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iTunes DRM-Free Files Contain Personal Info

r2k writes "Apple's iTunes Plus files are DRM-free, but sharing the files on P2P networks may be an extremely bad idea. A report published by CNet highlights the fact that the account information and email address of the iTunes account holder is hidden inside each and every DRM-free download. I checked, and I found I couldn't access the information using an ID3 tag editor, but using Notepad I found my email address stored inside the audio file itself."

109 of 693 comments (clear)

  1. Seriously... by fyngyrz · · Score: 5, Insightful

    I don't see the problem. I didn't want them to remove DRM so I could ignore the copyright on the music, I wanted them to remove it so I could use it on any device I wanted to listen to it on. They did that; now I can, as far as I'm concerned, we're all good now.

    If you interpret the lack of DRM as permission to ignore copyright, and you end up in trouble because you did so...

    Nope, don't see the problem.

    ....sharing the files on P2P networks may be an extremely bad idea

    Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea. If you ever had any fraction of an excuse for doing it (and frankly, I don't really think you did, but...) it is gone now, at least as far as iTunes purchases go. What has changed is it is now reasonable to purchase music, because you'll actually get to own it, use it on *all* your gear, back it up, etc.

    The only thing I can think of that is really affected by this is your ability to legitimately resell recording of a tune you own, because you bought it. And for that issue, I give it.... maybe an hour before someone comes up with a tool to ZOT that name and email address right out of there. Maybe it'll even put the new one in. Pride of ownership and all that.

    --
    I've fallen off your lawn, and I can't get up.
    1. Re:Seriously... by Tubal-Cain · · Score: 4, Insightful

      Agreed. This is a fairly reasonable compromise on Apple's part.

    2. Re:Seriously... by Tubal-Cain · · Score: 2, Insightful

      If it was your own music, you obviously have (or had) a non-watermarked (for lack of a better term at the moment) version of the file. If it has permissive copying, surely you can find it somewhere other than iTunes?

    3. Re:Seriously... by quarrel · · Score: 4, Insightful

      Oh please, if you're the copyright holder are you really paying Apple and downloading it off itunes?

      No. You're not.

      GP is correct.

      --Q

    4. Re:Seriously... by Thanshin · · Score: 3, Insightful

      So if tomorrow a file with your personal information is shared on the web and you simply don't know how is it possible, so you're fined a couple thousand bucks, I guess you won't mind?

      Or you're so sure of the infalibility of Apple's system that you're willing to bet a couple thousand bucks, in exchange for... Nothing?

      Great odds.

      P.S.: Avoid casinos.

    5. Re:Seriously... by erroneus · · Score: 4, Insightful

      While I agree with you, here is the problem I have with it:

      Person A is the target
      Person B is the attacker
      RIAA is the litigious groups of assholes

      Person B decides to harm Person A. Person B knows Person A's email address. Person B modifies a bunch of MP3s to contain Person A's email address and then posts them to every torrent site imaginable. RIAA is famous for ignoring what "reasonable doubt" might suggest or imply and immediate goes into litigation. Even if it is later revealed that Person A was a victim in this scenario and is completely innocent of wrong doing, Person A just spend a LOT of money in the process. (It can be reasonably assumed that Person A spent a lot of money because without having spent money, a defendant most likely will lose.)

    6. Re:Seriously... by NNKK · · Score: 4, Informative

      AAC ( http://en.wikipedia.org/wiki/Advanced_Audio_Coding ) is an industry standard, and even if it weren't, iTunes helpfully provides a "Convert to MP3" item in the context menu of non-DRM'd AAC files that does exactly what it says.

    7. Re:Seriously... by Anonymous Coward · · Score: 4, Informative

      AAC in a a run-of-the-mill MPEG-4 container, with ID3-formatted tags stored in a separate atom (permissible in the MPEG-4 standard).

      Anything that uses libavcodec/libavformat as a base (ffmpeg, VLC, mplayer, etc) can read these files. They may not have the code to extract the ID3 tags from the atom and feed the data blob to something like libid3... but as long as the player software can read standard MPEG-4 files with basic AAC... it can play these suckers.

      The format just isn't as prevalent as MP3, but that doesn't automatically make it proprietary.

    8. Re:Seriously... by dynamo52 · · Score: 2, Interesting

      Fair enough so long as there is no additional lossiness in the conversion.

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    9. Re:Seriously... by ani23 · · Score: 2, Insightful

      i seriously doubt that an email which can be easily changed in a file can be used as the sole grounds for pressing charges. It ma however bolster a case where a user has been tracked by IP and the files have his email too.

    10. Re:Seriously... by Anonymous Coward · · Score: 2, Informative

      I am from Spain and here we have something called "private copy right" that allows people to have copies of copyrighted stuff, and to share it, by P2P or by whatever.
      P2P in Spain is not illegal, it's not regulated.
      Why Apple has to ignore the privacy of their customers in such way?

      P.S.: Excuse me if there is any mistake on my English

    11. Re:Seriously... by beelsebob · · Score: 2, Insightful

      Well that's good then, because it's not in a proprietry format! AAC is not Apple Audio Codec â" it's Advanced Audio Codec â" to go with Advanced Video Codec, aka MPEG 4's high quality audio and video codecs.

    12. Re:Seriously... by amake · · Score: 5, Informative

      Converting from AAC to MP3 is lossy.

    13. Re:Seriously... by zachdms · · Score: 4, Insightful

      Couldn't you correlate your purchase record, or lack thereof, to validate or disprove the claims against you in that scenario?

      It seems like a quick comparative analysis there would pretty quickly mitigate *most* of that concern.

    14. Re:Seriously... by DA-MAN · · Score: 5, Insightful

      i seriously doubt that an email which can be easily changed in a file can be used as the sole grounds for pressing charges. It ma however bolster a case where a user has been tracked by IP and the files have his email too.

      As we're talking about purchased music, all Apple would have to do is lookup the record of the credit card used to purchase the song.

      So unless you always use iTunes redeemable gift cards, it's probably fairly easy to track a user definitively.

      --
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      Dog House Forum
    15. Re:Seriously... by lisaparratt · · Score: 5, Insightful

      Of course there's loss, but to imply a lack of transcoding loss is a prerequisite before anyone can use it anywhere is absolute madness.

      No one who lives outside of their mum's basement cares. Really. Your average MP3 player is not hifi, and your average consumer doesn't give two shits about the quality loss.

      Also, last I checked, Steve Jobs didn't repeatedly smash your face into a MacBook keyboard whilst pointing a shotgun at your head with his free hand until you bought music from iTunes. If you don't want it, don't buy it.

    16. Re:Seriously... by myxiplx · · Score: 4, Interesting

      Exactly. My first thought on reading this was "sweet, somebody's finally gone about it the sensible way".

