The 2014 Hugo Awards
Dave Knott writes: WorldCon 2014 wrapped up in London this last weekend and this year's Hugo Award winners were announced. Notable award winners include:
Best Novel: Ancillary Justice by Ann Leckie
Best Novelette: "The Lady Astronaut of Mars" by Mary Robinette Kowal
Best Novella: "Equoid" by Charles Stross
Best Short Story: "The Water That Falls on You from Nowhere" by John Chu
Best Graphic Story: "Time" by Randall Munroe
Best Dramatic Presentation (Long Form): Gravity written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón
Best Dramatic Presentation (Short Form): Game of Thrones: "The Rains of Castamere" written by David Benioff & D.B. Weiss, directed by David Nutter
The results of this year's awards were awaited with some some trepidation in the SF community, due to well-documented attempts by some controversial authors to game the voting system. These tactics appear to have been largely unsuccessful, as this is the fourth major award for the Leckie novel, which had already won the 2013 BSFA, 2013 Nebula and 2014 Clarke awards.
Best Novel: Ancillary Justice by Ann Leckie
Best Novelette: "The Lady Astronaut of Mars" by Mary Robinette Kowal
Best Novella: "Equoid" by Charles Stross
Best Short Story: "The Water That Falls on You from Nowhere" by John Chu
Best Graphic Story: "Time" by Randall Munroe
Best Dramatic Presentation (Long Form): Gravity written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón
Best Dramatic Presentation (Short Form): Game of Thrones: "The Rains of Castamere" written by David Benioff & D.B. Weiss, directed by David Nutter
The results of this year's awards were awaited with some some trepidation in the SF community, due to well-documented attempts by some controversial authors to game the voting system. These tactics appear to have been largely unsuccessful, as this is the fourth major award for the Leckie novel, which had already won the 2013 BSFA, 2013 Nebula and 2014 Clarke awards.
I am disappointed that Asimov's didn't even run this year's short story winner. I feel like Sheila was out of it for the past couple issues.
Can believe they snubbed Doctor Who this year. There were at least 4 Doctor who stories in the running.
What should have won?
If there's one thing I've learned reading all kinds of award-winning books, is that more often than not, the award is a big warning that the book is shit, or pompous, or written specifically to woo often sophisticated, pedantic jury members into giving the award.
In short, I usually go for stuff that hasn't been awarded certain kinds of awards. The Hugo certainly seems overrated these days, and has been for many years.
"A door is what a dog is perpetually on the wrong side of" - Ogden Nash
http://geekwagon.net/projects/xkcd1190/
If the award is to be given to an actual science fiction movie? Europa Report.
That Doctor Who reboot isn't scientific fiction. It's pure fantasy and Americanized Michael Bay actionexplosions(tm) . That "Doctor" deals with every problem by waving his magic wand like Harry Potter and yelling "RUN!".
the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff
This is undoubtedly the first hugo award for a graphic story featuring stick figures.
Ancillary Justice has its merits but read like an first novelist's smart attempt at crossing Alistair Reynolds with Iain M. Banks. Indeed, all three can/could do with good editors to tidy the worst longeurs. There's a little too much fashion sometimes; I rate Phillip Mann's The Disestablishment of Paradise as the strongest sf novel I've read in the past year, stylistically, structurally, thematically and in its characterisation and humour; it betters the Leckie IMO but only made one of the shortlists.
[/. Member, AC due to travel]
It's actually several thousand frames that play out a sequence of events. It was notable both because of the unique presentation (most frames, particularly the early ones, change only subtly) and because of the details that go into establishing the otherwise unexplained setting.
"Because Science" is one step from "Because old book". Try "Because of my experiment testing my falsifiable assertion".
Considering it was one spot from the bottom of the list you only disregarded Game of Thrones.
What you see at that link is only the last panel. The story was revealed frame-by-frame over a much longer period of time.
I do think it would be nice if xkcd made the whole thing available, but others have managed. The Wikipedia link above can point you at some of them.
...it's an attempt to protest the forces of political correctness (represented by Wiscon's radical feminist faction) who are attempting to get people fired for not toeing the line.
The link to the controversy is next to useless. I visited at least 6 of the downstream links and none of them gave a summary for people who haven't been following this story. Who has done what and why is it bad?
Gravity isn't science fiction. We actually do send people into space, and that kind of disaster could sort of happen. There's no speculative science, predictions of the future, or fantasy elements to it. And that's really cool--what seems so much like SF is actually a real-life job that some people do everyday.
From the Hugos' webiste:
"Science Fiction? Fantasy? Horror?
While the World Science Fiction Society sponsors the Hugos, they are not limited to sf. Works of fantasy or horror are eligible if the members of the Worldcon think they are eligible."
--JLockard - "Some mornings, it's just not worth chewing through the leather straps." - Emo Phillips
So is historical fiction if the theme seems sci-fi enough; Apollo 13 had a nomination.
Maybe it's because opinion is subjective.
systemd is Roko's Basilisk.
[Spoiler Alert] In book six Adam Reiths' spaceship is shot down by "dragons" and it turns out the books are but a prelude to Jack Vance's "Planet of Adventure"
"Kill 'em all and let Root sort 'em out"
I found it extraordinarily tense. walking out of the theater I realized I had been holding my breath for the entire movie.
"Largely unsuccessful" is a bit of an understatement. Those who follow such things have been rejoicing that the "Sad Puppy Slate" ended up last in all the author categories, and that the novella by Vox Day, the guy with very... questionable political and personal views, actually ended up below "No Award". I think it's interesting that despite the outcries and rage and threats about "No Awarding" the entire slate, the only nominee to actually meet such a fate was the one that almost everyone agreed was literarily a piece of garbage.
One does have to wonder how the "Sad Puppy Slate" would have done if it hadn't weighed itself down with a nominee that was simultaneously so objectionable and so poorly written.
http://whatever.scalzi.com/201...
http://whatever.scalzi.com/201...
This Space Intentionally Left Blank
I agree about the winners in recent years, although I usually peruse the best novel nominees, quite a few of my favourite books have been "losing" Hugo or Nebula nominees.
Oh no... it's the future.
This is an aside to TFS, and more of a rant.
At my local library they have folded the Sci-Fi section in with the general fiction books. Which means I can no longer browse just Sci-Fi books. I am not sure why they did it, but what irks me a bit is that the Mystery section still remain separate.
I am Slashdot. Are you Slashdot as well?
But I found much of the tension to be very artificial. For example (spoilers ahoy!), when Bullock and Clooney reach ISS, both being tethered with a rope. And are no longer moving. Yet, Bullock is forced to cut the rope, because of... what, exactly? (yes, their characters had names, no longer remember them)
You're moving the goalposts and positing a conspiracy theory.
Hail Eris, full of mischief...
E pluribus sanguinem
I am a big Scalzi fan and have loved every bit of his fiction that I have read - except for Redshirts. So I don't get it either, but a lot of people love it. A TV show will come of it and that escapes me as well. Apparently we are just not in touch with something a lot of other people see in it.
It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
I think it was intended to be an emotional movie, not an analytical movie. Try to enjoy it on the director's terms not on your terms.
If both those claims are equally accurate...it about jives with my experience as well
You can get rich if you own a politician, but you have to be rich to buy one in the first place.
tl;dr: conservative SF authors are victims because people like other authors' works better.
Hail Eris, full of mischief...
E pluribus sanguinem
Ah Gotcha, had always assumed the Hugo award was relegated to just sci-fi. Thanks for setting me straight with a minimum of snark :)
...and you could still walk and be alive after holding your breath for so many minutes?
PROOF THAT ALIENS ARE AMONG US!
...gis sdrawkcab (usually not responding to ACs; don't bother posting as AC)
The Hugo awards come from the audience. The audience is a bunch of drooling retards. Also, I'm surprised XKCD got the graphic story thing.
Seriously, Game of Thrones and The Hunger Games are largely a joke. And they're bringing out Dragon Tattoo movies. You won't see Gateway or The Gap Cycle as a dramatic long-form series (it's too fucking massive to run as a set of movies); I would love to produce The Gap Cycle as a scifi-drama-epic narrative in an opera-style, as the prose won't translate to modern theatrical style. ("He looked over at the alarming medistat screen. It said he was awake. No shit. It also said...")
You really want the Nebula awards.
Support my political activism on Patreon.
It's soft sci-fi pretending to be hard sci-fi.
It's perfectly fine to have non-realistic physics in science fiction. It just needs some justification or explanation. Future super-tech that hasn't been invented, or a revolution in our understanding of the universe. This is a good thing: It lets you introduce a 'magic box' like a perfect lie detector or an artificial intelligence and then examine the impact it would have. Or it can just serve as the backdrop to a more conventional story, like a space opera - just throw in some vague mumbling about the hyperdrive, it doesn't matter how the thing is supposed to work so long as it gets the characters where they need to go.
But Gravity doesn't have that excuse. It's supposed to be realistic. It's supposed to be near-future. That sets certain constraints. For a layperson it might be acceptable for an astronaut to jump out the ISS and achieve an orbital intersection and velocity match by eye with a distant station - but for anyone who knows the slightest thing about space travel, or has played Kerbal Space Program, this as as glaring a violation of the established rules of the setting as if she'd cobbled together a teleporter from the wreckage.
The director set terms: The terms are near-future, realistic setting. Then those terms were violated. From there comes the problem.
Those two goals are in no way incompatible. There's no need to employ sloppy writing to generate emotion unless your goal is a high score on What's Wrong With.
Sad thing. After Paolo Bacigalupi won all the awards below he discovered that you make much writing SF, and now writes Young Adult novels
from https://en.wikipedia.org/wiki/...
It's a great book, one of the best I have read for years. Its plusible dystopian take on the near future still haunts me.
I'm sure you're right, but I did enjoy Equoid by Charles Stross. Then again, I'm a fan of the Laundry series, so I'm not going to be that critical of his writing.
You're a temporary arrangement of matter sliding towards oblivion in a cold, uncaring universe
"the book is shit, or pompous, or written specifically to woo often sophisticated, pedantic jury members into giving the award."
Over 3,500 people voted on the Hugos this year, not exactly a tiny jury.
No,that would be Twitter.
Faster! Faster! Faster would be better!
The movie where they drift off into space, never encounter another object, and slowly die wasn't as interesting...
The problem here for a lot of people is it breaks them out of their suspension of disbelief. We've established this as a representation of a fairly realistic world when something we know wouldn't happen happens.
If we established earlier that this was a world with its own physics then we'd accept it.
A TV show about Redshirts? Didn't we just finish the Star Trek reboots?
Faster! Faster! Faster would be better!
We will never finish the star trek reboots. 1000 years from now they will still be making them and people will be believe that Captain Kirk was a real historical figure.
09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
Most people are idiots.
You forgot to add "present company excluded"..., right?
Anyway, reminds me of a George Carlin quote that I saw in somebody's sig once:
“Think of how stupid the average person is, and realize half of them are stupider than that.” -- George Carlin
I really liked Europa Report and I recommend it to sci-fi fans. But the criticisms against that movie were well placed, and Best Dramatic Presentation? If anything, the movie was intentionally downplaying the inherent drama of their predicament in order to keep the movie grounded in a more documentary format. Sci-fi fans should definitely check out Europa Report, but I don't think it would have won here.
Click the panel itself. Brings you here:
http://geekwagon.net/projects/...
"Ignorance more frequently begets confidence than does knowledge"
- Charles Darwin
That's only part of the story. The forum is where all the real action was/is. There was/is a religion of sorts. Complete with popes, prophets and pilgrimages. And lingo. (Chirping mustard! The OTT is seaish. and cancercoffeesemenbabies). I assume it is still going, but I refuse to check. I lost a lot of time in that forum, and I had to make a clean break. There were many people whose RL relationships were strained because of this. People were up every hour checking the latest ONG. For those of you willing to go down the rabbit hole, you will want to read the thread from the beginning. That is called blizting. You will be encouraged along your way, and encounter many strange and wonderful things. Randallspeed.
Short story under 7,500 words
Novelette 7,500 and 17,500 words
Novella 17,500 and 40,000 words
Novel 40,000 +
I know you were trying to be cheeky, but there is a specific answer to your question.
Are you familiar with Kerbal? Orbital mechanics are drasticly different from ground mechanics and may seem unintuitive when first encountered.
I believe you, but do you have a cite? Does some literary authority make these numbers gospel?
Take it easy, Charlie, I've got an Angle...
I wholeheartedly agree - I picked up a collection of Hugo Award winners, as edited by Isaac Asimov - I found the writing incredibly pretentious and the stories almost seemed to take a back seat. They were a massive disappointment to me.
Yes, but I know full well that when an object's motion is arrested, the object will not continue pulling on whatever arrests it.
That quote only showed that George Carlin is too stupid to understand the difference between mean and median.
So, would her breathing heavily be the result of running away from you?
You're a temporary arrangement of matter sliding towards oblivion in a cold, uncaring universe
How can one properly determine the difference between a novel, a novelette and a novella?
...gis sdrawkcab (usually not responding to ACs; don't bother posting as AC)
True. But what if the object that they're connected to is moving? What's to say that ISS wasn't rotating in such a way as to create force?
Now ISS has various gyroscopes and thrusters to keep it oriented. However, it appears that many of the ISS systems were turned off and/or damaged, which means that those thrusters or gyroscopes may not have been working. So ISS may have also had some spin to it, considering that it and the Soyuz had been hit by debris.
So it's quite possible that ISS was rotating or spinning in some manner. While the ropes stopped their momentum, they were still taut afterwards so that implies that there was some force acting on them.
But GOP has been telling everyone that people who follow the conservative view are richer, has better employment and more cash to spend on the capitalist system. Hence you would have thought that they would be able to afford to go to WorldCons or buy a way cheaper supporting membership and still be able to vote w/o attending the convention by person.
Hence, I can only conclude, you're talking out of your orifice usually used to expel brown smelly stuff.
System is run by World Con attendees. You can join and take over with your rightwing friends, if you have the majority. Good luck.
I picked up a collection of Hugo Award winners, as edited by Isaac Asimov - I found the writing incredibly pretentious and the stories almost seemed to take a back seat. They were a massive disappointment to me.
Hugo winners are often incredible stories - I've read a lot of them, and while some of them are crap, a lot of them are very, very good. Really, it depends a lot on the year they were written - if the collection you read was from the 70s, then I can see why you thought they were crap; the popular scifi writing style in in that decade was ... well ... pretentious. It's also possible that you just don't like the same kinds of stories Asimov likes - as editor, the stories were chosen by him.
How many times has Correia made the NYT bestseller list? Got a source for both of their sales numbers?
You're a whining "victim" who wants everyone to see how trod-upon you are. However, we don't hate you because of your politics (despite how very badly you want it to be so), we hate you because you're an asshole.
Hail Eris, full of mischief...
E pluribus sanguinem
Ray Bradbury did well with it (Kaleidoscope). But that wasn't the story Cuaron wanted to tell.
At least Girl Genius has intentionally pulled out of nominations because they were afraid that repeated wins would devalue the award.
Supporter of the +1 Over Dramatic mod option. In memory of apk.
I was there. Didn't bother to attend the Hugos.
BTW. They were two ceremonies. Check out http://loncon3.org
Your post only shows that you're too stupid to understand that average can refer to mean, median, or any other central tendency metric (not to mention that, since intelligence is roughly normally distributed, mean and median in this particular case happen to be the same). Gotta love it when someone tries to show how smart they are by criticism, only to crash and burn, the way you did with this post.
"Politicians and diapers must be changed often, and for the same reason."
That was nominated for best short story, but didn't get enough votes to make the short list.
Bill Stewart
New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
No, it's not hard sci-fi. Neither are many of the winners many years.
Bill Stewart
New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
It hadn't occurred to me to nominate it, and unfortunately didn't occur to enough other people, so it missed the short list for Best Dramatic Presentation Short Form by about 3 votes (usually only the top 5 nominees get onto the ballot, occasionally 6 if there's a tie or fewer than 5 if not enough works meet the "5% of nominations" threshold.)
An actual astronaut, in space, performing a classic science-fiction-themed song, named after one of the most influential SF movies? It so totally belonged on the ballot, because [expletive deleted] we're living in the future!.
Of course, a few other works I liked, and works I haven't read yet by authors I like, also didn't get on the ballot, but that's normal.
Bill Stewart
New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
"And are no longer moving."
This did not occur in the movie being discussed.
I honestly think the movie "Her" was a more satisfying SF story than "Gravity". SF's main point is the impact on humans and human society of disruptive technologies, and "Her" fit the bill better.
That's the last time I run code posted in somebody's sig...
BTW, you might not have noticed, but three of the five nominees for the Hugo novels this year were published by Orbit Books, in London. The ideology that marked them was "Hey, we don't want to lose book sales by giving away free copies in the voting packet, let's just do excerpts!" Correia's trilogy was published by Baen, and the Wheel Of Time series, 15-or-so volumes, which got nominated as a single work, was published by Tor, both of whom included the entire sets, which I liked much better. (In Correia's case, Volume 3 was the new work that was actually nominated, but including the first two made it make a lot more sense.)
Excerpts didn't do the job for me. It's not just that I'm grumpy because I'm cheap and consider getting the nominated novels part of what makes it worth paying for the voting membership*, but it also affected how well I could judge the work before voting. For Stross's book, which I was planning to buy anyway, it was enough; for Mira Grant's, it probably was (though so far it doesn't look like as strong a work as the Feed series.) But I know both of their work and have read most of their novels, so I've got some idea of where they might be going; Ancillary Justice was Leckie's debut novel, and while the excerpt was enough to get some flavor of her writing skill, and see some of the things she did in the first few chapters, it's a bit of a slow start, I didn't get sucked into it, and also I can't yet tell whether the main character is just an interesting and complex post-human or a totally creepy slave-taker.
* The package includes the Hugo novels or excerpts, the Campbell-nominated works (mostly novels), all the shorter works, most of the graphical material, a lot of short stories in this year's short-form editor award, a really amazing related-works section (this was a good year for that), all for the cost of a supporting membership for the upcoming Worldcon, which is usually about $40. You get to nominate for the Hugos if you bought it in time, and you get to vote on the winners.
Bill Stewart
New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
Sorry, I'm a Libertarian, from a relatively conservative background (which is not at all the same thing as a right-wing background, so I guess I was the "wrong" type of conservative for you), and I'd much rather read good writing by somebody whose politics I disagree with than bad writing. There are writers who really need gatekeepers to keep them from wasting my time, and there are good writers who still need editors to rein them in (how did Neal Stephenson get to burn a Baroque Cycle worth of paper?) or to help them fix stuff that isn't working. Small presses or big presses can both do that, while electronic publishing usually means "self-publishing" by people who might know to hire a copy-editor, which isn't the same thing at all. And while Charlie Stross* is a socialist who hangs out with Paul Krugman, his economic writing is great stuff; I'm planning to finish Neptune's Brood after reading the Hugo nom excerpt.
Publishing on dead trees is a tough game these days - it has to compete with TV, video games, and the Web and other internet distractions for readers' time, bookstores are dying, getting people to sit down for an entire novel is harder than it used to be, and forget trying to make a living as a short-story writer now that the pulps are gone and the remaining outlets can't pay as much a word. "Hollywood accounting" is more of a problem for writers selling to the alternate-publisher press than the traditional houses.
And yeah, there's too much formulaic dreck out there; Sturgeon's Law hasn't changed, and many publishers are still willing to make literary decisions based on what they've been able to get bookstores to buy, but that's no different for Baen's mil-sci-fi writers than for the urban-paranormal subgenre or the million Tolkien imitators.
* (Yes, Charlie's published in London, and mostly only later in New York, because of the international publishing rights weirdness, but most of the other Scottish SF writers are fairly radically socialist just to annoy people like Anonymous Coward.)
Bill Stewart
New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
Guess you and I are on opposite sides of the fence about Scalzi. I read Old Man's War, and while it was well done, it didn't grab me at all. Most military sci-fi is pretty soulless. Redshirts started out looking like it was going to be a fun Star Trek parody, but then went into a bunch of totally new directions. It wasn't my first choice of the nominees that year, but it way exceeded my expectations.
Bill Stewart
New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
Most accurate science in a movie since "2001". Highly recommended
Authors who write to get awards are writing the social justice NOW bullshit. Authors who write for readers are having their lunches.
Hugo, Nebula, and Clarke good? No. Stop it. It wasn't that good.
Still makes no difference. Even if, having done the calculation, I can work out a means for this to be completely effective, I've lost the suspension of disbelief. When telling a story, things should be presented in a way we'll accept them.
We shouldn't need to leave our involvement of the movie, come up with an entire fan theory and then go back in having established it will work. That's just bad scrptwriting.
On the official site
Best Novel: Awarded for a science fiction or fantasy story of forty thousand (40,000) words or more.
Best Novella: Awarded for a science fiction or fantasy story of between seventeen thousand five hundred (17,500) and forty thousand (40,000) words.
Best Novelette: Awarded for a science fiction or fantasy story of between seven thousand five hundred (7,500) and seventeen thousand five hundred (17,500) words.
Best Short Story: Awarded for science fiction or fantasy story of less than seven thousand five hundred (7,500) words.
Gravity was science fiction. Near-time science fiction, that is, depicting structures that we may not have now, but may have some time in the future.
The Tiangong space station featured in the last act of the movie is still in planning stages.
The movie put together a number of space technologies, past, present, and future, that will likely never exist together. The ISS, the Tiangong, a refinement of the 1980s EVA pack, the retired Space Shuttle, etc.
This is like.. the one scene that everyone talks about. I think the scene should have been handled a little better. When Bullock comes to the end of her tether (before she grab's Clooney's line), she is shown as still being moving.. but it's rotational momentum. Rotational energy is still energy, and that created tension on the parachute lines. I think the movie's mistake is that during the closeups of Clooney and Bullock right after, the station appears static. The rotation that Bullock was shone to be having in the wide shots just vanishes. If the effects department had shown the ISS rotating out of frame behind them, it would have made clear that there was still angular velocity at play, which would explain the tension on the tether.
Either way, it's quite possible that Clooney's character could have hung on and they could have climbed back together. But he didn't want to even take the chance that both of them would die.
As I mentioned above, I think the script-writing is fine, but there's a special effects f-up. In wide shots, Bullock is shown to be orbiting the station, and that creates tension on the line. But in closeups, the station is static, even though just a shot earlier, she was shown to still be moving. Why that decision was made, I don't know. Maybe someone forgot. But it seems curious to establish rotational momentum in the wide shots and then just drop that entirely in the closeups.
I find it very telling that even you, who seems to enjoy the movie much more than I do, refer to the characters as Bullock and Clooney. I think that's really what irks me about the movie. Those two are not the right actors. Clooney plays George Clooney very well, but not every movie needs a George Clooney. Don't get me wrong, some movies definitely require him, and then he excels. But George Clooney the astronaut? Doesn't work. Him dicking around in a MMU at the beginning of the film, just wasting fuel? This wouldn't happen.
As for Ms. Bullock, I think she did a good job, no complaints. Nothing spectacular, but nothing really irritating either. But perhaps I've been too conditioned into thinking how Hollywood works - if there are two A-list stars in a film, and one of them dies, there's no way in hell the second one will as well. As such, the rest of the movie is basically watching how Bullock will eventually survive. There is no great surprise. When she hit the ocean I almost walked out of the theatre - get it over with already!
If they would have toned down the action, and had a no-name (or less known even) cast it would have been much more effective. Yes, space is a terrifying place, no need to try to make it more so. As it though, they were almost there (as said, the visuals and sound design were very good), but missed the mark.
Yes, they were from the 70s. The reason I bought the book was exactly because of Asimov. It's possible that the stories he liked were nothing like his writing (which I love).
I find it very telling that even you, who seems to enjoy the movie much more than I do, refer to the characters as Bullock and Clooney
Oh, I liked it, but I just saw it once. And since their are only two characters in the movie they rarely refer to themselves by name, and for half the movie, Mission Specialist Ryan Stone (oh, I do remember that) is alone, so no one else says her name. I think Sandra Bullock was the perfect choice and have a hard time seeing another actress in there, but Clooney was pretty replaceable.
But mostly I referred to them in that way because you did. I just use the same context I'm given.
Him dicking around in a MMU at the beginning of the film, just wasting fuel? This wouldn't happen
Mmm, been awhile so I don't remember the scene too clearly, but I thought they mentioned he was test driving it -- a new model, testing it out was pretty much the reason he had it in the first place.
The Hugo is a non-juried award.
Phil and Kaja Foglio made their own report of the Hugo Awards: http://www.girlgeniusonline.co...
They take good note of the award for Time, by the way.
I'm curious, which past Hugo winners did you think were pretentious?
2013 - Redshirts - John Scalzi: Not the best in the field, I wanted Blackout or Captain Vorpatril's Alliance to win, but i'm not sure what was pretentious about it.
2012 - Among Others - Jo Walton: I didn't think this one was pretentious. Just kind of boring and pandering. Should have gone to Leviathan Wakes or Deadline.
2011 - Blackout/All Clear - Connie Willis: Again, doesn't seem pretentious, but i've been disappointed with all the Connie Willis i've read since To Say Nothing of the Dog and Bellwether. The Hundred Thousand Kingdoms, Cryoburn, and Feed were all better than this.
2010 - Paolo Bacigalupi's The Windup Girl and China Mieville's The City & the City: I had some serious concerns about the economics underlying the Windup Girl but thought it was otherwise okay. I've never really gotten people's fascination with China Mieville's works however. But neither seemed especially pretentious to me. Robert J Sawyer's Wake really should have won.
2009 - The Graveyard Book - Neil Gaiman: Okay, this year just sucked. I failed to inherit whatever gene it is that makes so many people like Neil Gaiman, nor have i yet found anything to like about Cory Doctorow or Charles Stross yet. I used to like Neal Stephenson, but his more recent work is just too... i dunno. And i haven't actually read Scalzi's Zoe's Tale yet because i just get annoyed by "let's tell the same story from a different perspective" books.
2008 - The Yiddish Policeman's Union - Michael Chabon: This was before i started going to WorldCon/voting in Hugos, and the only one i've read from that year so far is Scalzi's The Last Colony. Which was okay, but not something i'd have voted on myself. (I tend not to be a big fan of books from the middle of a long series for Hugo consideration in general.)
2007 - Rainbows End - Vernor Vinge: This on the other hand was a great year. I totally agree with the winner, but Naomi Novik's His Majesty's Dragon and Michael Flynn's Eifelheim were both great as well (though admitedly it took me a little while to get into Eifelheim.)
2006 - Spin - Robert Charles Wilson: I think John Scalzi's Old Man's War gave Spin a run for its money, but i don't think this was a poor choice.
2005 - Jonathan Strange & Mr Norrell - Susanna Clarke: Okay, i liked the book, but my opinion of it suffered from over-hype. I also thought at the time she seemed like a one-hit wonder, and i'm not sure if i should be sad or gloating about being (so far) correct. I haven't read The Algebraist yet, but in retrospect it's kind of sad Ian M Banks didn't win this year.
2004 - Paladin of Sould - Lois McMaster Bujold: Not her best book, but it was pretty good and it was definitely better than the other contenders that i've read, so this seems fine to me.
So that's ten years of Hugos. There are definitely some authors whose appeal i don't get, or at least haven't gotten yet (Neil Gaiman, China Mieville, Charles Stross, Cory Doctorow) but none of them really jump out at me as pretentious.
So what is it about them that bothers you?
https://en.wikipedia.org/wiki/...
This Space Intentionally Left Blank