Apple DMCAs iPodHash Project
TRS-80 writes "Apple has sent a DMCA takedown notice to the IpodHash project, claiming it circumvents their FairPlay DRM scheme. Some background: Apple first added a hash to the iTunesDB file in 6th-gen iPods, but it was quickly reverse-engineered. They changed it with the release of iPhone 2.0 and a project was started to reverse the new hash, but wasn't successful yet. My guess is Apple used the same algorithm as FairPlay for the new hash, so Apple could use the DMCA to prevent competing apps like Songbird and Banshee from talking to iPods/iPhones. BTW, don't tell Apple, but the project uses a wiki, so the old page versions from before the takedown are still there."
Just another reason not to buy the ipod/phone. Double if you are not using a mac.
By pointing out the older versions on Slashdot, odds are good that Apple will demand they purge the pages from the database.
Good job, timothy.
I believe the EU legislation that's closest to the DMCA explicitly allows reverse engineering for the purpose of interoperability. Perhaps someone should just make a Swedish mirror? :)
And how are Microsoft and Apple different again? Oh, one screws a larger group of people than the other? And that makes it okay why?
Why hasn't the EU screwed apple already? The itunes-ipod abuse is like 10 times worse than IE-windows, yet nobody seems to be doing anything to stop this abusive non-sense.
Copyright infringement is "piracy" in the same way DRM is "consumer rape"
http://www.omm.com/sanfrancisco/
BTW, the lawyer's name is Ramage - quite appropriate in my opinion.
tr.v., rammed, ramÂming, rams.
1. To strike or drive against with a heavy impact; butt: rammed the door with a sledgehammer until it broke open.
2. To force or press into place.
3. To cram; stuff: rammed the clothes into the suitcase.
4. To force passage or acceptance of: rammed the project through the city council despite local opposition.
There are 10 kinds of people in the world > > Those who understand binary and those who don't
I just bought a new Nissan, fully loaded, except the iPod connection package. The dealer was curious as to why I specifically didn't want it, especially he knows I'm into all kinds of technology and gadgets. My reply: "I would never use a device that locks down what I put on it."
Colin Dean Go a year without DRM
Apple this is just so wrong of you, you make me so mad, well, um, oh who am I kidding. I love you Apple. You are the apple of my eye. I love you truly my sweet sweet ipod/iphone/itunes/ijobs provider. Forsake me not.
XOXO
Your fanboy,
CmdrTaco
P.S. that quip about you being lame was just a joke, my baby
...coincidence? Something tells me no.
I first read Apple's lawyer's name as "Rampage"...then when I looked more closely I noticed that his name was just "Ramage".
Pity. It would be so appropriate.
coding is life
I really want an iPod touch, but if it won't work with Banshee than I will not buy one. What a PITA, I thought they worked.
Why are companies so intent on trying to lock people out of their hardware? I have stayed out of the portable MP3 market for years, but recently got a used 5th gen IPOD off of craigslist. Luckily it works fine with Amarok, and other Linux apps.
I just don't understand what they gain by locking out a certain group of users from their Ipods.
The main reason I got an iPod was because I knew I could use it in linux.
Apple are exploiting a monopoly in one market (iPhone/iPod) to establish a monopoly in another (iTunes).
Hopefully the EU will commence some asskicking.
No tyrant thrives when every subject says no.
What are they gaining by adding the hash and stopping people working it out? I've got an old Ipod but I will need to upgrade sometime and I use linux. I like ITunes but I wouldn't install Windows for it, so that would then make me go looking for a different Mp3 player. I'm sure the hash will get cracked, but I don't see whats the big deal.
I've been considering buying a non-iPod for my next Mp3 player, but wasn't sure. Now Apple has done the nice thing for me and solidified my decision -- Any suggestions on what my next non-evil Mp3 player should be?
What is it about Apple products that make people willing to put up with all the crap they do to lock customers into everything. They do more bullying and steering of their customers through proprietary formats and schemes than any other company I know of.
Is having the newest Shiny Thing(tm) really worth putting up with Apple?
You have now given me a renewed interest in helping this project attain its goal.
I was unimpressed with the new version of iTunes, too. Turning off links to the Music Store no longer works either, unless you use this hack.
(-1, Raw and Uncut is the only way to read)
I must say that I bought a creative zen because I hate using ipods. You can't just copy files over to them and back to your computer. Oh no no, you must use itunes and authorize machines etc., and if you screw up there goes your collection.
Of course the zen isn't as "sexy" as the ipod, but SFW? It's in my pocket playing music, and astonishingly it works! And I can freely copy music here and there, and share with friends (which is legal where I live, thank you very much cd/dcd/mp3 player taxes).
It's not that hard to mirror said content outside the US..
Why is this article tagged "outbreak of stupidity"? In reality, it should be tagged "same ol', same ol'". An outbreak of stupidity would imply that wasn't already the norm.
Planet Zebeth - Metroid with a twist
Thanks, I will never be buying any of your products.
I'll stick with building my own systems, and installing Linux, and I'll use digital music players that support Ogg-vorbis.
It is quite obvious that you do not want any customer you cannot control.
I've been using the latest version of MediaMonkey which supports iPhone 2.0/2.1.
The moment I found out, I was hella happy; dTunes (not iTunes) has it's advantages but it isn't as integrated as "Mobile Player"
dTunes for one, doesn't support categorization of any sort, let alone any of the advanced features such as play/stop via the mic "squeeze" switch.
Can't the project be moved to the forums at thepiratebay.org? :-) They have a little history with Apple legal notices. http://static.thepiratebay.org/apple_response.txt
It is worth pointing out that the letter that the lawyers sent claimed that the web site contained information about breaking the DRM found in iTunes, but that is not the case.
The web site contained information on how to be able to *read and write* the iTunes database, to allow you for example to use your iPod from Linux and update the song list.
What happened is that recent versions of the firmware and iTunes now use a secret hash that they compute over the *directory listing*. If the hash does not match, then the iPod/iPhone refuses to load the database. So this is effectively a mechanism to prevent third-parties to upload un-DRMed songs to the iPhone/iPod and had nothing to do --as the lawyer claimed-- with breaking the DRM in the files themselves.
You have to wonder if these lawyers or Apple are not in overstepping some legal boundaries, they could be liable for lying.
You could always buy a used 5th Gen iPod. I have a 5.5 Gen and I don't have a single AAC file, but I've still got over 30 GB of music on it. I can plug my iPod into any Windows or Mac and copy any music off of it whenever I want with no restrictions (admittedly with the help of some freeware which reads the iTunes index files). The iPod is just a hard drive that stores it's MP3s with a funky naming scheme in a hidden folder.
This "lockdown" is relatively new if you use plain old MP3s instead of AAC. And part of the reason I bought an iPod was because every audio device made in the last 5 years seems to have a nifty direct interface...
Interestingly enough, that's not a DMCA takedown notice. It's just a threat dressed up to look like a takedown notice. You can tell because it doesn't allege copyright infringement.
Notice, for instance, that the "DMCA Certification" part at the bottom says "I hereby state, under penalty of perjury, that I have a good faith belief that the activities identified above are not authorized by Apple, that the information in this notification is accurate, and that I am authorized to act on behalf of Apple in this regard."
What it doesn't say is that the works in question are owned by Apple or anything else which in anyway makes a copyright claim.
What it does allege is that they're violating the anti-circumvention provision of the DMCA. There is no takedown procedure for violating the anti-circumvention provision because there is no safe-harbor. If you create an circumventing device, you have violated the DMCA and you can't escape liability by following takedown notices.
The further reason that it isn't a DMCA takedown notice is that what they ask to remove is not something that the receivers have a legal obligation to take down. Information about the workings of Apple's cryptographic schemes, whether or not they comprise an means which effectively controls access to a work, are not unto itself a device which circumvents their schemes, and, as such, is not in violation of the DMCA.
Although Mr. Ramage writes "The DMCA explicitly prohibits the dissemination of information that can be used to circumvent such technology." that's very simply not true. The DMCA outlaws the creation of circumventing devices, but it does not outlaw exchanging information about how to create one. This, along with the research exception, is why DRM and other security research can still happen and has only rarely been hindered by the DMCA, and even then only by the specter of lawsuits.
Beyond that, Apple's hash scheme quite certainly doesn't apply for DMCA protection for one simple reason: it isn't a scheme which, under the definitions of the DMCA, "effectively protects a copyrighted work." There are two distinct reasons why it doesn't qualify. First, it doesn't protect copyrighted files. It only protects the database which is not copyrighted and not eligible for copyright since it is not a creative work. Second, the hash protects it against modification, not reading. As such, it does not "effectively protect a copyrighted work" because the legal definition refers only to protecting something from being read in an unauthorized manner, not from being written.
So, this might have been a valid takedown notice if:
1) The hash in question were an effective measure under the legal definition
2) It were protecting copyrighted information
3) The DMCA outlawed the dissemination of information which could lead to creating circumvention devices
4) There were a safe-harbor provision allowing service providers to avoid liability
Except that the actions so far also all fall under the interoperability exception. Given that their only goal is to allow other programs to work with the iPod, this falls very, very squarely under interoperability exception.
So, there would also have to be a fifth condition;
5) There were no interoperability exception.
As it stands, this notice has no legal standing, and if it were sent to me, I would ignore it. Hopefully the lawyers with whom this project consults will come to the same conclusion.
Now, what Apple could do instead would be to assert copyright over the disassembled/decompiled versions of the source code which appeared on the web page. I would argue that that approach would also be legally invalid, but at least it wouldn't be so obviously so. It could at least lead to some fairly subtle legal arguments.
This notice, on the other hand, is just factually and legally incorrect.
I never wanted a music "player". I wanted a recorder. For one thing, I make my own music. For another thing, I listen to .wav format, not MP3. For another thing, my average track is 45 to 90 minutes long and doesn't originate from a CD rip. When I want to hear relatively mainstreamish, low-fi things, I have internet radio for that. But most of my listening time is spent on things where I have some involvement in its production, and usually in a situation where I or my client or my partner controls the copyright. Sure there are better pocket-sized recorders than my Edirol, but I have what I need and it's pretty danged good; at least as good as my studio mixer or my DAW. And the built-in mics are okay (just okay).
-fb Everything not expressly forbidden is now mandatory.
After all, they can't help any open-source projects directly, or the record labels would take their content and go home. Without content, the iPod is worthless. Maybe this is a sneaky means to get people to work out the new hash? The labels make them take "measures" against you using the content you paid for, so they half-ass the enforcement of said measures until they have sufficient footing to challenge them directly...
I want to coin a new term for this DRM crap:
Vendor Lock In - User Lock Out
Is this one of the first non-euphemistic terms for DRM?
for compatibility. So I don't think Apple has a case.
Excuse me, but please get off my Pennisetum Clandestinum, eh!
Mod parent up "informative" and "bloody fascinating".
Is Apple claiming to be the copyright holder of the database that the iPod firmware prevents access to?
They have no real DMCA case here, and would lose if only people could afford the court costs. Maybe a music copyright holder would have standing if someone defeated Fairplay itself, but the applicability to the database hashing is pretty damn iffy.
As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
Uh, no, actually it explicitly prohibits trafficking in "technology, product, service, device, component, or part thereof," not necessarily all information. You can persuade a judge that Congress meant to restrict speech in addition to those other things, but don't say it "explicitly prohibits" speech, because it obviously doesn't.
As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
You can avoid Apple products but you can't avoid Windows products. Even if Apple had a monopoly on music players, I can still get a Sansa and use a whole host of standardized analog (stereo-mini) and digital (USB) means to work with it along with FOSS music players and DRM-free stores (Amazon or plain-old CDs). These are by no means shuttered out to me just because Apple has decided to standardize on their proprietary dock connector, iTunes, and iTMS.
Microsoft, on the other hand, has forced me to buy into their Windows+Office world to communicate in my industry. AND they have been shown to use this monopoly to prevent competing products from arising in all but niche areas.
Seems like two completely different animals to me. Sure they both suck, but I don't have to care about Apple.
