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Mozart and Bach Handel Subway Station Crime

Hugh Pickens writes "The Minneapolis Star-Tribune reports that transit officials have started to get a handel on subway crime when they started playing Beethoven, Bach, Mozart, and Strauss at the Lake Street light-rail station after neighborhood residents complained about the station becoming a haven for rowdy teens and vagrants. 'If it encourages some people to wander away because it's not their favorite type of music, I guess that's OK,' says Acting Transit Police Chief A.J. Olson. The program is modeled after one is Portland that has shown early signs of success, though the numbers are so small as to be statistically insignificant and even supporters of the music haven't reached a consensus on whether such environmental changes actually deter crime or just push it down the block. Not everyone is sold on using 'lovely lovely Ludwig Van' as a deterrent. 'Classical music lovers hate the fact that urban planners use classical music to disperse youth,' says Minneapolis City Council Member Gary Schiff. 'Does it chase crime away?' adds Olson. 'It's hard to measure. But I do think it makes it a more pleasant place to wait for a train.'"

251 of 353 comments (clear)

  1. So... by repapetilto · · Score: 1

    How much does it cost to do this and how much less does the city have to pay for security?

    1. Re:So... by Canazza · · Score: 5, Funny

      all this means is that anyone witnessing a crime there will feel like they're watching a Clockwork Orange.

      --
      It pays to be obvious, especially if you have a reputation for being subtle.
    2. Re:So... by nxcho · · Score: 4, Interesting

      It is probably very cheap since the music is public domain and the speakers is probably already in place. For scientific purposes they should not only compare the classical music with not music but also with a music perceived as crime inducing, such as gangsta rap.

      --
      When asked why, the answer is almost always: "It's 2014".
    3. Re:So... by mcavic · · Score: 2

      They'll probably still need the same number of security people. But reduced crime is a benefit in itself. More people willing to ride the subway means more revenue. More tourism maybe, fewer people in jail soaking up tax dollars, etc.

    4. Re:So... by flyneye · · Score: 1

      Or...as more likely, the music will draw Clockwork Orange nutballs out of the woodwork so you can feel as though you are part of a crime in Clockwork Orange....

      --
      *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
    5. Re:So... by SomePgmr · · Score: 5, Interesting

      Every train station I've seen, including simple platforms, has most of the equipment for this anyway. In this case you've just got music playing the whole time and some kind of ducker to quash the music when the announcements play.

      They may not know for sure if it's working yet, but this seems like one of the least complicated or expensive options to try out. It certainly beats hiring more security, the presence of which only makes things seem worse.

    6. Re:So... by flyneye · · Score: 1

      Yes the music is in the public domain, but not the performance. The need for music once again shows the folly of copyright. Forever music is naturally free .live performance is paid and there is no workable in-between for a parasite to thrive. Kicking the shit out of music industry lackeys in the subway is not only necessary, but encouraged.( The tourists will love it)

      --
      *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
    7. Re:So... by jellomizer · · Score: 4, Interesting

      Rock/Rap are variants that have stemmed from minalist music. Their appeal musically (when you ignore the words) is a more primal emotion. Clasical period music was designed to express more complex set of emotions.
      Teens in general are just full of primal emotions so they are attracted by rock and rap, when they get older and their primal forces cool down they start to enjoy classical music as it begins to reach them emotionally.
      Now when kids are exposed to the music it gets their brain working as it exercises those emotions that are not much in practice. So they will leave as some how the exersize is too much for them to handle, or they will try to embrace it and giving more work to the brain and temporary quelling those primal urges.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    8. Re:So... by mwvdlee · · Score: 4, Insightful

      There's plenty of classical music with emotional depth less than http://www.youtube.com/watch?v=ABWyXKT5qt4, and plenty of rock with highly layered complexity.

      I think a lot of it has to do with identity; teens are typically looking for something to distinguish themselves from their parents yet associate with their peers. A musical style which is not like previous music styles is an ideal medium to do so, especially if their parents hate it. This has been the case for many generations, including what we now call "classical music".

      As a nice side effect, this produces a constant stream of musical (re)-invention with the occasional masterpiece that every person could enjoy.
      The rest will be forgotten just like all mediocre musicians/composers/artists in times of classical music.

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    9. Re:So... by windcask · · Score: 3, Insightful

      Rock/Rap are variants that have stemmed from minimalist music.

      ...no. There is certainly rock music out there that incorporates elements of minimalist music, but rock came directly from blues, which came from a combination of jazz, folk and Christian gospel music.

    10. Re:So... by slim · · Score: 2, Interesting

      Patronising, over-general and wrong, in my opinion.

      Some rock and hip-hop is indeed very basic and primal, and good luck to 'em. The Stooges can get the juices flowing as effectively as Wagner (presumably this tube station isn't playing Ride Of The Valkyries in an attempt to calm teenagers down...).

      Some rock and hip-hop is vastly more rhythmically, emotionally and tonally sophisticated than any of the popular Bach, Mozart, Handel, Beethoven era works. The post-Kid-A Radiohead albums would have many people scurrying back to The Magic Flute for something less emotionally and technically challenging. Jimi Hendrix throws more sophisticated chords into a single song than you'll hear in the whole of Don Giovanni.

      I'm old enough to have "cooled down" into classical music by now. I think there are probably 20th century composers I could enjoy -- Shostakovich perhaps. But when I listen to the big names, I find it all a bit pedestrian; hemmed in to a few conventional harmonic structures and a fixed sonic palette.

    11. Re:So... by Anonymous Coward · · Score: 1

      It may increase the cost for criminals -- they have to dress up like going to a concern before committing petite crimes.
      Jokes aside. I think this is a good idea.

    12. Re:So... by slim · · Score: 2

      More people willing to ride the subway means more revenue.

      What about the people (of all ages) less willing to ride the subway because of the irritating music?

    13. Re:So... by TheRaven64 · · Score: 4, Informative

      There are a lot of public domain performances. Duke University, for example, places a lot of performances of classical pieces by their orchestras into the public domain, as do several state orchestras around the world.

      --
      I am TheRaven on Soylent News
    14. Re:So... by dkleinsc · · Score: 4, Insightful

      Your proposition is interesting, but wrong.

      For instance, there's absolutely no influence on Chuck Berry's Johnny B Goode (1958) or Elvis Presley's Heartbreak Hotel (1956) from Terry Riley's In C (1964) or Steve Reich's Come Out (1965). You're right that minimalism influenced a lot of later bands, but there's a clear tradition (as far as anyone can tell, developed mostly by African-Americans) in both rock and rap music stemming from blues that has little if anything to do with the minimalist composers.

      The biggest barrier to classical music influencing kids is not the complexity of the emotional content, it's that there are frequently no words (which prevents a lot of people from thinking they understand it) and that popular culture has put a big effort into making it seem like classical music is only for dorks and old people. This is why I like introducing kids to heavy metal versions of Vivaldi.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    15. Re:So... by zippthorne · · Score: 2

      I would be interested in heavy metal versions of Vivaldi, too. Links, please?

      --
      Can you be Even More Awesome?!
    16. Re:So... by slim · · Score: 3, Interesting

      http://www.youtube.com/watch?v=Q9ETgswXg1E

      Possibly the nadir of Western civilization.

    17. Re:So... by tapanitarvainen · · Score: 3, Informative

      Yes the music is in the public domain, but not the performance.

      The article says that

      'Metro Transit bought the recordings for $150 from a company that offers the dead composers among "royalty-free" selections.'

      I take that to mean it is a public domain performance, too.

    18. Re:So... by couchslug · · Score: 4, Insightful

      No one young enough to be doing street crime REMEMBERS that movie.

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    19. Re:So... by Lectoid · · Score: 1
      --
      Is it just me, or do you hate it when people say "Is it just me..."?
    20. Re:So... by dkleinsc · · Score: 3, Informative

      http://www.youtube.com/watch?v=bWx_GyTLGmQ

      http://www.youtube.com/watch?v=mdp2hEsc2kg

      There are plenty of others. Actually, Vivaldi really lends itself to rocking out - he's all about a pounding along to a strong beat. Although not quite as much of a star musician as Beethoven, what with his crazy hair, deafness, and syphilis.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    21. Re:So... by xleeko · · Score: 1

      This is why I like introducing kids to heavy metal versions of Vivaldi.

      Or classically trained cellists playing Metallica - http://www.apocalyptica.com/

    22. Re:So... by bossk538 · · Score: 2

      Could you please list these rock and hip-hop songs that are vastly rhythmically, emotionally, and tonally more sophisticated than any of the popular Bach, Mozart, Handel, and Beethoven era works (which covers roughly 125 years, and includes many works that are generally considered crowning achievements of Western civilization)? I have no idea what you mean about your Radiohead/Magic Flute comparison, but writing such nonsense as "Jimi Hendrix throws more sophisticated chords into a single song than you'll hear in the whole of Don Giovanni" suggests you have never listened to any of Mozart's operas. Never.

    23. Re:So... by Rich0 · · Score: 1

      Well, you can commission an orchestra to make a performance for you if you want. That could be the local high school depending on how difficult the work is. Since the music itself isn't exclusive it is easy to shop around. Also, since this is no-doubt going over some squaky PA system you could just dig up any record from before 1920 if you wanted to.

    24. Re:So... by jrumney · · Score: 1

      Nice to see public domain money going into the hands of a private corporation that had no involvement in the composition and performance of that public domain music.

    25. Re:So... by slim · · Score: 4, Interesting

      Obviously this conversation isn't doesn't merit my trawling through 50 years of post-rock'n'roll music finding the good stuff.

      I attended a Welsh National Opera performance of Don Giovanni late last year, and I enjoyed it. But, it's the pop music of it's time and it is decidedly populist in its ambitions. Simple story. Nice tunes. Harmonious backing in straight major and minor chords. Job done.

      Hendrix habitually threw 7ths, 9ths, augmented 4ths into his chords; intervals which (apart from possibly the occasional 7th) Mozart's audiences would never have tolerated.

      I was careful to limit my claim to the "popular Bach, Mozart, Handel and Beethoven works", because I'm sure there were works of greater sophistication written in that period and maybe by those people. But their popular works are popular because they're populist. And what makes them populist is that they are unchallenging.

    26. Re:So... by bandy · · Score: 1

      When I first saw them, I thought "AWESOME!" Then, moments later, I imagined what their parents said when they were first told. "You're going to play what? Almost twenty years of lessons for this?"

      --
      "You might as well get your son a ticket to hell as give him a five string banjo." -unknown minister
    27. Re:So... by slim · · Score: 1

      If your intolerance of classical music is your reason for not taking public transit, perhaps you should just stay home.

      Ah c'mon. Public transport isn't that bad. Public transport with THE F***ING FOUR SEASONS on a loop must be hell on earth.

    28. Re:So... by catmistake · · Score: 3, Interesting

      Some rock and hip-hop is vastly more rhythmically, emotionally and tonally sophisticated than any of the popular Bach, Mozart, Handel, Beethoven era works. The post-Kid-A Radiohead albums would have many people scurrying back to The Magic Flute for something less emotionally and technically challenging. Jimi Hendrix throws more sophisticated chords into a single song than you'll hear in the whole of Don Giovanni.

      Clearly, you haven't been listening closely enough. Of the entire catalog of rock/pop, close to 90% of it is in the Major keys of G, D, E, or A (pretty much in that order) and 100% uses progressions based on fifths, and exclusively with either ionian modes or a pentatonic scale, and rhythmically is always between 100bpm and 120bpm or multiples or derivitives of tempos in Moderato. In fact, I believe it is quite possible to reduce every single rock/pop song since to either one of David Bowie's offerings or that of Creedence Clearwater Revival. Thus, not more sophisticated, complex nor muscially richer than the classical compositions. Just try reducing Beethoven's works to that of Mozart's, or Mozart's to Bach's... certainly related, but not reducible.

      btw, Hendrix is merely an exceptional blues guitar player. The Blues technically is reducable to one of two modes of Jazz, thus Jazz will be richer and more sophisticated than Blues, and you mention no Jazz artists.

