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Spotify Hit With $1.6 Billion Copyright Lawsuit (spin.com)

The Wixen Music Publishing company, which administers song compositions by Tom Petty, Dan Auerbach, Rivers Cuomo, Stevie Nicks, Neil Young, and others, has hit Spotify with a copyright lawsuit seeking $1.6 billion in damages. The publishing company filed the lawsuit on December 29, alleging the streaming giant is using Petty's "Free Fallin" and tens of thousands of other songs without license or compensation. SPIN reports: Back in September, Wixen objected to a $43 million settlement Spotify had arranged over another class action lawsuit brought by David Lowery (of Cracker and Camper van Beethoven) and Melissa Ferrick, stating it was "procedurally and substantively unfair to Settlement Class Members because it prevents meaningful participation by rights holders and offers them an unfair dollar amount in light of Spotify's ongoing, willful copyright infringement of their works." A judge has yet to rule on that settlement, and in the meantime, Wixen has moved to file its own lawsuit, which purports "as much as 21 percent of the 30 million songs on Spotify are unlicensed," according to The Hollywood Reporter.

"Spotify brazenly disregards United States Copyright law and has committed willful, ongoing copyright infringement," the complaint reads. "Wixen notified Spotify that it had neither obtained a direct or compulsory mechanical license for the use of the Works. For these reasons and the foregoing, Wixen is entitled to the maximum statutory relief."

132 comments

  1. Well There goes that .99 for three month deal by bobbied · · Score: 1

    I doubt they can afford it now...

    Somehow I'm guessing a billion dollars won't be anywhere near the eventual settlement on this.. ;)

    --
    "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    1. Re:Well There goes that .99 for three month deal by Mr+D+from+63 · · Score: 5, Funny

      Are they forgetting the huge value of all the piracy that they have prevented by streaming? Isn't one illegal download prevention about $350M or so?

    2. Re: Well There goes that .99 for three month deal by Anonymous Coward · · Score: 0

      Ridiculous comment, Spotify has banked illegally of thousands upon thousands of artist. I am one of them, many partners as well. Daylight robbery, this comment towards preventing piracy from streaming is the most absurd statement I have heard in 4 decades as a recording artist.

      I guess this commenter has a very narrow view of what music they are talking about or who matters. The precendent of this case as shown by earlier lawsuits is regarding Spotify stealing, streaming and making BILLIONS without license from artists music (whether a few famous or multitudes of other, where the real $ adds up).. that is the piracy. The only piracy.

    3. Re: Well There goes that .99 for three month deal by hazardPPP · · Score: 2

      I think you might have missed the humour in the OP...just saying.

      Here I was thinking I was paying $9.99 to Spotify a month in order to get my music legally...it's convenient and comparatively cheap. I thought the musicians were getting some money from this. Turns out I should just go back to downloading pirated stuff off of bittorrent and soulseek.

    4. Re: Well There goes that .99 for three month deal by Anonymous Coward · · Score: 0

      Spotify has banked illegally of thousands upon thousands of artist. I am one of them

      No you are not.

    5. Re: Well There goes that .99 for three month deal by ArtemaOne · · Score: 1

      Sounds like a plan. I have just been getting songs individually (about once a year) from iTunes, which seems to come out to about $6 a month if you average. But I'm more of a shower, car trip, and gym listener. I can't listen to music at work and such really.

    6. Re: Well There goes that .99 for three month deal by Anonymous Coward · · Score: 0

      Oh shut up. Artist my ass. Save our ears and quit you whiny bitch.

    7. Re: Well There goes that .99 for three month deal by Anonymous Coward · · Score: 0

      Or maybe actually buy the shit you're consuming you pirate freak. People like you are why gun deaths happen.

    8. Re: Well There goes that .99 for three month deal by Anonymous Coward · · Score: 0

      Can we please pay you over and over again for the next 100 years because you released a song?

  2. Comment removed by account_deleted · · Score: 4, Insightful

    Comment removed based on user account deletion

  3. Re:fuck the music industry by Arzaboa · · Score: 4, Insightful

    If you listened to these artists while you did anything, their reasoning is that you not only owe them for the music, but you also owe them for what you did while listening to them. They set your brain waves straight!

    --
    Born on the run

  4. Works math...compulsion triggered! by HornWumpus · · Score: 1

    Nice: Spotify has about 10x the number of pirated tracks I do. I"ve got work to do. Spiders to send etc.

    How do they manage and dedup their collection?

    --
    John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
  5. cuz I'm frEEEEEEE by MrKaos · · Score: 1

    ...frEEEEEE ballin

    now my balls are free, I'm free ballin

    Once those words got in my head, that Tom Petty song was so much more comfortable.

    --
    My ism, it's full of beliefs.
    1. Re:cuz I'm frEEEEEEE by zlives · · Score: 1

      pretty sure you don;t have the license to store the music in your brain... please submit 350 million

    2. Re:cuz I'm frEEEEEEE by MrKaos · · Score: 1

      Isn't it a derivative work and fair use of my brain?

      mmmm brains...

      --
      My ism, it's full of beliefs.
    3. Re:cuz I'm frEEEEEEE by Joe_Dragon · · Score: 1

      you have an in your mind license but now you need a web license as well.

    4. Re:cuz I'm frEEEEEEE by MrKaos · · Score: 1

      but wot if the interwebs goes down, won't my brain stop working?

      --
      My ism, it's full of beliefs.
    5. Re:cuz I'm frEEEEEEE by Anonymous Coward · · Score: 0

      The good news is that Tom Petty already died in October. In only 95 years, his music will be free!

  6. Re:fuck the music industry by zlives · · Score: 5, Funny

    thats wonderful news, all the children born to music in the background should now be eligible for child support from these artists.

  7. Not surprising by Anonymous Coward · · Score: 0

    It is well known spotify started off sharing pirated music before trying to go legit. Just like napster, Hollywood, the fall of the western Roman Empire to barbarians, microsoft and the islamic conquests - they all started out by stealing from bigger fish.

  8. Bad Business Model by Wovel · · Score: 3, Interesting

    It appears Spotify has not been able to put together a sustainable business model and they are unable to pay their suppliers. I am not really sure why there are people here that think it is ok for Spotify to sell a product they are not paying for. There are streaming services that have agreements for every track they stream. I don't know if they're profitable. It doesn't really matter to me as long as they are paying the artists. Sure in some cases there are other companies getting paid too, but that is only because artists entered into business deals with those other companies.

    1. Re:Bad Business Model by Anonymous Coward · · Score: 0

      It appears Spotify has not been able to put together a sustainable business model and they are unable to pay their suppliers. I am not really sure why there are people here that think it is ok for Spotify to sell a product they are not paying for. There are streaming services that have agreements for every track they stream. I don't know if they're profitable. It doesn't really matter to me as long as they are paying the artists. Sure in some cases there are other companies getting paid too, but that is only because artists entered into business deals with those other companies.

