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House Judiciary Chairman Plans Comprehensive Review of US Copyright Law

SEWilco writes in with news that U.S. House of Representatives Judiciary Committee Chairman Bob Goodlatte plans on conducting "...a comprehensive review of US copyright law over the coming months.""In a speech given in celebration of World Intellectual Property Day at the Library of Congress today, Goodlatte mentioned a few examples of the sorts of problems that he hopes to address in such a review: 'The Internet has enabled copyright owners to make available their works to consumers around the world, but has also enabled others to do so without any compensation for copyright owners. Efforts to digitize our history so that all have access to it face questions about copyright ownership by those who are hard, if not impossible, to locate. There are concerns about statutory license and damage mechanisms. Federal judges are forced to make decisions using laws that are difficult to apply today. Even the Copyright Office itself faces challenges in meeting the growing needs of its customers - the American public.'"

142 comments

  1. Head fake. by Anonymous Coward · · Score: 5, Insightful

    Do you really think that the end result will be better, and not worse?

    1. Re:Head fake. by XxtraLarGe · · Score: 4, Insightful

      Do you really think that the end result will be better, and not worse?

      No, it will almost certainly be worse.

      --
      Taking guns away from the 99% gives the 1% 100% of the power.
    2. Re:Head fake. by mabhatter654 · · Score: 3, Insightful

      The end result will certainly be worse... Did the summary mention ANYTHING about people that buy and use Copyrighted works? It's going to be discussion on how to "lock it up" better.. Not produce more USEFUL WORKS.

    3. Re:Head fake. by Anonymous Coward · · Score: 3, Funny

      Chairman Bob Goodlatte plans on conducting "...a comprehensive review of US copyright law over the coming months."

      Copyright will be worse, but the coffee will be better.

    4. Re:Head fake. by Anonymous Coward · · Score: 0

      It will allow more USEFUL profiteering from existing WORKS.

    5. Re:Head fake. by DrEldarion · · Score: 3, Interesting

      Why would it necessarily be worse? The DMCA, for instance, has a lot of valid criticism but the safe harbor provision was essential protection for many websites.

      The fact that he says "Even the Copyright Office itself faces challenges in meeting the growing needs of its customers - the American public" is promising.

    6. Re:Head fake. by icebike · · Score: 1

      the American public

      Translation: Big Content. It does not mean you or your neighbor. You the consumer are not a "customer" of the Copyright Office.

      Seriously, when was the last time Congress ever did any big re-evaluation or restructure that actually helped the man in the street?

      --
      Sig Battery depleted. Reverting to safe mode.
    7. Re:Head fake. by zlives · · Score: 1

      holding my breath ;)

    8. Re:Head fake. by suutar · · Score: 3, Interesting

      well, he did mention '...digitize our history so that all have access' and '...the Copyright Office['s] customers - the public', so there may be some basis for hope. Not enough for me to bet a nickel on, though.

    9. Re:Head fake. by nobodie · · Score: 1

      I used to live in Bob Goodlatte's district, it will be worse. Much, mcuh, much worse. Goodlatte got his start sucking up to Jerry Falwell in the Reagan era and has learned some high-level suction tricks since then: corporate suction, celebrity suction, christian rightist suction and now, I assume he sucks some tea party too.
      Anything this guys touches will have some kind of sticky white stuff on it afterwards.

      --
      Subversion of spatial scale luxury decoration ideas.
  2. In other words... by Bill_the_Engineer · · Score: 1

    We need to do the copyright law what we did for patents. What is wrong with enforcing the laws we have?

    --
    These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    1. Re:In other words... by tverbeek · · Score: 4, Informative

      "What is wrong with enforcing the laws we have?" Aside from the fact that some of the laws we have are wrong-headed and counterproductive (e.g. copyright terms that not only outlive the creators, but also their children, and even their grandchildren, thus stifling independent creative appropriation), there's the fact that the laws we have don't make any sense (as in "I have no idea what this means", not just merely misguided) in the context of modern technology.

      --
      http://alternatives.rzero.com/
    2. Re:In other words... by rudy_wayne · · Score: 2

      . What is wrong with enforcing the laws we have?

      You mean like the DMCA and copyrights that last for a gazillion years?

      This so-called "review of copyright law" is being conducted by the same people who work on behalf of the Media Cartel and created the DMCA and extended copyrights to last forever, along with other ridiculous laws.

    3. Re:In other words... by Bill_the_Engineer · · Score: 2

      Which is exactly my point. They already done enough damage. There isn't any need to make things worse.

      --
      These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    4. Re:In other words... by Anonymous Coward · · Score: 0

      So you're saying that you know that current law is terrible, but you want them to enforce it anyway rather than changing it?

    5. Re:In other words... by Bill_the_Engineer · · Score: 2

      Do you honestly think they are going to change it for the better? What did the media corporation's political donation check bounced?

      --
      These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    6. Re:In other words... by Anonymous Coward · · Score: 0

      No, he is saying he would rather (if given only 2 options) they enforced the current laws over more draconian laws. IF given a 3rd option he would probably rather they actually fixed the laws.

    7. Re:In other words... by tverbeek · · Score: 1

      Please read the second half of my reply. That is what's wrong with "enforcing the laws we have".

      --
      http://alternatives.rzero.com/
    8. Re:In other words... by davester666 · · Score: 2

      More like "what can we do for you to up your weekly payments?"

      --
      Sleep your way to a whiter smile...date a dentist!
    9. Re:In other words... by jamstar7 · · Score: 1

      AKA 'Everything on the Internet is copyrighted. All your copyrights are belong to Disney.'

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    10. Re:In other words... by icebike · · Score: 1

      Do you honestly think they are going to change it for the better? What did the media corporation's political donation check bounced?

      That's a pretty lame excuse for leaving things as they are. What if Lincoln had taken that approach?
      Big media already has a strangle hold on our freedoms, yet they don't vote.

      --
      Sig Battery depleted. Reverting to safe mode.
    11. Re:In other words... by Anonymous Coward · · Score: 0

      If Lincoln had taken that approach, 10,000 citizens of the US would not have been held without benefit of habeus corpus, 100s of newspapers would not have been shut down, 625K soldiers would not have died, 10% of men would not have been left without limbs, 625K women would not have been widows or spinsters, and ultimately the US would have done as all other civilizations did, end slavery without a civil war.

      As Lincoln freed no slaves, this probable outcome seems to me like it would have been an improvement.

    12. Re:In other words... by Deefburger · · Score: 1

      What's wrong with enforcing the laws we have? How about the cost of enforcement and the notion of enforcement itself. First off, enforcement of law is unnessesary if the law itself is true and correct in it's application to society. Law is just law and proves it's own usefulness or relevance in the courts. Enforcement is just that, force applied. Second, is the problem of cost. An enforcement of a law that runs contrary to the situations of reality, (like copying being nessesary for the disemination of the content), is a never ending battle against the realities of information transfer. The digital reality is such that in order to effectivly restrict access to information and control it from source to consumer, the owner of the content must have full control of the medium of exchange, ie: the consumer's means and equipment. This is not possible in any way that is meaningful to the property rights of the consumer and the ISP's suppling the means. So, enforcent then falls to penalty after-the-fact, while the real system must allow the breaking of the "law" to be enforced. This is untennable in the long term. The answer isn't to re-create copyright, but to eliminate it.

      --
      Most people are mostly good most of the time.
  3. Far out, man! by Anonymous Coward · · Score: 0, Funny

    Like, information should be like free and stuff! Hey bud, let's party!

    1. Re:Far out, man! by UnknownSoldier · · Score: 1

      Very nice!

      /oblg. Monty Python "Argument Clinic" http://www.youtube.com/watch?v=kQFKtI6gn9Y

  4. need to fix abandonware and older versions by Joe_Dragon · · Score: 4, Insightful

    need to fix abandonware and older versions of software that are no longer sold (maybe limit that to vers needed for old hardware / os's)

    I was looking for a older ver of this software and they where not selling it and there e-mails said that there older vers that where not up to our standards and also said it's not legal to just download the older ones they are not selling (but they ones they are selling don't work on the older hardware / os's)

    1. Re:need to fix abandonware and older versions by Joce640k · · Score: 4, Insightful

      I'll be very surprised if he isn't more worried about the rights of large media corporations.

      * Worried that their bribes might to somebody else...

      --
      No sig today...
  5. Two blood-curdling phrases by paiute · · Score: 4, Funny

    "The calls are coming from inside your house!"

    "Congress is looking into this issue."

    --
    If Slashdot were chemistry it would look like this:Cadaverine
    1. Re:Two blood-curdling phrases by Greyfox · · Score: 2

      Yah, I predict they'll extend the copyright period again, institute jail time for file sharing and authorize the use of drone strikes on overseas file sharers.

      --

      I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    2. Re:Two blood-curdling phrases by Anonymous Coward · · Score: 0

      You forgot:

      "Let's get the UN involved!"

    3. Re:Two blood-curdling phrases by Anonymous Coward · · Score: 0

      It's amazing how quickly the party that spent years being terrified of "I'm from the government and I'm here to help" bent over to take it up the ass from TSA agents.

    4. Re:Two blood-curdling phrases by Anonymous Coward · · Score: 0

      I am altering the deal, pray I dont alter it any further.

  6. This could be a good thing by maroberts · · Score: 2

    But the wording concerns me and implies that they are looking to extend copyright instead of cut it back

    --

    Donte Alistair Anderson Roberts - hi son!
    Karma: Chameleon

    1. Re:This could be a good thing by Jade_Wayfarer · · Score: 1, Troll

      I seriously doubt that there is anyone here who honestly believes in any good outcome of this initiative. Cut copyright terms? Implement saner policies? Right... what, there are communists in that Committee?

      --
      Absence of proof != proof of absence.
  7. lobby rational thought by Infestedkudzu · · Score: 1

    No one thinks our government will produce anything but a set of reforms that benefit institutions of power.

  8. Copyright is obsolete by Anonymous Coward · · Score: 3, Insightful

    Copyright in the digital age is ridiculous and unenforceable, but the same technology that troubles copyright nowadays has largely removed the disadvantages of patronage, as crowdfunding is becoming popular, why not just go back to patronage? it's not a tax on the public and it's a correct way of paying for the actual effort of producing media.

    1. Re:Copyright is obsolete by denis-The-menace · · Score: 2

      This exercise is the middle-men trying to keep their leech-type jobs.

      With copyright trying to create artificial scarcity, projects should be funded by donations or kickstater-like methods.

      Anything else is playing little dutch boy:
      https://www.google.ca/search?q=dutch+boy+finger+dam

      --
      Obama's legacy: (N)othing (S)ecure (A)nywhere and (T)error (S)imulation (A)dministration
  9. How can I buy if you won't sell? by Anonymous Coward · · Score: 5, Insightful

    I'd happily pay $100 for a certain movie -- but the copyright owner won't sell! BigCorpInc has decided there isn't enough profit to be made so they won't make it available. But a core of diehard fans has been trying to track down remaining copies. I've had a worldwide ebay search running for years now and zero hits. A few copies are known to exist in the private collections of actors who were in the film -- but they don't want trouble from a potential future employer, so they won't make "illegal" copies for us fans.

    Once the copyright owner no longer offers the product for sale, the law should allow fans to distribute copies for free. The owner is essentially saying "I can't figure out how to distribute this." Well, we can. So get in gear or get out of the way. It's not costing you lost sales when you refuse to sell.

    1. Re:How can I buy if you won't sell? by IndustrialComplex · · Score: 5, Interesting

      I think that there need to be a few things which should be added to copyright law:

      1. If you aren't making it commercially available it reverts to public domain.
      (for a most 2x more than the average for the same mediatype. ie: $100,000 per copy shouldn't be considered making available. So a movie cannot be sold for more than $50 and still be considered available)
      2. All copyrights must be registered, and rights must be defined by law and cannot be subdivided. The copyrights must be identifed as sold/transferred to a specific person. If the registry isn't updated within 5 years of the death of the person in the registry, it reverts to the public domain.
      (To avoid issues where Bob Author died, and his estate was divided equally among 10 children who then sold portions of odd bits of rights to different corporations in 10 different countries which were then subdivided 100 different ways again.)
      3. Property tax must be paid on IP.

      --
      Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
    2. Re:How can I buy if you won't sell? by Opportunist · · Score: 1

      I feel your pain.

      Some shows simply don't get shown over here. No idea why, they just don't make it across the pond. Britain has some great shows that I would love to watch, yet no such luck.

      Ok, one'd say, there's maybe not even a DVD set of it because, well, it just ran for a season or two (the old Simpsons joke about the longest running British sitcom with 4 episodes is actually pretty apt). Well, there IS. Great, I'd think, I'm in the EU, Britain is in the EU, it is trivial to order ... huh? Not delivering to your country? Why not? Because it didn't run here yet. I see, but nobody has any intent to do it.

      I got a wordy reply that can be summed up in four words: "Sucks to be you".

      Asking around with our networks I got replies along the lines of "doesn't fit into our lineup". It's not statistically significant since that was the ONLY reply I got out of 10 emails I sent. The rest couldn't even be assed to reply.

      So I'm sitting here, screaming "STFU and take my money already!", but nobody wants to sell it to me.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    3. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      I believe I read about a town (city/country?) where property taxes were based on a voluntary assessment of the purchase price of the property. Where if the town thought you understated the price of the property for tax purposes, they could buy it outright. I think we need something like this for tax purposes. If the music business says they are missing $1billion in sales due to IP infringement, then we should tax the IP. If they price it way up, their tax liability goes up.

    4. Re:How can I buy if you won't sell? by Microlith · · Score: 1

      3. Property tax must be paid on IP.

      This is actually exceedingly unfair, and plays into the hands of the major corporations.

      If I create a work, it has no inherent value out of the gate. If a major corporation comes along and sees it and figures that it's worth $5 million to them, they could easily lowball me and offer $1 million. Since my work now has a publicly known value, I owe taxes that I can't possibly afford. Now I'm forced to sell my work to a company who can easily make more for it.

    5. Re:How can I buy if you won't sell? by Microlith · · Score: 1

      Where if the town thought you understated the price of the property for tax purposes, they could buy it outright.

      That seems positively ripe for abuse.

    6. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      I think it should go back to the 20 years, plus the option to renew. But you pay to renew: $500 * 2^n where n=the nth time it was renewed. The renewal period would be every 2 years.

      This way, it's up to the owner to decide how much the work is worth. Most works would go out of copyright at the 20, big media could afford to go another 32 years easily, (n=16, so $500 * 2^16=$32,768,000 but if it's still bringing in enough to justify that cost, then I have no problem with that), but it would have to be insanely successful to be renewed for 48 years (n=24, ie: $8,388,608,000) Even the Mouse couldn't pay for himself: (Introduced in 1928 in Steamboat Willie, so n=(2013-(1928+20)/2) = 32, ie: $2,147,483,648,000)

      Now, that doesn't mean that Mickey Mouse is now in the public domain, it means that the film "Steamboat Willie" is in the public domain, as it rightfully should be.

      TLDR: You have 20 free years to make something out of it. After that, you pay whatever it is worth to you, when it's no longer worth it for you, it goes back to the public.

    7. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      You can fix this by a valuation clause which says the IP is valued by the last sale price. If you haven't sold it, there is no value.

    8. Re:How can I buy if you won't sell? by ArsonSmith · · Score: 1

      It has just gone from worth nothing to you to worth $1million how is that low ball? Does a carpenter lowball Home Depot every time they pay $20 for a hammer because they are going to use it over the next year to make $40k+ building houses?

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    9. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      The real problem is that it leads to exactly the situation that prompted Prop 13 (older residents forced out of their homes by rising property taxes).

    10. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      If it's that obscure, how the hell did you see it in the first place?

    11. Re:How can I buy if you won't sell? by jamstar7 · · Score: 1

      Good idea. It'll never happen. Keep in mind that lawyers like vague laws that are difficult to understand and enforce. Lawyers make money on the loopholes and grey areas because they can argue either side of an argument. And laws tend to be written by lawyers for their corporate clients. Keeping things vague and difficult to understand keeps lawyers working.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    12. Re:How can I buy if you won't sell? by bware · · Score: 3, Insightful

      1. If you aren't making it commercially available it reverts to public domain.

      So JayZ writes 12 songs for an album and decides to release 10, the other two are public domain? When do they become public domain? Everything he writes, even the smallest, worst, most ahead of its time has to be made available either commercially or it's public domain?

      I write three novels and the first two are rejected by publishers. Now I have to find a way to make them commercially available, or I lose all rights to them? The third one is a bestseller, and now the publisher wants to release the first two, but won't because they've previously been made public domain due to your rule 1.

      How is this helpful to anyone? It doesn't give me incentive to write more novels that I might or might not control.

      Making something commercially available has its own costs which a penniless artist might not want to bear. Not to mention the impossibility of making creators declare "This is now finished, and I want to sell it", or have lawyers determine when a creation is finished and must be made available.

      Copyright gives the creator exclusive rights for (what should be) a limited period of time. There's nothing wrong with the "exclusive" part of that, which includes excluding it from the public. It's the limited period part which has problems.

    13. Re:How can I buy if you won't sell? by David_Hart · · Score: 1

      I feel your pain.

      Some shows simply don't get shown over here. No idea why, they just don't make it across the pond. Britain has some great shows that I would love to watch, yet no such luck.

      Ok, one'd say, there's maybe not even a DVD set of it because, well, it just ran for a season or two (the old Simpsons joke about the longest running British sitcom with 4 episodes is actually pretty apt). Well, there IS. Great, I'd think, I'm in the EU, Britain is in the EU, it is trivial to order ... huh? Not delivering to your country? Why not? Because it didn't run here yet. I see, but nobody has any intent to do it.

      I got a wordy reply that can be summed up in four words: "Sucks to be you".

      Asking around with our networks I got replies along the lines of "doesn't fit into our lineup". It's not statistically significant since that was the ONLY reply I got out of 10 emails I sent. The rest couldn't even be assed to reply.

      So I'm sitting here, screaming "STFU and take my money already!", but nobody wants to sell it to me.

      You can, by the way, log into Amazon.co.uk and buy DVDs, etc. which will be shipped to your address in the States. Shipping is a tad high and you have to deal with the exchange rate, but it does work. Granted, it's a different story if the only place to get the DVD is directly from the producer (i.e. BBC) as they can refuse to sell it to you.

    14. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      3. Property tax must be paid on IP.

      This just reenforces the mistaken notion that works covered by copyright are property. They aren't and shouldn't be treated that way. That mindset needs to be broken. Businesses are already taxed on the profits they derive from selling copyrighted works. If you want extra taxes, impose a limited term for automatic copyright and then a steadily increasing registration fee to extend the copyright to the insane terms that it current has. Ideally, content created decades ago would cost millions to keep copyrighted. In that way, it's not a property tax and there's no need for an assessed value. There's only a need for the copyright holder to determine whether the value of the copyright exceeds the registration fee.

      I'd also like to see compulsory licensing terms for all non-functional content. Webcasters descried the CARP board's compulsory licensing decision, but it was actually a step in the right direction, regardless of whether the actual dollar amount is too high. The fact that we don't have an equivalent for movies, video games and such means that services like Netflix are forced to negotiate all licenses directly with copyright holders or are forced to buy antiquated plastic discs containing the content.

    15. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      I am for point 2, but only a little more toward the copyrights side of things.

      Copyright (CR) is automatically granted on all works, this CR expires after a set period of time (5 years for example). After this time, the work must be registered for the CR to remain valid.

      The USPTO will make available a list of all registered works, and any copying of works older than 5 years that are not on that list cannot be prosecuted (if the list omits a valid CR'd work, the USPTO can be sued for the damages).

      Registration costs increase each year, according to the declared value of the work. For instance, if the owner declares a worth of $50,000, the 6th year of CR will cost them $500 (1% of 50,000), year 7 will cost them $1,000 and so on. Once a work has fallen into the PD, there is no retrieval. If the owner has multiple versions of their work, they must register the oldest version they wish to protect and some addition cost for each derivative work (less than registering separately). If they keep a registered CR on a derivative of a work they allowed to pass to the PD, derivatives of that PD work can only be found infringing if they incorporate changes from a protected version.

      The value declaration would be binding on the copyright owner as a selling price for the work, therefore an IP buyer could not be denied a sale of the work for any price greater than the declared value. This value could be changed annually when the work is registered. The declared value would be on the list provided by the USPTO. (If the USPTO errs in presenting this value publicly, the posted value would not be binding, only the declared value, however, the owner would be required to provide proof that they declared a higher price than was posted.)

    16. Re:How can I buy if you won't sell? by suutar · · Score: 1

      I read that idea in a Heinlein book; you assess your own property and anyone can purchase it for that price. You can (in response to the offer) raise your assessment to a level where nobody wants it, but then you owe 5 years back taxes on the new assessed value.

      I wasn't aware it had actually been implemented anywhere, but I'd be interested in seeing the results.

    17. Re:How can I buy if you won't sell? by suutar · · Score: 2

      I think the original idea was more about "if you used to have it commercially available but stopped (e.g. because it's no longer economically feasible), it reverts". But these are good questions to keep in mind, if only to force clarifying language.

    18. Re:How can I buy if you won't sell? by bware · · Score: 1

      An artist writes a song about their spouse. The spouse dies, and the artist out of respect removes the song from future versions of the albums (iTunes, Spotify, what have you). This rule would force the artist to sell at presumably some set price (else the artist would just say one BILLION dollars and the rule would be equally meaningless).

      Do you really want to codify this into law? The founding fathers were pretty smart. Copyright is supposed to be an exclusive license for a limited period of time. Creators should be able to release, sell, modify their works as they please.

      The current problem with copyright isn't the exclusive part, it's with the limited time part. Creators should be able to control their works, including excluding it from the public, but for a limited period of time. No creator (or their heirs) should be able to control their works in effective perpetuity.

    19. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      If you write novels solely for the money that can be made, your novel will be terrible. This applies to ANY creative effort expended. Artists want exposure regardless of profit, the smart ones just know how to monetize their art.

    20. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      Actually yes, I do want that artist to be forced to keep that work available to the public.

      If you want to understand, think of it this way:

      What if the photographer of the guy standing in front of the tank column at Tiananmen Square had a change of heart and became intensely patriotic to the Chinese Government. He now refuses to grant any permissions to reproduce the photo, and destroys the original negatives.

      That's why artists must not be allowed to withhold works from the public once published. Under current laws, an artist could cause serious damage to mankind by withholding works which are very important to preserve for mankind. There are MANY examples of films which have been lost to humanity, forever, because they were withheld from the public due to not being 'commercially viable' but allowed to atrophy and eventually become unrecoverable due to decay/fire/flood.

      I don't think any person should get to decide that they can 'pull things back' from the public domain because of their personal feelings. Once released to the public, they no longer own that work. They only own the temporary monopoly on reproduction, and only then because the public is graciously granting them that monopoly.

      Use it, or lose it.

    21. Re:How can I buy if you won't sell? by bware · · Score: 1

      Wow, there are so many problems with that.

      What about the photographer who took those pictures in Tiananmen Square? Is he required to have multiple Drobos and back up all his photos in multiple formats and update them periodically? Is there going to be a Public Domain Police Force to verify this?

      What if the price for reproducing that photo, set by the artist, is one billion dollars. It effectively removes it from the market. Are you now going to legislate what art costs?

      Are you going to legislate that Universal Pictures invest in the latest technology to preserve their acetate films, no matter the cost? Even if it bankrupts them?

      What about all the slide film I've had published in no longer existing magazines? Am I required to keep that in a fireproof safe? It's been published. I have the negs. If I lose them, or they burn in a fire, am I a criminal?

      Is there a national library? Are your tax dollars going to fund it? Are you going to financially penalize any creator who writes something and doesn't send a copy to this library? How does that work with paintings, films (people still shoot on film)?

      Simply define "published." Shown in a gallery? What if I hate a painter, and buy one of his works and burn it in a fire? He only painted the one copy and now it's gone. Do I, as the purchaser, no longer have the right to do that? What if I lose it through neglect?

      I understand. It's just completely unworkable.

    22. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      I'm pretty sure the parent means that copyright holders should not be able to prevent others from creating and distributing copies of a work which are not available commercially. Not that the authors must distribute their works for free at their own expense.

    23. Re:How can I buy if you won't sell? by tbannist · · Score: 1

      Interesting idea, but 20 years is actually a bit too long, 98% of all profits will be earned in the first 14 years. Given that fact, your proposal would probably work better with a 10 year starting term.

      --
      Fanatically anti-fanatical
    24. Re:How can I buy if you won't sell? by Anonymous Coward · · Score: 0

      Otherwise known as ethical conflict of interest, a violation of fundamental rights.

  10. Oh wont some one think of the morality of it all by Anonymous Coward · · Score: 0

    This comming from a nation thatbuilt itself on stolen ip.

  11. Can help you out here by Murdoch5 · · Score: 1

    If your write it down and it's an original work you own it! If you create it as an original work you own it! If it in anyway is a copy of someone else's work you owe them.

    ......Pretty simple review

    1. Re:Can help you out here by h4rr4r · · Score: 4, Insightful

      So does disney owe royalties to the families of the writers of the books they base their movies on?

      At some point ideas become part of the culture and are no longer owned by anyone person. I believe the founders had it right with a 14 year term and one 14 year extension. We should go back to that model, but the extension should cost enough to ensure that not every work is extended for the full term.

    2. Re:Can help you out here by Anonymous Coward · · Score: 1

      Even if you treat copyright as a natural right, modern copyright law goes way beyond that by extending the monopoly after the author's death and benefiting people, at great cost to the public, who are wholly unrelated to the author.

    3. Re:Can help you out here by Anonymous Coward · · Score: 0, Redundant

      So does disney owe royalties to the families of the writers of the books they base their movies on?

      If it's still in copyright: yes.

      If it's out of copyright (e.g., Beauty and the Beast, The LIttle Mermaid): no.

    4. Re:Can help you out here by Anonymous Coward · · Score: 1

      You do realize that many of the "out of copyright" stuff were first put on paper by the Brothers Grimm in the early to mid 1800s?
      Some 100-120 years later, Mickey Mouse was born in 1928.
      Do you think Mickey be public domain in 15 years (2028)?

      We're rapidly approaching the point we'll have to pay royalties to the decendants of Homer.

    5. Re:Can help you out here by Anonymous Coward · · Score: 1

      they use public domains works and then create copyrighted movies based (sometimes loosely) on them.

    6. Re:Can help you out here by flayzernax · · Score: 1

      I believe the idea of the extension was for the government to get payed back and in theory us, because it would lessen the burden of our taxes enforcing monopolies. Thus being a fairer form of monopoly for the sake of "forced advancement of the arts".

    7. Re:Can help you out here by Anonymous Coward · · Score: 5, Interesting

      You're on to the idea, but not quite there.

      1) Shorten the term. It should be about 5 years. The first term is automatic and free. Subsequent terms require copyright-holder registration.
      2) Require payment for the extension based on revenue generated in the current term. A copyright tax, essentially. And the amount of revenue should be worldwide gross, not local, not net, and certainly not open to loopholes and interpretation like other tax codes. The rate applied to it should be a flat percentage.
      3) Do not limit extensions.
      4) If you miss the extension deadline by even a day, it's public domain. No exceptions.
      5) Public domain is permanent and irrevocable. No exceptions.
      6) All transfers must be registered. A one-time filing fee may be charged. This does NOT reset the clock on the current term. Transfers during the first term are free, except for the filing fee.
      7) Copyrights cannot be registered to non-entities (e.g. companies that went out of business) or foreign entities (e.g. foreign copyright havens) and retain copyright protection. This means that to retain a copyright in the US, a foreign entity must set up a local shell corporation to hold copyrights for them. Unregistered copyrights go to the public domain after the first term.

      That gives everyone what they want. Disney can keep Mickey locked up for a million years, as long as they don't run out of money. Abandonware is public domain within a term length. No more abandonware that doesn't have an identifiable owner. And no more congressional shenanigans due to treaty pressure pulling stuff into an undefined foreign copyright term after it's been in the public domain.

    8. Re:Can help you out here by GreyWanderingRogue · · Score: 1

      So for The Little Mermaid, published in 1837, Disney made their movie of this original work in 1989, making it 152 years after publication. What's the shortest time from an original work (you might argue some of those Brothers Grimm tales were based on existing local legends, which is what Disney was basing their movies on; does that matter?) to publication that Disney used without licensing? What are the chances Disney wouldn't lobby for an extension beyond that time limit?

    9. Re:Can help you out here by h4rr4r · · Score: 1

      Using todays lengths those stories would not all have been in the public domain.

    10. Re:Can help you out here by h4rr4r · · Score: 1

      Not sure, but disney will not care, they just will make sure it is no retroactive.

    11. Re:Can help you out here by h4rr4r · · Score: 3, Informative

      Alice in wonderland was 86 years.
      It was published in 1865 and the movie came out in 1951. Lewis Carroll died in 1898, so using today's Life + 70 it would still have been in copyright.

      The copyright actually expired in 1907. This means they have already done this.

    12. Re:Can help you out here by LittleBigScript · · Score: 1

      You are an idiot. Ideas are not covered by copyright.

    13. Re:Can help you out here by h4rr4r · · Score: 1

      You are a bigger idiot.
      The Disney movie Alice in Wonderland is based off a book of the same name. Had modern copyright laws been in place Disney would have had to pay Lewis Carroll's decedents.

    14. Re:Can help you out here by Em+Adespoton · · Score: 1

      If your write it down and it's an original work you own it! If you create it as an original work you own it! If it in anyway is a copy of someone else's work you owe them. ......Pretty simple review

      Wait... so it's only if you write it down? So if I make up a story and tell someone verbally, and they make a movie out of it and make millions, I owe them if I attempt to tell the story again?

      This concept of copyright completely hobbles the entire concept of "folk" -- folk tales, folk music, etc, where our society evolves through the creative retelling of traditional stories.

      There are many movies that should have made it to folk status by now (in actual society, we use them this way -- words referring to situations in the movies have made it into common language), but we can't, because of copyright. The current mess at least makes some exemptions for this, as well as for other similar situations... ...such as the fact that I wrote this on my computer, Slashdot made a copy of it, but Slashdot doesn't owe me for publishing it (and neither do you). I can just imagine: I commit a crime wearing something I created myself and using something I created myself. I write down how I was going to do it ahead of time. Any reporting on that crime now violates copyright, where the reteller owes me at whatever price I deem fit. I think I'd set the price at "not guilty" (you see, "money" is a fiction; copyright isn't about money, it's about being compensated).

      [/rant]

    15. Re:Can help you out here by Murdoch5 · · Score: 1
      The very second point was:

      If you create it as an original work you own it!

    16. Re:Can help you out here by Anonymous Coward · · Score: 0

      Actually, Pinochio was published in 1883, the author died in 1890, and Disney's film version was released in 1940, 50 years after the author's death.

      The Jungle Book was published in 1894, the author died in 1936, and the Disney film was released in 1967, 41 years after the author's death, and 1 year after the copyright expired.

      I think that's as close as it gets - not even Disney was willing to violate copyright laws directly.

    17. Re:Can help you out here by Anonymous Coward · · Score: 0

      I agree with all of the points except for details of #2.

      A) The first registration should be a nominal fee, say $10 (in 2010 dollars). This is not an egregious entry barrier for a speculative business expense.

      B) The extension should *not* be priced as a flat percentage of gross revenue. This will not encourage the release of items back into the public domain (which was automatic in initial US copyright law after a maximum of 28 years (which was most of an adult lifetime then). Extension should cost a flat increasing fee. Say, take the base fee and add somewhere between 1 and 3 orders-of-magnitude per extension (The number of orders-of-magnitude should be constant). So, choosing 1 order of magnitude (for a 5 year term/extension; I would choose higher for a longer term/extension), the whole thing plays out thusly - Bob Author writes a book. He pays $10 to register the copyright. During the first 5 years his sales are adequate, and at the end of 5 years he decides that the $100 renewal fee is worth it. He pays, but sales drop off (no legs on this one), and so chooses not to pay the second extension fee of $1,000 at year 10. A counter example - J.K. Rowling: First term, $10 per book. Given her current revenue from the HP series I (or my heirs) would probably be keeping those locked up until the renewal fee had hit at least $10.000,000 a term (35 years in this case). But the key is that at some point it becomes too expensive (for the culture) to have ideas locked up fallow, and this is reflected in the increasing fee scale, insuring that ideas are eventually "returned to the soil", as it were.

  12. Mickey's copright must be expiring soon. by Anonymous Coward · · Score: 3, Interesting

    Mickey's copright will expire in 2018. They are going to get at it early this time.

    The only way we can stop this is to go after Disney shareholders.

    1. Re:Mickey's copright must be expiring soon. by mabhatter654 · · Score: 3, Informative

      Mickey Mouse would still be firmly under TRADEMARK for a long time. That would mean you could copy early Mickey clips on YouTube all day, or use them for mashuos and such... but YOU couldn't MARKET "Mickey Mouse" stuff because he's still running Disney and making merchandise.

      What the summary indicates is that "lost" INDIVIDUAL authors will soon LOSE protections... Because COMPANIES don't like a grandkid getting money at the 90 year mark. And "orphan" works will probably revert to publishers that last printed them... So most likely a bunch of PD stuff will get snatched back into "publisher/broadcaster" copyright.

    2. Re:Mickey's copright must be expiring soon. by jonwil · · Score: 1

      The current market capitalization of Disney is over $100 billion. I cant find any specific information on Disney but I would expect that the shareholding of Disney is the same as for many large blue-chip companies where significant chunks are owned by entities (index funds, hedge funds, pension funds and others) who are only interested in the short term share price or the next set of quarterly financial numbers.

      Personally I think Google could do well to buy one of the big movie studios. (Warner might make a good target) then use that ownership (and seat on the MPAA and etc) to push for a saner copyright system (e.g. one that doesn't place as many requirements on Google and YouTube to look for, censor or remove illegal content themselves and placing greater burden on the owners of the copyright to carry out the policing)

    3. Re:Mickey's copright must be expiring soon. by h4rr4r · · Score: 2

      Orphan works belong in the public domain. How that is not blindingly obvious I do not know.

    4. Re:Mickey's copright must be expiring soon. by lessthan · · Score: 2

      Well, you put a dollar bill over the left eye and another dollar bill over the right eye... Ta-da! Your vision has been "corrected."

      --
      Space Shuttle was a program that strapped humans to an explosion and tried to stab through the sky with fire and math
    5. Re:Mickey's copright must be expiring soon. by Opportunist · · Score: 1

      I tried it. I don't know, it either makes me extremely short sighted or reasonably blind. Can't help but this corrected vision seems a bit like asking for disaster.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    6. Re:Mickey's copright must be expiring soon. by Zimluura · · Score: 1

      I'm not entirely sure mickey mouse's character design can be trademarked. I'm sure disney would try to push that he is, but i just don't know how well they could apply his (potentially) public domain use as trademark infringement.

      putting certain, specific images of him, on clothing or other products might be out, if those specific glyphs are trademarked; but releasing an animated version of the godfather with public domain disney characters should be ok (notwithstanding the mario puzo ip).

    7. Re:Mickey's copright must be expiring soon. by mabhatter654 · · Score: 1

      My point is that copyright protects COPYING. Things like the character "Mickey Mouse" and his likeness have other protections if they remain in use.

      I think being partly in public domain has worked out OK for Cthulhu. Part of the works "accidentally" fell into PD (darn Munchkin cultists) and the remaining works are owned by several different companies. Surely of the masters of Dark, Lawyering Arts can negotiate such terrain the Mouse's lawyers would be just fine.

      Yet another reason to vote Cthulhu! Although I prefer overlords with noodly appendages and not tentacles.

    8. Re:Mickey's copright must be expiring soon. by Anonymous Coward · · Score: 0

      "Mickey's copyright" is shorthand for "copyright period on Steamboat Willie" because the former is more readily recognizable to people than the latter.

    9. Re:Mickey's copright must be expiring soon. by Zimluura · · Score: 1

      Copying and repurposing. My point was trademark/dress is about PACKAGING. While I know companies try to assert as much control as possible over whatever they feel is their IP, and in the (potential) absence of copyright they will try to use trademark legislation. I'm just not sure the courts will be as flexible in steamrolling free speech over trademarks as they are with copyright.

  13. Are we talking about expansion again already? by Anonymous Coward · · Score: 1

    That's the issue.

    I think most users of copyrighted works think copyright law has been broadened *WAY* too much, like ever-lengthening (effectively indefinite) copyright terms and making it technically illegal to circumvent DRM even for otherwise legitimate fair use. The DMCA made a perverse wreck out of copyright law, with all sorts of pathological side-effects. Yet even with the huge expansion over the last century through revision after revision, copyright holders still want more. They are afraid of the way technology has made copying easy? Fair enough. There's certainly some rationalization that needs to be done here, but are legislators going to respect the balance of public interest that is supposed to exist in copyright law, and that has been there since its inception? If they're only going to address copyright holder's concerns to hold onto stuff forever, and parade a slew of Hollywood copyright maximalists in front of the panel to appeal for insanely lengthier copyright terms, then this review is useless. What will be the point if the complaints of regular users and the demands of the broader public are ignored?

    Basically, are you finally going to tell Disney "Screw off. We don't care how much money you put in our campaigns, you've made enough money off Mickey. It's expiring to the public domain on schedule. The debt to the public domain is due. Be happy you still get to use Mickey as a trademark." If not, then you can stuff your review.

  14. Copyright sanity by Jason+Levine · · Score: 5, Insightful

    In a sane world, "a comprehensive review of copyright law" would lead to cutting copyright terms back drastically. Something on the order of 14 years plus an optional, one-time 14 year extension. This would take care of abandoned works (after 14 or 28 years they'd be public domain) and would enable us to simplify copyright law. A sane world would also set different penalties for "non-commercial infringement" (you shared that movie on a P2P network for free) and "commercial infringement" (you burned that movie to a few dozen DVD discs and sold them for $5 each).

    Of course, I don't think we live in a sane world. Instead, I'm sure we'll see proposals helpfully "guided" by the content industry. Perhaps terms will be lengthened. Maybe penalties will rise. Perhaps more criminal penalties will be enacted and law enforcement will be forced to take a bigger role in arresting individuals whose crime was installing a P2P program that shared out music files on their computer. (Because, you know, law enforcement has nothing better to do than help the RIAA/MPAA enforce their business model.)

    I *really* hope that sanity will prevail, but I'm not holding my breath.

    --
    My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    1. Re:Copyright sanity by c · · Score: 2

      I *really* hope that sanity will prevail, but I'm not holding my breath.

      Yeah, that's pretty much my feelings when I see anything to do with the US government and copyright. It's sad when the best you can hope for is that it doesn't get much worse.

      --
      Log in or piss off.
    2. Re:Copyright sanity by Anonymous Coward · · Score: 0

      I wouldn't hold my breath if I were you, so good on you.

      The only real long term option is paring it back until it's nothing. Don't pull the rug out, but make the transition as speedy as practically possible. The entire notion of intellectual property is an obsolete, antique, archaic idea from the guild era, not something that belongs in twenty-first century law. It's more harm than good and with international I.P. agreements we're trying to export the chilling effects of our own absurd regulatory environment to the rest of the world. Until the nation starts talking seriously about I.P. abolition the only reform we're likely to see is going to follow the same trend that I.P. law, and especially copyright law, has been following for the last few decades: Longer terms, harsher penalties, and even broader and more vague language so it's easier for gigantic rights holders to monopolize ownership of our technology and culture. All in a day's work for big-guv.

    3. Re:Copyright sanity by Chris+Mattern · · Score: 1

      In a sane world, "a comprehensive review of copyright law" would lead to cutting copyright terms back drastically. Something on the order of 14 years plus an optional, one-time 14 year extension. This would take care of abandoned works (after 14 or 28 years they'd be public domain) and would enable us to simplify copyright law.

      Disney will outright start shooting Congressmen before they let that happen.

    4. Re:Copyright sanity by ArsonSmith · · Score: 1

      Or, have the 14 years free, extension cost $x, then every 5-10 years after it would be $x^2 so as to exponentially increase the costs. Eventually there would be a trade off where it is no longer valuable to the current owner to continue the increase, while the public would get the benefit of additional tax revenue at the expense of not having the material in public domain.

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    5. Re:Copyright sanity by jamstar7 · · Score: 1

      In a sane world, "a comprehensive review of copyright law" would lead to cutting copyright terms back drastically. Something on the order of 14 years plus an optional, one-time 14 year extension. This would take care of abandoned works (after 14 or 28 years they'd be public domain) and would enable us to simplify copyright law.

      Disney will outright start shooting Congressmen before they let that happen.

      Yup, they have to protect that 500,000% profit potential of Star Wars. Otherwise, all the money they paid Lucas for it has been wasted.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    6. Re:Copyright sanity by Legion303 · · Score: 1

      Since the law is never going to go back to the original 14 years intent, it's up to independent content creators to voluntarily release their work into PD after that time. The real question is how many of them are willing to let Disney sell their ideas once they are PD.

  15. also stuff that has no owner / a mistory owner by Anonymous Coward · · Score: 1

    also stuff that has no owner any more / a unknown owner

  16. More like "Comprehensive Expansion" by EmagGeek · · Score: 2

    That's what this sounds like based on the language...

  17. Thew way forward by WOOFYGOOFY · · Score: 4, Interesting

    " 'The Internet has enabled copyright owners to make available their works to consumers around the world, but has also enabled others to do so without any compensation for copyright owners"

    I think we all know where this is going. Total extinction of any notion of "fair use" so that every image you ever did a right click-->save to file on will be an independent criminal act punishable by not more than 5 years in jail and a $50,000 fine.

    Let me tell you what this industry fears the most. Let me tell you what makes the execs in this industry shit their pants and drink too much after work. The idea that you will chose to do something else with your time. The notion that you will choose to spend the half million of so waking hours you have over the course of your life doing something else.

    If they can't get those away from you because your attention was directed elsewhere, doing something more engaging, then they're fucked. You want one of my precious hours to look at your Desperate Housewives / Jarhead crap ? You should be so lucky.

    I used to just think that people who did mass downloading when they *could* have bought the stuff were total assholes who would just cheat any and all the systems of civil society which make things tolerable for everyone. I still sort of think that, but what I don't think is this represents a good application of our justice system and my tax dollars -

    http://www.usatoday.com/story/news/nation/2013/03/18/downloading-case-cant-pay/1997127/

    What I think is this is a sado-system designed to turn even the meekest and most law abiding of our citizens, the ones that get up every morning to got to their underpaid , dead end jobs just to keep their noses and their children's noses slightly above water, into criminals.

    This is a system run by the financial elite solely for their benefit . Elites whose mega-crimes go completely unpunished no matter how globally catastrophic their effects and how many people's lives are completely destroyed by their criminal actions. This is a system whose prosecutors look and look at those crimes but can't find anything but reasonable doubt, while the ordinary citizen can be assured they will be punished beyond any definition of reason and beyond all any definition justice for the even the meekest and most innocuous of infractions.

    To the publishing houses and record companies and entertainment business and especially to Mickey Mouse and all the diseased and dysfunctional special interest politics he has come to represent to my generation I say this- we're going to take yoru out. We're going to decimate your industry and leave you with nothing- no customers, no interest, no money, and no power.

    There's exactly nothing you can do to stop it, counter it, co-opt it or benefit from it. The future in no way includes you irrespective of how broadly you interpret the word "includes". You're all walking dead men, grotesque corpses staggering around, wailing for blood but finding none.

     

    1. Re:Thew way forward by phantomfive · · Score: 1

      To the publishing houses and record companies and entertainment business and especially to Mickey Mouse and all the diseased and dysfunctional special interest politics he has come to represent to my generation I say this- we're going to take yoru out. We're going to decimate your industry and leave you with nothing- no customers, no interest, no money, and no power.

      I'm sure they're shaking in their boots. From laughter.

      --
      "First they came for the slanderers and i said nothing."
    2. Re:Thew way forward by Anonymous Coward · · Score: 0

      Bravo!

      *clap clap*

    3. Re:Thew way forward by Anonymous Coward · · Score: 0

      "There's exactly nothing you can do to stop it, counter it, co-opt it or benefit from it. The future in no way includes you irrespective of how broadly you interpret the word "includes". You're all walking dead men, grotesque corpses staggering around, wailing for blood but finding none."

      Oh look a shinny thing, I sell out now ok!

    4. Re:Thew way forward by Anonymous Coward · · Score: 0

      Amen - well put.

      It really does come down to attention, where people are spending their time and getting their news, information, culture and entertainment. The beast can be starved, at least somewhat. It wouldn't surprise me if fewer people watched the news - and prefer what they read on the Internet because it isn't being filtered (censored, managed,etc.). We know corporate media is compulsively contaminated. They can't help themselves.

    5. Re:Thew way forward by Em+Adespoton · · Score: 1

      You do realize that Disney owns copyright and trade marks on your name, correct?

    6. Re:Thew way forward by Anonymous Coward · · Score: 0

      I stopped consuming American TV years ago and I don't like to play computer games. I find more fun in online interaction. I prefer to read or to write a wikipedia article or a book. So much for the great movie industry. My TV is closed, even my kids ignore it.

  18. Re:This is a REPUBLICAN! OHHHHNOOOOEEESSSS! by jedidiah · · Score: 1, Insightful

    My republican senators act like they represent Los Angeles rather than the red state that actually elected them.

    --
    A Pirate and a Puritan look the same on a balance sheet.
  19. First thing mentioned is stopping piracy. by Anonymous Coward · · Score: 0

    Not a sign it's moving in the best direction.

  20. I bet CISPA would help. by Anonymous Coward · · Score: 0

    Once we get CISPA in place we can go after all of those freeloaders. And we'll need better laws so that they don't get off easy. Way to go House Judiciary.. you're doing God's work man.

  21. Re:This is a REPUBLICAN! OHHHHNOOOOEEESSSS! by Charliemopps · · Score: 2

    I think the majority of Los Angeles would disagree with you on that one.

  22. In other words... by PortHaven · · Score: 1

    We've found some loop holes which entities like Droid TV are taking advantage of. And some recent court decisions did not side in favor with copyright holders.

    So we're planning and discussing new legislation to fuck over the common people.

  23. What does "comprehensive" mean? by Opportunist · · Score: 1

    Apologies, but English is not my first language. Does that mean that he wants to change it so normal, sane people (as opposed to, say, copyright lawyers) can comprehend it?

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    1. Re:What does "comprehensive" mean? by the+eric+conspiracy · · Score: 1

      No, what he is saying is that he got a big campaign contribution from the *AA's and wants to pay them back by making things even worse for the public.

    2. Re:What does "comprehensive" mean? by Anonymous Coward · · Score: 0

      Assuming you're not being sarcastic, "comprehensive" means "all-encompassing" or "complete" - dealing with all aspects of the problem. As an example, Congress is currently considering comprehensive immigration reform - i.e., addressing current illegal immigrants, the need for low-cost workers (one of the largest groups of illegal immigrants), and the method by which the US gives visas which will lead to citizenship (they are considering moving to a Canadian-like system based on skills rather than the current method that prioritizes family connections).

    3. Re:What does "comprehensive" mean? by drunken_boxer777 · · Score: 1

      What he is saying is that they will review all of copyright law, from infringement to fair use, to length of copyright and ownership. All aspects will be reviewed, within the context of modern technology.

      There is no direct mention of what he believes or what he might recommend for revisions.

    4. Re:What does "comprehensive" mean? by Legion303 · · Score: 1

      Here's a simple rule-of-thumb to keep in mind: whenever a politician opens his or her mouth, things are about to get worse for common citizens.

  24. Re:This is a REPUBLICAN! OHHHHNOOOOEEESSSS! by Anonymous Coward · · Score: 0

    Durka Durka sums up our government pretty good IMHO.

  25. Re:Oh wont some one think of the morality of it al by Opportunist · · Score: 1

    "Do as we say don't do as we do", in other words, business as usual.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  26. The digital age by Anonymous Coward · · Score: 0

    The Internet has enabled copyright owners to make available their works to consumers around the world, but has also enabled others to do so without any compensation for copyright owners.

    First, the Internet has enabled copyright owners to ignore consumers around the world and keep their works from being made available. Fixed that for you.
    Second, copyright has met the reality of bits and bytes. "Copy" has been a command on every operating system for the past 30 years. There is no possible way to keep people from copying your work. No make-believe right, outrageous statutory damages, or criminal charges will prevent this from happening... ever.
    Third, statutory damages are absurd when the marginal cost of creating copies is free. No one is hurt by copying.

  27. The American public? by bp+m_i_k_e · · Score: 1

    "Even the Copyright Office itself faces challenges in meeting the growing needs of its customers - the American public."

    Comical.
    Since when is the "American public" considered the customers being served by the Copyright Office. Methinks there is a much more narrow description of the customers served by the Copyright Office. But, hey, it reads a lot better when you the widest description possible.

    1. Re:The American public? by jamstar7 · · Score: 1

      Um, the American public is product not customers.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
  28. This is a Win, Win situation. by VortexCortex · · Score: 1

    If by some miracle the copyright terms get shortened and abandoned works enter the public domain sooner, then we win.

    What's more likely to happen is that they'll make the copyright laws even more restrictive with longer terms bigger fines for infringement, etc. Go down this road far enough and the common folk will start to feel pressure from the jackboot at their throat and actually do something about it.

    In other words: Either they make it worse, and who gives a crap -- it really can't get much worse than it is right now, or it gets a bit better.
    IMO, I'd rather have copyright laws get a lot worse and eventually force a drastic change than have some piddling teeter-totter back and forth to stay just under the amount of crap the public will put up with -- Which is what's actually happening here.

  29. They made their own bed by Anonymous Coward · · Score: 0

    The best part is that they get to look busy and then, several months later, announce that they ultimately accomplished nothing or came up with new copyright restrictions. Why? International treaties (which the USTR wrote). We can't legally back down from our own internal copyright laws because we have them codified into international law.

  30. Valuation of intangible property by sjbe · · Score: 1

    3. Property tax must be paid on IP.

    Sounds great in theory but in reality it is usually very difficult to do. You really can only tax a work if you can objectively value the patent or copyright. If the intangible property hasn't been sold or licensed it is usually nearly impossible to value it and many have limited market value by themselves. Without some sort of objective valuation you can't tax it in any way that makes sense. Things are only worth what others are willing to pay for them. If no one has ever bought it, you can't really say what it is worth. Might be zero or might be many millions or somewhere in between. Lots and lots of intangible property falls into this valuation grey zone. It's just really hard to say what it is worth.

    Furthermore if a company does buy a piece of IP, they will have an asset on their balance sheet (which is amortized) and the may have goodwill (amount paid above market value) as well. This can have tax consequences so in many cases companies already do pay tax on IP they acquire.

    1. Re:Valuation of intangible property by Anonymous Coward · · Score: 0

      What if IP was self-valued - by the owner (who is also NOT the author/creator) - at "the amount they are willing to sell it for?"

      That would put a nice dent on the IP troll business model.

      If someone came along and committed the money (in escrow), the owner would have to either sell or revise their assessment, in which case they'd be liable for back taxes plus a fine as disincentive for undervaluing.

  31. Valuation requires an agreement by sjbe · · Score: 1

    If I create a work, it has no inherent value out of the gate. If a major corporation comes along and sees it and figures that it's worth $5 million to them, they could easily lowball me and offer $1 million. Since my work now has a publicly known value, I owe taxes that I can't possibly afford. Now I'm forced to sell my work to a company who can easily make more for it.

    An offer to buy does not mean it is worth what is being offered unless you agree to the price. No sale = no objective valuation. You could offer me $2 for my DVD of Batman begins but that doesn't mean I will sell it to you for that amount or that it is worth that much in the broader market place. While there are taxes on assets they are not based on prices thrown out during negotiations.

  32. Re:This is a REPUBLICAN! OHHHHNOOOOEEESSSS! by Cinder6 · · Score: 2, Insightful

    Here's my summary of what's frustrating about American politics:

    Overall, Republicans represent most of my interests better than the Democrats, but dear lord can they be horrifyingly stupid and clueless on other issues, copyright and technology in general being big ones.

    --
    If you can't convince them, convict them.
  33. Re:This is a REPUBLICAN! OHHHHNOOOOEEESSSS! by Anonymous Coward · · Score: 2, Insightful

    Democrats are owned by the entertainment industry, so you know anything coming from that side of the fence will be to protect those dinosaurs' business models at the expense of the public.

  34. Whatever They Do by some+old+guy · · Score: 1

    you can be absolutely certain that it will

    1. Benefit comapaign-contributor busnesses.
    2. Cost consumers money.
    3. Result in uneven, draconian enforcement.
    4. Require a bigger burocracy to implement (3).
    .

    --
    Scruting the inscrutable for over 50 years.
  35. Re:This is a REPUBLICAN! OHHHHNOOOOEEESSSS! by krept · · Score: 1

    And of course a bit more on the religious fanatic side, abortions etc. Universal healthcare doesn't seem to be in their agenda either.

    --
    None of us know everything. Therefore we're all naïve.
  36. No more difficult than any other property tax. by Anonymous Coward · · Score: 0

    Other real property ideas that should be instituted:

    1) Abandonment laws. Don't keep the IP fresh? Lose it.
    2) Squatters rights. Let someone else keep the IP worthwhile and then, when money has been made and time has passed, demand all the money and more.
    3) Public right of way. What people have been able to do for 20 years, they must continue to be allowed to do.

  37. How would you know of the other 2? by Anonymous Coward · · Score: 0

    No, what he means is that if you've "released" a work commercially, you get copyrights, but the responsibility for being the only one allowed to make copies is you MUST make copies when requested.

    So when Jay-Z stops making the album of 10 songs, someone can say "Hey, make me a copy, here's your $15" and if he refuses, then it's public domain and they can go to anyone and ask for a copy.

  38. History repeats.... by poofmeisterp · · Score: 1

    U.S. House of Representatives Judiciary Committee Chairman Bob Goodlatte plans on conducting "...a comprehensive review of US copyright law over the coming months."

    Guess he needs some money. Who knows where it will suddenly spring up from? Oh, my! The suspense!!

  39. Goodbye Fair Use, Goodbye Open Access by Anonymous Coward · · Score: 1

    Media corporations and publishers have been fighting "fair use" since it originated, and have systematically eroded it. But they want to get rid of the concept altogether.

    And publishers went ballistic over the mandate that reports in scholarly journals pertaining to federally funded medical research must be made available free of charge to the public within one year after publication. The threat that the mandate will be broadened to include all federally-funded (non-classified) research is making them even crazier. They are looking for any avenue possible to reverse the open access mandate to protect their profits ... er, copyrighted content.

    What better way than to buy politicians and revamp the copyright law?

  40. finally! by Anonymous Coward · · Score: 0

    Hopefully they'll get rid of this "I.P." nonsense.