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Mobile Photography Set For Major Quality Bump With Sony's 48-Megapixel Sensor (newatlas.com)

Smartphone camera sensors and lenses have to operate in a very tight space, but they continue to close the gap on full-size digital cameras year after year. Sony's new IMX586 sensor boasts a 48-megapixel resolution, the highest yet for a mobile sensor, and should be coming to a phone near you soon. From a report: That increased resolution shrinks the pixel size down to 0.8 microns, which would usually lead to lower sensitivity and poor light collection. However, thanks to some smart technology called a Quad Bayer array -- where neighboring pixels are intelligently combined -- Sony says the effective pixel size is 1.6 microns. The bigger the pixel size, the better the light capture and low-light performance. In comparison, the Google Pixel 2 -- one of the best photo-taking phones on the market right now -- has a camera with a 1.4-micron pixel size. On paper, that means Sony has managed to produce a sensor that combines a huge amount of detail with excellent light capture and low noise levels as well. We'll have to wait until the sensor is actually on the market to know for sure, but the signs are good.

112 comments

  1. wrong metric by supernova87a · · Score: 5, Insightful

    Look, stop with the pixel count arms race. We all know that that's what the vast majority of consumers can understand, but for anyone caring about the details, it's relatively meaningless as a comparator.

    If you blow up your photos to the pixel level, you'll find that it's not the pixel count that's making them look bad, it's the pixel-to-pixel noise and compression and color fringing, for example.

    We don't need 48 MP taking up space on our phones and hard drives. For camera phone lenses, compressions, 24 MP is already enough. Anything more than that (if photography is your livelihood for example) and you should be relying on a DSLR.

    1. Re:wrong metric by JMJimmy · · Score: 1

      We need to start a storage arms race. I could easily use PB HDDs but we're barely advancing on that front. Phones should start at terabyte storage, not laptops.

    2. Re:wrong metric by cayenne8 · · Score: 2
      Yeah, the megapixels aren't the concern...call me when they figure out how to get high quality big glass on a cell phone to work properly and efficiently as a workflow....

      The laws of physics haven't changed appreciably that I know of, have they...?

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    3. Re:wrong metric by Anonymous Coward · · Score: 0

      s/48 MP/8 MP/
      s/24 MP/3 MP/
      Voila, comment from a couple years ago.

    4. Re:wrong metric by TomGreenhaw · · Score: 3, Interesting

      Actually this could be very useful for digital zoom, HDR and image stabilization. According to TFA, they include signal processing on the sensor and it would certainly used for just this.

      --
      Greed is the root of all evil.
    5. Re:wrong metric by Anonymous Coward · · Score: 0

      I disagree. I would much rather capture the data even if it is noisy, then use software and/or multiple exposures to produce a 24MP lower noise image if required. Building larger pixels only reduces my flexibility. If I was a professional photographer I would much rather prefer a 96MP full frame sensor over a 24MP full frame sensor since I can always remove the noise in post or by capturing more data.

      Increasing the resolution of a low MP sensor is extremely difficult. Please note that I did not say it is impossible. it *is* possible to increase the resolution but it is a complex, time consuming, and sensitive process. Starting with more pixels is a much better option!

      With a 48MP sensor I can perform a long exposure to get a great 48-pixel image, or even combine many short exposure noisy images to get a low-noise high megapixel image. With a 24MP "AI corrupted" jpeg, I'm stuck with point-and-shoot garbage.

    6. Re:wrong metric by ljw1004 · · Score: 2

      We don't need 48 MP taking up space on our phones and hard drives.

      I don't think you've got the right metric there either. The right metric should be: "If I jpeg-encode a 48MP image to X number of bytes, vs jpeg-encode a 24MP image to the same number of bytes, which one produces the best image?" (for various values of X, I guess from about 0.5mb to 8mb)

      I'd assume the 48MP one will produce the best image -- because we haven't pre-emptively thrown away information at the sensor stage, and so we've left it to the encoder to decide which information to throw away to achieve that filesize, and the software can make a better decision about what to throw away.

    7. Re:wrong metric by werepants · · Score: 2

      I'd assume the 48MP one will produce the best image -- because we haven't pre-emptively thrown away information at the sensor stage, and so we've left it to the encoder to decide which information to throw away to achieve that filesize, and the software can make a better decision about what to throw away.

      That's a very questionable assumption, because if you are encoding a 48MP JPEG rather than a 24MP JPEG, you are still forcing the format to store information for twice as many pixels, whether or not there is meaningful detail in those pixels. Yes, it's compressed, but just go ahead and do this experiment for yourself - an aggressively compressed, high-resolution image will probably display noticeable compression artifacts, while a barely compressed image at half the resolution will probably look just as good as the original, for realistic viewing conditions.

      The only case where that kind of resolution is required is for absolutely enormous prints (think billboard) or if you want to crop the hell out of an image for some reason. And, in any case, cellphone lenses are probably only capable of resolving ~10MP. Many DSLR lenses aren't sharp enough to fully utilize a 24MP sensor, much less the tiny elements on a cellphone feeding a miniscule 48MP sensor.

    8. Re:wrong metric by Anonymous Coward · · Score: 0

      If you're a professional photographer using a cellphone to take your pictures you're a dumbass. I know some can look alright, but nothing beats the better glass and flexibility of manual mode on a DSLR except for actual film cameras. There's a zero percent chance a cellphone pic will ever match the same pic taken on a quality DSLR even if the MP count is exactly the same.

