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Lessig's "In Defense of Piracy"

chromakey writes "The Wall Street Journal is running an essay from Lawrence Lessig about the fair use of copyrighted material on the Internet. He makes the case that companies who go to extreme lengths to squash minor videos, such as Universal, are stifling creativity in the modern era. Lessig makes specific reference to a YouTube video that was hit by a DMCA takedown notice, in which a 13-month-old child is dancing to a nearly inaudible soundtrack of Prince's 'Let's Go Crazy.' Lawrence Lessig is a board member for the Electronic Frontier Foundation."

218 comments

  1. Should be happy. by Gerafix · · Score: 4, Funny

    They should be happy they weren't charged for child pornography because of the dancing child. Somebody didn't think of the children?

    1. Re:Should be happy. by Ortega-Starfire · · Score: 5, Funny

      Stop thinking about the children, you pedophile!

      --
      ---- Liquid was a patriot ----
  2. What's particularly interesting... by Anonymous Coward · · Score: 5, Funny

    Is that this was written by Thomas Jefferson, and Lessig just republished it under his name. Yes, Thomas Jefferson knew about YouTube 200 years before it was invented.

    1. Re:What's particularly interesting... by game+kid · · Score: 1

      He must have limited his viewing to sexy stripteases and Colbert. Tay Zonday would've scarr'd him so much we would've stayed colonies.

      --
      You can hold down the "B" button for continuous firing.
    2. Re:What's particularly interesting... by 91degrees · · Score: 0, Offtopic

      It's true. He even made a video recording of a speech on the matter (and other topics, most prominantly fidelity) and left instructions that it should be posted to youtube when it comes into existence. You can watch it here.

    3. Re:What's particularly interesting... by Ron_Fitzgerald · · Score: 1

      In my heart of hearts, I knew it was a Rickroll....yet I clicked anyway.

      Well played, well played.

      --
      ~ Ron Fitzgerald
    4. Re:What's particularly interesting... by thetoadwarrior · · Score: 1

      I only clicked it because I thought it was a Rick Roll.

  3. Lessig still defends copyright by CRCulver · · Score: 4, Interesting

    Even though Lessig wants to change the length of copyright and ensure fair use, he still believes that the concept should be enshrined in law. That makes his status as a hero here on Slashdot odd, because many posters here have claimed that copyright is simply no longer a valid concept at all in the digital era.

    1. Re:Lessig still defends copyright by Anonymous Coward · · Score: 5, Insightful

      The obvious point is that he is still championing change, while most of us just sit on our butts and complain. Regardless of our views on just how much more change should be ushered in, you have to respect his efforts.

      As a sidenote, my captcha is 'copying'.

    2. Re:Lessig still defends copyright by Anonymous Coward · · Score: 5, Insightful

      Why, it's almost as if there's a spectrum of opinions on /. from disparate individuals that are merely communicating in a shared forum!

    3. Re:Lessig still defends copyright by Zironic · · Score: 1

      I think pretty much noone thinks that making money of other peoples work is ok(main purpose of copyright is after all making sure the money(if any) goes to the right person). However many people argue that getting data for free is a right.

    4. Re:Lessig still defends copyright by Anonymous Coward · · Score: 1, Funny

      Sir, I salute you. I modded you up, too.

    5. Re:Lessig still defends copyright by Anonymous Coward · · Score: 2, Interesting

      Making money off other people's work is fine. It happens all the time. If someone in a factory helps build a car, the salesman at your local car dealership is making money off that factory-worker's work. That's fine, as long as everyone along the line who makes money on that work is adding some value in some way (and likewise, everyone who is adding value to the product is making money). If Prince writes a song, sells it and makes money, that's great. If someone else takes part of that song, incorporates that into a new work and makes money off that new work, that's great too. The only question is how much, if any, of the profit from the second work should go back to Prince.

    6. Re:Lessig still defends copyright by zappepcs · · Score: 4, Insightful

      In fact, I think you have something. If only the sound track in the example were posted to Youtube, would it have been infringement? Would anyone have listened to it? I posit that it would have been useless without the little dancing kid, and therefore is a 'new' work based loosely on impressions from Prince's work, and thus required some semblance of his work to create the second and 'new' work.

      How much profit should go to prince? None. He got free advertising and possibly should pay a royalty to the second artist. After all, if it weren't for the video there would only be 4 people thinking of Prince's music... 3 if you don't count him, or something like that.

      The "time limit of popularity" has passed. His music is not on the charts anymore so using it is not unfairly drawing off his work to garner profit or popularity. In fact, it can be argued that he garnered popularity because of this second work. Once that "time limit" passes, copyright is arguably invalid.

    7. Re:Lessig still defends copyright by MrMista_B · · Score: 2, Insightful

      Well, it's only odd until you realise that 'Slashdot' isn't a single person or entity with a single will and single set of values, but is in fact comprosed of many individuals, with many individual and different value and points of view. Thus, the idea that 'Slashdot' could thing that copyright should both be enshrined in law, and also utterly erradicated, isn't contradictory at all, because those views, and many more alike and different to those views, are held by different people.

    8. Re:Lessig still defends copyright by Anonymous Coward · · Score: 1, Insightful

      Even though Lessig wants to change the length of copyright and ensure fair use, he still believes that the concept should be enshrined in law. That makes his status as a hero here on Slashdot odd, because many posters here have claimed that copyright is simply no longer a valid concept at all in the digital era.

      Nope. I hear people saying "But Sladhdotters dislike copyright" but few slashdotters who say that they actually do.

      Quite the opposite.

      I would think that I am with the majority when saying "There should be no software patents, just copyright to your code and programs."

      However, I do dislike the misuse of copyright. Atleast by the finnish laws, the original creator has a copyright to his work but anyone adding or modifying it enough to make it a different creation all together gains rights to that.

      But it just gets so difficult to define with soundtracks. I would personally say that if the music and everything else are creatively made together (particularly fitting scenes cut, etc.) it becomes a new creation of itself but if someone just adds a complete song to a random video that doesn't really fit it isn't.

      So in my view, Universal should have had the right to say "Hey, you can't just take our song to a boring video of a dancing baby and call it a whole new creation. But they also shouldn't have been assholes and use that right. Laws in your country may differ from my utopia.

    9. Re:Lessig still defends copyright by uglyduckling · · Score: 1

      I just saluted, but the thought was there.

    10. Re:Lessig still defends copyright by Jafafa+Hots · · Score: 5, Insightful
      The way I think about it is like this - copyright was essentially invented to stop someone from killing your market for your stuff. (temporarily)

      If you record a song and someone else manufactures copies of your song and sells them, they are killing your market.

      If someone samples your song and uses a 3-second blip of sound to create their own work and sells it, there's no way in hell they are killing your market.

      NOBODY has ever decided not to buy a pop CD because they already have a recording of their aunt singing the song in a karaoke bar.

      --
      This space available.
    11. Re:Lessig still defends copyright by Ihmhi · · Score: 3, Funny

      I don't know, after seeing grandma drunkenly sing "Rock The Casbah" you might not want to ever hear that song again for fear of resurrecting suppressed memories.

    12. Re:Lessig still defends copyright by russotto · · Score: 1

      The obvious point is that he is still championing change, while most of us just sit on our butts and complain. Regardless of our views on just how much more change should be ushered in, you have to respect his efforts.

      How much have we gotten done to knock copyright law down to size, sitting on our butts and complaining? Nothing, right. How much has Lessig gotten done to knock copyright law down to size, championing change as he has? Same nothing. So the only real difference is he's put out a lot more effort for the same lack of result.

    13. Re:Lessig still defends copyright by russotto · · Score: 1

      I think pretty much noone thinks that making money of other peoples work is ok(main purpose of copyright is after all making sure the money(if any) goes to the right person).

      Making money off of other people's work is fine, and pretty much every person in the so-called creative industries believes it. How many times has a large part of old Bill Shakespeare's work made it into something new (and he wasn't 100% original either). How much visual art references or incorporates older visual art, usually without compensation?

    14. Re:Lessig still defends copyright by TheVelvetFlamebait · · Score: 4, Funny

      Yes, that's true, but thanks to moderation, you don't have to wade through them all, making up your own mind and forming complex, balanced opinions. The moderators have your thinking for you! You will only have to view the top one or two most popular types of opinions on any given topic!

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    15. Re:Lessig still defends copyright by TheoMurpse · · Score: 1

      He's changed much more public opinion than you have. I've been to a talk he gave at a large university once. You could hear the audience collective gasp at various points of his speech when he revealed some ridiculous thing the RIAA or MPAA had done. Or Sousa.

      His book "Free Culture" turned me into a proponent of much shorter copyright. In short, he changed the mind of one law student. I know he had the same effect on an engineering friend of mine, too.

    16. Re:Lessig still defends copyright by TheoMurpse · · Score: 1

      copyright was essentially invented to stop someone from killing your market for your stuff. (temporarily)

      That's a side-result of the real goal, which was to enrich the public domain.

      The only goal of copyright is to enrich the public domain:

      To promote the progress of science and useful arts, by securing for limited times to authors and inventors . . .

      Everything else is a side effect. How to promote the public domain? By incentivizing creation. How to incentivize? By giving creators a temporally-limited monopoly.

      If changing copyright length to X promotes the public domain more than the previous length, then it is a good change. Otherwise, it is unconstitutional.

      The problem is that the courts are loathe to do such an unwieldy and unscientific calculus. Thus, the decision is left to Congress. Who fail us repeatedly. And then join the Berne Convention, which effectly makes it impossible for copyright to ever be less than death+50. Unless we, of course, become a country that absolutely opposes treaties.

    17. Re:Lessig still defends copyright by Anonymous Coward · · Score: 0

      So why don't you simply browse at -1 and do your thinking for yourself?

    18. Re:Lessig still defends copyright by Anonymous Coward · · Score: 0

      Mr Lessig is arguing for what he sees as a right balance. A world without copyright would kill another (important) source of creativity - the commercial authors (which is the opposite extreme of the current state). Or, as he puts it in his Free Culture book: you can't have a market without property.

    19. Re:Lessig still defends copyright by ozphx · · Score: 1

      I recommend changing Troll and Flamebait to +1. Anything that causes a mod to reach for the modstick is probably worth reading for the lulz, even if it is just a hilarious story about RMS buggering Tux.

      Also +1 to AC helps, as with +1 to short comments.

      --
      3laws: No freebies, no backsies, GTFO.
    20. Re:Lessig still defends copyright by Anonymous Coward · · Score: 0

      Copyright is fine as a principle, and it is fine in law. It's the implementation in law currently that sucks. While it's true that many people therefore think "toss the whole thing", a great many others, especially people who create things, depend upon it all the time. A good example is the GPL. It uses copyright to stipulate terms for using and distributing code. Without copyright it would have no more legal power than saying "please".

    21. Re:Lessig still defends copyright by TheVelvetFlamebait · · Score: 1

      As a matter of fact, I actually have already implemented two of those suggestions. I might just give the other two a try, thanks. :)

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    22. Re:Lessig still defends copyright by kramerd · · Score: 1

      You must be new here.

    23. Re:Lessig still defends copyright by Anonymous Coward · · Score: 0

      Also +1 to AC helps, as with +1 to short comments.

      Fuck you!

    24. Re:Lessig still defends copyright by Dogtanian · · Score: 1

      The "time limit of popularity" has passed. His music is not on the charts anymore so using it is not unfairly drawing off his work to garner profit or popularity.

      Not agreeing or disagreeing with the main thrust of your post. However, I'm pretty confident that Prince's material from his commercial heyday (80s and early 90s) continues to sell respectably over the long term via CD compilations and iTunes downloads. I'm also willing to bet that it continues to provide Prince with a fairly healthy income. Just because something hasn't hogged the #1 position recently doesn't mean there's no commercial interest in it.

      In fact, it can be argued that he garnered popularity because of this second work.

      Yeah, that's a better point. I can think of at least three tracks that I've bought off iTunes recently because I came across (or rediscovered) them via YouTube.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    25. Re:Lessig still defends copyright by mabhatter654 · · Score: 1

      you'd note that patents have been just fine at 20 years for a long time..manufacturing is dozens of times bigger slice of the economy than "media" based ones. why did copyright need to extend from 28 years to near infinite in 70 years?

    26. Re:Lessig still defends copyright by volpe · · Score: 1

      Argh! Please don't mention that song. It pops into my head every time I right-click at the bottom of my screen and I see the menu item "Lock the Taskbar".

  4. Why should everything bring a profit? by mangu · · Score: 5, Insightful

    Why do media companies think that any use of media should be paid for?

    Suppose farmers acted like that. They grow grain to sell, but their plants create oxygen from carbon dioxide gas as a side effect. Oxygen is a valuable commodity, it's sold in bottles for many uses: hospitals, aviators, steel-cutting, etc. But farmers are sensible enough to know that it would be totally impractical to try to charge for the oxygen their plants release into the atmosphere.

    Media companies should grow up and accept the same fact for their productions. Copyrights should be enforced in movie theatres, someone sneaking into a theatre to watch a movie without paying is somewhat like someone stealing grain from a farmer. But trying to charge for every little use of their media is like a farmer trying to charge for the oxygen their plants release into the atmosphere the same price industrial gas distributors charge for bottled oxygen.

    1. Re:Why should everything bring a profit? by mi · · Score: 2, Insightful

      But farmers are sensible enough to know that it would be totally impractical to try to charge for the oxygen their plants release into the atmosphere.

      Only until it becomes practical to do that. When it does, expect the market of all sorts of airs ("Wisconsin Pasture", "Vermont Forest") — and expect people trying to sneak into the crops-covering air-collecting canopy for a sniff to get busted (deservingly).

      --
      In Soviet Washington the swamp drains you.
    2. Re:Why should everything bring a profit? by schnikies79 · · Score: 1

      O2 is a secondary by-product from farming. With media companies, the media is their primary product. Apples and oranges.

      Do media companies go overboard? Yes. Should they be able to charge for their product? Yes.

      --
      Gone!
    3. Re:Why should everything bring a profit? by blahplusplus · · Score: 1, Troll

      "...their plants release into the atmosphere."

      Note on "their plants", farmers did not create plants, in fact nobody is creating value, all they are doing is reshaping pre-existing value. This myth of "added value" is a bit of idealogical misunderstanding, you can't get value if you don't have any value to begin with - all value was already their in nature.

    4. Re:Why should everything bring a profit? by mangu · · Score: 3, Insightful

      With media companies, the media is their primary product. Apples and oranges

      Hmmm, I see. So, you're saying that when a company creates a film for theatre exhibition, they cannot charge for the by-products? Such as foreign translations? TV versions? DVDs? Sound tracks? Mpeg files?

    5. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      So uh... This.

    6. Re:Why should everything bring a profit? by cliffski · · Score: 1, Troll

      so who planted them, and created the best conditions for them to grow? and fed them in some cases with the right mixtures of fertilizer etc?
      you?
      This all takes effort. And that effort needs to be rewarded, else there is no incentive to plant anything, and hence, you get an empty plate.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    7. Re:Why should everything bring a profit? by The+MAZZTer · · Score: 1

      Not to mention that if farmers tried that, the /. community would switch to breathing air from wild forests etc.

    8. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      That's because the farmers actually have a business plan that still works.

    9. Re:Why should everything bring a profit? by spazdor · · Score: 1

      Yeah. If the farm (or some other) wasn't there producing O2, then wild plants would instead.

      --
      DRM: Terminator crops for your mind!
    10. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      Because in creating the original language version of a film, all of those other products happen to get created at the same time as part of the base process?

      I think you are using a different definition of "by-product" than most. A better analogy would be charging for digital copies of cels or layers from an animated series or movie as those originals were created in the original process for the product. Or to pick from your own, mpeg files would be a good metric as if the movie is digitally mastered, those copies HAVE to exist for the original product to exist.

      Apart from the sound track and mpeg copies, every item you mentioned is something that requires extra input after the original product is created, so a secondary or supplementary product.

    11. Re:Why should everything bring a profit? by ScrewMaster · · Score: 1

      But farmers are sensible enough to know that it would be totally impractical to try to charge for the oxygen their plants release into the atmosphere.

      That, actually, is not the question. It wasn't practical (until very recently, historically speaking) for copyright holders to exert remote control over the distribution and use of their products either. Now it is, and they're trying to do just that (by both technological and legal measures.) The real question is whether farms would do it if they could. And the answer is, yes, they probably would.

      --
      The higher the technology, the sharper that two-edged sword.
    12. Re:Why should everything bring a profit? by Alwin+Henseler · · Score: 1

      Suppose farmers acted like that. They grow grain to sell, but their plants create oxygen from carbon dioxide gas as a side effect. Oxygen is a valuable commodity, it's sold in bottles for many uses: hospitals, aviators, steel-cutting, etc. But farmers are sensible enough to know that it would be totally impractical to try to charge for the oxygen their plants release into the atmosphere.

      Hmm... a farmer analogy. Do we witness the birth of a new /. meme here? Farmers vs. cars? I like it, with the ongoing 'green' trend and all (and fuel prices, and greenhouse effect). Support the farmer! Make oxygen, not ehm... cars!

      -- Yeah yeah, go mod me offtopic.

    13. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      the farmer's plants create oxygen, but there have been other plants before. the farmer had to destroy the previous plants and seed his own. which may be better for human nutrition, but nobody checked if they create more or less oxygen.

      the farmer starting to charge for 'his' oxygen, even if there was perfectly usable oxygen before, which was accidentally destroyed by the farmer, and there being oxygen again as a bybroduct by pure chance, sounds like evil PR. and 'having to charge the same price as for industrial oxygen' is a spurious argument, too.

    14. Re:Why should everything bring a profit? by qw0ntum · · Score: 5, Insightful

      I don't believe "added value" is a myth.

      When I buy food in a restaurant, the chef adds value to the ingredients by preparing them in a knowledgable way. I find more value in, and am willing to pay more for, a fine dinner than I am for a fish and some vegetables. The end product has more value than its constituent parts because of the valuable skills the chef used to create it.

      Value is not inherent in anything. Human creativity and ingenuity versus our needs creates value. Iron is not valuable to a stone age society. It becomes highly valuable once they possess the skill to use it in a way that helps meet their needs.

      Another example. The hard drive in your computer is more valuable to you than other hard drives or the $30 (approx) it cost to manufacture because it holds data that is presumably important to you on it. So, it is more valuable than its constituent components. And it's not any more valuable to me than another hard drive, because I don't have any interest in the data on it.

      So, I humbly disagree that value can't be added to something already existing. I think that nothing has inherent value, and whatever value it does have (financially or otherwise) is placed upon it us. But that's just my philosophical point of view.

      --
      'Every story, if continued long enough, ends in death.' --Ernest Hemingway
    15. Re:Why should everything bring a profit? by Mateo_LeFou · · Score: 5, Insightful

      "Why do media companies think that any use of media should be paid for?"

      Because the metaphor of property was allowed to run rampant, unquestioned.

      Not to flamebait or OT, but as in many things, rms was prophetic about this. He begged anyone who would listen not to use the term "intellectual property" as was widely ridiculed, as in many things.

      --
      My turnips listen for the soft cry of your love
    16. Re:Why should everything bring a profit? by larry+bagina · · Score: 1

      Ah yes, the missing step 2 ????? is "collect government subsidies." Anonymous Coward deserves a noble prize in economics!

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

    17. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      I think you're confusing value with mass-energy, for which there is a conservation law.

    18. Re:Why should everything bring a profit? by Mateo_LeFou · · Score: 1

      Wrong as usual cliffski.

      Effort does not, by virtue of being effort, "need to be rewarded".

      It's *very *difficult for me to make life-size statues of John Grisham out of sour cream.

      In free societies, we don't decide what I *deserve based on the quantity of labor and pass laws to make sure I get that.

      --
      My turnips listen for the soft cry of your love
    19. Re:Why should everything bring a profit? by blahplusplus · · Score: 0, Redundant

      "I don't believe "added value" is a myth.

      When I buy food in a restaurant, the chef adds value to the ingredients by preparing them in a knowledgable way."

      You're confusing what I've said, everything he needs already exists -- all that value already is, all value is derived from previously existing stuff that already existed. Again he's not adding value, he's just reshaping what already existed. You're not understanding the argument - I can't make things out of silicon or glass if I don't have any to begin with, therefore all that is being done is reshaping what already is -- actualizing the pre-existing value that was already their in stored potential form.

    20. Re:Why should everything bring a profit? by ardle · · Score: 2, Interesting

      Actually, I think you've hit the nail on the head here: they shouldn't charge for any of these things! If a customer wants one of these things, they should be provided by a third party (publisher), with the publisher paying the producer their "cut" of the sale. If the producer is the publisher (as is often the case for "big" media), then let them bill themselves (it's SOX-friendly ;-)
      By separating production and publishing, we can get out of the situation whereby "back catalogues" can be made arbitrarily unavailable (producers would need to have their entire catalogue available in order to maximise profit in this model). Also, we would avoid the whole "media-shifting" mystery: company x supplies content y on media z - so if customer wants a copy on media w, company v (on inspection of media w for integrity or maybe on checking customer's license on company x's database) should be able to supply a copy on media w at cost (or close).

    21. Re:Why should everything bring a profit? by MBGMorden · · Score: 4, Insightful

      I don't think he misunderstood you at all - he's just saying your wrong.

      A pile of fish, vegetable, and spices in a grocery store have a general value. In their unprocessed form, they are worth little. If I go home and prepare them myself their value will increase a little because of the preparation. If a good chef does it, the value will increase much more. The finished product is worth more than the unprocessed form. To believe otherwise is to essentially reduce the value of human labor to zero - afterall if the materials had all the value at the start then after the labor has been expended in your view the value has not changed.

      Try to get by in a world where you aren't willing to pay anything for human labor. Unless you're one hell of a subsistence farmer, it's just not going to work.

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    22. Re:Why should everything bring a profit? by qw0ntum · · Score: 2, Insightful

      I think my point was that I see value as something not being inherent in the materials to begin with. To me the reshaping IS where value comes from. The ingredients are valuable in as much as they have the ability to meet needs or to be reshaped to meet needs.

      There's nothing wrong with the point you're making; I was just pointing out an interesting difference, and I think I understand your argument perfectly well. Whereas you see value as being pre-existing (what I'm referring to as "inherent") I see value as something that is only created. I think it's possible to build an internally consistent belief structure around both of those starting positions. I just thought the differences in our beliefs was interesting enough to warrant some discussion.

      --
      'Every story, if continued long enough, ends in death.' --Ernest Hemingway
    23. Re:Why should everything bring a profit? by tendrousbeastie · · Score: 1

      Hi, He's not confusing anything. You're just being unnecessary materialist about the definition of value.

      As qw0ntum says, value is essentially a function human creativity and human need. It is an artificial measure we chose to apply to goods and services - to objects real or abstract.

      A set of atoms have little intrinsic value to a given person, but when configured (by whatever means) in a particular way might make a car or a computer or anything else. To certain people a car or a computer have more value than an unformed bunch of atoms.

      That doesn't imply that there is anything materially different or extra in the atoms in car configuration than in the random mess configuration (lets ignore the different enegry states and such, and just pretend that atoms work like lego) - none the less one is deemed to have more value than the other.

      In this instance value is not a property of the matter itself, but rather a property of its configuration.

      A person who can change one configuration into the other has the capability to add value to the matter (for a given subject).

      P.S. Your arguement of instrinsic material value is even harder to justify when dealing with the provision of services rather than goods - if a dancer contained all the instrinsic value within their constituent parts, then we would value bad dnaces as much as good?

    24. Re:Why should everything bring a profit? by blahplusplus · · Score: 1

      "A pile of fish, vegetable, and spices in a grocery store have a general value. In their unprocessed form, they are worth little."

      This is the illusion though, you're confusing desire with value. Economics has bastardized the concept of 'value' just because the word value redefined and used in a particular way doesn't mean it mean it has any bearing on reality. It is merely an artifact of language. Another problem is that you're pulling a red herring, I'm saying ALL VALUE already existed to begin with, you can't "add" value, to something that ALWAYS has value, i.e. the stuff everything is made of. The illusion is that things don't 'have value', human beings are terribly confused unfortunately. All value already existed, what they mean is - the value that exists I do not currently want, not that it does not have value. There is a difference, the illusion is that something 'loses' value, rather then merely going back to potential value to be reshaped again - the value is always there all the way through.

    25. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      The value of something is how much people are willing to pay for it, period. Saying that a blank piece of paper is worth hundreds of millions of dollars because it has the potential to become the next Mona Lisa is ridiculous. It's better to accept that work can add value.

    26. Re:Why should everything bring a profit? by ultranova · · Score: 4, Insightful

      Only until it becomes practical to do that. When it does, expect the market of all sorts of airs ("Wisconsin Pasture", "Vermont Forest") -- and expect people trying to sneak into the crops-covering air-collecting canopy for a sniff to get busted (deservingly).

      Well, when that day comes, those farmers better make damn sure that none of the carbon dioxide those plants consume comes from my lungs.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    27. Re:Why should everything bring a profit? by nodwick · · Score: 1

      And it's not any more valuable to me than another hard drive, because I don't have any interest in the data on it.

      That's only because you haven't seen the size of his porn collection.

    28. Re:Why should everything bring a profit? by rhyder128k · · Score: 1

      But surely the barriers that stop any person from getting into the cinema without paying are artificial? Why not just allow anyone to come in? If they like the film, they will want to pay as much as they think it's worth. That seems to be compatible with the standard Slashdot user view on copyright.

      A good bit of reasoning by analogy is like a car, I always say.

      --
      Michael Reed, freelance tech writer.
    29. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      Seems to be a misapplication of the analogy. Your examples are all repackaging of the same product. Corn sold in fifty different packages is still dealing with corn. Not actually a by-product as per definition (dictionary.com):
      1. a secondary or incidental product, as in a process of manufacture.
      2. the result of another action, often unforeseen or unintended.

      Applied to film for theaters, maybe what would fall under this is parody, referencing, and I would argue sampling (via value added) to an extent. I think the original analogy, especially in light of what the article is actually talking about, works and is obviously limited in scope.

      Why should we lean on the side of public utility? So we don't get another White v. Samsung case. Sorry Vanna White, you're a bad person.

      Of course you're free to reaffirm an invalid extension of the analogy, as this is the internet, which then prejudices what's actually being discussed, but would the courts buy it?

    30. Re:Why should everything bring a profit? by noidentity · · Score: 2, Insightful

      Bad example, since you cited a physical resource. If I use it, someone else can't. Not so with information.

    31. Re:Why should everything bring a profit? by serutan · · Score: 1

      But farmers are sensible enough to know that it would be totally impractical to try to charge for the oxygen their plants release into the atmosphere.

      Or maybe agribusiness lawyers just haven't come up with a way to pull that off yet.

      Farmers know it would be totally impractical to try to stop each other from selling plants that grow spontaneously from seeds that blow from field to field. But Canada's supreme court has upheld the rights of Canola grain patent holders to do exactly that.

    32. Re:Why should everything bring a profit? by cliffski · · Score: 1, Troll

      wrong again as usual. I never said all effort should be rewarded, but you enjoy your strawman kid.
      If you want farmers to plant those crops, you need to pay them. else they have no incentive to do so, and you go hungry.
      do you grasp the concept yet?
      Or do you still delude yourself that other people will run around providing goods and services top you for free because you have an automatic entitlement to everything?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    33. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      Your theories don't say anything interesting or useful. You might as well say that every number is actually infinity! For example 10 has the potential to be infinity, but it is 10 because some of its value that exists I do not currently want.

    34. Re:Why should everything bring a profit? by cliffski · · Score: 1

      as a cinema owner, if you don't respect my barriers and buy a ticket. I wont buy the movie rights, and the moviemaker will not make the movie.

      You don't work for nothing, why expect anyone else to?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    35. Re:Why should everything bring a profit? by Jafafa+Hots · · Score: 1

      Only until it becomes practical to do that. When it does, expect the market of all sorts of airs ("Wisconsin Pasture", "Vermont Forest") — and expect people trying to sneak into the crops-covering air-collecting canopy for a sniff to get busted (deservingly).

      Which is also a good example of why copyright law as it currently stands is not only bad, it's downright dangerous.

      As it stands, it is illegal for you to distribute an MP3 that you don't "own." But how hard is it to distribute it? It's now easier to "manufacture" and distribute a work to hundreds of thousands of people than it is to tie your shoes.

      Millions of children around the world can do this effortlessly with no real cost to themselves. When that is that case, and when an effortless act that hundreds of millions can freely do is illegal, how do you stop them?

      It seems to me that the only way to stop it or even put a slight dent in it is to give government the POWER to detect when hundreds of millions of people, regardless of "country" happen to make the wrong kind of mouseclick, and then prevent them from doing it or punish them.

      Copyright law as it currently exists requires either that the law be ignored and irrelevant, or that there be a worldwide totalitarian state. I humbly submit therefore that the laws are dangerous.

      --
      This space available.
    36. Re:Why should everything bring a profit? by mi · · Score: 1

      Well, when that day comes, those farmers better make damn sure that none of the carbon dioxide those plants consume comes from my lungs.

      Well, if it came out of your lungs into atmosphere — it is everybody's. But you are, of course, entitled to collect your own CO2, if you'd like and sell it on the free market.

      --
      In Soviet Washington the swamp drains you.
    37. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      But how do you define value? You're implying that value can be weighted in mass, which means, if true, that a $100 bill is vastly less valuable that yesterday's paper. The thing is that value can not be weighted or measured in any universal way, it's just your perception of a thing which gives it its value.
      Then you could talk about things like the market, where the value for an object is obviously determined and an appropriate price tag is applied. That does not mean, however, that this price or value is the "right" one, it's just the one that supply and demand determine. Value is, after all, relative, just like anything else, and although the marked has decided that thing X should cost $Y, it does not mean that this is the price that you are willing to pay for that particular thing.

