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Grooveshark Found Guilty of Massive Copyright Infringement

An anonymous reader writes: If you're a Grooveshark user, you should probably start backing up your collection. In a decision (PDF) released Monday, the United States District Court in Manhattan has found Grooveshark guilty of massive copyright infringement based on a preponderance of internal emails, statements from former top executives, direct evidence from internal logs, and willfully deleted files and source code. An email from Grooveshark's CTO in 2007 read, "Please share as much music as possible from outside the office, and leave your computers on whenever you can. This initial content is what will help to get our network started—it’s very important that we all help out! ... Download as many MP3’s as possible, and add them to the folders you’re sharing on Grooveshark. Some of us are setting up special 'seed points' to house tens or even hundreds of thousands of files, but we can’t do this alone." He also threatened employees who didn't contribute.

171 comments

  1. Their hard drives didn't crash? by DaHat · · Score: 5, Funny

    Clearly the management of Grooveshark didn't have the forethought of those at the IRS did to ensure that hard drives containing potentially incriminating emails disappear.

    1. Re:Their hard drives didn't crash? by ArcadeMan · · Score: 3, Insightful

      The one time IBM Deathstars would have been useful, and they didn't have any.

    2. Re:Their hard drives didn't crash? by Darinbob · · Score: 2

      More proof that you don't need to be smart or have common sense to be a CEO or CTO. Sending out emails to every employee demanding that they break the law? These are the sorts of boneheaded mistakes you expect to see on the "stupid criminals of the month" column.

    3. Re:Their hard drives didn't crash? by Anonymous Coward · · Score: 0

      Actually didn't a number of file disappear? Just not enough of them. Doesn't matter. They were scumbags for stealing other's work. I hope they do jail time.

  2. Class justice by Anonymous Coward · · Score: 1, Interesting

    Funny how YouTube just keeps getting away with doing exactly the same thing. Google is apparently to big to be sued into submission. Class justice much?

    1. Re:Class justice by DaHat · · Score: 5, Insightful

      YouTube responds to takedown requests thus helping it stay within the safe harbor provision of the DMCA. The emails from Grooveshark do seem to suggest they activly participated in infringement rather than just being a medium which infringers happened to use.

    2. Re:Class justice by nedlohs · · Score: 1

      Do you really think google told it's employers to upload videos they don't have the rights to to youtube?

      Well really what you think is irrelevant, do you have any evidence that they did?

    3. Re:Class justice by SuricouRaven · · Score: 1

      Youtube tries very hard to avoid copyright infringement. They do so because they know perfectly well that even their best efforts aren't going to work.

    4. Re:Class justice by Anonymous Coward · · Score: 2, Funny

      They did get sued... in 2007. Their response was to license and implement YouTube Content ID, which got Viacom and everyone else to drop their suits against YouTube.

      BTW, any time Google says they can't do automated copyright filtering, keep in mind that they can... because they already do. And it's as terrible as they say it is. Some idiot with a CMS account uploads his "epic mix" of "music" consisting entirely of otherwise public-domain or royalty-free sound effects, and suddenly all of YouTube has to fill out disputes, appeals, and counter-notices which are mediated by the same kinds of low-level support employees that tell you to press the Start Menu and type "ipconfig" on your Linux box when you say your cable modem is broken. It's a bureaucratic nightmare.

    5. Re:Class justice by Anonymous Coward · · Score: 0

      > Youtube tries very hard to avoid copyright infringement.

      Their approach is not working very well. In irc channel where youtube urls are regularly announced, there seems to be regularly some urls where star wars remix or other such infringing content is presented as successful product. Youtube is responsible of it since they allow publishing such content without necessary checks of licensing of the content. But seems copyright owners are nowhere to be found, so noone complains about it.

    6. Re:Class justice by Anonymous Coward · · Score: 0

      So, if I rob a bank, but give the money back when and only when they tell me it is wrong, it becomes legal?

    7. Re:Class justice by Darinbob · · Score: 1

      I don't think anyone at Youtube ever send out emails to all of its own employees saying "upload all the videos you can by monday or you're on my shit list!"
      It's one thing to be unable to keep up with the take-down lists, and it's quite another to encourage your employers to contribute to the infringing.

    8. Re:Class justice by Whiternoise · · Score: 1

      Disagree.

      Automated content detection works very well at removing copyright audio from videos, it's annoyingly effective. All the major music labels publish via VEVO which has a monopoly - but with adblock it's perfectly good and the music is high quality. There aren't many TV shows that the publishers really care about, e.g. you can't find The Simpsons or Family Guy. Some local channels e.g. 4 in the UK have partnered with YouTube to serve content.

      It depends what they care about. They're not going to go after ten year old albums that are on Youtube because it's not worth their time and it seems the automatic algorithms don't flag up those. However, if someone uploads the latest Jessie J album they're very interested because that's potentially millions of dollars in ad revenue they're not getting. Same goes for the odd movie that you can find on Youtube, most of them are too old to be worth chasing seriously.

      Sure copyright stuff gets put on Youtube all the time, but their policing is pretty good and they do respect requests for deletion.

    9. Re:Class justice by Anonymous Coward · · Score: 0

      YouTube didn't post the illegal content, it's users did. If you worked at UPS and used the UPS truck in your brilliant plan to rob a bank, UPS wouldn't get convicted.

      The DMCA recognizes this situation and gives companies a Safe Harbor to protect them from their user's actions:

              Digital Millennium Copyright Act (DMCA)

              Safe Harbor (Law)

      Nothing new here.

    10. Re:Class justice by Anonymous Coward · · Score: 0

      Parody fair use exemption?

  3. Oops by Anonymous Coward · · Score: 0

    That wasn't a smart thing to say in an email, but I guess you never expect the (Judicial) Inquisition.

    1. Re:Oops by DaHat · · Score: 1

      If they didn't forsee the possibility of discovery down the road then their legal team wasn't doing it's job (assuming they had one).

  4. Now sharing music is illegal? by Anonymous Coward · · Score: 0

    "Please share as much music as possible...."

    Now sharing ANY music is illegal?

    1. Re:Now sharing music is illegal? by tomhath · · Score: 4, Insightful

      Only copyrighted music. Or copyrighted anything else to which you don't have distribution rights.

    2. Re:Now sharing music is illegal? by Anonymous Coward · · Score: 0

      So, where in the CTO's email is asking to share copyrignted music to hang them all for that?

    3. Re:Now sharing music is illegal? by gstoddart · · Score: 3, Insightful

      Now sharing ANY music is illegal?

      If the copyright cartel had their way, any piece of technology which could possibly be used for things they don't approve of would be illegal.

      They've been trying very hard to get that for years. If they keep bribing the right people, they might eventually get it.

      --
      Lost at C:>. Found at C.
    4. Re:Now sharing music is illegal? by tibit · · Score: 1

      I hate to be obvious, but in the U.S. at least, all "recent" music is subject to copyright protection unless the creator specifically places it into public domain (or it is so under law, like works of U.S. gov't employees). To distribute any such music at all you need a license.

      --
      A successful API design takes a mixture of software design and pedagogy.
    5. Re:Now sharing music is illegal? by gnasher719 · · Score: 1

      So, where in the CTO's email is asking to share copyrignted music to hang them all for that?

      It says so in the summary of the article. Not literally. He didn't say "Please share copyrighted music". He said "download all the mp3's you can and share them". To any judge, that is the same.

