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Investors, "Beware" of Record Companies

NewYorkCountryLawyer writes "The Motley Fool investment Web site warns investors to beware of 'Sony, BMG, Warner Music Group, Vivendi Universal, and EMI.' In an article entitled 'We're All Thieves to the RIAA,' a Motley Fool columnist, referring to the RIAA's pronouncement in early December in Atlantic v. Howell, that the copies which Mr. Howell had ripped from his CDs to MP3s in a shared files folder on his computer were 'unauthorized,' writer Alyce Lomax said 'a good sign of a dying industry that investors might want to avoid is when it would rather litigate than innovate, signaling a potential destroyer of value.'"

64 of 301 comments (clear)

  1. The vicious last bites of a wounded animal by elrous0 · · Score: 5, Interesting
    The traditional music industry is like a wounded animal at this point. They're hurt and desperately striking out at anything, in hopes of somehow surviving. They missed their opportunity to innovate a long time ago and now they're just the walking dead, stubbornly digging in their heals and refusing to just lay down and die.

    They may get to the point where lawsuits are the only real income they have left. When that day comes, and all their Congressional bribe money has dried up, I think we'll see the courts and politicians finally start to hit back hard and finish them off. And they'll die still clutching their outmoded CD's, like pathetic John Henry's fighting innovation to the bitter end.

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
    1. Re:The vicious last bites of a wounded animal by altoz · · Score: 5, Insightful

      Oh, they'll be dead before that. Artists are leaving record companies in droves. They'll start producing their own music and hiring niche marketing agencies to create demand instead. Even now, the smart ones are already moving in the marketing/concert promoter direction.

    2. Re:The vicious last bites of a wounded animal by Billosaur · · Score: 4, Insightful

      The parallels with SCO are amazing, especially given the sizes of the companies we are talking about. That they could fail to see the future coming at them and more importantly read the trends (i.e. Napster) and react to them in a positive, money-making fashion, is an indictment of the corporate system, where over-priced CEOs sit in their glass-lined offices looking like suit-wearing fish and providing just about as much value to their company. When you start treating your customers as criminals, you have slipped over the edge and down the slippery slope toward oblivion.

      --
      GetOuttaMySpace - The Anti-Social Network
    3. Re:The vicious last bites of a wounded animal by timeOday · · Score: 2, Insightful

      That they could fail to see the future coming at them and more importantly read the trends (i.e. Napster) and react to them in a positive, money-making fashion, is an indictment of the corporate system
      I'm not convinced there's any way to die gracefully when your business becomes outmoded (SCO, too). You make it sound like all they had to do was "adapt," but what does that mean? They had a sweet setup selling CDs in shopping malls with no competition, but once the Internet made all that unnecessary, I think a decrease in their profits was inevitable. Even if they'd decided to switch everything over to something like iTunes in 1999, the selective purchasing of individual tracks and competition from indies and filesharing would still have decreased their profits, perhaps even moreso than the path they did choose.
    4. Re:The vicious last bites of a wounded animal by PhotoGuy · · Score: 5, Insightful

      Oh, they'll be dead before that. Artists are leaving record companies in droves. They'll start producing their own music and hiring niche marketing agencies to create demand instead. Even now, the smart ones are already moving in the marketing/concert promoter direction.

      While I agree with the sentiment, are artists really leaving in "droves?" Other than indie artists maybe never pursuing a label to start with, how many already-signed artists are leaving the labels? Can you list more than 10? More than 20? Even if you listed 1000, I'm sure it would be something like a tiny single digit percentage (or less) of the total artists on labels, hardly qualifying as droves.

      I think it *will* happen, and hopefully at an exponentially increasing rate. But for now, they still have the stranglehold on the artists.
      --
      Love many, trust a few, do harm to none.
    5. Re:The vicious last bites of a wounded animal by Shajenko42 · · Score: 3, Insightful

      While I agree with the sentiment, are artists really leaving in "droves?" Other than indie artists maybe never pursuing a label to start with, how many already-signed artists are leaving the labels?
      How many have the legal right to do so? Aren't most artists working for the big labels locked into Draconian contracts that restrict them to either selling their work to the labels, or not selling their work at all?
    6. Re:The vicious last bites of a wounded animal by Mondoz · · Score: 2, Insightful

      "I'm not convinced there's any way to die gracefully when your business becomes outmoded..."

      A long time ago, the tobacco companies saw that eventually, their product would be regulated, lawsuits would ensue, and their profit margins would eventually shrink.
      They diversified into food products so heavily that they're making more money on food than they do on tobacco. (They keep most of their holdings in food so they can't be sued for it as well...)

      The music companies could have diversified into so many other directions... If only they hadn't been so stubborn...

      --
      /sig
    7. Re:The vicious last bites of a wounded animal by guruevi · · Score: 3, Informative

      Sure, the artists you hear on the radio won't immediately leave the RIAA but after a while some groups and artists notice that they are not getting what they deserve and can get much better income elsewhere. Then they'll start switching. Another problem is that once you signed up with the RIAA, you can't really go back. Everything released from then on is their property and if you leave then you can't take your own work with you.