      Streaming services that stiff suppliers. Streaming services that pay suppliers but aren't profitable. Zillionare rock stars who sick their lawyers on streaming services that are vital to small artists who can't otherwise afford to build an audience.

      Show me the "good" music business model!

    2. Re: Bad Business Model by Anonymous Coward · · Score: 0

      Who's been ok here with what spotify did. I Don't see any pro spotify post here as of posting this. Being against the music publishers doesnt mean that you are pro spotify. Theres another option called apathy. Dont care. All those paid music streaming sucks anyway. Subscriptions services are like paying rent. You keep paying forever and in the long run you end up paying more than if you had just bought the cds of your favourites. And at the end of the day you can even sell your cds to recover some of the money back. With subscription services you end up with nothing. It is not illegal to format shift your cds into flac or mp3s with so long as you keep your cds.

    3. Re:Bad Business Model by Anonymous Coward · · Score: 0

      because muh free shit and gibs

    4. Re: Bad Business Model by arth1 · · Score: 1

      It is not illegal to format shift your cds into flac or mp3s with so long as you keep your cds.

      You don't need to keep your CDs. The right to listen to the music is linked to the license you obtain by purchasing the CD. If a CD becomes unplayable, whether it's through deterioration or you destroying it, you still own a license to listen to the music from the CD.

    5. Re: Bad Business Model by Dutch+Gun · · Score: 1

      I think it was implied "unless you sell the CD", not "unless you lose the CD".

      --
      Irony: Agile development has too much intertia to be abandoned now.
    6. Re: Bad Business Model by Reverend+Green · · Score: 1

      Let's hope the fully licensed streaming services are NOT profitable. The recording industry has become a parasite on culture. It deserves to end.

    7. Re: Bad Business Model by SvnLyrBrto · · Score: 1

      Nope. As someone who has had friends put out of work by their companies bring destroyed by the RIAA/Metallicaâ(TM)s reign of terror, and who once worked at a company whose demise was hastened by being forced to waste money and engineering effort dealing with their DMCA garbage; Iâ(TM)m 100% in favor of Spotify here... and I donâ(TM)t even have an account. The RIAA/MPAA/Metallica/HillaryRosen/JackValeni are all so entirely despicable and vile in every conceivable way I am pretty much always in favor of anything that harms any of them in any way great or small.

      Zombie Shawn Fanning could rise out of the Napster graveyard to feast on their flesh and Iâ(TM)d cheer him on. Peter Thiel and Bill Gates could devote their fortunes to tag-teaming them with frivolous lawsuits until the the associations and all their members and minions were destitute, and Iâ(TM)d give them two thumbs-up. The jaundiced one could unleash Hellfire missiles from drones into all of their homes and offices and Iâ(TM)d actually tell Gallup I approve of him if I were to be polled immediately following. Darth Cheney himself could venture forth from his volcano lair to force-crush their larynxes and cast their still-slightly-living bodies into his pool of hungry piranha fish, and Iâ(TM)d be like: âoeGO DARK SIDE! WOOHOO!! SHOOT SOME OF THEM IN THE FACE!!!â

      --
      Imagine all the people...
    8. Re:Bad Business Model by BadDreamer · · Score: 2

      None of these streaming providers pay the artist. They pay the copyright holder, which is very seldom the artist. The artist gets pennies to the dollars at best.

    9. Re:Bad Business Model by Solandri · · Score: 4, Insightful

      I am not really sure why there are people here that think it is ok for Spotify to sell a product they are not paying for.

      I'm pretty ambivalent towards this (not really a big music fan). But the way I see it, as long as the music industry is trying sell you a product that they are not paying for, then it seems to me that turnabout is fair play.

      The copyright bargain is that content creators get a temporary copyright on their work in order to stoke a permanent increase in the rate at which such works enter the public domain (by incentivizing the creation of such works and thus increasing the rate at which they're created). i.e. The payment for their right to sell to you their works, is that those works must eventually be introduced into the public domain. If those content creators finagle the law so their works are no longer entering the public domain, or that it takes so long for said works to enter the public domain that they have no value by the time that happens (1897's greatest hits anyone?), then they themselves have broken the copyright bargain. And as such their copyright protections are forfeit.

      Contract law 101. Both parties to the contract must give up something of value to each other in the exchange. If only one side is giving something up, then the contract is not binding, and thus invalid, and there is no copyright protection.

    10. Re:Bad Business Model by Anonymous Coward · · Score: 0

      This is very true. Wixen and the like are just parasites. Whatever money Wixen gets for Tom Petty's music, Petty won't see a dime of it. (Yes, there is more than one reason...)
      Copyrights are a fine thing; I'm all in favor of them. So was Twain and Dickens, who toured each other's Country, railing against the Publishers there respectively, who literally stole their work and published it merely for their own profit. The thing is, it was the Publishers who wrote the resulting Copyright Laws. And what a tangled maze of Rights there are, when considering Music! Composing, Publishing, Performing, Arranging, Mechanical... Having written the Rules, they utterly control the Rights. Thus those that actually Create get bupkis. (BTW, a pioneer in this was John Philip Sousa; his music sucks too. He made quite a nice living having various members of Government Armed Forces play and record his music... on the Government Dime.)

      I'm more of an interested party where it comes to Photographic Copyrights and Trademarks. These are actually more clear cut, because Self-Publishing is traditional there. A Photographer takes a Shot; they have Copyright. They can Register the Copyright easily, and a Trademark needs only be registered once, and this gives Legal Protection. Yes, there are abuses, (Ahem, Wedding Photographers, ahem...), but the System has worked pretty well for over a century. They then control the Printed Reproductions which for some, as a point of pride, they do themselves. (Commercial "Watermarking" is worthless and a scam; it has no Rule of Law because there are no Offices of Watermark.)
      However, scum like Getty and Alamy are hoovering the Internet and copyrighting whatever they find, without seeking any kind of permission. Getty is particularly evil here, (Founded by a family of Art Thieves.), going after the original Photographers for infringement if they remotely object. And they are careful here, they don't go after those that have Registered their work.
      The point of this is: If you value your Creative Work, understand Copyright. Publishers will say that you have to work within their Tin Pan Alley System; surrender all Rights to them, just to be Publicly appreciated. You might even see, after some time has passed, some Money. This is partly why many Musicians make their living Touring these days. (And a reason why Ticket prices can be high; the Musicians have to pay to play their own music.)
      But if an Artist is really popular/good, and Publishers smell Money, that if they don't grab somebody else will, the Artist has some leverage, IF, they have Registered Copyright themselves.
      Which Photographers are getting hep to, even if the average Photographer is even less talented than the average Musician. (And it is quite possible to first Copyright, and then put in Public Domain. You retain Copyright for what you consider abuses on your terms, like somebody Publishing your work without permission, and other Derivative actions. Meanwhile Scholars, other Artists, and Kids can have at it.)

      I am not a Lawyer... that would be Dad.

    11. Re: Bad Business Model by Anonymous Coward · · Score: 0

      If it were a contract. But laws are not, other than in the social contract sense.

    12. Re:Bad Business Model by Kevin108 · · Score: 1

      Spotify's business model is quite sustainable. It's the cast of characters raising law suits who refuse to keep up with the times.

      --

      It's a perfect time for being wasted.
      A perfect time to watch the stars.
      - Burden Brothers, "Beautiful Night"
    13. Re:Bad Business Model by mysidia · · Score: 0

      Radio stations don't have to pay every time they play a song --- they just pay once to acquire the media.
      I think Spotify claims to be a radio station, because you pick a genre of music based on a theme or artist that's used to create your custom "Radio channel", and you don't actually get to choose what exact albums or songs you listen to.

      But the music associations now disagree, probably.... if their song happens to appear in the radio stream, they want to be paid as if it was an On-Demand Music service or something else that isn't protected by other rules such as Radio stations are.

    14. Re: Bad Business Model by Anonymous Coward · · Score: 0

      Copyright holders get paid for having their worked played on the radio in the UK. I'd be very surprised if they don't get paid in the USA.

    15. Re: Bad Business Model by Anonymous Coward · · Score: 0

      It is a crooked, illegal business model. If I am correct it is multi-billion dollar company. They have been trolling via automated system the US copyright office, sending illegal compulsory licenses to incorrect parties, not the copyright who never authorises or gets informed and then setting up a royalty account under the other person's name. Illegally served and royalty bank account in some other copyright holders name. How do I know? It has happened to me 3 times in 2016 and both ways! Phone calls went to answering machines. Long story short, thet were improperly issuing licenses, as well as to the wrong parties knowingly, using the errors or ignorance in tech as an excuse (invalid again). The collected royalties were being collected by equally crooked cohort Harry Fox Agency (look them up, bigtime player). Problem of course is that it would be both morally wrong and illegal for the associated party to collect royalties from another artist. Money stays in royalty bank, total corruption between Fox and Spotify - we are talking billions on billions on holdings in their pockets. Who keeps the royalties end up day Spotify. Grand larceny extreme. For most CEOs and operators that would be life in prison.

    16. Re: Bad Business Model by Anonymous Coward · · Score: 0

      But the social contract is what people actually care about. Because it has been broken, people see the resulting law as absurd and coercive.

    17. Re: Bad Business Model by Anonymous Coward · · Score: 0

      It's not just Tom Petty, these suits have been goin on for awhile, hundreds of thousands of artists music streamed and profitted without authorisation. Sure lawyers are going to sue and profit. Thank Goodness, who else is going to sue and get Spotify busted - every case helps. They keep gets sued, paid fine, steal more billions, get sued fined small. They need to be stopped and as far as things have gone, Spotify CEO (Swedish, though) and cronies in jail. But I guess billionaire crooks are immune from the law. The important thing is that Spotify is stopped. They already made billions off of the thousands of artists big and small minus authorisation.

      If I was an artist, you think it is OK for Spotify to #1 take my music without consent, #2 stream it and distribute it without my consent, and #3 profit and make money from it???

      Already been done, proven repeatedly in court cases. I digress on the technical details, research it. They break the law in serving and collecting and retaining royalties inaccessible to artists and copyright holders, labels (small, indie and some bigger), etc.

        If I had money and lawyers, I'd sue too of course, common sense, and it is right. Thank goodness they are suing Spotify, they are actually stopping a billion criminal company and defending thousands of ripped off artists - hopeful justice.

      Its not just a bad business model, it is criminal behavior as proven repeatedly in court and in violation of procedural law. Not complicated.

    18. Re: Bad Business Model by Anonymous Coward · · Score: 0

      The videogame industry has taken their place. Games totally controlled by a server at valve, ea, and activision a giant wtf.

    19. Re: Bad Business Model by Anonymous Coward · · Score: 1

      You're right, it's by the play. Which is how Slade make half a million every year off of Merry Christmas Everybody.

      There's something a little wrong with a system where someone can live the rest of their life from the proceeds of a single song. Even Stop the Cavalry earns Jona Lewie enough that he's never really had to work again. Writing a Christmas hit in the 70s/80s in the UK was a pretty good pension plan...

      ... although I don't recall hearing "Another Rock and Roll Christmas" so much this year :)

    20. Re:Bad Business Model by mjwx · · Score: 1

      It appears Spotify has not been able to put together a sustainable business model and they are unable to pay their suppliers.

      This is the case with a lot of "disruptive" businesses founded in the last 8 years. They never had a plan to be profitable, they just had a plan to be disruptive. Ultimately they run out of other peoples money and die. Uber and their ilk are in the same boat. Netflix would be also... if they didn't smarten up and start making their own content which is the antithesis of the disruptive business model (but Netflix wasn't really disruptive, they worked with the existing industries).

      People heralding spurious companies like Spotify and Uber had better not get used to it.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    21. Re: Bad Business Model by Anonymous Coward · · Score: 0

      Congratulations, you managed to miss the entire point. Good for you! Here is another hint, you prick, and these are your own words:
      "They break the law in serving and collecting and retaining royalties inaccessible to artists and copyright holders, labels (small, indie and some bigger), etc."
      You really need to look up Tom Petty; he as an Artist, won't get a dime. Those who hold the Copyrights, often the Labels, get it all. Spotify certainly are not Angels here, they are just more Suits looking to dip their beaks in the belly of a corpse. Tom Petty, 1950-2017. RIP.
      Tom Petty is a particularly interesting case, as he used the Courts to protect the Rights of Artists and future Artists, and his adversaries _were_ the Suits, all of them. He even released an Album concerning concerning these issues, "The Last DJ".
      Petty had enough control over his own Copyrights to sue B.F. Goodrich for infringement; the Suits stayed out of it.

      "If I was an artist,..."
      Well obviously, you are not. You have no clue about Copyrights or the Music Industry. Your sympathies clearly lie with "...copyright holders, labels (small, indie and some bigger), etc.""
      You are a Suit.

    22. Re:Bad Business Model by Pyramid · · Score: 1

      That's not really Spotify's fault. That's a direct result of recording companies parasitic nature and the horrible contracts artists entered into.

      --
      ~Any apparent grammatical or typographic errors are caused by defects in your display device.
    23. Re:Bad Business Model by omnichad · · Score: 1

      Yes, they do. And it's part of what nearly bankrupted Pandora before they restructured the way they pay for things. Radio stations do pay a blanket license instead of per-play, but stats are gathered on what songs air and that's used to divide up the blanket license profits between the artists. I may have some of the details a little off, but it's close to it.

    24. Re: Bad Business Model by Anonymous Coward · · Score: 0

      Is this true? How do you use the CD license to obtain a copy of the song? I had always thought that the music industry considered CDs both as licenses to restrict how you can play them and as a physical property so if you lose it or they break that you need to buy another physical copy and they don't owe you a license.

    25. Re: Bad Business Model by Anonymous Coward · · Score: 0

      It's a far superior business model and if artists hadn't entered into contracts with labels and record companies they would be making bank. The only evil at work here is the middlemen. Fuck the labels and record companies.

    26. Re:Bad Business Model by mysidia · · Score: 1

      that's used to divide up the blanket license profits between the artists.

      No...... well, terrestrial broadcasters don't pay Licensing fees to Artists or the copyright holder/record label for content, they pay small royalty ONLY to the Songwriter, as in the person or company that has the rights to the combination of Melody and Lyrics which usually has little to do with the artist of the song they're playing, because the broadcast is considered a performance of the song (Not a distribution of a copy), thus ASCAP collects only a performance royalty.

      The performance royalty that would be due would not explain Wixen or others being able to go after Spotify for billions.

    27. Re: Bad Business Model by omnichad · · Score: 1

      By that logic, I don't see how only Spotify would be illegal (or that radio would be legal - they can only pick one interpretation). Especially when you consider the digital format used by HD Radio.

  9. Re: fuck the music industry by Anonymous Coward · · Score: 0

    I lost all my fortune, and my house was foreclosed because I was listening to this shit called music.
    I want justice, where is my reimbursement from these stupid record labels?

  10. Copyright reform by hackwrench · · Score: 1

    Hopefully this will spur copyright reform that takes away the fiction that art is created in a vacuum.

    1. Re:Copyright reform by Anonymous Coward · · Score: 0

      It's badly needed, but seeing how much money can be made by owning a few titles and the current safety of investment into copyrighted music, copyright is unlikely to get changed in a sane way.

  11. The Problem With Streaming Services by segedunum · · Score: 2

    They're always likely to get hit with things like this and you're always likely to wake up one morning, play your favourite playlist only to realise most of it isn't there.

    1. Re:The Problem With Streaming Services by mentil · · Score: 1

      I completely agree. That's why I BUY music from the MSN Music store, with PlaysForSure DRM!

      --
      Corruption is convincing someone that the selfless ideal is the same as their selfish ideal.
  12. Re:fuck the music industry by arth1 · · Score: 0

    They seem to want people to stop listening, well fuck em.

    Why? You don't have a right to listen to any music you like, any way you want. If they don't want to deliver music to you on your terms, that is their right.
    If you don't like that, vote with your wallet. Or go bang two rocks together and stomp your feet to make music.

  13. Tom Petty called by Anonymous Coward · · Score: 0

    He said he doesn't care.

    1. Re:Tom Petty called by Pseudonym · · Score: 1

      It also did not escape my notice that they waited for Tom Petty to die before they sued on his behalf.

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
  14. Dr Evil... by Anonymous Coward · · Score: 0

    Is suing Spotify for $10,000,000,000,000,000,000,000,000.63

  15. Re:fuck the music industry by Daemonik · · Score: 5, Informative

    Actually, you do have a right to listen to any music you want, any way you want. Copyright is supposed to be a limited period where your right is suspended, so the creator can seek compensation. It was never envisioned or expected to be a perpetual lock on artistic works and has been greatly abused by the music industry.

  16. Schucks, all them are dead already by Anonymous Coward · · Score: 0

    Stevie Hick, Leroy Petty, Mario Cuomo, Beethoven!, and Sweet sweet Connie who was always doing her act. D.O.A.

  17. Re:fuck the music industry by Frosty+Piss · · Score: 0

    Thanks for your views on copyright. I support your views. I use *TONS* GPL'd code without concern for the copyright at all, after all, cod just wants to be free, and so the GPL is illegitimate.

    --
    If you want news from today, you have to come back tomorrow.
  18. WTF were they thinking? by slashmydots · · Score: 2

    What the actual hell was Spotify thinking? Just use it without permission and settle the lawsuit later? Was it a technical error where they thought they had the license? Did someone misrepresent ownership of it? There has to be another side of this other than they downloaded a high bitrate copy off the pirate bay and then streamed it knowingly illegally.

    1. Re: WTF were they thinking? by Reverend+Green · · Score: 1

      They're a VC-owned company. Therefore always assume the sleaziest plausible answer. I'll leave which one that is to your discretion.

    2. Re:WTF were they thinking? by Anonymous Coward · · Score: 0

      "What the actual hell was Spotify thinking? Just use it without permission and settle the lawsuit later?"

      Why not? It worked perfectly for the music cartel in Canada for decades, and when they were finally sued to the actual amount owed based on CD sales and their own "intent to pay" list, they finally eventually got 1% of what they were owed. (about 50 million instead of 5 billion or so.)

      And as I said, that was based on actual infringement evidence that was trackable. Not this statutory no-evidence-required bullshit.

    3. Re:WTF were they thinking? by Anonymous Coward · · Score: 0

      "Prior to launch, Spotify struck deals with major record labels to obtain the necessary rights to the sound recording copyrights in the songs by offering the major labels, in many cases, equity stake in Spotify," Wixen said in its lawsuit. "But Spotify failed to properly obtain the equivalent rights for the compositions.

      "As a result, Spotify has built a billion dollar business on the backs of songwriters and publishers whose music Spotify is using, in many cases without obtaining and paying for the necessary licenses," Wixen said.

    4. Re:WTF were they thinking? by Anonymous Coward · · Score: 0

      Probably another part of the record industry cartel sold them rights they didn't have according to anorther part of the record industry cartel.

    5. Re: WTF were they thinking? by Anonymous Coward · · Score: 0

      They licensed the songs from Satin?

      Actually, that sounds somewhat less sleazy...

    6. Re: WTF were they thinking? by ilsaloving · · Score: 1

      Satin?

      Sounds like a smooth and silky move to me!

  19. Re:fuck the music industry by TigerPlish · · Score: 4, Interesting

    no one wants fucking CDs anymore

    Speak for yourself.. I still buy CDs and blu rays. And paper books. And these things called "records," played by dragging a stone down a groove made of dead dinosaurs and plant decay at 33 1/3rd RPM.

    Streaming for the convenience, physical for the permanence.

    --
    The "Civilized World" jumped the shark ca. 1973.
  20. "Streaming isn't reproduction or distribution" by Anonymous Coward · · Score: 0

    Geez, I think this is going to end badly. These aren't hotel chains or cab drivers that Spotify is up against. Just deciding not to ask for permission first doesn't work well in this particular arena.

  21. Unlicensed in what way? by Anonymous Coward · · Score: 0

    Completely unlicensed or there are multiple parties they need to license from for the songs? Multiple parties always get dicey as to paper trail is burred some where. You can have non-stakeholder claim they own part of the license even though they sold it long time ago or didn't get the license they think they got when they bulk purchase.

    1. Re:Unlicensed in what way? by Cederic · · Score: 1

      Yeah, my youtube channel gets hammered by the music industry - over 900 videos flagged as having copyrighted music in them.

      None of which I've added, it's always incidental music someone else is playing in the background.