    6. Re:Now sharing music is illegal? by myowntrueself · · Score: 1

      I hate to be obvious, but in the U.S. at least, all "recent" music is subject to copyright protection unless the creator specifically places it into public domain (or it is so under law, like works of U.S. gov't employees). To distribute any such music at all you need a license.

      this probably goes some way to explaining why virtually all music you are likely to hear in public places (bars, shops etc) is likely to be 'golden oldies'... I actually heard ELO playing from a restaurant the other day, and The Specials another time.

      --
      In the free world the media isn't government run; the government is media run.
    7. Re:Now sharing music is illegal? by geniice · · Score: 2

      "mp3". The six copyright purist nerds in existance who might take such an instruction to mean you should do it while respecting copyright would have insisted on ogg vorbis or FLAC.

    8. Re:Now sharing music is illegal? by geniice · · Score: 1

      Probably unrelated. In this case recent means after 1923 (yes there are a bunch of exceptions but they are all either very narrow or involve music you haven't heard of). If they were going for copyright expired stuff you would hear the likes of Ragtime, early jazz and blues.

    9. Re:Now sharing music is illegal? by harlows_monkeys · · Score: 1

      He also said, "If you have CDs, MP3s or any other music that could conceivably be converted to MP3s at the office, please bring them in".

    10. Re:Now sharing music is illegal? by Anonymous Coward · · Score: 0

      Those golden oldies are almost all still under copyright. The reason radio stations play them so much is that the group of people who grew up listening to them is now old enough to have a fairly large amount of disposable income ... but not yet dead.

    11. Re: Now sharing music is illegal? by Anonymous Coward · · Score: 0

      Retard. The copyright cartel is us. We sue for ip infringement. MPPA and others make big news but are the minority. The businesses big and small are the cartel as you put it. Grow up, get your head out of your ass, and learn the laws.

    12. Re:Now sharing music is illegal? by Anonymous Coward · · Score: 0

      And if I were to say "I'm going to take out that troublesome kid from down the block", "take out" could mean to kill, but without some further proof that that is what I actually meant, it would be dishonest to convict me based on that line alone.

      I'm sorry, but you still haven't provided any kind of proof that "share MP3s" means what you would like it to mean.

  5. Why? by OzPeter · · Score: 3, Interesting

    Why did I have to google the name to figure out WTF Grooveshark was?

    --
    I am Slashdot. Are you Slashdot as well?
    1. Re:Why? by Dins · · Score: 1

      Ha - so I'm not the only one...

    2. Re:Why? by Anonymous Coward · · Score: 2, Funny

      Why did I have to perform a search on Bing to figure out WTF "google" was?

    3. Re:Why? by tbuddy · · Score: 1

      Why did I have to perform a search on dogpile to figure out Bing was?

    4. Re:Why? by Minwee · · Score: 5, Funny

      Why did I perform a search on Yahoo!?

      At all?

    5. Re:Why? by craash420 · · Score: 1

      Why did I have to perform a search on Yahoo! to figure out dogpile was? Just kidding, nobody uses Yahoo! for a search engine.

      --
      Extra medication for all!
    6. Re:Why? by pushing-robot · · Score: 5, Funny

      Because my Altavista bookmark is forwarding me there now. When did this happen?

      Oh well, I guess I'll try that new "Hotbot".

      --
      How can I believe you when you tell me what I don't want to hear?
    7. Re:Why? by geekoid · · Score: 4, Insightful

      Because you are way out of the loop?

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    8. Re: Why? by mchugh · · Score: 2

      Here in Pawnee we all use Altavista.

    9. Re:Why? by OzPeter · · Score: 2

      Because you are way out of the loop?

      I could rattle off the names of a half a dozen programs used by people all over the world that you probably know nothing about. Does that make you out of the loop?

      But if I was posting a story on /. I'd at least say what domain the subject worked in.

      --
      I am Slashdot. Are you Slashdot as well?
    10. Re:Why? by sound+vision · · Score: 3, Informative

      It was the hyped-up streaming music service that came after Pandora but before Spotify.

    11. Re:Why? by Anonymous Coward · · Score: 0

      Or Lycos or... why not gopher or archie?

    12. Re:Why? by Cito · · Score: 1

      Everyone knows http://www.webcrawler.com/ is the oldest & fastest search engine!

    13. Re:Why? by Charliemopps · · Score: 1

      Grooveshark is (was) awesome. This is an unfortunate turn of events. It's how music "Should" work. Had the studios worked with them on a the platform and a form of compensation I think it could have been the future of music.

    14. Re: Why? by NormalVisual · · Score: 1

      I can't find anything about this "Altavista" on Archie.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
    15. Re:Why? by Unknown+Lamer · · Score: 1

      Yeah, I just got a grooveshark anywhere account a few months ago. It integrates nicely with Clementine (KDE music player) and XBMC. The nice part of the xbmc extension is that you can queue whatever in with your local music in party mode, keeping party guests from axing the playlist and throwing a keyboard around to listen to music using youtube videos (kids these days...). Unlike spotify, there's no proprietary library and DRM. Just an authenticated REST api and rate limited mp3s (+ api calls to keep it streaming). Which is how it should be (ideally with Vorbis, but that's because I'm a no good fsfnik).

      --

      HAL 7000, fewer features than the HAL 9000, but just as homicidal!
    16. Re:Why? by amicusNYCL · · Score: 1

      The concept was a good one, but the major thing that kept bugging me was that I would log in after several weeks or months and my playlists kept shrinking. I don't even know which songs it was removing, but in a lot of cases it would remove some songs by an artist and leave others by the same one (or even the same album).

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
    17. Re:Why? by kolbe · · Score: 1

      Pfft... I just use webferret from 1997, it bundles up all those fancy search engines into one!

    18. Re:Why? by Anonymous Coward · · Score: 0

      Why did I perform a search on Yahoo!?

      At all?

      Because they've taken the directory down?

    19. Re:Why? by Anonymous Coward · · Score: 0

      Everyone knows http://www.webcrawler.com/ is the oldest & fastest search engine!

      Pffft. Lycos FTW.

      (Anyone know why a search engine named after a family of spiders is apparently now using a dog as its logo?)

    20. Re:Why? by Anonymous Coward · · Score: 0

      > I could rattle off the names of a half a dozen programs used by people all over the world that you probably know nothing about.

      Do it then.

    21. Re:Why? by Whiternoise · · Score: 1

      The big plus for me is that Grooveshark has some very hard to find music that isn't on Spotify. It was also less prone to Spotify's habit of making tracks unavailable at random if the publisher decides it.

    22. Re:Why? by Charliemopps · · Score: 1

      The concept was a good one, but the major thing that kept bugging me was that I would log in after several weeks or months and my playlists kept shrinking. I don't even know which songs it was removing, but in a lot of cases it would remove some songs by an artist and leave others by the same one (or even the same album).

      That would be them complying with DMCA requests in direct contradiction to what was found in this court ruling.

    23. Re:Why? by dean.cubed9947 · · Score: 1

      You guys could have all saved yourselves a lot of time if you had just asked Jeeves.

    24. Re:Why? by Patent+Lover · · Score: 2

      Wow I'm old when I recognize every name above without googling it.

    25. Re:Why? by Altrag · · Score: 1

      I think it could have been the future of music.

      That's your problem right there. The studios are only interested in the past of music.

    26. Re:Why? by Anonymous Coward · · Score: 0

      i asked bill gates

    27. Re:Why? by Anonymous Coward · · Score: 0

      What's Bing, googling it didn't show anything on the first page?