      RIAA-safe albums as found on riaaradar.com (the top100) include some well known names though. Some artists that have actually dumped the RIAA include Madonna, Nine Inch Nails, Oasis, Jamiroquai, Radiohead, Courtney Love and Canadian labels Anthem, Acquarius, The Children's Group, Linus Entertainment, Nettwerk and True North Records and there has been some commotion between EMI and the RIAA too so they might pull out completely pretty soon too.

      --
      Custom electronics and digital signage for your business: www.evcircuits.com
    8. Re:The vicious last bites of a wounded animal by dimeglio · · Score: 3, Interesting

      Madonna recently left Warner for Live Nation apparently for the cash. Interestingly, Live Nation does not appear in the members list of the RIAA. Coincidence?

      --
      Views expressed do not necessarily reflect those of the author.
    9. Re:The vicious last bites of a wounded animal by moderatorrater · · Score: 4, Interesting

      In the past year, we've had McCartney jump to a new label, Radiohead release their own album, NIN doing their thing, and Prince bucking the trends, signing a deal that is unheard of from a record label, and distributing his cd in a way that pissed all the industry folks off. I agree that leaving in droves might be an overstatement, but it was the first year where labels started losing out in a high profile way because artists weren't playing along.

    10. Re:The vicious last bites of a wounded animal by jcr · · Score: 2, Interesting

      Contracts expire. When they do, if you're a musician who has the prospect of distributing his work online and taking the lion's share of the revenues, or cutting a deal with a venture capitalist who'll pay you under 10% of the proceeds, what option would you take?

      The record companies are a 20th century business that is rendered obsolete by the internet.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    11. Re:The vicious last bites of a wounded animal by mpe · · Score: 2, Interesting

      I'm not convinced there's any way to die gracefully when your business becomes outmoded (SCO, too).

      Of course there is. It's known as "voluntary liquidation"... If it's timed right the business owners might even still have made a profit.

    12. Re:The vicious last bites of a wounded animal by RobBebop · · Score: 5, Informative

      Also...

      Madonna signed with LiveNation concert promotion group (I don't know if they are embedded or not).

      Harvey Danger (90's one hit wonder) released a free CD

      Barenaked Ladies have interesting views on releasing music (I can't remember the details, but they distribute through a non-traditional site)

      Beastie Boys have put out at like one Creative Commons song and I think their latest album was somehow independent

      But my favorite is any musician with decent music posted on Jamendo, where provides BitTorrent downloadable Ogg-Vorbis albums under Copyleft licenses. The site is a virtual treasure trove of exciting artists waiting to be discovered.

      --
      Support the 30 Hour Work Week!!!
    13. Re:The vicious last bites of a wounded animal by hedwards · · Score: 2, Interesting

      I do wonder if that's the only reason why they're leaving. Sure there is a profit motive in many cases and not being associated with an outfit that hates their own customers, but there are other reasons why an artist would jump ship.

      What I'm talking about is sound quality, control over content and controlling how and where the music is played, rather than the label. Those are compelling reasons to switch, the labels have for many years tossed their formerly best selling artists out in the cold when they have released a couple of poorly received albums, and frequently there's a commercial viability clause in the contracts which allows for the label to not use albums that the label doesn't like.

      Unfortunately, many of the best albums I've ever heard were failures compared with the normal standards. I love everybody - Lyle Lovett, Muswell Hillbillies - The Kinks, and Q: Are We Not Men? A: We Are Devo! - Devo, these were really good albums by any reasonable standard, personal taste in music not withstanding, and they largely went ignored. Worse, they aren't the only albums like that to not be particularly profitable in terms of sales.

      The artists that recorded those albums could have far more control these days over how they market the albums and hopefully get better sales by using those new opportunities.

    14. Re:The vicious last bites of a wounded animal by marcosdumay · · Score: 2, Insightful

      "Contracts expire."

      Yes, but copyrights don't. Only artists that retain their copyrights can walk away.

    15. Re:The vicious last bites of a wounded animal by gambolt · · Score: 4, Informative

      After dropping them from the label, virgin records put out a "greatest hits" album for Cracker without bothering to even consult with the band on song selection. The band responded by making new recordings of all their classics and releasing their own greatest hits album on the exact same day as the label. Theirs sold much better.

      Also included is david lowry's retelling of how they got dropped, it ain't gonna suck itself.

    16. Re:The vicious last bites of a wounded animal by CodeBuster · · Score: 2, Interesting

      Draconian contracts that restrict them to either selling their work to the labels, or not selling their work at all? More like trading their work to the labels in exchange for "promotion" and then owing the labels money for the studio bills, payola, and other concrete expenses associated with "promoting" the artist. As for the term of the contract, does "the rest of your prime working life" sound reasonable to you? BTW: If you want to break the contract early then they charge you penalties with interest for all of the "promotion" fees that you will be denying them from that point on AND you still owe them for the loans. Recording contracts suck. Why do you suppose that big name artists eventually found their own labels? So that they in turn can become the exploiters after they have taken their hundred lashes and paid for their spurs.
  2. Sounds familiar by Mick+Ohrberg · · Score: 4, Interesting

    [...] rather litigate than innovate [...]
    Now where have I heard that before... Oh, that's right. SCO. And look where they're at...
    --

    Quidquid latine dictum sit, altum sonatur.