      I can't licence it. I don't know who the rights holders are for it. They wont negotiate with me, and they certainly wont agree to a reasonable fee of about a tenth of a penny per song.

      If I was broadcasting on the radio or playing music in a club, I could get a blanket licence quite cheaply but on the Internet it's just not possible.

      So fuck them, the whole system is broken and I don't respect it.

  22. Fantastic move by Anonymous Coward · · Score: 0

    Seems like the best course of action. Let's run the companies who actually make it easy for people to pay to listen to music into the ground.

    Taking away these avenues of listening to music is a surefire way to eliminate piracy.

  23. Spotify brazenly disregards US Copyright Law by CanadianMacFan · · Score: 1

    Well, of course they do considering they are based in Sweden. They would follow the copyright law of Sweden.

    1. Re:Spotify brazenly disregards US Copyright Law by Anonymous Coward · · Score: 0

      sweden isn't some magical wonderland. they're the ones that first fucked-over tpb, remember.

  24. starve the beast by Reverend+Green · · Score: 2

    The music industry is pure scum. Never give a penny to those cockroaches and the washed up has-beens they purport to represent. No one deserves ongoing compensation for work they did decades ago.

    For those who are brave and upstanding patriots, the best thing is to share - download, upload, and liberate as much music as possible. CULTURE BELONGS TO EVERYONE.

    For those like me who live in fear of our repressive regime and their jack booted thugs, the best thing is simply not to listen to any non-free music. Never subscribe. Never login. If an ad starts to play, closer the stream. Most of it is garbagey pap anyway. This course also provides a convenient occasion to spit at snobby consumerist music scenesters.

    1. Re: starve the beast by Anonymous Coward · · Score: 0

      Well this is obviously a stupid statement and really nothing to do with the context of what Spotify has and is doing, which is claiming and funneling illegal royalties.

      * I can only assume this comment was actually made my music marketing person again, as a sly tactic in-reverse to paint an extremist illogical view. Nice try.

      I am an artist. Do would i hope that you'd voluntarily support my music if you like it? Of course, that is what it is all about. Would I hope my new music be wildly disrespected like you are saying where you want to starve and say f u to me? No, you're a jerk too. Do I care if you really download and even copy or share my album eith your friends. Of course not. Would I hope if you were a fan that you might contribute and buy some high quality digital, a CD or vinyl if you like it enough. YES.

      Let's stay on point here. The whole isdue with Spotify refers their outright filching, streaming and profiteering off of invalid or non-existent licenses.

      Detracting from this last point is sabotage.

    2. Re: starve the beast by Reverend+Green · · Score: 1

      Sorry, recording industry PR shill, not interested in "staying on point" with your legal-formalist narrative.

      Culture monopoly owners are parasites on civilization - we all know it. Their monopoly must be stamped out. Spotify is in that same industry, they're no heroic underdog. But if you wanna play the "who is the scummier scumbag?" game, most likely the recording industry is going to be the clear winner of the "most scummiest scumbag" award.

    3. Re:starve the beast by david_thornley · · Score: 1

      If artists don't get compensated for their work, we'll get less art out of them. If nothing else, they won't have the option to quit the day job. Many arts benefit from not-particularly-creative actions, such as recorded musing and literature. Those guys are going to want to get paid.

      Now, when do we compensate everyone who works on some artistic endeavor? And where does this compensation come from?

      With limited-term copyright, we can have a deal whereby people who want a work of art can pay a small amount which recompenses the artist and technicians. In that way, the compensation comes from people who like the art, and is distributed according to how much people like what. This is, in my opinion, the best compensation method I've seen.

      I do believe that copyrights should be a lot more limited than they are now. The US Constitution allows them to promote creative activity, and so terms longer than that should be unconstitutional. I can't see anyone deciding to work on art or not based on possible income thirty years into the future, myself, so the old 14+14 system was decent.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    4. Re: starve the beast by Reverend+Green · · Score: 1

      Nah. I don't care if some nameless, faceless "artist" gets paid. I bet that "artist" doesn't give a flying fuck if I get paid, either. The payroll excuse just doesn't cut it for something as obviously immoral and divisive as copyright monopoly.

      If you are really concerned about "artists" getting paid for their efforts, consider becoming a producer. Figure out a new business model that gets money for the musicians without requiring a police state to enforce a vile monopoly - and you'll be a rich man. Not only rich, but also loved by all the people of the world.

      Go for it, seriously.

    5. Re: starve the beast by david_thornley · · Score: 1

      I've been looking at other options. So have other people. I know of a couple of writers who used Patreon as support to quit the day job (Jemisen might be beyond needing that, now that she's got back-to-back Hugos). I haven't found one.

      Some of the advantages of the current system:

      • Money is allocated according to people's preferences through the market system, not the political system..
      • Money is raised voluntarily.
      • Customers can vary the amount they pay depending on what they get.
      • The customer doesn't have to decide to buy or not with inadequate information.
      • It cuts down on the free rider problem.
      • It's possible to make significant money, meaning the artist can go full-time.
      • It allows the artist to make significant money on his or her first released work.
      • There's no limit on how successful the artist can be (cf. J.K. Rowling). (This means we pay less for art, since people will work harder for the possibility of hitting it big.)
      • It pays people who do the grunt work, like editing a book or mixing sound for music.
      • It rewards artists for doing the not-so-fun stuff (like rewriting a book).
      • It supports distribution networks.
      • It scales for all sorts of artistic endeavors, from stories to blockbuster movies.

      I haven't seen anything comparable. Patreon allows free riders, won't work unless the artist is already known, and doesn't scale. Nobody's going to make an expensive movie because of Patreon or Kickstarter; the money just isn't there. Expecting volunteer efforts means that the grunt work doesn't get done. Creating is fun, refining and editing and the like less so. There's all sorts of problems with having the government collect and distribute money on subjective grounds. Old-fashioned patronage doesn't work as well as it used to, and I already mentioned the crowd-funded version.

      I haven't come up with an idea that works anywhere near as good. I haven't seen one that works anywhere near as good. I'd really like to see suggestions as to what would be a better system rather than be told that there is one out there somewhere among the unicorns.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    6. Re: starve the beast by Reverend+Green · · Score: 1

      I wish I had the new business model for music, and for publishing in general. If I did I'd be a rich man. But I don't. Still doesn't make me support the vile institution of monopoly on cultural data - an institution that works ONLY by excluding poor and working people from culture, and ONLY when enforced by an intrusive police state. If that's the tradeoff, I guess the "artists" will just have to work day jobs like the rest of us.

    7. Re: starve the beast by Reverend+Green · · Score: 1

      Also, FWIW: I've known a lot of creative people in different artistic fields. Not one of them made a living off their art. That didn't stop any of them from making it. So no, if capitalism can't figure out a way to pay artists, that will NOT result in a dearth of new art.