    28. Re:Why? by Anonymous Coward · · Score: 0

      The concept was a good one, but the major thing that kept bugging me was that I would log in after several weeks or months and my playlists kept shrinking. I don't even know which songs it was removing, but in a lot of cases it would remove some songs by an artist and leave others by the same one (or even the same album).

      They are not alone in that, Spotify also does this a lot. The whole system needs changing so that rather than permission being required to stream individual artists/albums and for tracks/albums to later be able to be withdrawn, streaming rights should apply to all of the works from a particular label/company. Royalties then being paid at the agreed rate for each time any of the tracks is streamed.

  6. If your actions will draw powerful opponents ... by davidwr · · Score: 5, Interesting

    ... you can't afford to do anything that will give them a knockout blow.

    How would things have turned out differently if the founders of Grooveshark had started off the way they started off - with some illegal uploading and other things - but instead of "carrying on" they closed down their operation then started a whole new "legally clean" one and make 100% certain that neither they nor their officers or employees ever did anything that would give the opposition any ammunition other than, of course, providing a neutral platform for end users to use their services.

    Yes, the opposition could claim "willful blindness" regarding what their customers were doing but their lawyers could reasonably counter-claim that the DMCA specifically allows or even requires hosting providers to be "willfully blind" to infringement unless they receive a specific notification of a specific violation. Thanks to the "dirty hands" of the officers and management, the company will probably never get a judge to rule on that part of the case.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  7. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  8. That's the market system... by bigsexyjoe · · Score: 1, Insightful

    Oh wait, intellectual property laws are completely incompatible with the free market. I suppose our system is to reward the wealthy and powerful and punish anyone who gets between the rich and their money.

    In any case, our system has been working really great. Oh wait, real wages are falling and we are destroying the environment.

    At least we've stopped people from listening to sinful music or at least making them watch crap ads on Youtube.

    1. Re:That's the market system... by geekoid · · Score: 1

      "Oh wait, intellectual property laws are completely incompatible with the free market. "
      and so are the poor and the sick. You're point?

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:That's the market system... by Anonymous Coward · · Score: 0

      *Your point, not You Are point. lrn2spl

    3. Re:That's the market system... by pushing-robot · · Score: 0

      Yes, the system is so horrible these days. Why don't you go to your grandfather and say "Record companies are so unfair now! They let me listen to any song I want at the push of a button, but I have to listen to an ad every fifteen minutes or else pay them money!"

      Actually, make sure your grandpa has his cane before you say that.

      --
      How can I believe you when you tell me what I don't want to hear?
    4. Re:That's the market system... by Anonymous Coward · · Score: 0

      "Oh wait, intellectual property laws are completely incompatible with the free market. "
      and so are the poor and the sick. You're point?

      Waffles are incompatible with the Free Market.

    5. Re:That's the market system... by Anonymous Coward · · Score: 0

      Waffles ARE the Free Market.

    6. Re:That's the market system... by mattack2 · · Score: 0

      Oh wait, intellectual property laws are completely incompatible with the free market.

      Umm, how?

      The copyright owner wants to set a price for their product. You disagree with that price, so either they lower their price to get more sales, or they forsake sales.

      That seems exactly like the free market. "Free market" doesn't mean you're allowed to steal stuff because you think it costs too much... Or, you can, but you have to be willing to pay the legal consequences.

    7. Re:That's the market system... by Altrag · · Score: 1

      Actually, IP laws are an imposition of a market (the "free" qualifier is up for grabs) on an intangible. Without IP laws, there is no market at all as everyone would just copy everything for $0 (or very close to it. The physical media itself would still represent a market but that's too cheap to be self-sustaining.)

      I fail to see how IP laws have anything to do with real wages or the environment (generally speaking.. a patent on a new windmill tech or such notwithstanding.)

    8. Re:That's the market system... by bigsexyjoe · · Score: 1

      So? You failed to argue that IP creates a free market and instead argued that a free market can never exist.

    9. Re:That's the market system... by Altrag · · Score: 1

      I'm pretty sure assuming the latter implies that the former isn't possible, so there's not much point trying to argue it.

  9. Re:huh? by suutar · · Score: 3, Informative

    They get their music by having their customers upload it.

  10. Some content should be avoided... by __aaclcg7560 · · Score: 5, Funny

    When I worked at a video game company prior to the dot com bust, one of the QA supervisors kept pestering me to contribute to the internal MP3 server. So I did. I brought in my collection of Patsy Cline CDs, ripped on my workstation, and transferred to the MP3 server. My contribution to the communal music collection was deleted within five minutes and the supervisor stopped pestering me.

    1. Re:Some content should be avoided... by Jaime2 · · Score: 1

      You have admitted to a copyright violation that, according to the precedent set in Sony BMG v. Tenenbaum, carries a penalty of $21,774 per song shared. Please stand against the wall over there along with 50% of the population of the planet that has violated IP enough IP laws to generate more money in fines than they will ever make in their lifetime.

    2. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      When I worked at a video game company prior to the dot com bust, one of the QA supervisors kept pestering me to contribute to the internal MP3 server. So I did. I brought in my collection of Patsy Cline CDs, ripped on my workstation, and transferred to the MP3 server. My contribution to the communal music collection was deleted within five minutes and the supervisor stopped pestering me.

      What a racist... Wow.

    3. Re:Some content should be avoided... by alphatel · · Score: 1

      You have admitted to a copyright violation that, according to the precedent set in Sony BMG v. Tenenbaum, carries a penalty of $21,774 per song shared. Please stand against the wall over there along with 50% of the population of the planet that has violated IP enough IP laws to generate more money in fines than they will ever make in their lifetime.

      You mean generated more money in fines than the corporations would ever earn in their lifetime.

      --
      When the foot seeks the place of the head, the line is crossed. Know your place. Keep your place. Be a shoe.
    4. Re:Some content should be avoided... by __aaclcg7560 · · Score: 1

      This incident happened in 1999 and preceeded the Sony BMG v. Tenenbaum case in 2003. If I'm not mistaken, the Patsy Cline music from the 1950's were in the public domain. Hence, no copyright violation.

    5. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      You know the rule. Mickey Mouse was invented in 1928, after that there is no public domain.

    6. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      Patsy Cline music from the 1950's were in the public domain.
      I doubt that

      https://copyright.cornell.edu/resources/publicdomain.cfm

      Copyright for some music material will be into the second half of this century.

      Specifically "Subject to state statutory and/or common law protection. Fully enters the public domain on 15 Feb. 2067"

      Music is a whole other world in copyright dates.

      So it depends on which country you were in too. As what I stated was US rules.

    7. Re:Some content should be avoided... by __aaclcg7560 · · Score: 3, Informative

      Mickey Mouse was invented in 1928, after that there is no public domain.

      Unless Congress extends the copyright law for another 20 years, the Mickey Mouse copyright is scheduled to expire in 2023. Unless the Disney CORPORATION lobbies Congress again and/or files a trademark application, Mickey Mouse will enter the public domain.

    8. Re:Some content should be avoided... by tepples · · Score: 3, Informative

      No musical recordings have entered the public domain due to expiration of copyright. Ever. When the U.S. Congress expanded copyright to sound recordings in 1972, it allowed existing sound recording copyright laws at the state level, some of which provide for a perpetual term, to continue for one full work-made-for-hire copyright term. This means all sound recordings produced before 1972 are under copyright in at least one U.S. state until 2067 (17 USC 301(c)). If the songs were first published on or after January 1, 1923, the songs are not in the public domain in the United States. If at least one songwriter was surviving on or after January 1, 1944, the songs are not in the public domain in the European Union.