      And to suggest Kid Rock is a composer... is absurd. He's an entertainer and a businessman, recently a philanthropist... but I have serious doubts he will even achieve any footnote in history (no offense, Kid... you are loved).

    29. Re:So... by Plunky · · Score: 1

      Or teenage girls singing Mettalica -> Nothing Else Matters.

    30. Re:So... by bgat · · Score: 1

      Although not quite as much of a star musician as Beethoven, what with his crazy hair, deafness, and syphilis.

      But those things would definitely add to his appeal with the current generation. :)

      --
      b.g.
    31. Re:So... by Anonymous Coward · · Score: 2, Insightful

      Shhh...If they hear you, it'll be re-made in a year or two...

    32. Re:So... by slim · · Score: 1

      I'm not sure whether you were writing in parody mode or not.

      Clearly a huge chunk of rock/pop is three-chord-trick blues-derivative in 4-4, but even if that's 95%, the remaining 5% is significant.

      I didn't mention Kid Rock, because that *would* be absurd. I mentioned Kid A, Radiohead's leap into avant-garde "post-rock", influenced by 20th century classical, jazz and electronica.

      I don't really want to single out Hendrix, except as an *example* of someone using more complex chordal structures than yer Bachs and Mozarts.

      And (in your followup) you don't know a single rock/pop song that's not in 4/4 you've simply not looked. *Loads* in 12/8, quite a few in 3/4. Rock songs in 5/4 are rare, but they do exist (easiest example: "Money" by Pink Floyd).

      If you delve into the world of 1970s prog rock, you'll find all kinds of wild musical experimentation.

    33. Re:So... by slim · · Score: 1

      I'm no fan of Metallica, but when Enter Sandman is performed by eight-year-olds... http://www.youtube.com/watch?v=6CPHnZV0K-k

    34. Re:So... by mcavic · · Score: 1

      Classical music is more of a deterrent than crime, bad weather, cigarette smoke, germs, long walks, etc? If they're blasting the music, that's one thing, but I assume the volume is below the physical pain threshold.

    35. Re:So... by Austerity+Empowers · · Score: 1

      It is probably very cheap since the music is public domain and the speakers is probably already in place. For scientific purposes they should not only compare the classical music with not music but also with a music perceived as crime inducing, such as gangsta rap.

      This may work too. Rather than driving away criminal teens, moms with children in carriages are likely to head away from a train station when a round of "He's climbin in your window, snachin' your people up, tryin' to rape 'em. So y'all need to hide your kids..." Either way crime is reduced I guess.

    36. Re:So... by icebraining · · Score: 1

      Why would that be a public domain performance? It just means they sold a royalty-free license, much like most stock photo websites. Nothing in that phrase implies that it's in the public domain.

    37. Re:So... by Anrego · · Score: 1

      And they'd want to avoid having it be given an R rating to maximize profits..

      Oh.. God..

      It would probably be turned into a romantic comedy :S

    38. Re:So... by slim · · Score: 1

      Rock songs in 5/4 are rare, but they do exist (easiest example: "Money" by Pink Floyd).

      Oops, that one's 7/8. Typed in haste. I have performed Money in public, as the bassist... Lucky I didn't play in 5/4 on that occasion.

    39. Re:So... by Gilmoure · · Score: 1

      With Johnny Depp and Brad Pit?

      Ok, I'm too old to know who's the next set after them.

      --
      I drank what? -- Socrates
    40. Re:So... by doginthewoods · · Score: 1

      "It's that there are frequently no words" And no drum loopz, samples, pitch correction, multiple overdubs, etc., either.

      --
      Republican leadership = Idiocracy
    41. Re:So... by Gilmoure · · Score: 1

      Don't be playing any Hoagy Carmichael. You know what kind of riff-raff his music draws.

      --
      I drank what? -- Socrates
    42. Re:So... by catmistake · · Score: 1

      Clearly a huge chunk of rock/pop is three-chord-trick blues-derivative in 4-4, but even if that's 95%, the remaining 5% is significant.

      Thanks for making my point and countering your own. Can we reduce or describe classical compositions in the same manner? Probably not. Classical compositions reach a complexity that is simply not describable nor reducible the way modern pop/rock is.

      I don't really want to single out Hendrix, except as an *example* of someone using more complex chordal structures than yer Bachs and Mozarts

      You are deluding yourself. Hendrix's chordal structures are no different than any other blues artists' chordal structures. Blues is merely a simplification of Jazz. His structures are NOT complex by any stretch of the imagination... (root, 3rd, 5th, or root, minor 3rd, 5th... a diminshed 7th now and again... and precious little else).ÂThe man played blues guitar, maybe a some of his work could be described as fusion (Major chords using a jazz progression, rather than Major7, minor7 jazz chords). A six string guitar is a very simple instrument, compared to, say, a piano or an orchestra. The guitar is actually quite limited... because of its construction, most songs will be composed in the major keys of G, D, E, or A, or their relative minors. ÂWhere Hendrix excelled is NOT in the progressions or the chords he used... but in the discovering of original pop melodies and the characteristically live expression of his music, his performance, his pentatonic improvisation. To suggest that Hendrix's music is more complex or richer than Bach's is patently ridiculous, on its face.

      And (in your followup) you don't know a single rock/pop song that's not in 4/4 you've simply not looked. *Loads* in 12/8, quite a few in 3/4. Rock songs in 5/4 are rare, but they do exist (easiest example: "Money" by Pink Floyd).

      12/8? I don't think so. Perhaps I exaggerated a bit... but a counter-example doesn't make your point. So the majority is 4/4, with a minimum of songs in 3/4, and 5/4. And that's it. 3 signatures. But my point is made once you agreed that the vast majority is 4/4. Being that there are some counter-examples of pop songs in the other two signatures does not support the argument that modern pop/rock is richer or more musically complex than classical.Â

      Further, your infatuation with Radiohead likely has more to do with production than composition... Personally, I feel I can reduce Radiohead to its core: what makes Radiohead original is the drummer. And even moreso... the drummers obsession with constantly banging the cymbals. Take away Radiohead's drummer, and you no longer have a stadium band, but a lounge act. Most don't realize that in modern pop/rock music, you don't need a good singer, or a technically superior guitarist to get national. But if your drummer (and bassist, as part of the rhythm section) sucks, you're going no where... ever. Radiohead has a fine rhythm section, and a producer that has no fear of high end frequencies. From my perspective, IMHO, Radiohead's "sound" is merely the evolution or resurgence of the popularity of the "sound" of Liverpool/Manchester movements, like Oasis and Blur... and further, those horsemen of the apocolypse, the destroyers of the natural evolution of popular music in the Western world... of course I am refering to those motherless, godless sons of bitches, The Beatles. Without the Beatles, there is no Stone Roses, Mighty Mighty Lemondrops, Oasis, Blur, Verve, nor Radiohead.

    43. Re:So... by xleeko · · Score: 1

      Or classically trained cellists playing Metallica

      Here they are performing One, and the slow start is perfect for suckering your granny into listening :-)

      http://www.youtube.com/watch?v=8JjQGt7WjK0

    44. Re:So... by flimflammer · · Score: 1

      Royalty free does not mean public domain. That means they don't collect money on each performance. You can sell something royalty free. Stock photo sites do this all the time.

    45. Re:So... by scharkalvin · · Score: 2

      In Japan they've been playing music in the Toyoko subway for some time now. They also have a theme for each station and the music plays to announce the departure of the trains. A rider on the train can know what station they are at by the music. The Takadanobaba station plays the theme to Tetsuwan Atom (Astroboy) since that is where Tezuka set Atom's birthplace.

    46. Re:So... by slim · · Score: 2

      Clearly a huge chunk of rock/pop is three-chord-trick blues-derivative in 4-4, but even if that's 95%, the remaining 5% is significant.

      Thanks for making my point and countering your own. Can we reduce or describe classical compositions in the same manner? Probably not. Classical compositions reach a complexity that is simply not describable nor reducible the way modern pop/rock is.

      Well, we'd have to do some kind of survey. But my instinct is that 90% of classical music is 4/4, 3/4 ditties using conventional chord progressions in exactly the same way as 90% of pop music is. We can find exceptions on both sides, but they don't represent the mainstream on either side. Pachabel's Canon is no more sophisticated than A Whiter Shade of Pale although I suppose it has the distinction of doing it first.

      You are deluding yourself. Hendrix's chordal structures are no different than any other blues artists' chordal structures. Blues is merely a simplification of Jazz. His structures are NOT complex by any stretch of the imagination... (root, 3rd, 5th, or root, minor 3rd, 5th... a diminshed 7th now and again... and precious little else) ... To suggest that Hendrix's music is more complex or richer than Bach's is patently ridiculous, on its face.

      I'll maintain that it's more harmonically complex than the popular Mozart works (you'll note I'm backing away from Bach as an example). He's introducing 9ths and diminished 4ths and many more "odd" intervals. I don't want to get into a "Hendrix was special" argument though. You're right, he was just playing blues well. *Lots* of blues musicians use more complex chords than Mozart's market allowed him.

      A six string guitar is a very simple instrument, compared to, say, a piano or an orchestra. The guitar is actually quite limited... because of its construction, most songs will be composed in the major keys of G, D, E, or A, or their relative minors.

      But complex compared to a 4 stringed violin, or a monophonic flute, so I don't really see your point. Good guitarists play in any key, by virtue of not using open strings. Crap guitarists can fake it with a capo. Creative rockers experiment with alternative tunings. Rock music is made on pianos too. And in groups ranging from two people to a full orchestra.

      12/8? I don't think so. Perhaps I exaggerated a bit... but a counter-example doesn't make your point. So the majority is 4/4, with a minimum of songs in 3/4, and 5/4. And that's it. 3 signatures. But my point is made once you agreed that the vast majority is 4/4. Being that there are some counter-examples of pop songs in the other two signatures does not support the argument that modern pop/rock is richer or more musically complex than classical.Â

      This is silly. The vast majority of classical music is in 4/4 or 3/4 too. You're talking as if the classical canon is full of wacky time signatures. The popular classical pieces we're talking about certainly aren't. The 7/8, 5/4, 9/8 songs are outliers in classical music just as they are in rock. And that the case because the audiences can't tap their foot to them.

      12/8 is the standard "slow blues" signature (Fleetwood Mac's "Need your love so bad" and hundreds of similar songs).

      Further, your infatuation with Radiohead likely has more to do with production than composition... Personally, I feel I can reduce Radiohead to its core: what makes Radiohead original is the drummer. And even moreso... the drummers obsession with constantly banging the cymbals. [...] From my perspective, IMHO, Radiohead's "sound" is merely the evolution or resurgence of the popularity of the "sound" of Liverpool/Manchester movements, like Oasis and Blur...

      I dunno what Radiohead album you've been listening to. We can agree they have a good drummer though :)

    47. Re:So... by schlachter · · Score: 1

      Yes, but people who witness crimes may be old enough to remember.

      --
      My God can beat up your God. Just kidding...don't take offense. I know there's no God.
    48. Re:So... by BinarySolo · · Score: 1

      Most don't realize that in modern pop/rock music, you don't need a good singer, or a technically superior guitarist to get national. But if your drummer (and bassist, as part of the rhythm section) sucks, you're going no where... ever.

      The White Stripes say hi.

    49. Re:So... by EdIII · · Score: 1

      as Wagner (presumably this tube station isn't playing Ride Of The Valkyries in an attempt to calm teenagers down...).

      LOL.

      Yes. That was my first response to the GP as well :) His idea and premise sounds good until you start remembering some classical music.

      Wagner was a favorite of mine as a child. I remember looking for where my mother hid the cookies (yes I am serious) and having the Hall of the Mountain King playing in my head. She hid them everywhere, but I could climb better than any monkey.

      I can't remember the name of the song, but there was an artist in the 70's that mixed a disco song with classical music. Very interesting and cool to me. I think it was used in one of the Austin Power movies.

      Classical music can be primal too...

    50. Re:So... by orgelspieler · · Score: 3, Interesting

      Augmented 4th? When a guitarist does it, it's called an 11th. And it's almost always augmented. Otherwise it's a sus4.

      Adding the seventh to a perfect cadence has been quite common since the 16th century, so I would hardly call that novel. Ninths and major sevenths are a fairly common occurrence in baroque music, though primarily as a passing dissonance for dramatic effect. The same could be said for 11th's and 13th's, too.

      I don't think you are consistent by comparing "popular" classical works with the likes of Hendrix. If you take the whole of popular music today, you have maybe 80% of them using the same four or five chords (or two chords in some godforsaken cases). Most musicians are not Hendrix, and Hendrix is hardly "unchallenging."

      So let's not pretend that Romantic music with its wild variations in tone and volume, and Classical music with its deceptive cadences and Neapolitan chords are anywhere near as boring and monotonous as the vast majority of crap that passes for "popular" music these days. You can either compare accessible music of both time periods, or cutting-edge brain-melting bad-ass-shit from both time periods.

    51. Re:So... by slim · · Score: 1

      This is all true, but go back to the ancestor post that spawned all this:

      [Rock's] appeal musically (when you ignore the words) is a more primal emotion. Clasical period music was designed to express more complex set of emotions.

      That had to be contradicted.

    52. Re:So... by slim · · Score: 1

      Ah, now Mahler I'd accept. And Stravinski and Prokofiev.

      But their stuff is to Mozart as Pink Floyd are to Jerry and the Pacemakers.

      They're not going to be playing Mahler in the subway.

    53. Re:So... by shellbeach · · Score: 1

      I attended a Welsh National Opera performance of Don Giovanni late last year, and I enjoyed it. But, it's the pop music of it's time and it is decidedly populist in its ambitions. Simple story. Nice tunes. Harmonious backing in straight major and minor chords. Job done.

      Hendrix habitually threw 7ths, 9ths, augmented 4ths into his chords; intervals which (apart from possibly the occasional 7th) Mozart's audiences would never have tolerated.

      But Mozart, by and large, wrote utter rubbish -- really talented guy, shame about the musical immaturity. And the same goes for the rest of the Classical period, which was a ghastly regression after the Baroque and the closest classical music ever came to the inanity of most current pop music.

      If you're going to single out someone unusual like Hendrix, I'd suggest you'd be better comparing his works to someone like Shostakovich or Prokofiev. Personally, I'd argue that whilst popular music has occasionally sought complexity in composition, it very rarely achieves success by doing so. Classical music, on the other hand, has mostly been successful when pushing the envelope (with the exception of the afore-mentioned Classical period, when people had a collective and inexcusable brain-fade and wrote some pathetic harmonically simple stuff ...)

    54. Re:So... by bossk538 · · Score: 1

      Don Giovanni is categorically not pop music of its day; it was written for an aristocratic elite. Popular music in the 18th century consisted of sheet music that was widely disseminated, and easy enough for amateurs to play at home (but often could be simplified versions of operatic numbers, etc.)

      As for it's "harmonious backing in straight major and minor chords," you need only look at the first few bars of the overture to see that is not true: after the crashing D minor and A major chords that begin, the harmony moves right away to a diminished 7th chord on G sharp. I have the score at home, and could probably find scores, if not hundreds of exceptions to your claim.

      For such a "simple story," the likes of E.T.A Hoffmann, Kierkegaard, Flaubert, G.B. Shaw, and others could spill a lot of ink writing about it.

      The Brandenburg Concertos would qualify as "popular Bach"; I would challenge anyone to name a piece of popular music from the last 50 years that is as harmonically complex as these. I know there's a lot of Progressive Rock that uses sophisticated harmonies, but not in the same league as the Brandenburgs.

    55. Re:So... by shellbeach · · Score: 1

      Pachabel's Canon is no more sophisticated than A Whiter Shade of Pale although I suppose it has the distinction of doing it first.

      Well, Pachelbel's Canon was at least a canon, giving it some degree of greater complexity. Plus he cut the Hammond organ part out in the final edits, unlike sodding Procol Harum.

    56. Re:So... by a+whoabot · · Score: 1

      I think you have overstepped.

      What do you consider to be popular Beethoven and Bach works? I would guess his 9th Symphony would be Beethoven's most popular. What Radiohead piece compares to that in terms of complexity?

      For Bach? Well-tempered Clavier? Look at Bk. II, No.9: A triple fugue with 38 subject entires, 13 countersubjects including inverted subjects, with inverted counterpoint and stretti all over the place. The thing is a monster of complexity.

      If Mozart's audiences would never have tolerated 9ths or augmented 4ths, then why did they? Second bar of KV. 465 has an augmented fourth (F# over a C). At least Wikipedia says that this is his "most famous" quartet. And ninths? I would be hard-pressed to find a famous work by Mozart that didn't use a ninth. But since we like positive examples on Slashdot, I guess I'll give one, but I won't have to travel far: The very next bar in KV. 465 just cited, the third bar, a C over a B.

    57. Re:So... by Darinbob · · Score: 3, Funny

      "Ma'am, can you tell us when your purse was snatched?"
      "Yes officer, it was just before the 'Alle Menschen werden Brüder' chorale in the fourth movement."

    58. Re:So... by couchslug · · Score: 1

      "Shhh...If they hear you, it'll be re-made in a year or two..."

      Excellent idea!
      The Lifetime Channel could remake it as a chick flick with more babes in jeopardy and a Wholesome Resolution at the end.

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    59. Re:So... by Gilmoure · · Score: 1

      Lauren Bacall in To Have and Have Not. That's Hoagy on piano, playing in an island bar where shootings and such happen. Not the nicest of places.

      --
      I drank what? -- Socrates
    60. Re:So... by flyneye · · Score: 1

      True, I was dealing in likelihoods based on common misconception.

      --
      *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
    61. Re:So... by flyneye · · Score: 1

      Now a high school orchestra could either do the job or drive everyone from the subway.
      My solution would be to use really bad MIDI files on a really cheap soundcard. I envision the graffiti subsiding a bit too.

      --
      *Repent!Quit Your Job!Slack Off!The World Ends Tomorrow and You May Die!
    62. Re:So... by davster · · Score: 1

      YYZ by Rush is mostly 5/4

    63. Re:So... by mjwx · · Score: 1

      How much does it cost to do this and how much less does the city have to pay for security?

      Saline solution can be bought by the litre, the expense is in paying the person who holds the eye dropper.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    64. Re:So... by mjwx · · Score: 1

      Rock/Rap are variants that have stemmed from minalist music.

      Dont compare rock and rap. Rap is a very simple form of music (if you can even call it that) which emphasises base emotions (mostly around violence and sex).

      Rock is very different, some rock songs appeal to base emotion but the majority does not. You want to call The End by The Doors simple? How about Eric Johnson's Cliffs of Dover. Hotel California. Cliffs of Dover is a very good example of emotional complexity with an instrumental piece.

      Clearly written by someone who has never attempted to play Layla (Clapton) on the guitar.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    65. Re:So... by mjwx · · Score: 1

      More people willing to ride the subway means more revenue.

      What about the people (of all ages) less willing to ride the subway because of the irritating music?

      I'd much rather Fur Elise on an infinite loop then talk back fucking radio (which is idiocy on an infinite loop).

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    66. Re:So... by Colonel+Fahlt · · Score: 2

      (Please note this is a response to multiple children of this parent posting, not the parent post itself.)

      Normally I don't bother to respond to the uninformed commentary that often gets posted on Slashdot, but I couldn't help myself. Here we have multiple people passing off elementary amounts of music theory they've absorbed from somewhere as evidence they have an informed opinion supporting their notion that "populist" classical music is not as "complex" as some rock or rap music (which they haven't offered any examples of).

      First of all, we have more than one person claiming that "complex" chords used in rock (infrequently at that) are more "sophisticated" than what was used in classical music of the 18th and 19th centuries. One poster states "Hendrix habitually threw 7ths, 9ths, augmented 4ths into his chords; intervals which (apart from possibly the occasional 7th) Mozart's audiences would never have tolerated." Sevenths are more than "possibly occasional" in Mozart's work: they're pretty fundamental to some progressions. (And dominant seventh chords -- among the most commonly used and "traditional" -- contain augmented fourths.) If someone can't hear that, they're not arguing intelligently, and I would infer they don't really understand what they're listening to. (If they were to say "Hendrix was more baldly obvious about throwing these intervals into his chords", then yes, I would agree.)

      Furthermore, to stick with Mozart, consider his String Quartet in Eb, K428. The opening measures feature, yes, a prominent augmented fourth, and further chromatic harmony. (There are more examples where that came from. Some of Mozart's "Haydn quartets" were sent back by the engraver, who thought they were "riddled with errors" because of the dissonances, whole-tone progressions, and such Mozart employed at times.) Of course, Mozart's aim wasn't to create something stark-sounding that didn't resolve, as that would fundamentally not have fit with the overall form he was trying to create.

      Ah, yes, musical form, something completely missing from this discussion of "complexity", where people are claiming Mozart, Beethoven, et al. are not "complex" as some random favourites of theirs. Classical music from roughly the time of Haydn on carries a significant component of its dramatic message in its form, that is, how the music is developed over time. A decision made by a composer at one point will potentially have dramatic ramifications minutes later as the piece unfolds. This is rather different from pop music, where typically very simple elements are repeated over and over again, or in the case of some "progressive rock", somewhat simple elements are baldly juxtaposed "with the subtlety of a blowtorch" (to borrow a phrase of a critic mocking Emerson, Lake, and Palmer which I particularly liked -- the phrase, that is). An understanding of form and musical development is much more significant in appreciating the music than the simple recognition of "a few conventional harmonic structures" (misleading as that statement is). (I would also hazard a guess that these posters are not very familiar with 20th/21st century composition that grew out of the classical tradition, but that's another topic.)

      Similarly, there are many dissonant progressions in a lot of Baroque music, as the understanding and application of harmony was different in that time, because those composers' idea of musical form was in turn different. Bach was less concerned about resultant harmonic effects than he was with counterpoint.

      Ah, yes, counterpoint, something else missing from this discussion. Counterpoint is the art of creating multiple melodies that sound simultaneously. If anyone on here seriously can find a rock song that can compete with Bach's "Art of the Fugue" in terms of complexity (and perhaps more importantly, skill of execution at that level of complexity), and has the ability to convincingly detail their argument, I will eat my socks. Part of the marvel of Bach is what he did with counterpoint while

    67. Re:So... by Pseudonym · · Score: 1

      The same could be said for 11th's and 13th's, too.

      Part of classical music training in the European tradition is writing four-part chorales in the style of Bach using only pencil and paper, no instrument available. A standard part of this is knowing how to use a dominant discord up to the 13th. They teach this stuff to 16-year-olds. (At least, that's how old I was.)

      Incidentally, most of the pre-Romantic composers didn't learn music theory same way that we learn it today. Today, we learn harmony first, and from that, we learn voice leading and counterpoint. They did it the opposite way: voice leading first, and then learn harmony from that. So while Palestrina came up with some voice combinations that today we would analyse as sophisticated chords, he probably thought of them as prepared suspensions. Bach could probably hold both interpretations in his head simultaneously, which is why he was a genius.

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
    68. Re:So... by Pseudonym · · Score: 1

      But Mozart, by and large, wrote utter rubbish -- really talented guy, shame about the musical immaturity.

      To be fair, most of his later stuff is impressive.

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
    69. Re:So... by shellbeach · · Score: 1

      I guess it depends what you consider impressive; and music is, of course, highly subjective (otherwise we wouldn't have this thread!) ... But there's not much evidence of Mozart being harmonically creative in his works -- he tended to avoid any form of dissonance, used very simple chord progressions and modulated almost always into closely related keys (often painfully telegraphed with leading accidentals). Don't get me wrong -- he wrote some nice stuff (Figaro is great operatic fun; the Requiem is decent). But his work was not particularly inventive, didn't push the envelope in any sense, and I would argue that his wider-scale impact on classical composition was essentially zero.

      The period between the end of Bach and the middle of Beethoven is really best avoided, unless you're into twee. And it's not until the 20th century that things really started to get interesting again.

    70. Re:So... by Churnits · · Score: 1

      ...and further, those horsemen of the apocolypse, the destroyers of the natural evolution of popular music in the Western world... of course I am refering to those motherless, godless sons of bitches, The Beatles. Without the Beatles, there is no Stone Roses, Mighty Mighty Lemondrops, Oasis, Blur, Verve, nor Radiohead.

      Ha ha ha! Brilliant! I've been trying to say exactly that for years and never been able to come up with anything as accurate.

    71. Re:So... by bossk538 · · Score: 1

      +5 Interesting for the above post? Really!

      The above poster's knowledge of Western classical music is one gigantic swath of ignorance. Nearly every statement he/she has made on the subject has been either falsified with concrete, real-world examples, or demonstrated to be complete nonsense. I would think most people would have the humility to not expound on subjects they know nothing about, and that such posts would be modded down. I was wrong.

      If someone prefers Radiohead to Mozart, that's their personal choice, and neither here nor there. But to claim their music harmonically and emotionally more sophisticated than anything produced by Western Civilization in at least the 18th century and first part of the 19th (and probably beyond that as well) is the height of absurdity. There really is no point in trying to argue that any more than a geneticist trying to argue for evolution in a panel of Young Earth Creationists.

      The qualifier "popular" is a red herring by the way. What's popular today does not translate into what was popular in Bach and Handel's day. The pieces that are popular today are so because they have withstood the test of time, and continue to fascinate as well as entertain 300 years later.

      Next +5 comment coming up is probably an argument that the character development in the script to last Friday's WWE Smackdown is more nuanced than Hamlet.

      I've probably garnered some negative Karma here for this post, but when I see such gross ignorance paraded here as above, and to get modded up by the way, I can only shake my head in disbelief.

    72. Re:So... by crucini · · Score: 1

      > I take that to mean it is a public domain performance, too.

      It means the vendor lets you have unlimited use of the music in exchange for a one-time fee. It's common in film production.

    73. Re:So... by Grishnakh · · Score: 1

      Just listen to Rush if you want to see all kinds of weird time signatures and changing time signatures.

    74. Re:So... by Wintermute__ · · Score: 1

      There are loads of Rush songs in interesting time signatures. Heck, Jacob's Ladder changes time signature just about every measure.

    75. Re:So... by Pseudonym · · Score: 1

      You're right about harmony. I will make one claim, though: Mozart was one of the best orchestrators in history.

      Orchestration is an under-appreciated problem. You have to deal with multiple constraints. Harmony, voice leading and colour/texture are the obvious ones. You also have to think about where the instruments physically sit relative to the audience. You have to balance harmonics (e.g. if a timpani's note has a minor third harmonic in some octave, it sounds extremely wrong if some other instrument is playing the major third of the chord in the same octave). Mozart managed all this, and also seemed to know in intimate detail how every instrument in the orchestra of the day was played.

      No matter what your instrument is, a piece by Mozart fits under your hands as if it was written by someone who had played that instrument all their life.

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
    76. Re:So... by partofthepuzzle · · Score: 1

      Music is a form of EXPRESSION. Some music emphasizes the expression of complex intellectual ideas, some emphasizes emotions, etc. Rock and classical (and of course many other types of music) have both. If you don't think that there's rock music that's intellectually or musically sophisticated, either you haven't listened to much of it or simply don't want to cloud your theories with facts.

      Music that's "simple" in terms of it's musical structure may have a powerful emotional impact. I prefer the latter though I can still thoroughly enjoy other approaches to music. I don't criticize one approach because i prefer the other.

      "btw, Hendrix is merely an exceptional blues guitar player."

      Hendrix certainly was an exceptional player of blues based music but many of his tracks are not related to blues at all.

      " In fact, I believe it is quite possible to reduce every single rock/pop song since to either one of David Bowie's offerings or that of Creedence Clearwater Revival."

      OK, I get it. You're either a troll or an idiot.

  2. Handel..an english word? by fiaskow · · Score: 5, Informative

    Maybe they got a 'Händel' on crime.

    1. Re:Handel..an english word? by Moskit · · Score: 1

      That one, or "Haendel". Or maybe simply "handle". In the current form this isn't really a play on words.

    2. Re:Handel..an english word? by u38cg · · Score: 5, Funny

      Maybe it'll make the criminals Bach off.

      --
      [FUCK BETA]
    3. Re:Handel..an english word? by Scarletdown · · Score: 5, Funny

      It may initially drive them away. But as they are leaving, they warn that they'll be bach.

      --
      This space unintentionally left blank.
    4. Re:Handel..an english word? by Anonymous Coward · · Score: 2, Funny

      If they come Bach, a Tazer and a bit Mo' ZART should do the trick.

    5. Re:Handel..an english word? by codeButcher · · Score: 1

      I believe he (or "they") spelled it without the umlaut in his English phase.

      --
      Free, as in your money being freed from the confines of your account.
    6. Re:Handel..an english word? by Anonymous Coward · · Score: 5, Funny

      The they'll be Haydn somewhere else.

    7. Re:Handel..an english word? by ndogg · · Score: 1

      It certainly seems to cause some miscreants to turn Bach around and walk away.

      --
      // file: mice.h
      #include "frickin_lasers.h"
    8. Re:Handel..an english word? by Hognoxious · · Score: 4, Funny

      .. or back Orff.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    9. Re:Handel..an english word? by Anonymous Coward · · Score: 1

      It certainly seems to cause some miscreants to turn Bach around and waltz away.

      FTFY

    10. Re:Handel..an english word? by pr0nbot · · Score: 5, Funny

      Do we really have to liszt all the puns?

    11. Re:Handel..an english word? by mrvan · · Score: 2

      Wollt ihr den totalen Grieg?

    12. Re:Handel..an english word? by Ol+Biscuitbarrel · · Score: 2

      We're Raveling in our cleverness this morning.

    13. Re:Handel..an english word? by MacGyver2210 · · Score: 1

      I'm so tired of these awful puns. You're all going on my liszt.

      --
      If the only way you can accept an assertion is by faith, then you are conceding that it can't be taken on its own merits
    14. Re:Handel..an english word? by anerki · · Score: 5, Funny

      Would you rather we put them on the chopin block?

      --
      Life is great! (as told by Lady Susan)
    15. Re:Handel..an english word? by hey! · · Score: 1

      Maybe it'll make the criminals Bach Orff.

      There. Fixed that for you.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    16. Re:Handel..an english word? by u38cg · · Score: 1

      I think you should be Chopin for a new pun.

      --
      [FUCK BETA]
    17. Re:Handel..an english word? by dkleinsc · · Score: 1

      No, we don't have to: let's go Chopin at the mall instead.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    18. Re:Handel..an english word? by TeknoHog · · Score: 1

      Johan nyt on Sebastian Bach!

      --
      Escher was the first MC and Giger invented the HR department.
    19. Re:Handel..an english word? by zerro · · Score: 1

      At least there will be less raping of Debussy.

    20. Re:Handel..an english word? by FFOMelchior · · Score: 2

      Really worried about Mexican mafia involvement. Someone might try to wack Manny off.

    21. Re:Handel..an english word? by shurikt · · Score: 2

      Figure out how to do Tchaikovsky and win the internet today...

    22. Re:Handel..an english word? by Thing+1 · · Score: 1

      (Now I've got Duran Duran in my head, but moving forward, you smell like you sound, and:) "I'll be Bach -- and you can be Beethoven!" (It helps if you say the first part like Governator, and the second part like you were just surprised.)

      --
      I feel fantastic, and I'm still alive.
    23. Re:Handel..an english word? by reub2000 · · Score: 1

      To which they'll respond, "Leck mich im arsch!"

  3. What? by Anonymous Coward · · Score: 2, Informative

    [...]has shown early signs of success, though the numbers are so small as to be statistically insignificant [...]

    In other words, no significant effect of the music on crime statistics has been measured. Or am I missing something?

    1. Re:What? by nospam007 · · Score: 1

      "Or am I missing something?"

      Yep, the copyright has expired for those songs, that's the real reason.

    2. Re:What? by Sulphur · · Score: 1

      [...]has shown early signs of success, though the numbers are so small as to be statistically insignificant [...]

      In other words, no significant effect of the music on crime statistics has been measured. Or am I missing something?

      Does the MAFIAA know about this?

    3. Re:What? by mcavic · · Score: 1

      In other words, no significant effect of the music on crime statistics has been measured.

      It means they have seen an effect, but it's just one city, and a small number of people. Theoretically it could be attributed to something else, like say a change in air quality.

    4. Re:What? by petermgreen · · Score: 2

      or just to plain old random chance.

      All that statisitically significant means is "if the null hypothosis* is true the chances of results as bad or worse (for the null hypothosis) as those we obtained are below a given value".

      It does not tell you what the correct alternate hypothosis is nor does it tell you with certainty that the null hypothosis is wrong.

      And in particular finding something isn't statistically significant doesn't nessacerally mean the null hypothosis is right.

      * The null hypothosis basically says "the results are random"

      --
      note: i'm known as plugwash most places but i screwd up registering that here somehow in the past and now can't register
  4. Kids have no taste in music? by gweihir · · Score: 1

    Must be a sign of the times. The risk here is of course that others will be turned away from classical music because it starts to remind them of the subway....

    --
    Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
    1. Re:Kids have no taste in music? by Rockoon · · Score: 2

      ...subway.. elevator.. is there a real difference?

      --
      "His name was James Damore."
    2. Re:Kids have no taste in music? by Sulphur · · Score: 1

      ...subway.. elevator.. is there a real difference?

      Elevators go nearly straight.

      --

      If the rails were laid end-to-end, it would be a big improvement.

    3. Re:Kids have no taste in music? by 19thNervousBreakdown · · Score: 4, Funny

      Love in a subway is something very different from love in an elevator.

      --
      <xml><I><am><so><damn>Web 2.0</damn></so></am></I></xml>
  5. Lower crime rate is a bonus by lorinc · · Score: 5, Insightful

    The first and foremost advantage is to have a pleasant wait for your train. I would love to have classical music at my train stations.

    If it can act as a deterrent for inamical people, I take it as a bonus.

    1. Re:Lower crime rate is a bonus by mitashki · · Score: 1

      ...was just sneaking behind you having my eyes on that purse and... no...NO....Nooooooo...that Mozart sonata again!!!

      --
      "When all you have is a hammer, everything starts looking like a nail."
    2. Re:Lower crime rate is a bonus by mrxak · · Score: 2

      I suddenly have visions of A Clockwork Orange-style brainwashing ruining perfectly good Beethoven for ultraviolent youths.

    3. Re:Lower crime rate is a bonus by xaxa · · Score: 4, Informative

      They've done this at a few London Underground stations since 2005 and since 2004 on the Tyne and Wear Metro.

      In London, the music was played over the existing announcement system's speakers, so it was horribly distorted. Fortunately, it was only around the station entrance, not the actual platforms, so I could wait in peace.