    38. Re:Why should everything bring a profit? by Mateo_LeFou · · Score: 1

      Weird. I coulda sworn I grew some vegetables this year. But no one paid me, therefore by your logic I had no incentive to do so.

      So I guess I remember it wrong; maybe it was all a dream.

      --
      My turnips listen for the soft cry of your love
    39. Re:Why should everything bring a profit? by ScrewMaster · · Score: 3, Interesting

      Here's a relevant quote from Heinlein's Starship Troopers. This story takes place in the far future (I don't much care for the rather prophetic bit about the "tragic fallacy which brought on the decadence and collapse of the democracies of the twentieth century", seeing as I live in one) and Mr Dubois gives a very Heinlein-esque definition of value:

      He had been droning along about "value," comparing the Marxist theory with the orthodox "use" theory. Mr. Dubois had said, "Of course, the Marxian definition of value is ridiculous. All the work one cares to add will not turn a mud pie into an apple tart; it remains a mud pie, value zero. By corollary, unskillful work can easily subtract value; an untalented cook can turn wholesome dough and fresh green apples, valuable already, into an inedible mess, value zero. Conversely, a great chef can fashion of those same materials a confection of greater value than a commonplace apple tart, with no more effort than an ordinary cook uses to prepare an ordinary sweet.

      "These kitchen illustrations demolish the Marxian theory of value -- the fallacy from which the entire magnificent fraud of communism derives -- and to illustrate the truth of the common-sense definition as measured in terms of use."

      Dubois had waved his stump at us. "Nevertheless -- wake up, back there! -- nevertheless the disheveled old mystic of Das Kapital, turgid, tortured, confused, and neurotic, unscientific, illogical, this pompous fraud Karl Marx, nevertheless had a glimmering of a very important truth. If he had possessed an analytical mind, he might have formulated the first adequate definition of value . . . and this planet might have been saved endless grief.

      " 'Value' has no meaning other than in relation to living beings. The value of a thing is always relative to a particular person, is completely personal and different in quantity for each living human -- 'market value' is a fiction, merely a rough guess at the average of personal values, all of which must be quantitatively different or trade would be impossible."

      "This very personal relationship, 'value,' has two factors for a human being: first, what he can do with a thing, its use to him . . . and second, what he must do to get it, its cost to him. There is an old song which asserts that 'the best things in life are free.' Not true! Utterly false! This was the tragic fallacy which brought on the decadence and collapse of the democracies of the twentieth century; those noble experiments failed because the people had been led to believe that they could simply vote for whatever they wanted . . . and get it, without toil, without sweat, without tears.

      "Nothing of value is free. Even the breath of life is purchased at birth only through gasping effort and pain."

      --
      The higher the technology, the sharper that two-edged sword.
    40. Re:Why should everything bring a profit? by ScrewMaster · · Score: 2, Funny

      Farmers vs. cars?

      Wake me when we can grow cars.

      --
      The higher the technology, the sharper that two-edged sword.
    41. Re:Why should everything bring a profit? by MobileTatsu-NJG · · Score: 1

      "Weird. I coulda sworn I grew some vegetables this year. But no one paid me, therefore by your logic I had no incentive to do so."

      You paid yourself to satisfy your rumbly tumbly, poo-boy.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    42. Re:Why should everything bring a profit? by Risen888 · · Score: 1

      Are you serious? Have you ever seen a farm? The farmer didn't just find that corn growing there. Yes, those are their plants.

      --
      Hey, I finally got my first freak! Took you long enough!
    43. Re:Why should everything bring a profit? by Digital+Vomit · · Score: 1

      In the digital age, is it really practical to charge for songs, TV shows, and movies?

      Is it really practical if we, as a society, have to continually waste an incredible amount of time, money, and resources on copyright enforcement?

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    44. Re:Why should everything bring a profit? by TheVelvetFlamebait · · Score: 2, Insightful

      Because the metaphor of property was allowed to run rampant, unquestioned.

      Agreed, but there's actually a similar situation on the other side of copyrights, where copyrights are considered so far divorced from property, that breaking copyright isn't considered stealing, despite the good reasons to do so. (I will go into them if anyone wants to know)

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    45. Re:Why should everything bring a profit? by panda+cakes · · Score: 1

      This is the way they finance production. Making a movie may cost tens of millions as same as making a software product or recording a music album etc. If you paid their expenses plus profit right away they would be happy to give it to you together with the rights to do anything you want, just like a farmer gives you produce because you are paying its cost plus farmer's profit right away. Since it's unlikely a lot of people would have been paying millions per movie or hundreds of thousands per a CD the media companies instead license you some rights for a much smaller amount of money betting on the product being popular enough for license fees to cover production cost and assured by the government that they can do this. If you don't like this scheme you have two choices: either buy out the product, paying in full the cost and profit, or just don't buy a license at all.

    46. Re:Why should everything bring a profit? by masterzora · · Score: 1

      The cinema is a different story. As the cinema owner, I firstly have to deal with the issue of scarcity. I only have a limited number of seats in my cinema, after all (unless somebody has remodeled Hilbert's Hotel). Further, by being in my cinema they are causing wear on my property (such as the seats), so they are removing real value in at least two ways that are easy to consider.

      --
      Remember, open source is free as in speech, not free as in bear.
    47. Re:Why should everything bring a profit? by rohan972 · · Score: 2, Informative

      Only until it becomes practical to do that. [charge for oxygen produced by plants on farms]

      The idea has been only slightly modified and is being marketed as "carbon credits".

    48. Re:Why should everything bring a profit? by Zontar+The+Mindless · · Score: 1

      blahplusplus confuses "value" with "potential".

      --
      Il n'y a pas de Planet B.
    49. Re:Why should everything bring a profit? by Anonymous Coward · · Score: 0

      Hmmm, I see. So, you're saying that when a company creates a film for theatre exhibition, they cannot charge for the by-products? Such as foreign translations? TV versions? DVDs? Sound tracks? Mpeg files?

      Now you are making the exact same misstake as the people that are trying to patent softwares. (I do realize that they succeed) They say that the software is made to be run in a computer and thus is patentable. This because software made for a hardware is patentable. This makes softwares that are part of a braking system patentable, as it is a part of the hardware.

      The film isn't part of the movie theatre hardware. It is abstract and differentiated from the media it is run on, just like any software is differentiated from the media it is run on.

      Your argument is valid, iff you agree with software patents. I do not agree with software patents and thus do not agree with your argument. (I do realize that you could agree with software patents for another reason than that argument and thus have your argument invalid, but I prefered to use iff over if, because it is more nerdy.)

    50. Re:Why should everything bring a profit? by cliffski · · Score: 1

      so you let people come along and take them?

      Oh no, YOU ate them didn't you. That was your incentive.
      Are you that fucking dense you cant grasp this simple concept?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    51. Re:Why should everything bring a profit? by ozphx · · Score: 3, Funny

      Hey asshole. I have some added value for all our entertainment. I have the knowlege of when I am going to come over and kick you in the crotch for pedantic asshattery

      This is a valuable piece of information, which if you had it, you could use it to cover your balls with something protective.

      The intention to kick you in the crotch did not exist before I read your worthless crap, and the kick in the crotch will not exist until I deliver it, personally, to your nuts.

      I created it. Out of the void. It will add value to this community, and I created it from nothing. I am like.... God... and my violent unleashing of my boot upon your tender nutsack will truely be the genesis of my long term work. I will call it "Feetamoderation".

      --
      3laws: No freebies, no backsies, GTFO.
    52. Re:Why should everything bring a profit? by ozphx · · Score: 1

      You mean that wanker thats crying about Monsanto? Apparantly his neighbours field of GE grain managed to in a single season magically convert all of his grain into the GE strain...

      Mr Occam says he bloody stole it, and didn't pay for Mr Monsantos overpriced R&D.

      --
      3laws: No freebies, no backsies, GTFO.
    53. Re:Why should everything bring a profit? by ozphx · · Score: 1

      Sure check out my sweet new 3D hot lesbian simulator:

      0, 1

      Just make as many copies of those ones and zeros as you need, arrange appropriately and enjoy!

      Man that slacker Torvalds has some nerve strutting around with all that "I wrote the kernel" bullshit. Wrote? That asshat just stuck a bunch of 1's and 0's that were already lying around on his hard disk in a different order. Adding value? It was already there!

      Don't even get me started on that Darwin slackass, and that cock Shakespear.

      --
      3laws: No freebies, no backsies, GTFO.
    54. Re:Why should everything bring a profit? by stephanruby · · Score: 1

      Suppose farmers acted like that. They grow grain to sell, but their plants create oxygen from carbon dioxide gas as a side effect. Oxygen is a valuable commodity, it's sold in bottles for many uses: hospitals, aviators, steel-cutting, etc. But farmers are sensible enough to know that it would be totally impractical to try to charge for the oxygen their plants release into the atmosphere.

      Well, we supposedly already subsidize farmers for vague unquantifiable benefits such as jobs, local self-sustenance, an old way of life (i.e the status quo), scenery, symbolic national pride, and I'm sure one could easily add oxygen (or carbon credits) to the mix.

      On a side-note, I'm all for having food grown locally, it's just that on one hand, we want food to be grown locally, thereby reducing the environmental cost of transportation, but on the other hand we're subsidizing transportation and energy for transportation, thereby we've removed most of the existing incentives for the consumer to buy locally-grown foods. We should just try to cancel existing subsidies, instead of adding subsidies that work against other subsidies.

      Anyway, I'm sure the RIAA/MPAA would be pretty happy if they could secure themselves more taxes/subsidies from companies selling blank media (as they have already done for blank audio CDs). Government money, once you can get it, as many farmers already know, is usually a pretty reliable income stream. It's at least more stable and reliable than having to compete on the open market with everybody else.

    55. Re:Why should everything bring a profit? by Kjella · · Score: 1

      Frankly, I don't understand why this is an either-or point at all. If an apple tree grows somewhere, completely naturally without any human help those apples have value. You can pluck one down, eat it and it'll be undeniably useful without any reshaping. If you come to me asking "I got this piece of land that I want to fence in" and ask me for help calculating how much materials you need, that's a completely abstract service that has value. It would seem to me that both can have an inherent value independant of the other.

      Of course, certain resources and skills only have value in interaction with others, but they work both ways. A chef can't make food without ingredients. A poisonous pufferfish is worthless without a skilled chef. Both are a potential and thus have value, but it's not realized until they're brought together. There's really no order here, they're both components and what has most value depends if it's a rare skill on a common resource or a common skill on a rare resource. Nothing makes one have more inherent value than the other, they're equally valuable or useless depending on your point of view.

      At first you could think there's some more rules here, that say a poor chef with poor ingredients would always do worse than a good chef with good ingredients but there aren't. Imagine a scale that said "no pufferfish/pufferfish" and "no cooking skill (won't cook)/poor cooking skill". Three of these lead to a zero event - nothing happens. But in the best case where you have the maximum resources and the maximum skill, the result would be a fatal pufferfish dish. You can construct up a few others to see any combination of better and worse is possible.

      Of course, these are just simple examples with a single resource/skill. In practise you'll have more resources (many ingredients in a dish) and many skills (everyone growing or processing it) and they in theory they all interact with each other. "Value" is really the weighted sum of all possible benefits given all the other resources and skills and their relative pricing. Maybe it's clearer if I say that if you try to determine the value of strawberries, you have to consider their value as berries to eat, as strawberry jam, as strawberry sauce and all the other places you might use strawberries. If someone makes a new popular dish with strawberries, the value of strawberries would increase. If people loved strawberries and cream and there was a cream shortage, the value of strawberries would decrease even if nothing had inherently changed with the strawberries. It is the sum of all these value chains that makes up its total value.

      P.S. If you're wondering where the individualism went, I just silently took that as part of the value chains. Some don't like strawberry jam, then they're not in that value chain. If they're not in any value chain, then strawberries have no value to them at all. The strawberries influence the prices of other goods though, so it's not like they're irrelevant to anyone. Models simplify this, but it's really the butterfly effect of value determination.

      --
      Live today, because you never know what tomorrow brings
    56. Re:Why should everything bring a profit? by mi · · Score: 1

      Copyright law as it currently exists requires either that the law be ignored and irrelevant, or that there be a worldwide totalitarian state.

      The first step in avoiding the totalitarianism is by acknowledging, that violating copyright is wrong. If it is sincerely accepted as wrong, those millions of children may gradually stop doing it — or doing it less.

      What we have on Slashdot, however, is perverse logic — you are advocating, that there is nothing wrong with the activity, because stopping it would require a totalitarian state!

      Millions of kids (and adults) engage in other petty crimes like graffiti, littering, and graffiti. Properly stopping such things may require something "Singaporean" (which bans chewing gum sales to prevent it sticking to shoes), even if not fully totalitarian. Are you proposing, we stop not only enforcing laws against these activities, but even considering them wrong?

      --
      In Soviet Washington the swamp drains you.
  5. People in Rebellion by b4upoo · · Score: 3, Interesting

    It has come to the point in America that many people are in some form of rebellion. Copyright issues are but a small edge of the issues that surround us. But as things now stand in the social justice arena piracy of intellectual property is not something I'm willing to get all excited about.Perhaps when our lazy government gets off of its backside and does something about the exploitation of our citizens by outrageous fuel and power prices and mortgages designed by Satan then i'll worry about whether somebody hummed a tune he heard on the radio without permission of a record company.

    1. Re:People in Rebellion by bill_mcgonigle · · Score: 1

      Perhaps when our lazy government gets off of its backside and does something about the exploitation of our citizens by outrageous fuel and power prices and mortgages designed by Satan

      I can't tell here if you already know this but our 'lazy' government is directly responsible for those mortgages.

      The only way a private bank would ever think of offering a no-money-down interest-only no-income-verification loan for $600,000 is that they can collect their $15K in fees in the morning and have that loan sold to a GSE by dinner and do it 90 times for each dollar they actually have. No private institution is stupid enough to assume that kind of risk, it takes a government to allow, no - mandate it.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  6. Lessgi's right.... by Anonymous Coward · · Score: 0, Funny

    ... the takedown should've been on the grounds of "No one really wants to see your damn baby pictures"

  7. Wonder what the big deal was about that video by Anonymous Coward · · Score: 1, Funny

    Because I can find hundreds if not thousands of full music videos posted by random joes. I have not spent a dime on music for the past 12 years. And this is coming from someone who had 350 CDs in high school. Thanks YouTube!!

  8. Copyright is a means, not an end by mangu · · Score: 5, Insightful

    The US Constitution says:

    The Congress shall have power ... To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries

    Copyright is constitutional only if it promotes the progress of science and useful arts.

    Now the question is *ARE* science and useful arts being promoted by copyrights? Would you say that this work is a progress over this one? If a remake was made, is the copyright in the older film still valid? Why?

    The only thing that's being promoted by copyrights is the profit of some corporations.