    1. Re:Sounds familiar by garcia · · Score: 3, Insightful

      Now where have I heard that before... Oh, that's right. SCO. And look where they're at...

      Yeah, but they didn't have much to market and a very small group that they could actually market their products (invented or real) to. SCO had to invent the "Pay us for Linux or we'll sue later" shit in order to have something that some companies would actually be willing to pay them for.

      Those involved with the RIAA still have a product that is mass marketable and that plenty of people will continue to purchase. Just because the Slashbotters (me included on this one) refuse to support RIAA music doesn't mean that anyone else really gives a shit. Yes, artists are starting to come around and going around the RIAA by distributing their music online, and it's working, but it's still not to the point where it's a 100% viable method to get your music out.

      It will be at least 5 years and more like 15 to 20 before we really see the fuckers die off -- as unfortunate as that is.

    2. Re:Sounds familiar by garcia · · Score: 2, Insightful

      Oh and I forgot to add:

      Because they own copyrights on already recorded music that people like and will continue to buy for the foreseeable future, they will continue to have viable income for at least another 125 years. So while they might start faltering in 20 they won't be dead until the copyrights run out. Problem is that they will never run out because we'll never get those douchebags in Washington to fix the mess they were paid to create.

    3. Re:Sounds familiar by Drewmeister · · Score: 2, Funny

      "Now where have I heard that before... Oh, that's right. SCO. And look where they're at..." Who?

    4. Re:Sounds familiar by AmberBlackCat · · Score: 2, Insightful

      Don't forget, SCO was threatening rich corporations while the RIAA is threatening poor humans.

  3. Re:so, what would Fool say about our Friend by techpawn · · Score: 2, Informative

    Could these be first signs of another failing "industry"?
    It's signs of an evil company, not a failing industry. When the industry as a whole fights new innovation with lawsuits against individuals rather than adapt THEN it would be a failing industry.
    --
    Ask not what you can do for your country. Ask what your country did to you
  4. Trade Associations Gone Wild! by Presto+Vivace · · Score: 5, Funny

    I guess the sue your customer business model isn't working out for them. Who knew?

    1. Re:Trade Associations Gone Wild! by mea37 · · Score: 5, Interesting

      Or rather the columnist believes that's the business model they're now in and predicts it won't work well for them.

      The inference people here seem to be drawing (that the labels are in trouble because of the lawsuits) resonates well -- we want to believe that kind of justice works in the market -- but really it has the cause and effect reversed. Sales dropped first, then the law suits started.

      Now, the thesis is correct in so far as "sue the customer" is not a productive response to an adverse market. They continue to spiral not because they file the lawsuits, but because meanwhile they do nothing to address the orignal failure of their position in the market.

      The "ripping mp3s is unauthorized" angle is FUD all around, though. FUD on the RIAA for using that wording in the first place (yes it's unauthorized, in the same sense that I'm not authorizing you to disagree with my post), and FUD on everyone who cites this as the moment where the RIAA calls all users thieves.

      Now, sure, the bad press from the lawsuits doesn't help the RIAA... among the small part of the market that sees what's going on and cares. Don't get me wrong, I'm among that small part of the market (not anti-copyright, not convinced that everything the RIAA says is wrong, but on the whole opposed to their actions over the past few years); but don't be fooled into thinking that slashdot is the world.

      As to the investment point of view... yeah, to a point, I wouldn't want to be putting money behind the major labels right now. But Sony? What would be the total impact on Sony if their record label arm spun off or died out completely?

  5. Re:so, what would Fool say about our Friend by Score+Whore · · Score: 2, Interesting

    What does that say about the GPL and various developers who have threatened to sue companies that might be violating the license?

  6. Re:so, what would Fool say about our Friend by sm62704 · · Score: 4, Insightful

    These guys (disclaimer: I'm not one of them and in fact haven't owned any stock for over 20 years) always say that you should pick a stock with a dividends to price ratio if ten to one or better.

    Microsoft, the last I heard, pays no dividends.

    So I think MS is probably a "stock for fools". If you buy a stock with the expectation of its price rising, you're gambling, not investing. That's not to say that gambling that Mars won't explode in the next two weeks isn't a good bet; some gambles are worthwhile.

    As to the record companies, DUH! You don't need an expert to tell you that a company whose sales have been falling for over five years is a turkey.

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  7. Shared Folder? by Anonymous Coward · · Score: 4, Interesting

    I wonder how they define a shared folder? I'd imagine an shared folder to them is any folder on a computer that is connected to the internet, WAN or LAN, has a CD or DVD burner in it, has any kind of magnetic removable drive, or any computer in which the hard drive can be removed.

    1. Re:Shared Folder? by jcaldwel · · Score: 2, Interesting

      I wonder how they define a shared folder?

      Any letter drive under Windows.

    2. Re:Shared Folder? by westlake · · Score: 2, Insightful
      I wonder how they define a shared folder?

      I'll take a wild guess and say that they define a shared folder as the shared files folder used by your P2P client.

    3. Re:Shared Folder? by mea37 · · Score: 3, Insightful

      And Atlantic V. Howell is the context of this story. See how neatly that works out?

      It's also been the definition they used in other cases. I don't know whether they think the term explains itself, or whether they're deliberately using vague wording for some reason... or maybe they do define their meaning clearly somewhere and I haven't seen it.

      In any case, I think in the long run it's in their own interest to be clear and to use a narrow definition that requires not only shared access but also indexing / notification of availability that facilitates unauthorized copying (in the "actually illegal because it's unauthorized" sense).

  8. Re:so, what would Fool say about our Friend by Pojut · · Score: 2, Interesting

    Maybe I am buying into their crap, or maybe I'm right...who knows. But out of all the companies in the past 20 years that I have seen making huge mistakes, Microsoft is one of the few companies I have seen that is actually at least ATTEMPTING to correct their problems. They are still going about things in a very asshatish way, but I think they are realizing that they are not the invincible juggernaut that they once thought they were.

    Of course, the other problem they have is that even when they do make good gestures, many in the IT industry still see them as dicks. Can't please everyone, I suppose...

  9. Heh by ilovegeorgebush · · Score: 2, Interesting

    I've personally never thought - during all this suggestion from various websites - that the Music industry will ever die. In fact, I just think that the current status is a precursor to it revamping itself and embracing the digital era.

    The more I read things like this though, the more it seems the downfall of such companies could actually happen. I kinda like it, too. It rumbles in my belly...

    1. Re:Heh by ajs · · Score: 2, Insightful

      The more I read things like this though, the more it seems the downfall of such companies could actually happen. I kinda like it, too. It rumbles in my belly... No, the industry isn't going anywhere. There are some large companies that will likely be shaken up, broken up or re-build as a result of change, but the fundamentals of the music industry are sound. People do want to buy music, it's just that a) the prices have become obscene while the technology has commoditized the "song" b) it's well known that buying music doesn't support artists because of predatory contractual bondage that they must accept from the publishers c) good music (which I define as any music that requires creativity and originality to create) is frequently under-promoted or squelched entirely in favor of over-produced, formula-driven, focus-grouped noise that I'm increasingly convinced is authored by software.

      I'd like to see the total devaluation of the "song" and instead a resurgence of routine live performances in public places (stores, plazas, etc.) This is the way it used to be. You never went into a large store (and even most small ones) or a good restaurant without seeing a live performer. I think that would really help the industry transition from this plastic-stamping model to a more service-oriented model where the product isn't a thing, but a performer.

    2. Re:Heh by MightyMartian · · Score: 2, Interesting

      I don't think the song is the problem. Prior to the emergence of the long-play record, it was all about the song. 78s and 45s could only fit a limited number of songs on them, and so was born the idea of the "single". Some guys, like Phil Spector and Brian Wilson, basically built careers around the single. They spent fortunes creating two and three minute songs, because you could make a lot of money off a single.

      The long-play was attractive because a) it wasn't that much more expensive to manufacture b) generally the costs of producing it were all up front and c) the record companies could charge a lot more money for it. Unfortunately the LP (and its truly overpriced descendant the Audio CD) is a rather difficult thing to stack with good music. A good portion of the albums out there really aren't all that good. A few good single-worthy songs with less impressive filler. But from the mid 1960s until today the record album has been the major source of revenue for record companies, with singles fading away.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
  10. Re:so, what would Fool say about our Friend by fotbr · · Score: 4, Insightful

    I doubt he'd say much.

    RIAA: track record of suing their own customers, based on "evidence" gathered via pretty shady means
    MS: doesn't regularly sue their own customers (their competitors, sure, but not random joe off the street)

    Failure of vista: Not the only money maker that MS has. Also not their only market.
    Failure of music sales: only thing the riaa has.

  11. Re:so, what would Fool say about our Friend by Mr.+Underbridge · · Score: 2, Insightful

    Microsoft, the last I heard, pays no dividends.

    No longer true, I believe because they got sick of answering the questions you pose in your post. ;)

    From http://www.microsoft.com/msft/FAQ/dividend.mspx: "Microsoft pays a quarterly dividend of $0.11 per share. Beginning in Fiscal Year 2005, Microsoft shifted from paying an annual dividend to a quarterly dividend."

    So I think MS is probably a "stock for fools". If you buy a stock with the expectation of its price rising, you're gambling, not investing. That's not to say that gambling that Mars won't explode in the next two weeks isn't a good bet; some gambles are worthwhile.

    As an aside, I think TMF has moved away from that sort of stance. Look at it this way - if I'm a long term invester (and it's better to be), then I don't need the dividend now. What would I do? Probably re-invest it. If I believe in the company enough to own their stock, I'd rather they didn't pay me the dividend, which I'd just re-invest, because (I think) if my investment isn't tax-protected that's actually better from a tax perspective. I don't want to be taxed on the dividends now while I'm working and presumably in a higher bracket, I'd rather be taxed on them later at the long-term cap gains rate.

  12. Re:so, what would Fool say about our Friend by Neuropol · · Score: 2, Insightful

    "Could these be first signs of another failing "industry"?"

    I'd say yes, but I think it's been dying for a long time now. More than a decade perhaps. Since the advent of mp3.com (the original - R.I.P.) and the ability for independent musicians to completely circumvent the rigors of major-label-pole-smoking. In terms of recording, production, and distribution bands have quickly adapted to the medium by which they can deliver the latest to the masses literally years faster than most major labels can. In almost all cases, faster than what a label can provide due to legal mumbo-jumbo that bands are required to go through before any thing moves forward in terms of contracts, tour support, and record sales projections and demands. Unless your 'label-made' like 99% of top 40 artists - born in the offices of label heads and marketing strategists, the wait has been over for a while now. The stone chunks are being taken out of the proverbial great wall of music put up by labels that had essentially created their disgustingly comfortable niche. It's close to being fully dismantled. For the sake of good Music, the sooner the better.

    Music industry is big business. Huge in fact. It's laid many a great band to ruin in it's wake. And any thing that can crop it off at the knees is okay in my book.

  13. This is probably the best thing to happen to them by cashman73 · · Score: 3, Insightful
    Seriously, I'm no fan of the **AA. But if more investment companies warn folks not to buy their stock, and since these guys seem to be motivated primarily by the almighty dollar, maybe if they see their stock shrivel up into nothingness and their retirement blasted into oblivion,. . . maybe they'll finally, "get the memo," that their 19th century strategy isn't exactly working out in the 21st century. All we need is for one of the big fish to declare bankrupcy, the and rest will see that and stop their litigous ways and actual get back to giving consumers what they want,... And if they don't, then f*ck 'em!

  14. Talking out both sides by emeb2 · · Score: 5, Informative
    A lot of discussion centers around the apparent change in the RIAA's position on ripping for personal use. With the recent change in their website removing language that suggests they're OK with it and the statements from the Washington Post article about 'steals one copy' it sounds like they're taking a harder stance on it. Meanwhile there is this article http://www.azcentral.com/arizonarepublic/local/articles/0103music0103.html which quotes a representative who says that it's not an issue.

    I suppose they want it both ways - keep people on the edge and they're easier to control or something.

  15. Not like John Henry by Anonymous Coward · · Score: 5, Insightful

    Bad comparison! John Henry was a champion for the dignity of human work. He illustrated the very real danger of big business treating individuals as disposable ever since the industrial revolution. John Henry as the RIAA? Ridiculous.

    1. Re:Not like John Henry by elrous0 · · Score: 5, Insightful
      No, he was a damned fool. Stubbornly digging your heals in, refusing to change, and fighting innovation to the bitter death isn't dignified and heroic. It's pathetic and stupid. It's like the old man who's afraid of computers, and who, instead of conquering his fears and adapting to the changing world, simply refuses to use them and becomes a goddamned living relic.

      If America were full of John Henry's, we'd have become a third-world backwater a long time ago.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    2. Re:Not like John Henry by elrous0 · · Score: 2, Insightful

      Damned fool for fighting to keep the jobs of himself and his coworkers?

      No, he was a damned fool for not realizing that the era of hand-mining was coming to an end and looking for a new line of work. My great-grandfather was a coal miner back when it was booming. When it started to go out and the continuous miner came in, he went to work in a local textile plant--eventually rising to a pretty high level there before he retired. He made it possible for my grandfather to go to college. He didn't kill himself in a romantic stunt, he just adapted. That's the can-do spirit.

      John Henry is a romantic bit of fiction, nothing more.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    3. Re:Not like John Henry by cayenne8 · · Score: 2, Insightful
      "Damned fool for fighting to keep the jobs of himself and his coworkers? I would argue that you are a damned fool if you lay over and no longer put food on the plate for your family. This isn't something where he had the choice to switch from a typewriter to a computer, but a case where a machine was going to entirely replace him and others. For modern perspective look at the fight between labor and automation in the auto industry."

      I guess I miss your point.

      I see nothing wrong with a machine taking over for jobs...especially such as those in the automobile industry. It makes it where cars can be made more efficiently and with more build quality/consistancy. (No more worrying about buying a car made on Mon or Fri).

      Sure a person has to put food on the table, but, no one can ever consider their job is going to be around forever, especially today. You have to keep on the ball, and learning new things all the time. Chances are you will have to change jobs and careers more than a few times during your lifetime. That's just a fact of life.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
  16. Oh no! My money! by maclizard · · Score: 2, Interesting

    It's about time the recording industry collapsed. Maybe I'm just bitter, but last CD I bought cost $17, very little of which went to the artist. 90% of the money made in the music industry is not music sales but concerts, t-shirts, bobble-heads... you get the picture. Free the music!!

  17. Magnatune.com by ProteusQ · · Score: 5, Informative

    Might be a good time to listen to a few tunes from a label that's not evil.

    [Caveat: I don't work for them, own any part of the company, or know anyone personally who's released a CD through them. I just buy their stuff and dig Shannon Coulter's sultry voice.]

  18. The former are desperate, the later aren't by DrYak · · Score: 4, Informative

    Microsoft is digging whatever they could find in their "Imaginary Property" port folio of patents to find something with which they could scare client who would potentially consider fleeing to open-source. They're basically trying to invent new ways to kill their adversary.

    **AA are suing who ever they can going through complicated legal justification trying to explain why "Fair Use" never applies, trying to persuade that "Format shifting" represents "Unlawful evil piracy", etc. They're basically trying to find ways to stop everything that normally should be allowed by the law (and somewhat managed to partly achieve this goal with DMCA).

    On the other hand the situation with GPL is much simplier.
    The copyright law is simple : Thou shall not copy. (outside the list of exception, like personnal backups, etc. against which the **AA are fighting).
    The GPL is a license : it gives additional rights, more specifically it gives you the right to freely distribute copies of GPL software, as long as you pass along the accompanying freedom to the next in the chain.
    If you don't follow the license, you lose those additional rights and everything reverts to the official copyright law. Which says No-No to distributing software which you don't own personally.
    They're basically making sure that the users retains their freedom by using pre-existing legal infrastructure.

    You'll notice that :
    - GPL isn't threatening to sue users at all. The whole "FreeSoftware" concept is about giving freedoms to users. They threaten to sue companies that would be taking away those freedoms. And in fact they don't threaten as often, as they help misguided companies who don't really understand the GPL. There are only a couple of suit-threats that we've heard here on /. whereas most of the time is companies who don't really understand how they should behave to follow the GPL. Most of the time it's more a polite exchange of explanation (you should publish that piece of code...) than threats.

    The end users benefits of the GPL, whereas with the former the end user is the target.

    - There are no auto-settlement-bot spilling standart cease-and-desist suit-threat

    - GPL isn't trying to twist the interpretation of the law to try to remove rights that where granted in the first place (They're not arguing what is "Fair Use" and trying to limit it). The GPL is based on pre-existing laws.

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
  19. Stock shares? by SharpFang · · Score: 4, Insightful

    Actually, I wonder how their stock shares fare.

    Many companies have been proclaimed dead or dying while their shares kept going up, and they keep going up still. Some portals were proclaimed to be dead because their percentage market share vaned comparing to Google, but they actually gain users as the net grows, and they actually grow and note profits each year.

    So how's it for the record industry?

    --
    45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
  20. Still curious by edwardpickman · · Score: 2, Insightful

    I know it's fun to burn the school down but then you're left wondering what will replace it? I know the current preference is a pay if you want/download for free if you don't business model but it isn't exactly sustainable. The problem is always people will eventually get tired of paying and stop since they don't have to pay. Look at what happened when the 55 mph speed limit was lifted. I was living in LA at the time. For the first month people drove 55 out of habit but after that they slowly increased speeds to the new 65 limit and within three months they were already back to speeding. If you made the speed limit 100 mph some people would still speed. If the groups released their albums for free but asked people to not post them for download and to please only download them from the official site there'd be a copy on a file sharing web site with in the first hour. They can try to make money off ads on their web sites but like I say the majority will probably download from file sharing sites. Eventually the professionals will give up on releasing albums and songs entirely and just go back to playing live. Odd that things might go full circle to the pre technology days. Technology created the music industry we know and it's likely to kill it in the end.

  21. The **AA can't afford any more attention like this by zappepcs · · Score: 4, Interesting

    If anyone here thinks that the Fool will harm the **AA's business, think again. The Fool is only telling us what is happening. In a family gathering of more than 25 people for present opening ceremonies this year, I watched quite gleefully to find that only ONE CD or DVD had been purchased. ONLY ONE! There were cameras, books, clothes, presents galore... but only ONE lonely little DVD.

    My in-laws really don't care about the **AA and their ways, CDs and DVDs are JUST TOO EXPENSIVE. Never mind the lawsuits, their crap products are priced way out of order.

    Time to start ePhoenix records I think....

  22. Its not just the lawsuits... by phobos13013 · · Score: 2, Informative

    Take a look at Warner Music Groups stock price over the last two years (WMG is the only publicly traded music label, in the last year it has decreased by almost $20! You screwed yourself in 2007 if you sided with the RIAA. But look at the long-term, its not just the lawsuits that make music labels a bad investment now or the last five years. Its a dying industry without the lawsuits. The digital age is here, nothing can be done to stop it. There never was anything that could be done. The industry can still exist, but its market share had decreased enormously and they need to accept it. Sorry for anyone who bet the farm on these guys, cause all you have is a cow left. Not even a cash one sadly.