    9. Re:wrong metric by reboot246 · · Score: 2

      You're absolutely right. I use my phone to take snapshots. I use my DSLR with good lenses to take photographs. There's a clear difference.

    10. Re:wrong metric by Anonymous Coward · · Score: 1
    11. Re:wrong metric by PsychoSlashDot · · Score: 2

      We don't need 48 MP taking up space on our phones and hard drives.

      And that's exactly why this is happening.

      What Joe Consumer knows is that his 64 hippobyte iPhone filled up real quick, and he needs to buy a 128 rhinobyte one as soon as his contract is up. Or sooner.

      This is all about up-selling devices and cloud storage.

      --
      "Oh no... he found the .sig setting."
    12. Re: wrong metric by kurkosdr · · Score: 1

      Modern smartphone camera software can process the image (utilizing the on-board DSP) and produce a clean but lower-resolution image at low light conditions while producing a high resolution image at daylight conditions, so you get the best the small lens can do every time (yes, most of us don't like carrying thick lenses in our pockets or smartphones with thich lenses) . Which is why HTC ditched their 4 megapixel chip despite having dropped quite a mint on it. The "ultrapixel" was emulated in software. But hey, keep harping about how megapixels don't matter as if it's 2012...

    13. Re:wrong metric by K.+S.+Kyosuke · · Score: 1

      Why would you store 48 megapixels in photos? The resolution is perfectly fine for resampling and quality digital zooming. Just like in CGI sampling filters, there's no need to store all subpixel samples.

      --
      Ezekiel 23:20
    14. Re:wrong metric by ljw1004 · · Score: 1

      That's a very questionable assumption, because if you are encoding a 48MP JPEG rather than a 24MP JPEG, you are still forcing the format to store information for twice as many pixels, whether or not there is meaningful detail in those pixels.

      I don't know about jpeg compression in particular. But if compression is done with gabor wavelets then it doesn't need to store information for twice as many pixels. Nor fractal compression. And if you encode audio in the frequency domain then you don't need to store information for twice as many samples.

      Yes, it's compressed, but just go ahead and do this experiment for yourself - an aggressively compressed, high-resolution image will probably display noticeable compression artifacts, while a barely compressed image at half the resolution will probably look just as good as the original, for realistic viewing conditions.

      I did do the experiment myself, which is why I'm posting! I digitized all my old photo negatives. My target filesize was 3MB/photo. I spent a day just experimenting with compression, and determined that 9MB/photo with 90% compression to achieve 3MB, gave a better output than 4MB/photo with 50% compression to achieve the same 3MB filesize. Of course if you zoom in a lot in the 9MB/photo images then you see compression artifacts, but then if you zoom in the same amount to the 4MB/photo images then you just see blocky pixels. When you zoom out enough that compression artifacts are no longer obvious on the 9MB images, well, you still see the blocky pixels on the 4MB images.

      As to whether my results would scale up to 48MB vs 24MB? that's hard to predict. I can see it going either way.

    15. Re:wrong metric by GameboyRMH · · Score: 1

      The cellphone lens has been the bottleneck of its photographic ability for a long time now, even 10MP is a generous estimate. Enlarge any part of a cell phone photo and you'll see a mosaic effect caused by the lens limiting detail long before the pixels do.

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    16. Re:wrong metric by AmiMoJo · · Score: 1

      As the summary points out, the higher MP count helps with low light performance and HDR. The smaller the individual pixels on the sensor the less light falls on them, so ideally you want the largest possible pixels. That's why DSLRs use much, much larger sensors.

      One of the reasons why the Pixel 2 has the best low light performance of any phone is that it has an unusually large sensor. What Sony have done is create a sensor with small pixels that can be combined 2x2 to act as a 1/4th resolution single pixel. So their 48 MP sensor is acting as a 12 MP sensor, fairly typical for a high end smartphone.

      How well this works remains to be seen. As to why they did it... Maybe so they can get better digital zoom in good light, or for marketing reasons, or for manufacturing reasons. The latter in particular seems likely - the sensors are rarely perfect and usually have a few dead pixels that are mapped out in software, and if the pixels are huge it can be noticeable. If every virtual output pixel consists of 4 real pixel values anyway it's easier to hide one.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    17. Re:wrong metric by thegarbz · · Score: 1

      You missed addressing the GP's point directly too: It's also good for noise since noise is distributed randomly across pixels. Sure the signal to noise ratio on individual pixels is better for a larger pixel, but for smaller ones the noise reduction algorithms work in a far more visually pleasing way.

    18. Re:wrong metric by Agripa · · Score: 1

      If you blow up your photos to the pixel level, you'll find that it's not the pixel count that's making them look bad, it's the pixel-to-pixel noise and compression and color fringing, for example.

      On my 15MP camera, I am limited by coma and chromatic aberration before sensor resolution.

    19. Re:wrong metric by Shotgun · · Score: 1

      Increasing the resolution of a low MP sensor is extremely difficult. Please note that I did not say it is impossible. it *is* possible to increase the resolution but it is a complex, time consuming, and sensitive process. Starting with more pixels is a much better option!

      You have obviously not seen a detective show since the 70's. Every one of them has a sequence where they blow up a grainy, night time security camera video in order to read the washing instructions on the inside of someones underwear.