    9. Re:Some content should be avoided... by sound+vision · · Score: 1

      Since the lifetime of a person and a corporation aren't comparable, I will look at the yearly amount. Most corporations generate orders of magnitude more profit than $21,774 per year, but the average person's income wouldn't cover fines for even two songs at that rate.

    10. Re:Some content should be avoided... by geckoFeet · · Score: 1

      Huh? Maybe you didn't realize that "I Fall To Pieces" is not appropriate for video games, especially considering that Patsy Cline did, literally, fall to pieces, I think in 1963.

    11. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      Patsy Cline a racist? You take that back!

    12. Re:Some content should be avoided... by __aaclcg7560 · · Score: 1

      Patsy Cline died in 1963. If the copyrights for her songs were renewed, the songs published before 1964 will enter the public domain in 2058. However, if her estate didn't renew the copyrights, the songs are now in the public domain. The songs I ripped in particular were the old religious hymns, say, "Just A Closer Walk With Thee," that's been in public domain for decades. Those MP3s got deleted from the file server within five minutes, as I fully expected to happen. Patsy Cline is no match for the Back Street Boys.

    13. Re:Some content should be avoided... by __aaclcg7560 · · Score: 1

      Actually, it was "Just A Closer Walk With Thee" that got me banished from the MP3 server. Patsy Cline was no match for the Back Street Boys.

    14. Re:Some content should be avoided... by sound+vision · · Score: 1

      Nothing from the 50s is in the public domain. Record companies are still making money re-releasing compilations of Patsy Cline... not to mention their cuts from licensing, like the soundtracks to Fallout New Vegas and LA Noire (those go back to the 1940s and 30s) and the recent Dell commercial that used The Chordettes' "Lollipop", or that recent hyped game that used "Mr. Sandman" in the trailer. Each appearance like this contributes at least six figures to a record label's income that year - and they are innumerable. Occasionally you also have big re-issues like the "Elv1s" compilation and the Beatles' full back catalog reissue in '09 that bring in millions. The record companies make major money for near zero effort on this, and they won't let it slip easily, hence the progressive extension of copyright from 14 years to... whatever it is now, I think 80 years after the death of the author.

    15. Re:Some content should be avoided... by __aaclcg7560 · · Score: 1
      From the Royalty Free Music Website:

      Because copyright is by no means eternal, eventually all creative works will fall into the public domain. For music, there are very specific laws that govern when a piece or song lapses into the public domain. If the Copyright Office has no confirmation that a composer or song-writer is still living and it has been 75 years since the first copyright protection order was granted, or 100 years since the recognized creation date of the piece, it becomes public domain. The reasoning behind this occurrence is both that copyright protection has expired or the creator of the piece is presumed dead. Therefore, it would be assumed that any piece of music copyrighted in 1930 or earlier written by an American songwriter or composer presumed dead by the Copyright Office is now part of the public domain.

      Please note that I'm quoting the above under the fair use provision of the copyright law.

    16. Re:Some content should be avoided... by yeshuawatso · · Score: 1

      .... and/or files a trademark application, Mickey Mouse will enter the public domain.

      IP law doesn't work that way. You can either patent, copyright, or trademark. It's mutually exclusive. Once the copyright expires, they're done for and is the reason why they extended the copyright terms in the first place. Trademarks don't have expiration dates as long as the company is using the mark and continues to pay the registration fees (that also go on for eternity).

    17. Re:Some content should be avoided... by wisnoskij · · Score: 1

      Does precedent not actually effect charges that happened before them, even when brought to court after the precedent is set?

      --
      Troll is not a replacement for I disagree.
    18. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      Your work mates had no appreciation for music.

    19. Re:Some content should be avoided... by Soluzar · · Score: 1

      What gives you any reason to doubt that they will?

      Things don't enter the public domain anymore, sorry.

    20. Re:Some content should be avoided... by hondo77 · · Score: 1

      You are confusing Mickey Mouse with "Steamboat Willie". While the short starring Mickey Mouse may enter the public domain in 2023, Mickey Mouse the registered trademark will most definitely not have entered the public domain at that time.

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    21. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      Actually, it was "Just A Closer Walk With Thee" that got me banished from the MP3 server. Patsy Cline was no match for the Back Street Boys.

      that sounds like a really awful place to work!

    22. Re:Some content should be avoided... by tepples · · Score: 1

      That was written prior to October 1998, when the Copyright Term Extension Act of 1998 was signed into law. Besides, that applies only to the underlying musical work (as embodied in sheet music and the like), not to any sound recordings thereof. Sound recordings fixed prior to 1972 are covered under state copyright until 2067.

    23. Re:Some content should be avoided... by mcrbids · · Score: 1

      Raise your hand if you honestly think that Mickey Mouse as a trademark will enter the public domain in 2023. ....

      Me neither.

      --
      I have no problem with your religion until you decide it's reason to deprive others of the truth.
    24. Re:Some content should be avoided... by Patent+Lover · · Score: 1

      Admitting to owning Patsy Cline CD's is a brave act. I would have just brought in my unopened Lionel Richie vinyl album that somebody left at my house way way back, and let him figure it out. P.S. It's still in the shrink wrap if anybody wants it.

    25. Re:Some content should be avoided... by Michael+Woodhams · · Score: 2

      I really don't think trademark and copyright are mutually exclusive. Please provide evidence.

      --
      Quattuor res in hoc mundo sanctae sunt: libri, liberi, libertas et liberalitas.
    26. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      No musical recordings have entered the public domain due to expiration of copyright. Ever..

      Not even the 78s which were produced in the last years of the 19th and early 20th Centuries?

    27. Re:Some content should be avoided... by Anonymous Coward · · Score: 0

      The Braindead Sound Machine cover of Walking After Midnight is pretty cool if you ask me:

      http://www.youtube.com/watch?v=4sGDFA3ez8I

    28. Re:Some content should be avoided... by DanZee · · Score: 0

      No. There was no federal copyright on sound recordings before 1972. However, sound copyrights before then were enforced on a state-by-state basis with each state having different laws and lengths of time until something entered the public domain. Basically, it isn't economical to sell a sound recording that one state says is in the public domain and another state says it isn't. The same with distributing songs on the Internet. Recent federal laws will allow all sound recordings before 1978 to enter the public domain in 2072.

    29. Re:Some content should be avoided... by yeshuawatso · · Score: 1

      http://www.lawmart.com/forms/d...

      You can also find a shorter version on the USPTO website.

      If you attempt to copyright a trademark, your copyright will be denied. The reverse is true as well. Copyright a slogan and you won't be able to trademark it. Disney filed for a copyright for the mouse in Steamboat Willie (when they copyrighted the work itself), but trademarked the character's name "Mickey Mouse." Recent trademarks have gone back and trademarked the character's likeness since they're used for branding. Some examples come from Disney themselves when they successfully sued Dan O'Neill for copyright infringement for using Mickey Mouse character in a parody. You can see another example by searching the USPTO for "Mickey Mouse" and you'll notice the only image of the mouse is in a logo that's expired; however, you can find several active trademarks for just the name "Mickey Mouse."