      I mean seriously, I've been waiting for somebody to implement this for nearly 10 years now. It's an obvious way to combat piracy since you can identify the source of the leak, and it's a massive benefit that digital distribution offers the record labels. Users get cheaper tracks and can download them instantly from the comfort of their own home. Record labels get to discourage piracy and have an easy way to track down the source when it happens.

      Honestly, it's such a simple solution I thought there must have been something I was missing for the record companies to not implement this. It's win win as far as I can see.

    17. Re:Seriously... by asc99c · · Score: 5, Informative

      The English is fine, just not the information!

      Like many places, Spanish law has exemptions for private use, which probably makes removing DRM completely legal. However the owners are allowed to make copies only for private usage, with collective and lucrative uses not allowed. Sharing on P2P would definitely constitute a collective use.

      Although as with almost everywhere else, P2P itself is not illegal.

    18. Re:Seriously... by mosschops · · Score: 5, Informative

      Converting to MP3 is lossy, regardless of the source format.

    19. Re:Seriously... by rundgren · · Score: 2, Insightful

      I don't see the problem.

      Seriously, you don't? Largely because of the music industry's reluctance to use distribution methods and pricing that makes buying music "legally" attractive, we now have a situation where everything may end up on p2p. If you are happy living with the risk that one of your purchased iTunes Plus files will end up on a file sharing network and you getting sued for it, then you must be on Valium.,.

    20. Re:Seriously... by Yvanhoe · · Score: 3, Insightful

      And this is doubly great : now if someone shares a file by putting myxiplx@slashdot.org instead of their own address, they will immediately be able to track the pirate.

      I mean, seriously, if you want to implement digital right protection, you either do it completely (hint : you can't) or not at all. Partial implementation like this one are completely useless.

      --
      The Wise adapts himself to the world. The Fool adapts the world to himself. Therefore, all progress depends on the Fool.
    21. Re:Seriously... by FridgeFreezer · · Score: 4, Informative

      Well up the bitrate and reduce the loss - people talk a lot of shit about hi-fi but in reality a decent MP3 will be indistinguishable from anything else on 99% of gear in 99% of listening situations.

      --
      There is no music - home taping killed it.
    22. Re:Seriously... by Silas+is+back · · Score: 4, Informative

      Just to note, the email address has always been part of iTunes Plus files. This in nothing new.

      --
      this sig is useless
    23. Re:Seriously... by paul248 · · Score: 4, Insightful

      Well, Apple could sign the file with their private key after adding your user ID. It wouldn't stop people from blanking it out, but it would securely prevent impersonation.

    24. Re:Seriously... by martinX · · Score: 5, Funny

      I'd whip you with my Pear Anjou cables, but I've just finished burning them in and aligning the natural resonance using my interocitor.

      --
      When they came for the communists, I said "He's next door. Take him away. Goddam commies."
    25. Re:Seriously... by sumdumass · · Score: 2, Informative

      Why would you think that you would get fined just because your name is in something?

      Nothing is going to happen until it goes to court. The guberment can't give you a fine for this like a speeding ticket or anything. They would have to collect enough evidence and present it and then either hope that the government picks it up or sue you directly. Even then, your lawyer will probably get you off before it costs any money because you won't be the first person it happened to. All it will take is one Virus going around that does something with these files and it would be completely pointless and worthless as evidence.

      About the most that can happen is Apple decides not to sell more music to you under that account.

    26. Re:Seriously... by mstroeck · · Score: 5, Insightful

      Please... We've done blind tests with orchestra and studio musicians, and the detection rate of MP3 vs. CD on $500 studio headphones was not statistically significant. Get over it already.

    27. Re:Seriously... by Anonymous Coward · · Score: 2, Informative

      I wanted them to remove it so I could use it on any device I wanted to listen to it on. They did that; now I can, as far as I'm concerned, we're all good now.

      While I agree with you that removing the DRM is a good thing and inserting this information in the file is perfectly reasonable, as long as the music is in a proprietary format it can't be migrated easily. can the files be read by other applications?

      I really can't understand why so many people think that AAC is an Apple format... Is it the "A"s in it that makes everyone seem to assume it has something to do with Apple? It's a (patent encumbered) standard, just like MP3. Practically everything made these days supports AAC - it's actually cheaper to license per unit than MP3.

    28. Re:Seriously... by halcyon1234 · · Score: 5, Interesting

      Let me throw you a hypothetical here.

      Suppose I hated you. I see you have a link to your homepage-- many users do. That page, being an expression of personal taste, might have information about music you like. Yours does. Now, yours is a "CD collection", but it could just as easily be a list of songs you bought of iTunes (as many other users do, in a list, in their blog, etc). So I pick something from your list, say A Perfect Circle - Emotive (good choice, BTW). Google tells me your real name is Zach Robinson. One of your email addresses is zachd at microsoft dot com (obfuscated for your benefit). So I whip up a batch of itunes encoded A Perfect Circle with your name and mail address in it. I throw them on all the P2P sites I can find, wait a couple weeks, then drop a dime to the RIAA. It's trivial moments of effort for me.

      Now you have copyrighted music with a label that says "owned by Zach Robinson" floating around, and a group of lawyers looking to extort a couple grand out of you. Sure you could make up a fake name and a fake email address that you use exclusively for purchasing from iTunes-- but why should the onus of not being sued be on you? Or, why couldn't Apple instead have taken a secret internal customer id number, hashed it using the date/time of purchase as a salt, run it through a secret algorithm, and slapped that into the "owned by" field so that I couldn't reproduce it? (Until their method is cracked and we're back to square one, that is)

      Really, it all comes down to normalization. What describes a song? The artist, the album, the year of release, the genre-- all that fun stuff. Does YOUR name and email address describe the song? No. Then it doesn't belong in a song file. It belongs in your iTunes account, along with a list of songs you "own".

      So it only serves to harm the innocent, is a poor method of tracking ownership, and introduces unrelated data to a set. There is NO reason for it to be there.

    29. Re:Seriously... by zachdms · · Score: 3, Insightful

      Right, we both saw those possibilities. And then I point out that there's no record of me purchasing those tracks and it's kind of game over and I'm sad that that's an effective use of your time.

      As long as there's an actual correlation between those embedded email addresses and the purchase logs at Apple, it should be child's play to disprove "plants" like that.

      Granted you have a window of malice here, but I believe it's a lot smaller than is being suggested. Those plants could be checked by Apple without me ever having to know. Your narrow window of malice (hoping to hit a subset and NOT a superset of whatI've purchased) would be even further mitigated by them simply setting "Bar For Kicking In Your Door" to some non-tiny number. So you don't even necessarily get to waste my time. Just your own. ;)

      You might with your project succeed with redistributing music files around the net ... but that's kind of where things are now.

    30. Re:Seriously... by Almahtar · · Score: 2, Funny

      Also, last I checked, Steve Jobs didn't repeatedly smash your face into a MacBook keyboard whilst pointing a shotgun at your head with his free hand until you bought music from iTunes. If you don't want it, don't buy it.

      Actually, Steve Jobs did repeatedly smash my face into a MacBook keyboard whilst pointing a shotgun at my head with his free hand until I bought music from iTunes, you insensitive clod.

      Poor MacBook.

    31. Re:Seriously... by dargaud · · Score: 2, Interesting

      There is certainly more than one place where the owner's info is inserted: once in plain text, once watermarked through the music stream, once using steganography inside the music stream, once encrypted in precise spot that in itself gives info about the source, etc... And only Apple and selected **AA will know about those. Still, it's a progress.

      --
      Non-Linux Penguins ?
    32. Re:Seriously... by couchslug · · Score: 3, Funny

      "Also, last I checked, Steve Jobs didn't repeatedly smash your face into a MacBook keyboard whilst pointing a shotgun at your head with his free hand until you bought music from iTunes."

      After THAT sort of treatment, did you really think we'd tell you anything?

      The first rule of the Steve Jobs Beat Down is "don't talk about the beat down".

      ]

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    33. Re:Seriously... by yttrstein · · Score: 2, Insightful

      It's not a nefarious move. It's how iTunes (and therefore Apple) recognize purchased music. This is necessary for a number of benevolent reasons, including a strong layer of insurance against selling you the same track twice.

      If you really don't like it, write the two-liner (one line if you know sed and awk) that blows your personal info out of every purchased track automatically.

      I fail to see the issue.

    34. Re:Seriously... by pdbaby · · Score: 3, Informative

      I diff'd 2 non-DRM iTunes songs a while ago... they just list your e-mail address and purchase date in the metadata. And I suspect that's done client-side to simplify their cache system.

      --
      Global symbol "$deity" requires explicit package name at line 2. - If only $scripture started "use strict;"
    35. Re:Seriously... by Ihmhi · · Score: 2, Insightful

      And noticeable to whom? Audiophiles, and not the average user.

      I'd rather have a 160 kbps MP3 that I could put on anything than a restricted AAC with better sound quality.

    36. Re:Seriously... by pdbaby · · Score: 5, Interesting

      I've mentioned it elsewhere but songs are also encoded with the purchase timestamp. So if you've no access to someone's files then you've essentially zero chance of getting the purchase timestamp right, even if you get the songs they own right.

      --
      Global symbol "$deity" requires explicit package name at line 2. - If only $scripture started "use strict;"
    37. Re:Seriously... by Weedlekin · · Score: 3, Interesting

      "The owners are allowed to make copies only for private usage, with collective and lucrative uses not allowed."

      It would be more correct to say that collective use is technically illegal, because it's most definitely allowed. A Spanish legal precedent was established for this at the end of 1996 by a judgement that exonerated an accused Internet file sharer on the grounds that non-commercial copying not only isn't a crime, but that it's a common social practice that should not therefore to be criminalised. This stance on the part of the Spanish legal authorities was underlined at the end of 1997 when what amounts to their chief copyright cop said that not everything which is technically illegal is a crime, including non-commercial copying via the Internet or any other means, so they have no intention of pursuing anyone who isn't involved in commercial piracy.

      The effect of the above has been to leave civil litigation as the only route open to representative bodies of copyright owners, but their efforts are severely hampered by the fact that ISPs refuse to disclose the identities of the people behind specific IP addresses on the grounds that Spanish law (which is based on EU data protection directives) only requires them to do so as part of a criminal investigation or where matters of public safety or national security are concerned. This eventually ended up at the European Court Of Justice subsequent to a request for a definitive ruling from the Spanish courts, and the ECJ found in favour of the ISP (Telefonica), thereby effectively making civil litigation against Internet file sharers almost impossible.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    38. Re:Seriously... by lisaparratt · · Score: 2, Insightful

      The average person does not have aspergers syndrome, unlike the average slashdotter, and thus isn't anal about SNR ratios, codecs, et al. As long as they can screech along to Britney's latest banshee wailing, they're happy - they just don't care about audio quality.

    39. Re:Seriously... by dunkelfalke · · Score: 2, Informative

      Actually, there are no hifi mp3 players because mp3 players aren't defined in DIN 45500 at all.

      --
      "It's such a fine line between stupid and clever" -- David St. Hubbins, Spinal Tap
    40. Re:Seriously... by TyFoN · · Score: 2, Interesting

      And still, some people like me can't hear the diffrence on FLAC or 128 kbps MP3 ;)
      But I don't have audiophile golden ears that's for sure...
      Still I got maximum score in the military when they tested my hearing.

    41. Re:Seriously... by paanta · · Score: 5, Insightful

      I don't think you really addressed the compromise or reasonableness aspect of this.

      Apple wants DRM free stuff and RIAA doesn't. Apple stuffs personal info in there so there will be some accountability should the file get P2P'd. Sounds like compromise to me.

      As far as reasonableness? Your scenarios sound pretty darn unlikely. Almost as unlikely as someone stealing my iPod with my contact info in it, then deliberately leaving it at the scene of a murder in order to frame me. Or maybe space aliens will steal the music on my iPod and accidentally broadcast it back to Earth. NASA will pick it up, magically determine the email address associated with it, send spooks to pick me and perform experiments on me for the rest of my life.

    42. Re:Seriously... by Schadrach · · Score: 5, Insightful

      How is a digital signature verifying that the file is the original provided by Apple iTunes DRM in any meaningful sense? It places no restrictions on the file in any form, doesn't prevent or limit it's usage, simply acts as verification: "My checksum matches the checksum that this signature says it should, therefore the file has not been changed since purchased from iTunes".

    43. Re:Seriously... by nmg196 · · Score: 4, Insightful

      Listening to music on headphones while on the train is lossy but people still do it. We can't all sit in silent rooms with reference quality speakers 6 ft in front of us and £1000 amplifiers. The quality loss is totally irrelevant as it cannot be heard under normal listening conditions by the vast majority of people.

    44. Re:Seriously... by sglewis100 · · Score: 4, Insightful

      Fair enough so long as there is no additional lossiness in the conversion.

      Why? Who cares? AAC is a valid format. They should use MP3 because more non-iPods support MP3 then AAC? Maybe they should support Ogg because it's "better" or sell music in a lossless format so that you are closer to the original.

      I kind of understood the complaint when it was DRM protected AAC "wahhh... I can't play it on my non-iPod even though that device supports AAC". Now you can. But there's no reason Apple should have to support MP3. To many, these high bitrate AAC files are superior to MP3. Have a non-AAC compatible player? Go to Amazon.com, they have a similar selection.

      There will always be a complainer until Apple releases every song ever, including bootlegs, in Ogg, MP3, AAC, Flac, and ten other formats, and change the iPod to support all of the same, and make the iPod a 3G wireless device that has a built in BitTorrent client to grab the files quicker, and they cook you dinner and do your laundry too. Maybe some of the readers here just aren't the iPod's intended audience?

    45. Re:Seriously... by sglewis100 · · Score: 5, Insightful

      If you think $500 headphones are high quality, you're sorely mistaken.

      If you think the intended audience for things like iTunes and the Amazon MP3 store DON'T think $500 are high quality, you might be the mistaken one.

    46. Re:Seriously... by AusIV · · Score: 2, Insightful
      Ripping from an original source to a lossy format is noticeable only to the most trained ears. Converting from one lossy format to another starts producing artifacts that the average user can hear on run of the mill equipment.

      AAC will play on most portable devices these days. If you have something specific you want to play it on that can't handle an AAC, I'd make an mp3 copy just for that device, and keep the higher quality version for your computer and other devices.

    47. Re:Seriously... by Shakrai · · Score: 4, Funny

      If you think $500 headphones are high quality, you're sorely mistaken. http://www.stax.co.jp/ [stax.co.jp]

      I only have one question regarding those $5,000 headphones: Can I get them with a white wire? ;)

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
    48. Re:Seriously... by Mr+Z · · Score: 2, Informative

      True. I would imagine there are ways, though, of minimizing the loss going from AAC to MP3. A naive conversion would convert AAC back to uncompressed PCM samples, and then run that through a standard MP3 converter. That strategy would work (and is likely the one employed), but it seems like it would cause the maximum damage.

      Another technique transcodes one format to the other. AAC is also a lossy format, and its psychoacoustic model has already decided to discard some information. Transcoding from AAC to MP3 could convert the sound data in the frequency domain (i.e. the MDCT coefficients--the representation that AAC and MP3 use to code the sound once it's been shaped by the psychoacoustic model), throwing away only the sound bands that MP3 doesn't support. You may have to do some additional work to handle the smaller ranges of frame sizes that MP3 supports, but it's tractable.

      The main point is that you don't have to apply the full psychoacoustic model again to decide on more things to discard. Since MP3 represents a narrower band of sound than AAC does, most of the conversion can focus on removing the stuff MP3 can't represent, and then just recoding what remains with the greatest fidelity possible.

      Something tells me, though, that they're not bothering to do it that way, but I'd be interested to know if they do.

      (Note: I'm not an audio format expert, and I have simplified the description above. For example, AAC uses a modified DCT, so it's not as pure a frequency domain representation as, say, an FFT. MP3 apparently uses a hybrid approach that isn't pure MDCT. And so on. Still, capturing the audio data nearer to its encoded form and transcoding it, rather than going all the way back out to audio samples should retain higher fidelity.)

    49. Re:Seriously... by noc007 · · Score: 2, Insightful

      I guess I'll stick with CDs then thanks...

      I think that's partially the idea.

    50. Re:Seriously... by outZider · · Score: 2, Insightful

      Think of the children!

      You know, you're going to give yourself a heart attack far too early if you worry about crap like this. Seriously, an email address is not a piece of personal information that you can hold close to your chest.

      --
      - oZ
      // i am here.
    51. Re:Seriously... by Cowmonaut · · Score: 4, Insightful
      Note: My numbered rebuttals correspond to your numbered statements.

      1) Apple does negotiate with the RIAA about the terms of the DRM service that Apple has to maintain and run. I'm far from an Apple fanboy, but there have been stories over the years going off on how the DRM wasn't Apple's idea and so forth. There are even quotes of Steve Jobs saying that DRM is bad, and that guy sure as hell isn't the type to just take it. I seem to remember a Slashdot story telling of how they were forcing the RIAA to accept their terms, but over the years the opposite I admit has been more likely.

      Of course, the actual music execs have been saying for years that DRM is bad but the lawyers at the RIAA seem to be running their companies into the ground for them.

      2)The private info consists of the email address related to the account that purchased it. I do not believe it actually contains a lot of 'personal information' such as your name, or social security number, or bank account numbers. I don't personally buy DRM'd music (which means I've yet to buy an iTunes track) so I can't be 100% positive, but I'm fairly sure there would of been an article on Slashdot before given this is nothing new to iTunes.

      By the way, how is it any different than leaving a card or sticker with your name and phone number on an item in case you lose it so a good Samaritan (in the unlikely event your stuff is found by one) can return it to you? Honestly I think this is a non-argument.

      3)You're the kind of person that would put a kid in a bubble to keep him from getting hurt, but not thing of how to feed him aren't you? The 'private info' consists of an e-mail address. Your pedophile argument is no better than the morons who scream "think of the children" in politics, equally pointless and used as an exaggeration of a problem to prove your point.

      A pedophile isn't going to go track down someone by their bloody email address when they can just watch the school and pick their target in person. They wouldn't even know its a kids iPod until they found out who owned the email address, it could be a teacher's. Never mind the difficulties in actually associating a face to an email address when all you have to go by is the address itself and the fact they have an iPod.

      The scams are equally as bad. Worst case, you have someone use the email address on a few porn sites so they get some XXX spam mail. If you are a mature parent, you can deal with that easy enough and if you are a tech savvy parent it shouldn't be a problem anyways unless you don't supervise your kids online experience (which means ALL online aspects, not just browsing and IRC).

      So tell me. What would you do with my email address? How will you track me down with mine if I don't use it on Myspace? What if its only used on iTunes?

      I think people are knee-jerking a bit much.

    52. Re:Seriously... by Locklin · · Score: 2, Informative

      Which is exactly what the GP seems to have been going for. If they find a pirated track, it has your email address in it, and the signature validates (the file is unmodified), they can delete your account or whatever without having to worry about impersonation.

      --
      "Knowledge is the only instrument of production that is not subject to diminishing returns" -Journal of Political Econom
    53. Re:Seriously... by samkass · · Score: 5, Insightful

      I think the concern is the following scenario: 1. Download from iTunes onto an iPod, 2. The iPod is stolen, 3. The tunes on the iPod are uploaded to file sharing networks, 4. I get sued by the RIAA. Of course, I think the CYA thing to do is just make sure you file a report whenever your iPod is stolen, and that should make short work of any lawsuit defense.

      --
      E pluribus unum
    54. Re:Seriously... by jkerman · · Score: 3, Insightful

      actually.. we are living in the world of ~12th generation mp3 players. I bet a $4 mp3 decoder chip from china sounds better than anything called "hi-fi" when the term was invented

    55. Re:Seriously... by shark72 · · Score: 5, Insightful

      "3) Imagine how many iPods are lost at schools. How many scams can you think of that take advantage of the owner's desire to get their iPod back. Worst of all, show me a pedophile that wouldn't love to pretend to be some kid's classmate wanting to return their beloved iPod in order to lure them somewhere private. Lost iPod + email address of owner = "Meet me by the white van with tinted windows""

      Yes, won't somebody please think of the children?

      Pirates: "No good music is available onine! I'll stop pirating when the record labels wake up and embrace online distribution."

      Record industry: "Okay, our entire catalogs are online now."

      Pirates: "But now it's too expensive! Good god, do you think we're rich? I'll stop pirating when music is less than a buck a track. That's a fortune!"

      Record industry: "Okay, you win. Now by shopping around, you can find lots of music for $0.80 a track or less."

      Pirates: "But you still have that DRM which impedes my fair use rights! I'll stop pirating when DRM is dead. Until then, it's off to TPB for me."

      Record industry: "Hey, you know, you were right all along. It took us a while to realize it, but you're right. We've removed the DRM."

      Pirates: "PEDOPHILES! PEDOPHILES! YOU'RE ENCOURAGING AND ASSISTING THE KIDNAPPING OF CHILDREN! Because of this despicable act, I'm going to pirate TWICE as much music now!"

      --
      Sitting in my day care, the art is decopainted.
    56. Re:Seriously... by shark72 · · Score: 4, Insightful

      This sort of thing has been a risk for a while. For instance, your car might be stolen, then used as a getaway car for an armed bank robbery. Witnesses make note of the license plate, and the police come to your door.

      This doesn't make license plates a bad idea.

      --
      Sitting in my day care, the art is decopainted.
    57. Re:Seriously... by kithrup · · Score: 4, Insightful

      The email addresses have always been in clear-text. Even in the encrypted song files.

      Seriously, am I the only person in the entire world who runs strings or emacs on binary files just to see what might be in them?

    58. Re:Seriously... by penguinbrat · · Score: 2, Interesting

      You normally will report the given vehicle stolen or what not, and that likewise will give you the out. The local PD will give a rats ass if you lost your $100 IPod, I'm sure they will either hangup on you out right, or follow up with "What do you want us to about it?" - I wouldn't be surprised if they would feel the same about the $100 toy being supposedly stolen either.

      Now that the RIAA/Apple has allowed this to happen, they need to also setup some kind of system where you can report a loss and or theft of the golden nugget(s). My concern is that now the RIAA lawyers don't have to contend with the IP address mysteries and all - they have your email address buried in the illegal song file, proving with out a doubt that it was yours and it has now been distributed in the wild. If you have a brain at all, your first defence will be that you lost it, or it was stolen whether legit or not...

    59. Re:Seriously... by nyctopterus · · Score: 4, Funny

      Yes. Yes you are.

    60. Re:Seriously... by outZider · · Score: 2, Insightful

      I'm... speechless.

      I fail to see the issue, again. So do you ever email anyone? I mean, anyone you send an email to could potentially log into your iTunes account and buy all sorts of tracks with your account. Maybe even a movie or a whole album.

      --
      - oZ
      // i am here.
    61. Re:Seriously... by jc42 · · Score: 3, Interesting

      Seriously, am I the only person in the entire world who runs strings or emacs on binary files just to see what might be in them?

      Yes. Yes you are.

      No, he (she) isn't. The first thing I did after reading the summary was to pick up my Mac Powerbook, cd into my Music/Itunes directory, find a couple of .m4p files, and run the strings command on them. Adding a few greps to filter out the printable binary junk, I quickly found my name and email address.

      As for someone writing a tool to replace them, I found that I already had one. Years ago, I wrote a little command-line app that just does a simple string substitution and writes the result to stdout. It's quite handy, and I use it all the time. I told it to copy one of the .m4p files, with my email address replaced by a fake email address of the same length. I then told iTunes to load that file - and it played fine.

      Then, of course, I did the same trick, replacing my name with a different name of the same length. As I expected, iTunes popped up a little window saying that it needed to check the tune's registration, showing me the name, and asking for a password. Presumably when DRM goes away, that little window will also go away, and I'll bet that the tunes will play.

      I don't think I'll bother posting the program. Any semi-competent beginning C programmer should be able to type it in under a minute. Probably most perl and python programmers can do the same, a bit faster, as could any moderately experienced emacs user. 25 years ago, when I first picked up the C bible, I wouldn't have found it a challenge after my second day with the language.

      Just make sure the replacement strings have the same byte count as the old name.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  2. hmmm by JimboFBX · · Score: 4, Insightful

    so what happens when you send it to someone else in a "hey check out this song" kind of way, then that person is stupid and sticks it in their lime wire folder?

    1. Re:hmmm by ani23 · · Score: 2, Interesting

      I agree. instead of storing the users name or email why couldn't they store an encrypted string which they can map back to if needed. it the least they can do in protecting the users identity from strangers.

    2. Re:hmmm by ozphx · · Score: 5, Funny

      Seriously, you're not expecting the iTunes police to come crashing through the window with guns blazing are you?

      As a member of the iTunes Police, I take strong exception to this. Firearms safety has always been a core tenet of iTP training. An iTP officer will only open fire if a copyright violation is in progress, or the officer has reasonable belief that lethal force is the only way to prevent a copyright violation.

      iTunes Police would never "come crashing through a window with guns blazing". The very thought of it!

      --
      3laws: No freebies, no backsies, GTFO.
    3. Re:hmmm by IBBoard · · Score: 3, Insightful

      What if the disk also contained word processed documents? Or a backup of your emails? Or you lost your MP3 player and it had your calendar and address book on? Or even your mobile phone with its list of phone numbers? We put lots of personal data on devices that can be lost, some of which is worse from an identity standpoint than an email address.

      Besides, I'd expect most people who pick up a disk and don't hand it in to the police are likely to either a) nuke it and use it or b) look for bank details and other things they can sell, rather than music that they need to use their own bandwidth to share for no profit.

  3. No worries by Thanshin · · Score: 5, Insightful

    Never again buy anything related to music and you'll be safe.

    Alternatively, you can buy music in small stores, in cash. In that case, it's better to wear sunglasses and a hat. You wouldn't want anyone to discover you're one of those people who actually are paying clients of the music industry.

    1. Re:No worries by BasilBrush · · Score: 3, Informative

      I know many people incapable of getting music from a CD to a mp3 player but able to transfer from the web to the player.

      They must be pretty dumb then. Provided iTunes is running, it starts ripping a CD into the library as soon as a CD is inserted. And as soon as the iPod is connected, the files will get transfered to it. No keyboard or mouse interaction needed.

      (These two actions can be disabled with preferences, but I believe that is the default behaviour.)

  4. Seems reasonable enough by barius · · Score: 2, Insightful

    Just so long as the music industry doesn't come back in 10 years with new lawsuits targeting little-old-lady-X because 10 mil. people somehow ended up with 'pirated' copies of music with her name in it.

    Since this watermark must be fairly easy to modify, I can't really see how useful it would be in tracking piracy. It could probably have some uses for marketing research. Though, honestly, I can't think of any myself...

  5. You can see the info in iTunes by Anonymous Coward · · Score: 5, Informative

    You can see the info within iTunes.

    Get Info on the Song/Video/Etc

    Then go to the Summary Tab, Second column.

  6. Old news by AmaranthineNight · · Score: 5, Informative

    This has been the case for AGES

    http://business.timesonline.co.uk/tol/business/industry_sectors/media/article1871173.ece

    Or at least for about a year and a half, I think slashdot reported on it then, too.

    1. Re:Old news by halcyon1234 · · Score: 3, Insightful

      That'd be

      Note to editors: even if it's nearly two years old, it's still a dupe

  7. Hidden? by 1729 · · Score: 5, Informative

    the account information and email address of the iTunes account holder is hidden inside each and every DRM-free download

    How is this "hidden"? If you select an audio file purchased from the iTunes Store (with or without DRM), and go to File->Get Info, you'll see the following fields in the summary:

    Purchased by:
    Account Name:
    Purchase Date:

    Apple's not trying to hide anything here.

  8. Old News by Star_Gazer · · Score: 5, Insightful

    http://yro.slashdot.org/article.pl?sid=07/05/30/2014222

    I think it's OK. Even if I really buy from iTunes to burn a cd as gift, at that point the account info will be gone, so what's the matter?

  9. Not everywhere in the world has the same laws by Rix · · Score: 4, Informative

    In many places, it's perfectly legal to share you music collection. Here in Canada we pay a tax on recordable media for that right.

    1. Re:Not everywhere in the world has the same laws by Synchis · · Score: 2, Informative

      I'm going to raise a red light on this...

      1. We pay a *levy*, not a tax, on recordable media.

      2. This levy does not allow you to distribute your collection online. Distributing copyrighted works online is still infringing activity.

      3. The levy *does* cover you borrowing a CD from the library and making a *personal* copy of it to blank media. But, if you are recording the copyrighted work to a media that the levy is not applied to, it is still infringing activity.

      4. The Canadian gov't has repeatedly made promises to reform copyright laws and eliminate the private copying levy, so don't get too comfortable with it.

      --
      Thomas A. Knight
      Author of The Time Weaver
  10. Jesus christ guys, we already know this. by Facegarden · · Score: 2, Informative

    I suppose it's pertinent again and all, but seriously, I already know this guys, why are we pretending like this is new?

    On some level, I'm not sure why i care if it's repeat news. I mean really, repeat it all you want i guess, my life still goes on, but i dunno, journalistic integrity and all that, i feel like we should at least mention that this is a complete copy of an older story....
    -Taylor

    --
    Worldwide Military budgets: $2100 billion. Worldwide Space Exploration budgets: $38 billion. Really, world? Really?
  11. Deal with music industry by oneofthose · · Score: 2, Insightful

    I can imagine that this is part of the deal with the music industry. They might have said: ok, you may drop the DRM but if we find one of those DRM free files on a file sharing network we want to know who did it. Or maybe Steve offered this as compromise to the industry. Maybe he even exploited the industries apparent lack of understanding new technologies and told them it's a watermark. Well, probably not. But imagining the background stories that might have lead to things like "personal info in DRM-ree files" is fun!

  12. Old story by rduke15 · · Score: 5, Insightful

    This is an almost 2 year old story: Apple's DRM Whack-a-Mole (Posted by CmdrTaco on 10.06.2007 17:08)

    If it bothers you to have an identifying tag in your music files, well remove it or overwrite it.
    As far as I understand, it's stored in a standard MP4 atom.

    And if you don't know how to do it, ask Google, or try this suggestion which explains how to use AtomicParsley for windows or mac.

  13. Old news by phooka.de · · Score: 5, Informative

    This came up when they introduced iTunes plus ages ago. It's been discussed back then. Yes, the info is there. You can simply look it up, no problem. Your ID3-Tag-Editor might not be able to chanxge it since we're not talking MP3 here. That's it.

    Just use a different editor, clean out the information and start the copyrightinfringement-frenzy you seem to have been waiting for for so long. Oh no, you already do that, I guess.

    Or, if you don't like finding an editor that can delete the info, just go to a record store and steal the CD.

  14. Keep your private stuff private: keep your privacy by HumanEmulator · · Score: 4, Insightful

    So... if I keep the music I purchased for private use private, I have no privacy violation? Right?

    Also, despite the summary's between the lines implication that Apple is hiding the info from ID3 tag editors, the audio files are MPEG4. This means they don't contain ID3 tags. Since MPEG4 is based on QuickTime, a QuickTime atom editor will happily show you the tags and let you remove them.

    You could also have guessed the purchaser info was in these files based on the fact that iTunes shows it to you if you get info on a song.

  15. Well.... Be more protective of your tunes then! by Dieppe · · Score: 2, Interesting

    I don't see a problem with this. Apple is providing a file without DRM, and you can then load it on any of your personal devices. Heck, you could even share it with a friend.

    But, it might make you a little more careful NOT to put music files you purchase from Apple on a P2P network. Sheesh. It might add a little value to those files you downloaded at a buck a piece. It'll be worth it to you to keep those files safe.

    And why not? People should be safeguarding their personal data.

    And think about it.. if your iPod were stolen, and all of your files had an email address on it. It could help with the recovery of stolen property, hm?

  16. Reasonable compromise... by Joce640k · · Score: 4, Insightful

    Sure, so long as they make it abundantly clear that this is what they're up to.

    Is this the case? I assume it isn't, because Slashdot and others are acting all surprised about it.

    --
    No sig today...
    1. Re:Reasonable compromise... by Naturalis+Philosopho · · Score: 5, Informative

      It's clear. A certain percentage of slashdotters act all surprised every time it's repeated though. Of course, most /.'ers also act all surprised every time some wack-job blames video games for violence too. At least some people are pointing out that the account information has been part of iTunes files for forever and isn't news to most people who know how to do a Google search.

    2. Re:Reasonable compromise... by peragrin · · Score: 4, Informative

      this is the second or third article about apple putting said info into their music files over the years. It isn't surprising. Apple even states it somewhere in the fine print of the EULA's.

      Slashdot suffers from ADD and forgets what it duped yesterday.

      --
      i thought once I was found, but it was only a dream.
    3. Re:Reasonable compromise... by jcr · · Score: 5, Informative

      Sure, so long as they make it abundantly clear that this is what they're up to.

      Choose any iTunes plus song, and select "get info" from the main menu. On the left side of the "Summary" pane, you'll see "Purchased By", "Account Name", and "Purchase Date". IIRC, those were there on the DRM versions too.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    4. Re:Reasonable compromise... by CrackerJackz · · Score: 2, Informative

      in iTunes: right click the song, select properties, tada! "Account Name: "

      (its in the same place as the DRM'd copies)

      I find it a little odd that so many people simply expected to get files with no account information, since all that was promised was FairPlay being removed. I'm still a little peeved about having to pay 0.30$ a tune to unlock my current library however.

       

    5. Re:Reasonable compromise... by nicolas.kassis · · Score: 2, Insightful

      Yeah, this is definitively stupid. Apple could just convert all the songs free and be able to disable the fairplay infrastructure which would eliminate useless CO2

    6. Re:Reasonable compromise... by cayenne8 · · Score: 4, Interesting
      I'm guessing this is one reason they aren't going to DRM lossless (CD quality at least) versions.

      If it were in AAC Lossless...then it would be easy I guess to convert it to FLAC with no degradation of signal...and in doing so, delete the identifying information?

      Darn...if they'd just sell me CD or better quality, non-DRM music, I'd be in line with the rest of them to buy online.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    7. Re:Reasonable compromise... by Anonymous Coward · · Score: 2, Informative

      At least some people are pointing out that the account information has been part of iTunes files for forever and isn't news to most people who know how to do a Google search.

      You don't even need to do a search. Just select the file in iTunes and press control-i in windows or command-i in Mac OSX. The information on the file is then displayed in all its relative glory.

    8. Re:Reasonable compromise... by tlhIngan · · Score: 4, Informative

      I seem to recall a recent change in terms of service. My guess is that if you actually read the whole thing, it would have told you that personal info is attached to files you download.

      I'm betting 99.9999% of the folks just clicked accept without reading the new terms.

      My only gripe on these sorts of changes in terms of service is that I think they should highlight what has recently changed.

      This has always been the case since the iTunes store opened! It's not news, it's several years old. Heck, when Hymn was available (removed FairPlay from purchased music, and this was 5+ years ago), it kept the personal information to prevent people from P2P'ing the newly unlocked music.

      So the very first time you used the iTunes store years ago, personal information was attached - it wouldn't have shown up with change bars because that part has not changed. You can probably find the news articles about it from years ago, and again from a couple of years ago when iTunesPlus was started about how the AppleID of the purchaser was embedded in the file.

      People are acting like this is completely new, when it's been happening for years now.

    9. Re:Reasonable compromise... by pxuongl · · Score: 2, Insightful

      no you won't. if they did offer that, then you'd come up with another reason why not to buy it. stop lying and just say you don't like paying for music. it's ok.

    10. Re:Reasonable compromise... by cayenne8 · · Score: 2, Insightful
      "no you won't. if they did offer that, then you'd come up with another reason why not to buy it. stop lying and just say you don't like paying for music. it's ok."

      Nope, that's my last complaint that I can think of...promise.

      No, I buy my music....on CD, or SACD. I use that to listen to on my good home sound system...I rip it to lesser formats for lower quality listening conditions, like the gym or the car. I own pretty much all the music I grew up with, and many of them were album oriented, and the whole album was good...often meant to be listed to as a whole (DSOTM).

      I'd prefer to buy today's music song by song tho..as there is a LOT of filler on albums today...

      Not that it didn't happen in the past...but, these days, it seem MUCH more prevalent and abused by the 'artists'.

      But no..I pay, I'm willing to pay..I want to buy online, but, ONLY when it is of the same quality as I can get at a B&M store.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    11. Re:Reasonable compromise... by Wildfire+Darkstar · · Score: 4, Interesting

      iTunes doesn't sell MP3s, though. They sell lossy AAC files in an MP4 container. So it's unlikely that they'd have ID3 frames in the first place.

      I haven't purchased any DRM-free songs from iTunes, but I'd suspect that the information is stored as standard MP4 atoms, and that the iTunes editing interface just doesn't give you the ability to modify them. In which case you could presumably use a standard MP4 tool to remove the information, if you were so inclined.

      That's just a guess, of course. It's obviously not clear from TFA.

      --
      Sean Daugherty "I have walked in Eternity -- and Eternity weeps."
    12. Re:Reasonable compromise... by againjj · · Score: 2, Informative
    13. Re:Reasonable compromise... by Fluffeh · · Score: 2, Insightful

      This is high quality non-DRM music. It's just like buying a CD with your name on it - If you are really buying it for yourself, what do you care that it's got a name sticker on it?

      --
      Moved to http://soylentnews.org/. You are invited to join us too!
    14. Re:Reasonable compromise... by arminw · · Score: 2, Insightful

      ...why does everyone get up in arms when just trying to want to buy online what we have bought for YEARS on a CD....

      If you are male and of an age where you can afford equipment like that, I suspect that your ears may not be as golden as they used to be when you were poorer, but young, agile and strong and your hearing extended to 20,000Hz.

      Most music on CD's even, is unnaturally processed, such as compression to make it sound louder. Often, also equalization is also added which distorts the original performance. This is almost universally true of all the popular music. The one area where this is usually not done nowadays is in classical music involving a full symphony orchestra. So, if you like classical music, your Klipsch speakers will definitely give you a reproduction close to actually being in the second or third row of a concert hall.

      I used to do master recordings back in the analog 15 inches-per-second tape recording days for radio broadcasting and live shows on FM Radio. They had some Klipsch and Altec speaker system along with 200lb heavy tube amplifiers in the studio. That was impressive sound that I could back then still actually HEAR. These systems reproduced the sound of that 12 foot Boesendorfer Concert Grand they had amazingly well.

      I still have some of the very first stereo LPs ever made in my music collection. There are also still a number of direct to disc LPs, because vinyl CAN have lower noise and less distortion than analog tape.

      Unfortunately, music these days is not produced for audiophiles, but the mass market. For that the iTunes sound quality is far better than 90% or more of the reproducing equipment out there. I think you'll be stuck with buying CDs and perhaps even LPs as long as they are still made.

      --
      All theory is gray
  17. Re:Seriously... (really?) by jabuzz · · Score: 2, Interesting

    Or someone steals your iPod. How many iPod's get stolen every year? You can get your bottom dollar that this is a none zero number. Someone willing to steal a iPod is likely to have no compunctions about sharing the songs they find on them with others.

  18. Don't see a problem here. by Renderer+of+Evil · · Score: 3, Informative

    Way to sensationalize something which has been known for years. Everything that is purchased on iTunes is stamped with user account and a unique transaction ID. Apps, videos, movies, rentals, etc.

    It doesn't bother me because I don't share my music on p2p networks and I'm not paranoid like some people. I dislike DRM because I want to easily play my music on whatever device I want, not because of some ideological drive to stick it to THE MAN.

    This is a non-issue.

  19. Re:Simple... by Stuart+Gibson · · Score: 2, Insightful

    How long before someone comes out with a little program that does exactly this, replacing all email addresses with sjobs@apple.com?

    --
    It's all fun and games until a 200' robot dinosaur shows up and trashes Neo-Tokyo... Again
  20. Take some, its free by Slashdotgirl · · Score: 2, Interesting
    When will anybody learn on this forum that:
    1. You do not need Itunes.
    2. You do not need ' Music Stores ' per se.

    and you can get rid of:

    1. DRM
    2. RIAA
    3. MPAA
    4. Watermarks

    Simply by saying; "We made some music, would you like some? take it, it's free" Eben Moglen

    Oh Brother, "When will they ever learn? When will they ever learn?" (Song)

    Regards Slasdotgirl

    --
    The more I know, the less I know
  21. Re:I see a problem. by SeaFox · · Score: 2, Interesting

    A big part of the problem is that you are not getting the product you ordered. You are getting a product that has been altered in a significant way.

    What you ordered was a music file at higher quality than Apple's standard fare without any DRM, paying a premium for it. That's exactly what Apple gave you. Having you name on the file does not degrade the quality or prevent it from playing on your Zune or HTPC.

    By the way, I'm pretty sure this name tagging is covered somewhere in the iTMS terms of usage. So yeah, when you clicked "I Agree", you did give them permission.

  22. Fucking whiners by arikol · · Score: 2, Funny

    Whining, bitching and moaning. Another /. day... I don't usually troll (or try not to) but what kind of numbnuts is surprised or offended by this. And the hypotheticals (what if I lost a HDD with only music, I'd be recognizable) are so moronic that I had to catch my breath before ranting. What imbeciles. We have the choice of buying non crippled music with our monogram on super conveniently, buy crippled music conveniently or buy (usually) non-crippled music inconveniently (CDs, mail order or brick and mortar store). Buy the music in the form that suits you. I'll keep using iTMS because it's convenient and because it's relatively fair. But then I have this funny feeling that the people bitching the most over this are probably not buying music that much. But may have large music libraries anyway. Just fucking buy the stuff you really like, ok. Support the artists you feel truly excel.And not another goddamned whine about your purchase having your name printed on it. Fucking whiners.

  23. A shocking technical fumble! by SwabTheDeck · · Score: 2, Informative
    FTA:

    I checked, and I found I couldn't access the information using an ID3 tag editor

    All iTunes songs are AAC or Apple Lossless. ID3 is used almost exclusively for MP3 and certainly not for any iTunes song.

  24. Re:Simple... by Paradigm_Complex · · Score: 2, Insightful

    1) Download DRM-free song from iTunes
    2) Open in Notepad, Find and replace with RIAA rep's email address, Save
    3) Share on p2p network of choice
    4) ???
    5) Profit !!!

    Buwahahah

    --
    "A witty saying proves nothing." - Voltaire
  25. Social DRM by Dragoness+Eclectic · · Score: 2, Interesting

    Cool! Apple is using Social DRM on their music files.

    --
    ---dragoness
  26. Really old news? by Nabeel_co · · Score: 3, Informative

    Correct me if I'm wrong, but didn't this issue come up back when Apple first released DRM-Free songs?

    To add to that, the post is misleading, it's not actually hidden unless you are a complete and utter tool. In the info window of iTunes, it clearly shows the information they have "hidden" in the file...

  27. They met my demands; I'm happy. by NagyCarl · · Score: 2, Insightful

    At first we complained that CDs were overpriced and it was too inconvenient to find good music, that's why we were pirating it online. Companies put it online more cheaply and half the people went legit. The rest of us had to fall back on other excuses.

    Next we complained that the DRM on these new digital files restricted our legal rights to play the music in the ways we saw fit. "It's not that we want to pirate it," we clamored, "it's just that we don't want to be treated like criminals!" So Amazon and iTunes (eventually) removed the DRM and we could play our music whenever, wherever, and however they wished. Half of the remaining holdouts rejoiced and went legit; the rest have to find new excuses.

    Allow me to offer my suggestions for your remaining options:

    "I want the ability to temporarily share or permanently sell my music to other people and I don't trust them not to upload the files."

    "The identifying information on the files could be used maliciously by a third party to get me in trouble."

    "Amazon/iTunes/RIAA is evil and giving them money is supporting evil. I do, however, support independent labels and bands by buying their products. (not just talking about it on slashdot.)"

    "The formats provided are too lossy. I only keep files in [favorite format] at [obscene bitrate/lossless]"

    "I fundamentally believe that I shouldn't have to pay for music and my other arguments are just rationalizations to lend an air of credibility to my position."

    In conclusion, it's been a fun ride but this is my stop. I'm happy: my demands have been met. You guys will have to go the rest of the way on your own and I wish you the best of luck. But I don't hold out much hope. At a certain point it's not worth it for Amazon/iTunes/RIAA to bend over backwards trying to convince the last holdouts. On the positive side, that means you can cling to whatever rationalization you want for as long as you want!

  28. Only one issue I see by huzur79 · · Score: 2, Interesting

    I only see one issue in this. First its not new, its always been that way. With music that is DRM'ed even if it was shared on a P2P network it couldn't be played with out the password. The issue I see coming up one day, soon perhaps is a lost ipod of a older generation (like the one I own) that has its songs ripped off of it using one of the many tools out there to do so. The person finding the ipod, and ripping the songs off of it could share it out and the original owner would look like he shared it out. This is a valid issue because now the songs can be played by who ever downloads it. Recently about 6 months ago I found a iPod Nano and the library was pretty good so I picked a few songs off of it with a utility. Those songs are now in my library and none of them where ever bought in iTunes, I suspect they where all downloaded songs to begin with but had they been from itunes the users info would be in the songs to and any one I shared it with would have the songs with the info and sooner or later it might have ended up on a P2P. That said I posted a note outside my door saying lost ipod found, email me if its yours. Please include a few songs on it and the color and type of ipod it is so I know its yours. I never got any emails with that up for a week. The good thing about having the info in the songs is if an honest person finds a lost ipod it will make it easier to contact the person to give it back. Because I already have 4 ipods I had no need for a extra ipod and would have been glad to give it back to the poor kid who lost it. So the RIAA will still need to prove in the future a person intestinally made there songs available to the online community in order to get any conviction. Just because a song has a email address or other info does not automatically mean a crime was committed by that person as there has to be intent or proof they did it. Other methods of losing songs - MP3/AAC CD stolen from car, or lost - Unauthorized access and coping from computer hard drive. A pesky brother could do that and share with friends. - Replaced hard drive with the old one not being erased right - Sold used computer and a recovery program used to restore files (ive done this too) - Stolen computer that didn't have a password on it