The iFuse project that aims to support some of the iphone and ipod touch features under linux got about the same message, from the same dickhead lawyer. Basically they told him to go fuck himself (they didn't try to make it polite), because he has nothing to do with apple. Someone should revoke this guy's license...
Its not enough for them to charge the suckers an arm and a leg for their products. They also need to control what you paid good money for and what you own.
Control freaks.
This takedown is essentially trying to lock out 3rd party media players (Winamp, Amarok, etc) under the guise of content protection.
If I had to guess I'd venture that Ian's email address is actually IRamage - at - omm.com. You know, should anyone care to send an email. His profile can be found at http://www.omm.com/ianramage/
This was probably the biggest thing that bothered me about iTunes, and was the first thing I removed when I installed the latest version of "iTunes + QuickTime." I think I can speak for many people when I say QuickTime has to be one of the worst media players out there. I have been on Media Player Classic for years now and don't think I could ever go back to anything else. With support for a QuickTime alternative that works in a tiny media player with huge functionality (minus a library, but that is what windows explorer plus drag and drop is for.) All I wanted was to point iTunes to one directory to look in for my music (another local user on my Windows PC) and I could not find any options for it. I figured maybe they would have it in the latest version, but alas a product that "just works" will "just work" the way Apple intends for it to. I am now a Songbird user and will stay on it as long as I have my iPod. At least it will let me use part of my brain and add some functionality to my software.
In short I refuse to keep QuickTime on my PC as it is a load of garbage (i mean who hides the auto-start feature in the web preferences?). This for me was reason enough to finally dump iTunes once and for all (not that I needed any more.) When my iPod dies I will certainly look for an alternative media player that works the way I want it to.
While some fanboys will jump in to yell that Apple's gaining market share every quarter, the only place they lead is in iPods. In computers and phones they lag far behind and aren't looking to reach 50% of those markets in the foreseeable future.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
I almost bought one of those until I realized they can't deal with more than 9999 songs for the HD-based players and something like 3000 songs for the flash-based ones. That's right, a hard limit on number of songs, regardless of actual storage space. Cowons have great reviews otherwise, but I want _all_ of my music on my player, and the above is a killer.
I've no problem accepting the terms of use for music that I've paid to download from Apple et al.
If you don't want to accept their terms, don't do it.
The only problem is when the entire protection system is so screwed that you cannot ALSO use the software - and legally-acquired songs - of your choice, rather than exclusively Big Brother's mandated stuff. Hiding behind the 'closed is required to make it safe and easy to use' figleaf just does not cut it anymore. Apple is the new IBM.
It's all hubris anyway, since the vast majority of content played on iStuff does not come from iTunes. No doubt Jobs would like to change this, and get us to download all our content via expensive mobile-phone tie-ins. That's - urm - not working so far.
So, the net effect is to push smart people into Songbird and Mediamonkey's arms, not to mention also in the direction of the nearest torrent site.
Own goal, Steve.
I have a couple of iPods. I think the software that runs on them, as well as iTunes itself, is pretty mediocre. But the widespread hardware support and the fact that I could plug them in to a Linux system and they just worked made all of that bearable.
With the iPod Touch and its proprietary hash, Apple has crossed the line. With Apple's own software, the iPod Touch can't even be moved between desktop and laptop, and I don't have any option anymore other than to use Apple's shitty iTunes software. My next video player is going to be something like an Archos 5, and for music, a simple $50 no-name player does just fine.
Just what is the point of having ipod? Why can't the competitors to apple just sit down and devise a common method for syncing the device to a media player?
I'm looking at a Pioneer car stereo that has a USB connector on the front. A $20 flash drive will hold everything I could want for car listening, and it doesn't need physical space, and it's really small, and it doesn't need power, and it's not going to lose its battery overnight in a cold car.
Sounds great... but I'd like to have playcounts/playdates and podcast bookmarks saved so I can sync. This seems like a trivial job, but has anybody worked out a standard? .m3u isn't it.
My God, it's Full of Source!
OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
One reason is because Apple does not have a monopoly. It's ok to mildly abuse your customers if they can go to one of your competitors.
ITMS is far from the sole provider of online music, and Apple is far from the sole provider of "mp3" players.
Apple has also not used its dominant position in the audio player market to kill off competition like MS did with Windows/IE and Netscape.
If you own an iPod you are free to purchase music from the iTunes store, from a retail via CDs, or from another (DRM-free) online retailer (Amazon, Magnatune). The iTMS also allows for DRM-free files where the copyright holder has allowed Apple to do so (sadly currently only EMI).
While ideally it would be cool if Apple would license FairPlay, I think it's better that they fight for DRM-free files.
Apple also tends to use standards without extending them, whereas Microsoft isn't well-known for that.
If you don't like the iPod system you are free to use other devices. However, if you don't like Windows your choices have, until recently, been very limited. Remember that the Microsoft was tried in the late '90s, when the Mac was still obscure and Linux was only started out. The situation of course has improved a lot (IMHO) since then from a competition perspective.
With Microsoft, it's an case of man screwing his fellow man.
With Apple, it's the other way 'round.
(Sorry, old joke. "Capitalism is where man exploits his fellow man; with Communism, it's the other way around").
pin density is one factor that certainly weighed on that decision.
We are in 2008. Why would you even need to have a separate pin for everything ?!?
We have very nice, completely standardized connection such as :
- USB (specially since the On-The-Go and Pict-Bridge standards where the same physical connector can switch between master and slave depending on needs).
- FireWire (which has the advantage of allowing several masters on the same bus and device sharing both master and slave role - just like SCSI. And has overall much better latency and bandwidth once you factor all possible overhead)
They are almost ubiquitous. Today it's hard to find a device which is NOT USB-enabled. (although not all FireWire connectors you may encounter are 6pins with power. 4pins data-only are popular on some portable device).
And they can easily do pretty much everything you cited and much-much more.
Audio/Video (+controls for it) over FireWire is just a piece of cake, the standard was created with that purpose in mind.
how would you create video out from a USB port?
- If the device is a master and is PUSHing video OUT, video-over USB was among the first standardized stuff, with USB-to-VGA dongle being very popular. It's already a very popular method to get 2ndary output from device which lack a VGA or DVI out. Or get a 3rd output.
- If the device is a slave and you are PULLing video FROM device, then a USB video device is perfect for it, just like thousands of Webcams, video receiver, etc. There's even an emerging standard called UVC - USB Video Class (Before UVC, every webcam USB chip used a different protocol requiring several different procols).
Given the sensitiveness of analog to electronic noise, digital video out makes A LOT of sense. And given that hosting the electronics for a DVI/HDMI/miniDisplay port would unnecessarily increase the costs of the device, the USB-to-VGA or UVC is the best compromise.
the radio
You must be joking. Just look at the crazy amount of USB FM+TV+DVB+DAB receiver dongles.
There's a custom version of the OpenMoko sold with such an USB receiver contained in a spacer between the battery and the original cover.
If you want a radio *emitter*, see next question about audio.
headphone adapter?
Still keeping with the everything over USB :
- USB audio is an absolutely standard protocol.
In fact dozens of headphone made for laptop/skype don't plug into the audio in/out ports, but instead plug into an USB port.
As USB Audio does both input and output, it doesn't matter which is master which is slave, you can establish an audio link over USB.
Now, plain analog audio has had a standard for many years : the simple 3mm Jack. For a quick and easy analog access you should leave an audio jack on the machine.
For even more practical solution, you could go for a 3 or 4 ring jack instead of a classical stereo one, and carry video, s-video and/or mic.
Put a LED on the bottom of the connector and it can also work as a nice digital out (Sony's MiniDisc already used hybrid optical+analog contacts for quite some time).
Put them in line with the usb at very specific distance one from each other and you have a perfect connector with both analog and digital.
The only reason not to do this is because by letting normal audio connection (jack), the constructor lose the incentive for users to buy the more expensive USB-based peripherals.
artist/song/albumart along with audio out for the dock devices?
That is just plain stupid.
All this meta-data you cite is never going to be transmitted by lots of dedicated pins.
Normally such kind of data is just emitted over a serial connection. (Even before the age of USB, Sony MiniDisc already used a serial link to transmit this. Audio goes through analog+optical jack, meta-data
"Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
The only proprietary bit is the mapping from pins to signal formats, and this was reverse-engineered within a few weeks of the first iPods with a dock connector being released.
