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Copyright Alliance Presses Presidential Candidates

I Don't Believe in Imaginary Property writes "Not satisfied with the current copyright terms of life plus seventy years and huge financial liabilities for infringement, the Copyright Alliance is pressuring presidential candidates for stronger copyright laws. In particular, they want the candidates to promise to divert police resources to punish even non-commercial copyright infringement. After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?"

291 comments

  1. Great Works by dintech · · Score: 5, Insightful

    I refuse to believe Shakespeare, Michaelangelo, or da Vinci's works would be any less great despite their copyright status. Don't those works predate copyright? Aren't they just proving the point that great works are most useful when they are free in the public domain?

    1. Re:Great Works by dintech · · Score: 5, Insightful

      I'd also like to add that those artists were successful in their own times. Maybe not mega rich, and maybe there were fewer people hanging off them getting rich from their talents. However their lives perhaps demonstrate a successful model for artist in the post copyright era. In the case of Shakespeare by having his work played in the public domain perhaps the future for bands? Also Michaelangelo being commissioned (and paid) for his art. I'm sure their are a few rich fans out there who would love to commission their very own Red Hot Chilli Peppers track for instance.

      Oh I'm sorry, I'm forgetting about the poor media execs...

    2. Re:Great Works by clubby · · Score: 5, Funny

      I'm no fan of copyright as it exists today, but just because I don't believe entertainers should necessarily be fabulously wealthy doesn't mean I want them to die broke and penniless, and that did happen a lot more prior to copyright.

      That said, the idea of diverting further police resources to prosecute people who listen to music they're not supposed to listen to is terrifying. Yikes! If I didn't already live in Canada, I'd move to Canada.

    3. Re:Great Works by arivanov · · Score: 4, Insightful

      They would not be less great. They will be in jail.

      Sir Isaac Newton wrote, "If I have seen farther than others it is because I have stood on the shoulders of giants".

      So did Shakespeare, Michaelangelo, da Vinchi, Bocaccio, Chocer and everyone else.

      If copyright was enforced at that time they would have been in jail.

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    4. Re:Great Works by pipatron · · Score: 1

      You forgot to enable your sarcasm detector.

      --
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    5. Re:Great Works by Zeinfeld · · Score: 4, Insightful
      This is such an unattractive debate. I have less than zero sympathy for either pole.

      On the one hand we have media execs that demand tougher copyright laws "to protect artists" while having clauses inserted in the same bill to cheat them of their returned rights.

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      Copyright is a legislative issue. The chance of a Presidential veto of copyright legislation is quite small. The opinions of the candidates are pretty well irrelevant.

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    6. Re:Great Works by s20451 · · Score: 1

      The question is not whether innovation is possible without copyright. The question is whether copyright enables more innovation than is possible without it. The data points we have indicate that strong IP laws are correlated with highly innovative societies. Since that is the intent of these laws, then the simplest explanation is that the laws work, and this correlation is caused by those laws.

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    7. Re:Great Works by MrNemesis · · Score: 1

      "Don't those works predate copyright?"

      Technically, yes, but since the various AA's decided that Shakespeare et al live on through their work, they granted a de facto copyright for 75 years since one of his plays was last read or performed (effectively a derivative work). They're also campaigning to get RIAA maths adopted across the scientific community, to the extent that one copyright year is equivalent to 830 terran years.

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    8. Re:Great Works by Tony · · Score: 4, Insightful

      . . . doesn't mean I want them to die broke and penniless, and that did happen a lot more prior to copyright.

      Many people died paupers, not just artisans and inventors. Even today, most musicians, authors, poets and inventors die without making much money from their art, while most other folks have a bit more income.

      --
      Microsoft is to software what Budweiser is to beer.
    9. Re:Great Works by Anonymous Coward · · Score: 0

      It was a different era, though. During that time, there were less people who aspired to be artists. They didn't have to compete with thousands others for an audience. Those who had talent quickly made it to the top and got patronage from wealthy people and the royalties.

      I am a believer in copyright, but not the current copyright laws. The duration is way to long. 10 years should be enough to make a living of a creative work. It's also an incentive to continue producing creative works or you'll have nothing after 10 years.

    10. Re:Great Works by Anonymous Coward · · Score: 0

      Someone remind me. Did we have copyright law back in the time of Shakespeare? If not, then obviously we'll get our next shakespeare regardless of whether or not we have draconian laws.

    11. Re:Great Works by dintech · · Score: 4, Insightful

      It was a different era, though. During that time, there were less people who aspired to be artists.

      This is true. However, I think the reason there are more artists is purely because there is more money. Not because the human race is suddenly more artistic. I'm sure if the money disappeared then so would the 'me-toos' that drown out the good works. The true artists would remain because they've always been there regardless of money.

    12. Re:Great Works by Anonymous Coward · · Score: 0

      Yes and no. Many classical works predate printing press, and many of their writers depended on patronage of the wealthy/nobility. OTOH, literature is like music - we have abundance of those with talent and inspiration who will write regardless of copyright beancounteries.

    13. Re:Great Works by cuantar · · Score: 1

      As valid as your point is, your quote should be attributed to Einstein, not to Newton.

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    14. Re:Great Works by Damarkus13 · · Score: 1

      Sorry, but you can't prove a cause and effect relationship simply by showing correlation. An equally simple explanation would be that the corporate intrests involved in these highly innovative societies have caused these laws to be put into effect.

    15. Re:Great Works by rolfwind · · Score: 2, Insightful

      Indeed, the great copyright myth as it is sold today covers the fact that the corporations benefit from it in the current state and they are only lobbying for more. Many famous artists don't even own their own songs in their entirety.

      We shouldn't be duped into thinking this corporativism is helpful at all for the artists. Frankly, I don't think any legislation - even well intentioned legislation - will ever help artist. What will help them is open distribution channels where they can retain control instead of signing it over to Megacorp - and that is what the internet is providing.

      Few mainstream muscians have gone that way (Radiohead, NiN), but hopefully it'll only be a matter of time until more realize this.

    16. Re:Great Works by belmolis · · Score: 4, Informative

      Sorry, the OP is right. The quote is not from Einstein. It is from a letter of Sir Isaac Newton to Robert Hooke dated 5 February 1675 (corresponding to 15 February 1676 in our calendar).

    17. Re:Great Works by s20451 · · Score: 1

      An equally simple explanation would be that the corporate intrests involved in these highly innovative societies have caused these laws to be put into effect.

      I was arguing that the laws have a positive effect on innovation. Even if I am right, it is not surprising that corporations or advocacy organizations would emerge to demand these laws.

      So what you have to explain is why, in spite of the correlation, these laws have no effect on innovation. I would argue that there is no explanation simpler than causation.

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    18. Re:Great Works by davidbrucehughes · · Score: 1

      As a religious scholar, I am struck by the similarity of extinct spiritual traditions and the copyright/DRM system. Historically, religious traditions and cultures that were very secretive have died out or become corrupted, while those that published and distributed their work openly can remain viable and strong for very long periods of time.

      The lesson is that restricting access to a work may increase the short-term profit, but in the longer term, reduces its cultural longevity.

      DBH

      --
      om namo bhagavate vasudevaya
    19. Re:Great Works by Captain+Splendid · · Score: 2, Insightful

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      Man, I'm sick of this strawman argument. The only people who want everything free, forevah, are retarded 12-year olds. The rest of us just want to pay a fair price, which basically means premium price for new/popular stuff, and a lot less for everything else. You know, how the market works.

      --
      Linux, you magnificent bastard, I read the fucking manual!
    20. Re:Great Works by arivanov · · Score: 4, Funny

      Yep, Einstein goes straight to jail too. Quote is Newton's.

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    21. Re:Great Works by Z00L00K · · Score: 1
      The problem is that it's not the creator of the works that benefit from the copyright as it is defined today but the deadweight like RIAA and MPAA members that take the bulk of the cash. I don't have a problem paying if I'm certain that the cash ends up in the pockets of the creators, but as soon as the creator is deceased and all ties wrapped there is no benefit for the afterworld to have any copyright on the work created.

      Of course - there is a gray zone where the creator may have died with debts, leaving a spouse behind etc. but in general the value of copyright after death of the creator(s) is rather low.

      One important option is that the copyright should never be transferable - the creator shall always be in control. There may be multiple creators involved in a work, but that's still possible to handle.

      --
      If builders built buildings the way programmers wrote programs, then the first woodpecker would destroy civilization.
    22. Re:Great Works by Quantam · · Score: 4, Interesting

      "On the one hand we have media execs that demand tougher copyright laws "to protect artists" while having clauses inserted in the same bill to cheat them of their returned rights.

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists. "

      I'm increasingly of the belief that the morality of file sharing is irrelevant. Right or wrong, I doubt even the government can stop it, as easy as it's become. And we're already at the point where companies' pursuit of profits are inhibiting the good of society, and stopping file sharing (if we are to assume that is even possible) would go much further than that, with a result a lot worse than starving artists and media executives.

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    23. Re:Great Works by meringuoid · · Score: 1
      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      It's not great for the artists. It's just too bad for the artists. It's pretty damn good for everybody else.

      --
      Real Daleks don't climb stairs - they level the building.
    24. Re:Great Works by lgw · · Score: 1

      Most bad artists don't know they're bad, but are just as devoted to the art. The main reason there seems to be less "me toos" from centuries past is that their work was not preserved. Sturgeons's Law is universal.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    25. Re:Great Works by Morosoph · · Score: 1

      It's not great for the artists. It's just too bad for the artists. It's pretty damn good for everybody else. Because it seems so counterintuitive given some popular (well fed) preconceptions, but the evidence appears to be that it is about neutral for the artists. They lose a little to students, and gain a little from older fans who get to sample their work.

      There's an old post of mine with some relevant links.

    26. Re:Great Works by PresidentEnder · · Score: 1

      I dare say, if one considers himself to be his current body rather than his genetic legacy, immortal soul, or how people remember him, he doesn't give a damn what happens to his stuff after he dies. Under a purely selfish secular system, copyright makes consistent sense. Any other argument relies on appeals to things which don't live in that system.

      --
      I used to carry a bottle of whiskey for snake bite. And two snakes. -Nefarious Wheel
    27. Re:Great Works by Random+Destruction · · Score: 1

      In response, I ask you to explain why, inspite of the correlation, the number of pirates has no effect on global temperature. I would argue that there is no explanation simpler than causation.

      A nice graph showing the correlation: http://static.flickr.com/35/70683016_77704cf15e.jpg

      Yes I know this is overused, but its such a wonderful example of how moronic the 'correlation implies causation' argument is.

      --
      :x
    28. Re:Great Works by ultranova · · Score: 1

      So what you have to explain is why, in spite of the correlation, these laws have no effect on innovation. I would argue that there is no explanation simpler than causation.

      Which causes which ? Do draconian copyright laws cause more innovation, or does an innovative society tend to enforce draconian copyright laws ?

      Don't forget that innovation is bad for large and powerful corporations. They have nothing to gain from market disruptions caused by it, and everything to lose. It could easily be, then, that they buy draconian copyright laws to inhibit innovation when it's rampant on society.

      It's not copyright which made Disney great, it's Disney which made copyright great.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    29. Re:Great Works by mpe · · Score: 1

      Of course - there is a gray zone where the creator may have died with debts, leaving a spouse behind etc.

      This can apply to all sorts of people.

      but in general the value of copyright after death of the creator(s) is rather low.

      Especially if encouraging them to create new works is a primary idea behind having copyright.

    30. Re:Great Works by Zeinfeld · · Score: 2, Insightful
      One important option is that the copyright should never be transferable - the creator shall always be in control. There may be multiple creators involved in a work, but that's still possible to handle.

      OK I have just finished writing a book. If copyright was not transferable I would have had no choice other than to self publish.

      OK so you didn't quite mean that I guess, you meant that the author's share is not transferable. But that means that I have no option other than to rely on income from royalties. I can't get an advance from the publisher because doing so would mean transfering the rights.

      Copyright only has a value to authors if it can be traded. If I have an annuity income stream from any reliable source I am going to be able to find someone who is willing to factor it and give me a lump sum.

      The fact that the labels and the studios take assinine positions on copyright does not mean that opponents should. There was relatively little wrong with the state of copyright law in 1950. Its only recently that it went pear shaped. The studios and labels made the mistake of making a land grab at the same time that new technology was threatening their traditional revenue models.

      --
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    31. Re:Great Works by s20451 · · Score: 1

      There is no a priori connection between pirates and temperature, and it would be surprising (i.e., not a simple explanation) if there were. However, there is one between IP laws and innovation: the former is intended to cause the latter. It would be surprising if it did not, and the correlative evidence supports the hypothesis that there is a connection.

      You appear to be saying that correlation is irrelevant. Example: Putting my hand on the stove is correlated with burns on my hand. Since correlation does not imply causation, I will feel free to continue putting my hand on the stove, even though it is widely believed that the stove is a cause of hand burns.

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    32. Re:Great Works by Anonymous Coward · · Score: 0

      Well suppose that

      a) societies with democratic freedoms and freedom of speech enable artistic development
      b) corporations generally encourage greater economic development, which provides more disposable income available to buy/fund artistic projects
      c) societies with a) and b) therefore have a more vibrant and wealthy artistic community
      d) some corporations are also more likely to be interested in funding arts when they can arrange laws that give them long term control over/income from artistic works

      So a) and b) could lead to c) and would do so even if legislators didn't bend over/accept payoffs to provide d). You have correlation because both c) and d) depend on b), and d) may be easier to arrange in a democracy (a).

      c) does not depend on d), they just share common causes and thus frequently occur together. A nation that realized that it could eliminate d) without harming c) could do it.

      That's the difference between correlation and causation and why you could be completely wrong, at least for artistic works which tend to have low production/performance counts. There are better arguments for IP protection for scientific discoveries and inventions, which usually require much greater capital investments to develop and mass produce.

    33. Re:Great Works by s20451 · · Score: 1

      I think you should write to Google and Intel, and explain to them that they should fire all their engineers since innovation is bad for them.

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    34. Re:Great Works by PopeRatzo · · Score: 4, Insightful

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.
      Zeinfeld, you're not paying close enough attention. I am anything but exceptional, yet I make great effort to support artists and innovators directly, completely circumventing the copyright system. As someone who makes my living with my intellectual property, I am qualified to give an opinion on the issue: Supporting the record labels, movie studios, Sony, Fox, etc., has absolutely zero to do with supporting artists. If they could get away with it, every one of those corporate vendors of art and media would do away with creative people completely. To them, we are nothing but superfluous content-providers. That's one reason you see all of the above throwing resources at "user-generated" content. They would love to turn every creative venture into nothing more than a delivery system for wealth from consumers to them.

      I am well-acquainted with the anti-copyright and anti-IP community. These are not people who "want to have everything for free", but generally people who put great value on innovation and creativity. We just believe that innovation and creativity are not being served by the current system, which is designed only to enrich people who have neither innovation or creativity. Most of us actually pay more, and put more energy into supporting artists and innovators directly.

      In particular, they want the candidates to promise to divert police resources to punish even non-commercial copyright infringement.
      This is evidence that the corporations who control content see themselves as above the law, and will go to extreme lengths to protect their immoral and tenuous hold on the flow of ideas. They are fighting on several fronts to keep themselves rich and powerful. They want to destroy the currently relatively neutral manner in which information moves on the internet. They are using every technical tool to try to lock-down content so that they keep complete control over it's movement and use. They want to destroy any publicly-funded spread of content such as libraries. They want to destroy and lock-down any uncontrolled use of content such as Internet Radio, Slingox and similar products, or P2P content sharing. And they will go so far as to destroy the Internet as we currently know it in order to achieve their goals. They will not stop until the Internet is nothing more than a metered, monitored and mediocre method of moving money from our pockets to theirs. They will go to any lengths, including subverting the constitution, bribing lawmakers, and using the police powers hitherto meant for public protection in order to save their wealth and power. Because without their pimping of the creativity of others, they have nothing to sell, no assets, and will disappear.

      I don't think it's hyperbole to say that the RIAA, their sponsors and others like them are the enemy of anyone that believes in liberty, creativity, and the free flow of information and ideas. If you support artists, creators of media, writers, inventors, innovators, or if you yourself are one of these, they are your enemy too.
      --
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    35. Re:Great Works by Captain+Splendid · · Score: 1, Insightful

      What the fuck are you talking about? I was refuting GP's claims that one end of the argument is nothing but freeloaders, when it's nothing of the kind.

      And before you say: no, allofmp3's prices were not fair prices. Not in the slightest.

      And, just like the GP, you brought up a pointless and baseless claim. Nice move dumbass! Now fuck off back to your hole.

      --
      Linux, you magnificent bastard, I read the fucking manual!
    36. Re:Great Works by Zeinfeld · · Score: 4, Insightful
      I'm increasingly of the belief that the morality of file sharing is irrelevant. Right or wrong, I doubt even the government can stop it, as easy as it's become. And we're already at the point where companies' pursuit of profits are inhibiting the good of society, and stopping file sharing (if we are to assume that is even possible) would go much further than that, with a result a lot worse than starving artists and media executives.

      Society is not held together with technical security measures. It is held together by accountability and honesty.

      The critical mistake of the RIAA is that they engaged in a whole heap of unethical practices such as the returned rights grab at the same time that they were demanding ethical behavior from others.

      The RIAA made it socially acceptable to commit file sharing. People don't see the behavior as criminal, they don't see it as wrong.

      This should not suprise people, after all President Thumscrews is doing the same in Iraq, preaching to the world about the benefits of democracy while actively encouraging the use of torture.

      Hypocrisy has a corrosive effect on society.

      --
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    37. Re:Great Works by Zeinfeld · · Score: 2, Insightful
      Man, I'm sick of this strawman argument. The only people who want everything free, forevah, are retarded 12-year olds. The rest of us just want to pay a fair price, which basically means premium price for new/popular stuff, and a lot less for everything else. You know, how the market works.

      It is the argument repeated time and again on Slashdot. Evul medja execs, blah, cheat artists, blah, get my movies from bit torrent via the Pirate Bay.

      The objective of the Priate Bay is not to make content available at a 'fair' price, it is to make the content available for free. Same for Napster 1.0. Its not a straw man argument, its the business model of the copyright busting companies whose activities are routinely justified and defended on Slashdot.

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    38. Re:Great Works by Anonymous Coward · · Score: 0

      I would be so daring as to make comments like, there were less people aspiring to be artists... it's quite the loaded comment, to suggest most of the people out there now really call themselves artists at all, icons maybe.

      Further, back then it was significantly harder to preserve art let alone sell it. We cannot suggest there were a smaller number of artists, only a smaller number of KNOWN artists.

      Go buy yourself an art book, of a very specific and small period of time. You'll get an art book that spans a pretty decent amount of pages and artists. Realize that art book probably is still limited be resources *color art gets expensive to print in huge tomes* and by the artists that were known in that period. Now, compare those times to how many people that are truly artful, and not just reciting dribble written by one of their 14 song writers they have on board.

    39. Re:Great Works by nEoN+nOoDlE · · Score: 2, Insightful

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      Not everyone just wants stuff for free (although that would be nice). Innovation and art is being stifled in the name of copyright and giving artists and execs more money for no work. It's a broken system when a person can make 1 song and live the rest of their lives without working a single day. I'm sorry, but no song is worth that much wealth, and receiving that much is a large incentive to not produce any more art and music. When an artist is threatened and actually has to keep producing for a living, that's when art is at its best. The talking point about how art will not be produced if an artist can't make "fuck you money" doing it is a flat out lie, as has been proven since the beginning of time before copyright. While 99% of the population has to struggle every day to get their day's worth of pay, artists can put in a few weeks worth of actual work and live comfortably for the rest of their lives. The music industry wants to make you think that they've got a monopoly on good music, but that's just untrue. Prince and the rest of the RIAA's artists are not the only people with good ideas for music. If they were forced to compete fairly with the rest of the musicians in this world who are struggling to get record contracts because the music industry has convinced them that's the only way to do it, then there would be a lot more music out there to listen to, and a lot more innovation and good music being produced.

      And I'm saying this as an artist. I work as an animator, something I've dreamed about since I was a little kid. I would be doing this even if I didn't get a paycheck for it.

      --
      Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
    40. Re:Great Works by Anonymous Coward · · Score: 0

      In fact, they were great because there was no copyright

      there would be no art if each artist had to reinvent art

      copyright is the corruption of art

    41. Re:Great Works by Petrushka · · Score: 1

      It is the argument repeated time and again on Slashdot. Evul medja execs, blah, cheat artists, blah, get my movies from bit torrent via the Pirate Bay.

      (Not the gpp) If you read a bit less selectively you would quickly see that it is not "the" argument repeated constantly. I'm not even sure that it's repeated particularly often here.

      Far more prominent is the argument for shorter copyright terms, as a means of encouraging artistic productivity -- usually 14 years, maybe a little longer, and perhaps with the option of renewal, either (1) once on application, or (2) on the basis that IP will be taxable assets thereafter.

      That's the kind of argument that I see repeated time and again on Slashdot. I'm not sure you're looking at the same site that I am. If you disagree with those arguments, that's fine. Misrepresenting people's views, strawman arguments, are never acceptable ----

      ---- oh. I see. IHBT.

    42. Re:Great Works by Belial6 · · Score: 1

      Hey, I think that copyright would be just fine if it was enforced across the board. As long as Disney gets sued into oblivion for "stealing" The Little Mermaid, Cinderella, and all of the other "Intellectual Property" that they "Stole". I doubt that our society would survive if copyright were to be evenly enforced, but it would stop copyright supporters from having to construct elaborate explanations as to why it is OK for some entities to use other peoples ideas without compensation, but not for other entities to do the same.

    43. Re:Great Works by MightyMartian · · Score: 1

      This is true. However, I think the reason there are more artists is purely because there is more money. Not because the human race is suddenly more artistic. I'm sure if the money disappeared then so would the 'me-toos' that drown out the good works. The true artists would remain because they've always been there regardless of money.


      That's certainly part of it. In Shakespeare's case, of course, the profit was in the performances, not in the plays themselves. Since there was no meaningful protection of intellectual property at the time, where the Globe excelled was not only in being the house where first-run Billy Shakespeare plays appeared, but in being one of the best places to see such plays. Shakespeare and his company didn't need to have some legalistic protection of his works.

      That's certainly a model that some bands are now using, making their money off of their live shows and merchandising, and literally giving away CDs for a song. In my town we have a local teen's music club (sort of a new take on the old dance hall), where bands from all over show up. They're selling T-shirts, CDs, buttons and the like and making a living at it. Yes, they're not going to likely be multimillionaires in the near future, but so what, most musicians never do. These guys are actually supporting themselves on their music, as opposed to most of the musicians I knew growing up who had day jobs.

      I think there's something to how Shakespeare wrote, produced and profited from his plays, and without any meaningful protection of intellectual property, managed to support himself and ultimately became the most famous writer in the English language in history.

      Copyright, which was only supposed to offer an artist a limited term of exclusive control to profit from and hopefully encourage more work, has now become not an economic motivator, but an economy unto itself. And with a seemingly endless capacity to bribe or browbeat politicians into increasingly long terms of protection, the original purpose has long ago been corrupted.

      But it doesn't matter now. The technology has reached the point where all their coniving and lobbying is being rendered useless, and because they have taken such an abusive, adversial position over the last decade, rather than waking up and embracing the new economic model, nothing, not all the laws in the world, can save them. They're distribution model is dying, and their solutions to the problem, in particular DRM and the courts, are increasingly damaging them with consumers, and without the consumers, there is no RIAA or MPAA or any other guild-style protectionist racket.
      --
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    44. Re:Great Works by Paradise+Pete · · Score: 1
      On the one hand we have media execs that demand tougher copyright laws "to protect artists" while having clauses inserted in the same bill to cheat them of their returned rights.

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      You are mixing facts and suppositions. Your first statement is a demonstrable fact. You second statement is only your supposition. A supposition which happens to have some demonstrable evidence to the contrary.

    45. Re:Great Works by TheVelvetFlamebait · · Score: 2, Insightful

      If you disagree with those arguments, that's fine. Misrepresenting people's views, strawman arguments, are never acceptable
      But he's not misrepresenting people's views! There are a lot of people out there who are in favour of abolishing copyright. They may not get modded to +5 Insightful very often, but they are there. Some of them are more passive than others, opting to wait and try to steer the market away from copyright. Others are a bit more forward about it, some of whom demand that copyright be abolished NOW! These people DO want to get stuff for free, although many of them wouldn't admit it if you ask them. However, as an entire movement, they've managed to convince me that it isn't primarily greed that's motivating them, rather the genuine ideological conviction that culture and information should be accessible and free to anyone who seeks it out. While I respect that, and I agree it would be nice, I just don't think it's feasible, so I'm constantly locking horns with them.

      Don't kid yourself, your "side" of the debate has its share of extreme views, and their influence on the debate is not insignificant.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    46. Re:Great Works by titzandkunt · · Score: 1


      "...Yep, Einstein goes straight to jail too. Quote is Newton's..."

      In that case, Newton should probably go to jail for taking the piss out of ("mocking" for out US cousins) Robert Hooke, who wasn't amazingly tall...

      T&K

      --
      Political language ... is designed to make lies sound truthful and murder respectable...
    47. Re:Great Works by SonicSpike · · Score: 0

      Then they should've chosen another profession if their career was not viable.

      --
      Libertas in infinitum
    48. Re:Great Works by Petrushka · · Score: 1

      Newton plagiarised it too (and I believe the date is uncertain and might be 1676).

      "Bernard of Chartres used to say that we are like dwarfs on the shoulders of giants, so that we can see more, and things further off, than they could." -- John of Salisbury, 1159

      "A dwarf standing on the shoulders of a giant may see farther than a giant himself." -- Robert Burton, 1621

      "Dwarfs on the shoulders of giants see further than the giants themselves." -- Stella Didacus, 1622

      "A dwarf on a giant's shoulders sees the farther of the two." -- George Herbert, 1651

      (Courtesy of http://www.aerospaceweb.org/question/history/q0162b.shtml)

      In any case, Newton's statement was intended ironically and as a venomous insult. Newton had been accused of plagiarising Hooke's work, and Newton was infuriated with envy that Hooke had been beating Newton to press in publishing work in optics and calculus. So Newton's implication was simply that Hooke was no giant. (He wasn't exactly a dwarf, either: Hooke is described by John Aubrey as "but of midling stature, something crooked".)

    49. Re:Great Works by SonicSpike · · Score: 3, Insightful

      Actually the chance of a presidential veto with Ron Paul as president is quite high!

      --
      Libertas in infinitum
    50. Re:Great Works by Paradise+Pete · · Score: 1
      I work as an animator, something I've dreamed about since I was a little kid.

      I just looked at your site. Some really nice work there. You made a good choice :-)

    51. Re:Great Works by arivanov · · Score: 1

      Taking the piss is allowed. With Doritos or without. As long as you do not misappropriate copyrighted material (and donations).

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    52. Re:Great Works by Anonymous Coward · · Score: 0

      It's the JEWS, stupid...

      You know, the hard-working, hard done by JEWS, who are always working on building sites, picking lettuce, doing manual labour...

      Oh sorry, I forgot - the Jews don't DO manual labour - they apparently think they're 'God's chosen people'...

    53. Re:Great Works by belmolis · · Score: 1

      Well, it wasn't so much plagiarised as already a figure of speech. It is Newton rather than Einstein who is known for it.

    54. Re:Great Works by timmarhy · · Score: 1
      no one wants to abolish copyrights.

      they think laws allowing $200,000 fines and 20 years in jail PER OFFENCE are extreme for downloading a britany spears song

      they are outraged at John Doe mass sueing and extortion

      they think sony root kits are illegal

      they think DRM that forces you to make multiple purchases of the same thing is wrong.

      they think RIAA companys which steal the creative rights from artists then claim to protect them are hypocritical

      they are ANNOYED beyond believe with RIAA paid radio stations flogging crap music over and over

      Do i have to continue or do you get the fucking point?

      --
      If you mod me down, I will become more powerful than you can imagine....
    55. Re:Great Works by TheVelvetFlamebait · · Score: 2, Interesting

      The RIAA made it socially acceptable to commit file sharing. People don't see the behavior as criminal, they don't see it as wrong.
      No, that's not quite true. Naturally, it's easy to get that impression from sites like Slashdot, but in the wider community AFAICT, people do feel guilty about piracy. One person, I kid you not, was actually relieved that a CD was copy protected, so that he wouldn't have to face the decision of a new CD + guilt, or nothing. What the RIAA has done is polarised the debate somewhat. They've all but jettisoned people on the fringes (i.e. Slashdotters, etc), and have piled the guilt onto people in the centre, so that they are more likely to pay for their music. I think it was probably the best way to go, since not prosecuting pirates would simply lead to piracy becoming acceptable nationwide or worldwide. With that kind of morality, first the small independent labels would go, working its way up to toppling the RIAA and other large copyright holders.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    56. Re:Great Works by timmarhy · · Score: 1
      " The studios and labels made the mistake of making a land grab at the same time that new technology was threatening their traditional revenue models."

      exactly right. they attempted to stamp out fair use by doing thigns like issuing take down notices over people putting copyrighted music as a sound track to their baby movies on youtube.

      --
      If you mod me down, I will become more powerful than you can imagine....
    57. Re:Great Works by TheVelvetFlamebait · · Score: 1

      Do i have to continue or do you get the fucking point?
      Right, yeah. Sorry. I get the point: if you say no-one believes something, then no-one suddenly does.

      Could you please do me a personal favour and declare that no-one believes that copyright should be extended? Thanks in advance.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    58. Re:Great Works by timmarhy · · Score: 1
      Ok you must be a paid schill if you think slashdotters are a fringe element, and that sueing grandma's and single mothers is the way to go. either that or you have rocks in your fucking head.

      your right that the RIAA's actions have polarised the community - against them.

      --
      If you mod me down, I will become more powerful than you can imagine....
    59. Re:Great Works by TheVelvetFlamebait · · Score: 1
      Are you just following my account just so you can troll every comment I post?

      Ok you must be a paid schill...
      If I had a dollar for every time I have been called a paid schill for $RANDOM_COMPANY_THAT_I_DONT_AUTOMATICALLY_HATE, I would be much richer than any paid schill out there. (Just so there's no confusion, that was an unequivocal no, I am not!)

      ...if you think slashdotters are a fringe element...
      Slashdotters ARE a fringe element. Ever why no-one in the wider community never seems to share your views? Why politicians never make the issues you care about into an election issue? It's because you're on the fringes of many of the opinion spectrums. That doesn't imply that you're wrong, just that not everyone agrees with you.

      and that sueing grandma's and single mothers is the way to go
      I'm not referring to those saintly grandmas and single mothers, rather the approach of suing pirates as a whole. Yes, in terms of good business practices, suing pirates is probably the best way to have gone. They have a choice of either losing the fringes by prosecuting, or losing the whole to the spread of piracy.

      your right that the RIAA's actions have polarised the community - against them.
      Polarised against them? Do you even know what polarisation means?
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    60. Re:Great Works by ultranova · · Score: 1

      I think you should write to Google and Intel, and explain to them that they should fire all their engineers since innovation is bad for them.

      Intel is forced to pay a huge number of engineers and perform expensive research just to defend their marketshare from AMD. Had Intel managed to squash their competitor in the bud, they could simply keep selling a slightly improved version of the same chip year after year. Similarly, Google could cut back on research and development if both competitors and spammers didn't constantly innovate.

      When you're in Google's or Intel's position, any change is for the worse. Innovation brings change. It's a fiery meteor from the sky: good for the mammals underfoot, very bad for the dominant dinosaurs. Do you not think the dinosaurs might wish to stop the meteor from upsetting the status quo ?

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    61. Re:Great Works by cpt+kangarooski · · Score: 1

      Copyright is a legislative issue. The chance of a Presidential veto of copyright legislation is quite small. The opinions of the candidates are pretty well irrelevant.

      Well... it ought to be a legislative issue, certainly. However, copyright maximalists have been known to skirt around Congress if it suits them. An increasingly common tactic is to place strong minimum standards into international treaties (e.g. TRIPS) which are then agreed to by the executive branch, and ratified by the Senate. Then Congress as a whole is pressured into legislating stronger copyright laws, regardless of whether they're a good idea or not, because otherwise the US would be in violation of treaty obligations.

      Likewise, the US executive branch is infamous for pressuring other countries to adopt similar laws via, e.g. the USTR.

      So it's important.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    62. Re:Great Works by Pseudonym · · Score: 1

      no one wants to abolish copyrights.

      Some do. Some people are of the opinion that there's a better model waiting to be found, or that they have found, that better reflects reality.

      I disagree with them. I, like most, think copyright can be fixed. But it's not entirely correct to say that nobody wants to get rid of them completely (once a suitable replacement has been found).

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
    63. Re:Great Works by s20451 · · Score: 1

      Of course I understand your point, but my attempt at sarcasm was meant to indicate that you are making your point too broadly. "Corporations hate innovation" does not explain why so many corporations fund university research. Nor does it explain many corporations' participation in innovative schemes that bring them no immediate benefit, notably IBM's contributions to Linux.

      --
      Toronto-area transit rider? Rate your ride.
    64. Re:Great Works by shoemilk · · Score: 1

      When I first read "Shakespeare, Michaelangelo, or da Vinci's " in there, I was thinking that it was anti-copyright. What a truely horrible example for a pro-copyright person to make.
       
        First, with Shakespeare, he was a plagiarist. Assuming he actually wrote them himself, they were still copies of other works. My favorite play of his, "MacBeth", was based on a competing play that had open two weeks earlier called "MacBeth".

      The two artist were payed by rich people to create things for rich people. People that paint churches now adays are arrested if caught. Bah it's thanksgiving and I'm drunk. you get my point.

    65. Re:Great Works by budgenator · · Score: 1

      Yeah that sums it up pretty well, and that's why I have my BT client seeding some CC NCSA music right now.

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    66. Re:Great Works by cuantar · · Score: 1

      Heh, you win. :) Thanks, now I've learned something. Now I need to figure out why I thought it was Einstein in the first place...

      --
      Legalize it.
    67. Re:Great Works by ultranova · · Score: 2, Insightful

      Of course I understand your point, but my attempt at sarcasm was meant to indicate that you are making your point too broadly. "Corporations hate innovation" does not explain why so many corporations fund university research. Nor does it explain many corporations' participation in innovative schemes that bring them no immediate benefit, notably IBM's contributions to Linux.

      No, you don't seem to. Big corporations hate innovation. They fund university research to stay competitive against other big corporations and up-and-coming small corporations; however, the money put to this research doesn't actually increase profits, it simply prevents them from decreasing.

      Big corporations hate innovation precisely because it forces them to spend money to get as much of it as possible for themselves.

      As for IBM, it is simply defending its marketshare. Funding an open-sourced OS is more cost-effective than developing one by itself; however, if not for innovation in competing systems, IBM could slash this cost altogether and be more profitable.

      Big corporations hate innovation because it forces them to expend resources to keep up with it and threatens the status quo and therefore their position. Small corporations love innovation because it threatens the status quo and therefore opens up possibilities of advancement. When you're at the bottom, disruptions are good because you have little to lose and lots to gain; when you're at the top, disruptions are bad because you have little to gain and lots to lose. That's why it's in the best interests of big corporations to try to stiffle change - and that includes innovation.

      Anyway, you don't have to trust my theories on this. After all, the copyright extensions are known as "Mickey Mouse Protection Act" for a reason. The current copyright laws - and, I suspect, other IP laws as well - are the result of heavy lobbying by large corporations. They did not help those corporations to grow; the corporations became big before lobbying for those laws. Innovation preceeded draconian IP laws, so it really doesn't make sense to assume that draconian IP laws would be the cause of innovation.

      This is hardly surprising anyway: the whole point of innovation is to combine pre-existing things in new and surprising ways, and copyrights, patents and other forms of "intellectual property" exist precisely to stop anyone from doing this without explicit permission from patent/copyright/whatever holder. Add in submarine patents, eternal copyright term, horrible penalties from any infraction, and general FUD-mongering by the copyright holders, and it would take considerable amount of willing blindness to claim that the end result is beneficial for innovation.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    68. Re:Great Works by Tim+C · · Score: 2, Interesting

      The RIAA made it socially acceptable to commit file sharing. People don't see the behavior as criminal, they don't see it as wrong.

      I disagree. I think most people found it socially acceptable to copy stuff long before this whole debate got started. Ever since it was easy to copy stuff at home people have been doing it. Why do you think so many games back in the 80s used copy prevention measures? Back then there were no anti-file sharing crusades, no headline-making law suits, no fat-cat executives making easy targets of themselves.

      I'm not saying that the RIAA aren't their own worst enemy, or immoral, etc; I'm just saying that copying has been socially acceptable for much longer than the RIAA could be used as a convenient excuse. If nothing else, people have been copying stuff here in the UK for decades, and I'd never heard of the RIAA before I started reading slashdot.

    69. Re:Great Works by budgenator · · Score: 1

      it's not the money, it's the groupies, who cares about money when there is sex involed. Why do yopu think the record label leacher attach so easy?

      --
      Apocalypse Cancelled, Sorry, No Ticket Refunds
    70. Re:Great Works by KudyardRipling · · Score: 1

      [sarcasm]

      How dare he challenge the oligarkhij! Deesappeer khim!

      In Amerika, intellectual property owns YOU!

      [/sarcasm]

      Pls upmod above.

      --
      Submission as evidence constitutes plaintiff and/or prosecutorial misconduct.
    71. Re:Great Works by CRCulver · · Score: 2, Interesting

      No, that's not quite true. Naturally, it's easy to get that impression from sites like Slashdot, but in the wider community AFAICT, people do feel guilty about piracy.

      I spent a lot of time in countries where piracy is the norm (since legitimate media is not sold in stores). There is no guilt.

    72. Re:Great Works by Antique+Geekmeister · · Score: 1

      I could live without software copyrights. The difficulty of writing software entirely from scratch, without accidentally re-using familiar stanzas of code or what would in a sensible world be "fair use" components is quite awkward, and the absurdities of modern copyright law make decent forks quite problematic. So Richard Stallman's approach, and that of the GPL, make some weird sense. Use copyright as copyleft, to enforce that the material remain avaialable for modification and development.

      Much of the rest of it is similar to the "legalize pot" argument. The laws are so stringent that they can't sanely be followed, and have generated a criminal class who simply don't see the offenses as being anywhere as serious as implied by the law. And the police frankly can't be bothered with the silly stuff. So we wind up with PirateBay and the like, which I admit I'll use to replace DRM encumbered content that I actually already bought. (Virus check it first, of course!)

    73. Re:Great Works by Antique+Geekmeister · · Score: 1

      RIAA didn't help: neither did the MPAA. I'm frustrated that I can't get the movies I want, on-line, for the "region" I want. And I'm frustrated that my movies are encumbered with 10 minutes of mandatory FBI warnings, promotions for products or movies I don't want to see at a volume higher than anything else on the media, and other debris at a complete waste of my time for a DVD that I paid for.

      Go buy a children's movie DVD of an educational movie, like a Sesame Street video, and see just how much undesired merchandising interferes with the beginning of the show. Then go grab a PiratesBay copy of the same show, *which you already paid for on the DVD*, and tell me it doesn't make sense to reburn and use the P2P shared version instead. I've pulled stunts like that, and don't feel at all guilty about it.

    74. Re:Great Works by Lunzo · · Score: 1

      Comic book guy: Oh a sarcasm detector. That's a real useful device.

      In all seriousness sarcasm is hard to detect on the net. Smilies and <sarcasm> "tags" make it easier to find but not everyone uses these, and nor should they. I guess just read with your brain switched on and be prepared for the warped sense of humour on /. And enjoy it cause I certainly do.

    75. Re:Great Works by rtb61 · · Score: 1
      Perhaps that is the real point. Copyrights laws should be publicly reviewed and put to a majority vote and not left up to minority interests. What should or should not be subject to copyright protection and what should the duration of copyright protection be.

      Any honest, fair and honourable politician would put a review of copyright laws to the public as this is a public issue. By the same token, any dishonest, biased and corrupt, will refuse to put a review of copyright laws out to the public, instead they will simply accept bribes from corrupt corporations and attempt to implement laws that they know the public would disapprove.

      So rather than saying what copyright laws should or shouldn't lets just work to achieving a full public review and put to a democratic vote the various options. Surely the RIAA sycophants wont protest a democratic approach, or attempt corrupt illegal practices to block it's process. I am totally 100$ for a complete public review of copyright laws, which ever way they end up going ;).

      --
      Chaos - everything, everywhere, everywhen
    76. Re:Great Works by DesScorp · · Score: 2, Insightful

      "Man, I'm sick of this strawman argument. The only people who want everything free, forevah, are retarded 12-year olds."

      Well, then Slashdot is dominated by retarded 12 year olds. Because the dominant ethos here is "I want it free, and if you don't give it to me, I'll steal it, and there's nothing you can do about it".

      --
      Life is hard, and the world is cruel
    77. Re:Great Works by freezingweasel · · Score: 1

      It's not just more money, but a fundamental shift in society. We're now a generic people where no matter what your parents do, if you're not kept out of public school you can get a scholership to a college, then get a job doing almost anything. Years ago, you did what your father did. The town needed a smith, who else would carry on? You had a head start growing up around it, you're the logical choice.

      In today's age of anyone can ATTEMPT to do anything, then fall back on a more standard job if their dream doesn't pay out, those who like making music are right to at least TRY.

      So long as it's possible to support yourself with music, whether it'll make you rich or not, you'll have thousands or more of aspiring musicians, willing to do it for love of what they do, for the attention of being on the stage, for the thrill of being able to tocuh so many people etc. Less profit may reduce #s, but without a near-complete economic collapse, musicians will remain a popular field.

    78. Re:Great Works by arminw · · Score: 1

      ......they think laws allowing $200,000 fines and 20 years in jail PER OFFENCE are extreme .....

      No, what they really want is the death penalty for the first offense. Murder is punished with life in prison, but copying anything gets the offender immediate execution.

      --
      All theory is gray
    79. Re:Great Works by mrchaotica · · Score: 1

      You know, how the market works.

      Without copyright, supply approaches infinity and price approaches zero. The "want everything for free" crowd and the "want the free market to prevail" crowd actually want exactly the same thing, but just don't realize it.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    80. Re:Great Works by mOdQuArK! · · Score: 1

      On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists.

      There are also a number of people who believe that artists should be paid like any other craftsperson: when they perform the service.

      There aren't too many cabinetmakers who expect to get paid _every time_ one of their cabinets trades hands or gets copied. They understand that if they want to keep getting paid, then they've got to keep on making cabinets.

      There is no valid free-market rationale that says artists should be compensated any differently.

      Copyright is a legislative issue.

      From a higher perspective, copyright is a SOCIAL issue. There are several aspects:

      1. Do creators need to be subsidized or otherwise protected to encourage behavior which will provide a net benefit to society?

      2. If so, what mechanism will provide the greatest benefit to society (the availability of creative works) with the least damage (the violation of personal private property rights), and

      3. If you are using legal enforcement methods of "intellectual property" protection (such as copyright/patents exclusivity), what threshhold of protection do you set where the protection of the creator is causing more harm to society than it provides good?

    81. Re:Great Works by arminw · · Score: 1

      .....Any honest, fair and honourable politician......

      Wow, is there such creature in existence anywhere? Certainly not any of the ones currently in office. If there were such a creature in existence out there somewhere, would he/she have a ghost of a chance of ever getting into office nowadays? Is it possible for someone to get or remain in office without bribes (er- campaign contributions) these days?

      --
      All theory is gray
    82. Re:Great Works by cpt+kangarooski · · Score: 1

      The question is not whether innovation is possible without copyright. The question is whether copyright enables more innovation than is possible without it.

      Actually, that is half of the question. Remember, copyright is meant to serve the public interest. There are two aspects to this: First, encouraging the creation and publication of original and derivative works (which you call 'innovation'); Second, having the least restrictions on the public, which means having no or as little copyright as possible, in both length and breadth.

      An ideal world would be one in which all works that could be created and published would be, but where everyone could have a copy of everything, without having to pay, and where anyone could change it at will and publish that (creating and publishing another work in the process, which we want, as seen above).

      Well, we don't seem to be able to manage that. If we don't have copyright at all, we know from historical example that some creation and publication will still occur (producing a modest benefit), and the public will be totally unrestricted (producing a great benefit). This is our baseline against which to measure the success of any copyright law: it has to provide a greater net public benefit than we have here. If we add a small amount of copyright, we know that it spurs a large quantity of creation and publication (since copyrights provide more of a benefit to authors initially than as they age, if they produce any benefit at all, which itself is exceedingly rare), but reduces the benefit to the public in terms of their freedom as to the work. This can produce a greater net public benefit than the baseline, however. But, let copyright drag on too long, and it winds up not producing much more of a benefit in terms of creation and publication than a short copyright does (again, since the earlier years of copyright are worth far more than the later years), but at a much greater cost to the public. Go too far, and you can wind up with so much copyright for so long that it is worse than having none at all!

      I'm afraid that were we to only look at half of the issue, as you have done, we'd rapidly have unbalanced copyright laws which failed to serve the public interest. And that's what we have now.

      There was not a huge increase in creation and publication between 1977, when we had the 1909 Act which only protected works where the author sought protection, and for a far shorter period of time, and 1978, when the current Copyright Act took effect. You don't really have the data points you think you do.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    83. Re:Great Works by arminw · · Score: 1

      .......If copyright was not transferable I would have had no choice other than to self publish.....

      As author you could "loan" your copyright to a publisher for a time, say no longer than 5 years or a certain number of copies. After that negotiations with that or other publishers could be repeated for another maximum of 5 years at a times as long as you live. Any time the work was not selling, you could declare it public domain or not. However, it becomes public when you die. Since your neither the publisher nor your heirs created the work, why should they get copyright?

      --
      All theory is gray
    84. Re:Great Works by arminw · · Score: 1

      .....The duration is way to long.......

      It would be better to allow the creator of a work to only let the copyright to be "loaned" to a given publisher/seller for say 5 years. After that the creator could re-negotiate with another. No creator of a copyrighted work could ever "sell" this or permanently transfer their copyright. Only real, living breathing humans could get a copyright that expires when the creator does. In such a system, the artist makes the money, not some fat intermediaries.

      --
      All theory is gray
    85. Re:Great Works by dangitman · · Score: 1

      Ron Paul ... is quite high!

      I agree.

      --
      ... and then they built the supercollider.
    86. Re:Great Works by dangitman · · Score: 1

      Then go grab a PiratesBay copy of the same show, *which you already paid for on the DVD*, and tell me it doesn't make sense to reburn and use the P2P shared version instead

      It doesn't make sense. Why download it and burn it from the Pirate Bay, when you can simply rip and burn the DVD *which you already own* without the offending bits?

      Using the Pirate Bay doesn't make sense, as you are converting from MPEG-2 to DivX, and back to DivX again. If you rip and burn from the DVD, there is no conversion, you are getting the original MPEG-2. Not to mention the bandwidth that downloading takes.

      --
      ... and then they built the supercollider.
    87. Re:Great Works by Thing+1 · · Score: 2, Insightful

      However, as an entire movement, they've managed to convince me that it isn't primarily greed that's motivating them, rather the genuine ideological conviction that culture and information should be accessible and free to anyone who seeks it out.

      You might be interested in this site, Project Gutenberg, or perhaps for helping out the cause, it's companion site, Distributed Proofreaders.

      Short background: Project Gutenberg is a "digital printing press" for all works that have fallen into the public domain. (They will "soon" run out of material to digitize, since nothing has hit the public domain since 1923. "Soon" could be decades, but Eldred didn't win in the Supreme Court, so expect more copyright extensions...)

      I've read Einstein, Mark Twain, Leonardo DaVinci, Sun Tzu, Machiavelli, and many others without risking violating copyright while reading on my Palm. Highly recommend them! I now understand the two Theories of Relativity, which is no small feat. :) I recommend Plucker as the reader, it's also open source (GPL).

      --
      I feel fantastic, and I'm still alive.
    88. Re:Great Works by TheVelvetFlamebait · · Score: 1

      Any honest, fair and honourable politician would put a review of copyright laws to the public as this is a public issue.
      No, they really wouldn't. A fair and honourable politician knows they have to pick their battles, and they can't waste their time and money making every fringe issue into a vote or even a poll. Not only is it a waste of time, but it detracts from the issues that they really do care about. I think you'll find that rather than being corrupt, most politicians recognise that copyright just isn't an issue. While they could make a grab for extra votes by reforming copyright, they'd have to deal with people in the business sector who'd view it as a bad economic decision, as well as those convinced by RIAA rhetoric.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    89. Re:Great Works by Baki · · Score: 1

      One has to admit that copyright is dead. It is not that I want everything for free, but the collateral damage of enforcing copyright in a world where (soon) one can put all music ever made on a single harddisk that can be easily copied even without the Internet is just too big. You would really need a total police state to prevent massive copyright infringement, which IMHO just is not worth the massive public ressources and sacrifice of individual freedom and privacy that a police state needs. Also it becomes "too easy" to commit a "horrible" crime. Any kid can copy for billions worth of "intellectual property" with a few mouse clicks. To weight the copyright infringement damages as is done today so heavily just is not in a healthy relationship to the physical actions needed.

      Now given this fact, companies have to adapt or die, apart from your principal view on intellectual property.

      On another note, please do not assume that everyone who opposes copyrights does so because of self interest (getting things for free). I am a principal opponent of copyright for different reasons (that I don't want to discuss now). On the other hand, I do acknowledge that there may be some proponents of copyrights for other reasons than pure self interests as well.

    90. Re:Great Works by Antique+Geekmeister · · Score: 1

      Why waste my time and energy finding and using the latest DRM disabling software, region stripping tools, or pulling the excessive promotions off the start of the DVD when I can just grab what someone else has done? The artist got my money, or as much as he's going to get fromi me buying it.

    91. Re:Great Works by mpe · · Score: 1

      I disagree. I think most people found it socially acceptable to copy stuff long before this whole debate got started. Ever since it was easy to copy stuff at home people have been doing it. Why do you think so many games back in the 80s used copy prevention measures?

      Some of these were fairly short lived. Because the games producers soon found out that these tended to do more o annoy customers as opposed to stopping "piracy". A lesson which appears more difficult to learn this time around...

    92. Re:Great Works by Workaphobia · · Score: 1

      > "On the other we have a bunch of folk who want to have everything for free and construct elaborate explanations as to how this is great for the artists."

      Well, not exactly, but after decades of erosion of rights we never even named because we never conceived they could be taken away, and after seeing so much IP concentrated in the hands of so few, I wouldn't mind seeing the intellectual anarchist approach take effect for a few years as a change of pace. If it's a choice between two extremes, I'll take the one I'm not yet sick of.

      --
      Evidently, the key to understanding recursion is to begin by understanding recursion. The rest is easy.
    93. Re:Great Works by dpastern · · Score: 1

      Well, the latest Radiohead album (free, it's not obligatory to pay for it) has made over six million dollars for them due to people appreciating the method of 'selling' it, and the content. That's a LOT more than what they would have made if they'd been attached a radio label. If only more established artists would either decide not to renew their contracts with the music business and do the same thing as Radiohead has done, or not sign any contracts with the RIAA and its thugs at all (new artists). I hope it's only a matter of time when enough established artists say no to the RIAA demands and market directly. Of course, if that happens, the RIAA puppets, oops, I mean US politicians will probably outlaw music, unless it's sold via the RIAA and its extortionists.

      Dave

      --
      Our lives begin to end the day we become silent about things that matter. --Martin Luther King Jr.
    94. Re:Great Works by dangitman · · Score: 1

      Why waste my time and energy finding and using the latest DRM disabling software, region stripping tools, or pulling the excessive promotions off the start of the DVD when I can just grab what someone else has done?

      1. It takes less time and effort than looking for it on Bittorrent

      2. The quality is better

      3. You have control over which extra features you want to keep - usually BT releases don't come with things like subtitles or bonus features.

      I'm not sure where you get the idea that ripping a DVD is difficult or time-consuming.

      The artist got my money, or as much as he's going to get fromi me buying it.

      How does ripping it instead of downloading change this? I wasn't aware the artist gets more money when you rip a disc.

      --
      ... and then they built the supercollider.
    95. Re:Great Works by Antique+Geekmeister · · Score: 1

      I already bought the disk, they got their money. Ripping it myself versus using someone else's rip of it doesn't affect their profit directly.

      Spending 10 minutes of my time ripping and reburning with all the subtlely different DVD formats out there is a complete waste of my time, and means buying or finding the ripper tools, installing them locally on whatever machine I have running, etc. I can install bittorrent in 2 minutes, start a bittorrent in a minute, walk away, and come back later without it interfering with other load sensitive operations, and I can do it on a machine without a DVD drive (which I've done).

    96. Re:Great Works by drsmithy · · Score: 1

      no one wants to abolish copyrights.

      I do. Why should one tiny segment of society be granted such a disproportionately generous deal by the government ? Why should this incredibly disproportionate economic protection be given automatically and with no evidence of quality or return on investment ?

      At *most* copyright should be replaced by an opt-in, fee-charged, quality-tested (no matter how bad) system like patents.

    97. Re:Great Works by drsmithy · · Score: 1

      OK I have just finished writing a book. If copyright was not transferable I would have had no choice other than to self publish.
      OK so you didn't quite mean that I guess, you meant that the author's share is not transferable. But that means that I have no option other than to rely on income from royalties. I can't get an advance from the publisher because doing so would mean transfering the rights.

      It means neither of these things. In the first case, you simply pay someone else to publish for you. In the second, the publisher simply pays you in advance, and you repay them as you make money from sales.

    98. Re:Great Works by galoise · · Score: 1
      Ever heard of http://anothersky.org/?
      That's exactly tyhe kind of "bussiness" model they propose: a return to the old ways, cutting out the middle man. From their site:

      Our mission is to subvert the traditional publishing paradigm and do it our way.
      Our mission is to put the artist and audience in direct connection with each other, removing the middlemen.
      Our mission is to believe in the altruism of others.
      Our mission is to spread culture for the good of all, not control it for profit.
      Our mission is to dismantle the world and reassemble it in a more aesthetically pleasing manner.
      Our mission is to prove it can be done.
      --
      entia non sunt multiplicanda praeter necessitatem
    99. Re:Great Works by mpe · · Score: 1

      Any honest, fair and honourable politician would put a review of copyright laws to the public as this is a public issue.

      Assuming you can find one...

      By the same token, any dishonest, biased and corrupt,

      Thing is that many of the current methods of selecting politicans appear to only select the latter.
      Even a pefectly fair electoral system has the problem that it selects people who are good at getting elected. Without some sort of feedback mechanism to hold politicans to their promises the dishonest (and even outright conmen), who can claim they will do the impossible, are likely to have the advantage over the honest.

    100. Re:Great Works by Zeinfeld · · Score: 1
      Zeinfeld, you're not paying close enough attention. I am anything but exceptional, yet I make great effort to support artists and innovators directly, completely circumventing the copyright system.

      I am paying attention, I am paying attention to what people do, not just what they say.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    101. Re:Great Works by pxlmusic · · Score: 1

      Exactly. I make music because I love doing it. I harbor no illusions about making millions off of what I do -- or even if I will get on a good indie label like Metropolis Records (non-RIAA), Accession, Noitekk, and to a lesser degree Cleopatra. I'm not to a point to which I can quit my job and make music, but you had better believe that if I could support myself and my wife with it -- I would do it in an instant. It's hard to break into, and it's even harder for talented musicians to make a name for themselves in a wasteland of recycled corporate garbage. People come up to me after my shows and tell me how much they enjoyed hearing something different for a change. Even though what I do is primarily industrial music, some of it is weird electronic rock, and people really get into it -- I mean people who don't normally listen to anything electronic. They ask me for CDs and a web address. They want to hear something different, and have no idea where to hear new music. Experiences like this make me realize that people would embrace other kinds of music other than the crap the radio stations are paid to push. But the RIAA can't fucking let go. They're extinct and they don't even realize it.

      --
      "If for any reason you're not satisfied with our service, I hate you."
    102. Re:Great Works by mpe · · Score: 1

      ......they think laws allowing $200,000 fines and 20 years in jail PER OFFENCE are extreme .....

      Depends if the are for copyright infringement or for politicans who tell lies. If the latter then they would probably be reasonable if the convicted paid for their jailing (and if applicable funeral) out of their own pocket.

    103. Re:Great Works by Anonymous Coward · · Score: 0

      I have never seen that. Not once. So unless you are reading some Bizarro-world version of Slashdot, you are leaning very heavy on incorrect hyperbole, and in the process making it appear that you are an asshole. Or Bizarro-Christ, trying to martyr yourself in the name of copyright.

    104. Re:Great Works by Captain+Splendid · · Score: 0, Flamebait

      Great, more generalizations. Back those assertions up or fuck off. You're not adding anything to this debate.

      --
      Linux, you magnificent bastard, I read the fucking manual!
    105. Re:Great Works by neomunk · · Score: 1

      And what is your mysterious source of information on 'what people do' as opposed to 'what they say'? Some sort of crystal ball?

      Seriously, WTF are you talking about? Are you talking about the massive losses the recording industry have taken recently? Are you talking about the online music stores not selling anything (because the torrent next-door is free)? Really now, give me some minuscule shred of evidence that what you're saying is anything other than over-dramatic stereotyping. Even us slashdotters are still buying music and movies. Could we get them for free? Of course! Why aren't we? Because we're not the simplistic and unrealistic morons you tell us we are, and we realize that destroying the sector of industry that entertains us isn't the best move. SOME of us are, but that's the tiny (and not even very vocal, but examples do exist) minority. Even then, what makes you so simplistically disregard either side's point of view? Is your moral compass so strong that debate and discussion can have no merit once you've proclaimed an issue settled? (oh, you're conspicuously missing anything resembling a real opinion on the subject)

      In short, don't take yourself so seriously. No one here thinks you're an authority on anything, and presenting your wisdom with nothing to back it up other than it being your wisdom isn't going to get you very far unless you're cool enough to have fanbois.

    106. Re:Great Works by neomunk · · Score: 1

      DO YOU have a website where I can hear some samples of your music, and possibly buy a CD? If so, could you please post it for me?

      Oh, and I suggest that you put your URL as your slashdot account's URL (you don't currently have one set). You'll probably pick up a few sales that way.

    107. Re:Great Works by pxlmusic · · Score: 1

      http://myspace.com/pxl -- i have a URL (www.pxlent.com) that i still developing.

      i am taking a break from gigging to spend some time in the studio to record my first EP.

      --
      "If for any reason you're not satisfied with our service, I hate you."
    108. Re:Great Works by nunyadambinness · · Score: 1

      I was refuting GP's claims that one end of the argument is nothing but freeloaders


      And you failed, so you started cursing at people.

      Peruse the threads on this subject sometime so you can see exactly how wrong you are.
    109. Re:Great Works by nunyadambinness · · Score: 1

      Far more prominent is the argument for shorter copyright terms, as a means of encouraging artistic productivity


      Bullshit. I read the threads on this subject constantly, and you're simply wrong.

      That's the kind of argument that I see repeated time and again on Slashdot


      Yeah, that's called an "expectancy effect" and all it means is that you're not sophisticated enough to realize you're unconsciously filtering all the other posts which don't meet that criteria.

      You simply couldn't be more wrong.
    110. Re:Great Works by s20451 · · Score: 1

      Well, we don't seem to be able to manage that. If we don't have copyright at all, we know from historical example that some creation and publication will still occur (producing a modest benefit), and the public will be totally unrestricted (producing a great benefit).

      I will certainly agree that you can prove any point you wish by changing the metric. Also, do you have any evidence for this claim that there is a "great benefit" to eliminating copyright laws (however you wish to quantify it)? All laws restrict the public to some degree; I'm sure you can think of some laws for which the public would not benefit by repealing them.

      There was not a huge increase in creation and publication between 1977, when we had the 1909 Act which only protected works where the author sought protection, and for a far shorter period of time, and 1978, when the current Copyright Act took effect. You don't really have the data points you think you do.

      So you're saying that the economic impact has to be felt in one year? I would also point out that the growth of Silicon Valley as a software, technology, and innovation center took place mostly after 1978.

      --
      Toronto-area transit rider? Rate your ride.
    111. Re:Great Works by s20451 · · Score: 1

      You're right, I thought I understood your point but you are starting to contradict yourself.

      Small corporations love innovation because it threatens the status quo and therefore opens up possibilities of advancement. When you're at the bottom, disruptions are good because you have little to lose and lots to gain.

      Yet in reality, big corporations regularly "innovate" by buying these small innovators, the value of which is mostly in their IP portfolio. So why would a big corporation demand stronger IP rights when they could just use their leverage to steal whatever innovative ideas they needed and squeeze these innovators out of the marketplace (deterring others in the process)? Wouldn't they be working against their own interests? Shouldn't we want IP laws to defend the little companies (where most of the innovation happens, as you admit)?

      --
      Toronto-area transit rider? Rate your ride.
    112. Re:Great Works by cpt+kangarooski · · Score: 1

      Also, do you have any evidence for this claim that there is a "great benefit" to eliminating copyright laws (however you wish to quantify it)?

      Well, I assume that you mean other than that it is a fundamental part of copyright law, e.g. the "limited times" requirement in the US Constitution, or the limited terms from the Statute of Anne? Does the public benefit from monopolists who control the source of commodity goods (i.e. copies of any given work) or from competition? Does the public benefit when only one person controls the direction that a story can take, or when anyone can participate? If an author chooses to withdraw his work from the public sphere and destroy it, does that benefit the public more than preserving the work against his wishes? It is self-evident that a work is more valuable to the public in the public domain than in the realm of copyright, and that if it is copyrighted, then it is more valuable to the public the weaker the copyright is.

      So you're saying that the economic impact has to be felt in one year?

      I'm saying that other factors are more important. IIRC, the year that had the most people go to the movies in theaters was 1947. Copyright law didn't change that much between 1909 and 1978. Television had a much more significant impact. Likewise, growth in literature had more to do with the printing press than the development of copyright. The fine arts have been around since time immemorial, but copyright didn't result in more activity there; in fact, photography has had negative effects on it.

      In the computer field, it's not copyrights, that have been responsible for the growth in that field. It's just technical improvements. A 4KB computer the size of a fridge isn't going to sell as well as a 16KB computer that easily fits on a desk. Patents are a factor for hardware, but don't seem to be for software (as we can see by the thriving software development in jurisdictions without software patents, and in the US prior to our having them). I suggest using Occam's razor.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    113. Re:Great Works by Damarkus13 · · Score: 1

      I was arguing that the laws have a positive effect on innovation. Even if I am right, it is not surprising that corporations or advocacy organizations would emerge to demand these laws. I'm not arguing that these laws have a negetive (or positive) effect on innnovation, merely pointing out a flaw in your logic.

      So what you have to explain is why, in spite of the correlation, these laws have no effect on innovation. I would argue that there is no explanation simpler than causation. No, you made the claim, and I found a flaw in your logic. Now, you must try again to explain why this correlation exists, and you can't simply fall back on Ockham's Razor. (If I was really feeling argumentative I'd ask for sources showing a correlation, but I'll let you have a gimme)
    114. Re:Great Works by dedalus2000 · · Score: 1

      software copyrights are relatively benign compared to software and business process patents.

      --
      My keyboads not woking popely.
    115. Re:Great Works by dedalus2000 · · Score: 1

      from some point of view all issues are fringe issues or can be framed in that way.

      --
      My keyboads not woking popely.
    116. Re:Great Works by HTH+NE1 · · Score: 1

      Surely the RIAA sycophants wont protest a democratic approach, or attempt corrupt illegal practices to block it's process. See their education initiatives to brainwash grade school children that there never was such a thing as fair use.
      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
  2. Damn! too late by Anonymous Coward · · Score: 5, Insightful

    I was going to comment making a prediction that someone would completely fail to spot the "what would become of the next Shakespeare, Michaelangelo, or da Vinci?" comment was meant to be ironic. Seems I was too slow.

    Slashdot can be depressingly predictable at times.

    1. Re:Damn! too late by Alsee · · Score: 1

      Slashdot can be depressingly predictable at times.

      Thank God the rest of the world isn't like that, I think I'd hang myself.

      Excuse me, I have some rope to go play with.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  3. Without copyright... by christurkel · · Score: 5, Insightful

    After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?"

    Widely imitated styles that will help usher in a new Renaissance of learning, arts and science?

    --

    CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
  4. Much weaker copyright by webmaster404 · · Score: 3, Interesting

    We need a much much much weaker copyright system. Already, due to "copyright infringement" the *IAA has managed to fine single mothers and college students outrageous amounts of money for supposedly "stealing songs" this has already harmed the emergence of P2P software as a way of distributing bandwidth better as simply a way of "illegally" distributing material. In technology, there is little innovation compared to what there should be due to software patents, outrageous licenses and copyright. We need to protect fair use and give the right to make backups and to share files and songs, without it, despite what the *IAA thinks, our economy of software, music and movies will collapse leaving the *IAA and artists without a penny. Our copyright system is broken, if it becomes hardly any stronger the USA will be right up there with China and other nations that are hostile to information sharing and become even more digitally shackled then we already are.

    --
    There is no "disagree" moderation, and troll, flamebait and overrated are not valid substitutes
    1. Re:Much weaker copyright by dosius · · Score: 4, Interesting

      The most I'll grant anyone respect for is 5-10 years for software and audiovisual media, 20-40 years for books.

      And I'm blatantly violating copyright laws all the time with my BT tracker, but am I bothered? Do I look bothered? I don't see anything wrong with "blatantly ignoring" a law I don't believe is right. We need so many people to "blatantly ignore" it that they have no choice but to concede (like that'll ever happen).

      -uso.

      --
      What you hear in the ear, preach from the rooftop Matthew 10.27b
    2. Re:Much weaker copyright by Devv · · Score: 1

      "I don't see anything wrong with "blatantly ignoring" a law I don't believe is right."

      I'm not signed up for the copyright laws fanclub either but with that reasoning you declare that everyone can act based on their own beliefs, blatantly ignoring the governmental system they are a part of. Going by your reasoning Anarchists would be allowed to do what the hell they wanted to, thus forcing everyone else to act as Anarchists to defend themselves. If a nazi thinks it's right to kill jews it's ok for him to go out on his own crusade?

      --
      +1 Agree -1 Disagree
    3. Re:Much weaker copyright by Anonymous Coward · · Score: 0

      The most I'll grant anyone respect for is 5-10 years for software and audiovisual media, 20-40 years for books.

      I say 5-10 years for all works (or if it comes with DRM, 30 days). Why extend the scope for Harry Potter?

      I'm a pirate, too. Not because I want to "stick it to the Man", but because certain rare and out of print stuff needs to be preserved, and the only way to ensure that is to distribute it. It's not like anyone in the Copyright Alliance cares about preserving Wonderswan games.
    4. Re:Much weaker copyright by zmollusc · · Score: 1

      If a Nazi government says it is ok to kill jews, should you go along with it?

      Answers to nurembergtrials@thepast.com

      --
      They whose government reduces their essential liberties for temporary security, receive neither liberty nor security.
    5. Re:Much weaker copyright by dosius · · Score: 1

      For me, it's some of column A, some of column B.

      It's because I don't give a fuck that I run a tracker, it's because I want to preserve things that I have the "olddos" folder on my site. (Which has DOS versions all the way down to 1.00!)

      -uso.

      --
      What you hear in the ear, preach from the rooftop Matthew 10.27b
    6. Re:Much weaker copyright by goingToSay · · Score: 1

      Thats a dangerous approach. Larry Lessig has some good ideas about this.

    7. Re:Much weaker copyright by GoddessOfDeath · · Score: 1

      If a Nazi government says it is ok to kill jews, should you go along with it?

      Answers to nurembergtrials@thepast.com


      This opens a whole conundrum in my mind - i agree both with the parent and the grandparent. I think that to blantantly ignore laws that one doesn't agree with *is* inviting harsher law-breaking - for example vigilanteism or racial hate crimes etc. However, obviously, while it may be safer for the individual to go along with a Nazi government, the "right" thing to do would be to fight it. The question is: who decides what is "right". In *my* mind, one should fight laws in any way possible that are in some way detrimental to human rights, without breaking human rights yourself. However, in the case of copyright law i believe that, while it is an idiotic law beyonf the lifespan of the owner, this is an example of something to fight in a legal manner - i.e. lobbying and/or protesting.



      sorry if this is unclearly structured - it is rather early in the morning for me to be able to express myself clearly.
    8. Re:Much weaker copyright by Devv · · Score: 1

      The point you are both missing is that in Nazi germany a majority of the people would have been raged if they knew exactly what was going on i Auswitch - Birkenau. A few people and the government thought it was right.

      My original post didn't question the end product of the parents reasoning but the way he got there lacked several vital parts and was in my opinion totally outrageous. A more civilized way to get to the same conclusion would be this:(imo)

      Currently the U.S. is a democracy. Democracy means the rule of the people. The U.S. being a indirect democracy means that formally the elected senators and congressmen are the people. Otherwise it would not be a democracy as one people would rule another instead of one people ruling itself.

      If a majority of the people think copyright is wrong compared to the miniority who thinks it's right then the system is not working. If the government says the country is democratic but it is in fact not then you could expect some kind of revoloution. Thus it would be right of the people to ignore the law since more people oppose it than those who support it.

      If on the other hand you know that a miniority of the people oppose copyright laws but an even smaller miniority really supports them and that the majority has been tricked by record companies and their media machine then you can have your revoloution and you might win but in the end you will be placed right beside Lenin in the history books. He happened to think that way.

      If the above is the case then you are better off informing the majority the way the democratic system intends you to.

      To answer the parent of this post:
      I think doing anything is right but you need to be prepared to have other people do what they think is right. If they think it was stupid to kill jews then they might just kill you off if they get the chance. I think it's wrong to ignore what other people think without trying to analyse it and if anarchists or nazis would do that througly I believe that they might be turned over.

      --
      +1 Agree -1 Disagree
    9. Re:Much weaker copyright by pilot1 · · Score: 1

      I'm not signed up for the copyright laws fanclub either but with that reasoning you declare that everyone can act based on their own beliefs, blatantly ignoring the governmental system they are a part of. So Rosa Parks and other activists during the Civil Rights Movement should have obeyed the law instead of peacefully protesting it?
    10. Re:Much weaker copyright by VGPowerlord · · Score: 1

      In case anyone else is wondering, Larry Lessig == Lawrence Lessig.

      --
      GLaDOS for President 2016! "Well here we are again. It's always such a pleasure." -- GLaDOS, 2011
    11. Re:Much weaker copyright by Devv · · Score: 1

      So you are saying that he is anti-democratic?

      --
      +1 Agree -1 Disagree
    12. Re:Much weaker copyright by Anonymous Coward · · Score: 0

      "And I'm blatantly violating copyright laws all the time with my BT tracker, but am I bothered? Do I look bothered?"

      of course not, you are a leech, you are taking other peoples hard work for free and assuming you wont get caught. But on the other end of the deal is the people who worked hard all their lives to produce entertainment that you now seem to feel you have an innate free right to, without paying those people a fucking cent. Bully for you, and tough shit for those gullible idiots who actually spend their days entertaining people eh?

      People like you make me sick. I wouldn't trust you, I wouldn't associate with you, and its clear that you are a net drain on society. You take whatever you can get and contribute as little as you can get away with. And its people like you who describe others as 'leeches' if they don't seed their torrents. oh the bitter fucking irony.
      I strongly support stronger copyright laws and the banning of p32p protocols. Its what idiots like you have driven us to.

    13. Re:Much weaker copyright by dosius · · Score: 1

      Are leeches software developers?

      One of my programs, an emulator, was ported to a number of older computers and used as the core of a similar emulator on the DS.

      I have also started the FreeDOS ODIN distribution which some people still find invaluable and which has been extended by the community and still fits on a single disk, the point of my compilation.

      I also do a large amount of the work on one group's fansubs, for a show that nobody else wants to sub because it's "too childish."

      Maybe fansubs don't mean shit, but my contributions to emulation (emu2 was one of the better Apple ][ emulators; sddapple seems to have gotten fairly popular in Amiga-land even though I've never touched an Amiga) aren't exactly what you'd call "leeching".

      -uso.

      --
      What you hear in the ear, preach from the rooftop Matthew 10.27b
  5. ZOMG Lobbying! by 4D6963 · · Score: 4, Funny

    Copyright Alliance Presses Presidential Candidates

    OMG! Special interest groups are pushing their agenda by pressuring politicians! We've never seen that before! But what will become of us!?!

    --
    You just got troll'd!
    1. Re:ZOMG Lobbying! by deniable · · Score: 2, Insightful

      Special interests in media. Modern politics is all about money and media. The two go together. Telling media special interests where to go would be a real smart move for a politician. He'd end up with fair and balanced reporting.

    2. Re:ZOMG Lobbying! by Deanalator · · Score: 1

      I know that my vote will be greatly affected by how candidates come down on this issue.

    3. Re:ZOMG Lobbying! by multisync · · Score: 1

      OMG! Special interest groups are pushing their agenda by pressuring politicians! We've never seen that before!


      So you point is ... we should all just stick our heads in the sand because it happens all the time and we should just blissfully ignore it?

      Maybe, if people are made aware of specific instances of "special interest groups" lobbying for laws that benefit them to the detriment of everybody else, some of them will pick up a pen and write to their representatives to express their opposition?

      But what will become of us!?!


      My prediction is that your cynicism - and the further erosion of your liberties that you experience as a result of it - will lead to feelings of hopelessness and despair, but that's just a guess.
      --
      I don't care why you're posting AC
    4. Re:ZOMG Lobbying! by Jarjarthejedi · · Score: 1

      Same here. I'm already not too happy with the front-runners, so if one of the candidates (Ron Paul?) comes out and stands up to this lobbying without caving they'll be more likely to get my vote.

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
    5. Re:ZOMG Lobbying! by Anonymous Coward · · Score: 0

      Your rights and liberties will slowly but surely be devolved to the point where you are just another piece of corporate property.
      That's what will happen.

    6. Re:ZOMG Lobbying! by 4D6963 · · Score: 1

      In case you're not aware Obama is the one candidate who's the most anti-special interest groups of all, by far.

      --
      You just got troll'd!
    7. Re:ZOMG Lobbying! by 4D6963 · · Score: 1

      Your rights and liberties will slowly but surely be devolved to the point where you are just another piece of corporate property.

      Oh shut up you bloody communist hippie. Lobbies have been holding Washington DC by the nuts for almost 50 years, sure that lead to a bunch of ugly stuff but don't get me started with that whole "OMG corporations are evil they're coming for your soul!!!" type shit.

      --
      You just got troll'd!
    8. Re:ZOMG Lobbying! by rlp · · Score: 1

      I know that my vote will be greatly affected by how candidates come down on this issue.

      Problem is that you'll never get a straight answer from most of the candidates on this issue. And if you do can you trust them once they're elected?

      Best bet is look at their records and see who's already been bought.

      --
      [Insert pithy quote here]
    9. Re:ZOMG Lobbying! by sqrt(2) · · Score: 0, Troll

      A vote for Ron Paul would effectively eliminate every social welfare program we have. If you value things like health care and an education system you'd be wise to find a different candidate. I would really like for the liberals to stop pretending to like Ron Paul just because he's antiwar. He hasn't started talking about private militias, corporate sponsored highways and the gold standard yet, but if he does I will officially count him as insane--along with all the other libertarians. Right now he's merely a hard right economics Republican who doesn't focus on social issues. Unchecked libertarianism would be just as ruinous for the country as the worst policies any neocon could dream up. As someone already said, Obama does not take PAC or lobbyist money, it's a major point of his campaign.

      --
      If you build it, nerds will come. Soylentnews.org
    10. Re:ZOMG Lobbying! by Anonymous Coward · · Score: 0

      Never thought I'd get modded troll for supporting Barack Obama.

  6. Getting you money after you die... by Slashidiot · · Score: 5, Insightful

    Copyright is already far too long, as it lets you make more money while being dead. You are dead! You cannot be productive! No reason to pay you anymore! Because, no matter how well I did at my job, once I die I stop getting money.

    Copyright is supposed to exist to promote creating stuff, so you can profit of what you created. "As long as you live" should be long enough for anybody.

    I certainly will not be creating anything and thinking: "And when I die, my grandson will still be getting money for this!"

    --
    Tis women makes us love, Tis Love that makes us sad, Tis sadness makes us drink, And drinking makes us mad.
    1. Re:Getting you money after you die... by vux984 · · Score: 2, Interesting

      Ah, but that's the beauty of assigning copyright to a corporation. They don't have to die. They don't have to ever stop earning money.

    2. Re:Getting you money after you die... by Em+Adespoton · · Score: 1

      "As long as you live" should be long enough for anybody.

      Alas, you'd likely have a lot of content producers dying young if the law worked this way -- this is why they adopted "life plus" -- so that nobody could immediately benefit from the copyright owner's death.

      Personally, I think that a fixed term (35 years tops?) makes much more sense.
    3. Re:Getting you money after you die... by Mongoose+Disciple · · Score: 1

      The two problems with that are, one, corporations, and two, it's reasonable for an artist's dependents to be fed by his work for a little while even if he's hit by a bus one day.

    4. Re:Getting you money after you die... by Plunky · · Score: 2, Insightful
      The two problems with that are, one, corporations, and two, it's reasonable for an artist's dependents to be fed by his work for a little while even if he's hit by a bus one day.

      My employers will not continue paying my dependents for any significant amount of time after I die.

      Whats different for an 'artist' then??

    5. Re:Getting you money after you die... by Anonymous Coward · · Score: 0

      Alas, you'd likely have a lot of content producers dying young if the law worked this way -- this is why they adopted "life plus" -- so that nobody could immediately benefit from the copyright owner's death. Agreed.

      Personally, I think that a fixed term (35 years tops?) makes much more sense. My personal preference would be 20 years. Renewable (for free) for another 20. After that, it can be extended on a yearly basis, but not for free. Say, 20% of any expected revenue with a minimum of $1,000. At the end of the year you if it goes above the expected you have to pay, if it goes below the expected and the minimum you get a refund. The next year it's 25%. The year after that it's 30%, 35%, 40%, etc. Minimum would double each year ($1,000, $2,000, $4,000, $8,000, $16,000, etc). All of the money should go directly to promoting public domain and copyleft art/music/video/software/etc.
    6. Re:Getting you money after you die... by Anonymous Coward · · Score: 0

      I died at work once and they stopped paying me.

      I got better though.

    7. Re:Getting you money after you die... by Anonymous Coward · · Score: 0

      People die while still young. Disease. Car accidents. Small plane crashes.

      Disease used to be a really big one until the 20th Century. Artists often earn less than people with steady jobs and therefore tend to have poorer nutrition and be more subject to disease. They also tend to live more hand-to-mouth and have less ability to save for rainy days/retirement. I'm not taking about Britney Spears or Danielle Steele here. Before modern advertising, it used to be that literary works like books and plays could take a while before they became popular enough to really reflect their worth.

      The idea for royalty income to last for a limited time beyond death was to provide artists peace of mind that their families would be taken care of and benefit from the fruits of their labour even if the artist succumbed to the occupational hazard of their work (see above). That allowed them to be more creative and take more risks in producing works while still alive. It's less relevant now than in the 19th century, but it still has merit.

    8. Re:Getting you money after you die... by DamnStupidElf · · Score: 1

      Copyright is already far too long, as it lets you make more money while being dead. You are dead! You cannot be productive! No reason to pay you anymore! Because, no matter how well I did at my job, once I die I stop getting money.

      Copyright shouldn't expire just because you're dead; it should just be a reasonable time limit for everyone. Authors who die soon after their work is complete (modern musicians anyone?) can supply their heirs with money for 5 or 10 years, that's fine with me.

      Basing the expiration date on the date of the author's death is absurd, since artists who produce their works while young gain a much larger benefit over their entire lifetime, and 90 years later their heirs are still profiting. My tongue-in-cheek guess is that Disney hopes cryogenics works, and once they thaw Walt out they get perpetual copyrights.

    9. Re:Getting you money after you die... by DustyShadow · · Score: 1

      Copyright is supposed to exist to promote creating stuff, so you can profit of what you created. "As long as you live" should be long enough for anybody. 1. Few authors would be able to get a corporation to license his/her work if the right did not extend after his/her death. Authors die all the time for random reasons and no corporation would be willing to invest millions of dollars in works if they didn't know how long the term of the license was going to last. Believe it or not, corporations don't like uncertainty. You'd see a huge drop in the number of works being licensed. A better option would be to make copyright last for a set term, whether the author is live or dead. 2. Yes, the point of copyright is to promote the creation of works which would then progress science and arts. This is done by giving incentives to people to create things. Knowing that one's children would be given rights to your work after you die is a pretty damn good incentive for one to make more works that will potentially make more money. Many people work with the intent of improving their families. This is no different when it comes to authors.
    10. Re:Getting you money after you die... by Migraineman · · Score: 1

      Consider life insurance, and rephrase - "No individual would be able to get life insurance with the possibility that he may slide under a bus tomorrow. People get hit by busses all the time, and no insurance company would offer a million dollar policy if it didn't know that the policy holder would outlive the term." Uh huh. And yet, it's pretty easy to get a life insurance policy, right?

      This isn't about risk aversion (though most **AA and publishing companies are pretty damned risk averse,) but rather about maintaining the revenue stream. The distributors don't create anything, and the sooner you realize that the sooner you'll comprehend what the issue is. If the distributors can't control the distribution channel, they cease to exist. The Sonny Bono Indefinite Retroactive Copyright Extension Act was essentially a cash-grab from the media distribution cartels. Copyright is supposed to be an incentive for the creation of new works, not a method for maintenance of a brutally obsolete business model. Unfortunately, Copyright has been usurped by the distribution cartels as a method of strong-arming money from ... everyone.

      Copyright should apply to an individual. Period. Corporate assignment of a copyright should terminate on the creator's death. If the creator wants to provide for his children, he can buy stock in a mutual fund or purchase a life insurance policy like the rest of us working stiffs. I see no reason to coddle musicians, actors, authors or anyone else in the artistic trades. What makes them so damned special? Are the starving auto mechanics so much less deserving?

    11. Re:Getting you money after you die... by Mongoose+Disciple · · Score: 1

      I've got life insurance as one of my job benefits that will pay out to my dependents should I die while employed. Most professionals in the US do.

      Probably most songwriters don't. I don't have a problem with them getting a similar benefit in a different way.

    12. Re:Getting you money after you die... by drsmithy · · Score: 1

      Alas, you'd likely have a lot of content producers dying young if the law worked this way -- this is why they adopted "life plus" -- so that nobody could immediately benefit from the copyright owner's death.

      Fortunately, murder is already illegal.

      But that's missing the point. Where is the logic behind this argument ? If copyright expires on the death of the creator, then killing them achieves nothing except making it impossible for anyone to profit from the work. Are you seriously suggesting murder is considered a lesser crime than copyright infringement ?

    13. Re:Getting you money after you die... by Mr.+Shotgun · · Score: 1

      Or, here's a crazy idea, they get life insurance themselves. Honestly, why should society be responsible for holding their hand when every other reasonable adult knows to get life insurance even if their employer does not offer it? They could probably even work with whatever trade group they are a part of to get it as a benefit, if it is not already offered. Why make an exception for singers and songwriters when every other profession already has a working plan in place?

      --
      Of all tyrannies, a tyranny sincerely exercised for the (supposed) good of its victims may be the most oppressive
    14. Re:Getting you money after you die... by Em+Adespoton · · Score: 1

      Fortunately, murder is already illegal.

      But that's missing the point. Where is the logic behind this argument ? If copyright expires on the death of the creator, then killing them achieves nothing except making it impossible for anyone to profit from the work. Are you seriously suggesting murder is considered a lesser crime than copyright infringement ?

      I think you're missing the point...

      You have two arguments:
      1. There is no incentive to commit a larger crime (murder) to avoid committing a smaller crime (copyright violation).

      2. You can't profit from works in the public domain.

      The problems with these arguments are:

      1. The incentive is that someone might find it much easier to commit murder and not get caught than to violate copyright and not get caught. Added to this, if copyright terms were for life, the perp would run afoul of copyright for the entire span of the creator's life, for all works they had created to date. With murder, there is only one time of infringement to cover up. Added to this, it is not a case of "Do I murder a person or just steal their work?" Instead, it is a case of added windfall to killing a person. There is LESS incentive to kill them if their copyrights endure or have already expired than there is if you get that bonus of free access to all their work.

      2. Talk to Disney about this one. They have a business model of taking public domain works, tweaking them and then selling their tweaked versions under indefinite copyright. This whole "life" argument isn't as much an issue about redistribution of the original works as it is an issue about the legality of DERIVATIVE works.

      Imagine if you will, that some gangster hip-hop remixer is making millions off his mix discs. Unfortunately, some small indie guy's stuff was sampled, and the guy is now suing the remixer for use of his work. Now, the work is one of the remixer's best sellers, and already has wide distribution. In fact, it is one of the works that made him an international superstar. Now the indie artist that nobody's ever heard of is suing him for damages, jail time (since the infringement is large enough to make it a federal crime) and confiscation of equipment. The jail time could add up to more than 20 years, in fact.

      Now if this artist dies, all his work goes into the public domain, the lawsuits go away, and the max damage to the remixer is 20 years in prison. No monetary damages, no confiscation of equipment, no loss of reputation (actually, a possible GAIN in reputation in some circles), and a possible shorter prison sentence. All this, and the money keeps rolling in while he does his time.

      THIS (as well as the "don't dilute Mickey" reason) is one example why "life" is a bad copyright term. There are others, some of which were actually experienced back when life terms WERE set for created works.
    15. Re:Getting you money after you die... by drsmithy · · Score: 1

      1. The incentive is that someone might find it much easier to commit murder and not get caught than to violate copyright and not get caught. Added to this, if copyright terms were for life, the perp would run afoul of copyright for the entire span of the creator's life, for all works they had created to date. With murder, there is only one time of infringement to cover up. Added to this, it is not a case of "Do I murder a person or just steal their work?" Instead, it is a case of added windfall to killing a person. There is LESS incentive to kill them if their copyrights endure or have already expired than there is if you get that bonus of free access to all their work.

      This makes no sense. Murder is considered one of - if not the - most abhorrent crimes to civilised societies, and the pursuit of perpetrators reflects that. It is certainly considered orders of magnitude more significant than copyright infringement - of any scale - by basically everyone (jokes here about RIAA CEOs and lawyers notwithstanding). Further, punishments reflect these attitudes (in general, there are always a handful of exceptions).

      Yet, you are attempting to argue that someone is more likely to choose murder over copyright infringement ? Ridiculous.

      2. Talk to Disney about this one. They have a business model of taking public domain works, tweaking them and then selling their tweaked versions under indefinite copyright. This whole "life" argument isn't as much an issue about redistribution of the original works as it is an issue about the legality of DERIVATIVE works.

      When Disney starts a trend of killing people so they can re-release a "tweaked" copy of their work, you might just have the beginnings of a point.

      THIS (as well as the "don't dilute Mickey" reason) is one example why "life" is a bad copyright term. There are others, some of which were actually experienced back when life terms WERE set for created works.

      The very idea that we should put up with ridiculous copyright terms to reduce the incentive of some psychopaths to commit murder is idiotic, counter-productive and grossly offensive. It is difficult to even know where to start a discussion with someone whose thought processes are so fundamentally broken. I suppose you think we should outlaw suggestive clothes so women are less likely to be raped, as well ?

      There is no justifiable reason whatsoever why copyright should last a second past the copyright holder's death. Copyright holders get enough disproportionate benefits during life, carrying them on into death is simply disgusting.

      * Copyright should be an opt-in, registered-the-work system, like patents.
      * Copyright terms should be tied to the popularity and profitability of the work so more popular works get out of copyright sooner.
      * Copyright protection should expire on the death of the holder.
      * Punishments for trying to circumvent term lengths should be severe - at the very least repayment of all customers, a fine double the reported revenue from the work and the immediate expiry of its copyright protection.
      * Copyright should only protect works from commercial, for-profit copying.
      * Derivative works should generally not be considered an infringement of the original.

    16. Re:Getting you money after you die... by Em+Adespoton · · Score: 1
      Hey... slow down a bit... if you'd look at my other posts, you'd see that I more than agree with you for the most part; its just that our system is currently so broken that the lawmakers have chosen to avoid the "life" timeline. In an earlier post, I said I thought no copyright should be granted for more than 35 years.

      Item 2 was not about killing people, item 1 was. Item two is separate -- the idea that people can make a profit off of PD works.

      BTW: I notice you skipped the part where I pointed out that copyright infringement can currently carry heavier penalties than murder. You're treating this as a "Hey, I want that guy's copywritten works! I'm gonna go kill him!" scenario. I agree that that is (generally) absurd. However, the derivative works scenario I pointed out is less absurd, and situations where someone might not come to the aid of someone who is in trouble but has valuable IP is even more likely in our passive society.

      There has to be a balance, and the current system is way off kilter. What I'm saying is that your suggestion of setting the term to the life of the holder isn't the best solution to our current problem.

      Also, most commercialized copyrights are held by corporations.

      * Copyright should be an opt-in, registered-the-work system, like patents.

      This is the way it used to be; they found that only rich people and corporations registered copyrights, and everyone else was taken advantage of. So they changed it. Do you really want your Thanksgiving Dinner photos of your family plastered all over the place because some company saw them on MySpace and decided they'd work really well in their ads?

      * Copyright terms should be tied to the popularity and profitability of the work so more popular works get out of copyright sooner.

      Bad idea. Big Corps then ensure a work never becomes popular, and eventually the copyright holder sells them the rights out of desperation to make some money. It happened in the above system even without being tied to popularity.

      * Copyright protection should expire on the death of the holder.

      It should expire after no later than 35 years from date of creation.
      * Punishments for trying to circumvent term lengths should be severe - at the very least repayment of all customers, a fine double the reported revenue from the work and the immediate expiry of its copyright protection.

      Make it TOO severe, and you're back to the "it's easier just to kill him" argument. Expire the derivative works' copyright, and suddenly it is public domain -- but wait -- this means portions of the original work are too. Bad idea. Better to have the copyright transfer to the original holder.

      * Copyright should only protect works from commercial, for-profit copying.

      Great. So if I take some family photos, I have to prove commercial for-profit copying in order to keep someone else from using them? How is commercial and for-profit defined? Use for direct monetary gain? Use to gain influence which results in monetary gain? Used by someone who also uses ads to generate monetary gain?
      The issues surrounding copyrights are very nebulous. However, I agree with your underlying intent. Information should be free. If you want to restrict it for profit, that profit should trickle back down the chain.

      * Derivative works should generally not be considered an infringement of the original.
    17. Re:Getting you money after you die... by drsmithy · · Score: 1

      Hey... slow down a bit... if you'd look at my other posts, you'd see that I more than agree with you for the most part; its just that our system is currently so broken that the lawmakers have chosen to avoid the "life" timeline. In an earlier post, I said I thought no copyright should be granted for more than 35 years.

      That's still way too long for many things. A blockbuster song or movie, for example, should be in and out of copyright in a matter of years.

      Item 2 was not about killing people, item 1 was. Item two is separate -- the idea that people can make a profit off of PD works.

      This whole sub-thread is about "killing people" and the implication that some meaningful proportion of the population would choose murder over copyright infringement.

      BTW: I notice you skipped the part where I pointed out that copyright infringement can currently carry heavier penalties than murder.

      That's because I'm sceptical that any court is actually going to give a lighter sentence for pre-meditated murder than for copyright infringement - of any kind - without some seriously significant other factors being involved.

      You're treating this as a "Hey, I want that guy's copywritten works! I'm gonna go kill him!" scenario. I agree that that is (generally) absurd. However, the derivative works scenario I pointed out is less absurd, and situations where someone might not come to the aid of someone who is in trouble but has valuable IP is even more likely in our passive society.

      Uh, what ? You think someone's going to do a quick check on whether or not the guy choking in the restaurant has any songs in the charts before they step in and do the heimlich ?

      I think you need to elaborate exactly what you mean here.

      There has to be a balance, and the current system is way off kilter. What I'm saying is that your suggestion of setting the term to the life of the holder isn't the best solution to our current problem.

      It's not meant to be a "solution" to the "current problem", it's a statement of principle. There is no justifiable reason for copyright to last an instant past the copyright holder's death. This is true regardless of whether we're referring to copyright as it exists today or as it existed a century ago.

      This is the way it used to be; they found that only rich people and corporations registered copyrights, and everyone else was taken advantage of.

      So... Basically just like it is now ?

      So they changed it. Do you really want your Thanksgiving Dinner photos of your family plastered all over the place because some company saw them on MySpace and decided they'd work really well in their ads?

      If I didn't want my Thanksgiving Dinner photos plaster all over the place, I wouldn't have put them on MySpace. If I *did* put them on MySpace, I would do so in the full knowledge that anyone could take them, use them and change them. My only gripe would be if the corporation using my photos "in their ads" was implying that I supported their products when I did not (and that scenario should be easily handled by other laws, rather than copyright).

      Bad idea. Big Corps then ensure a work never becomes popular, and eventually the copyright holder sells them the rights out of desperation to make some money.

      Please explain a) how you think this could actually work and b) why it would be a bad thing that the copyright holder made money by selling their work.

      The reason copyright terms need to be tied to the popularity and profitability of a work, is to discourage the "one hit wonder". No-one should be given special legal protection just so they - and several generations thereafter - can live off the proceeds of about a day or two's work for the rest of their lives. It is both morally repugnant and grossly inefficient.

      Make it TOO severe, and you're back to the "it's easier just to kill him" argument.

      Good thing pre-meditated murder is both illegal, a

  7. Time to Pull Out Your Glad-Hand by darkonc · · Score: 4, Insightful
    This is the time to start lobbying your presidental and congressional candidates and worker groups. If you get a handful of IT specialists and shop them around to the candidate who's attitude is most friendly to consumer issues in copyright, you'll really get their attention.

    Candidates don't just need money (that's good too). They also need volunteers, and -- if they see people lobbying for volunteers to support pro-consumer candidates, they'll react to that.

    This is where "Vote Early, Vote Often" actually applies.

    --
    Sometimes boldness is in fashion. Sometimes only the brave will be bold.
  8. Shakespear would not have happened by Phantom+of+the+Opera · · Score: 4, Informative
    Some of the Bard's work was based on the work of other artists. Romeo and Juliet come to mind. From Wikipedia :

    Romeo and Juliet belongs to a tradition of tragic romances stretching back to Ancient Greece. Its plot is based on an Italian tale, translated into verse as Romeus and Juliet by Arthur Brooke in 1562, and retold in prose in Palace of Pleasure by William Painter in 1582. Brooke and Painter were Shakespeare's chief sources of inspiration for Romeo and Juliet. He borrowed heavily from both, but developed minor characters, particularly Mercutio and Paris, in order to expand the plot. The play was probably written around 1595-6, and first published as a quarto in 1597. The text was of poor quality, and later editions corrected it, bringing it more in line with Shakespeare's original text. In such an idea ownership culture, those works would never have propagated and come to maturation.
    1. Re:Shakespear would not have happened by Anonymous Coward · · Score: 0

      Wait... so, you're saying that Romeo and Juliet is... like... fan fiction? I'm boggled!

  9. Methinks they need to read the Constitution by Rogerborg · · Score: 5, Insightful

    How would you promote the progress of science and creativity, as enumerated in the U.S. Constitution, by upholding and strengthening copyright law and preventing its diminishment?

    United States Constitution, Article 1: "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"

    So I guess the correct response would be to enact legislation:

    1. Prohibiting "work for hire" contracts, to ensure that the exclusive rights are secured for the author. According to the Holy Constitution, all authors should be freelance, not toiling on Massa Mickey's content plantation.
    2. Setting up a body to make subjective value judgements about whether an artwork is "useful" or not, as the Constitution mandates, with an assumption that it is not (otherwise why would the Unquestionable Constitution specify "useful" at all?).
    3. Repeal the Mickey Mouse Protection Act and "limit" the duration of copyright in order to promote "progress", rather than eternal milking of the same work.

    I think that about covers it. Any more that I missed?

    --
    If you were blocking sigs, you wouldn't have to read this.
    1. Re:Methinks they need to read the Constitution by zotz · · Score: 1

      "I think that about covers it. Any more that I missed?"

      They are good ones, especially the first, but you might want to look at these:

      http://zotzbro.blogspot.com/2007/04/some-thoughts-on-copyright-offensive.html

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    2. Re:Methinks they need to read the Constitution by Elemenope · · Score: 1

      I like what you said, except your point #2 is based on a misreading. The "useful Arts" back in those days referred explicitly to craftsmanship and engineering--what we would expect patent law to cover today. It's the "writings" and "authors" wording that leads to our conception of art (in the modern sense) copyright.

      --
      All the techniques ever used to make men moral have been themselves thoroughly immoral... (Nietzsche)
    3. Re:Methinks they need to read the Constitution by superwiz · · Score: 1

      Prohibiting "work for hire" contracts, to ensure that the exclusive rights are secured for the author. According to the Holy Constitution, all authors should be freelance, not toiling on Massa Mickey's content plantation. Well, why shouldn't property rights be transferable? And anything which allows one to charge others for its use is (at least partially) a property right. "Partially" because it may have other aspects (such as zero reproduction cost).

      Setting up a body to make subjective value judgements about whether an artwork is "useful" or not, as the Constitution mandates, with an assumption that it is not (otherwise why would the Unquestionable Constitution specify "useful" at all?). That's not necessary. It is "useful" if it is used. And if it's never used, the issue of ownership will never come up.

      Repeal the Mickey Mouse Protection Act and "limit" the duration of copyright in order to promote "progress", rather than eternal milking of the same work.

      This is very much true. The market place establishes fair price for the value provided by the asset. But the actual value, in the case of copyrighted work, is derived from 2 aspects -- usefulness and time until copyright expiration. The first is inherent property of the work and the second is established by the government. If most of the value ends up being in the second (as it does now), then by comparison only a very small part of the value of work comes from its usefulness.

      So how is the government determine that fair sweet spot where the value of copyrighted work would be relatively equally composed of the value that comes from usefulness and the value that comes from time until expiration? The link from one of your responses has a brilliant idea http://zotzbro.blogspot.com/2007/04/some-thoughts-on-copyright-offensive.html. He says have a property tax on holding a copyright. I can't believe no one has said this before. But I'd say make it more subtle.

      There will always be the argument that you have starving artists who rely on copyrights to be compensated by the time they "make it" to incentivise them. Ok. So how's this. Allow for copyright to be held freely for 10 years (not sure what's really fair) from the date of creation. After that, impose a property tax on them which would grow with every year of holding a copyright. The tax should approximately double every 10 years. This way copyrighted materials that are bringing more and more revenue because the owners spend more resources to increase the value of the material would be still copyrightable in 10,20,30,40 years. But since most of the value at that point would be derived from copyright rather than usefulness, they would be paying tax which would grow 2,4,8,16 times. Start the tax at something small... say $1000 a year. After all if you can't spend $1000 a year on something that you created 10 years ago, you probably will never make any money off of it. So you might as well let the public domain benefit from it. And it's not really unfair for Madonna to pay $2000 for songs that she wrote 30 year ago. Of course, if some corp wants to keep ownership of something copyrighted 80 years ago, there is not reason not to demand they shell out 128k a year for it.

      Oh, and $1000 a year is too arbitrary. It should be some "base line" number that is adjusted every year by Congress.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    4. Re:Methinks they need to read the Constitution by IvyKing · · Score: 1
      I'd prefer a slightly different tack on a couple of your suggestions.


      For original works, copyright should be automatic and free of charge for the first 14 to 28 years. After that period, a tax of 5 to 10% of the gross recepits will be imposed.


      For works derived from the public domain, the works would be considered public domain unless the creator can show the same amount of original work that would qualify for a copyright on a work derived from copyrighted material and copyright tax would apply immediately.


      An additional suggestion is that the copyrights for any 'works for hire' would return to the original authors if the company misrepresented any facts in the copyright registration.

    5. Re:Methinks they need to read the Constitution by ppanon · · Score: 1

      Not a bad idea, but it should be a doubling in constant dollars, i.e. after adjustment for inflation. Otherwise, inflation would significantly reduce the real effect of that doubling.

      --
      Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
    6. Re:Methinks they need to read the Constitution by zotz · · Score: 1

      "For original works, copyright should be automatic and free of charge for the first 14 to 28 years. After that period, a tax of 5 to 10% of the gross recepits will be imposed."

      This is a major problem from a subtle angle...

      It means that everything you come across is suspect. It may be in the public domain and available for your use, but you have no way of knowing this.

      So. Automatic copyleft unless you put on a copyright notice at a minimum. Then at least anything you find with no copyright notice is safe to use for copyleft purposes. Make the law reflect this. No criminal or civil penalties for taking unmarked works as copyleft and building on them. If they are foundto be copyright but maliciously distributed without a notice, the worst that can happen is to have the offending parts pulled.

      All copyright works must be registered and deposited with a "named" library in all forms for which copyright is claimed. Expenses for storage of such during the duration of the copyright to be born by the copyright holder.

      I don't get the second point.

      I am cool with the third point.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    7. Re:Methinks they need to read the Constitution by DustyShadow · · Score: 1

      1. Prohibiting "work for hire" contracts, to ensure that the exclusive rights are secured for the author. According to the Holy Constitution, all authors should be freelance, not toiling on Massa Mickey's content plantation. There is no reason that the word author cannot be interpreted to mean corporation. It really wouldn't make a difference though because corporations would force full assignments to the corporation by the authors. Due to the termination of transfer right that authors have, the corporations would just pay the authors less money.

      2. Setting up a body to make subjective value judgements about whether an artwork is "useful" or not, as the Constitution mandates, with an assumption that it is not (otherwise why would the Unquestionable Constitution specify "useful" at all?). Umm...these exist. They are called courts and useful works are NOT allowed copyright. The courts actually have several well defined tests to determine if a work is useful or not. "Useful arts" are given patent protection, not copyright protection.
    8. Re:Methinks they need to read the Constitution by superwiz · · Score: 1

      Not a bad idea, but it should be a doubling in constant dollars, i.e. after adjustment for inflation. Otherwise, inflation would significantly reduce the real effect of that doubling. That's why it would be based off of "base line" value. It wouldn't be doubling of what they paid originally, but ba*f(time).
      --
      Any guest worker system is indistinguishable from indentured servitude.
    9. Re:Methinks they need to read the Constitution by SonicSpike · · Score: 1

      Although I largely agree with your mentality, there are some flaws in your ideas.

      So you are telling me that a company cannot be an "author"? What about tech manuals? What about magazines? What about brochures? What about movies? Very few of those mentioned are the works of art of a single individual.

      Secondly, do you REALLY want the government determining what is art and what isn't? What about science? Do you want the government to decide what qualifies as science and what doesn't? Remember these are the same people who got us into Iraq and botched Katrina (among other things).

      But you are correct, Congress needs to grow a spine and not take money from Disney (or any other lobbying organization).

      --
      Libertas in infinitum
    10. Re:Methinks they need to read the Constitution by Rogerborg · · Score: 1

      I accept your point, but my answer is based on a literal reading, not a mis-reading.

      --
      If you were blocking sigs, you wouldn't have to read this.
    11. Re:Methinks they need to read the Constitution by Rogerborg · · Score: 1

      why shouldn't property rights be transferable

      They should be, but that's distinct from boilerplate "work for hire" employment contracts that oblige creators to hand over all their work for a fixed rate. Progress is best served - as the Constitution says - by incentivising the actual individual creator to produce the best possible work. It's a fine distinction, but if all creative work was freelance (or royaltied), then output and quality would tend to rise. When you get paid the same either way, what's the incentive to progress the useful arts?

      --
      If you were blocking sigs, you wouldn't have to read this.
    12. Re:Methinks they need to read the Constitution by Rogerborg · · Score: 1

      There is no reason that the word author cannot be interpreted to mean corporation.

      "Cannot" and "should not" are different things. Corporations do not create; individuals do. My issue is with rewarding creativity with boilerplate flat rate, no-royalty salary. It does not incentivise the actual creator to produce better work. For a perfect example, I'm typing this while I should be writing software, but as I get paid the same either way, what's my incentive to do so?

      Think carefully about what you should currently be doing before you answer.

      --
      If you were blocking sigs, you wouldn't have to read this.
    13. Re:Methinks they need to read the Constitution by Rogerborg · · Score: 1

      So you are telling me that a company cannot be an "author"?

      No, I didn't say that. I think the Constitution did. Why do you hate the Constitution with such a passion? You seem very excited. I think They might be monitoring your transmissions. You don't want Them to put you on a List. Perhaps you should have a lie down.

      --
      If you were blocking sigs, you wouldn't have to read this.
    14. Re:Methinks they need to read the Constitution by superwiz · · Score: 1

      Well, the rules under which the transfer or property rights occurs should be left to the participants of the transaction. Employee has a choice of working as a consultant on per project basis. And if employer believes they'd be best served by a different arrangement, why not leave that choice to the people involved and have the government mandate it?

      --
      Any guest worker system is indistinguishable from indentured servitude.
    15. Re:Methinks they need to read the Constitution by Rogerborg · · Score: 1

      Because when every corporation offers the same take-it-or-leave-it boilerplate "we own all your output" contracts, and form an effective cartel, then the creators get collectively screwed and don't actually have any "choice" at all. Don't take it from me; ask all the striking script-writers how they feel about the "choice" on offer.

      --
      If you were blocking sigs, you wouldn't have to read this.
    16. Re:Methinks they need to read the Constitution by superwiz · · Score: 1

      Well, why do they strike then? Under the rules proposed in the grandparent, their jobs wouldn't be available at all. They would have to find other free agents with whom to cooperate to create a movie (or tv show, but you get the point). They can do that without being employed by the studios. The reason they strike is that they believe employment is still more beneficial to them.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    17. Re:Methinks they need to read the Constitution by SonicSpike · · Score: 1

      No where in the Constitution does it say that authors must be freelance

      --
      Libertas in infinitum
  10. Corporate facism at the crest by harvey+the+nerd · · Score: 0, Flamebait

    They just want the Clintons and Republicrats to renew their vows of high fidelity.

  11. Penn and Teller need to do a show about this by rolfwind · · Score: 4, Informative
    From TFA:

    The introduction to the questionnaire states that "the livelihood of the next generation, and America's global competitiveness, will increasingly depend on the strong copyright protection that allows creativity to be rewarded."
    Quite the opposite. I don't quite see how the author's life + X amount of years rewards productivity.

    I know someone who is older, around 60, whose father wrote music for movies and TV shows between the 1930s-1950s. He still gets a very handsome check each month for every time one of those shows or movies are broadcasted. The son lived his entire without working, just resting on the fruits of his father's labor. No new music is being produced nor does it encourage anyone to make any.

    So I am left asking, what is this BS? This would encourage less productivity, not more.
    1. Re:Penn and Teller need to do a show about this by lgw · · Score: 1

      Some people work very hard to provide a good life for their families, instead of themselves. Odd thought, I know. But these weirdos can make useful contributions to society, and will be motivated during their lives by payments to their family after their deaths.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    2. Re:Penn and Teller need to do a show about this by adam1101 · · Score: 2, Insightful

      Quoth the Oracle of Omaha:

      "[The perfect amount of money to leave children is] enough money so that they would feel they could do anything, but not so much that they could do nothing."

    3. Re:Penn and Teller need to do a show about this by rolfwind · · Score: 1

      That would be fine and dandy if:

      1. Copyright wasn't a social contract that benefited both sides by participating in it - society whereby content eventually enters public domain and producers of product. By enforcing Copyright, there is a cost to society that was deemed outweighed by the benefits of offering temporary monopoly to content producers (thinking that the temporary monopoly would lead to more time/money investments in these offerings).

      Normal Common Law Contract law usually stipulates that there be a benefits to both sides for a contract to be valid. In exchange for changing the contract, we, society, get nothing.

      2. Most copyright benefit corporations who want to profit for 70+ year even though they take their ideas from the public domain (Disney--Grimm Brothers). The person in your example can benefit his family after his death by SAVING UP, an odd thought, I know. My grandfather, an engineer, unfortunately did not get royalty payments every time one of his design got made, especially years after he made it -- maybe he should been an author or playwright.

      My grandfather also had plenty of motivation to work hard, in the here and now. He wasn't let down that his children wouldn't get pay-out from his work beyond that he could directly leave them.

    4. Re:Penn and Teller need to do a show about this by Saeger · · Score: 1

      So then, that perfect amount to leave your children should be the capital needed to earn a barely-decent income on a safe 5% return plus inflation.

      That's anywhere from a quarter million on up, depending on the definition of the 'decent' amount it takes to keep someone both financially secure yet still incentivized enough to promote progress for more.

      According to Bill Gates, that amount is $10 million; according to Warren Buffet, it's zero dollars; and according to me (as well as many Nobel Laureate economists), it's a Guaranteed Minimum Income for everyone.

      --
      Power to the Peaceful
    5. Re:Penn and Teller need to do a show about this by Anonymous Coward · · Score: 0

      Hey!!! That was my father who wrote those songs and the encouragement is for him to write the initial piece which I can than sponge off. Not for me to do anything you insensitive clod!!

  12. Write your own questionaires by Stephen+Samuel · · Score: 1
    Write some letters "on behalf of the 300million Americans affected by over-broad copyright laws", and ask their attitudes on criminalizing fair and reasonable uses for copyright materials (as well as problems like orphan works, and the loss of historic works).

    Then, of course, blog about the results you get.

    --
    Free Software: Like love, it grows best when given away.
    1. Re:Write your own questionaires by zotz · · Score: 2, Insightful

      Ask them if they think any crime of rape should carry a lesser punishment than any copyright infringement. And if so, which ones and why...

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
  13. How about FAIR copyright and FAIR use? by dananderson · · Score: 3, Insightful

    Instead of copyright law biased to the media companies, how about FAIR copyright? Current copyright has outrageously long terms lasting several decades (sometimes over a century). Copyright law has no provision for punishment for Copyright FRAUD where media companies claim copyright on public domain works. Fair use is intentionally vague. Let's level the playing field--both Republicans and Democrats in Congress are in the racket, passing ever-more biased copyright law.

    1. Re:How about FAIR copyright and FAIR use? by zotz · · Score: 0, Offtopic

      "Instead of copyright law biased to the media companies, how about FAIR copyright?"

      Yes, and how about having some counter proposals for laws. Ones that might scare the other side. Ones that we might be able to compromise on if necessary and still be better off than now after the compromise.

      I invite your thoughts:

      http://zotzbro.blogspot.com/2007/04/some-thoughts-on-copyright-offensive.html

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    2. Re:How about FAIR copyright and FAIR use? by zotz · · Score: 1

      "Instead of copyright law biased to the media companies, how about FAIR copyright?"

      Yes, and how about having some counter proposals for laws. Ones that might scare the other side. Ones that we might be able to compromise on if necessary and still be better off than now after the compromise.

      I invite your thoughts:

      http://zotzbro.blogspot.com/2007/04/some-thoughts-on-copyright-offensive.html [blogspot.com]

      Someone must not like these suggestions.

      Two off topic mods for something that is right on topic. Way to go guys...

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
  14. insightfull?? We're moderating ironically now? by Scrameustache · · Score: 4, Funny

    I refuse to believe Shakespeare, Michaelangelo, or da Vinci's works would be any less great despite their copyright status. Don't those works predate copyright? Yes they do, by hundreds of years, and that sarcastic point soared majestically high above your head, like a mighty eagle.
    --

    You can't take the sky from me...

    1. Re:insightfull?? We're moderating ironically now? by dintech · · Score: 1

      Oh dear. And sarcasm is the lowest form of wit too...

    2. Re:insightfull?? We're moderating ironically now? by mdielmann · · Score: 1

      ...soared majestically high above your head, like a mighty eagle. Shakespeare you're not.
      --
      Sure I'm paranoid, but am I paranoid enough?
    3. Re:insightfull?? We're moderating ironically now? by Scrameustache · · Score: 1

      ...soared majestically high above your head, like a mighty eagle. Shakespeare you're not. Let the eagle soar!
      --

      You can't take the sky from me...

    4. Re:insightfull?? We're moderating ironically now? by mdielmann · · Score: 1

      I stand corrected. Shakespeare John Ashcroft is not.

      --
      Sure I'm paranoid, but am I paranoid enough?
  15. We need our own SCARY LAWS to lobby for... by zotz · · Score: 0, Offtopic

    So, we need some ideas for laws to lobby for that will scare the pants off of these guys. And yet ones that are reasonable and even perhaps wildly beneficial for the actual creative people.

    See for instance some ideas here:

    http://zotzbro.blogspot.com/2007/04/some-thoughts-on-copyright-offensive.html

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free
    1. Re:We need our own SCARY LAWS to lobby for... by zotz · · Score: 1

      So, we need some ideas for laws to lobby for that will scare the pants off of these guys. And yet ones that are reasonable and even perhaps wildly beneficial for the actual creative people.

      See for instance some ideas here:

      http://zotzbro.blogspot.com/2007/04/some-thoughts-on-copyright-offensive.html

      Hello! This is not off topic. It is specifically suggesting a counter tactic to counter act the tactics outlined in the main article. And this is OFF TOPIC? It may be something the person who modded the original post disagrees with, but it is hardly off topic.

      This is the first time I have ever reposted in response to a moderation I disagreed with, but this was so blatant it was not even a second thought...

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
  16. I Don't Believe in Imaginary Property writes by unlametheweak · · Score: 1

    I find it ironic that I Don't Believe in Imaginary Property writes about copyright abuses and yet points to a Web site whose coalition includes the MPAA, among others. Ironic and self-defeating it seems, you silly copyright zealots!

  17. Part of my inaugural speech ... by Daniel+Dvorkin · · Score: 5, Interesting

    "My fellow Americans, today we face many pressing issues: the war in Iraq, assaults on traditional liberties at home and abroad, a difficult economy, climate change, and the list goes on. There's another issue I'd like to address today, and it may seem like it's not quite on the scale of those others. But it's an important one, and it has implications for everything I just mentioned, because the way we're going to solve those problems isn't just to ignore them and hope they'll go away; it's to use our heads and figure out solutions. More than two hundred years ago, the Founders of this great nation decided that one of the best ways to do that was to make sure that smart people who came up with important ideas were rewarded for their work, and I'd like to thank the Copyright Alliance for bringing this issue up.

    "Today, I am calling on Congress to fulfill their Constitutional duty to 'secure for a limited time' copyrights and patents. And limited time means limited time. It doesn't mean extending copyright every time Mickey Mouse might be due to enter the public domain. It doesn't mean sitting on patents for things that you didn't invent until someone else figures out how to make money off it, and then suing them out of the blue. When the Constitution was signed, it meant twenty years. If twenty years was good enough for James Madison, it's good enough for me. So I urge Congress to send me a bill restoring the terms of intellectual property law to their original forms, and making it clear that it's a civil matter, not a job for the FBI, because you know, Osama bin Laden is still out there and frankly I think the FBI has more important things to do."

    "Thank you, good night, and God bless America."

    But that's probably not the answer CA is looking for. ;)

    --
    The correlation between ignorance of statistics and using "correlation is not causation" as an argument is close to 1.
    1. Re:Part of my inaugural speech ... by Petrushka · · Score: 1

      <intentionally missing the joke>Sure, the US has already unilaterally pulled out of about a zillion international treaties in the last six years, why not unilaterally revoke the Bern Convention too.</intentionally missing the joke>

      By which I just mean: turning copyright law into something halfway sensible isn't as easy now as it was 122 years ago. The obligations imposed by the Bern Convention are already insane, let along what's happened since Mickey Mouse came along.

    2. Re:Part of my inaugural speech ... by Jason+Levine · · Score: 1

      For the longest time, I've thought that something along these lines would be the best thing for copyright. However, I would give copyright owners an optional second 20 year term that they would need to apply for. (The original system was 14 years plus a one time 14 year extension.) After that, the work would become public domain.

      And what about all of those currently copyrighted works which might suddenly face a quick entry into public domain? I would phase the new rules in for existing content. For every year that passed, I would move five years of material (starting with 1923) into the public domain until the public domain caught up with the new rules. My last one-time concession would be that any content 15 years to 39 years old would be considered automatically renewed. With these transition rules in place, the "back to basics" copyright rules would become fully in effect in a mere 11 years.

      Of course, like other posters stated, international treaties and copyright group lobbying would make these rules all but an impossibility to get enacted.

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
  18. Writer's strike by Scrameustache · · Score: 3, Insightful

    Copyright Alliance executive director Patrick Ross says he speaks "on behalf of the 11 million Americans employed in the creative industries," and asserts that piracy reduction is essential.
    "The future of our creative output in the United States is at stake in the 2008 presidential election," the letter to the candidates says. "It is critical not only for members of the creative community but also for the US economy to ensure that copyrights are respected and piracy is reduced. We are asking you to let us know what you would do to help preserve one of America's greatest strengths, its creative community." Would those lobbyist happen to represent the same corporations that are now denying the authors their right to be paid their share for the money that is made in new media?
    My, how 'uncharacteristically' hypocritical of them.
    --

    You can't take the sky from me...

  19. Cost vs Benefit? by PPH · · Score: 1
    It can be shown by doing a present value of future cash flow analysis that extending copyrights terms provide no additional compensation to the creators of original works. Since copyright extends beyond death, the only way for an author to receive compensation is to sell the rights a for lump sum payment. No investor is going to increase a lump sum payment in return for the discounted cash flow 50 or 70 years in the future.


    The only people who would benefit by such an extension are investors holding portfolios that are nearing the date at which they go into the public domain. This is not the group that the Constitution's copyright provisions sought to reward.


    Its interesting that all of the anti regulation and anti legislation business groups use the argument that no law or regulation should be imposed unless it provides a net positive benefit to cost difference. In this case I'd like to see the Copyright Alliance provide such an economic analysis to justify their position.

    --
    Have gnu, will travel.
    1. Re:Cost vs Benefit? by Anonymous Coward · · Score: 0

      Looks like quite a few economists agree with your argument.

      Here are 17 well-known economists, 5 of these having received the Nobel Memorial Price in Economic Sciences, making the same argument.

    2. Re:Cost vs Benefit? by freezingweasel · · Score: 1

      Assumng a copyright term is extended though... how did the original contract for the IP work? Did they purchase all existing rights, or all existing rights, plus any new, not currently existing rights that may pertain to this IP should any new such rights come into existence? I think who owns the new 20 years might be up for debate on an IP by IP basis depending on the original wordings.

      Were the original buyers foresighted enough to know that in a few decades someone was going to pull a stunt like this off, and word things appropriately?

    3. Re:Cost vs Benefit? by PPH · · Score: 1
      The contract wording doesn't really matter. Assuming that today, a person values future income out to 50 years and tomorrow that is extended to 70 years. The author (current owner) of a work who evaluates its present value tomorrow can extend the present value calculation to cover the additional 20 years.


      The point is that, even taking the additional 20 years (years 51 through 70) into account, the present value of an asset isn't increased by a significant amount. On the other hand, an investor sitting on a portfolio of 45 year old assets will realize a significant gain from additional revenue only 6 years and on from the present.


      The point is that the constitution sought to encourage creativity by allowing for patents and copyrights. It did not seek to reward investors. Even if the original author retains the rights to income from his/her work, 5 minutes after the work is complete, that person ceases to be an author an becomes an investor from an economists point of view, since the source of income becomes the possession of an existing asset rather than the creation of new works.

      --
      Have gnu, will travel.
    4. Re:Cost vs Benefit? by freezingweasel · · Score: 1

      > The point is that, even taking the additional 20 years (years 51 through 70) into account, the present value of an asset isn't increased by a significant amount.

      Not for a new song for the next 50 years perhaps, but a song that was ABOUT to expire might have the last 20 years revert to the artist or dependent instead of the music company for the next 20 years.

      What I'm questioning is whether copyright extensions actually legally work, or whether the matter of actual ownership has been conveniently ignored.

  20. Pirate a history book, please. by Anonymous Coward · · Score: 0

    "After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?""

    Rather than rising to the bait. I have questions for you. Do you know the pre-history of copyright? Do you know what things were like before the industrial revolution came along or the printing press was invented?

  21. Overheard from a cop to a concerned citizen... by sherriw · · Score: 1

    "Sorry ma'am, we can't investigate the gang violence down your street, those officers were re-allocated to chase down the vicious ring of copyright violators."

  22. Answer by Anonymous Coward · · Score: 0

    After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?

    The next Shakespeare, Michaelangelo, or da Vinci will wind up dead.

  23. THINK OF THE TAXES by Anonymous Coward · · Score: 0

    Every time I read that I think of the scenario where these special interests are ensuring monopoly on their product and position at the great expanse of the taxpayer to enforce the laws they lobby to have put into place.

    I think one result of this should be these people front all financial burden for enforcement of such actions. Just like manufacturers have to pay excessive fees for the privilege of polluting communities the RIAA/MPAA should be paying for the privilege of arresting, investigating, trying, and incarcerating grandmothers and teenagers. Of course I don't think they would like such measures but that is the course they seem to be headed.

    No I can see where people will say that the revenue should come from the people they arrest, of I don't know many teenagers with the %5 million for the estimated copyright fines that are leveed. Since they don't have it it goes either to you or me or the Recording/Movie/Book industry to take care of the bill, since it's their law they should be paying the fees (actual costs - not some wonky percentage like the pay the true creators of the works they are protecting).

  24. retarded by Anonymous Coward · · Score: 0

    do you honestly think i'm going to cast my vote based on copyright in these times? jesus. you guys are real morons.

  25. So let's create our own content by starseeker · · Score: 1

    Open source has shown the "proper" way to fight these practices. If we don't like how people use copyright to restrict their works, ignore them and create Free content instead.

    This hasn't caught on in the artistic world yet, I guess primarily because art doesn't scale in the same way when the community works on it as a whole (in fact, that may tend to make it much worse...)

    Some other possible factors:

    1. The only people who are capable of producing high quality art may be primarily interested in using it as a revenue source, and not doing it for its own sake. Or, in order to do good work, they need to also be supported by it. Our own biases aside, there is a chance this is true for some definitions of "high quality".

    2. The money spent on creating commercial markets for a given product actually does create demand for that product independent of its quality, and only large scale marketing and "social engineering" can create music/art on a scale large enough to be part of the large scale social fabrics of the world.

    IRATE radio (http://irate.sourceforge.net/) was one interesting approach to solving some of the technical problems associated with creating a non-commercial large scale distribution system, but it hasn't seem to pick up the momentum (in fairness, this doesn't seem to be the precise problem it is intended to address, since it lists links to songs rather than serving as a central distribution point.)

    An interesting project to create to help foster an independent open music community (perhaps other art forms as well, for that matter) might be to start with the basic idea of the IRATE radio project, but instead of using links incorporate bittorrent directly into the client-server system itself. When playing irate radio songs, each client can then help push "popular" songs to other clients and ease the load on a server, which would only need to be the seed source for new music and maintain the rating systems. Much of this is already suggested by online music sites of various types, but the pieces haven't really been put together and pushed with an "open content licensing" mindframe.

    That's probably all possible technically, but the other piece of the puzzle is such a system must be seeded with enough "good" music to make people want to give it a look. That's the hardest part, and would require good connections to whatever free artistic types are out there today.

    It's not easy, but neither was the creation of the open source software ecosystem we enjoy today. It can be done, and if it takes off would forever de-throne the multimedia corporations who currently command attention. Adding things like "where is this band playing" features to the client could help fuel local interest - say, if enough people express a desire for a live concert via their client and are in the same geographic area, the artist can be notified and the suggestion made that they set up a concert there. Even incorporate ticketing mechanisms for the performance if the band expresses interest in coming - there are probably ways to do that.

    Let's try the creative approach, and let those who insist on locking up their content for life + 90 years or more opt out of the popular cultural experience. If a trend/artist emerges who large scale media companies do not control, they can't make use of the content to fund their own activities either - let's sharpen the other edge of their copyright sword and see what comes of cutting both ways.

    --
    "I object to doing things that computers can do." -- Olin Shivers, lispers.org
    1. Re:So let's create our own content by freezingweasel · · Score: 1

      > Open source has shown the "proper" way to fight these practices. If we don't like how people use copyright to restrict their works, ignore them and create Free content instead.

      Open source is primarily used by "people who care". The majority of consumers don't care about open source, just cheap / free software, and Windows is easily found "cheap" or "free". All that matters is cost and convenience, not what's "best".

      Music is the same way. The easiest legal way to find new music is to turn on the radio, then buy the CD at Wal-Mart, Best Buy etc. The easiest / cheapest way period (short-sighted view, ignoring possibilities of lawsuits) is radio + Napster-alike.

      If you want to change how people get music, and what music you get, you need to make an easier / cheaper solution. You can't do much about radio, that's what comes in cars by default. Good luck encouraging people to buy a net radio fed car stereo. (I imagine the typical geek's design would be more powerful (complicated) than the average consumer felt like dealing with) You CAN compete with Napster though. A central web site linking to musician's pages, allowing for downloading samples (maybe some song snippets and some whole songs) mixed with a streamlined PayPal system, with all musician pages having 2 "modes" (or 2 seperate main pages), one being anything the band wants, the other being a standard format where you can go to the same place on any band's page to find where they'll tour next, genre, a few basic band pics, song listings and other relavent info. This could easily be linked into myspace or any other popular website. Add in a tracking system for downloads to present "Internet Top 40" lists. Offer a downloadable tool that downloads samples automatically and plays random music for you, a standardized (to that site) internet radio that you can point to any genre you want. A tag system could allow for very specific descriptions of what you want to hear. (New tags could be voted on so you have a finite list that you can use a few checkboxes or dropboxes for)

      Most of what's needed for what can be done is out there, but not put together, or well enough known if it is.

  26. Re:Great Works in the case of Newton by LM741N · · Score: 1

    Without Newton, string theory would have been invented hundreds of years ago.

  27. typo by belmolis · · Score: 1

    That should be "15 February 1675".

  28. Obligatory by Unlikely_Hero · · Score: 1

    The more you tighten your grip, mafiaa, the more potential customers will slip through your fingers.

    --
    Happiness does not come from having much, but from being attached to little.
  29. There's an important priciple here. by Erris · · Score: 4, Interesting

    Way to try to justify your illegal activity, slashfags.

    Not that you care about either, AC, but laws should follow morals, not the other way around. Copyright laws are the result of corruption and following them is often immoral. They prevent the free flow of information more important than pop songs anyone can hear on the radio anyway. If the US is still a functional democracy, these initiatives will be defeated and bad laws like the DMCA will be rolled back. As is usually the case, private privilege has led to vast public harm.

    Copyright laws have gotten so bad that scientific and medical journals are restricted and hard to find. This is both against the author's intentions and a sever blow to the whole purpose of copyright law. Authors who publish seek the widest possible audience. They want anyone who's interested to have ready access to their findings and that's what publishing is supposed to be about. The purpose of US copyright and patent law expressed in the US Constitution is to "promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries." Any law that goes against that purpose requires a constitutional amendment. Again and again, prominent scientists and artist have stepped forward to complain.

    --
    DMCA, Hollings, Palladium. What might have sounded like paranoia is now common sense.
    1. Re:There's an important priciple here. by ForAllTheFish · · Score: 1

      Your post brings up a most interesting point. Why do we apply the same laws to recordings of popular music and the text of scientific journals? Though both art, they are two completely different things, written with completely different purposes, and intended for completely different audiences. I think the problem is not that current laws are too strict or too loose, but that they are too broad. It will take a genius to create a good, modern categorization of all the diverse types of art, literature, software, music and the like and come up with laws that protect each one properly while allowing for the rapid spread of knowledge. Hopefully that genius reads /.

  30. The issue by edwardpickman · · Score: 3, Interesting

    The real point that should answer the questions is who owns the copyright the creator or the community at large? That really seems the debate. As a copyright holder I've already radically changed what work will be released to the public and how it will be released due to the weakness of the current copyright system. Electronic distibution and foreign markets that ignore copyright has seriously threatened the market and the ability of creators to make a living. Yes there's still money to be made but for how much longer? I have films based on my work in stores in Malaysia shortly after their release for a $1 a copy. South East Asia is already spoiled as a market with the largest potential market China being almost exclusively pirate. If the creator doesn't benefit from his/her work then why do it in the first place? Yes we'll still create but why release it to the public? I can make money off my lesser work so I decided to not release any of my favorite work to the public because of the current system. It's like a genie in the bottle and once it's released it will be copied endlessly. I'm a writer by preference and even if I strictly limit my work to printed text even then some one will likely scan it and post it. The point I'm trying to make is if I can make a living off what I consider lesser work and I want to avoid others exploiting work that is important to me then the world at large will never benefit from the better work. You can say who cares and I agree one artist may not be important but I do know of others quietly doing the same. As free distribution of material gets worse so will the restricting of material so in the end the community suffers. Many artists were mentioned like Shakespear. He's a perfect example. Let's say his work was strictly performed live and never published in any form. He would be completely unknown today. All artists especially writers have work that they never publish. What if they as a group decide to restrict their best work? Already there's been a noticable drop in the quality of the work available. It may not be the primary cause but I will say I know for a fact that some writers are no longer releasing their best work. An artists creation is very much like a child to them and it's at times like throwing your children to the wolves. In the past it was publishers and film studios that molested writers but now the community seems to feel they own our children so it might be time to start keeping our children in a closet. There are two sides to any situation. If the community at large feels they should be able to freely exploit an artists work then they may find one day they control smoke because there might not be much out there to exploit. We need to encourage the best people not punish them. Been to a movie lately? One of my passions is film and in the past I've been known to see three films in a single day in a theater. Now I rarely go and going to Blockbuster is a depressing experience. Dozens of films were released this week for the holiday rush and yet I found myself renting several older films. I'm hesitant to sell film rights anymore due to how poorly they are treated by most film makers these days. Anyone see The Mist? They turned one of Stephen's best stories into a tedious yawn fest. If our best work is going to be stolen and butchered whats the point? I'd rather restrict my favorite work to family and friends and my safe deposit boxes.

    1. Re:The issue by khallow · · Score: 2, Insightful

      As I see it, much of the best work in history has been ripped off from someone else. I can see the argument for copyright, but keep in mind that many of the best artists in history predate copyright. So we have a old counterexample to the claim that ending copyright will destroy artistic creation.

      Second, you seem to be complaining that copyright is weak and then only cite examples where copyright isn't supported? There's always going to be some place where they will copy your stuff for cheap. Is the point of your work to sell in Malaysia or China? I doubt it.

      Last I checked, the US automatically grants life plus 75 or 95 years copyright to any work you create. That's far too generous. My take make copyright less generous and get third world countries to respect copyright, then it'll be reasonable. Maybe make the time period 25-50 years after creation of the work no matter whether you live or die. Partly, I'm looking at this from an economic point of view. I think artists will put out for less than the current overly generous copyright terms. And we stop the abuse of long copyrights by large businesses.

    2. Re:The issue by Anonymous Coward · · Score: 0

      If writing is your preferred art, might I introduce you to the concept of paragraphs?

  31. Unfortunately funny... by argent · · Score: 1

    Don't forget, these days "an honest politician" means one that stays bought. :p

  32. Don't forget to eliminate digital restrictions. by Erris · · Score: 1

    Copyright law means nothing as long as the big content digital restrictions conspiracy is allowed and protected by law. Technical restrictions prevent works from ever entering the public domain. The DMCA keeps people from distributing software that undoes these restrictions and so protects big content's illegal extension of copyright law. Big content's agreement itself is a form of racketeering that restricts competition by deciding who's content can be played. Restrictions should be outlawed and law enforcement resources should never be used to enforce them.

    --
    DMCA, Hollings, Palladium. What might have sounded like paranoia is now common sense.
  33. Re:Great Works in the case of Newton by Anonymous Coward · · Score: 2, Funny

    Without Newton, string theory would have been invented hundreds of years ago.

    And that is the very least of his great achievements.

  34. You're the one making the claim... by Anonymous Coward · · Score: 0
    You claim: A is caused by B because A correlates with B

    He counters: No, correlation does not imply causation. Here's another plausible explanation which says B is caused by A.

    ... and then you repeat the same claim you started with. Way to defeat someone with logic.

  35. royalties to your great-great-grandchildren by themushroom · · Score: 1

    > what would become of the next Shakespeare, Michaelangelo, or da Vinci?

    They'd be like Disney's works, if the copyright lawyers had their way: licensed into perpetuity.

    Which is one reason why restrictive copyrights beyond the lives of the creator and immediate heirs is rediculous.

  36. On of these things is not like the other by westlake · · Score: 1
    After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?"

    This argument tires me deeply.

    You are talking about artists who had immensely powerful patrons.

    No one sane crosses an Elizabeth or a Medici Pope.

    You are talking about artists that could put others in total eclipse with a single line or a stroke of the brush. Shakespeare doesn't need to go to law.

    What you do not see before copyright is the professional artist of lower or middle class origins who is willing and able to challege the establishment, the man who can make a decent living in a craft he loves. The man who can build an estate for his family solely on his creative endeavours.

    1. Re:On of these things is not like the other by mvdwege · · Score: 1

      What you do not see before copyright is the professional artist of lower or middle class origins who is willing and able to challege the establishment, the man who can make a decent living in a craft he loves. The man who can build an estate for his family solely on his creative endeavours.

      Like the son of an illiterate craftsman who becomes one of the country's most popular artists, earning the modern equivalent of millions?

      Yes, I do mean Shakespeare. You seem to forget that he was of humble lower-middle class origins, a country bumpkin from Warwickshire, and became popular as an actor and playwright long before he got royal patronage.

      Mart
      --
      "I know I will be modded down for this": where's the option '-1, Asking for it'?
    2. Re:On of these things is not like the other by toriver · · Score: 1

      ... and he did it by blatantly copying other authors of his time. With today's copyright law he would probably ended up in a more mundane profession since the stories he wanted to write were already "taken".

      Extensive copyright laws STIFLE creative output since works nearly always build on what came before. Extensive copyright laws merely means you can make money for a longer time, thus it is not even an incentive for creators to create more! Only the corporations of the INDUSTRY benefit (the works are often more industry products than artworks), and successful creators who effectively "win the lottery" and can set up their families for life.

    3. Re:On of these things is not like the other by westlake · · Score: 1
      You seem to forget that he was of humble lower-middle class origins, a country bumpkin from Warwickshire, and became popular as an actor and playwright long before he got royal patronage.

      N actor or playright in Elizabetean England could function without a patron.

      Shakespeare began his career with The Lord Chamberlain's Men

      In those days, the Lord Chamberlain was responsible four court entertainments and you cannot get a much closer or more intimate connection to the throne than that.

    4. Re:On of these things is not like the other by mvdwege · · Score: 1

      The Lord Chamberlain's Men were formed by Shakespeare (among others, of course). Do you not think you'd need to have had some success before you can attract the attention of a patron? Or do you subscribe to the school of thought that Shakespeare's genius came fullborn into the world the minute he officially incorporated his company under the Lord Chamberlain's patronage? Note that there are contemporary allusions to Shakespeare from before the founding of that particular company.

      You're stretching. Shakespeare is at least an example that can create some doubt about your categorical statement, if he isn't a refutal outright.

      And you make yet another generalisation. Plenty of actors got by just fine without patronage in Elizabethan England. The theatre was about the most popular form of mass entertainment, and one could live very well on the takings alone. In fact, that's what the Lord Chamberlain's men did. The takings from the Globe was what they lived on, not the courtly performances. And the royal patronage did nothing to stop 'pirate' editions of their work. Funny, this is exactly in line with what is alleged: that Shakespeare was succesful without needing copyright. Your patronage argument is a red herring, in fact.

      Mart
      --
      "I know I will be modded down for this": where's the option '-1, Asking for it'?
  37. In times like these... by TheRealZeus · · Score: 0

    politicians know how to make campaign funds.

  38. Typical rent-seeking activities by hwstar · · Score: 1

    Rent seeking http://en.wikipedia.org/wiki/Rent_seeking. We need put incentives and or laws in place discourage and or punish rent-seeking activity as it is detrimental to society as a whole.

  39. Fixed that by HalAtWork · · Score: 3, Insightful

    "After all, without copyright, what would become of the Copyright Alliance?"

    There, fixed that for ya. What is that, like the new RIAA & MPAA? All I know is if I were an artist that distributed copyrighted works, and I am, I wouldn't really see it necessary to make money off my works after I'm dead. I wouldn't really want to profit off my work more than it's worth either, that's for consumers to decide. I'm a productive member of society and I don't need to leech off of everyone to stay alive, I'm perfectly capable.

    Oh, ok, I see that The Copyright Alliance is a lobbying organization formed on May 17, 2007 by 29 companies and organizations including groups that represent songwriters, recording artists, film makers, authors, photographers and sports leagues (see members below). The group is led by Patrick Ross, who recently left the Progress and Freedom Foundation [The Progress & Freedom Foundation is a U.S. market-oriented think tank based in Washington, D.C. that studies the digital revolution and its implications for public policy.]

    With such members such as RIAA, MPAA, NBC, Major League Baseball, Disney, Viacom, Time Warner, NFL, so basically everyone who is a conduit for someone else's talent.

  40. The ideal CA presidential speech (satire) by Paul+Fernhout · · Score: 1

    Considering the talk about increasing enforcement of criminal penalties,
    here is a partial excerpt from:
        "Microslaw satire"
        http://slashdot.org/comments.pl?sid=33107&cid=3582999

    My fellow Americans. There has been some recent talk of free law by
    the General Public Lawyers (the GPL) who we all know hold un-American
    views. I speak to you today from the Oval Office in the White House to
    assure you how much better off you are now that all law is proprietary.
    The value of proprietary law should be obvious. Software is essentially
    just a form of law governing how computers operate, and all software
    and media content has long been privatized to great economic success.
    Economic analysts have proven conclusively that if we hadn't passed laws
    banning all free software like GNU/Linux and OpenOffice after our
    economy began its current recession, which started, how many times must
    I remind everyone, only coincidentally with the shutdown of Napster,
    that we would be in far worse shape then we are today. RIAA has
    confidently assured me that if independent artists were allowed to
    release works without using their compensation system and royalty rates,
    music CD sales would be even lower than their recent inexplicably low
    levels. The MPAA has also detailed how historically the movie industry
    was nearly destroyed in the 1980s by the VCR until that too was banned
    and all so called fair use exemptions eliminated. So clearly, these
    successes with software, content, and hardware indicate the value of a
    similar approach to law. ...

    I'm proud to say that the U.S. is now the undisputed world leader in per
    capita imprisonment, another example of how my administration is keeping
    us on top. Why just the other day I had the U.N. building in New York
    City locked down when delegates there started talking about prisoner
    civil rights. Such trash talk should not be permitted on our soil. It
    should be obvious that anyone found smoking marijuana, copying CDs, or
    talking about the law without paying should face a death penalty from
    AIDS contracted through prison rapes -- that extra deterrent make the
    system function more smoothly and helps keep honest people honest.
    That's also why I support the initiative to triple the standard law
    author's royalty which criminals pay for each law they violate, because
    the longer we keep such criminals behind bars, especially now that
    bankruptcy is also a crime, the better for all of us. That's also why I
    support the new initiative to make all crimes related to discussing laws
    in private have a mandatory life sentence without parole. Mandatory
    lifetime imprisonment is good for the economy as it will help keep AIDS
    for spreading out of the prison system and will keep felons like those
    so called fair users from competing with honest royalty paying
    Americans for an inexplicably ever shrinking number of jobs. ...

    --
    A 21st century issue: the irony of technologies of abundance in the hands of those still thinking in terms of scarcity.
  41. Wait, wait wait by Almahtar · · Score: 2, Funny

    You have to translate these things so the troll can understand. Trolls have no use for your "facts" or "reason". I'll do the honors.

    "OMG no ur wrong fag.Lol."

  42. Stronger copyright laws create more piracy by Midnight+Thunder · · Score: 2, Insightful

    The reality that the members of the copyright alliance fail to recognise is that if you make fair use so difficult to achieve, then people will default to piracy. The reasoning behind this is that if laws are so absurdly stringent that no mortal being can follow, then they won't even bother.

    The other problem is that culture loses out when copryright still applies to works that the owner refuse to distribute due to 'economic reasons', but fail to allow the public domain to take over.

    With the strength of these fascist copyright holders, we need a fair use lobby with equally strong support. The sad thing is that when so many people fail to realise what they are losing, such counter-lobbies are unlikely to get much support or funding.

    --
    Jumpstart the tartan drive.
  43. Obsolesence by doas777 · · Score: 1

    I'm thinking we need shorter copyright terms and here is why.

    in the beginning, ideas took thousands or hundreds of years to become obsolete. methods to till a field with a pointed stick were probably invented simultaneously on several continents, but the information stayed novel for a few millennia. in the 1600's good ideas like say the steam engine stayed pertinent for several hundred years, but will never stay "novel" a tenth as long as the ideas of ancient history. starting in the 50's, ideas like Lead based paint lasted 20 years. in the 60's ideas like Packet-switched telecommunications remained novel for 10 years. in the 70's ideas like 8-tracks lasted 7 or 8 years. today an idea may be novel for as little as a day or even a few hours. fads that had lasted decades in centuries past, are now lasting a month. music is now "classic" 5 years after release, if anyone is still listening to it. AOL went from being king to pauper in less than 4 years. the RIMM ram specification lasted a year. Windows ME was sold for less than 8 months. CSS was cracked in 48 hours.

    the sum of human knowledge is doubling at an exponentially increasing rate, and the novelty of that knowledge is wearing off in a comparable time frame. once something becomes common knowledge, it should no longer be protected. thats the way it;s always worked.

    patent/copyright laws were supposed to benifet society by ensuring that good ideas are not lost, and to protect the consumer from look-alike fraud. however the system is derailed if the information is no longer novel when the protections end, and it is released to the public. the point is not to protect the artist. the protections are there as an enticement to the inventor to register the idea, so that we can achieve the goals above. these rules are supposed to help us, not hurt us as they do today.

  44. More like "all". by k.a.f. · · Score: 2, Interesting

    Some of the Bard's work was based on the work of other artists.

    Actually, 35 of his 36 plays reuse plots from previously published works.

  45. Ron Paul won't bend to this nonsense! by SonicSpike · · Score: 4, Informative

    If you have not researched Ron Paul, then you should.

    He doesn't take money from lobbyists or large corporations. Over 99.999% of Dr. Ron Paul's donations are from individuals, not PACs or corporations. Lobbyists don't even bother to talk to him in Congress because he is known as "Dr. No".

    Contrast this to Fred Thompson who was a lobbyist for years.

    If you vote, consider voting for someone who is principled and honest.

    --
    Libertas in infinitum
    1. Re:Ron Paul won't bend to this nonsense! by MightyMartian · · Score: 0, Troll

      Ron Paul is a Ayn Rand-wannabe, a looney tune with the economic sense of a brain-damaged gerbil. The only thing more inept and dangerous than a demagogue like Ron Paul is the fucking retards that come on to /. trying to drum up support for this lunatic.

      Go away, you stupid moron. Ron Rand ain't gonna get elected. He ain't gonna get nothing.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    2. Re:Ron Paul won't bend to this nonsense! by SonicSpike · · Score: 1

      I shouldn't feed the troll, but what part about Ron Paul's platform do you object to?

      --
      Libertas in infinitum
    3. Re:Ron Paul won't bend to this nonsense! by MightyMartian · · Score: 1

      His economic policy is your standard Libertarian fantasy land crapola. Not that it matters, he has about as much chance of becoming President as Elton John has of becoming President of the NRA.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    4. Re:Ron Paul won't bend to this nonsense! by SonicSpike · · Score: 1

      Actually he is more of a Constitutionalist than a libertarian.

      And obviously you have not studied this election.

      Ron Paul is the only GOP candidate that can beat Hillary. The only one who can come close is Rudy but he is a socialist just like she is so he will NEVER get the GOP nomination.

      His chances of winning by the Nevada odds makers have been slashed from 250:1 to 3:1. Or have you not been paying attention to the news lately?

      --
      Libertas in infinitum
    5. Re:Ron Paul won't bend to this nonsense! by MightyMartian · · Score: 1

      Is this what Ron Paul's campaign dweebs have stooped to, quoting fictitious bookies' odds? What a sad, pathetic lot you are. You're like Fred Thompson's campaign lackies.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    6. Re:Ron Paul won't bend to this nonsense! by brxndxn · · Score: 1

      The only opposition I have encountered in MY OWN PERSONAL push for Ron Paul is three things:

      1. name-calling - 'OMG he is a lunatic because he's different than the others!'
      2. ignorance - 'Who the hell is Ron Paul? I've heard of Guilliani..'
      3. chances of winning - 'He doesn't have a chance in hell!'

      To the name-callers.. How about you attempt to discredit him on a real issue. I grew up being called names.. I don't mind 'right-wing lunatic' added to the list of insults that I overcame.

      To the ignorant ones.. Go get educated! Go to his website (ronpaul2008.com).. Google him.. Watch clips of him on Youtube! Read about him.. You will probably like him after that.

      For those who quote his chances of winning.. I say, "Vote your conscience. The lesser of two evils is still evil." I believe John Quincy Adams said something much more eloquent.. but I cannot find his quote.

      --
      --- We need more Ron Paul!
    7. Re:Ron Paul won't bend to this nonsense! by justthinkit · · Score: 1

      Ron Paul wants to abolish The Fed. That is more than enough reason to vote for him. That and apparently it would piss you off.

      --
      I come here for the love
    8. Re:Ron Paul won't bend to this nonsense! by superwiz · · Score: 1

      You haven't read Ayn Rand, have you?

      Without taking pro/con sides here, I'll just mention that her heroes are generally vilified and hated by the people who surround them. They are vilified by the crowds that call them selfish. And her books inspire individuals to wear that label as a badge of honor. By acting this emotionally (while talking to a potential Rand fan) you haven't told him that he is an idiot. You became an irrational person in his eyes. You proved to him that he was right to begin with. I don't think that's what you intended. But I think you should know that for the future.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    9. Re:Ron Paul won't bend to this nonsense! by SonicSpike · · Score: 1

      The Nevada oddsmakers have not been wrong about a Presidential election in the last 40 years to my knowledge.

      --
      Libertas in infinitum
  46. The Foole Speaketh That Of Which He Lyttle Knoweth by Anonymous Coward · · Score: 0
    From the First Folio (the original edition of Shakespeare's complete works):

    To the great Variety of Readers. From the most able, to him that can but spell : There you are number'd. We had rather you were weighd. Especially, when the fate of all Bookes depends upon your capacities : and not of your heads alone, but of your purses. Well ! It is now publique, & you wil stand for your priviledges wee know : to read, and censure. Do so, but buy it first. That doth best commend a Booke, the Stationer saies. Then, how odde soever your braines be, or your wisedomes, make your licence the same, and spare not. Judge your six-pen'orth, your shillings worth, your five shillings worth at a time, or higher, so you rise to the just rates, and welcome. But, whatever you do, Buy. Censure will not drive a Trade, or make the Jacke go. And though you be a Magistrate of wit, and sit on the Stage at Black-Friers, or the Cock-pit, to arraigne Playes dailie, know, these Playes have had their triall alreadie, and stood out all Appeales ; and do now come forth quitted rather by a Decree of Court, then any purchas'd Letters of commendation.
  47. Re:Copyright Alliance Presses Presidential Candida by superwiz · · Score: 1

    Coward? You post as AC to call other people cowards? Am I the only one who sees the irony?

    --
    Any guest worker system is indistinguishable from indentured servitude.
  48. Re:Great Works in the case of Newton by superwiz · · Score: 1

    Without Newton, string theory would have been invented hundreds of years ago. Good choice of words. invented -- not discovered. Although how harmonic analysis would have been discovered or invented without calculus is something I would really like to know.
    --
    Any guest worker system is indistinguishable from indentured servitude.
  49. Hypocrisy: a democracy that criminalize the masses by microbox · · Score: 1

    The theory is that as a democracy, legislative matters ultimately rest in the hands of voters. Well, we're a dysfunctional bunch if we make laws that criminalize wide-spread behaviour. Perhaps something is truly broken with the system. (Gasp!)

    Lets face it: the genie is out of the bottle.

    The cost of distribution of digital material is almost negligible. The only real way that a business can make a buck at distribution is by making the *accuracy* and *convenience* of their system better than p2p networks. That's possible, and the price they can charge is really only what that convenience and accuracy is worth - not the "hotness" of the content.

    I believe that that will have next to zero impact on artists creating new works. In fact, I predict that musicians, writers, software engineers and painters will *all* created *more* art. Some with independent produces of other media. These days most musicians make money from people coming to their shows and buying merchandise - so nothing really changes for them...

    What *will* change is the extravagant megabucks all-show-and-no-backbone facade that passes for art. The masses will probably not be too depressed by missing Michael Jackson, Brittany Spears, Madonna, and other such hyped acts. These artists probably would have had their own smaller scale success anyway. So what *exactly* is lost by not having their egos rammed down our thought by expensive advertising systems. Is it bad enough that we should have laws that make the average person a criminal? Doesn't bad law breed contempt for the law system? Isn't the law system struggling enough without all of this added extra noise?

    One thing that might not come out in the wash are the super-duper-expensive movies that people are making theses days. The popcorn blockbuster made for $200 million. But I have to ask... do you really see a threat such that the TV and Movie industry disbands? TV is heading for a big shake-up, and home theatres are eating into the box-office. Well, maybe hollywood will have to scale back a *little*, like to the comparative budgets of the 70s, and maybe no more $2million dollar episodes of favourite space-soap. Is that the end of the world?

    Hypocrisy has a corrosive effect on society.

    Yeah... if we just wake up a little bit, we'd scale back copyright to help promote new art. Oh that's right, we can't stop businesses making money right?

    Greed has a corrosive effect on society. Hypocrisy is the rim of wisdom.

    --

    Like all pain, suffering is a signal that something isn't right
  50. who pays to protect, for how long... Re:The issue by bukuman · · Score: 2, Insightful

    I agree with your characterization of the issue as being about community / author ownership. I think the original idea of copyright was that the author would have ownership / 'monopoly on reproduction' for 'enough' time to reap a reasonable reward and then the ownership would pass to the community. In exchange for the value to the community it would provide a legal framework that could be used to defenf the authors monopoly for that initial period.

    I'm a bit confused about who you want to be defended from though. Existing laws already protect against commercial piracy operations and even non-commercial distribution. It's just a case of enforcing them - the easy targets seem to be single mothers in the USA. Do the movie studio's steal work to make bad films? sue em under existing laws...

    It seems now the copyrighteous want not only to extend the period of protection (that the community 'funds' through having laws and courts to hear the cases) but also to increase how much the community directly funds the defence of the copyright holders monopoly. They want their cake and they want someone else to pay for it, oh the want it forever.

    The trick we are all faced with is finding a new balance between the author and the community under the new technical reality of zero cost copying and distribution.

  51. Re:Copyright Alliance Presses Presidential Candida by Anonymous Coward · · Score: 0

    What's this I'm standing on? Oh! It's the moral high ground!
    Your ad hominem attacks don't justify your thievery, you know ;).

  52. Re:Great Works in the case of Newton by Artifakt · · Score: 1

    Archimedes invented/discovered the Calculus, and did plenty of work in harmonics (the original 'string' theory) too.

    --
    Who is John Cabal?
  53. There's an important majority here. by Anonymous Coward · · Score: 0

    "Not that you care about either, AC, but laws should follow morals, not the other way around. "

    The morals of who? The majority? Tyranny of the majority, and all in the name of "gimme, gimme, gimme".

    "Copyright laws have gotten so bad that scientific and medical journals are restricted and hard to find."

    And this is being resolved legally by authors. Not piratebay with the latests medical torrent.

    "The purpose of US copyright and patent law expressed in the US Constitution is to "promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.""

    Interesting how the above is often quoted but the "exclusive" part is regularly violated by pirates. I'll let you guess what "principle" is being violated here.

  54. Copyright is too strong already. by CodeBuster · · Score: 2, Insightful

    Although I have made the case before it bears repeating here that copyright laws have already seen too many expansions and extensions during the last decades of the twentieth century with the the Copyright Act of 1976 and the even more notorious Copyright Term Extension Act (aka the Mickey Mouse Protection Act). Prior to the copyright act of 1976 the terms were 20 years plus another 20 year extension if the author filed for one. The term was extended in 1976 to life of the author plus 50 years or 75 years for a work of corporate authorship. The extension act (lobbied and pushed heavily by Disney among others) extended the terms again to life of the author plus 70 years and 120 years after creation or 95 years after publication, whichever is earlier, for works of corporate authorship.

    Now, the Consitution states that Congress may grant exclusive rights for a limited amount of time to their creators...they key word here is LIMITED. You don't have to be the sharpest tool in the shed to realize that most music, including the music of your youth, will not enter the public domain in your lifetime , so how does that give people an incentive to participate in the "bargain" of copyright? It is a bargain in the same way that the mob shakes down people for protection money, using their position of strength to muscle the average citizen or the honest business owner into paying them.

    The last thing we need is another extension of copyright. The founders did not mean "infinity minus one day" (as suggested by former MAFIAA chairperson Jack Valenti) when they said limited. Enough is enough or would be if the MAFIAA wasn't so damn greedy.

  55. Illogical, "sitting on fav works" bc of copying. by plasmacutter · · Score: 1

    I can make money off my lesser work so I decided to not release any of my favorite work to the public because of the current system. It's like a genie in the bottle and once it's released it will be copied endlessly.


    Explain to me how you are enriching yourself more by not publishing the work than by publishing it and experiencing a certain percentage of piracy.

    It's one thing to say you won't work to create something, but you already created it!
    Simply sitting on it is a slight against society, and quite frankly, me personally, because once it's created withholding it is not about profit, it's about pure spite.

    Additionally, your entire wall of text rant looks like it came straight from the **AA lobbying manuals. There is not one single original point there... how creative you are!

    I personally see an astroturfer, but that's just me.
    --
    VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  56. Re:Without copyright by freezingweasel · · Score: 1

    Without copyright, when everything cool is reproduced by others, watch the "registration organizations" pop up, who for a fee certify that you had X idea, song, invention on Y date. If someone else claims to be the inventor, you can point to your earlier date. Watch insurance companies team with lawyers to provide "prior thought insurance" to help you sue for false advertising when someone claims to be the visionary who came up with your latest idea. Of course, so long as they don't make that claim, there's nothing you can do.

    That said, the market for PHYSICAL PRODUCTS would be harmed greatly. Imagine an inventor, investing every dime in a new idea, only to have a large company's scout pass one to a reverse engineering lab, who makes a "better" version. (Maybe faster, more durable, more colorful, less sharp edges) The large company then mass produces the "better" version and the inventor can't sell any more.

  57. Shoot whoever let this "journalism" through... by Garwulf · · Score: 2, Informative

    This piece of garbage actually made my head hurt. One of the things I do to help keep a roof over my head is edit the news stories for the Faculty of Law of the local university, and if one of my writers ever tried to pass me something like this, I would have their head on a plate.

    The first four paragraphs are fine. They state the facts, raise questions (which is always healthy), and everything is backed up. And then it descends into ranting and fear mongering.

    "It is ironic that the content industry invokes the Constitution to support their position."

    No, it isn't. In the face of acts by the FBI and the government that plainly are unconstitutional, this is a laughable statement. The intention of the American founding fathers, as has been mentioned many, MANY times, was to promote science, research, and art by providing some protection for the creators. The American Constitution, however, was built so that it could be amended, as the founding fathers were also smart enough to realize that things change over time. To call upon their intentions is hardly ironic, particularly since those same founding fathers passed the first legal extension to copyright law before the 18th century ended - so the history says that the founding fathers were flexible.

    "Recent changes to copyright law influenced by the content industry--most notably the egregious Digital Millennium Copyright Act and the Sonny Bono Copyright Term Extension Act--have undermined the balance by restricting fair use and expanding the length of copyright protection to preposterous durations."

    This is where the editorializing starts to get even less subtle, and the factual content pretty much disappears. The word "egregious" is a value judgment completely out of place in a news story, as is the statement that copyright protection has been extended to "preposterous durations." Lifetime plus seventy years is the author's lifetime, plus that of his/her children and grandchildren - in short, the people who knew him/her in life. It is far from unlimited. And just because some corporations have tried to abuse copyright law, that doesn't mean that fair use has disappeared - it hasn't. There is a great distinction between the content of a law and the abuse of that law.

    "The steady expansion of copyright law poses a grave risk to creativity and innovation because it threatens to further erode the public domain. Artistic creation will suffer gravely when the cultural heritage of America can be chained down and held ransom."

    This is a statement better suited for an op-ed, not the news section. Aside from which, history has already proven it wrong. The writer has conveniently forgotten that the United States has tended to lag decades, and sometimes generations, behind the rest of the world on copyright law. If expansion of copyright law to meet the European standard of length is so terrible, how is it that Europe and Canada, which have been functioning under those terms now for decades, have remained vibrant in their cultures, rather than becoming a literary and artistic wasteland?

    "When the public domain shrinks, the potential for modern adaptation of classic works is severely constrained. In the future, innovative companies that want to bring older content into new mediums will be deterred by excessive and unjustifiable licensing costs as a result of copyright expansion."

    Another unfounded statement. The public domain is NOT shrinking. In fact, the Sonny Bono act specifically stated that work that had already entered the public domain could not be brought out of it from the copyright extension. The Sonny Bono act also mandated that private letters and correspondences from public figures that had been kept out of the public domain due to lack of publication ("common copyright") would now enter the public domain, vastly INCREASING it.

    Aside from which, a cursory knowledge of copyright law leads you to understand that you CANNOT copyright an idea. You can only copyright the exact implementat

    --
    Robert B. Marks
    Author, Demonsbane in Diablo Archive
  58. Canada? by SanityInAnarchy · · Score: 1

    Yeah, that's an improvement -- a tax on all recordable media because it could be used for piracy, then pass it all on directly to the MAFIAA.

    --
    Don't thank God, thank a doctor!
  59. Not hyperbole at all. by Joseph_Daniel_Zukige · · Score: 1

    In fact, it's time to start calling a spade a spade, since they aren't backing off.

    They are trying to bring back the old patronage systems, which would allow bureaucrats to make rules to control speech and even set thought control policies. (Think about it. The brain is a processing unit. If software patents can make it illegal to process some particular algorithm without permission, you technically can't even legally perform a walk-through of the algorithm.)

    These guys have gone the path of treachery. They have not turned back.

    Terrorists be damned.

    These guys are the real traitors to the state and enemies of the Constitution.

  60. Hover by sheer willpower. by DavidTC · · Score: 2, Insightful

    Arguing about the morality of copyright violations on the internet is a bit like arguing about the morality of gravity after you fall out of an airplane.

    You can't sit there and arguable about inevitable thing being 'good' or 'bad'. They just are. Digital data is instantly and infinitely copyable. It's not an argument, it's not a debate, there are no pros and cons to list and weighty questions to decide on, carefully balancing the rights of each side. Copyright with no barrier except legal to copying is meaningless. Poof, copyright just vanishes into thin air.

    So we have fallen out of the plane. We could, perhaps, use some sort of parachute to land slowly, or we could plummet to our death, but the plane ride is over and we are, indeed, going to end up on the ground.

    Notice I am, in no way, arguing this is a good thing, so don't respond with 'You're an amoral bastard who wants to steal everything from people'. We Are Outside the Plane and Falling. That is just how it is. It is not a choice. It was an unforeseen, inevitable result of the internet.

    And this may, indeed, be something entirely horrible that will destroy all artistic creativity forever, leaving us with nothing, or, worse, reality TV. I hope not. But the result of being outside the airplane and falling is not my fault, and I did not say I approved of what will happen, but, nevertheless, we are still there and still falling.

    Almost all discussion that goes on here about copyright is missing this one vital fact, and is instead arguing about the in-flight meal and how we're going to build our own meals instead of eating that crap. Come on, people, pay attention, we're supposed to be smart. Did you not feel the cabin depressurized when we collided with Napster?

    This is why I didn't really mind DRM. It was attempting to grab hold of the plane after we fell out, with a makeshift grappling hook build out of shoes. Not a really viable option, and obviously didn't work, but you have to give props that someone in the corporate world realized: We just fell out of the fucking airplane. Oh shit oh shit oh shit. Do something!

    This article, OTOH, is talking about an attempt to legislate us back into the airplane. It's somewhat sad.

    --
    If corporations are people, aren't stockholders guilty of slavery?
  61. Sorry, but you are are also incorrect. by WindBourne · · Score: 1
    --
    I prefer the "u" in honour as it seems to be missing these days.
  62. 10-year limit? by ryzvonusef · · Score: 1

    personally, i think copyright should be for ten years, after that, it should become open to all, i mean, surely the companies will earn their "dues" in ten years? plz give your own inshight on this too ;-)

    --
    I am an ACCA student. Got a query on Accountancy/Finance? Maybe I can help!
  63. Is "Zero" fairer? by Anonymous Coward · · Score: 0

    What is the US statutory licensing of a recording? A fwe cents (a little over 3c, IIRC), so 5c for a single download at lowish bitrate could see enough profit for the company selling at 5c and handing 3c over to the licensing authority.

    10c would leave PLENTY. Even uncompressed, I would say.

    So why is 5c nowhere near fair but 99c is, when 10c is probably acceptable with the (apparently fair) compulsory licensing rates? The artists OK'd those rates, so they can't be said to be *unfair*, can they? So 3.3c for the licensing authority, 2c for the network provider, 2c for costs and 2.7c profit for the company doing the sale seems appropriate and if you are selling a million tracks a month, this would be a real turnover for a small/medium business too ($20,000 a month running costs, $100,000 a month turnover).

  64. Can artists not save? by Anonymous Coward · · Score: 0

    Or are the contractually obliged to spend evey penny they earn on coke and hookers?

    When I make something, I sell it and some of it goes into a pension fund. Some goes into a life insurance policy. These will pay me when I can no longer work or pay my family when I die. If I do not purchase a pension, I will have no money ('cept state pension, which penniless artists would get too), and if I do not buy life insurance, my family will suffer if I die.

    Why must the artist not have to make this decision?

    (and for Em, how many people will KILL an artist to get their copyrighted works, rather than let them live and take their (increased) work later? It's like killing the golden goose. Sure, you make a profit NOW, but you've just looted the gravy train. (and did Chuck Dickens get assasinated? Homer? ANYONE???)

    (superwiz, Copyright et al ISN'T A PROPERTY!!! Try using your toaster and not sell it. Easy: You bought the toaster to make toast. Try using your song and not sell it. Hard: because you make NO MONEY OFF IT, and the money is all you're worried about.)

  65. Re:Great Works in the case of Newton by superwiz · · Score: 1

    Archimedes did not understand the least upper bound property. Without it, real analysis is impossible. Nor did he understand log and exponential function. Without those, harmonic analysis doesn't exist at all.

    --
    Any guest worker system is indistinguishable from indentured servitude.
  66. They'd Have Poorer Untalented Descendents? by Toad-san · · Score: 1

    "After all, without copyright, what would become of the next Shakespeare, Michaelangelo, or da Vinci?"

    We'd be able to look at or read their works (70 years after their deaths) without having to pay their entirely untalented descendents (or the greedy scum they sold the copyright to) for the privilege?

    Gee, what a concept! A dead guy not making money!

  67. And your point is? by nunyadambinness · · Score: 1

    So you point is ... we should all just stick our heads in the sand because it happens all the time and we should just blissfully ignore it?


    Is your point then that you are personally incapable of finding a middle ground between ignore it and POST EVERY SINGLE FUCKING INSTANCE OF ANYTHING COPYRIGHT RELATED AS EVEN THE MOST MUNDANE MATTERS ARE WORTHY OF EXTENDED DISCOURSE?

    Maybe, if people are made aware of specific instances of "special interest groups" lobbying for laws that benefit them to the detriment of everybody else, some of them will pick up a pen and write to their representatives to express their opposition?


    Maybe if you were smarter you'd realize they're already aware and don't care, so bashing everyone over the head constantly does nothing but desensitize.

    My prediction is that your cynicism - and the further erosion of your liberties that you experience as a result of it - will lead to feelings of hopelessness and despair, but that's just a guess.

    My prediction is you're not very bright.

  68. Broke and Penniless (Re:Great Works) by bwcbwc · · Score: 1
    I'm no fan of copyright as it exists today, but just because I don't believe entertainers should necessarily be fabulously wealthy doesn't mean I want them to die broke and penniless, and that did happen a lot more prior to copyright.

    You mean like all those blues artists of the 20th century that got so fabulously rich from the royalties the record and music publishing companies paid to them (especially the ones that had their music covered by white artists like Elvis)? The media publishers have never been about rewarding the artist even when copyright terms were more reasonable.

    I see two big prongs to attack:

    1) The Copyright Alliance initiative is particularly vulnerable to a grass-roots counterattack. Write to the relevant candidates, emphasizing that the sponsors of the copyright alliance are asking them to help the artists, when many of those companies are notorious for not paying royalties to the artists once they lock up the rights. Make note that the government shouldn't be in the business of doing investigations on behalf of private parties, and based on current evidence, copyright owners and their agents have more than enough resources and funding available to protect their interests. The real issue the copyright holders have had is that they have been incompetent in putting together a chain of evidence that meets judicial scrutiny.

    2) Reduce their funding by not buying the products of the companies that fund the copyright alliance. There's already one thread at AskSlashdot about sites where indie/non-RIAA music artists are available. Look for similar sites offering video and books. This is like thinking green. You can't eliminate all your greenhouse gas emissions, but you can vastly improve your energy efficiency. Apply the same thinking to your media consumption. Borrow from the local library. Take advantage of the legal alternatives on the internet. Rent instead of buying. If you have to buy, wait until the item is in the discount bin at 4.99.

    --
    We are the 198 proof..
  69. fyi by Anonymous Coward · · Score: 0

    I got this reply from Ron Paul's campaign:

    -------cut---------------
    Thanks for taking the time to email us.

    I think the crux of the problem is the willingness of Congress to sell their votes for campaign contributions rather than considering what is in the best interest of 'we the people.' I doubt we can expect a policy statement on this issue. There are so many bigger fish to fry -- education, health care, foreign policy, the inflation tax, the income tax. As a career, former patent examiner I am sympathetic to your concerns, but realistically it's not a hot topic.
    I hope you will consider Dr. Paul's policy statements and will support his campaign. Have you located a local meetup group? The link is at the bottom of this email. We must win the primaries in order to win the Republican party nomination and then the election in November.

    Sincerely,

    Mat A.
    volunteer - ronpaul2008
    ----------cut-----------

    It was in reply to this email:
    ----------cut-----------
    Hi,
    I've searched ronpaullibrary for the word "copyright" and came up with 0 entries. Dr. Paul has not made his position on copyrights very clear. Establishing temporary copyrights is a power enumerated in the Constitution, but the Constitution declares it to be a power that must be exercised for the purpose of promoting sciences and arts.
    The current copyright regime is quite a bit controversial. It allows, in some instances, a copyright to last as long as 75 years after the death of an author. The Supreme Court has ruled that this is not in conflict with the "temporary" requirement. On the other hand, there is a great deal of copyright violations that are committed by the public that finds it impossible to live within the confines of the copyrights as they exist right now.
    It is my understanding that organizations claiming to represent a large number of copyright holders have just asked all Presidential candidates to comment on their commitment to the current copyright regime.
    Where does Dr. Paul stand on this issue? If he has not made a commitment to any one position on this issue, would he be willing to consider changing status quo? In other words, would he be willing to press for a new copyright (and other intellectual properties) regime that is more in line with the Constitutional intent?
    This issue is very agonizing for the technical community because the current copyright/patent regime is seen as severely stifling technical innovation. So what say you?
    -----------cut-----------

    1. Re:fyi by SonicSpike · · Score: 1

      Yeah - it's not a campaign issue, but you can bet everything you own that Ron Paul will NOT bow down to lobbyist pressure regardless of the lobby.

      --
      Libertas in infinitum
  70. Re:Copyright Alliance Presses Presidential Candida by crowbarsarefornerdyg · · Score: 1

    Actually, all the music I listen to I have purchased. All the digital media I have on my PC is ripped from my personal library. All of my bittorrent traffic is limited to Linux ISOs or downloading software I still have a license for, mainly because I don't have the extra cash to pay for a replacement disc for my copy of Windows XP. And a Microsoft rep told me a while back (for what it's worth) that they don't particularly care about the install media as long as your license is valid.

    --
    "Slapping lipstick on a pig does NOT make it Natalie Portman. Paris Hilton, maybe, but not Portman." - UncleTogie
  71. Maybe if you were smarter... by nunyadambinness · · Score: 1

    But apparently I'm not the only one

    You'd realize that you are the only one, in this conversation at least.

    And what, exactly, did you think posting links to comments by people as stupid as you proves? I'll happily stipulate that you're not the only stupid person ANYWHERE, but what does that have to do with this conversation?

    Apart from proving me right about you I mean?

    And I like how, when challenged, you link to my posts instead of addressing the issue. You start a conversation, get refuted, then run away and show your ass on the way out. At least you admitted I was right about your intellect.

    1. Re:Maybe if you were smarter... by multisync · · Score: 1
      Four days, and this is what you come up with? It wasn't worth the wait.
       

      You'd realize that you are the only one, in this conversation at least.

      You have a high opinion of yourself. It's undeserved.
       

      And what, exactly, did you think posting links to comments by people as stupid as you proves?

      Considering the comments were yours, does that make you "as stupid as" me?

      But that's not what you meant, is it. To answer your question, that collection of links were not just replies to "people as stupid" as me, but to every person you addressed in each of the last 20 or so comments you've made. I don't think I found a single comment where you engaged anyone in a civil conversation, just you ranting that the other person was "wrong," "stupid," "lying," "full of shit," "asking a crap question" or "just making things up." And I have no doubt that some were. But when every discussion you take part in results in you calling the other person names, I think it proves that 1) you only comment to argue with others and 2) rather than present the person you are addressing with some reason to consider your viewpoint, you simply resort to name calling.
       

      I'll happily stipulate that you're not the only stupid person ANYWHERE, but what does that have to do with this conversation?

      Thanks, but as I said, you are already on record as holding the opinion that everyone you comment to is stupid. No further explanation is necessary.
       

      Apart from proving me right about you I mean?

      Actually, I'm not proving you right, just reinforcing your opinion of me.
       

      And I like how, when challenged, you link to my posts instead of addressing the issue.

      I'm sorry, was there something other than the name calling that you wanted me to address?
       

      You start a conversation,

      no I didn't
       

      get refuted,

      there you go, giving yourself too much credit again
       

      then run away and show your ass on the way out.

      stop looking at my ass
       

      At least you admitted I was right about your intellect.

      I was feeling charitable.

      Hey, it's been nice trading jabs with you, but this is the last one of your posts I'm going to reply to. Everyone - including you - is entitled to an opinion, and sometimes people see issues from different angles and through their own filters. I don't have to be wrong for you to be right. I don't have to be stupid for you to not agree with me.

      And you don't have to be such an asshole to everyone who doesn't agree with you.
      --
      I don't care why you're posting AC