    --
    ...and it should be known by now
  23. i would like to suggest something unPC by circletimessquare · · Score: 2, Interesting

    where polotically correct in this sense is sensitivity to the dying music industry: maybe there really is no more money in this business

    we all talk about "embracing new models", and anger at the industry for seeing napster and fighting them tooth and nail, rather than changing their business model. we yell at the music industry for not using the internet to their advantage... well what if the suits are right? there is no advantage in the internet. that it's simply death for them?

    of course there is still money in concerts and movie theatres, those are real world venues. also advertising plugs. but everything that goes on media: movies, music, maybe there really is nothing but a black hole of no cash for the music and movie industries

    not that the industries can do anything about it

    and copyright of course means shit: it's simply unenforceable. you can trap a few scurrying mice here and there and extract a few pennies from soccer moms and college kids, but everyone will trade anyways, with just more and more bulletproof protocols and apps

    not that i'm worried or complaining about this new world. one music exec assholes financial riches gone means our cultural riches greatly improved. there's more than one way to measure richness than just cash in the bank

    it's a wonderful new world in fact

    long live the death of the music and movie industries

    this is really wonderful

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  24. CD/DVD is the consumer transmission medium by totallygeek · · Score: 2, Insightful

    Really, at this point, I purchase compact discs for one purpose: to have a real product to carry from the store and then store on a shelf. I rip all my CD's so that I may listen to the music on the device of my choice; one that holds far more information than any single or group of discs. It is getting this way with movies too. I figure that I will start ripping my movies to large storage systems and build a video-on-demand device at home. Don't get me wrong though, I do not like downloading music nor movies. Perhaps I am a relic, but I want a real 'box' product. In addition, I have hated downloading music within iTunes only to be told that I cannot make a mix mp3 CD (for my truck, which reads mp3 discs) with some of the music I just paid for the right to use. I feel the same way about movies, and to take it a step further, I feel most of my drive space is something expendable. If I lose an mp3 from a rip, I simply rip again. If I lose a download, I am SOL.

    1. Re:CD/DVD is the consumer transmission medium by gnasher719 · · Score: 2, Interesting

      I left the CD on the counter at the check out lane. The check out girl said "Don't forget your CD". I told her that I didn't need the CD that I already had downloaded it. I always thought the music industry could build a business around that. Instead of selling you shiny disks, leave all the distribution cost and effort to the customer and just sell the rights to have the music. They could have done the following:

      1. Make a modified version of the iTunes software. That version will download music from all sources and mark it as "try out". It will also allow you to publish your music on the same terms. All this would be legal.

      2. "Try out" music cannot be burnt on a CD or moved to an iPod. A splash screen appears when it is played. Removing the "try out" label without paying would be criminal.

      3. You can buy the music easily, and the complete money goes to the rights holders (who distribute it in a fair way, or the rights holders might be the actual musicians). The music is then marked as properly owned by you.

      4. This is combined with a rating system that lets you rate the sound quality of a recording and upgrade if you find a better version somewhere else.

      The only thing that is problematic is how music should be handled that cannot be identified.
  25. Re:so, what would Fool say about our Friend by edwardpickman · · Score: 2, Interesting

    So Vista was an "attempt" to fix XP and the Firewall from hell was an "attempt" to secure the OS? Since Service Pack 2 on XP every time I install a component or piece of software Microsoft rebricks my computer. As near as I can tell they're approach to security is deny all actions then you don't have to worry about plugging holes. Sorry but kiss the puppy it's hard for me to wrap my head around the idea that deep down Microsoft are a bunch of white hat softies. Microsoft has been a bully for a long time and being a bully makes you paranoid. Even with profits going up every year they still see all the competitors as talking food from their mouths. They'd try to run Apple out of the computer business but remember Apple was their shining example of why they weren't a monopoly. They see Apple as the devil they have to live with they just don't want them to gain market share. If they openly attack Apple they risk another court judgement, not that the last one had any affect. Instead they chip away making things not quite compatible and play dumb. All Microsoft is "attempting" to do is line their pockets. So are most companies Microsoft just tends to be more anticompetitive than most.

  26. failing to adapt by zogger · · Score: 3, Insightful

    They have a 20 year old notion of how much a "unit" they need to make. This notion is ludicrous given the tech advances we have. They failed to keep dropping prices for their disks when they could. Instead of using the volume sales concept, they stubbornly stuck to making dollars profits on cents worth of plastic and paper. They just don't get it that price gouging doesn't work. The ultimate decision makers in that industry who decide pricing levels are *all millionaires*, they just can't relate to what stuff costs anymore for people who are not. And the legislators they "consult" with, similar. they live and work in an extremely expensive part of the US, DC, and none of them can be considered "working class" in the traditional sense. In short, the pair of them that try to set pricing and laws when it comes to IP and tech advances mean for tangibles cost just can't see the forest for the trees, they have no practical frame of reference. And even with "market studies", those can be flawed as well, and the ultimate proof of "market studies" is whether or not your widget you sell sells with full customer satisfaction or not, and in this case, they fail it, so even their marketing studies are therefore flawed by empirical evidence. We can all see it, right there in plain sight. If they weren't, we wouldn't be seeing these articles all the time or be discussing copies and copyright and so on. They just can't handle the innovation and ramifications of replicator technology so far, even though we are still in the tiny opening phases of such tech. That means as we get closer to cheap tangibles replication for the "masses" guy, star trek level tech, headed that way, they will continue to screw up, using their concept of enforced luddism by "law" as a business model. It is not only just plain ignorant and stupid, it is harmful to the over all economy and for society in general.