    1. Re:Copyright is a means, not an end by Mateo_LeFou · · Score: 3, Interesting

      "Copyright is constitutional only if it promotes the progress of science and useful arts."

      Though I agree with you on this matter, SCOTUS does not -- and (*sigh) SCOTUS is the final arbiter of what is constitutional.

      In the holdings of Eldred versus Ashcroft, it was made clear that copyright is presumed consitutional if it is for a non-infinite amount of time and preserves the distinction between idea and expression.

      The idiotic copyright laws that now exist and will soon exist are subject to challenges, just not *constitutional ones.

      --
      My turnips listen for the soft cry of your love
    2. Re:Copyright is a means, not an end by nomadic · · Score: 1

      Though I agree with you on this matter, SCOTUS does not -- and (*sigh) SCOTUS is the final arbiter of what is constitutional.

      No offense, but you're both wrong and SCOTUS is right. The Constitution clearly gives Congress the right to create copyright laws, and the preliminary statement as to the purpose of copyright law does not create a Constitutional mandate that only "useful arts and sciences" be protected.

      The Second Amendment has a similar preface; does that mean restricting gun ownership is fine as long as it doesn't interfere with a well-regulated militia?

      As a Constitutional matter I would be a lot more worried about the government deciding what constitutes "useful" when it comes to science and art.

    3. Re:Copyright is a means, not an end by mangu · · Score: 1

      The Second Amendment has a similar preface; does that mean restricting gun ownership is fine as long as it doesn't interfere with a well-regulated militia?

      Considering the many laws restricting gun ownership, one would think so. Gun ownership is allowed, or perhaps one should say "tolerated" for other purposes, but subject to a long list of regulations. Having a gun is prohibited under any sort of circumstances where it could possibly cause danger. There are laws stating that guns must be securely stored, may not be carried hidden, may not be carried into many public buildings, etc.

      OTOH, there are no similar laws about copy restrictions. What if a company publishes a work under copyright, but encodes it with a secret key? When the copyright term expires, how can you guarantee that it will be available in the public domain?

      I think you chose a particularly bad example, there are far more legal restrictions on gun ownership than on copyright ownership.

    4. Re:Copyright is a means, not an end by Artifakt · · Score: 3, Insightful

      I agree with you that the preface clause doesn't limit Congress to only establishing copyright if the material counts as a useful art or science, nor does it limit terms to only those durations that result in a net gain to the art or science involved.
      I disagree that SCOTUS is right (not that they will listen to me). I think that the founders, when they wrote about a limited time, were treating copyright as derived from a natural right to copy, which everyone posessed by Nature, for the agnostic founders (or grant of Nature's God, for the deistic founders). That natural right was of course naturally limited, by death. No one could exercise their right to copy even a fraction of a second after they died. If that's true, then 'for a limited time' would have to mean less than a natural lifespan. Life+50, 70 and so on type limits violate this, AND they make copyright a created right, not a transferred one. By its very definition, a Life+70 type right has to be created at least in part by the government, by fiat, and not exist as a transfer.
            The real downside of this is, if Congress ever shortens copyright, the remaining time now doesn't have to revert to the public. If Congress were to decide tomorrow that authors could only enjoy, say, a 14 year copyright, they could give the remainder to anybody, the public, the federal government, the organized publishing industry as a whole, or whatever, and it wouldn't be a taking without just compensation, anymore than the original extension was a taking from the public (again, as SCOTUS sees it). A lot of authors who think the government is on their side may get a rude shock.
            One last point - while, as far as I can see, it doesn't hurt your argument or mine, there's a real shift in what English meant then and means now. That is, useful arts mostly meant technologies and practical applications, not arts like painting or playwriting, and a lot of things we'd call arts, i.e. literature, rhetoric and philosophy, were more firmly regarded as part of the Sciences in Madison's and Jefferson's days.

      --
      Who is John Cabal?
    5. Re:Copyright is a means, not an end by Anonymous Coward · · Score: 0

      Your examples fail. Just use Uwe Boll. Does his drivel warranty the label of science or art? Clearly not, therefore such dross should not be protected by the artificial state of copyright. That goes for most of the US movie industry. Farm rubbish that isn't art or science, lose copyright protection. Simple really.

    6. Re:Copyright is a means, not an end by kandresen · · Score: 1

      Copyrights does indeed help promote science and arts, however only to a certain degree.
      Why should a company develop something new if everyone else can simply copy it and sell it as their own without the cost of the development process?
      The same is true for writing books - everyone could simply copy your work and sell it again without the writer getting anything.

      The question to what extent it is a promoting development of science and arts. I will argue it should be obvious that too long copyright is worse than none of all.
      If you have an near infinite copyright you never need to actually place what you have the right for into an actual offering - it is better to simply make another work and wait for someone to use your idea and sue them for violation. With a 75 years copyright you don't even need to make any of your ideas ever get to market. Wait and sue - invent something more in the meantime.

      So there are two questions.
      1) What is a reasonable time frame for copyright to actually promote science and arts?
      2) Should everything copyright-able, arts and science, have equal many years of copy right protection?

    7. Re:Copyright is a means, not an end by ScrewMaster · · Score: 1

      As a Constitutional matter I would be a lot more worried about the government deciding what constitutes "useful" when it comes to science and art.

      As a practical matter, the United States' various governments have been deciding that for a long, long time.

      --
      The higher the technology, the sharper that two-edged sword.
    8. Re:Copyright is a means, not an end by serutan · · Score: 2, Interesting

      One problem is that the copyright industry has been very successful at equating copyright and property in the public mind. Many people now believe that the right to control the use of everything we create is an inherent human right that has existed since the dawn of time, and that copyright laws merely codified this right. In their view copyright infringement is the moral equivalent of snatching a little old lady's purse. It's hard to have a reasonable discussion of Fair Use when the copyright industry gets to cast itself as the little old lady.

    9. Re:Copyright is a means, not an end by techno-vampire · · Score: 1
      it is better to simply make another work and wait for someone to use your idea and sue them for violation.

      That would be true if you could copyright ideas, but of course, you can't. One of the main ideas behind the first Harry Potter book is that of a boy finding out he can do magic (and that magic exists) when he's accepted as a student at a school for wizardry. Among other things, I'm a writer. If I wanted, I could write a book based on exactly that idea and Rowling couldn't do one thing about it as long as I don't steal any of the locations, characters or spells from her or lift passages out of her books and claim them for my own. No, if you write a book but never publish it, you can't sue any and everybody who uses the same ideas. You can only sue if they steal your words, and then, you can only win if you can prove they had access to your work.

      --
      Good, inexpensive web hosting
    10. Re:Copyright is a means, not an end by TheVelvetFlamebait · · Score: 1

      Remakes often offer something new, varied, different, or at least modern context to an old idea. I don't see you complaining about, for example, plays? Many plays have been in many, many productions, each with the same words being spoken by different people. Surely, if the remake is not "science and useful arts", then plays too are not? Sometimes, we just want a modern crack at an old concept. Also, kids today are more likely to see a modern movie than hunt down older ones, so the feasible only opportunity for them to see Gone in 60 Seconds is to see the later version.

      I'd also like to point out that trying to finding copyrighted works that don't fit the highly flexible definition of "science and useful arts" is pointless. What you really should be doing is proving that practically all copyrighted works are not "science and the useful arts". That's the only way to show that the law isn't doing the job that the constitution demands it to do. Currently, every single artwork with a fanbase, no matter how god-awful certain other people believe it to be, is "useful art" from the perspective of people enjoying it. It's use is entertainment. Basically, you have an uphill battle ahead of you.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    11. Re:Copyright is a means, not an end by rohan972 · · Score: 2

      The Second Amendment has a similar preface; does that mean restricting gun ownership is fine as long as it doesn't interfere with a well-regulated militia?

      http://en.wikipedia.org/wiki/United_States_v._Miller
      Attorneys for the United States argued "The Second Amendment protects only the ownership of military-type weapons appropriate for use in an organized militia."

      That made the "assault weapons" ban unconstitutional by the way.

      Also, in the decision: "In the absence of any evidence tending to show that possession or use of a 'shotgun having a barrel of less than eighteen inches in length' at this time has some reasonable relationship to the preservation or efficiency of a well regulated militia, we cannot say that the Second Amendment guarantees the right to keep and bear such an instrument."

      It is difficult to see how bans on .50 BMG or automatic weapons can be reconciled to this decision.

    12. Re:Copyright is a means, not an end by crossmr · · Score: 1

      it was made clear that copyright is presumed consitutional if it is for a non-infinite amount of time

      I think everyone in the RIAA and MPAA can agree that infinity minus 1 is okay...

    13. Re:Copyright is a means, not an end by 91degrees · · Score: 1

      It is constitutional. Although it isn't perfect, the current regime does promote the the creation of "science and useful arts" (in the sense that this archaic phrase was intended). Publishers spend large amounts of money on movies, music, literature, and computer software that they very likely wouldn't without copyright and as such the law does do as intended. Since you can't categorically prove that another method would promote a better form of creativity, we can only assume that the wise men representing us have worked out the best solution they can conceive.

      Of course this argument would only apply if politicians saw the constitution as a guide for making laws rather than an obstacle. I really don't know what the motives are for most of them. Perhaps they genuinely consider remixes to be minor and trivial insignificances and think mainstream popular media is all that it really important. Or perhaps they just take money from the lobby groups and don't let what the constitution says worry them.

    14. Re:Copyright is a means, not an end by Foobar+of+Borg · · Score: 1

      It's hard to have a reasonable discussion of Fair Use when the copyright industry gets to cast itself as the little old lady.

      Of course, this little old lady is the kind that has a telescope to look at you through your windows so she can call the police when she sees you having sex or looking at a porno mag. After all, she can see you, so you must be doing it in view of the public. Also, she never chains up her dog so he runs everywhere and crashes through your screen door, and then she sues you when you kill the dog and blames you for causing it to run loose. That, and she screeches obscenities at you every time you leave the house. This is a little old lady that needs to die.

    15. Re:Copyright is a means, not an end by Anonymous Coward · · Score: 0

      "Narrator: (Parodying the PSA shown before films) You wouldn't steal a handbag. You wouldn't steal a car. You wouldn't steal a baby. You wouldn't shoot a policeman. And then steal his helmet. You wouldn't go to the toilet in his helmet. And then send it to the policeman's grieving widow. And then steal it again! Downloading films is stealing. If you do it, you will face the consequences."

      -- The IT Crowd

  9. End all copyright - it's based on flawed logic by kaltkalt · · Score: 5, Insightful

    Copyright was never intended to prevent private copying for noncommercial uses. Please don't try to argue that "copying = not buying = commercial loss = commercial use" because it's a horribly disingenuous and intellectually dishonest argument. Stealing is depriving someone else of their property. Even if copying is depriving someone of a potential sale, there is no vested property right in potential sales. If so capitalism would not work, as competition would be equivalent to stealing. The makers of cars would be stealing from the makers of horsedrawn carriages. The makers of refrigerators would be stealing from ice manufacturers. The makers of calculators would be stealing from the makers of abacuses (abaci?). You get the point. I should be able to copy and read/watch/listen to/play in my own home, for my own use, any media in existence. The notion that without monopolies, creative people would not create has long been disproved. No monopolies are necessary to foster creativity. The best, most creative people will create regardless. The hacks are the ones who need monopoly protection. For example, without copyright, Neil Young would still be making music, but Brittney Spears would not. Because copyright has been so greatly abused, because it's been proven to be based on flawed logic, and because it only serves to hinder creativity and make money for those who do not deserve it, copright should be abolished completely. There should still be protection for attribution to prevent plaigariasm, in some form.

    --

    Stupid people make stupid things profitable.
    1. Re:End all copyright - it's based on flawed logic by Anonymous Coward · · Score: 0

      Because copyright has been so greatly abused, because it's been proven to be based on flawed logic, and because it only serves to hinder creativity and make money for those who do not deserve it, copright should be abolished completely.

      Of course, you shouldn't be able to reform it. You should just abolish it completely. This will not cause unwanted consequences (For example, it's not like that the GNU General Public License uses copyright law to enforce its terms or something like that, so it'll be fine).

      Please. You "copyright should be abolished" people are idiots.

    2. Re:End all copyright - it's based on flawed logic by Anonymous Coward · · Score: 0

      "Stealing is depriving someone else of their property."
      They did start it.

    3. Re:End all copyright - it's based on flawed logic by bonch · · Score: 2, Insightful

      If you end all copyright, you won't have the GPL anymore, since it relies on it. There is such a thing as intellectual property, and this is value assigned to mind creations, like music, artwork, and more.

      You're essentially saying that, say, if I spent three years writing an epic novel, I have no right to be compensated for it because you can easily copy a text file of it. Sorry, but that's silly. Your rant really stems from a desire to pirate everything for free without having to pay for it.

      The notion that without monopolies, creative people would not create has long been disproved. No monopolies are necessary to foster creativity. The best, most creative people will create regardless. [snip] Because copyright has been so greatly abused, because it's been proven to be based on flawed logic...

      You cite no proof, and you throw out an assumptions about artists. There are essentially no facts whatsoever in your entire post--just fuzzy dorm room ideals and unproven claims.

      For some reason, people like you purposely ignore the reality of making a living off your work. A painter sells his paintings so he can make money and continue painting, supplying himself with more canvas and oils, traveling to locations to paint as well as to display his artwortk in galleries, and so forth. It's basic common sense. You want to deprive him of that money so that it's harder for him to paint. He might even have to work a regular day job that interferes with his painting time. In fact, if he seeks money for his paintings, you might criticize him for not being a "true artist." It's all bullshit, frankly. How would John Carmack have made a living in your fantasy world?

      There's just this odd double-standard where people like you imply that artists who try to make a living are greedy or selfish, when you're the one arguing for a lack of copyright so you can pirate their work without paying them for it. We'll see how my post gets moderated--anti-piracy views tend to get knocked down on this site, for whatever reasons...

    4. Re:End all copyright - it's based on flawed logic by Kjella · · Score: 2, Insightful

      The notion that without monopolies, creative people would not create has long been disproved. No monopolies are necessary to foster creativity. The best, most creative people will create regardless. The hacks are the ones who need monopoly protection. For example, without copyright, Neil Young would still be making music, but Brittney Spears would not.

      That some guy will come up with some song and play a few lines on his guitar yes, but that's like proving an all out nuclear war isn't the end because the cockroaches would survive. Take a modern day TV production, and look at the credits. There's maybe five main actors, but a ton of people doing location, camera, sound, makeup, wardrobe, props, sound effects, music, editing, special effects and all the other bits of putting it all together. Neil Young's songs make him famous, so is Jerry Seinfeld but most of the staff are never seen, heard or have any creative input at all. They do it as a job to earn money and it all works because the show makes a lot of money which pays the production costs (and a nice profit to the man himself, but that's beside the point).