    8. Re: starve the beast by david_thornley · · Score: 1

      Obviously, people will still create art of some forms, but not all. Movies would be far inferior technically to what we've got now, without money from copyright coming in. Instead of polished prose in our fiction, we'd normally have to read second drafts, or however far the author gets before it stops being fun. We wouldn't have editors and proofreaders.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  25. Re: fuck the music industry by Anonymous Coward · · Score: 0

    And the GPL people would certainly have no problem if you had no problem with people down stream doing the same to your work.

  26. Good by Anonymous Coward · · Score: 0

    If people keep infringing on copyright, Tom Petty won't record any more music.

  27. Re: fuck the music industry by Anonymous Coward · · Score: 0

    Sorry. Everybody but you doesnâ(TM)t want them.

  28. Re:fuck the music industry by Gojira+Shipi-Taro · · Score: 1

    s/born/recieved/r

    --
    "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
  29. Re:fuck the music industry by Gojira+Shipi-Taro · · Score: 1

    *conceived... godsdamnit

    38 seconds since you successfully posted.

    I don't think the comment traffic on /. is high enough for any of those little half-measures to be useful today...

    --
    "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
  30. Re:fuck the music industry by arth1 · · Score: 1

    after all, cod just wants to be free

    Those pesky fishing nets...

  31. Re:fuck the music industry by Anonymous Coward · · Score: 0

    umm the GNU GPL is a distribution license not a use license. You are free to utilize the code without agreeing to the GNU GPL. The GNU GPL is largely a social standard than a legally enforced action. The effectiveness of enforcement of the GNU GPL has had close to zero benefit and this is a summary of the words handed directly to me by the primary person heading up the only organization which is pursuing enforcement action.

    The principles of the GNU GPL exist with or without copy"right". I object to copy"right" and support the principles of the GNU GPL.

    I also am probably in the top dozen of people whose direct action is funding 100% free software to a significant degree on top having started and am heading up a company that is leading a project which has secured about $64 million to go toward funding solution to engineer our way out of various proprietary crap in the hardware realm.

    The $64 million or so is just to design chips and the like which are completely libre. There is another $40 million or so beyond that which will eventually need to be secured. The point is we're doing the seemingly impossible no thanks to government or copy"right". The value of copy"right" is significantly overvalued. You need a workable business model, not copy"right". Copy"right" is not the reason businesses succeed or fail. It's business models. There are both successful free software businesses and unsuccessful. The same applies to proprietary software businesses.

  32. Re:fuck the music industry by mentil · · Score: 1

    Permanence? I've used vinyl records more than enough to know how poorly they degrade. Bring a record over to a friend's house, and his record player has an old stylus? It'll permanently scratch your record, degrading its quality. Play a record a bunch of times? The stylus gradually wears away the vinyl, degrading its quality. Accidentally drop the arm onto the record? I've done it tons of times, on players that don't have a lever/button that moves the arm into position. Degrades the record's quality. The same doesn't happen with lasers on CD players.

    Old records seem to degrade just from age. Bitrot does happen with optical discs etc. but you can use checksums to verify that it is NOT happening, and easily make verifiable 1:1 identical backups and infinite backup copies, whisked away by the internet within seconds to offsite backup locations around the planet. Making backup copies of vinyl to another vinyl disc with a guarantee of an identical copy? Not so easy for a consumer.

    --
    Corruption is convincing someone that the selfless ideal is the same as their selfish ideal.
  33. Re:fuck the music industry by arth1 · · Score: 1

    Actually, you do have a right to listen to any music you want, any way you want. Copyright is supposed to be a limited period where your right is suspended, so the creator can seek compensation.

    Yes, you are free to listen to "any music you want" as long as any music you want is past the copyright protection period. That's a rather limited definition of "any".

    When I make music, I control it, in perpetuity unless I choose to publish it. There are songs in my recording studio you will never hear, and never have the right to hear either.
    If I choose to publish it, I retain control for the copyright period in exchange for donating the music to the public domain at the expiry of the copyrights. Until then, you have no rights to it unless I (or someone acting on my behalf) grants you a right, whether it be through purchase, rental or otherwise.

  34. Re:fuck the music industry by MightyMartian · · Score: 1

    An LP and optical media are anything but permanent. Books certainly can last a while, but as i discovered when I pulled a box of my old books a year or two ago, a few years stored in less than optimal conditions, and you won't want to keep them.

    My solution is digital, but stored in multiple places are reduplicated in one way or another once or twice a year. Still a risk of small amount of loss, but that's made up for by convenience. I have ebooks I bought a decade ago that I can still read; the file is still intact, stored on multiple media, and yes, the evil "cloud". I have MP3s that are much older than that.

    --
    The world's burning. Moped Jesus spotted on I50. Details at 11.
  35. Re:fuck the music industry by Anonymous Coward · · Score: 0

    When I make music, I control it, in perpetuity unless I choose to publish it.

    Being that the topic at hand is about Spotify and WB, we are referring specifically to US copyright laws.
    In the USA what you say is not at all true. The Government has removed that right from you back in 1978.

    While I agree this should never have been made into law, but the moment any part of your song left your head and was written down or recorded, the Government forces that into copyright protection against your will. Unfortunately they no longer give you this choice.

    Since everything anyone writes down or records is forced into copyright protection, that means all of that work is destined to the public domain, which is true even if you didn't wish it to ever have copyright protection in the first place.

    If you do not live in the USA then of course the above doesn't apply to you, but being that the USA is the topic of discussion you'll have to forgive the assumption.

  36. Re:fuck the music industry by Anonymous Coward · · Score: 0

    And if someone's raping children, by GOD I have the RIGHT to call the police!

    Oh. No one's listening to me but my own strawmen.

  37. music in games has issues with let's plays and bar by Joe_Dragon · · Score: 1

    music in games has issues with let's plays over music rights.
    Arcades / bars had issues with the BMI and ASCAP saying you need have jukebox licensing for your site so we don't sue you.

  38. Cue dramatic music by CptLoRes · · Score: 1

    "Raises pinky finger", give us 1 billion dollars or else!

    1. Re:Cue dramatic music by PoopJuggler · · Score: 1

      Or else we'll stop making crappy music!

  39. Re: fuck the music industry by Anonymous Coward · · Score: 0

    As an independent artist who is not a mainstream artist, yea some people do want cds and physical as well as digital. Itunes and most are thieves. Spotify has sent me bogus "notifications" claiming myself as other artists cipyright holder in a major scam. Anyone who uses spotify is a creep. I love all these propaganda messages from spotify and music marketing associates who have and continue to scam illegally, sending improper licensing notices to wrong people and copyright, and who have funnelled and stolen billions off of people like me and fellow artists who dont make a dime, and yes do sell cds, vinyls and digital to REAL MUSIC fans. Itunes, Spotify are for people who don't listen, respect or care about the concept of an actual "music album" or piece of art, they are services for people who want a quick tune ir whatever the mainstream is serving at the moment, or a piece of novelty. Sad that I saw this article, relieved that another major lawsuit is taking place. I don't or want anything but for Spotify, total thieves, exactly as this lawsuit and article claims to burn and people wake up to NOT support these immoral criminals and bogus royalty (BANKS) agency funneling illegal funds to Spotify, why do you that Swefish/NY got so big in billions so fast, off the ouright thievery and exploitation of hundreds of thousands of artists' work stolen, streamed, collectors. Thanks public. Grow a conscious and some taste. Try listening to an album. PS I hardly care if someone downloads my album and enjoys btw, as long as some jerk and million or billion dollar corporations are exploiting and profiting from its ubauthorised SALE. Keyword, creep

  40. Re: fuck the music industry by Anonymous Coward · · Score: 0

    And yea streaming a continual stream or collection of royalty aka via streaming service. The only people who collect are the corporate scumbag streamers, by hook and by crook as proven by thieves Spotify. The only persons worse are the people paying for that service or attemptimg to make any excuse or justification for using. OR the music marketers commenting asap in reaction to the article as a form of propaganda and damage control - slime of the Earth.

  41. Re: fuck the music industry by Anonymous Coward · · Score: 0

    Pardon the spelling.

  42. Re: fuck the music industry by Anonymous Coward · · Score: 0

    last correction: NOT exploiting or prifitting of course. Burn Spotify burn. I only hope subscribers drop and cancel their paid subscription. Hmm. I wonder if they will? The only reason it goes on is because people don't care. And ps, redefine "piracy" in the music piracy witchhunts, the large portion of shared music WAS generally by #s outside the mainstream or with no legal claim by the old big 3 record companies who pursued and promoted the term for their own deceptive purposes. Wake up call, their are billions of people and hundred of thousands are artist in the past and today who are not Maroon Five, Lady Gago, or Sia. They represent the few and itunes world. Spotify stole and continues to lie and steal from hundreds of thousands, culminating in billions of revenue from the real musician not corporate raised and marketed.

  43. Re: fuck the music industry by Anonymous Coward · · Score: 0

    A quick chime in.. all media is valid, ehether CD, CDR, DVD, vinyl or even cassette, which all have their collectors and users. All valid, whatever you enjoy.

    I have all, have not gotten back into cassettes like some, have plenty of vinyl, dont wear out my records playing exclusive. After decades, very much appreciate cd, cdrs for a variety of reasons and purposes, especially as a great affordable method to support and collect from musicians and artists + easy to digitize in any format for computer or phone etc.

    Streaming is weak imo. Its scenarios like this, i dont. Not to hard to dump 300+ mp3s or albums on any device and stream anyway on dirtcheap storage. But if one does stream.. screw spotify!! I like to support my artist direct and yes i do prefer full album experiences or at least random on a music player like proamp

  44. Wixen by Anonymous Coward · · Score: 1

    not a good name for german speaking countries. :)

  45. Re: fuck the music industry by Anonymous Coward · · Score: 0

    People don't care because copyright law is absurd. If it was 5-10 years, no problem. But the media industries see the public domain as direct competition and has lobbied again and again to ruin it as much as possible.

  46. Re: fuck the music industry by master_p · · Score: 0

    Copyright should be permanent. No one should be entitled to use another man's work without the appropriate compesation.

  47. Re:fuck the music industry by Anonymous Coward · · Score: 0

    That's fine. The GPL doesn't impose any restrictions on the use of the code, so use it however you want.

  48. Re: fuck the music industry by Anonymous Coward · · Score: 0

    Bit rot happens with burned discs as the dye decays. Mass produced CDs are molded. They should last forever if your player isn't scratching them up.

  49. Re: fuck the music industry by religionofpeas · · Score: 1

    No one should be entitled to use another man's work without the appropriate compesation.

    A limited copyright gives you appropriate compensation. Nobody else gets compensated in perpetuity for their work.

  50. Re: fuck the music industry by Anonymous Coward · · Score: 0

    Books last for decades and centuries if you aren't a dumbass. Why would you not be able to read a book or an ebook from 10 years ago?

  51. Re:fuck the music industry by stealth_finger · · Score: 1

    thats wonderful news, all the children born to music in the background should now be eligible for child support from these artists.

    No that's the wrong way round, babies born to music have to pay the listening fee, and the parents and anyone else within 100m radius.

    --
    Wanna buy a shirt?
    https://www.redbubble.com/people/stealthfinger/shop?asc=u
  52. Building large catalog by Anonymous Coward · · Score: 0

    Every entity that purports to provide large catalog of digital content definitely has some copyright problems in their service. The reason is that strictly following copyright rules will cut down the size of the service you can provide, and limit it to the work you can do yourself, or what you have money to license. Digital content licensing isn't cheap, so every player who has millions of content items in their service are somehow dubious in their copyright story.

    Why do these companies think they can build a catalog of millions of content items? It's simply illegal operation completely. Only pirates have large collections of copyrighted works.

    Good companies that are strictly following copyright rules can only build small services, and they still need to compete against these illegal services who don't want to follow the rules. This market phenomenon that services must absolutely include every copyrighted work on the planet to their catalog to be successful should be killed. End users should notice the illegality of the service when the service starts offering too many copyrighted works. Every service with large catalog has the same problem.

    End users are supposed to jump from one service to another constantly to find the best content online. This approach that one portal must contain access to large collections of content is illegal by definition.

  53. Now I get where the Patent Trolls got it from... by MikeTheBike · · Score: 0

    So this is where the Patent Trolls got their business model from.

    Now when the Patents aren't as lucrative as it used to be I wonder if you can't find the same actors in these suits...

    It is just disgusting that you can earn your living on the back of creative people just by suing everybody that may have come in contact with the results of these creative souls labour...

    Should have wished that for a New Years resolution...

  54. Re:fuck the music industry by Anonymous Coward · · Score: 0

    In the US you are not completely correct. If you publish music, you give up part of your rights. You can thank radio (mostly) for that. See:

          https://en.wikipedia.org/wiki/Compulsory_license#United_States

          https://en.wikipedia.org/wiki/Digital_Performance_Right_in_Sound_Recordings_Act

    I'm just curious: besides music, what other types of your creative output do you think you should control? And concerning music, what exactly are the aspects of your music that you think you should control: melody? rhythm? accompaniment? tonality? arrangement? choice of instruments? feel? style?

  55. Re:fuck the music industry by Cederic · · Score: 1

    If they don't want to deliver music to you on your terms, that is their right.

    Thing is, they don't have to deliver the music. It exists. It's out there.

    What the fuck gives them the right to stop me making the air move?

    Or go bang two rocks together and stomp your feet to make music.

    That's exactly what Spotify are doing, and being sued for. See how fucking stupid the current situation is?

  56. Re: fuck the music industry by Anonymous Coward · · Score: 0

    Copyright should be permanent. No one should be entitled to use another man's work without the appropriate compesation.

    It is permanent. Just keep the work to yourself. The rest of the world doesn't need it.

    You wouldn't even need copyright if you didn't have a desire to control what people do with their own computer in their own home.

