Slashdot Mirror


Spotify Hit With $1.6 Billion Copyright Lawsuit (spin.com)

The Wixen Music Publishing company, which administers song compositions by Tom Petty, Dan Auerbach, Rivers Cuomo, Stevie Nicks, Neil Young, and others, has hit Spotify with a copyright lawsuit seeking $1.6 billion in damages. The publishing company filed the lawsuit on December 29, alleging the streaming giant is using Petty's "Free Fallin" and tens of thousands of other songs without license or compensation. SPIN reports: Back in September, Wixen objected to a $43 million settlement Spotify had arranged over another class action lawsuit brought by David Lowery (of Cracker and Camper van Beethoven) and Melissa Ferrick, stating it was "procedurally and substantively unfair to Settlement Class Members because it prevents meaningful participation by rights holders and offers them an unfair dollar amount in light of Spotify's ongoing, willful copyright infringement of their works." A judge has yet to rule on that settlement, and in the meantime, Wixen has moved to file its own lawsuit, which purports "as much as 21 percent of the 30 million songs on Spotify are unlicensed," according to The Hollywood Reporter.

"Spotify brazenly disregards United States Copyright law and has committed willful, ongoing copyright infringement," the complaint reads. "Wixen notified Spotify that it had neither obtained a direct or compulsory mechanical license for the use of the Works. For these reasons and the foregoing, Wixen is entitled to the maximum statutory relief."

69 of 132 comments (clear)

  1. Well There goes that .99 for three month deal by bobbied · · Score: 1

    I doubt they can afford it now...

    Somehow I'm guessing a billion dollars won't be anywhere near the eventual settlement on this.. ;)

    --
    "File to fit, pound to insert, paint to match" - Aircraft Maintenance 101
    1. Re:Well There goes that .99 for three month deal by Mr+D+from+63 · · Score: 5, Funny

      Are they forgetting the huge value of all the piracy that they have prevented by streaming? Isn't one illegal download prevention about $350M or so?

    2. Re: Well There goes that .99 for three month deal by hazardPPP · · Score: 2

      I think you might have missed the humour in the OP...just saying.

      Here I was thinking I was paying $9.99 to Spotify a month in order to get my music legally...it's convenient and comparatively cheap. I thought the musicians were getting some money from this. Turns out I should just go back to downloading pirated stuff off of bittorrent and soulseek.

    3. Re: Well There goes that .99 for three month deal by ArtemaOne · · Score: 1

      Sounds like a plan. I have just been getting songs individually (about once a year) from iTunes, which seems to come out to about $6 a month if you average. But I'm more of a shower, car trip, and gym listener. I can't listen to music at work and such really.

  2. Comment removed by account_deleted · · Score: 4, Insightful

    Comment removed based on user account deletion

  3. Re:fuck the music industry by Arzaboa · · Score: 4, Insightful

    If you listened to these artists while you did anything, their reasoning is that you not only owe them for the music, but you also owe them for what you did while listening to them. They set your brain waves straight!

    --
    Born on the run

  4. Works math...compulsion triggered! by HornWumpus · · Score: 1

    Nice: Spotify has about 10x the number of pirated tracks I do. I"ve got work to do. Spiders to send etc.

    How do they manage and dedup their collection?

    --
    John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
  5. cuz I'm frEEEEEEE by MrKaos · · Score: 1

    ...frEEEEEE ballin

    now my balls are free, I'm free ballin

    Once those words got in my head, that Tom Petty song was so much more comfortable.

    --
    My ism, it's full of beliefs.
    1. Re:cuz I'm frEEEEEEE by zlives · · Score: 1

      pretty sure you don;t have the license to store the music in your brain... please submit 350 million

    2. Re:cuz I'm frEEEEEEE by MrKaos · · Score: 1

      Isn't it a derivative work and fair use of my brain?

      mmmm brains...

      --
      My ism, it's full of beliefs.
    3. Re:cuz I'm frEEEEEEE by Joe_Dragon · · Score: 1

      you have an in your mind license but now you need a web license as well.

