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Warner Music Forces Lessig Presentation Offline

An anonymous reader writes "Larry Lessig, known (hopefully) to everyone around here as a defender of all things having to do with consumer rights and fair use rights when it comes to copyright, is now on the receiving end of a DMCA takedown notice from Warner Music, who apparently claimed that one of Lessig's famous presentations violated on their copyright. Lessig has said that he's absolutely planning on fighting this, and has asked someone to send Warner Music a copy of US copyright law that deals with 'fair use.'" Reader daemonburrito notes that the (rehosted) "video remains available at the time of this submission."

196 comments

  1. Whooooh! They picked the WRONG guy for this one! by gilgongo · · Score: 5, Insightful

    Lessig is probably the most knowledgeable person on the planet when it comes to US law on fair use.

    Ooooh they're gonna get creamed. And I will be laughing like a drain!!

    --
    "And the meaning of words; when they cease to function; when will it start worrying you?"
  2. Per Mr. Lessig's request, copy and paste: by UnCivil+Liberty · · Score: 5, Informative

    WMG contact form: http://www.wmg.com/contact
    ----

    Sect. 107. Limitations on exclusive rights: fair use

    Notwithstanding the provisions of sections 106 and 106A [17 USCS Sects. 106, 106A], the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include--

    (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

    (2) the nature of the copyrighted work;

    (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

    (4) the effect of the use upon the potential market for or value of the copyrighted work.

    --
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    1. Re:Per Mr. Lessig's request, copy and paste: by blackest_k · · Score: 1

      Mr. Lessig's a very clever man, watch the presentation and think about it ;) http://blip.tv/file/1937322

         

  3. Re:Whooooh! They picked the WRONG guy for this one by QuantumG · · Score: 5, Informative

    Yeah, and he's already had his ass handed to him court at least once.

    Difference between theory and practice and all.

    --
    How we know is more important than what we know.
  4. It's Like Steve Irwin Poking a Stingray! by eldavojohn · · Score: 3, Funny

    Too soon?

    --
    My work here is dung.
    1. Re:It's Like Steve Irwin Poking a Stingray! by Galactic+Dominator · · Score: 1

      That would be under the NEVER category.

      --
      brandelf -t FreeBSD /brain
    2. Re:It's Like Steve Irwin Poking a Stingray! by NoobixCube · · Score: 2, Funny

      Oh he poked plenty of stingrays before one got him. Purely coincidental that it was a stingray that got him - I'm sure everyone (even the people that liked him) would have preferred him to have been eaten by a crocodile if they had to choose what animal killed him.

      --
      Admit it. You post strawman arguments as AC so you get modded Insightful for refuting them, rather than Troll
    3. Re:It's Like Steve Irwin Poking a Stingray! by Anonymous Coward · · Score: 0

      I don't know about that. From what I heard, his death was, if not instantaneous, very quick. Being killed by a crocodile can be pretty slow and unpleasant.

    4. Re:It's Like Steve Irwin Poking a Stingray! by Anonymous Coward · · Score: 0

      More like too late.

    5. Re:It's Like Steve Irwin Poking a Stingray! by adavies42 · · Score: 1

      yeah, but the real question is, could he have brought home the gold for australia?

      --
      Media that can be recorded and distributed can be recorded and distributed.
      -kfg
    6. Re:It's Like Steve Irwin Poking a Stingray! by KDR_11k · · Score: 1

      I think many people here would have voted Cthulhu.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    7. Re:It's Like Steve Irwin Poking a Stingray! by NeoSkandranon · · Score: 1

      Yeah, it's never too soon for stingray jokes.

      --
      If you can't see the value in jet powered ants you should turn in your nerd card. - Dunbal (464142)
  5. Pick Your Battles Wisely by eldavojohn · · Score: 5, Informative

    He uses a 50 second clip of The Muppet Show's "Ma Na Ma Na" which is a very short skit track of about 2:29 minutes. He shows it being set to an Anime Music video mash up of Vampire Hunter D Blood Lust. I can't seem to track down who would be the rights holder of this track but I'm guessing it's Warner. I have only seen 15 minutes of his presentation so it's possible there are other violations.

    Larry: Non-free Audio Fair Use for music constitutes 10% or 30 seconds of a song (which ever is shorter) and it must be in a low enough quality (didn't investigate the audio on this video to find out if it satisfied Ogg quality of 0 rule). For the rest of the 15 minutes I saw you looked fine but this stuck out at me. Pick your battles wisely and adhere to this rule next time.

    --
    My work here is dung.
    1. Re:Pick Your Battles Wisely by EvanED · · Score: 5, Insightful

      Larry: Non-free Audio Fair Use for music constitutes 10% or 30 seconds of a song (which ever is shorter) and it must be in a low enough quality (didn't investigate the audio on this video to find out if it satisfied Ogg quality of 0 rule).

      [Citation needed].

      It's certainly case law if that's even true, and I'm skeptical that it's a universal rule even if true. The statues place no such requirements, and, in fact, there are many times when using an ENTIRE work would be considered fair use.

    2. Re:Pick Your Battles Wisely by flaming+error · · Score: 4, Funny

      "Ma na ma na" is one of those songs that just really stick in your head. It plays and re-plays, over and over again. Probably by the time this Warner stooge finished thinking about Lessig's presentation he had already listened to it in his head for at least 30 minutes. That's an unlicensed full-length (and then some) copy.

    3. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 3, Insightful

      Pick your battles wisely and adhere to this rule next time.

      What rule? The Copyright Act of 1976, 17 U.S.C. 107 makes no mention of any kind of 30 second rule.

    4. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 5, Informative

      Firstly, IANAL.

      However,
      From my own analsys of the codified fair use doctrine, the proportion of the copyrighted work that is used for a fair use purpose is not explicitly stated excepting that it must not be in it's entierety, and should therefor satisfy as long as the proportion is not "In it's entierety"- Since the copyrighted work is a clip from the original muppet show, and the muppet show episode being longer than 2:29 minutes, I fail to see the reason why this is not fair use.

      Additionally,
      There is not a qualifier for quality in the codified body concerning fair use, thus the quality argument is insubstantiated as far as I can tell.

    5. Re:Pick Your Battles Wisely by Twanfox · · Score: 2, Insightful

      Really, there are set numbers on how much of a work can be used? Because I seem to recall (as noted above) that the law doesn't give specific numbers, but only that whether a use is fair must take into account how much of the work is used. It also includes criteria such as the type of use, how it impacts the market for that work, and whether it is commercial or not. If there is case law that sets precedent for this, you might be well to include those references to back up your numbers.

    6. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 4, Insightful

      Wrong.

      What is fair use and what is not fair use is determined based on the facts of each individual case. Something that is fair use in one instanceâ"say a parodyâ"might well not be fair use in another like a movie review.

      There are guidelines, much like the one quoted. However they are only guidelines and are in no way binding on courts unless they have been cited in a superior court case.

    7. Re:Pick Your Battles Wisely by eldavojohn · · Score: 3, Informative

      Ugh, very well. They're referred to as "portion limits" and the safe range has always been 10%-ish. Check out what Stanford advises it's students (and this is in academia, mind you):

      up to 10% or 1,000 words, whichever is less, of a copyrighted text work. For example, an entire poem of less than 250 words may be used, but no more than three poems by one poet, or five poems by different poets from any anthology.

      up to 10%, but in no event more than 30 seconds, of the music and lyrics from an individual musical work.

      up to 10% or three minutes, whichever is less, of a copyrighted motion media work (for example, an animation, video or film image).

      a photograph or illustration may be used in its entirety but no more than five images by an artist or photographer may be reproduced. When using photographs and illustrations from a published collective work, no more than 10% or 15 images, whichever is less. Or,

      up to 10% or 2,500 fields or cell entries, whichever is less, from a copyrighted database or data table may be reproduced. A field entry is defined as a specific item of information, such as a name or Social Security number in a record of a database file. A cell entry is defined as the intersection where a row and a column meet on a spreadsheet.

      I'm sorry but what Mr. Lessig did from 11:00-11:49 was in my mind a ballsy use of a song ... about 35% of that song was used. That's a big warning bell to me.

      Good luck to him, I hope there aren't other infractions later on. Wikipedia uses the 10% rule, that's how I know about it. I'm not a lawyer and I'll punch you if you call me one but I fear he's going to run into trouble on this one.

      Best of luck to you Larry.

      --
      My work here is dung.
    8. Re:Pick Your Battles Wisely by random+coward · · Score: 4, Informative

      In this section we discuss academic use guidelines that have been discussed and proposed, but have never been formally approved.

      PROPOSED Academic guidelines from Stanford University are not the Law of this land. Good thing you're not a lawyer. If you were your clients would be suing you for malpractice.

      I still have my soul, IANAL, etc...

    9. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      The limit for video is 3 minutes, not 30 seconds..

    10. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      right... as far as I can tell Mah Na Mah Na is owned by Sony not Warner Music ... allmusic.com: mah na mah na search.

    11. Re:Pick Your Battles Wisely by sqlrob · · Score: 5, Funny

      Very good catch. Maybe Lessig should Talk with this Stanford law professor about the rules and get some clarification.

    12. Re:Pick Your Battles Wisely by DragonWriter · · Score: 2, Insightful

      From my own analsys of the codified fair use doctrine, the proportion of the copyrighted work that is used for a fair use purpose is not explicitly stated excepting that it must not be in it's entierety

      It doesn't say that either. It says that the portion used is a factor to be considered in determining fair use, it doesn't say, in the statute, which way that factor weighs. Which makes sense; there are circumstances where using the whole work would probably weigh in favor of fair use, where using selected portions might not (e.g., format- or time-shifting of a work which includes advertising, where removing--or, a fortiori, replacing--the advertising content might, all other things being equal, make the use less likely to be considered fair use.)

    13. Re:Pick Your Battles Wisely by brock+bitumen · · Score: 1

      from TFA's blip.tv link, this takes place at 11:09

    14. Re:Pick Your Battles Wisely by maxume · · Score: 0, Flamebait

      Ha-ha, you're a wannabe law-yer.

      --
      Nerd rage is the funniest rage.
    15. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 3, Interesting

      That's nothing more than a safe harbor. To really find out whether something is fair use, you have to evaluate all four factors.

      http://en.wikipedia.org/wiki/Fair_use

      Only one of the elements is how much was taken.

      I'm not going to do a full analysis. Indeed, even if I did, a court's analysis would probably look much different.

      The truth is that most people cannot afford to pay the lawyers to go to court and make the fair use argument to find out whether something is fair use or not.

      So most people stick with the safe harbors.

      In this case, Warner Brothers picked on the wrong guy. Lessig has both the resources and the inclination to go into court and make a fair use argument.

      I would love to see that case. Unfortunately Warner Brothers is going to cave very quickly and there will never be a court case.

      The RIAA / MPAA will make sure that when they go to court, they have a defendant who will not garner public sympathy.

    16. Re:Pick Your Battles Wisely by jstockdale · · Score: 1

      You sir are an idiot. Lessig is possibly the most knowledgable person on the planet regarding US Copyright law, especially in it's relation to fair use.

      Your lecturing tone, in addressing Lessig, is only showing your ignorance.

      -J

      --
      **AA: a bunch of mindless jerks who'll be the first against the wall when the revolution comes
    17. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      Any use of Mah Nà Mah Nà video or audio should be punishable by death. Or worse. That damn song is still stuck in my head.

    18. Re:Pick Your Battles Wisely by Hecatonchires · · Score: 1

      up to 10% or 1,000 words, whichever is less, of a copyrighted text work. For example, an entire poem of less than 250 words may be used, but no more than three poems by one poet, or five poems by different poets from any anthology.

      up to 10%, but in no event more than 30 seconds, of the music and lyrics from an individual musical work.

      What if that song is Freebird?

      --

      Yay me!

    19. Re:Pick Your Battles Wisely by Ironica · · Score: 1

      Since the copyrighted work is a clip from the original muppet show, and the muppet show episode being longer than 2:29 minutes, I fail to see the reason why this is not fair use.

      Exactly. The sketch was a component of a half-hour television show, and was never created as a standalone work. Songs that are individual tracks on a CD or released as singles certainly are intended to be performed as a standalone work, but back in 1976 or whenever, I doubt Jim Henson and his crew thought of the show as a compilation of independent works.

      --
      Don't you wish your girlfriend was a geek like me?
    20. Re:Pick Your Battles Wisely by hack++slash · · Score: 1

      "Ma na ma na"

      Do doo do-do-do!

      --
      To do something right, you often have to roll up your sleeves and get busy.
    21. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      I am needing anal love? I'm sure someone here can provide

    22. Re:Pick Your Battles Wisely by cdrudge · · Score: 2, Interesting

      Thanks for linking to the original video. I hadn't seen or heard that in a while. Kind of ironic how you lecture Larry about what fair use guidelines are (notwithstanding whether you are or are not correct), but you have directly referenced the work in it's entirety that would have even less going towards it regarding fair use. While I understand that you probably didn't post the video, don't you find what you did a little bit hypocritical at some level?

    23. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      Except that A) these are just university guidelines, and B) sometimes it is acceptable to use an *entire* work and have it qualify under fair use, so in some instances these guidelines will clearly be wrong.

      The "10% rule" is merely a guideline that is commonly employed as relatively safe, but you can get in trouble for using less than that, or not get in trouble for using much more, depending upon circumstances. I'm not a lawyer, but it doesn't take a lawyer to know that.

    24. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      no-one needs more than 10 seconds of freebird. there are two sections to choose from:

      1) the guitar intro; or

      2) first lyrical line ("if i leave here tomorrow").

      any more than that is overkill and likely to get you shot.

    25. Re:Pick Your Battles Wisely by Chyeld · · Score: 1

      They (WMG) seem thing they own it. See this link:

      http://www.youtube.com/watch?v=7wMHcpMmV9g

      Notice the reason why their is no audio...

      This video contains an audio track that has not been authorized by WMG. The audio has been disabled.

    26. Re:Pick Your Battles Wisely by Chyeld · · Score: 1

      There. Not their. *sigh*

    27. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 2, Informative

      At some point they did.
      The Muppet Show: Music, Mayhem, and More! - The 25th Anniversary Collection
      http://www.amazon.com/dp/B00006IZP8

      Track Listings
      1. The Muppet Show Theme - featuring The Muppets
      2. Mahna Mahna/Lullaby Of Birdland - featuring Mahna Mahna & The Two Snowths
      3. There's A New Sound - featuring Scooter ...

    28. Re:Pick Your Battles Wisely by daveime · · Score: 1

      Nah, it will always be the Swedish Chef song for me ...

      http://www.youtube.com/watch?v=sY_Yf4zz-yo

    29. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      You get shot as soon as somebody recognizes what you're playing.

      This person is then cheered for preventing a crime against humanity.

    30. Re:Pick Your Battles Wisely by langelgjm · · Score: 1

      Percentage has no necessary relation to the "amount and substantiality" analysis of fair use. That's why it's amount _and_ substantiality. If you copy the "heart" of a work, even if it makes up only 1% of the entire work, your use can be found infringing.

      There is case law on this; the one that comes to mind is something about a newspaper that had published the really juicy bits of a forthcoming book. I don't remember the name off the top of my head, and I've no time to look it up. Use your googling skills.

      --
      "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
    31. Re:Pick Your Battles Wisely by KeithIrwin · · Score: 2, Informative

      1) The Muppet Show is owned by Disney at this point, not Warner Music (see note later)

      2) As other commenters have pointed out, there is no bright line test for what constitutes fair use (like 10% or 30 seconds)

      3) You're an idiot to lecture Larry Lessig on the boundaries of fair use. He helped write the copyright law and knows as much about it as pretty well anyone in the country.

      Beyond that, I'm still trying to figure out what Warner Music objected to. I've gotten through the portion of the video with all the remix examples, and I haven't seen anything which Warner has its hands in. Here's content I've seen:

      Danger Mouse - The Grey Album (Jay-Z's The Black Album (Universal) + The Beatles' The White Album (EMI))
      DJ Mystik - Inspector Gadget Techno remix (no idea what record label. Maybe it was one of Warner's imprints, but I can't find any information about the release at all)
      The Muppets - Mah Na Mah Na (Disney)
      Endless Love (Universal)
      DJ Unk - 2 Step (Universal)
      Soldja Boy (Universal)
      Girl Talk (IllegalArt)
      will.i.am's Yes We Can (not released by a label)

      And that's all I have heard. So, the DJ Mystik one is the one which is even possible, and frankly that seems a little unlikely. Especially since of the listed songs, it was one of the shorter clips.

      Now, if it was Time Warner in general, they own CNN and could be laying claim to some of the video clips which are used in the mash-ups. But for Warner records in particular (which is what Lessig says), then unless they released that Inspector Gadget remix (which I doubt), then I don't see how they have a dog in the fight.

      All that said, my going theory is that the song they are laying claim to is Mah Na Mah Na. This song has been released by Warner at least once: specifically by Rhino on "The Muppet Show: Music, Mayhem and More (2002)". I am certain that Disney only licensed that release and didn't sell Warner the copyright. I suspect that they stuck that song into their database because they have released it on CD without checking whether or not they actually own the rights to the original audio recording.

      Being that they aren't even the actual holder of the copyright and they have claimed to be under penalty of perjury, they're going to lose this one really badly.

      That's my best guess, anyway.

    32. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      Even if it was a hard and fast 10% rule, that song is actually a portion of a TV program. Each episode would be about 24 minutes long, so 10% of the TV program would be 2.4 minutes, so his extract from the TV show would be well within this limit.

    33. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      If I'm not mistaken, Muppet Studios owns the copyright for the Ma Na Ma Na skit itself. That might make Disney ultimately the copyright holder.

    34. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      *ring ring* Hello? ... Ok...

      *hands the phone to the Warner employee* It's for you...

      "Ma Na Ma Na!"

    35. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      You'd probably have better luck on a Rush Limbaugh fansight. I hear their getting back to their "roots".

    36. Re:Pick Your Battles Wisely by dgatwood · · Score: 1

      The recent Inspector Gadget movie was by Disney. The original series was by DIC Entertainment, which these days is also a wholly owned property of Disney. So unless WB managed to weasel a deal for rights to remix it, I think it is pretty safe to say they don't own it.

      That said, I think it would be rather funny if it turned out it was an unlicensed remix and Disney filed an amicus brief on the side of Lessig.... :-D

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    37. Re:Pick Your Battles Wisely by adavies42 · · Score: 1

      I doubt Jim Henson and his crew thought of the show as a compilation of independent works.

      isn't that kinda the definition of a variety show?

      --
      Media that can be recorded and distributed can be recorded and distributed.
      -kfg
    38. Re:Pick Your Battles Wisely by Toonol · · Score: 2, Insightful

      None of these limits are part of the law. A university standard is just a policy. There is not percentage or amount of a copyrighted work that automatically qualifies it or bars it as a fair use. Our legislators were, in this case, smart enough to realize that such a limit would be arbitrary and quite unhelpful. There are cases where the entire song would be fair use, and cases where 5% would be violating copyright. If you can find a law (not an organization's policy) that says otherwise, please cite it.

    39. Re:Pick Your Battles Wisely by DMalic · · Score: 1

      Patry > Lessig, imho. Lessig follows his heart too much and may ignore little things like established law. Patry takes the law and does the best he can with it.

    40. Re:Pick Your Battles Wisely by fastest+fascist · · Score: 1

      What a conundrum for mods... Your first paragraph is informative, the second misinformation.

      I don't know where that 30 seconds rule comes from, but AFAIK it has no basis in law. It seems more like an ad-hoc common sense rule someone came up with and ran with. Now, perhaps applying that rule will tend to protect you from lawsuits, but if so, it is not because 30 seconds is the limit of fair use, but because in general, it's not worth the hassle to sue you for copyright infringement -real or not- on such a small scale.

    41. Re:Pick Your Battles Wisely by fastest+fascist · · Score: 1

      The RIAA / MPAA will make sure that when they go to court, they have a defendant who will not garner public sympathy.

      Since when have they done that?

    42. Re:Pick Your Battles Wisely by Anonymous Coward · · Score: 0

      From my own analsys

      My analsys is acting up - I'd better go flush the queue. BRB.

    43. Re:Pick Your Battles Wisely by MarkGriz · · Score: 1

      "Beyond that, I'm still trying to figure out what Warner Music objected to"

      I'm thinking they didn't like him using their likeness at 28:00

      --
      Beauty is in the eye of the beerholder.
  6. Lessig by Anonymous Coward · · Score: 3, Insightful

    Larry Lessig, also known as the guy who defended Obama's vote on the FISA bill, saying, among other things:

    He voted to strip immunity from the FISA compromise. He has promised to repeal the immunity as president. His vote for the FISA compromise is thus not a vote for immunity. It is a vote that reflects the judgment that securing the amendments to FISA was more important than denying immunity to telcos. Whether you agree with that judgment or not, we should at least recognize (hysteria notwithstanding) what kind of judgment it was. The amendments to FISA were good. Getting a regime that requires the executive to obey the law is important. Whether it is more important than telco immunity is a question upon which sensible people might well differ.

    (emphasis mine)

    I'm afraid I lost a lot of the (considerable) respect I had for the guy up until that point.

    1. Re:Lessig by Anonymous Coward · · Score: 0

      yeah, yeah, you'd like to scuttle a whole bill because it has one clause you don't like. Call me back when you're actually in Congress, and until then move the fuck on.

    2. Re:Lessig by Anonymous Coward · · Score: 0

      Wow, no wonder why your country is fucked if your attitude is the norm.

  7. Re:Whooooh! They picked the WRONG guy for this one by gilgongo · · Score: 1

    Yeah, and he's already had his ass handed to him court at least once.

    Difference between theory and practice and all.

    Sigh.

    References please.

    --
    "And the meaning of words; when they cease to function; when will it start worrying you?"
  8. Lessig is a moderate by QuantumG · · Score: 5, Interesting

    Lessig is not against copyright. He's a fundamental advocate of copyright, "especially in the digital era", he just thinks it is "out of sync" and "needs an update".

    Whereas people like me are advocates of just scrapping the whole damn thing because the potential benefits of doing so are way more interesting than the deprecated business models that it will finally put to bed.. and because I believe it is fundamentally the right thing to do, from a "you don't tell me what I can and can't do and I'll do the same" sense of what right means.

    --
    How we know is more important than what we know.
    1. Re:Lessig is a moderate by oGMo · · Score: 2, Insightful

      Whereas people like me are advocates of just scrapping the whole damn thing because the potential benefits of doing so are way more interesting than the deprecated business models that it will finally put to bed.. and because I believe it is fundamentally the right thing to do, from a "you don't tell me what I can and can't do and I'll do the same" sense of what right means.

      This is fundamental misthinking about copyright. Copyright doesn't exist to protect corporate interests. It exists to protect authors... it's the same thing that keeps you from writing a book (or whatever), changing a few things, and publishing it under their name. Of course, as soon as you want to publish it, even if you self-publish, it becomes a "business model" which you seem to find deprecated. Any open source license out there---GPL, BSD, Apache, MPL, CC, etc---are built on copyright.

      If you want everything you do to be in an unrestricted public domain, well: you can have that. Do so. But, if you want to tell me that my works must also be unrestricted public domain works: well, you're doing exactly what you claim to be against.

      --

      Don't think of it as a flame---it's more like an argument that does 3d6 fire damage

    2. Re:Lessig is a moderate by Microlith · · Score: 1

      And he's right, it doesn't need to be abolished but fixed.

      the potential benefits of doing so are way more interesting than the deprecated business models

      What benefits are there to ensure that creators know ahead of time that there will be no means of ensuring at least the opportunity to recoup ones investment?

      At least now they have the option to try and pursue it, success and failure are entirely on them. Without copyright then whoever makes something is guaranteed to be left holding the bag, likely by large companies like Wal-Mart who would immediately pay a chinese CD/DVD duplicator to make millions of copies of every work out there.

    3. Re:Lessig is a moderate by Microlith · · Score: 1

      And my grammar in that post is screwed up something fierce. Oh man...

    4. Re:Lessig is a moderate by DragonWriter · · Score: 5, Insightful

      This is fundamental misthinking about copyright. Copyright doesn't exist to protect corporate interests. It exists to protect authors...

      This is fundamental misthinking about copyright. Copyright (in the United States) doesn't exist to protect authors, it exists to "promote the progress of science and the useful arts." (U.S. Const., Art. I, Sec. 8) To the extent it fails to do that -- or, a fortiori, impedes such progress -- it is because the rules of copyright are poorly crafted from the perspective of the Constitutional basis of Congress's power to grant copyrights in the first place, and need to be reformed to serve that purpose.

    5. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      "Copyright doesn't exist to protect corporate interests"

      Of course, the unions benefit too.

      Authors on their own have very little chance of being able to own and exploit their own works. It will either be taken by the corporation that published it, or controlled by the union the author has been forced into.

    6. Re:Lessig is a moderate by Kharny · · Score: 1

      and this incentive would be to make some money out of your hard work.
      By say protecting it as yours for a period?

      I agree copyright in it's current form is out of hand, but some form of copyright has to exist.

      --
      Make a man a fire and he will be warm for a day, set a man on fire and he will be warm for the rest of his life
    7. Re:Lessig is a moderate by QuantumG · · Score: 1

      Wow, really? Companies that make physical products have no such guarantees.. and yet they keep churning out product. In fact, the only restriction on copy-a-like competition is in brand names. I can legally make handbags that look similar to designer products, but I may not sell them labeled as such. Now, think about it for a minute, how is Walmart going to sell copies of books/movies/music/etc if they're not allowed to label them? How's that going to work? "I'll have a mystery DVD please." For some reason I'm pretty sure the trademark owner is going to make a LOT more money than them.

      --
      How we know is more important than what we know.
    8. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      Then please defend your position, lest you become a Slashdot idiot yourself. It seems to me that copyright is a tool that can be used ethically. Why not oppose the economics of copyright (exclusive publishing contracts, royalties, private ownership of public goods) while embracing the social aspects (attribution, respect for creativity, compensation through donation)?

    9. Re:Lessig is a moderate by night_flyer · · Score: 1

      thats crap and you know it... ever hear of Patents?

      --


      Thanks to file sharing, I purchase more CDs
      Thanks to the RIAA, I buy them used...
    10. Re:Lessig is a moderate by VGPowerlord · · Score: 4, Insightful

      Copyright might work if the section after the part you quoted was applied ("by securing for limited times").

      --
      GLaDOS for President 2016! "Well here we are again. It's always such a pleasure." -- GLaDOS, 2011
    11. Re:Lessig is a moderate by Scrameustache · · Score: 1, Informative

      This is fundamental misthinking about copyright. Copyright doesn't exist to protect corporate interests. It exists to protect authors...

      This is fundamental misthinking about copyright. Copyright (in the United States) doesn't exist to protect authors, it exists to "promote the progress of science and the useful arts." (U.S. Const., Art. I, Sec. 8)

      This is fundamental misleading about copyright. You replaced the comma with something to make it seem like that line stopped without mentioning author's rights: "by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries"

      It is about their right, and their right is compatible with the best interest of the nation, hence the preamble.

      --

      You can't take the sky from me...

    12. Re:Lessig is a moderate by Svartalf · · Score: 2, Insightful

      Indeed. We ought to go back to the timeframes set back in the beginning or to two times that time and leave it alone. 14-28 years should be more than enough for most situations- but we have monied interests such as Disney doing everything they can to protect things like Mickey Mouse and making a mockery of the law as it was intended to be.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    13. Re:Lessig is a moderate by grumbel · · Score: 1

      Whereas people like me are advocates of just scrapping the whole damn thing because the potential benefits of doing so are way more interesting

      What would be these "potential benefits" compared to a moderate copyright law (aka. 10-20 year term, allow non-commercial use)? The only difference I see is that no copyright would make it trivial for cooperations to exploit the authors even more, by taking the authors work, slapping their company name on it, changing it to fit their need, distributing it via their channels and all that without the author ever seeing a dime. I am pretty sure that that would piss of quite a handful of artists and not exactly be a good way to increase creativity.

    14. Re:Lessig is a moderate by QuantumG · · Score: 1

      None of the "social aspects" you mentioned are remotely related to copyright. The problem with copyright is that it focuses on copying as the fundamental unit of regulation. This is insane in this day and age of cheap ubiquitous copying. The purpose of copyright is to encourage the creation of new works that would otherwise not be created. If that's your goal then restricting copying is exactly the wrong way to go about it. It's like saying your goal is to go skiing and restricting the falling of snow. Not only can you simply not do that, but it won't work either. So forget all you think you know about copyright and solve the damn problem. Specifically we're interested in encouraging the creation of new works that would otherwise not be created. So the natural question to ask is, what works will be created with no copyright and no new laws. I suggest the best way to do that is to simply abolish copyright (if this scares you, then "phase out" copyright over some period of time), then we measure the decrease (or increase!) in the creation of works. Once this process is complete then we can make a sensible judgment of what laws, if any, are required. Maybe the only thing to go will be multi-million dollar blockbuster films. Maybe we'll decide that we simply can't live without them (maybe we won't, we can hope) and decide that some new law is needed to encourage the creation of them. This does not mean we need to reinstate copyright as it stands now just for blockbuster films. It just means we need to encourage their creation. We could do this as simply as sponsoring their creation with a tax.

      --
      How we know is more important than what we know.
    15. Re:Lessig is a moderate by nathan.fulton · · Score: 0

      Copyright exists to provide incentives to create works. That is all.

      Thanks for that completely useless bit of trivia. In case you haven't noticed, no one interested in copyright gives a damn why copyright exists, but rather why it exists in its present construction and -- perhaps more importantly -- the implications of those reasons.

    16. Re:Lessig is a moderate by drinkypoo · · Score: 1

      It is about their right, and their right is compatible with the best interest of the nation, hence the preamble.

      Their right to exploit it for a limited time, yes. Their right to exploit it for the period of time currently guaranteed by law, not so much.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    17. Re:Lessig is a moderate by Anonymous Coward · · Score: 0


      If you want everything you do to be in an unrestricted public domain, well: you can have that. Do so. But, if you want to tell me that my works must also be unrestricted public domain works: well, you're doing exactly what you claim to be against.

      No, no, not at all! You seem to assume that copyright is sort of natural universal force, and that people against copyrights were somehow trying to force overcoming fundamental right.

      But the thing is that copyrights it is a creation of law (social contract, if you will). Quite distinct from fundamental forces of nature, or even basic human rights.
      That has nothing to do with someone else telling you what you can do. You can do whatever you want; it's just that you do not have this society-granted monopoly at your disposal.

      And as to Free Software/Open Source requiring copyright; that's a trade-off: I am fairly certain FOSS folks would happily take freedom from copyright over re-using copyright for limited freedoms (current state).

    18. Re:Lessig is a moderate by QuantumG · · Score: 1

      Authors already have the exclusive right to their writings. They wrote it. All they need do is not distribute it.

      If someone who had never heard of copyright was reading that sentence of the constitution they would think that the founders were trying to say that the government can't bust into your writing room and take your writings. And when you consider that this is exactly what governments were doing before the revolution, it makes a lot of sense.

      And the whole "limited times" part is basically saying, well obviously, if you're hoarding your work we might bust in and take it eventually, because otherwise you would be holding back the progress of science and the useful arts.

      How exactly that got perverted into a justification for copyright law is one for the ages.

      --
      How we know is more important than what we know.
    19. Re:Lessig is a moderate by swillden · · Score: 2, Interesting

      "by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries"

      Read the writings of the authors of that text, and you'll understand that they didn't consider authors to have any sort of inherent rights. The difference is actually visible right in that line, in the choice of the word "securing", rather than "guaranteeing". That word implies that the government is granting or providing the rights in question, whereas the other things we think of as rights were thought by the framers to be God-given, or natural, and which government should preserve or guarantee, never, ever, grant.

      The grant of temporary exclusivity exists only to serve the interests of the public, not the authors. Its purpose is to ensure that works are created and published to enrich the public domain. If it enriches the creators, that's fine, and good, but it's a side effect.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    20. Re:Lessig is a moderate by Bigjeff5 · · Score: 1

      The GP was assuming a Patent didn't apply. Most designs cannot be patented because they are either A.) Not unique enough, or B.) Don't significantly improve an existing Patent. The specific criterea are more involved than that, but that is basically it.

      There is no patent on a regular style handbag, the companies that make variations on that design must compete in the market based on quality and/or price.

      There are a hell of a lot of pieces of literature and media that should be in the same category as that handbag, with 90%+ of their commercial viability already past in just a few years. And yet, the copyright term is what, about 100 years? That's absurd. 15 years covers 99.9% of all the commercial value of 99.9% of literature and music and cinema. For that last 0.1%, 95% of the comercial value has been gained.

      The original copyright terms were reasonable, I mean, they weren't even short! It wasn't like you got 6 months or a year to peddle your copy and that was it, it was a significant amount of time. But then your works entered the public domain, and the rest of the country could be enriched by them, since you would have gotten your due compensation by then.

      --
      Security is mostly a superstition... Avoiding danger is no safer in the long run than outright exposure. - Helen Keller
    21. Re:Lessig is a moderate by Bigjeff5 · · Score: 2, Interesting

      An alternative to copyright would be some sort of exclusive right to sell.

      The work could be put in the public domain, but only the author would have the right to package and sell that work.

      That would give incentive, as the only persons permitted to profit off the work would be the original author, but I don't know that the incentive would be as high as the original copyright term of 14 years exclusive right to copy.

      Beyond that, I don't see how you could encourage the production of creative works.

      --
      Security is mostly a superstition... Avoiding danger is no safer in the long run than outright exposure. - Helen Keller
    22. Re:Lessig is a moderate by AK+Marc · · Score: 1

      But if the current execution doesn't fit the original reason, then the current execution is unconstitutional, and thus illegal.

    23. Re:Lessig is a moderate by Mr2001 · · Score: 1

      What benefits are there to ensure that creators know ahead of time that there will be no means of ensuring at least the opportunity to recoup ones investment?

      If you insist on sticking to the deprecated business model in which you record first and ask for money later, you can use the ransom model: "I've recorded a song. I'll release it once I've received $X."

      Or you can ditch that model and move on to selling your labor - something that can't be copied or taken without your permission. "I have an idea for a song. I'll record and release it once I've received $X." And then if people don't want to pay, you don't have to invest your time in something that provides no return.

      --
      Visual IRC: Fast. Powerful. Free.
    24. Re:Lessig is a moderate by kimvette · · Score: 1

      Copyright doesn't exist to protect corporate interests. It exists to protect authors.

      Incorrect. It protects the interest of public domain by ensuring that in exchange for a TEMPORARY (limited time) duration of a monopoly on distribution of that work, it will become public domain for the public good. It is to protect the public interest by encouraging the continued development of useful arts and sciences.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    25. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      Well then, shouldn't the limited time be relative to the authors then? If copyright lasts for an authors lifetime then it can hardly be considered limited wrt the author.

    26. Re:Lessig is a moderate by TrekkieGod · · Score: 1

      This is fundamental misleading about copyright. You replaced the comma with something to make it seem like that line stopped without mentioning author's rights: "by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries"

      It is about their right, and their right is compatible with the best interest of the nation, hence the preamble.

      Not at all. It was considered that the public domain is the proper location for those works, and thus everybody has the right to those works. However, since that encourages people to keep trade secrets and to generally not publish their works, then in order to "promote the progress of science and the useful arts," congress grants this "exclusive right." Note that this power does not exist prior to congress legislating it, and congress can only legislate such a thing because that power is enumerated in the constitution, with a justification for removing the natural rights of the people to do what they want with the works they buy or otherwise legally acquire, including copying and distributing said copies. Since granting this right is obviously infringing on the public's right, it is also specified that congress may only grant these rights for limited times, before the rights revert to the people.

      Rights to their respective writings and discoveries isn't described as a right to protect such as freedom of speech (where the wording is, Congress shall make no law...abridging the freedom). Instead, it's described as something congress must grant, because it does not exist without this act.

      --

      Warning: Opinions known to be heavily biased.

    27. Re:Lessig is a moderate by zotz · · Score: 1

      "It exists to protect authors... it's the same thing that keeps you from writing a book (or whatever), changing a few things, and publishing it under their name."

      You don't need *copyright* law to accomplish this.

      A law against plagiarism and fraud could handle it while still allowing anyone to make copies of anything they lawfully had in their possession. That people use copyright law for this purpose today does not mean that copyright law is needed for this job.

      "But, if you want to tell me that my works must also be unrestricted public domain works: well, you're doing exactly what you claim to be against."

      Nah, even without copyright law, you could take your works and lock them away in your closet and no one would have the right to copy them. They would be all yours.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    28. Re:Lessig is a moderate by Anonymous Coward · · Score: 4, Insightful

      Why would an amount of time that was deemed sufficient protection over 200 years ago when the printing press was a novel creation be ANYWHERE CLOSE to what protection is needed today?

      Two or three times what it was then? Try 1/3 to 1/10 of the original time. We now have bestsellers that, in their first week, sell into the seven digit numbers - not of profit - but of units. Five years of protection would arguably be too much with modern technology and distribution methods.

      Anything more - ANYTHING - and you're caving into the mindset that the xxAA wants you to be in. Our goal should not be parity with the original length of protection, but significant shortening thereof.

    29. Re:Lessig is a moderate by Jah-Wren+Ryel · · Score: 1

      The work could be put in the public domain, but only the author would have the right to package and sell that work.

      Which still has all the culture-killing features with respect to derivative works as the current system.

      The only approach that addresses all of the modern problems with copyright is to charge for creation instead of distribution.

      --
      When information is power, privacy is freedom.
    30. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      Scrapping copyright altogether would be a terrible, terrible move. Without any form of copyright, it becomes essentially impossible to make a living by creating any kind of media. No matter what you charge for your creation, somebody else will be able to take it and distribute it - if not for free, then for a razor-thin margin above the cost of distribution. You as the creator, on the other hand, will have to charge the cost of distribution and the cost of creation - and that's before you even consider the opportunity for profit. Good will may get you a small percentage of sales, but most of your potential customers will obtain the material for free, or at the lowest possible cost. Your nirvana will quickly become somewhere in which the only content created is that with almost zero value in the first place, or in rare cases a monumental labor of love created over a period of years or decades in somebody's spare time off the back of money made in another job. There will be no middle ground - quality media made with the intention of at least making a living.

      What needs to change is not the removal of the copyright system outright, but a total retuning of the system. At the moment, we have a situation where the content creators' lobbies have extended and extended their opportunity to make money from their works, beyond all reason. This has been done solely with greed as a motive. What our copyright law should do is reward based on what the real effort involved in creation of various media types is, plus a reasonably opportunity to profit (and frankly, the same needs to happen for patent law, too). The potential to profit handsomely should be there, but the potential to make tens or hundreds of thousands of times your initial outlay (or more) shouldn't be given. In most any other career, we don't expect to be able to earn substantial, ongoing sums for decades or perhaps whole lifetimes after the initial work has been completed. A plumber might perform weeks or months of work on a complex job, but he's only paid for those weeks or months - not for the rest of his life. A carpenter doesn't expect ongoing royalties on the new entertainment center he crafted for you. An airline pilot doesn't expect a monthly check for that flight you took back in 1983. Nor should the copyright holder or patent holder expect to be continuing to rake in the cash long after they've gotten rich off their creation.

      The terms that would create a suitable incentive to create quality content or invest in the research behind a worthwhile patentable technology obviously would take some figuring out and fine-tuning - but suffice to say that the game has been skewed way too far in favor of the creators in the current system. My guess is that based on the effort involved in creating music, the written word, or movies are worth somewhere between 5-10 years worth of exclusivity, no more. (Music probably being the cheapest and easiest to make with acceptable, saleable quality, and movies being probably the most difficult).

      Of course, I don't expect in a million years that any of this will actually happen. The content creators' lobbies are far too powerful, and the politicians far too deeply in their pockets. Instead, I expect to see copyrights extended several more times throughout my lifetime, ensuring that content which should have been in the public domain in my teens and twenties will probably still be given exclusivity decades after I shuffle off into the ether...

    31. Re:Lessig is a moderate by theheadlessrabbit · · Score: 1

      you suggestion is very similar to the 'creative commons non-commercial' model. i wish more people would release work under that model, but most artists i talk to don't even know it exists.

      Beyond that, I don't see how you could encourage the production of creative works.

      but you don't have to! even without artificial means of encouragement for producing creative works, people will still create things. this may seem rather counter intuitive after listening to the lawyers, but people who love music actually enjoy making music. they find it to be 'fun' and 'rewarding' for its own sake.

      digital reproduction has solved the reproduction problem. in that area, the industry is now useless. however, the music industry is still very much needed for marketing, advertising, PR, management, and everything else that goes along with creating. have the artist retain ownership, while the industry does the rest, and gets a commission on each sale.

      --
      -I only code in BASIC.-
    32. Re:Lessig is a moderate by Daengbo · · Score: 1

      I have a real question. If the clause is "by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries," how can we extend copyright beyond death? The rights are no longer with the authors and inventors. How can we assign these rights to corporations? They are neither the authors nor the inventors.

    33. Re:Lessig is a moderate by endymion.nz · · Score: 1

      Five years is plenty. Authors life + 70 years is a joke.

      --
      mediocrity rules, man
    34. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      No it doesn't HAVE to exist. IP is only "owned" by you if you don't share the secret.

      Give a man fish and he has to come back to you for another fish. Tell a man how to fish and you are irrelevant to his needs for fish.

    35. Re:Lessig is a moderate by KDR_11k · · Score: 1

      I should probably store it somewhere copy-pastable but here it goes:

      I'd prefer an approach that's based on usage, you get a 10 year or so free period after the publication (or creation if not published), after that you lose the copyright to a work if you fail to keep it or a sufficiently close derivative available to the public at a reasonable price (based on the original publication's price orthe average price of works in that market) and under reasonable terms for two consecutive years, burden of proof that it was available is on the rightsholder (should not be hard to document). This way a work either must be preserved by the rightsholder (and that costs money to do so they will probably cut stuff noone cares about anymore) or the public can do that job so stuff doesn't become public domain only long after the last copy has decayed.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    36. Re:Lessig is a moderate by KDR_11k · · Score: 1

      Make it too short and people can just sit back a bit and wait for the copyright to expire.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    37. Re:Lessig is a moderate by ZachPruckowski · · Score: 1

      Why would an amount of time that was deemed sufficient protection over 200 years ago when the printing press was a novel creation be ANYWHERE CLOSE to what protection is needed today?

      Two or three times what it was then? Try 1/3 to 1/10 of the original time. We now have bestsellers that, in their first week, sell into the seven digit numbers - not of profit - but of units. Five years of protection would arguably be too much with modern technology and distribution methods.

      THIS. The goal of copyright is to incentivize creation and promote science and art. 95% of the movies and music and books created today will be in syndicated, cheap form within a year (DVDs, paperback, etc), and off store shelves (except out of the way places or in bargain bins) with 5 years. For most works, if they've not made their money back in 5-10 years, they're not going to. If copyright ended after 10 years, 99% of works would be unaffected.

      And the ones that are hurt by that are ones that are already either raking in loads and loads of cash for their creators, or are just being abused to milk them for cash (re-releases, anniversary director's cuts, etc)

    38. Re:Lessig is a moderate by ZachPruckowski · · Score: 1

      Make it too short and people can just sit back a bit and wait for the copyright to expire.

      If it's a work that I'm so uninterested in that I can wait 10+ years to view/hear/read it, it's a work I'm so uninterested in I couldn't be bothered with even then.

    39. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      Then why does he release his new works under the most restrictive copyright possible?

    40. Re:Lessig is a moderate by DragonWriter · · Score: 1

      We ought to go back to the timeframes set back in the beginning or to two times that time and leave it alone. 14-28 years should be more than enough for most situations- but we have monied interests such as Disney doing everything they can to protect things like Mickey Mouse and making a mockery of the law as it was intended to be.

      A one-size-fits-all fixed term is a blunt instrument; "limited term" need not always be the same. I personally am a big fan of a reasonably short (10-15 year, or maybe even as short as 5 years) "free" period of copyright protection, with subsequent renewal for very short fixed terms (probably 1 year at a time) available for a cost that is a fixed proportion of a declared surrender value; if the surrender value is paid by any person or combination of persons, the copyright holder gets the surrender value and the copyright is extinguished, moving the work into the public domain.

    41. Re:Lessig is a moderate by KDR_11k · · Score: 1

      1/3 to 1/10 of the original period would be between 1.5 and 5 years.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    42. Re:Lessig is a moderate by Anonymous Coward · · Score: 0

      so that freely sharing it would be legal, fuck the author?!

    43. Re:Lessig is a moderate by Scrameustache · · Score: 1

      "by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries"

      Read the writings of the authors of that text, and you'll understand that they didn't consider authors to have any sort of inherent rights. The difference is actually visible right in that line, in the choice of the word "securing", rather than "guaranteeing".

      In the Preamble to his original draft of the Declaration of Independence, Jefferson wrote:
      "We hold these truths to be sacred & undeniable; that all men are created equal & independent, that from that equal creation they derive rights inherent & inalienable, among which are the preservation of life, & liberty, & the pursuit of happiness; that to secure these ends, governments are instituted among men, deriving their just powers from the consent of the governed; "

      q.e.d.

      One synonym instead of another... it's pointless to think this makes a world of difference. Stop arguing via empty semantics.

      --

      You can't take the sky from me...

    44. Re:Lessig is a moderate by Scrameustache · · Score: 1

      How can we assign these rights to corporations? They are neither the authors nor the inventors.

      They are, through the power of corruption, considered to have the same rights as real people, and therefore can be named inventors and authors. The AWESOME (*cough*cough*) part is that corporations have longer copyrights than real human beings!

      Ta-daa! Government of the rich, for the rich.

      --

      You can't take the sky from me...

    45. Re:Lessig is a moderate by swillden · · Score: 1

      Okay, I'll give you that one. It was kind of a gimme that I noticed at the last moment anyway.

      However, that doesn't impact the understanding clearly laid out in Jefferson's extensive writings on the topic of intellectual property.

      Perhaps the best example is Jefferson's famous "lights his taper at mine" letter:

      If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of every one, and the receiver cannot dispossess himself of it. Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation.

      Jefferson clearly did not believe in any natural "right" to control one's intellectual works.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    46. Re:Lessig is a moderate by Scrameustache · · Score: 1

      It is about their right, and their right is compatible with the best interest of the nation, hence the preamble.

      Their right to exploit it for a limited time, yes. Their right to exploit it for the period of time currently guaranteed by law, not so much.

      I'm not saying current copyright law is in keeping with the spirit of copyright. The law has been perverted by corporations and is doing more harm than good in its current form.

      What I'm saying is that the authors and inventors have rights that have to be protected by government, and that it is in the best interest to society to protect those rights, and to protect them for a limited time. Say, one generation (30 years) or so.
      The current trend to infinity is an aberration.

      --

      You can't take the sky from me...

    47. Re:Lessig is a moderate by Scrameustache · · Score: 1

      no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.

      Jefferson clearly did not believe in any natural "right" to control one's intellectual works.

      He who sells a copy of my work without giving me my dues deprives me of the money paid by the person to get a copy of my work. That person will not buy a second copy from me. That's the clincher. The idea is not diminished by sharing it, but the money pool is diminished by taking from it.

      If someone is repeating an idea of yours and giving it away as freely as he took it, not taking money for it, then he's not cheating you, because he's not taking anything away, he's just passing it along. But if he is taking money and not giving you your cut, he's taking money from you that you could have otherwise have made yourself.

      --

      You can't take the sky from me...

    48. Re:Lessig is a moderate by swillden · · Score: 1

      He who sells a copy of my work without giving me my dues deprives me of the money paid by the person to get a copy of my work.

      So used book stores and libraries are evil?

      In any case, that's irrelevant to the fundamental purpose of modern copyright, which is not to pay creators but to increase the flow of materials into the public domain, so others can build upon those materials. We increase that flow by creating a mechanism by which creators can get paid, for a limited time, and for a defined -- and limited -- scope of uses (hence First Sale doctrine, Fair Use, etc.).

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    49. Re:Lessig is a moderate by Scrameustache · · Score: 1

      He who sells a copy of my work without giving me my dues deprives me of the money paid by the person to get a copy of my work.

      So used book stores and libraries are evil?

      No, the money for that copy was paid in the first sale, then that copy can have it's own life in the wild.

      But a store that would take a book, then reprint it and sell a bunch of copies would be evil. THAT WAS HOW THINGS WERE before copyright laws.

      --

      You can't take the sky from me...

    50. Re:Lessig is a moderate by swillden · · Score: 1

      But a store that would take a book, then reprint it and sell a bunch of copies would be evil. THAT WAS HOW THINGS WERE before copyright laws.

      Indeed it was. I don't agree that it was evil, though. Copyright is good because it brings very real benefit to society, but I fundamentally disagree that creators have a moral right to control their work after they've decided to publish it.

      Just to be clear, I am a fan of copyright. I think it's a very good idea. However, it needs to be implemented properly, and on days when I'm feeling particularly uncharitable toward the status quo I can be convinced that what we have is worse than nothing at all.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    51. Re:Lessig is a moderate by Scrameustache · · Score: 1

      Just to be clear, I am a fan of copyright. I think it's a very good idea. However, it needs to be implemented properly, and on days when I'm feeling particularly uncharitable toward the status quo I can be convinced that what we have is worse than nothing at all.

      I am familiar with that feeling. The way things are now, the creative flow is hindered by copyrights. It's too much of a good thing, it became toxic.

      --

      You can't take the sky from me...

  9. Re:Whooooh! They picked the WRONG guy for this one by rackserverdeals · · Score: 3, Funny

    Lessig is probably the most knowledgeable person on the planet when it comes to US law on fair use.

    But apparently not good at communication?

    and has asked someone to send Warner Music a copy of US copyright law that deals with 'fair use.'

    Did they take down his email, fax line and ban him from the post office too?

    --
    Dual Opteron < $600
  10. How Lessig Lost the Big One by Bruce+Perens · · Score: 5, Informative
    1. Re:How Lessig Lost the Big One by Locke2005 · · Score: 2, Informative

      Isn't most of this article obsolete, since Gonzales v. Raich in 2005 pretty much overturned the 1995 United States v. Lopez ruling anyway?

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    2. Re:How Lessig Lost the Big One by Bruce+Perens · · Score: 5, Informative

      Isn't most of this article obsolete, since Gonzales v. Raich in 2005 pretty much overturned the 1995 United States v. Lopez ruling anyway?

      The commerce clause and the copyright clause are two of the enumerated powers. The cases you cite deal with the commerce clause. So, I don't see how.

    3. Re:How Lessig Lost the Big One by Brian+Gordon · · Score: 2, Informative

      This is off the top of my head but I think QuantumG was probably talking about Eldred v Ashcroft which he totally blew..

    4. Re:How Lessig Lost the Big One by DustyShadow · · Score: 1

      Losing a case doesn't always mean the lawyer "totally blew" it.

      I'll be glad to see Ginsburg leave the SCOTUS so she doesn't get the chance to f-up copyright law anymore than she already has. See also: New York Times v. Tasini

    5. Re:How Lessig Lost the Big One by alva_edison · · Score: 1

      The United States v. Lopez case was cited in the GP's article as an example of the Sumpreme court at the time being more willing to reign in Congress when it overstepped constitutional bounds. So, if Eldred v. Ashcroft was held later it would have less chance of success than when it was originally tried (using United States v Lopez and similar cases as a measuring stick of the Court's attitude towards allowing Congress more power).

      --
      He effected a bored affect.
    6. Re:How Lessig Lost the Big One by Brian+Gordon · · Score: 2, Insightful

      When the decision is 7-2 against you on an obvious violation of constitutional law, you blew it.

  11. Re:Whooooh! They picked the WRONG guy for this one by QuantumG · · Score: 5, Informative

    http://news.cnet.com/Supreme-Court-nixes-copyright-challenge/2100-1023_3-980792.html

    Lessig argued that repeated extensions were unconstitutional because they ran afoul of the Constitution's "limited times" requirement and also conflicted with the First Amendment's guarantees of freedom of speech.

    But just moments into Lessig's opening remarks, Justice Sandra Day O'Connor interrupted and noted Congress had repeatedly extended the duration on copyrights, with no intervention before by the Supreme Court. What, O'Connor asked, is different about this case?

    Lessig then continued to ramble on and the supremes continued to roll their eyes and wonder what the hell he was on about. He later said that, in retrospect, he should have shut up at that point and addressed the point made.

    --
    How we know is more important than what we know.
  12. Copyright Warzone by Anonymous Coward · · Score: 3, Funny

    So now we're officially at war -- Copyright vs. Fair Use vs. Piracy or Lobbies vs. People vs. Pirates. Oh boy, this is going to be good. I wish I had popcorn. Free popcorn.

    1. Re:Copyright Warzone by dwandy · · Score: 1

      Popcorn wants to be free.

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    2. Re:Copyright Warzone by crazybilly · · Score: 1

      free as in popcorn or free as in entertainment?

    3. Re:Copyright Warzone by sabt-pestnu · · Score: 1

      Maybe you can find free popcorn, but you'd have to pay if it was Hot Buttered popcorn.

  13. Automatic claiming? by no_opinion · · Score: 3, Interesting

    There's a really good chance this resulted from automatic claiming tools that make use of things like acoustic fingerprints. YouTube or a filtering partner will have a catalog of Warner tracks that new uploads are checked against. Warner may not even have known about this until it blew up. I'm sure we'll find out soon enough.

    1. Re:Automatic claiming? by orta · · Score: 1

      I expect so, I posted a slideshow with some acoustic b-sides from a realtively known band (alkaline trio) that was removed within 6 hours for DMCA violations.

      --
      my band is more brutal techno punk than yours
    2. Re:Automatic claiming? by boyko.at.netqos · · Score: 4, Insightful

      I got hit with that once, doing a documentary on Austin's air-guitar competitions. I thought that 10-15 second clips, recorded through an analog hole - a microphone placed not near the speakers, but near the air guitar stage (I was more interested in capturing the grunting and movement of the performers than a picture-perfect rendition of old 80s tunes) ... point is, I thought that'd be fine.

      Time Warner, as a whole, just doesn't get technology. CNN thinks "holograms" are a great way to tell the news, they want to put caps on broadband, and they are so worried about protecting "their copyrights" that they don't understand how or why people buy music, and what they use it for.

      Every business that they run that has any technological background at all is running itself into the ground because they want to sell you something first, then TELL you how THEY want you to use it, and are willing to go to absurd lengths to make sure that you only use it in the manner that they wanted you to - not the reason you bought it in the first place.

      This is why they'll sue auto repair companies playing CDs for employees to listen to at work, why they'll knock on people doing anime fun conversions, why they'll knock on air guitar guys.

      It's also why they'll offer broadband but put in caps so people can't use it, why they'll offer news programs but only present one or two sides of a multifaceted issue...

      What can I say? They're crappy.

      --
      I used to work for NetQoS. I no longer do, but want to keep the excellent karma attached to this account.
    3. Re:Automatic claiming? by orta · · Score: 1

      If anyone is interested in look at stats based on the automatic detection, check out this blog from a site that keeps copies of videos: http://youtomb.mit.edu/blog/

      --
      my band is more brutal techno punk than yours
  14. Re:Whooooh! They picked the WRONG guy for this one by slyn · · Score: 1

    how does a drain laugh?

  15. Re:Whooooh! They picked the WRONG guy for this one by Anonymous Coward · · Score: 5, Insightful

    I don't blame Lessig for ignoring her though, when reading the minutes of the case, I think its pretty cleat Sandra was attempting to derail his argument with a tangent.

    Further more, if what you said was true, this just shows that judges had already made up their mind on the case and never cared about Lessig's argument to begin with.

  16. look harder...dig deeper...find FACTS... by Archfeld · · Score: 4, Interesting

    FYI... The 'ma na ma na' song IS NOT MUPPETS, or JIM HENSON, but was written in 1968 for an Italian Porn movie and has been in several movies since then. The muppets used it LOOOOONG after its creation, while that does not ensure that Warner doesn't own it now.

    http://www.geocities.com/pieroumiliani/

    --
    errr....umm...*whooosh* *whoosh* Is this thing on ?
    1. Re:look harder...dig deeper...find FACTS... by drinkypoo · · Score: 2, Informative

      written in 1968 for an Italian Porn movie and has been in several movies since then.

      My lady and I recently started renting the occasional muppet show DVD from netfux and occasionally there are some real gems. From memory, Rolf: Can't live with 'em, can't live without 'em. There's something kind of irresistablish about 'em. We grin and bear it 'cause the nights are long... let's hope that something better comes along! And of course, the classic Muppet rendition of Lydia the Tattooed Lady was mostly lost on me as a child...

      that does not ensure that Warner doesn't own it now.

      The idea that they can own something that has become an indelible part of my childhood memories disgusts me.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    2. Re:look harder...dig deeper...find FACTS... by Ironica · · Score: 1

      If he used the recording made for the Muppet Show, the copyright for that rendition would be held by whoever holds the Muppet Show copyrights (and I'd be surprised if that was Warner Bros.... might be Disney, or Henson's estate, though).

      --
      Don't you wish your girlfriend was a geek like me?
    3. Re:look harder...dig deeper...find FACTS... by KeithIrwin · · Score: 1

      The parent post is precisely on target. The grandparent post is mostly accurate (I'm not sure I'd use the word porn for this case, but otherwise on target), but irrelevant. Also, saying that "It's not Muppets" is silly because clearly the Muppets have performed the song. Generally speaking, the Muppet players mostly performed songs written by others (including "Rainbow Connection"). Only a few of the songs they did were written by Muppet writers.

      In this video, Lessig included an Anime Music Video which used the version of Mah Na Mah Na (or Mahna Mahna, if you prefer) which was recorded by the Muppets for The Muppet Show. It did not use any other version of Mah Na Mah Na. The rights to the recording are quite certainly owned by Disney. Copyright in a recording is entirely separate from copyright in a musical composition. If someone else owns the music rights (which they likely do), that's irrelevant to this question. They would C&D The Muppet Show (or Disney in this case), not Lessig.

    4. Re:look harder...dig deeper...find FACTS... by Anonymous Coward · · Score: 0

      written in 1968

      The muppets used it LOOOOONG after its creation,

      The muppets first used it in 1969. I would not characterize one year as a LOOOONG time.

    5. Re:look harder...dig deeper...find FACTS... by Java+Pimp · · Score: 1

      The idea that they can own something that has become an indelible part of my childhood memories disgusts me.

      How true... and unfortunate. This of course is the whole point of Lessig's presentation summed up in a single sentence.

      --
      Ascalante: Your bride is over 3,000 years old.
      Kull: She told me she was 19!
    6. Re:look harder...dig deeper...find FACTS... by drinkypoo · · Score: 1

      How true... and unfortunate. This of course is the whole point of Lessig's presentation summed up in a single sentence.

      Oh, trust me, I am probably at least as passionate about copyright limits as he is, if vastly less-informed. In fact, I bribed that tree to jump in front of Sonny Bono.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  17. Pro tip to whoever created that... by tuxedobob · · Score: 0

    Your visuals should enhance your point, not distract people from them.

  18. Re:Whooooh! They picked the WRONG guy for this one by davidsyes · · Score: 1

    Yep, they are gonig to learn the HARD way that Lessig is Moreig.... He'll be the enigma wrapped in a question packaged in a sledge hammer and he'll defignally CRUSH them. Game Over.

    --
    Previously: "Linux... Toward the Sunrise..." Now: "Linux... Toward the-- No, now, part of Every Sunrise"
  19. Re:Whooooh! They picked the WRONG guy for this one by layer3switch · · Score: 5, Funny

    Lessig then continued to ramble on and the supremes continued to roll their eyes and wonder what the hell he was on about.

    then the supremes said; "Stop! In the name of love, before you break my heart. Think it over."

    I believe that part was removed from the official dialogue on the record.

    --
    "Don't let fools fool you. They are the clever ones."
  20. Thanks for the law text by Lonewolf666 · · Score: 3, Insightful

    According to TFA, the presentation has been reposted here: http://blip.tv/file/1937322

    After watching the first three minutes, my impression is that

    (1) Should be clearly in favor of Mr. Lessig. Nonprofit, political speech, should have pretty strong First Amendment protection. One can argue if he really needs the photos (see point 2), but the character of the use doesn't get much more fair.

    (2) He uses photographs that are probably copyrighted as backdrops for his lecture

    (3) Depends on the source(s) - many small samples or all from one source?

    (4) I don't see how the use of some photos in this lecture can substantially hurt the sale of the original collections. Especially since the "subtitles" get in the way of reusing the photos from the lecture elsewhere.

    --
    C - the footgun of programming languages
    1. Re:Thanks for the law text by Anonymous Coward · · Score: 0

      More importantly, how does Warner Music hold the rights to the photos?

    2. Re:Thanks for the law text by blind+biker · · Score: 1

      (2) He uses photographs that are probably copyrighted as backdrops for his lecture

      I'm no lawyer, but I know that's common practice in academia - to use copyrighted material in lectures. So I guess it's legal, because every prof and assistant prof is doing it.

      --
      "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    3. Re:Thanks for the law text by malkir · · Score: 1

      Watch the whole thing, he begins to make a great deal of sense after the networking part.

    4. Re:Thanks for the law text by MaskedSlacker · · Score: 1

      Every frat guy I know smokes pot, so it must be legal.

      That something should be legal, and that it is commonplace, does not make it so.

    5. Re:Thanks for the law text by Anonymous Coward · · Score: 0

      "[T]he English language had deteriorated into a hybrid of hillbilly, valleygirl, inner-city slang and various grunts. Joe was able to understand them, but when he spoke in an ordinary voice he sounded pompous and faggy to them."

    6. Re:Thanks for the law text by Troed · · Score: 1

      I source a lot of presentation backdrops from Flickr - Creative Commons licensed (thanks Larry!)

      Copyrighted and licensed - at the same time! Who could've thought ;)

    7. Re:Thanks for the law text by Anonymous Coward · · Score: 0

      nice Idiocracy reset, scro'!

    8. Re:Thanks for the law text by plague3106 · · Score: 1

      That something which is commonplace to be made illegal is poor legislation.

    9. Re:Thanks for the law text by MaskedSlacker · · Score: 1

      Mod parent insightful, if offtopic from GP.

    10. Re:Thanks for the law text by billeeto · · Score: 1

      how do you rip a foto of lessig off of flickr? ... i mean "source" a foto of him, sorry.

  21. Patents expire. by tepples · · Score: 1

    thats crap and you know it... ever hear of Patents?

    Patents expire 20 years after filing. Trademarks don't expire, and in practice neither do copyrights.

    1. Re:Patents expire. by night_flyer · · Score: 1

      I didnt say there doesnt need to be any reform, Copyright needs to be more in line with patents, or a "pay to protect" scheme, where in order to keep a copyright, you need to pay a fee after the initial free period

      --


      Thanks to file sharing, I purchase more CDs
      Thanks to the RIAA, I buy them used...
    2. Re:Patents expire. by QuantumG · · Score: 1

      So why not just hire goons to go around and threaten everyone who competes with you. I mean, that's basically what you want the government to do. Why do you think legitimizing anti-competitive behavior is a good thing?

      --
      How we know is more important than what we know.
  22. Mm de d by DarkIye · · Score: 1

    Regardless of whether or not the DMCA takedown notice has any actual validity, just think about it - there are loads of this sort of violation out there. This is just one among many easily findable instances. Why does Warner not ignore this one too? The course of action they have chosen certainly does not help their reputation for being trigger-happily litigious.

  23. Life Lessig err Lessons by kenp2002 · · Score: 2, Funny

    I learned a long time ago there are two types of people at a bar:

    Those you can fuck with.
    Those you don't fuck with.

    Now I am no genius, I admit that, but I have gotten pretty good at sizing up people. There are just some people you don't fuck with. For instance fat guys with tattoos of cartoon characters. THERE IS A REASON THEY HAVEN'T HAD THEIR ASS BEAT AT THE BAR AND YOU DON'T WANT TO FIND OUT WHY!

    They just fucked with the wrong guy. So I am going to discretely walk out of the bar and go to my car because when the fight starts, its never the two guy that are fighting that concerns me, its the stupid shit their friends do.

    And I can clearly say, I am a hell of a lot more afraid of Lessig supports then I am of the Media Mafia. Lessig has waaaay more supporters and waaay more "digital firepower." This calls for a "Don't you know who I am" moment?

    Needless to say, they went after the wrong guy on this. It's like going up and punching baby Jesus in the face... you're just gonna piss everyone off doing that no matter who they are. You just don't punch baby Jesusessss...

    --
    -=[ Who Is John Galt? ]=-
    1. Re:Life Lessig err Lessons by Anonymous Coward · · Score: 0

      Did you just compare Lessig to baby Jesus?

    2. Re:Life Lessig err Lessons by nomadic · · Score: 2, Insightful

      Needless to say, they went after the wrong guy on this.

      If I was a lawyer for Warner, and my boss said I should try to legally stop Lessig from talking, my reaction would be "COOL! I get to go up against Lessig." It is entirely possible they knew exactly who they were going against, and wanted to make a public example. Do you know how cutthroat the music industry is? Do you think these guys are easily intimidated?

    3. Re:Life Lessig err Lessons by cheros · · Score: 1

      I don't think so. In order to go after someone you have to have a reasonable chance of winning - these guys go for the easy kill because that clocks a lot of money for practically no effort. Going after someone famous only has intimidation value if you win, and I don't think they stand much of a chance here.

      There isn't much fame in "I lost from Laurence Lessig in a sham litigation"..

      --
      Insert .sig here. Send no money now. Owner may sue, contents will settle. Batteries not included.
    4. Re:Life Lessig err Lessons by nomadic · · Score: 1

      There isn't much fame in "I lost from Laurence Lessig in a sham litigation"..

      Sure there is. Trial lawyers hate losing, but they all understand that that will occasionally happen. But you can still get bragging rights even if you lose.

      And they still have a chance. How badass do you look with "I beat Lessig where I had absolutely no case."?

  24. Here are the relevant bits: by MartinSchou · · Score: 1

    The bits that may have caused them to go apeshit probably starts at 9:07 in the video under the heading "Remix"

    It starts with a clip from The Grey Album and then moves onto various other remixes

  25. You don't need copyright to fight plagiarism by Mr2001 · · Score: 2, Interesting

    Copyright doesn't exist to protect corporate interests. It exists to protect authors... it's the same thing that keeps you from writing a book (or whatever), changing a few things, and publishing it under their name.

    No, you don't need copyright for that. All you need is anti-fraud laws, because plagiarism is a form of fraud. Abolishing copyright wouldn't suddenly make it legal to lie to your customers.

    Any open source license out there---GPL, BSD, Apache, MPL, CC, etc---are built on copyright.

    Many of us believe that the most useful part of those licenses is the way they use copyright against itself, giving users (and other developers) back the rights that copyright law took away in the first place. Without copyright, there wouldn't be much need for those licenses; if someone didn't give you source code, you could freely reverse engineer it and distribute it yourself.

    But, if you want to tell me that my works must also be unrestricted public domain works: well, you're doing exactly what you claim to be against.

    Not really. If I tell you your works must be public domain, that doesn't actually force you to do anything, or restrict your freedom in any way. Copyright, on the other hand, does restrict the speech of everyone who doesn't have permission from the author to make copies.

    --
    Visual IRC: Fast. Powerful. Free.
  26. copyright intended to grow the public domain? by bukuman · · Score: 2, Insightful

    Can one read the constitution as saying:

    1. copyright is designed to grow the public domain ('...promote the progress of science and useful arts...')
    2. by providing incentives for the creation of new works ('...by securing the creators monopoly on copying...')
    3. that will then pass to the public domain ('...for a limited time...').

    i.e. it's purpose is to grow the public domain, the rest is just mechanism and a choice about how to trade off public good against private good.

    The copyrighteous act like a kid who is happy to take the pocket money but not happy to do the chores. They employ Orwellian newspeak by referring to the whole balanced copyright trade-off as 'their property'. They focus only on the protected monopoly and do everything in their power to extend their monopoly duration (even for already created works, no incentive is big enough to change the past) and stop works falling into the public domain.

    .

  27. Could Warner promote Lessig's ideas any better? by Anonymous Coward · · Score: 1, Interesting

    Or prove them right more efficiently?

    First of all consider Lessig's point: Copyright Law needs to face today's realities. Now Warner is suing Lessig for some few seconds of the video, that are meant to illustrate this stupidity. Could they prove the stupidity any better?

    Also the fact that the industry is acting like the late Soviet Union trying to stop events, as their world was collapsing around them. Extreme, isn't it? Until you see them trying to shut him up with this lawsuit.

    Second the speech itself was an obscure event, one of Lessig's many activities. Could it be promoted any better by trying to suppress it? Because of this the speech gained worldwide attention. I mean their best option is probably to withdraw the lawsuit, and pretend the talk does not exist. Except it is already too late. For the suppression of the talk and for the fate of their "business" practices.

  28. -1 Redundant by Bob9113 · · Score: 4, Interesting

    Reader daemonburrito notes that the (rehosted) "video remains available at the time of this submission."

    What I'm about to say is, I'm sure, redundant. I'm saying it anyway:

    Warner,

    I am pulling a copy right now. It's going in my mystical hidden repository of stuff fools think they can stop me from seeing.

    Here's how this rule works: You try to suppress it, I will get it, and I will keep it forever. That is possible because we are better at this than you are. We will always be better at this than you are. The best among us will never work for you, so you will always epic fail. You cannot stop us. Every time you try to kick us, you are going to get a couple broken toes, and we will just get more ornery.

    You know, I don't violate copyright because I haven't made up my mind about it yet. I gotta tell you though, it gets more tempting every time you pull some shit like this.

    And if you think you can stop me (let alone the next generation of tech naturals) from watching whatever we want, whenever we want, on whatever platform we want, well, you are really stupid. The more you fight, the more practice we get, and the harder we laugh when we pee on your leg.

    Try being nice to your customers some time. It might not do you much good, but it won't do you as much harm as what you're doing now.

    1. Re:-1 Redundant by cjfs · · Score: 2, Insightful

      Try being nice to your customers some time. It might not do you much good, but it won't do you as much harm as what you're doing now.

      Makes sense, unless you view every illegal download as a lost sale. Once you have an entrenched view that says more downloads equals more lost profit, it's hard to break free. Which VP is going to stick his neck out for this issue? If sales go up by 20% but copyright-infringing downloads go up by 40% guess how they'll view it?

      Don't support corporations that use these type of tactics, but don't expect them to change either. Raising awareness and ensuring your government doesn't continue to erode your rights will be far more effective.

  29. Re:Whooooh! They picked the WRONG guy for this one by Martin+Blank · · Score: 5, Informative

    Justices have for decades attempted to derail arguments with tangents, and they do it to both sides. Liberal justices will demand justification from attorneys representing a liberal side just as conservative justices will do with those representing a conservative point, and all question^W grill the representatives on the points while bringing up seemingly unrelated points, interrupting them at their pleasure. It takes nerves of steel to stand up in front of the Supreme Court, because they do know what they're talking about and they absolutely will cut off the unprepared at the knees, and continue moving up until there's nothing left, and woe unto the attorney who gets combative with the justices.

    Remember that the justices have already read a great deal of case information by the time that oral debates have started, so they are often already leaning in one direction or another. However, there's also a great deal of work that goes on afterward as the justices debate the case internally, one of the reasons that the opinions take so long to come out in most cases. This is mostly a secret process, but there have been indications from some justices that a few debates have escalated to serious arguments with logic sometimes being tossed out the window. Traditions have developed over time to deal with those circumstances and allow the justices to at least end each term with civility, if not going home each night or weekend with some friendliness.

    --
    You can never go home again... but I guess you can shop there.
  30. Re:Whooooh! They picked the WRONG guy for this one by jonbryce · · Score: 1

    Eldred v Ashcroft?

  31. Re:Whooooh! They picked the WRONG guy for this one by bersl2 · · Score: 2, Interesting

    That case was not about the fair use provisions already on the books; it was about the limits of the enumerated power of Congress to establish copyright, which is not a question here. In all probability, he will hand Warner's ass back to them, as this sort of matter is probably well-explored, whereas the scope of Congress' power was not.

  32. My advice to Larry Lessig by Skapare · · Score: 1

    ... take no prisoners. Do not pass GO, do not collect $200. Do not deal out of court. Get that judgment and force them to lose their way all the way to SCOTUS.

    --
    now we need to go OSS in diesel cars
  33. Re:Whooooh! They picked the WRONG guy for this one by rosacalla · · Score: 1

    No way!! here should be the big government!

  34. Re:Whooooh! They picked the WRONG guy for this one by Anonymous Coward · · Score: 0

    ROFLMAO -- I wish I had mod points :D

    This is the funniest comment I've read on slashdot in weeks

  35. Re:Whooooh! They picked the WRONG guy for this one by KevinKnSC · · Score: 5, Funny

    I believe that part was removed from the official dialogue on the record.

    After a DMCA takedown request, no doubt.

  36. Mod Warner up +10 Funny.. by cheros · · Score: 1

    Ah, the perils of broad brush litigation..

    This is a risk implied in doing things in volume, it is statistically a given that you will eventually hit someone you should really, REALLY avoided in your legal abuse. Small aside question: has anyone heard of a judge being sued yet? No? Given the "quality" of their research I think there must be *some* sort of end filtering taking place. Anyway, back on topic.

    I think this mistake is akin to jumping in shark infested waters while bleeding from an over-vigorous morning shave: very likely to end in tears.

    Applause. For fun value this almost beats the recent $329'000 it-looks-like-9/11 New York flyover..

    Note no myself: record who the lawyers are here. They may be worth avoiding.

    --
    Insert .sig here. Send no money now. Owner may sue, contents will settle. Batteries not included.
  37. Reverse engineering will become harder and harder by Anonymous Coward · · Score: 0

    > if someone didn't give you source code, you could freely reverse engineer it

    This is mostly true now, but eventually, when CPUs have embedded public-key encryption/decryption this will become harder and harder.

  38. Rattle by Anonymous Coward · · Score: 0

    *click* *thunk* *click* *thunk*

    Steady...
    Steady!


    *BANG!*

    OW, MY FOOT!

  39. What if Lessig did want the notice by Vapula · · Score: 3, Interesting

    His presentation may be willingfully at the fringe between Fair Use and Copyright violation.
    He may want to have this case brought to court and use the opportunity to show his whole presentation to the court in order to educate the judges.

  40. And let me tell you... by jonaskoelker · · Score: 1

    Lobbies vs. People vs. Pirates.

    And let me tell you, the **AA hates us for our freedoms!

    (scnr)

  41. Parent gave prove of interesting geocities pages! by freaker_TuC · · Score: 2, Interesting

    Geocities is dying, such valuable information would be lost forever if not archived at all...

    This site is the example of what the Internet really is... or was?

    --
    --- I am known for the ones who want to find me on the net. Is that a privacy risk or a privilege? One might wonder..
  42. Re:Whooooh! They picked the WRONG guy for this one by Rogerborg · · Score: 2, Insightful

    Lessig is probably the most knowledgeable person on the planet when it comes to US law on fair use.

    In theory, perhaps - although I doubt it. In practice, he has the savant tendency to disregard that the law is implemented by humans, and the one thing that humans can't stand is a wise ass.

    The idea that the Supreme Court decides cases based upon justices' political preferences struck me as extraordinarily boring. I was not going to devote my life to teaching constitutional law if these nine justices were going to be petty politicians. [Lawrence Lessig]

    Is about as close as he's come. And yet even after saying that... somehow he didn't change careers.

    As a law professor, I had spent my life teaching my students that [the Supreme Court] does the right thing, not because of politics but because it is right. [Lawrence Lessig]

    Well, thank the Flying Spaghetti Monster for tenure, eh?

    Tweaking aside, Lessig's experience is like that of a virgin with a giant porn collection. So I can see why he gets a lot of sympathy around here. Tweaking aside.

    --
    If you were blocking sigs, you wouldn't have to read this.
  43. geocities - copy needs to be backed up by Anonymous Coward · · Score: 0

    put it on the torrents!

  44. Re:Whooooh! They picked the WRONG guy for this one by smoker2 · · Score: 2, Funny

    It's guttural, now shut yer grid !

  45. Re:Whooooh! They picked the WRONG guy for this one by Anonymous Coward · · Score: 0

    He is also the best example of why Creative Commons isn't a viable license for making money. Just check out what license he released his latest book under, it wasn't the one he pushes so hard for others to use it is released under the most restrictive license possible. Why would he do this?

  46. Lessig.org site offline by worldthinker · · Score: 1

    The Lessig.org site is inaccessible (to me at least) today.

  47. Crocodile Hunter... by argent · · Score: 1

    Damn, this reminds me of poor old Stingray Steve.

    "Roight, this here's a law professor who's made a career of making stupid lawyers look like fools. If I screw up here my careers gonna bleed out all over the ground. So what I'm gonna do, what I'm gonna do, I'm gonna prod him in the arse with a stick. Let's see what happens!"

  48. Consider by Anonymous Coward · · Score: 0

    Such usage usually leads to others buying the works. It's really free advertising.

  49. Re:Whooooh! They picked the WRONG guy for this one by dpastern · · Score: 1

    Sure, the government extended copyrights without *consulting* the people. Copyrights are for *everyone*, just not big business. Just because the government extended copyrights doesn't make it right, and the courts should have been nailing the government for over reaching it's legal rights. But, this is the US of A, where big business rules, and the little bloke gets fucked over. Let's consider the freebie handouts to rescue the fucking banks and others who spent without consideration or thought. I say get your hands off public money and go bust like you bastards deserve.

    Dave

    --
    Our lives begin to end the day we become silent about things that matter. --Martin Luther King Jr.