      The point is that only those that get a direct and personal benefit would do still be creating without profit, everyone else in a support job to realize someone else's creation would not. Of course there'd still be those making money indirectly, for example the ballet could still hire a choreographer since they get money of live performances which would be passed down to him. But those that have relied on those monopolies to pay people would be gone, and if you try to claim that's not many people and that their products (mostly TV and movies) don't play an important part of modern culture then you're seriously deluding yourself.

      Of course slashdot has already declared that all the good music, TV and movies have already been made and if we shut down everything and listened to 20th century hits forever that'd be just groovy. Hint: Thinking everything new sucks probably means you're becoming an old fart and liking alternative music probably means you have an alternative taste, not some wild conspiracy to keep people from realizing alternative music exists. Don't get me wrong - I know YouTube is rather popular but so is Prison Break and Lost, and without copyright I'm pretty sure the latter would die. Not because the stars wouldn't want to keep going, but because the guys you've never heard of wouldn't want to.

      --
      Live today, because you never know what tomorrow brings
    5. Re:End all copyright - it's based on flawed logic by cliffski · · Score: 1

      "For example, without copyright, Neil Young would still be making music"

      Yes. He would make the odd album now and then after he wasn't too tired from his day job in Wal Mart.
      Personally, I'm glad that talented creative people can make a living from it, and do it full time, but then I don't resent paying $15 for an album I might listen to for the rest of my life.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    6. Re:End all copyright - it's based on flawed logic by ratboy666 · · Score: 1

      Jerry Seinfeld - wow...

      All episodes were broadcast to my house "for free" -- and somehow the "TV dudes" made money on it.

      I will let you contemplate that for a while.

      Mr Seinfeld, and the other cast members will make more money if the program is re-aired. Think on that a while.

      Now, discuss why the support people will NOT make residuals. That would be the "ton of people doing location, camera, sound, makeup, wardrobe, props, sound effects, music, editing, special effects and all the other bits of putting it all together" that you implied needed to be protected by copyright -- those that have only a "work for hire" or no interest in the property.

      Since I won't be harming any of those people, we MUST be talking about the "maybe five main actors" you mentioned.

      Back to you -- why wouldn't Seinfeld have done it for what he was paid?

      --
      Just another "Cubible(sic) Joe" 2 17 3061
    7. Re:End all copyright - it's based on flawed logic by Raenex · · Score: 1

      All episodes were broadcast to my house "for free" -- and somehow the "TV dudes" made money on it.

      The "somehow" is right to distribution based on copyright. The "TV dudes" made money by selling advertising. If there is no copyright, then anybody can copy the program and show it without advertising and without compensating the original producers.

      Now, discuss why the support people will NOT make residuals. [...] Since I won't be harming any of those people

      Those people would have been paid in the first place if there wasn't an expectation of revenue, which was based on copyright.

    8. Re:End all copyright - it's based on flawed logic by TheVelvetFlamebait · · Score: 2

      Copyright was never intended to prevent private copying for noncommercial uses. Please don't try to argue that "copying = not buying = commercial loss = commercial use" because it's a horribly disingenuous and intellectually dishonest argument.

      ARGH! STRAWMAN!! No-one makes that argument! The problem is that copying = no chance of you buying (whereas statistically you had some chance of buying before) = loss, in the sense that without gluttonous quantities free entertainment you, or at least other people in the same boat, would have bought some stuff. (Who can really live without some entertainment? Who would want to?)

      No-one actually believes that every copy would have resulted in a sale, but you would have to be equally stupid to believe that it doesn't cause any financial harm to media companies. Copying is an alternative to buying. One gives the media company the money that they charge for their product, and the other doesn't. How many people really copy and buy all their media? It competes with genuine copies, while not actually managing to replace them, since copying relies entirely on there being originals!

      Stealing is depriving someone else of their property. Even if copying is depriving someone of a potential sale, there is no vested property right in potential sales. If so capitalism would not work, as competition would be equivalent to stealing.

      Copyright is an exception to that rule. In every other business, competition comes in the form of another business that does the same job as you, but (supposedly) better. In copyright, competition comes in the form of something that leeches of you, absorbs all your profits, but doesn't actually replace you or contribute anything back (like regular competition). It's more like stealing than competition in this respect, because stealing something gives it to you for free, relies on someone else making the product for you, and contributes nothing back to the market. Surely, because media companies face such a unique challenge from copying, they can have an exception to the rule?

      The notion that without monopolies, creative people would not create has long been disproved.

      Uh, for one, no it hasn't. When in our entire history have we had anything to the equivalent of today (or tomorrow) without copyright? Never. Never have we had machines to reproduce instantly the works of others so readily, and at the same time, no copyright. Oh sure, there are plenty of reasonable-sounding arguments why people would create none-the-less, but to say that it's been "proved"... well, that's quite a stretch.

      For two, it isn't an issue of that (remember your old friend the strawman?). Less people will create works. Surely you can't deny that? There are people out there (many of them really talented) who do it for, or who can only afford to do it for, the money. Many artists are surviving on the razor's edge, and any significant drop in sales will significantly affect them. We could also say goodbye to certain art forms, the most prominent example of which would be the Hollywood blockbuster, since there isn't the money to nurture such projects.

      Essentially you would end up relying on people to create for the sheer enjoyment of art, but this seems ludicrous after a little critical thinking. Who will really continue to create and distribute? People would have to do it in their spare time, they'd have to pour their savings into it, and they'd have to be prepared to distribute their works with no expectation of return, other than applause and adulation. Sure, you could argue that distribution is cheap, but advertising is not. They would have to be content with either distributing to an anonymous swarm of file-sharers, on a personal website, which is more expensive, but still only reaches those who already know about it (i.e. a small number of the population), or they'd have to pay for some ludicrously expensive ad

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    9. Re:End all copyright - it's based on flawed logic by Anonymous Coward · · Score: 0

      Copyright was never intended to prevent private copying for noncommercial uses. Please don't try to argue that "copying = not buying = commercial loss = commercial use" because it's a horribly disingenuous and intellectually dishonest argument.

      I do not believe that it is intellectually dishonest. Copying is not buying. If you don't want to pay for the music, don't listen to it.

      Stealing is depriving someone else of their property. Even if copying is depriving someone of a potential sale, there is no vested property right in potential sales.

      You are basically saying, that the only value that exists, exists in the form of material value. I would say differently. I would say that there is more value in my education, than there is in the pizza I bought yesterday. That education is payed for in form of taxes and something I find valuable to pay for.

      If so capitalism would not work, as competition would be equivalent to stealing. The makers of cars would be stealing from the makers of horsedrawn carriages. The makers of refrigerators would be stealing from ice manufacturers. The makers of calculators would be stealing from the makers of abacuses (abaci?). You get the point.

      I get the point and I don't think it is a valid point. If I buy a CD with Gary Moore music (shameless advertisement) over a CD with Buddy Holly, it would be the same as cars competing with horsedrawn carriages. The problem is that it isn't possible to make a proper analogy.

      I should be able to copy and read/watch/listen to/play in my own home, for my own use, any media in existence.

      Nope. If you haven't paid for it, you shouldn't be allowed to listen to it. (I'm not saying that you shouldn't be able to listen on Radio or at a friends house or at a disco, so do not go there)

      I should be able to take whatever car there exists, because all the atoms existed before and does not belong to anyone.

      The notion that without monopolies, creative people would not create has long been disproved. No monopolies are necessary to foster creativity. The best, most creative people will create regardless. The hacks are the ones who need monopoly protection. For example, without copyright, Neil Young would still be making music, but Brittney Spears would not.

      So you think that mediocre people should not be allowed to make money, only people who stand out in a field. Bring back tipping and make that 100% of the pay for anyone. I know quite a few teachers that wouldn't be paid a dime.

      If you don't like Brittney Spears, then don't listen to her music, don't argue that you should be allowed to listen to her music for free, because she is lousy. If I boycotte someone, I don't use their product. It may cost me in convenience.

      Because copyright has been so greatly abused, because it's been proven to be based on flawed logic, and because it only serves to hinder creativity and make money for those who do not deserve it, copright should be abolished completely. There should still be protection for attribution to prevent plaigariasm, in some form.

      Could you link to that proof? Is there a Wikipedia article about that proof that I could read up on? Or is it just opinions that copyrights are based on flawed logic? In that case, state it as an opinion and I will respect it as an opinion.

      Why protect against plaigiarism? If your right to income isn't protected by law, then what is the point of protection against plagiarism? Since the artist can't make money from their art, there is no point in protecting it against plagiarism out of the artists point of view.

    10. Re:End all copyright - it's based on flawed logic by kaltkalt · · Score: 1

      ARGH! STRAWMAN!! No-one makes that argument! The problem is that copying = no chance of you buying (whereas statistically you had some chance of buying before) = loss, in the sense that without gluttonous quantities free entertainment you, or at least other people in the same boat, would have bought some stuff.

      Yes, people make the argument all the time, and it sounds like it's precisely the argument you are making. I have a HUGE DVD (and now blu-ray) collection, 95% of which are things I initially copied. So, copying = no chance of buying is simply not true. It may reduce the chance that it will be bought on a macro level, but that just goes back what you call a straw man argument. "Would have bought it" = "lost sale" = "stealing." ...if copyright were gone, but I'd hazard a guess that Brittany Spears would be one of the few artists still making music. She doesn't even "make" her own music, people do it for her. A bunch of corporate executives, marketing gurus, and demographic specialists sit around at a huge oak table and come up with lyrics for new Brittney Spears songs. They run it through focus groups, tweak it to appeal to the most people possible, hire nameless studio musicians to stick a drum beat to it, and use multi-million dollar recording studios to make Brittney's voice sound sexy and in tune with the drum-beat. Then they put her in a skimpy outfit, do a $150,000 photo shoot, and stick a picture of her on the album cover, spend $10 million marketing the new album (the quality of what's actually on it is wholly irrelevant), and people are convinced they should spend $20 on her new album. Only copyright makes such a shallow, petty, worthless, drivel-producing paradigm possible, let alone profitable. She's famous only because she's hot and sex sells. Neil Young is famous because he has musical talent, is a great singer and an amazing musician. If there were no copyright, Brittney Spears would be giving lap dances for $20 a pop. Nothing more. The only singing she'd be doing would be tone-deaf lullabies to her 16 children, trying to get them to go to sleep.

      --

      Stupid people make stupid things profitable.
    11. Re:End all copyright - it's based on flawed logic by kaltkalt · · Score: 1

      Could you link to that proof? Is there a Wikipedia article about that proof that I could read up on? Or is it just opinions that copyrights are based on flawed logic? In that case, state it as an opinion and I will respect it as an opinion. Sure, one word: Wilco. Wilco has tremendous talent, puts its albums on the internet for free download, and still makes good money. Wilco proves people will buy quality media despite being able to copy it for free. This alone proves the logic in support of copyright ("It's necessary to foster the creative arts") is fundamentally flawed. Radiohead has done the same thing, to a lesser example. Even if musicians couldn't make money selling recorded media due to free copying, they could make money via performances. You can't copy the experience of sitting front row at a great concert. You can bootleg the audio or even video it but it's surely not the same as being there live. That's how musicians should make money. Not from selling music. You just can't do that anymore.

      --

      Stupid people make stupid things profitable.
    12. Re:End all copyright - it's based on flawed logic by ozphx · · Score: 1

      Of course artists and musicians are traditionally poor, and my view is "fuck them".

      My support of copyright is because I'm a computer programmer, and I don't want to be poor ;)

      --
      3laws: No freebies, no backsies, GTFO.
    13. Re:End all copyright - it's based on flawed logic by aCC · · Score: 1

      I understand your argument, but I believe it is based on a fundamental flaw just like the original poster made the mistake to create a strawman argument.

      The problem is not that people are copying music and listening to it without paying. That has always been the case. Even the current CEOs of the big music companies will have spent their youth copying music from the radio or from friends' tapes. So, the believe that the music itself should be free for private use is very old and probably will never change.

      When recording tapes arrived the industry was worried that they would be destroyed because nobody would pay for music. As we know this was wrong. What they did is that they created a higher value medium (in this case CDs), so people would want to buy the better quality. They adapted to the situation, innovated and continued to be successful.

      Now, the industry is making the huge mistake that they want to stop people copying music - something people have always done - instead on focusing how to create higher value so that people will actually buy (more) music again. They are alienating their customers and, funnily enough, also their artists with this stance.

      Instead of pouring all this money down the RIAA throat and terrorising their customers, they should put it into finding new innovative solutions. The sector will change radically and the old dinosaur companies that are ruling the market at the moment might disappear if they do not adapt.

      In that line of argument, copyright can (and maybe should) be abolished, because companies will find different ways of working with it. But they will be very different which scares many.

    14. Re:End all copyright - it's based on flawed logic by ratboy666 · · Score: 1

      When broadcasting a TV program, there can be no expectation of residuals. Copyright is NOT the reason people working on the program get paid. Advertising is.

      Consider the Superbowl -- and the advertising rates for the event, compared to the potential advertising rates for the event re-aired.

      --
      Just another "Cubible(sic) Joe" 2 17 3061
    15. Re:End all copyright - it's based on flawed logic by TheVelvetFlamebait · · Score: 1

      I have a HUGE DVD (and now blu-ray) collection, 95% of which are things I initially copied.

      Really? Well, that's impressive. Unfortunately, the impulse to buy after possession makes you the exception, not the rule. But hey, maybe we can lobby to put an exception clause for you in copyright law.

      It may reduce the chance that it will be bought on a macro level, but that just goes back what you call a strawman argument. "Would have bought it" = "lost sale" = "stealing."

      That part's not a strawman. I would, have, and just did make that argument. The part that's a strawman is that a single copy = lost sale in a one-to-one sense.

      ... blah, blah, blah, ... Britteny Spears ... blah, blah, blah ... and people are convinced they should spend $20 on her new album.

      Well, so long as they enjoy it, who really cares? If what she and her "team" (for lack of a better word) does is selling, and people are enjoying it, it's worth something. The fact that you and me don't appreciate it just means that we probably shouldn't buy it, nothing more. It does not give us, for example, the right to copy it, nor does it provide us with an adequate reason to sink copyrights. To do that, you have to prove that out of all the millions upon millions of artworks sold today, next to none of them are any good, or that next to none of them required copyright to be made, both extremely difficult things to prove.

      Only copyright makes such a shallow, petty, worthless, drivel-producing paradigm possible, let alone profitable.

      Only copyright makes several things, many of them good, possible.

      If there were no copyright, Brittney Spears would be giving lap dances for $20 a pop. Nothing more.

      Britteny Spears could well be profitable. If we did get rid of copyright, the RIAA won't just throw in the towel. They will adapt to their new life of poverty. The first thing they will do is milk their popular singers for all they're worth. Their revenue may be sawed into a tenth of what it was originally, but revenue is revenue. The brand of Britteny Spears (and whatever other pop sensations) will be what help them ride through the hard times. Sure, things will be different, since they wouldn't be able to afford to put all the polish that they put on normally, but it'll be essentially the same music and the same lyrics. Who will really be dying is the less mainstream artists. The ones who can't pull in many sales. The one who is a "risky choice", because he's relatively unknown, which sparks people to be hesitant about spending money on his album, and preferring to pirate instead. All the little guys will be dropped from their labels to either try (and probably fail) to make it on their own, or go get a job in the real world.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    16. Re:End all copyright - it's based on flawed logic by Raenex · · Score: 1

      Live sports is a special case. For regular programming it doesn't matter if it's seen at original air time or at some later time. DVD sales are big these days. Rights to Internet distribution is getting bigger all the time.