And Apple would probably happily unleash the lawyers against anyone implementing anything more than a hobby project using iPod-compatible pins.
Also the connector requires you to have yet one more different cable with you. Whereas, a sequence of USB + Firewire + multipupose jack can be plugged by standard cable like any other device.
"Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
Actually, a standard USB interface couldn't possibly provide such functionality because one end must be the host and the other the peer, but your suggestion requires that the media player be able to function as both
Yes, it can. It's called On-The-Go and is already used by lots of devices.
(Mainly smartphones and cameras).
Any USB interface which deviates from this practice is by definition non-standard.
OtG is an official supplement of USB 2.0. And OtG device can interact without any problem with plain USB slaves or USB masters.
"Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
This does look like it's similar to the FairPlay DRM scheme. Requiem is supposed to break it. The source can be found here:
http://thepiratebay.org/torrent/4518884
There is a no tying two technologies together act in Antitrust law. Mind you I am not a lawyer so that is if I understand it correctly. This would make Apple one of the biggest abusers of Monopoly I could think of. You need a Mac to run OS X. You can't install whatever you want on your Touch. You need a cable with a special chip to do video out on the touch. I think technology copyright law is a mess cause the people making the rules don't understand technology enough. They tend to go overboard to make the people that would lobby happy, but screw the public in the process. Where is the democracy, the voices of the masses, in that?
Here is what I wrote to apple on the feedback section of their site.
The moment you rip the CD and then lend it to friends you are technically a copyright infringer.
I am not saying it should be any different, but lets not fool ourselves: legislation all around the world is aiming to make natural use of media like the one you describe illegal.
The interesting question is: if the majority of the public is most likely against this kind of pro-cartel legislation, how it comes that the few execs in the big corporations interested have more say with politicians than we, the people?
When politicians ask why people are disengaged from politics this is a perfect example of why: we know we are not the master of our elected representatives ....
IANAL but write like a drunk one.
If you have to choose either Windows or MacOS X for a platform (let's say, you need to run things not available on Linux; it happens), OSX is the lesser evil. It doesn't have the BluRay-mandated DRM infrastructure in the kernel making the system slow and fragile, and it is based on UNIX with some very elegant technologies on top. Apple's APIs are also considerably less horrendous than Microsoft's, at least since the move to Cocoa.
As far as audio players go, Apple are evil, though they seem to be the only people making decent-sized hard-disk-based players with a passable interface for going through large music collections (i.e., the iPod scroll wheel is a lot better than stabbing at the down button with your finger for 30 seconds as you make your way down the alphabet). Having said that, if someone made a player that did something similar but was mountable from Linux/UNIX, I'd be interested.
Don't fuck with Songbird. Thanks.
Just what is the point of having ipod?
Because unlike most other MP3 players, iPod Touch plays apps. Nintendo doesn't want Nintendo DS owners to play games that are developed in a home office. Apple, on the other hand, has no problems with homemade apps and games developed by Mac owners as long as they aren't trademark-infringing.
Apple get's something good going, people like it..and then they let it evolve into a pain in the butt horror of it's former self.
Now that tye have competition, there going to be getting paranoid and try to control the things they can not control..and fail at it. I predict that in 3 years they will loose the gain they have made in the market in the last 5 years.
The Kruger Dunning explains most post on
Buddhist and making decisions that are against the core Buddhist beliefs?
The Kruger Dunning explains most post on
I was sitting on the fence between a new iPhone and a G1 Android. Thanks for making the decision easy, Steve.
The Kruger Dunning explains most post on
That lawyer doesn't seem to know what's going on. A DMCA takedown notice is when you complain (under penalty of purgery) that a page is violating your copyrights and demand that it be removed. Apple makes no such complaint here, nor can they: the discussion does not infringe Apple's copyrights.
Instead Apple complains that the discussion violates a different portion of the DMCA. That's perhaps arguable, but the appropriate form of complaint would have been a cease-and-desist notice.
Moderating "-1, Disagree" is simple censorship. Have the guts to post your opinion.