  27. Mod Parent Up... by Penguinisto · · Score: 2, Interesting
    Seriously - he's right. The Tobacco Industry saw it coming a long time ago. Because of the diversification, they are able to sell a pack of smokes at a loss (the vast majority of the $4.00 or so you pay for a pack of smokes goes to taxes, followed by retailer mark-up. Most convenience stores IIRC make a huge chunk of their income not on gasoline --which is a loss leader for them-- but by selling ciggies). Tangent aside, most cigarette brands are sold on razor-thin margins or at periodic loss for the manufacturer (this is due to a combination of price pressure brought on by draconian taxation at the retail side, and the amortization of billions in 'fines', brought on by Congress during their little lawsuit/grab in the mid-1990s). In spite of that, these same corps are still well-able to do things like sponsor NASCAR races. That dough doesn't come from tobacco (it used to), but from profits off the food side of their holdings.

    The music industry does have one advantage that tobacco doesn't - the RIAA has a sizeable menagerie of pet congresscritters on both sides of the aisle (e.g. their lead lapdog, Sen. Orrin Hatch (R-Utah)).

    /P

    --
    Quo usque tandem abutere, Nimbus, patientia nostra?
    1. Re:Mod Parent Up... by mgblst · · Score: 2, Informative

      This is a moronic statement. Why would they continue selling cigerattes if every packet was a loss for them - this statement simply makes no sense at all. If they make money from the food holdings, then why not stop selling cigarettes, or sell of the brand, and keep with the food.

      This sort of mindless rant doesn't help anyone. You do realise that taxes are a percentage of the cost of cigarettes??

  28. Look to wedding photography by Solandri · · Score: 3, Interesting
    Before cheap scanners and color inkjet printers, most wedding photographers would shoot the wedding for free or at-cost. They would charge up the wazoo for the prints and reprints. When scanners and color printers became cheap, people just started scanning the prints (or sometimes the proofs) and running off all the copies they wanted. In response, wedding photographers have mostly moved to a model where they charge all the money for shooting the wedding, then give the prints away for free or at-cost.

    I suspect musicians will go the same route. Songs will be given away as free advertising, and they'll make their money by booking performances and concerts (and selling memorabilia at such). For all practical purposes that's the way most of the RIAA-contracted musicians work anyway right now, since the studios keep 95% to over 100% (the band owes them money) of all the proceeds from song sales.

  29. Too little, too late by marcosdumay · · Score: 2, Insightful

    And by the same time, MS brings OOXML to the table.

    If they want to become nice, they need to do that in a consistent way.

  30. Re:Incorrect by bravo_2_0 · · Score: 3, Informative

    "Once Defendant converted Plaintiffs' recording into the compressed .mp3 format AND they are in his shared folder, they are no longer the authorized copies distributed by Plaintiffs."
    This is a pretty unequivocal statement. If you make your personal copies available for distribution, they are no longer your personal copies since distribution is not the purpose, right, or intention for maintaining personal copies .
    No it isn't. Just becasue a folder is defined as shared does not mean you can or want to distribute music from it. The problem is that they don't define what a shared folder is. I have folders on my machine that are shared within my home network but not to the internet. So does this mean I can't place music in them? There is a BIG difference between locally shared folders and ones that are made available to the internet.
    --
    I AM A SEXY SHOELESS GOD OF WAR!!!
  31. Going After Network Shares... by Wakk013 · · Score: 2, Interesting

    Hesitate to explain this, but....

    Every windows computer is sharing everything, unless specifically disabled to NOT do so. Does the standard consumer understand this? No... Is it even instructed... NO. Does MS want you to remove the administrative shares? NO...

    Every computer by default, first install... C$ is open and available. Its a share.

    I strongly believe the RIAA lawyers have run out of ground to stand on.

  32. Re:The music industry is being killed by pirates by Wakk013 · · Score: 2, Insightful

    A publicity stunt in which they told everyone ahead of time how long it was going to be available in that way, and when they were going to close their doors to it. A stunt in which they grossed more in one day than they could all year going on tours and reselling merchandise.

    Yeah it was a stunt alright. And now they understand full well how much money they could earn just by doing what's right for them.

    As for piracy killing the market and business... No. Piracy only accounts for about 20-30% sales loss, and its always been present, in all shapes, forms, and is an age old issue all persons have had to deal with throughout history. Technology has accelerated it, but it didn't make it worse.

    The problem is that the industry didn't keep up with technology. End of line. They failed to grow with the rest of the world, and now they either find a way to grow rapidly and regain the edge, or it fades away and is replaced with another group that will basically do their old jobs better and more refined.

    Its the way of life.

    Now stop posting as an anonymous coward, RIAA Rep :)

  33. It ain't just slashdotters... by bwcbwc · · Score: 2, Insightful

    If it was just Slashdotters that were no longer buying CDs, the RIAA wouldn't be so panicked. It's all the college students that can install a BitTorrent (or whatever) client and download music. It's all the people that buy music downloads from non-RIAA artists. It's even the legal download services that legally sell RIAA music, because the RIAA mindset still hasn't fully adopted that market strategy (hence DRM).

    --
    We are the 198 proof..