Slashdot Mirror


Nokia Claims Ogg Format is "Proprietary"

a nona maus writes "Several months ago a workgroup of the W3C decided to include Ogg/Theora+Vorbis as the recommended baseline video codec standard for HTML5, against Apple's aggressive protest. Now, Nokia seems to be seeking a reversal of that decision: they have released a position paper calling Ogg 'proprietary' and citing the importance of DRM support. Nokia has historically responded to questions about Ogg on their internet tablets with strange and inconsistent answers, along with hand waving about their legal department. This latest step is enough to really make you wonder what they are really up to."

120 of 619 comments (clear)

  1. Well, isn't it obvious? by Mesa+MIke · · Score: 5, Insightful

    They don't like open standards.

    1. Re:Well, isn't it obvious? by Mantaar · · Score: 5, Interesting

      I still don't understand why though.

      Apart from it not supporting DRM, ogg has only advantages - it's equal or superior to most other codecs (the widely used mp3 and wma are inferior) and it's open-source w/o patents restrictions...

      Seriously, does anyone have an explanation for that?

      --
      I'm an infovore...
    2. Re:Well, isn't it obvious? by drharris · · Score: 5, Insightful
      I still don't understand why though. .... Apart from it not supporting DRM

      You have your answer.

    3. Re:Well, isn't it obvious? by arivanov · · Score: 2, Informative

      Wrong, they do if they know where to pay and how much and if they consider the payment reasonable. Cellular industry mentality. Every bit of IP has to be payed for and accounted for. Essentially the software industry mentality of the early 80-es redux. They are not alone in this. Most of the industry is just as bad if not worse.

      --
      Baker's Law: Misery no longer loves company. Nowadays it insists on it
      http://www.sigsegv.cx/
    4. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 5, Informative

      It's funny that you responded to an article about video with a rambling about audio. It's however hilarious that it got modded Insightful.

    5. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 5, Interesting

      Actually Nokia has a great history with "open" standards (generally defined as RAND as opposed to royalty free). In fact Nokia's entire current business comes out of it's ability to cooperate with arch rivals such as Ericsson to build open standards such as NMT, GSM and WCDMA. So the question is not "why is Nokia opposed to open standards?". The question is "why is Nokia opposing this standard?"

      Reading through the document, it's actually much more reaonable (DRM should be possible, but shouldn't be mandatory) than implied. The OGG thing, however, is very interesting. To me it almost reads like they know someone who has a fundamental patent on OGG. A fundamental patent is one which can't be avoided to implement a standard and thus guarantees control of the standard. However, give that Xiph.org have done a patent search and claim that OGG is patent free and nobody has contradicted them, I can think of at least two more likely things here.

      a) the recent Microsoft / Nokia WMA licensing agreements have seriously crippled Nokias freedom to operate with different formats.

      b) they are afraid of the fact that whilst OGG is open, control of how the standard evolves is "proprietary". By this they mean not under control of an "open" standardisation body that they can join. Looking at it; Xiph.org seems to have too much industry independence.

      Make no mistake, though, the Nokia of five years ago is probably not the Nokia of today. Where old Nokia was trying to deliver devices to let you do whatever you wanted to do, new Nokia is trying to become a media company and that means is almost certainly joining the dark side.

    6. Re:Well, isn't it obvious? by ShieldW0lf · · Score: 5, Informative

      Apart from it not supporting DRM, ogg has only advantages - it's equal or superior to most other codecs (the widely used mp3 and wma are inferior) and it's open-source w/o patents restrictions...

      Seriously, does anyone have an explanation for that?


      Ogg isn't a codec. It's a container format. Vorbis is the audio codec in question, and Theora is the video codec in question.

      Theora was created using proprietary code and patented techniques developed by On2 and used in their VP3 codec, adapted to fit inside an Ogg container. There are tools to let you convert existing VP3 streams into Ogg streams.

      The Xiph.org foundation negotiated free access for all to those patented technology before adapting and adopting it. From the Theora FAQ:

      Yes, some portions of the VP3 codec are covered by patents. However, the Xiph.org Foundation has negotiated an irrevocable free license to the VP3 codec for any purpose imaginable on behalf of the public. It is legal to use VP3 in any way you see fit (unless, of course, you're doing something illegal with it in your particular jurisdiction). You are free to download VP3, use it free of charge, implement it in a for-sale product, implement it in a free product, make changes to the source and distribute those changes, or print the source code out and wallpaper your spare room with it.


      The paper from Nokia seems to revolve around the fact that it doesn't support DRM from what I can see.

      --
      -1 Uncomfortable Truth
    7. Re:Well, isn't it obvious? by Aehgts · · Score: 5, Funny

      The engineer's mantra: If it aint broke, fix it till it is.

      --
      "If we knew what it was we were doing, it would not be called research, would it?" - Albert Einstein
    8. Re:Well, isn't it obvious? by explosivejared · · Score: 2, Interesting

      And what makes mp3 more easy than ogg?

      Well for one thing the PC is not the primary player for most people. iPod's and other "MP3" players are. MP3 is the lingua franca for audio, which makes it much easier to deal in for most. Most people don't make their own files. My previous post was primarily speaking to why ogg hasn't received more support across the industry and user base. Which format to use for encoding your own music or for maximizing your storage space (which isn't a real problem in the days a of 500 gb hdd) is a completely different argument from the one I was discussing.

      --
      I got a catholic block.
    9. Re:Well, isn't it obvious? by an.echte.trilingue · · Score: 3, Insightful

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support. I'm stuck re-ripping or downloading my entire library. I think that right there kills it for most people.

      By the way, a lot of people here are focusing on the fact that ogg doesn't support DRM, but neither does mp3. Seems to be a rather tangential argument.

      --
      weirdest thing I ever saw: scientology advertising on slashdot.
    10. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 4, Insightful

      What makes Mp3 easier than Ogg? iTunes. iPod. Ordinary people aren't in love with Mp3 it's just what works. Until Apple decides to allow Ogg on the iPod then forget about it ever being standard. I know, you can get custom firmware that allows it. I doubt the average user, who doesn't know the difference between Ogg, Mp3 or AAC, will really be up for a firmware hunt.

      I wish Ogg ruled the roost. I do. I wish any open, cross platform format ruled, but it's unlikely to happen.

    11. Re:Well, isn't it obvious? by KugelKurt · · Score: 5, Informative

      I'm sure that I'll be modded down for my following comment, but I post it anyway:

      Vorbis is pretty much dead. While its quality is good, Vorbis has quite high performance requirements just for decoding (negligible on current desktop PCs, but not on portables that run on battery). Even Vorbis's developer Xiph.org acknowledged that and instead of trying to "fix" Vorbis, they started development of an entirely new audio codec called Ghost.

      While Vorbis and Theora are in no way proprietary, the industry already decided to support MPEG-4. Even Microsoft supports it out of the box on Xbox 360 and Zune. Vorbis was cool when it was released, but it never had a modern video codec as companion.

    12. Re:Well, isn't it obvious? by nwbvt · · Score: 4, Informative

      Well you could always get a mp3 player that rockbox supports and install that. Not only does it support .ogg, but it also supports another feature that is rarely found on mp3 players, true gapless playback.

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
    13. Re:Well, isn't it obvious? by Dark_Gravity · · Score: 5, Funny

      The fact is MP3 got their first.

      Their first what?

      The suspense is killing me.

    14. Re:Well, isn't it obvious? by leenks · · Score: 2, Informative

      You make the assumption that he has spare time in which to work another job. Many of us have to take multiple jobs just to survive...

    15. Re:Well, isn't it obvious? by Dogtanian · · Score: 4, Insightful

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support. I'm stuck re-ripping or downloading my entire library. I find it hard to believe that this didn't occur to you a year back. Seriously, anyone who knows enough to want to rip their collection to Ogg would almost certainly know that it wasn't as widely-supported as MP3.

      Personally, I'm happy to accept that Ogg is a better format (in terms of the space/quality tradeoff) than MP3. But I also know that MP3 is almost universally supported and Ogg isn't.

      I genuinely had my suspicions that the quote above was a cut-and-paste anti-Ogg troll; it has the air of masquerading as someone who'd tried out the open source choice and been burnt by it... except that- as I mentioned- most potential Ogg users would already have known about these issues. I'm genuinely surprised that you didn't look into this before you decided to rip your music collection.
      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    16. Re:Well, isn't it obvious? by gilesjuk · · Score: 4, Informative

      Cowon's players support it. They also do FLAC.

    17. Re:Well, isn't it obvious? by Original+Replica · · Score: 2, Interesting

      Big media isn't interested unless it is going to help with DRM.

      Executives with 7 figure salaries aren't interested unless it's going to help with DRM. As in most industries the top level of management has almost nothing to do with the actual industry, that is the actual work of making the product. How many music company executives have degrees in Music Theory?

      --
      We are all just people.
    18. Re:Well, isn't it obvious? by sjames · · Score: 5, Funny

      If they MUST have DRM, I have a great win-win solution for them.

      They should encode their increadibly valuable content by moving it to the /dev/null 'encoder'. That way, nobody will ever be able to view even a split second of their content without paying and everyone else can be sure that they won't get ripped off with content that won't actually play properly where and when they want it to.

    19. Re:Well, isn't it obvious? by Coryoth · · Score: 5, Funny

      They should encode their increadibly valuable content by moving it to the /dev/null 'encoder'. That way, nobody will ever be able to view even a split second of their content without paying As a side benefit, /dev/null has a truly stunning compression. As long as they use /dev/null they could fit staggering amount of content onto their servers....
    20. Re:Well, isn't it obvious? by Dark_Gravity · · Score: 2, Insightful

      Apart from it not supporting DRM, ogg has only advantages I have always considered *lack of DRM* to be an advantage.
    21. Re:Well, isn't it obvious? by Mantaar · · Score: 4, Informative
      I certainly agree, Cowon's players support FLAC and OGG (Vorbis, damnit you "it's-not-a-codec-it's-a-container"-smart-asses), but the Grandparent added

      and I can't find a single one in my "budget" price range that has ogg support. Cowon's players are way overpriced - they rely on a community of rabid audiophiles (which I happen to belong to) to buy their products that have only a few advantages over cheaper players... Like superior sound quality, 50-60 hours of battery (for the iAudio7) and flac/ogg support. That made me pay 200 Euro for my player. Way too expensive, still.
      --
      I'm an infovore...
    22. Re:Well, isn't it obvious? by Smidge204 · · Score: 5, Funny

      It's also the only compression method that, when compressing RIAA material, actually improves the quality of the recording!