    17. Re:End all copyright - it's based on flawed logic by shentino · · Score: 1

      It's theft in the sense of unjust enrichment. You are treating yourself to the music without paying the price.

      Just because someone else doesn't get hurt doesn't mean it isn't theft.

      And I am talking about theft in the moral sense. Legally, it's copyright infringement.

    18. Re:End all copyright - it's based on flawed logic by Anonymous Coward · · Score: 0

      Sure, one word: Wilco.

      Wilco has tremendous talent, puts its albums on the internet for free download, and still makes good money. Wilco proves people will buy quality media despite being able to copy it for free. This alone proves the logic in support of copyright ("It's necessary to foster the creative arts") is fundamentally flawed.

      Wilco is an OK band.

      First, I don't believe that the logic to support copyright is that it is necessary to foster the creative arts. It is one reason, but there exist many others.

      Second, This doesn't prove what you stated. There are several possible explanations, one being that people buy their records to prove that copyright is wrong. Another is that people buy their record, because they believe that the band is right.

      Radiohead has done the same thing, to a lesser example. Even if musicians couldn't make money selling recorded media due to free copying, they could make money via performances. You can't copy the experience of sitting front row at a great concert. You can bootleg the audio or even video it but it's surely not the same as being there live. That's how musicians should make money. Not from selling music. You just can't do that anymore.

      Radiohead doesn't seem so good.

      This is where you and all that are for piracy are fundamentally wrong. By stating that the artist or gamemaker or whatever are supposed to make their money other ways, giving as example concerts and online gaming.

      You say that you are for art, but still wants to limit it. I don't want to play online games, yet that is were games are developed, because those are the ones that can secure the paycheck. Old time style of games are risky. By doing this, the possible types of games are minimized, thus hinders the variance in games and mainstreaming the games.

      Some types of artsy music can't be performed live, since the experience is created via a studio. That kind of music will not remain in a world were you have to perform.

      Those artists that are afraid of people and can't meet their audience can't continue.

      An artist should be able to survive by selling CDs alone. If you don't like that buisness model, don't by the record, that choice includes not listening to it. If an artist thinks that it is OK for you to download it for free, then it is fine.

  10. messed up industry by eniacfoa · · Score: 1

    demanding a take down notice for a video like this is futile and silly. Demanding take down notices for you tube in general is futile. Not that this is new news, but the industry has not kept up with technology and the backwards train of thought that may have been ok in 1982 does not apply now. I read that top gear is the worlds most pirated TV show, yet you cant even buy boxed sets of the show. On top of that one, the TV networks don't make it easy to watch your favorite shows...they chop and change the times, chop and change the order and cancel your show whenever they feel like it. In terms of music (I am a professional musician) CD sales are down not just on the back of piracy, but also quality. There have been many studies with supporting data that show this. If an artist is especially popular, their CD sales should suffer when their music is heavily pirated, but this is not always the case. Its a complex problem, with other factors, but you can safely say its not just piracy causing poor CD sales. Many people are just getting sick of the same bling bling sex sex tripe that is the majority of commercial music now and are buying less CD's because so. In the older days, the big labels would spend time investing in and developing quality artists. Often a bands/groups 1st album was not so good and they would progressively get better each album. If your 1st album doesn't move large numbers in todays climate - bye bye, you wont be making another one. Record executives have been heard saying that james brown, parliament and curtis mayfield would never have been signed today...thats really sad...These days you can get over $100 million dollars NOT to make another album (mariah carey) because your previous album didnt make as much money as the bean counters thought it would (even though there were several top ten hits). One lone plus out of this is artists are forced to generate a lot more of their income from live shows, which can only be good for you, the punter, as you get to see your fave artists way more often. if industry in general wants to 'reduce' piracy, their business models have to completely change. tonnes more material has to be way more accessible without being a rip off. DRM just makes everyone want to puke too.

    1. Re:messed up industry by blackest_k · · Score: 1

      http://www.amazon.co.uk/Top-Gear-Box-Jeremy-Clarkson/dp/B000GYHZ1W

      Top Gear is available if you look for it.

      Still doesnt make take down notices for harmless video's any less anal. If anything old music tends to see an increase in sales due to getting some exposure, it has happened repeatedly.

      In this case the music belongs to universal, prince isn't losing anything, he lost it before to universal isn't that why he changed his name.

      where should things go next, nike ordering a take down because a nike logo is visible, or perhaps mcdonalds doesn't like being compared to burger king and they issue a takedown notice.

      Or the olympic committee ... hmm been there already.

      There is very little anyone can do to fight back, however the kind of person who makes these kind of decisions is barely human and loathed by everyone who knows them anyway.

    2. Re:messed up industry by eniacfoa · · Score: 2, Insightful

      sorry, but a 3 dvd set isnt making top gear available to the crazy demand...3 dvd's of a few shows isnt making the entire series available to people. this is my point, there is the demand, but no supply because the cretins in charge of content are too slow to move, so slow that people just dont care that they are pirating anymore because either they are left with no choice in a lot of cases...

    3. Re:messed up industry by eniacfoa · · Score: 2

      what is available on dvd of top gear isnt 5% of the series.

  11. Prince is one busy nerd by rea1l1 · · Score: 0

    http://www.theregister.co.uk/2007/11/14/prince_b3ta_dmca/

  12. FYI, Lessig left the EFF board by harlows_monkeys · · Score: 4, Informative

    According to the submitter's blurb:

    Lawrence Lessig is a board member for the Electronic Frontier Foundation.

    According to TFA:

    She pressed that question through a number of channels until it found its way to the Electronic Frontier Foundation (on whose board I sat until the beginning of 2008)

    1. Re:FYI, Lessig left the EFF board by Anonymous Coward · · Score: 0

      According to TFA:

      She pressed that question through a number of channels until it found its way to the Electronic Frontier Foundation (on whose board I sat until the beginning of 2008)

      Link to article: http://reno.wsj.com/article/SB122367645363324303.html

  13. Well it's still going to take awhile by baggins2001 · · Score: 4, Insightful

    This concept of creative common good is going to take awhile to be accepted.
    1) It has to be accepted by society.
    Many still do not understand the Open Source model. If you look at financial markets and talk to business people they don't understand how RedHat and Novell plan to make money selling free software.
    2) Those who appreciate open source, need to reward those who produce for the open market.
    Not many have gotten filthy rich from open source.
    3) Lessig is correct.
    Copyright and IP rights are probably going to be here for awhile and probably should stay. Those who publish and produced copyright and license information software are going to be here for awhile. They choose to participate in a different market. Until there is a detriment or significant benefit to participation in one type of market or another, there is always going to be a choice.
    4) Get over it
    As long as MS, Universal, .... whoever sees a benefit they are going to do what they have been doing.
    Personally, I believe this is going to bite them in the ass big time. They want an open global market and yet they want IP rights at the same time. Well guess what, you manufacture your product in Asia and you've pretty much open sourced your product. They don't like to talk about it very much, but it is a fact of what is happening.
    [ubiquitous car analogy] If you make a car and you want it made cheaply, you had better have figured out a way to make a steady income from that car. What is happening is companies are requesting certain manufacturing be done, and then all of a sudden somebody else is manufacturing the same product. They start screaming "They stole our product". Guess what get over it, by the time you finish the legal international law wrangling, there is nothing left.
    So as soon as a company accepts open source the quicker they will be able to adjust to the global market.

    --
    He who said 1,000,000 monkeys on 1,000,000 typewriters would eventually type the great novel, never saw an AOL chat room
    1. Re:Well it's still going to take awhile by Raenex · · Score: 1

      Many still do not understand the Open Source model. If you look at financial markets and talk to business people they don't understand how RedHat and Novell plan to make money selling free software.

      Many people in the open source community don't even understand the model. Red Hat makes money via trademark poisoning -- go ahead, try and find a free byte-for-byte copy of Enterprise Red Hat. It's open source, you should be able to, right? Oh, the product source needs to be "scrubbed" and relabeled first?

      Novell got married to Microsoft, and offers patent "protection". Yep, pay your protection money to Novel-->Microsoft so you can use open source.

      Not many have gotten filthy rich from open source.

      How many can even feed themselves doing open source? Making money on open source is like winning the lottery. Most people need a day job writing proprietary software.

    2. Re:Well it's still going to take awhile by Rolman · · Score: 0

      Many still do not understand the Open Source model. If you look at financial markets and talk to business people they don't understand how RedHat and Novell plan to make money selling free software.

      Part of the problem is that the phrase "selling free software" sounds an awful lot like an obvious oxymoron.

      AFAIK, Red Hat doesn't sell free software (I'm not sure about Novell, after all the MS shenanigans), they sell free software _services_ and that extra word makes a huge difference.

      Now, to be on-topic, those brands are protected so that you can't distribute ISOs with the RH or Novell logos and still call them 'original', but you can indeed sell/give derivatives of those ISOs if you strip all the stuff that would make them branded original, trademark-protected products.

      Lessig claims copyright should allow to do a similar thing with all digital content and not be harassed by the copyright holders. People should be free to use existing stuff to express new ideas. Calling that 'piracy' is just nuts.

      Lessig, however, doesn't defend the idea of sharing copyrighted content as-is.

      Personally, I believe this is going to bite them in the ass big time.

      I agree.

      --
      - Otaku no naka no otaku, otaking da!!!
  14. Re:in 'defense' of robbIE? censorship on /. by Narnie · · Score: 0, Redundant

    If i had mod points, i'd throw a few flamebaits here, but I'd feel pity because there's a lot of work put into this post.

    Not too much pity though, I'd still mod it down.

    --
    greed@All_Evils:~#
  15. Value and Existing are not the same thing by Anonymous Coward · · Score: 1, Informative

    And you are confusing (conflating) existing with value.

    Existing is a property of the physical world.

    Value is a human construct.

    They are not the same thing, at least in the way these words are used by most educated people, which is about the best measure for meaning we have.

    It is the deriving, the shaping, that adds the value. Your use of the word 'just' is misleading here - that activity is the whole point.

    So - you are simply wrong.

    Or, if you prefer, I, and from my experience most intelligent people, disagree with you.

  16. Barratry is broken by wiredlogic · · Score: 1

    The real problem is that is is next to impossible to get a successful barratry conviction against the corporate lawyers that embark on their scorched earth lawsuit campaigns. If the courts would lower the bar for establishing abusive behavior the sharks would think twice about using lawsuits as a weapon against harmless people.

    --
    I am becoming gerund, destroyer of verbs.
  17. A Fair(y) Use Tale by Anonymous Coward · · Score: 1, Informative

    I can't possibly be the only one who remembers A Fair(y) Use Tale can I?

    1. Re:A Fair(y) Use Tale by symbolset · · Score: 1

      That was a fun clip. Here is the YouTube version, for people who can't play MP4s.

      --
      Help stamp out iliturcy.
  18. Sell unlimited use by context to individuals by Bones3D_mac · · Score: 2, Insightful

    You know, if these companies thought on a smaller scale, they could just work out a deal with individuals where if a copyrighted work is unintentionally embedded into that individual's content, that individual could pay a reasonably small fee to continue using it without harassment, so long as it remains used only that particular context.

    People like to be able to share their home movies, but with crap like this going on, anyone is potentially vulnerable to similar issues with recording industry, simply because some jackass drove by their house with the radio cranked to 11 as the video was being shot.

    Oh, and forget anything like weddings or birthdays being safe from such abuses, birthdays are guaranteed to be grab bags for whoever owns the rights to "the birthday song" (which really should be in the public domain by now, IMHO). I'll bet there may even be a crack team doing nothing but searching youtube for birthday clips for any infringing content including "the birthday song" to harass those who posted it unaware they did anything wrong...

    --


    8==8 Bones 8==8
    1. Re:Sell unlimited use by context to individuals by Anonymous Coward · · Score: 0

      "the birthday song" (which really should be in the public domain by now, IMHO).

      Happy Birthday is in the public domain. There is no doubt about this. When the original copyright was granted, the date in which it passed into the public domain was determined. Once something is in the public domain it cannot be taken back. I already have ownership rights in that song and I never agreed to give them up. SO THERE!

    2. Re:Sell unlimited use by context to individuals by ScrewMaster · · Score: 1

      You know, if these companies thought on a smaller scale, they could just work out a deal with individuals where if a copyrighted work is unintentionally embedded into that individual's content, that individual could pay a reasonably small fee to continue using it without harassment, so long as it remains used only that particular context.

      Sure, if we had some kind of micropayment system that could service such things (we don't), and if people should be harassed in such a manner (they shouldn't) and if the big rightsholders making all these threats would do anything but keep that money for themselves and continue ripping off the artists (and they will) ... why, then that's a great idea. Keep in mind, that when it comes to music and entertainment in general, the people who own the copyrights are generally not the people who did the creating. Those are generally transferred to the publishers in exchange for access to their production facilities and distribution channels. That is the fundamental flaw in the media companies arguments: they aren't protecting anyone's rights, anyone's profits, but their own. Creative minds are cattle to these people, no more than that.

      In the meantime, I think we're better off sticking with fair use, and making sure the big boys respect our rights as much as they want us to respect theirs.

      --
      The higher the technology, the sharper that two-edged sword.
    3. Re:Sell unlimited use by context to individuals by ScrewMaster · · Score: 2, Interesting

      Once something is in the public domain it cannot be taken back.

      That isn't entirely true ... Congress, in effect, retroactively removed many works from the public domain when it extended copyright. We had a deal with those bastards: all copyrighted works are a loan from the public domain (T. Jefferson), and in exchange for a limited monopoly that domain, our domain, was to be enriched. The entertainment companies (who, themselves, have often acquired their copyrights through dubious means) love to complain about how we're "stealing" their oh-so-precious material, but the reality is that much, much more was outright stolen from us by Congress at the behest of those self-same corporate leeches.

      --
      The higher the technology, the sharper that two-edged sword.
    4. Re:Sell unlimited use by context to individuals by Anonymous Coward · · Score: 0

      You know, if these companies thought on a smaller scale, they could just work out a deal with individuals where if a copyrighted work is unintentionally embedded into that individual's content, that individual could pay a reasonably small fee to continue using it without harassment, so long as it remains used only that particular context.

      Aah... I see... so you favor extortion. Both of your suggested scenarios, to me, should be considered fair use. Someone else drives by playing music while you're recording something completely unrelated? No. Shouldn't be your fault. And don't get me started on happy birthdays.

