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Japan Starts 8K TV Broadcasts In Time For Rio Olympics (pcworld.com)

An anonymous reader quotes a report from PCWorld: Japan began the world's first regular 8K television broadcasts on Monday, five days ahead of the opening of the Olympic Games. 8K refers to broadcasts with a resolution of 7,680 x 4,320 pixels. That's 16 times the resolution of today's full high-definition (FHD) broadcasts and four times that of the 4K standard, which is only just emerging in many other countries. The format used by NHK, which it calls "Super Hi-Vision," also features 22.2-channel surround sound. Public broadcaster NHK launched a satellite channel that will broadcast a mix of 8K and 4K content as it prepares to launch full-scale 8K transmissions in time for the Tokyo Olympics in 2020. The channel will be on air daily from 10am until 5pm, with extended hours during the Rio Olympics. Japan's early lead in 8K broadcasting is thanks to NHK and its Science and Technology Research Laboratories in Tokyo.

99 of 154 comments (clear)

  1. Problem is it's analog by jfdavis668 · · Score: 1

    and no one has a connection that can handle it.

    1. Re:Problem is it's analog by Dutch+Gun · · Score: 1

      TV resolutions and audio channel count have now jumped the shark. This is clearly about "bigger numbers are better" at this point. Who in Japan has 90" televisions that could possibly make use of that resolution? Seriously, isn't that what digital movie projectors use?

      I'd bet this is more about international prestige than anything else, sort of like how they built the bullet trains (Shinkansen) for their last Olympics. From what I hear, they tend to care a great deal how the rest of the world sees them. You'll probably see some more impressive public works in time for their Olympic games.

      --
      Irony: Agile development has too much intertia to be abandoned now.
    2. Re:Problem is it's analog by msauve · · Score: 1

      "7,680 x 4,320 pixels. That's 16 times the resolution of today's full high-definition (FHD) "

      Thing is, it's NOT 16 times the resolution. If it were, That would make HD 480x270, which was basically what old analog TV did.

      Resolution is linear - the number of pixels/unit of distance along one axis. It is NOT the total number of pixels.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    3. Re:Problem is it's analog by sycodon · · Score: 5, Funny

      At least we'll be able to see the turds floating in the water.

      --
      When Fascism comes to America, it will call itself Anti-Fascism, and tell you to give up your guns.
    4. Re:Problem is it's analog by Locke2005 · · Score: 2, Insightful

      8k video is pretty much the Monster Cables equivalent in video resolution world -- difference is not perceivable by humans, but hay, it's a bigger number and costs a lot more!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    5. Re:Problem is it's analog by jaa101 · · Score: 1

      No, this is not what digital movie projectors use. Those are almost all 2K or 4K, and I suspect that 2K is the more common size. Yes, I'm talking about commercial cinemas here, not home theatre. 8K is just over the top in almost any environment.

    6. Re:Problem is it's analog by by+(1706743) · · Score: 1

      But the technology and standards could be useful for things other than just raw 8k video. For instance, one could imagine some "user-pannable" (or VR) applications where you're streaming sporting events with lots going on. Perhaps you're only displaying 1920x1080 on your TV, but you could pan your view smoothly over a grid 4 times the width and height of your TV. And for the 22.2 channel audio, yeah, that does seem a little ridiculous (though it would make sense to me to just encode it in a spatially-resolved way, which is iirc what Dolby Atmos does).

      That said, yeah, I agree that it's overkill for just watching TV.

    7. Re:Problem is it's analog by Thud457 · · Score: 1

      FUCK EVERYTHING, we're doing 32K !

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    8. Re:Problem is it's analog by sexconker · · Score: 1, Insightful

      Resolution isn't linear, it's scalar. It's just a fucking number until you apply a metric to it, such as inches.
      And they're telling you right there they're talking about 2 dimensions, not 1.

      Fuck off with your contrarian shit. You know what they meant and you tried to find some bullshit way to say they were wrong. They're not.

    9. Re:Problem is it's analog by Dutch+Gun · · Score: 1

      Don't get me wrong, I didn't mean to imply the bullet trains didn't end up being useful (re-reading, it does sort of sound like I was implying that). The Japanese love them, and they're incredibly well-used there... as are ALL their public transportation infrastructure, in fact. But the international attention garnered by the last Olympics held there was what motivated their construction. That's a pretty well-known fact, not a denigration of the trains themselves.

      --
      Irony: Agile development has too much intertia to be abandoned now.
    10. Re:Problem is it's analog by DMJC · · Score: 3, Informative

      WRONG. I went to Tokyo in 2012. I stood in Akihabara and watched an 8K video of the London Olympics opening and Closing ceremonies provided by NHK on a 8K screen. I also own a 4K screen at home so I can say with absolute certainty. The difference was highly noticeable. The camera angles they were shooting took in the entire stadium. You could make out every face in the crowd. Could actually pick individuals with clarity in shots which would never be possible on a normal resolution or even 2-4k resolution screen. 8K resolution is perfect for cinemas. Admittedly it seems a bit pointless on a TV below 70-80+ inches in size. But the picture quality was stunning and to this day I haven't seen anything that looked as good. Japan has the right idea. By pushing technology and adoption of technology they are staying ahead of their competitors. Sure they're not wildly ahead, but they are still ahead of their competitors.

    11. Re:Problem is it's analog by fox171171 · · Score: 1

      Perhaps you're only displaying 1920x1080 on your TV, but you could pan your view smoothly over a grid 4 times the width and height of your TV.

      While that is a possible application, I don't really think it is a good idea. Much like those 360 degree* videos, while kind of cool, they always make me wonder if I am looking in the right direction. When I look over here, what am I missing over there?

      * /. filtered out my degree symbol

    12. Re:Problem is it's analog by viperidaenz · · Score: 1

      22.2 channels means they could broadcast commentary in several languages at once. Seems like a good idea for a global sporting event like the Olympics.

    13. Re:Problem is it's analog by ArmoredDragon · · Score: 1

      TV resolutions and audio channel count have now jumped the shark. This is clearly about "bigger numbers are better" at this point. Who in Japan has 90" televisions that could possibly make use of that resolution? Seriously, isn't that what digital movie projectors use?

      Probably because NHK's reasoning behind this makes perfect sense: 4K resolution will be pretty short lived, but 8K resolution will be around for a very long time. Why? Because once you hit 8K, you've pretty much maxed out what a home user will ever need, and the reason I say "ever need" is because the typical size of a home television will have pixels almost smaller than the naked eye can see even if one were to glue their forehead right to the screen. 4K, not so much.

      And personally, I've been saying this all along. We're so close to maxing shit out that why did we just stop at 4K only to replace everything with 8K only 5 years later? Retarded. This is just something TV manufacturers want so that they can sell more TVs and set top boxes now and then once 8K comes, they can sell more TVs and set top boxes again. Sure, somebody could always shout "16K!" and that might be useful for a studio master, but only to be downscaled to 8k in order to yield a superior 8k picture, similar to how most 1080p content is 4k downscaled in order to make a better picture.

      As for bandwidth, gigabit home connections are becoming a thing lately, and this is a perfect application for that once that ~5 year span passes and even more people have gig to the home. You could probably fit about 10 8k broadcasts through that kind of pipe simultaneously with some future codec (h.266 anybody?) Perfect application for IPTV multicasting as well because cable and satellite will likely never have enough bandwidth for it given they're a broadcast medium and all.

    14. Re:Problem is it's analog by Anonymous Coward · · Score: 1

      It's interesting to see how many commenters are dismissing 8K as unimportant and overkill.

      I live in Tokyo and I get 1Gbps up and down for $50/month with no data caps. Sometmes desire for international prestige and big numbers produces some very worthwhile results.

    15. Re:Problem is it's analog by AmiMoJo · · Score: 1

      It's not just the fact that the resolution is better, it's that the frame rate is true 120 or 60Hz as well. Thus motion is a lot smoother and clearer, so it's easier to make out detail on moving objects like people and in panning shots. None of this frame-doubling or interlacing crap that just introduces artefacts.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    16. Re:Problem is it's analog by ChunderDownunder · · Score: 1

      4^2

    17. Re:Problem is it's analog by RatPh!nk · · Score: 1

      First we had 720p and 1080p. Now we have 4k and 8k instead of 2160p and 4320p. Is it just marketing. I am with you in that we should start calling 1080p - 2k I suspect it is just marketing.

      --
      Argh. The laws of science be a harsh mistress.
    18. Re:Problem is it's analog by MitchDev · · Score: 1

      Not to mention those of us who can't really see much difference between SD and HD....

    19. Re:Problem is it's analog by MitchDev · · Score: 1

      That's not nice calling the athletes turds....

    20. Re:Problem is it's analog by pete999tete · · Score: 1

      Temporal, but it has to be divisible by 88.

    21. Re:Problem is it's analog by dhaen · · Score: 1

      You have my sympathy> Attached is a discount voucher for Specsavers..

    22. Re:Problem is it's analog by Impy+the+Impiuos+Imp · · Score: 1

      No, that's how advertisers approach the math. 4k was not 4k but rather 4x the area of 1920 x 1024, or 2x the resolution. Recall the hemming and hawing trying to explain yet another common misunderstanding, why a 3840 wide wasn't quite 4k or 4000 (much less 4096).

      Game cartridges in the 1990s used to be described as "8 MEGA" in size, when some advertising shill realized they could claim they had 8x the ROM by describing the number of bits rather than bytes.

      To use your description, "that's how everyone describes it besides nerd snowflakes!"

      --
      (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    23. Re:Problem is it's analog by dave420 · · Score: 1

      It's because technology is advancing, not TV manufacturers' greed. They can't sell what doesn't exist. When 8K screens are possible, they will make them and sell them to whoever wants. They are not forcing anyone to buy these screens - clearly the demand is there.

    24. Re:Problem is it's analog by JohnStock · · Score: 1

      Actually this was more of "Why upgrade to 4K then 8K a few years later" move from NHK who went into 8K development years ago. It's a very smart move and not just about more is better.

  2. Re:That's the ticket by Anonymous Coward · · Score: 3, Funny

    We'll even be able to digitize the fingerprints from the corpses that come floating up in the lagoon.

  3. Mmmm by Anonymous Coward · · Score: 2, Funny

    The resolution is so crisp, so clear.. You can almost smell the sewage!

  4. Space Balls: The re-re-release by HumanWiki · · Score: 3, Funny

    My Schwartz will look huge in 8K

    1. Re:Space Balls: The re-re-release by OzPeter · · Score: 2

      My Schwartz will look huge in 8K

      I'm still waiting to see it in the search for more money

      --
      I am Slashdot. Are you Slashdot as well?
    2. Re:Space Balls: The re-re-release by I4ko · · Score: 1

      Cameras these days are 25Mpix.

    3. Re:Space Balls: The re-re-release by fox171171 · · Score: 1

      Brown-outs,

      What with the stuff in the water, "brown-outs" conjured up some pretty vivid imagery that I really did not want to visualize.

    4. Re:Space Balls: The re-re-release by WallyL · · Score: 1

      Yes, indeed. If White outs are a thing, I could see...

  5. When do we move from diminishing returns... by JMZero · · Score: 1

    ..to negligible returns on resolution increases? I mean, I remember arguing against people who said 1080p was overkill... and I think 4K looks pretty cool up close on a big screen with the right source.

    But 8k (and presumably, beyond) must surely be pressing hard on the limits of human eyesight.

    --
    Let's not stir that bag of worms...
    1. Re:When do we move from diminishing returns... by uCallHimDrJ0NES · · Score: 1

      If they're trying to sell us 22 channel surround, we have far surpassed the point of diminishing returns for consumer usage.

      --
      Cloudiot: A person who does not see offsite storage as a way to lose control over access to his or her own data.
    2. Re:When do we move from diminishing returns... by Archangel+Michael · · Score: 1

      8K video isn't for small screens. You'll need something in the 90" range to see the difference between 1080, 4K and 8K.

      The question is, how will porn deal with the nature of exposing every flaw at that resolution?

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    3. Re:When do we move from diminishing returns... by Locke2005 · · Score: 1

      Individual pixels are perceivable when the whole screen is in your field of view at 1080, but not at 4K... meaning 8K really adds nothing to perception of the picture.

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    4. Re:When do we move from diminishing returns... by omnichad · · Score: 1

      FTA:

      For now, consumer reception equipment isn't available, so NHK has set up several public viewing areas at broadcasting stations across the country.

      If this was a big public outdoor screen, it could have merit.

      But when you look at how bad 1080p looks on most cable or satellite today, you would at least hopefully get more than 0.5Mbps of data at 8K.

    5. Re:When do we move from diminishing returns... by Locke2005 · · Score: 1

      4K is the point of diminishing returns for video, because it's right at the limit of human perception. Greater than 4K is still useful for still photographs that you are planning on blowing up into larger images, so more than 16Megapixels may still be useful for digital cameras.

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    6. Re:When do we move from diminishing returns... by msauve · · Score: 1

      "If this was a big public outdoor screen, it could have merit."

      Not really, visual acuity is related to the angle between the pixels from the viewers eye. Small screen up close or large screen farther away, unless you're one of those people who likes to sit in the front row so the screen stretches to your periphery, this 8K doesn't really add anything except cost. For most people at a comfortable viewing angle, there's not a whole lot of difference between standard 1920x1080 HD and 3840x2160 "4K" UHD.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    7. Re:When do we move from diminishing returns... by omnichad · · Score: 1

      I imagine people could be standing up close in a public viewing area - I am imagining an outdoor free-standing screen along some large paved area, not some movie theater setup. With as much as is going on on-screen, there could be a lot to see just looking up-close at the periphery.

    8. Re:When do we move from diminishing returns... by omnichad · · Score: 1

      By which I mean it might be useful for Olympics. Otherwise, this is just Japan being Japan. If they hit and pass the Nyquist limit for vision they might eventually find something else to do. An 8K screen is just a byproduct of having flawless tiny 2K phone screens at a larger scale. Making use of manufacturing you already have. It might be more useful for virtual wallpaper than broadcast outside the Olympics arenae.

    9. Re:When do we move from diminishing returns... by Anonymous Coward · · Score: 1

      Baloney. There is a huge difference between the point where you consciously see the pixels, and the point at which you can't see any better. Analogously, at 30 fps you can't see the individual frames, but 60 fps is still vastly smoother, and when I have to make fine distinctions, 60 gives me a lot more accuracy. The same is true of resolution.

      Our eyes are analog with supersampling twitches and looking at whatever part we find interesting, and altering it with a large number of automatic processes. Subtle changes in perception are definitely a thing that can lead to significantly different results beyond whether, 'did I notice the pixelization or not?'

    10. Re:When do we move from diminishing returns... by GeekWithAKnife · · Score: 1


      Well...resolution is nice but if your pixels are massive you need a larger screen and a farther away viewing distance.

      The human eye has a theoretical "limit" of 2194ppi at 4" distance. The further you are from the screen the more pixels you can notice. And densities under 550ppi the vast majority of people can notice pixels. A higher resolution might not translate to smoother pictures at a certain distance because of pixel sizes.
      So you have to workout the size of the screen and resolution (assuming you are at a distance in which you can see the entire screen) to figure out of there is additional benefit for most people. Some interesting reading -> http://wolfcrow.com/blog/notes...

      That's the short story if this is "overkill" and really it is not. We may be reaching the human eye's minimum discernible ppi but we would still benefit from a better standard. For a 90" display we should still be able to tell the difference between 8k and 12k resolution.

      We still need to catch up in terms of refresh rate. The human vision system can be tricked into deciphering motion at close to 24 FPS but we can still see jitter, lag and notice that this is not as smooth as vision. 60 FPS is still not quite there and 90FPS is amazing but not if the screen does not refresh as fast and SMOOTHLY (no tearing etc)

      8K is not overkill. It's not reaching the limits of human vision. Consider density, colour spectrum, reproduction, accuracy, contrast and uniformity and so on. We're still a distance from going beyond the limits of the eye and vision system. I think there's still 10-15 years until we get there.

      --
      A 'singular oddity' is an event that cannot be explained and only happens when you are alone.
    11. Re:When do we move from diminishing returns... by Rhipf · · Score: 1

      Wouldn't that only need 2.0 (or 2.1) sound or do you plan on playing all 11 languages at the same time?

  6. Re:Needed by Archangel+Michael · · Score: 1

    Those aren't PED injection marks, those are Zika Mosquito bites!

    --
    Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
  7. What about 3D? by The+Grim+Reefer · · Score: 2

    Weren't some of the events broadcast in 3D for the last summer games? I guess that's not cool anymore.

    While I appreciate Bluray, I just don't see the point of 4K and now 8K. Isn't DVD still outselling Bluray? It used to be VHS vs. DVD. The difference was noticeable on damn near any display size. From a normal distance DVD still looks good on a modest sized TV. I notice the difference on my 50 inch TV in my living room, but DVD is still very watchable. On my projector in my theater room, DVD can be a bit annoying in comparison. But Bluray still looks pretty good to me. I'm sure I would see the difference between 2K and 4K. But do we really need to have DVD, Bluray, 4K and 8K all competing at once? Is there any difference between the last three on a 40 inch television at 10 to 15 feet viewing distance? The sound on a Bluray is certainly a big improvement. But as far as I know, there's no difference sound wise between Bluray and 4K.

    1. Re:What about 3D? by boudie2 · · Score: 1

      Recently watched one of the Superbike races from the Isle of Man which was broadcast (by ITV?) in HD at 50 frames per second. The difference was noticeable and very impressive.

  8. Overkill for the vast majority of viewers by StandardCell · · Score: 5, Insightful

    4K resolution is hard to notice at typical living room viewing distances of 8-10' with anything smaller than a 65" TV. 8K is going to only really make a difference in something larger than 80-90". Most people, even with 20/20 vision, have insufficient visual acuity to resolve such a resolution under these conditions. The vast majority of the public does not buy displays this big, and much less so in Japan where living spaces are tiny. 8K is a great resolution for large venue screens and for mezzanine/master files, but has little to no value for the consumer and imposes substantial costs on content creators, distributors and CE companies. As a point of comparison, some of my colleagues at a major movie studio were talking about scanning old film stock with 6K resolution and content with it. 8K is 4x as much storage as 4K, and we haven't even begun to talk about far more tangible technologies of importance like HDR and wide color gamut.

    As for this 22.2 business, it is an infernal waste of time. The extra LFE channel (the ".2" in 22.2) is completely redundant because low frequencies should not be able to be located by the human ear in a properly set up theater, home, small or large venue. The 22 channels is an anachronism in the era of emergent object-based audio coding as found in AC-4 and MPEG-H audio. There, an arbitrary number of objects has position location information recorded in 3D space and relies on the playback rendering device to place the sounds in whatever speaker configuration may actually exist, from a single mono speaker in front of the viewer to dozens of speakers in an array as you'll find in a Dolby Atmos enabled theater. By channelizing audio, NHK not only forces an arbitrary speaker configuration on the viewer, but substantially complicates the job of downmixing to more traditional configurations such as 5.1 or 7.1, or even some of the newer configurations like 5.1+4 and 7.1+4 (the +4 indicating four height speakers over the listener/viewer), and is a complete waste of bandwidth, assuming they even carry the metadata and publish how the downmixing will be accomplished AND will be QC'd by a real person. Again, the producers, distributors and CE companies are behind the eight ball trying to support this nonsense in an era where only a very small fraction of people have 7.1 in the home, much less in Japan where premium audio solutions as you'll find in Akihabara consist almost exclusively of sound bars with speaker arrays that can do the same job.

    Sorry to be so cynical about this, but there comes a point where this gets out of control for the average viewer and for the people who are in the industry making and distributing and playing back this content. NHK long jumped the shark even as nice as their jumbo display every broadcast show I have gone to may be.

    1. Re:Overkill for the vast majority of viewers by JoeDuncan · · Score: 2

      ^^^ only relevant comment, really.

    2. Re:Overkill for the vast majority of viewers by ErikTheRed · · Score: 4, Interesting

      We got a lot of this when 4K came out, but we were ready to upgrade our television (something we don't do very often), so I said screw it and went with 4K (65" at about 3 meters / 10'). It looks great with upscaling, but when I switched our streaming to true 4K with a Roku4 my wife said "Wow - this looks awesome! Did you change anything?" To me, that's the real test - when somebody with average visual acuity who doesn't give a crap about pixel count and whatnot notices that it looks a lot better.

      I don't think 8K will be worthwhile until 120" screens are the norm, and even then cinematography will have to change to accommodate the changed field of vision. Even at 4K I notice that I'm annoyed when my eyes can't wander to the corner of the screen because the depth of focus blurs everything out there.

      --

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    3. Re:Overkill for the vast majority of viewers by Kjella · · Score: 1

      It gets rather ridiculous when you realize that movies like "The Martian" were finished in 2.5K, even in the biggest theaters I don't think you see anyone calling it blurry. If you are the one in a million with 20/8 vision - the diffraction limit of a perfect eye - you have a resolution of 0.4 arc minutes = 1/150th degree. Front row of the cinema is ~50 degrees field of vision (FoV) so 50*150 = 7500 pixel resolution. So 8K (7680-8192 depending on definition) is theoretically necessary to exceed everyone's optimal vision.

      But if you have 20/16 vision, not to unusual in healthy teens but the best most people will ever see you're down to half that or 3750 pixels. If you sit in the middle of the cinema (~40 degree FoV) then you'd need 20/12 vision to go beyond 4K. If you're at couch distance or "only" have 20/20 vision, forget about it. And most importantly this really only matters if you're staring at an eye chart, I can do it pixel peeping on a still picture doing A/B testing but I doubt it matters in practice.

      Heck, for my eyes comparing to the UHD monitor I found that replacing my 60" 1080p TV just wouldn't make any sense, even sitting in the closest chair. It'd take a 80-100" TV/projector for me to notice the difference. Anything else is contrast, color, dynamic range and so on not resolution. Same thing with the UHDTV standard, yes it's more resolution and that's easy to understand. But Rec.2020, 10 bit color as standard, HDR etc. is what really makes the change worthwhile.

      --
      Live today, because you never know what tomorrow brings
    4. Re:Overkill for the vast majority of viewers by Anonymous Coward · · Score: 1

      I'm sorry, you're just wrong. I have an 8K 48" display, in the form of 4x 4k display wall, and it is fucking gorgeous. The improvement over my 4x 1080p display wall is chalk and cheese. Even at a distance it looks more beautiful than the 1080p wall that it replaced. I have seen 8k demonstrators in my work, they are gorgeous.

      The basic incorrectness of your assumption, is that because you can't read tiny text at a distance, that the increase in resolution contributes nothing. This is factually false. Even without the visual accuity to discern lines at 8k (which I can, because my screen is only 48" from me), the increased resolution still represents spatial phase better than a 4K screen, it also has 2x lower aliasing, because let's face it, an LCD or OLED pixel is nothing close to an optimal sinc or gaussian function. For the same reason DVDs look so much better on 1080p displays, and 1080p bluray looks so much better on 4K, because of closer-to-correct sampling, 8K looks so much better than 4K.

      I currently have a 4K 120" home cinema, using 4x 1080p gapless panels, and a Matrox vision processor. I would upgrade it to 8K, except I can't find a vendor of 4k gapless panels, and the calibration is time consuming enough with 4 panels, going to a 240" 8K system with 16 panels would take days every month to bring into acceptable color alignment. After looking at commercially available 120" LCDs, I sometimes wish I had got a 120" 4K, but the cost is considerably higher than 4x 60" panels and a vision processor.

    5. Re:Overkill for the vast majority of viewers by dillee1 · · Score: 1

      There are legit use for 8k video signals, but IMHO mostly on technical/niche fields. E.g. CCTV, drone camera will benefit greatly from higher resolution. Instead of having to pan/tilt/zoom, the camera can record the entire scene at once while still resolve enough interesting details. The end user just digitally magnify whatever part of scene to fill his screen if his screen is too small. Same technique can be use for zooming into say the goalie of a soccer game as the end viewer please.
      I doubt layman would want to constantly zooming in/out all the time while watching soap opera though.

    6. Re:Overkill for the vast majority of viewers by flargleblarg · · Score: 2

      If you are the one in a million with 20/8 vision

      It's a lot more than that if you could glasses and contacts. It's trivial to get 20/10 vision with glasses if you go to a good optometrist.

    7. Re:Overkill for the vast majority of viewers by tlhIngan · · Score: 2

      It gets rather ridiculous when you realize that movies like "The Martian" were finished in 2.5K, even in the biggest theaters I don't think you see anyone calling it blurry.

      Actually, The Martian used Red cameras and was filmed in 5K. However, the VFX was done in 2K only, and the final printdown was 2K DI (digital intermediate - basically the final format used in digital theatres).

      The vast majority of movies released in theatres today are down in 2K DI - even Star Wars The Force Awakens was 2K DI. There are a few films done in 4K DI though, but it isn't common. 4K VFX takes a lot more space and a lot longer to render, so it depends on the amount of CGI.

      So far, if you go with UHD Blu-Ray, you may see "UHD Premium" which is more that that disc supports HDR, and you need an HDR display to actually see it.

      Terminology - 2K DI - 2048x1080, and 4K DI = 4096x2160. This is the final print down format before anamorphic lens. Unlike Blu-Ray, there is no letterboxing to keep the aspect ratio - so even a 2K DI will have more vertical information than 1080p (because the letterboxing consumes lines - a standard anamorphic presentation would have around 900-950 lines with the rest being the black bars). In a normal theatre protection, the image is then stretched horizontally with a special anamorphic lens so what happens is the 2048x1080 frame is widened. You technically have rectangular pixels that are wider than they are tall in this format, but it follows from the standard film anamorphic lens expansion.

    8. Re:Overkill for the vast majority of viewers by Solandri · · Score: 1

      It's angular resolution which matters. That is, not display size, but the ratio of display size to viewing distance.

      If you use the one pixel per arc-minute definition (20/20 vision is defined as the ability to distinguish a line pair with one arc-minute of separation), then a VR headset like the Samsung Gear VR with a 96 degree FOV would require about 11.5k horizontal resolution. So two 8k displays side-by-side would come very close to achieving this threshold. Obviously you wouldn't want to do that with two 120" screens. Instead, displays small enough to fit in a VR headset would be preferable.

    9. Re:Overkill for the vast majority of viewers by pnagel · · Score: 1

      It is true that few viewers will see the increased spatial resolution of 4K without expensive large screens, and even less so for 8K.

      But increased spatial resolution is far from the only change in the the new UHD Premium broadcast standards ("4K") or the Super Hi-Vision ("8K") standard mentioned in this story, and all of these other changes have a huge impact that the normal viewer can easily see, no matter what size the TV.

      Firstly there is increased colour gamut - before UHD Premium the standard was the BT. 709 colour space, which could only mathematically represent a small subset of the colours that human vision can see. (For example, Pantone's colour of the year 2013, Pantone Emerald 17-5641, can not be represented in BT. 709). The new broadcast standard enlarge the colour space to BT. 2020, which is much larger. Current devices can display roughly the DCI-P3 (digital cinema) colour space, which is already larger than BT. 709. BT. 2020 provides future room for growth beyond even that.

      Secondly, there is increased bit depth. Instead of using 8 bits per channel, UHD Premium provides for 10 or 12 bits, and Super Hi-Vision requires 12. 8 bits per channel is just not enough for shadow detail (have you noticed how many videos just have a splotchery of large dark gray blocks in the shadow regions), and causes banding and posterisation in areas of smooth colour gradation like skies and sunsets. (Blu-rays mitigate this by having human compressionists continuously adapt the compression algorithm's parameters on a per-scene basis to work around this).

      Then there is increased dynamic range. The current range of brightnesses BT. 709 supports can roughly be described as "everything from black to a glossy white paper under sunlight". Real-world scenes go beyond that, i.e. specular highlights on metal, or the heart of flames, and UHD Premium and Super Hi-Vision provides for that. The idea is not that the entire scene should be brightened to the point that you suntan in front of your TV, but that detail should not be lost by clipping specular highlights, flames, sunsets, full moons and the like.

      Then there is increased temporal resolution: UHD Premium and Super Hi-Vision allow frame rates up to 120fps. This will make a large difference in sports with fast-moving objects, it gives additional creative freedom to directors of photography should they decide their stories are better told with higher frame rates.

    10. Re:Overkill for the vast majority of viewers by AmiMoJo · · Score: 1

      I've actually seen 8k in real life, so I can tell you that it does make a noticeable difference. For a start it's not just the resolution, it also has better colour and a 120Hz native frame rate. No more frame interpolation and associated noise.

      8k also brings new camera technology with it. You can't manually focus 8k, it's just impossible to do reliably. So they had to develop a new kind of auto-focus that gives the camera operator analogue like control but with digital assistance.

      And yes, the resolution does make a difference, even at normal viewing distances. This myth about eyes and arc resolution seems to have started back when Apple's "retina" displays were introduced, but they were actually quite low resolution and even Apple later upped the PPI significantly for the iPhone 6+, with easily visible results.

      The 22.2 sound I'm not sure about, because with the demo there were other people in the room making noise. The pitch is that it's closer to how sound is mastered in movies before being down-mixed to 7.1 or 5.1. The idea is to move the down-mixing process from the studio to your sound system, which can adjust it for your room and speaker system.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  9. Why? by Locke2005 · · Score: 1

    Explain to me again why it's a good idea to provide twice the resolution that the human eye is capable of resolving. "Ohh, it's a bigger number, let's pay a lot more for it!" (The human eye can only perceive about 4000 separate regions in it's field of view, meaning making pixels smaller than 1/4000 of the screen does nothing for enhancing human perception, when viewing the whole screen. Greater resolution is useful if you move in closer and focus on just one section of the screen, but that's not really how we watch sports, is it?)

    --
    I've abandoned my search for truth; now I'm just looking for some useful delusions.
    1. Re:Why? by JoeDuncan · · Score: 1

      To sell more TVs to the idiotic masses? No, seriously, I mean it.

    2. Re:Why? by I4ko · · Score: 1

      No, but my cat can certainly enjoy it, if it is a video of flies and other small little critters. Her eyes are much better than mine.
      On the other hand I need to look carefully how much stipend I can give her.

    3. Re:Why? by TheSync · · Score: 1

      explain to me again why it's a good idea to provide twice the resolution that the human eye is capable of resolving.

      At 1080 lines (HD) resolutions, your eye can resolve the smallest detail at 3 picture heights (assumes 20/20 vision, based on Snellen acuity). 3 picture heights is about the angle subtended by your hand of your outstretched arm if you hold up your thumb.

      At 2160p (4K) resolutions, you need to be at 1.5 picture heights (screen height two outstretched hand+thumbs)

      At 4320p (8K) resolutions, you need to be at 0.75 picture heights (screen height four outstretched hand+thumbs)

      (You can "kinda tell" sub-Snellen resolution such as vernier acuity [if a line is straight, etc], but you can't really "resolve" anything like a letter of the alphabet without Snellen resolution).

    4. Re:Why? by n3r0.m4dski11z · · Score: 1

      People use to say the same thing about 30fps. But in practice, it does matter a lot to limit yourself to what we can see. What we can perceive is always making obsolete notions of what we can "see". The senses have much more depth than their classical definitions.

      Besides as a projector owner with a 104" screen, i say bring on the 8k! (have to go through 4k first though...)

      --
      -
    5. Re:Why? by viperidaenz · · Score: 1

      No, they never do instant-replays on sports do they?

  10. 57 channels and nothing on... by Torp · · Score: 2

    ... now the nothing is in 8K resolution!

    --
    I apologize for the lack of a signature.
    1. Re:57 channels and nothing on... by amiga3D · · Score: 1

      Andy Griffith show in 8K. That should be interesting.

  11. Wrong application by Locke2005 · · Score: 1

    What we really need 8K video for is porn... it makes the herpes blisters look SOOOO much more realistic!

    --
    I've abandoned my search for truth; now I'm just looking for some useful delusions.
  12. Re:Diminishing returns by Mr+D+from+63 · · Score: 3, Funny

    What's the point?

    You don't see it? I think its clear enough. Its all in the details. You just don't get the big picture.

  13. Stop hijacking vertical vs horizontal resolutions! by UnknownSoldier · · Score: 2, Informative

    We have a long history of standardized naming. "720p" and "1080p" referred to the vertical resolution of 1280x720 and 1920 x 1080p, respectively.

    Then some marketing idiot starting calling the horizontal resolution of 3840x 2160 as "4K" so they could sell more TVs. No, it is 2160p.

    This shenanigans of "8K" continuing by referring to the horizontal resolution of 7,680 x 4,320 needs to stop. This is almost as bad as drive manufacturers when they refer to disk space using GB, instead of GiB to artificially inflate their numbers. 8 KB is 8,000, and 8 KiB is 8192, not 7,680. Either call it 7.5K (7*1024 = 7680) or call it 4320p.

    Lastly, 4320p is a non-issue. Most people don't care about 4320p due to the chicken-and-egg problem:

    * No content, no sales of TVs.
    * No sales of TV's, no incentive to make content.

    Rinse and repeat.

  14. Re:Stop hijacking vertical vs horizontal resolutio by JoeDuncan · · Score: 2

    Don't even get me started on calling LCD screens with LED backlights "LED Displays" Ugh. Someone needs to be nuked from orbit.

  15. Ah, Rio.. by zamboni1138 · · Score: 1

    The Rio Olympics will appear so clear in 8K you'll be able to feel your skin crawl with excitement.

    1. Re:Ah, Rio.. by fox171171 · · Score: 4, Funny

      The Rio Olympics will appear so clear in 8K you'll be able to feel your skin crawl with excitement.

      I thought you said excrement.

    2. Re:Ah, Rio.. by drinkypoo · · Score: 1

      The Rio Olympics will appear so clear in 8K you'll be able to feel your skin crawl with excitement.

      I thought you said excrement.

      That comment is nigh-upon perfect, since the very first thing I thought upon reading the fine headline was that you'd be able to count turds and identify corpses from home.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  16. Just imagine by Archfeld · · Score: 1

    Porn in 8K resolution. There would be no way to hide any sort of blemish. You'll be able to see things that you will NEVER be able to un-see.
    There is not enough eye bleach in the world to undo the damage suffered.

    --
    errr....umm...*whooosh* *whoosh* Is this thing on ?
  17. Only 8K? I'm waiting for 640K. by ihaveamo · · Score: 1

    That ought to be enough for anybody.

  18. 640K should be enough for anyone by Pseudonymus+Bosch · · Score: 3, Funny

    Bill Gates said so.

    --
    __
    Men with no respect for life must never be allowed to control the ultimate instruments of death.
    GW Bu
  19. Re:C-A-N--Y-O-U--S-E-E--T-H-E-S-E--P-O-S-T-S by sexconker · · Score: 1

    I checked one and I can see it via the link and via the regular story page.
    Dunno what you're blathering about.

  20. More bandwidth, or more compresson, or both? by kheldan · · Score: 1

    So in order to get that resolution in an OTA broadcast, do you start using several channels worth of bandwidth, or do you compress the living daylights out of it (with the resultant shitty picture quality, especially during motion), or both?

    As someone else pointed out, this is kinda dumb, who is even going to notice the difference between 4K (which hasn't even really begun to roll out yet) and this? Also, as someone else pointed out, how many people are going to have the money or the room for a set big enough to display this? It all sounds kinda dumb.

    --
    Are YOU using the TOOL, or is the TOOL using YOU? Think about it!
    1. Re:More bandwidth, or more compresson, or both? by TheSync · · Score: 1

      So in order to get that resolution in an OTA broadcast, do you start using several channels worth of bandwidth, or do you compress the living daylights out of it

      You definitely use HEVC/H.265 encoding to get the best compression, but to go over-the-air you need Ultra-multilevel OFDM (4096 constellation points), Dual-polarized MIMO (using horizontal and vertical polarizations simultaneously to transmit twice as much information as single-input single-output), and Large-sized FFT (reduces the ratio of guard intervals that eliminate delay waves by reflection, quadruple sized FFT can drop guard interval from 1/8 to 1/32).

      NHK has done tests receiving a 91 Mbps signal over 27 km. Details here.

      The news reports are that the 8K signals starting up today are on the BS broadcast satellite system. DVB-S2 can provide 91 Mbps with 8PSK or 16APSK modulations.

    2. Re:More bandwidth, or more compresson, or both? by kheldan · · Score: 1

      4-digit Slashdot UID!

      Hello there!

      I don't have the math to understand all that on a deep level, but I'm somewhat pleased with myself to be able to at least follow what theyr'e doing there. I'm really not an RF guy so it never occurred to me that you could do both polarizations simultaneously like that, that's genius. H.265 isn't crappy digital video compression, either, which is mainly what I'd worry about; I still have a bitter taste in my mouth, even after all these years, after learning the Ugly Truth about cable television and what they do to so-called 'HDTV' to fit it all on the same wire.

      --
      Are YOU using the TOOL, or is the TOOL using YOU? Think about it!
  21. Re:Stop hijacking vertical vs horizontal resolutio by sexconker · · Score: 2

    I agree with you with regards to calling 3840x2160 4K and 7680x4320 8K. It's retarded.
    I also agree with you with regards to storage manufacturers universally using the bullshit of "1 MB = 1,000,000 bytes".

    But 7680 would be 7.68K. Why are you using 1024 there? Do you see a b or B indicating bytes?
    Further, 1 KB = 1024 bytes. Always has, always will. Take your KiB nonsense and shove it.

  22. So hi-def... by argStyopa · · Score: 1

    ...you can see the viruses as they infect the athletes!

    --
    -Styopa
  23. 8K means nothing by PJ6 · · Score: 3, Insightful

    if they don't tell you the bitrate.

    1. Re:8K means nothing by AmiMoJo · · Score: 1

      The current test broadcasts are 91Mb/sec with H.264 encoding at 60 frames per second and 8 bit colour. The raw video is around 48Gb/sec.

      I'm wondering if they might switch to H.265 for the final system. They have developed 120 FPS cameras now and ideally the colour wants to go to 10 bit/channel, so potentially the data rate could be even higher. I'm not sure what the satellite broadcasts are going to be.

      Just to give you an idea, consider what is needed to handle the uncompressed video. 48Gb/sec is 6GB per second. Double that if you want 120 FPS. So you need to develop a cheap cable that can push 12GB/sec reliably, and that's what they did. But what about your non-linear editing rig? It needs to be able to stream 12GB/sec from disk just to play the video back! Maybe you could use JPEG or similar compression on each 102MB frame, but then you have to decode that imagine in under 8ms as well.

      It's worse than that though. For editing you probably want 10 bit colour, and for sport you might want to capture 240 frames per second so you can do slow-motion replays. It's quite a technical challenge.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  24. Re:Stop hijacking vertical vs horizontal resolutio by TheSync · · Score: 2

    4K (4096 x 2160) was originally a digital cinema resolution, but television people were jealous of it. However TV people only felt comfortable doing 4 quadrants of 1080p, thus we got 3840x2160.

    Most "4K" TV production today uses 4 coaxial cables carrying 3 Gbps serial digital signals of 1080p. This is also known as "23 wrong ways to plug in your camera".

    The hope is that everyone will shortly go to 25/40/100 GbE before 4K becomes a "standard operation" for television.

  25. 8K will be the standard video resolution in 10yrs. by kenj123 · · Score: 1

    There was an article in Scientific American or something a few years about the upcoming resolution for video. They basically said 8K is being build out for all broadcasting. That way public places like airports, sports arenas, malls (if they still exit), billboards can display video feeds on 20ft screens or more and picture quality will look great. People at home who want the best video, especially those with home theater or other ways to have 8-10ft screen will also watch the same 8k feeds. secondary or smaller screens in the home will probably stay at 4K. Cinema on the other hand will probably go with a 16K or even 32K (Imax) video system. I'll try to find the article and post later.

  26. tiny space = big screen by n3r0.m4dski11z · · Score: 1

    " The vast majority of the public does not buy displays this big, and much less so in Japan where living spaces are tiny. "

    Well I dont claim to speak for the japanese, but as a space conscious urbanite, i can tell you that projector screens and projectors actually save space. You can roll up the screen when you're not using it, and projectors are mounted on the ceiling in space you almost never use (1 ft drop from ceiling, 1-2ft diameter).

    Far better than sacrificing premium wall real estate, and doubles as a set of blinds and sun shade.

    As for the rest, people have said there is no benefit to some arbitrarily large number for ever. "640k ought to be enough for anybody".

    I say bring on the 8k!

    --
    -
  27. 8K ready by srgolwskepg · · Score: 1

    Now I'm looking for:
    8K ready
    3D ready
    VR ready
    And of course, *Curved*. Anything less than this has an obvious lack of gimmicks.

  28. Were so far behind at my place by siamesevodka · · Score: 1

    Out on the farm I jest got rid of my TV that ran on propane.

  29. 300 hz/fps by srgolwskepg · · Score: 1

    I would rather use that bandwidth for 300 fps framerate, no 8K, 24 fps "cinematic" junk.

  30. Re:Stop hijacking vertical vs horizontal resolutio by floodo1 · · Score: 1

    8k is the next 1080p

    --
    I KUT J00 M4NG!!!
  31. Re:8k is retina for 32 inch monitors by ChunderDownunder · · Score: 1

    IMAX?

  32. Re:Stop hijacking vertical vs horizontal resolutio by thegarbz · · Score: 1

    As long as there's no overlap what's the problem? 4k is much easier to remember. I'm getting behind the new convention.

  33. Bonus by ThatsNotPudding · · Score: 1

    We'll actually be able to see the athlete's being attacked by the manifold microorganisms on offer by Rio. The amoeba are a solid lock for gold.

  34. What is the camera resolution? by Snufu · · Score: 1

    Consumer photography has significantly diminishing returns at higher pixel density. Sensor signal to noise generally decreases with decreasing pixel size. Are the broadcast camera sensors capable of recording high quality images in 8K resolution?

  35. Re:Stop hijacking vertical vs horizontal resolutio by AmiMoJo · · Score: 1

    I'm starting a counter-revolution. If the ISO can arbitrarily redefine a KB as 1000 bytes, I can redefine KiB as 1000 bytes too.

    Kilobyte = 1024 (JEDEC standard)
    Kibibyte = 1000 (OSI counter-revolutionary freedom fries standard)

    --
    const int one = 65536; (Silvermoon, Texture.cs)
    SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  36. Source transmission by SebaSOFT · · Score: 1

    Yeah Japan is starting to broadcast 8k channels. What about the video actually coming from Brazil? I bet is at most the "UHD" resolution (not actually 4k as stated in these comments).

  37. Obsolete already! by andyring · · Score: 1

    Great! So the TV I haven't even bought yet is already obsolete!

  38. Re:Stop hijacking vertical vs horizontal resolutio by UnknownSoldier · · Score: 1

    > But 7680 would be 7.68K.

    Ah good catch. Thanks. I had bytes on the brain, not 7.68Kpx.

    > Further, 1 KB = 1024 bytes. Always has, always will. Take your KiB nonsense and shove it.

    100% Agree !

    I guess the hardware engineers wanted an unambiguous term. But no one ever sends just 10 bits or 1,000 bits. They send 8 + header or 1,024 + header, etc.