  57. Re:fuck the music industry by Anonymous Coward · · Score: 0

    They did setup shop, https://en.wikipedia.org/wiki/...

  58. Re:fuck the music industry by mjwx · · Score: 1

    thats wonderful news, all the children born to music in the background should now be eligible for child support from these artists.

    You've got that backwards, not only do the parents owe the artist, the child being the product of said music must forfiet a portion of all their earnings for life +70... because copyright uber alles.

    --
    Calling someone a "hater" only means you can not rationally rebut their argument.
  59. Re:fuck the music industry by hey! · · Score: 1

    Also known as rent-seeking behavior. That's a term you really need to familiarize yourself with if you live in a country where corporations control the government.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  60. Re:fuck the music industry by Anonymous Coward · · Score: 0

    no one wants fucking CDs anymore

    You're actually wrong to an extent.

    I refuse to 'buy' digital music which some company might later decide I no longer am allowed to play. I have no fucking interest in streaming the music I already own from the cloud or paying the data required to do so. I'm not buying some fucking subscription service to play music. And I'm not signing up to a bunch of different websites for different things.

    I consume music in one (and only one) way ... I buy the CD, I rip the CD, and then I do whatever the fuck with the DRM-free MP3s, whenever the fuck I want to, on whatever fucking device I want to.

    I'm not interested in the pop flavor of the month, and I'm not paying into a service which most heavily rewards shitty artists on the assumption I'm listening to them.

    When I can no longer buy CDs, my music collection will likely cease to grow.

    For the same reason those damned Ultraviolet digital copies made me stop getting digital downloads I used to be able to get from iTunes, I'm not signing up for 10 or 20 different fucking websites for the privilege of listening to music I've already bought. The problem is the content industry wants to directly and personally associate me with every piece of digital content I have, and force me to ask permission to play it. And I'm not doing that.

    Sorry, no, fuck off ... my relationship with the publishing company ends the moment I walk out the store with the CD, and they can kiss my ass. I'm not willing to be tracked, analyzed, monitored, or beg permission to play something I own.

  61. Streaming compared to downloading by Anonymous Coward · · Score: 0

    Spotify's argument seems to be that streaming isn't the same as downloading. This is kinda bad distinction. Technically streaming has two parts: 1) downloading the data (in pieces), 2) Playing the downloaded data when the data is available. What streaming does not have is permanent storage of the end result, assuming that their service does not provide "save" feature that results in mp3 files to be available to end users.

    But spotify tries to separate streaming and downloading, and it is clear that streaming has downloading as one part of the operation. Whether this downloading is legally distribution or reproduction should be left for lawyers to decide.

    Anyway, if spotify's paperwork is accurate and they paid billions of money to copyright owners, they're in much better shape than many of the other copyright lawsuit defendants. Once the money moves between the parties, there must be something that spotify bought with the money. Billions of money means it needs to be something significant, and this makes the lawsuit a whole lot more interesting than your ordinary copyright fight.

  62. You should know this by now. by mr.mctibbs · · Score: 2

    What GP meant, essentially, is that you have the natural right to listen to any music you want. We have created a *legal* right in the creators of artistic works to control distribution and enjoyment of those works for a limited time in order to promote their creation.

    This is the view with which copyright was created and is how it's taught in first year property classes in law school. You've been around here long enough to have been exposed to this already; shame on you for trolling.

  63. Re:fuck the music industry by omnichad · · Score: 1

    I refuse to 'buy' digital music which some company might later decide I no longer am allowed to play.

    You'll be glad to know that Amazon and iTunes both sell music in DRM-free formats now. Still, for the price, I can get a physical media backup if I buy on CD instead. And depending on the age of the album, getting that physical backup is either free or lowers the price.

  64. Re:fuck the music industry by Anonymous Coward · · Score: 0

    You don't have magic eyes and ears. Double blind trials have already shown people can't tell a difference. You aren't special.

  65. Re:fuck the music industry by Horatio_Hellpop · · Score: 1

    Evidently you're not one of the many out there that are embracing the return to Vinyl.

    I'm not yet one of them, but man ... vinyl on a good phonograph with a good needle and good speakers ... it's a different, richer, sound than digital. I think, anyway. Too bad I only ever owned three vinyl albums.

    --
    Frammin' on the jim-jam, frippin' at the krotz!
  66. Re:fuck the music industry by ThurstonMoore · · Score: 1

    I still buy CDs, it's usually cheaper than buying MP3s.

  67. youtube by Anonymous Coward · · Score: 0

    youtube does this too, but no one sues them.

  68. So keep your music a secret by Anonymous Coward · · Score: 0

    Why? You don't have a right to listen to any music you like, any way you want. If they don't want to deliver music to you on your terms, that is their right.

    That is true, but as usual: it's equally true that nobody has the right to prevent me from listing to any music I like, any way I want (once the music has been published).

    The only way to secure the right to prevent people from listening to your music, is to keep your music a secret. You do have the right to abstain from ever playing or recording your music. But once you put it out there, that didn't just magically give you special powers over what other people are allowed to do.

    These entitled babies who want the advantages of secrecy plus the advantages of publishing, apparently have never stepped out into the real world, where everything else works different from their fantasy.

  69. Re:fuck the music industry by stephanruby · · Score: 1

    Why shouldn't Spotify work like Netflix? If Netflix can't negotiate to buy a particular series, it doesn't show it to its customers. It is as simple as that. For instance, the last time I checked (six months ago, for all I know things may have changed by now), but Game of Thrones or South Park wouldn't stream on Netflix. So that left users forced to watch either show on HBO/Comedy Central (or if they're not in the right world region, forced to watch illegal streams).

    Doesn't Spotify obey DMCA requests? What about if you're Howard Stern or Dave Chappelle? What if you negotiate an exclusive deal with satellite radio or HBO? What gives Spotify the right to break those agreements? If Spotify refuses to follow the law, why can't a judge just give their domain name away to the rights owners (like they did with AllOfMP3.com)?

  70. Here is a simple way to look at it... by PortHaven · · Score: 1

    We need to stop this, quadruple copyrights for every album.

    If an artist doesn't write their own lyrics, and they create and release a song. It shouldn't be the listener who has to pay for the rights of those lyrics. That should be all handled by the artist.

  71. Well... It's back to downloading MP3's then by nachtelfjeiu · · Score: 1

    For many, the music industry was better organised than the video industry. Most music was available on Spotify. I understand where the rights holders are coming from, but they should carefully consider the risk of fragmentation.

  72. Re:fuck the music industry by david_thornley · · Score: 1

    You don't have a right to listen to any music you like, any way you want.

    However, the music industry has a vested interest in me listening to music. If they make it more awkward or difficult or expensive, fewer people will listen to the music and their revenues go down. If they make it easy to buy legit copies of music, they'll make more money. GP feels that the music industry doesn't want him or her listening, and may well be driven away from buying music.

    --
    "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes