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The Trouble With 4K TV

An anonymous reader sends this quote from an article about the difficulties in bringing so-called '4K resolution' video — 3840x2160 — to consumers. "Though 4K resolutions represent the next step in high-definition video, standards for the format have yet to emerge and no one’s really figured out how to distribute video, with its massive file footprint, efficiently and cost effectively. How exactly does one distribute files that can run to hundreds of gigabytes? ... Given that uncompressed 4K footage has a bit-rate of about 600MB/s, and even the fastest solid-state drives operate at only about 500MB/s, compression isn’t merely likely, it’s necessary. ... Kotsaftis says manufacturers will probably begin shipping and promoting larger TVs. 'In coming years, 50-inch or 55-inch screens will have become the sort of standard that 40-inch TVs are now. To exploit 4K, you need a larger form factor. You’re just not going to notice enough of a difference on smaller screens.' The same quality/convenience argument leads him to believe that physical media for 4K content will struggle to gain traction among consumers. '4K implies going back to physical media. Even over the Internet, it’s going to require massive files and, given the choice, most people would happily settle for a 720p or 1080p file anyway.'"

442 comments

  1. cable and sat don't have the bandwidth for it by Joe_Dragon · · Score: 5, Insightful

    cable and sat don't have the bandwidth for it and that's on the broadcast side.

    Maybe 1-2 channels but most cable systems are loaded with sd channels and old mpeg2 HD boxes.

    Sat has moved to all mepg 4 HD but stills has lots of SD boxes out there as well.

    1. Re:cable and sat don't have the bandwidth for it by FreonTrip · · Score: 2

      Yep - even if the set-top box customers are given is natively MPEG-4 AVC, the backend is frequently still MPEG-2 passed through a realtime transcoder. 4K resolution is going to be a big deal for theaters and exhibition halls of various stripes. At the smaller scale tech isn't ready for home yet by a long shot - AVC's successor HEVC is still in the drafting stages, never mind successful deployment - and the improvements won't have the impact that the DVD --> Blu-ray jump did for most customers. I predict 2K resolutions encoded with AVC or VC-1 will become an intermediate point for large-scale exhibition, much as MPEG-2 was used for early HD video.

    2. Re:cable and sat don't have the bandwidth for it by Jeremiah+Cornelius · · Score: 1

      4K ?

      4K Q 2 !

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    3. Re:cable and sat don't have the bandwidth for it by burisch_research · · Score: 1

      I fail to see any point in your ramblnigs. 4K / 8K are clearly future techs intended to be delivered over equally future networks. Your argument is invalid. Get with the programme.

      --
      char*f="char*f=%c%s%c;main(){printf(f,34,f,34);}";main(){printf(f,34,f,34);}
    4. Re:cable and sat don't have the bandwidth for it by FreonTrip · · Score: 1

      Yep, I just realized 4K indicates 3840x2160, because apparently 2160p just doesn't sound cool.. Blech.

    5. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      No, its because 4K sounds bigger than 2160p and way bigger than 1080p.

    6. Re:cable and sat don't have the bandwidth for it by davydagger · · Score: 2

      "4K resolution is going to be a big deal for theaters and exhibition halls of various stripes"

      thats what I'm thinking. I think we won't see consumer 4k devices for another 20 years.

      but its good we get a spec now, and start hammering out bugs, so by the time the rest of the compute world can handle the bandwith, we're ready.

    7. Re: cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      His argument is indeed valid indeed. Know of any cable companies that actually provide true, full 1080p HD? Any answer you provide is incorrect, there are none. If they don't provide even that now, what makes you think they'll provide true 4k in the future.

    8. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      That's right. They don't broadcast 1080p right now - the only 1080p content is on Blu-Ray discs.

    9. Re:cable and sat don't have the bandwidth for it by yincrash · · Score: 2

      They would have to go to SDV. It would be the only way. It would definitely be feasible, but might limit the number of different channels any one house could have on at the same time.

    10. Re:cable and sat don't have the bandwidth for it by timeOday · · Score: 1

      Maybe 1-2 channels but most cable systems are loaded with sd channels and old mpeg2 HD boxes.

      But there are only 1-2 cable channels that people are actually willing to pay for: namely ESPN. Football will look FANTASTIC on a 60" 4K screen. That alone will seal the deal, given that a 60" 4K screen probably costs very little more to manufacture than a 1080 screen; just as with camera sensors, the size drives the cost much more than the resolution, and 60" 1080 TVs are under $1000 now (wow). Nobody will bat an eye at losing 3 other random channels to get their football fix in full glory.

    11. Re:cable and sat don't have the bandwidth for it by timeOday · · Score: 0

      I think we won't see consumer 4k devices for another 20 years.

      I bet they're at BestBuy within 2 years, and a nearly-free premium above 1080 within 4.

      Something else that could look fantastic in 4K, and could be done easily, is video games. The 15" Macbook Pro already has a 2880 by 1800 screen, which is over 5K pixels. Sadly I doubt the PS4 and XBox720 (whatever they end up calling them) will do it. But it would be so great for splitscreen gaming, and simulation-type games such as flight simulators.

    12. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      Actually Satellite offers 1080P as long as your gear is HDCP compliant

    13. Re: cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 3, Insightful

      Yeah, because there is no readily accessible source of 1080p content..

    14. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0
    15. Re: cable and sat don't have the bandwidth for it by RoboRay · · Score: 4, Informative

      Show me an interlaced digital display. Seriously. Show me one.

    16. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 1

      Terrestrial. Absolutely no chance.
      Transmission over the air would require mesh networking of antennae all over the damn place at densities of cellular networks probably. Also those spectra too because it is going to need all the bandwidth it can get even for only a few of the standard terrestrial channels in most regions around the world. In fact, it would likely need the higher end Wi-fi frequencies to be of any use.

      Cable. Nope. Just no chance, needs a whole rebuild too.

      Satellite could have the bandwidth for it if they used that angular transmission method that was posted on here a while back.
      That one that managed to actually take advantage of more than just a few angles for transmission like we normally do.
      Whether or not it would be workable from space to ground is another question. That is a mighty long distance to travel. Interference becomes a much larger problem.

      Fiber, would need multi-frequency fibre everywhere to hit the speeds needed not just for one person, but for millions.

      4k is going to require a huge, very expensive change to most areas.
      I pretty much listed them from most expensive to least expensive above.
      Actually, cable could very well be considerably more expensive than terrestrial. I guess it really depends on the densities needed for radio repeaters.
      Fiber would just need a change in hardware for the most part. Admittedly said hardware is also pretty expensive for backbone operators.
      Big problem indeed.

    17. Re:cable and sat don't have the bandwidth for it by norpy · · Score: 0

      You know the "4K" designation comes from the horizontal width of 3840x2160 right?

      2880x1800 = 5.1 million you moron.

    18. Re:cable and sat don't have the bandwidth for it by norpy · · Score: 2

      That's not true

      With any technology based on photolithography any increase in density decreases yield, since as you increase density you make the "lines" smaller which increases the number of errors per wafer or sheet of glass.
      Since they normally cut these screens out of a much larger sheet of glass they get a higher yield with smaller screens (a single pixel fault ruins a smaller percentage of the glass) or lower pixel densities (less faults). The reason that the current round of tech has gotten cheaper has more to do with the fact that we are now a few process nodes ahead of the curve since large 1080p lcds have been available for around 10 years and the fact that the control hardware has gotten cheaper.

      Have you noticed that the pixel density on your phone is orders of magnitude higher than your TV?

    19. Re:cable and sat don't have the bandwidth for it by timeOday · · Score: 3, Insightful

      Mea culpa, I was confusing it with megapixels. Still, 3840x2160 is not very much higher than on the 15" retinal display.

    20. Re:cable and sat don't have the bandwidth for it by AlphaWolf_HK · · Score: 1

      Multicast IPTV over google fiber IMO.

      There's a slim chance that it could push both big content and the consumer electronics industry to push ISP's to push for higher bandwidth due to the money making opportunities.

      Wishful thinking on my part perhaps, but you never know.

      --
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    21. Re: cable and sat don't have the bandwidth for it by AlphaWolf_HK · · Score: 1

      Well when 1080p was first standardized (which is where 4k is right now) they didn't have the bandwidth for that either.

      Granted they mostly only do 720p, you do see 1080p when the content provider releases it as such.

      --
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    22. Re:cable and sat don't have the bandwidth for it by Pinky's+Brain · · Score: 2

      Some sports broadcasters use 1080i60 ... of course 720p60 is superior, but sheep like high numbers.

    23. Re:cable and sat don't have the bandwidth for it by static0verdrive · · Score: 1

      Satellite providers can you fool you with that all they want (and maybe they can handle the bandwidth requirement, although I doubt smoothly), but in any case no channel broadcasts in 1080p yet, so you'd be a sucker to buy into it.

      --
      ========
      77 77 77 2e 6d 65 6c 76 69 6e 73 2e 63 6f 6d
    24. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      Really? ESPN typically looks like shit due to the cable companies over-compressing the fuck out of their signal. (ATSC and ye olde rabbit ears is vastly superior.) I doubt there's any significant market for even higher resolution macroblocks and fuzz.

    25. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0
      "all digital is progressive- DUH)"

      That makes no sense.

    26. Re:cable and sat don't have the bandwidth for it by Oakey · · Score: 1

      'Done easily'? Well sure, as soon as the GPU's that can run that sort of resolution with the settings maxed out at a constant 60fps get released and become affordable. I imagine you could do it now but it'd require some expensive SLI / Crossfire configuation.

      --
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    27. Re:cable and sat don't have the bandwidth for it by AK+Marc · · Score: 1

      I have a player and AV receiver that are 4k compatible, all that I'm missing is that my 1080p 3D TV won't do it. As for bandwidth, 1080p/24 is about 5 Mbps at best. 4k is 4 times the resolution, so 20 Mbps for a 4k channel would be the minimum, and 10 Mbps is a more realistic case encoding for 1080, so 40 Mbps wouldn't be too bad of an estimation. OTA gives 19 Mbps to each channel, usually split into 3 stations. So 20 for a single 4x channel sounds about right.

    28. Re:cable and sat don't have the bandwidth for it by AK+Marc · · Score: 1

      Cable has the bandwidth for it without problem. 200 channels of SDTV is about 50 or so 4k. Given the rate of change, it'll be 5 movie channels and one or two sports channels to move, with the rest changing over over 20 years. And they change cable boxes all the time. It isn't cheap for them, but I've had to change my box twice in 5 years (they had a bin you drop the old one off in, and 30 seconds later you walk out with a new one, running the updated standard. 4k is only 4 times full HD, and they handle that along side SD just fine. There's no consumer drive for it, so everyone's waiting.

    29. Re:cable and sat don't have the bandwidth for it by dublin · · Score: 1

      Movies, TV and video won't drive the move to 4K screens - computing will. We still desperately need *more* pixels to make modern UI concepts work. We're on the cusp of having computers that can really handle reasonable amounts of information. WE NEED DISPLAYS TO GO WITH THEM!

      By reasonable, I mean something approaching the bandwidth and resolution of a very small real-world desktop. Seriously, do the math - even at only 150 ppi (roughly the density of Apple's pre-retina iGadgets), a modest desk is far beyond 4K resolution: 48" wide by 27" deep (keeping a 16:9 mail-slot aspect ratio just because we'll never be rid of wretched "widescreens") gives a resolution of 7200x4050! Push that to "retina" territory 250-300 ppi), and you're talking serious pixels - way more than TV or movies will ever need, but exactly what we'll need to be able to really see and handle as much information as our great-grandparents did.

      Computer form factors will, no, must change - the requirement for increased resolution and direct touch/motion interfaces will necessarily drive computers to looking more like the state-of-the-art high-bandwidth information desktop of 100 years ago: the original engineering workstation - the drafting table. (Possibly sweeping up into a non-touch interface area a la Tog's Starfire concept from 20 years ago...)

      (FWIW, I, and most others I've asked, don't care about 4K for video, because the content isn't good enough to want better than 720p anyhow. For video, I'd rather have good color depth than higher resolution - I saw Skyfall the other day in a digital IMAX theater, and it was awful, at least partly due to compression - not only screen-doored and pixelated as hell, but with outrageous color-banding, especially in any of the sky or water shots...)

      --
      "The future's good and the present is nothing to sneeze at." - Roblimo's last ./ post
    30. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      ESPN looks fine on DirecTV. They tend to wreck local network affiliates, though.

    31. Re: cable and sat don't have the bandwidth for it by Trax3001BBS · · Score: 1

      His argument is indeed valid indeed. Know of any cable companies that actually provide true, full 1080p HD?

      I, being a sheep wouldn't purchase a 720 HDTV, and bought a "better 1080p native" HDTV.

      It wasn't until reading a comment recently on /. I stumbled upon the truth and I
      did research my HDTV purchase to be sure I was getting what I wanted and the right choice.
      I was well aware that all HDTV manufactures lie about or fabricate vitals; but not one word on
      the inferior 1080p.

      Due to a growing tree I lost my DirecTV signal and went to cable, every cable HD
      broadcast is in 720i which I also thought were two lines a display (till about an hour ago).

      Your right, cable or wire just doesn't have the capacity for HDTV and a lot of channels at the same time.

      On a personal note - waiting 2 weeks for service between DirecTV and Cable I realized
      I don't watch that much T.V so quit cable and now have on what's over the air and free;
      ThisTV and MeTV almost exclusively. while some are in HD I take nobodies word anymore
      on which size.

    32. Re:cable and sat don't have the bandwidth for it by aztracker1 · · Score: 1

      I do think it could be a boost for Sports... which along with feature films would be about the only real use.. of course it would be so DRM encumbered as to be almost worthless in execution... It would be cool... On the smaller scale it would be nice for 24-27" desktop displays as well... not just for media. I think computer displays are probably more likely to push that envelope in the near future in terms of consumer sales... but hey, I remember in 2001 or so thinking, I might be willing to get one of those 42" LCDs if they dropped below $2500, at the time they were about four times that.... Who knows.

      --
      Michael J. Ryan - tracker1.info
    33. Re: cable and sat don't have the bandwidth for it by PhotoJim · · Score: 2, Informative

      The display may be not technically be interlaced, but the content certainly can be.

    34. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      Why would consumers need this? Blurays are a fraction of the resolution that 4k offers and even on large TVs you don't see pixels.

      Now, for professional work that's probably different, but I just don't see why the rush to 4k when even with excellent vision it's still overkill. Which is sort of the point, like a lot of this sort of technology it really only makes sense for professionals doing the mixing and mastering, for the end users it's more cost and inconvenience than is warranted.

      And I don't see any reason why that's going to change any time soon, unless virtual displays get a lot better. And that's likely to take at least a decade before they're able to exceed blueray.

    35. Re:cable and sat don't have the bandwidth for it by KingMotley · · Score: 1

      And netflix https://signup.netflix.com/superhd and iTunes and youtube.

    36. Re:cable and sat don't have the bandwidth for it by sg_oneill · · Score: 4, Informative

      Its the term used at the production side, and is pretty much the standard for pro video at the high end. And its notorious for being really hard and expensive to work with because its simply taxing for the cameras to output and even more taxing to work through post-production with. Something like a RED or whatever camera will sell themselves on "4K" but generally unless filming for cinema its hardly needed.

      With one exception however, when dealing with chromakeying and the like the higher resolution provides more information to key out backgrounds without the telltale green halos around the characters, so even on TV work, 4K cameras are idea for special effects stuff, just to give the post-production work more to work with.

      Which is, of course, why those newfangled DSLR cameras might look seriously fantastic for normal footage, but are simply the wrong choice for special effects stuff because whilst the effect of compressing it all down might be acceptable for most video, it removes too much detail for chromakeying without a lot of (expensive) extra work in post production. With that said, for DIY amateur stuff, its not time thats the problem but gear and so people are able to spend more time getting keying right and working with looser tolerances.

      --
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    37. Re:cable and sat don't have the bandwidth for it by Jeremy+Erwin · · Score: 3, Informative

      OTA gives 19 Mbps to each channel, usually split into 3 stations. So 20 for a single 4x channel sounds about right.

      OTA uses MPEG-2, and (in my experience) for a good, decent 1080i signal, between 12-15 Mb/s is required, before things look a bit blurry. I do have an OTA EyeTV setup, with a 1080p monitor, and I can quite easily see the bitrates.
      Ironically, I've taken to streaming my PBS shows, because although my downstream bandwidth is a mere fraction of a full ATSC stream, the image quality is far superior to what is possible with a 9 Mb/s "720p" sub channel.
      For Bluray, 25 Mb/s AVC is very common, and that doesn't include the lossless audio. It's in another league entirely, provided that the grain hasn't been scrubbed out of existence. (Pan's Labyrinth isn't realistic, though it is shiny)

      More efficient coding standards may help cut the bandwidth requirements quite severely, but at a certain point, you'll have to decide that you just don't care about image quality. And that sort of attitude won't sell 4k screens.

    38. Re:cable and sat don't have the bandwidth for it by Jeremy+Erwin · · Score: 1

      Provided, of course, that compression doesn't render the whole 4k thing moot. At the local sports bar, the football pitch looks like a very blotchy quilt of neon green.

    39. Re: cable and sat don't have the bandwidth for it by RoboRay · · Score: 1

      Which is relavant how to complaining about people buying progressive scan TVs when there are no alternatives?

    40. Re:cable and sat don't have the bandwidth for it by AK+Marc · · Score: 2

      OTA uses MPEG-2, and (in my experience) for a good, decent 1080i signal, between 12-15 Mb/s is required, before things look a bit blurry.

      Blurry? When bitrate gets low, I see blockyness - the opposite of blurry. And Blu-ray is almost intentionally large (an artifact from the HD-DVD war). There's no need for uncompressed audio, given that double-blind tests show that people can't really tell a difference. But yes, OTA digital sucks, just watch an action sequence in strobe or lightning (no, I can't think of any at the moment), and the flashes are all blocky, as the frames change too much too fast and the resolution drops to meet the specified bitrate. I've seen it on DVD as well, but have never been bored enough to try a back-to-back test on DVD/Blu-ray.

    41. Re: cable and sat don't have the bandwidth for it by Miamicanes · · Score: 1

      > Show me an interlaced digital display. Seriously. Show me one.

      Actually, that's precisely what 120hz and 240hz TVs *do*. They use the higher framerate to simulate the way scanlines faded on a real CRT. Among other things, but that's the big thing you get from 120hz or 240hz -- you can watch 1080i60 video without it being completely ugly and ruined by bob/weave artifacts.

    42. Re: cable and sat don't have the bandwidth for it by Miamicanes · · Score: 1

      > Well when 1080p was first standardized (which is where 4k is right now) they didn't have the bandwidth for that either.

      Actually, that's not *quite* true. 19.2mbps has plenty of bandwidth to do true 1080p60 -- you just can't do the compression in realtime, and you need more ram so you can use variable bitrate, longer GOPs, and more B-frames. In fact, Microsoft released a ton of demos around 2004 to prove that it's totally possible to do 1080p60 at DVD bitrates (~8mbps... HALF of what ATSC allows) using their VC-1 codec. Admittedly, MPEG-2 is nowhere close to VC-1 when it comes to compression ratio, but if you increase your bitrate budget to 18-19.2mbps, even MPEG-2 1080p60 is do-able.

    43. Re:cable and sat don't have the bandwidth for it by Jeremy+Erwin · · Score: 2

      Lowpass filters are often used in MPEG encoders. I'm not taking about a signal glitch. I'm talking about a conscious effort by the stations to limit the video bandwidth of any one subchannel. As a result, it never seems as if the video can really make use of the full frame resolution. You should be able to see more, but you can't.

    44. Re:cable and sat don't have the bandwidth for it by Miamicanes · · Score: 1

      Look at it this way... the TV/satellite/cable industry has compressed 720p60 and 1080i60 to a degree that makes lots of us want to just cry. With a little luck, even criminally-compressed 4k TV will have the detail we SHOULD be getting NOW from 19.2mbps 720p60, but aren't.

      Tip: for anybody who has older TVs still in use, try using them with the s-video output of a HD box instead of using them with a normal SD box. Instead of blocky, ugly, overcompressed SD video, you can enjoy downsampled HD video that's basically DVD quality. It's a neat trick I learned back in the days of Voom that spoiled me permanently, even after Voom itself went bye-bye.

    45. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      2880 by 1800 screen, which is over 5K pixels

      2880x1800 = 5.1 million you moron.

      2880x1800 = 5.1 million you moron.

      Last I checked, 5.1 million is indeed over 5K... how is he a moron? :)

    46. Re:cable and sat don't have the bandwidth for it by troon · · Score: 2

      My TV is 720p native (well, 768) but supports 1080i. Despite the nerd in me wanting to prefer 720p for techie reasons, the picture is unquestionably better with 1080i input.

      --
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    47. Re:cable and sat don't have the bandwidth for it by Neil+Boekend · · Score: 3, Interesting

      Here in the Netherlands they are laying fiber to most homes. At the moment they are only doing cities and towns, so I'm not getting any yet (I live 1km from the closest town. This is quite far by Dutch standards), but in cities and towns people are getting fiber.
      Once the fiber is there the 4K shouldn't be a problem. Replace the old neighborhood boxes with streaming servers and harddisks and just pull the 4K data from there. Then the connection between the main switches and the neighborhood boxes isn't as heavily taxed and the real internet can still be fast.

      --
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    48. Re: cable and sat don't have the bandwidth for it by T-Bone-T · · Score: 2

      They use the higher framerate to simulate the way scanlines faded on a real CRT. Among other things, but that's the big thing you get from 120hz or 240hz -- you can watch 1080i60 video without it being completely ugly and ruined by bob/weave artifacts.

      I did a lot of research before I bought my first TV that was over 60Hz and I've never heard that before. I've read lots of lengthy discussions and even read manuals and that was never mentioned.

      I just googled "240Hz LCD" and the first three results talked about reducing motion blur, not a single hint and reproducing CRT effects. Where did you hear that?

    49. Re: cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 1

      > Show me an interlaced digital display. Seriously. Show me one.

      Actually, that's precisely what 120hz and 240hz TVs *do*. They use the higher framerate to simulate the way scanlines faded on a real CRT. Among other things, but that's the big thing you get from 120hz or 240hz -- you can watch 1080i60 video without it being completely ugly and ruined by bob/weave artifacts.

      Eh, no? Interpolation != interlacing.

    50. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      And its notorious for being really hard and expensive to work with because its simply taxing for the cameras to output and even more taxing to work through post-production with. Something like a RED or whatever camera will sell themselves on "4K" but generally unless filming for cinema its hardly needed.

      Which is largely because it's still in its early days of development, so these cameras are still essentially prototypes. 4K is next-generation stuff and isn't going to be mature for a few years.

    51. Re:cable and sat don't have the bandwidth for it by JaredOfEuropa · · Score: 1

      Consumer 4k devices are in stores now. They are still very pricey (15.000 euro for the 80" model) but the quality is amazing. Even when viewing regular HD content, the higher resolution helps. Same with a good HD set playing a regular DVD. One thing that has gotten a lot better in the last few years is the upscaler, the thingy that translates low-res content to the higher screen resolution. So even with any 4k content out there, consumers will still benefit from 4k screens if they buy a larger TV (the tipping point seems to be around 60" screens; anything smaller is just as good with regular HD).

      --
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    52. Re:cable and sat don't have the bandwidth for it by cynyr · · Score: 1

      yes I have, where are the 300+ PPI desktop monitors?

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    53. Re:cable and sat don't have the bandwidth for it by AmiMoJo · · Score: 2

      One of the big problems with 4k, and even more so with 8k, is that the camera operator can't focus it by eye any more. With that much resolution being even slightly off will be noticeable, so auto-focus is the only option.

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    54. Re:cable and sat don't have the bandwidth for it by FreonTrip · · Score: 1

      Thank you, that's wonderfully informative. Using 4K for effects work makes sense - going back in time, it's analogous to using 70mm film for optical effects while using 35mm for your main filming. Wow.

    55. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      Mea culpa, I was confusing it with megapixels. Still, 3840x2160 is not very much higher than on the 15" retinal display.

      Oh yeah, it's only 3,110,400 more pixels than the 5,184,000 on the "retinal". You know, just 53% more. So that's basically the same. /s

    56. Re:cable and sat don't have the bandwidth for it by RoboJ1M · · Score: 1

      "4K implies going back to physical media"
      I don't know about anybody else but I can easily tell the difference between broadcast "HD" with it's hopelessly over-compressed 1080 streams and full-fat blu ray.
      Although admittedly DVB-S2 and T2 with it's fancy new MPEG4 streams do look miles better than the original DVB-T and S MPEG2 streams.
      But no way are they going to be able to do anything than kill 4K streams using what they have.

      Personally I still like buying bits of plastic. Solves all the problems and they can't take it away from you if they decide your times up! :)

    57. Re:cable and sat don't have the bandwidth for it by RoboJ1M · · Score: 0

      Uh! Uh! Yeah, you freakin' r-tards...

      deeeeeeeeeeeeeeeeeeeeeeeeeeerp .....

      *sarcasm off*

    58. Re:cable and sat don't have the bandwidth for it by omnichad · · Score: 1

      Not necessarily. If there was a separate screen for auto-focus, and you could zoom it to 1:1. Tap an object's edge on the main screen and the focus screen could show a small box of 1:1 pixels for focusing the edge. Well - that's a partial solution. Any situation that involves dollying toward an object or an object coming toward the screen would still require fast reflexes, but maybe the sharpness would be lost by motion blur anyway.

      4K is roughly 35mm quality, so it's not like they haven't been focusing 35mm lenses for close to 100 years.

    59. Re:cable and sat don't have the bandwidth for it by omnichad · · Score: 1

      Well, your TV is probably only going to get 720p30 input vs. 1080i60 anyway.

    60. Re:cable and sat don't have the bandwidth for it by omnichad · · Score: 1

      OTA doesn't look so bad. It's cable/satellite channels or cable/satellite rebroadcasts of OTA that have the problem of blockiness in fast action. The only exception I can think of is PBS, because they have 3 or 4 subchannels of video content. But when I watch the big 4 (ABC,NBC,CBS,Fox) over the antenna, I've never seen a shortage of bandwidth causing blockiness.

    61. Re: cable and sat don't have the bandwidth for it by omnichad · · Score: 1

      I remember those demo videos. They came out at a time when almost nobody's computer was fast enough to play them. Required an over 3GHz CPU at a time when most people had 2.4GHz.

    62. Re: cable and sat don't have the bandwidth for it by omnichad · · Score: 1

      I'm pretty sure NONE of the TV's above 60Hz actually do that. It's a nice idea, but I don't think it's really being done. They use the extra frames for motion interpolation when a Trademarked named feature like "Smooth Motion" is turned on. And they usually do a fairly lousy job of it on fast-moving action scenes.

    63. Re:cable and sat don't have the bandwidth for it by davydagger · · Score: 1

      on a 15" screen, could you tell the diffrence between 1080p and 4k?

    64. Re: cable and sat don't have the bandwidth for it by Miamicanes · · Score: 1

      They do it, and it's a genuine improvement over bob/weave artifacts. They just don't put it as bluntly as I did.

      People have short memories. We've gotten SO used to video processors that turn 1080i60 into de-facto 1080p30 while deinterlacing, and 720p60 content that was really shot on 720p30 or 1080p30 cameras, that we've mostly forgotten what real 60fps video is even supposed to LOOK like.

      None of the processors derive or interpolate more than a single frame. 240hz synthesizes 48fps from 24fps, and shows each frame 5 times. Some processors might try to synth 120 fields out of 60, but most just silently emulate a CRT to turn 1080i60 into good-looking 1080p60, and turn 720p30 (30fps ccd, encoded as 60fps by camera) into single-interpolated 720p60.

      Don't believe me? Check out the prices of a camcorder that outputs real honest-to-god 1280x720 24-48 bit RGB video at 60fps. Why are they so much more than cameras that output h.264-encoded "720p60"? Because you can't fool mother nature, and you can't fudge image sensor or video processor specs with such a camera. If you literally want a real 60fps HD video source, you're going to pay *dearly* for it, even today. Lots of cameras fudge and fake 720p60, but few output a 60fps stream of real, honest-to-god high-quality 1280x720 JPEG-like images. Many have a "real" luma horizontal resolution of 640 or 960. Some have 720 or 1080-line sensors, but only have the internal bus bandwidth to read half of them in any 1/60-sec interval. Compressed video has enabled the industry to sell products with specs that are SO MISLEADING, in almost any other industry they'd be considered *fraud*.

      If you want the ugly truth, read the datasheets of the image sensors & codec ASICs... and check out the blogs of guys trying to build open-source HD hardware... they've seen the unvarnished real specs of real-world hd chips & sensors... and the specs aren't pretty. Most started out trying to build things like a real 720p60 or 1080p60 camera, and discovered along the way that the components in consumer gear can't even *dream* of doing half the things they're marketed as being capable of. That's why most prosumer-grade "1080p" camcorders can't shoot readable text that even a broadcast-quality NTSC camera could show readably on studio monitors 20 years ago.

    65. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      Why do we assume that the movie has to use the whole screen? With bigger displays we can use only portion of the screen for the actual movie or event and the rest of it for smaller windows with things like weather, internet etc. In that case the resolution for the movie will still be 1080 with only a fourth of the screen used for watching TV. With 80" displays already available, we do not want to watch it from the next room and 2160 resolution would equal to 4 40" screens of 1080 on it

    66. Re: cable and sat don't have the bandwidth for it by RoboRay · · Score: 1

      Actually, that is not AT ALL what they do. The purpose of a 120Hz TV is to permit viewing of 24fps source material (theatrical films) without the studdering of 3:2 pulldown introduced during the telecine process. And while the Marketing Departments have pushed for it also to be used for interpolating additional frames to reduce motion artifacts, that is still nothing to dowth "simulating the way scanlines faded on a real CRT."

    67. Re:cable and sat don't have the bandwidth for it by Anonymous Coward · · Score: 0

      Some sports broadcasters use 1080i60 ... of course 720p60 is superior, but sheep like high numbers.

      No, stop... please... broadcasters just announce the game. Besides, it's the color commentators you have to watch for. On some channels they just keep switching to Adobe RGB which is terrible on my uncalibrated TV.

    68. Re:cable and sat don't have the bandwidth for it by Shirley+Marquez · · Score: 1

      That's because the sports bar is showing all the sports from cable. The least they could do is use a broadcast source when availalble (sports bars carry lots of content that isn't broadcast); it usually looks much better as most broadcasters are devoting 12-15Mbps to their main channel.

    69. Re:cable and sat don't have the bandwidth for it by Shirley+Marquez · · Score: 1

      For a while, WGBH (PBS) was broadcasting the same content in both SD and HD. When viewed using a digital converter on an old TV, the HD version looked better even after downconversion to 480i by the converter. Recently they switched the SD subchannel to different content; the fact that the SD version was useless is probably the reason.

    70. Re:cable and sat don't have the bandwidth for it by Shirley+Marquez · · Score: 1

      Er, no. 200 channels of 1080p is 50 channels of 4K, barring adoption of a significantly more efficient codec than MPEG-4. 200 channels of SD is at most 20 channels of 4K, allowing for the fact that the SD channel is probably less efficiently encoded in MPEG-2.

    71. Re: cable and sat don't have the bandwidth for it by Miamicanes · · Score: 1

      ^^^ By the way, just in case anybody thinks I'm smoking crack when I say a broadcast-quality camera with "NTSC" resolution could capture text readable on a studio monitor that a nominally-1080i60 camera would turn into a blurry unreadable mess, there IS actually a sound engineering explanation... the bandwidth of clean 640/704x480/525 video with deep, saturated colors, and 8-bit luminance that allows pure white next to pure black on alternating pixels is approximately 16MHz. For comparison, the bandwidth necessary to display ATSC-resolution 1080i60 with 4:1:1 color (ie, each scanline conveys 1920 luminance pixels, with red and blue difference signals spread out across a 2x2 block) is roughly 38Mhz -- slightly more than double the bandwidth needed for NTSC/VGA resolution.

      So... in theory... 1080i60 might be conveying twice the detail of in-studio NTSC-resolution RGB video, but it doesn't take a rocket scientist to see how butchering and cutting corners at the 1080i60 end could leave you with a cheap HD camera that actually captures less hard detail than a super-premium camera capturing uncompromised NTSC-resolution high-bandwidth interlaced video. Obviously, even the most pristine NTSC broadcast video is going to look like complete shit compared to the worst and most compromised 1080i60 (assuming it's not dropping frames/fields or stuttering).

    72. Re: cable and sat don't have the bandwidth for it by badkarmadayaccount · · Score: 1

      Most content (except games) rarely is more than 60fps. What he is talking about is one of the possible interpolation algorithms generating intermediate frames.

      --
      I know tobacco is bad for you, so I smoke weed with crack.
  2. I have no problem.... by mark-t · · Score: 2

    ... with going back to physical media.

    I prefer it, in fact.... it's far easier to account for than bits stored on a disk drive I can't possibly see without an electron microscope.

    The biggest grievance I have with 4k is that the devices are too bloody costly.

    1. Re:I have no problem.... by DuckDodgers · · Score: 2

      Another nice thing about physical media is that you can lend it to your friends, pass it on to your children, etc... without running into digital rights management restrictions.

      Although it may not matter - if nobody has a physical DVD player anymore in thirty years, passing on my DVD collection to the kids or offering to lend it to friends is meaningless.

    2. Re:I have no problem.... by viperidaenz · · Score: 4, Interesting

      The CD is over 30 years old, you can still buy CD players.

    3. Re:I have no problem.... by Anonymous Coward · · Score: 0

      Why do you think that physical media could not be DRM-ed? It would not be difficult, given the ubiquity (please excuse my triteness) of internet connectivity. I'll leave it to the sick, twisted side of your imagination to figure out how you could actually implement it.

    4. Re:I have no problem.... by Anonymous Coward · · Score: 0

      >Another nice thing about physical media is that you can lend it to your friends, pass it on to your children, etc... without running into digital rights management restrictions.

      DIVX.

      Need I say more?

      Ehhh, why not:

      http://en.wikipedia.org/wiki/Digital_Video_Express#Format

    5. Re:I have no problem.... by Anonymous Coward · · Score: 0, Insightful

      Physical media is a dodo, and I can't in good conscience endorse any return to them. Yes, DRM is an ongoing battle (which is one that we certainly WILL win), but the staggering benefits of freeing ourselves from the tyranny of destruction-prone media, and the parallel horrors of drm, are just so immensely valuable to us as a species that it's probably worth going out of our way to provoke an all-out shooting war to prove to the patentophiles & rights holders that in fact an abstract discovery (some music, theory of relativity, etc.) is fundamentally property of the whole species, and profiting on the back of these discoveries without clear and obvious, reasonable claim. outside of a reasonable exclusive-use timeframe WILL NOT BE TOLERATED.

      Profiteers, this is your only warning. The human race comes first. Climb down, or be deposed. There will be no prior warning.

      We are legion.

    6. Re:I have no problem.... by Anonymous Coward · · Score: 1

      To get that bit rate you need multiple lasers and a few GB of RAM as a buffer. The 11-year old Kenwood TrueX CD ROM benchmarked at 7.74Mbytes/sec by using seven read heads. You may think that's slow by today's standards, but it was "72x" - the fastest CD ROM drive ever built.

      A 12x blu ray drive exists. It can get about 50MB/sec. Seven read heads on a drive like that could get you to 350MB/sec using readily available media. That should be enough throughput to run a lossless video codec. Samsung and Kenwood need to get together and build a new drive to make 4k media happen.

    7. Re:I have no problem.... by roc97007 · · Score: 1

      Why do you think that physical media could not be DRM-ed? It would not be difficult, given the ubiquity (please excuse my triteness) of internet connectivity. I'll leave it to the sick, twisted side of your imagination to figure out how you could actually implement it.

      How soon we forget. In point of fact, that's already been tried. Fortunately a dismal failure.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    8. Re:I have no problem.... by roc97007 · · Score: 1

      Yep. Let me tell you about my laserdisc collection.

      The thing is, although the laserdisc media is still (in theory) playable if I had a player for it, the absolute best one could hope for is 480P, assuming that the disc was anamorphic and not hard cropped. Moreover, the same titles on DVD or blu-ray are cheap enough that it makes more sense to re-buy than to try to convert the existing media to something more modern. Annoying but true. I went through the same issue with LPs when CDs became common. (Although, I declined to re-buy the disco albums...)

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    9. Re:I have no problem.... by AlphaWolf_HK · · Score: 1

      CSS and AACS...those lasted for a long time, didn't they?

      --
      Careful with names containing L slashdot.org/~AiphaWolf_HK slashdot.org/~AlphaWoif_HK slashdot.org/~AiphaWoif_HK
    10. Re:I have no problem.... by PRMan · · Score: 1

      Same with VHS to DVD.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    11. Re:I have no problem.... by Anonymous Coward · · Score: 0
    12. Re:I have no problem.... by karnal · · Score: 1

      I still have an old player and probably 50 discs in my basement right now. I've not played them for probably 5 years now; partially due to the prevalence of new content as well as the fact that the player is composite output only, with AC3 RF out (and me with no decoder).

      Sadly, I don't feel like putting them on ebay. Not really worth the hassle. I have thought about trying to buy a better player - but really, it's just delaying the inevitable.

      --
      Karnal
    13. Re:I have no problem.... by tibit · · Score: 1

      Rip it and be merry. What's the problem?

      --
      A successful API design takes a mixture of software design and pedagogy.
    14. Re:I have no problem.... by Anonymous Coward · · Score: 0

      if nobody has a physical DVD player anymore in thirty years, passing on my DVD collection to the kids or offering to lend it to friends is meaningless.

      In 30 years when you give your DVDs to your kids, they'll just look at you funny while they try to figure out how to play one on their iShiny (and the only external interface it'll have is the battery charger input).

    15. Re:I have no problem.... by tibit · · Score: 1

      You don't need multiple lasers, just a slightly different read head. Instead of reading a single-lane track, you can be reading a track that's 4 or 8 lanes wide. It'd cost a small increment more, since the optics, mechanics and the optical chip are very similar to current technology.

      --
      A successful API design takes a mixture of software design and pedagogy.
    16. Re:I have no problem.... by roc97007 · · Score: 1

      Same with VHS to DVD.

      I can't vouch for that first hand, never having invested in content on VHS. Until DVD, if it wasn't on Laserdisc, we did without. VHS was just too horrible.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    17. Re:I have no problem.... by roc97007 · · Score: 1

      I still have an old player and probably 50 discs in my basement right now. I've not played them for probably 5 years now; partially due to the prevalence of new content as well as the fact that the player is composite output only, with AC3 RF out (and me with no decoder).

      Sadly, I don't feel like putting them on ebay. Not really worth the hassle. I have thought about trying to buy a better player - but really, it's just delaying the inevitable.

      True. Plus, a lot of those titles can probably be found in the DVD cutout bin at the local department store. In a way it's a little sad. We spent so much time and energy on what passed for quality video at the time. Time-domain correctors, CAV vs CLV discs, frame buffers, $1000+ players, fragile discs, and now a $29.95 Chinese DVD player blows our best efforts clean out of the water.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    18. Re:I have no problem.... by Anonymous Coward · · Score: 0

      Gramophone discs are even older and you can still buy turntables to play them too.

    19. Re:I have no problem.... by ikaruga · · Score: 1

      Also quality, the best music you can get is either by pirating FLAC(or some other lossless format) from people that like to drink Grog and Rum or by buying a CD and ripping it. Recently I've seen a handful of independent artist selling 320kbps mp3s on their own websites but for 99% of the music your stuck 128kbps tops. Same thing for video. Recently 1080p streams and downloads are becoming common, but they are considerably compressed and artifacts are visible. Blurays (and sometimes even DVDs) have considerable better video quality. Not everybody cares about this extra quality, and we definitely don't need optical drives built in our computers, but having that external usb 3.0 bluray drive can be really helpful if you want the full experience. Also the bonuses and even the disc cases can serve to enrich the experience if done correctly.

    20. Re:I have no problem.... by bruce_the_loon · · Score: 1

      Why, oh why do I not have modpoints? Quick, +5 Funny to the most illogical argument of the decade.

      --
      Trying to become famous by taking photos. Visit my homepage please.
    21. Re:I have no problem.... by zorog · · Score: 1

      wasn't there just a story about Sony patenting a system to do just this. Something about your player encoding a unique code onto the disk on first use.

    22. Re:I have no problem.... by DuckDodgers · · Score: 1

      Thanks. I realize DRM is on physical media already. But since the embedded DRM on DVDs has been cracked and the embedded DRM on Blu Rays has been cracked, I'm confident that the next brilliant DRM scheme for physical media will likewise be beaten.

    23. Re:I have no problem.... by DuckDodgers · · Score: 1

      Let me rephrase my statement - you will still run into DRM, but it will be beaten.

      If Sony or any other company has me stream all of my movie content from their servers, they can block my use of movies I've purchased at any time for any reason. The best I can do is hire a lawyer and spend more than the moneys originally cost to fight it. But the embedded DRM on DVDs is a fixed technology by definition, they can remotely update the firmware of players but they can't remotely modify the disks themselves. So once the DVD cryptography was cracked, it stayed cracked.

      Likewise Blu Ray is now broken. I see nothing to indicate that future physical media DRM schemes will suddenly become flawless.

    24. Re:I have no problem.... by Anonymous Coward · · Score: 0

      Never mind that, you can still buy brand new cassette tape players and record players. 8 track, you'd probably have to look around on ebay, but I'd put good money on there still being a company or two that still produces them in small numbers.

    25. Re:I have no problem.... by Shirley+Marquez · · Score: 1

      You're not stuck with 128Kbps for most music. Apple and Amazon both currently sell music at 256Kbps or thereabouts. (Apple uses AAC and Amazon uses MP3; at that bitrate the difference is negligible.) Those two stores offer nearly all the recorded music that is available in the US in any form. eMusic.com uses bit rates ranging from 192Kbps to 320Kbps (and uses the superior LAME encoder) for most music. (A few things are only available at 128Kbps.) Other smaller sellers of downloads also offer higher rates now. It's hard to do even better, but in some cases you can. HDTracks.com offers uncompressed FLAC downloads of music, much of it in high-resolution forms. (A few albums are even available as 24/192 or 24/176.4 downloads; the former typically means that the remastering was originally done for DVD-Audio and the latter was for SACD.) Some artists sell FLAC downloads, as do a few small labels.

    26. Re:I have no problem.... by Anonymous Coward · · Score: 0

      True. How's that HD-DVD player working out though?

    27. Re:I have no problem.... by ikaruga · · Score: 1

      Yeah just checked, sorry for the misinformation. I knew about the smaller vendors and independent artists selling high quality files as I use their services. Last time I checked Amazon and Apple(which are what I called "most music") was like 2~3 years ago and at least the albums I was looking for were 128kbps. Never went back. Still sucks that they don't use flac or alac given their resources.

  3. Welcome back to 2005 by XPeter · · Score: 3, Insightful

    The same thing happened when the first 1080P screens came out. The market will adapt, there's no problem here.

    --
    "The difference between genius and stupidity is that genius has it's limits" - Albert Einstein
    1. Re:Welcome back to 2005 by mug+funky · · Score: 4, Interesting

      the problem is that HD is still more than is needed, and a fair amount of programming is still made for SD (and most still broadcast in SD).

      broadcast facilities dragged their feet with HD adoption - the single factor that made all facilities HD capable was the move away from hardware to software and masters-on-HDD.

      so no... the market didn't adapt in 2005, it didn't adapt in 2010, it hasn't adapted now and it will be a long time before anything other than big budget movies or events like the olympics will get the 4k treatment.

      also consider the optimum viewing distance of 2.5 screen heights. if Jobs were still here, he'd stop at 2k and call it "retina television". unless you're doing it well wrong, you're not going to get much benefit. even the jump from SD to HD was marginal - most of the gains were in compression quality (a macroblock is harder to see when it's 1/4 the size, and in h.264 it's impossible to see as it's filtered out by design).

      but i suppose 4k will be interesting for perving on individual audience members at sporting events...

    2. Re:Welcome back to 2005 by Squapper · · Score: 1

      O'rly? I'm perfectly happy with having an 38-inch TV, as my living room couldn't house a larger screen without it being too invasive. Why would i want 4k if it wouldn't create a noticable quality improvement unless i had a huge screen?

      Sooner or later, the physical size of consumers living rooms will determine the upper limit for how highres a screen can be.

    3. Re:Welcome back to 2005 by deains · · Score: 1

      This time's a bit different though. Not only are we talking about double the resolution again (so an exponential increase), the frame rate has to go up too, else you get screen tearing. When HD first came out, it didn't stretch the current limits of hard drive technology, nor was it really a massive leap for PC monitors to meet the new resolution.
       
      Yes the market will adapt, but the chances of it happening as fast as it did for 1080p are extremely low. 4K is going to be the next big thing for quite a while yet.

    4. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      Larger homes fit larger TVs, but smaller homes fit smaller viewing distances. There can be room for smaller TVs with higher resolutions.

    5. Re:Welcome back to 2005 by neokushan · · Score: 5, Informative

      I'm calling bullshit. The summary talks about uncompressed video, glancing over the fact that even 1080p uncompressed requires a bitrate of 190 MBytes/s (at 24FPS) - faster than most HDD's can handle. Storage space required? 667Gb per HOUR, or a solid TB for a 90min film. Do you need a massive SSD to play 1080p files? Do you even need an SSD to edit and encode them? No, you don't.

      Source: http://en.wikipedia.org/wiki/Uncompressed_video#1080i_and_1080p_HDTV_RGB_.284:4:4.29_uncompressed

      Compression has always been essential, even for DVD. Uncompressed SD videos would still fill a dual-layer blu-ray (50GB) after about 30mins. Yes, we'll need better CODECS to handle 4k and yes a lot of work needs to be done, but the size of uncompressed video isn't and never has been the issue. At worst, it'll take a slightly newer disk format (I don't see why a 4-layer Blu-ray disk - which exists today, couldn't do the job) and better internet connections to stream.

      Devices will be released THIS YEAR capable of outputting 4k - just look at Tegra 4, or nVidia's SHIELD, which has been demonstrated live supplying a 4K TV (Admittedly, probably up-scaled content, but obviously the technology is there today).

      The real issue is content, in that nothing is really in 4K right now. The transportation and storage method is not.

      --
      +1 IDisagreeSoHeMustBeATrollOrAnAstroturferOrAShill
    6. Re:Welcome back to 2005 by neokushan · · Score: 2

      Whelp, I've went and made a bit of an ass of myself. The actual bandwidth requirements for uncompressed 1080p (24FPS) is 95MB/s, not 190MB/s as I originally stated. The 190MB/s figure was for the RGB 4:4:4 format. The rest of my point still stands, though.

      --
      +1 IDisagreeSoHeMustBeATrollOrAnAstroturferOrAShill
    7. Re:Welcome back to 2005 by operagost · · Score: 2

      I have a 40 inch screen and it's very hard to see the difference between anamorphic DVDs upconverted to 1080P and Blu-ray. The digital surround sound improvement is actually more noticeable, even in 5.1.

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    8. Re:Welcome back to 2005 by LateArthurDent · · Score: 2, Insightful

      consider the optimum viewing distance of 2.5 screen heights

      I keep seeing that pop up, and I don't know who came up with it, but they're wrong. If you have to turn your head to see the the action going on the corners, you're too close. If you don't have to turn your head, you're not too close. That point is closer than 2.5 screen heights.

      if Jobs were still here, he'd stop at 2k and call it "retina television".

      Doubtful, considering the iPad 2048x1536 is only 10" screen.

      even the jump from SD to HD was marginal

      Holy shit, and this is how you know that you have no idea what you're talking about. The difference of SD to HD was more significant by far than the change from black and white to color. It's huge! Do you have a 10" tv that you're watching from 7 ft away when making this comparison or something?

      so no... the market didn't adapt in 2005, it didn't adapt in 2010, it hasn't adapted now and it will be a long time before anything other than big budget movies or events like the olympics will get the 4k treatment.

      It probably will be a long time before anything gets the 4k treatment, but the market did adapt to HD, to the point that I haven't watched anything that is not HD in years.

    9. Re:Welcome back to 2005 by Guspaz · · Score: 2

      The integrated graphics chips in Intel's Ivy Bridge processors is capable of displaying and decoding h.264 video in hardware. They've been on the market since late 2011. I'm not talking about expensive nVidia cards here, I'm saying the integrated graphics Intel has been selling for over a year already supports 4K (although they only actually enabled output/decoding in October 2012, anybody who had Ivy Bridge hardware benefitted).

      The downside is that it requires two DisplayPort outputs, and few motherboards ship with more than one. We won't get the ability from an Intel iGPU to output 4K video over a single DisplayPort connection until Haswell, due to ship in June 2013.

      High end current nVidia graphics cards such as the GTX 670 support 4K output over a single HDMI or DisplayPort connection, however the official word from nVidia is that they've never actually tried it due to the lack of a display to test with (what limited 4K hardware that's out there doesn't do 4K over a single HDMI or DisplayPort connection).

      Really, it's just early days. Generally, midrange quad core chips of today should have no problems decoding 4K video.

    10. Re:Welcome back to 2005 by timeOday · · Score: 1
      To put numbers on that, a 1920x1080 screen already has 6 times as many pixels as a 720x480 DVD, whereas 4k is only a 4x increase from 1080.

      Another 4x increase is almost nothing compared to the leap made from sound to video - when youtube launched in 2005 it was considered to really be pushing the envelope with its crappy little 320x240 video. (So recent!)

    11. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      My thoughts exactly - almost everything is lossy compressed these days. The article is stupid, Slashdot is stupid for posting it.

    12. Re:Welcome back to 2005 by LinuxIsGarbage · · Score: 1

      even the jump from SD to HD was marginal

      Holy shit, and this is how you know that you have no idea what you're talking about. The difference of SD to HD was more significant by far than the change from black and white to color. It's huge! Do you have a 10" tv that you're watching from 7 ft away when making this comparison or something?

      While I certainly notice the difference between SD and HD, when we got our first LCD TV I was amazed by the image quality difference on an LCD vs. flickery, slightly out of focus CRT, even with an SD signal.

    13. Re:Welcome back to 2005 by neokushan · · Score: 4, Insightful

      Exactly, it's just early days and all this doom and gloom about the format is ridiculous. I remember when 1080p video started appearing and I tried playing a sample on my AMD 3400+ processor - of course, it skipped and jumped all over the place. The file was also huge, my paltry 2Mbit internet connection took ages downloading it and my monitor was too small to display it properly. It was excessive, took up a lot of space and required fast, new hardware. How could such a thing ever catch on?!

      Oh easy, this is technology and technology constantly moves forward. If you're the kind of person that has ever complained about having a quad-core processor in your phone as "unnecessary", then please hand in your geek card and get off slashdot. Technology always moves forward, things always get better and nothing will stop that. There is never a "Good enough", things can always be done faster or with less power.

      --
      +1 IDisagreeSoHeMustBeATrollOrAnAstroturferOrAShill
    14. Re:Welcome back to 2005 by Jmc23 · · Score: 1
      um, do you wear glasses? Perhaps time to get that prescription checked.

      I have a 37" and it bothers me losing all the detail from the OTA broadcast and having to settle for have the bandwidth over fiber.

      --
      Don't complain about syntax, grammar, or spelling. There is no.hell like input on android.
    15. Re:Welcome back to 2005 by Malc · · Score: 3, Insightful

      This is the year of HEVC/H.265, which is expected to give birate improvements for the same quality of up to 50% compared with AVC/H.264. Expect to see content in this format later in the year.

      Ultimately though you're right: without 4K content there'll be little demand. Upscaling 1080p will only go so far.

    16. Re:Welcome back to 2005 by dougmc · · Score: 1

      The difference between DVDs and Blu-Ray is much less significant than the difference between SDTV and HDTV (even if it's only 720p). The widescreen alone makes a huge difference.

    17. Re:Welcome back to 2005 by hawguy · · Score: 3, Interesting

      even the jump from SD to HD was marginal

      Holy shit, and this is how you know that you have no idea what you're talking about. The difference of SD to HD was more significant by far than the change from black and white to color. It's huge! Do you have a 10" tv that you're watching from 7 ft away when making this comparison or something?

      Are you old enough to remember the B&W TV days? I think you're underestimating the scale of the switch from B&W to color. I still remember when my parents got a color TV (we had a B&W set far longer than most people) and the difference was amazing and quite apparent to everyone. It didn't take a side by side comparison to see the difference between B&W and color, and you could see the difference no matter the size of the screen or how close you were.

      On my current 37" LCD (capable of 720p, 1080i), I notice only a minimal difference between SD DVD's (480i) and HD Blu-rays. The difference is so minimal that I stopped paying the extra dollar or two for Blu-ray disks from Netflix because I couldn't really tell the difference. Perhaps if I had a bigger 1080p capable set I might notice more of a difference, but at my normal viewing distance (10 - 12 feet) the difference is quite minimal on my current set. I don't think I'd notice any difference at all between 720p and 4K without a much larger TV, or sitting much closer to the TV.

      This chart doesn't go up to 4K, but suggests that you'd have to sit closer than 10 feet away from a 100" screen to take advantage of even 1440p:

      http://www.engadget.com/2006/12/09/1080p-charted-viewing-distance-to-screen-size/

    18. Re:Welcome back to 2005 by Guspaz · · Score: 1

      I should clarify that Ivy Bridge is capable of displaying and decoding *4K* h.264 video in hardware. Somehow I forgot to type that part.

    19. Re:Welcome back to 2005 by LocalH · · Score: 1

      if Jobs were still here, he'd stop at 2k and call it "retina television".

      Doubtful, considering the iPad 2048x1536 is only 10" screen.

      The iPad is also used viewed from a much closer distance. For me, 1080p is almost retina at normal viewing distances, at least on my 37" and 42" TVs. Remember, retina as used by Apple just means "no discernible pixels at normal viewing distances". Hold your eye close enough to any retina display and you will still see the pixels.

      --
      FC Closer
    20. Re:Welcome back to 2005 by aXis100 · · Score: 4, Insightful

      also consider the optimum viewing distance of 2.5 screen heights. if Jobs were still here, he'd stop at 2k and call it "retina television". unless you're doing it well wrong, you're not going to get much benefit. even the jump from SD to HD was marginal - most of the gains were in compression quality (a macroblock is harder to see when it's 1/4 the size, and in h.264 it's impossible to see as it's filtered out by design).

      I thought the jump from SD to HD was great....for a while. Lately most of the free to air TV channels in Australia have been going terribly downhill with overly compressed or badly up-scaled video sources. It's rare now to get HD content that looks like HD - the best thing I've watched lately was a 3 year old doco I had saved on hard drive.

      Which then begs the question, why go to 4K when we cant even get 1080p right consistently?

    21. Re:Welcome back to 2005 by roc97007 · · Score: 1

      > On my current 37" LCD (capable of 720p, 1080i), I notice only a minimal difference between SD DVD's (480i) and HD Blu-rays. The difference is so minimal that I stopped paying the extra dollar or two for Blu-ray disks from Netflix because I couldn't really tell the difference. Perhaps if I had a bigger 1080p capable set I might notice more of a difference, but at my normal viewing distance (10 - 12 feet) the difference is quite minimal on my current set. I don't think I'd notice any difference at all between 720p and 4K without a much larger TV, or sitting much closer to the TV.

      Yep, same here, on a 46" Bravia. Moreover, there is considerable overlap between a really well authored 480P DVD and a poorly authored Blu-Ray title. There are other reasons to own a blu-ray player, (a) they're cheap now so why not, (b) they do other things, like playing digital media and Netflix, but the media is still a wash.

      But I'm still gung-ho for 4K, because if enough early adopters invest in it, (fooling themselves that they actually see a substantial difference, unless they have a 200 inch screen, and then they'll be too close to it, but never mind) it'll tend to push blu-ray titles into the bargin bins, where I'll do my own shopping.

      In the seventies through nineties I was on the leading edge of video -- laserdisc, Beta II, DVD, but lately video has gotten Good Enough that I'm more than content to be on the trailing edge. Convenience, price and good integration have become more important.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    22. Re:Welcome back to 2005 by Megane · · Score: 1

      I also have a 37" in the living room hooked up to my PC. I have to set the PC to 720p because I can't read text on the screen at 1080p. I download 480p torrents whenever I can. There really isn't much difference when watching anime unless you cheap out on the bit rate when compressing.

      On the other hand, I usually notice the difference when something has 5.1 audio.

      --
      #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    23. Re:Welcome back to 2005 by EdZ · · Score: 2

      On my current 37" LCD (capable of 720p, 1080i), I notice only a minimal difference between SD DVD's (480i) and HD Blu-rays

      In descending order of probability:
      1) You are WAY to far away from your TV. THX standard is for the display to fill 40 of your field of view diagonally, or a viewing distance of 1.2x the screen diagonal. A little under 4 feet would be the recommended viewing distance.
      2) Your TV is still set to the factory/showroom default profile, and will look like shit whatever you feed it with. Use a calibration disc (e.g. Spears & Munsil) or the basic THX calibration included on many BD (e.g. Disney/Pixar films) to set to correct brightness and contrast (actually the black and white clipping level, respectively) and approach the correct colour saturation and white point. Don't worry about getting a tristimulus colimiter or spectrophotometer, the difference between a stock TV and a correctly by-eye calibrated one will be vastly more than between by-eye calibration and instrumental calibration.
      3) You happen to only own terrible mastered BDs. It is unfortunately becoming MORE common, not less, for lazy companies to upscale SD source material to a BD, cake it in smeary DVNR to hide the deficiencies in the source material, then slap a 'digitally remastered' logo on the box

    24. Re:Welcome back to 2005 by EdZ · · Score: 2

      The 190MB/s figure was for the RGB 4:4:4 format

      Which is what you should be editing with (well, R'G'B'), unless you want to progressively lose more and more information through colourspace conversion.

    25. Re:Welcome back to 2005 by EdZ · · Score: 2
    26. Re:Welcome back to 2005 by wilson_c · · Score: 3, Insightful

      I'm not sure that's true. 1080p had always been the goal of HD, even with the original HD spec developed in Japan in the 80s. No matter what, everyone knew we were going to get there and understood the advantages over NTSC and PAL. Consumers and content creators could see the improvements brought by HD. Most of the people who cared about 1080p just waited until prices dropped and skipped 720p and 1080i. That all occurred as part of the big HD uptake over the past 5 years.

      The problems with 4k are twofold. First, it isn't part of the existing HD spec. It is a new standard that doesn't have the imprimatur of governments and cable companies designating it as a target to be achieved. Second, it is a move driven entirely by the consumer electronics industry. There isn't demand from users and there is certainly no interest on the production side.

      I work in post production and the data hassles of 3D have been enough to keep our company (and many others) away from it. The substantially larger file sizes associated with 4K are even worse. For a production company like ours, we'd have to move to a petabyte SAN just to manage an equivalent amount of 4K footage to what we do now in HD. Transcoding times would go through the roof, bandwidth would be heavily taxed, even the hardware requirements for decoding a single compressed stream (to say nothing of editors handling MANY simultaneous streams) for playback would be much higher. And for what? The only quality improvements would be in resolution (as opposed to the jump to HD, which brought a massive change to color handling over NTSC). Networks don't want to pay higher budgets for something that won't help make them any more competitive. Satellite providers, who already compress the shit out of their HD signals, don't have spare bandwidth for fatter streams. Cable companies, who are basically in the data business now, don't want to waste their bandwidth on it. Even with SDV it would add a lot to their overhead. Game consoles are still struggling to make the most out of HD, so are nowhere near ready to handle that many additional pixels. You might have videophiles willing to spend a ton of money on ultra-premium gear, but even they would be limited to using specialty playback hardware that would have to download massive files because 4k exceeds the storage capacity of any commercially available blu-ray media.

      TV manufacturers are pushing this because the great upgrade is over and 3D has failed to excite consumers. They need something to try and convince consumers to replace a perfectly functional, nearly new 1080p TV. So they're going to run with 4K in 2013.

    27. Re:Welcome back to 2005 by nabsltd · · Score: 1

      Yes, we'll need better CODECS to handle 4k

      Maybe not. H.264 gives good quality for 720x480/24p at 1.5Mbps, 1280x720/24p at 4Mbps, and 1920x1080/24p at about 7Mbps. This means that bitrate is roughly linear for pixel count.

      Extrapolating to 3840x2160/24p, then you could get good quality at 25-30Mbps. This is about what 1920x1080/24p Blu-Ray movies currently use, and it's usually extreme overkill (because they generally use a fairly constant bitrate, instead of varying it as the picture needs it).

      Although the disc authoring standard would have to change (as the resolutions available on Blu-Ray are fixed by the standard), you could still use the same 50GB Blu-Ray disc. This might lead to more titles with extras on a second disc, but would allow you to put a 2-1/2 hour movie on the disc at over 35Mbps average video bitrate.

    28. Re:Welcome back to 2005 by PrimalChrome · · Score: 2

      That, or he's legally blind....which after reading the other comments about not being able to read text at 1080, I'd say is probably the case.

    29. Re:Welcome back to 2005 by swalve · · Score: 1

      That's because most blu-rays (that I've seen) are not mastered well. Either the original material doesn't have the quality to take advantage of the extra resolution, or they cram more content into the disk than they should. And because the maximum bitrate for a bluray is less than that of DVD when compared to the number of pixels. 480p versus 1080p is about 6x greater, while the max video bitrate (10mb/s versus 40mb/s) is only 4x. And that's if they use the maximum.

    30. Re:Welcome back to 2005 by aztracker1 · · Score: 1

      If you go to even a 50" TV the difference is far more noticeable... On my 42" TV from about 8' away, I notice the difference between DVD and HD content.

      --
      Michael J. Ryan - tracker1.info
    31. Re:Welcome back to 2005 by cas2000 · · Score: 3, Insightful

      I don't give a damn about 4K TV but i want it to become stupidly popular because a 4K TV LCD panel is also a 4K computer monitor, and mainstream purchases of 1080p TVs are why 1080p monitors are less than half the price of 16:10 1920x1200 monitors.

      "good enough for TV" is a huge limiting factor on the affordability of high-resolution monitors, so if the plebs think they need 4K to watch TV then that's just fabulous.

    32. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      And for the 2 or maybe 3% of households with a TV large enough to justify the format, you're not going to find anybody willing to pay for 4k. Which is sort of the point that people are missing, 4K is only useful for people working in production, for everybody else the size of the TV is unlikely to fit in their living room. And even with the big screen TVs, 1920p is more than enough to make things look real.

    33. Re:Welcome back to 2005 by PhotoJim · · Score: 1

      I have a 46" and while there is a definitely noticeable difference in quality between DVD and Blu-Ray, DVD is still awfully, awfully good.

      They use this awful word "satisficing" in business school... something is good enough, but not optimal. DVD on my TV is often good enough.

    34. Re:Welcome back to 2005 by KingMotley · · Score: 1

      This chart doesn't go up to 4K, but suggests that you'd have to sit closer than 10 feet away from a 100" screen to take advantage of even 1440p:

      http://www.engadget.com/2006/12/09/1080p-charted-viewing-distance-to-screen-size/ [engadget.com]

      Actually that graph shows that you'd benefit from 1440p if you sit 12.5 feet away from a 100" screen. I'd also argue that it is much more apparent than that, but I don't have any pretty graphs to show for it.

    35. Re:Welcome back to 2005 by russotto · · Score: 1

      On my current 37" LCD (capable of 720p, 1080i), I notice only a minimal difference between SD DVD's (480i) and HD Blu-rays.

      DVDs are usually 480p (sometimes called EDTV), which is a lot better than the 480i broadcast SD.

      And the difference between 480p DVD and 720p is quite visible if the source material is up to it -- compare a broadcast version of LOST against the DVD some day.

    36. Re:Welcome back to 2005 by kimvette · · Score: 1

      > The real issue is content, in that nothing is really in 4K right now. The transportation and storage method is not.

      And yet, there is now a 4K DSLR from Canon, and there are plenty of 4K cinema cameras now. 4K content is on its way, sooner than you might think.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    37. Re:Welcome back to 2005 by ChrisMaple · · Score: 1

      It's good to have someone starting to formulate a specification, hopefully one that will get general support. We really don't need another format war.

      If the format is in place, designers can make ASIC hardware that will be much better at transcoding than general purpose CPUs. As for decoding, CPUs can easily handle HD now, 4k should be no problem in just a few years.

      Of course, there are going to be problems. Optics needed to take full advantage of the format are on the order of $10,000 per lens. That suggests to me that there will be a lot of "augmented reality" software that needs to be developed, to fill in details that aren't there in the captured images. As animation becomes more effective, it will tend to replace human actors and live shots of many sorts, because the animated viewed image can be perfect.

      Whether TV manufacturers are pushing this or not is irrelevant. 4k displays will be a delight for a variety of computer users, artists and IC designers among others. Stop complaining that this will make your life more difficult.

      --
      Contribute to civilization: ari.aynrand.org/donate
    38. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      Well, the dSLR is because it's a still camera that can handle 18mp. Cameras for the Cinema are for images that are projected onto huge screens.

      I don't see any way in which one can assume that this implies that people at home will ever get it as the current standards are already overkill for home users using anything other than the largest screens and sitting too closely. I put my eye just about on the screen of an HDTV the first time I saw it and I could barely see the pixels and that TV was at least 50". I don't see how 4k is going to make any difference on a TV like that or smaller which is pretty much the whole market.

    39. Re:Welcome back to 2005 by roc97007 · · Score: 1

      If I'm understanding you, I think I agree. 1920X1080 as a computer monitor is pants, and 1920X1200 (which I'm using right now, as a matter of fact) is increasingly hard to find. Especially with accurate colors. Because, for Fudd only know what reason, everyone is buying computer monitors in the shape of televisions.

      I have to confess I had not thought of that. A 4K screen, assuming it's color accurate and not super saturated to a clownish degree, would make one heck of a workstation monitor. I could have fifty negatives up at a time, or work on a photo in something resembling the resolution of the print. That would be really cool.

      Ok, I'm sold, bring on 4K.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    40. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      On my current 37" LCD (capable of 720p, 1080i), I notice only a minimal difference between SD DVD's (480i) and HD Blu-rays. The difference is so minimal that I stopped paying the extra dollar or two for Blu-ray disks from Netflix because I couldn't really tell the difference.

      Your dvd/blu-ray player may be upscaling the content for you. If possible, turn upscaling off and watch the same movie in two different formats. Many times, the studios will put extra effort into digitizing the film for blu-ray than they did for dvd. Here's an example: http://www.dvdbeaver.com/film/dvdcompare/zulu.htm If you can't tell the difference between dvd & blu-ray for that film, you need your eyes checked.

    41. Re:Welcome back to 2005 by bruce_the_loon · · Score: 1

      (4) He was getting BD, so he has a BD player. It might have a decent upscaler in it, especially since he was a videophile in the past. Switch that off, or use a cheap DVD player without upscaling and he'll probably find the difference.

      --
      Trying to become famous by taking photos. Visit my homepage please.
    42. Re:Welcome back to 2005 by sjames · · Score: 1

      The problem is a bit more extreme this time and the need is considerably less pressing for TV. It makes a lot more snse to consider it to be a theater format for now. I'm not even sure I want a TV physically big enough to make 4K worthwhile at home.

    43. Re:Welcome back to 2005 by tucks · · Score: 1

      The real issue is content, in that nothing is really in 4K right now. The transportation and storage method is not.

      No. The real issue is the transportation and storage.

      'We' work on 4K theatrical releases daily. They're stored uncompressed as image sequences on large disk arrays. Or alternatively as RED/Arri/Other digital files which require real-time de-bayering via a dedicated hardware card or GPU. We have the content.

      It's relatively simple to deliver 4K theatrical releases to your local DCP. Delivering over air or cable will require superb (new) compression algorithms in to maintain acceptable quality whilst dramatically reducing data rate, perhaps aided by a local GPU within future televisions/decoders.

    44. Re:Welcome back to 2005 by neokushan · · Score: 1

      To be fair, people said the same things about 720p versus 1080p - that you couldn't see the difference, that it was negligible, etc.
      Hell, people had the same arguments about HD in general - DVD was plenty good for most uses and HD was actually slow to catch on:

      http://www.nytimes.com/2006/06/13/technology/13disc.html?pagewanted=all&_r=0

      DVD sales represent more than half of the revenue studios generate from most of their movies. But those sales are expected to grow just 2 percent this year, a far cry from the double-digit growth the industry enjoyed just two years ago. High-definition DVD's were supposed to pick up the slack, but technical delays and a thorny format war between camps led by Sony and Toshiba have dampened expectations.

      So I would expect 4K to have a similar uphill battle in this regard but eventually it'll just be more economical to switch to 4k-only panel production for the major manufacturers. By 2020, we'll probably be on 4K as standard.

      --
      +1 IDisagreeSoHeMustBeATrollOrAnAstroturferOrAShill
    45. Re:Welcome back to 2005 by tomofumi · · Score: 1

      Actually some anamorphic DVD movies (480i) upscaled to 1080p are still very watchable from my 46" Sony LCDTV. I'll give it about 70% of regular bluray 'feeling'. Some DVD players are doing poor job of upscaling through HDMI. So I just send the raw 480i HDMI signal to LCDTV directly and add little edge enhancement settings and it looks quite good.

    46. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      It's completely different. DVD brought with it some nice features. I personally was a relatively early adopter of it when I bought my Creative DVD kit with decoder card. And at the time it was nice, but not necessary. It wasn't until people started to see what the discs were like and the space savings that they got that things started to pick up.

      Here, it's demonstrably true that sets under about 50" will see no benefit whatsoever from the technology. With DVDs you got more durability and a marginally improved video quality on equipment that you actually own. With 4k, you have more pixels than you even can display on a current TV and unless the results are quite impressive, I can't imagine anybody is going to want to buy one.

      And because of the size of the TV and the distance you have to be within to see a difference at all, it's unlikely to ever catch on. Bluray at least brought with it better quality color and extra features.

    47. Re:Welcome back to 2005 by tomofumi · · Score: 1

      They are simply exaggerating the figures. Even for editing HD content I'd convert the video into motion JPEG or huffyuv format which is still losslessly compressed. Who will editing the video in its uncompressed form?

    48. Re:Welcome back to 2005 by fatphil · · Score: 1

      > I think you're underestimating the scale of the switch from B&W to color. I still remember when my parents got a color TV (we had a B&W set far longer than most people) and the difference was amazing and quite apparent to everyone.

      I'm guessing from your spelling that you were watching a puke-tastic NTSC signal. Those who didn't let their colour channels drift out of control by alternating the phase on each line had an altogether less psychadelic TV experience. (Modulo TV presenters clothes, of course.)

      So it might have been a very noticeable difference you were seeing, but it the change wasn't all improvement.

      --
      Also FatPhil on SoylentNews, id 863
    49. Re:Welcome back to 2005 by nhat11 · · Score: 1

      well first theres 720p then eventually the market and broadband scale with 1080p but unless everyone gets fiber (dang fios isn't in my area and I don't even live in the boonies), the tech and market won't scale fast enough.

    50. Re:Welcome back to 2005 by mug+funky · · Score: 1

      2.5 screen heights was no doubt calculated for the 4 perf academy format, not the 2.4:1 (or 2.35:1 academy) of yesteryear.

      not that i care to prove my credentials to the late DentArthurDent, but i can assure you i do know what i'm talking about. if you've ever seen _uncompressed_ SD, you'd be shocked at how much more apparent sharpness there is to see, with normal film content. the difference is mainly high frequencies (of course), and less visually important, especially if there's any out-of-focus areas, which there almost always are.

    51. Re:Welcome back to 2005 by mug+funky · · Score: 1

      h.264 is vastly superior to MPEG-2.

      DVDs crap out above about 8500kbps, and audio+subs get subtracted from the 10.02Mbps (10.08 peak) total max in the spec.

      also, things scale very well in higher res. much more flat areas mean more skip blocks, so it's not a linear scaling

    52. Re:Welcome back to 2005 by fatphil · · Score: 1

      It does indeed invite that question. Perhaps if people aim at an infrastructure which can juggle 2160p's easily, they'll see less need to cut corners
      (e.g. squeezing 3 stations down the bandwidth that ought to carry one high quality transmission) when juggling 1080p?

      --
      Also FatPhil on SoylentNews, id 863
    53. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      Claiming that 4K is not here is denying the reality. Many big budget movies are already filming in 4K, especially when they need to digitally insert something. They have video editing tools and pipelines for doing all of that. They use HD-SDI for moving it around. They may display at lower resolutions in some cases for distribution, but the filming is still done in 4K. Over time, I would expect fabrication to pump out enough volume to drive some prices down. The HDMI standard can accomodate it. The only monitor I have seen today is way too expensive for a consumer. In 10 years, that will not be true, just like we saw 1080p monitors fall in price.

    54. Re:Welcome back to 2005 by deroby · · Score: 1

      Surely you're referring to the loss of contrast, the weird looking 'enhanced colours' and the occasional artefact introduced by the 'motion-engine' you're now experiencing ? =)

      I'll admit that a decent LCD will outclass a terrible CRT but it will take some extra years until I'm willing to let go of my 100Hz Sony Trinitron!
      I know it doesn't handle HD and I'll admit that HD content often looks great on HD TV's (although I think plasma is better than LCD). However, given the fact that most content comes in SD or faked (read:upscaled) HD, why should I spend money on what -imho- is a downgrade ?

      --
      If there is one thing to be learned on slashdot, it has to be sarcasm.
    55. Re:Welcome back to 2005 by AmiMoJo · · Score: 1

      Have you actually seen a 4K set? I went to see the NHK 8K demo in Tokyo years ago and it was clearly better than 1080p, even from a distance. The human eye is not a CCD, details smaller than a certain size do not simply vanish.

      If you can't see the difference between 480p and 1080p your TV or your eyesight is really terrible. Can you see the difference between and SD iPad Mini and the retina display on a full size iPad? Or between on-screen text and printed text? You are clearly in a minority of people who can't see the difference.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    56. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      This. Not only are the 1920x1200 monitors expensive, they are quite rare.

    57. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      Raises the question. It raises the question.
      Begging the question is something else entirely.

    58. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      You forgot the biggest reason:

      Like me, he probably doesn't give even the slightest of two shits about the ever so slightly crisper lines.

      Like he said... from B&W to colour, the change was astronomical. To show the difference between say... an LCD screen from 5 years ago and whatever the newest shit is, the stores NEED to have a side-by-side display showing a comparason. Although I always found it bizarre that they do that on the same screen, showing the 'left' half as the lower quality, and the 'right' half as the higher quality available on that TV. That's utterly meaningless to me, you could show absolutely anything on the left side, it's irrelevant because IT'S NOT ON A DIFFERENT TV TO COMPARE IT TO! They could make it look like crap deliberately for all I know, or it could look like crap because you're trying to force a TV that doesn't have that resolution to show at that resolution. OBVIOUSLY when a TV is trying to display something it's literally not made to display, it's not going to look as good.

      But I digress. If you even need a side-by-side comparason, it's already a meaningless improvement for many people.

      And before you go spouting off on "oh, but it's sooooooo much better, how can you even WATCH your 37" LCD, the difference is INSTANTLY noticeable"... that would be you being a snotty, arrogant cunt.

      Is it in colour? Does it look good (good being defined as "is shit easy to see and read in a movie)? Then good e-fucking-nough. You can go and spend several months wages on the absolute greatest display so you get even tinier pixels for an even crisper view... but for myself and I imagine hawguy, DVD quality is still absolutely perfectly fine to watch. After all, during the switch from VHS to DVD, it's not like people were saying "Boy, this DVD quality sure is shit, I wish they'd get around to making it GOOD". No, people were raving about how awesome it was. And it still is excellent.

      tl;dr: Stop being all videophile on people, you're in the severe minority on this one. Very few people in the real world think like that.

    59. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      Broadcast video is usually not 4:4:4 RGB, it's YUV (or YPrPb?) at 4:2:2 if I'm not mistaken, and the Bandwidth is just above 100MB/s, something you can nowadays squeeze out of a single magnetic harddive. For in-house transmission etc. http://en.wikipedia.org/wiki/SMPTE_292M is typically used, at 1.5Gb/s (=187MB/s) there's lots of unused stuff, i.e. the good old CRT-style horizontal and vertical blanking periods of a 1080i signal. There's enogh room to transmit a few audio channels along with the picture.

    60. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      You have a 37" TV. I don't know a lot about this subject but even *I* know that 1080 isn't really noticeable until your television screen is larger than 42". 1080 programming vs 720 programming is visible to about anyone when the screen size exceeds 55".

      Did you even read the summary?

    61. Re:Welcome back to 2005 by toddestan · · Score: 1

      I guess I view it as kind of the opposite. "Retro" gaming consoles look a hundred times better on a good CRT than they do on an LCD. And that's assuming you can get the LCD to not stretch the image.

    62. Re:Welcome back to 2005 by toddestan · · Score: 1

      Not to mention the DPI sucks. 1920x1200 should be a 22" screen, not a 24" screen, but anything below 24" is rare and expensive. At least they make 1920x1080 monitors in 21.5", which IMHO is the only size that would be worth buying (unless they come out with something more compact, I suppose).

    63. Re:Welcome back to 2005 by BigZee · · Score: 1

      I agree on the point regarding distance. One of the supposed goals of HDTV was to make it more immersive. The reality is that the pixels are still too big on an HD screen for you to sit close enough to allow the picture to fill your view. This to me is the most important promise from higher resolutions, the chance to sit close enough to a large screen for it to look like an image instead of a collection of coloured dots.

    64. Re:Welcome back to 2005 by Sigg3.net · · Score: 1

      Hang on, sirs. We _must_ consider the consequences!

      4K porn?

      *shudder*

    65. Re:Welcome back to 2005 by operagost · · Score: 1

      Maybe if I'd been comparing HD over cable with HD over the air, your comment would have made sense.

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    66. Re:Welcome back to 2005 by Jmc23 · · Score: 1
      Well, do you wear glasses?

      If I can easily tell the difference between ~2x the bitrate and you can't tell the difference with ~4x the bitrate on a bigger screen and starting off with a format that had less visual detail, somethings wrong.

      --
      Don't complain about syntax, grammar, or spelling. There is no.hell like input on android.
    67. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      "The difference of SD to HD was more significant by far than the change from black and white to color"
      WTF?

    68. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      I'm wondering.... are you color blind? Because then, yes, the change from B&W to Color would have been minimal.

    69. Re:Welcome back to 2005 by Anonymous Coward · · Score: 0

      The most likely is:

      4) his brain is better at filling in details than yours and so functions perfectly at a lower resolution. Your brain - on the other hand - is too feeble for that process and so you need more pixels to remind you what a face looks like.

  4. what about... by zlives · · Score: 0, Flamebait

    640K ought to be enough for anybody

    1. Re:what about... by viperidaenz · · Score: 5, Funny

      We've still got 636k to go then!

  5. And don't forget.. by Striikerr · · Score: 5, Informative

    .. the cable companies would compress the signal as they presently do with "HDTV" to the point that it looks like crap. They have ruined the HDTV quality with this compression and I can only imagine how much they would ruin 4k TV content. The best HDTV experience I have ever had was pulling HDTV signals from the Over The Air broadcasts. The first time I saw this (after spending so much time watching compressed HDTV on Comcast) I couldn't believe how great it looked. If you don't believe me, give it a try. The OTA HDTV signals blow Comcast's HDTV signals out of the water with crispness and detail.
    Hopefully the means of getting this type of signal dramatically improves so that compression is not needed and we can watch 4k the way it was meant to be..

    1. Re:And don't forget.. by bmo · · Score: 2

      .. the cable companies would compress the signal as they presently do with "HDTV" to the point that it looks like crap

      Pretty much this.

      There is so much artifacting going on with Verizon "hdtv" that I may as well be watching sdtv DVD rips from Pirate Bay, and no, nothing is wrong with the signal. The signal itself is fine without dropouts. It's just crap.

      --
      BMO

    2. Re:And don't forget.. by Anonymous Coward · · Score: 0

      I can attest to this...

      my 'hd' cable box runs at 1080i not 1080p... most consumers don't know the difference but I sure as hell do!

    3. Re:And don't forget.. by mister2au · · Score: 1

      Not a chance ....

      Commercially it makes more sense to have 200 highly compressed channels than 20 high bit rate channels - that will never change !

    4. Re:And don't forget.. by SydShamino · · Score: 1

      Why do you buy from Comcast, then? I have both OTA and local channels via Dish Network, and while OTA is indeed the best, the Dish broadcast of the same channels isn't that different. (Dish channels have a ~3-4 second delay compared to OTA, so switching back and forth I can see the same frames on both in succession.)

      --
      It doesn't hurt to be nice.
    5. Re:And don't forget.. by Anonymous Coward · · Score: 2, Informative

      Verizon FIOS TV is actually the ONLY (that I know of anyway) TV provider that does NOT re-compress HDTV signals! They broadcast EXACTLY what the TV channel sends them. Comcast, Time Warner (and probably the other major cable companies) DO re-compress the signal, squeezing 3 channels into the space normally allocated for 2, in order to deliver more channels over their antiquated copper networks. This is one of the main reasons I went with Verizon FIOS in the first place. Personally, I find the premium channels like HBO to be absolutely PRISTINE...AMC, on the other hand, looks like a bad Netflix stream! Don't blame Verizon, blame the channels themselves!

    6. Re:And don't forget.. by bmo · · Score: 1

      Oh, OK, then I am moar edumacated today.

      Thanks.

      --
      BMO

    7. Re:And don't forget.. by Anonymous Coward · · Score: 0

      Correction... most of the cable networks in larger US markets are fiber... They are antiquated *fiber* networks. In my area, the cable networks are all fiber to the node, but they are serving far more than 32 customers on each of those nodes. Copper is *not* a bottleneck in modern cable networks at the levels of provisioning available in the US. You can get more stuff on a single RG-6 cable per household than most could deal with for a long long time (DOCSIS 3.1 anyone?).

      I believe Verizon has an antiquated fiber network... they just have a bit more headroom (for now... in some markets they are a sitting duck to be tomorrow's Comcast).

      The idea of "future-proof" nature of fiber for home/premise use is a bit of a false economy because it ain't going to be cheap to replace all those ONTs and PON splitters. It is easy to overstate the flexibility of Verizon's network.

      If I sound like a shill for the cable networks... don't be mislead... I just consider FiOS to be far more of YACC than their marketing suggests.

    8. Re:And don't forget.. by aXis100 · · Score: 1

      Australian free to air digital TV has gone down the same path. Gotta fit more flavourstone advertising!

    9. Re:And don't forget.. by russotto · · Score: 1

      Verizon FIOS TV is actually the ONLY (that I know of anyway) TV provider that does NOT re-compress HDTV signals! They broadcast EXACTLY what the TV channel sends them. Comcast, Time Warner (and probably the other major cable companies) DO re-compress the signal, squeezing 3 channels into the space normally allocated for 2, in order to deliver more channels over their antiquated copper networks.

      Comcast in the Philadelphia area gets a very high rate feed from the major stations, and compresses that to fit into a channel. They provide the same bit rate as the broadcast stations do. But this likely varies from system to system from the same providers.

    10. Re:And don't forget.. by kimvette · · Score: 1

      I switched to DirecTV and the picture quality is amazing - even 720p content, which upscales nicely.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    11. Re:And don't forget.. by Striikerr · · Score: 1

      Yeah, I don't use Comcast for anything other than internet. We ditched Cable for getting my content off the internet either via streaming, buying seasons from Apple, ripping my DVD's and dumping as much as I can to a NAS which feeds several Apple TV's in the house. Any live TV we may want is pulled off the air in sharp looking HD. I don't miss commercials, I don't miss all of the junk channels which I used to have to pay for just to get a few decent channels. Our cable bill dropped from over $200.00 / month to about $50. I've left Cable and will never go back.. :-)

    12. Re:And don't forget.. by Anonymous Coward · · Score: 0

      yep, just noticed that the other day. Cartoons show it very clearly. I hooked up an OTA antenna to my Dish receiver so I'd stop losing everything because of a stray cloud. Family guy was on at the time. All you had to do was look at the character outlines to see the difference. OTA was crisp clear thin lines around the drawing. Dish version, the line was fat and fuzzy. Sure, it wasn't enough to consider it bad if I didn't have anything to compare it against, but it was clear as day when you flipped back and forth. Could be a function of the compression algorithm, where it's probably optimized for live tv rather than large monocolor regions.

  6. Eh... by Quiet_Desperation · · Score: 1

    I still have a 1 DVD out at a time along with Netflix streaming because it's better than $5 iTunes rentals for recent stuff (and I can rip DVDs for anything I want to keep), so staying with discs for a while longer is no big deal to me. It is a shame we can get the infrastructure's bandwidth up at a better pace, though.

    1. Re:Eh... by mug+funky · · Score: 1, Offtopic

      you rip rentals? that's pretty scummy, dude.

    2. Re:Eh... by fahrbot-bot · · Score: 2

      I still have a 1 DVD out at a time along with Netflix streaming because it's better than $5 iTunes rentals for recent stuff (and I can rip DVDs for anything I want to keep),...

      you rip rentals? that's pretty scummy, dude.

      Well... Technically... As long as he has an active Netflix by/mail account, he's simply being efficient and saving them postage.

      --
      It must have been something you assimilated. . . .
    3. Re:Eh... by Quiet_Desperation · · Score: 2

      What's your point?

    4. Re:Eh... by MightyYar · · Score: 1, Offtopic

      I've got him beat - I just download them.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    5. Re:Eh... by SeaFox · · Score: 1

      He's got you beat. Netflix and the movie studios don't know he's ripping the rentals.

      You're far more likely to be caught taking the movies in a way that can be seen by other parties.
      And, unless you're downloading BD rips, he's getting better quality since he's duplicating the original disc.

    6. Re:Eh... by lexa1979 · · Score: 1

      Pardon my french, but, you're actually not legally allowed to rip a rental for your personnal use ? no "private copy" rules where you live ?

    7. Re:Eh... by SeaFox · · Score: 1

      Pardon my french, but, you're actually not legally allowed to rip a rental for your personnal use ? no "private copy" rules where you live ?

      No.

      A rental is a rental. You get it for as long as your rent it.
      If you kept a copy of it for personal use afterwards you'd have use of it after the rental timeframe, which would kinda defeat the purpose of rentals being a time limited usage business, right?

      This really wasn't about which method is and is not illegal (they're both assumed to be illegal where the poster is). It's about one you would conceivably never get caught doing short of someone ratting you out or law enforcement coming and searching your home for them, verses the other method that is easier and cheaper (per movie), but lower quality result and much higher chance of prosecution by the law.

    8. Re:Eh... by lexa1979 · · Score: 1

      I get the point, but I live in Belgium, where the "private copy" law allows me to rip my rentals (and even to go to the library and copy-with my own hardware only-any books/CD/DVD I want) - as long as it is to be used in a "familly environment". So I was a bit surprised by the whole point of getting caught... The way it's done here, if you rent something, the price you pay includes 1. The rental of the pysical object 2. the fee to pay the author. Since you paid the fee to the author, you might not be allowed to keep the physical media you rented, but you paid the "licence" to the work... And there's a tax on USB/SD Card/HDD which compensates, once again, the authors since those devices are (as worded in the law) "purposedly made to copy IP works". So, we're allowed to copy. But not to distribute.

    9. Re:Eh... by MightyYar · · Score: 1

      Some countries pass laws that can't be enforced, and some don't.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    10. Re:Eh... by SeaFox · · Score: 1

      I get the point, but I live in Belgium, where the "private copy" law allows me to rip my rentals (and even to go to the library and copy-with my own hardware only-any books/CD/DVD I want) - as long as it is to be used in a "familly environment".

      I think lots of things about U.S. Copyright Law are really crazy now, but I kinda agree with the whole "ripping rentals is illegal thing" -- at least in as far as I feel it makes sense and isn't just some plan to screw consumers. When someone can rent a DVD and rip it to keep, what is the incentive to actually buying home video discs now?

      I know the entertainment industry in the U.S. realizes this to some degree. For years now they've been sending video stores movies with box art with a very obvious "Rental" tag on it since it will reduce the likelihood of someone wanting to purchase the previously viewed copy when the rental store sells off old films. But they've also started to master a separate version on movies on DVD for the rental market. I rented X-Men: First Class once, and the disc contained the movie... and little else. To see any bonus features you had to buy a retail copy. I also rented Underworld: Awakening and while the DVD was a dual-layer disc, inspection on my computer revealed that the movie itself took up less space than a single layer disc would have been. The video bitrate had been reduced to lower picture quality on the rental for the film and fully half the DVD space was used for advertising content instead.

  7. H2.65 to the rescue by Anonymous Coward · · Score: 1

    H2.65 codec was finalized for 2013 release just in time for 4k resolution. Half the file size...

    1. Re:H2.65 to the rescue by Anonymous Coward · · Score: 1

      But even h264 would probably be fine. I mean, current HDTV is only using MPEG2.

    2. Re:H2.65 to the rescue by mug+funky · · Score: 1

      half the filesize of the JM reference h.264 encoder released aeons ago.

      about 0.9x the size of an x264 encode with mbtree enabled.

    3. Re:H2.65 to the rescue by FreonTrip · · Score: 1

      ...and dramatically higher encoding playback requirements unless you've got a new, dedicated piece of hardware to handle most of the computational overhead. Or sufficient patience... Believe me, I'm happy to see H.265, but it's going to be deployed at a trickle rather than a dramatic gush. There will be a lot of growing pains and deployment will be slow.

    4. Re:H2.65 to the rescue by mister2au · · Score: 1

      Yes dramatically higher - but manageable by, for example, todays smart phones so not really all that onerous. You'll just be up at 100% of a weak CPU rather than 10%- fine for a STB !

    5. Re:H2.65 to the rescue by mister2au · · Score: 1

      Not sure how true that is, but 2 things are immediately obvious:

      - not a lot of hardware would implementing that latest and greatest, so something like a standard cable STB will indeed see a substantial reduction .. .particularly for those still using old school MPEG-2 and would be seeing closer to 4x the efficiency and 4x the resolution (well, technically 4x the pixels not resolution)
      - H.265 HEVC is just a baseline implementation and while many MPEG2/MPEG4 optimisations still apply, I don't think are included in the reference models and there will be additional HEVC specific optimisations over the next 5 years

    6. Re:H2.65 to the rescue by Psyborgue · · Score: 1

      Many Blu Ray disks as well. Of course it actually works well at that high bitrate, but yeah, you're absolutely right about HDTV.

  8. 4,000 times worse by Anonymous Coward · · Score: 0

    A lot of hi-def production looks terrible now-a-days because it's too real, it looks like actors standing on a set, and I think this is only going to exacerbate the problem further. I wish things like this would get shit canned before all the money wasted on marketing, and tricking consumers into "needing" this crap.

    Also... god help Netflix if this takes off, because their bandwidth usage is gonna be even more terrifying.

    1. Re:4,000 times worse by tepples · · Score: 1

      A lot of hi-def production looks terrible now-a-days because it's too real, it looks like actors standing on a set

      You know what else looks like actors standing on a set? Live theater.

    2. Re:4,000 times worse by mug+funky · · Score: 1

      don't blame the messenger - tell the people who make the shows!

      if you get a crap makeup artist it'll look like a stage show.

      if you get crap actors it will look like people standing around talking.

      if you get a crap DoP, everyone will look boring.

      maybe viewer discretion should be advised?

    3. Re:4,000 times worse by demonlapin · · Score: 1

      There's no creepy factor to live theater. It looks strange to watch stuff like that on a screen. Kind of like lens flare - artificially added because we expect it to be there in movies. It aids the suspension of disbelief.

    4. Re:4,000 times worse by Anonymous Coward · · Score: 0

      Thats a good point ... about what I'm not sure. But a good point!

    5. Re:4,000 times worse by Jmc23 · · Score: 1

      oh noes we must use the imagination again

      --
      Don't complain about syntax, grammar, or spelling. There is no.hell like input on android.
    6. Re:4,000 times worse by Anonymous Coward · · Score: 0

      What complete garbage. I am massively familiar with the best analogue TV shows in PAL/NTSC def, and the ordinary HD shows made today. It is the PAL/NTSC shows from decades back that look like people standing in sets, not the HD shows of today.

      This is no surprise. Before HD, the best TV productions MADE as TV productions (ie., not shot on film using cinema methods) had nothing to do with the values deployed in feature films. TV was actually happy to look cheap and shoddy.

      By the time HD TV production was becoming important on cable, cable companies wanted their shows to have the same visual values as films. Since HD TV is a much lower resolution than that found in the cinema, this goal was more than achievable at a reasonable cost.

      In the digital age, HD TV studio equipment is now vastly cheaper than was the best analogue kit used in the PAL/NTSC golden age.

      As for Netflix, despite the fear of dribblers, they would be the last business to adopt 4K. More likely is the 4K moniker being dishonestly applied to video streams from Apple aimed at some future 'retina' display. Apple has a history of building 'upscaling' into its video streams, and then lying about the actual resolution encoded. The trick is to look at the file-sizes.

    7. Re:4,000 times worse by Anonymous Coward · · Score: 0

      My imagination is only 640x480.

  9. Solid state drives. by Picass0 · · Score: 1

    Put movies on cartriges. By the time 4K is ready to become a standard it will make more sense to use solid state drives than optical. They should focus on making flash memory faster and distribute films on jump drives. Kingston has a 1TB key drive in the lab now.

    1. Re:Solid state drives. by Anonymous Coward · · Score: 1

      No, don't do that. Stop freakin' changing everything.

      Sincerely,

      Normal people.

    2. Re:Solid state drives. by Anonymous Coward · · Score: 0

      You can't press FLASH memory for $0.10 no matter how hard you try.

    3. Re:Solid state drives. by DigiShaman · · Score: 1

      SATA3 already supports 600MB/s. It's only a matter of time before SSD technology will saturate that (if it doesn't already on 'reads').

      Here's a proposed solution to the problem. Create a custom SSD standard for the entertainment industry (follow me here..) using SATA3. When a user rents from Redbox or Netflix, a SSD cartridge comes preloaded with the movie in question and labeled on a digital ink window for easy visual identification of the title in question. This cartridge will only work in entertainment devices and will come encrypted. When the user returns the cartridge back to the rental place, it gets formatted and reused so that you will never waste expensive resources and never run out of that popular blockbuster hit. At worst, you just run out of SSD carts.

      Now you may be wondering why the carts would be proprietary in the first place. 1. The MPAA doesn't want people rip-dumping them for pirated use. 2. Carts are expensive for now. 3. Having the user provide their own SSD cart could leave them standing in line for 10 to 20 minutes as the data is being written to the drive. My proposal solves all these issues and makes the MPAA happy too.

      --
      Life is not for the lazy.
    4. Re:Solid state drives. by Guspaz · · Score: 1

      Thunderbolt goes a bit higher, so a RAID array over thunderbolt might do over 600MB/s...

      There's a lot of professional video gear that supports thunderbolt. Probably because a lot of professional video gear targets Mac. That's actually kind of annoying, and the third-party Windows drivers for HFS+ have spotty support. I couldn't get them working with the CF cards recorded on a KiPro Mini, for example. I had to hunt down somebody on-site with a macbook to read the damned things.

    5. Re:Solid state drives. by newcastlejon · · Score: 1

      Now you may be wondering why the carts would be proprietary in the first place.

      No, I'm wondering why you suggest shuffling packets of matter around in the first place.

      --
      If God forks the Universe every time you roll a die, he'd better have a damned good memory.
    6. Re:Solid state drives. by sunderland56 · · Score: 1

      This has been done, in small volume, for years. They've been editing movies in 4K resolution for a very long time now - 10+ years.

      The disk bandwidth is simple - just many drives striped across many controllers. You need many drives to store the file sizes we're talking about anyway. Rotating magnetic drives are used - they're still cheaper when you're talking 100 TB or more, and they were all that was available until recently.

      And, the cheapest way to send large amounts of data is to just FedEx your drive array. Most editing of a film is done in one location, so there's not much need - but if you have different post houses working on the same film, it's done.

      So all we're talking about is taking what is already being done at a professional level, and make it smaller/cheaper/simpler for the consumer.

    7. Re:Solid state drives. by DigiShaman · · Score: 1

      Movies ranging in the "hundreds of GB" range. Anything from 200GB to 1TB would be my guess. People simply don't have an ISP that's willing or capable of transferring that much data at a high rate of speed. Take an 8Mb/s (1MB/s) DSL connection for example. It would take 24hous just to download over 86GB worth of data. So that's what? 2 to 3 days of non-stop data transfer? By then, I would have lost interest in my impulse movie watching purchase. So why bother in the first place?

      Physical media is high latency, but off set by magnitudes more bandwidth and capacity!

      --
      Life is not for the lazy.
    8. Re:Solid state drives. by Anonymous Coward · · Score: 0

      No, I'm wondering why you suggest shuffling packets of matter around in the first place.

      Because, transferring 1TB of data anywhere in the world via USPS is cheaper than transferring it over the internet.

    9. Re:Solid state drives. by MrNiCeGUi · · Score: 1

      Bandwidth and data caps, probably.

  10. I'll live with it by thetoadwarrior · · Score: 1

    I can live with upscaled DVDs / blu-rays. It'll be worth it having something that bad ass and it would mostly function as a second monitor if I could afford one.

  11. Not noticing the difference on smaller screens... by Anonymous Coward · · Score: 0

    Since when has that stopped people?

    People listen to multichannel audio mixed down to stereo all the time because practically nobody has a surround system.
    People watch their DVDs connected to their 1080p display via composite and marvel at the improved picture.

    So if a new format comes along that most people won't really be able to take any advantage of, I don't see any reason it won't do at least as well as multichannel audio and HD. It's all about cost and convenience. Features and quality are irrelevant.

  12. uncompressed 4K by Anonymous Coward · · Score: 1

    "Given that uncompressed 4K footage has a bit-rate of about 600MB/s, and even the fastest solid-state drives operate at only about 500MB/s, "

    We compress it.

    "In coming years, 50-inch or 55-inch screens will have become the sort of standard that 40-inch TVs are now. To exploit 4K, you need a larger form factor. You’re just not going to notice enough of a difference on smaller screens."

    Thats a load of crap really. First of all, all "theres no benefit" arugments are based on how close you sit to the screen, how big the screen is and how good your eyes are. There is no real catch all solution to this. Secondly "won't notice enough of a difference" isn't good enough. We should always aim for no discernible difference. Why? Because we can.

  13. Mis-guided claims.. by thesupraman · · Score: 5, Insightful

    Much of the bandwidth/media etc claims are rubbish. 4k has (approximately) 4 time the pixels of standard full HD, so at most a given
    format will increase by 4 times, HOWEVER, most lossy compression methods (for example AVC/MPEG4) on real footage scale better
    than linear with pixel count, as detail becomes more repeated at higher resolutions, so a more likely estimate for such formats is
    2 times, which is not crazy (blueray for example can already delivery that for many movies if needed). newer compression methods are
    coming on line that can deliver close to double the compression for equivalent quality, meaning we end up back to normal HD data sizes.

    Is it needed? thats a whole different story, with the size of living rooms/available and comfortable wall space for screen, etc it is pretty
    marginal, but trying to use raw uncompressed bitrates as a scare tactic is rubbish.

    Their raw figures are of course not even right as they seem to be assuming 444/12bit storage, which would be rather rare in real life, 422 10 bit
    would be MUCH more common, and most workflows would actually use comrpessed storage (as they do now for HD.).

    1. Re:Mis-guided claims.. by Anonymous Coward · · Score: 0

      I think a lot of people assume "4k" is like 1080p, in other words the vertical resolution. You and I both know it's the horizontal, so you're comparing 4000 to 2000.
      If we were comparing 4000 to 1000 (which many people probably do in their heads) then it's a 16x increase, which is a bit harder to swallow.

      If you go by blurays, then 140gb (most are ~35gb for the movie files themselves) for a "full quality" movie isn't THAT bad. 8gb recompressed blu ray rips look VERY good. 4x that to 32gb and you're saying that, on current generation blu ray disks using current generation codecs, you can choose between having a 4k resolution movie with a bit more compression, or a 1080p ("2k") resoltuion movie with a bit less compression.

      These file sizes are NOT stupidly huge.

  14. The real problem by gr8_phk · · Score: 1

    The real problem is that the resolution is exactly double that of 1920x1080. This means scaling up or down will work very well and people won't be able to tell the difference between this and 1080p. You know, because all the 720 TVs are actually 1366x768 which means images have to be smeared to shit, making 1080 TV look so much better (even with OTA 720 shows). And yes, I'm claiming industry-wide effort to make 1080 appear visibly better than 720. Or perhaps the 1080 sets will start to be 1152 to make 4K look better than regular HD even with 1080 content.

    1. Re:The real problem by vlm · · Score: 2

      Or perhaps the 1080 sets will start to be 1152 to make 4K look better than regular HD even with 1080 content.

      I'd like to be able to buy the 1600x1200 monitors I bought for many years before 1080 HDTV became popular and forced a lower resolution for PC users.

      --
      "Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
    2. Re:The real problem by wonkey_monkey · · Score: 1

      This means scaling up or down will work very well and people won't be able to tell the difference between this and 1080p.

      I don't think pixels work the way you think they do.

      That aside, you may not realise that most 1080p TVs, by default, scale up the image by about 5%, and yet that somehow doesn't look "smeared to shit." For any natural image source the difference is marginal at worst, and probably likewise for any digitally originated images, since broadcasters deliberately keep them soft for a variety of reasons.

      And yes, I'm claiming industry-wide effort to make 1080 appear visibly better than 720.

      You do know that it's also actually better than 720p too, right? The clue is in the numbers.

      --
      systemd is Roko's Basilisk.
    3. Re:The real problem by mister2au · · Score: 1

      Cool story, bro !

      Ever thought the unusual resolution was just because of lead-time on panel development and a lot of the lower cost manufacturers just got caught off-caught with HDTV and churns out PC resolution panels as a stop gap measure.

      Or that 1080i naturally looks better 720p on some content anyway - even ignoring rescaling.

    4. Re:The real problem by michael021689 · · Score: 2

      1920x1200 monitors are still widely available.

    5. Re:The real problem by gr8_phk · · Score: 1

      1080 on a 720 TV requires a scaling of 1.5 to 1 which is relatively easy. Going from 720 to 768 requires a stretch of 16/15 which is NOT easy. Also going from 720 (most broadcast TV in the US) to 1080 is a multiplier of 1.5. So OTA and bluray will look great on a 1080 TV but will require an unusual scaling to reach 768. I used to have an actual 720 DLP TV and it looked quite fantastic compared to the 768 LCD that replaced it, and that's not due to the tech difference. This is why many people see a difference between 1080 and 720 TVs. Try rescaling a nice clear image by 16/15 and see what happens.

    6. Re:The real problem by gr8_phk · · Score: 1

      Yep, I've heard the stories about standard panel size. But I'd rather have a 30" 720 than a 32" 768. Shit, just give me a mode that puts black around the 720 image on the 768 TV. Nope. The rescaling really does hurt image quality. Notice that ALL 720s are like this now and NONE of the 1080s have an unusual panel resolution.

    7. Re:The real problem by Anonymous Coward · · Score: 0

      Cool story, bro !

      Ever thought the unusual resolution was just because of lead-time on panel development and a lot of the lower cost manufacturers just got caught off-caught with HDTV and churns out PC resolution panels as a stop gap measure.

      Are there a lot of 42" plasma panels used as PC monitors?

    8. Re:The real problem by mister2au · · Score: 1

      Wow ... I stand corrected ... there are now a bucket-load of 1366x768 sets at the cheap end of the market where I thought they all but disappeared in about 2009.

      I agree ... what a stupid regressive outcome that is ... I'd find it hard to believe people are actually buying 32" LCD TV as WXGA computer displays ???

    9. Re:The real problem by wonkey_monkey · · Score: 1
      But as I pointed out, most, if not all, 1080p TVs will by default scale an image up by around 5% as well.

      I used to have an actual 720 DLP TV and it looked quite fantastic compared to the 768 LCD that replaced it, and that's not due to the tech difference.

      How can you control for the difference in technology when making the comparison?

      This is why many people see a difference between 1080 and 720 TVs

      That's far more to do with the fact that a 720p TV only has 66% of the pixels and that 720p TVs generally use much cheaper components all over.

      Try rescaling a nice clear image by 16/15 and see what happens.

      Challenge accepted (with thanks to Adobe for my free copy of Photoshop CS2):

      100%
      106%

      You may complain that I've chosen a soft target, and that if I'd taken a pin-sharp image and scaled it, I'd have got worse results. That's true. But digital video for broadcast or blu-ray is a lot softer than people imagine. That's why TVs have a sharpness control.

      --
      systemd is Roko's Basilisk.
    10. Re:The real problem by omnichad · · Score: 1

      My 1080p TV does not scale up. And it reveals how dumb our local fox affiliate is. For SD shows, they use SD source video to encode their HD broadcast and leave in the closed captioning, upscaled to 720p. So the top of my screen has a row of flickering pixels (line 21) where the closed captioning would be hidden on an SD TV.

  15. Internet speed does make a difference by jd659 · · Score: 4, Insightful

    “Even over the Internet, it’s going to require massive files” While this is true, the speed of the Internet connection makes a huge difference. Unfortunately for the US population, the market is divided among a couple of companies and the slow speeds are offered at bank-robbery prices (e.g. 25/3Mbps for $50). Many countries in Europe get a faster and cheaper connection (e.g. 75/50Mbps for $10) and that changes how people watch TV. With TVs that can play MPEGs directly off some network connected HDD and a laptop that can download any torrents to that HDD, the experience of watching a show is often:
    1. Find a torrent on a laptop and click on it to start downloading.
    2. Wait a couple of minutes.
    3. Navigate TV to the specific file on HDD and start watching.

    It is amazing how much the experience changes for the better with faster connection speeds and more reasonable laws on downloading/uploading the content.

    --
    There's no such thing as "illegal download"
    1. Re:Internet speed does make a difference by v1 · · Score: 1

      Not sure if you're trolling or just uninformed. So maybe I'm feeding.

      Torrent files don't download sequentially, from start to finish. Clients that follow spec will randomly select a piece to download, possibly influenced by availability or speed of peers with pieces. The larger the file gets, the lower the odds are that you're not missing an early piece. For a movie that has 1000 pieces, the odds of having ALL of the first 250 pieces at any point before you hit the 95% downloaded point are astronomically low.

      (and i haven't seen a bt client yet that you can prefer sequential download with)

      It's easy to see why they wrote it that way. If one seed starts with 10 peers, and all of them download in order, then the peers won't have many pieces available from each other. (they'll all have piece 1, then all have piece 2, etc) OTOH if the seed hands out a different piece to all 10 peers, when those complete, now each peer has a choice of 9 other pieces to get from other peers, in addition to the seed, and data starts flowing around between peers instead of just between peers and the seed. And that's what makes bt fast.

      --
      I work for the Department of Redundancy Department.
    2. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      I think what was being expressed by step 2 (wait a couple minutes) was that on a sufficiently high speed connection with a well seeded torrent, the file would be completely downloaded in that time. I know it doesn't take more than a few minutes for a typical episode to download for me.

    3. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      (and i haven't seen a bt client yet that you can prefer sequential download with)

      Qbittorrent has the option, no idea if it actually does what it says on the tin though.

    4. Re:Internet speed does make a difference by MadShark · · Score: 1

      25/3 Mbps for $50? I wish! I get 5 up, 0.5 down for $53.50 a month. I have exactly one broadband option. Aren't monopolies great?

    5. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      I don't think he's trolling. I use a 50 Mbps Internet connection and I can download a full episode of a show in 720p in less than 4 minutes. A 2.5 GB episode would usually take me 7-8 minutes.
      My experience is just what (s)he suggested: I use DLNA to stream my downloads to the TV. Sometimes I watch some episode of my favourite show and then I want to see the next one, but I didn't download it. Just pick the laptop, get the torrent from my favourite tracker and begin downloading. By the time the pop corn is ready, the show is downloaded.
       

    6. Re:Internet speed does make a difference by jd659 · · Score: 1

      Exactly, with a fast connection, the episodes are downloaded in less time that it takes me to put a DVD in, press play, watch some non-skippable warning screens, skip forward through some previews, navigate to the menu which is different every time, select play to watch the movie.

      --
      There's no such thing as "illegal download"
    7. Re:Internet speed does make a difference by loufoque · · Score: 1

      This is why I personally prefer XDCC.
      Unfortunately, scene releases are often served as rars in a tar, which prevents this.

    8. Re:Internet speed does make a difference by snadrus · · Score: 2

      Download Torrents sequentially with QBittorrent. @ 5%, if the time remaining < show length, then VLC will play it to the end. The download speeds don't appear to change between sequential and regular modes of QBittorrent. Linux may be needed b/c Windows file locking may mess this up.

      --
      Science & open-source build trust from peer review. Learn systems you can trust.
    9. Re:Internet speed does make a difference by Tynin · · Score: 1

      Not sure if you're trolling or just uninformed. So maybe I'm feeding.

      I think he was neither trolling or uninformed. The connection speed continues to go up overtime, and if he has 25 Mbit/s, you can download a 2GB movie in just under 11 minutes. Many of the shows I watch are just a couple hundred MB so even 500 MB shows will come down in under 3 minutes. Wait 3 minutes or so and you get a ~40 minute show that looks pretty damn good... better quality than what sat/cable is delivering over all.

    10. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      Torrent files don't download sequentially, from start to finish. Clients that follow spec will randomly select a piece to download, possibly influenced by availability or speed of peers with pieces. The larger the file gets, the lower the odds are that you're not missing an early piece. For a movie that has 1000 pieces, the odds of having ALL of the first 250 pieces at any point before you hit the 95% downloaded point are astronomically low.

      (and i haven't seen a bt client yet that you can prefer sequential download with)

      It is not impossible or even difficult to download pieces sequentially via bittorrent. Grab the source for your favorite client and look at its piece selection function and change it as desired. Max 10 minute job.

      It's easy to see why they wrote it that way. If one seed starts with 10 peers, and all of them download in order, then the peers won't have many pieces available from each other. (they'll all have piece 1, then all have piece 2, etc) OTOH if the seed hands out a different piece to all 10 peers, when those complete, now each peer has a choice of 9 other pieces to get from other peers, in addition to the seed, and data starts flowing around between peers instead of just between peers and the seed. And that's what makes bt fast.

      The reason for downloading random pieces (or sometimes "rarest first" pieces) is to avoid a situation where some pieces become permanently lost as seeders leave the swarm. It is not done for speed.

    11. Re:Internet speed does make a difference by Nemyst · · Score: 1

      Speed isn't the worst of it. Caps are.

      A local provider has a brand new offering, it's a bit crazy: 200mbit down, 30mbit up. The pricing is also mad (200/mo), but that's not the kicker: it's got a 200Gb cap down and 50Gb cap up. Yep, you can use up your download cap in a little over 2 hours provided you use your full allotted speed.

      Even my more moderate 30mbit down with a 120Gb cap (combined, this time!) means I could use it all up in less than 10 hours downloading at full speed. Who in their right mind would try streaming movies with that kind of net? Sure, it'd play fine, but you'd be over your cap in no time!

    12. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      You could fix that issue with a clever coding scheme. Take a 1 GB file and let's say that you both break up the original file into 1,000 1MB blocks and generate 1,000 2MB blocks which each contain overlapping pieces of information that can be used to reconstruct the 1MB blocks of the original file. Let's say you smear out the original file so that each of the 1,000 2MB blocks contains at least some information on ALL of the 1,000 1MB blocks. In order to aid preferential download of the early blocks, you skew the distribution of data so that the early blocks are overrepresented in all of the 2MB blocks. Maybe something like if you have any 5 blocks, you have a high probability of having enough data to reconstruct the first two 1MB blocks and at some point after you've downloaded over half of the 2MB blocks you have a good chance of being able to reconstruct the entire original file.

      This scheme would increase the total amount of data needing to be transferred but you would get preferential downloading of early segments without sacrificing the aspects of BitTorrent that systematically reward maximum distribution of all pieces of the file.

      I think Microsoft R&D tinkered with a BitTorrent protocol alternative based on something similar although I never heard anything about it being weighted to favor the beginning of the file, but that seemed like a natural progression to me at the time.

    13. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      Do the math on an hour of SD video downloaded at 75mbps. He has a very valid point about internet speeds, limitations of the bit torrent protocol aside. Even on my paltry US cable connection, I can pull down an hour's worth of television usually better than real time. Download speed from a good host can usually saturate my wireless, around 700 kiloBYTES/s (neighborhood is dense with wifi and I still haven't sprung for a 5GHz band router) - that usually pulls a 300-600 MB tv episode before I can finish microwaving leftovers for dinner. It's just about slow enough that I have to plan a nights entertainment. My connection is marketed 25/5(? - not sure what they're lying about upload speed this month) megaBITS for $50/month, speedtest.net reporting at 14/1 right now and it's just after midnight local time.

      Now assume you have an ISP actually delivering 75mbps. Cut my download time into a fifth. Yes, it really is just a couple minutes wait time, close enough to instantaneous for TV audiences used to waiting 2-3 minutes for a single commercial break. So back to basics, professor. Try downloading 101 before you lose the class in Advanced Torrenting Applications 307...

    14. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      I think you missed the speed. A few minutes is plenty of time to download a hd movie at 75mbps. Well, at least you helped prove the point.

    15. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      utorrent has the ability to prefer sequential downloads. I've used it on numerous occasions, it's not -perfect-, as it still needs to actually be able to find such pieces, but it definitely works. (even on shitty Aus internet 2mbit/1mbit ($75/month))

    16. Re:Internet speed does make a difference by v1 · · Score: 1

      The most simplified counter-example is "lets say by random chance your bt client decides to download the first piece of the video last". There's nothing to prevent it from downloading one of the first pieces last. And in that case, regardless of how fast your connection is, you WILL be waiting until the download finishes before starting to watch it.

      --
      I work for the Department of Redundancy Department.
    17. Re:Internet speed does make a difference by Anonymous Coward · · Score: 0

      even uTorrent has a "Play Now" button, that you can click on as soon as you load a torrent, it downloads sequentially then and buffers for just a few minutes on a good net connection before the movie can start playing, just like on any one of those 100s of illegal streaming servers

  16. Another sales ploy by whizbang77045 · · Score: 1

    As failure rates of electronics decrease, sets last longer and longer. This seems like just another sales ploy to force us all to buy new TV sets. 3D hasn't been widely received with popularity, so maybe the proles will buy into needing even higher definition!

    1. Re:Another sales ploy by big_e_1977 · · Score: 1

      The failure rates of electronics is higher than it was 25 years ago. Today even the market leaders such as Samsung are buying the cheapest off brand chinese capacitors they can get away with and placing them in even the top of the line models. The average flat panel TV will lucky to live 5 years. Call it planned obsolescence.

  17. Form factor will be an issue for 4K adoption by brunes69 · · Score: 2

    In coming years, 50-inch or 55-inch screens will have become the sort of standard that 40-inch TVs are now. To exploit 4K, you need a larger form factor. Youâ(TM)re just not going to notice enough of a difference on smaller screens.' The same quality/convenience argument leads him to believe that physical media for 4K content will struggle to gain traction among consumers.

    I don't get how this person has the foresight to note all these things, but totally gloss over the fact that for many (I may even say most) living rooms, any TV above 46"-47" is simply too large. I will never have a 4K TV in my living room because there is simply nowhere to put a TV that is 55"... it doesn't matter if the manufacturer is selling it, heck it doesn't matter if it is FREE, I have nowhere to put the damn thing. 46" is already way bigger than needed.

    1. Re:Form factor will be an issue for 4K adoption by MartinSchou · · Score: 1

      Believe it or not, I know people who said that a 32" TV was too big for their living room, people who swore that they'd never need internet for more than check email once a day, people who claimed that they'd never have anything other than a landline etc.

      You'd be amazed at what we're capable of doing, once we see advantages.

      Personally I don't understand the fascination with TVs. I'd much rather have a projector and a retractable screen - that way I don't need to clear away a ton of shelve space.

    2. Re:Form factor will be an issue for 4K adoption by brunes69 · · Score: 1

      Yeah but I think you are still glossing over things.

      A 42"-47" TV is about the same width as a 32" tube TV. It is what is "normal size" for a living room, IE 36" or less. 55", 60", they are not "normal size". You are now getting into a TV that is 4 or 5 feet wide. The place where most people put a TV simply can not accommodate a TV of that size. The living room is not layed out that way.

    3. Re:Form factor will be an issue for 4K adoption by Kjella · · Score: 1

      Really, you don't have a wall big enough? 430 sq. feet apartment, 60" LCD here and I could have gone bigger. If TCL gave me one of their 110" LCD prototypes I'd throw out the book shelf on each side and just make that my TV wall.

      --
      Live today, because you never know what tomorrow brings
    4. Re:Form factor will be an issue for 4K adoption by brunes69 · · Score: 1

      You sound single. No woman (or really anyone with a sense of functional style in a room....) would want a TV that big in such a small space... it would look very ugly.

    5. Re:Form factor will be an issue for 4K adoption by drinkypoo · · Score: 1

      I had an eight foot TV (albeit from the seventies) in a 600 square foot apartment... it's all about your priorities. It didn't have a view anyway.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    6. Re:Form factor will be an issue for 4K adoption by Anonymous Coward · · Score: 0

      I have a 52" in my living room, and it pretty much dominates an entire wall.

      The evening news yesterday was reporting on CES and was showing the 110" screens they're showing off, and I realized that it would be a little larger than 4 of my current TV in a 2x2 arrangement. That makes it full-wall-sized and completely impractical.

      Not everyone has a mcmansion. In fact, most people don't. Most people can't even get one of these screens into their basement. That makes the market for 110" screens vanishingly small.

      What I really want to know is when I can get a computer monitor with better than "1080p" (which is a stupid designation from an outdated technological root) resolution. The VGA hardware standard allowed for a maximum of 2560x1920. Analog. In the late 1980's. Why can I not get a monitor anywhere near that resolution now, 20 years later, with way better digital signalling standards?

    7. Re:Form factor will be an issue for 4K adoption by ChrisMaple · · Score: 1

      Just turn on a soap opera.

      More seriously, hang a curtain or a tapestry in front of the set when it's not in use.

      --
      Contribute to civilization: ari.aynrand.org/donate
    8. Re:Form factor will be an issue for 4K adoption by Anonymous Coward · · Score: 0

      A TV that size would really demand a proper sound proofed home theater with surround sound. Unless one works in the film industry or is an incurable film geek with loads of cash, I can't see the trade off as worth it. Plus, you'd have to be a home owner to even consider the possibility.

      I can't imagine enough of these people, even in the US, for this to be a viable market.

    9. Re:Form factor will be an issue for 4K adoption by Anonymous Coward · · Score: 0

      Get a retractable projection screen and a 5K projector. There's certainly root on the ceiling for both.

  18. 4K is so 2007. 8K is already here. by Anonymous Coward · · Score: 5, Interesting

    4K is so 2007, I have seen 8K broadcast streets (all equipment needed to acquire, store, transmit, compress, scale, playback and display) for years as shown at the international broadcasting conference.

    http://en.wikipedia.org/wiki/Super_Hi-Vision_television

    Before anyone comes up with, "but the eyes cannot resolve that kind of details", YOU ARE WRONG!
    8K is not even a little comparable to HDTV.

    I have also seen 4K being displayed, often scanned from 35mm prints, I doesn't have much impact beyond 2K. But this may be due that this is not captured on a digital camera and the grain (effective resolution) of 35 mm is worse than pixels at 4K. The 8K footage I've seen was captured on a 8K digital camera.

    Also 300 fps video is freaking amazing, this was a demo from the BBC, your eyes can track fast moving objects and therefor focus on it razer sharp like when you track a moving object in the real-world. Finally we can actually watch Hollywood action sequences which as 24 fps is just a blurry mess of motion blur, or a vomit inducing slideshow.

    1. Re:4K is so 2007. 8K is already here. by wvmarle · · Score: 1

      HDTV existed for many years before we actually got it. I recall from decades ago that there was talk about upgrading TV resolution, and then you're talking CRT displays as flat screens as we have them now simply didn't exist. That was late 1980s, early 1990s.

      It never took off, mostly due to the huge cost of equipment involved.

      4k may or may not become reality in the future, at the moment it is simply way too expensive to be worth it for the vast majority of the people. 8k is even worse in that respect. 1080p is good enough. We don't even have a media distribution system for those higher resolution, BluRay is as good as it gets (Internet distribution just doesn't count at the moment, and that's not because of bandwidth issues, which have been solved all over the world except maybe for the US and other developing countries).

      Another issue is that to be able to see the higher resolution, the displays have to get bigger and bigger. As living rooms do not get any larger, there is a definite upper limit to how big those screens can get. Bigger screen will also mean higher cost, for the simple reason it's more material, more work, etc to make a big screen than a small screen.

    2. Re:4K is so 2007. 8K is already here. by Anonymous Coward · · Score: 0

      Also 300 fps video is freaking amazing, this was a demo from the BBC, your eyes can track fast moving objects and therefor focus on it razer sharp like when you track a moving object in the real-world. Finally we can actually watch Hollywood action sequences which as 24 fps is just a blurry mess of motion blur, or a vomit inducing slideshow.

      Only if we manage to get rid of the silly 3D. I went to the Hobbit film to watch it in 3d and 48fps. Being used to 60fps digital cameras I didn't notice any mindbogling motion improvement (though compared to 24 films it is better). However, THE DAMN 3D made impossible to watch the action. Due to the camera changing focus and field of depth every second it was nearly impossible to follow what was meant to be seen.

      That's really crap. OTOH if the action scenes had a static camera it would have been awesome to watch the depth of a battle. But that would look silly on 2D, how most people will end up watching it, and hence the need for epilepsy inducing cuts. Oh, and don't make me talk about the crap "cut out" 3d effect in scenes where they tried to scale the effect despite reality not having so much depth...

      But yeah, 300fps, I want that!

  19. A station wagon full of Betamax tapes. by An+dochasac · · Score: 4, Funny

    Never underestimate the bandwidth of a station wagon full of Betamax tapes. Analog of course.

  20. The benefit of 4K TV by White+Flame · · Score: 4, Insightful

    If they do crank these out, 4K computer monitors should come down in price. I don't care what happens to the TV market as long as that happens.

    1. Re:The benefit of 4K TV by Anubis+IV · · Score: 2

      Indeed. Better monitors are really the primary advantage I see for typical consumers, with the only other one being large-screen applications, such as projectors and the like.

      Otherwise, if we're talking about TVs, 1080p is already sufficient, since I did the math awhile back when I was deciding whether to wait for 4K or not, and at typical viewing distances with the sizes of HDTVs we have today, the individual pixels in a 1080p TV are already far smaller than a person with 20/20 vision is able to discern, making any additional increases in resolution a waste of engineering. I'd rather see them fix the issues we currently have with flashlighting and clouding (especially on edge-lit LED TVs) or else find ways to reduce the thickness and cost of "full" LED TVs (i.e. the ones that have the LEDs behind the screen instead of around the edge).

    2. Re:The benefit of 4K TV by White+Flame · · Score: 1

      It's not even really about discernible pixels, IMO. Most shots are framed to look at one thing. There's only so much detail about that's necessary. Think about how large an object of focus is on a display, and how small in relation the pixels need to be in order to capture all the relevant detail. 1080p pretty much covers it, at the level of seeing fabric detail and skin texture.

      Where 1080p and higher res is actually useful, and not just a luxury enhancement, is sports. Consider a wide shot of a football game. The players take up MUCH less of the screen than what you see in movies and such. There, the detail is very welcome to discern, and beyond 1080p might be good.

      I don't watch sports, so I really don't care, but I do acknowledge that it's a different style of framing where high-res is useful, as opposed to typical TV/movie framing.

    3. Re:The benefit of 4K TV by ChrisMaple · · Score: 1

      Very roughly, human vision runs into natural limits at 7k x 4k. 4k wide is not a limit for all time.

      --
      Contribute to civilization: ari.aynrand.org/donate
    4. Re:The benefit of 4K TV by Anubis+IV · · Score: 1

      Without specifying viewing distances and screen sizes, you can't make a blanket statement like that. I'm sure there is a screen size and viewing distance where the resolution you've specified (a fictional one, I'll add, since 4K specifies both width and height) is indeed at the natural limit of what we can see, but if I have a massive screen viewed from very close, I'll likely be able to make out individual pixels since they'll be large enough to see, just as if I have a shoebox-sized screen across the room from me but at that same resolution I won't be able to, since the pixels will be incredibly small and dense.

  21. Personally by Sparticus789 · · Score: 1

    I have absolutely no issue with physical media. Sure, streaming is convenient. But I can tell you, that physical media saved me from absolute boredom during severe snowstorms, where my only power source was an extension cord, an inverter, and my laptop. For flying, physical media (whether thumb drive or DVD) is a necessity. And for driving, I do not want to be bound by a physical internet connection to enjoy a TV show/movie that I have purchased. I still get DVD's by mail form Netflix, because my monthly subscription pays for itself every time I watch a movie that I would have otherwise seen in theater (theater movie night for 2 runs about $30). Sure, it's not hip or cool. But I still get to watch what I want to.

    --
    sudo make me a sandwich
  22. is this slashdot ? by Anonymous Coward · · Score: 0

    all the comments here hating on it, gtf off my slashdot you fkin hipsters and get back to reddit or digg where you came from, you have no idea what a geek or nerd is
    with some of the atitudes iam reading here we would still be stuck with giant 27" glass boxes and nintendos

    real geeks and nerds lap up tech like this, to 8k, 16k and beyond i say !, cant wait for the economies of scale to kick in and get those prices down

    1. Re:is this slashdot ? by SydShamino · · Score: 2

      I'm far more exited about OLED displays, because A) even though they are still clinging to 1080p, they pushing boundaries for display technology in other ways such as improved contrast and viewing angle, and B) the fundamental technology of OLEDs is far more exciting that the same old LED-backed LCD technology being scaled down that's done with 4k televisions.

      In other words... 4k isn't geek tech enough to be that exciting.

      --
      It doesn't hurt to be nice.
  23. The MPAA must be downright giddy by kelemvor4 · · Score: 2

    The MPAA must be downright giddy about it. It's the first technical detail I've heard in years that could actually hinder piracy.

    1. Re:The MPAA must be downright giddy by Twinbee · · Score: 2

      Wouldn't the pirates just downscale the content to 1080p? - I doubt the viewers/pirates would mind much.

      --
      Why OpalCalc is the best Windows calc
    2. Re:The MPAA must be downright giddy by Anonymous Coward · · Score: 0

      No, they would release it at source resolution. A file being larger isn't going to change the desire to release the best available. I know of groups that release lossless bluray rips for certain things.

    3. Re:The MPAA must be downright giddy by marcosdumay · · Score: 1

      They'll probably share the 4k content. And the downscaled 1080p, the 720p and the 720x640 DVD like.

    4. Re:The MPAA must be downright giddy by Kjella · · Score: 1

      Actually what would happen is that the pirates would make 4K rips that are 4x the size of their 1080p rips - usually a DVD9 or 8.5GB so 34GB, actually probably a bit less since sound remains constant. Then HEVC will improve that by 50% down to 17GB. It's probably easier to download a 4K rip with 2013 Internet speeds than 1080p with 2006 speeds. But first I'm sure they'll wrap it in the most hellish form of DRM they can find, so we'd need another DVD-Jon. But after that, nah it's no problem to move compressed 4K content today.

      --
      Live today, because you never know what tomorrow brings
    5. Re:The MPAA must be downright giddy by grumpy_old_grandpa · · Score: 1

      Why would this hinder piracy? This is just about pixel resolution, and file-size, no?

    6. Re:The MPAA must be downright giddy by kelemvor4 · · Score: 1

      Why would this hinder piracy? This is just about pixel resolution, and file-size, no?

      Because of the file sizes involved. An uncompressed movie would be about 3.6TB, so if you achieved 50% reduction through compression it's still 1.8TB. I've got a very fast internet connection (150/75) - on that connection it would take almost 7 days at 100% efficiency to download one of these. According to speedtest.net 99% of the US has a slower connection. Several of my friends are stuck with 15Mbps connections (bright house networks is the best they have where they live) so it would take them around 70 days to download something this size. Not that reasonable unless you downsample it but that kind of defeats the purpose in 4k, doesn't it?

    7. Re:The MPAA must be downright giddy by ImprovOmega · · Score: 1

      Why would this hinder piracy? This is just about pixel resolution, and file-size, no?

      Because of the file sizes involved. An uncompressed movie would be about 3.6TB, so if you achieved 50% reduction through compression it's still 1.8TB.

      The 50% improvement is supposed to be over and above what h.264 gets. I.E. it will take a Blu-ray from 34GB compressed down to 17GB compressed. Although, I'm a bit skeptical that you can get that much of an improvement without sacrificing something of image quality.

      Incidentally, your numbers are not horribly far off if you are considering lossless compression - ratios from 2:1 - 4:1 are about as good as it gets. But then you're preserving CCD noise and other digital artifacts that really have no bearing on the scene and aren't noticeable to the eye. That's why, for the foreseeable future, videos will be compressed with lossy compression.

    8. Re:The MPAA must be downright giddy by omnichad · · Score: 1

      Video compression does far better than 2:1. At least 10:1 for most Blu-Rays. HEVC could improve that to 20:1 for the same quality. At HEVC, you could probably get a 4K movie down to around 100GB. Half my monthly cable Internet cap, but I could download it in under 8 hours.

  24. 4k Monitors by Anonymous Coward · · Score: 0

    I'm just pleased that manufactures are finally discovering resolutions higher than 1080p (1920x1080). I understand economies of scale and whatnot peg PC display resolutions to HD video resolutions, but FFS "high def" 1080p was a state of the art res a good 20 years ago. If anything, there's been a steady backslide. in '06 I picked up a not-fancy-all-fancy consumer line dell laptop with a 15" 1920x1200 display. Fantastic, sharp, high res little thing. Now dell doesn't sell anything like that. (Maybe they do on high-end or business line computers, but certainly noting near that on the current consumer line)

    So can we now get some reasonably priced 3840x2160 monitors? Please? Pretty please?

    1. Re:4k Monitors by Anonymous Coward · · Score: 0

      I wouldn't be shocked if that's the resolution on Apple's next 27" but done in Retina style.

  25. Who cares, this is not the important point! by SomeKDEUser · · Score: 5, Insightful

    The important point is that at last, there'll be computer screens with non-stupid resolutions again! They took my 1920x1200 away, and though I would prefer 3840x2400, I can live with 3840x2160.

    At least resolutions are going up again.

    1. Re:Who cares, this is not the important point! by Guspaz · · Score: 1

      2560x1440 is cheaply available (I paid $750 for my Dell U2711 over a year ago), and I'll take it over 1920x1200 any day.

    2. Re:Who cares, this is not the important point! by Anonymous Coward · · Score: 0

      What's important is the pixel pitch. Us oldtimers were running 0.21 back in the days of Sony Trinitron CRT monitors. I still haven't found a display to beat that., even after almost two decades of "advancement".

    3. Re:Who cares, this is not the important point! by stox · · Score: 1

      I got a 2560x1440 from Microcenter for $329 a few months ago.

      --
      "To those who are overly cautious, everything is impossible. "
    4. Re:Who cares, this is not the important point! by Guspaz · · Score: 1

      Dot pitch hasn't been relevant on desktop displays for more than a few years... Many modern displays have a lower dot pitch than 0.21mm. Most notebook monitors certainly do, and the U2711 is only slightly higher.

    5. Re:Who cares, this is not the important point! by Guspaz · · Score: 1

      The noname brand 27" monitors are very affordable, and often use the same panels, but since they're often the reject stock, they're not exactly the best quality. They have an enormously higher occurrence of dead pixels, for example, and their onboard display circuitry is often primitive at best. Sometimes this can be a good thing, as it also tends to mean minimal latency.

      It's a gamble, though.

    6. Re:Who cares, this is not the important point! by tknd · · Score: 1

      Exactly. I bought a 32" LCD 1080P TV and mounted it directly into the wall above my desk. The result is the TV no longer takes up desk space meaning I can actually use the desk...as a desk! Other benefits are I can actually sit back in my chair and still see clearly despite being 4-5ft away from the TV.

      Now if a 4k 40" or 42" TV came out, I would buy it in a heartbeat. The problem with 32" at 1080P is the pixels are quite large. 4k would solve this and give me a huge increase in usable resolution.

    7. Re:Who cares, this is not the important point! by Anonymous Coward · · Score: 0

      what fuck.

      "hasn't been relevant" - you mean hasn't been available. I used to be able to buy a 17" 1600x1200 CRT, I used to be able to buy a 15" 1920x1200 notebook. It's just in the last couple of years, what you can buy has gone backwards, and the high quality products are no longer available. I would much rather have monitors no larger than 17", but now I have to buy a 24" display to get the pixel dimensions I need. The result is I have desk space being wasted because I can't buy the screen I actually need.

    8. Re:Who cares, this is not the important point! by grumpy_old_grandpa · · Score: 1

      After the disaster which is my current Dell 2709W (27", 1920x1200), I'll never buy Dell again.

      Out of the box, about four years ago, it always had major overheating problems, which manifests itself as jitter on grey-tones (old style Windows 95 UI looks like a xmas tree). Then, in the last year, a vertical purple line 2-3 pixels wide has started to appear when I turn the screen on. It goes away after about 20 minutes. So yeah, probably bad caps.

      Then, there is the f*** buttons. Almost every time I want to switch between input sources, the OSD menu times out before I can get to the right source. Just as often, the confirm button does not register the click, and I have to go all over again. F*** annoying! The old models, which had a dedicated physical button for input source was much better. I notice your U2711 has the same "fancy buttons", so it's a no-go for me.

      Finally, it's the card-reader and USB hub; it doesn't work, or only works sometimes. No a big deal of course, but simply useless. However, this seems to be a rather consistent problem with Dell monitors. The same thing keeps happening to many of the 24" models at work.

      Overall, I'm happy I got the monitor at the time I did, however, my next will be an Eizo, price be dammed.

    9. Re:Who cares, this is not the important point! by quacking+duck · · Score: 1

      I'm not sure I would call $750 "cheaply available" when that one item is more than what many are willing (or able) to pay for a PC or laptop. Granted that crowd likely wouldn't be looking at 27" screens either, but if some of them were, there are 1920x1080 27" monitors for less than $300.

    10. Re:Who cares, this is not the important point! by Guspaz · · Score: 1

      You're discussing resolution, not dot pitch. They're not quite the same thing, although they're related. In the CRT days, at least, two monitors of identical size and resolution could have very different dot pitches.

    11. Re:Who cares, this is not the important point! by Guspaz · · Score: 1

      There are the Korean no-frills high-risk 27" displays with 2560x1440 resolution available for in the ballpark of $300ish, but it's a bit of a gamble.

    12. Re:Who cares, this is not the important point! by Anonymous Coward · · Score: 0

      $750 dollars is not "cheap" for one monitor. Not to mention, 6ms response isn't going to cut it for many people.

    13. Re:Who cares, this is not the important point! by toddestan · · Score: 1

      I'd buy one if they were something like 19" instead of 27". I'm still hoping that someone will eventually start making high DPI desktop monitors again.

    14. Re:Who cares, this is not the important point! by Guspaz · · Score: 1

      GTG latency figures reported by manufacturers are meaningless because they're not standardized. The U2711's response time is low enough to be imperceptible; you couldn't tell the difference in response time between it and one claiming a 1ms or 2ms response time. Of all the potential complaints about the U2711 (and there are a few), the response time is the least valid thing possible.

  26. Bigger problem. Visually irrelevant by guidryp · · Score: 4, Insightful

    Remember when Blu Ray came out and a number of people were claiming they couldn't see much difference.

    Well this time it will actually be true for almost everyone.

    Most people don't even have their TV's close enough to visually discern 1080p.

    This kind of TV resolution is irrelevant in a normal home setup.

    1. Re:Bigger problem. Visually irrelevant by Anubis+IV · · Score: 2

      Precisely. When I was deciding whether or not to wait on 4K a few months back, I did the math and realized that unless you have a ridiculously large TV or are sitting ridiculously close, 1080p is already well past the point where it can be considered a "retina display" (to borrow Apple's term for any display where the pixels are indistinguishable from one another at typical viewing distances to a person with 20/20 vision). 4K provides no additional benefits in those contexts, which is how most people will likely be using them. Meanwhile, they'll require more bandwidth and processing horsepower, despite offering no benefit.

      That said, for people with projectors and large screens (or walls) or for people using large monitors up close, 4K could still be relevant. Even though I wouldn't purchase a 4K TV for my living room, I may very well purchase a 4K monitor for use at my desk at some point.

    2. Re:Bigger problem. Visually irrelevant by dgatwood · · Score: 1

      Yeah, but with 4K, you'll be able to zoom in and see all the details that the filmmakers hoped you wouldn't notice.

      Wait, you mean that's not a benefit?

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    3. Re:Bigger problem. Visually irrelevant by fafalone · · Score: 1

      It all depends on screen size and distance. I have a 27" screen as my monitor less than 3ft in front of me, at 1920x1080. Not only can I see the difference between SD and 1080p, I can see the difference between 720p and 1080p. The latter isn't very much, but for me there's a huge difference between 480p and 1080p in terms of picture clarity.

      And even if the difference is small, just like with audio there's some people that really appreciate even small gains in signal quality. I enjoy a movie more with a better picture, regardless of genre. If it wasn't worth it, I wouldn't keep buying new hard drives to keep all my 8-12GB* movies-- DVD rips are 700mb-1.5gb.

      Although the main benefit to higher resolutions would be more desktop area on a single screen (1080 is really not enough on a screen this size), it would certainly help picture quality if I had a 32"+ screen as my monitor 3ft away. So I certainly welcome 4K and would absolutely make use of it. Multiple monitors just don't cut it, and a bigger screen farther away doesn't do it for me either.

      * - There's really no significant difference between these and the 30-40gb Blu-ray, so it's not all in my head. I spent quite a bit of time trying to justify keeping the larger files around, but couldn't.

    4. Re:Bigger problem. Visually irrelevant by guidryp · · Score: 1

      That said, for people with projectors and large screens (or walls) or for people using large monitors up close, 4K could still be relevant. Even though I wouldn't purchase a 4K TV for my living room, I may very well purchase a 4K monitor for use at my desk at some point.

      I agree. That is why I said almost everyone. But even for Home Theater with a projector, the viewing distance increases with screen size, essentially making 1080p just as viable there. You really have to get to the people that like to sit much closer than most people.

      Monitors are different. We tend to sit closer to those and 4K 27" (I expect a Retina iMac like this soon) would be a reasonable DPI to banish pixels completely for most people. Though you would need some scaling mechanism to make fonts bigger since interfaces for PCs/Macs were really designed with 90-100 dpi monitors in mind. There is teething issues going on right now as Macs/PCs try to work with higher DPI displays now.

      TV makers are mostly losing massive amounts of money, so they are desperate for the next big thing, 3D wasn't it, and likely this won't be it either.

    5. Re:Bigger problem. Visually irrelevant by guidryp · · Score: 1

      Remember when I wrote this:

      "This kind of TV resolution is irrelevant in a normal home setup."

      What part of your post refers to TV in a normal home setup?

      Computer monitors are a separate issue.

    6. Re:Bigger problem. Visually irrelevant by xigxag · · Score: 1

      People don't know what they can see. Before Blu Ray the average TV size was something like 27". After Blu Ray, the average TV size is coming up on 50 inches. What happened? People notice the improvement in video quality in FHD and upsized their TV's to take advantage of it. After 4K, we'll start to see 80"+ routinely. The normal home setup will adapt to the ability to provide wall-sized high-quality video.

      --
      There are two kinds of people: 1) those who start arrays with one and 1) those who start them with zero.
    7. Re:Bigger problem. Visually irrelevant by Anonymous Coward · · Score: 0

      I tend to buy the bluray and dvd combo packs when I buy movies, and have made a few people believers as a result. I show them the dvd version of a movie, then pop in the bluray to the same scene.

      That being said, honestly the difference from standard dvd resolution and bitrate to even a 720p video is the bulk of the improvement in my opinion. The jump from 720p to 1080p is just icing.

    8. Re:Bigger problem. Visually irrelevant by wvmarle · · Score: 1

      TV makers are mostly losing massive amounts of money, so they are desperate for the next big thing, 3D wasn't it, and likely this won't be it either.

      I really wonder what this Next Big Thing can possibly be.

      We had: 1) the TV. 2) the colour TV. 3) the VCR. 4) the DVD. 5) HDTV (broadcast and BluRay players).

      On the TV itself: resolution is most definitely good enough, not much to win there any more. Like BluRay over DVD was incremental only, compared to DVD over VHS.

      Distribution is the only possible place for serious improvement, by getting proper, legal, Internet distribution. But not much progress is being made there.

      Content quality is pretty much as good as it can possibly get, as current 1080p at recommended viewing distance or more is already "retina" quality. This 1080p is being distributed rather efficiently over the air (digital terrestrial TV), by cable or by BluRay disks. And on the various torrent sites you can find loads of 1080p quality video as well.

      3D is of course still in the running, but the current solutions are not working really well. But you never know what the future will bring.

    9. Re:Bigger problem. Visually irrelevant by omnichad · · Score: 1

      All the details you'd already see at a 4K digital movie theater anyway - especially sitting in the front row. You do know that people are already watching movies at 4K, right?

    10. Re:Bigger problem. Visually irrelevant by dgatwood · · Score: 1

      That's not really relevant. First, you can't pause the movie in a theater, so a lot of goofs go unnoticed until the video release. Second, even if you could, you probably wouldn't spot it on such a large screen even if they are (technically) visible from the front row. Here's why:

      If you're in the front row, although you could see small details if you were looking right at them, you're too close to the screen to usefully pay attention to the entire picture, because it occupies too much of your field of vision. Instead, you tend to concentrate on the critical action and miss things going on around it. Therefore, you are unlikely to spot the glitch from the front row.

      On the flip side, if you're far enough back to comfortably look at the whole screen and take in everything, even with 20/20 vision, your eyes won't have the resolving power to see much more detail than 2K digital movie projectors can provide (2048x1080). So although you might see some detail that looks like it might be interesting, you won't be able to tell what you're looking at.

      There might or might not be a middle ground where you could both notice an error and identify it, depending on the size of the erroneous feature, but in general, unless you're the sort of person who writes down time stamps and approximate screen coordinates of interesting things, then goes back to watch the movie again from the front row so that you can see what they are, you're a lot more likely to successfully identify small goofs on a smaller screen where you can pause playback, rewind, zoom in, and watch it again.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    11. Re:Bigger problem. Visually irrelevant by omnichad · · Score: 1

      Last time I went to a 2K theater 5 or 6 rows back, I could see the lines between the pixels. And I'm slightly nearsighted. Remember, a huge theater screen several rows back is something like sitting 2 feet away from a 42" HDTV at 1080p (almost 2K itself).

  27. what about this by Anonymous Coward · · Score: 0

    ssd raid and lto6 tapes ftw

  28. Compression, of course. Even for 4K 3D (sic!) by Moskit · · Score: 3, Interesting

    Pity that submitter/editor did not research further into the topic.

    There are already standards (JPEG2000 DCI) that allow to compress 4K stream from about 5Gbit/s to 250 Mbit/s, which is much more manageable. There is at least one commercial vendor (intoPIX) that makes such hardware de/compressors.

    If you want to stretch your imagination - start thinking about 3D movies in 4K, which is quite an obvious step. This is 12 Gbit/s uncompressed, but 500 Mbit/s in normal transmission.

    Oh, by the way - 8K is already being worked on. And 8K 3D (48Gbit/s uncompressed)...

  29. Who Wants This? by hondo77 · · Score: 1

    If 2K is good enough for theaters (and it is), who is it that wants 4K for their living room?

    --
    I live ze unknown. I love ze unknown. I am ze unknown.
    1. Re:Who Wants This? by SomeKDEUser · · Score: 1

      I want it on my monitor. Who watches TV anymore anyway?

      OK, not a very good point, but basically, I can absolutely use more pixels. youtube videos will still be crappy, but when I write, code or draw, I'll see much more :). I don't think that the fact that those pixels require such large files is very relevant compared to the fact that economies of scale will yield much larger and better screens.

      I am still bitter about the whole fullHD scam -- for a scam it was: moitor resolutions went down. and in the 21st century, reversing the direction of progress takes quite a bit of effort.

    2. Re:Who Wants This? by Guspaz · · Score: 1

      Except it's not. I saw Skyfall in theatres last night. I sat in roughly the middle. The theater I went to uses 2K projectors in all except their premium hall. For photographic imagery, it was OK. For text, I could see the pixelation. For high-contrast text (such as the end-credits), I could see the screendoor effect between pixels...

      I think there's a strong case for 4K projection in movie theatres. Heck, stuff shot and displayed in IMAX looks much better than even 4K. That should be roughly 16K equivalent resolution?

    3. Re:Who Wants This? by MightyYar · · Score: 1

      My handy-dandy viewing distance calculator says you need to be around 10ft or closer to appreciate a 70in 1080p TV. So I guess the answer is people who want to sit 2 feet from the 70in TV :)

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    4. Re:Who Wants This? by W2IRT · · Score: 4, Insightful

      In who's mind is 2K good enough for theatres? Speaking as a former motion picture projectionist who ran 35mm and 70mm film for almost 20 years, I can tell you the "quality" you get in a 2K auditorium is significantly inferior to what was delivered by a 35mm print, albeit with no jitter or weave. 4K cinematic presentations are actually quite good, even on a 40 or 50 foot screen but I steadfastly refuse to see anything in a theatre that's shown in the 2K format. What's worse, most exhibitors run their 2k machines with the 3D lenses in place when they're not showing 3D, cutting the available light in half. So what the vast majority of patrons experience in a movie theatre today is a dark, washed-out image with lower overall quality than they were seeing just 5 years ago. The only winners here are the companies who don't have to ship 12,000 feet of film (for a 2 hour movie), which weighs about 40-50 pounds per print, to 2000 screens -- and pay to ship it back again at the end of the run. The exhibitors also win because they got the 2k machines for free from the companies and they don't have to employ skilled projectionists to run them either.

      So yeah, I'll take 4K home presentation once the price comes down to the level that mere mortals can afford. I have a 53" Aquos screen now that's OK at 9' viewing distance but a 65" class screen at 4K and using HFR would rock my world once content becomes available.

      My bet is that flat panel manufacturers are quickly realizing that 3D in the home is a dud and they'll concentrate their efforts into amping up 4K in the coming years, even though content will be quite minimal for a very long time. Since you'll never see anything more than 1080i or 720p from OTA broadcast (6 MHz channel size ain't changing any time soon), it'll only be a selling point for movies or DVDs of TV series. I don't know about everyone else, but 95% of what I watch is broadcast TV dramas, comedies and sports. I don't see the studios converting to shoot and edit to 4k in the foreseeable future, either.

      --
      Cheers, Peter, W2IRT
    5. Re:Who Wants This? by sunderland56 · · Score: 1

      Stuff shot analog on IMAX (on film), never processed, no effects whatsoever, and then projected, is high resolution - about 6K - so higher than 4K, but not by much.

      However, special effects on IMAX are typically processed at 4K resolution (scan the film to digital, do the effect, print back to film). So any effects are at 4K, same as we're talking about here. (If you pay close attention you can see the resolution drop at the beginning of an effect).

      There is an IMAX digital format - digital storage, digital projection - but that is only 2K resolution, so no better than HDTV.

      Talking about IMAX - with Kodak now bankrupt, basing your technology on film stock only available from Kodak seems a bit short sighted... no wonder companies like NHK are stepping in to fill the void.

    6. Re:Who Wants This? by hondo77 · · Score: 1

      Speaking as someone who has worked in motion pictures where we were putting out 2K images onto 35mm 20 years ago, 2K was just fine. Nobody noticed or complained and the movies made piles of money. Now, you say 4K looks better in a theater. Let's say you're right. Why does that mean one needs 4K for the considerably smaller screen in one's home?

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    7. Re:Who Wants This? by Anonymous Coward · · Score: 0

      The Hobbit is shot in 4K

    8. Re:Who Wants This? by Jeremy+Erwin · · Score: 1

      For regular blockbusters, 70mm releases were fairly common.
      For plotless films, IMAX was truly spectacular.

    9. Re:Who Wants This? by Guspaz · · Score: 1

      I'm skeptical as to if Kodak's situation is a problem. IMAX would own the rights to everything about the film in terms of the physical properties (dimensions, feed mechanism, etc), and there are other companies making film that could be used if required.

    10. Re:Who Wants This? by ChrisMaple · · Score: 1

      Absolute screen size is completely irrelevant. It's how many degrees the images subtend, and how many pixels are in that angle.

      --
      Contribute to civilization: ari.aynrand.org/donate
    11. Re:Who Wants This? by howlingfrog · · Score: 1

      That's an anti-aliasing issue, not a resolution issue. I'm a projectionist at a theater with all digital 4K projectors (except the digital IMAX which is 2K but fraudulently marketed--by IMAX, not by my employer--as 4K, don't get me started on those fucking scam artists). One thing you probably don't know is that virtually all movies are distributed at 2K. There are only one or two 4K movies a year--Skyfall was not one of them. Avengers was not one of them. Hobbit was not one of them. Almost everything you watch will be 2K even if you're in a 4K-capable auditorium. I see just about every movie that gets released, and I can tell you that for text, AA makes a MUCH bigger difference than resolution. There's almost no visible difference between 4K AA text and 2K AA. 4K non-AA is slightly but noticeably worse than 2K AA, and 2K non-AA is much worse than 4K non-AA.

      You may well ask why any studio would put non-AA text in a movie. Or why some movies would have AA text but not others. Hell, in the year 2013, why does non-AA text still exist anywhere at all? If you figure that out, I hope you'll tell me.

      --
      The original Howling Frog is a fictional character and has no UID.
    12. Re:Who Wants This? by Anonymous Coward · · Score: 0

      Resolutions only went down for the ones that were too cheap to buy real monitors and settled for cheap tv-panels.

  30. Who cares about uncompressed size? by sirwired · · Score: 1

    The only people that are going to care about uncompressed size are those that make movies and movie theaters (I'm assuming theaters use uncompressed files, but I honestly don't know.) And a move-maker or theater won't have any problem with it; a simple drive array is just fine to cope with the bandwidth demands.

    Just as few (any?) consumers ever get their hands on uncompressed 1080p, so it will be with 4K.

    Unless I did the math wrong, it's only triple the size... hardly an insurmountable problem; not even an order of magnitude.

    1. Re:Who cares about uncompressed size? by howlingfrog · · Score: 1

      I'm a projectionist at an all-digital theater. Content is sent to us in proprietary file formats, so I can't tell you for sure what's going on inside them, but I can make a pretty good guess based on file size. A 2K movie (which is virtually all movies, only one or two a year are distributed at 4K) in 2D will be about 1 GB per minute of runtime. Uncompressed video at 1080p resolution, 24fps, 24-bit color is more than 8 GB per minute. So it's definitely compressed, and the compression ratio is probably too high for any lossless algorithm to be plausible. But an 8:1 compression ratio for a lossy video codec is still almost absurdly high quality, much better than Blu-Ray, which is already excellent quality. You could make a JPEG of each individual frame, not even taking advantage of the similarity of consecutive frames, and get 8:1 compression.

      --
      The original Howling Frog is a fictional character and has no UID.
  31. I'm working at CES this year. by zerofoo · · Score: 4, Interesting

    I'm working the Samsung booth at CES this year and I worked it last year. When I saw the engineers (last year) assembling the 4k demo sets, I asked where the content was coming from. The answer was a half-rack of servers behind the wall filled with powerful machines and lots of disks. Clearly not practical for consumers.

    This year, the 4k sets are being driven by slightly smaller computers, presumably with compression. Samsung is demoing their compression technology (HEVC) VS h.264. I'm sure the manufacturers know that with the sorry state of networks, 4K video is not possible without more advanced compression algorithms to reduce data rates.

    1. Re:I'm working at CES this year. by Anonymous Coward · · Score: 0

      Maybe this will finally pit some consumer electronics companies against the US cable barons.

      As high-bandwidth Internet traffic becomes more important to the tech industry, more and more of it will turn against the fuedal data lords.

  32. content content content by k6mfw · · Score: 1, Insightful

    Watching TV just ain't right since they did away with interesting programs. I really don't give a rat's ass about resolution since movie channels repeat everything I've seen and channels like History and Discovery no longer show history or real science/engineering programs. That's my Gripe Of The Month.

    --
    mfwright@batnet.com
    1. Re:content content content by PRMan · · Score: 1

      Yeah, I loved the early days of Discovery HD Theater and HDNet with the documentaries and stuff. Pretty soon it got dumbed down to Monster Garage.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    2. Re:content content content by zlives · · Score: 1

      +1 HDNet when it was good and without commercials

  33. HEVC by westlake · · Score: 1

    Ecole Polytechnique Federale de Lausanne (EPFL) did a study to evaluate the subjective video quality of HEVC at resolutions higher than HDTV. The study was done with three videos with resolutions of 3840Ã--1744 at 24 fps, 3840Ã--2048 at 30 fps, and 3840Ã--2160 at 30 fps. The five second video sequences showed people on a street, traffic, and a scene from the open source computer animated movie Sintel. The video sequences were encoded at five different bitrates using the HM-6.1.1 HEVC encoder and the JM-18.3 H.264/MPEG-4 AVC encoder. The subjective bit rate reductions were determined based on subjective assessment using mean opinion score values. The study compared HEVC MP with H.264/MPEG-4 AVC HP and showed that for HEVC MP the average bitrate reduction based on PSNR was 44.4% while the average bitrate reduction based on subjective video quality was 66.5%.

    High Efficiency Video Coding

    1. Re:HEVC by Anonymous Coward · · Score: 0

      The JM Reference encoder is awful in every way. Comparing new enoders to anything but x264 is pretty much just fudging numbers. (In the worst case the size of files x264 produces is about 50% from reference encoder at the same PSNR, Much much more for other sources)

  34. Do larger images compress better? by Kaenneth · · Score: 1

    Do 4 times the pixels need 4 times the bandwidth? I would think larger blocks of solid colors, simple gradients, etc. would compress much at a much higher ratio than smaller ones. Or do they still encode the same size of pixel blocks as the old standards?

    As for digital artifacts, I find that applying a very light noise filter (artificial 'film grain') conceals obvious banding, blockyness, etc. improving perceived (but not actual) quality.

  35. No need to upgrade then... by Anonymous Coward · · Score: 0

    To exploit 4K, you need a larger form factor. You’re just not going to notice enough of a difference on smaller screens.

    Then there is no reason to upgrade to 4K. Does there not come a point where you no longer really need to upgrade but what you have is simply good enough? I think television has reached that point.

  36. HEVC is almost here by Anonymous Coward · · Score: 0

    High Efficiency Video Coding (H.265) is about to become the next video compression standard. It was developed for high resolution video such as 4K.

  37. Where have I heard this before? by Princeofcups · · Score: 1

    So a repeat of the argument against HDTV. It took the media companies 10 years to catch up, and the same will happen again. Early adopters get what they deserve.

    --
    The only thing worse than a Democrat is a Republican.
  38. new possible storage mediums to transfer by jickerson · · Score: 2

    I remember seeing articles about the use of holographic storage medium with 500 GB potential http://www.crn.com/news/storage/217200230/ge-unveils-500-gb-holographic-disc-storage-technology.htm . Don't know if it will ever come around, but it would be a possible physical media source (assuming that the read speeds were fast enough)

  39. The future of TV by Anonymous Coward · · Score: 0

    In the future there will be TVs so HD that you will be able to see human cells.
    Just kidding. Eventually they will get to a realistic limit.

  40. Just to reiterate by Anonymous Coward · · Score: 0

    No amount of additional pixels or sound quality can make up for bad writing, bad acting, or having M Night Shyamalan as a director.

  41. HTPC by odin84gk · · Score: 1

    I have my PC connected to a 57" plasma 1080p HDTV. I love Steam, and I tried to play games on the TV using steam before big picture. I could not read the text unless I was 5' away, and that was primarily because it was massively pixelated.

    This format would help deliver sharper text for my HTPC. I would love it.

  42. Other areas that will be affected by Anonymous Coward · · Score: 0

    While I look forward to 4k, the size increase of the media isn't just going to affect how TV works, it's going to inevitably affect home monitors that graphic artists use, which in turn is going to force image hosting sites to really ramp up the maximum allowed GET/POST file sizes, which in our current internet, is going to result in servers that are a walk in the part to DDoS/abuse by filling HD's, overflowing buffers easier, increasing IDS/IPS load to parse terrabyes of data from single attacks etc. It's going to be brutal until we start getting much better tools in our admin toolkit to deal with the increase in bandwidth that will accompany 4k TV and content.

  43. Let's go back in time... by wonkey_monkey · · Score: 1

    Though 1080p resolutions represent the next step in high-definition video, standards for the format have yet to emerge and no one’s really figured out how to distribute video, with its massive file footprint, efficiently and cost effectively. How exactly does one distribute files that can run to hundreds of megabytes? ... Given that uncompressed 1080p footage has a bit-rate of about 75MB/s, and even the fastest hard drives operate at only about 35MB/s, compression isn’t merely likely, it’s necessary. ... Kotsaftis says manufacturers will probably begin shipping and promoting larger TVs. 'In coming years, 32-inch or 36-inch screens will have become the sort of standard that 28-inch TVs are now. To exploit 1080p, you need a larger form factor. You’re just not going to notice enough of a difference on smaller screens.' The same quality/convenience argument leads him to believe that physical media for 1080p content will struggle to gain traction among consumers. '1080p implies going back to physical media. Even over the Internet, it’s going to require massive files and, given the choice, most people would happily settle for a 480p file anyway.'"

    TLDR; old man doesn't like change.

    Okay, that's just me being a little bit facetious. But honestly, this part:

    Given that uncompressed 4K footage has a bit-rate of about 600MB/s, and even the fastest solid-state drives operate at only about 500MB/s, compression isn’t merely likely, it’s necessary.

    ...is just stupid. Why would anyone think uncompressed was ever even under consideration?

    --
    systemd is Roko's Basilisk.
  44. What about color depth? by jfengel · · Score: 1

    I feel like we're having the same kind of pixel-measuring issues as we get with still cameras. There comes a point where adding pixels doesn't improve the picture, but low-cost displays and sensors limit color depth and reproduction.

    I know that Sharp has its fancy 4-color screen, but to my knowledge the existing data formats generally don't take full advantage of it. Rather than adding pixels, wouldn't it be better to promote screens with better dynamic range and color depth?

    I do see a distinct difference between Blu-Ray and DVD images, but I can't see the advantages in going much further. The full HD looks pretty damn sharp already. But I think we can all still tell the difference between print color range and video color range, and adding pixels won't fix that.

  45. Artifacts suck by Da_Biz · · Score: 1, Informative

    I used to work for a small Texas company you've probably never heard of (Enron). Their Broadband Services division had, under their employ, some of the brightest minds in networking and video distribution for that era (unfortunately, the same cannot be said of their executive management).

    In any event, here's why I like 4K--and related plans by a premier provider of 4K camera equipment (Red) to utilize their new Odemax acquisition to distribute it. (I also suspect that the ideas being employed by Red and Odemax are things that can be replicated in whole or substantial part by others.)

    1) I really hate macroblocking: it looks ugly. Depending on the quality of TV and BluRay player, the macroblocking (and other artifacting) is better or worse--but it's still there even with well-produced BluRay disks. Even with relatively small screens (e.g., 42"), it looks like there could be some really nice gains in artifact reduction.

    2) One more novel idea the architects at Enron Broadband employed was to build their own content distribution network, complete with Enron-provided fiber connectivity and servers placed at ISPs. These "head-end" servers at ISPs would reduce the host's peering costs and improve performance.

    3) At least in metro areas where Odemax has a presence, the ISP's backbone capabilities will be less of an issue--and I suspect their WAN capacity is substantially more capable. 20 mbit/sec within an ISP's own network seems much more feasible (be it xDSL, DOCSIS, etc.).

    1. Re:Artifacts suck by evilviper · · Score: 1

      H.264 has an in-loop deblocking filter built-in to the codec. Turn that up when encoding and viewers never be able to see macroblocks. However, it's computationally complex, so decoders may shut that off on non-reference frames for an easy speed-up that people don't know. The deblocking filter works so well that it is better than non-block based codecs like Dirac/Snow/M-JPEG2000.

      Going to uncompressed (or losslessly compressed) formats is completely unnecessary, and a HUGE waste of space and bandwidth people will never see.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  46. Does my video card have enough bandwidth to render by Anonymous Coward · · Score: 0

    While they figure out the storage and transfer requirements, does my video card have enough bandwidth to render and display that resolution? I suspect it has the bandwidth but not the processing power.

  47. Survey says! by MasterOfGoingFaster · · Score: 1

    Bingo! Be sure to answer any 4K survey with "Yes, I will definitely buy one".

    --
    Place nail here >+
  48. who cares about video by strack · · Score: 1

    who cares about video. i want my 32 inch 4k monitor right now damnit.

    1. Re:who cares about video by MonsterMasher · · Score: 1

      Absolutely! As soon as I get the extra money I will take advantage of this for my computer monitor(s). Better would be an relatively inexpensive projector version.. my entire ceiling displaying my latest Civ 5 game!

  49. Oh Noes, The Tubes Will Break! by Bensam123 · · Score: 1

    I really don't get where some of these remarks are coming from. There are 4k videos on Youtube right now you can watch from home... If you can stream 4k content from Youtube through the interwebs it can be done.

    Youtube 4k resolution and a few videos pop up. Make sure you select 'original' as resolution when you watch them. They'll suck the life out of slower computers though.

  50. Red Ray by Dallin · · Score: 1

    Does anyone else remember 2009, when Red supposedly demoed their RedRay codec, promising 4K video in an 10Mbps stream? http://www.engadget.com/2009/04/25/red-blows-away-small-room-of-videophiles-with-4k-red-ray-footage/

    I haven't been following it much since then, but it looks like the RedRay is actually finally available. Anyone have any hands on experience with it?

    1. Re:Red Ray by Dallin · · Score: 1

      Oops, saw a price for the Red Ray, but missed the 'Coming Soon'. Should have known that Red could never release a product that quickly!

  51. Quad Tuner TVs by Copper+Nikus · · Score: 1

    What these 4k TVs would be immediatelly useful for is to allow families to watch up to four 1080p video channels simultaneously. The wife, husband, and 2.5 kids can all watch their favorite channels at the same time on a single large 4k screen. Of course these TVs should include a remote control for each tuner, and some way to distribute 4 independent audio outputs, maybe via bluetooth or something similar.

    1. Re:Quad Tuner TVs by Jeremy+Erwin · · Score: 1

      Surround sound. Each channel gets a channel. The Subwoofer is shared.

  52. The Answer: The Last Mile Cache by fredan · · Score: 1

    This concept is to allow all content to be cache so close to the consumer as possible.

    And with close I mean at your home. (It's quiet silly to download a movie twice if the content has not be changed since last time you watched it).

    This is a concept for all static content.

    It's late right now, so I'm going to bed... In the mean time visit http://tlmc.fredan.se for more information about this.

    I have an working solution of how to achieve this concept now. (It does not, as my intention was, be able to get in in the next release of PowerDNS at this moment. I will however publish all the source code for this in a week.)

  53. Not according to the 'RDF' by Anonymous Coward · · Score: 0

    "You’re just not going to notice enough of a difference on smaller screens."

    Yeah, tell Apple and its retina display that there's no difference. Reality distortion at work here.

  54. Instead of using this high resolution to create... by Anonymous Coward · · Score: 0

    giant incredibly clear tv's.... why not use this technology to finally develop glasses that finally have a clear picture? Remeber back in the day when VR was all the rage and there were games that utilized stereoscopic glasses? Well the picture quality was absolute garbage due to the incredible pixelation of the image. With such high resolution, stereoscopic images could finally be presented cleanly and with some degree of realism. Imagine the gaming implications not to mention having a 3d computer desktop and working environment.

  55. But what about monitors? by Anonymous Coward · · Score: 1

    FTA:

    To exploit 4K, you need a larger form factor. You’re just not going to notice enough of a difference on smaller screens.'

    Unless you're only 24 inches away from it, like I am from my monitor.

    I would very much appreciate upgrading my 30 inch monitor from 2560x1600 to 3840x2160. That would upgrade me from 100 DPI to 150 DPI.

    Why do mobile screens get 300 DPI, but us desktop users don't even have a chance to get half of that? I'll bet I'm sitting almost as close to my monitor as someone who's watching video on a 300 DPI tablet (like the Nexus 10).

  56. Article is Complete Garbage by Anonymous Coward · · Score: 0

    4K is 4 times as big as 1080P (the 'P' is a misnomer) in pixels. A well compressed 1080P film runs to around 12GB (Blurays are NEVER well compressed). H264 AVC gives linear scaling at worst for pixel numbers. Therefore, a 4K film can easily be held in 50ish GB- not exactly a bank breaking filesize, especially in the near future.

    It gets better. The replacement for H264 AVC targets larger image sizes, and is much better than a linear improvement. One can expect the new codec to require only 2.5 - 3 times more storage than the H264 1080P version.

    The problem with 4K is NOT storage (as explained above) or processing (the cheapest ARM SoC part commonly used in bottom end tablets, the Allwinner A10, already decodes 4K video in H264). No, the problem with 4K, like 3D or HFR (high frame rate) is whether it gives the consumer anything they actually care about, especially if it increases costs.

    Outside of premium cable services in select parts of select nations, so called 1080P video streams are atrocious- with massive amounts of blocks and artificial softening of much of the picture- all in the name of keeping the bandwidth as low as possible.

    It gets worse. TV providers use rotten, inefficient, massively expensive, dedicated hardware encoders to compress the video, rather that the state of the art solution- x264 running on PC like systems. As a result, most video from cable and satellite is sub-optimally encoded by a factor of 3 or worse. The reason for this is historic. TV companies traditional use equipment from companies that have been ripping them off with substandard rubbish since the 1960s (or earlier). Unfortunately, new recruits are trained on such garbage at uni or college during their training, so once employed they wish to work on the proprietary hardware they are familiar with (the 'no-one gets fired for buying IBM' factor).

    It gets worse. As a result of the effect detailed above, many TV broadcasters are still using the appalling MPEG2 CODEC that their equipment suppliers invested so heavily in. MPEG2 gives rotten picture quality in insanely large file sizes.

    It gets worse. A significant proportion of viewers cannot tell the difference between excellent quality low def material UPSCALED to hi def, and native hidef video. At standard TV viewing distances, the apparent difference between 1080P and 4K will not be obvious to maybe the majority of viewers.

    It gets worse. Unlovable 3D is now competing with unlovable HFR (high frame rate) which is competing with 4K. How many permutations do these 3 'enhancements' provide, if consumer equipment only supports 1 or 2 of these new features.

    It gets worse. People want bigger TVs (at a reasonable cost), not smaller TVs with a higher definition. However. combining 4K with a bigger screen will be unthinkably expensive for at least the next 6-10 years.

    We already have 4K in the cinema (a massive drop in quality compared with the 70MM film common in the early 1980s). Having only 1080P at home is useful for the film studios, because the home experience, by definition, is worse than the cinema experience. Boosting the cinemas to 8K would be a complete waste of time, given the screen size, and mechanical qualities of the projector. HFR and 3D is already possible on mid range home equipment sold today. 4K is really the only exclusive it makes sense holding onto in the cinema.

  57. I would kill for a 27" 4K monitor by BLToday · · Score: 1

    in 1999, I had a 21" with 1600 x 1200. It's 2013 and my 24" is 1920 x 1080.

  58. It happens every time... by Anonymous Coward · · Score: 0

    Remember (if you are old enough) people telling you that "Most people are perfectly happy with VHS"? This DVD thing will never take off, and no one wants 16:9 screens, either.

    "Most people are perfectly happy with DVD". This Bluray thing will never take off. No one wants to buy a new TV to watch HD.

    Now it's: "Most people are perfectly happy with 1080p or 720p HD". Yeah, no one will buy 4k.

    Sure.

    BTW: I'd be rather interested in getting a 4k screen to play games on. My existing 30" 2560x1600 is looking a bit low-res...

  59. H.265 codec by Anonymous Coward · · Score: 0

    4K (and 8K) video will become viable once H.265 starts becoming available on chips:

    http://en.wikipedia.org/wiki/High_Efficiency_Video_Coding

    Performance is supposedly doubled: if you have a 1080p/"2K" video, with H.265 it will take half the space and bandwidth compared to H.264. Of course on the flip side, if you don't mind using the same space/pipe as we're using now, you can get double the resolution (i.e., 4K).

  60. pr0n? by CohibaVancouver · · Score: 1

    Everyone knows every technology leap in video was driven by porn - VHS tapes, streaming medai online, compression, DVDs... All they need to do is put the porn industry on it and presto, problem solved.

  61. Well past the biological limit by petes_PoV · · Score: 4, Insightful

    The basic problem with Ultra-HD is that nobody can see it. You'd have to be sitting so close to the screen to appreciate the difference (from "normal" HD) that your eyes couldn't see the whole screen. Add on to that. that the data stream would be so highly compressed to fit into the available bandwidth that the only difference would be the resolution of the artifacts. What you have is the video equivalent of an audio bandwidth extending into the 100's of kHz. great for any dogs listening, or eagles watching your TV, but utterly pointless for humans, unless their motivation is so immature that they feel the need to have something impractically better than the guy next door's, no matter what the cost - or usefulness.

    --
    politicians are like babies' nappies: they should both be changed regularly and for the same reasons
    1. Re:Well past the biological limit by ChrisMaple · · Score: 1

      Improving technology will continue to make the high resolution less difficult, and artifacts need not be a problem. 4000 linear pixels is easily resolved by someone with poor vision and dirty glasses like me: I checked just a minute ago to make sure.

      Twenty years from now, the idea that anyone would want to watch the sort of unrealistic images we think are satisfactory today will seem silly.

      --
      Contribute to civilization: ari.aynrand.org/donate
  62. Transmision != viewing by Immerman · · Score: 1

    Sure, we'd need radically more efficient compression algorithms to fit 4x the pixels into the same bandwidth (though a move to ala-carte purchasing might eliminate a lot of crap no one watches and free up more bandwidth)

    However, you don't need a better signal for a better TV to be worth it - just look at the enormous improvement in quality that good video up-scaling brings to DVDs. Or for analog upscaling there's the smooth filmlike beauty of the Cine-view (or whatever it was called) rear-projection TVs that used precisely curved micro-mirror arrays to gracefully eliminate visible pixel boundaries.

    As for the article's claim that the increased resolution would only be useful for bigger TVs, I'd beg to differ. Sure, if you sit 10-20 feet away you're not going to notice much difference, but not everyone does that. People in small houses, gamers who like to sit close to the screen, and those of us who use our TVs as extra-large computer monitors would all benefit from considerably more pixels per inch.

    --
    --- Most topics have many sides worth arguing, allow me to take one opposite you.
    1. Re:Transmision != viewing by mister2au · · Score: 2

      a move to ala-carte purchasing might eliminate a lot of crap no one watches and free up more bandwidth

      How so?

      Satellite and cable broadcasts the same to everyone ... if only 1 person is watching it then it needs to be broadcast

      A-la-carte suggests an on-demand model - that is WAY more bandwidth because everyone is now watching something different !

    2. Re:Transmision != viewing by Anonymous Coward · · Score: 0

      I think he was implying ala-carte channels, not shows. But as you point out, that wouldn't save anything if at least ONE person were watching each channel.

    3. Re:Transmision != viewing by cynyr · · Score: 1

      I'll repost something from above...

      http://en.wikipedia.org/wiki/Switched_video

      Basically it looks like multicast at the block level. Only send what each node needs/wants and never even send the rest. Given there are ~2000 homes per node, and lets say 8 channels per home (picture in picture on 4 tvs, all different) that means needing to bale able to send 16,000 things at once. There aren't that many channels, and I'm sure the cable companies know how many active users they have at any one time, etc, etc. Also if they needed to they could send 1080P or 720P video for less popular shows.

      --
      All of the above was encrypted with a Quad ROT-13 method. Unauthorized decryption is in violation of the DMCA.
    4. Re:Transmision != viewing by Immerman · · Score: 1

      If they're billing per-channel they would have a much greater incentive to drop unpopular channels. Why would they include stuff that only one person is paying to watch? At present when you buy a package you're probably getting 2-3 channels you actually want, and a dozen or two that you could care less about. Sell individual channels and the relative popularity would hit them in the pocket book much more directly.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
  63. Its not just about video by Anonymous Coward · · Score: 0

    The use of a TV does not stop at video playback. When browsing the web on your big screen or playing video games you're looking at content generated in real time, not limited to bandwidth. Here's where 4K will offer the most benefit. Though I imagine any kind of decent upscaling won't hurt for lower res video either.

  64. I use my HDTV as a monitor for my PC gaming... by Anonymous Coward · · Score: 0

    So I am damn glad I can finally get a larger res for a really large screen.

  65. I heard about this today actually by Anonymous Coward · · Score: 0

    Panasonic is demoing one such 70 inch TV now, and my first thought was "So what? Even if I buy it, there is no source of content." My current TV is used exclusively as a TV monitor, but even if I set it up to receive ChinaDigi (digital) broadcast, they wouldn't be "4k" resolution. Neither would BS (Dish) or CS (Cable) TV.
    As far as I know, standard Blu-Ray disks don't have that kind of resolution, and DVDs certainly don't.

    It would be easy enough to store a higher resolution video on a blue-ray disk as a data file and just make it shorter if need be, but how would you make this video? Even if you made it somehow, that only solves the home/in-house video problem.

    Also, some people don't seem to realize that resolution isn't everything. I usually watch DVDs because they are more than high enough resolution (things are moving on the screen anyway!) Some 1080p BS channels I have seen look terrible, on the other hand, because they use some low bit-rate mpeg4 or something and show all kinds of compression artifacts. If you quadruple the resolution and spend lots of money on new hardware to support this all the way through, and the transmission is only possible with *more* compression, then the results might not be what you expect.

    Also, at this point, I think it makes sense just to piggy-back TV onto the internet rather than having a dedicated network. As the internet gets faster, things like Hulu will become even more common-place and it will be much easier to increase resolution, improve compression, etc.

  66. Bigger TV Screens? No Thanks. by Jason+Levine · · Score: 1

    We have a pretty small house. We have a 32" SD television set in the living room. When that set dies, we'll spring for a HD set. Most likely another 32 inch set as we don't really have the space for anything bigger. At that size, there won't be any noticeable difference between HD and 4K. About the only advantage 4K TVs would give me would be the inevitable price drop that HD TVs would experience. Other than that, I don't really see the benefit to "super duper HD" beyond the manufacturers trying to get customers to upgrade perfectly good equipment.

    --
    My sci-fi novel, Ghost Thief, is now available from Amazon.com.
  67. Use the panels for 1080P Passive 3D by Dastardly · · Score: 4, Insightful

    The more interesting step to me would be 1920x2160 panels for 1080P passive 3D. Right now passive 3D polarizes alternate lines so at 1080P it is more like 1920x540 per eye. Which probably is perceived by the brain like 1920x700 or something like that. If no one makes a 1920x2160 panel I presume it could be done with a 4K panel.

  68. Trouble is nobody cares by WaffleMonster · · Score: 1

    When my living room resembles an IMAX theatre then I'll care..until then 4k might as well be a 40 blade spishak razor.

    Heck DVDs are still out-selling blueray by 3-4x after all these years. Nobody cares about higher rez when the only tangable difference is cost.

  69. Time to free some server space by DMJC · · Score: 1

    Hmm.. looks like I need to clean up some of my 19tb server space to make room for super HD content. Considering that a 30TB server costs under $3k now and that you can buy a 4TB hdd for ~$250-$300 (seagate externals, then pop them into your server chassis) This is definatly doable for enthusiast home users. I expect the pirates to be the first adopters along with Anime fans as Drawn animation compresses more easily than live action shows. They were talking about 30-60% file size increases when using current compression methods so I don't see this as being a problem for my SAS RAID6 setup. (Intel SAS Controller with an Intel6-port SAS expander turning 1 sas port into 5 connecting 20 Sata HDDs in a Norco Chassis. Cost approx $1000) I can definately see this as being doable for an enthusiast, but for sure your grandma won't be building it tomorrow.

  70. What is the issue? by Gription · · Score: 5, Insightful

    The article proclaims FUD. This is just silliness. The data requirements ARE NOT 600mbps just as 1080p's data requirements are not 150mbps.

    Digital television is ALWAYS compressed.

    It will require 4 times the data throughput as it is only 4 times as many pixels. Period. There isn't a downside. If it is only getting a 1080p signal then it will be at least that good and you know that they will have a lot of processing to anti alias the upscaled image. It will probably really help on 3D movies where they are cheesing out by cutting the vertical resolution in half.
    The only issue will be getting the infrastructure caught up with it. The cable companies may have a problem but if they don't take care of it they will go the way of the buggy whip because the Internet and Netflix will scale to take care of it.

    The only real issue that 4K may have is if it makes enough visual difference that anyone will care enough to pay the premium. I really think the only place it will really noticeably shine is 3D. We will just need to see how fast meaningful 3D content becomes available. And with the limitations on how much 3D content you should reasonably watch in a day that will slow the "need" for it.

    1. Re:What is the issue? by Anonymous Coward · · Score: 0

      Actually, since the data is always compressed you will not need 4x the bandwidth for 4K. Likely you will only need 2 times, just as 1080p movies only need 1.5x the bitrate of 720p to look good. Movies will simply compress better.

    2. Re:What is the issue? by clarkn0va · · Score: 2

      It will probably really help on 3D movies where they are cheesing out by cutting the vertical resolution in half.

      If 3D films only have half the vertical resolution, wouldn't a more sensible fix be to distribute files with double the normal height (or width in the case of SBS formats)? I've sometimes wondered why 1080p 3D files don't come in 1920x2160, or 3840x1080 resolution, which could be chopped and displayed on a normal 1080p display without the loss. It's like interlacing all over again.

      --
      I am literally 3000 tokens away from the chaotic crossbow --Stephen
    3. Re:What is the issue? by Lachlan+Hunt · · Score: 3, Informative

      The article said 600 MB/s, not "Mbps". There is a difference. The former is megabytes per second, the latter is megabits per second. And, yes, it does.

      3840*2160 = 8294400 px/frame

      Colour depth is 24 bits per pixel

      And either 24, 25 or 30 frames per second, depening on whether it's native film rate, or adjusted for PAL or NTSC. In either case, the calculation is:

      3840*2160 px/frame * 24 bit/px * 24 frame/s = 4,777,574,400 bits/s = 4.78 Gb/s or around 597.2 MB/s

      It's obviously more for the higher frame rates.

      --
      By reading this signature, you hereby agree with the content of the above comment.
    4. Re:What is the issue? by Anonymous Coward · · Score: 0

      Why would the Internet scale to it when the Internet is controlled by cable and telephone companies? Why would they invest in infrastructure? They can just raise prices for the infrastructure you already have. There's no competition. Municipal broadband? They will have a state law passed to ban it.

    5. Re:What is the issue? by AmiMoJo · · Score: 1

      BluRay does in fact support double vertical resolution 3D, and many movies do use it. Some higher end 3D TVs, notable Panasonic plasmas, support full 1080p 3D resolution for each eye. LCDs tend not have to fast enough response times to support it, but some try anyway.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    6. Re:What is the issue? by Anonymous Coward · · Score: 0

      It will require 4 times the data throughput as it is only 4 times as many pixels.

      Even less than that. The way video compression works, when you multiply the number of pixels per frame by 4, your compressed bits will NOT grow to 4 times that of original. The compressed version of the larger video will be smaller, even using the same codec and settings. This happens because in larger number of pixels, you have more opportunities for compression.

  71. Story by Anonymous Coward · · Score: 0

    Have you seen "The Hobbit" ?

    48 FPS. 3D. A plethora of fancy-schmancy digital effects.

    Have you seen "The Phantom Menace"?

    Fully rendered CGI Characters. Lifelike animation. Fancy-Schmancy digital effects.

    Avatar... Beowulf...

    For every 'Wall-E' there are 10 'Cars 2"

    I would so much rather see a great story in SD than this technological terror they have constructed.

    Nerd-note video-game example: My kids are 8 and 10. Daughter just got a Nintendo 3DS for xmas. Zelda: Ocarina of time was one of the games. I decided to pull it up on the Wii-shop which (besides my 50" screen) is the same thing you would have seen in 1998. What an amazing game! Graphics are blocky and the textures are blurry but the STORY is phenomenal. I REALLY want to save Hyrule from that D-bag Ganondorf!

    That is why 'Citizen Kane' is better than 99% of movies we have seen in the past 50 years

    That is why 4K does not matter.

    pump the pixel money into better storytelling and the world will be a better place :)

    1. Re:Story by ledow · · Score: 1

      I looked at the cinema listings near me the other week.

      Every movie had a sequel number/name in it, and most were around the 4th or more in the franchise. I could not find one that was NOT a sequel in some fashion, and all were sequels to things that had no precedent (i.e. it wasn't like they were the movie of the second book in the series, but were just completely fabricated sequels to only the popular first-runs in order to cash in on the name - I'm honestly waiting for Avatar 2 to appear before I shoot myself).

      And then people wonder why I haven't been to see a movie in, literally, YEARS.

      I'm a mad Tolkien fan. I couldn't stand more than half-way through the first movie, and splitting The Hobbit into three movies? I read it yesterday evening in one sitting.

      My girlfriend is Italian and LOVES UK cinema - but not the stuff we ever show in the UK, which is only ever the US "blockbuster" movies. Literally, she can name English directors for the most obscure movies that have some of our best actors and we have NEVER seen them playing at any cinema anywhere. There are niche cinemas, in central London, that show the sort of things she's referring to but NOBODY goes to watch them, and nobody even knows where to find them.

      If it's not fourth-in-the-franchise, big-name film with trailers, special effects, 3D and famous-actor-who-can't-act in it, it's not shown, not on DVD and nobody ever sees it.

      I'm not a huge "niche" movie fan, but I've watched and enjoyed more on the obscure channels and late-night "arty" movies than anything I've seen even listed at a cinema in over a decade.

      Sure, we all love a bit of Aliens or some mindless comedy pap every now and then, but honestly the cinemas now are babysitters for infants. "Cars 2", "Toy Story 3", "Shrek 4" - and, because not all infants are children - "The Expendables 2", "Iron Man 3", "Men in Black 3", etc.

      I have not been to the cinema (except out of sheer boredom or to accompany friends, but not to actually SEE something that I wanted to see or enjoyed seeing) since, what, 2005-ish because my girlfriend-at-the-time wanted to go out somewhere (and IIRC we both walked out before the opening credits had even finished, after paying for the movie, popcorn, drinks, etc.)?

      The problem is that in my country, Hollywood own the cinemas, and the rest is given a bad rep "It doesn't have a famous actor as the main star?", "There's no 'feel-good' ending?", "It has subtitles?", "It's an indie production so it has to be like The Blair Witch Project (shiver)".

      Best films I've watched in the last few weeks? Perfect Sense - Ewan McGregor in a love-story where people around the world start to lose their senses (smell, taste, hearing, then vision - a bit like a mini-Day of The Triffids). It wasn't the best thing I've ever watched but certainly better than all the Christmas-shite and big-name re-runs for Christmas on TV and in the cinema.

      I also showed my girlfriend "Mrs Brown" (Judi Dench and Billy Connolly playing Queen Victoria and Mr Brown - one of the best bits of serious acting I've seen from a comedian, but his latest attempt at replicating that success with the newly-released Quartet? - I'm not convinced it will be any good).

      What do both have in common? No special effects. No HD. No 3D. No modernised-to-the-point-of-stretching-credulity plots (seems to be the thing now to insert modern-era jokes into historical movies to make them "funny" at points). Just some skilled people, in front of a camera, trying their best to make you believe they are someone else and the things they do are really happening to them.

      There's a difference between "entertaining" and "enthralling / enrapturing". One is what you do to babies, with magic tricks and twinkly things, to keep them occupied and their minds off the things you don't want them doing (like remembering how much that fecking cinema ticket and popcorn cost!), the other is to make someone live another person's life through a perfect setting, convincing acti

  72. Fix the real high def problems first by HotNeedleOfInquiry · · Score: 1

    I don't care so much about the increased resolution. What bugs the shit out of me is the motion artifacts and the grayscale discontinuities that I constantly see even on Blu-ray. Fix the real problems first then worry about the resolution.

    --
    "Eve of Destruction", it's not just for old hippies anymore...
    1. Re:Fix the real high def problems first by omnichad · · Score: 1

      If by grayscale discontinuities you mean color banding, then the fault might be with the TV itself and not the blu-ray. This mostly comes from cheap TV's using 6-bit panels and not even doing proper dithering. A TV capable of "Deep color" (xvYCC color space) should present no problems with smooth color transitions (like skies).

  73. Back the train up by slashmydots · · Score: 1

    I think they're forgetting the current problem. Resolution = pixels. It says nothing about the data rate. Cable is somewhat compressed in my area but tolerable. Dish, though, look like a bad youtube stream. It's soooo bad when everything on the screen is moving. Last superbowl, with the confetti going, it looked like a mosaic. Every hard edge has HORRIBLE compression marks. It's just absolute crap. And yet they're both "1080 HD." Well I bet I can encode 1920x1080 at 500kbps too. That doesn't make it good, that just makes it wider and taller.

  74. Not so much resolution... by djbckr · · Score: 4, Insightful

    I think I'd rather see a higher frame rate. When I was watching "The Hobbit" I really enjoyed the HFR but I was thinking to myself that the rate needs to be even higher still. No less than 60, I would say...

    1. Re:Not so much resolution... by Anonymous Coward · · Score: 0

      According to silicon graphics a sustained frame rate of 80 fps is needed to stop people (trained fighter pilots) from getting motion sickness in flight simulators.
      I myself have seen 300 fps (a BBC test setup) it increases the sharpness of moving objects because the eyes can track moving objects more smoothly.

  75. This is so confused I don't know where to start by cullenfluffyjennings · · Score: 1

    4k video has 4 times as many pixels as 1080 video. At the most, it will need 4x the bandwidth? Do you really think that your future internet connection is not going to be 4 times faster than what we have today? In practice the similarity between pixels on typical 4k footage has less variation than HD resulting in better compression ratio and thus the actually bandwidth needed is less than 4x with the same codec. Codecs are also improving H.265 is much better than H.264.

    Now lets discuss the size of the screen - Check out the pixels per inch for what apple would call a "retina" display. 4k video will look better even on a TV much smaller than sizes mentioned here.

  76. Give it 10 years by sinnergy · · Score: 1

    Consider the state of network technologies 10 years ago. There is so much that can be done in the last mile by actually deploying fiber, combined with up and coming high speed switching speeds that I don't think this will be a problem long.

    Whether people want to invest another couple grand on a new display, that's another thing.

    What they *can* do is put that kind of resolution on desktop displays. Please, enough with the "1920x1080 is high resolution" bullshit. We all had the ability to do 1600x1200 on CRTs over a decade ago.

  77. Sony Digital Reality Creation, etc. by Anonymous Coward · · Score: 0

    Just because one frame is 1080P, doesn't mean that with multiple frames, additional detail can be added as has been the case forever with HD sets upscaling SD to look way better than SD on a normal television. Why is it that everyone presumes that the source must be raw 4k full frame unique (compressed) to be worthwhile. I have a 65" Sony XBR rear screen projector that I still love because its picture tubes filter out aliasing video noise in console games. It also makes SD content look close to movie theater in quality. My son has a 55" Sony XBR flat panel TV and I can see all the pixels unless I am far away and the video game aliasing and noise give me a headache. Sure it has better contrast and brightness, and crispness on live HD signals, but is also makes SD signals look pretty nice. So my point (sorry to be long winded) is that 4K TV's will take HD signals and make them look great (on really larger TV's) without 4K signal sources...

  78. football try 14-16 channels at the same time by Joe_Dragon · · Score: 1

    football try 14-16 channels at the same time.

    That will be what it's takes for NFL ST. and then you also have the local channel games.

    The MNF and THN games are also shown on a local channel in the teams area.

    1. Re:football try 14-16 channels at the same time by timeOday · · Score: 1

      Oblig. Back to the Future II. Splitscreen gaming would also really rock on a big 4k screen (if the consoles support it).

  79. But it does require 150MBPs by dutchwhizzman · · Score: 2

    Really, it does, uncompressed it does. Yes, we can compress very effectively and we do, but he does have a point that the current infrastructure is struggling hard to keep up with a few 720P channels, let alone 1080P. One 4K channel will probably take the same bandwidth that 8 or 10 720P "HD" channels take. Given the amount of 720P channels one user can choose from at the moment and the amount they can play simultaneously over their connection, only very few people will be able to receive 4K broadcasts in the foreseeable future.

    That will make 4K the domain of physical media and brick and mortar stores renting those out have long disappeared. Buying media is something only few people do these days, so there's no supporting infrastructure or economy for the format to succeed. Bluray is the current state-of-the-art medium that will be replaced by whatever 4K will bring us. Whe VCRs were the thing, everybody I knew had at least one in their home. Almost the same with a DVD player. By the time DVD burners got popular, most people had an HTPC of some kind and didn't even watch that much on their TV, but also used their laptops and PCs to watch video. By that time, Internet downloads became so popular, that video rental stores would go bankrupt all over the place. The industry came with "HD" media and the public reaction was mostly "meh". I seriously don't know anyone that owns a dedicated Bluray player. I know quite a few that have a PS3 with a built in drive, but almost none of those people actually own even a single Bluray disk.

    Distribution is going to be hard with the current available options. This will mean that the market adoption will be driven by whatever "portable media players" will support in terms of storage, resolution and processing power. Once tablets, 3D augmented reality glasses or whatever video output device we will be using "on the go" will be using higher resolutions than HD successfully, people will be wanting to get media to use that resolution. Until then, only people that want to compensate their below average size genitals and a few "enthusiasts" will be buying 4K equipment.

    --
    I was promised a flying car. Where is my flying car?
    1. Re:But it does require 150MBPs by fatphil · · Score: 1

      If you're mentioning physical media and renting, then clearly you don't view "TV" viewing as something that needs to be done in real time simultaniously. In that case, why did you not consider simply downloading at 1/nth speed, and watching later? What is it about 4K that excludes it from that usage pattern? If anything, it seems to encourage a "just torrent it afterwards, and watch it later" attitude due to the difficulty (i.e. cost) of streaming it. And for that, this is nothing but an evolution of what people are currently doing, not a revolution. 4 times the bandwidth is just a small constant factor (either in your patience, or your ISP connection).

      --
      Also FatPhil on SoylentNews, id 863
    2. Re:But it does require 150MBPs by tlhIngan · · Score: 1

      Really, it does, uncompressed it does. Yes, we can compress very effectively and we do, but he does have a point that the current infrastructure is struggling hard to keep up with a few 720P channels, let alone 1080P. One 4K channel will probably take the same bandwidth that 8 or 10 720P "HD" channels take. Given the amount of 720P channels one user can choose from at the moment and the amount they can play simultaneously over their connection, only very few people will be able to receive 4K broadcasts in the foreseeable future.

      720p and 1080i take approximately the same bandwidth - it's why both are in the HD spec - you can choose more pixels over framerate or choose framerate over pixels without screwing up the bandwidth consumption. They are, however both HD formats and officially recognized as such.

      1080p requires twice the bandwidth - at least 1080p60 does. 1080p30 is pretty much the same as 1080i60 (or 1080i) - they're practically equivalent given how most gear operate.

      4K requires 4 times as much bandwidth as 1080p being 4 times the resolution. So it's 8 times a 1080i or 720p image.

      Given cable channels nasty habit of squeezing 3 HD channels in one analog with noticable degradation, if you try to squeeze a 4K into 2 channels (4 channels worth of HD in each) would degrade the picture enough to make the whole exercise pointless..

      That will make 4K the domain of physical media and brick and mortar stores renting those out have long disappeared. Buying media is something only few people do these days, so there's no supporting infrastructure or economy for the format to succeed. Bluray is the current state-of-the-art medium that will be replaced by whatever 4K will bring us.

      Even physical media is struggling. A Blu-Ray movie takes around 40GB or so on a dual layer BD. A 4K version of same would require 160GB or so. BD-XL, the 4-layer variant of Blu-Ray only has 100GB of storage. So even that's really a non-starter.

      The other problem with 4K is there's no 4K standard. Is it QuadFullHD (QFHD) (3940x2160), or "true" 4K of 4096x2304 (using a 16:9 aspect). Usually the latter is used for theatrical processing and the results cropped. Or not - a lot of 4K consumer equipment supports both, as well, though the displays tend to be QFHD only.

    3. Re:But it does require 150MBPs by im_thatoneguy · · Score: 1

      That's true of standard compression but we're using MPEG2 compression which is generally terrible. Compare that to RedRay http://www.red.com/products/redray which compresses 4k down to 15mbps and you're almost within within broadcast specs and less than bluray bitrates.

      RedRay looks really really good. I've seen it projected in 4k.

  80. 57 channels and nothing on by Anonymous Coward · · Score: 0

    ?

    - the boss

  81. Not time to freak out yet by rs79 · · Score: 1

    So the files are huge, so what? My first webserver drive was obe gig, cost a grand and took 3 years to fill up. Now we'll download a movie that's six gigs and not blink.

    Files get bigger, pipes get bigger per demand. It's been this way since, oh, 1974.

    --
    Need Mercedes parts ?
    1. Re:Not time to freak out yet by davydagger · · Score: 1

      don't rely on moores law.

      its estimated that HD size will top out at around 20-30gb, with current technology.

      we also need a way to get faster transfer out of current drives.

      good news is that 10GBE works on copper, and they are already thinking of standards for 40 and 100 GBE.

      all we need are disks(and busses) that support that in the computer.

      and some kick ass drivers.

  82. Everyone smacks the new tech. by Anonymous Coward · · Score: 0

    That's weird. A new standard comes out and everyone runs to say it doesn't matter, meanwhile the world is running to buy retina displays. If you're having a hard time seeing how this could be cool, trot down to your local Apple store and check out a new Mac Book Pro, then imagine that awesome display in glorious 55 inches of TV. 4K is going to be awesome. Content will catch up!

    1. Re:Everyone smacks the new tech. by ledow · · Score: 1

      A MacBook you sit literally inches away from during normal use.

      A TV you sit literally feet from during normal use.

      Thus the TV never has to have more than approximately 1/12th of the resolution of a laptop display for you to not even spot the difference.

      4K is just a step up on the HD-scam, which you won't be able to detect without a HUGE TV or by watching it from a completely unnatural position.

      Hell, SVGA monitors were doing HD resolution back in the 90's, and I used to watch TV on a card in my PC because it was a FABULOUS image on them compared to a TV (and that was from a standard SD signal and some nice deinterlacing). It's taken 20 years to catch up and get to the point where a 32" screen can do the same.

      The fact is, though, is that I was literally able to see individual pixels (running Windows 3.1, you could actually see every pixel on a window edge, for example) from the distance I sat at when I was doing fine work that needed the resolution (e.g. DTP, etc.) and usually had to sit back in order to actually appreciate the display in its entirety, where I lost that view of individual pixels (and, when watching TV on it, I usually did it from the other side of the room).

      If you get close enough to and squint at anything, you can see fine detail. From the other side of the room, not so much. Or else houses with wallpaper would form a kind of OCD in people and they'd need it to be perfectly printed, aligned and defined.

      Fact is, a 4K image printed at 600dpi (like the cheapest lasers have been doing for - what - 20 years also?) is 6 and 2/3rds inches long. Personally, I've never been able to distinguish between 300dpi and 600dpi without a magnifier of some kind (and have used 2400dpi printers and scanners - in fact, my usual setup is to set everything to 300dpi toner-save, with 100dpi for scanners and faxes, and NOBODY complains even for presentation work). At 300 dpi? That's barely a 14" image. What you're claiming is that if you look at an A3 piece of paper printed full-colour at 300 dpi, you'll see the whole image AND nearly every dot at the same time, and that if it was printed at 290dpi you'd notice it looking worse. Rubbish.

      Now, even adding some extra width to the pixels for movement, colour, etc., you're still in the bounds of a TV-size from paper-reading distances. And you don't watch TV from paper-reading distances.

      Please stop buying crap. The world might be running to retina displays (but, to be honest, I work in IT and have never seen one and know nobody who has one) but if they are it's because of ignorance. 20 years ago, people were buying "2400dpi scanners" which were really just 300dpi scanners that interpolated. And nobody noticed, because they just assumed it was true, and were happy to pay for the number. While the rest of us locked them into 100dpi modes and everyone said how wonderfully they scanned and that they didn't have trouble emailing 1Mb scans around like their "other" scanner which generated 500Mb scans or larger.

    2. Re:Everyone smacks the new tech. by omnichad · · Score: 1

      So 300dpi at 14" on paper is your visual limit, but you don't want a 300ppi monitor for your computer? Why not? Retina displays are far more useful than 4K TV's at 5 feet away.

  83. There is another problem by Maxo-Texas · · Score: 1

    Even with current bandwidth, video quality has dropped every year for the last five to seven years. Dish, Cable companies and netflix are compressing the hell out of the video. It's past the point where you can't see it.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  84. Re:What is the issue? Obsolete already? by N+Monkey · · Score: 1

    The only real issue that 4K may have is if it makes enough visual difference that anyone will care enough to pay the premium. .

    I think the bigger issue is that it's already planned to be made obsolete by 8K TV. Japan's NHK is apparently going to jump straight to 8K and skip 4K entirely.

  85. Just buy it by Anonymous Coward · · Score: 0

    I see no trouble here. It surely is capable of displaying 720p? So you can buy it now and wait for material later.

  86. aspect ratio? by FalseModesty · · Score: 1

    Will it finally be able to figure out the aspect ratio of the source material?

  87. Saw 4k 46" sets at NAB years ago! by Anonymous Coward · · Score: 0

    standing at a normal viewing distance... There is _NO_ discernible difference between 4k and 2k.

    As mentioned already, you'd need a larger screen. For many folks, that's a non-starter. Where will it fit?
    55"? not large enough, unless I'm sitting too close.

    80" minimum... Wouldn't bother otherwise. 4K is great if you have a small multi-screen theatre... Not for your home, not yet.

    I give it 20 years, or more, before adoption into homes. It will be a boutique item in the mean time... 1% 'ers... that's it.

    4k is awesome if you've spent 12 hours shooting the next feature film, and want to look at the dailies.
    Not much use otherwise.

  88. Re:What is the issue? Obsolete already? by maxwell+demon · · Score: 5, Funny

    Well, I'll just wait for the 640K TV. That should be enough for anybody.

    --
    The Tao of math: The numbers you can count are not the real numbers.
  89. oled by strack · · Score: 1

    i would like to know if they can do a borderless oled display, or one with a border so thin as to be invisible, such that one could put a few of them so close to each other to make a seamless high resolution display.

  90. Just give me 1080p60 by Anonymous Coward · · Score: 0

    1080p still looks ok for video... I just wish they'd up the framerate a bit. Oh right, that wouldn't sell more TVs.

  91. CineGRID by Anonymous Coward · · Score: 0

    http://cinegrid.org

    CineGrid's Mission
    To build an interdisciplinary community that is focused on the research, development, and demonstration of networked collaborative tools to enable the production, use, preservation, and exchange of very-high-quality digital media over photonic networks.

    Of course, for most practical use the content will be compressed (like most HD content is now). Typically, a 1Gb connection should be enough to show 4K content.

  92. 4k is not just frame size by Anonymous Coward · · Score: 0

    4K or UltraHD as it's known is a lot more than a pixel count. It standardizes a high color gamut, XYZ color space (as in cinema) a high progressive frame rate, a 22.2 surround sound audio and an optional auto-stereoscopic display. The new h265 standard also allows a substantial bandwidth saving over h264.
    The larger physical screen size is a major jump, but no more substantial than the 28" to 50" we've had over the last 7-8 years.

    With most film production workflows now mastering in 4k as standard (moving onto 8k soon) then content shouldn't be an issue soon either.

  93. Re:Does my video card have enough bandwidth to ren by Overzeetop · · Score: 1

    depends on what you do. Those of us who need screen real estate are already running three monitors with 4960x1600 resolution, which is just 4% shy in pixel count. Mine is with a $150 radeon from about three years ago. Of course, I don't game, but video runs fine.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  94. Promotion by ersatz criticism by Martin+S. · · Score: 1

    I see what the OP did there: Criticise some new technology on ill-conceived grounds to Slashdot audience and let them evangelise it across the net and world.

  95. Let's forget about the TV Signal for a moment... by louks · · Score: 1

    I am really looking forward to 4K TV becoming popular, and I don't watch much TV...

    I am so sick of having my computer monitors restricted in vertical resolution by the TV industry. Ten years ago, we used to have lovely 1600x1200 laptop screens, and now you can hardly find a screen that is larger 1366x768, and if you do, it's a 27" external monitor that only gets you to 1080...

    This is a small step toward actually having an upgrade in "standard" screen resolutions.

  96. The Redray player by Anonymous Coward · · Score: 0

    The Redray player has a compression asic that can stream 4K content at 25mb a second. That's mega'bits'.
    The codec is capable of streaming 4K for each eye simultaneously at a 60hz frame rate.
    They are also establishing a Youtube like network called ODEMax to feed both theaters and home players content.
    ODEMax is to debut at Sundance.

  97. Just take off your glasses by WillgasM · · Score: 1

    Sometimes I like to watch my old, grainy movies; you know, the .AVIs you used to download and cram 4 or 5 on a data DVD. I have a really nice hi-def, high refresh rate Samsung, and while it makes HD programming look almost hyper-realistic, it makes my old movies look like hammered ass. I've found that if I just take off my glasses, I don't even notice the pixelation and artifacts. Problem solved.

  98. Re:What is the issue? Obsolete already? by suutar · · Score: 1

    Bah. That would only be 100 feet high (at 300dpi). We can do better than that!

  99. 2K, 4K.... by Anonymous Coward · · Score: 0

    2K and 4K sets are just the beginning of a long road terminating at 640K, which I think ought to be enough for anybody.

  100. Yes, give me higher FPS instead of more resolution by Anonymous Coward · · Score: 0

    I've been working on a little game for the last few years. In doing so, since the game is rather simple, I've become addicted to 60 FPS. 30 FPS just seems absurdly jittery by comparison.

    Then one day I was at my mother's house where she has a CRT monitor, and I noticed it was running at 72 Hz. So I went into the settings to see what options it had, and one was 100 Hz. So I configured it to that.

    100 Hz blows 60 FPS away in terms of how smoothly everything moves. Those people who insist the eyes can't see more than 60 FPS anyway have no idea what they're talking about.

    So fuck this 4k nonsense. Just give me a higher frame rate. ...and if you have more bandwidth after that, stop compressing the shit so much. I absolute hate that JPEG and other compression schemes assume that I don't give a fuck about any detail smaller than an 8x8 square of pixels. What's the point of a 1920x1080 screen if it's going to degrade to 240x135 every time there's too much motion?

    I already can barely tell the difference between 1080 and SD programs sitting 10 feet from my mother's television. (Don't have a television myself.) That 1080 is nice when you can sit closer, but it's already too high a resolution for a lot of people's seating arrangements, whereas features like higher frame rate and fewer compression artifacts would be enjoyable by everyone.

  101. Let the porn industry lead the way. by Anonymous Coward · · Score: 0

    That's where resolution matters the most, isn't it?

    No, fuck that. I want 8K.

  102. Redray player by Anonymous Coward · · Score: 0

    Well, the redray player (I believe it might be on sale now, if not it will be soon) will deliver full 4k with a 2.5MBPS data stream, per their web site (www.reduser.net). And their upcoming $10,000.00 4k laser project even looks more awesome...

  103. Current TV Quality by Anonymous Coward · · Score: 0

    Apart from the distribution / file size issue, as the article says I think 4k is another marketing pitch to sell more TVs like 3d was. The reasons being: 1) At the moment we have TV stations broadcasting alot of their content in SD still. Surely, it should be more of a priority to find smarter ways for them to broadcast in HD (1080) first? 2) You have smart TVs / andriod wifi cards that can give you horrible quality videos from the internet. Surely, upgrading the internet connections to high speed fibre (like the Australian NBN) should be a priority for this so you can play all your internet streamed videos in HD (1080)?