    4. Re:Lower crime rate is a bonus by greg1104 · · Score: 1

      Whenever they hear classical music afterwards, it will remind them of their time in copland.

    5. Re:Lower crime rate is a bonus by gmack · · Score: 2

      That is provided the do it consistently. There is a convenience store on the west island of Montreal that does this. Outside they were playing a nice symphony on shockingly good speakers but inside they were playing annoying pop music. Never before in my life have I found standing outside a store so much more enjoyable than inside.

    6. Re:Lower crime rate is a bonus by chrb · · Score: 3, Informative

      They do it in Brussels too. The classical music is played on the Metro there in evenings, during the day they play English language pop (no French or Dutch to avoid antagonising people). I'm not aware of any crime statistics, but a local told me that when they introduced it she did notice a big effect on the groups of youths that used to hang around the stations. The article says something similar about this latest experiment, "Young people quit hanging out at one Portland station 'almost immediately' after classical music began playing, Scruggs said."

    7. Re:Lower crime rate is a bonus by jiriki · · Score: 1

      Same in Hamburg/Germany.

      I like classical music. But this distorted mess coming from the speakers is just awful (combined with the fact, that highly dynamic music is not suited for noisy environments).
      Probably all young people are deterred by this, because they can still hear all frequencies, while most older people (40+) cannot.

      So thanks a lot. Either install reasonable good speakers or quit annoying me. The current situation will just lead to all young people hating classical music.

    8. Re:Lower crime rate is a bonus by smchris · · Score: 1

      I think the horrible speakers are an important factor in Minneapolis as well.

    9. Re:Lower crime rate is a bonus by AmiMoJo · · Score: 1

      For some reason groups of menacing youths don't hang around on the Japanese metro, so there is no need for music. Perhaps we should look at fixing the cause rather than treating the symptom.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    10. Re:Lower crime rate is a bonus by GameboyRMH · · Score: 1

      From what I understand they prefer to ride silly-looking motorcycles around.

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    11. Re:Lower crime rate is a bonus by fuzzyfuzzyfungus · · Score: 1

      Unless your train stations have better PA gear than ours do, you Do. Not. Want. any music you like to be played on it.

      The golden rule of PA design, empirically speaking, appears to be "ensure that the system is powerful enough to induce pain; but weak enough that even tin-eared gits can hear the distortion at about 20% of peak volume"...

    12. Re:Lower crime rate is a bonus by interkin3tic · · Score: 1

      I would love to have classical music at my train stations.

      Headphones. Some of us who are not teenagers or ne'er-do-wells don't like pointless noise pollution. Sure, it's mostly harmless and there's already a lot of noise pollution anyway, but quieter is better.

    13. Re:Lower crime rate is a bonus by MountainLogic · · Score: 1

      20 years ago an urban Seattle used country western to chase the street kids away from the outside of their building. This was the heyday of grunge in Seattle!

    14. Re:Lower crime rate is a bonus by cffrost · · Score: 1

      The first and foremost advantage is to have a pleasant wait for your train. I would love to have classical music at my train stations.

      If the music is played over existing announcement equipment, and it's anything like I'm familiar with (New York's subway/Metro-North rail systems), the experience will be far from pleasant. Judging from the marginal intelligibility of human voice over these systems, I'd estimate that one would be hard-pressed to identify which genre of music they're playing over those horrible speakers. Classical music's (generally) wide frequency/dynamic range makes it particularly vulnerable to mangling by shitty audio equipment.

      --
      Thank you, Edward Snowden.

      "Arguments from authority are worthless." —Carl Sagan
    15. Re:Lower crime rate is a bonus by glitch0 · · Score: 1

      did you mean inimical?

      --
      -Glitch "We all know Linux is great...it does infinite loops in 5 seconds." - Linus Torvalds
  6. The new Superhero team has been formed by mitashki · · Score: 3, Funny

    Beethoven, Bach, Mozart, and Strauss - The Gangbusters

    --
    "When all you have is a hammer, everything starts looking like a nail."
    1. Re:The new Superhero team has been formed by Penguinshit · · Score: 1

      The League of Extraordinary Gentlemen!

    2. Re:The new Superhero team has been formed by mitashki · · Score: 1

      Would have used the same name but was cautious of all possible Copywrite + SOPA/PIPA/ACTA laws to which I may be subject as a result of doing the aforementioned violation.

      --
      "When all you have is a hammer, everything starts looking like a nail."
    3. Re:The new Superhero team has been formed by dkleinsc · · Score: 1

      But you also have to recruit a leader of such a group: Might I suggest the greatest name in German Baroque music - Johann Gambolputty de von Ausfern- schplenden- schlitter- crasscrenbon- fried- digger- dingle- dangle- dongle- dungle- burstein- von- knacker- thrasher- apple- banger- horowitz- ticolensic- grander- knotty- spelltinkle- grandlich- grumblemeyer- spelterwasser- kurstlich- himbleeisen- bahnwagen- gutenabend- bitte- ein- nürnburger- bratwustle- gerspurten- mitz- weimache- luber- hundsfut- gumberaber- shönedanker- kalbsfleisch- mittler- aucher von Hautkopft of Ulm?

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    4. Re:The new Superhero team has been formed by stewbee · · Score: 1

      I can envision their super powers now:
      Bach- He will put you in a fugue with this fugues
      Mozart - He summons Il Commendatore to take you to hell
      Strauss - Has a viscous 1-2-3 combo that will take you down
      Beethoven - Even while deaf, he could hear you

  7. Not a new - or a particularly great - idea by RogueyWon · · Score: 4, Insightful

    This isn't a particularly new idea. I know that certain shopping centres here in the UK have been using it for quite some time.

    I've got mixed feelings. It's certainly unpleasant to have large groups of feral youths hanging around shopping centres and in principle, something that encourages them to be elsewhere without much fuss is a good thing. On the other hand... it just shifts the problem around. I'd rather have the gang of feral youths stood menacingly inside the brightly lit CCTV-infested shopping centre than in the unlit, unguarded car park outside.

    At least using music for this is better than some of the alternatives. I know that one idea that was briefly used was high pitched noise emitters - the theory being that with young people generally being able to hear higher ranges than adults, only they would be irritated by the noise. I objected to this one very strongly indeed - the noise was outright painful (my hearing is odd - I'm bad at sorting conversation from background noise, but seem to have retained my ability to hear very high ranges) and it was indiscriminate. It was offensive to the "good kid" going shopping for their parents as it was to the feral youth looking for his next mugging victim. I seem to remember that particular trick had to be pulled due to legal reasons.

    I guess I also have some gut concerns about whether this impinges on rights such as freedom of assembly. I guess if it's being used on private property, then it's fine. On subways... that seems a bit more morally dubious.

    And as for the choice of music... I don't think classical music lovers should be particularly offended. Though as somebody who is relatively fond of classical music, I will admit that taken out of place, it can be intrusive. Anybody reading this who commutes through London's Victoria Station will be aware that every few weeks they have some opera singer (and supporting instrumentation) there, collecting money for a cancer research charity. I know it's for a good cause and I shouldn't whinge but... when you're waiting for a delayed train and just want to get home after a long day, the singing, while perfectly "cultured", due to its volume and pitch, can be as intrusive and offensive as blazingly loud gangsta rap would be.

    1. Re:Not a new - or a particularly great - idea by jlar · · Score: 2

      Here is a link for a previous slashdot article on something similar:

      http://news.slashdot.org/story/10/03/04/0258221/using-classical-music-as-a-form-of-social-control

      But maybe it is in fact just driving the youth away and not just criminal types:

      http://tech.slashdot.org/story/05/11/30/0021211/driving-away-teens-with-high-frequency-noise

    2. Re:Not a new - or a particularly great - idea by Theophany · · Score: 1

      But maybe it is in fact just driving the youth away and not just criminal types

      Fine by me, children are obnoxious.

      Now if they could play something to get rid of all the slow walkers too, that would be perfect!

    3. Re:Not a new - or a particularly great - idea by MrNemesis · · Score: 1

      They've been playing classical music at Brixton tube station for at least two or three years, on and off, and only in the evening I think.

      Unfortunately, the PA system is so uniformly shitty that it doesn't sound much better than the tinny music coming out of kids mobiles. Would be much nicer if they could give the lady violinist with dreadlocks who I often see at Stockwell a permanent spot.

      --
      Moderation Total: -1 Troll, +3 Goat
    4. Re:Not a new - or a particularly great - idea by Sulphur · · Score: 1

      But maybe it is in fact just driving the youth away and not just criminal types

      Fine by me, children are obnoxious.

      Now if they could play something to get rid of all the slow walkers too, that would be perfect!

      Pushers. No, not that kind; the kind that shove.

    5. Re:Not a new - or a particularly great - idea by martin-boundary · · Score: 1

      I'd rather have the gang of feral youths stood menacingly inside the brightly lit CCTV-infested shopping centre than in the unlit, unguarded car park outside.

      You know, Those youths can buy milk in those shopping centres, and if you couple that with the classical music, well, this could all turn ugly like clockwork. I just don't think that kind of approach is very fruitful in the long run.

    6. Re:Not a new - or a particularly great - idea by Suferick · · Score: 1

      It's even worse in December, when some well-meaning but not very competent choir starts singing carols. there's only so much you can put up with for 'charidee'.

    7. Re:Not a new - or a particularly great - idea by Attila+Dimedici · · Score: 3, Informative

      My understanding from a previous article that I read (which I cannot find at the moment) was that there was evidence that suggested that playing classical music did not so much drive away youths intent on crime as create an atmosphere where they were less comfortable committing crime. There have been several studies that show that when a city street with abandoned cars, abundant litter, buildings with broken windows and grafitti is cleaned up (abandoned cars and litter removed, windows fixed and grafitti painted over) crime is reduced along it by larger margins than any other possible action (with the possile exception of a 24/7 police presence). The earlier article I read led me to believe that studies suggested that playing classical music had a similar effect. That is, it reduced the impulse to crime among those listening to it.
      I do know that studies have shown that playing classical music in a retail outlet tends to increase sales (I am sure that there are stores which target particular demographics where this would not be true). I, also, seem to recall that it reduced shoplifting, but that may have been a comment by a store security expert rather than the result of a study.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    8. Re:Not a new - or a particularly great - idea by fgouget · · Score: 1

      [...] On the other hand... it just shifts the problem around. I'd rather have the gang of feral youths stood menacingly inside the brightly lit CCTV-infested shopping centre than in the unlit, unguarded car park outside.

      And maybe that's the solution: instead of playing classical music to chase away the 'feral youths', attract them to an area under video camera surveillance with gansta rap. Then if anything happens, immediately dispatch the police car that was just out of sight nearby.

      Ok, as is that plan won't really work<g>. What about creating places where they would listen to music and do interesting stuff? Maybe you could call them youth centers?

    9. Re:Not a new - or a particularly great - idea by TheRaven64 · · Score: 2

      The idea that you allude to is called the Broken Windows Theory (not to be confused with The Broken Window Fallacy, which is unrelated). Unfortunately, it appears to have about the same amount of supporting evidence as it has contradictory evidence.

      --
      I am TheRaven on Soylent News
    10. Re:Not a new - or a particularly great - idea by couchslug · · Score: 1

      "I'd rather have the gang of feral youths stood menacingly inside the brightly lit CCTV-infested shopping centre than in the unlit, unguarded car park outside."

      I'd rather have the cops roust them, frisk them, bust them, and disperse them when they mob deep.

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    11. Re:Not a new - or a particularly great - idea by Chris+Mattern · · Score: 1

      Pushers. No, not that kind; the kind that shove.

      Do not trust the pusher robot. He is malfunctioning. Shoving will save you from the terrible secret of space.

    12. Re:Not a new - or a particularly great - idea by nitehawk214 · · Score: 1

      But maybe it is in fact just driving the youth away and not just criminal types

      Fine by me, children are obnoxious.

      Now if they could play something to get rid of all the slow walkers too, that would be perfect!

      Simple, we will play speed-metal. Either people will be pumped up and move faster, or just move faster to get away from the sound. Either way its win-win for you. However it may attract youths...

      --
      I'm a good cook. I'm a fantastic eater. - Steven Brust
    13. Re:Not a new - or a particularly great - idea by interkin3tic · · Score: 1

      I objected to this one very strongly indeed - the noise was outright painful (my hearing is odd - I'm bad at sorting conversation from background noise, but seem to have retained my ability to hear very high ranges) and it was indiscriminate

      Me too. I had assumed that my useless ability to hear old TVs turning on would disappear by the time I hit 30. Nope. Meanwhile, I've considered teaching myself how to lip-read.

      I wonder if the two are somehow linked.

    14. Re:Not a new - or a particularly great - idea by Theophany · · Score: 1

      Hmm, I think a circle somewhere is becoming vicious now that speed metal is added into the mix...

    15. Re:Not a new - or a particularly great - idea by SleazyRidr · · Score: 1

      Yeah, the circle-pits at speed metal shows can get really vicious.

    16. Re:Not a new - or a particularly great - idea by phantomfive · · Score: 1

      It's certainly unpleasant to have large groups of feral youths hanging around shopping centres and in principle

      It's somewhat disturbing to me that you so easily call them feral.

      --
      "First they came for the slanderers and i said nothing."
    17. Re:Not a new - or a particularly great - idea by HornWumpus · · Score: 1
      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    18. Re:Not a new - or a particularly great - idea by orgelspieler · · Score: 1

      [Classical music] can be as intrusive and offensive as blazingly loud gangsta rap would be.

      Exactly why I keep really loud classical music cued up in the CD player on my commute. Should anybody be blasting (most often "screwed") rap, I can hit them with some Widor. The only thing that would make it more fun is if I could actually have a real 32' contrafaggot stop strapped to the roof of my Accord. BWAHAHAHAHA!!!! That would be the acoustic equivalent of an EMP.

    19. Re:Not a new - or a particularly great - idea by cffrost · · Score: 1

      I'd rather have the cops roust them, frisk them, bust them, and disperse them when they mob deep.

      Frisk and bust them for what, peaceful assembly? Yours sounds like a good plan for fostering resentment towards police.

      --
      Thank you, Edward Snowden.

      "Arguments from authority are worthless." —Carl Sagan
    20. Re:Not a new - or a particularly great - idea by vnaughtdeltat · · Score: 1

      If this weren't already +5 Insightful, I'd say "mod parent up".

      The high pitched noise emitters were the worst idea ever. They were designed to keep teens from loitering in malls (and apparently called The Mosquito; http://en.wikipedia.org/wiki/The_Mosquito), but the pitch that they transmit at is perceptible by people up to 25.

      When I was working in Chicago a couple of years ago, I had to cut through a park in the Loop, and then wait on the street next to that park for a bus, while commuting to work. That park had these high-pitch transmitters and, while not quite painful, they were really obnoxious to my ears. I certainly wasn't loitering in the park, and was a (mostly) productive citizen on my way to work, but because I was in my early 20s I could still hear this awfulness. (the only reference I could find to this emitter is at http://www.chicagonow.com/chicago-art-blog/2010/06/giant-eyeball-to-invade-chicago/)

      The only nice thing about these high-pitch emitters is that teens eventually caught on and turned them against adults. My younger cousin once used me to test her ringtone, which transmitted at the Mosquito frequency and which she used in class so her teachers couldn't hear her phone when it went off.

    21. Re:Not a new - or a particularly great - idea by evilviper · · Score: 1

      I guess I also have some gut concerns about whether this impinges on rights such as freedom of assembly. I guess if it's being used on private property, then it's fine. On subways... that seems a bit more morally dubious.

      You're going to have a hell of a time convincing the court that a little background music in a public place is depriving you of your abillity to peaceably assemble there. (Unless it's blaring so loud you actually can't carry on a conversation).

      This is the same as painting the walls pink. No one is harmed, but some people will just decide they don't enjoy going there anymore, and will find some alternative.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  8. hardly news by Anonymous Coward · · Score: 1

    How is this even news?
    Other stations have been doing this for years.

    Frankston in Melbourne, Aus (not a nice place to be, last time I checked) had to cover speakers with protective cages, as the youth discovered if you smash the sound source, the music would stop.

  9. Brian Eno by korgitser · · Score: 1

    I would also go with Eno's "Music for Airports". A wonderful piece that does wonders with the stressful atmosphere of contemporary travel.

    --
    FCKGW 09F9 42
    1. Re:Brian Eno by nanoflower · · Score: 4, Informative

      They can't do that because they would have to pay for every time they played any of the songs. One of the advantages of using Bach, Handel and Mozart is that no one is collecting royalties on their music and you can find royalty free performances. So they can play the music 24/7 without having to pay anyone for that performance.

    2. Re:Brian Eno by demonlapin · · Score: 1

      But if you already have ASCAP and BMI licenses, it's effectively free.

    3. Re:Brian Eno by rioki · · Score: 2

      That is not totally true. They need to pay the people who performed/made for the recording. Sure the royalties are not as base. In addition many have some blanket deals for music in public places, these are quite affordable no matter what music you play.

    4. Re:Brian Eno by wzzzzrd · · Score: 1

      In Germany, there is the GEMA organization. It collects royalties for PLAYING music. If you have a shop and you play music from a legally bought CD, you still have to pay royalties to the GEMA.

      --
      On second thought, let's not go to Camelot. It is a silly place.
    5. Re:Brian Eno by wzzzzrd · · Score: 1

      Here here: A valid proof of the hypothesis that the current copyright system KILLS innovation. Would be worth a try using Mr. Eno's music at public places. But we'll never see it, because it is too expensive. Yes, even just playing music costs money. And I'm sure playing it at a public place counts as a performance, just like playing a legally bought DVD or Blue Ray in a hotel lobby or a prison is a crime. It's even a crime if the movie in question is not "Benjamin Button".

      --
      On second thought, let's not go to Camelot. It is a silly place.
    6. Re:Brian Eno by swillden · · Score: 1

      In Germany, there is the GEMA organization. It collects royalties for PLAYING music. If you have a shop and you play music from a legally bought CD, you still have to pay royalties to the GEMA.

      That's what ASCAP and BMI do in the US.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    7. Re:Brian Eno by HornWumpus · · Score: 1

      Somebody needs to record that with an accordion. That would be even worse.

      korgitser goes into the goat file.

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    8. Re:Brian Eno by cffrost · · Score: 1

      I would also go with Eno's "Music for Airports". A wonderful piece that does wonders with the stressful atmosphere of contemporary travel.

      I like it a lot too. However, I seem to recall that shortly after its release, it was tested in one or more airport(s) (LaGuardia, at least, according to Wikipedia), and people complained.

      Out of curiosity, do you like Philip Glass? I hear a resemblance between Music for Airports and some of Philip Glass's music; I wonder how his music would be tolerated in a public space.

      --
      Thank you, Edward Snowden.

      "Arguments from authority are worthless." —Carl Sagan
    9. Re:Brian Eno by demonlapin · · Score: 1

      With the extra (and useful) qualification that you don't have to have a legally bought CD in order to play the music.ASCAP and BMI don't care how you got it.

    10. Re:Brian Eno by korgitser · · Score: 1

      Yes i like Phillip Glass, and of course my fellow estonian Arvo Pärt, the holy minimalist. But public space these days doesn't tolerate pretty much anything. Haters gonna hate, complainers gonna complain. Since we cannot agree upon what to put in the public space, we get spontaneous crap from random noobs instead.
      I miss the good old days, and I'm not even 30 yet. Now get off my lawn :P

      --
      FCKGW 09F9 42
  10. Won't work by hippo · · Score: 5, Funny

    Just moves the crime so its haydn somewhere else.

    1. Re:Won't work by cc1984_ · · Score: 2

      You think you're so funny, but loitering in chopin complexes is no joke

    2. Re:Won't work by MadKeithV · · Score: 3, Funny

      You think you're so funny, but loitering in chopin complexes is no joke

      It's not very high on my lizst.

    3. Re:Won't work by greg1104 · · Score: 1

      To track where they go, youths will also be added to a government watch liszt.

    4. Re:Won't work by PerformanceDude · · Score: 3, Interesting

      Yeah - a couple of years ago I was on a Malaysia Airlines flight out of Mumbai. We were still on the ground when all of a sudden the PA system went: "This is an emergency. Oxygen masks will drop from the compartment above your head. Please place one over your face and ensure that the is securely fastened before assisting other passengers and children". The next thing that happened was the PA playing "The Girl from Ipanema". My only thought was that in a genuine emergency the last thing I will hear while "going down" is a piece of elevator music. How thoughtfully ironic!!!

      --
      Meus subcriptio est nocens Latin quoniam bardus populus reputo is sanus callidus
    5. Re:Won't work by balaband · · Score: 1

      Yup, just a matter of time before they are bach and chopin some old lady purse...

    6. Re:Won't work by crawling_chaos · · Score: 1

      Well the other alternative is to Cage the criminals, and that is expensive.

      --
      You can only drink 30 or 40 glasses of beer a day, no matter how rich you are.
      -- Colonel Adolphus Busch
    7. Re:Won't work by mjwx · · Score: 1

      Yeah - a couple of years ago I was on a Malaysia Airlines flight out of Mumbai.

      Malaysian has to be the worst airline for picking the right music. Their in flight safety video has to be the most atrocious I've ever seen. Rather then being factual and to the point they tried to make it upbeat with minimal speech, if that video was your first ever flight safety demonstration, you'd be screwed in the event of an emergency.

      That being said, I'm yet to see a flight safety video I could call a work of art, but every attempt I've seen has only made it worse.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
  11. What, "What"? by captainpanic · · Score: 4, Insightful

    Since when do the real numbers matter? What really matters is that some politician has shown to "Fight against Crime" (note the capital letters, those are important).

    People demand that action is taken against the nuisances and crime. Whether the action actually works is really not so important, as the results of pretty much every election around the world show.

    A feeling of safety is far more emotional than rational. So, go away with your statistics, and leave us emotional non-rational people alone.

    And obviously, in about a year from now, we demand Action against Crime. Again.

    1. Re:What, "What"? by Anonymous Coward · · Score: 2

      You missed the fact that it isn't just the appearance of being a part of the 'Fight against Crime'. This also shows that the politician is being creative and thinking outside the box and is solving the problem without just throwing cash at it.

      If he/she can reduce crime on the subway, then surely they can solve the poverty, homelessness, crime, etc etc without spending a single penny. Who *wouldn't* vote for that!

    2. Re:What, "What"? by shutdown+-p+now · · Score: 1

      What really matters is that some politician has shown to "Fight against Crime" (note the capital letters, those are important).

      I don't see a problem. Politician's happy, his constituency is happy, and no rights and freedoms have been harmed in the process. I'd take that over PATRIOT Act or somesuch crap any day.

  12. Re:Clockwork Orange by mrxak · · Score: 2

    Clearly the Ludovico Technique is required to make this subway program actually work.

  13. Re:nice. age racism on the rise. by Kell+Bengal · · Score: 3, Informative

    The word you're looking for is 'ageism'

    --
    Scientists point out problems, engineers fix them
    altslashdot.org: The future of slashdot.
  14. Appy-polly-loggies. by Anonymous Coward · · Score: 5, Funny

    I woke up. The pain and sickness all over me like an animal. Then I realized what it was. The music coming up from the floor was our old friend, Ludwig Van, and the dreaded Ninth Symphony.

  15. Hate it. by slim · · Score: 3, Informative

    I'm 38 years old. Definitely not a troublemaker. I have a legitimate reason to be waiting at train stations.

    And I hate Handel and Mozart. Why should I be subjected to it?

    Also, I can clearly hear those high pitched "mosquito" tones that are meant to disperse young people. Again, why should I be subjected to it?

    And what about law abiding young people?

    1. Re:Hate it. by GameboyRMH · · Score: 3, Funny

      And what about law abiding young people?

      A tiny minority. Most youths are like the scary ones on TV, always burning stuff and getting into trouble you know :-P

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    2. Re:Hate it. by slim · · Score: 1

      I am 31 tears old, and i really, really hate pop and rock... why am i subjected to it at each store?

      I think the difference is that shops are private enterprises and are free to attract or deter potential customers with whatever ambience they see fit. If a trendy clothes shop wants to keep squares out with pounding R&B, so be it.

      Depending on where you live, railways may or not be private enterprises -- but they're granted a monopoly by the local government, and they shouldn't be deterring any legitimate users. Yes: silence would be preferable.

    3. Re:Hate it. by wzzzzrd · · Score: 1

      way to go you silly would-be hitler.

      --
      On second thought, let's not go to Camelot. It is a silly place.
    4. Re:Hate it. by swb · · Score: 1

      At the Lake Street station in Minneapolis, there are few "law abiding" youth. It's the usual urban despair.

    5. Re:Hate it. by sker · · Score: 2

      I agree. Also, I hate the color yellow. Why should I be subjected to the color yellow at the edge of the platform? I'd stay away from the edge even if it weren't yellow, thus having any yellow in the station is an unreasonable and unfair imposition on my rights. I am sure there are other people who would avoid the edge of the platform sans a yellow edge, thus validating my point.

      --
      nonsig. unsig. desig.
    6. Re:Hate it. by binkless · · Score: 1

      You're right, Handel & Mozart aren't right.

      I think they should try Wagner. It will be more effective.

    7. Re:Hate it. by steelfood · · Score: 1

      You must be a lawyer.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    8. Re:Hate it. by HornWumpus · · Score: 1

      I know I was. But kids these days can't be bothered to put down the game controller and pick up the black powder.

      When my Dad caught me collecting ingredients for nitroglycerine he explained that nitrocellulose was much safer.

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    9. Re:Hate it. by Disfnord · · Score: 1

      Oh fuck you. I ride the light rail from that station everyday, and it's filled with all varieties of people. "urban despair" is just code for black people. Grow up, they're not going to bite you.

    10. Re:Hate it. by glitch0 · · Score: 1

      subjected to it? it's common to play music in public areas. you don't like it, bring headphones. this is not unique to subway stations. go into wendy's and they'll be playing crappy music over the PA. the only solution is to bring headphones and listen to your own music, sorry. it's just music though, it won't hurt you, i promise.

      --
      -Glitch "We all know Linux is great...it does infinite loops in 5 seconds." - Linus Torvalds
    11. Re:Hate it. by tragedy · · Score: 1

      A better analogy would be if the entire area were to be bathed in bright yellow light and if the yellow light were there specifically to drive away people who don't like yellow.

    12. Re:Hate it. by swb · · Score: 1

      Clearly they're taking a bunch of effort to play classical music at that station because there are no problems and they want to alleviate the concerns of rich, white suburbanites who never ride light rail.

      Or, maybe, just maybe, "it hasn't happened to me" means that it hasn't happened to you, not "it isn't happening."

  16. Calming tunes by reluctantjoiner · · Score: 1

    Maybe they should have supplied Meyerbeer.

  17. Keeps the Lawyers Away, Too by guttentag · · Score: 2

    Playing classical music that is no longer protected by copyright and performed for the purpose of free redistribution/public performance keeps the IP lawyers away. They can't stand to hear anything that cannot be used as the basis of a lawsuit. Interestingly enough, keeping the lawyers off the streets may reduce crime more than keeping rowdy teens away.

    We may be on to something here... what can we play in public places to keep bank execs away? Anyone have audio transcripts of Congressional inquiries into the subprime mortgage crisis? I'd like to play that loudly on my phone the next time I'm standing in line at the bank... if everyone did that, it would be better than a sea of Guy Fawkes masks.

    1. Re:Keeps the Lawyers Away, Too by cpghost · · Score: 1

      Playing classical music that is no longer protected by copyright and performed for the purpose of free redistribution/public performance keeps the IP lawyers away.

      Yes. But sadly, the performance (i.e. recording) of the classical music is usually still copyrighted...

      --
      cpghost at Cordula's Web.
  18. spaces by Kombinat · · Score: 1

    Would be more intelligent to invest some money to give the kids some places and opportunities, instead of chasing them around. A club, workshop or hackerspace for instance.

  19. Like Anti-bacterial Soap by retroworks · · Score: 2

    It will work for awhile. But once everyone starts doing it everywhere, a new strain of harpsichord-loving crack dealer will emerge and be more difficult to eradicate. They'll try changing the music to polka, which will work for awhile. The city needs to decide who the people are and talk to them. Otherwise these effects are like a bright kitchen light on cockroaches, it doesn't get to the root of the city's problems. Who knows, maybe these kids are like the hippies whom city elders wanted off the lawns and parks in 1966. Maybe there's a Steve Jobs or Wozniak milling around under the streetlights. I know a lot of really nice high school kids who'd probably leave if you played classical music at them... which was always the problem with that soap, it killed the good bacteria and let staph grow in its place.

    --
    Gently reply
    1. Re:Like Anti-bacterial Soap by reub2000 · · Score: 1

      I listen to Emilie Autumn and Weird Al. If a harpsichord and polka is their idea to drive me away, then they need to think of something else.

  20. Uhm.... by Gideon+Wells · · Score: 1

    "...such environmental changes actually deter crime or just push it down the block. Not everyone is sold on using 'lovely lovely Ludwig Van' as a deterrent."

    So somewhere, some when there is a person who believes a little Bethoven will so move teenage youth to give up all crime, and become law abiding citizens. And they say the perpetual youth are the delusional.

    --
    by Anonymous Coward: I, for one, welcome the shift from car analogies to pizza analogies. um.. overlords?
  21. Haha it does indeed scare teens away. by unity100 · · Score: 1

    For some reason, people have an apathy to this kind of music when they are young. when older, its different.

  22. A question of class by jandersen · · Score: 2

    Hopefully, over time, this will attract a better class of muggers.

    Dennis Moore, Dennis Moore
    Galloping through the sward
    Dennis Moore, Dennis Moore
    And his horse Concorde
    He steals from the rich
    And gives to the poor
    Mr. Moore, Mr. Moore, Mr. Moore

    1. Re:A question of class by msk · · Score: 1

      Robin Hood, Robin Hood
      Riding through the glen
      Robin Hood, Robin Hood
      With his band of men
      Feared by the bad
      Loved by the good
      Robin Hood, Robin Hood, Robin Hood

  23. Why are black composers underrepresented? by Anonymous Coward · · Score: 1

    Whomever chose the music library is definitely showing racially-preferential tendencies.

  24. wah wah by SeaFox · · Score: 1

    'Classical music lovers hate the fact that urban planners use classical music to disperse youth,' says Minneapolis City Council Member Gary Schiff.

    Oh, God. Another group of fucking elitists. Instead of being happy more people are exposed to classical music they're going to complain. "No! Don't use our favorite thing on the masses! They aren't sophisticated enough to appreciate this music." They're just like the Apple fans upset the new iPhone doesn't look significantly different from the previous model so they can differentiate themselves.

    1. Re:wah wah by fuzzyfuzzyfungus · · Score: 1

      I doubt that elitism is the basis of their displeasure(if they were elitists, wouldn't they be gleeful at the very thought of the unwashed being made to suffer for their pitiful lack of sophistication?).

      Rather, the notion that their preferred music is considered to be a nonlethal deterrent, and used as such against those who you would really prefer to pass your tastes on to, likely has something to do with it...

  25. Change of crime statistics by ATestR · · Score: 1

    They're just hoping to get a better class of criminals.

    --
    âoeAny society that would give up a little liberty to gain a little security will deserve neither and lose both.
  26. Well, it worked in a clockwork orange by Chrisq · · Score: 1

    Perhaps we could extend this to a treatment for offenders.....

  27. I was going to contradict - how wrong I was! by Chrisq · · Score: 1

    Whomever chose the music library is definitely showing racially-preferential tendencies.

    Your comment educated me. I was about to point out that there were not any black composers, but decided to check. how wrong I was. Listen to this beautiful composition as an example.

  28. An alternative... by windcask · · Score: 2

    They could, as an alternative, start playing avant-modern classical, like Penderecki, Webern, Xenakis. The subway station with the least crime is the one with no patrons at all.

    1. Re:An alternative... by geekmux · · Score: 1

      They could, as an alternative, start playing avant-modern classical, like Penderecki, Webern, Xenakis. The subway station with the least crime is the one with no patrons at all.

      True. I would also suggest Nickelback, but that would probably have the reverse effect and actually cause crime.

    2. Re:An alternative... by CRCulver · · Score: 1

      They could, as an alternative, start playing avant-modern classical, like ... Xenakis. The subway station with the least crime is the one with no patrons at all.

      Xenakis' concerts regularly sell out, and classical journalists note an impressive number of young people. The installations he set up in Paris (for La legende d'Eer) and Shiraz (for Polytope) attracted tens of thousands of ordinary people. Not a good example of contemporary classical music that drives people away.

  29. Re:Clockwork Orange by TheGratefulNet · · Score: 1

    "sorry; no time for the in-out, love. just come to read the meter!"

    --

    --
    "It is now safe to switch off your computer."
  30. It's punny... by wbr1 · · Score: 4, Funny

    But I do not care for classical music, so when I go to the station I will put in my ear buds and be rachmaninoff.

    --
    Silence is a state of mime.
  31. Re:Subway crime? by sensei+moreh · · Score: 1

    I was going to ask the same thing - fortunately, I searched through all previous responses before posing the question.

    --
    Geology - it's not rocket science; it's rock science
  32. Minneapolis has no subway station crime by tuffy · · Score: 1

    The Twin Cities light rail system is entirely above ground.

    --

    Ita erat quando hic adveni.

    1. Re:Minneapolis has no subway station crime by pi8you · · Score: 1

      It does go through a tunnel and run under one of the airport terminals though.

      As someone that uses that particular station regularly, I welcome our classical overlords and have noticed it being generally calmer than it had been over the summer. I do wonder if they've account for the fact that it's winter now and people aren't as inclined to just hang out in the sub-freezing temps. Time will tell, I suppose.

  33. Causes rowdy teens and vagrants to wander away... by AtlantaSteve · · Score: 1

    ... and yet attracts awful jokes and puns with equal force.

  34. Re:Classical music lovers hate this? by AtlantaSteve · · Score: 1

    Media in general likes a story to have "conflict" (even when it doesn't), and Slashdot these days is far worse than most. However, half the conflicts you read about here are entirely made-up. Of the three articles linked in this summary, not a single one quotes a single opponent or critic. It's just something that "Unknown Lamer" tacked on at the end, because the Slashdot-format would incomplete without something like that.

    I can't really blame Slashdot, though. Reading this silly comment above (and, sadly, watching myself type a response)... there are plenty of people who take bait.

  35. Re:nice. age racism on the rise. by 19thNervousBreakdown · · Score: 1

    Well, yeah.

    See, the great thing about this system is, the ones in charge eventually die, usually before you. Then you get to be in charge, yaaay!

    --
    <xml><I><am><so><damn>Web 2.0</damn></so></am></I></xml>
  36. why not let people play music for tips? by Joe_Dragon · · Score: 1

    I have seen people doing that in Chicago and Toronto

    1. Re:why not let people play music for tips? by alexander_686 · · Score: 1

      The issue is that a lot of people hang out at one of the two landings at the top of the escalators – a rather small area – but it heated and you can see the trains.

      It’s better in the summer when more people actually hang out on the platform. The Late Street Station is open to the elements (There are 3 sided semi heated enclosures, but) and elevated over a busy street, so not the best place to play when it’s below freezing.

  37. Re:And over in England... by Tim+C · · Score: 1

    They do it at Elm Park too, though in the ticket hall not on the platforms.

  38. Gene Kelly by Krau+Ming · · Score: 1

    As long as they don't play "singing in the rain"! It will have a reverse effect, causing old ultra-violence to occur.

  39. Roll over... by flyingfsck · · Score: 1

    So, will Roll Over Beethoven have the same beneficial effect?

    --
    Excuse me, but please get off my Pennisetum Clandestinum, eh!
  40. Ultraviolence! by wytcld · · Score: 1

    I've always preferred a classical soundtrack for my rage. De gustibus. Hope this encourages the modern kids to acquire the taste.

    --
    "with their freedom lost all virtue lose" - Milton
  41. Re:Classical music lovers hate this? by TeknoHog · · Score: 1

    I hate it whenever music is used to fill a void, as a background hum. In one sense it's a bit like covering walls with cheap copies of Mona Lisa, in that it inflates the value. Especially when classical music is played through crappy PA systems at stations.

    Another reason, for me at least, is the way music grabs your attention. I'm something of a musician and I'm sensitive to picking out sonic patterns, but it gets tiring if you have to listen to music all the time, even when it's good. It's also hard to come up with your own musical ideas, while being bombarded by others.

    Background music is worst when you're working on something else. It's worse if you happen to like the music, it's like having your cubicle walls covered with porn.

    --
    Escher was the first MC and Giger invented the HR department.
  42. A Fifth of Beethoven by bandy · · Score: 1

    I was going to say that this sort of thing was going to lead to this generation's "A Fifth of Beethoven" (http://www.youtube.com/watch?v=dxS0gO_-TQk), but then I saw on the right that we've already had techno and dubstep versions of Beethoven made.

    --
    "You might as well get your son a ticket to hell as give him a five string banjo." -unknown minister
  43. Equal time. by sixtyeight · · Score: 1

    Equal time. If you play classical, you have to give time to rap, dubstep, Gregorian chants and Tuvan throat-singing too.

    Can't be accused of squandering taxpayer money on things whose appeal favors a particular minority group. Specifically the wealthy conservatives.

    "This is my land. You can go live on a reservation." They've been doing it for centuries.

    --
    The Wolfpack Project: BitCoin + Crowdfunding = Political Accountability
  44. Copenhagen Central Station too by Tarraq · · Score: 1

    In Copenhagen Central Station, Denmark, Europe, the entrance facing a street inhabited by alcoholically challenged and drug users has had Classical music in speakers at the entrance for decades. Apparently classical music has an annoying effect on such people and discouraging them from "hanging around" especially in the rain etc. Seems to work. :)
    I can't find any official information on it. It's based on hearsay.

  45. downtown businesses do this too by peter303 · · Score: 1

    but that may drive away the younger crowd

    1. Re:downtown businesses do this too by geekoid · · Score: 1

      I don't think it's going to drive away anyone who actually has business and is passing through. Once your off the platform you don't hear it.
      It's loitering for long periods of time.
      I wonder what they are going to about the increase in sweaters with patches on the elbow and the proliferation of public radio t-shirts.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  46. Just to start with... by FFOMelchior · · Score: 3, Informative

    Intentionally leaving out 3/4 and 6/8, because those are too common. Oh, and also leaving out the more "proggy" bands like Tool and Dream Theater, because then this would be too easy.

    Money by Pink Floyd (7/4)
    Four Sticks by Led Zeppelin (5/4)
    Spoonman by Soundgarden (7/4)
    Silhouette by Thrice (4/4 and 7/4)
    Words in the Water and Hold Fast Hope bu Thrice (5/4)
    Before the Lobotomy (middle section in 7/8)
    March of the Pigs by Nine Inch Nails (29/8)
    Time Like These by Foo Fighters (main riff in 7/8)
    Paranoid Android by Radiohead (sections in 7/4)
    Pyramid Song by Radiohead (16/8, piano plays in groups in 3-3-4-3-3)
    Idiotique by Radiohead (6/4 drums, 4/4 vocals)
    Everything In It's Right Place by Radiohead (10/4)
    15 Step by Radiohead (5/4)
    2+2=5 by Radiohead (7/8)

    Are there a ton? No. But are there really THAT many songs in the classical realm that aren't 4/4, 3/4, 6/8 either?

    1. Re:Just to start with... by slim · · Score: 1

      When The War Came by The Decemberists. Still no idea what time signature(s) the verses are. http://www.youtube.com/watch?v=CD3fCVPBgcQ

    2. Re:Just to start with... by scot4875 · · Score: 1

      Dunno if Primus counts as too "proggy", but don't leave out Eleven (11/4, played in 3-3-3-2). Personally, odd time signatures are one of my favorite things to pick out in music.

      --Jeremy

      --
      Jesus was a liberal
  47. Keeping away the teens - with light by DaPhil · · Score: 4, Interesting

    I read about a clever piece of work by some town officials in a German town to drive away teens hanging around a certain area at night (drinking and harrassing people).

    What they did was install a light usually used by dermatologists which highlights unclean skin -- pimples and the like.

    The teens stayed away.

  48. Re:Classical music lovers hate this? by b4dc0d3r · · Score: 1

    You didn't read the quote, right under the "Portland says it works" sub-headline?

    http://www.startribune.com/local/minneapolis/138615169.html

    Media stories like to get both sides to look balanced, and frequently shoehorn in an unsubstantiated quote just to make it look like they covered both sides. All it takes is one off-hand remark in an interview, and you bet it's going in the column. There's no doubt about it.

    But it's important to direct your concern in the appropriate direction. You can't blame this one on Slashdot, at least no more than the usual click-generating sausage factory summaries.

    As for classical music lovers, they feel it should be appreciated, and they feel uniquely qualified to appreciate it. Letting "the rabble" listen to it, without a chance to understand an appreciate it, cheapens it.

    Personally, it annoys me to no end to hear some of the greatest music ever written played constantly, and perhaps by not-so-top-notch players. I become accustomed to it, and as with anything else it gives me no pleasure. And that is a shame. At the same time, once you have heard "Eine Kleine Nachtmusik" for the hundredth time, maybe it's time to move on to something a bit more challenging. So I'm on both sides of the issue.

    The same atmosphere could probably be created with Muzak, but it would cost more.

  49. Re:Classical music lovers hate this? by gnasher719 · · Score: 1

    So, what's up with classical music lovers hating this idea and concept? If they weren't a bunch of pretentious blowhards before, they certainly upped the ante with that attitude. Give me a break. Most classical "lovers" are at home listening to their beloved music on a $10,000 record player pumped through $27,000 worth of "sonic purification" anyway, because anything less would be....well uncivilised.

    For anyone with a bit of interest, Amazon has this series of "99 Greatest Hits by xxx" covering lots of classical composers, with recordings that are actually perfectly decent, at a very low price (I got some for £2.99 and others for £4.99). Doesn't need a $10,000 record player. Sounds perfectly fine with an iPod and $100 Grado headphones.

    One of my favourite records is some really old piano music played by Dinu Lipatti - and no $10,000 player can help with the fact that a lot of it is radio recordings. Not recordings made in a radio station, but recordings made by holding a microphone to a radio. Doesn't change that he plays like a god.

  50. Classical music is mostly instrumental??? by wfstanle · · Score: 1

    "it's that there are frequently no words"

    Are you crazy or did you only listen to a superficial sampling of classical music. Granted, a lot of classical music is only instrumental but there are a lot a vocal pieces as well. There is all the operas, the 9'th symphony by Beethoven, Handles Messiah and these examples are just for starters. To say classical music is mostly instrumental is ludicrous.

    1. Re:Classical music is mostly instrumental??? by slim · · Score: 1

      German or Italian words don't count ;)

    2. Re:Classical music is mostly instrumental??? by dkleinsc · · Score: 2

      I studied classical music quite seriously in my college days, and still write and perform a fair amount of it.

      My point was that popular music almost universally includes vocals as the musical focus, whereas classical music does not. Many casual listeners of most musical genres focus solely on the words because that's what they understand best, and because symphonies and sonatas and most classic dance pieces don't have words, there's nothing for these listeners to relate to. In addition, these listeners often speak or understand only English, which means that if they're listening to most of the vocal classical repertoire, they again don't understand the words and thus don't enjoy it.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
  51. This will only stop dumb criminals. by StikyPad · · Score: 1

    Smart criminals will simply wait for the 1812 Overture.

  52. Re:Gelukkige Valentijnsdag by HornWumpus · · Score: 1

    bork bork bork.

    Everybody has to drink.

    Drinking gave invented for Swedish subtitled movies (which for some reason seam common on Netflix, thumbs up for 'Troll Hunter'). Drink every time you hear the Swedish chef.

    --
    John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
  53. How about this?!?! by ajdub · · Score: 1

    Lets not have government agencies get in the habit of piping music into public spaces! Can we? Really? I don't care what the reason is, it's just way too creepy eastern-blocish for me...

  54. It's about the perception of safety by indros13 · · Score: 1

    The Lake St. light rail station in Minneapolis is one of the few with an indoor area (an enclosed escalator) and heat. In the winter, the students from nearby schools tend to congregate in the stairwells and escalators, smoking (which is illegal, of course). The music works because it drives them outdoors, helping passengers feel safer because they don't have to push through a crowd of high school students. Of course, whether or not people should feel unsafe because of a crowd of kids smoking is a different issue, but I'd guess most of the adult travelers coming through the station prefer the loud music to the loitering teens.

    --
    Under capitalism man exploits man. Under communism it's the other way around.
  55. Barry Manilow by linear+a · · Score: 1

    will empty the stations entirely.

  56. This is new? by Minwee · · Score: 1

    The LRT stations in Calgary were doing this twenty years ago for the same reasons.

  57. November Rain by Dareth · · Score: 1

    November Rain, back when GNR was a rock band.

    --

    I only look human.
    My mother is a halfling and my dad is an ogre, so that makes me an Ogreling
  58. Re:Classical music lovers hate this? by geekoid · · Score: 1

    I WISH /. was one of the worse offenders.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  59. Really bad dentist's office experience by Latent+Heat · · Score: 1
    I had a really bad experience in my last dental cleaning?

    The ultra-sonic cleaner?

    No, George Michael. Early George Michael. Wham. "Wake me up before you Go-Go." I am still cringing from the thought.

  60. Re:Classical music lovers hate this? by geekoid · · Score: 1

    Not everyone is sold on using classical music as a deterrent.
    "Classical music lovers hate the fact that urban planners use classical music to disperse youth," Schiff said.

    Um? what? who? has there been a actual complaint forma classical music lovers specifically stating they don't want classical music? r is it just someone who thinks it won't work?

    I know some pretty hard core Classical music buffs,add all of them would love this.

    Granted my sample size is tine, but probably larger the Schiff's sample size; which I suspect consists of 'no one'.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  61. Worked for Coffee shop by vilain · · Score: 1

    There was a coffee shop next to a record store that got a lot of kids that would buy a single cup and sit all day listening to music and hogging the WiFi. Then the shop started playing classical music and the kids went away. Now normal people can sit and drink their coffee in piece and browse using the WiFi. After 30 minutes the password on the receipt expires and they have to buy another $5 worth of stuff. This was back in the late '90s. This phenomenon is not unknown.