Critics Reassess Starship Troopers As a Misunderstood Masterpiece
Hugh Pickens DOT Com writes "Calum Marsh writes in The Atlantic that when Paul Verhoeven's Starship Troopers hit theaters 16 years ago today, American critics slammed it as a 'crazed, lurid spectacle' featuring 'raunchiness tailor-made for teen-age boys' and 'a nonstop splatterfest so devoid of taste and logic that it makes even the most brainless summer blockbuster look intelligent.' But now the reputation of the movie based on Robert Heinlein's Hugo award winning novel is beginning to improve as critics begin to recognize the film as a critique of the military-industrial complex, the jingoism of American foreign policy, and a culture that privileges reactionary violence over sensitivity and reason. 'Starship Troopers is satire, a ruthlessly funny and keenly self-aware sendup of right-wing militarism,' writes Marsh. 'The fact that it was and continues to be taken at face value speaks to the very vapidity the movie skewers.' The movie has rightfully come to be appreciated by some as an unsung masterpiece. Coming in at number 20 on Slant Magazine's list of the 100 best films of the 1990s last year, the site's Phil Coldiron described it as 'one of the greatest of all anti-imperialist films,' a parody of Hollywood form whose superficial 'badness' is central to its critique. 'That concept is stiob, which I'll crudely define as a form of parody requiring such a degree of over-identification with the subject being parodied that it becomes impossible to tell where the love for that subject ends and the parody begins,' writes Coldiron. 'If you're prepared for the rigor and intensity of Verhoeven's approach—you'll get the joke Starship Troopers is telling,' says Marsh. 'And you'll laugh.'"
The Only Good Bug is a Dead Bug.
I was surprised how well the movie tried to follow the plot of the book. But, flying across the galaxy to fight bugs with assault rifles at 10 feet? Everyone in the army looking like members of the fashion club? Where are the armored suits? Skydiving from space? Hand held nukes? (OK, they had a little bit of that). The basic training parts of the book were critical. And why did they include Doogie Howser, Gestapo? For all the teenage blood and gore in the movie, it did portray the concepts of the book fairly well.
It really took Americans 16 years to work this out? To me, the satire was brazenly obvious the moment I watched it for the first time all those years ago.
I find this to be somewhat laughable. Robert Heinlein was entirely serious about the message that the story delivers. That only those who serve in the military and commit violence in the name of their country should truly be considered "citizens" of the country.
The book is most assuredly not a "send up" or "farce" or anything of the sort. It was a statement of Mr Heinlein's beliefs.
Go do a little reading about him. Learning who he was may alter your perspective on his books...
As for the movie being "a critique of the military-industrial complex" - not a chance. It was exactly what is appeared to be.
I don't think right-wing has that cornered these days. Granted, starting with Korea or so a lot of our wars were right-wing, but Obama has sort of swung them back left.
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This is not a new argument. It was made often at the time the film came out. Anyone following rec.arts.movies at the time is very familiar with the arguments that "it's a parody" and "you hate it because you just don't get it". (Check google groups for references.) This rang hollow at the time and it still does. There are several counter-arguments: If you followed the advance information while the film was being made, you know that aspects of the film were more expensive than originally thought, and the script kept getting simplified... and simplified again... and what ended up on screen were some pretty spectacular digital bug effects (for the time) coupled with unbelievably cheesy sets, costumes, and dialog, that being all they could afford with what was left. About that time the shift to "it's a parody! Really!" started.
I saw it for free (a company perk) and wanted my money back.
One could argue there's a reason this was Ed Neumeier's last big screen script, and why Verhoeven hasn't made a Hollywood film since the turn of the century.
So, no. Just no.
Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
making fun of Democrats in the US who are the only people in this country actually trying to save it
LOL wut?
Neither of the two major parties in the U.S. is trying to save the country. The OWS crowd is making a misguided effort who's goals would actually make thing worse - but they really do have the goal of fixing the joint, and the Tea Part "proper" is trying to fix a few things while ruining others. These are the major party people with their hearts in the right place.
There's two separate crowds in the country making an effort to save it that actually have the proper goals in mind - the Constitutionalist who want to fix our nation and bring it back to it's chartered place which is quite admirable, and the Libertarians who want to go a step further than the Constitutionalist with a fuck-all get rid of everything else while you're at it attitude.
Your beloved Democrats are making a very visible and direct effort to bankrupt the whole of the people and reduce freedom across the board while their at it.
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that can only mean one thing: That the current piss being pushed out by Hollywood is really bringing the standards down. And in comparison, even turds can shine.
Give it another decade and then let's take a look at Uwe Boll movies again.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Though a far-Left Socialist in his pre-war youth, Heinlein moved firmly to the near-Libertarian right by the end of 1940-ies (he was a big proponent of government's sponsorship of space-exploration, which does not make him quite a Libertarian).
His novel asked the question, that bothered him for years — why do we bestow the franchise on every born American? His argument was that between the king having full power in a monarchy to the power being shared by all in a democracy there is a middle ground of voting rights being held only by those, who have demonstrated — through personal sacrifice — their willingness to serve the humanity (as a civil servant or a soldier). Under his plan, you'd only get to vote after retiring from the service — something the protagonist forgoes for many years by deciding to become a career officer...
Very little of this is in a movie — and it was justly derided for the omission.
But to find satire on "jingoism" and "American militarism" — however much the Atlantic's Illiberals may want to scratch that particular itch — in that movie is to give it way too much credit.
In Soviet Washington the swamp drains you.
Any value the movie has as social commentary is overshadowed by its total misuse of the source material. The claims by Verhoeven and other critics that the novel supports fascism are shallow at best. The characters in the novel engage in a number moral debates about the values of their system of government, which you can certainly disagree with but can't just wave away with a simple accusation of fascism. In fact there's evidence that Heinlein got the idea of universal service in the novel from Switzerland, which as we all know is a hotbed of fascism. [/sarcasm]
This Space Intentionally Left Blank
One of the best 'reviews' I've read of it from Dan Savage (adult content, no pictures).
It's a fun movie but you're not supposed to take it seriously, I don't get the people who do. It's like the people who hate on "Pacific Rim" and give it 1/10 stars because well it's essentially giants robots and monsters brawling it out in major cities with the most contrived mind meld technology and over-the-top characters you could possibly imagine. Except the whole premise is ridiculous, the monsters don't die from bullets and grenades and missiles and bombs (well except one, but spoiler) but they die from getting punched to death by a giant robot. How can you go to a movie like that and expect something else, it's like going to a horror movie and expecting deep drama. It's not going to happen and no, if you're seeing it in Starship Troopers you're imagining things.
Live today, because you never know what tomorrow brings
Heinlein's Starship Troopers is a masterful morality play. The movie can only be seen as such by someone desperately searching for meaning that isn't really there. The fun technical wizardry of the jump suits was written out of it so the obvious CG element was lost..
So why did they bother to call it Starship Troopers? A fun movie but no trace of what was special in the original remains.
I don't understand why everyone dislikes showgirls, It is a great erotic film. In my opinion it could only be compared to wild things, it is so good. the story is nothing special, if you compare it to normal films, but it is head and shoulders above even the best porno.
Troll is not a replacement for I disagree.
I always liked the film. Hell, it's one of my favorite sci-fi movies right alongside Alien, Aliens, Predator, 2001, Moon, etc. It wasn't difficult for me at all to identify and appreciate the satire, and I'm no literary genius or film critic. Watchmen did something similar, creating what seemed to be an alternate dimension of stereotypical right-wing ideology. I don't even agree with half the stuff either of the films were implying, but rather than being offended I was immensely entertained and even found them (gasp!) thought provoking.
In summary, movie critics are generally shitbags full of methane and are lucky to have a job...doing anything.
Buy your next Linux PC at eightvirtues.com
ugh... who DIDN'T recognize that that was what verhoeven was going for?
but it's all so FACILE and obvious and redundant. his satire had the depth of insight attained by lampooning the fact that the sun is hot. :P
yes, it's satirical... but so on the nose and idiotically shallow that it gains no mileage from it. it could only be admired for "insight" (for fuck's sake) by children or imbecile.
i should sue the guy for my eye injury sustained when his film forced me to attempt eyerolling at speeds beyond which is possible for average human beings.
the critique of the movie back then was that it was stupid. and that's still goddamn right.
robocop - brilliant
total recall - awesome
but starship troopers is fucking garbage.
As a Warhammer 40k fan, stop stealing lore Blizzard.
I kinda thought that was the point from the beginning. I'm kind of surprised that almost 20 years later people are finally starting to get the point of the film. I loved it when I saw it in the theater, and I bought it on VHS, and then later on DVD. It's a great film. Sure, it's cheesy as hell, but still, the message is good. You just gotta read between the lines.
The 1995 film, with the absolutely amazing lap dance scene, among many others??
How could anyone not find Showgirls one of the top 10 sexiest films of all time?
Because it was so overkill that by the end of the movie boobs stopped being interesting.
William of Ockham had no beard. The most likely explanation is that it was chewed off by squirrels every morning.
I find this to be somewhat laughable. Robert Heinlein was entirely serious about the message that the story delivers. That only those who serve in the military and commit violence in the name of their country should truly be considered "citizens" of the country.
That is absolutely mistaken. Committing violence was **not** required. What was required was to put the needs of your society ahead of your personal safety. Service was not required to be military in nature. It was absolutely clear that non-military construction and labor service also fully qualified a person for citizenship. It was also clear that such construction and labor service was also hazardous and that casualties occurred. That one risked their life in order to serve, both military and non-military service.
The 1995 film, with the absolutely amazing lap dance scene, among many others??
How could anyone not find Showgirls one of the top 10 sexiest films of all time?
They were all told to hate it.
My wife and I saw it in the theater. She didn't like it much, but I enjoyed it. The raw depravity of it was done well, in my opinion. Especially the fat lady with the revealing wardrobe.
If you think I voted for Trump because of this post, you're wrong. I voted for Dr. Jill Stein of the Green Party. Again.
You are supposed to watch it in 15 minute intervals.
Troll is not a replacement for I disagree.
Those marshals are not a military rank.
The truth is that all men having power ought to be mistrusted. James Madison
Was it a commentary on "American imperialism"? No, that's quite a bit of revisionism. The main characters were not from the USA, the government was global in nature and the look of the government and the military was absolutely European.
The Europeans were practicing imperialism long before the Americans, and making it directly about Americans and the US would have been much too obvious.
I must strongly disagree with the use of the word "fascist" with respect to the society portrayed in the novel Starship Troopers.
Let's look at how Wikipedia defines fascism:
http://en.wikipedia.org/wiki/Fascism
None of these apply to the society portrayed in the book.
The first item: the sole means by which the government attempted to impart any point of view on the citizens was a high-school class called "History and Moral Philosophy" that was always taught by a full citizen, but which the student was not required to pass. The examples from when the protagonist took the class did debunk some of the tenets of communism, though. (Labor does not always add value. An unskilled cook can take pie dough and apples and produce a burned mess, where a skilled cook can produce a delicious dessert, so the "labor theory of value" in its simplest form is disproven by example.)
The second item: the government did not run businesses. The society operated in a free market. The amount of regulations imposed by the government was never explicitly spelled out, but my impression is that the amount of regulation was low, as discussions of business did not tend to rants about permits or bureaucratic interference.
The third one at first seems plausible, as the book is (in Heinlein's own words) intended to present lowly soldiers in a good light (as opposed to senior generals, Presidents, etc.). However, the government in the book did not promote such ideas. Instead, the government took steps to scare people off from becoming soldiers. For example, having a maimed military veteran sit outside the recruiting station and warn young people that they could get maimed like he had been. (Later, the protagonist meets this veteran again, and he is off-duty and wearing artificial limbs that look real and work about like the real thing, and the veteran's manner is completely changed; he congratulates the protagonist for choosing to serve in the infantry.)
My opinion could be slanted, as I am politically a minarchist libertarian, but the society in Starship Troopers appears to be a minarchist libertarian government. The government is relatively small and does relatively little, and what it does do seems to be mostly confined to defense and police. The common attitude among most of the population is that they want nothing to do with government, which seems unlikely if government was a major force in peoples' lives. (The protagonist's father has not earned the right to vote, and proudly tells the protagonist at one point that he is a third generation non-voter; why would he want to earn a vote? No profit in that, the time is better spent building the business.)
The described history in Starship Troopers went like this: During a time of wide-spread social upheaval, the old governments disintegrated and new ones formed. One of the new governments, mentioned as an example, used "scientific" techniques to pick who would be in charge; it failed. Eventually a bunch of military veterans banded together and began keeping some sort of peace within the area they were able to patrol, and this expanded to become a new system of government. Voting was limited to people who had served at least one term of service in the government. Service could be military but could also be anything else the government needed to have done, such as scientific research. Also, according to their laws, the government had to
lf(1): it's like ls(1) but sorts filenames by extension, tersely
The so-called Constitutionalists and Libertarians are merely shills for their big business masters, who also control the Democrats.
Note none of the Right are doing shit to end globalist war and they were delighted with the surveillance state when the President was a white male. Now the POTUS continues those policies and if it weren't a matter of competing for votes they'd be delighted. Obama is Bush III.
Both Parties are puppets. It's a shame Flight 93 didn't drill Congress while it was in session.
"This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
You cannot understand the Starship Troopers movie until you realise it is all a propaganda piece.
If you think the Bugs are a threat, you have missed everything.
To understand the movie Starship Troopers it is crucial that you realise the _entire_ movie is propaganda for the Earth's military government. It is clear at the start, and the finish, but it never stops being that a propaganda show.
So nothing can be accepted at face value. Here's what we know:
1. Earth is under control of a military government (a junta)
2. Life is tough: food is rationed, the world is overpopulated
3. You can't have children (or vote) without serving in the military
4. There are dissidents / rebels / those who oppose the one-world order
To keep the population under control, the military leaders need a war. The population will accept hardships, and the excess population can be whittled down. People can be kept busy with work creating disposable goods (bombs, spaceships, uniforms), so they don't have time to think or rebel.
The Bugs are not a threat to humans. They defend themselves. They have no space flight capability. They have no means of attacking Earth. They are a manufactured threat.
Their purpose is to kill as many young people as possible. Young people are a threat to the established order (notice how _old_ the military leaders are). That is why the military strategy is so stupid. The purpose is to get people killed. Population control.
And then grieving relatives at home will continue to support the war.
Because the carnage is so great, people get promoted very quickly. Ignorant, naive young things in command, who will just follow orders.
Finally, we have the giant rocks hurled onto Earth. Bugs? Nah. That's the Earth government. Notice how the rock impacted _directly_ on to the area that was rising up against the military government on Earth?
Multiple birds killed with one (big) stone. Dissidents: vaporised. Support for war: raised amongst survivors. Population: culled. GDP boost: keep people busy rebuilding infrastructure
And THAT'S why the female 'heroine' got such a bollocking for changing course without orders. They nearly got in the way of the rock, and the ship sensors could (did!) log the source. Not the bugs. Humans.
So the sequel is the three friends: one a grunt, one an office, one an 'intellectual'. The first two miraculously survive to figure out what is really going on, go to scientist friend, who betrays them. They go on the run. Carbonite may be involved.
But in the third part, the scientist turns out to be working for them on the inside. he had to betray them to save them. But he's been collecting enough info to blow the whole conspiracy wide open.
And together the three of them overthrow the junta, bring peace and democracy, and an uneasy truce with the bugs. Maybe start some colonies. They all live happily ever after.
(Until the Bell Riots)
Recycle PCs and build a wireless community network www.hillsborough.org.nz
One of the strangest things I've often heard repeated concerning the book is it is "glorified fascist fantasy"... which shows a lack of understanding of what Heinlein was trying to communicate. A better understanding of Heinlein's views might be take from his character Prof. Bernardo dela Paz in "The Moon is a Harsh Mistress".-- which is to say Heinlein appears to have been a "rational anarchist"... perfectly happy to obey [or not] any rules you happen to set... The pill that chokes the critics of this book appears to be that Heinlein proposes that having a government made up of people that have proved their willingness to put themselves in harms way to protect humanity by serving it for 20 or 30 years might be better than the usual way Democracy does things.
If you follow the chain of logic of Starship Troopers story the society and government of his earth is exceedingly rational... Heinlein pointed out how our current "military-industrial complex" is hopelessly bogged in bureaucracy... The "Mobile Infantry" is built so everybody works & everybody fights... unlike our current military. For Heinlein's other "send up" of the military and "politics as usual" read Glory Road.
Even being the spine-less Liberal that I am, I can read the book and understand how / why someone might believe things should be arranged this way... On the other hand I am not so trusting of modern jingoist "rugged individualist" folks that call themselves libertarian [when in fact they are more often than not whiney self-centered babies who believe that a souless corporation is better than a gunked up bureaucracy... Which only proves they are the kind of ignorant that Heinlein would have hated.]. Heinlein graduated from Annapolis and he did serve this country. Where did Verhoeven serve?
As for the movie... If it is a satire it is not of Heinlein or the book he wrote, since the only thing that they have in common is the name.
There were no female troopers in the book.
While Heinlein has been called anti-feminist and a patristic SOB, the reason he only had males fighting is he believed [right or wrong] that males and females have certain roles... females make better pilots and males better warriors [we're not talkin' equal rights agit-prop here, just biology]. Females are the future of humankind and deserve to be protected [see the Notebooks of Lazerus Long about the true purpose of laws] Heinlein believed that a man will fight better if the last thing he hears before he drops is a female voice wishing him luck... Is it true? Who knows? -- we've never tried it. It appears that the Heinlein that is held up by liberal critics is actually a "straw man".
There were no jump troopers in the movie.
The purpose of the mobile infantry is being "the most effective fighting organization in history"... What we see in the movie is the equivalent of the old Saturday Matinee B Monster movies... Heroes or monster fodder... either or... which only shows a failure to understand Heinlein's chain of reasoning.
So if the movie is a satire, then it must be a satire of someone trying to satirize a book with which they disagree and do not have the wit or the art to craft a movie to accurately depict both the right and the wrong of the author's thesis and how the author chose to resolve the conflict... if it is a an actual satire of Heinlein then it is a FAIL -- and even a liberal like me can see that...
As for Card's "Ender's Game"... Here is a story written by homophobic writer telling a story about how someone exploits a child into murdering another race by playing the equivalent of a video game... Um... yeah... Better title: "Molested by the Military"...
I think the exploitation of Ender and Card's homophobia are probably related... Yet the difference between Ender and Card is that Ender actually has some kind compassion for people that are not like him... while Card has proven how really small he is as a person and that he is apparently incapable of compassion for people that are not like him [i.e. if you ar
In the movie, the instructor throws a knife through the recruit's hand, and says, "Hard to push a button now, eh?"
I get that the movie is satire. I even get that there's a lot in the book that can be fairly satirized. The problem is, the movie is lazy, unfair, incompetent satire.
PHEM - party like it's 1997-2003!
The fact that some people only now see Starship Troopers as perhaps somewhat sarcastic blows my mind. How can you miss it?
I was wondering the same. Happy to see i'm not alone...
I went to see it while keeping in mind all the over-the-top satire that Paul Verhoeven managed to cram into Robocop.
So of course the sarcasm of Starship Trooper was clearly obvious.
(It helps also that I'm European too, though no Dutch)
Meanwhile, I guess most of the US movie goers where expecting a very serious, true-to-the-source adaptation of the books, and probably disliked that not only wasn't this movie dead-serious about the book, the movie even went to criticize and make a joke about the book's theme.
"Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]