Slashdot Mirror


Adobe's Creative Cloud Illustrates How the Cloud Costs You More

Nerval's Lobster writes "As we discussed yesterday, Adobe plans on focusing the bulk of its software-development efforts on its Creative Cloud offering, with no plans to further update its 'boxed' Creative Suite products. The move isn't surprising, considering the tech industry's general movement toward the cloud over the past few years. Creative Cloud will cost $19.99 per month for a 'single app' version that features the full version of 'selected apps,' 20GB of cloud storage, and limited access to services. Those who opt for the 'complete' version will pay $49.99 per month for every Creative Cloud app, 20GB of cloud storage, and full access to services; it also requires an annual commitment. At that price, it would take a little over two years for a customer spending $49.99 per month to exceed the full retail cost of box-based Adobe Creative Suite 6, which currently retails for $1299.99 at Staples and $1100-1200 on Amazon. In a recent interview with Mashable, Adobe CEO Shantanu Narayen insisted that the Creative Cloud's cost to customers is lower, especially since they won't have to pay for cloud storage and other services — never mind that 20GB doesn't carry anyone far when it comes to visual design. However much customers stand to benefit from the cloud, it's easy to see that, over a long enough timeline, and with the right financial model in place, the companies providing those services stand to benefit even more than they did with boxed software. That's liable to make just as many people angry as happy, no?" Update: 05/08 03:29 GMT by S :Changed prices involved to reflect standard versions of Creative Suite, rather than the discounted Student & Teacher editions.

52 of 403 comments (clear)

  1. I don't want by Vinegar+Joe · · Score: 5, Insightful

    "Cloud" storage. And I'm not going to pay for it.

    --
    "The average reporter we talk to is 27 years old......They literally know nothing." - Ben Rhodes
    1. Re:I don't want by denelson83 · · Score: 5, Insightful

      "Cloud" storage. And I'm not going to pay for it.

      Why would you? "Clouds" can easily disintegrate in a matter of minutes, leaving nothing but blue sky behind.

    2. Re:I don't want by Anonymous Coward · · Score: 5, Insightful

      This will be the divergence in Adobe customers. Large corporations, who see benefit in a 100% tax deductible monthly subscription expense as opposed to an asset purchase that depreciates over time, plus don't really give two hoots about software price, will happily upgrade. Smaller companies and most independent graphic artists will likely continue to use the final desktop version. When retail prices soar too high because of scarcity in legitimately licensed copies, these users will move to pirated versions of the software. Adobe will then change something in file formats to make the cloud files incompatible with desktop versions of the software.

    3. Re:I don't want by D1G1T · · Score: 4, Informative

      20GB is about 20 minutes of HD footage. Even for stills that's only a few hundred images if you are working in RAW. Can't imagine Adobe exects anyone to use it other than as a demo.

    4. Re:I don't want by dgatwood · · Score: 5, Insightful

      By which time all the small shops will have been pouring money into competing products long enough that Adobe will no longer hold a viable monopoly on the industry, and at that point, you'll see the bigger shops having to maintain both the incompatible Adobe product and the competing product. Within a few years after that, the big companies will ask, "Why are we paying these clowns, again?" and Adobe will be dead and buried shortly thereafter.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    5. Re:I don't want by Baton+Rogue · · Score: 5, Insightful

      20GB is about 20 minutes of HD footage. Even for stills that's only a few hundred images if you are working in RAW. Can't imagine Adobe exects anyone to use it other than as a demo.

      Not to mention the time it would take to upload/download 20GB of data to the cloud. This will also wreak havoc on people with ISPs that have monthly bandwidth caps.

    6. Re: I don't want by AvitarX · · Score: 5, Insightful

      That's sort of how InDesign got popular.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    7. Re:I don't want by suso · · Score: 5, Insightful

      Actually, I imagine piracy is a major reason why Adobe would do this. Photoshop is probably the most pirated app of all time. Gimp will probably have a windfall of new users soon.

    8. Re:I don't want by fuzzyfuzzyfungus · · Score: 4, Insightful

      "Cloud" storage. And I'm not going to pay for it.

      Even if you do want 'cloud' storage(it certainly has its uses), the trend of getting little tiny bits of it bundled under a zillion different credentials and EULAs and TOSes, from a bunch of different outfits that you are just trying to buy some other product from(and, excitingly, often hooked to specific applications, rather than some reasonably normal network file transfer mechanism) is totally fucked.