    4. Re:cuz I'm frEEEEEEE by MrKaos · · Score: 1

      but wot if the interwebs goes down, won't my brain stop working?

      --
      My ism, it's full of beliefs.
  6. Re:fuck the music industry by zlives · · Score: 5, Funny

    thats wonderful news, all the children born to music in the background should now be eligible for child support from these artists.

  7. Bad Business Model by Wovel · · Score: 3, Interesting

    It appears Spotify has not been able to put together a sustainable business model and they are unable to pay their suppliers. I am not really sure why there are people here that think it is ok for Spotify to sell a product they are not paying for. There are streaming services that have agreements for every track they stream. I don't know if they're profitable. It doesn't really matter to me as long as they are paying the artists. Sure in some cases there are other companies getting paid too, but that is only because artists entered into business deals with those other companies.

    1. Re: Bad Business Model by arth1 · · Score: 1

      It is not illegal to format shift your cds into flac or mp3s with so long as you keep your cds.

      You don't need to keep your CDs. The right to listen to the music is linked to the license you obtain by purchasing the CD. If a CD becomes unplayable, whether it's through deterioration or you destroying it, you still own a license to listen to the music from the CD.

    2. Re: Bad Business Model by Dutch+Gun · · Score: 1

      I think it was implied "unless you sell the CD", not "unless you lose the CD".

      --
      Irony: Agile development has too much intertia to be abandoned now.
    3. Re: Bad Business Model by Reverend+Green · · Score: 1

      Let's hope the fully licensed streaming services are NOT profitable. The recording industry has become a parasite on culture. It deserves to end.

    4. Re: Bad Business Model by SvnLyrBrto · · Score: 1

      Nope. As someone who has had friends put out of work by their companies bring destroyed by the RIAA/Metallicaâ(TM)s reign of terror, and who once worked at a company whose demise was hastened by being forced to waste money and engineering effort dealing with their DMCA garbage; Iâ(TM)m 100% in favor of Spotify here... and I donâ(TM)t even have an account. The RIAA/MPAA/Metallica/HillaryRosen/JackValeni are all so entirely despicable and vile in every conceivable way I am pretty much always in favor of anything that harms any of them in any way great or small.

      Zombie Shawn Fanning could rise out of the Napster graveyard to feast on their flesh and Iâ(TM)d cheer him on. Peter Thiel and Bill Gates could devote their fortunes to tag-teaming them with frivolous lawsuits until the the associations and all their members and minions were destitute, and Iâ(TM)d give them two thumbs-up. The jaundiced one could unleash Hellfire missiles from drones into all of their homes and offices and Iâ(TM)d actually tell Gallup I approve of him if I were to be polled immediately following. Darth Cheney himself could venture forth from his volcano lair to force-crush their larynxes and cast their still-slightly-living bodies into his pool of hungry piranha fish, and Iâ(TM)d be like: âoeGO DARK SIDE! WOOHOO!! SHOOT SOME OF THEM IN THE FACE!!!â

      --
      Imagine all the people...
    5. Re:Bad Business Model by BadDreamer · · Score: 2

      None of these streaming providers pay the artist. They pay the copyright holder, which is very seldom the artist. The artist gets pennies to the dollars at best.

    6. Re:Bad Business Model by Solandri · · Score: 4, Insightful

      I am not really sure why there are people here that think it is ok for Spotify to sell a product they are not paying for.

      I'm pretty ambivalent towards this (not really a big music fan). But the way I see it, as long as the music industry is trying sell you a product that they are not paying for, then it seems to me that turnabout is fair play.

      The copyright bargain is that content creators get a temporary copyright on their work in order to stoke a permanent increase in the rate at which such works enter the public domain (by incentivizing the creation of such works and thus increasing the rate at which they're created). i.e. The payment for their right to sell to you their works, is that those works must eventually be introduced into the public domain. If those content creators finagle the law so their works are no longer entering the public domain, or that it takes so long for said works to enter the public domain that they have no value by the time that happens (1897's greatest hits anyone?), then they themselves have broken the copyright bargain. And as such their copyright protections are forfeit.

      Contract law 101. Both parties to the contract must give up something of value to each other in the exchange. If only one side is giving something up, then the contract is not binding, and thus invalid, and there is no copyright protection.

    7. Re:Bad Business Model by Kevin108 · · Score: 1

      Spotify's business model is quite sustainable. It's the cast of characters raising law suits who refuse to keep up with the times.

      --

      It's a perfect time for being wasted.
      A perfect time to watch the stars.
      - Burden Brothers, "Beautiful Night"
    8. Re: Bad Business Model by Anonymous Coward · · Score: 1

      You're right, it's by the play. Which is how Slade make half a million every year off of Merry Christmas Everybody.

      There's something a little wrong with a system where someone can live the rest of their life from the proceeds of a single song. Even Stop the Cavalry earns Jona Lewie enough that he's never really had to work again. Writing a Christmas hit in the 70s/80s in the UK was a pretty good pension plan...

      ... although I don't recall hearing "Another Rock and Roll Christmas" so much this year :)

    9. Re:Bad Business Model by mjwx · · Score: 1

      It appears Spotify has not been able to put together a sustainable business model and they are unable to pay their suppliers.

      This is the case with a lot of "disruptive" businesses founded in the last 8 years. They never had a plan to be profitable, they just had a plan to be disruptive. Ultimately they run out of other peoples money and die. Uber and their ilk are in the same boat. Netflix would be also... if they didn't smarten up and start making their own content which is the antithesis of the disruptive business model (but Netflix wasn't really disruptive, they worked with the existing industries).

      People heralding spurious companies like Spotify and Uber had better not get used to it.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    10. Re:Bad Business Model by Pyramid · · Score: 1

      That's not really Spotify's fault. That's a direct result of recording companies parasitic nature and the horrible contracts artists entered into.

      --
      ~Any apparent grammatical or typographic errors are caused by defects in your display device.
    11. Re:Bad Business Model by omnichad · · Score: 1

      Yes, they do. And it's part of what nearly bankrupted Pandora before they restructured the way they pay for things. Radio stations do pay a blanket license instead of per-play, but stats are gathered on what songs air and that's used to divide up the blanket license profits between the artists. I may have some of the details a little off, but it's close to it.

    12. Re:Bad Business Model by mysidia · · Score: 1

      that's used to divide up the blanket license profits between the artists.

      No...... well, terrestrial broadcasters don't pay Licensing fees to Artists or the copyright holder/record label for content, they pay small royalty ONLY to the Songwriter, as in the person or company that has the rights to the combination of Melody and Lyrics which usually has little to do with the artist of the song they're playing, because the broadcast is considered a performance of the song (Not a distribution of a copy), thus ASCAP collects only a performance royalty.

      The performance royalty that would be due would not explain Wixen or others being able to go after Spotify for billions.

    13. Re: Bad Business Model by omnichad · · Score: 1

      By that logic, I don't see how only Spotify would be illegal (or that radio would be legal - they can only pick one interpretation). Especially when you consider the digital format used by HD Radio.

  8. Copyright reform by hackwrench · · Score: 1

    Hopefully this will spur copyright reform that takes away the fiction that art is created in a vacuum.

  9. The Problem With Streaming Services by segedunum · · Score: 2

    They're always likely to get hit with things like this and you're always likely to wake up one morning, play your favourite playlist only to realise most of it isn't there.

    1. Re:The Problem With Streaming Services by mentil · · Score: 1

      I completely agree. That's why I BUY music from the MSN Music store, with PlaysForSure DRM!

      --
      Corruption is convincing someone that the selfless ideal is the same as their selfish ideal.
  10. Re:fuck the music industry by Daemonik · · Score: 5, Informative

    Actually, you do have a right to listen to any music you want, any way you want. Copyright is supposed to be a limited period where your right is suspended, so the creator can seek compensation. It was never envisioned or expected to be a perpetual lock on artistic works and has been greatly abused by the music industry.

  11. WTF were they thinking? by slashmydots · · Score: 2

    What the actual hell was Spotify thinking? Just use it without permission and settle the lawsuit later? Was it a technical error where they thought they had the license? Did someone misrepresent ownership of it? There has to be another side of this other than they downloaded a high bitrate copy off the pirate bay and then streamed it knowingly illegally.

    1. Re: WTF were they thinking? by Reverend+Green · · Score: 1

      They're a VC-owned company. Therefore always assume the sleaziest plausible answer. I'll leave which one that is to your discretion.

    2. Re: WTF were they thinking? by ilsaloving · · Score: 1

      Satin?

      Sounds like a smooth and silky move to me!

  12. Re:fuck the music industry by TigerPlish · · Score: 4, Interesting

    no one wants fucking CDs anymore

    Speak for yourself.. I still buy CDs and blu rays. And paper books. And these things called "records," played by dragging a stone down a groove made of dead dinosaurs and plant decay at 33 1/3rd RPM.

    Streaming for the convenience, physical for the permanence.

    --
    The "Civilized World" jumped the shark ca. 1973.
  13. Spotify brazenly disregards US Copyright Law by CanadianMacFan · · Score: 1

    Well, of course they do considering they are based in Sweden. They would follow the copyright law of Sweden.

  14. starve the beast by Reverend+Green · · Score: 2

    The music industry is pure scum. Never give a penny to those cockroaches and the washed up has-beens they purport to represent. No one deserves ongoing compensation for work they did decades ago.

    For those who are brave and upstanding patriots, the best thing is to share - download, upload, and liberate as much music as possible. CULTURE BELONGS TO EVERYONE.

    For those like me who live in fear of our repressive regime and their jack booted thugs, the best thing is simply not to listen to any non-free music. Never subscribe. Never login. If an ad starts to play, closer the stream. Most of it is garbagey pap anyway. This course also provides a convenient occasion to spit at snobby consumerist music scenesters.

    1. Re: starve the beast by Reverend+Green · · Score: 1

      Sorry, recording industry PR shill, not interested in "staying on point" with your legal-formalist narrative.

      Culture monopoly owners are parasites on civilization - we all know it. Their monopoly must be stamped out. Spotify is in that same industry, they're no heroic underdog. But if you wanna play the "who is the scummier scumbag?" game, most likely the recording industry is going to be the clear winner of the "most scummiest scumbag" award.

    2. Re:starve the beast by david_thornley · · Score: 1

      If artists don't get compensated for their work, we'll get less art out of them. If nothing else, they won't have the option to quit the day job. Many arts benefit from not-particularly-creative actions, such as recorded musing and literature. Those guys are going to want to get paid.

      Now, when do we compensate everyone who works on some artistic endeavor? And where does this compensation come from?

      With limited-term copyright, we can have a deal whereby people who want a work of art can pay a small amount which recompenses the artist and technicians. In that way, the compensation comes from people who like the art, and is distributed according to how much people like what. This is, in my opinion, the best compensation method I've seen.

      I do believe that copyrights should be a lot more limited than they are now. The US Constitution allows them to promote creative activity, and so terms longer than that should be unconstitutional. I can't see anyone deciding to work on art or not based on possible income thirty years into the future, myself, so the old 14+14 system was decent.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    3. Re: starve the beast by Reverend+Green · · Score: 1

      Nah. I don't care if some nameless, faceless "artist" gets paid. I bet that "artist" doesn't give a flying fuck if I get paid, either. The payroll excuse just doesn't cut it for something as obviously immoral and divisive as copyright monopoly.

      If you are really concerned about "artists" getting paid for their efforts, consider becoming a producer. Figure out a new business model that gets money for the musicians without requiring a police state to enforce a vile monopoly - and you'll be a rich man. Not only rich, but also loved by all the people of the world.

      Go for it, seriously.

    4. Re: starve the beast by david_thornley · · Score: 1

      I've been looking at other options. So have other people. I know of a couple of writers who used Patreon as support to quit the day job (Jemisen might be beyond needing that, now that she's got back-to-back Hugos). I haven't found one.

      Some of the advantages of the current system:

      • Money is allocated according to people's preferences through the market system, not the political system..
      • Money is raised voluntarily.
      • Customers can vary the amount they pay depending on what they get.
      • The customer doesn't have to decide to buy or not with inadequate information.
      • It cuts down on the free rider problem.
      • It's possible to make significant money, meaning the artist can go full-time.
      • It allows the artist to make significant money on his or her first released work.
      • There's no limit on how successful the artist can be (cf. J.K. Rowling). (This means we pay less for art, since people will work harder for the possibility of hitting it big.)
      • It pays people who do the grunt work, like editing a book or mixing sound for music.
      • It rewards artists for doing the not-so-fun stuff (like rewriting a book).
      • It supports distribution networks.
      • It scales for all sorts of artistic endeavors, from stories to blockbuster movies.

      I haven't seen anything comparable. Patreon allows free riders, won't work unless the artist is already known, and doesn't scale. Nobody's going to make an expensive movie because of Patreon or Kickstarter; the money just isn't there. Expecting volunteer efforts means that the grunt work doesn't get done. Creating is fun, refining and editing and the like less so. There's all sorts of problems with having the government collect and distribute money on subjective grounds. Old-fashioned patronage doesn't work as well as it used to, and I already mentioned the crowd-funded version.

      I haven't come up with an idea that works anywhere near as good. I haven't seen one that works anywhere near as good. I'd really like to see suggestions as to what would be a better system rather than be told that there is one out there somewhere among the unicorns.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    5. Re: starve the beast by Reverend+Green · · Score: 1

      I wish I had the new business model for music, and for publishing in general. If I did I'd be a rich man. But I don't. Still doesn't make me support the vile institution of monopoly on cultural data - an institution that works ONLY by excluding poor and working people from culture, and ONLY when enforced by an intrusive police state. If that's the tradeoff, I guess the "artists" will just have to work day jobs like the rest of us.

    6. Re: starve the beast by Reverend+Green · · Score: 1

      Also, FWIW: I've known a lot of creative people in different artistic fields. Not one of them made a living off their art. That didn't stop any of them from making it. So no, if capitalism can't figure out a way to pay artists, that will NOT result in a dearth of new art.

    7. Re: starve the beast by david_thornley · · Score: 1

      Obviously, people will still create art of some forms, but not all. Movies would be far inferior technically to what we've got now, without money from copyright coming in. Instead of polished prose in our fiction, we'd normally have to read second drafts, or however far the author gets before it stops being fun. We wouldn't have editors and proofreaders.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  15. Re:fuck the music industry by Gojira+Shipi-Taro · · Score: 1

    s/born/recieved/r

    --
    "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
  16. Re:fuck the music industry by Gojira+Shipi-Taro · · Score: 1

    *conceived... godsdamnit

    38 seconds since you successfully posted.

    I don't think the comment traffic on /. is high enough for any of those little half-measures to be useful today...

    --
    "Oh my God. This is terrible. This is the end of my Presidency. I'm fucked."; ~ Donald J. Trump
  17. Re:fuck the music industry by arth1 · · Score: 1

    after all, cod just wants to be free

    Those pesky fishing nets...

  18. Re:fuck the music industry by mentil · · Score: 1

    Permanence? I've used vinyl records more than enough to know how poorly they degrade. Bring a record over to a friend's house, and his record player has an old stylus? It'll permanently scratch your record, degrading its quality. Play a record a bunch of times? The stylus gradually wears away the vinyl, degrading its quality. Accidentally drop the arm onto the record? I've done it tons of times, on players that don't have a lever/button that moves the arm into position. Degrades the record's quality. The same doesn't happen with lasers on CD players.

    Old records seem to degrade just from age. Bitrot does happen with optical discs etc. but you can use checksums to verify that it is NOT happening, and easily make verifiable 1:1 identical backups and infinite backup copies, whisked away by the internet within seconds to offsite backup locations around the planet. Making backup copies of vinyl to another vinyl disc with a guarantee of an identical copy? Not so easy for a consumer.

    --
    Corruption is convincing someone that the selfless ideal is the same as their selfish ideal.
  19. Re:fuck the music industry by arth1 · · Score: 1

    Actually, you do have a right to listen to any music you want, any way you want. Copyright is supposed to be a limited period where your right is suspended, so the creator can seek compensation.

    Yes, you are free to listen to "any music you want" as long as any music you want is past the copyright protection period. That's a rather limited definition of "any".

    When I make music, I control it, in perpetuity unless I choose to publish it. There are songs in my recording studio you will never hear, and never have the right to hear either.
    If I choose to publish it, I retain control for the copyright period in exchange for donating the music to the public domain at the expiry of the copyrights. Until then, you have no rights to it unless I (or someone acting on my behalf) grants you a right, whether it be through purchase, rental or otherwise.

  20. Re:fuck the music industry by MightyMartian · · Score: 1

    An LP and optical media are anything but permanent. Books certainly can last a while, but as i discovered when I pulled a box of my old books a year or two ago, a few years stored in less than optimal conditions, and you won't want to keep them.

    My solution is digital, but stored in multiple places are reduplicated in one way or another once or twice a year. Still a risk of small amount of loss, but that's made up for by convenience. I have ebooks I bought a decade ago that I can still read; the file is still intact, stored on multiple media, and yes, the evil "cloud". I have MP3s that are much older than that.

    --
    The world's burning. Moped Jesus spotted on I50. Details at 11.
  21. music in games has issues with let's plays and bar by Joe_Dragon · · Score: 1

    music in games has issues with let's plays over music rights.
    Arcades / bars had issues with the BMI and ASCAP saying you need have jukebox licensing for your site so we don't sue you.

  22. Re:Tom Petty called by Pseudonym · · Score: 1

    It also did not escape my notice that they waited for Tom Petty to die before they sued on his behalf.

    --
    sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
  23. Cue dramatic music by CptLoRes · · Score: 1

    "Raises pinky finger", give us 1 billion dollars or else!

    1. Re:Cue dramatic music by PoopJuggler · · Score: 1

      Or else we'll stop making crappy music!

  24. Wixen by Anonymous Coward · · Score: 1

    not a good name for german speaking countries. :)

  25. Re: fuck the music industry by religionofpeas · · Score: 1

    No one should be entitled to use another man's work without the appropriate compesation.

    A limited copyright gives you appropriate compensation. Nobody else gets compensated in perpetuity for their work.

  26. Re:fuck the music industry by stealth_finger · · Score: 1

    thats wonderful news, all the children born to music in the background should now be eligible for child support from these artists.

    No that's the wrong way round, babies born to music have to pay the listening fee, and the parents and anyone else within 100m radius.

    --
    Wanna buy a shirt?
    https://www.redbubble.com/people/stealthfinger/shop?asc=u
  27. Re:fuck the music industry by Cederic · · Score: 1

    If they don't want to deliver music to you on your terms, that is their right.

    Thing is, they don't have to deliver the music. It exists. It's out there.

    What the fuck gives them the right to stop me making the air move?

    Or go bang two rocks together and stomp your feet to make music.

    That's exactly what Spotify are doing, and being sued for. See how fucking stupid the current situation is?

  28. Re:Unlicensed in what way? by Cederic · · Score: 1

    Yeah, my youtube channel gets hammered by the music industry - over 900 videos flagged as having copyrighted music in them.

    None of which I've added, it's always incidental music someone else is playing in the background.

    I can't licence it. I don't know who the rights holders are for it. They wont negotiate with me, and they certainly wont agree to a reasonable fee of about a tenth of a penny per song.

    If I was broadcasting on the radio or playing music in a club, I could get a blanket licence quite cheaply but on the Internet it's just not possible.

    So fuck them, the whole system is broken and I don't respect it.

  29. Re:fuck the music industry by mjwx · · Score: 1

    thats wonderful news, all the children born to music in the background should now be eligible for child support from these artists.

    You've got that backwards, not only do the parents owe the artist, the child being the product of said music must forfiet a portion of all their earnings for life +70... because copyright uber alles.

    --
    Calling someone a "hater" only means you can not rationally rebut their argument.
  30. Re:fuck the music industry by hey! · · Score: 1

    Also known as rent-seeking behavior. That's a term you really need to familiarize yourself with if you live in a country where corporations control the government.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  31. You should know this by now. by mr.mctibbs · · Score: 2

    What GP meant, essentially, is that you have the natural right to listen to any music you want. We have created a *legal* right in the creators of artistic works to control distribution and enjoyment of those works for a limited time in order to promote their creation.

    This is the view with which copyright was created and is how it's taught in first year property classes in law school. You've been around here long enough to have been exposed to this already; shame on you for trolling.

  32. Re:fuck the music industry by omnichad · · Score: 1

    I refuse to 'buy' digital music which some company might later decide I no longer am allowed to play.

    You'll be glad to know that Amazon and iTunes both sell music in DRM-free formats now. Still, for the price, I can get a physical media backup if I buy on CD instead. And depending on the age of the album, getting that physical backup is either free or lowers the price.

  33. Re:fuck the music industry by Horatio_Hellpop · · Score: 1

    Evidently you're not one of the many out there that are embracing the return to Vinyl.

    I'm not yet one of them, but man ... vinyl on a good phonograph with a good needle and good speakers ... it's a different, richer, sound than digital. I think, anyway. Too bad I only ever owned three vinyl albums.

    --
    Frammin' on the jim-jam, frippin' at the krotz!
  34. Re:fuck the music industry by ThurstonMoore · · Score: 1

    I still buy CDs, it's usually cheaper than buying MP3s.

  35. Re:fuck the music industry by stephanruby · · Score: 1

    Why shouldn't Spotify work like Netflix? If Netflix can't negotiate to buy a particular series, it doesn't show it to its customers. It is as simple as that. For instance, the last time I checked (six months ago, for all I know things may have changed by now), but Game of Thrones or South Park wouldn't stream on Netflix. So that left users forced to watch either show on HBO/Comedy Central (or if they're not in the right world region, forced to watch illegal streams).

    Doesn't Spotify obey DMCA requests? What about if you're Howard Stern or Dave Chappelle? What if you negotiate an exclusive deal with satellite radio or HBO? What gives Spotify the right to break those agreements? If Spotify refuses to follow the law, why can't a judge just give their domain name away to the rights owners (like they did with AllOfMP3.com)?

  36. Here is a simple way to look at it... by PortHaven · · Score: 1

    We need to stop this, quadruple copyrights for every album.

    If an artist doesn't write their own lyrics, and they create and release a song. It shouldn't be the listener who has to pay for the rights of those lyrics. That should be all handled by the artist.

  37. Well... It's back to downloading MP3's then by nachtelfjeiu · · Score: 1

    For many, the music industry was better organised than the video industry. Most music was available on Spotify. I understand where the rights holders are coming from, but they should carefully consider the risk of fragmentation.

  38. Re:fuck the music industry by david_thornley · · Score: 1

    You don't have a right to listen to any music you like, any way you want.

    However, the music industry has a vested interest in me listening to music. If they make it more awkward or difficult or expensive, fewer people will listen to the music and their revenues go down. If they make it easy to buy legit copies of music, they'll make more money. GP feels that the music industry doesn't want him or her listening, and may well be driven away from buying music.

    --
    "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes