing over and over and expecting different results.
The industry isn't trying to make uncrackable DRM. They're trying to make DRM that's just annoying enough so that the majority of users don't go to the trouble. Expert users will always crack whatever they put out. That wouldn't be a problem except for the ease of distribution BitTorrent affords and other P2P services afford. The same principle applies w/ the RIAA lawsuits. They're not trying to sue everyone who pirates music. They're just trying to get enough publicity so that people start thinking, "Gee, if I download that song then there's a chance, however remote, that the RIAA is going to sue me. Even if the law is on my side and I win, that would be a colossal hassle. Maybe I'll just buy it instead."
I've never heard of an MMORPG that was cracked to that you could play for free (on an official server) or even play without purchasing the client software.
My idea of a cracked DRM is one that allows you to use the product exactly is if the DRM was not included. I think starforce which is used for gaming was never fully cracked. At least not the latest version. I remember seeing a crack for a game (I forgot its name, go figure) which used starforce that required you to physically unplug your dvd drive from the motherboard in order to work... Starforce was such a violent protection that even the game companies themselves decided to ditch it. It would do havoc to your machine and I even heard several cases were a DVD drive was rendered useless because of it.
As someone has already mentioned, no DRM is uncrackable but some of them require a lot of work. The DRM's of popular products will always be cracked because of the demand but there are many people who use niche products that are usually not worth the effort for the skilled crackers. These will just have to take the pill and suffer quietly.
From Wikipedia:
"Cryptanalysis researchers demonstrated fatal flaws in HDCP for the first time in 2001, prior to its adoption in any commercial product. Scott Crosby of Carnegie Mellon University authored a paper with Ian Goldberg, Robert Johnson, Dawn Song, and David Wagner called "A Cryptanalysis of the High-bandwidth Digital Content Protection System". This paper was presented at ACM-CCS8 DRM Workshop on November 5, 2001.[1]
The authors conclude:
"HDCP's linear key exchange is a fundamental weakness. We can:
* Eavesdrop on any data
* Clone any device with only their public key
* Avoid any blacklist on devices
* Create new device keyvectors.
* In aggregate, we can usurp the authority completely."
It must be noticed, however, that for this attack you first have to break Blom's scheme (the linear algebra based key exchange system). In the case of HDCP you need a minimum of 39 device keys in order to reconstruct the secret symmetrical master matrix that has been used to compute all device keys.
Around the same time that Scott Crosby and co-authors were writing this paper, noted cryptographer Niels Ferguson independently claimed to have broken the HDCP scheme, but he did not publish his research, citing legal concerns arising from the controversial Digital Millennium Copyright Act [1].
The most well-known attack on HDCP is the conspiracy attack, where a number of devices are compromised and the information gathered is used to reproduce the private key of the central authority.
To read my post please enter the first word from pages 6, 27, and 32 from the manual.
The purpose of DRM isn't to keep dishonest people from copying music.
The purpose of DRM is to force honest people to repurchase music every time the format changes.
Once you understand that, the obsession with DRM makes more sense.
The cake is a pie
Probably because who knows enough to work on a crack knows anything by Real isn't worth their time.
Fundamentally, you're spot on. It is a hell of a lot worse than bank vault security. You can't have the party it's secured against also the one it decrypts for. It just makes no sense! All DRM is crackable by definition, they know this, they just want to make it as much of a hassle as possible.
No, it's flawed because it CAN be cracked easily: The decrypting key is in the firmware contained in your DVD player.
In cryptography, we have an explanation using Alice and Bob. Alice is communicating with Bob, while Eve (eavesdropper) tries to decrypt the message. Alice and Bob have the key to decipher the message, but Eve doesn't. She wants to decrypt the communication *without* the key.
A --- E --- B
Alice in this case, is the Digital Media producer (or encrypter), and B is your DVD. You're Eve. The problem with DRM is that Eve *HAS* the key. By cracking the DVD software (some disassembly, debugging and you're done), Eve can obtain the key from Bob.
A --------- B E
This is the problem with DRM. It's flawed by design. The DMCA is a legal "patch" to this algorithm, punishing Eve if she gets the key from Bob. The problem with DMCA is that the punishment doesn't apply to all countries, and trying to enforce it results in attacking freedom of speech.
There isn't a door lock that can't be cracked by the most humble of clerks working at Home Depot, but that hasn't stopped the door lock industry. Next time you walk into the office, look up and imagine how many offices could be entered by simply removing a set of $2.00 ceiling tiles that stand in the way.
The fact is, humans need these reminders. They give people who know what is right permission to do the right thing.
The more you scare people.....the more they will pay.
"this begs the obvious question: Why doesn't the industry just give up and go DRM-free?"
The entire entertainment industry is so consumed with greed that they are no longer able to think clearly. The failure of DRM is so painfully obvious, but the MPAA, RIAA, BSA, etc. are so blinded by greed that they can't see it. To them, the failure of DRM is proof that they need bigger badder DRM along with bigger badder laws to punish people. This is what greed does to you.
The secret to success is simple: make a good product and sell it at a fair price. But when you are bkinded by greed and convinced that you're losing billions of dollars to "piracy", you think that the secret to success is to control your precious "intellectual property" with the most draconian iron-fisted methods possible.
Ed Felten took a whack at this question a while back that stuck with me in the context of HDCP DRM.
...
First: Why is the weak system worth spending 10,000 gates for? The answer doesn't lie in platitudes about speedbumps or raising the bar -- any technical bumps or bars will be obliterated when the master secrets are published.
So temporary piracy prevention doesn't seem like a good explanation.
A much more plausible answer is that HDCP encryption exists only as a hook on which to hang lawsuits. For example, if somebody makes unlicensed displays or format converters, copyright owners could try to sue them under the DMCA for circumventing the encryption."
Because if there's anything a tech mogul hates worse than his own customers, it's his competition.
DRM in a Nutshell:
An encryption system is a way to deliver information securely, even through the hands of the thieves.
A DRM system is a way to cut out the middleman, and deliver information securely into the hands of thieves directly.
See the problem?
Confusing the thief for the customer is why DRM can never work.
Confusing the customer for the thief is why DRM can never sell.
Bad analogy. You see, digital media can be copied for zero cost. Physical objects cannot. Therefore, as long as one person cracks the DRM, then essentially everyone has because that one person can the redistribute the DRM-free media for free. In fact, its even worse than that because not only can that one person distribute, but every person that the first person gives it to can also redistribute, and so on and so forth.
We all know what to do, but we don't know how to get re-elected once we have done it
I dont like the analogy of a bank vault at all. Its not like people are breaking into a video store and stealing videos. These are usually people who have lawfully purchased a video and want to use it for their own private purposes but this has been restricted by DRM. DRM circumvention is often an attempt for a consumer to simply use something they legally purchased for their own private use, such as making back up copies or playing it on their computer, or copying to their ipod. I dont see any problem with that unless they are distributing it to others, Once a person has legally obtained some work, it should be theirs to do as they please with it for their own private use.
We already have copyrights to protect the producers of works. DRM is going too far as it restricts the users rights to use something for their own private use, for which they have legally purchased.
doesn't matter what anyone says, neither my mom or my dad, nor my three sisters, nor any of my cousins know how to use any tool to remove drm. and i doubt they ever will. most of my cousins and sisters can handle the likes of limewire though.
1) It only takes ONE person to "crack" and copy music, a movie, etc. and make it available to all the average Joes.
"Available" is a relative term.
For your average iPod-buying Joe, it's easier to find a desirable song by buying a CD on the way home or to search and download it from the iTunes Store, than it is to find a reliable and spyware-free Gnutella client, search for the song, eliminate all the junk matches, find one that's good quality, and download it.
I like using the iTunes Store to download singles because it's MUCH more reliable and usable than browsing for free MP3s, as long as the iTunes Store actually carries said singles. It's also much, much faster at downloading movies.
For the non-geek, legal DRMed media files are generally easier to find, easier to download, faster to play, and usually have their metadata tagged properly too. The only downsides are that you can't give it away to your friends and it costs more. But like Linux, cracked multimedia files are only free if your time is worth nothing.
"The BBC's iPlayer has recently come under fire for being Windows only and DRM-riddled, but what can they do?"
Send everybody who pays for a TV license a card with an ID and password.
Person must first log into the web site with their ID and password, and then they can stream the programs using some sort of open CODEC or even Flash.
The solves 98% of the problem. And it's one of those good enough solutions that lawyers and bureaucrats will turn down because they're not thinking rationally. They're looking for a 100% protection solution that can never exist. They're only making it harder for their customers, and it makes no difference to "protecting" the content.
You were mistaken. Which is odd, since memory shouldn't be a problem for you
DRM is about letting you have the content while preventing you from doing anything with it. DirecTV is a pretty good example that even though they can prevent you from getting the content, they can't control what you do with it once you have it.
It is all about enforcing a monopolistic distribution channel, a walled garden. They are trying to get all of the pie, not just a chunk. I went into more detail here:
http://www.theinquirer.net/?article=29161
-Charlie
You're missing the point. That whole post was about the misuse of the phrase "begging the question".
The theory of relativity doesn't work right in Arkansas.
You're right in that what's currently used for digital cable and satellite TV feeds hasn't been cracked. But this has a history, at least in Europe, of being cracked, holes found in the algorithms and all sorts of fun, then 6 months after it gets public known they change encryption system, and the TV pirates can start over. The encryption systems have in that way gotten so tough to crack that the pirates have found other ways, the most common way to get around the encryption today, is to get a receiver of which you can replace the firmware, and in that way get the receivers to share the smartcards with each others over the internet, for the time being the TV providers knows it's happening, but they fail to figure out how to prevent it, so instead they spread rumours that their encryption providers in Israel are able to detect when cardsharing occurs, but I have yet to hear about them catching anyone in that way.
If I was as pragmatic and objective as I claim to be, would I be commenting?
Which is exactly why they feel they have to make it harder to copy. It doesn't cost anything, so the only thing they can do is throw the law around while simultaneously making it more difficult to copy.
Now, obviously the honor system doesn't work. If DRM vanished tomorrow, most Slashdotters would still keep downloading. It provides something to bitch about more than anything. The fundamental problem is that Slashdot has decided it doesn't like the media industry's business model. It doesn't actually have anything to do with DRM in the overwhelming majority of cases--precisely because every single kind of DRM has been cracked. It's not a real deterrent to Slashdot. But it's good for the go to pretend that it was supposed to be and you beat "the man."
The only real deterrent is the law, which is why there's all the sabre-rattling here. You don't want to pay for the content. You've all but declared it every single time this issue comes up. There aren't many people here who carve a rational balance. Most of you will continue getting it for free because a) you can and b) you don't think they deserve money in the first place (or "not as much as they charge" in the truest mob fashion). Rationalize all you want, but that's all it comes down to.
There need to be massive changes in the media industry. Lots of things which are fundamentally clear have become confused in the fiery rhetoric and the balance is wrong. But if you won't come to the table, why should they?
Actually, an HDMI input card is only $249.
t y/
See: http://www.blackmagic-design.com/products/intensi
Sure there is. A correctly employed OTP is completely, mathemathically proven, uncrackable.
But there is no uncrackable DRM-technology. There can't be. By nessecity the users machine MUST contain all the information needed to decode the media. If it didn't, it couldn't display it. If it can display it, it fundamentally CAN also save it in an unrestricted format.
Yes, it may be more or less tricky to get at the keys. But it'll always be *possible*.
has not been cracked, but the only reason for this is, that there is no real incentive to do so, because all the movies are on DVD anyway, which is by now an "open" format.
Locks are a good way to keep honest people honest, but they should be simple and unobtrusive. The reason why we have key locks on our front doors instead of complicated biometric systems (this may be the wrong audience for this comment) is that they are simple, cheap and less prone to failure.
Remember the front door is public, the lock is public but only the owners have the key. The front door system works because not everyone who can get to the door has the key. DRM simply doesn't work because you have the content, the lock and the key.If this were really happening, what would you think?
Not trying to be a troll. But I strongly disagree with the hive-mind about DRM being as hopeless as the comments proclaim.
Frist off, digital piracy isn't that different from brick-and-mortar piracy -- sellers will always try to find ways to prevent theft, and those who want to pirate stuff will always find ways to circumvent the checks. This is human nature and the it'll probably never change.
Second, while we (rightly) think that the RIAA could save itself a lot of effort by revamping its model, that argument doesn't scale to other media. For example, movies. Movies are expensive to make, and don't sell in the same volumes as songs. The RIAA might easily solve its problems by moving to an AllOfMp3-like model, and pricing structure. But the MPAA won't be able to do the same -- charging 10 cents a movie will mean that they need to sell about 150 times the volume to make similar profits. Charging even $4 a movie will be enough incentive for people to go back to bittorrent. So clearly, its a never-ending tug of war, and while we think the RIAA/MPAA should in good faith adjust it's pricing model etc. the MPAA (at least) can't rely on the same good faith from its customers.
But of course, the RIAA and MPAA are not blameless. And neither are Apple and MS and anyone else creating DRM schemes for multimedia formats (in fact, perhaps the Apple and MS folk are more guily than the RIAA/MPAA. Thier real sin is, they are trying to exploit a side-effect of DRM by not openly licensing thier DRM schemes and not making them interoperable/platform-agnostic. They have seen the side-effect of locking in customers by not licensing thier DRM schemes and by using proprietary formats, and they're frothing at the mouth with the possibilities of locking in customers, and getting duplicate revenues from those that do defect.
At one point, I was actually willing to give MS some props for trying to rally the industry around a single DRM scheme (PlaysForSure) and keeping the API for it open. The lack of PlaysForSure on Macs and Linux is a big problem, and using WMA is a bigger problem, but the real sin was when they came out with yet another DRM system for the Zune. (Unless their PlaysForSure contracts made it a necessity by stipulating that MS will never come out with a PlaysForSure device or something like that - I wonder).
And Apples fault is in how they choose to license FairPlay. They seem to have some arbitrary 'coolness factor' that needs to be met before they license FairPlay (which they do license out). For example, it's clear that the Xbox ppl have given iPod integration a lot of importance, and they must surely have approached Apple to license Fairplay so that even protected songs could be streamed to the 360 from a PC/Mac or iPod. The fact that this doesn't work today can only be because Apple did not license FairPlay. A terrible sin, for what would have been a very cool and easy to use feature. They did not think about the benefit to their users first -- they thought about lock-in instead.
This is really what's wrong with DRM today. Companies are having a field day with trying to lock in consumers, and not giving any thought to enabling them to use thier property in as many fair ways as possible. The focus is completely on lock-in, and disabling, rather than enabling, and maintianing an audit trail without hindering.
The solution might come from the market, in time. But for that people need to be very vigilant about shunning DRM schemes until these companies learn thier lesson and start inter-oprating with each other. That doesn't look like its happening anytime soon -- what with iTunes downloads crossing the 3 billion mark the other day. Consumers only have themselves to blame if they endorse DRM in this manner.
The solution might come faster through litigation. Either through class action lawsuits (iTunes customers who want to migrate so a non-apple mp3 player, who get pissed because thier collections are now worthless), or Congress (ve
I dare to say I speak for many when I say, I don't mind paying for content. But I insist in being able to use content I pay for.
I buy my music. I also buy my movies. I don't want so many that I couldn't afford it, and likely I wouldn't buy enough to make the industry survive. A handful of movies or music discs a year isn't really making or breaking it for them.
But I do want to use those items in the way I intend. I want to be able to hear that music in my car, I want to be able to watch those movies on my computer. If this isn't possible, the item I paid for is not what I want. Now, the licenser can dictate how I may use the item, that's his right. But he should at least inform me about it, so I can avoid wasting money on it. If the DVD tells me it won't play in my computer, I won't buy it. The product does not match my requirements.
Unfortunately, this information is not given. All you get is "this item is protected by copyprotection technology", which can mean pretty much everything from "it won't work in anything but our own players" to "it's just CSS encrypted, so all you need is a player that can handle it". I won't know 'til I slip in the DVD into my drive.
Now, the opened medium is more often than not impossible to return. No matter what you do, the store won't take it back. I checked with my lawyer, and they even have the right to do that.
So, consequence? I feel wronged. I feel tricked into buying something that I cannot use. Consequence? I don't give a fuck about copyright laws and remodel the disc to do what's intended with it: Giving me access to the content I licensed.
So far, no problems with my conscience at all. I paid to see the movie, so I feel entitled to do what's necessary to see it.
I can see that it's only a minuscle step from here to "why the heck go through all the hassle and even spend money on it, when you can get it free and hassle-free through the net?". I can see why people take that last step, too. Actually, I can see that a lot of people even got wind of this way of acquiring movies that way:
1. Buying a movie that doesn't play.
2. Lament with their "clued" friends and ask for a way to see that movie.
3. Friend tells him about P2P.
4. People stop buying and start downloading.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Hmm.
I propose Xbox 360 DRM.
Essentially un-hacked after all this time. Interestingly enough it's been possible to run warez for long time but ONLY if it's right region and no modification whatsoever is possible (cheats etc)
However, homebrew software, cross-region mods, or any modification to the games: Big Ix-Nay.
Yes, if you go to extreme lenghts and took the necessary steps long time ago it's possible to change the region code of the console. The kernel vulnerability was patched and there's no way to un-patch unless you exploited the vulnerable kernel to obtain one of the encryption keys. Or in other words, if this is news for you, forget about it.
Good luck trying to get this information past any tie.
I've been in the computer security biz for a long while now. You'd be amazed how many suits think of security as a product to buy, to install and then never think of it again. When you tell them that it should be audited and reviewed every now an then at least (personally my suggestion is every month or at least every two months), they look at me bewildered and reply with something akin to "but we just bought the security you mentioned. What gives, is it not secure?" (implying "Are you selling snakeoil?")
You have no idea how hard it is to get it past an exec's skull that security is an ongoing process and evolving, not something static that you set in stone for now and forever.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
DRM doesn't exist to stop the big organised cracking groups who release media online (they try to do this with lawsuits).
Nor does it try to prevent the street sellers, who mostly buy their stuff from the above, mass duplicate and sell cheaply.
What it's intended for, is to screw more money out of the average consumer.
When i was a kid, my parents would buy me music on vinyl records, and record them to audio cassette for me to play, because being a kid i would invariably ruin the media at some point. When that happened, they would make me another copy. Similarly, they would make copies to play in the car (tapes often got damaged if they were left on the dashboard in hot sunny weather, and i doubt there are many cars which can play vinyl).
DRM will stop these law abiding citizens from making their own personal-use copies, and force them to buy multiple copies of their media, and there are even more reasons to format-shift now:
CDs - to play in the car
CDs - for kids to destroy
Digital files - to play on a media center
Digital files - for an ipod or cellphone
Ofcourse, those who pirate media will continue to do so, and will be better off than those who don't. Eventually more of those people will choose to pirate media instead so that they gain the benefits of drm-free media.
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The BBC's iPlayer has recently come under fire for being Windows only and DRM-riddled, but what can they do? They can either implement some form of UK-based DRM or not attempt to show programmes online at all.
DRM is unnecessary - they can simply restrict access by IP address to UK residents. This would put the "protection" on par with their DVB streams (which they are actively pushing to be unencrypted), which are geographically restricted to (more or less) the UK. Just because you are delivering content over IP doesn't mean you need extra protection - it's just as easy to proxy a DVB stream to a non-UK IP address as it is to proxy an IP stream to a non-UK IP address.
The BBC's charter requires that they make the content available for all licence payers without tieing them to equipment sold by specific manufacturers. The current iPlayer does not meet the charter since it requires you to use Windows. They have not said when a Linux version will be available, only that they will review the situation every 6 months (which implies it will take several years). Also, they keep saying they are aiming for a platform agnostic solution by releasing players for Windows, OS X and Linux - that is _not_ platform agnostic - what happens if I want to play content on my phone or other device not running these OSes? The *only* way to be platform agnostic is to use an open standard and thus allow anyone to implement a player for a platform of their choice.
I'd prefer the DRM version then to wait for some form of non-DRM equivalent to be implemented!
As a licence payer, I would prefer them not to waste my licence fee on this crap if they aren't going to implement it in a platform agnostic way in accordance with their charter. Using the licence fee to pay for a system that can only be used on a platform produced by a single vendor (a totally unethical vendor at that) is unacceptable.
http://blog.nexusuk.org
No. Nope. Uh-uh. It does not beg the question.
Orange whip? Orange whip? Three orange whips.