    5. Re:Sell unlimited use by context to individuals by fermion · · Score: 2, Insightful
      Such licensing would solve many problems, but the idea that the cost would be minimal is not supported by evidence. In fact we can look at commercial licensing and see that the cost is often prohibitive. In addition to the number of television shows that cannot be released on DVD, two other specific examples come to mind. First the german movie Lola Rennt, according to the audio commentary, was going to use an Elvis tune. The cost was extraordinary, so another song was used. Second, In Buffy Whedon used unsigned bands. His justification was that these were the bands that would play in the fictional "Bronze", but it also saved a huge amount in licensing fees and probably allowed the DVDs to be released at a much lower cost.

      It is clear that the copyright holders would rather kill the market than reform licensing. We see this with the initial waste of effort with DRM, and the instance that a clip, no matter how short, cannot be used without paying a fee, even if the use generates no direct profit. In the scenario described by the parent post, for example, the fee for the song would be at least a couple hundred dollars.

      The best thing we can do is fight the fiscal liberals who wish to use taxpayer money to protect their private property by unreasonably extending copyrights. Really, anything that is 50 years old should be public domain, without exception. If profit has not been made, too bad. For instance, it is going to be pretty stupid for 2020 to roll around and Michael Jackson or whoever to still be making money off the Beatles. Such a policy simply destroys innovation and creativity.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
  19. Not a sudden outbreak by Exanon · · Score: 0

    Since Lawrence Lessig tend to write sensible arguments whenever he writes something, I would hardly call this and outbreak of common sense.

    Then again, the Wall Street Journal publishing a story like this could point to a sudden outbreak of common sense in the editor. Or maybe they just want to sell more copies, who knows.

    1. Re:Not a sudden outbreak by ScrewMaster · · Score: 1

      Since Lawrence Lessig tend to write sensible arguments whenever he writes something, I would hardly call this and outbreak of common sense. Then again, the Wall Street Journal publishing a story like this could point to a sudden outbreak of common sense in the editor. Or maybe they just want to sell more copies, who knows.

      Well, if they feel that giving the likes of Lawrence Lessig more press will sell more copies, that would indicate that the public is becoming more and more aware of these issues. That's a good thing, any way you slice it.

      --
      The higher the technology, the sharper that two-edged sword.
  20. Greetings, fellow European! by Anonymous Coward · · Score: 0

    "Perhaps when our lazy government gets off of its backside and does something about the exploitation of our citizens by outrageous fuel and power prices and mortgages designed by Satan"

    You're absolutely right - European governments (not sure which you're in.. Turkey or The Netherlands?), really should do something about those fuel prices!
    http://www.portfolio.com/interactive-features/2008/08/Gas-Prices-Around-the-World

    meh.

    on-topic: copyright terms are too long, copyright claims are largely abusive (but then bittorrent usage is largely 'abusive'), but copyright still has a right to exist. If nothing else, because otherwise everybody will take the GPL and run with it (breach of the license makes it default back to copyright law, no?) - and if that's what 'we' wanted, we'd use the BSD-style licenses, eh. Or, perhaps, because otherwise vendors can just take artists' imagery, use them for no compensation, and claim that they should be glad for the extra exposure or something.

  21. Re:in 'defense' of robbIE? censorship on /. by Anonymous Coward · · Score: 0

    (-1, Incoherent)

  22. Re:My piracy experiment on Slashdot by Anonymous Coward · · Score: 0

    It doesn't matter whether /.ers think you should be able to post a review written by someone else if you don't take credit for it, it matters what the laws are. /. probably got a DMCA notice, and its pretty obvious that if they were taken to court they'd lose. As for the GPL, the GPL wouldn't be necessary if we didn't have copyright, but right now it is necessary to ensure that people give other people the same rights to the code that they had. The only thing the GPL prevents is people taking some code that is free, and giving it away as non-free.

  23. There is no way to set the price of Art "fairly" by Anonymous Coward · · Score: 1, Interesting

    . . . because the benefit of having it has not been measured.

    Who is to say if a song or film is really worth £8 to view? Does that bring more than £8 worth of benefit to the listener - if not then that's a rip off.

    Now you can decide to just not go but since all cinemas charge the same, there is an all or nothing choice: either see film X or see nothing.

    Piracy adds another option and puts pressure on media companies to provide more value.

    Since there is no other way to pressure Media companies, I think it's probably having an excellent effect.

    If someone (e.g. Apple with iTunes) can find a way to provide better value it will make piracy less attractive.

  24. Justification for the power vs. the power by istartedi · · Score: 1

    The Constitution and the Bill of Rights have at least two clauses that are in the form of "$purpose therefore $power".

    The other famous case of this involves a well regulated militia. IANAConstitutional scholar, but it seems that it isn't necessary for $purpose to be served in order for $power to be upheld as Constitutional. This cuts both ways, you see. If we accept that $purpose must be served, then you must interpret the 2nd ammendment as providing no right to bear arms except in support of a well regulated militia. In exchange for that, you get to eliminate copyrights and patents that can't be proven to have incentivized the creator.

    Note, I'm not advocating that SCOTUS should be so rigid in its thinking. I'd like our judges to actually use judgement. If they don't use judgement, they're just referees not judges.

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
    1. Re:Justification for the power vs. the power by jedidiah · · Score: 2

      ...except that all falls apart once you realize what "militia" was being referred to in 1783.

      That clause means that you, me and my next door neighbor should be well armed
      and should be able to hit what we aim at because "the militia" is the entire
      population of military age males.

      It's not the cops.
      It's not the national guard.
      It's not the army.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    2. Re:Justification for the power vs. the power by rohan972 · · Score: 1

      This cuts both ways, you see. If we accept that $purpose must be served, then you must interpret the 2nd ammendment as providing no right to bear arms except in support of a well regulated militia. In exchange for that, you get to eliminate copyrights and patents that can't be proven to have incentivized the creator.

      There is significantly different wording and purpose of the clauses themselves.
      (1) The copyright clause is granting a right to congress. "The Congress shall have Power ... To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;"
      That is the congress is given one valid reason for copyright and no other authorization for copyright exists, indeed enacting copyright laws for other purposes is a 10th amendment violation. Congress has power to promote the progress of science and useful arts by copyright, nothing else.

      (2) The 2nd Amendment is limiting the power of congress. There is still no authorisation for congress to restrict the rights to firearms not useful to the militia, although such weapons would not fall under constitutional protection and could be regulated by the states.

      Both legislatures and courts seem to disagree with me. IANASCJ.

    3. Re:Justification for the power vs. the power by TheoMurpse · · Score: 1

      Agreed. There's actually a law on the books passed in the 1700s (or very early 1800s?) defining "militia" as every able-bodied male above a certain age in the US.

    4. Re:Justification for the power vs. the power by toriver · · Score: 1

      .. except the pretext for that militia definition was the absence of a professional army (per the Federalist Papers). You now have a professional army, so the need for a militia is gone, and thus the amendment is basically void.

      The only reason they forgot to put the clause about the lack of a professional army was probably that the federal government was supposed to be so small that it would be INSANE for anyone to even contemplate the idea of such a waste of money when you could defend the country using a militia. I mean, sending an army out to fight wars? How European!

    5. Re:Justification for the power vs. the power by stinerman · · Score: 1

      I agree with the standard definition of the 2nd amendment. However, Congress shouldn't be able to redefine words like "militia" in the Constitution. Otherwise they can redefine words like "speech", "religion", and "trial" as well.

      You also have to admit that the true purpose of the 2nd amendment has passed. The idea was that when Congress formed a professional army when needed, they expected these people to already have arms and be decent shots. Back then standing armies in times of peace were considered a really bad idea. Ohio's constitution reads:
       
      ...but standing armies, in time of peace, are dangerous to liberty, and shall not be kept up...

      Does anyone seriously believe that the Ohio National Guard is dangerous to liberty?

      The world has changed quite a bit since the 18th century. I think Jefferson et al. would be aghast that we were still using their document to govern us. We should do a rewrite of the Constitution. However, we are obligated to protect and obey the one we have until then.

    6. Re:Justification for the power vs. the power by TheoMurpse · · Score: 1

      I'm not suggesting that it should be an open-and-shut issue. However, many of the signatories of the Constitution were legislators when the definition of "militia" was enacted. It's strong evidence of what "militia" meant at the time of the ratification of the Constitution.

      We should do a rewrite of the Constitution.

      That's a good sentiment in general. However, we have a way of rewriting the Constitution. It's called "amending," and it's already provided for.

      Also, if we rewrite the Constitution, I hope you enjoy Civil War as the middle half of the country fights against the East and West for abortion to be banned by the Constitution. And can you imagine the special interests involved in bribing^Wadvocating for their own interests?

  25. Copyright is a commodity by naily · · Score: 2, Interesting

    The trouble is that these media companies have paid lots of money for the 'rights' to these media, for which they expect a return. The other trouble is that for every 'true' artist, like Neil Young, there will always be 100 artists who want all the riches for their 20 mins of inspiration. To my mind, the simplest approach is that all rights should be legally bound (non-transferable) to the creator. So artists *cannot* sell their souls, even if they wanted to. In this modern age, where media is cheap and distribution is easy (and traceable), there is no reason why merit & reward cannot remain with the originator. This way the big studios are reduced to their real role: marketing and PR. Which artists may choose to hire, if they have the resources. Exposure, in its fullest, most transparent sense.

    --
    We all live in a state of ambitious poverty. -- Decimus Junius Juvenalis
    1. Re:Copyright is a commodity by mangu · · Score: 2, Insightful

      the simplest approach is that all rights should be legally bound (non-transferable) to the creator

      An interesting idea, but unenforceable. They would just turn the contract around. Instead of the artist selling the rights to the song, he would contract the services of the MAFIAA to distribute it. Instead of getting 0.05% of the sales in royalties, he would pay 99.95% of the sales in fees.

    2. Re:Copyright is a commodity by aj50 · · Score: 1

      The key difference there being that the artist can decide at stop contracting the services of the MAFIAA and still own the original rights.

      They might then choose to contract someone else to distribute their works, perhaps because their fees are lower (think iTMS or Amazon here).

      --
      I wish to remain anomalous
  26. Wrong Thomas by symbolset · · Score: 4, Insightful

    It was actually Thomas McCauley in 1841.

    And yes, he considered these issues and came to the same conclusions as Mr. Lessig over 150 years ago.

    Maybe we should just do away with copyright. That would solve this problem permanently without consuming the precious resources of the courts.

    --
    Help stamp out iliturcy.
    1. Re:Wrong Thomas by Anonymous Coward · · Score: 0

      That would solve this problem permanently without consuming the precious resources of the courts.

      Dude, courts exist to harass individuals about trivial stuff so they keep marching in line! Start abolishing unreasonable laws and soon you won't need more than what, three courthouses, six judges, ten lawyers...?

  27. Lessig hates the title by Noksagt · · Score: 1

    Larry is speaking at the Free Culture Conference in Berekely right now (streaming video available on that site). He mentioned the essay (an excerpt from his book) and stated that he hated the title, had no control over it, and that it speaks to the problem with a fundamental problem of the free culture movement: people perceive us as thieves.

  28. "Intellectual property" by tepples · · Score: 1

    He begged anyone who would listen not to use the term "intellectual property" as was widely ridiculed, as in many things.

    I, for one, agree with what RMS has to say about the blanket term "intellectual property". Use of the term reinforces misconceptions that benefit owners of some exclusive rights. Particularly, it invites drawing false parallels among copyrights, patents, trademarks, and trade secrets, and between those legal traditions and real estate.

  29. Re:My piracy experiment on Slashdot by bonch · · Score: 5, Insightful

    The GPL is a form of copyright licensing that attempts to enforce certain usage restrictions/requirements. I don't understand why you think the GPL would be unnecessary if we didn't have copyright. The purpose of the GPL is to ensure that changes made to something are returned to everybody, and without copyright, there would be no reason to follow the license and distribute any changes made. The GPL doesn't exist as a reaction to copyright; it requires copyright to have any power.

  30. What can the government do about energy prices? by tepples · · Score: 2, Insightful

    Perhaps when our lazy government gets off of its backside and does something about the exploitation of our citizens by outrageous fuel and power prices [...] then i'll worry about [copyright misuse]

    The United States government can't just force firms in other countries to sell energy more cheaply. There are two ways to push the price of a good down: increase supply or decrease demand. A government can regulate demand for a particular form of energy down somewhat by subsidizing more energy-efficient products, and it can regulate supply up by subsidizing forms of energy that haven't yet been widely exploited, but these won't have as dramatic an effect on energy prices as some might hope.

  31. Region coding by tepples · · Score: 2

    [link to Region 2 box set of Top Gear]

    Top Gear is available if you look for it.

    So how does Joe Sixpack, who lives in Region 1 where DVD players sold in stores are locked to Region 1, play a Region 2 DVD?

    1. Re:Region coding by blackest_k · · Score: 1

      usually by pressing a sequence of buttons on the dvd players remote.
      many if not most dvd players seem to have multi-region firmware just hidden away from the user.

      An alternative you might consider is to get hold of a region2 player basic ones tend to be cheaper than some DVD titles.

      I am fairly certain there is a lot more of Top gear available in the UK surprising its not on TV in the USA ,I've even seen it on Polish tv.

      I'm not a fan of region encoding by any stretch of the imagination
      easy solution is download a torrent and forget about it. Isn't that what usually happens.

      or if you insist on doing it the hard way go to the top gear website and moan about it. the more people who do the more likely it is someone will get a clue there is a market for this.

    2. Re:Region coding by toriver · · Score: 1

      usually by pressing a sequence of buttons on the dvd players remote. ... thus rendering his DVD player illegal in the eyes of the industry which made the DVD standard. How is the circumvention of region codes good and copyright infringement bad, whewn both of them are violations of a license?

  32. The GOP Hates Lessig by coaxial · · Score: 1

    Lawerence Lessig has made the GOP's shitlist. So keep that in mind this November.

  33. Re:My piracy experiment on Slashdot by Bill+Currie · · Score: 2, Insightful

    The GPL wouldn't be necessary because those that took the code and closed it off wouldn't have any legal standing against those that continued to distribute the free versions or those that re-freed the closed off portions (by reverse engineering etc).

    Like any strategy game, you have to think several moves ahead.

    --

    Bill - aka taniwha
    --
    Leave others their otherness. -- Aratak

  34. Re:My piracy experiment on Slashdot by TheVelvetFlamebait · · Score: 1

    Here's hoping for an interesting conversation here and not some reactive modbombing...

    Ha! Ahahahaha!

    --
    You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  35. Re:My piracy experiment on Slashdot by roguetrick · · Score: 1

    That would be a valid argument for the BSD license, not the GPL.

    --
    -The world would be a better place if everyone had a hoverboard
  36. Re:He is not defending file sharing piracy by TheVelvetFlamebait · · Score: 1

    He is defending fair use, but, if you scroll to the second half of TFA, he's also defending file sharing. He thinks we should change copyright law to "decriminalise generation X". He also seems to believe that copyright law is a good concept that could be salvaged. I don't see how it would be copyright law after you allow unlimited, rapid reproduction and distribution of works. That kinda punches a big hole and renders copyright useless.

