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Can You Commit Copyright Infringement By Using Your Own Work?

Mrs. Grundy writes: Notorious appropriation artist Richard Prince has been in the news again with his show consisting of screen shots of other people's Instagram photos printed as large inkjets on canvas. These prints have reportedly sold for $90,000. In 2013 Prince successfully defeated a lawsuit for a previous appropriation by convincing the court his work was 'transformative' and it's likely this new work would also find a sympathetic ear in the court. Among the photographs whose work he used this time were several from the Suicide Girls Instagram feed. In response, Selena Mooney, cofounder of Suicide Girls, began offering exact replicas of Prince's pieces that used her photographs for a mere $90. Photographer Mark Meyer looks at the bizarre possibility that if Prince's use of Mooney's work is transformative and fair, Mooney's might be copyright infringement.

172 comments

  1. stupid by Anonymous Coward · · Score: 0

    > screen shots of other people's Instagram photos printed as large inkjets on canvas

    This is no way that this is "transformative."

    1. Re:stupid by MightyMartian · · Score: 4, Insightful

      It is if you have the right lawyers.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    2. Re:stupid by Anonymous Coward · · Score: 1

      People said exactly the same thing about Prince's use of Patrick Cariou's photos where he reproduced Cariou's photos with a few objects pasted on. But the court saw it differently.

    3. Re:stupid by antiperimetaparalogo · · Score: 2

      > screen shots of other people's Instagram photos printed as large inkjets on canvas

      This is no way that this is "transformative."

      Nor "art":

      > appropriation artist Richard Prince

      Appropriation (art)

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    4. Re:stupid by XaXXon · · Score: 1

      there's no way that that is fair use, regardless of transformative.

      Transformative doesn't mean you don't need the originial copyright holder's permission. Only fair use does.

    5. Re:stupid by negRo_slim · · Score: 1

      When he brings the screenshots into the physical world via large prints and specific arrangements in a gallery I can see an argument being made for it being transformative though it he does seem to be a very disingenuous artist to me.

      --
      On the Oregon Cost born and raised, On the beach is where I spent most of my days
    6. Re:stupid by Lehk228 · · Score: 3, Insightful

      so much of what passes for art these days is degenerate shit.

      --
      Snowden and Manning are heroes.
    7. Re:stupid by NicBenjamin · · Score: 5, Interesting

      Keep in mind that to many artists the place you see an object is a big part of the work. Simply by converting the photos from an electronic format on Instagram into large canvas prints in a gallery he transformed the works. There are actually entire schools of art devoted to taking random shit, placing them in galleries, so everyone can stand around speculating about what you meant when you decided to display your bed*. And if if the new photo counts as a transformation then it's a completely new work and the original owner's copyright does not apply. In other words he can almost certainly get as many Doctors of the Fine Arts as he wants to write impassioned essays defending his right to do this shit.

      Always remember: the law is 100% logic, 0% common sense.

      That said, I'm pretty skeptical that the Courts would buy it. The case he won he actually changed a guy's pictures to the point that you can instantly tell the Prince version from the Cariou original even when both of them are digital reproductions on your monitor.

      *The bed in question sold for 150k GBP top a collector, who just sold it for $4,351,969 so clearly this bed is art and not pretentious BS from lazy people who mistake a tendency to over-analyze with intelligent commentary.

    8. Re:stupid by martin-boundary · · Score: 1
      So what you're saying is that when I bring a physical print into the digital world by taking a photo and displaying it on my website with a pink frame and blinking title text, my work is transformative because I am messing with random surfers' state of mind?

      Sounds weak.

    9. Re:stupid by antiperimetaparalogo · · Score: 1

      so much of what passes for art these days is degenerate shit.

      I agree - and i think this is happening because we are "forced to respect" every degenerate shit, without the propper criticism (which must be done with respect, but must be real criticism) that seperates shit from art.

      --
      Antisthenes: "Wisdom begins by examining the words/names." - excuse my English, i am (slightly...) better with my Greek!
    10. Re:stupid by russotto · · Score: 1

      Keep in mind that to many artists the place you see an object is a big part of the work. Simply by converting the photos from an electronic format on Instagram into large canvas prints in a gallery he transformed the works. There are actually entire schools of art devoted to taking random shit, placing them in galleries, so everyone can stand around speculating about what you meant when you decided to display your bed*.

      Yeah, I saw one "artist" who took a radio, as is, and called it art. Well, it might be art, but it wasn't her art. It belonged to the uncredited industrial designers who made the thing. She also blew up some images of the literature accompanying the radio and called that her art too.

      I hope one of the Instagram photographers does sue him. $90,000 ought to be worth it.

    11. Re:stupid by arglebargle_xiv · · Score: 2

      so much of what passes for art these days is degenerate shit.

      The technical term you're looking for there is from German, "entartete Kunst".

    12. Re:stupid by Anonymous Coward · · Score: 0

      Goering, in particular, felt it important to keep these degenerate works away from the Public, by confiscating them. “During a war, everybody loots a little bit..."
      He felt that Nudes were very degenerate, so he confiscated as many as he could.

    13. Re:stupid by Half-pint+HAL · · Score: 2

      He adds comments below them, and this he claims makes it both transformative and art. The problem I have, though, is this idea that "transformative" somehow means its no longer a derivative work, because the rights of original creators are supposed to be protected in derivative works under the Berne Convention.

      --
      Got them moderator blues I blieve I walk out the do', With these mod-points I been gettin', I 'most never post no mo'
    14. Re:stupid by dubsnipe · · Score: 1

      I think he claims transformation as in "adding a personal message in the art" or something intangible.

    15. Re:stupid by kmoser · · Score: 1

      so much of what passes for art these days is degenerate shit.

      Plus ca change.

    16. Re:stupid by fatwilbur · · Score: 1

      Always remember: the law is 100% logic, 0% common sense.

      I totally disagree. There are many, many places where common sense shows up in law, perhaps more than any other profession (esp. the sciences). You have something like jury nullification, or even just read any court decision. The judge will look to apply a common sense reading of the law to the actions. When laws are written and read down to the letter, what they are looking for is clarity and a lack of ambiguity, so we can say for sure those specific actions are what we intended to prohibit. Sure, laws are passed which dictate certain ranges of responses from judges, but that's just codifying justice and I don't see how that makes it "100% logic".

      Another concept you're probably confusing with that of logic is strict liability.

    17. Re:stupid by Lehk228 · · Score: 1

      godwinning a thread about shitty art? bravo, your trolling is maximum

      --
      Snowden and Manning are heroes.
    18. Re:stupid by Lehk228 · · Score: 1

      idk about Goering, but Roehm was quite fond of little boys.

      --
      Snowden and Manning are heroes.
    19. Re:stupid by NicBenjamin · · Score: 1

      No I mean logic. There is a very rigorous framework everyone but the Supreme Court has to follow, and you have to be able to connect every decision you make to that framework. US Courts are not allowed to do common-sense solutions such as threaten to saw a baby in half to see which person loves it more. They have to base their decision on rigorous logic.

      They can include some elements of "reasonable man" judgement, but the circumstances that require Reasonable Man's judgment are pretty well-known, and it's very unusual for anyone to read a Judge's opinion on what Reasonable Man would say and disagree. On the other hand, common sense is constantly debated.

      In this case it's relevant because common sense would indicate that if he has the right to do it under Fair Use, so does she. But if you actually get into the legal tests it's not that simple. There are four. I'll go through them:

      1) The "did they change the work enough to count as transformative?" test. He can make this case, given the change in format, the new context, and the art communities endless ability to rationalize ridiculous BS. She is selling her version as interchangeable with his work. Either her version is a replacement for his work (and not transformative) or it isn't. I give him a 50% chance of winning this test (at best), but she simply can't.

      2) This is the test where they apply special rules to factual works, unpublished works, etc. It is irrelevant to this case.

      3) The test of how much of the copyrighted work was taken for the copy. In both cases it was 100%. But it only applies if the other three tests are tripped. If he can skate on tests one and four he's fine, and we've established he might be able to skate on test one. She didn't pass test one, so the fact that her work includes 100% of his means she's fucked.

      4) The test of the actual damage done to the original work's market. The work he copied is a Instagram post which she may not have retained copyright on. Even if she's making money off it, it's impossible to claim that her income from selling mas-produced copies of it on the internet would be reduced by him selling a single copy for $90k. And as I pointed out back in test one, her entire marketing pitch is "pay this $90 rather then the $90,000 that asshole charges," which makes it rather difficult for her to claim she isn't actively trying to destroy the market for his work.

      The article actually describes a case in which he took somebody else's photos from a book, made some small (but noticeable) changes, and then sold them for millions. Once he convinced the Appeals Court he'd passed the first test, the rest were irrelevant, and he forced a favorable settlement. I suspect he'd have trouble proving the first test in this case, as he didn't actually change anything about the images themselves, but he's got the kind of money to hire some really good lawyers.

      So yes, the Courts are 100% logic, and that logic could easily turn into an extremely unsensible verdict for our poor Suicide Girl.

    20. Re:stupid by Anonymous Coward · · Score: 0

      So true!

      "Fine" Art long ago divorced itself from any requirement that the piece itself require any real degree of skill, study, thought, or real work from the artist themselves. At that point you could take any lump of filth, attach a story to it, and call it "Art". This garbage is the apex of that trend.

      Real Art has both meaning, and beauty. You may not know the story or historical context behind "The Death of Marat", but you can still appreciate it as a finely crafted visual work. Which makes you appreciate it all the more when you DO find out its role as a piece of propaganda during the French Revolution.

      http://en.wikipedia.org/wiki/The_Death_of_Marat

      Real Art (the hard to create kind) surrounds us still, but only in mass consumer products where its exceedingly difficult to communicate a non-populist message with it and make any money.

  2. Correct, but silly by AK+Marc · · Score: 4, Insightful

    It's simple, if it's copyrighted, it's copyrighted. It doesn't matter that it's a derivative of your own earlier works. That a screenshot (of someone else's work) is copyrightable is the problem. If you were to copy his method to come to a similar (or even identical) work, you'd be legal, but to copy his exact work, it doesn't matter that it's transformative of your original work.

    These issues have been well explored in music, where "borrowing" from others is well known and broadly practiced.

    1. Re:Correct, but silly by Anonymous Coward · · Score: 1

      That may be true, but what TFS doesn't mention is that they added a similar "transformation" to his version.

    2. Re:Correct, but silly by Anonymous Coward · · Score: 0

      TFS mentioned that adding the comment was unlikely to be the basis of transformation. It is transformative because of the radical context change which creates a commentary on the medium in the same way Marcel Duchamp transformed a porcelain urinal into art by placing it in a gallery and titling it "Fountain."

    3. Re:Correct, but silly by Kaenneth · · Score: 0

      or maybe Marcel Duchamp is a pretentious twat.

    4. Re:Correct, but silly by gnupun · · Score: 2

      In patent law, adding improvements to an existing patent X, with another patent Y, does not give you the right to infringe patent X. So transforming an image should not strip of the original copyright holder's right of the transformed image. The transformed image should be jointly copyrighted by original and new copyright owner.

      BTW, adding a few lines of text below a photo is not transformative (looks like a webpage) ... looks more like an excuse for theft.

    5. Re:Correct, but silly by Anonymous Coward · · Score: 0

      That's not the way fair use works. If I write a review that includes quotes from your novel, I have created a new work that makes fair use of your material. You are NOT now a joint owner of my review. If you choose to reproduce my review, even if it contains your content, you are infringing. (Unless of course you can make a fair use argument yourself).

    6. Re:Correct, but silly by Anonymous Coward · · Score: 1

      The only thing Marcel Duchamp IS is dead.

    7. Re:Correct, but silly by Luckyo · · Score: 1

      And in criminal law, strangling someone in their home intentionally is murder.

      And in copyright law, transformative work is allowed.

      Are we done comparing apples to oranges?

    8. Re:Correct, but silly by Anonymous Coward · · Score: 1

      And if you write a review that includes my entire fucking novel?

    9. Re:Correct, but silly by ScentCone · · Score: 0

      And if you write a review that includes my entire fucking novel?

      That wouldn't pass the Fair Use smell test, so it's a pointless rhetorical question.

      --
      Don't disappoint your bird dog. Go to the range.
    10. Re:Correct, but silly by Anonymous Coward · · Score: 2, Insightful

      As usual, the Slashdot summary is wrong, although even TFA doesn't make it very clear. The $90 version isn't an exact replica. There's another comment added to the bottom, and without digging into the details I'm guessing it's the presence of the comments that made the $90.000 version "transformative" (In fact it's arguably fair use as well, since it's commentary on the image). Now, of course, the $90 still isn't on the clear at all, because the idea of having the comments as part of the work was part of Richard Prince's "transformation". While ideas in itself can't be copyrighted, this goes into the core of the originality and differentiation of the new work. The $90 piece is neither original nor differentiated from the former. Albeit, arguably, the statement it's making is stronger than the $90.000 one, but that's an opinion. So the TL DR version: None of the versions being talked about are "exact replicas" as the summary claims.

    11. Re:Correct, but silly by PopeRatzo · · Score: 2

      TFS mentioned that adding the comment was unlikely to be the basis of transformation. It is transformative because of the radical context change which creates a commentary on the medium in the same way Marcel Duchamp transformed a porcelain urinal into art by placing it in a gallery and titling it "Fountain."

      Andy Warhol using an image of a Campbell's Soup can in his art did not mean Campbell's had to change their can or stop selling soup.

      I don't believe there's any case against Mahoney using the image she made. I'd like to see it go to court.

      --
      You are welcome on my lawn.
    12. Re:Correct, but silly by gnupun · · Score: 1

      The photo seems embedded within a new "format". How is this transformation? It should be called embedding (otherwise known as stealing) an unmodified/untransformed photo.

    13. Re:Correct, but silly by PopeRatzo · · Score: 1

      That's not the way fair use works. If I write a review that includes quotes from your novel, I have created a new work that makes fair use of your material. You are NOT now a joint owner of my review. If you choose to reproduce my review, even if it contains your content, you are infringing. (Unless of course you can make a fair use argument yourself).

      That's not even close to what happened in this case.

      --
      You are welcome on my lawn.
    14. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Would Cambell Soup be allowed to reproduce and sell Andy Warhol's prints?

    15. Re:Correct, but silly by Anonymous Coward · · Score: 0

      No it's not the same, but it's an easier example to illustrate the concept: the original copyright owner does not get joint ownership of new work derived from their original.

    16. Re:Correct, but silly by Kaenneth · · Score: 1

      Good.

    17. Re:Correct, but silly by UnknownSoldier · · Score: 3, Interesting

      > It's simple, if it's copyrighted, it's copyrighted. It doesn't matter that it's a derivative of your own earlier works.

      It's not that simple.

      It didn't stop that idiot Zaentz from suing John Fogerty over John Fogerty. i.e. He believed John Fogerty had plagiarized John Fogerty via his earlier work "The Old Man Down the Road" which sounded too much like "Run Through the Jungle."

      How the hell can you be sued for creating a later work when you wrote earlier work?? How can the later work NOT be derivative when it is _your_ *style* ?? This is completely retarded.

      When you have the same bloody 4 chords repeated over and over as Axis of Awesome points out, copyright gets ridiculous. What's next? Suing people because they used the same 3 notes? 2 notes? 1 note?

    18. Re:Correct, but silly by Anonymous Coward · · Score: 3, Insightful

      Richard Prince is using entire photographs so I don't think it's a pointless rhetorical question at all. In fact: it seems highly relevant to the discussion at hand.

    19. Re:Correct, but silly by Pubstar · · Score: 1

      It has to do with the context in which the new work is shown. That is how he got it considered a Transformative work.

    20. Re: Correct, but silly by Anonymous Coward · · Score: 0

      Only if they printed it on a soup can, 'cause that's kinda meta, and therefore transformative.

    21. Re:Correct, but silly by AK+Marc · · Score: 2

      John sold his copyright, then copied himself. That is a clear and not a problem, though maybe a good warning for people to not sell copyright completely if they plan on continuing to work in the industry.

    22. Re:Correct, but silly by NicBenjamin · · Score: 1

      Always remember the law is about rigorous logic. It has absolutely nothing to do with common sense.

      There are entire schools of art dedicated to "transforming" ordinary objects by putting them in galleries so everyone can speculate about what precisely you meant when you decided to put your unmade bed, a couple condoms, and dirty underwear on a pedestal in a gallery. So plenty of people will defend his work as "transformative" solely because he printed the photos out on really big paper and put them on the wall of a gallery. The Courts actually bought a similar argument in his last legal kerfuffle because his extremely expensive work was unlikely to affect the market for the the down-market originals, and Instagram isn't exactly high end. By the same token they could easily rule that her re-appropriation of his appropriation is not fair use because a) she's explicitly trying to undercut his market, and b) the product is virtually identical.

      That said, in that last case he actually changed the photos to the extent you can tell the original from the Richard Prince version at a glance. You can't do that in this case.

    23. Re:Correct, but silly by NicBenjamin · · Score: 1

      Strictly speaking it hasn't been ruled "transformative" by the Courts yet. He hasn't even been sued.

      That said, that is the argument he'd likely make in Court and he could easily win it.

    24. Re:Correct, but silly by PopeRatzo · · Score: 1

      So neither person has a claim.

      And this Price guy's reputation is in the toilet. Things have a way of working out.

      --
      You are welcome on my lawn.
    25. Re:Correct, but silly by cpt+kangarooski · · Score: 1

      However, bear in mind that copyright only applies to original material, not to pre-existing material. A review which includes a quote is copyrightable, but the new copyright for the review only covers the portion original to the reviewer; the material quoted is only covered by the copyright of the work the quotes are drawn from.

      17 USC 103(b):

      The copyright in a compilation or derivative work extends only to the material contributed by the author of such work, as distinguished from the preexisting material employed in the work, and does not imply any exclusive right in the preexisting material. The copyright in such work is independent of, and does not affect or enlarge the scope, duration, ownership, or subsistence of, any copyright protection in the preexisting material.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    26. Re: Correct, but silly by GrantRobertson · · Score: 1

      If a work is "transforative" merely because it is displayed in a new context, thus giving it new meaning, then copying a $90k work and selling it for $90 to make a point about how much bullshit this whole "transformative" thing is is therefore also transformative, and thus should be allowed. If some random person was just selling cheap copies to make a quick buck, then this wouldn't apply. But, because it is the original owner of the image selling said transformations-twice-removed (or meta transformations), then fair use should apply.

    27. Re:Correct, but silly by Barny · · Score: 1

      Holy crap, don't you think you took it a bit far? I mean, making a blog post about him, or even criticizing his work is one thing, killing him for being a twat is another.

      If we all went around killing twats where would we be?

      Happy?

      --
      ...
      /me sighs
    28. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Did Prince receive a copyright, or is his new work simply exempt from copyright claim from the owner of the image? He can sell the work in both cases, but if he isn't issued a new copyright, then he can't go after anyone that copies him.

    29. Re: Correct, but silly by NicBenjamin · · Score: 1

      That would be one angle the Court could follow. But I doubt it. It's too much common sense, and not enough logic. "Turnabout is fair play" is only a well-rocognized legal principle in courtroom dramas.

      I suspect if this ends up in Court (and I doubt it will), the Suicide Girls would have a pretty good case because you can't tell who created which photo without reading some mighty fine print. The case he won you could easily tell which photos were his re-appropriations because he did shit like add a purple guitar to a black and white photo. And I sincerely doubt any Judge wants to create a precedent that could be used for movie production companies to stiff musicians on royalties for their songs.

      Fear of doing something stupid that the Supreme Court has to over-rule is even more important to the Judicial system then logic.

    30. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Derivative works DO NOT fall under fair use. Prince would have to defend his "new work" by claiming that it is *transformative* enough to *not' be only a derivative work (and even that is just one of many factors to determine if fair use applies).
      A screenshot (or any other method of uncreative copying, even painting) is never fair use. It is the rest of his contribution to this "art piece" that would have to make up for the creativity.

      When it comes to music.. yeah. there have been plenty of cases where the first person to borrow a riff.. has been sued, because it wasn't fair use.

    31. Re:Correct, but silly by flopsquad · · Score: 1

      There are two separate issues: did the appropriationist infringe, and what sort of copyright does he get, if any? There is a difference between merely not infringing and getting a copyright of your own.

      The defense of fair use, which worked for the artist, meant he was not guilty of infringement. That doesn't tell us much about the nature of the copyright that may subsist in his (derivative) work.

      The original photographs are solidly protectable (well, not protectable from this guy, but I digress). The artist's derivative work, on the other hand, would enjoy thin copyright at best.

      The original creative elements he added were.... banal comments, enlargement, and printing on canvas? Those are actually more like ideas and techniques; he really added so little that a court might find no additional copyrightable material. Andy Warhol actually did a whole lot more, compositionally, than the artist here.

      To the extent a court recognized independently copyrightable material, a work would probably have to be identical (not just nearly so) to assert it against the original photographer. Note that the photographer's re-appropriation changed the comments, which are the only real "creativity" hook the artist has.

      tl;dr The Suicide Girls are safe. Not windmill slam, 100% guaranteed win safe, but they're on solid legal footing.

      --
      Nothing posted to /. has ever been legal advice, including this.
    32. Re:Correct, but silly by Troed · · Score: 2

      That's an awesome defense for The Piratebay.

    33. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Derivative works DO NOT fall under fair use. Prince would have to defend his "new work" by claiming that it is *transformative* enough to *not' be only a derivative work (and even that is just one of many factors to determine if fair use applies).

      The case that almost all current fair use cases cite and the one just about anyone would say is the most important case for current fair use law is the Supreme Court case, Campbell v. Acuff-Rose Music, Inc. aka the Pretty Woman case. 2 Live crew's appropriation of the Roy Orbison song was deemed a derivative work that was protected by fair use. The two are not mutually exclusive.

    34. Re:Correct, but silly by AK+Marc · · Score: 2

      In most cases, copyrights aren't "issued" and even if they are, that's meaningless to such claims, other than to establish who published first, should that be in dispute.

    35. Re:Correct, but silly by NostalgiaForInfinity · · Score: 1

      So? She is making another "radical context change"!

    36. Re:Correct, but silly by Anonymous Coward · · Score: 0

      come to a similar (or even identical) work, you'd be legal,

      Not necessarily.

      Recall that John Fogerty was sued for sounding too much like John Fogerty by Saul Zaentz (the Lord of the Rings movie producer).

      http://www.theguardian.com/culture/2000/jul/11/artsfeatures3

    37. Re:Correct, but silly by snakeplissken · · Score: 1

      Always remember the law is about rigorous logic. It has absolutely nothing to do with common sense.

      strict logic leads to the conclusion that either, she can sell prints in any size except the one that he did including ones that are merely mm different, or she can't sell any size at all. if the transformative things is to sell in a gallery then if she doesn't do that then she isn't appropriating his work. if the transformative thing is the size of print then any other size is also not his work. if the transfomative thing is selling prints at any size then she can't sell her work at all in physical form and i doubt that any court would tolerate that.
      the absurd conclusions that are reached by applying strict logic to the premises here tell us that one of the premises is wrong

    38. Re:Correct, but silly by Anonymous Coward · · Score: 0

      There's been no legal challenge against him as of yet with these.

      The ones that were deemed 'transformative' were ones where he actually edited the original photo in some way. In this case, the photos themselves haven't been edited at all, only printed. He did add a comment to each... but by his logic, a camcorder copy of a hollywood movie (which is to say, shifting both context and medium) would be fine, provided you added some subtitles or something.

      Doubt that'd fly in court...

    39. Re:Correct, but silly by thegarbz · · Score: 1

      These issues have been well explored in music, where "borrowing" from others is well known and broadly practiced.

      And the result is still the same legal grey area and clusterfuck that it's always been. You can borrow most of a song and get away just fine because you're being "transformative" but if you borrow a single riff from an obscure symphonic version of a rock song you give up 100% of all income from your song to someone who had nothing to do with it.

    40. Re:Correct, but silly by serviscope_minor · · Score: 1

      John sold his copyright, then copied himself.

      Not according to anyone else. His argument was more that he has a certain sound and he sold off the copyright to a particular instance of that sound. The court agreed.

      --
      SJW n. One who posts facts.
    41. Re:Correct, but silly by NicBenjamin · · Score: 1

      You're missing about three assumptions: there are four tests, not one. Specifically they are:
      1) Is the purpose of the new work different (ie: is it transformed?).
      2) The specific nature of the work (you have more right to crib from a biography or a scientific paper then you do from a Novel).
      3) The amount of the work used.
      4) Whether the new work undercuts the market for the old work.

      Test 2 doesn't come into play in this dispute because they're not arguing about the special works that count (unpublished works, factual works, etc.). If he's got a valid argument the work was transformed under Test 1 and isn't messing with the market for her work under Test 4 the Courts ignore Test 3. He actually won a case on this exact line of arguments before.

      OTOH, her marketing is that she's trying to under-cut the market for his work, which means she has conceded test 4. It also means that the transformation under Test 1 is questionable, because you can't simultaneously claim that your art is so much like his art that they''re interchangeable and claim you've fundamentally changed it. Which brings Test 3 back into play, and she fails that one because 100% of his work is in her work.

      Now all this is assuming he wins the point on Test 1. In the case I mentioned you could actually tell the altered Prince version from the original, unaltered, Cariou version, at a glance. He'd do shit like notice the dude in the black and white photo had his arms at the correct angle to be holding an electric guitar, and he'd add a purple guitar. In this case it's a lot trickier to tell the difference because you'd have to know the usernames he used for his comments.

      Moreover the potential plaintiffs, who mostly seem to be pretty young American woman (at least one, SuicideGirls, run their own business, and the others are the kind of public performers who run their lives like it's a business), are the kind of people Courts go out of their way to be fair to. Cariou is an art-photographer obscure enough that he doesn't even have his own wikipedia page.

    42. Re: Correct, but silly by Cinnamon+Beige · · Score: 1

      As I recall, he was a Dadaist which could be thought as a form of trolling the art world (and by extension everybody else). He was a very talented troll, and his art is best admired as the skilled trolling it was and still is.

    43. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Except that the TFA quite clearly states that they [suicide girls] did NOT add a similar "transformation" to his [Prince's] version.

      The "transformation" is the re-contextualisation of the ephemeral format of Instagram into large-format canvas intended for public display purposes.

      Based on prior legal precedent, it is possible that this recontextalisation counts as "fair use" - and that by re-issuing their [suicide girls] work in such a format, it may potentially infringe upon Prince's copyright in his transformation.

    44. Re:Correct, but silly by Anonymous Coward · · Score: 0

      That's the logic that drives non-compete agreements, and most countries think they're utter bullshit.

    45. Re:Correct, but silly by mgcarley · · Score: 1

      Perhaps if she took it a step further and superimposed an image big rubber stamp saying "void" or "this guy sucks" over his comment, she would be "appropriating" just as much as he is, as demonstrably proven by the past court case(s) against him therefore citing his previous cases as defense, he absolutely can't sue her.

      But then what of the original works? If I were her I probably would be litigating because unlike his previous case where he modified (somewhat) the original image, he hasn't really done dick to "transform" anything except add his comment and print it out.

      But that's just my opinion.

      --
      Founder & COO, Hayai India (hayai.in) / USA (hayaibroadband.com) // t: @mgcarley
    46. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Marcel Duchamp died in 1968. He is dead. He might have been other things before, but no longer is.

    47. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Except that they did, poor AC, they did: the Suicide Girls re-contextualized the large format canvas intended for public display purposes into the ephemeral format of Instagram! And added a snarky comment! It's totally a fair use transformation. Sauce for the goose...

    48. Re:Correct, but silly by Anonymous Coward · · Score: 0

      Parody is also fair use.

  3. Except it is a commentary... by Anonymous Coward · · Score: 4, Interesting

    The whole act of putting the almost exact replica from the original copyright owner is a commentary on the issues of the weirdly selective broad reach of copyright. Thus it should be protected free speach.

    1. Re:Except it is a commentary... by Anonymous Coward · · Score: 0

      I'm confused, are you arguing in favor of Mr Douche^b^b^b^b^b^bPrince, or in favor of Ms Mooney?

    2. Re:Except it is a commentary... by readin · · Score: 2

      Can she do that, or does she have to do something "transformative" like adding fine print to the canvass saying "Can you believe someone paid $90,000 for this?"

      --
      I often don't like the choices people make, but I like the fact that people make choices. That's why I'm a conservative.
    3. Re:Except it is a commentary... by elvesrus · · Score: 1

      It sounds more like turd sandwich vs douche based on both the participants.

      I kind of want the "art" stealer to win only to strengthen the first win which could technically make adding text commentary to movies legal when repackaged with a different format. The MAFIAA would sure love that ;)

  4. Yes. by Anonymous Coward · · Score: 1

    Yes, you can commit copyright infringement by using your own work, since using your own work doesn't inherently mean also not using anyone else's work. Also, just because something is "your own work" in the sense that you created it doesn't necessarily make you the copyright holder at all. Next question please.

    1. Re:Yes. by Schmorgluck · · Score: 1

      Also, just because something is "your own work" in the sense that you created it doesn't necessarily make you the copyright holder at all.

      Citation Needed.

      --
      There's nothing like $HOME
    2. Re: Yes. by Anonymous Coward · · Score: 1

      You need a citation? Try googling "works for hire".

    3. Re:Yes. by ATMAvatar · · Score: 1

      Also, just because something is "your own work" in the sense that you created it doesn't necessarily make you the copyright holder at all.

      Citation Needed.

      The Beatles

      --
      "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety."
    4. Re:Yes. by Anonymous Coward · · Score: 0

      Andy Warhol

    5. Re:Yes. by cpt+kangarooski · · Score: 1

      An author's copyrights can be assigned or transferred to a third party. This leaves the author with only the same rights as any member of the general public. (There are a few narrow exceptions, but nothing that would prevent the possibility of an author infringing on the copyright of a work he created)

      It's also possible for a person who prepares a work to not be considered the author. This is the case for works made for hire.

      And of course copyright isn't mandatory, though that just leads to works being in the public domain, so at least there's no danger of infringement there.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  5. Let's just solve it the old fashioned way. by Anonymous Coward · · Score: 0

    Drawing pistols at dawn.

    1. Re:Let's just solve it the old fashioned way. by Sique · · Score: 1

      Pencil drawings? Copyrighted?

      --
      .sig: Sique *sigh*
    2. Re:Let's just solve it the old fashioned way. by Anonymous Coward · · Score: 0

      SETTLE IT THE USUAL WAY!

    3. Re:Let's just solve it the old fashioned way. by Anonymous Coward · · Score: 0

      Better idea, settle it in Smash.

    4. Re:Let's just solve it the old fashioned way. by elvesrus · · Score: 1

      1 USD to the winner of the bet?

  6. Sure by Greyfox · · Score: 0

    If a court decided that it was a different work (IE: Not derivative of the original piece) and you make an exact copy of that piece then yes, that's copyright infringement. If it's so different that you'd never have had that idea on your own, even if all the component pieces are your photos, the arrangement of them is not. If the piece is so similar that you could accidentally replicate it by, say, printing your photos on one page or some shit, then the original court would likely have not found the piece to be sufficiently different to warrant its own copyright protection. God, I'm not even a lawyer and that seems clear to me.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    1. Re:Sure by Sique · · Score: 1

      You should actually read the articles, because the issue at hand is somewhat more complicated.

      --
      .sig: Sique *sigh*
    2. Re:Sure by 93+Escort+Wagon · · Score: 1

      You should actually read the articles, because the issue at hand is somewhat more complicated.

      I wish I still had mod points today, because while I find what Prince is doing to be disagreeable and slimy... you're absolutely right.

      Now, regarding his high-end clientele - it's funny how often it's demonstrated that "a fool and his money are soon parted". Wealth is so obviously not a proxy measure of intelligence.

      --
      #DeleteChrome
    3. Re:Sure by readin · · Score: 1

      Could Ms. Girl take Prince's work and add, in tiny letters in the corner, "Can you believe someone paid $90,000 for this?" and then sell it?

      --
      I often don't like the choices people make, but I like the fact that people make choices. That's why I'm a conservative.
    4. Re:Sure by ruir · · Score: 1

      Hey, if it is "transformative art" for some, it is for others too!

  7. Commerce as speech by Anonymous Coward · · Score: 0

    Given that money can be considered speech, the fact she is reducing the price so much is, itself, transformative. No other alteration to the work was necessary: the price difference alone speaks volumes.

    1. Re:Commerce as speech by phantomfive · · Score: 1

      Given that money can be considered speech, the fact she is reducing the price so much is, itself, transformative. No other alteration to the work was necessary: the price difference alone speaks volumes.

      That is a good point......and it truly communicates more than the Richard Prince's 'transformation'

      --
      "First they came for the slanderers and i said nothing."
    2. Re:Commerce as speech by ColdWetDog · · Score: 2

      TFA specifically mentioned that this would be unlikely to work. However, you could argue that the irony in the concept of 'copyrights all the way down' might be sufficiently transformative so as to enjoy copyright protection.

      Thus, it would really be 'copyrights all the way down'. Or perhaps recursion.

      --
      Faster! Faster! Faster would be better!
    3. Re:Commerce as speech by Anonymous Coward · · Score: 0

      That is a great observation. If I could mod, I'd +1 you. Personally, I think she should have gone for $9, but either way.

    4. Re:Commerce as speech by KGIII · · Score: 1

      Do not cross the streams.

      --
      "So long and thanks for all the fish."
    5. Re:Commerce as speech by alexhs · · Score: 1

      Yep, there are a few transformative angles you can take.

      First thing to note, is that it is unlikely that Richard Prince would sue. I guess that for the price tag, each print is unique. Why would he print twice the same thing when it takes him all of 10 minutes to find a decent image, screenshot it, print it and sign it (apparently for the Instagram copies, his comment is the signature, he doesn't even bother to sign) ? There is no loss of sales for him, and he's able to find suckers for his "unique" prints. Why would he risk losing a case ?

      But in the hypothetical case... the courts say that an use is transformative (Firefox's spell checker doesn't like that word...) when it is "altering the original with new expression, meaning, or message".

      About the expression, given that Suicide Girls have the original image, they could "reinterpret" the print by enhancing it with the original quality instead of the screenshot quality, and argue how it's adding depth, or adding contrast with the surrounding low-res text or whatever.

      Or if it is about the context changing its meaning, at first it was an Instagram post, then it was a part of an art exhibition, then it is a re-appropriation for a charity. Hence I'm arguing that Mark Meyer's comment on how "While Prince’s use of Mooney’s photos adds new and significant context, Mooney is simply selling copies of Prince’s work with no additional contextual commentary" is wrong. In the end, the "context" is only about your capacity to convince that, really, "it isn't what it looks like". And Richard Prince is much more seasoned at that game than Mooney ever will.

      About the message, I was thinking along the same line as you did. Something like, this is the actual message (the $90,000 / $90 poster), and the sold prints are only parts of the overall artwork, as so many parts of the message. With both Prince and Mooney, it's the same relation between the individual print and the "meaningful context" (art exhibition / re-appropriation for a charity).

      However, I agree with Mark Meyer on that point, the "we added the "suicide girl true art" message" is probably not going to cut it.

      --
      I have discovered a truly marvelous proof of killer sig, which this margin is too narrow to contain.
  8. Artists are jerks by johncandale · · Score: 1

    modern "fine art" artists are jerks. In stead of learning how to make masterpieces they are all about attitude and crap. All modern art is just a drug deal game anyways, it's all about laundering money it now appears. What, did you really think some screaks of blue paint was worth 100 million to some Eastern euro people when the old masters don't fetch that much? Also I bunch of tax doges.

    1. Re:Artists are jerks by Anonymous Coward · · Score: 0

      Such tax, many IRS, wow

      To the moon!

  9. Wait what?!? by penguinoid · · Score: 1

    I thought the rule was, when the headline asks a question the answer is always "no". This must be one of those rare exceptions.

    --
    Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
  10. Infringing your own works? by Megane · · Score: 4, Informative

    And nobody has yet mentioned John Fogerty? Slashdot, I am disappoint.

    --
    #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
    1. Re:Infringing your own works? by Dutch+Gun · · Score: 1

      My first though was of the patent troll that accidentally sued itself. I'd provide a link, but my Google-fu is not working today.

      --
      Irony: Agile development has too much intertia to be abandoned now.
    2. Re:Infringing your own works? by elvesrus · · Score: 1

      There are probably more, but DMCA notices against a company made by the same company are fun in that same way http://torrentfreak.com/micros...

  11. Obviously her performance is also transformative by Anonymous Coward · · Score: 5, Interesting

    "The price point itself is an artistic expression of the desirable commoditization of art. By taking a formerly expensive piece of art and making it available to the masses, the artist instills in us the notion that the artificial scarcity of mass producible artifacts creates an elitist vehicle for abstract investments, whereas actual art belongs in the hearts and minds of people, not in their vaults. This performance makes palpable the disgust that we feel when confronted with the personality cult that drives the commercial art scene."

  12. Watermark ALL the pictures. by Anonymous Coward · · Score: 0

    Because of people like him, photographers will need to watermark all their pictures even more thoroughly than before, and not just in some corner where it can be easily cropped out. Considering he's terrible at using photoshop, I doubt he will be able to remove a watermark well placed right in the middle.

  13. Pah! by dex22 · · Score: 1

    If the barrier for what constitutes "transformative" is set very low, it's only reasonable for the courts to set the bar on what is considered "derivative" very high. If he has protection for transforming her own work then she should have similar protection for deriving from her own work. As soon as he does something transformative, it becomes obvious.

  14. Re:Obviously her performance is also transformativ by Duckman5 · · Score: 4, Interesting

    "The price point itself is an artistic expression of the desirable commoditization of art. By taking a formerly expensive piece of art and making it available to the masses, the artist instills in us the notion that the artificial scarcity of mass producible artifacts creates an elitist vehicle for abstract investments, whereas actual art belongs in the hearts and minds of people, not in their vaults. This performance makes palpable the disgust that we feel when confronted with the personality cult that drives the commercial art scene."

    I completely agree and wish that I had mod points. I see her response almost as a parody of the ridiculousness of the entire situation. I don't know how a court would decide, but I would definitely argue that the response is transformative in the same way as Prince's work. The only problem is the way in which she was "marketing..these prints as cheaper alternatives to Prince’s.." and that would make the argument that they are a new work of art very difficult.

  15. Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 1

    Copyright is a statutory right to exclude others from copying your expression. If a copyright owner accuses a third party of infringement. The accused infringer has some options. Two options are key and the distinction between the two make the entire blog and this discussion mute. The two options are, attack the copyright itself, or suggest even if something is copyrighted he/she enjoys immunity from copyright infringement. (You can argue both, and most folks do.)

    The first, course of action divests the rights enjoyed by the copyright owner. The second course of action is immunity from infringement. So, if you assert Fair Use, you are being granted immunity from copyright infringement. While granting such immunity, the court considers the four factors. The "transformative nature" is merely a factor in a fair use analysis to grant you immunity. Fair use, does not grant you copyright protection, it merely lets you off the hook.

    So, the entire blog post is %#%^$^$, and a waste of everyone's time.

    Now the real argument for copyright protection of the twitter plus comments being converted into art lies in the fact that the original author of the picture did not create all the comments (I didn't bother checking). So, the final work in this case is an amalgamation of the copyright in the image, which you probably transfer to Instagram when you post, the layout of the post which is again owned by Instagram and any comments which are probably again owned by Instagram ( I haven't looked at the IP section of the Instagram user agreement, but you can check what you gave away when you signed up).

    So really, just creating a copy of the Instagram "wall" is not a new work meriting copyright protection. His addition of a line is probably de minimus. So, really neither the original photographer nor the usurper enjoy protection.

    Hope this clears things up. It's not as complicated as the blogger makes it out to be, and he is certainly wrong on the implications.

    1. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      The first, course of action divests the rights enjoyed by the copyright owner. The second course of action is immunity from infringement. So, if you assert Fair Use, you are being granted immunity from copyright infringement. While granting such immunity, the court considers the four factors. The "transformative nature" is merely a factor in a fair use analysis to grant you immunity. Fair use, does not grant you copyright protection, it merely lets you off the hook.

      This is 100% false. When you create a new work based off of an existing work, that new work enjoys copyright protection. This is true regardless of the circumstances of how the existing work was used so long as it doesn't constitute infringement. For example if create a parody of a photograph such as the Leslie Nielsen image making fun of the original Annie Leibovitz/Demi Moore photo, the use is not infringement because it is fair use AND the new photograph is protected by copyright. You can bet your last dollar that Paramount Pictures thinks that image is copyrighted. And really what is the alternative? That the Leslie Nielsen images is magically in the pubic domain, or that Annie Leibovitz owns the copyright to it? Or it is in some legal limbo? No. It's copyrighted and that copyright is owned by the person or company who made the transformative work.

      In the case of TFA, if Prince's work is considered transformative, it is its own creative expression which is protected by copyright.

    2. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      The first, course of action divests the rights enjoyed by the copyright owner. The second course of action is immunity from infringement. So, if you assert Fair Use, you are being granted immunity from copyright infringement. While granting such immunity, the court considers the four factors. The "transformative nature" is merely a factor in a fair use analysis to grant you immunity. Fair use, does not grant you copyright protection, it merely lets you off the hook.

      This is 100% false. When you create a new work based off of an existing work, that new work enjoys copyright protection. This is true regardless of the circumstances of how the existing work was used so long as it doesn't constitute infringement. For example if create a parody of a photograph such as the Leslie Nielsen image making fun of the original Annie Leibovitz/Demi Moore photo, the use is not infringement because it is fair use AND the new photograph is protected by copyright. You can bet your last dollar that Paramount Pictures thinks that image is copyrighted. And really what is the alternative? That the Leslie Nielsen images is magically in the pubic domain, or that Annie Leibovitz owns the copyright to it? Or it is in some legal limbo? No. It's copyrighted and that copyright is owned by the person or company who made the transformative work.

      In the case of TFA, if Prince's work is considered transformative, it is its own creative expression which is protected by copyright.

      Original AC here:

      You can bet all you want, the parody is just immune. The case linked does not support your bet.

      The "transformation" in question is part a four factor test to determine if there is a Fair Use Defense. It's not a question of is it transformative to create it's own copyright transformation. Fair use is an equitable defense. The case does not suggest otherwise. Please show any legal case which suggests such. Hint: you won't find one. And if the original author of the work were to copy that image, there will be nothing the parody owner can do.

      You know why? The copyright owner still owns the copyright to all derivative works unless the owner authorized the work. So, this isn't a million dollar mystery. At least as far as the law goes. But then very few lawyers understand the difference between Right, Liability, Privilege and Immunity. Not sure the slashdot crowd does.

      Oh and by the way, if you don't own a work, even if you make a derivative of that work. It belongs to me. If you claim fair use and succeed with that defense, it still belongs to me, I just can't stop you from using it, as a parody. I can certainly use my own derivative work.

      Jurisprudence of rights isn't easy, but that's how the law works. Fair use is a shield, not a sword. Tired of going around in circles. Slashdot can remain ignorant.

    3. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      You don't need to show a case — the statute is clear:

      103
      (a) The subject matter of copyright as specified by section 102 includes compilations and derivative works, but protection for a work employing preexisting material in which copyright subsists does not extend to any part of the work in which such material has been used unlawfully.

      The the new expression in the derivative work is protected by copyright unless it "has been used unlawfully" — they could have said unless the use is not authorized, but they didn't. A fair use of existing work is not unlawful therefor 103(a) applies.

       

    4. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      I'll just add to this that the right to prepare derivative works is granted to copyright holders, but like the above poster says, you should carefully read TF law which reads:

      "Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:

      (2) to prepare derivative works based upon the copyrighted work;"

      "Subject to section 107" is important because that is the section that allows fair use. This means that under fair use the author does NOT have the exclusive right to authorize derivative works.

      This is in keeping with the stated purpose of copyright. Copyright exists to promote the useful arts and sciences. Fair use is instrumental in this and it would make no sense to create fair use to promote productive creativity and then not allow the creator of the derivative work to enjoy the fruits of their labour.

      It also stands to common sense. Most fair use examples are not as sketchy as Mr. Prince's example; most are simply quoted passages in criticism or commentary. But a book review, even if it uses fair use to include quoted passages of it's subject matter, is protected by copyright — a copyright owned by the reviewer, not the original author.

    5. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      President of US is immune from certain litigation while in office according to the constitution. Does not mean, he actions were unauthorized. Immunity just means, your unlawful act cannot be punished. Fair use is immunity, so your quote and argument don't work. It's still "unlawful", its just immune, due to equitable judge made law.

      Also, derivative works should be distinguished from entirely new works, with small quotes from a former work("the amount of material used is one of the four factors used in Fair Use to illustrate how the courts see Fair use"). The 90,000 photograph, was compiled by Instagram. The photographer added a "de minimus" sentence, and therefore the photographer is not the copyright owner in the compilation.

      Now, if you have a book, where you quote, my novel or use my art as part of your book. Your book isn't a derivative at that stage. I can certainly claim infringement of my rights in so far as you used the quotes. The court will, judge based on the four factors whether you are immune. That's a different case and different set of facts. Different four factor test parameters apply. So, using only one factor to argue something is a "transformation" and therefore a new work subject to 103, like the blog does isn't fair use analysis.

    6. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 1

      Read 107 it says, "not an infringement of copyright". That's how lawyers define immunity. They steal away your cause of action, i.e., your right to assert infringement. So, again, immunity, not bestowing of rights here.

      It's not common sense that you are allocated copyright for every derivative work subject to copyright.

      Case A:
      98% of the work is yours with 2% quotes. That's your work, with fair use, provided you cite to the original for the 2% of work that isn't your own! Heck the 98% work isn't a derivative at that point and is not subject to 103 as argued, it's a new work. So, if the original 2% owner then copies 98%, that's when the derivative user actually enjoys protection for 98% of the work minus the 2%. The court will literally calculate the damages as 1 book sold at $100. Therefore the original quotes owner owes $98 to the derivative author.

      Case B:
      99% of the work isn't yours and 1% is yours. You are probably looking at a derivative work or a compilation work. Which makes your work, an unauthorized derivative, which is immune from "infringement of copyright" under 107. Immunity. If the illegal derivative work owner asserts copyright, the court will go. De minimus changes do not grant copyright. Even if that 99% copying is Fair Use, it's still just an immunity in this context.

      Different animals, derivative works vs original works of authorship, different copyright context, different protections and different analysis.

    7. Re:Rights vs immunity of Fair Use Defense. by Mrs.+Grundy · · Score: 2

      You sound like a lawyer, so I want to give the benefit of the doubt here, but I don't understand where you get the idea that fair use is just immunity.

      Copyright infringement is unlawful. Fair use is not an infringement of copyright. So if it's not infringement, how is it unlawful?

    8. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 1

      Again context is key here. Originally the supreme court, was confronted with this issue of balancing copyright law and first amendment rights. So, they came up with this equitable doctrine to protect freedom of speech, i.e., the four factor test for fair use. Interpretation of statutes, is based on legislative history and judicial precedence.

      Now, congress was tinkering with copyright law after supreme court came up with Fair use doctrine as a defensive position. So, they codified the equitable principle in 107. So, every court and every lawyer knows, the context of Fair Use and the cases before 107 were enacted.

      Once you know this history. You know that Fair use was codification of immunity and therefore, it's does not bestow rights.

      If your premises and conclusions are right, then what is the end result? You bestow rights on someone who stole something, when all you wanted to do was show mercy to him as a matter of equity. It's nor right to prevent freedom of speech is it? Oh, that's not fair .... What shall we do ...? Let's create this doctrine of Fair use to let him off the hook.

      Premise: Copyright infringement is unlawful.
      Premise: Fair use is not an infringement of copyright
      Conclusion: It's not unlawful.

      Your second Premise is incomplete:
      Premise: Copyright infringement is unlawful.
      Premise: Fair use is not an infringement of copyright based on equity and judge-made immunity to prevent an unfair outcome.
      Conclusion: Therefore, fair use lets you off the hook but grants no rights.

      You can certainly pay money to assert your premise is the valid one and lawyers will take your money and put it to the judge. Heck some judges may even buy that. But, finally if the nine supremes were hearing the two versions, they will probably pick the second. Until they pick the first, we should interpret the law as suggesting the second, or consider that position as a stronger legal conclusion.

      Slightly tangential, but this may help, as to how litigants position things and how lawyers deal with fair use in practice:
      If you have been following Oracle v. Google, this chain will illustrate a finer point. Google didn't argue the API use was fair use.Instead they asserted that API are not copyrightable. The solicitor general asked the Supreme Court not to take this up and let the district court decide on Fair Use before they look at copyright protection for API.

      Fair use, is a crap-shoot and a defense. You are begging mercy from the court for your infringement. And the court may say, alright, I see you will be affected and the plaintiff won't miss all that many pennies from his wallet, if we let you get away, and your copied only x% of the work, and did change the ears to pointy ones, so we will deem this as Fair use and protect you from the plaintiff.

      Hope that helps.

    9. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      You can't on the one hand obtain mercy from a court and then use that mercy bestowed upon you to hurt the very person whose rights were suppressed to grant you mercy. That's inequitable in itself. So, for an equitable Fair Use defense, now codified in 107, how do you expect rights and that too as the article suggests rights which will swallow the original rights holder?

      Hence, Fair Use as a creature of equity is a shield not a sword.

    10. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      Premise: Copyright infringement is unlawful.
      Premise: Fair use is not an infringement of copyright
      Conclusion: It's not unlawful.

      Your second Premise is incomplete:
      Premise: Copyright infringement is unlawful.
      Premise: Fair use is not an infringement of copyright based on equity and judge-made immunity to prevent an unfair outcome.
      Conclusion: Therefore, fair use lets you off the hook but grants no rights.

      So lets replace the second premise with the actual law (emphasis mine):

      Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.

      You are arguing that there is a court-created additional meaning to this very clear statue that dramatically changes it by making fair use "unlawful" even when it clearly states that it is not the one unlawful thing it could be, infringement. But you don't provide a citation from a specific court. That makes this a pretty weak argument.

      It's only by reading 107 in such a way that fair use is unlawful that lets you read 103 in a way that prevents fair use derivations from enjoying copyright protection.

      (a) The subject matter of copyright as specified by section 102 includes compilations and derivative works, but protection for a work employing preexisting material in which copyright subsists does not extend to any part of the work in which such material has been used unlawfully.

      You may have made a good case that fair use doesn't convey rights, you haven't made a case that fair use is unlawful and if it's not unlawful 103 applies to things like parody.

    11. Re:Rights vs immunity of Fair Use Defense. by Hognoxious · · Score: 1

      You, use too many commas. It, is not necessary to put one, after every noun, or pronoun.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    12. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      No, fair use is an affirmative defense (Campbell v. Acuff-Rose Music, Inc). That means that yes, it is infringement, but there are mitigating circumstances.

    13. Re:Rights vs immunity of Fair Use Defense. by Anonymous Coward · · Score: 0

      Sure, it's an affirmative defense. The truth can be an affirmative defense against libel too. Does that mean when a paper publishes something that embarrasses someone but is true, it's just libel from which the papers been granted immunity? No, if it's true it's not libel — regardless of whether that truth was asserted as an affirmative defense. An affirmative defense does not imply wrongdoing or unlawful action; it is simply the defense adding new information.

      In the case of fair use, the party claiming fair use admits they used the material and the use was unauthorized, but that is not necessarily infringement. Infringement is defined as unauthorized use, subject to fair use. And fair use is defined explicitly as not infringement.

      The theory that fair use is infringement is novel, but it suffers the serious problem that it requires the law to mean the opposite of what it says.

    14. Re:Rights vs immunity of Fair Use Defense. by Specter · · Score: 1

      Then you may find the information at this link helpful: https://instagram.com/about/le...

      Interesting excerpts:

      "By accessing or using the Instagram website, the Instagram service, or any applications (including mobile applications) made available by Instagram (together, the "Service"), however accessed, you agree to be bound by these terms of use ("Terms of Use"). The Service is owned or controlled by Instagram, LLC ("Instagram"). These Terms of Use affect your legal rights and obligations. If you do not agree to be bound by all of these Terms of Use, do not access or use the Service. ...
      Rights

      1. Instagram does not claim ownership of any Content that you post on or through the Service. Instead, you hereby grant to Instagram a non-exclusive, fully paid and royalty-free, transferable, sub-licensable, worldwide license to use the Content that you post on or through the Service, subject to the Service's Privacy Policy, available here http://instagram.com/legal/pri..., including but not limited to sections 3 ("Sharing of Your Information"), 4 ("How We Store Your Information"), and 5 ("Your Choices About Your Information"). You can choose who can view your Content and activities, including your photos, as described in the Privacy Policy. ...
      5. The Service contains content owned or licensed by Instagram ("Instagram Content"). Instagram Content is protected by copyright, trademark, patent, trade secret and other laws, and, as between you and Instagram, Instagram owns and retains all rights in the Instagram Content and the Service. You will not remove, alter or conceal any copyright, trademark, service mark or other proprietary rights notices incorporated in or accompanying the Instagram Content and you will not reproduce, modify, adapt, prepare derivative works based on, perform, display, publish, distribute, transmit, broadcast, sell, license or otherwise exploit the Instagram Content."

  16. Additional Equally Banal Comment by localroger · · Score: 3, Interesting

    The key to this is that Mooney is "transforming" Prince's "work" in exactly the same way he "transformed" hers. If her use is infringing, so is his. The "transformation" of simply making a large printout isn't going to fly. Copyright doesn't depend on the size or transmission method.

    --
    Brackets contain world's first nanosig, highly magnified:[.]
    1. Re:Additional Equally Banal Comment by Anonymous Coward · · Score: 0

      Fair use is a shield, not a sword. Original author, retains copyright of the derivative. They just cannot enforce it against the person who has a fair use defense. Oh the original copyright owner can still use the derivative work, if they chose to. That includes the "unauthorized" parody.

      The law didn't grant you rights, it gave you immunity.

    2. Re:Additional Equally Banal Comment by Kjella · · Score: 1

      The key to this is that Mooney is "transforming" Prince's "work" in exactly the same way he "transformed" hers. If her use is infringing, so is his. The "transformation" of simply making a large printout isn't going to fly. Copyright doesn't depend on the size or transmission method.

      I don't think that argument is going to fly, because you could argue the same about landscape photography. Nature isn't copyrighted and you could have been at the same place at the same time choosing to capture the same image. Yet that particular image is copyrighted. I think the argument will be that even though it's transformational, it is also part original. Imagine for example a news article, even though it may quote pieces of a book for context, it clearly also contains a lot of the journalist's original thoughts.

      This isn't actually new ground, it's been thoroughly reviewed with songs and compilation albums, photographs and photobooks and many other situations. The selection, structure and composition may give rise to a new copyright on making that particular arrangement. I can license all the songs of one of the "Absolute hits" CDs, yet I can't make the exact same compilation CD. Then again, I think you'd have a strong case for a "fair use" defense of anyone using your work in a "fair use" way.

      --
      Live today, because you never know what tomorrow brings
    3. Re:Additional Equally Banal Comment by Derekloffin · · Score: 1

      Actually, if you generated the exact same picture yourself, it is not copyright infringement, but still copyrighted. It's one of those weird differences between copyright and patents. If you can show you produced the work independent of the other work, you are free of infringement claim. Same defense will not work in a patent case (although knowing infringement will usually get you a harsher penalty). Now of course, that's just theory, in practice that's an uphill battle to prove. And also, you can copyright something that is a production of something that isn't copyrightable. For instance, individual words in the English language that are not copyrightable can end up copyrighted merely by being expressed in a set order (aka a work of literature). Same here. While every individual element of that nature shot isn't copyrightable, the picture itself is as it a particular arrangement of time, place and setting that is deemed artistic.

    4. Re:Additional Equally Banal Comment by Anonymous Coward · · Score: 0

      But.. if a newspaper include the whole fucking book, it commits copyright infringement, even if it adds a review at the end.
      The "Absolute hits" CD has to license all the songs, regardless of how novel the song compilation is.
      Did Prince license the photos used in his compilation? If so, then clearly he is in the right (he didn't, and that's the point)

  17. Of course. by mbone · · Score: 2

    It's called "self-plagerism," and it most commonly occurs when someone publishes a paper in a journal that claims the copyright. Then, if the author uses their text without approval, it's a copyright violation.

    1. Re:Of course. by Anonymous Coward · · Score: 0

      If you sign away your copyright (be it journal authors or professional photographers), then of course you sign away the rights to use it yourself. That 's obvious and noone is debating that.
      Selena never signed away her copyright (as far as I know)

    2. Re:Of course. by fph+il+quozientatore · · Score: 1

      Sorry, but no. Self plagiarism is not a copyright problem, it is an ethical one. Even if you hold the copyright to a publication, it is an academic fraud to try and republish it on a new journal as if they were new results, without a citation.

      --
      My first program:

      Hell Segmentation fault

    3. Re:Of course. by jaa101 · · Score: 1

      Sorry, but yes; self-plagiarism can be a copyright problem. Publishers usually have you sign away your copyright to them before they will publish your work. They can then legally prevent you from publishing your work with another publisher or yourself. Sure, the author usually retains a moral right to be identified as the author, but the right to profit from the work can be sold to others. If the author creates another work too similar to the first, i.e., they plagiarise themselves, then that can be just as much a problem as if anybody else plagiarised them.

      The only entity that can't plagiarise a work (from a legal, copyright perspective), is the copyright owner, and that entity is often not the author.

      Note that I don't believe this is a factor for Prince and Mooney since it seems that neither of them have sold their copyright.

  18. There you go by Anonymous Coward · · Score: 0

    You don't answer fire with fire but with a purple flock of flying Easter bunnies, attacking Godzilla's cloaca with their tentacle-like bunny ears. That is the way of novelty, Noveldo.

  19. The Copyright Lawyer Full Employment Act by Anonymous Coward · · Score: 0

    1. Yes, you can infringe your own work. Easy example. Write code for your employer. Your employer owns that code. Move to next employer and write the same code. The new code infringes the copyright in the previous code.

    2. The concept of whether something is transformative goes to whether or not it can be considered fair use. Fair use doesn't require that the work be transformative, but it helps.

    3. Usually fair use looks at things like commentary, satire, etc. You don't see much fair use selling for $90k.

    4. If the Suicide Girls are doing exactly the same thing (i.e. taking photos of a computer screen) they might be able to argue fair use. Goose and gander, right? But simply duplicating Prince's work would seem to fall short.

    1. Re:The Copyright Lawyer Full Employment Act by Anonymous Coward · · Score: 0

      1. Yes, you can infringe your own work. Easy example. Write code for your employer. Your employer owns that code. Move to next employer and write the same code. The new code infringes the copyright in the previous code.

      Didn't this happen with Occulus Rift and some company called Total Recall?

    2. Re:The Copyright Lawyer Full Employment Act by Todd+Knarr · · Score: 2

      They didn't exactly duplicate his pieces, they did to his pieces exactly what he did to theirs: copied the piece exactly except for adding their own comment(s) at the bottom. That'd put him in a bind, he can't win against them without guaranteeing everyone whose work he appropriated a win against him. IMO Meyer's fear-mongering on that point.

      There's another twist too. The only part Prince significantly changed is the comments on the images. But the comments and the copyrights on them aren't owned by the Instagram users whose images Prince used, they're owned by the people who posted them. Certainly I can use work A for purposes of commentary on work A, but can I use work A for purposes of commentary on work B by a different creator?

    3. Re:The Copyright Lawyer Full Employment Act by thunderclap · · Score: 1

      1. Yes, you can infringe your own work. Easy example. Write code for your employer. Your employer owns that code. Move to next employer and write the same code. The new code infringes the copyright in the previous code.

      This is NOT your work as it is done for an employer so you agreed to their terms. Therefore you didn't infringe on YOUR work because it wasn't YOURS to begin with.

      2. The concept of whether something is transformative goes to whether or not it can be considered fair use. Fair use doesn't require that the work be transformative, but it helps.

      3. Usually fair use looks at things like commentary, satire, etc. You don't see much fair use selling for $90k.

      4. If the Suicide Girls are doing exactly the same thing (i.e. taking photos of a computer screen) they might be able to argue fair use. Goose and gander, right? But simply duplicating Prince's work would seem to fall short.

      The problem is Prince has no original work. If he is copying so preexisting thing off a screen and converting the media that doesn't change the content only the media. What he is doing is no different than taking the colorized version of 'Its a wonderful life' and making it 3d, and then claiming its his because behe made it 3d.

  20. Pirate bay should do that by bug1 · · Score: 2

    Just add their logo in the bottom corner of all the movies and call it art.

    But of course the law is about playing favorites ...

    1. Re:Pirate bay should do that by camperdave · · Score: 1

      As long as they offer a program to filter out the logo...

      --
      When our name is on the back of your car, we're behind you all the way!
  21. That's the first person I thought of by Anonymous Coward · · Score: 0

    Since he got sued for sounding too much like himself and the court apparently ruled that no, he doesn't sound like himself.

  22. Copyright is for luddites. by Anonymous Coward · · Score: 0

    Modern app appers protect apps using apps!

    Apps!

  23. There is no way by wisnoskij · · Score: 1

    I do not know what happened in the last case, but this new "art" is literally just a screenshot of a post. Since he added nothign to it, other than a pricetag, no one would buy the transformative angle.

    --
    Troll is not a replacement for I disagree.
    1. Re:There is no way by Anonymous Coward · · Score: 0

      except the dumbshit celebrities that have the money and lack of brain matter to think this guy is an artist

    2. Re:There is no way by Anonymous Coward · · Score: 0

      If you think thoughtproperty law was supposed to be about protecting IP, you've been misinterpreting the actual priorities and who they're meant to serv^H^H^H^H protect.

      Possibly even swallowing it at face value.

    3. Re:There is no way by Anonymous Coward · · Score: 0

      Why isn't her online comments and the associated pricetag "transformative" when Prince's identical ripoff was?
      Is it that putting stuff up in a pretentious gallery that makes it automatically "fair use" no matter how much content you steal from the original authors?
      If he can take her photo, why can't she take his comment and combine it with her photo?

      Considering the pitiful amount of changes Prince did in his "transformation", then even just a pricetag is MORE than enough.

  24. Depends on the situation by houghi · · Score: 1

    and that situation depends is if you are a company or not. If you are not, you do not have any rights anyway.

    --
    Don't fight for your country, if your country does not fight for you.
  25. what a great idea, we can all be rich! by Anonymous Coward · · Score: 0

    this is fucking genious i'm going to try this

    1. Re:what a great idea, we can all be rich! by gnupun · · Score: 1

      Does this mean pirated movies are transformative if you add a border containing weird art? Can you re-sell Beatles music if you "transform" it by adding a track containing cowbell?

    2. Re:what a great idea, we can all be rich! by Anonymous Coward · · Score: 0

      Wouldn't it be more like... acting the movie out in real life, script verbatim, and charging (and getting) a crapton of money to see it OR making an unauthorized comic book of the (whole) movie?

  26. Do they even know what transformative means? by Anonymous Coward · · Score: 1

    Copying a work verbatim is not generally 'transformative' (save maybe Google image thumbnails).

    She should have put his collage into her own collage and sold THAT. Then she'd have more of a defense here.

    Right now this sounds silly, but it could be a bad Slashdot summary too, so who knows.

    1. Re:Do they even know what transformative means? by AK+Marc · · Score: 1

      An exact painting of a photograph isn't transformative, but a photograph that's in a frame (generally) is a transformative work. Framing has been recognized as an art, even if the item framed isn't, but the framed whole is a transformative work of the item framed. The description is that the work was "transformed" by being annotated and printed from a screenshot. I have no problem with that. Though, TFA and the summary disagree on whether the exact $90 item is the same as the $9000 item, or just a new transformative work of the original, unrelated to the $9000 item (unrelated meaning copying the style, but not content).

      The thing that confuses most people about copyright is that sweat of the brow is unrelated to copyright. A creation that's trivial is a creation. A work that's not creative, but takes 10,000,000 man hours, is not copyrightable.

    2. Re:Do they even know what transformative means? by gstoddart · · Score: 1

      but a photograph that's in a frame (generally) is a transformative work. Framing has been recognized as an art

      I'm pretty sure that, while the frame can be considered as art, you can't sell copies of someone else's image just because you put it in a fancy frame.

      In fact, you sure as hell can't sell copies of someone else's copyrighted photo in a frame and call it a transformative work.

      You can own the art of the framing, but you sure as hell don't get rights to the work you framed. Not even a little.

      The description is that the work was "transformed" by being annotated and printed from a screenshot. I have no problem with that.

      You should. Because what you're saying is you can co-opt someone else's work merely by framing and annotating it.

      And, I'm sorry to tell you this, but that's bullshit.

      That's like saying you could print out someone's source code, add some annotations to it, and claim copyright on the whole thing.

      So, if you buy a copy of someone's work, frame it, and sell that .. sure, you can be value added, and your framing is a "transformative work".

      But you can't sell multiple copies, because the act of copying that photo means you have violated copyright. Because you can't make copies in the first place.

      --
      Lost at C:>. Found at C.
    3. Re:Do they even know what transformative means? by Anonymous Coward · · Score: 0

      Being transformative isn't necessarily enough to pass fair use. It's not a binary limit; transformative or derivative.
      Do you know of any case where the fair use was successfully used to defend the act of selling an entire copyrighted and unmodified painting/photo/movie by adding a frame, then I'll be depressingly surprised.

      If that is enough, then just putting a copyrighted photo on your homepage would always be fine. Just cite the surrounding homepage as the frame. No more pesky licensing fees!

    4. Re:Do they even know what transformative means? by AK+Marc · · Score: 1

      But you can't sell multiple copies, because the act of copying that photo means you have violated copyright. Because you can't make copies in the first place.

      I never said you could. I just said that it was different enough to allow copyright to be claimed on the derivative work. I discussed solely B to C relationship, and you took some offense to how you think I'd look at the A to B relationship.

      I made no such claim, and hold no such views. Work C is copyrighted by both A and B creators. That C's creator is the same as A's has no bearing to B's claim to copyright.

    5. Re:Do they even know what transformative means? by NostalgiaForInfinity · · Score: 1

      Framing something may perhaps give the artist a new copyright, but that doesn't mean that he has a right to violate other copyrights with what he puts into the frame.

      I mean, putting a severed head on a plate may be art, but severing the head would still be murder.

    6. Re:Do they even know what transformative means? by AK+Marc · · Score: 1

      I read the question in the title, and answered that. The question is that if you make work A, someone makes a new copyrightable work B as a derivative of A, then you make a derivative work C from B, can you be "infringing" based on your original work?

      The answer is "yes". Nobody said A loses copyright on B because it was derivative. But, similarly, B doesn't lose copyright on C.

      Though, the details in TFA indicate that C is unrelated to B, so B has no claim on C at all, but the similarities caused people to ask what would have happened.

    7. Re:Do they even know what transformative means? by NostalgiaForInfinity · · Score: 1

      I read the question in the title, and answered that.

      So did I.

  27. Re:Obviously her performance is also transformativ by Anonymous Coward · · Score: 2, Insightful

    The only problem is the way in which she was "marketing..these prints as cheaper alternatives to Prince's.." and that would make the argument that they are a new work of art very difficult.

    How so? They are alternatives, substitutes even. That is the point. The price for that piece of art is arbitrary and inflated by artificial scarcity, which she denounces and replaces with accessible art for the masses, thus showing us the true colors of the commercial art world, which, even when faced with appropriation art, still favors scarcity over impact. If the number of copies is so important to the art establishment, then how is changing the number of available copies not an artistic act? And to really drive it home, she does it in a performance that is thinly veiled as a commercial endeavor: Art posing as business in response to business posing as art. You'd have to be a complete philistine to not recognize it. (I'm not being facetious here: Obviously her selling these pictures is a comment on the appropriation of her own pictures, and should be seen in the same light. She did not open a business where you can buy replicas of just any piece of art, just replicas of the pictures related to her own pictures. That it elicits the most revealing response imaginable proves her insight.)

  28. Copyright should be considered a privilege by aNonnyMouseCowered · · Score: 1

    The problem is that copyright has been treated as a right similar to free speech and real world property rights, maybe not as essential but still something that a person "naturally" deserves. Sure copying is stealing in some non-legal senses of the word "steal", and of course, there are no really natural rights since even the right to life is forfeit in certain circumstances (like when you have a dynamite strapped to your waist and running toward a group of people threatening to blow them up). But copyright has no analogs or equivalents among other animal species.

    A tiger or dog marks its territory in an act that parallels the property rights of a person living in a capitalist democracy or tribal rights in a tribal society. On the other hand, a monkey imitating another monkey's fruit gathering skills isn't attacked or harmed for the mere act of aping the possibly beneficial behavior. Copyright is clearly an artificial construct, a hack to "promote" technological or cultural progress rather than as an end into itself. Forgetting this goal is why we're in this copy-tyrannical mess.

  29. This post by Anonymous Coward · · Score: 0

    This post (C) 2015 anonymous coward, all rights reserved. (R) (TM).

    Reading this post constitutes acceptance of all terms, and supersedes all agreements.

    Wow, that was fun!

  30. Yes, you can by Locke2005 · · Score: 1

    Sure, you can be sued for violating the copyright on your own creation. John Fogerty was, in one of the most egregious misuses of copyright law to date: http://mentalfloss.com/article... Yeah, John Fogerty got sued for writing a song that sounded too much like a John Forgerty song. Go figure...

    --
    I've abandoned my search for truth; now I'm just looking for some useful delusions.
  31. Review of source material required... by Anonymous Coward · · Score: 0

    So wait a minute... a lawyer managed to bring a case that would require the review of source material that consists of picture of scantily clad girls.... and they're getting paid for that?!?! BRILLIANT!

  32. Re:Obviously her performance is also transformativ by Duckman5 · · Score: 2

    ... to really drive it home, she does it in a performance that is thinly veiled as a commercial endeavor: Art posing as business in response to business posing as art. You'd have to be a complete philistine to not recognize it.

    Brilliant! Everything is part of the performance! I really love it. It takes it to a whole new level of meta.Thank you for that insight.
    I had never thought of framing it like that. I had approached the situation from the assumption that her actions were of anger/spite, but you're absolutely correct. I wonder how deep this rabbit hole can go...

  33. They're not exact replicas by barlevg · · Score: 1

    They contain additional comments, making them transformative in the same way Prince's works were transformative.

  34. Exquisite by dbIII · · Score: 1

    It's no big surprise to see even something like a phone box in a major art gallery :)
    http://cleowho.tumblr.com/post...

  35. Not relevant since the original didn't sell rights by dbIII · · Score: 1

    That's not relevant since the original photographer didn't sell the rights while John Fogerty did.
    Stupid situation and an abuse of the legal system - yes.
    The same thing - no.

  36. Good to know by nospam007 · · Score: 1

    My work is 'transformative' as well, when I re-encode blue-ray disks to .mkv

  37. How to appeal & overturn quick and DIRTY by Anonymous Coward · · Score: 0

    I have a feeling something like this would work...

    1. Find image of appellate judge (in robes) that will preside over case.
    2. Find most provocative publicly shared image of judges closest female relative (or male, why not...we're about to be art'in it up)
    3. Photoshop the image of judge with meme-tastic captions like "My ohhhhh my!" in the corner said scantily clad relative
    4. Bring it to court with you as Exhibit A
    5. Call the media and tell them what you've done. Tell them the original piece(s) will be for sale if the appeal loses and such "transformations" are deemed legal. ...and somewhere out there, Charlie Sheen says "win win"

    The sarcastic point here is... I wonder how the judge would feel if it were his daughter having her instafacebook photos raided and pilfered to be sold for tens of thousands of dolllars? Or if the photo-transformed-original-art was embarrassing to him/her in some way.

  38. inconsistent by jamthecat · · Score: 1

    What about Shepard Fairey's iconic poster for Obama in 2008? That used a photograph taken by a reporter for the AP. They demanded compensation and it went to court and he lost. They wound up settling the case, but the reality is, even though he completely changed the nature and medium of the photograph it was considered copyright infringement not transformative or even fair use. This case seems to come to the opposite conclusion -- anyone claiming to be an artist can take any photograph I took and posted on Facebook or my blog and reprint it with one or two tiny changes and sell it, and he owns the copyright whereas I don't.

  39. GEMA by MoarSauce123 · · Score: 1

    Just look at the GEMA in Germany. Artists playing their own songs on their own instruments at their self-organized concert have to pay GEMA fees to cover copyright requirements. The artists don't get a cent unless they are a member of GEMA...which of course costs money. Copyright control organizations like GEMA who operate in a gray area of the law and without any oversight nor transparency are nothing else than government accepted mafia.

  40. Re:Obviously her performance is also transformativ by Specter · · Score: 1

    Oh how I wish I had mod points! +1