      So yes, they are mutually exclusive. One is protection for a creative work, the other your brand. Disney's copyrights to Steamboat Willie and several other works will enter public domain to be sold, remixed, edited, etc. However, no one will ever be able to say they're selling "Mickey Mouse" branded t-shirts without Disney's consent. Now, you can bet that Disney will attempt to block selling of the famous cartoon since they're using it as a mark (you can find it often on recent Disney movies). http://www.youtube.com/watch?v...

  11. huh? by Anonymous Coward · · Score: 0

    I'm getting the impression that instead of streaming out music they paid to re-distribute as a streaming service they instead streamed out music uploaded by the user base and according to the article, obtained by the employees without getting said permission/paying for it. Too bad, I liked the rest of the model. Being able to broadcast what was thought to be streamed legal music but add in your own recorded sound clips in-between songs.

  12. Funny, however.. by s.petry · · Score: 3, Insightful

    First a disclaimer, I don't feel like reading everything TFA links. Perhaps there is something incriminating in the details, but at least what the summary states is hardly illegal.

    "Please share as much music as possible from outside the office, and leave your computers on whenever you can. This initial content is what will help to get our network started—it’s very important that we all help out! ... Download as many MP3’s as possible, and add them to the folders you’re sharing on Grooveshark. Some of us are setting up special 'seed points' to house tens or even hundreds of thousands of files, but we can’t do this alone." He also threatened employees who didn't contribute.

    I don't see any statement about stealing MP3s to share, ignoring copyright claims by artists, or copying personally purchased music into the service. Those things would surely be illegal, and perhaps that is in the evidence somewhere and just didn't make the summary.

    --

    -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    1. Re:Funny, however.. by geekoid · · Score: 1, Redundant

      "Download as many MP3’s as possible, and add them to the folders you’re sharing on Grooveshark."

      Distributing copyrighted material without authorization is a crime.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:Funny, however.. by Anonymous Coward · · Score: 0

      First a disclaimer, I don't feel like reading everything TFA links. Perhaps there is something incriminating in the details, but at least what the summary states is hardly illegal.

      "Please share as much music as possible from outside the office, and leave your computers on whenever you can. This initial content is what will help to get our network started—it’s very important that we all help out! ... Download as many MP3’s as possible, and add them to the folders you’re sharing on Grooveshark. Some of us are setting up special 'seed points' to house tens or even hundreds of thousands of files, but we can’t do this alone." He also threatened employees who didn't contribute.

      I don't see any statement about stealing MP3s to share, ignoring copyright claims by artists, or copying personally purchased music into the service. Those things would surely be illegal, and perhaps that is in the evidence somewhere and just didn't make the summary.

    3. Re:Funny, however.. by Anonymous Coward · · Score: 2, Insightful

      Yeah, except he just authorized that shit! Your move, Kasparov.

    4. Re:Funny, however.. by Anonymous Coward · · Score: 0

      What if the MP3s downloaded are not copyrighted?

      He didn't say what MP3s, just download MP3s

    5. Re:Funny, however.. by alexander_686 · · Score: 2

      It is in there. The plan was to violate copyright holders today, build up the business, ask for forgiveness, and then negotiate licensing fees.

    6. Re:Funny, however.. by sound+vision · · Score: 1

      Presumably the details get fleshed out in the mountain of evidence they have that wasn't copied to the Slashdot summary.

    7. Re:Funny, however.. by Firethorn · · Score: 1

      Those things would surely be illegal, and perhaps that is in the evidence somewhere and just didn't make the summary.

      Pretty much. It could be that the statements that mentioned copyright violations of something like 'download MP3s of commercial artists!' were more abstract and obfuscated enough to not make a good headline.

      Also, balance of evidence. A number of emails along the lines of 'find MP3s of music that the owners WANT to share for free' might of saved their asses. Modern copyright law is automatic, the creator of the work owns the copyright automatically and has to explicitly allow sharing. Ergo statements about 'downloading all the music you can find in order to add it to the sharing' can be assumed to be hitting copyrighted works, because, well, they'd actually need to contact the content owners to get permission outside of relatively few works.

      For example, even MP3s of classical music are copyrighted. Sure, the musical score Bach or Beethoven wrote is free of copyright. But the symphony that produced the performance? That's not copyrighted, and the ability to record high fidelity music is so new that all of the 'good' recordings are modern enough to be protected.

      --
      I don't read AC A human right
    8. Re:Funny, however.. by s.petry · · Score: 1

      No offense is intended, but I refuse to simply take someone's word for it. I'll try to read through the piles of evidence this evening and see what is there. Sure, it may have not been sensational enough to make a headline, but you don't provide any evidence either.

      I would not be surprised if there is no evidence, because this would not be the first time we have seen a Kangaroo court in action. I have seen copyright be grandfathered in some cases by the MPAA/RIA so this would surely come as no surprise.

      The surprise however is the passivity of the people when these things have occurred in the past.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    9. Re:Funny, however.. by chuckugly · · Score: 1

      For example, even MP3s of classical music are copyrighted. Sure, the musical score Bach or Beethoven wrote is free of copyright. But the symphony that produced the performance? That's not copyrighted, and the ability to record high fidelity music is so new....

      I believe some of those performances are old enough to have made it into the public domain, and some of those old masters are pretty good.

    10. Re:Funny, however.. by Anonymous Coward · · Score: 0

      In other words, exactly what Spotify did.

      (their initial database was not fully licensed)

    11. Re:Funny, however.. by gnasher719 · · Score: 1

      I don't see any statement about stealing MP3s to share, ignoring copyright claims by artists, or copying personally purchased music into the service.

      Because you are closing your eyes.

    12. Re:Funny, however.. by Sowelu · · Score: 1

      Do the curious a favor and post what you find, whichever side it comes down on?

    13. Re:Funny, however.. by BronsCon · · Score: 3, Informative
      Who said anything about "without authorization"? Some artists don't mind it one bit.

      I hadn't realized this track was posted on YouTube. It was a collaboration between me and the enchanting Jo Gabriel, and never actually officially released anywhere. Or at least I thought...

      And, rather than suing, they post a link to the video.

      They're not alone, either. A *ton* of artists would love that kind of exposure. Especially for *free*.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    14. Re:Funny, however.. by Anonymous Coward · · Score: 0

      You're not allowed to move after checkmate, Assperov.

    15. Re:Funny, however.. by Bill,+Shooter+of+Bul · · Score: 1

      Speak for yourselves. The Indie bands I know, need to make rent, and are kind of ticked off at people who think that they should be able to listen to their music without compensating the band.

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    16. Re:Funny, however.. by Bill,+Shooter+of+Bul · · Score: 4, Insightful

      Most often overheard quote indie band quote " I can't eat exposure" .

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    17. Re:Funny, however.. by BronsCon · · Score: 2

      And the indies I know *personally* sell CDs at gigs, primarily because the only people who even know who they are are people at their gigs. One in particular sells TONS of CDs at each of their gigs, they've sold a total of 5 on their website, 4 of which left notes with their orders saying they bought the CD based on a bootleg they found on YouTube.

      That might only be 5 sales, but it's 5 more than they'd have had; with more exposure, that number would be higher.

      Anecdote != data, but there you have it, the reasoning behind my logic.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    18. Re:Funny, however.. by BarbaraHudson · · Score: 1

      NEW YORK - The online streaming service Grooveshark suffered a legal defeat on Monday when a U.S. judge found its operators liable to nine record companies for having directed employees to upload thousands of copyrighted songs without permission.

      The judge held Grooveshark's parent company, Escape Media Group Inc, and its founders Samuel Tarantino and Joshua Greenberg, responsible for the illegal uploads of 5,977 songs by musicians such as Eminem, Green Day, Jay-Z and Madonna.

      Griesa ordered both sides to propose within 21 days a permanent injunction to hold further infringements.

      With offices in Gainesville, Florida, Grooveshark describes itself on its website as "one of the largest on-demand music services on the Internet," with more than 30 million users sharing in excess of 15 million files.

      I doubt Eminem, Green Day, Jay-Z and Madonna gave them permission to freely distribute their music. You can follow the link to read the rest, or just google for other stories.

      --
      "Transparent" is a shit show that trades on every stereotype going. A man in drag is NOT a transsexual.
    19. Re:Funny, however.. by TapeCutter · · Score: 1

      Yes copyright is automatic but if the mere act of downloading copyrighted material was a crime then the internet simply could not (legally) work the way it does since you would need explicit permission to visit a random page prior to visiting said page. So the reasoning goes that if someone puts something on the net, a third party can freely copy it. What the third party can't do is redistribute the material, so messages such as "leave your computer running" are going to hang them. When you think about it. It's not that different to the way libraries work, you can take the book home and read it, and even take a personal copy, but you can start handing out copies to all your mates.

      No matter how much "downloading is theft" propaganda the MAFIAA spews, or how much I despise them for it, the above "default" arrangement is the only one that makes any sense. If we allowed redistributions w/o permission then I could simply buy up the iTunes catalog for a one time fee of $1/song and start selling copies at $0,90/song. Five seconds after I've done that, someone else does the same to me and sells at $0.50/song.

      --
      And did you exchange a walk on part in the war for a lead role in a cage? - Pink Floyd.
    20. Re:Funny, however.. by Anonymous Coward · · Score: 0

      Ah yes the Slashdot lawyers are out, despite the clear inference, then the results and lack of any effort to stop that copyrighted material from being shared the /. lawyers are still telling us "oh no it wasn't written in black and white, he didn't explicitly say to violate copyright therefore he is free of all blame".

    21. Re:Funny, however.. by Darinbob · · Score: 2

      So therefore we conclude what? Massive copryight infringement should be allowed because someone sold an extra 5 CDs? If someone wants more exposure, then they can grant permission. It should never be assumed a-priori that you have permission to take without asking.

    22. Re:Funny, however.. by xvan · · Score: 1

      Copyright rules should be abolished for non commercial use and FRAND rules should be applicable to commercial use, because the current copyright state is:
      a) unenforceable
      b) detrimental to culture
      c) most people don't give a shit about it.

    23. Re:Funny, however.. by s.petry · · Score: 2

      From further reading, the ruling is based largely on the Chairman's testimony. There is some corroborating testimony from other employees backing requests from executives to upload "popular" music to their service to seed. Logs and actual evidence are not provided, and searching a bit found nothing. I'm not digging through PACER for this, be my guest if you are inclined :)

      Transcripts are not available so it's impossible to know if context, however the Chairman is quoted stating they "bet the company on the fact that [it] is easier to ask forgiveness than it is to ask permission” to use plaintiffs’ content. Id. Escape discussed the possibility that its strategy of illegally growing its user base before settling with plaintiffs might permit it to collect information about Grooveshark users’listening habits, which it could then sell to plaintiffs for more than Escape."

      This would put liability on the company, but I would suspect that it would require backing evidence which we can't see. Considering that there are personal charges brought against 9 other employees, there is an obvious concern that a plea bargain could contaminate testimony of the Chairman. That said, backing testimony does exist.

      The plaintiffs claim that logs and source code were destroyed in discovery, but this is a normal claim by RIA lawyers when facts don't yield what they want. Of course the RIA is mentioned all over the court findings, including the initial lawsuit started by UMG and RIA. The initial law suit was over material that was recorded prior to 1972 and was not subject to copyright protection.

      I'm so glad that the Copyright laws are here to ensure that the Hendrix family receives money from Jimmy's works. Oh wait, they fuck over everyone they can and pocket everything.. nevermind.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    24. Re:Funny, however.. by Anonymous Coward · · Score: 0

      I should tell my plumber that he should work for exposure. "Shit, dude, I'll totally leave you a 5 star Yelp review."

    25. Re:Funny, however.. by Bill,+Shooter+of+Bul · · Score: 2

      Well, then why the hell do they sell their cds and the shows? Why don't they give them away? Or better yet, pay people to take them. then they'd have all the exposure in the world!

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    26. Re: Funny, however.. by Anonymous Coward · · Score: 1

      a service (your plumber) is not the same thing as a product (recording). Ill happily go to a concert and pay.
      I can't copy a service call or the experience of a concert.
      And there in lies the sad fact. Musicians now have to acutally do the performance part of their art to make a living at it.

    27. Re:Funny, however.. by Anonymous Coward · · Score: 0

      Eminem, Green Day, Jay-Z and Madonna

      /rm -r "*.minem*.*" "*reen Da*.*" "*ay-Z*.*" "*adonna*.*"

      problem solved?

    28. Re:Funny, however.. by Altrag · · Score: 1

      you would need explicit permission to visit a random page prior to visiting said page

      Sort of. You typically have permission but you have to assume it implicitly. Being made available (by the copyright owner!) on a public forum is generally a good indication of permission to view (which is not the same as permission to copy, deface, whatever.) Not a guarantee though. There are private websites out there (of course any smart private website will be locked behind technical barriers because legal barriers don't do much unless/until you're able to take someone to court.)

      A music track on the other hand is (usually) NOT posted to a public forum.. or at least not by the copyright owner. If they have an inline listening applet on their website then you are most likely granted permission to listen to the song on their website. That does not grant you permission to download the song. If they have a "download this song!" button then you're most likely granted permission to download the song. But similarly, that doesn't imply you have permission to re-post the song elsewhere.

      What a publisher decides to do with their copyright is not an all-or-nothing "it exists or it doesn't." You can be granted any number of various permissions. You are implicitly denied any permissions you aren't granted. Most professional websites will likely explicitly enumerate your permissions in a ToS somewhere just to avoid any legal argument of what constitutes an implicit permission.

      99% of the time, common sense will tell you what's permitted just by the context. That might not be a strong enough argument for a court, but not being boneheaded and/or stubborn is a good start to not breaking copyright law. For the most part its pretty obvious when you're intentionally ripping off someone else's work, no matter what you say to justify it to yourself. (Though I am no way implying that current copyright law isn't boneheaded itself!)

    29. Re:Funny, however.. by BronsCon · · Score: 1

      If you up a couple posts and read the thread, rather than cherry picking what you think you might be able to attack, you'll see my point. Since I know you won't do that, here's a link to the the relevant comment, to provide some context. Where the fuck did I say anything about copyright infringement?

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    30. Re:Funny, however.. by BronsCon · · Score: 2

      Wow, missing the boat, really. Some fan puts a bootleg from one of their gigs on YouTube, where someone who *never otherwise would have found them* finds them and, a a result, buys a CD. I can understand why *some* artists wouldn't want this, what with their label taking care of that for them (along with the lion's share of the profits), but that doesn't preclude artists who see the value from deciding to allow it. How many people did the 5 people who bought CDs as a result of the bootleg introduce to their music? How many of them wen to see them play? How many of them bought CDs at the show? In fact, how many saw the bootleg on YouTube and went to a show? And, of them, how many bought CDs at the show? I'd venture to say the number is greater than zero.

      Fans buy CDs. The bootlegs on YouTube expose indie artists to more fans, who then buy more CDs. If an artist wants to stand against that, that's fine, more power to them, my point was that *some* artists are okay with it. Can you refute that, in the face of two examples?

      Before you answer, keep in mind that *two* fits the definition of *some*.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    31. Re:Funny, however.. by Anonymous Coward · · Score: 0

      I read it. I just don't agree with the "some artists I know are ok with it" as justification for wholesale copyright infringement.

    32. Re:Funny, however.. by Anonymous Coward · · Score: 0

      What they fail to see is that piracy gives them the exposure they need to make it in the first place.
      Look at what successful bands/publishers/companies spend on large advertisement campaigns and then look at the bank account of your favorite Indy outfit.

      Understand piracy and the motivation behind it to take advantage of it. There are not many tools which are as good at free marketing as piracy is.

      True pirates will NEVER purchase your product so use them for your advertising campaign.

    33. Re:Funny, however.. by Anonymous Coward · · Score: 0

      I believe some of those performances are old enough to have made it into the public domain, and some of those old masters are pretty good.

      I believe I have a dragon in my garage.

    34. Re:Funny, however.. by Richard_at_work · · Score: 2

      If that were to happen, you could say good bye to more than 99% of all mass produced content as most is created for the non-commercial consumer and has no comparable alternative commercial consumer.

    35. Re:Funny, however.. by Anonymous Coward · · Score: 0

      Like with many things, massed produced is of lower quality that that produced by the talented artist or master craftsman.

    36. Re:Funny, however.. by Firethorn · · Score: 1

      No matter how much "downloading is theft" propaganda the MAFIAA spews, or how much I despise them for it,

      I agree, but I considered the 'and reshare' bit implied when I should have probably mentioned it. If it helps, read my post in the context of 'evidence in addition to the generic orders already known to 'download and share as much music as possible'.

      Also, look at all the torrent stuff out there, you wouldn't ever get 90c per song - too many people would pay a buck for 1 song, if that, as an 'entry fee' and share amongst themselves.

      --
      I don't read AC A human right
    37. Re:Funny, however.. by Firethorn · · Score: 2

      I believe some of those performances are old enough to have made it into the public domain, and some of those old masters are pretty good.

      It's not 2067 yet.

      It would have had to have been produced in 1922 or earlier.

      Works published between 1923 and 1978 are protected for 95 years from date of publication. After 1978 it's 'Life of the longest surviving Author plus 70 years', which works out to 2049 at the earliest. Now consider for classical music that every musician in the symphony can be considered an 'author'. That can be hundreds of people, including a person in their teens. Hell, put a preschooler on the triangle or something. Still, consider that some are probably in their twenties and will survive into their 90s. That's 140 years.

      Anyways, consulting the timeline of audio formats..., it looks like the 'best' recordings you'd have would be wire recordings, and the phonograph records/tubes could hold only about 4 minutes of sound.

      So in order to exploit this you'd need to find an intact record produced before 1923(until next year), scan it and convert it to digital, as well as putting up with the fact that in many cases you'd be lucky to find a single song given the limitations.

      It would almost be easier to pay a symphony to produce songs to be put into the public domain 'for the good of mankind'.

      --
      I don't read AC A human right
    38. Re: Funny, however.. by Anonymous Coward · · Score: 0

      The thing most people don't get about piracy or ip infringement is most of the people that do it would not buy the music, film, or software at that point any way. Not all, but most. Those few ethically restricted will never do it. Those that do pirate may end up purchasing later when they can afford it. This isn't a justification to do so, just the situation. How many of you pirated something in college, got a job, and then purchased it when you could finally afford it?

    39. Re:Funny, however.. by TheRealLifeboy · · Score: 1

      Yeh? Well why do services like NoiseTrade exist then? Apart from making good music, Indie Bands need free exposure more than anything.

    40. Re: Funny, however.. by TheRealLifeboy · · Score: 1

      a service (your plumber) is not the same thing as a product (recording).

      Well, I copy a mechanic quite well these days and have been copying plumbers for ages, yet none of them have ever tried to bill be for copying their work. So why should musicians charge me for copying their work?

    41. Re: Funny, however.. by beastofburdon · · Score: 1

      That's essentially how it has always been. Being able to make money off of your music without a concert or merchandising is a very recent thing. Before that the recording company took nearly all of the money from CD sales then imposed massive recording and marketing fees on the band which often exceeded their share of the CD sales.

    42. Re:Funny, however.. by Firethorn · · Score: 1

      The plaintiffs claim that logs and source code were destroyed in discovery, but this is a normal claim by RIA lawyers when facts don't yield what they want. Of course the RIA is mentioned all over the court findings, including the initial lawsuit started by UMG and RIA. The initial law suit was over material that was recorded prior to 1972 and was not subject to copyright protection.

      Perhaps, but if it doesn't favor them then the defense can produce the things to help themselves. Fact is that 'source code and logs' are OFTEN lost on a routine basis even/especially without discovery. Code repositories like git should limit code loss, but that assumes that the git server wasn't lost/purged at some point. We've lost a lot of code from when I was a kid because companies, even major ones, just didn't care.

      --
      I don't read AC A human right
    43. Re:Funny, however.. by Firethorn · · Score: 1

      The initial law suit was over material that was recorded prior to 1972 and was not subject to copyright protection.

      My research says that before 1923 is the general time to look for audio recordings that have left copyright, Stuff produced in 1969 still has another 50 years to go. So the only public domain stuff from the '60s would be items that were explicitly put into the public domain, and that's a relatively short(and not very popular) list.

      --
      I don't read AC A human right
    44. Re:Funny, however.. by Bill,+Shooter+of+Bul · · Score: 1

      I think you missed my point entirely. At some point, artists need to be fairly compensated for their work. Just giving them "exposure" doesn't pay their rent. For many artists, the "exposure" of piracy costs them more than it gives them in any revenue stream.

      I also find it pretty darn funny that you're using the example of 1 artist that sold 5 cds based off of youtube.

      --
      Well.. maybe. Or Maybe not. But Definitely not sort of.
    45. Re:Funny, however.. by BronsCon · · Score: 1

      Yeah, I'm getting your point. Hell, I'm not disagreeing with your point. Artists need to get paid, and this artist *does* get paid. They tour half the year, sell out every show, sell out their entire CD inventory almost every single time, and sell out of t-shirts, hoodies, and bumper stickers about half the time. Their 4 members and full-time manager do this, and only this, for a living, and it's paying rent for all 5 of them, covering the cost of a tour bus, keeping food on the table, providing a decent promo budget, and they aren't exactly playing on hand-me-down instruments backed by cheapo gear, all the while setting aside money to retire within the next decade. I'd say they're doing fine, and yes, as we both agree, they both need, and deserve, to be paid for their work, which is why it's good that *they are*.

      What you're missing, still, is *my* point. *Some* artists (this artist is *not* the one I linked to in my first post, which means I have provided two examples, which qualifies as *some*; I can provide more, but it's not worth my time) *do* want the exposure, because some artists realize something you are completely *not getting*: someone who's never heard of, let alone heard, your band is unlikely to attend your show and definitely not buying your CDs. Sure, they'll hear you when you're opening for an already established band, but once you gain enough of a following that you're the headline act, you lose that exposure (which is often not free, to begin with; in fact, opening acts often pay dearly for the privilege), so, how do they get that exposure as an indie band who can't afford radio play . Yes, getting on the radio *costs* money, if the you want to be played, rather than the other way around. The answer to that question is "bootleggers". Well, it's *one* answer, but it's a damn good one, and has been for at least half a century.

      That music hits those ears, and the owner of said ears either doesn't like it and never listens again, or does like it and goes to see them play next time they're local, buys a CD, or both. Yes, some number of people just take the music, but, get this: **for an indie band, those people wouldn't have ever bought the CD or gone to the show in the first place, because those people would never have known the band existed**

      Do lost sales hurt bands? Most definitely. What I think we're disagreeing on is what constitutes a lost sale; I posit that a sale from someone who doesn't even know you exist was never destined to happen and, therefore, cannot be lost.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    46. Re:Funny, however.. by BronsCon · · Score: 1

      That's fine, that's not where I was going, anyway.

      --
      APK quotes people (including myself) without context and should not be trusted. Just thought you should know.
    47. Re:Funny, however.. by lars_stefan_axelsson · · Score: 1

      Most often overheard quote indie band quote " I can't eat exposure" .

      Sure they can. Without exposure no-one will come to their gigs. And the proceeds from those they sure can eat. Well, rather, they can buy stuff to eat, even if money is high in fiber, their nutritional value apart from that is lacking.

      Even major acts don't make much money off of selling their recorded music, RIAA has seen to that, but the exposure leads to better other ways to make money. Exposure is basically where the entire game is at.

      --
      Stefan Axelsson
  13. Just, wow. by Anonymous Coward · · Score: 0

    I went to high school with Josh and I remember when he started this company. I certainly wish him the best of luck with the courts, I suspect it's not going to be pretty. How they survived for this long without getting taken down continues to amaze me.

    1. Re:Just, wow. by Anonymous Coward · · Score: 0

      At least they tried to make a deal with the recording companies. Guess this is what happens to anyone who deals with the RIAA mafia. but company owner ordering employees to violate copyright sounds like a big horror story. All their employees must be young, inexperienced people, if they didn't see this from miles away.

  14. What about Youtube? Spotify? by walterbyrd · · Score: 1

    I can listen to practically any song I want on youtube or spotify.

    1. Re:What about Youtube? Spotify? by pr0fessor · · Score: 1

      Spotify pays per play even to indie bands, garage bands, and or any music they play.... not really the same thing.

      youtube is a little weird you can assert your copyright and set up a chanel where you are paid per play and have them take down your content uploaded by fans or just tell them they can leave the content and pay you on a pay per play basis.

      All of it is payed for with ad revenue...

  15. Pre-1972 sound recordings by langelgjm · · Score: 2

    You're assuming that sound recordings are treated in the same manner as other copyrighted works. They're not. Read up on pre-1972 sound recordings. They're covered by a messy patchwork of state laws, with the result that probably neither you nor I nor anyone here can know exactly how long those recordings are protected by copyright law.

    Welcome to the wacky world of intellectual property.

    --
    "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
    1. Re:Pre-1972 sound recordings by __aaclcg7560 · · Score: 1

      You're assuming that sound recordings are treated in the same manner as other copyrighted works.

      Damnit, Jim! I'm a writer, not a musician! :P

  16. Class justice by Anonymous Coward · · Score: 0

    Funny how YouTube just keeps getting away with doing exactly the same thing. Google is apparently to big to be sued into submission. Class justice much?

    Where by "exactly the same" you mean "almost entirely different"

    There's a huge legal difference between a site where the users post pirated stuff and one where the management themselves post pirated stuff.

  17. Crunchyroll too! by Anonymous Coward · · Score: 0

    As well as dozens of other music and video sites across the internet.

    Not like the RIAA/MPAA really cares since their whole west coast setup was to dodge patents and such from Edison and Co on the East Coast.

  18. Re:If your actions will draw powerful opponents .. by Anonymous Coward · · Score: 0

    How did grooveshark lose their DMCA status? If they're handling copyright case, they have already somehow lost their DMCA status?

  19. It is the creation of artifical property by bigsexyjoe · · Score: 2

    The whole intellectual property thing is government regulation and it is all outside of any kind of free market.

    1. Re:It is the creation of artifical property by RyuuzakiTetsuya · · Score: 1

      Why are completely free as in freedom markets a good thing?

      That's one thing I've never heard a good answer for.

      --
      Non impediti ratione cogitationus.
  20. Google Books by dutchwhizzman · · Score: 1

    YouTube was purchased, Google's own initiative Google Books is has been using this exact method. Even though YouTube is now mostly annnoying it's users and mostly paying people for ads served, not for content, before Google bought it it was doing the same thing.

    --
    I was promised a flying car. Where is my flying car?
    1. Re:Google Books by Jon_S · · Score: 1

      Google books is different. The content provided by google books is specifically just a portion of each book. That way they are covered by "fair use" by only showing parts of the book. If they scanned and uploaded the entire book, then it would be copyright infringement.

  21. Having read TFA... by AC-x · · Score: 2

    perhaps that is in the evidence somewhere and just didn't make the summary.

    Yes, there are some statements that ex-employees made:

    The opinion also took note of the testimony of ex-Grooveshark employees who testified on behalf of the record companies. They explained how their bosses ordered them to acquire "the most popular and current songs" and upload them into the Grooveshark system.

    As well as this:

    "Escape openly acknowledged that their business plan was to exploit popular label content in order to grow their service and then 'beg forgiveness' from the plaintiffs and seek licenses," wrote Griesa.

    So that coupled with the email seems to make it beyond reasonably doubt that the email was referring to downloading copyrighted music rather than looking for public domain music.

  22. Having read TFA... by AC-x · · Score: 1

    perhaps that is in the evidence somewhere and just didn't make the summary.

    Yes, having read TFA there are some statements that ex-employees made:

    The opinion also took note of the testimony of ex-Grooveshark employees who testified on behalf of the record companies. They explained how their bosses ordered them to acquire "the most popular and current songs" and upload them into the Grooveshark system.

    As well as this:

    "Escape openly acknowledged that their business plan was to exploit popular label content in order to grow their service and then 'beg forgiveness' from the plaintiffs and seek licenses," wrote Griesa.

    So that coupled with the email seems to make it beyond reasonably doubt that the email was referring to downloading copyrighted music rather than looking for public domain music.

  23. Thank you captain 20/20 hindsight by Anonymous Coward · · Score: 0

    How is this modded "Interesting"... there needs to be another label "Obvious"

    1. Re:Thank you captain 20/20 hindsight by davidwr · · Score: 1

      How is this modded "Interesting"... there needs to be another label "Obvious"

      * Sometimes the obvious needs to be repeated.
      * There should be two ways to mod "obvious": "-1 Thank you Captain Obvious..." and "+1 Obvious but worth repeating."

      --
      Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  24. Re:If your actions will draw powerful opponents .. by davidwr · · Score: 1

    It's not that they lost their DMCA status completely, it's that some of their activities were not covered by the DMCA - enough to result in a judgment against them strong enough to possibly shut them down via injunctions and/or financial judgments that will drive them into bankruptcy.

    Read the court ruling. I'll pull out one of several examples of "bad behavior" that led to the adverse ruling:

    "Accordingly, the court finds that plaintiffs are entitled to judgment as a matter of law that Escape employees illegally uploaded 1,800 additional files to Grooveshark.
    Moreover, as it did above, see supra at 30, the court finds that Escape streamed a copy of each of the illegally uploaded 1,800 files 21,000 times." (from page 30 of the PDF file)

    There are others.

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  25. My comment attacked the market system by bigsexyjoe · · Score: 1

    Can't you recognize sarcasm?