      Yeah, I really want 5GB over here on dropbox, with one set of credentials, security issues, and iDevice applications that can sorta-kinda treat that 5GB as their filesystem; then another few GB over here on Skydrive, so that they work properly with MS' hotmail file attachment features, and then 20GB over here with Adobe that only 'Creative Cloud' applications can see...

      It's a loss is basically every important respect: the credential soup is a pain in the ass and a likely security hazard, the fragmentation means that you need to manually shuffle around and/or duplicate files to support workflows that attempt to cross the ghastly little vendor silos, and the fact that the first-hit-is-free size limits are generally low creates an incentive for the vendor to gouge you on upgrades(If 'Creative cloud' only works with magic Adobe cloud storage, do you think that their per-GB overage prices will necessarily adhere to market norms for commodity cloud storage?).

      It's as though a substantial fraction of your applications refused to use the OS's filesystem APIs and instead demanded their own partitions that they could format in their own weird way and store data in a way accessible only to themselves. Only better, because you have to remember a bunch of passwords, the files can go *poof* at any time, and the EULAs and TOSes are likely to be abusive!

    9. Re:I don't want by fuzzyfuzzyfungus · · Score: 3, Insightful

      20GB is about 20 minutes of HD footage. Even for stills that's only a few hundred images if you are working in RAW. Can't imagine Adobe exects anyone to use it other than as a demo.

      The first hit is free, kid, and since this 'cloud storage' only interacts with Adobe CS applications, and Adobe CS applications only interact with Adobe cloud storage or cloud storage that emulates a local filesystem, you'll have to buy expansion hits from us!

    10. Re:I don't want by asmkm22 · · Score: 3, Informative

      I doubt GIMP will benefit much. Anyone who wants to pirate CS5 or 6 will still be able to. The only way GIMP will get more traction is if the program is actually improved at a more reasonable pace, which I don't see happening any time soon. And since there aren't any other good alternatives to Photoshop right now, people will just continue pirating Adobe products.

    11. Re:I don't want by MightyMartian · · Score: 5, Insightful

      I imagine the only real "cloud" part to this will be some sort of encryption key exchange that amounts to "if(productexpired) extort(money);"

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    12. Re:I don't want by morcego · · Score: 5, Insightful

      Actually, I imagine piracy is a major reason why Adobe would do this. Photoshop is probably the most pirated app of all time. Gimp will probably have a windfall of new users soon.

      Which is a very stupid logic.

      Eliminating a pirate doesn't mean you are transforming him into a customer. It almost never happen.

      My guess is Adobe is targeting those legitimate customers who buy their software and use the same version, without paying for upgrades, for 4+ years. With the Cloud model, you are forcing them to (re)pay full price every year.

      --
      morcego
    13. Re:I don't want by gagol · · Score: 3, Insightful

      And just like Microsoft Office, piracy is the main reason it is so popular. Poor people can train themselves on the pirate version, when they start working is a serious place that actually earns money with the software, they know their tools.

      --
      Tomorrow is another day...
    14. Re:I don't want by Anonymous Coward · · Score: 5, Insightful

      Except that GIMP is a mess that makes creative types want to claw their own eyeballs out to escape. It has all the mass market appeal of a poo on a stick. I know, every time someone points out that it's a train wreck, a couple people come out and say that they use GIMP all the time (usually meaning, a couple times a week) and are really happy with it. In most cases it turns out that these are people who enjoy the Linux user experience, or who enjoy DOM manipulation via JavaScript, or have built the most epic thing ever out of [PIC microcontroller and LEDs | Minecraft | LEGOs]. What they are not, however, is a professional graphic designer who sits being paid to use Photoshop for at least half his/her day every day of the week.

      I am glad there are people who like GIMP and I'm sure they will continue to use it. Unfortunately it's pretty much a nonstarter for most of the people whose livelihoods depend on image editing, and there are few indications this will change anytime soon.

      I also doubt that most casual image editors who are not already infatuated with Linux are going to take two glances at GIMP, especially if they've previously experienced Photoshop. It just too weird, in the miserable way not the quirky hip way, even if it's not quite as bad as it was several years ago.

      Still topical.

  2. creative clouds... an oximoron by aleator · · Score: 4, Insightful

    creativity is to be shared but also protected because usually the artist wants credit for it. now if you are keeping things in "the cloud" (independend who is providing it to you, be it apple, google, adobe, ...) and you intend do work on them, you have to ultimately trust the owner of the clouds servers on your data staying your data. making a small website with holidays pictures is one thing but working with real data for high payed contracts i would never just put the data anywhere in a cloud... after all winds can carry clouds anywhere.

    1. Re:creative clouds... an oximoron by Misagon · · Score: 4, Insightful

      Also, if I store my work in the cloud and the subscription expires, will Adobe "just" hold my work ransom until I pay again ... or will they even delete my data?

      --
      "We mustn't be caught by surprise by our own advancing technology" -- Aldous Huxley
  3. CS6 costs WAY more than $599.99 by Anonymous Coward · · Score: 5, Informative

    I don't know where they got those numbers from. Photoshop CS6 alone is $627 on Amazon and Design Standard is $1127.98. That makes the $49.99 take more than 2 years to be more than the cost of outright purchasing it.

    If they are using Student/Teacher editions or something to make an unfair price comparison, how could you trust anything else in the article?

    1. Re:CS6 costs WAY more than $599.99 by dgatwood · · Score: 5, Insightful

      Yeah, those numbers are crap. That said, the conclusion isn't wrong, only the numbers. A typical non-corporate user:

      • Bought Photoshop a decade ago or more.
      • Buys an upgrade about every 6 years (3 major versions) at $250–300, or to $42–50 per year.

      A Creative Cloud user:

      • Gets almost no discount for those years of buying upgrades—a $360 discount to rent the whole suite versus historically about $1500 off retail price when buying an upgrade.
      • Pays $240 minimum per year just for Photoshop.

      So it's on the order of 6 times as expensive for your typical Photoshop-only user. For a multi-app user, it's $600 per year, so for new users, it is cheaper initially, but unless you are the sort of person who buys an upgrade at least every two years, it ends up being more expensive. Existing users are badly screwed.

      But the biggest problem I have with this arrangement is that it leaves me completely dependent upon Adobe's good graces. At any time, they can decide to crank the price to $100 per month, and I can either pay it or I lose access to all my files. They can decide to drop Mac support, and I either buy a Windows box or I lose access to all my files. They can lose so many customers over this idiotic rental plan that they file for Chapter 7, and thirty days later, my files are no longer readable. And so on. It's a lack of permanence that I would have a very hard time swallowing, even as a corporate user, much less as a home user.

      In other words, this has all of the problems of a free Google App, only I'd be paying a quarter of a grand per year for the privilege of putting my faith in Adobe. And yet, this is a company whose management has so consistently proven themselves incompetent beyond measure that I have no faith that they will still be around in ten years.

      My prediction is that a sizable percentage of users will treat the Creative Cloud a stopgap measure, to allow them to get by until they can fully migrate away from Adobe products to a competing solution. Now would be an excellent time to short Adobe's stock. I fully expect it to go down to somewhere around $15 (just above their book value per share) in short order.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    2. Re:CS6 costs WAY more than $599.99 by Culture20 · · Score: 3

      Creative cloud user: when Adobe goes belly up or decides to just end creative cloud, no more creativ cloud.

  4. Re:More != more by Anonymous Coward · · Score: 5, Informative

    If you want to use if for a couple of months at $20/month you'll have to steal it. The $20 a month plan is only available to people who bought the perpetual license and are willing to sign up for a 12 month contract.

  5. No Shit, Sherlock - by Anonymous Coward · · Score: 5, Insightful

    This is what cloud computing is all about. It's not about providing a service to customers that's better than what they can get at their own desktops. It's about returning us to the mainframe days when computing was a service and time on the machine was rented out to users. By refusing to publish popular consumer software and moving it onto the cloud where it can be accessed for a fee, software makers can collect rents from their users forever without even having to improve their software. They can also strictly control what users do with the program, what kinds of files they make and how often, and even monitor what they do, all such activities having their own business case.

    The push toward cloud computing, more accurately called centralized computing, is about taking as much control away from the user as possible and selling their computing experience back to them piecemeal at a greatly elevated price. Very few enterprises will actually benefit from this model and most of them are the ones selling, not buying, the software.

    1. Re:No Shit, Sherlock - by Anonymous Coward · · Score: 5, Informative

      This is what cloud computing is all about. It's not about providing a service to customers that's better than what they can get at their own desktops.

      Indeed. Especially because, in this case, the software isn't even running on Adobe's infrastructure, it's still installed locally. The "Cloud" here consists exactly of a subscription pricing model and a more annoying DRM, which will probably be cracked anyway. From Adobe's website (http://www.adobe.com/products/creativecloud/faq.html):

      Do I need ongoing Internet access to use my Creative Cloud desktop applications?

      No. Your Creative Cloud desktop applications (such as Photoshop and Illustrator) are installed directly on your computer, so you won't need an ongoing Internet connection to use them on a daily basis.

      You will need to be online when you install and license your software. If you have an annual membership, you'll be asked to connect to the web to validate your software licenses every 30 days. However, you'll be able to use products for 180 days even if you're offline.

    2. Re:No Shit, Sherlock - by girlintraining · · Score: 3, Insightful

      This is what cloud computing is all about. It's not about providing a service to customers that's better than what they can get at their own desktops.

      No, it is not. Cloud computing is things like Amazon's EC2 cloud; Which provides people who host content on the internet the valuable service of being able to add extra capacity on demand. It eliminates the slashdot effect on websites. It's also useful for a variety of other functions, like video encoding/decoding, load balancing, etc. Cloud computing is a Good Thing.

      You've confused cloud computing with profiteering asshat corporations who are using it to effectively create a new kind of DRM. And like all forms of DRM, it isn't wanted, causes a wide range of problems, and screws over the paying customers. Which, from the article summary, is pretty much what everyone's predicting will happen.

      --
      #fuckbeta #iamslashdot #dicemustdie
    3. Re:No Shit, Sherlock - by tompaulco · · Score: 3, Funny

      Not really. The cloud part here is only about storage - and you have the relatively slow ISP link in between. Mainframes were doing the actual computing work. And in the meantime, data requirements growth have outstipped network speed growth.

      We're now thinking of 20 GB as a smallish amount of data. Some 20-25 years ago, 20 MB was a smallish amount. My current download is 8 Mb/s, about 4,000 times the 2.4 kb modem back then. However my upload is a mere 640 kb/s- just 30 times modem speed. So sending data to the cloud takes longer for modern upload speeds, and modern data needs, compared to the mainframe era.

      Also most of those mainframes were accessed over LANs, which were much faster of course than modems. Not as fast as modern LAN but again data demand growth has outstripped network speed growth there as well.

      Well then it sounds like what we need to do is move to an architecture where the bulk of the processing is on the local machine and that the bulk of the data is on the local machine as well. Sounds good to me.

      --
      If you are not allowed to question your government then the government has answered your question.
  6. The cost comparison is off by neile · · Score: 4, Informative

    The comparison should be made to Adobe CS6 Master Collection which is going for $2,100 on Amazon right now, not the smaller package of CS6 goes for $403.99. Adobe also announced the monthly cost for a single app will be $10/mo. for the first year, not the current $19.99/mo. Similarly, if you are an existing CS3 or higher owner, you can get the first year of everything for $39.99/mo. for the first year. Now I'm not saying whether this is a good or bad change, just pointing out that the summary's numbers aren't accurate.

    1. Re:The cost comparison is off by girlintraining · · Score: 4, Insightful

      The comparison should be made to Adobe CS6 Master Collection which is going for $2,100 on Amazon right now, not the smaller package of CS6 goes for $403.99. Adobe also announced the monthly cost for a single app will be $10/mo. for the first year, not the current $19.99/mo. Similarly, if you are an existing CS3 or higher owner, you can get the first year of everything for $39.99/mo. for the first year. Now I'm not saying whether this is a good or bad change, just pointing out that the summary's numbers aren't accurate.

      Yes, and it omits an important number: People who are going to run away screaming from the idea of paying a monthly subscription fee and will turn to software piracy instead. Adobe is basically walling off the consumer market and then pouring concrete over it to kill it off, while telling it's corporate buyers that subscriptions are the way to go. Well, businesses don't care... it's just another line item to them. Of course they'll sign on.

      And so it goes that Adobe becomes the enemy of self-employed graphic designers everywhere, attempting to destroy the artist who's barely scraping by.

      --
      #fuckbeta #iamslashdot #dicemustdie
  7. Something Microsoft got mostly right w/ Office365 by ducomputergeek · · Score: 4, Insightful

    We have our full time employees and thus we know we need X seats of Microsoft Office split between Windows & Mac users. Well we're coming up on summer where we will have 3 - 5 interns working for us and bringing their own computers. Office365 gives us the ability to add an extra 3 seats for 4 months costing ~ $150 vs. $1500 to go buy extra seats. Actually one of the interns is a graphics arts major and instead of spending nearly $2k for software to be used by one person for a couple months it's going to cost us around $200 for Adobe Cloud. Usually we sub the graphics design stuff out, but we have a project the students will be working on over the summer. So for us, it gives us great flexibility being able to price things per project as opposed to having to sink large sums of money into software that we may only need for one project.

    Now to those like the graphics artist we hire to do most of our graphics work, yeah I can see where they'd be pissed. Many of them I know generally spend $2k and get about 4 years out of the software before upgrading. I still know a lot of professionals still using CS2 because it does all they need and see no reason to upgrade until they absolutely have to.

    --
    "The problem with socialism is eventually you run out of other people's money" - Thatcher.
  8. CS6 != Photoshop CS6 by Score+Whore · · Score: 4, Informative

    Adobe Photoshop CS6 retails for $599 all by itself.

    Creative Cloud @ $50/mo includes:

    What's included in your
    Creative Cloud membership?

                    Photoshop® CS6 Extended
                    Photoshop Lightroom® 4
                    Illustrator® CS6
                    InDesign® CS6
                    Adobe Muse
                    Acrobat® XI Pro
                    Flash® Professional CS6
                    Flash Builder® 4.6 Premium Edition
                    Dreamweaver® CS6
                    Edge Tools & Services
                    Fireworks® CS6
                    Adobe Premiere® Pro CS6
                    After Effects® CS6
                    Adobe Audition® CS6
                    SpeedGrade CS6
                    Prelude CS6
                    Encore® CS6
                    Bridge CS6
                    Story CS6
                    Media Encoder CS6
                    Business Catalyst
                    Typekit
                    Device and PC sync
                    Cloud storage

    I begin to suspect that Nerval's Lobster and the slashdot editor Soulskill lack appropriate knowledge to be commenting on this subject.

    1. Re:CS6 != Photoshop CS6 by future+assassin · · Score: 3, Informative

      And if you stop paying the cloud stops working....

      --
      by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
  9. Complete Rip-off by MatthiasF · · Score: 5, Informative

    Everyone is comparing the costs to a NEW full license of the suites or programs, but that's only a small half of the story. Those of us that have already made the investment of a full copy and can upgrade, these changes are a complete RIP OFF.

    The cost of upgrading CS5.5 Premium Design suite to CS6 is $375. Cost of Creative Cloud? $50 a month, $600 a year.

    We use to only upgrade Adobe suites every 2-3 years, at $375 a pop. Now for the same thing, we must pay $1200-1800 over those two to three years?

    That's an increase of 200-250% depending on your suite.

    Why is no one bringing this up?

  10. Even at face value it's stupid by goodmanj · · Score: 3

    I want cloud storage! My boss says it's going to be the next big thing to contextualize our value process, so I have to have it! Hmm, let's see:

    13 months of Creative Cloud with 20 GB of cloud storage: $650
    Infinity months of Creative Suite 6 plus 13 months of 25 GB Google Drive storage: $635
    Being able to put non-Adobe files in my cloud storage: priceless.

  11. Re:The Obvious Question by Score+Whore · · Score: 3, Insightful

    None. There are lots that get about 80% of the way there. But as anyone who has developed a complex product can tell you, the first 20% of the cost and effort gets you 90% of the functionality, the remaining 10% functionality takes the remaining 80% of the investment. The odds are against F/OSS products ever being a total replacement for the products in Adobe's portfolio.

  12. Except this little thing your skipped by future+assassin · · Score: 4, Informative

    CS6 will run pretty much for ever unless an OS change makes it not compatible. You stop paying after two years and you got NOTHING. Wanna resumer after a year or two, dig out the Cs6 install and off you go for free.

    --
    by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
    1. Re:Except this little thing your skipped by Zontar+The+Mindless · · Score: 4, Informative

      CS6 will run pretty much for ever unless an OS change makes it not compatible.

      Virtual machines take care of that problem pretty nicely.

      --
      Il n'y a pas de Planet B.
  13. Not comparing to the right version by Solandri · · Score: 3, Informative

    Creative Suite 6 comes in all sorts of different versions. Based on the comparison chart (which Adobe replaced with a link forwarder to Creative Cloud), it looks like the equivalent CS6 version is Master Collection, which is $2100 on Amazon retail, $900 upgrade. So at $50/mo that'd be equivalent to 3.5 years for the initial purchase, and 1.5 years between upgrades (granted $50/mo is their introductory pricing).

    Don't get me wrong, I think this is a terrible idea, and am thanking my lucky stars the only Adobe software I use extensively anymore is Lightroom, which for the time being can still be purchased as a standalone version. But for people/companies who actively use the different CS products and upgrade them with each release, it doesn't sound like that bad a deal. It will suck for casual users though. I keep an old copy of Photoshop CS2 around for the stuff I can't do in Lightroom. I feel sorry for the kids graduating now - if they need to touch up one photo in PS, they'll have to pay $20/mo for a year = $240 for that casual use.

  14. Pirate proposal by Okian+Warrior · · Score: 3, Interesting

    Assuming that the software exists on the vendor's server, suppose the following:

    1) I purchase a subscription to Creative Suite

    2) I setup my computer to allow others [that I choose] to remotely use the internet as if from my computer

    3) I sell time on my computer to allow others to use Creative Suite from my computer when I'm not using it

    4) Profit!

    This will clearly be a violation of their terms of service, but isn't it protected under the first sale doctrine? Is there any way that they can enforce a ban on this activity?

    A website similar to Craigslist could let people register their computers, the software they have registrations for, and the hours when it will be available. The website would manage time, passwords, and payment. Sounds like a potential business opportunity.

    Note that Windows already has most of the features you need for this (keeping the remote user out of your personal files, for example).

  15. Fantastic chance for free software by knarf · · Score: 3, Insightful

    While the concept of freedom which lies at the base of the term 'free software' still continues to be misunderstood by many, these nebulous moves by all those entrenched purveyors of proprietary software should make it clear to even the most bone-headed sub-species of manager. Free software means you get to run it the way you want, when you want, however often you want, without any risk of the software suddenly disappearing because you missed a payment or the vendor went out of business or or or...

    In short, if the cloud gets so nebulous you can't even see your wallet in your hands any more, just follow the beacon to dot.org which has been shining for years now without you even noticing.

    --
    --frank[at]unternet.org
  16. Cloud vs. App Store by bostonidealist · · Score: 3, Interesting

    Cloud/Software-As-A-Service/Web Apps are obvious wins for the Googles/Microsofts/Adobes of the world. They

    1. 1. eliminate piracy
    2. 2. guarantee a steady revenue stream
    3. 3. allow vendors to data-mine user behavior
    4. 4. avoid App store sales fees

    Adobe's move is not just about locking-in customers, it's about ensuring that they don't have to give Apple and Microsoft a cut of all their sales. Gatekeeper on the Mac and Windows RT are harbingers of Apple's and Microsoft's long-term strategies: force everything through the App store and skim off the top. All the major software vendors are fighting a war and the consumers caught in the crossfire.

  17. Re:Lots of advantages, none for the customer by EvanED · · Score: 5, Informative

    Assuming the executable is on the vendor's computer:

    I realize that the /. summaries and to a lesser extent Adobe have done a poor job at conveying this information, but that assumption isn't right.

    This isn't really "creative suite in the cloud" so much as "subscription-based creative suite with some cloud storage you can use if you want." You still download the programs and install them locally, and they check in each month (according to comments in a previous story).

    I don't really want to say that this is a good thing; that's for each person to decide. But it does invalidate almost all of your statements, which I will now attempt to correct in the name of reducing FUD:

    The software only has to be compiled for one architecture - no more Windows/Mac/Linux versions
    The user has no installation problems - conflicts with drivers, antivirus, &c
    The code can be optimized to the execution machine

    Not sure what versions will be available; I'd assume Mac and Windows. But they are native programs, not running in the browser. (Not sure why you say that last one is an advantage for the vendor...)

    The code cannot be pirated
    Slightly ironically, the way Adobe is doing probably won't mean much here.

    If the company goes out of business or closes the server, you lose your work
    You can still store information locally.

    You need to be internet connected to the internet for it to work
    You need a reasonably fast internet connection for it to work
    You need a reasonably reliable internet connection for it to work

    You only need a connection once a month for activation purposes.

    The company gets to mine your activities for targeted advertizing
    Unlikely. At least, it won't be significantly easier than it is now, since it's a local app.

  18. This is the academic pricing by luminate · · Score: 3, Interesting

    Huh? $403.99 is for the Design and Web Premium Student and Teacher Edition while the $49.99/month cloud service gets you the Master Collection for commercial use (currently ~$2100). While it certainly isn't a better deal for everyone (students, those that rarely upgrade or only want a few of the apps), it looks like a great deal for current non-academic master collection users. That said, it seems backwards to substantially lower the price for the customers that can most afford it (commercial master collection users) and jack up the price on students and casual users. I don't blame them for trying the cell phone model though. It's amazing how much people will throw away if the cost is amortized over a long period.

  19. Re:More != more by Baton+Rogue · · Score: 3, Informative

    Car analogy - what solution is preferable for someone to learn driving: use a second-hand car or rent a car by the day?

    The better car analogy is the guy who likes to lease a new car every 3 years instead of buying one. You always get to have a new car, and there are rarely ever maintenance costs. The same would probably be true for the software subscription where you will automatically get the newest upgrades for free as part of the subscription.

  20. Re:More != more by c0lo · · Score: 3, Informative

    Car analogy - what solution is preferable for someone to learn driving: use a second-hand car or rent a car by the day?

    The better car analogy is the guy who likes to lease a new car every 3 years instead of buying one. You always get to have a new car, and there are rarely ever maintenance costs. The same would probably be true for the software subscription where you will automatically get the newest upgrades for free as part of the subscription.

    Not quite. With an offline version, one can buy a "second hand" install CD. With an "only for rental" offer on the market, there's no chance to do it.

    Think textbooks

    --
    Questions raise, answers kill. Raise questions to stay alive.
  21. Adobe will lose by pubwvj · · Score: 3, Insightful

    "it's easy to see that, over a long enough timeline, and with the right financial model in place, the companies providing those services stand to benefit even more than they did with boxed software."

    Not really. Adobe stands to lose a lot of customers. There are alternatives to all of their software. Adobe's move just makes look more closely to the competition.

  22. Time for a comeback by tezbobobo · · Score: 3, Interesting

    Quark, Corel, anyone else?

  23. I'm extremely pissed off. by MarkvW · · Score: 4, Insightful

    I've spent a lot of money, and a lot of time learning Adobe products--and this is how that corporation treats me.

    I've got to run the numbers, but I think that I am done with Adobe. Microsoft is Jesus compared to them.

  24. Re:Lots of advantages, none for the customer by dgatwood · · Score: 3, Informative

    If the company goes out of business or closes the server, you lose your work

    You can still store information locally.

    If Adobe went under tomorrow, Creative Cloud users would still be able access their files for 180 days, after which their copy of the app would no longer function. Unfortunately, Adobe tends to use proprietary file formats. A few other apps advertise the ability to partially read some Photoshop files, but AFAIK, none of them are anywhere near 100% compatibility with even CS3 files yet, much less CS6. I'd imagine the situation is similar (or worse) for their other apps.

    So in effect, the GP was right, at least unless somebody buys Adobe out during those six months or until one of those other apps manages to reverse-engineer all the remaining file format bits that you depend on. Pedantically, the work isn't gone—merely inaccessible—but in practical terms, there's really little difference.

    --

    Check out my sci-fi/humor trilogy at PatriotsBooks.

  25. Re:Less is more. by neonmonk · · Score: 5, Insightful

    Why would you use the obviously inferior GIMP, when you already own CS3,4,5 or 6?

    The real answer is to stop upgrading until something better comes along. Now whether that option is Adobe Cloud (which I highly doubt) or another competitor is to be seen.

    But it's not GIMP and it never will be.

  26. Re:Lots of advantages, none for the customer by rminsk · · Score: 5, Interesting

    You only need a connection once a month for activation purposes.

    I work in the visual effects industry. To comply with security audits and various contracts our production network does not have internet access. Doing so would put us in breach with many of out clients.

  27. Re:Less is more. by QuasiSteve · · Score: 5, Informative

    As someone who uses The GIMP extensively and Photoshop occasionally.. "uhm. no."

    The GIMP is not even close to Photoshop yet. That's not to say it isn't a perfectly capable tool for what most people do, but then 'most people' would be fine with Elements, or Lightroom, or Instagram. Graphics professionals will have to weigh their individual demands and see whether The GIMP or one of the many plugins/scripts fills those demands in an acceptable manner.

    Just as an example of what I mean by the latter, and I know it's a limited use case but this applies to so many things, content-aware rescaling.
    In Photoshop you activate the tool and just scale the layer through the typical scaling interface (e.g. drag edges), and the result is shown instantaneously if your machine can handle it.
    Now let's do it with The GIMP. First off, The GIMP doesn't have this feature. You'll have to grab the Liquid Rescale plugin. The main interface offers some great control, but if you just want to rescale the layer the Interactive mode sounds more promising. Except that all it does is update the layer every time you let go of the up/down control / enter a number into the fields while scaling from a fixed pivot (top left corner) While much better than going through the main plugin interface (where you have to commit, then undo if not to your liking, etc.), it's a far cry from essentially the scale tool using a different algorithm for its scaling - who knows, maybe that's on the feature list for a future version, it would certainly be a sensible place to put it.

    Perhaps a bit less esoteric, adjust the canvas size, and let's say you want to add a 2mm border around the edges. First of all, you can't just say you want a 2mm border. You'll have to add 4mm to the width and height first, and then set the offset to 2mm on each axis. Great, keeps your brain accustomed to doing remedial math. So you do that and now go do it again. Notice how the unit dropdown is no longer set to mm? The reason for this is that the unit dropdowns always use the unit associated with the image (bottom left below canvas) rather than the last-used setting. Both have their merits, but % (percent) is not a unit for images, but is a common unit in the drop-downs. Similar things apply to e.g. the aspect lock button.

    Some things a script-fu can address, but many things it cannot. Yes, it's open source, I can add the features (or pay somebody to add them) and with a lot of luck even get them accepted into the trunk (so I don't have to keep patching and compiling / paying somebody to do so). Can't really do that with Photoshop. But but for a long, long list of such features the fact is that with Photoshop, you don't have to to begin with.

    There's plenty of reasons I dislike working with Photoshop - it's far from perfect and I like the direction The GIMP is going in - but there's many more subtle and yet aggravating things besides the ubiquitous CMYK and GUI layout arguments (two areas that are very, very low on my list - if I went into why, this comment would be even more rant-y.)

  28. No need to innovate by VeryVito · · Score: 3, Insightful

    With a guaranteed income from locked-in design professionals, Adobe can finally stop worrying about innovating with each new release. They can continue to sell the same version for years to come, month by month, with no expectation of adding new features, capabilities, etc.

    Sadly, Adobe also owns a boatload of patents when it comes to computer-based graphic design, so the threat of serious competition from new upstarts is almost nil, too.

    Don't speak ill of your new owners.

  29. 12 year cost analysis by MasterOfGoingFaster · · Score: 4, Insightful

    My guess is Adobe is targeting those legitimate customers who buy their software and use the same version, without paying for upgrades, for 4+ years. With the Cloud model, you are forcing them to (re)pay full price every year.

    BINGO! It's my understanding that most Photoshop users surveyed a few years ago said they skip 1 or 2 upgrades. Their upgrade income is dictated by the addition of new features. The cloud removes that pressure.

    Notice Adobe compares the cost of the cloud with full retail price. But in the real world, skipping 1 or 2 upgrades save a lot of money. Based on $699 initial price, and $199 upgrades, a 12-year cost is:

    $3087 - Upgrade every year
    $1893 - Upgrade every 2 years
    $1495 - Upgrade every 3 years
    $2879 - Cloud @$19.99/month

    So the Cloud looks OK if you already upgrade every year. But if a new version is bad, you don't have the previous disks to downgrade. But for those of us who skip upgrades, it can double our cost. And anytime Adobe needs a boost in income, they just raise the price. If we don't pay, we have no software to use.

    This is an opening for Adobe competitors. This makes Microsoft look like really nice people - quite a feat!

    --
    Place nail here >+