Slashdot Mirror


Critics Reassess Starship Troopers As a Misunderstood Masterpiece

Hugh Pickens DOT Com writes "Calum Marsh writes in The Atlantic that when Paul Verhoeven's Starship Troopers hit theaters 16 years ago today, American critics slammed it as a 'crazed, lurid spectacle' featuring 'raunchiness tailor-made for teen-age boys' and 'a nonstop splatterfest so devoid of taste and logic that it makes even the most brainless summer blockbuster look intelligent.' But now the reputation of the movie based on Robert Heinlein's Hugo award winning novel is beginning to improve as critics begin to recognize the film as a critique of the military-industrial complex, the jingoism of American foreign policy, and a culture that privileges reactionary violence over sensitivity and reason. 'Starship Troopers is satire, a ruthlessly funny and keenly self-aware sendup of right-wing militarism,' writes Marsh. 'The fact that it was and continues to be taken at face value speaks to the very vapidity the movie skewers.' The movie has rightfully come to be appreciated by some as an unsung masterpiece. Coming in at number 20 on Slant Magazine's list of the 100 best films of the 1990s last year, the site's Phil Coldiron described it as 'one of the greatest of all anti-imperialist films,' a parody of Hollywood form whose superficial 'badness' is central to its critique. 'That concept is stiob, which I'll crudely define as a form of parody requiring such a degree of over-identification with the subject being parodied that it becomes impossible to tell where the love for that subject ends and the parody begins,' writes Coldiron. 'If you're prepared for the rigor and intensity of Verhoeven's approach—you'll get the joke Starship Troopers is telling,' says Marsh. 'And you'll laugh.'"

130 of 726 comments (clear)

  1. The Only Good Bug is a Dead Bug. by Anonymous Coward · · Score: 5, Funny

    The Only Good Bug is a Dead Bug.

    1. Re:The Only Good Bug is a Dead Bug. by khasim · · Score: 5, Insightful

      Mobile infantry made me the man I am today,
      https://www.youtube.com/watch?v=FoPTPe33PQY

    2. Re:The Only Good Bug is a Dead Bug. by msauve · · Score: 4, Funny

      Didn't Paul Verhoeven also make Showgirls? Upon further reflection, that one was about man's inhumanity to women.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    3. Re:The Only Good Bug is a Dead Bug. by TheRaven64 · · Score: 5, Insightful

      This is an interesting change from the book, because the scene is almost exactly the same but the meaning is totally changed (once you get another chapter in they diverge to the extent that it's impossible to tell they they're even similar stories). In the book, he's in the recruiting office to discourage people from signing up with any rosy view of what they're getting in to. When he leaves, he puts on prosthetics that make him seem completely normal - the mutilated veteran appearance is just for show.

      There's a good reason why the film diverged from the book - the book just isn't that good. The film is a satire of what Heinlein wrote in total seriousness. His books are a mixture of cult-of-the-individual libertarianism and characters travelling back in time so that they can fuck their mother[1]. It must be incredibly hard to write a screenplay based on his work that isn't satire, because there's no way you can take it seriously.

      [1] Yes, he really did write two books about this.

      --
      I am TheRaven on Soylent News
    4. Re:The Only Good Bug is a Dead Bug. by allcoolnameswheretak · · Score: 4, Insightful

      I'm not sure satire "works" if most of the people whose views are being satirized in the film like it and think it's cool. And if most other people with different views also like it and think it's cool. Doesn't this effect promote these views rather than being a 'funny critique' as was perhaps intended?

    5. Re:The Only Good Bug is a Dead Bug. by fatphil · · Score: 2

      Like what "Type O Negative" did for goth music - they simply became what they were parodying.

      --
      Also FatPhil on SoylentNews, id 863
    6. Re:The Only Good Bug is a Dead Bug. by Rich0 · · Score: 4, Informative

      There's a good reason why the film diverged from the book - the book just isn't that good.

      I thought the book was interesting. It depicts a form of government that is unheard of in modern society which seems to try to reconcile some of the libertarian vs communist conflicts. (For those who haven't read it the gist of it is that the world is governed by a democracy in which only those who have served in the military can vote. The argument is that voting rights are open to anybody, but only after demonstrating a willingness to sacrifice for the common good. Non-voters still obtain the same freedoms/rights/etc, but are not trusted with the operation of the government.) I think it uses a story as a way to explore interesting questions - ones that are certainly relevant today in a world where we ban behavior that doesn't hurt anybody, allow people to hurt themselves, pay to fix people who have hurt themselves, have lots of people who are unemployable, etc. How do you reconcile the libertarian ideal of personal responsibility and freedom with the reality that many don't seem to thrive under those conditions?

      I'm not suggesting that creating the mobile infantry is the solution. Oh, and I find it amusing that they still use the term "mobile infantry" in the movie. The movie mostly has guys getting dropped off by spacecraft and running around on foot. In the book mobile infantry was more about guys running around in mechs - which really does sound like "mobile infantry."

      His books are a mixture of cult-of-the-individual libertarianism and characters travelling back in time so that they can fuck their mother.

      Can't say that I've read any of his other books. Honestly, this sort of stuff seems to be pretty common in Sci Fi and is part of why I don't read all that much of it. You can have conceptually interesting books like Ringworld and then 14 sequels which seem to be filled with bizarre sexual fantasies.

    7. Re:The Only Good Bug is a Dead Bug. by Digital+Vomit · · Score: 2

      the world is governed by a democracy in which only those who have served in the military can vote. The argument is that voting rights are open to anybody, but only after demonstrating a willingness to sacrifice for the common good. Non-voters still obtain the same freedoms/rights/etc, but are not trusted with the operation of the government.

      I used to naively think that sounded like a good idea. Senator John McCain completely shattered that illusion.

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    8. Re:The Only Good Bug is a Dead Bug. by MRe_nl · · Score: 5, Interesting

      Showgirls is a film about capitalism. A brilliant expose on naked and ruthless ambition to "make it to the top" through voluntary self-prostitution. As a Dutch person, America's sarcasm detector seems collectively turned completely off. All of Paul Verhoevens films are dark comedies about the big issues of our times (as seen by Mr. Verhoeven), but it seems it takes another Dutchman to see this. The fact that some people only now see Starship Troopers as perhaps somewhat sarcastic blows my mind. How can you miss it?
      It's such an obvious critique of nationalism, patriotism, propaganda, the military-industrial complex and jingoism that I really cannot fathom anybody seeing it in any other context.

      --
      "Kill 'em all and let Root sort 'em out"
    9. Re:The Only Good Bug is a Dead Bug. by drakaan · · Score: 4, Insightful

      I think you may be conflating a disdain with his ideology/politics from whether or not he's capable in the role of Senator. I can just as easily think of many more Senators with no record of military service that I wish were out of a job.

      I also recall that in that particular book, you didn't have to be in the infantry to get those rights...you could be a cook or a pilot or a medic, etc. The idea of being willing to sacrifice as a litmus test for suitability as a government servant in another capacity isn't a bad one. We (in the US) only really have the military as a way to serve in that capacity...the peace corps would be a similar example that I think Heinlein would have seen as falling into this category.

      It's not a bad idea...why trust someone with the responsibility to make decisions that will impact the lives of everyone when they never had any skin in the game?

      --
      "Murphy was an optimist" - O'Toole's commentary on Murphy's Law
    10. Re:The Only Good Bug is a Dead Bug. by matthewv789 · · Score: 2

      It's a parody of America. Naturally American's won't understand this.

  2. It tried to follow the plot by jfdavis668 · · Score: 3, Insightful

    I was surprised how well the movie tried to follow the plot of the book. But, flying across the galaxy to fight bugs with assault rifles at 10 feet? Everyone in the army looking like members of the fashion club? Where are the armored suits? Skydiving from space? Hand held nukes? (OK, they had a little bit of that). The basic training parts of the book were critical. And why did they include Doogie Howser, Gestapo? For all the teenage blood and gore in the movie, it did portray the concepts of the book fairly well.

    1. Re:It tried to follow the plot by canadian_right · · Score: 3, Insightful

      I've always enjoyed the movie Star Ship Troopers as a satire of fascism and chauvinism. I thought it conveyed the spirit of the book, if a bit skewed, quite well.

      --
      Anarchists never rule
    2. Re:It tried to follow the plot by Desler · · Score: 2

      I was surprised how well the movie tried to follow the plot of the book.

      In what way did the movie follow the plot of the book? Verhoeven even admitted that he didn't even finish the novel. He supposedly read a couple of chapters then got bored and stopped. Outside of a handful of similar events they are almost nothing alike.

    3. Re:It tried to follow the plot by HornWumpus · · Score: 3, Interesting

      What? No it didn't. Not at all. What book did you read?

      No basic, no skinnies, no OCS, no power armor, no drops etc etc etc.

      Plus all the 90210 idiots...blah.

      It was obvious that the movie makers did have an axe to grind. The almost Nazi uniforms were the giveaway.

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    4. Re:It tried to follow the plot by perpenso · · Score: 3, Funny

      I was surprised how well the movie tried to follow the plot of the book.

      In what way did the movie follow the plot of the book? Verhoeven even admitted that he didn't even finish the novel. He supposedly read a couple of chapters then got bored and stopped. Outside of a handful of similar events they are almost nothing alike.

      Might want to add that it is a very short book.

    5. Re:It tried to follow the plot by Runaway1956 · · Score: 3, Insightful

      "speaks to the very vapidity the movie skewers"

      Hollyweird is the definition of vapidity, IMO.

      I will note that the movie made no attempt to delve into the political statements made in the book. Of course, Hollyweird isn't really into libertarian thought, so they would have brushed over that if they did understand it.

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    6. Re:It tried to follow the plot by Thorizdin · · Score: 3, Insightful

      Exactly, the movie tried to convey the opposite message that the book did.

    7. Re:It tried to follow the plot by SJHillman · · Score: 5, Interesting

      When it (the movie) first came out, I was mostly in it for the bare boobs. We didn't have Internet access back then.

    8. Re:It tried to follow the plot by lgw · · Score: 5, Insightful

      People frequently misunderstood Heinlein. He wrote about many fictional societies in which he took some idea that sort of sounded good, and pursued it to its logical extreme where it broke.

      People read Starship Troopers and see Heinlein as a fascist, instead of seeing the book as illustrating the good and bad sides to such a society from the point of view of someone living there. We're all brainwashed by our culture to some extent, after all, because that's what culture is.

      People read Moon Is A Harsh Mistress and see Heinlein as a Libertarian (gotta watch those libertarian fascists!), instead of seeing the book as illustrating the good and bad sides to such a society from the point of view of someone living there.

      In both books our heroes defeat the major dramatic conflict, but also find that society did not become utopia as a result.

      The movie was a shallow satire. The book was a thoughtful morality play. I still like the movie though, as was far more annoyed by the lack of jumpsuits than the political fun.

      --
      Socialism: a lie told by totalitarians and believed by fools.
    9. Re:It tried to follow the plot by thomst · · Score: 5, Insightful

      canadian_right confessed:

      I've always enjoyed the movie Star Ship Troopers as a satire of fascism and chauvinism. I thought it conveyed the spirit of the book, if a bit skewed, quite well.

      Oh, for criminy's sake! A "satire of fascism and chavinism" that "conveyed the spirit of the book"? Give to me a break.

      The two things are ENTIRELY mutually exclusive. You can convey the spirit of Heinlein's final juvenile novel, or you can make a "satire of fascism and chauvinism", but you cannot do both. In fact, I'm reminded of Heinlein's own observation that, "A man may choose to follow the path of faith, or the path of reason. He cannot do both."

      Starship Troopers, the novel, is a straightforward exposition of the process by which callow teenagers are transformed into trained soldiers. There's no trace of sexism in it, and no hint of fascism, either. (That Heinlein sets the story in a society in which an individual must serve the public for a period - remarks he made in response to interviews published over the years made it clear that he did not envision military service as the only option - before being granted the sovereign franchise does NOT amount to "fascism".) The movie, by contrast, discards every trace of what makes the book effective as a coming-of-age tale, replaces Heinlein's social model with a truly fascist one, and makes the military's leadership a clown college (Space marines using carbines against the Bugs? Really?), to boot. It has NOTHING to do with the book, besides sharing a title.

      You, sir, are a ninnyhammer.

      --
      Check out my novel.
    10. Re:It tried to follow the plot by murdocj · · Score: 2

      No basic? Really? The Starship Troopers I saw had a long sequence of basic, including the scene where Rico screws up, gets someone killed, and takes a bunch of lashes. I don't know that it's word for word what was in the book (haven't read it in many years) but it was pretty darned close.

      In general the movie followed the book plot, but it of course it was done as satire, because what's the alternative? What Heinlein wrote was a fun juvenile book, but pretty hard to take seriously as an adult, and if they tried to make a "serious" film of it, it would have looked ridiculous.

    11. Re:It tried to follow the plot by steelfood · · Score: 4, Interesting

      I will note that the movie made no attempt to delve into the political statements made in the book.

      Not in so many words perhaps. But they're there, mostly subtle. Watch it again, ignoring the violence, nudity, and spaceships. I watched it in the theaters the first time and thought it was absolute crap. I watched it at home recently a second time, and I actually surprised myself at how much I enjoyed it.

      It's like a brilliant Pixar movie, but live action and for adults instead of children. I.e., in a Pixar movie, the kids are entertained, but the adults get all the subtlety. In Starship Troopers, the adults are entertained, only certain people will get all the subtlety.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    12. Re:It tried to follow the plot by fche · · Score: 4, Interesting

      It may be a meta-satire, expecting lefties to look for parts they think is hilarious, but at an even deeper level approving it. Like the citizenship idea - something earned by e.g. being willing to put your life on the line for your country, by taking a personal responsibility. In a way, it's just an amplification of JFK's "ask not what your country can do for you ..." line.

    13. Re:It tried to follow the plot by Zynder · · Score: 2

      Would you like to know more?

    14. Re:It tried to follow the plot by Anonymous Coward · · Score: 5, Informative

      FWIW: Paraphrasing, Chauvinism's original definition is the unwavering and unquestioning belief in an idea / cause / leader etc.

      Chauvinism was picked up by feminists, and under the variant "Male Chauvinism", as in an unquestioning belief in male superiority. Over time, this got shortened to Chauvinism again, masking the original meaning.

      http://en.wikipedia.org/wiki/Chauvinism

    15. Re:It tried to follow the plot by dnavid · · Score: 5, Informative

      No basic? Really? The Starship Troopers I saw had a long sequence of basic, including the scene where Rico screws up, gets someone killed, and takes a bunch of lashes. I don't know that it's word for word what was in the book (haven't read it in many years) but it was pretty darned close.

      Rico does not get anyone killed in basic training in the novel. In the novel, Rico gets lashes for conduct that, in real combat, would have caused serious injury or death to his fellow soldiers (he fires a fake nuclear rocket at a target without ordering the recruits nearby to clear the area first).

      There is technically a part of the movie in which Rico is in basic training, but its relationship to the related parts of the book is essentially in name only. The basic scenes in the novel are specifically the part of the novel where Rico's indoctrination into the MI causes him to begin to understand - for good or bad - what society had been trying to teach him about morality and public service, and how rights and responsibilities are necessarily intertwined.

      The critical difference between Starship Troopers the movie and Starship Troopers the novel is that in the novel the MI (and the Federal government in general) are a competent, moral (by some definition), integrated part of the overall government and society and the choice to serve or not serve is portrayed as a fair choice: some people want to and can serve, some people don't want to or cannot serve. Those who do not serve have nearly all the rights of those who do not: the main two rights they don't get are the right to serve in law enforcement or the federal government, and the right to vote.

      I should point out here that originally, only property owners had the right to vote in the United States under the Constitution. And the rationale for that restriction is spelled out in the Federalist papers as very similar to that espoused by the fictional government in the novel. In the Federalist papers, its stated that in effect, it did not make sense for people without any "skin in the game" to have the power to dictate what the government did by voting. If you didn't own property, you couldn't be taxed (the income tax didn't exist yet). The logic was that only people who pay taxes should decide how they were spent. That notion of suffrage evolved over time as the role of government began to affect everyone increasingly whether they were property owners or not. But in the novel, the rationale for only giving veterans the right to vote is: they've proven they are willing to give up *all* their rights to serve others, even if only temporarily. And in fact, veterans have the right to vote but *active military* does not.

      This is a vast contrast to the movie, where the MI is portrayed as cartoonish incompetent fools and jingoish lunatics. Rico never comes to the realizations he does in the novel regarding morality and responsibility. First he joins out of peer pressure (granted, he does this in the novel also). Then he stays to seek revenge for Buenos Aires (he decides to stay in the novel when he realizes he now agrees with his moral history teacher's teachings about responsibility and service). Then out of the blue he gives a weird eulogy for Dizzy that I guess is supposed to parallel his decision to join OCS in the novel, but there's absolutely no character growth leading up to that point at all.

      Rico has an actual character arc in the novel which *is* the whole story. Rico in the movie is a literal marrionette, yanked around to dance whatever dance is required in each scene, without any character arc at all. And without that character arc, there is no story. Instead, Starship Troopers the movie is a movie where Stuff Just Happens. Its often visually entertaining Stuff That Happens, but there's no real story connecting the Stuff That Happens.

    16. Re:It tried to follow the plot by grcumb · · Score: 5, Interesting

      The movie, by contrast, discards every trace of what makes the book effective as a coming-of-age tale, replaces Heinlein's social model with a truly fascist one, and makes the military's leadership a clown college (Space marines using carbines against the Bugs? Really?), to boot. It has NOTHING to do with the book, besides sharing a title.

      If you look at other 'serious' films that Verhoeven has directed, you'll quickly see that he's got a major bee in his bonnet about the effects of Nazism on his birthplace, the Netherlands. Take a look at Soldier of Orange or The Black Book. They're brilliant, subtle and morally complex treatments of life (and death) in a time when the world was turned upside down by a sadistic totalitarian regime.

      Clearly, Verhoeven appropriated the frame that Starship Troopers provided for his own purposes: to satirise not only fascism and the incipient militarism of American society, but also the wanton war-porn that Hollywood loves so much. It is a bitter, bitter film.

      --
      Crumb's Corollary: Never bring a knife to a bun fight.
    17. Re:It tried to follow the plot by tibman · · Score: 4, Informative

      People often forget why service was pushed so hard. You could not vote in an election if you weren't a veteran. The reason why veterans were the only voting group was because they were the ones who rebuilt the government after it collapsed. No politician from that day forward could send someone to war without knowing the horrors of it.

      --
      http://soylentnews.org/~tibman
    18. Re:It tried to follow the plot by Architect_sasyr · · Score: 2

      Which is surprising (assuming he is telling the truth) considering he includes Planet P, Zim, and Diz.

      I've always, personally and with no basis in fact, felt that Verhoeven claiming that he didn't read the book is his cop-out for creating a movie that cops so much flak.

      --
      Me failed English...
      FreeBSD over Linux. If my comments seem odd, this may explain...
    19. Re:It tried to follow the plot by Mr.+Slippery · · Score: 3, Insightful

      Of course, Hollyweird isn't really into libertarian thought...

      Starship Troopers, a novel set in a military dictatorship where only veterans have the right to vote, is "libertarian thought"?

      I know that the American so-called "Libertarian Party" has twisted the term "libertarian" to the point where people thinks that capitalism is somehow compatible with libertarianism. But militarism too?

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    20. Re:It tried to follow the plot by Evil+Pete · · Score: 5, Insightful

      When I first saw it my brain was a bit fried from an intense work day. I wanted a dumb as crap movie that I could tune out to. Fellow devs at the time said, "it's just mindless action." OK, good enough for me. But when I watched it it was a deep critique of society as a nascent fascist state. I actually liked it, a lot. If you have ever seen the propaganda movies of WW2, and enough footage from the Third Reich then "Starship Troopers" is a brilliant movie. Not much to do with the book though. I liked how you were suckered into thinking you were on the good side until it slowly became obvious that you were on the wrong, very wrong, side. The intelligence guy, whats-is-name, dressed like a gestapo officer, executing prisoners, conducting experiments on prisoners. Even the uniforms, nice versions of German WW2 military uniforms.

      Most frightening part was that most people I knew who saw it didn't even realise that it was about a fascist state. Oh crap that was creepy. Not one of the great movies, but underrated I think.

      --
      Bitter and proud of it.
    21. Re:It tried to follow the plot by murdocj · · Score: 2

      I couldn't remember exactly why Rico was disciplined... the point is that in fact, the movie does follow the book, about as well as most movies follow the book they are made from. The tone of the movie is completely different from what Heinlein intended, but I don't think that's a bad thing.

    22. Re:It tried to follow the plot by steveha · · Score: 4, Informative

      I agree with almost everything you wrote here. I'll just pick one nit.

      He got in trouble for not taking his training seriously enough. The formal charges were "taking actions that could have resulted in death in real combat" but what he actually did was:

      They were training in "simulated darkness" using infra-red "snooper scopes" which were a bit of a pain. He got frustrated and flipped the cope up and used unaided vision to check to see if anyone was in the area; because there was actually plenty of light he was able to see that it was safe. Indeed, he felt smug for being clever enough to do it that way... for avery brief time. However, the training suits had sensors that recorded the fact that he had flipped the scope up, and that is why he got in trouble.

      --
      lf(1): it's like ls(1) but sorts filenames by extension, tersely
    23. Re:It tried to follow the plot by narcc · · Score: 2, Insightful

      You didn't have Internet access in 1997?

    24. Re:It tried to follow the plot by symbolset · · Score: 4, Interesting

      Heinlein was a master of science fiction because like Roddenberry he knew that the widgets of tech and culture in the story were just props to disassociate the reader from his JOB, to let him focus on the morality play. His stories were not really about future science or culture - that was just the setting. The stories were about people, the conflicts that arise between them and how they were resolved. If he worked some social commentary into the props that was just his masterful art.

      He tried it the other way unsuccessfully, and frankly a 2-page footnote just loses the whole thing. That was a total loss, a commercial failure.

      People care about the interplay between people. Only.

      He was more open about exploring how familial relationships impact a culture. What he got out of that was hippies camped on his lawn.

      BTW: One night over bridge (they did this regularly, with generous libations) L. Ron Hubbard and RAH made a $1 bet over who could create the better sci-fi religion. LRH gave us Battleship Earth and Scientology. RAH gave us Stranger In a Strange Land and the Universal Life Church. Eventually RAH wrote: "Here's your buck. Get these hippies off my lawn." LRH fell into the adoration of his self-created church, and RAH escaped capture from his.

      --
      Help stamp out iliturcy.
    25. Re:It tried to follow the plot by cusco · · Score: 2

      "Hollyweird isn't really into thought" - FTFY

      --
      "Think about how stupid the average person is. Now, realise that half of them are dumber than that." - George Carlin
    26. Re:It tried to follow the plot by hairyfish · · Score: 2

      I never read the book but always liked the movie. Hate to sound like one of those guys but I got it when I watched it, and spent my whole life explaining the real story to everyone else who didn't. On the surface it looks ridiculous, Beverly Hills 90210 in space, but there's some clever stuff going on there, and that exactly why it's so good.

    27. Re:It tried to follow the plot by mvdwege · · Score: 3, Insightful

      I am quite surprised at so many self-declared intelligent people who seem to be unable to distinguish between "Starship Troopers depicts a fascist society" and "Robert Heinlein was a fascist".

      --
      "I know I will be modded down for this": where's the option '-1, Asking for it'?
    28. Re:It tried to follow the plot by Balinares · · Score: 4, Insightful

      The real disturbing moment was when I rewatched the movie a few years after 9/11 and realized just how much it had anticipated correctly.

      Does it still count as satire when it's so spot on?

      --

      -- B.
      This sig does in fact not have the property it claims not to have.
    29. Re:It tried to follow the plot by undeadbill · · Score: 2

      Not thinly disguised at all, really. The book was as much about the downsides and the (few) upsides of living in a militaristic culture taken to its extremes. What most people don't get is that, being told from the perspective of the people living in that society, it is not going to really analyze morality from our point of view. That was the point of the book- to give people an insight into what it could be like to fall down that slippery slope into a militaristic tyranny of the majority, regardless of the reasons.

      Heinlein made up cultures in order to address different societal issues and try to view them in another light, and try out different moral compasses and points of view from the perspective of people that would have a good reason to espouse them (such as the reasons for various polygamous marriage arrangements among lunar settlers, for example). He regularly switched gender and ethnicity of characters on readers, allowing them to presume one thing and then find out another later on. Some of his work was fairly cringe-worthy. Some I enjoyed greatly. He was also a man of post WWII US with all of the biases that implies, and it was decades before he came to understand some of that within his writing. Was he a great writer? I don't know, but he did provoke a lot of thought and consideration as a result of publishing his works.

    30. Re:It tried to follow the plot by narcc · · Score: 4, Insightful

      It was pretty easy to connect back in 1997, even in rural areas:

      Step 1: Walk to the mail box
      Step 2: Remove the daily unsolicited floppy disk
      Step 3: Follow the printed instructions

      Welcome to the Information Super Highway!*

      *Long distance charges may apply if you do not select a LOCAL AOLnet phone number. Please check with your local telephone company if you have a question.

  3. You what? by lisaparratt · · Score: 5, Insightful

    It really took Americans 16 years to work this out? To me, the satire was brazenly obvious the moment I watched it for the first time all those years ago.

    1. Re:You what? by IndustrialComplex · · Score: 5, Insightful

      No, we got that it was satire. It only took 16 years for them to find someone who thought it was a GOOD satire.

      --
      Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
    2. Re:You what? by M.+Baranczak · · Score: 5, Insightful

      I saw the movie a few years after it came out, and that's exactly what I thought. The satire was not subtle at all - how did so many people miss it?

    3. Re:You what? by 0123456 · · Score: 3, Insightful

      The satire was not subtle at all - how did so many people miss it?

      My experience is that Europeans recognized the satire immediately, while Americans thought it was a serious movie glamourising American militarism.

    4. Re:You what? by Anonymous Coward · · Score: 3, Insightful

      What the hell is that supposed to mean?

      You'll understand in time. See you in 16 years.

    5. Re:You what? by roc97007 · · Score: 4, Informative

      The satire was not subtle at all - how did so many people miss it?

      My experience is that Europeans recognized the satire immediately, while Americans thought it was a serious movie glamourising American militarism.

      Um, no, we did not think that. We thought it was a spectacularly badly made movie.

      --
      Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    6. Re:You what? by Zumbs · · Score: 4, Insightful

      Looking at the discussion forum for the movie at imdb, I would say that there still are a lot of people who do not realize that it was an obvious satire. I have no idea of the nationality of the posters, nor do I really care that much. Just opens a door to that old mudslinging fest.

      --
      The truth may be out there, but lies are inside your head
    7. Re:You what? by Fluffeh · · Score: 4, Insightful

      We on the other hand thought it was a glorious parody. Not amazingly well made, but the quality of the satire made up for what the movie was lacking. If anything I dare say that it might be hitting just a bit too close to home for a number of US folks to truly appreciate. For me, it was almost like being inside a ninety minute example of Poe's Law - dazzlingly brilliant in its dark undercurrent of ghastliness.

      --
      Moved to http://soylentnews.org/. You are invited to join us too!
    8. Re:You what? by Anonymous Coward · · Score: 3, Insightful

      Judging from the reviews you didn't get that it was satire in the first place.
      This maybe says more about the so-called critics than what they said about the movie.

    9. Re:You what? by Runaway1956 · · Score: 4, Insightful

      The satire was Hollyweird's, not Heinlein's. The story portrayed in the movie is NOT the story that Heinlein wrote.

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    10. Re:You what? by Charliemopps · · Score: 4, Informative

      This was before the internet as we know it. In 1990, in the US, we were told what to think by NBC/CBS/ABC. If you disagreed with anything you saw on those 3 networks (which all pretty much agreed with each other) you were considered mental ill.

    11. Re:You what? by Libertarian001 · · Score: 2

      Interesting. Please explain how you can satirize a source which you have not read.

    12. Re:You what? by 0123456 · · Score: 5, Insightful

      Interesting. Please explain how you can satirize a source which you have not read.

      It's a satire on American militarism, not Heinlein.

      Americans just don't like to think of themselves as the most militaristic nation on Earth, which is why they either can't see it, or keep denying it.

    13. Re:You what? by dhaines · · Score: 2

      Not exactly. It took us 16 years to work out what was being satirized.

      As stoned kids, we thought it satirized militarism. As drunk adults, we think it satirizes Heinlein.

    14. Re:You what? by dave420 · · Score: 2

      Exactly: European history. In the US it's today. Heck, the US has gotten worse since this movie came out. The glorification of the military, the conflation of country and military, etc. It's blindingly obvious to anyone from outside the US, and to anyone inside the US who's willing to look.

  4. Unless, of course, you study the author... by Anonymous Coward · · Score: 2, Interesting

    I find this to be somewhat laughable. Robert Heinlein was entirely serious about the message that the story delivers. That only those who serve in the military and commit violence in the name of their country should truly be considered "citizens" of the country.

    The book is most assuredly not a "send up" or "farce" or anything of the sort. It was a statement of Mr Heinlein's beliefs.

    Go do a little reading about him. Learning who he was may alter your perspective on his books...

    As for the movie being "a critique of the military-industrial complex" - not a chance. It was exactly what is appeared to be.

    1. Re:Unless, of course, you study the author... by Anonymous Coward · · Score: 3, Informative

      Actually, the movie was created by people who didn't appreciate the original message in the book. (At least if the wikipedia article on the movie is to be believed.)

    2. Re:Unless, of course, you study the author... by hguorbray · · Score: 3, Interesting

      That's what is so brilliant about the movie. Henlein was a good writer and wrote some great books, but his social theories were a little odd to say the least and reflected the chauvinism of the nationalist, technocratic exceptionalism of the '50s -better living through chemistry, etc that presaged the rise of the military industrial complex and corporatism masking itself as progress.

      I avoided it for 15 years then saw it late night a few months ago and thought it was both spot-on and hilarious.

      -I'm just sayin'

    3. Re:Unless, of course, you study the author... by Anonymous Coward · · Score: 3, Interesting

      Yeah, the book was serious, as was Heinlein. The movie wasn't.

      While you're harping on everyone for not recognizing Heinlein for his strong support of the military, you're missing the director of the film Paul Verhoeven(Total Recall and Robocop). He's a big satire guy. So it's not surprising he made a satirical version of a a novel he never finished reading.

      I find both the novel and movie great, but they have almost nothing to do with each other.

    4. Re:Unless, of course, you study the author... by RazorSharp · · Score: 4, Interesting

      This is pretty much what I was going to post. This whole "critique of the military-industrial complex" view fails to take into account that the bugs were an actual threat to earth.

      Also, the whole "misunderstood masterpiece" bit is absurd. What little satire exists was recognized by the most famous movie critic of all time:

      It doesn't really matter, since the Bugs aren't important except as props for the interminable action scenes, and as an enemy to justify the film's quasi-fascist militarism. Heinlein was of course a right-wing saberrattler, but a charming and intelligent one who wrote some of the best science fiction ever. "Starship Troopers'' proposes a society in which citizenship is earned through military service, and values are learned on the battlefield.

      Heinlein intended his story for young boys, but wrote it more or less seriously. The one redeeming merit for director Paul Verhoeven's film is that by remaining faithful to Heinlein's material and period, it adds an element of sly satire. This is like the squarest but most technically advanced sci-fi movie of the 1950s, a film in which the sets and costumes look like a cross between Buck Rogers and the Archie comic books, and the characters look like they stepped out of Pepsodent ads.

      Ebert still gave the film a paltry 2 out of 4 stars. Whether the director was trying to satirize Heinlein or not, it was still a pretty shabby movie.

      --
      "From the depths of my skeptical and rationalist soul, I ask the Lord to protect me from California touchie-feeliedom."
    5. Re:Unless, of course, you study the author... by im_thatoneguy · · Score: 5, Interesting

      Like Stephen Colbert--the best parody of a ludicrous position is often to just embrace it and take it 3 steps further.

    6. Re:Unless, of course, you study the author... by JBMcB · · Score: 5, Interesting

      Robert Heinlein was entirely serious about the message that the story delivers. That only those who serve in the military and commit violence in the name of their country should truly be considered "citizens" of the country

      Not quite. His core belief was, as he put it, there's no such thing as a free lunch. You don't get to live in a free society without being required to defend it.

      --
      My Other Computer Is A Data General Nova III.
    7. Re:Unless, of course, you study the author... by Jah-Wren+Ryel · · Score: 4, Insightful

      Also, the whole "misunderstood masterpiece" bit is absurd. What little satire exists was recognized by Roger Ebert

      I had just finished reading that review and no, Ebert really missed the boat. Yes he recognized some of the message, but then says this without a hint of irony:

      We smile at the satirical asides, but where's the warmth of human nature? The spark of genius or rebellion? If "Star Wars'' is humanist, "Starship Troopers'' is totalitarian.

      He got it on the nose, Starship Troopers is the embodiment of totalitarianism -- that's why there is no "spark of rebellion" no "warmth of human nature" its a totalitarian society that has squashed human nature -- and yet he didn't realize it even as he was writing it.

      --
      When information is power, privacy is freedom.
    8. Re:Unless, of course, you study the author... by Runaway1956 · · Score: 2

      Correct. Service, and willingness to sacrifice. I extend as much respect to a doctor who volunteers to serve an impoverished community, here or abroad, as I have for those who served in uniform while carrying a weapon. And, Heinlein's views support my own. Willingness to serve your fellow man defines your own value, IMHO. The selfish bastard who only ever thinks of himself is so much worthless trash in my book.

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    9. Re:Unless, of course, you study the author... by evilviper · · Score: 4, Interesting

      This whole "critique of the military-industrial complex" view fails to take into account that the bugs were an actual threat to earth.

      They weren't a threat, until we incited them to attack. IIRC, that was only quietly suggested in the movie, and easy enough to miss, but it was there.

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    10. Re:Unless, of course, you study the author... by LazLong · · Score: 5, Informative

      Niven's Law: "There is a technical, literary term for those who mistake the opinions and beliefs of characters in a novel for those of the author. The term is "idiot."

      I have seen no evidence that Heinlein believed that the idea of Citizenship in ST should be realized. If you can cite some credible, non-fiction source where Heinlein advocates the realization of the governmental form for found in ST, I would be most interested. I believe Heinlein was a strong believer in one realizing the existence of, and paying one's debts to society, and nothing more.

      Secondly, you err in your statement re: ST "That only those who serve in the military and commit violence...." Full-Citizenship afforded one the opportunity to vote, hold elected office, and teach the high school History and Moral Philosophy course. Obtaining this required NATIONAL SERVICE of some sort, the form of which was based upon the needs of society and the aptitude and skills of the individual in question. There was ABSOLUTELY NO requirement that one serve in the military nor participate in some form of violence (war?) in the name of their country. You are incorrectly trying to tie the requirement of jingoistic beliefs with citizenship requirements in Starship Troopers. Perhaps you should go back and read it again.

      Thirdly, the article is about the MOVIE by Paul Verhoeven, not Heinlein novel. The movie does indeed poke fun at jingoistic ideals, portrays a fascist government, etc. whose military intelligence service wears SS-like uniforms, has a national news service that uses heavy-handed propaganda techniques. I had not read any of the critiques of the movie upon its release, and am surprised that these obvious themes and messages weren't remarked upon.

      I guess by my 'nick you can guess I'm a bit of a Heinlein fan. :-)

    11. Re:Unless, of course, you study the author... by powerpopolon · · Score: 3, Insightful

      Maybe you too should watch the movie again then, because this point clearly open to discussion. One of the subtleties of the movie is that it doesn't directly criticize the idea of a democracy where only people who do service get to vote. If it had simply painted this system as a "bad bad dystopian" one the movie would have been a lot more black and white, and a lot more movie critics would have understood it.

      Instead the authors do not make a judgement on the political system they depict. Sure there are some more or less fascist like images here and there, maybe in an effort to confuse the critics. But the system seems to work. The people who don't vote (Rico's parents) look quite well off, happy and not especially oppressed. The character who embodies the system the most - Racszak (Michael Ironside) - is arguably one of the most human and likable.

      Instead the real human failure in the story is that first we start the war with the "bugs" (it's a shot that only lasts a few seconds so you have to watch carefully, when religious extremists cross the border and colonize a planet in their territory), and then we paint them as the bad guys anyway. And from the moment we are at war with them, we totally "de-humanize" them and act towards them in a quite psychopathic and sadistic way. I'd argue it would happen the exact same way in a nice non-fascist non-military-dominated universal suffrage democracy like we are supposed to have currently.

    12. Re:Unless, of course, you study the author... by Libertarian001 · · Score: 4, Informative

      Close. You don't get to live in a free society without being required to contribute something to it. As I said elsewhere, the book was explicit about *Federal* service being a requirement for citizenship, not *military* service. He did make the distinction. He also made the distinction that the only real benefit to citizenship over being a civilian was being able to vote. The main character's father was a very successful businessman, but he was not a citizen.

      Considering the way people on /. routinely blast voting it's pretty damn hypocritical to now use that as an excuse to attack the author and his book.

    13. Re:Unless, of course, you study the author... by Runaway1956 · · Score: 2

      They are indeed worlds apart as far as risk goes. Sacrifice is something else entirely. He who is willing to sacrifice for his fellow man is deserving of respect, plain and simple. Those who risk their lives might be referred to as adrenalin junkies. I'm a veteran, and I still take risks that seldom have anything to do with service or sacrifice - I love the adrenalin rush.

      Let us not confuse risk and sacrifice, and let us give due respect and consideration to those who stand as our equals. There are plenty who have never served in any capacity, or sacrificed or risked anything at all for their fellow man.

      I am a man who recognizes few superiors. I have, however, met superior persons, whom I could only look up to. A fair number of those persons were military, but certainly not all of them. In fact, some of those persons came from impoverished regions of the world, lacked formal education, and lacked any recognition from anyone other than the local people who knew them. ALL of my superiors serve their fellow man, in some capacity or another.

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    14. Re:Unless, of course, you study the author... by kylemonger · · Score: 2

      Heinlein did believe that more should be required to obtain the franchise than a breathing, warm body. See _Expanded Universe_, a book of fiction and non-fiction essays. In it Heinlein made plain that he still embraced much of the philosophy he wrote in Starship Troopers. The book was published in 1980.

      http://scifi.stackexchange.com/questions/26352/did-heinlein-advocate-the-apparently-militaristic-if-not-fascist-society-of-sta

    15. Re:Unless, of course, you study the author... by SEE · · Score: 5, Interesting

      reflected the chauvinism of the nationalist, technocratic exceptionalism of the '50s -better living through chemistry, etc that presaged the rise of the military industrial complex and corporatism masking itself as progress.

      Oh, yeah, that's Heinlein, all right, as exemplified by his very next book, Stranger in a Strange Land.

      Look, Robert Heinlein was a writer of speculative fiction. The whole damn point was to extrapolate, odd consequences included. Which is why you get such radically different results (Double Star, Starship Troopers, Stranger in a Strange Land, and The Moon is a Harsh Mistress, for example, all having completely incompatible takes on modern democracy) depending on what premises Heinlein was playing with at the time.

      Ideally making the point to the thoughtful reader that the reader's society and that society's accepted theories, conscious and unconscious, are just as guilty of absurdities as those explored in the books. But some readers are too dense to notice that, and some are so invested in the propriety of their absurdities that they abandon all rational thought in their defensive denouncements.

    16. Re:Unless, of course, you study the author... by Teancum · · Score: 4, Insightful

      Being a J1 and being a soldier and getting shot at are worlds apart when it comes to risk and sacrifice. Not in the same league in the slightest.

      Being a Peace Corps volunteer serving in Afghanistan or Madagascar (I personally know people who have done both) where you are running around in places of extreme poverty and risking the potential to be shot simply by being an American.... and only armed with a stack of pamplets or the Voice of America radio broadcasts is definitely worlds apart from a soldier who has a bunch of people at his back and an arsenal of weapons at their disposal to be able to shoot back.

      Which one risks their life more? Seriously?

    17. Re:Unless, of course, you study the author... by CarbonShell · · Score: 2

      And that seems to fully match Heinlein's concept. The MI-Complex needs war to feed it's coffers, so it seeks conflict. Then leave it up to the spin-doctors to find excuses.
      Should sound familiar to a lot of people.

      Heinlein's SST society does really hit a lot of common ground with war-driven nationalist nations. Be it the post-WW2 US / UK, many IronCurtain of past, the pre-WW2 Fascist nations, and ancient societies like the Roman Empire.
      If you were to take Heinlein's book, boil down the different points to their core and seriously try to match up the points with certain countries, you just might be very surprised. Perhaps that is why people 'never really got it', because that would mean they'd have to accept to living in a society similar to what Heinlein was describing.

    18. Re:Unless, of course, you study the author... by CarbonShell · · Score: 2

      Job != Service
      Unless you were conscripted, you willingly joined and thus have a job. Most people who can get better jobs, do.

      Let's not create a spin on something to give you a "warm glowing feeling" and ignore the fact that people in the military are, basically, paid mercenaries of the government.

      People seem to have this 'hero-worship' complex (or are socially moulded to have one) that just because their government tells them that their mercenaries are some kind of mini-gun wielding saints, the actually believe it.

      No, our governments control the military and will it against us if they have to. The soldiers fight for the government, not for us.

  5. self-aware sendup of right-wing militarism by pecosdave · · Score: 2

    I don't think right-wing has that cornered these days. Granted, starting with Korea or so a lot of our wars were right-wing, but Obama has sort of swung them back left.

    --
    The preceding post was not a Slashvertisement.
    1. Re:self-aware sendup of right-wing militarism by Quakeulf · · Score: 4, Insightful

      It's always a good thing by the governments to play the left against the right because in reality it has become more of a divide and conquer strategy to make people fight each other instead of fighting the government. Just look at what public officials can get away with these days.

    2. Re:self-aware sendup of right-wing militarism by ebno-10db · · Score: 2

      Left and right are mindsets - not political movements.

      While the two mindsets you describe exist and are, as you said, both useful, I don't think they have much to do with left vs. right these days (or liberal vs. conservative if you prefer). I think that left/liberal and right/conservative have, as used in contemporary American politics, become teams you root for, or just brand labels.

  6. Sorry, no. by roc97007 · · Score: 3, Informative

    This is not a new argument. It was made often at the time the film came out. Anyone following rec.arts.movies at the time is very familiar with the arguments that "it's a parody" and "you hate it because you just don't get it". (Check google groups for references.) This rang hollow at the time and it still does. There are several counter-arguments: If you followed the advance information while the film was being made, you know that aspects of the film were more expensive than originally thought, and the script kept getting simplified... and simplified again... and what ended up on screen were some pretty spectacular digital bug effects (for the time) coupled with unbelievably cheesy sets, costumes, and dialog, that being all they could afford with what was left. About that time the shift to "it's a parody! Really!" started.

    I saw it for free (a company perk) and wanted my money back.

    One could argue there's a reason this was Ed Neumeier's last big screen script, and why Verhoeven hasn't made a Hollywood film since the turn of the century.

    So, no. Just no.

    ...and then, for no reason whatsoever, the Starship Troopers animated series came out, "based on the movie by Paul Verhoeven", and it wasn't half bad. Shrug.

    --
    Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
    1. Re:Sorry, no. by __aarzwb9394 · · Score: 3, Informative

      And Total Recall. And Showgirls. And Basic Instinct. And Hollow Man.

    2. Re:Sorry, no. by Libertarian001 · · Score: 4, Interesting

      About a year after the movie came out I was in the book store and found a book about the making of the SST movie. In it they talk about the guys who originally wrote the script wanting to make a movie about WW1 soldiers fighting bugs. They couldn't find any takers. Someone said they should look at SST because it was about soldiers fighting bugs. They did, liked it, convinced Virginia Heinlein to option the movie rights to them, and they managed to get Verhoeven involved. He wanted to make a movie that satirized his experiences with fascist states and took it in that direction, and repeatedly admitted that he never bothered reading the book. When the budget cuts came and it was a choice between power armor and bugs, bugs won out because that was the point of the movie. Total hatchet job.

    3. Re:Sorry, no. by tlhIngan · · Score: 4, Insightful

      Not only was it made at the time the movie came out, but the director explicitly states it in the DVD commentary.

      Verhoven films usually are a social commentary embedded in a nice action flick - so you can enjoy it as a pure action movie, or analyze it for the subtext. Robocop is another one commenting about society and policing. And oddly, it seems we're definitely headed towards the world Robocop was set in. Only took nearly 30 years.

      Anyhow, Starship Troopers, the book, was also designed to be a commentary about war and propaganda as well.

      Of course, the problem is that Starship Troopers is much more complex than the film technology we had back in the day. Notably, power suits. Trivially done today with CG and costumes, but back then, technology wasn't robust enough.

      Of course, the problem with remakes (like 2014's Robocop) is that they're likely to ignore the entire subtext, or make it so blindingly obvious that the message being communicated is lost.

  7. Re:Wrong side by pecosdave · · Score: 2, Insightful

    making fun of Democrats in the US who are the only people in this country actually trying to save it

    LOL wut?

    Neither of the two major parties in the U.S. is trying to save the country. The OWS crowd is making a misguided effort who's goals would actually make thing worse - but they really do have the goal of fixing the joint, and the Tea Part "proper" is trying to fix a few things while ruining others. These are the major party people with their hearts in the right place.

    There's two separate crowds in the country making an effort to save it that actually have the proper goals in mind - the Constitutionalist who want to fix our nation and bring it back to it's chartered place which is quite admirable, and the Libertarians who want to go a step further than the Constitutionalist with a fuck-all get rid of everything else while you're at it attitude.

    Your beloved Democrats are making a very visible and direct effort to bankrupt the whole of the people and reduce freedom across the board while their at it.

    --
    The preceding post was not a Slashvertisement.
  8. If that gets better when "reassessed" by Opportunist · · Score: 4, Funny

    that can only mean one thing: That the current piss being pushed out by Hollywood is really bringing the standards down. And in comparison, even turds can shine.

    Give it another decade and then let's take a look at Uwe Boll movies again.

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  9. What wouldn't Atlantic publish? by mi · · Score: 4, Insightful

    Though a far-Left Socialist in his pre-war youth, Heinlein moved firmly to the near-Libertarian right by the end of 1940-ies (he was a big proponent of government's sponsorship of space-exploration, which does not make him quite a Libertarian).

    His novel asked the question, that bothered him for years — why do we bestow the franchise on every born American? His argument was that between the king having full power in a monarchy to the power being shared by all in a democracy there is a middle ground of voting rights being held only by those, who have demonstrated — through personal sacrifice — their willingness to serve the humanity (as a civil servant or a soldier). Under his plan, you'd only get to vote after retiring from the service — something the protagonist forgoes for many years by deciding to become a career officer...

    Very little of this is in a movie — and it was justly derided for the omission.

    But to find satire on "jingoism" and "American militarism" — however much the Atlantic's Illiberals may want to scratch that particular itch — in that movie is to give it way too much credit.

    --
    In Soviet Washington the swamp drains you.
    1. Re:What wouldn't Atlantic publish? by Deadstick · · Score: 2

      At least somebody here RTFB...

    2. Re:What wouldn't Atlantic publish? by mi · · Score: 3, Interesting

      So the South wouldn't try to exclude the former slaves from voting by declaring they weren't citizens.

      It is perfectly possible to achieve that without allowing everyone to vote. The criteria could be — from Heinlein's other writings — an ability to solve a linear (or square) equation, for example. Regardless of the rule, as long as the race is not explicitly mentioned, various classes of people could be disenfranchised — quite possibly to the betterment of the society.

      Then there's the elitist shitbaggery of ...

      Come, come, there is no need for such robust language — the man is dead for over 20 years anyway. I was just explaining the point he tried to make in the book (not inviting anybody to necessarily like it) and pointing out, that almost none of it made its way into the movie.

      Now, as far elitism, of the three protagonists who sign up into service, one is rich, but, being not that smart, ends up in the infantry, the other is poor, but, being smart, ends up in intelligence, and the third — the girl (her family's wealth not mentioned) — becomes a pilot. All of them are equally entitled to full citizenship upon completing their service — regardless of wealth. See, maybe you should read the book before mouthing off the author for "shitbaggery"?

      Did Heinlein also sit around and wonder why there was a push to lower the voting age from 21 when 18 year olds could be drafted to go off and die in capitalist wars on the other side of the planet?

      I postulate, that although a man is capable of soldiering at 18, he is rarely capable of a rational and educated vote at that age (some people never develop this ability, but virtually none have it at 18). Thus I fail to see a connection between the two ages. Indeed, we don't let people buy alcohol (or even enter bars) until 21 — yet, nobody is pushing for a Constitutional Amendment to stop that travesty...

      That said, you may be relieved to learn, that Heinlein considered conscription to be a form of slavery, which he denounced. Himself a former officer (Navy), he did not want any one in the service, who did not want to be there himself.

      Whether the wars were "capitalist" (whatever that means) and which side of the planet their theaters are, is not at all germane to the discussion. I struggle to understand, what — other than rabid hatred for America and Capitalism — could make you mention these irrelevant bits.

      Finally, I'm curious about your own opinion — now that we are decades since abolishing the draft , would you be willing to allow the States to set the voting age as they see fit — because the argument used to lower it to 18 no longer applies?

      An argument can be made, for example, that If, as we are told by the current Administration, children ought to be allowed to remain on their parents' health-insurance up to the age of 26, maybe, that's the age they ought to begin voting as well?

      --
      In Soviet Washington the swamp drains you.
  10. Stupid Critics, Stupid Movie by Daetrin · · Score: 2

    Any value the movie has as social commentary is overshadowed by its total misuse of the source material. The claims by Verhoeven and other critics that the novel supports fascism are shallow at best. The characters in the novel engage in a number moral debates about the values of their system of government, which you can certainly disagree with but can't just wave away with a simple accusation of fascism. In fact there's evidence that Heinlein got the idea of universal service in the novel from Switzerland, which as we all know is a hotbed of fascism. [/sarcasm]

    --
    This Space Intentionally Left Blank
  11. And another take on it as parody by Krishnoid · · Score: 2

    One of the best 'reviews' I've read of it from Dan Savage (adult content, no pictures).

  12. Like hearing an art critic by Kjella · · Score: 2

    It's a fun movie but you're not supposed to take it seriously, I don't get the people who do. It's like the people who hate on "Pacific Rim" and give it 1/10 stars because well it's essentially giants robots and monsters brawling it out in major cities with the most contrived mind meld technology and over-the-top characters you could possibly imagine. Except the whole premise is ridiculous, the monsters don't die from bullets and grenades and missiles and bombs (well except one, but spoiler) but they die from getting punched to death by a giant robot. How can you go to a movie like that and expect something else, it's like going to a horror movie and expecting deep drama. It's not going to happen and no, if you're seeing it in Starship Troopers you're imagining things.

    --
    Live today, because you never know what tomorrow brings
  13. It followed a few of the plot lines, but ... by Gription · · Score: 5, Insightful

    Heinlein's Starship Troopers is a masterful morality play. The movie can only be seen as such by someone desperately searching for meaning that isn't really there. The fun technical wizardry of the jump suits was written out of it so the obvious CG element was lost..

    So why did they bother to call it Starship Troopers? A fun movie but no trace of what was special in the original remains.

    1. Re:It followed a few of the plot lines, but ... by Glock27 · · Score: 5, Insightful

      Exactly. Starship Troopers was an entirely serious book, with some deep social commentary. Much of the current social morass might have been avoided if it (and similar ideas) had been heeded.

      The Starship Troopers movie was a travesty that RAH would have hated!

      --
      Galileo: "The Earth revolves around the Sun!"
      Score: -1 100% Flamebait
    2. Re:It followed a few of the plot lines, but ... by ShanghaiBill · · Score: 5, Interesting

      Exactly. Starship Troopers was an entirely serious book, with some deep social commentary.

      Years ago, when I was undergoing U.S. Marine Corps infantry training, we were given a reading list of books on military leadership. Starship Troopers was on the list. It was one of the best books on leadership, and training, that I have ever read. Stay on the bounce.

    3. Re:It followed a few of the plot lines, but ... by tibman · · Score: 2

      mmm, the highest military official is elected.

      --
      http://soylentnews.org/~tibman
    4. Re:It followed a few of the plot lines, but ... by dbIII · · Score: 4, Informative

      mmm, the highest military official is elected.

      Despite the title that's never been true since Washington stepped down from the Presidency. It's a civilian giving the military instructions via a chain of command. There's been glitches such as Oliver North where apparently the President was issuing direct orders himself - but that fuckup led to selling weapons to people that had blown up more than one hundred US marines less than a year before.

    5. Re:It followed a few of the plot lines, but ... by Anonymous Coward · · Score: 4, Interesting

      Seriously? Social morass? The crime rate has plummeted in recent decades, you know.

      That book advocates some majorly wackadoo ideology. Did you notice the part where Heinlein's obligatory self-insert character (this time an instructor, since he hadn't progressed to Gary Stu-ing the protagonist yet, much less half the cast, like in his later books) states matter-of-fact that the United States was destroyed because they ended corporal punishment in schools, and that the only way to instill a moral compass in a child is to beat it into him?

      This shit is contradicted by both history and psychology -- the moral compass develops naturally; frequent beatings, rather than teaching right and wrong, are one of the most effective ways to turn a child into a morally bankrupt sociopath.

        And don't get me started on the laughable "disproof" of Marx's Labor Theory of Value -- if Heinlein hadn't been such a puffed-up self-important asshat, he might have notced that Marx deals with his disproof in the first fucking chapter of Das Kapital.
        (And anyway, the LTV is not why Marx is wrong. The LTV is basically a statement about how the price of commodity goods is inexorably pressured downward towards the cost of labor needed to produce it. It doesn't apply to anything that's not a fungible commodity, and Marx warns readers not to do so.)

        I love Heinlein's books, but let's get real here -- he was a political kook who got kookier the older he got, and he frequently wrote awful stuff. (Like those later books where Old Man Heinlein Gary Stu and Young Man Heinlein Gary Stu hang out with Gorgeous Girl Heinlein Mary Sues and they all have sex with each other. *shudder*) If you think his politics are great, you just might be a kook yourself.

    6. Re:It followed a few of the plot lines, but ... by kylemonger · · Score: 5, Insightful

      Heinlein's Starship Troopers was masterful propaganda, with its unbelievably virtuous heroes, unbelievably just justice system, and complete omission of the bloodbath that would have been required to cull humanity down to a populace who be satisfied to live under such tyranny. I'm surprised Heinlein didn't embrace eugenics while he was sketching out his vainglorious utopia. The movie at least tried to unpack some of the unctuous glorification of the military with the "Why We Fight" spoofs, and depictions of the noncoms and officers as fallible and occasionally cruel human beings.

    7. Re:It followed a few of the plot lines, but ... by symbolset · · Score: 5, Insightful

      I wish I could enumerate the various ways the screenwriters took liberties with The Dean's work, but /. does not allow posts of that length. Suffice to say that the film was as much an adaptation of the book of the same name as it was of another book, Cornflowers by the Roadside. Or the Iliad.

      Starship Troopers (the book) was not RAH's masterpiece by any means - it was intended and sold as pulp sci-fi to grab a teen market and make a quick buck, as many of his works were. He was unapologetically a literary prostitute in this era, but managed to work into that a hint of flavor of what he was really about.

      There was no reason I can tell to associate his name with this movie other than to sell movie tickets and DVDs to his fans. It named some of the characters in the book (sometimes changing their gender). It had some of the words. It had Bugs Vs Humans. That's about it. It was a famous author's name exploitation CGI schockfest. And yes, I bought the movie tickets and the videos anyway, to keep my collection complete. So it worked.

      --
      Help stamp out iliturcy.
    8. Re:It followed a few of the plot lines, but ... by Teancum · · Score: 5, Informative

      It was patently clear that Paul Verhoeven was neither a fan of Robert Heinlein nor had anything even remotely similar to Heinlein's political philosophy toward life in general. On the whole Heinlein was mostly libertarian with a conservative bias, certainly not the hardcore conservative that some (including Verhoeven) have pained the guy.

      When I compare and contrast that with Peter Jackson's rendition of Lord of the Rings, Jackson was at least a fan of that book as was most of the production staff (particular the cast). While hardcore fans of the book might have some issues with regards to how Jackson actually did the screenplay and movie, the films definitely captured the essential flavors of the book and made you love and hate the various characters as much as those in the book.

      I saw absolutely none of that with Starship Troopers, where Paul Verhoeven in the "making of" featurettes openly bragged that he was no Heinlein fan and was deliberately making a parody of some of Heinlein's political philosophies. Most of the production crew had never even read the book, and of those who had basically skimmed the book instead largely just for this one production. Almost nobody was a fan of Heinlein that was also involved with the production.

      The proof that they were very much off base was with regards to the Starship Trooper sequals, that went from bad to worse and ended up so horrible that they became direct to video releases instead. As bad as the original movie was, the sequels went down the proverbial rabbit hole and were in a completely different universe. They remind me more of the Star Wars Christmas Special in terms of production quality.

    9. Re:It followed a few of the plot lines, but ... by Shinobi · · Score: 2

      And the vocabulary for the finnish subtitles is a whole 3 words: Vittu, perkele and saatana

    10. Re:It followed a few of the plot lines, but ... by symbolset · · Score: 3, Insightful

      Trying to lay labels like conservative and liberal on RAH is a lost cause. You only need to read his work to understand that he felt both the liberal and conservative points of view each led to a negative Utopia.

      --
      Help stamp out iliturcy.
    11. Re:It followed a few of the plot lines, but ... by Kazoo+the+Clown · · Score: 4, Insightful

      "The crime rate has plummeted in recent decades, you know."

      White collar and government criminals aren't being prosecuted, except for drug or sex crimes. It only LOOKS like the crime rate has plummeted.

    12. Re:It followed a few of the plot lines, but ... by mvdwege · · Score: 3, Informative

      I think he got it quite well. The basic premise is that the only citizens who deserve any rights are those who serve the State, preferably the military, but serve the State nonetheless.

      There is a name for a political system like that, and we know it doesn't come without downsides like massive bloodshed.

      --
      "I know I will be modded down for this": where's the option '-1, Asking for it'?
    13. Re:It followed a few of the plot lines, but ... by runeghost · · Score: 5, Interesting

      Exactly. Starship Troopers was an entirely serious book, with some deep social commentary. Much of the current social morass might have been avoided if it (and similar ideas) had been heeded.

      The Starship Troopers movie was a travesty that RAH would have hated!

      And the fact that there are many people who agree with you is exactly what makes Verhoven's movie high art. (It's not that Heinlein had nothing to say, it's just that his was a very one-sided viewpoint. The film gives a look at the same ideas from an entirely different axis.)

    14. Re:It followed a few of the plot lines, but ... by andyjb · · Score: 2

      is it true enders game is on there as well? what else was on it ?

    15. Re: It followed a few of the plot lines, but ... by Rational · · Score: 2

      "The Starship Troopers movie was a travesty that RAH would have hated!" "RAH would have hated it" counts as a positive for me.

      --
      "Be nice, veer left, and never stop thinking" Iain Banks - Walking On Glass
    16. Re:It followed a few of the plot lines, but ... by TWiTfan · · Score: 3, Informative

      I'm pretty sure that establishing a fascist government ruled by the military wouldn't necessarily produce the peaceful utopia that you (and Heinlein) think it might. The great thing about Verhoeven is that he was uniquely qualified to see that, having grown up in Nazi-occupied Europe during the War. What sounds like a good idea on paper often leads to very bad things in actual practice.

      --
      The cow says "Moo." The dog says "Woof." The Timothy says "Thanks, valued customer. We appreciate your input."
    17. Re:It followed a few of the plot lines, but ... by Rob+the+Bold · · Score: 2

      You failed to understand the basic premise of the story. Read it again. Well, have someone read it to you and explain the big words to you.

      It's gonna be awesome when our grandkids have flamewars over the deeper meanings of the Twilight series in a few decades.

      --
      I am not a crackpot.
    18. Re:It followed a few of the plot lines, but ... by ShanghaiBill · · Score: 2

      is it true enders game is on there as well? what else was on it ?

      "Ender's Game" was not on it. Nor should it have been. It doesn't really teach much about leadership, other than some people just magically have it. That is the opposite of the military's belief that leadership is a skill that can be learned. "Starship Troopers" was the only sci-fi book on the list. The only other work of fiction that I recall, was The Defense of Duffer's Drift.

      I don't remember many other books on the list, but two that made an impact on me were both by S. L. A. Marshall: The Soldier's Load and the Mobility of a Nation, and Men Against Fire. Anyone trained to lead soldiers in war should be required to read these two books.

  14. Re:Critics are idiots... by wisnoskij · · Score: 3, Funny

    I don't understand why everyone dislikes showgirls, It is a great erotic film. In my opinion it could only be compared to wild things, it is so good. the story is nothing special, if you compare it to normal films, but it is head and shoulders above even the best porno.

    --
    Troll is not a replacement for I disagree.
  15. Who still pays these guys? by Kevin+Fishburne · · Score: 2

    I always liked the film. Hell, it's one of my favorite sci-fi movies right alongside Alien, Aliens, Predator, 2001, Moon, etc. It wasn't difficult for me at all to identify and appreciate the satire, and I'm no literary genius or film critic. Watchmen did something similar, creating what seemed to be an alternate dimension of stereotypical right-wing ideology. I don't even agree with half the stuff either of the films were implying, but rather than being offended I was immensely entertained and even found them (gasp!) thought provoking.

    In summary, movie critics are generally shitbags full of methane and are lucky to have a job...doing anything.

    --
    Buy your next Linux PC at eightvirtues.com
  16. starshit troopers is still starshit troopers by jinchoung · · Score: 3, Insightful

    ugh... who DIDN'T recognize that that was what verhoeven was going for?

    but it's all so FACILE and obvious and redundant. his satire had the depth of insight attained by lampooning the fact that the sun is hot. :P

    yes, it's satirical... but so on the nose and idiotically shallow that it gains no mileage from it. it could only be admired for "insight" (for fuck's sake) by children or imbecile.

    i should sue the guy for my eye injury sustained when his film forced me to attempt eyerolling at speeds beyond which is possible for average human beings.

    the critique of the movie back then was that it was stupid. and that's still goddamn right.

    robocop - brilliant
    total recall - awesome

    but starship troopers is fucking garbage.

    1. Re:starshit troopers is still starshit troopers by __aarzwb9394 · · Score: 2

      Well, I disagree. Starship Troopers was better than either robocop or esepcially total recall.

    2. Re:starshit troopers is still starshit troopers by R3d+M3rcury · · Score: 2

      As opposed to Action moviemaking of yesterday that consists of silly plots and weak acting coupled with technically excellent stunt work

      FTFY..

  17. Re:As a starcraft fan by ButchDeLoria · · Score: 2

    As a Warhammer 40k fan, stop stealing lore Blizzard.

  18. People are just getting this now? by ireallyhateslashdot · · Score: 2

    I kinda thought that was the point from the beginning. I'm kind of surprised that almost 20 years later people are finally starting to get the point of the film. I loved it when I saw it in the theater, and I bought it on VHS, and then later on DVD. It's a great film. Sure, it's cheesy as hell, but still, the message is good. You just gotta read between the lines.

  19. Re:Critics are idiots... by mooingyak · · Score: 2

    The 1995 film, with the absolutely amazing lap dance scene, among many others??

    How could anyone not find Showgirls one of the top 10 sexiest films of all time?

    Because it was so overkill that by the end of the movie boobs stopped being interesting.

    --
    William of Ockham had no beard. The most likely explanation is that it was chewed off by squirrels every morning.
  20. Committing violence **not** required ... by perpenso · · Score: 4, Informative

    I find this to be somewhat laughable. Robert Heinlein was entirely serious about the message that the story delivers. That only those who serve in the military and commit violence in the name of their country should truly be considered "citizens" of the country.

    That is absolutely mistaken. Committing violence was **not** required. What was required was to put the needs of your society ahead of your personal safety. Service was not required to be military in nature. It was absolutely clear that non-military construction and labor service also fully qualified a person for citizenship. It was also clear that such construction and labor service was also hazardous and that casualties occurred. That one risked their life in order to serve, both military and non-military service.

    1. Re:Committing violence **not** required ... by ScriptedReplay · · Score: 2

      That is absolutely mistaken. Committing violence was **not** required. What was required was to put the needs of your society ahead of your personal safety.

      Um, re-read the book. You are off as well, Heinlein refuses to ascribe a reason for the system. See the HaMP lessons at the Officer school, where the teacher states that they have that system because it works. As you pointed out, auxiliary personnel is also fully qualified for citizenship, but in peace time that's just a formal way of spending a 2-year term while doing a job that would have had the same health hazards whether inside or outside the military system, no extra life risk.[*] And he stated that crime rate is about the same for veterans and civilians, so there really is no moral compass issue to push here. As Mj. Reid says, it's a trick question.

      [*] actually, not quite. There's always the risk of what happened to Rico, join up during peace time, find yourself in the middle of a war by the time you'd finish. However, the explicit goal of all who joined was to do their term (and do some cool research/piloting/etc.) and in the absence of the war it would have been just that (and no book, of course). So I'll have to disagree with you about risking life and all that, it's not the main thrust of it at all.

  21. Re:Critics are idiots... by I'm+New+Around+Here · · Score: 2

    The 1995 film, with the absolutely amazing lap dance scene, among many others??

    How could anyone not find Showgirls one of the top 10 sexiest films of all time?

    They were all told to hate it.

    My wife and I saw it in the theater. She didn't like it much, but I enjoyed it. The raw depravity of it was done well, in my opinion. Especially the fat lady with the revealing wardrobe.

    --
    If you think I voted for Trump because of this post, you're wrong. I voted for Dr. Jill Stein of the Green Party. Again.
  22. Re:Critics are idiots... by wisnoskij · · Score: 5, Funny

    You are supposed to watch it in 15 minute intervals.

    --
    Troll is not a replacement for I disagree.
  23. Re:Were you referring to South American ? by Attila+Dimedici · · Score: 2

    Those marshals are not a military rank.

    --
    The truth is that all men having power ought to be mistrusted. James Madison
  24. Re:Seemed European not American ... by Grishnakh · · Score: 2

    Was it a commentary on "American imperialism"? No, that's quite a bit of revisionism. The main characters were not from the USA, the government was global in nature and the look of the government and the military was absolutely European.

    The Europeans were practicing imperialism long before the Americans, and making it directly about Americans and the US would have been much too obvious.

  25. Not really fascist by steveha · · Score: 5, Interesting

    I must strongly disagree with the use of the word "fascist" with respect to the society portrayed in the novel Starship Troopers.

    Let's look at how Wikipedia defines fascism:

    One common definition of fascism focuses on three groups of ideas:

    • The Fascist Negations of anti-liberalism, anti-communism and anti-conservatism.
    • Nationalist, authoritarian goals for the creation of a regulated economic structure to transform social relations within a modern, self-determined culture.
    • A political aesthetic using romantic symbolism, mass mobilisation, a positive view of violence, promotion of masculinity and youth and charismatic leadership.

    http://en.wikipedia.org/wiki/Fascism

    None of these apply to the society portrayed in the book.

    The first item: the sole means by which the government attempted to impart any point of view on the citizens was a high-school class called "History and Moral Philosophy" that was always taught by a full citizen, but which the student was not required to pass. The examples from when the protagonist took the class did debunk some of the tenets of communism, though. (Labor does not always add value. An unskilled cook can take pie dough and apples and produce a burned mess, where a skilled cook can produce a delicious dessert, so the "labor theory of value" in its simplest form is disproven by example.)

    The second item: the government did not run businesses. The society operated in a free market. The amount of regulations imposed by the government was never explicitly spelled out, but my impression is that the amount of regulation was low, as discussions of business did not tend to rants about permits or bureaucratic interference.

    The third one at first seems plausible, as the book is (in Heinlein's own words) intended to present lowly soldiers in a good light (as opposed to senior generals, Presidents, etc.). However, the government in the book did not promote such ideas. Instead, the government took steps to scare people off from becoming soldiers. For example, having a maimed military veteran sit outside the recruiting station and warn young people that they could get maimed like he had been. (Later, the protagonist meets this veteran again, and he is off-duty and wearing artificial limbs that look real and work about like the real thing, and the veteran's manner is completely changed; he congratulates the protagonist for choosing to serve in the infantry.)

    My opinion could be slanted, as I am politically a minarchist libertarian, but the society in Starship Troopers appears to be a minarchist libertarian government. The government is relatively small and does relatively little, and what it does do seems to be mostly confined to defense and police. The common attitude among most of the population is that they want nothing to do with government, which seems unlikely if government was a major force in peoples' lives. (The protagonist's father has not earned the right to vote, and proudly tells the protagonist at one point that he is a third generation non-voter; why would he want to earn a vote? No profit in that, the time is better spent building the business.)

    The described history in Starship Troopers went like this: During a time of wide-spread social upheaval, the old governments disintegrated and new ones formed. One of the new governments, mentioned as an example, used "scientific" techniques to pick who would be in charge; it failed. Eventually a bunch of military veterans banded together and began keeping some sort of peace within the area they were able to patrol, and this expanded to become a new system of government. Voting was limited to people who had served at least one term of service in the government. Service could be military but could also be anything else the government needed to have done, such as scientific research. Also, according to their laws, the government had to

    --
    lf(1): it's like ls(1) but sorts filenames by extension, tersely
  26. Re:Wrong side by couchslug · · Score: 2

    The so-called Constitutionalists and Libertarians are merely shills for their big business masters, who also control the Democrats.

    Note none of the Right are doing shit to end globalist war and they were delighted with the surveillance state when the President was a white male. Now the POTUS continues those policies and if it weren't a matter of competing for votes they'd be delighted. Obama is Bush III.

    Both Parties are puppets. It's a shame Flight 93 didn't drill Congress while it was in session.

    --
    "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
  27. Military propaganda movie for home consumption by waynemcdougall · · Score: 5, Insightful

    You cannot understand the Starship Troopers movie until you realise it is all a propaganda piece.

    If you think the Bugs are a threat, you have missed everything.

    To understand the movie Starship Troopers it is crucial that you realise the _entire_ movie is propaganda for the Earth's military government. It is clear at the start, and the finish, but it never stops being that a propaganda show.
    So nothing can be accepted at face value. Here's what we know:

    1. Earth is under control of a military government (a junta)
    2. Life is tough: food is rationed, the world is overpopulated
    3. You can't have children (or vote) without serving in the military
    4. There are dissidents / rebels / those who oppose the one-world order

    To keep the population under control, the military leaders need a war. The population will accept hardships, and the excess population can be whittled down. People can be kept busy with work creating disposable goods (bombs, spaceships, uniforms), so they don't have time to think or rebel.

    The Bugs are not a threat to humans. They defend themselves. They have no space flight capability. They have no means of attacking Earth. They are a manufactured threat.

    Their purpose is to kill as many young people as possible. Young people are a threat to the established order (notice how _old_ the military leaders are). That is why the military strategy is so stupid. The purpose is to get people killed. Population control.

    And then grieving relatives at home will continue to support the war.

    Because the carnage is so great, people get promoted very quickly. Ignorant, naive young things in command, who will just follow orders.

    Finally, we have the giant rocks hurled onto Earth. Bugs? Nah. That's the Earth government. Notice how the rock impacted _directly_ on to the area that was rising up against the military government on Earth?

    Multiple birds killed with one (big) stone. Dissidents: vaporised. Support for war: raised amongst survivors. Population: culled. GDP boost: keep people busy rebuilding infrastructure

    And THAT'S why the female 'heroine' got such a bollocking for changing course without orders. They nearly got in the way of the rock, and the ship sensors could (did!) log the source. Not the bugs. Humans.

    So the sequel is the three friends: one a grunt, one an office, one an 'intellectual'. The first two miraculously survive to figure out what is really going on, go to scientist friend, who betrays them. They go on the run. Carbonite may be involved.

    But in the third part, the scientist turns out to be working for them on the inside. he had to betray them to save them. But he's been collecting enough info to blow the whole conspiracy wide open.

    And together the three of them overthrow the junta, bring peace and democracy, and an uneasy truce with the bugs. Maybe start some colonies. They all live happily ever after.

    (Until the Bell Riots)

    --
    Recycle PCs and build a wireless community network www.hillsborough.org.nz
  28. The Book vs. The Movie,. Satire? Really???? by gishzida · · Score: 2

    One of the strangest things I've often heard repeated concerning the book is it is "glorified fascist fantasy"... which shows a lack of understanding of what Heinlein was trying to communicate. A better understanding of Heinlein's views might be take from his character Prof. Bernardo dela Paz in "The Moon is a Harsh Mistress".-- which is to say Heinlein appears to have been a "rational anarchist"... perfectly happy to obey [or not] any rules you happen to set... The pill that chokes the critics of this book appears to be that Heinlein proposes that having a government made up of people that have proved their willingness to put themselves in harms way to protect humanity by serving it for 20 or 30 years might be better than the usual way Democracy does things.

    If you follow the chain of logic of Starship Troopers story the society and government of his earth is exceedingly rational... Heinlein pointed out how our current "military-industrial complex" is hopelessly bogged in bureaucracy... The "Mobile Infantry" is built so everybody works & everybody fights... unlike our current military. For Heinlein's other "send up" of the military and "politics as usual" read Glory Road.

    Even being the spine-less Liberal that I am, I can read the book and understand how / why someone might believe things should be arranged this way... On the other hand I am not so trusting of modern jingoist "rugged individualist" folks that call themselves libertarian [when in fact they are more often than not whiney self-centered babies who believe that a souless corporation is better than a gunked up bureaucracy... Which only proves they are the kind of ignorant that Heinlein would have hated.]. Heinlein graduated from Annapolis and he did serve this country. Where did Verhoeven serve?

    As for the movie... If it is a satire it is not of Heinlein or the book he wrote, since the only thing that they have in common is the name.

    There were no female troopers in the book.
    While Heinlein has been called anti-feminist and a patristic SOB, the reason he only had males fighting is he believed [right or wrong] that males and females have certain roles... females make better pilots and males better warriors [we're not talkin' equal rights agit-prop here, just biology]. Females are the future of humankind and deserve to be protected [see the Notebooks of Lazerus Long about the true purpose of laws] Heinlein believed that a man will fight better if the last thing he hears before he drops is a female voice wishing him luck... Is it true? Who knows? -- we've never tried it. It appears that the Heinlein that is held up by liberal critics is actually a "straw man".

    There were no jump troopers in the movie.
    The purpose of the mobile infantry is being "the most effective fighting organization in history"... What we see in the movie is the equivalent of the old Saturday Matinee B Monster movies... Heroes or monster fodder... either or... which only shows a failure to understand Heinlein's chain of reasoning.

    So if the movie is a satire, then it must be a satire of someone trying to satirize a book with which they disagree and do not have the wit or the art to craft a movie to accurately depict both the right and the wrong of the author's thesis and how the author chose to resolve the conflict... if it is a an actual satire of Heinlein then it is a FAIL -- and even a liberal like me can see that...

    As for Card's "Ender's Game"... Here is a story written by homophobic writer telling a story about how someone exploits a child into murdering another race by playing the equivalent of a video game... Um... yeah... Better title: "Molested by the Military"...

    I think the exploitation of Ender and Card's homophobia are probably related... Yet the difference between Ender and Card is that Ender actually has some kind compassion for people that are not like him... while Card has proven how really small he is as a person and that he is apparently incapable of compassion for people that are not like him [i.e. if you ar

  29. My favorite example. by Dr.+Manhattan · · Score: 5, Insightful
    In the book, a trainee asks why they are learning to throw knives when they have nukes. The instructor stops the drill, and points out that you don't housetrain a puppy by decapitating it. The military is supposed to used controlled force to achieve policy objectives, not wanton destruction. He tells the recruit who to talk to if he still doesn't understand.

    In the movie, the instructor throws a knife through the recruit's hand, and says, "Hard to push a button now, eh?"

    I get that the movie is satire. I even get that there's a lot in the book that can be fairly satirized. The problem is, the movie is lazy, unfair, incompetent satire.

    --
    PHEM - party like it's 1997-2003!
  30. Expectations by DrYak · · Score: 2

    The fact that some people only now see Starship Troopers as perhaps somewhat sarcastic blows my mind. How can you miss it?

    I was wondering the same. Happy to see i'm not alone...

    I went to see it while keeping in mind all the over-the-top satire that Paul Verhoeven managed to cram into Robocop.
    So of course the sarcasm of Starship Trooper was clearly obvious.
    (It helps also that I'm European too, though no Dutch)

    Meanwhile, I guess most of the US movie goers where expecting a very serious, true-to-the-source adaptation of the books, and probably disliked that not only wasn't this movie dead-serious about the book, the movie even went to criticize and make a joke about the book's theme.

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]