      =Smidge=

    23. Re:Well, isn't it obvious? by smallfries · · Score: 2, Insightful

      It's funny that you responded to an article about video with a rambling about audio. It's however hilarious that it got modded Insightful.

      Not as funny as the only person in this thread that actually read the article, which was about Nokia's complaints over Ogg+Theora as a video standard getting modded troll for pointing out that all of the other random drivel about the superior audio format is completely irrelevant...
      --
      Slashdot: where don knuth is an idiot because he cant grasp the awesome power of php
    24. Re:Well, isn't it obvious? by Chandon+Seldon · · Score: 4, Insightful

      they are doing something seriously wrong (in which I'd incluide living in expensive small-town American and/or getting married and having kids)

      This is a reasonable economic conclusion in much of the United States, and that's a serious social problem. Any society where people frequently make a practical decision not to have children is basically doomed.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    25. Re:Well, isn't it obvious? by deragon · · Score: 2, Informative

      The MP3 patent will expire in the coming years. By then, mp3 will be essentially open, thus giving no significant advantage to ogg.

      http://en.wikipedia.org/wiki/MP3#Licensing_and_patent_issues

      --
      Remember the year 2000? They promised us flying cars. They delivered the PT Cruiser...
    26. Re:Well, isn't it obvious? by plazman30 · · Score: 2, Interesting

      You would think big media could care less about DRM these days, with the move even by Microsoft to offer songs in non-DRMed MP3 format.

      Of course, we all know, the point to this DRM-free music is to simply attack the iTunes Music Store. If they could actually successfully knock iTunes down a lot, then watch and see how fast DRM-free tracks will disappear from Amazon, Microsoft and other online outfits, claiming the big experiment was a failure and piracy must be curbed.

    27. Re:Well, isn't it obvious? by Paco103 · · Score: 2, Insightful

      That's still not really debunking the parent point. There are players that support it, there are players that support whatever format you want to use. If they don't do it natively, there's surely some hack for some player to make something do it. The difference is that MP3 is supported by pretty much everything. You can't hardly buy a digital media device that can't play MP3's these days. DVD players, phones, digital picture frames, any digital music players (even ones that aren't marketed as MP3 support it as an alternative format), in dash CD players (if they support anything more than CD audio), some digital cameras, some GPS units.

      I have considered switching my collection default to Ogg or other "superior quality" formats in the past. Fact is, if my music collection is 100% MP3, it can be played on anything that can play digital audio files. If I use ANY other format, I'm restricted to a PC and a very small subset of digital audio players on the market. Quality does not win format wars, convenience does. I'm not saying quality doesn't matter, but it takes a large differential for the market to care. Quality doesn't matter if it's inaccessible, and it's inaccessible if I have to work too hard to get it.

      Would anyone care about a 60" plasma TV with surround sound if the only way to see it was to sit on a milk crate? My guess is they'd go for the 5 year old 27" TV in front of a nice recliner.

    28. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 2, Informative

      but it also supports another feature that is rarely found on mp3 players, true gapless playback.
      a year ago that would have been true, but every ipod sold in the last 12 months has done gapless, and they are the most common player on the market
    29. Re:Well, isn't it obvious? by Planesdragon · · Score: 5, Insightful

      Nobody in Western countries has to work multiple jobs unless they are doing something seriously wrong You're a student, and someone who occludes "veteran" and "conscientious objector."

      To put it plainly, you don't know what the hell you're talking about. Not having well-off parents to foot the bill for college to give you a unique skill-set is not "something seriously wrong." A good portion of any country lives in poverty, and if you're not a member of a welfare state, when you hit rock bottom you really do need to go work full time just to survive.

      Note that most folk who work multiple jobs don't have a single full-time job. They may average 50-60 hours per week among their 2-5 jobs, but since none of their jobs pay benefits and they have higher-than-ordinary travel expenses, they need to work that much just to survive.

    30. Re:Well, isn't it obvious? by ChronosWS · · Score: 4, Insightful

      Um... *cough*

      The article was referring to Ogg Theora, not Ogg Vorbis. In fact, the whole article was plainly talking about VIDEO.

      Sorry to pick on you, I just had to see if this thread was going to be reined in or not...

    31. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 5, Funny

      Just the other day I was compressing Simon and Garfunkel's "The Sounds of Silence" to /dev/null, and it came back much truer to the name than the original.

    32. Re:Well, isn't it obvious? by Idaho · · Score: 3, Interesting

      I ripped my whole CD collection in ogg about a year ago. Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support


      That is because, with hindsight, you where doing it wrong.

      Just rip all your CD's to FLAC, which is a lossless format. Then just transcode it for whatever device you want, from the "original" FLAC's. Admittedly, what is lacking (at last in Linux) is some easy software to do this, at least as far as I'm aware. (It's much worse on Mac OS X, because iTunes does not support FLAC). Of course, someone might write a trivial script to do the transcoding automatically, but it would be much more convenient if you could just select part of your music library for syncing with other devices, then have the transcoding happen automatically. (sure, it would slow down syncing a bit, but on todays Core 2 Duo's, who cares really..). In other words, it needs a convenient GUI.

      Then, before you complain about the amount of space needed for FLAC files as compared to OGG or MP3: the FLAC encoder will compress most albums (even classical music) down to somewhere between 33-50% of their original size. That means about 200-300 MB for the average (1 hour) album. A 500 GB harddisk these days sets you back slightly less than $100. It will fit about 2000 full albums (you do the math).

      Now of course I'm not sure how many CD's you own, but certainly if you would own more than 2000 full albums I'm sure you could also afford another $100 harddisk.

      If you have less than 500 albums (which I think would be true for about 99,999% of the population) you could even get away with just storing the raw PCM/WAV files, and only encoding them while transferring them to portable devices. The need to compress at least *music* on desktop machines is really a thing of the past now. It's just that most people didn't realize this is the case, yet.
      --
      Every expression is true, for a given value of 'true'
    33. Re:Well, isn't it obvious? by mrsteveman1 · · Score: 3, Informative

      Except for the technical advantages. I can take a PCM file from a ripped cd and encode it with similar settings in iTunes (aac), neroenc (aac), lame, and the vorbis encoder, and everything but lame and vorbis sound like the range is compressed too far, and mp3 sounds poor on some tracks that are difficult to encode, but on the vorbis version those same passages are not as annoying.

      I've done this on multiple tracks on multiple machines with good earphones, vorbis is always the least annoying for passages with encoder defects. However i do have an 3gen nano so vorbis isn't a real option, nor is alternative firmware.

    34. Re:Well, isn't it obvious? by Malevolyn · · Score: 4, Informative

      I can verify this. However, the iPod causes a loud click when the buffer starts about one second before the current track ends. Rockbox doesn't have this issue. You can also change the buffer length in Rockbox. I think the iPod's is only a half second, to be honest.

      --
      Your ad here.
    35. Re:Well, isn't it obvious? by Anonymous Coward · · Score: 2, Informative

      Except for, of course (assuming you mean Vorbis when you say "ogg")
        - Improved sound quality
        - Better tag support
        - Better streaming support
        - Chained stream support
        - Metadata multiplexing
        - Support for more than 2 channels
      etc.

    36. Re:Well, isn't it obvious? by Zeinfeld · · Score: 4, Interesting
      Not as funny as the only person in this thread that actually read the article, which was about Nokia's complaints over Ogg+Theora as a video standard getting modded troll for pointing out that all of the other random drivel about the superior audio format is completely irrelevant...

      Well thats par for the course here, slashy tends to be more of a fanzine.

      I read the Nokia paper, the summary seems to misrepresent it. Some of the points were actually ones that I had made at the W3C AC plenary: Some of the older audio and video formats are comming out of patent soon, it might be nice to know precisely when. I would like to see an unencumbered standard CODEC that all browsers support, that does not necessarily have to be Ogg if MPEG2 and AC3 are due to expire in the near future.

      I know that ACC and H.264 offer better compression and in fact I expect them to be used to deliver the bulk of Web content. The trick is how to ensure that the cost of using these technologies is proportional to the value of the bandwidth that they save (a few hundred million dollars) rather than the value of the applications they enable (a few hundred billion dollars).

      One of the somewhat frustrating problems here is that useful comparisons of compression quality are pretty hard to come by. One comparison I read disqualified Ogg Theora because it did not compress The Matrix to fit on a CD. In other words a totally arbitrary cut off point. Why choose that movie, who cares about the capacity of a CDROM?

      Quite a few MPEG2 patents have expired already, it would take a lot of work to find out when they all expire though. Main question would be what happens with submarine patents at this point.

      The reason I prefer this approach is that I just don't think that anyone can invent a new video compression scheme and be sure that it is unencumbered. We thought that GIF was unencumbered when we made it the standard image format for the Web, turned out that we were wrong but there was no way we could have known at the time. I don't like chosing Ogg for the same reason, I would prefer to be absolutely sure we have an unencumbered spec which means choosing something obsolete.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    37. Re:Well, isn't it obvious? by Xabraxas · · Score: 4, Funny

      So /dev/null converted your copy of Sounds of Silence to the acoustic version? Cool.

      --
      Time makes more converts than reason
    38. Re:Well, isn't it obvious? by JohnBailey · · Score: 2, Informative

      Cowon's players support it. They also do FLAC. As do iRiver and iAudio. Many of the far eastern makers support Ogg. You may have to get them online instead of walking into your local consumer electronics store, but you have access to a much wider choice of models and brands. Not just current iPods and a few no name cheap models.
      --
      It is difficult to get a man to understand something when his job depends on not understanding it.
    39. Re:Well, isn't it obvious? by BeerCur · · Score: 5, Funny

      I just downloaded Microsoft's /dev/null decoder, and it's 8 gigs...

      --
      It's not what your Sig can do for you, but what you can do for your for your Sig.
    40. Re:Well, isn't it obvious? by cheater512 · · Score: 3, Informative

      Uhh...Ogg was designed specifically to be open and patent free.
      It can never be like GIF.

      I dont see what Nokia is talking about however.
      W3C is making a tag for html (or similar) and they need a open format which everyone can use.
      Why any DRM is required is puzzling because a) everyone has to be able to view it and b) its video over the net.
      You probably wouldn't be buying a movie and then streaming it over the net in your browser (or your phone).

      Infact Nokia's own selection criteria is contradictory since you can never have a completely open DRM system.
      It requires security by obscruity otherwise everyone can bypass it easily.

    41. Re:Well, isn't it obvious? by Ploum · · Score: 3, Interesting

      Firstly, they must see if they will make profit with DRM. See the DRM equation for this :
      http://ploum.frimouvy.org/?145-do-i-have-to-protect-my-content-with-drm-the-drm-equation

    42. Re:Well, isn't it obvious? by rifter · · Score: 2, Interesting

      You probably wouldn't be buying a movie and then streaming it over the net in your browser (or your phone).

      Actually, people already are. Netflix had to start doing this because their competitors already did. It's only going to increase, and companies want to slop at the new trough.

    43. Re:Well, isn't it obvious? by Wiseman1024 · · Score: 2, Funny

      I see Nokia is just another corporation wanting to spike your life with their digital AIDS. No chance in hell of me buying anything from them. I hope they rot and die, like Microsoft and Apple.

      --
      I was about to say 13256278887989457651018865901401704640, but it appears this number is private property.
    44. Re:Well, isn't it obvious? by Verte · · Score: 5, Funny

      Their first ".", which is surprising as MP3 is already 16 years old- but I guess everyone is different.

      --
      We at slashdot are scientists, specialists and kernel hackers. Your FUD will be found out.
    45. Re:Well, isn't it obvious? by Hognoxious · · Score: 2, Funny

      I tries it with 4'33" by John Cage and I can report that it sounded identical to the original.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    46. Re:Well, isn't it obvious? by cheater512 · · Score: 2, Informative

      You may want to read up on Ogg before making assumptions.

      Yes Ogg is completely patent-free. Thats the entire point of it.
      The reference implementation (libogg) is BSD licenced and the specs are public domain.
      The FSF is also behind it. Even RMS likes it.

      Vorbis is currently used in quite a few high profile games such as Doom 3, UT 2004 and GTA.
      Its far superior to MP3, ACC and WMA at low bit rates and is on par or better at higher bit rates.

      Theora is patented but its license is royalty free for anyone to use for any purpose.
      On2 (the creators) have disclaimed all rights to it.

      If you want a free as in beer and freedom audio and/or video codec then Ogg is a perfect candidate.
      You cant really argue against that.

    47. Re:Well, isn't it obvious? by sqldr · · Score: 4, Funny

      You guys are such sheep. I don't follow the norm, I listen to /dev/random.

      --
      I wrote my first program at the age of six, and I still can't work out how this website works.
    48. Re:Well, isn't it obvious? by LarsG · · Score: 2, Insightful

      Yes Ogg is completely patent-free

      And how do you know that to be true?

      It would be more correct to say that the creators of the Theora/Vorbis codecs and the Ogg container format hold no patents on it (or in the case of Theora, RF-licensing of On2's patents). It does not however mean that noone else holds a patent. And the way that patents work (i.e, unlike trademarks which must be actively used/protected lest the (TM) holder lose it) a patent holder might choose to keep quiet until the format/codec becomes popular. Remember gif/Unisys? Or the more recent jpeg/Forgent?

      In that sense, h.264/aac (which has been through a process where the participants developing the standard are obligated to disclose all covered patents) or older codecs (where any potential patents are expired, or soon to be expired) holds less business risk for device manufacturers like Nokia. Being torpedoed by a submarine patent is expensive, so going the mpeg/iso/iec/itu path and paying a license fee to mpeg-la is seen as safer.

      --
      If J.K.R wrote Windows: Puteulanus fenestra mortalis!
    49. Re:Well, isn't it obvious? by XenoPhage · · Score: 2, Funny

      Why would I bother downloading anything from their servers then? I have access to the /dev/null server even when my network is down. Another win for Nokia! No bandwidth requirement, and offline access!!
      --
      XenoPhage
      Technological Musings
    50. Re:Well, isn't it obvious? by Andy+Dodd · · Score: 2, Informative

      "thus giving no significant advantage to ogg"

      At high bitrates, no. At lower bitrates (such as 64 kbps for streaming to mobile devices with EDGE service only), Vorbis blows away MP3.

      --
      retrorocket.o not found, launch anyway?
    51. Re:Well, isn't it obvious? by GeckoX · · Score: 3, Interesting

      Yep, agreed, Ogg, Vorbis, doomed to failure. Been doomed to failure for most of a decade. Any moment now, it'll be nothing but a memory. Here it goes...going...going...Hmm...not gone yet. Interesting. But it will I tell you! It'll be dead in no time now!

      Hint: Have you any idea at all how many video games use Ogg? And can you think of why that might be?

      No one used DAT tapes for their media collections...and yet, it was most certainly not a failure. You know, sometimes there's room for more than one technology. There's these things called niches. There are internal, closed systems. Not everything is a consumer end product.

      We do not have to discuss Ogg in terms of being an end user accepted format for it to be a viable format. And it has most certainly proven itself and become very entrenched in certain areas.

      But hey, you just go on and argue for the sake of arguing mmkay?

      --
      No Comment.
  2. Ah, the "Humpty Dumpty" defense by hey! · · Score: 3, Interesting

    "When I use a word," Humpty Dumpty said in a rather a scornful tone, "it means just what I choose it to mean -- neither more nor less.

    "The question is," said Alice, "whether you can make words mean different things."

    "The question is," said Humpty Dumpty, "which is to be master -- that's all."

    Alice was too much puzzled to say anything, so after a minute Humpty Dumpty began again.

    "They've a temper, some of them -- particularly verbs, they're the proudest -- adjectives you can do anything with, but not verbs -- however, I can manage the whole lot! Impenetrability! That's what I say!"

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    1. Re:Ah, the "Humpty Dumpty" defense by callmetheraven · · Score: 5, Funny

      (1) choose open standard/software
      (2) have your lawyers claim it as your own
      (3) profit!

      Unless you're SCO...

      --
      You can have my SIG when you pry it from my cold, dead hands.
    2. Re:Ah, the "Humpty Dumpty" defense by denelson83 · · Score: 2, Interesting

      That's a corollary of Embrace, Extend and Extinguish.

  3. From Vorbis.com by fractalVisionz · · Score: 4, Insightful

    From vorbis.com:
    "Ogg Vorbis is a completely open, patent-free, professional audio encoding and streaming technology with all the benefits of Open Source."

    I lost any respect for Nokia.

    1. Re:From Vorbis.com by Anonymous Coward · · Score: 2, Funny

      You had any??

    2. Re:From Vorbis.com by curunir · · Score: 5, Insightful
      From reading the whole position paper, rather than just the one poorly-phrased sentence, it sounds like the poster is making a mountain out of a mole hill.

      The actual quote that's being focused on is:

      ...including a W3C-lead standardization of a "free" codec, or the
      active endorsement of proprietary technology such as Ogg, ..., by W3C...
      If you look at what the intent of this sentence is likely to have been in the context of the statement as a whole rather than read it literally, it appears that that he's using Ogg as an example of 'a "free" codec or a proprietary technology'.

      The reason for opposing Ogg, though, is best summed up by another sentence from the paper:

      Compatibility with DRM. We understand that this could be a sore point in
      W3C, but from our viewpoint, any DRM-incompatible video related
      mechanism is a non-starter with the content industry (Hollywood). There is in
      our opinion no need to make DRM support mandatory, though.
      It seems to me that Nokia just wants a standardized way to deliver paid-for video to mobile devices. This kind of service is coming relatively soon and it will involve DRM. And while we like to bitch and moan about how horrible DRM is, the average wireless customer could care less. Nokia just wants the delivery mechanism to be somewhat standardized so that they don't have to have separate implementations for each wireless carrier.
      --
      "Don't blame me, I voted for Kodos!"
  4. what a tool ! by maharg · · Score: 4, Insightful

    All these alternatives are, in our opinion, preferable over the recommendation of the
    Ogg technologies, based almost exclusively on the current perception of them being
    free. The current perception ? WTF ?
    --

    $ strings FTP.EXE | grep Copyright
    @(#) Copyright (c) 1983 The Regents of the University of California.
  5. proprietary. by sh3l1 · · Score: 5, Funny

    In other news Microsoft is making claim that odt is proprietary.

    --
    Help Me! I'm trapped in the tubes! Oh noes! Here comes a internet!
    1. Re:proprietary. by calebt3 · · Score: 3, Insightful

      The difference here is that Nokia does not own MP3.

  6. Re:Anoter one going for a Waterloo by morgan_greywolf · · Score: 5, Informative

    Fully documentable nothin'! Theora and Vorbis are fully documented. If you can't figure out how to make your own implementation from the docs and/or by studying one of the many existing implementations out there, you need to turn in your geek card and just forget about developing software.

    Proprietary would imply that independent implementations cannot be made or cannot be made easily without violating patents or reverse engineering or whatever. Vorbis and Theora are nothing of the sort -- they are fully open and unencumbered.

  7. Apple and Ogg by christurkel · · Score: 4, Interesting

    Apple doesn't support Ogg, which as a Mac user bums me. It shouldn't be hard to add support.

    --

    CDE open sourced! https://sourceforge.net/projects/cdesktopenv/
    1. Re:Apple and Ogg by jandrese · · Score: 4, Informative

      There is a plugin you can get for iTunes that lets it support ogg, but last time I tried it there were problems with it (you couldn't stream music to another copy of iTunes for instance because it would stream at the wrong rate and break up every couple of seconds, nor could you stream to an Airport Express).

      --

      I read the internet for the articles.
    2. Re:Apple and Ogg by Petrushka · · Score: 5, Insightful

      It shouldn't be hard to add support.

      Of course it isn't. But I hope you weren't under the impression that Apple is actually against DRM in principle. They're only against DRM some of the time, only when it makes them money, and only because they're one of the few companies that have woken up to the fact that they can make more money by doing away with DRM some of the time.

      And that's why Apple opposes Vorbis -- because they're actually on the ball, because they've got the foresight to realise both the pros and the cons of open formats for them, and they know exactly what the consequences would be if open standards were to become dominant.

    3. Re:Apple and Ogg by raddan · · Score: 3, Informative

      Nokia and Apple obviously have stakes in determining the codec that people use for video over the web. Apple is pushing H.264, which they point out is a standard, but fail to mention is also proprietary. Nokia mentions this in their position paper, but goes on to recommend H.264 anyway. Ironically, they list their #1 criteria for codec adoption to be "The specifications, and supporting documentation and code (i.e. conformance test suites, example/reference code, ...) are obtainable by everyone, for free or against a reasonable fee (ISO/IEC fees are reasonable in this sense)." You can't get a more reasonable fee than free, which is the case with Ogg. Anyhow, it's clear that Apple wants AppleTV to be a new content-delivery platform. Nokia probably has similar plans.

      What I really suspect Nokia is saying in this paper are in criteria #2 and #5: "There is only a manageable risk in implementing the specification. In practice, we prefer specifications that have been developed in a collaborative manner under an IPR policy with disclsore requirements. Examples include specifications developed by the ITU-T, ISO/IEC, or the IETF." and "Compatibility with DRM. We understand that this could be a sore point in W3C, but from our viewpoint, any DRM-incompatible video related mechanism is a non-starter with the content industry (Hollywood). There is in our opinion no need to make DRM support mandatory, though."

      Basically, "we think Ogg will get us sued" and "Hollywood won't use Ogg". It's a shame that Stephan Wenger (the author of this paper) has now damaged his own credibility by writing a four-page exercise in being disingenuous.

      I'd like to point out that the one really successful proprietary codec, MP3, is a success because of the huge numbers of people who intially implemented the codec without a license and because it didn't support DRM, thus leading to widespread piracy, and establishing the format as the de facto standard for unencumbered audio. I would personally consider the W3C negligent if they did not choose an open (free as in beer and speech) codec.

    4. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 4, Interesting

      But I hope you weren't under the impression that Apple is actually against DRM in principle.

      I think you're following a red herring here. Apple is opposed to DRM, from pure selfishness, but that applies as much to Vvideo as it does to audio. Apple implements DRM when they have to and removes it when they can, this is because their goal is to sell hardware. To sell hardware, you need content. If they can only get content with DRM, they'll try to use minimal DRM under their control because their goal is to make things as easy for users as possible, because then more people buy their hardware. If they can do away with it, well that is even easier for users and will sell even more hardware.

      No, Apple's opposition to Vorbis as a standard has little to do with DRM, as they could always apply DRM encapsulation for it. Actually I suspect Apple is just heavily invested in the MPEG standard, which is not as open, but is DRM agnostic as well. Having developed a lot of technologies on top of the MPEG standard as well as both pro and consumer tools for creating it, Apple just sees no benefit to them for Vorbis, since licensing costs are not all that significant.

    5. Re:Apple and Ogg by gsnedders · · Score: 2, Informative

      Apple's primary reason for not supporting Ogg/Vorbis (as has been said many times in many places) is that no major company has implemented it yet: those with submarine patents aren't going to sue someone with no money, they'll wait for the biggest company possible to implement it, a company with large amounts of money like MS or Apple before taking legal action. It's a huge risk, and without already deployed content, nobody is going to take the risk.

      You have to remember that Ogg/Vorbis isn't truly patent free: one or two companies have granted RF licenses to any and all patents covering Ogg/Vorbis, but that's far from every company/organisation/person with patents, and several major companies have stated they are aware of patents that cover Ogg/Vorbis that are not covered by the RF grants.

    6. Re:Apple and Ogg by webmaster404 · · Score: 2, Interesting

      No, you have to realize that Apple is a proprietary Unix vendor, and thus opposed to Linux, OGG and other Free Software. Although they reconize open-source software is good, they still are a propriatary Unix vendor much like Sun.

      --
      There is no "disagree" moderation, and troll, flamebait and overrated are not valid substitutes
    7. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 2, Insightful

      If all Apple was interested in was having content available for its hardware, then they wouldn't have had any objection to Real's Harmony downloads.

      Did you even read my previous post? I wrote that if there was DRM, Apple wanted to control it. Real was trying to enforce DRM, using Apple's own authentication servers without permission, via an exploit in the system. No company in their right mind would tolerate that. It is one thing to allow content from another supplier, another is to tolerate a security hole and pay the bandwidth costs for another company to authenticate their DRM.

      Steve Jobs came out against DRM only after Apple was approached through channels by EMI about non-DRM sales.

      That is actually not true. Jobs spoke out against DRM, calling it doomed to failure and unworkable, before Apple even released the iPod.

      Sure, none of the labels had any objection to Harmony, and Apple was blatantly manipulating DRM to maintain its monopoly on legal digital iPod downloads, but Apple never had any interest in DRM.

      Apple's interest in DRM was in keeping the labels willing to supply content. Downloads have always been legal on the iPod, for other companies, Apple just has refused to support other DRM. Contrary to what most people think, Apple even licensed fairplay to several other manufacturers, mostly for cell phones. Their DRM was predominantly a counter to MS's attempt to monopolize music DRM in the first place.

      After all, St. Jobs said so.

      *Poof* there goes your credibility. My post was explaining why Apple's best financial interests were to get rid of DRM, and you try to portray it as if I was claiming they were being altruistic. You seem to be lacking reading comprehension. Why do I bother responding to ACs?

    8. Re:Apple and Ogg by 99BottlesOfBeerInMyF · · Score: 2, Insightful

      If that is all true, then why is the largest part of the itms still drm'ed? If the goal of Apple is to make it easy for the users, they'd have removed it eons ago.

      Look, Apple needs the content from the music publishers. They are pushing to remove as much as possible, but they're rather have DRM'd content than no content at all. Apple cn only release music without DRM when the publishers agree and they have only so much influence.

      No, the only goal that Apple has; is to make as much money as it can, and it doesn't care about DRM or open formats. It's all about the bottom line and the shareholders.

      What is wrong with people's reading comprehension today? As I said Apple wants to get rid of DRM because it makes them more money in the long term. That's the whole point. Apple makes more money without DRM, thus the argument that Apple is against Ogg formats because they want to add more DRM is flawed, assuming Apple is working to make the most money.

      Don't drink the "Apple is good for you" Kool-Aid(tm)

      Sigh. I argue that it is in Apple's best financial interests to get rid of DRM they are probably doing that, and people respond by claiming I'm blindly in favor of whatever Apple is doing or I think they're being altruistic, despite that is exactly the opposite of what I've said.

      Apple's interests coincide with ours on the topic of DRM. DRM hinders users and thus hinders Apple's hardware sales. Thus, we can benefit from Apple's interest in their own bottom line as they work to get rid of DRM. That doesn't mean we should blindly support them. In fact Ogg as part of the HTML5 spec may be the best option. Apple's objection to it may not be in our best interests, but it isn't because of DRM for multiple reasons I originally stated.

  8. ACC/H2.64 by Stevecrox · · Score: 2, Interesting

    Its seems Nokia wants to support Apples codecs, rather than Ogg or MP3 (although MP3 is mentioned as a possible) I found the paper interesting as they talk about majorally accepted file formats they state their after ACC, I always thought ACC was about as popular as Ogg with MP3 the generally accepted and mainstream codec.

    Personnally I'd rather see divx and mp3 be used as the next standards, but Xvid and Ogg would be cool.

    1. Re:ACC/H2.64 by netcrusher88 · · Score: 4, Interesting

      First off, it's actually AAC. And it's not proprietary, at least not to Apple - AAC (Advanced Audio Coding) is part of the MPEG-4 standard and intended as a successor to MP3, though like MP3 it legally requires a patent license. Also H.264 is not an Apple codec - it's an ITU standard, also known as MPEG-4 Part 10, or AVC (but again with the patent nonsense).

      I think why Apple picked them up is that they are about the best codecs out there (I'm not going to entertain a debate between AAC and OGG quality, please, the reasoning here is that H.264 and AAC are DESIGNED to work together). Also AAC is very good at surround sound, something MP3 has never been popular for, perhaps for the reasons below.

      The reason that the community and market have been slow to accept them are that they are more complicated, thus heavier and/or more expensive to implement, as well as the fact that Xvid and Divx (same thing, different encoders - another part of MPEG-4 by the way) can (or used to) produce smaller filesizes for video, and at standard def you wouldn't really know the difference. But as HD content has become more popular, it's become more common to find media in H.264 with AAC 5.1 audio, and as en- and decoders get better (not to mention computers) H.264 and AAC present less of a relative strain on both disk (or bandwidth) and processor, and at HD resolution the hit to speed is completely worth it.

      I think this might be way Nokia is pushing H.264 and AAC - they present real possibility for advancement into high-def streaming content, something that other codecs really don't. Please note that I really haven't had any experience with Ogg Theora (which is NOT the same as Ogg Vorbis) in high-def environments, so I can't really say for sure. Also I'm not sure how it is at streaming.

      --
      There's an old saying that says pretty much whatever you want it to.
    2. Re:ACC/H2.64 by gEvil+(beta) · · Score: 2, Informative

      AAC and H.264 are Apples? Hmmm, you may want to let the Moving Pictures Expert Group know about that.

      --
      This guy's the limit!
  9. Take with a grain of salt... by cbart387 · · Score: 2, Insightful
    I don't take much credence to a paper with rampant misspelling throughout. On slashdot okay, but a position paper? I'd also like to know when it's okay to use an emoticon in a paper?

    Closer to theWeb world, dare we mentoned Flash :-)
    --
    Lack of planning on your part does not constitute an emergency on mine.
  10. Reaaallly? by nmoog · · Score: 4, Interesting

    This document was written by Stephan Wanger who, according to his bio "serves on the Board of Directors of UB Video Inc., a leading supplier of video compression software".

    I wonder if this has anything to do with him not particularly liking ogg?

    1. Re:Reaaallly? by PCM2 · · Score: 2, Interesting

      I wonder if this has anything to do with him not particularly liking ogg?

      His name is Wenger, and you're probably right. If I had this guy's level of experience in digital multimedia and was as actively involved as he is in implementing such widely-used, RAND-licensed formats as MPEG-2, MPEG-4, H.264 etc. (which is what UB Video provided, before it was bought by Scientific Atlanta, itself now a subsidiary of Cisco), then I might have reason to not particularly like OGG, Vorbis, Theora, etc., either. Or, for you tin-foil hatters, just because it's a conspiracy doesn't mean the conspiracy doesn't know what it's talking about.

      --
      Breakfast served all day!
  11. Nokia: You Just Don't Get It by segedunum · · Score: 3, Insightful
    Yer. I would imagine the web would work brilliantly, and would have taken off the way that it is over the last 15 years, if it was wrapped up in lots of DRM stuff so people didn't have access to any information. Yer, that would really have worked.

    I had a scan through the PDF document, and couldn't really believe what I was reading. They're yet another company being pussy-whipped by Hollywood and the whole DRM issue (and it has now been demonstrably proven that widespread DRM can never work), rather than looking at the realities of the technology and working out how to make money from it. This is a very bizarre section to read: Commercial Constraints of the Web and Video ecosystems:

    In their vast majority, neither the digital video standard implementations nor the encoded content are "free". The forms of payment vary greatly: patent royalties are folded into the device/software prices; content fees (both for patent use and copyright royalties) are part of the subscription fees a consumer pays (i.e. for cable TV), absorbed through advertising, by governments (e.g. public radio/TV stations), and so on.
    Nokia doesn't seem to understand that the W3C is not in the habit of recommending technologies as web standards that are patented and proprietary and that mean that implementation is restricted.

    The perhaps astonishing part of the story is that all these royalties have, however reluctantly, be accepted by the market, and have not significantly hindered the adoption of digital video.
    Digital video over the web has been severely hindered, because it is not as widespread as content available through HTML.

    Compatibility with DRM. We understand that this could be a sore point in W3C, but from our viewpoint, any DRM-incompatible video related mechanism is a non-starter with the content industry (Hollywood).
    No other W3C standard takes into account DRM. Nokia seems to misunderstand the role of the W3C.

    Reasonable content fees, including provisions for royalty free content from non-professional sources.
    Non-professional sources?

    Anything beyond that, including a W3C-lead standardization of a "free" codec, or the active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our opinion, not helpful
    I think that should confirm that this document is junk, and that Nokia doesn't have the faintest idea what it is talking about.

    MP3 has been ratified in 1991, and that also sets a certain target year (not too far in the future) from which on one can be reasonably certain to be able to use this technology without financial compensation. The disadvantage of this approach is clearly the use of technologies that are two decades old, but that may be at least partly offset by the commercial advantage. And, these codecs are very lightweight on the computational complexity aspect.
    This is just downright bizarre.

    At first, I wasn't not so sure that Nokia was concerned about keeping Hollywood happy, as they are about keeping the current status quo of proprietary video and audio codecs, additionally restricted by patents if required. However, I haven't got the foggiest what Nokia are arguing. They just seem to be squirming over Ogg Vorbis and Ogg Theora for some reason.
    1. Re:Nokia: You Just Don't Get It by TheVelvetFlamebait · · Score: 4, Funny

      I had a scan through the PDF document, and couldn't really believe what I was reading.
      That's because you can't believe anything you read if it's in a proprietary format like PDF! Nokia told me so, in a word document.
      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  12. Re:To the tagger: by larry+bagina · · Score: 2, Informative

    that's an anachronistic spelling.

    --
    Do you even lift?

    These aren't the 'roids you're looking for.

  13. Nokia not at ease with Ogg by neutrino38 · · Score: 5, Insightful



    The post focuses on a single detail: the author calls Ogg a "proprietary format". This is of course a regrettable and stupid comment as Ogg, Theora and Vorbis are not proprietary in any sense. But I suggest reading the whole paper which is an interesting and valid point of view. They are AGAINST the decision of the W3C to recommend those format for Web video. They use three arguments:

          1. Theora video is somewhat based on H.261 and is obsolete in regards with recent developments such as H.264 and VP8 from On2. Can someone knowledgable about Theora make any comment on this assertion?
          2. De facto standard of the Web is Flash video and H.264 encapsulated in either FLV or MPEG 4 file formats. This one valid and reversing the trend seems difficult to imagine.
          3. They believe are not at ease with the process of the organisations behind ogg / vorbis / theora development and fear standard forks.

    The last one is partially valid also but I have to add a comment: First, Nokia has vested interest in codec developments itself (they have patents related to the AMR codec). Second one has to remind that they are phone manufacturers. It is clear that they are more at ease with the standard process developed by the ITU. And I understand them: they are not building software but they are embedding chips with hardware codec capabilities. If someone 'forks' the standard and the OSS community decides to create an alternative standard (see Torrent protocol), all the chips that they developped are toasted.

    Emmanuel

    1. Re:Nokia not at ease with Ogg by Wesley+Felter · · Score: 3, Informative

      Theora video is somewhat based on H.261 and is obsolete in regards with recent developments such as H.264 and VP8 from On2. Can someone knowledgable about Theora make any comment on this assertion?

      Monty (the inventor of Vorbis) can comment on it: http://web.mit.edu/xiphmont/Public/theora/demo.html

      "Unlike Vorbis and Speex, legitimate best-in-class codecs, Theora's coding quality is obviously poor relative to contemporary competition. This poor performance stems both from implementation and design deficiencies."

  14. Poorly Written by Selanit · · Score: 3, Interesting

    For a position paper issued by a major company, that was awfully rough. I found several spelling mistakes ("anoher" for "another") for example. Apparently Nokia can't be bothered to run a spell checker on documents like this one. And call me crazy, but usually you don't use smiley faces like :-) in a position paper (as he does on page four). Then we have sentences like this one, which is the bit about Ogg being proprietary:

    Anything beyond that, including a W3C-lead standardization of a "free" codec, or the active endorsement of proprietary technology such as Ogg, ..., by W3C, is, in our opinion, not helpful for the co-existence of the two ecosystems (web and video), and therefore not our choice.

    Holy comma splice, Batman! And isn't it redundant to talk about a "W3C-lead standardization ... by W3C"? But te worst thing here is the totally unclear use of "proprietary." At other places in the document, the author recommends selecting "older media compression standards, of which one can be reasonably sure that related patents are expired (or are close to expiration)." Which seems odd. Isn't the whole attraction of Ogg Theora that it isn't patented at all? Why recommend an older standard that IS patented over a newer one that isn't? And how exactly does that come under the label "proprietary" anyway?

    As a position paper, then, it could be better. It does in fact give their position. But it does so in a way which is unclear, and its author doesn't seem to think that writing a position paper is different from writing a comment on a web forum.

    1. Re:Poorly Written by cbart387 · · Score: 2, Interesting

      I had the same initial thought as you, until I found that these 'position papers' are not really meant for publication. Not sure why you'd allow them to be accessed through the internet (I wouldn't), but at least they're not meant to be formal.

      --
      Lack of planning on your part does not constitute an emergency on mine.
  15. Re:Crappy translator? by Marcion · · Score: 2, Insightful

    Ok after looking at the website, it is probably both. He can't really speak English and he is a nut. However, Nokia is a really big company with lots of divisions, so I would not take it too too seriously

  16. Nokia article summary by Fzz · · Score: 3, Informative
    Here's a rough summary of the concerns Nokia have:
    • No-one knows if Ogg Vorbis or Ogg Theora are encumbered by patents. They were developed to be free of the main known patents, but they could still be encumbered by some submarine patent. If they're accepted as the baseline, Nokia face unknown risk if such a patent emerges after they've deployed the technology in hundreds of millions of phones. With H.261/AAC, the risks are more known because an unknown patent-holder would have sued someone by now.
    • There's a lot of content available online (though not directly as part of Web standards). Nokia in concerned that the content producers will will stear clear of Ogg in favour of solutions that support DRM or at least have a known track record. Better the devil you know...
    The second concern is probably rubbish, in so far as they are asking for H.264/AAC instead. DRM on these is completely orthogonal to the issue of the codec - you could easily wrap Theora in a DRM wrapper if you wanted (though why you'd want to is beyond me).

    The first concern though is more interesting. Basically Nokia seems to be saying that they'd rather pay predictable patent licensing fees for H.264/AAC than face unknown risk. That's a business decision, and I don't know of any good argument against it - we really don't know if there are any submarine patents that Theora or Vorbis might infringe on. From what I know about coding, it seems unlikely (especially in the case of Vorbis), but not impossible to me.

    Despite this, I think W3C made the right call and should stick to it.

    1. Re:Nokia article summary by pnis · · Score: 2, Insightful

      Good points.
      Also afaik vorbis and theora are not ITU, ISO or whatever standards, that's why they say they are propriatery.
      Regarding patents, just because Monty (of Xiph, the author of vorbis) says there are no patents because they checked, there could easily be. Afaik these standard organisations explicitly ask people to say if they have patents relating to a would be standard - Xiph did nothing like this, they just hired a lawyer who did some searches.

      The point about h.261 not being much inferior to theora is also mostly valid.

      And as the parent said, Nokia is also concerned about the availability of content in the format that is finally chosen.

      All in all, I think nokia does have a point, and I think aac+h.264 would be perfectly fine, as both are technically advanced, and at least h.264 can be implemented without paying royalties afaik.

    2. Re:Nokia article summary by Fzz · · Score: 2, Informative
      I have an argument against it. How do they know there aren't submarine patents covering H.264/AAC in addition to the patents they're paying license fees for?

      My guess at their reasoning:

      • H.264 and AAC were developed in standards organizations where members need to declare what patents they have that a new standard might infringe. So there should be no submarine patents from the main industry players.
      • H.264 and AAC have been around long enough and are deployed widely enough (think iPods and HD-TV) that any patent bandit would have sued them already.
      Whereas in comparison, there hasn't been anyone worth suing over Ogg Vorbis or Theora.

      Such is the screwed up state of the world of software patents :-(

  17. They are right though by halk · · Score: 4, Interesting

    Ogg Theora is a product of a single company. It has not been standardized by any recognized standards organisation. That indeed makes it "proprietary".

      The company, On2 Technologies, has disclaimed all patent right on the technology. However, as far as I know they are not a significant holder of video compression patents. I don't think any actual big video patent holders has commented about Theora. This means that there is a significant risk of submarine patents.

    According to the paper Theora is comparable in performance to the old H.261 codec. H.261 is about 20 years old so all patents on it have most likely expired. H.261 is widely implemented and if the performance claims are true, it makes Theora rather pointless.

    1. Re:They are right though by Andrew+Cady · · Score: 3, Insightful

      Ogg Theora is a product of a single company. It has not been standardized by any recognized standards organisation. That indeed makes it "proprietary". Proprietary \Pro*pri"e*ta*ry\, a. [L. proprietarius.] Belonging, or pertaining, to a proprietor; considered as property; owned; as, proprietary medicine.

      Theora may be the product of a company, but that is not enough to make it proprietary; the question is whether the company maintains control over it as its own property. As it stands, while the company could change or supersede the current standard and people would probably follow along to the extent that the changes are reasonable, this is not owing to any special "intellectual property" rights they have, but only their social position. Moreover, if Theora was adopted as the standard, it would then be standardized by a recognized standards organization. By your logic here, the C language would have been proprietary before its standardization, yet its status at that point was the polar opposite of what is normally called proprietary (e.g., the .doc format). This is a severe abuse of language.

  18. Shoot me, I'm the Messenger by DECS · · Score: 5, Insightful

    Ogg is not "equal or superior to most other codecs" because it's not a codec. It's a container file that holds content compressed using a codec.

    Ogg is comparable with Apple's QuickTime container format (MOV), Microsoft's former AVI (based on IFF), Microsoft's newer ASF, the rival FOSS Matroska container, or the ISO's MPEG-4 container (MP4, based on QuickTime).

    When you talk about Ogg being a "good codec," it demonstrates the kind of impractical, blind bias for free-sounding buzzword projects, which FOSS advocates are quick favor over real open standards that are accepted and established. Ogg isn't open vs closed MPEG-4; they're both open containers available for non-discriminatory licensing. The difference is that there are only some theoretical uses of Ogg and a single source of documentation and libraries for it, while MPEG-4 is in use everywhere, has support across the industry, and has wide hardware support in silicon, because the MPEG-4 container is paired with a portfolio of codecs that people actually use. Ogg also competes with other FOSS containers such as Matroska, so it's not the lone FOSS messiah at all.

    Ogg's video codec is Theora, which was proprietary. On2 developed it as its closed competition to MPEG-4's H.263 (DivX) and H.264 (AVC) codecs, alongside other competing proprietary codecs from Real and Microsoft (WMV). The winner to shake out of all that competition has been the MPEG-4 standard, which includes both a container and different sets of codecs. MPEG-4 is open and supported by lots of companies, and is also supported by FOSS (x264 is among the best implementations).

    After realizing there was no reason to fight MPEG-4 with a proprietary runner up, On2 donated Theora to Xiph to use with Ogg, and Xiph published it as an open specification. However, Microsoft basically did the same thing: it published WMV with the SMPTE group as an "open standard" called VC1.

    If you think Microsoft's VC1--which it's using to compete against the open MPEG-4--is an "open standard," then you can also say Theora is. It's easier to describe both as failed proprietary technologies that nobody uses, although Microsoft is pushing VC1 hard in HD-DVD and in Windows Vista.

    For the WC3 to push an obscure format that nobody uses as the baseline of web video of the future is absurd. It means that rather than having one set of codecs that the world contributes toward, we'll have an official joke that nobody uses decreed the "standard" while everyone actually uses MPEG-4 / H.264 (and probably H.265 by the time HTML5 arrives).

    This is not a case of OpenDocument vs MS-XML, open vs closed. It's closer to a case of GPL v3 vs BSD/Apache: rhetoric vs reality. Trying to rip apart MPEG-4 and install an openly published version of a failed proprietary standard that nobody uses in its place will only hand the lead to Microsoft's VC-1 (which itself is a proprietary version of H.263). What would that accomplish?

    Supporters for Ogg/Theora are voting for a Ross Perot, assuring that we'll really get a George Bush. What we really need is an Al Gore: centrist, workable, functional, capable, and proven to work.

    If that analogy lost you: pushing Ogg/Theora might make you proud to have voted, but it will only distract from the industry's coalition to unitedly back H.264 from mobile devices to HD. There's far more FOSS support for MPEG-4 and H.264 than for Ogg/Theora and the rest of the outdated codecs Xiph has salvaged from the dumpster of proprietary efforts. Having wide support behind one good, open portfolio of standards will make it easier for FOSS to compete with and participate in the desktop computing world.

    Why Low Def is the New HD
    Origins of the Blu-ray vs HD-DVD War

    ITU & ISO MPEG-4 codecs and container

    1. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 2, Interesting

      You know, as network speeds and storage capacities have been improving so dramatically, the importance of compression has decreased in a similar fashion. MPEG-4 became pervasive because it allowed people to share movies illegally. Nowadays, you can download an ISO of a DVD and it's no big deal.

      Now, licensing on the other hand becomes more important as the number of people in the network increases and as the speed with which people can access it increases because there's more people who might have had access but are being prevented by encumbered standards. Ogg never would have been developed if not for the legal encumbrance on mp3 compression, but now it's a free, proven and superior standard that has seen use in numerous commercial games.

      The technical inferiorities of Theora just mean your perfectly good looking video streams are a little bigger than MP4 streams. With bandwidth and storage as cheap as it is, that's cheaper to deal with than licensing for distribution.

      --
      -1 Uncomfortable Truth
    2. Re:Shoot me, I'm the Messenger by rudlavibizon · · Score: 2, Insightful

      Yes, but isn't MPEG-4 encumbered by patents and therefore not free?

    3. Re:Shoot me, I'm the Messenger by silviapfeiffer · · Score: 4, Informative

      You are correct in saying Ogg is not a codec. But when you compare Theora to VC-1, you must not have been reading the license terms of VC-1 properly. VC-1 is riddled by patents and there are royalites to pay when you use it: http://www.mpegla.com/pid/vc1/ . There is no such thing as royalties to pay for Theora. Also, the only patent on Theora were ones owned by On2 Technologies, who donated their VP3 codec as the *basis* technology for Theora and kindly granted an unrevocable free license regarding those patents: http://www.theora.org/benefits/. As for quality - yes, Theora is a generation behind in compression technology and H.264 is much better quality at lower bitrates. Again - have you read the license conditions? Theora is simply the only open codec standard (as to the definition of Open Standard by Buce Perens: http://perens.com/OpenStandards/Definition.html) with a usable implementation. Mind you, I would watch out for the BBC's Dirac codec http://dirac.sourceforge.net/ which is based on Wavelet technology and is thus opening a whole new space of new video codec developments and improvements - a space H.264 didn't enter. And Dirac is an open standard.

    4. Re:Shoot me, I'm the Messenger by GrouchoMarx · · Score: 5, Insightful

      Ogg isn't open vs closed MPEG-4; they're both open containers available for non-discriminatory licensing. There is no such thing as non-discriminatory licensing. If I have to beg permission of some patent holder to use it, then it is discriminatory. It's discriminating against people building players that do not have a revenue model (read: most FOSS players) with which to pay for licensing fees.

      "Non-discriminatory" simply means that the patent holder can't charge Sony a different price per unit than they charge Microsoft. And they'll charge me that same fee, which is of course set based on the assumption that only Sony and Microsoft and companies of their size and revenue model are going to be licensing it. Can you afford $1 every time your movie player is downloaded by someone through APT on Debian/Ubuntu? I can't. That means that I am being discriminated against in terms of access to the codec.

      When H.264 can be legally implemented by any "kid in his basement" and distributed to the world without any permission, license fee, or NDA involved, then we can discuss it as an "open web standard". Until then, it is neither open nor free, nor should it be a de jure "standard" for anything. Ogg/Vorbis+Theora, however, can be. Their relative technological merits are not in dispute.
      --

      --GrouchoMarx
      Card-carrying member of the EFF, FSF, and ACLU. Are you?

    5. Re:Shoot me, I'm the Messenger by Wesley+Felter · · Score: 2, Insightful

      You know, as network speeds and storage capacities have been improving so dramatically, the importance of compression has decreased in a similar fashion. MPEG-4 became pervasive because it allowed people to share movies illegally. Nowadays, you can download an ISO of a DVD and it's no big deal.

      DVDs are still significantly compressed. And speak for yourself; if I downloaded DVD ISOs on a regular basis I'd fear that my ISP would come after me.

      The technical inferiorities of Theora just mean your perfectly good looking video streams are a little bigger than MP4 streams. With bandwidth and storage as cheap as it is, that's cheaper to deal with than licensing for distribution.

      So instead of an HD movie being 50GB, it'll be 100GB? I think broadband has a long way to go before people will stop caring about compression efficiency.

    6. Re:Shoot me, I'm the Messenger by Wesley+Felter · · Score: 3, Interesting

      I think you're missing the point. Nokia and many other companies have already paid the MPEG-4 license fees, because if they shipped a device that only supports Vorbis+Theora then customers would complain that "this thing can't play any videos that I have". In the real world, MPEG-4/H.264 is it. That's why there are a ton of HOWTOs about installing "free" MPEG-4 codecs under Linux. There are virtually no tools to encode in Theora and thus virtually no content. I doubt that will change if W3C makes Theora mandatory to implement in Web browsers. What would actually happen is that browsers would implement both "mandatory" Theora and "optional" MPEG-4 and people would go on using MPEG-4 like they do today. Thus Nokia would not save any money on patent licenses, and they'd have to spend more money on supporting a codec that no one uses.

    7. Re:Shoot me, I'm the Messenger by Chandon+Seldon · · Score: 5, Informative

      You're missing the point here: Vorbis + Theora is the only major non-patent-encumbered (and therefore legal to use commercially or in free software without paying a bunch of lawyers to figure out what patent fees you owe who) option for video.

      MPEG-4 and similar are great for pirates and organizations big enough to have patent lawyers on staff - but standards have to do better than that. Small companies and free software projects have to be able to play too.

      --
      -- The act of censorship is always worse than whatever is being censored. Always.
    8. Re:Shoot me, I'm the Messenger by ShieldW0lf · · Score: 4, Informative

      Which costs more to distribute, an mp4 stream or an ogg stream?

      According to a news release from 2002 which is hosted on the MPEG LA site, the price for mp4 was:

      2. In the case of Internet (wired and wireless) or mobile, annual royalties with annual limitations and thresholds will apply: (a) for the manufacture and sale of decoders and/or encoders: US $0.25 per activated decoder and/or encoder subject to an annual cap per legal entity of $1,000,000 for decoders and $1,000,000 for encoders (to be paid by the manufacturer that offers functioning product for sale or distribution, either directly or through a chain of distribution, to the end user), but there is no royalty for the first 50,000 decoders and first 50,000 encoders in a calendar year sold or distributed by a legal entity (applies to no more than one legal entity in an affiliated group); (b) for the use of decoders and encoders to decode or encode MPEG-4 video (to be paid by the party that is the apparent source of such video to the consumer), a licensee may choose to pay US $0.25 per subscriber per year or US $0.000333 per minute of MPEG-4 video used, each subject to an annual cap of $1,000,000 per legal entity, or a $1,000,000 annual paid-up fee (with no royalty reporting obligation), but no royalty is payable on the first 50,000 subscribers during a calendar year (applies to no more than one legal entity in an affiliated group). Subscriber refers to each unique viewer for any part of a year, but where the content provider's remuneration is not directly from subscriptions (e.g., advertiser-supported services), MPEG LA will work directly with Licensees to come up with a consistent method of counting subscribers that works with their business models.

      3. In the case of Stored Video (packaged media and video transmitted and stored for viewing for which a transactional fee is paid), the replicator or content provider will pay (a) US $0.01 per 30 minutes or part to a maximum of US $0.04 per movie; (b) US $0.005 per 30 minutes or part thereof to a maximum of US $0.02 per movie where the content of the Stored Video is 5 years or older (after it was copyrighted or subject to be copyrighted), and (c) US $0.002 for a Stored Video of 12 minutes or less.


      So, if the current terms even vaguely approach this older release, the difference in price/time sacrifice for the higher file size is more than offset by the pricing. Dollars and cents, free and open makes sense.

      Anyone got current/more accurate pricing info?

      --
      -1 Uncomfortable Truth
  19. Re:Reasoning by Breakfast+Pants · · Score: 2, Informative

    "We have YouTube. Do you really think they are going to convert their whole digital library to Ogg just because some company proposed it as their next standard. No. Nokia just wants to leverage the power W3C has to make it promote the file formats it already supports."

    Fact check: Youtube accepts video in almost any codec and (as they have mentioned (it was in respect to their coming higher definition video) in the past) stores an unaltered copy, then they essentially transcode everything to H264 and wrap it in FLV. Google would likely be fine with converting it to whatever, as they have already shown with the iphone, which doesn't use FLV (but does use H264).

    --

    --

    WHO ATE MY BREAKFAST PANTS?
  20. Obligatory Link by MrMunkey · · Score: 2, Informative

    I know this will be somewhat redundant, but just read the FAQ on Vorbis' website. It explains everything that Nokia needed to know before writing this travesty.

    http://www.vorbis.com/faq/#fan

  21. Re:Whats this got to do with HTML5? by Xzallion · · Score: 2, Informative

    The W3C tries to make the web standard easily accessible to everyone, whether they are running Linux, windows, BSD, OSX or another operating system. They also try to make it where the standards can be implemented on any browser. By adopting a standard video and audio codec, browsers can support these 'out of the box' and users won't have to download codecs to view videos or hear a pod cast. It is still up to the website designers if they want to follow the standards, so they aren't telling you to do anything. Instead they are trying to make it where your choices don't impede your access to the web.

  22. OGG player by DrYak · · Score: 5, Informative

    Last week, I went to buy my first mp3 player, and I can't find a single one in my "budget" price range that has ogg support.


    Almost the whole range of Samsung has OGG/Vorbis support built-in.
    Also, there are a lot of "NoName" asian, or less known brands (most of the time re-packaged asian "nonames") that support Swiss Bull-It is such re-packager, most of their player support OGG/Vorbis out of the box, some other after a firmware upgrade.
    I know there are even OGG/Vorbis supporting devices in the "USB stick" form factor (my brother has one).

    In fact, appart the few "Big Brands" who usually support only MP3 (because it's such a huge standard that they can't avoid it) and WMA/ATRAC/AAC+DRM or whatever is the proprietary format of their associated shop ; most lesser brands will support OGG because there's no technical limitation preventing it, there's no patent to prevent them, and that enables them to add another bullet point to their list, with very minimal efforts (There's already an open-source integer-math only implementation called Tremor - adding OGG support for a player usually just means recompiling tremor for whatever version of ARM serves as the player's CPU).

    Sasmung is more an exception for being both a known brand and providing OGG support.

    I'm stuck re-ripping or downloading my entire library.

    As a matter of fact, I've always encouraged people to keep a copy of their library in a loss-less format too.
    This way, there's no quality loss in case of quality loss, in the event of having to shift formats, or use a newer version of the usual codec with better compression.

    I think that right there kills it for most people.


    Depends on what format the people chosed to save their library into.
    I've already had friends with their libraries of WMA changed into coaster because they reinstalled windows, or changed some hardware which triggered windows thinking that it is on a different PC.

    On the other hand, all you need to play OGGs is just to choose your player wisely. Either stick only 1 brand (Samsung ), or if you want to go for the cheap, accept having a player with an obscure name that nobody has ever heard about (and which will have changed business before next year)

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
    1. Re:OGG player by guardian-ct · · Score: 2, Informative

      At one point, the default recording setting for Windows Media Player, and possibly a few others, was to record to WMA, with Rights/Restriction Management turned on. Worst default setting ever.

    2. Re:OGG player by indifferent+children · · Score: 3, Interesting
      I have a Samsung (YP-U1, usb stick), it's just a USB mass storage device.

      I have the same stick (from ~2 years ago). With the American firmware, it is not a USB Mass Storage device; you have to use MTP to transfer files (it honors DRM, of course). I re-flashed it with a European firmware from Samsung's international website, and not only is it now a USB Mass Storage device, but it now supports Ogg/Vorbis.

      I went looking to see why the US firmware didn't have Ogg/Vorbis support, and it seems that in order to get Microsoft's "Plays For Sure" logo, your device is not allowed to support Ogg/Vorbis. Since that logo program didn't exist for Europe, Samsung left Ogg/Vorbis support in the European version of their firmware.

      --
      Censorship is telling a man he can't have a steak just because a baby can't chew it. --Mark Twain
  23. Fascinating position... by Junta · · Score: 2, Informative

    It's easy to see what they want for video (h264), audio (aac), but I don't know what they want for a container format, except they want DRM (container format is the component that implements DRM, I would guess, but I'm quite possibly wrong). They note that the Theora/Vorbis has not seen commercial distribution, so patent trolls have not had a reason to come out, and it scares them. Theora is patented, but On2 already said it would be no problem, but Nokia is concerned about a non-obvious company waiting for a single big player to adapt those technologies to bring a suit.

    The three suggestions they give are interesting. The first is to stay out of it, making interoperability difficult, as they said, but they effectively dismiss it because look how great Flash is without being a standard (that's a good argument to actually dictate something as far as I'm concerned). The second is to use no technology newer than about two decades, ostensibly to avoid patent issues. I think Nokia is angling for this because it ultimately ends up being the same as specifying nothing, as any web content provider will be forced to not stick to the standard, as it would mean delivering poorer quality content or being incredibly costly bandwidth wise. All it takes is one or two sites to deviate, but provide a richer standard to make standards compliance mean absolutely nothing. The final suggestion they are confident would lead to H264 and AAC, and they certainly wouldn't mind that.

    --
    XML is like violence. If it doesn't solve the problem, use more.
  24. Re:What's so great about Ogg? by edwardpickman · · Score: 2, Informative

    It's used heavily in gaming because of the ultra high nearly lossless compression. It's an excellent format. Just because it's not as popular with software developers doesn't mean there are quality issues. Gaming is extremely concerned with compression ratios so it's a good solution for them. If you used .wave instead the audio files could end up being bigger than the entire rest of the game. Video and audio tend to be similar in size but audio can be compressed far more without the slow decompression that some video formats require. There are other solutions like MPEG but Ogg handles higher compressions with less loss. I was stunned the first time I compressed a file to Ogg. My .wave files were compressing to 5% with little decernable loss. I ran them several times and rechecked the file size just to make sure I wasn't imagining it. If you need super high compression with good quality I've never seen anything like Ogg.

  25. Agreed by MillionthMonkey · · Score: 2, Informative

    This appears to be a case of poor sentence construction, with a misplaced modifier and a missing comma. It looks like the guy is just a bad writer.

    And here I was all ready with a joke about Mitt Romney calling secularism a "religion" last week!

  26. Nokia Claims Ogg Format is "Proprietary" by Dark_Gravity · · Score: 2, Funny

    Nokia Claims Ogg Format is "Proprietary"

    Dear Nokia:

    You keep using that word. I do not think it means what you think it means.

  27. DRM for OGG by J.Dev.06 · · Score: 2, Informative

    These guys are currently building DRM for the OGG Vorbis. If I'm right to assume, they are also setting their sites on the entire OGG container for their DRM solution, supporting both theora and vorbis. I don't really understand Nokia's beef at all. It's all a bunch of nonsensical ramblings on about how they're grouchy with W3C's decisions. The situation is all very liken to when you give a child their juice in the wrong coloured cup.

  28. Re:Ogg is an audio codec by DaleGlass · · Score: 5, Informative
    Err, no.

    Ogg is like Quicktime or ASF. There's nothing technically stopping anybody from delivering a mp3 inside an Ogg (seriously), Quicktime, or ASF container. Here's proof:

    Putting a .mp3 inside an ogg container with no encoding:

    $ ogmmerge -o test.ogg theatre\ of\ tragedy\ -\ cassandra.mp3
    Using MP3 demultiplexer for theatre of tragedy - cassandra.mp3.
    +-> Using MP3 output module for audio stream.
    progress: 6538263/6538263 bytes (100%)
    Verifying that it's an ogg container:

    $ file test.ogg
    test.ogg: Ogg data
    Mplayer shows how it's both an ogg container and the audio is MP3 (parts snipped, stupid lameness filter)

    $ mplayer test.ogg
    Playing test.ogg.
    Ogg file format detected.
    Opening audio decoder: [mp3lib] MPEG layer-2, layer-3
    Selected audio codec: [mp3] afm: mp3lib (mp3lib MPEG layer-2, layer-3)
    Video: no video
    Starting playback...
  29. AAC, then? by SanityInAnarchy · · Score: 2, Informative

    Both are patent-encumbered at the moment, and AAC sounds a lot better.

    No, people don't love mp3 because of iTunes, it's the other way around -- iTunes would not exist, were it not for mp3. People don't particularly love mp3, either, they just assume it's the only option out there -- kind of like Windows on PCs.

    --
    Don't thank God, thank a doctor!
  30. Re:Whats this got to do with HTML5? by 99BottlesOfBeerInMyF · · Score: 2, Insightful

    Maybe I'm missing the entire point here, but why the heck does the next version of html 5 even need to define a standard format for video?

    HTML5 is a very practical attempt to define additional elements and set a standard for all the things Web developers do today, but in a wide variety of ways that leads to incompatibility problems or just really complex code. I like it because when I built some XHTML for uses I needed I came up with many of the same basic tags, even using the same, fairly logical names as what they did.

    I don't think anyone would argue that one common thing Web pages do today is provide streaming videos. I don't think anyone would deny that depending on the format used and the way it is embedded, different video behaves differently, not all video will play on all browsers and OS's, and it is really hard for browser and OS coders to create easy, standard ways to manipulate that video as a result. Would it be nice if the Firefox team made a way to make embedded videos fullscreen with a key press? Maybe add some translucent controls that will pop up over it when you move the mouse? Maybe allow you to right click on videos and add them to a fullscreen viewing queue that will all play end to end? Standardizing on a video format that can play everywhere is the first step to making that a reality.

    Are they also going to recommend what browser I should use, what operating system I should run, or what brand of coffee I should drink?

    No, they're recommending the exact opposite. By standardizing on the "img" tag for embedding images or on the Ogg-Theora format for streaming video they're insuring that any OS and any browser that conform to the standards will let you view streaming video. You theoretically won't have to worry if the browser on your smartphone supports Silverlight, or if Firefox on Linux supports MPEG in a QuickTime container, or if your game console supports Flash videos. So long as they support the standard, they'll all show streaming video, which is what standards are supposed to be about.

    Now I'm not endorsing Ogg as that standard and I'm not convinced it will lead to better results than standardizing on H.261. I think ignoring the wrapper component, or choosing a wrapper that cannot support DRM, might lead to the standard being ignored. I'm not sure the big players in the industry will buy into Ogg-Theora. Still, standardizing on a wrapper format and specifying Ogg Theora at least as a preferred option, might well do a lot of good for end users.

    I mean, seriously, I don't see what this even has to do with html.

    Yeah, and implementers of the first version of HTML would not have seen what images had to do with it, since they were only supported as links and everyone was doing them differently. Times change. Browser don't generally run in a terminal anymore. A big use for Web pages these days is displaying video, and the new standard should reflect that and make it easy and uniform.

  31. Re:Ogg is an audio codec by 49152 · · Score: 2, Insightful

    You simply did not understand his point at all.

    IT DOES NOT MATTER one single iota that ogg is a container and not a codec, it is simply pointless unless your an engineer (a real geeky one at that).

    He did not contend the fact that this is incorrect, only pointed out that to the majority of people (who ever heard about ogg) then:

    ogg == audio codec == compressed audio.

    The fact is, you should be über happy if most people makes this connection, even if it is technically imperfect.

    It is a market awareness that is worth is weight in gold, don't squander it away by being a stereotypical geek that picks on technical issues that no one really cares about.

    That it is wrong is completely pointless for most people and only confuses the issue. At least 90% of people associates content type with the file ending and .ogg files is associated by the public with audio files. Again this is not technically correct but the only ones really caring is other geeks.

    It would be much better if xiph declared that only .ogg files containing audio should be called .ogg and came up with a new file ending and name for files with video (or audio & video) in them, perhaps .ogv or something.

    You are technically correct but 'joe sixpack' wanting his 'mp3 player' to play ogg files does not care or even understand the difference.

    To the majority of people mp3 is synonymous with audio files for portable devices, just like they think .avi and .mov is video files. They have no idea it is really codecs and containers. If you want people to question why their ipod does not play ogg files, you don't want to confuse the issue with fighting long lost battles over semantics.

    This is just like the old battle about what being a hacker means. To much more than 90 percent of the population it means someone breaking into computer systems. Now you and me probably knows this was not the original meaning at all, but it does not matter because the 'wrong meaning' is by now so enforced by media that people only stares strangely at you if you try educating them.

    Now if you want ogg, vorbis and theora to succeed as open standards used everywhere, it would be a much better strategy going with the flow and not against it.

  32. Actually, there IS such a thing... by Svartalf · · Score: 2, Informative

    Discriminatory licensing would be for me to license the rights to a given patent to the FOSS community but NOT license it to MS because they've been naughty.

    Non-discriminatory licensing is where anyone that pays the up-front and ongoing royalty price gets to license it.

    If I license it for FREE, then that's the price.
    If I license it for a fifty cents per instance using the hypothetical patent then that's the price.

    Anyone stepping up to the plate gets to license.

    RAND (Reasonable And...) means that it has to be some realistic thing per unit- say zero to something proportionate to it's liability to be used, for example the MP3 patents are licensed out in a reasonable fashion (Reasonable being if you're implementing DVD players or portable music players...). Unreasonable would be something like $500 per instance for something like that.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  33. Yes there is by Sycraft-fu · · Score: 5, Interesting

    Non-discriminatory doesn't mean "Doing whatever anyone wants," it just means being consistent. In the case of a license it means two things:

    1) The license must be available to all comers. You do not get to choose who gets a license, anyone who pays the fee gets a license.

    2) The fee must be fixed. One person can't get a sweetheart deal and another get the shaft.

    You meet those criteria, that is a non-discriminatory license, you aren't discriminating.

    Take a situation where I own a bar. If I have a night where I sell beer to any customer for $2, that's a non-discriminatory special. Whoever you are, you get to have beer for that price. However if I run a special where only girls in tight shirts get $2 beers, that's a discriminatory special. I am dictating who or what you must be or do to get the pricing.

    Trying to redefine things just because you don't like how it works doesn't change how it really is. You aren't being discriminated against just because someone won't give you something for free. You are only being discriminated against if they will give it to someone else for free, but not you.

  34. Re:Ogg is an audio codec by ShieldW0lf · · Score: 2, Insightful

    The article, and the discussion, and the whole shebang, are meant for professionals, not ignoramuses like you and the dude you're defending. The fact that you do or do not know what container or compression format we use to deliver websites to you means absolutely nothing at all. So, take your self important bullshit about "market awareness" and shove it up your ass. My mom doesn't know what MPEG2 compression is, but she still uses the DVD player I bought her. This is no different, and your collective ignorance is of no more consequence than hers.

    --
    -1 Uncomfortable Truth
  35. Re:Time to whip out the STFU gun! by joto · · Score: 3, Funny

    Look. It's Ogg Vorbis. Ogg is the container. Vorbis is the format.

    I don't care. I've never seen a .vorbis file. All I've ever seen is a .ogg file, .ogg files contain music that plays well on my computer, but unlike .mp3-files, not so well on my mp3-player.

    If you can't handle that, if you think it's too geeky, please step away from your computer and smash it to bits, as you're far too stupid to deal with modern technology. Might I suggest a career in waste disposal?

    Look, if you can't handle that 99% of the world just doesn't care about containers and codecs, but use the file extension to determine media format, you are seriously lacking in social intelligence, and need to be confined to live in solitude for the rest of your life. May I suggest a career in computers?

  36. Re:Time to whip out the STFU gun! by LordSnooty · · Score: 2, Insightful

    But you'd be seriously lacking in technical intelligence if you assume that file extension = media format. What codecs were used in this .avi, for example? can you tell without analysing the file?

  37. Vorbis cpu requirements by Terje+Mathisen · · Score: 2, Informative

    I have recently written what I believe is the world's fastest Ogg Vorbis decoder, it takes about 600 ms to decode my longest song sample (4:05 minutes encoded with 192 Kbit/s for a final filesize of 5.7 MB).

    IMHO there are just a few problems with Vorbis, cpu load is not one of them:

    a) It is not at all suitable for contineous streaming, with multiple receivers connecting/disconnecting on the fly, since you have to start by decoding the 4-8 KB header before you can make any sense of the sound frames.

    b) To get decent decoding performance, you have to unpack & cache all the codebook information in the header packets, this requires from about 50 to 300 KB, which can be significant in a small device.

    c) Even though Vorbis is in theory independent of the Ogg container format, most existing source code expects to find Ogg frames surrounding all Vorbis packets. This is an implementation and not a specification problem.

    d) Vorbis really prefers to have fast fp support available, but Theora is an open-source fixed-point implementation which has been used as the starting point for quite low-resource embedded implementations.

    Terje

    --
    "almost all programming can be viewed as an exercise in caching"