    --
    You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  37. Republicans need to go for copyright reform. by tjstork · · Score: 2, Interesting

    Alright, this election is a lost cause but a core item in the new Republican Party that must emerge is a more open stance on copyrights. Democrats and liberals are in bed with copyrights because, well, the copyright is the life blood of the liberal - books, movies, etc, all require copyrights to succeed, and Republicans should be more willing to go after this jugular by removing the artificial laws that ensnare the very masses the Democrats claim to love.

    If Democrats can do windfall profits taxes and penalty taxes on Republican economic interests ranging from petroleum to corn, then it only makes sense to shorten copyright to ten years and wave all civil penalties for infringement against anyone who, to borrow a page from Obama, makes under $250,000 a year.

    If, after all, America's middle class is so strapped, then, why should we be forcing them to pay for something that they are perfectly capable of copying for free? If Madonna wants to be a Democrat, she can die by their economics.

    --
    This is my sig.
    1. Re:Republicans need to go for copyright reform. by T.E.D. · · Score: 1

      I was tempted to mod this up because it's an interesting point I'd like to see more discussion on. A very good argument can be made that semi-perpetual monopolies represented by our current copyright regime badly violate conservative princpiles.

      However, I do have to disagree with most of what you actually wrote. If you are defining writers and performers as "liberals" here, then the old copyright laws we had up until the 70's were just fine for them. They got a few decades to live off of the last success until they could produce more of their art. That's all an artist really needs.

      The people pushing things to their current rediculous levels, and profiting greatly by it, are mostly the likes of Viacom (Sony), Disney, Universal (NBC (GE)), etc. Big companies, aka: Republican sponsors. If you look at who in Congress now has actually been pushing these bills the hardest, you see names like Bono and Hatch. If you want to call those two republicans "liberals", I'm not real sure what that term means anymore.

      BTW: Here's a direct quote from Mary Bono, on the floor of the US congress:

      Actually, Sonny wanted the term of copyright protection to last forever. I am informed by staff that such a change would violate the Constitution. ... As you know, there is also [then-MPAA president] Jack Valenti's proposal for term to last forever less one day. Perhaps the Committee may look at that next Congress.[

  38. Conservatives are itching to get in on this.. by tjstork · · Score: 1

    fundamental problem of the free culture movement: people perceive us as thieve

    See, I think this a natural issue for Republicans to take up. I would rather say that it is not that you are thieves, it is that greedy hollywood wants to throw teenagers in jail for paying a tax on copying something that they can copy themselves.

    Big copyrights are big government, I'd say.

    Conservatives are reeling after three decades of getting torched by the liberals in the movies, songs and press, and are just itching for some payback. Yeah, you go stand in front of a crowd of Sarah Palin supporters and liberals want them to think that copying is a crime so they can loot the middle class with their copyright socialism. IT would be like waving a bloody finger in a kiddy pool filled with piranha. IF you sell copyright reform as a way to get rid of liberals, I guarantee you've immediately got 40% that's going to get a bitter pill this November, and then after that, you just need to get the non-riaa democrats to go with.

    Copyright, long term, is a dead as a doornail.

    --
    This is my sig.
    1. Re:Conservatives are itching to get in on this.. by cliffski · · Score: 1

      how is being offered a license to use something (music) a tax?
      How about this revolutionary idea:

      If you don't want to pay for music someone else created, Fucking make your own.
      Taking it without paying, then whining about getting caught and calling the free market price of something a 'tax' is just juvenile.

      People who create stuff have the right to set the price. You have the right to buy it or not. You do not have the right to take it without payment.
      Pretending you do makes you look stupid.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    2. Re:Conservatives are itching to get in on this.. by tjstork · · Score: 1

      How about this revolutionary idea

      How about this one? Why should the entertainment and media businesses have rights to private property when they have been leading the populist charge to get rid of them for everyone else now for 100 years? Seriously, you tell me why I should support the arm of government supporting Bruce Springsteen's right to license his music for 70 years after he is dead, when the same man is prancing around the country complaining that a 7% return on one's investment in Exxon Mobil should be taxed out of existence?

      Come on dude. They want everyone else to live and die by their populism, why not try it on them first? If the Boss wants to make money on his music, how about he plays live and charges for tickets, rather than sit back and have us all pretend that digital content can't be copied.

      It's absurd, there's no natural rights in this.

      --
      This is my sig.
    3. Re:Conservatives are itching to get in on this.. by cliffski · · Score: 1

      I see. so every copyright holder on earth has to suffer because you don't like Bruce Springsteen?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    4. Re:Conservatives are itching to get in on this.. by tjstork · · Score: 1

      I see. so every copyright holder on earth has to suffer because you don't like Bruce Springsteen?

      I actually like Bruce's older music, but, he ceased to be an artist when he became political.

      --
      This is my sig.
  39. It's only 350,000 jobs. by tjstork · · Score: 1

    Let's face it, GM has let go of more people in the last decades than all of the jobs in Hollywood, and a percentage of that is arguably because of liberal legislation who viewed the fallout as collateral damage in the fight for mother earth. It's high time conservatives start playing with the same deck of cards. If all of us who like oil and cars and stuff have to have our way of life upended in the name progress, then let's put hollywood on the table too. I can live without capitalized TV and you can too. If you want to make money off of a song more than once, play it more than once, that's what I say.

    --
    This is my sig.
  40. Chris Martin can work in a windmill factory by tjstork · · Score: 2, Funny

    I love Cold Play, but I like V8 engines too, and sometimes, we just have to give it up for Mother Earth and progress.

    Since Obama is going to create 5 million new jobs making windmills, then, if we lose 350,000 jobs by getting rid of copyrights, then, clearly there's still 4,650,000 jobs left. Maybe Madonna can work in a carbon sequestration plant, dressing up mother earth with her love.

    --
    This is my sig.
  41. Stop with the partisan hacks, kthx by symbolset · · Score: 1

    Look, both parties and both candidates are deep in the pockets of the industry here, and they both have platform planks for furthering their mission. One is not better than the other on this issue.

    I know it's getting close to the peak of silly season, but can we limit the injection of partisan politics to issues or individuals where there's a real difference? Please?

    --
    Help stamp out iliturcy.
  42. Fair Use != Piracy by 1_brown_mouse · · Score: 2, Insightful

    It continues the myth every time someone makes the same lazy connection.

  43. Re:My piracy experiment on Slashdot by bonch · · Score: 1

    The point of the GPL is to make source code available to end users, as per Stallman's definition of software freedom. Without copyright, GPL code authors would have no way of enforcing source code availability when others make changes to it. Microsoft could sell a closed-source version of Windows Server running on the Linux kernel, and there's nothing Linus could do to stop them. The viral, protective nature of the GPL would be gone.

  44. Re:My piracy experiment on Slashdot by TheoMurpse · · Score: 1

    Reverse engineering is imperfect, isn't it? Or can you get back the original source code in the form of the original code?

    I mean, it's hardly equivalent to GPL-protected source code if you can only reverse engineer a gorgeously coded program into shittily-organized and repetitive reversed code.

  45. BSD is useless by that metric. by nyet · · Score: 3, Insightful

    You can take my BSD licensed source code, make a binary from it, sell me the binary, then sue me for copyright infringement if I distribute your binary without your permission.

  46. If you don't feel like RTFA-ing by Anonymous Coward · · Score: 0

    You can basically WTFA. Lessig gave a good TED talk:
    http://www.ted.com/index.php/talks/larry_lessig_says_the_law_is_strangling_creativity.html

    It shares a fair amount of content with TFA, but would also be good to supplement it if you're interested in the speaker and/or the topic.

  47. Re:My piracy experiment on Slashdot by Anonymous Coward · · Score: 0

    The GPL does NOT force redistribution. Read the license.

    What it does require, above plain copyright-turned-on-its-head, is for the binary to allways be accompanied by the source code when distributed.

    So, a world without copyright would be like one where everything was GPL, but you where allowed to distribute binary-only works (and people would be allowed to decompile it, and to diff it against your upstream version etc).

  48. Gotcha by Mateo_LeFou · · Score: 1

    Sorry, I tricked you. Yes, I'm playing dense but here's the punchline: The vegetables I grew were puny and inedible. All I got out of that hard work was a bit of knowledge, viz: I suck at gardening. Am I right that this piece of knowledge is "intellectual property" now, and that I somehow deserve to be compensated? Obviously not. What I'm trying to point out is that the labor that goes into a thing is not the source of its market value.

    --
    My turnips listen for the soft cry of your love
    1. Re:Gotcha by cliffski · · Score: 1

      *sigh*
      You grew vegetables and you suck at doing it. big deal.
      How does that justify you torrenting hollywood movies again?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    2. Re:Gotcha by Mateo_LeFou · · Score: 1

      Oh, I don't torrent hollywood movies and don't condone it. I was refuting two principles you seem to hold: 1) One's right to get paid for X has something, anything, to do with the effort involved therein.. 2) People don't do things unless they get paid

      --
      My turnips listen for the soft cry of your love
    3. Re:Gotcha by cliffski · · Score: 1

      then you need to read more. people have a right to charge whatever the fuck they like for something they made.
      Thats it. It's people like you who seem to think you can abuse that right and take their work for free.

      --
      DRM-free indie games for the PC and Mac: Positech Games
  49. Re:My piracy experiment on Slashdot by Mateo_LeFou · · Score: 1

    That's true. But your new product would be functionally very similar to the original and a close competititor. And if your new software were available for free, yours would likely wipe the other out.

    --
    My turnips listen for the soft cry of your love
  50. Re:My piracy experiment on Slashdot by isorox · · Score: 1

    The point of the GPL is to make source code available to end users, as per Stallman's definition of software freedom. Without copyright, GPL code authors would have no way of enforcing source code availability when others make changes to it. Microsoft could sell a closed-source version of Windows Server running on the Linux kernel, and there's nothing Linus could do to stop them. The viral, protective nature of the GPL would be gone.

    But without copyright why would Microsoft sell windows server -- or rather why would anyone buy it?

  51. Re:My piracy experiment on Slashdot by TheoMurpse · · Score: 2, Insightful

    You make two points I disagree with. The first is by far the most important to address:

    But your new product would be functionally very similar to the original and a close competititor.

    Woah. Since when was open source/FLOSS ever about competition? I thought it was about keeping good code open for people to improve upon!

    And if your new software were available for free, yours would likely wipe the other out.

    I think the existence of myriad competing products makes that argument demonstrably false. I mean, if all products are "open," then shouldn't we just see the competition of Ubuntu and Debian as proof that even if two products are both freely distributable, one does not wipe the other out? I mean, Ubuntu is "functionally very similar to the original and a close competitor."

  52. Copyright law and "mashups" by forrie · · Score: 1

    This touches on a concern I have. What about the various "mashups" we see out there on Youtube, et al.

    "Scary Poppins" was pretty creative; imagine if the copyright holders went after them? Actually, did they?

    I like to work with video in creative ways, and I'm concerned about "fair use" vs outright infringement.

    Are there any pro-Fair-Use attorneys here that can comment on this.

    I question what benefit companies like Universal hope to obtain from pursuing these innocuous projects.

    The case against the Youtube baby video with "Let's Go Crazy" was and is completely inappropriate and over the edge.

    What if I film a friend at a club, where a popular song is audible, then I publish it on YouTube as a an innocent family video? Am I going to get sued? Right.

  53. predatory nature of our current economy... by big_paul76 · · Score: 1

    "Because the metaphor of property was allowed to run rampant, unquestioned."

    While I think you're absolutely right about this, as was RMS, it reminds me of something I just read by James K. Galbraith (Yes, John K.'s son...)

    "Today, the signature of modern American capitalism is neither benign competition, nor class struggle, nor an inclusive middle-class utopia. Instead, predation has become the dominant featureâ"a system wherein the rich have come to feast on decaying systems built for the middle class. The predatory class is not the whole of the wealthy; it may be opposed by many others of similar wealth. But it is the defining feature, the leading force. And its agents are in full control of the government under which we live."

    Full article:
    http://www.motherjones.com/commentary/columns/2006/05/predator_state.html

    --
    The plural form of "anecdote" is "anecdotes", not "evidence".
  54. Re:My piracy experiment on Slashdot by Anonymous Coward · · Score: 0

    The grandparent is clearly a troll, but he's right on one count.

    1. If there were no copyright then licenses would be useless.
    2. The GPL is a license.
    3. Useless things are unnecessary.

    4. If there were no copyright then the GPL would be useless (from 1, 2).
    5. If there were no copyright, then the GPL would be unnecessary (from 3, 4).

  55. Re:My piracy experiment on Slashdot by Anonymous Coward · · Score: 0

    First you say it doesn't require redistribution of source code:

    The GPL does NOT force redistribution. Read the license.

    But then you say it does redistribution of source code:

    What it does require, above plain copyright-turned-on-its-head, is for the binary to allways be accompanied by the source code when distributed.

  56. a perversion of the law by riunite · · Score: 1

    It really doesn't make sense anymore.. "..if society pays a young songwriter royalties on a single creation until the day he/she dies, then why not pay a fireman equivalent royalties in perpetuity for his own "act of art," namely the extinguishment of a single, major fire in which many lives are saved?" - Catman Cohen

  57. Re:My piracy experiment on Slashdot by Anonymous Coward · · Score: 0

    I think you need to work on your reading (and logic) comprehension. The parent poster (to whom you responded) is/was exactly right, and you somehow managed to miss it, despite quoting what he/she said.

    I'll try once more, using slightly different words, as one statement:
    - The GPL requires that you make source code available iff (if and only if) you distribute the program.

    And again, as two separate statements:
    - If you don't distribute the program, then you are not required to make source code available.
    - If you do distribute the program, then you are required to make source code available.

    The two formulations above, combined with the parent posters' variant, really should be all that you need to finally understand the requirements. If you still don't, then I'm afraid there isn't much I can do for you.

    It's really very simple. I hope you understand now.

  58. Re:My piracy experiment on Slashdot by Anonymous Coward · · Score: 0

    But without copyright why would Microsoft sell windows server -- or rather why would anyone buy it?

    Depends. What kind of support agreement would be included with the purchase? Any other entitlements? It might very well be worth it to buy it, but you need to describe the entire deal much more succinctly. I don't know what was your point, but I'm pretty sure you didn't make it very clear.

  59. Re:There is no way to set the price of Art "fairly by Anonymous Coward · · Score: 0

    Now you can decide to just not go but since all cinemas charge the same, there is an all or nothing choice: either see film X or see nothing.

    There is the choice of waiting until the movie is on DVD and cheap enough to buy. It is possible to buy two older DVD:s for little more than the price of one cinema ticket.

    You don't have to see the movie when it is new. It is possible to wait until it is cheap enough. If you are, say four friend that do this, you get to see the movie for one eighth of the price of a cinema ticket.

    Piracy adds another option and puts pressure on media companies to provide more value.

    IKEA has a table that I want, but I don't think it is cheap enough. Stealing adds another option and puts pressure on IKEA to provide more value.