      --
      Aah, change is good. -- Rafiki
      Yeah, but it ain't easy. -- Simba
  2. Megapixels aren't quality by Bugler412 · · Score: 1

    More is not necessarily better

    1. Re:Megapixels aren't quality by HornWumpus · · Score: 1

      Too much is alway better than not enough!

      Unless 'not enough' triggers 'div by 0' (e.g. not enough children, not enough Clintons in white house etc, YMMV).

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    2. Re:Megapixels aren't quality by Desler · · Score: 1

      No shit? No one was saying such a thing. Hence why the summary goes into how Sony also added improvements to light collection to talk about how the sensor is better.

    3. Re:Megapixels aren't quality by hcs_$reboot · · Score: 1

      There is a reason to that. Even full frame cameras which have much larger sensors, have a pixel size limit under which - due to lenses limitations - the quality does not improve (i.e. 64 MB pixels is actually worth only 16 MB, since the lense accuracy cannot yield more than the size of 4 pixels).
      So I'm really surprised they can pack 48 MB efficient pixels on those small camera sensors.

      --
      Slashdot, fix the reply notifications... You won't get away with it...
    4. Re:Megapixels aren't quality by Bugler412 · · Score: 1

      Article title: "Mobile Photography Set For Major --Quality-- Bump With Sony's 48-Megapixel Sensor" (emphasis mine)

    5. Re:Megapixels aren't quality by samwichse · · Score: 1

      https://www.dxomark.com/huawei...

      Not necessarily, but it can be.

      The Huawei P20 Pro scores the highest of any phone on dxomark... 40MP sensor, but averaged 2x2 with averaging to take great night shots for an apparent 10MP output. Apparently the 2x2 binning of smaller sites produces superior results to larger sites without the averaging.

      I would guess this 48MP phone sensor would be the same deal... 2x2 averaged for 12MP output.

      Sam

    6. Re:Megapixels aren't quality by Bugler412 · · Score: 1

      yup, much like the oversampling used in the 40MP sensor in the Nokia 1020 from a few years back. Megapixels -can- be used to obtain higher quality, but the number does not indicate quality unto itself.

    7. Re:Megapixels aren't quality by Anonymous Coward · · Score: 0

      yup, much like the oversampling used in the 40MP sensor in the Nokia 1020 from a few years back. Megapixels -can- be used to obtain higher quality, but the number does not indicate quality unto itself.

      What you refuse to acknowledge is that despite your reading of the headline (with your own added emphasis), it didn't actually specifically attribute the bump in quality to the megapixel count.

      So that's on you, really.

  3. can the lenses keep up? by Cederic · · Score: 4, Insightful

    The ability of the lenses to provide a sharp image at that (actual) pixel density is going to need some serious optical design. The sort that usually costs more than the whole phone.

    Why not just use the quad bayer array with fewer pixels and give mobile phones an actual low light capability for once.

    1. Re:can the lenses keep up? by Bob+the+Super+Hamste · · Score: 2

      But I really want a 3mm f/.5 lens (28mm FF equivalent) with a razor thin depth of field that produces 8bit jpgs.

      --
      Time to offend someone
    2. Re:can the lenses keep up? by Cederic · · Score: 1

      To be fair, the ability to focus within an inch and that narrow depth of field does offer some lovely photographic options.

      Macro lenses can match the depth of field but not at that wide an angle.

      But the pixel count and density aren't relevant to the depth of field. You could get lovely RAW images from a 16-20 megapixel sensor and give the lens far less work to do.

      Still, create a lens that does f0.5 with any level of optical resolution and you'll be a rich hamste.

    3. Re:can the lenses keep up? by DRJlaw · · Score: 1

      Why not just use the quad bayer array with fewer pixels and give mobile phones an actual low light capability for once.

      You do realize that with the Quad Bayer array the camera's resolution drops to 12MP with ~1.6um sensor cells, right?

      If released now it would be competing against an iPhone 8 at 12MP with ~1.2um sensor cells.

      So just how much additional resolution do you think that a consumer would be willing to sacrifice in order to obtain improved low light capability? Just how large do those sensor cells need to be? Not merely in your personal opinion -- but with mass commercial viability?

    4. Re:can the lenses keep up? by Cederic · · Score: 1

      You're assuming that each pixel is represented exclusively by four other pixels.

      I can't be arsed reading up on it, but that does feel unnecessary. Each pixel can capture its own light, be informed by the four pixels surrounding it and also contribute information to those.

      As for commercial viability, consumers like big numbers. 48 mega pixels sounds so much better than 12.

    5. Re:can the lenses keep up? by Bob+the+Super+Hamste · · Score: 1

      I really hope you were just playing along there as that is what I was getting at in a joking manner as a DoF is a function of the lens focal length, F number, and distance to the object. To be able to resolve all that detail you would need a lens that isn't diffraction limited for that sensor which would probably be around f/.5 which even with a 3mm focal length would have a very shallow DoF.

      For interesting effects I have been known to stick a 17mm fisheye on up to 19mm of extension tube. A reverse mounted 28mm lens on 112mm of extension tubes and there you end up with a DoF of a few microns which is awesome when you are photographing old semiconductors with feature sizes around 2 to 5 microns even when the lens is stopped down to f/5.6. For more fun get a tilt shift adapter to play with the focal plane, sometimes using those "wrong" can be real fun.

      There are x-ray lenses that are in that range and they are sharp but again have that razor thin DoF

      --
      Time to offend someone
    6. Re:can the lenses keep up? by zlives · · Score: 1

      unfortunately i will not be one of the 2 people that could maybe afford that lens...

    7. Re:can the lenses keep up? by Cederic · · Score: 1

      Yeah, guessed you were messing. I just want a f/0.5 lens :) Also, diffraction is the term I've been trying to remember all evening, ta.

      I'm too lazy to do much macro even with a macro lens. When the DoF is that fine you end up needing to focus stack and that's generally a pain in the arse.

    8. Re:can the lenses keep up? by Anonymous Coward · · Score: 0

      All camera manufacturers count sub-pixels. A 12MP sensor typically* has 6 million green pixels, 3 million red pixels and 3 million blue pixels. The "missing" colors for each pixel are interpolated from surrounding pixels. The new Sony sensor appears to be able to combine multiple sub pixels into one to increase sensitivity on the sensor, but if the pixels can also be read individually, then you get both high resolution with enough light and high sensitivity for darker scenes and fast exposures.

      *) There are some exceptions which don't use a standard Bayer pattern.

    9. Re:can the lenses keep up? by Bob+the+Super+Hamste · · Score: 1

      I have tried focus stacking some and it always seems to go sideways for me so I kind of gave up on that technique for now. I have been playing around a lot with macro of late as I have been trying to expand my photographic abilities and just get better all around. As much as I would like an f/0.5 lens as well I do understand their limitations. Even a 50mm at f/1.4 is on the soft side with a narrow DoF but then the people who complain about the softness and DoF of a 50mm at f/1.4 are people who I don't listen to for photographic technique or equipment advice.

      --
      Time to offend someone
    10. Re:can the lenses keep up? by DRJlaw · · Score: 1

      You're assuming that each pixel is represented exclusively by four other pixels.

      I can't be arsed reading up on it...

      No, I've read up on it, and you're projecting your tendency to assume onto me.

    11. Re:can the lenses keep up? by HornWumpus · · Score: 2

      https://petapixel.com/2013/08/...

      TLDR: Sold for $80k, in the 60s, and doesn't work. Zeiss being silly, mocking the trend of the time.

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    12. Re:can the lenses keep up? by Anonymous Coward · · Score: 0

      If you've read up on it, then why do you lie about the effective resolution? The array can be used for high resolution or high sensitivity. The color resolution is lower than the 48MP number suggests, but that's also true for normal Bayer pattern sensors.

    13. Re:can the lenses keep up? by Cederic · · Score: 1

      Perhaps you could have helped avoid confusion by mentioning that image capture can occur in two modes: Good light, at 48MP and less good light, at 12MP.

      I'd still need to read more about the quad bayer array to properly understand how they're binning photons and computing pixel colour and intensity from that. To be fair sensors are something Sony do well.

    14. Re:can the lenses keep up? by DRJlaw · · Score: 1

      The summary and TFA did that:

      However, thanks to some smart technology called a Quad Bayer array -- where neighboring pixels are intelligently combined -- Sony says the effective pixel size is 1.6 microns. The bigger the pixel size, the better the light capture and low-light performance

      And yes, I did that:

      You do realize that with the Quad Bayer array the camera's resolution drops to 12MP with ~1.6um sensor
      cells, right?

      "[N]eighboring pixels are intelligently combined" and "drops to 12MP with [2x sensor dimensions]." This was not hidden from you. In either case.

    15. Re:can the lenses keep up? by DRJlaw · · Score: 1

      If you've read up on it, then why do you lie about the effective resolution?

      What lie?

      The array can be used for high resolution or high sensitivity.

      48MP or 12MP wit/h high sensitivity. Yes.

      The color resolution is lower than the 48MP number suggests, but that's also true for normal Bayer pattern sensors.

      Bingo. Specs report the detector resolution, not an "effective color resolution" after discounting for Bayer patterning. So where's the lie? Did I say "effective" or "color resolution" anywhere but here?

    16. Re:can the lenses keep up? by thegarbz · · Score: 1

      Why not just use the quad bayer array with fewer pixels and give mobile phones an actual low light capability for once.

      Or better still, why not up to 48Mpxl and then us signal processing to eliminate the randomly distributed noise across the pixels to give mobile phones an actual low light capability ... while also providing the ability to give other useful features like better HDR.

    17. Re:can the lenses keep up? by Cederic · · Score: 1

      Primarily because random noise is difficult to differentiate from actual image content.

      Photograph the sky at night. Is that noise or a galaxy?

      Wait a bit longer, count more photons hitting the sensor.. it's a galaxy. What if you don't want to wait? How do you get those extra photons?

      Give them more sensor to hit. Larger pixels.

      This is why larger sensors have lower noise in every sensor generation, and why you can't buy a full frame camera with the same pixel density as a mobile phone - scale the Samsung S9 sensor to full frame and you'd have a 229MP sensor. Better by far to stick at a quarter of that, get four times the light hitting each detector, get the superior low light performance and also make lenses affordable.

    18. Re:can the lenses keep up? by thegarbz · · Score: 2

      Funny you should mention Galaxies. But not so funny how you're comparing the two.

      Photon counting vs producing a photograph and noise reducing the results are two very different statistical processes. The benefit of the galaxies is they don't move allowing us to reset the nose floor between identical exposures thus statistically eliminating the noise of the sensor as you go. Just doing a longer exposure doesn't help you much determine what is Galaxy and what is a photon hitting the sensor.

      Then there's the actual noise reduction process and how it can be applied. NASA specifically created a technique for eliminating sensor noise by making sub-pixel shifts in the camera creating a resulting really large but blurry picture with many megapixels. Noise reduction algorithms then working on a pixel by pixel level do wonders determining the difference between blurry stars to eliminate sensor noise and the final picture is then downsampled back to the original resolution. I use the same technique when I image galaxies to great effect. The difference is I have the time to dedicate to making the noise profile finer than the image subject when I use my telescope. We don't have that luxury when hand-holding a camera.

      The difference between large and small sensors all but disappeared a few generations back. In the earlier days sensor size was critical due to major problems with the ability to capture photons. Quantum efficiency of sensors was quite low, gaps between photosensitive areas were large and making a smaller pixel often meant a photon getting reflected or absorbed without recording. Microlensing, and reducing the supporting structure between photosensitive areas has done more for image SNR than pixels size ever did. To be clear bigger still is better, but that is purely hardware and first principles and ignores a whole lot of signal processing advancements that have been made.

    19. Re:can the lenses keep up? by Cederic · · Score: 1

      The benefit of the galaxies is they don't move

      That's wrong on pretty much every level.

      allowing us to reset the nose floor between identical exposures

      I like my photographs to work from a single exposure. A bird wont take a fish from water multiple times in a row to allow you to capture multiple identical exposures and eliminate the noise as the difference between them.

      Just doing a longer exposure doesn't help you much determine what is Galaxy and what is a photon hitting the sensor.

      The photons come from the fucking galaxy. A longer exposure does indeed allow you to receive more light from the galaxy, or star, or reflection of light off a sea eagle in its dive.

      Of course, that sea eagle is moving quite quickly, which is why bigger pixels allowing more of that reflected light to be captured in a shorter timespan are so fucking useful.

      NASA specifically created a technique for eliminating sensor noise by making sub-pixel shifts in the camera

      My camera can use sub-pixel shifts in the sensor too but that's still fuck all use with moving subjects, or when you don't want to sit there waiting.

      I use the same technique when I image galaxies to great effect

      You don't even need to use sub-pixel shifts, multiple images of the galaxy will suffice. Ideally throw in an image of a black cloth over the lens too to really highlight the sensor noise profile.

      The difference between large and small sensors all but disappeared a few generations back.

      Did it fuck. Check https://www.dpreview.com/revie...

      Oh look. The full frame sensor has discernably less noise than the APS-C sensor, despite both being 24MP. The 20MP four-thirds sensor is even worse, and the 20MP one inch sensor is fucking terrible in comparison.

      Those are all 2018 cameras.

      To be clear bigger still is better, but that is purely hardware and first principles and ignores a whole lot of signal processing advancements that have been made.

      Which is my entire fucking point. At any sensor generation, the larger sensor captures light much better.

      Shit, go back four years - multiple sensor generations - and check the APS-C sensor noise levels compared to the same megapixel smaller sensors now:
      https://www.dpreview.com/revie...

      Oh look. The one inch sensor still has relatively poor noise. So it's taken 4 years for sensor quality to jump one size in quality.

      Meanwhile, since this conversation is based around mobile phone sensors I added one to that last comparison. Despite being three stops slower than the other sensors its noise profile kind of proves my point pretty emphatically.

      My six year old camera with a four-thirds sensor still takes lovely photographs. My year old camera still sucks at low-light photography compared to a new full frame DSLR.

      Sensor pixel size matters.

    20. Re:can the lenses keep up? by thegarbz · · Score: 1

      That's wrong on pretty much every level.

      Wow. Just wow!

      I like my photographs to work from a single exposure.

      So do I. You're the one who started talking about galaxies. Something that precisely isn't imaged with a single exposure.

      Oh look. The full frame sensor has discernably less noise than the APS-C sensor, despite both being 24MP.

      Yep it did. You're not listing quantum efficiency, you're listing noise and seemingly ignoring half my post while you rave about hardware.

      My camera can use sub-pixel shifts in the sensor too but that's still fuck all use with moving subjects

      Ahhh exactly! Now we're talking the same language. So in order to get the same benefits as we discussed when you started talking about galaxies we can do something very simple: Record at a resolution higher than the diffraction limit of the optics.

      Which is my entire fucking point. At any sensor generation, the larger sensor captures light much better.

      Cool story. There's more to making a photo than the hardware on the sensor. And the total system quality needs to take into account what you do with image processing as well.

      My year old camera still sucks at low-light photography compared to a new full frame DSLR.

      Cool story, maybe when you spend $3000 for a phone you may be better off.

      Look honestly there's no point continuing this discussion. As it is you've ignored or failed to understand anything I wrote then proceeded to complain when I started my post with the basis of your own example which ultimately forms the basis for the very image processing which benefits high resolution sensors in the first place.

      Try to understand what I'm talking about and stop looking for examples that specifically exclude it to help make your point. Otherwise it just looks like you're arguing with yourself.

    21. Re:can the lenses keep up? by Cederic · · Score: 1

      What you're failing miserably to comprehend is that all the signal processing, image processing, manipulation of the data captured from the sensor is entirely fucking irrelevant.

      You can do all of it the same way on data captured from any sensor. It's a constant.

      The variable becomes the pixel size of the sensor, and my point is that the larger this is, the more light it can capture, and the better quality image you will get as a result.

      Try to understand what I'm talking about

      I understand quite well enough. You're a megapixel count queen and think software and/or multiple exposures can compensate for shitty sensor size. I've demonstrated pretty comprehensively that it can not.

    22. Re:can the lenses keep up? by thegarbz · · Score: 1

      What you're failing miserably to comprehend is that all the signal processing, image processing, manipulation of the data captured from the sensor is entirely fucking irrelevant.

      You can do all of it the same way on data captured from any sensor. It's a constant.

      You can do it anyway. However when you do it on resolutions that at lower resolutions you start to actively clobber parts of your data since these algorithms rely primarily on looking for differences in very small spaces. The only time what you say is right is:
      a) the lenses would be capable of producing relevant data at this level, which they are not because of the diffraction limit, and b) someone actually looks at data with the same physical dimensions which either implies he's not looking at the picture on the whole, or has just used a lot of digital zoom (another benefit we haven't discussed, primarily due to the lens issues).

      I understand quite well enough.

      I have a feeling you understand the concepts, but don't understand how it all fits together.

      You're a megapixel count queen and think software and/or multiple exposures can compensate for shitty sensor size.

      Nothing's further from the truth. I shoot with a relatively low resolution camera, and I don't think multiple exposures with pixel fuzzing solves anything. I know it, and use specialised image processing software to do it frequently. Come back when you actually have to do some science with your sensor including characterising and compensating for the various noise sources, rather than just playing your point and click adventure game.

       

      I've demonstrated pretty comprehensively that it can not.

      You haven't demonstrated anything. Actually well that's not fair. You have comprehensively demonstrated your ignorance and stubbornness about this topic, and also your ability to type words into a box and hit submit.

  4. Megapixels only take you so far by randombilly · · Score: 2

    My new D5600 Nikon camera, cost something in the $700 range, for instance, has a sensor of 24.2 megapixels. But the tippety top of the line Nikon DSLR, the D5, which costs almost $7,000 only has a 20 megapixel sensor, but obviously can take way better pictures because of the PHYSICAL size of the sensor.. More dynamic range, faster exposure, blah blah blah. Then of course there are lenses that will never be practical for a phone but have way more to do with a good picture than the quality of a sensor.

    1. Re:Megapixels only take you so far by Albanach · · Score: 2

      Indeed. My fifteen year old Canon 10D with a $50 50mm prime lens will take better photos than pretty much any cell phone camera available today. That said, I'm not likely to take the Canon to the pub, so there's a role for both.

    2. Re: Megapixels only take you so far by bugnuts · · Score: 1

      The main thing the sensor size gets you is better separation with depth of field. That gives far more artistic options.

      If you're shooting something where you want a really large dof, this tiny phone camera sensor will work great.

      Putting a sensor like this in a mirrorless, like a m43 mount, might lead to some really nice cameras outside the phone camera realm, too.

    3. Re:Megapixels only take you so far by sandbagger · · Score: 4, Interesting

      That $7000 Nikon D5 is the see in the dark Batman camera. It's meant for photojournalists who have to shoot in often horrible conditions. Their other camera is a $5000 super resolution 45 MP that generates images with nearly 15 stops of dynamic range and in 14 bit. Both of these cameras produce images that are so far beyond what phones can do. The cameras have their sensors and Analogue to Digital converters fine tuned for their different jobs.

      A few years ago one of the Chicago papers laid off all its photographers and gave their reporters iPhones. When the hockey team won the Stanley Cup guess whose front page was an embarrassment.

      The sheer amount of light gathering full sized cameras can do justifies their existence.

      --
      ---- The above post was generated by the Turing Institute. Maybe.
    4. Re:Megapixels only take you so far by PPH · · Score: 1

      That $7000 Nikon D5 is the see in the dark Batman camera.

      Or a fast shutter, motion capturing camera for sports and nature photography.

      --
      Have gnu, will travel.
    5. Re:Megapixels only take you so far by nasch · · Score: 1

      Oh, the speed! Honestly nicer lenses and better sensor and all that is below my top two reasons for having a DSLR, which are an indirect flash and the speed (meaning shutter lag and burst, not f stops).

  5. How about, no, Sony. by nwaack · · Score: 3, Interesting

    Instead of cramming an ass-million pixels into your camera sensor, why don't you make a lens and sensor big enough to actually let in some light so I don't have to spend a fortune on a phone just so I can take a halfway decent night shot? Yeesh.

    1. Re:How about, no, Sony. by Anonymous Coward · · Score: 0

      Next you'll complain that you broke the vulnerable over-sized lens that you demanded.

      Design involves compromises to result in a usable, durable, product.

    2. Re: How about, no, Sony. by bugnuts · · Score: 1

      Sony has pioneered this with their a7s line and have some of the best low light sensors made. Phone cameras kind of have a requirement for cramming in pixels due to the size. I'd be happy with a 5mpx camera that's very sensitive to low light, but most people wouldn't.

    3. Re: How about, no, Sony. by Bob+the+Super+Hamste · · Score: 1

      If the biggest image you are going to print is an 8x10 then a 7.2MP camera with some reasonable glass would be all you would need. Granted that is a pretty big image for most people as a 5x7 (3.2MP is all that is needed here) is pretty standard and they really don't understand what resolution they actually need. On the other hand I have had 24"x36" prints made from some of my images and there even my 24MP high end DSLR wasn't enough to get the needed resolution. With these images I had created them in different ways as I wanted some very high resolution images some were done using super resolution others were stitched panoramas with lots of overlap, and with one it was both techniques. It all depended on what I was shooting and what effects I was going for but either way I wanted to create some huge images. At this point phone cameras are just a selling point as consumers don't understand that they don't need that many pixels and also they don't understand that they have been diffraction limited to a much smaller number of effective pixels.

      --
      Time to offend someone
    4. Re: How about, no, Sony. by Anonymous Coward · · Score: 1

      On the other hand I have had 24"x36" prints made from some of my images and there even my 24MP high end DSLR wasn't enough to get the needed resolution.

      24MP @ 24"x36" is plenty good unless you're standing, like, 2 ft away. Back up, motherfucker!

    5. Re:How about, no, Sony. by thegarbz · · Score: 1

      The number of megapixels is only very lightly related to the amount of light that comes in. You're still getting the same light hitting the sensor, and with modern sensor designs very little is wasted on gaps between photosensitive areas ... unlike say 15 years ago. You want to take a half-way decent night shot? Cram as many megapixels as you want in. The noise profile is random across pixels so noise reduction algorithms work true wonders when you have a very fine grain to remove, especially when that noisy grain is finer than the details that were captured.

  6. Sony XZ(2) with IMX300 sensor... by HornWumpus · · Score: 1

    23 megapixel, 960 fps (IIRC at 720p). Good low light performance for tiny glass (f 2.0).

    Already the best mobile phone camera. Higher resolution will just get you clear pixels of blur.

    Sony has a long history of keeping the best CCD chips for their own cameras, selling the high defect ones to other camera companies.

    --
    John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    1. Re:Sony XZ(2) with IMX300 sensor... by Albanach · · Score: 1

      selling the high defect ones to other camera companies

      Any evidence for this? There's a big difference between keeping a design exclusive and selling inferior or faulty goods. I can't imagine for a second that the likes of Nikon would accept high defect CCDs.

    2. Re:Sony XZ(2) with IMX300 sensor... by HornWumpus · · Score: 1

      They've been notorious for it for 30+ years now.

      Sony makes the best CCDs, what is Nikon going to do about it? Sony will likely sell them the next best batch if they pay a little extra. Gives them an edge on Olympus.

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    3. Re: Sony XZ(2) with IMX300 sensor... by bugnuts · · Score: 1

      It's a CMOS, but their 42mpx full frame sensor was developed by Sony and Nikon and both use it in different cameras. What's Nikon going to do? Nikon is going to join them.

  7. Needs a cryogenic cooler by Anonymous Coward · · Score: 0

    Otherwise, noise. Sorry Sony, megapixels aren't everything. It's time for you to compare your image quality at the pixel level to that of the competition and to the devices you created in the past. Make it comparable. Then come back and tell us.

  8. Or, not and. by Anonymous Coward · · Score: 1

    On paper, that means Sony has managed to produce a sensor that combines a huge amount of detail with excellent light capture and low noise levels as well.

    No, it doesn't combine. It gives you a choice between a huge amount of detail or excellent light capture or low noise levels. There are only so many photons hitting a given area at a given exposure no matter how intelligently you subdivide the area.

    Why do we still believe in magic in the age of technology?

  9. Re:Perfect by Anonymous Coward · · Score: 0

    First post, mademoiselle

    Big if true.

    -WindBourne

  10. Re:Perfect by Anonymous Coward · · Score: 0

    Interesting. From what I understand, BSD is dying. That probably explains a lot, don't you think? The record is clear on one thing: no operating system has ever come back from the grave. Efforts to resuscitate *BSD are one step away from spiritualists wishing to communicate with the dead.

  11. Re:Perfect by Anonymous Coward · · Score: 0

    Mediocre.

  12. .8 microns? by Pig+Hogger · · Score: 1
    Welcome to big-bang background noise galore!!!

    I have had a full-frame camera with 7 micron pixels for nearly 10 years, and I am still amazed at the pictures clarity it yields. I doubt that .8 micron pixels are ever going to give a good result

    1. Re:.8 microns? by samwichse · · Score: 1

      https://www.dxomark.com/huawei...

      I think the idea is you have more noise, but the noise is smaller than the details you're aiming to capture.

      Then you average several pixels and make the best-scoring phone camera there is. The P20 pro only puts out a 10MP image... I bet this one will be used such that it puts out 12MP. Totally reasonable.

      Sam

  13. a tiny phone lens can only admit so much light by enjar · · Score: 1

    Cameras in phones have pretty much killed off the idea of a separate "point and shoot" camera for some time now, and yes, phone cameras can do some absolutely amazing stuff, especially combined with things like in-camera HDR, editing on the phone, instant cloud backup, and ability to share your photos pretty much instantly anywhere you have a data signal. That's pretty neat stuff, and as they say "the camera you use is the one that you have with you". So they are a great blending of two devices in one, and very useful.

    That said, it's not all pixel count. A DLSR is going to give you full creative control, plus a full choice of optics optimized for whatever you might be doing, from macro work taking pictures of tiny subjects, to astrophotography, and everything in between. You can also do things with shutter speed, aperture, zoom, etc that you just can't get out of a phone.

    I have both. The phone gets a lot of use because it's pretty darn good for what I use it for, and very convenient. The DLSR is hauled out for when the serious picture taking happens.

    1. Re:a tiny phone lens can only admit so much light by HornWumpus · · Score: 1

      A micro 4/3 is a nice, functional, smaller choice.

      Often the same sensor as the small sensor 35mm DSLR, which becomes full field in the smaller form factor.

      But, of course it means all new lenses. I had real good luck with used from japan vendors on Amazon. Some of those guys just NEED the newest stuff. Year old, half price. Prime lens, F0.7 for about $200.

      You still have to carry it, about half the bulk.

      --
      John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
    2. Re:a tiny phone lens can only admit so much light by Bob+the+Super+Hamste · · Score: 1

      For most people all they will ever need is a cellphone camera and even at then the most pixels they would ever need is just over 7 million so they can print a reasonable 8x10. A fully automatic cellphone will produce better results as they don't want to learn how to actually take a picture or work a camera. I use my DSLR all the time and the only time I use the phone is when I don't happen to have my DSLR. I actually still use a fully manual film camera too semi professionally as I know a number of pros who do wedding shoots and having film pictures in addition to digitals is a thing now so I have done a few shoots as an assistant with a couple of film bodies. This is fun for me because those film bodies get a lot of notice as do some of the larger lenses I have because some times I will use a 300mm lens as a portrait lens or a 135mm as a macro. This way I work only with the actual photographer and have to deal with them and as we know each other we know what to expect of each other so there aren't the arguments that they get to have with the customers.

      --
      Time to offend someone
  14. Nokia has 41 in 2012? by Anonymous Coward · · Score: 0

    Why does this represent a 'major quality bump'? Nokia had a 41MP phone in 2012... Oh wow, 17.1% increase in 6 years!

    1. Re:Nokia has 41 in 2012? by Bob+the+Super+Hamste · · Score: 1

      This one won't be as diffraction limited.

      --
      Time to offend someone
  15. Because consumers don't understand by Bob+the+Super+Hamste · · Score: 5, Interesting

    Because consumers don't understand diffracton and false magnification but do understand a bigger number. Too bad this is only going to make the red amplification problem worse as at a pixel size of 800nm it is getting awfully close to the long range of visible red so it will capture even less of that. I would be willing to be I can capture a better quality image with my old K-2000 (10 year old 10MP DLSR) and old screw mount 8 element SMC Takumar f/1.4 but if I used my K-3 and my modern good glass (I own the 3 princesses) I would absolutely crush it. I'd even be willing to bet I could do better than this sensor with a roll of Ektar100 in my Spotmatic F using that same 50mm f/1.4 lens although it would have more noise from the grain.

    That said Sony does make some damn fine sensors but no one who knows about optics and sensors really expects this to compete with even entry level DSLRs or mirror-less interchangeable lens cameras, let alone those monster digital medium formats from Hasselblad or Pentax. Instead it will be something for consumers to get into a phone pissing contest over and believe that they can take pictures just as good as a pro can.

    --
    Time to offend someone
    1. Re:Because consumers don't understand by Walter+White · · Score: 1

      Thank you. I wanted to say something about diffraction but you are already there. I wonder what actual resolution can be achieved with a cell phone optic. I don't see the sense of adding pixels beyond that.

    2. Re:Because consumers don't understand by Anonymous Coward · · Score: 0

      That I don't know. With these sensors you would need something like a f/0.5 lens to not be diffraction limited but there you would have a very shallow depth of field and would likely be a soft lens unless they only focused on center sharpness in which case the edges would be very soft. Even at f/0.5 the airy disk is probably right around that 800nm (.8 micron) range so there you are still hoping that a point source of light is centered on a single pixel otherwise you will be losing resolving ability. Every stop increase would double the size of the airy disk so even using something like a f/1.4 lens would be 3 stops. This would mean that a point source of light would cover a 8x8 grid or 64 pixels at best. Here again we are still assuming ideal lenses which cheap cellphone ones aren't and are actually quite far from being so.

      Basically what I have found is that every new generation of top of the line cellphone camera claims to have finally caught up to DSLRs but in reality they mean they now can compete with an entry level consumer DSLR with cheap kit lens from 10 years previous. I am saving up so that when the next gen FF Pentax comes out in a few years I can get that because it likely will be a really nice 40-50MP back illuminated sensors with hopefully 15 stops of dynamic range and and in pixel shift mode maybe a true 16bpc color depth. Because I really need a big upgrade to replace my K-3. If that doesn't happen I can always see what the replacement will be for the 645Z when that comes out. I already own 3 645 format lenses that I used on my K-3 so all I need is a body.

  16. Do they? by Anonymous Coward · · Score: 1

    We all know that that's what the vast majority of consumers can understand, but for anyone caring about the details, it's relatively meaningless as a comparator.

    Do people actually care?

    Sometimes, I think marketers care about things because they think other people care and those people think other people care. I don't. I never look at the camera specs. Frankly, anything over 5MP is more than adequate for a phone.

    Real estate. Every real estate agent spews the same thing, "The house and interior paint needs to be neutral colors yada yada yada yada..."

    I asked a real estate agent once, "Whenever someone buys a house, the first thing they do is redecorate. Is there actual data that shows neutral colors help sales?

    "That's what everyone says."

    "In your experience?"

    "I never noticed"

    Before my wife and I made our decision to buy (and we planned to redecorate), the owners paid someone to paint the entire interior of the house and replaced the carpets at the insistence of their realtor. This horribly ugly boring beige color. It was like someone hired a color blind interior decorator.

    At the closing, I told the seller, "Why did you paint? We're going to paint over all this anyway and put in hardwood floors.

    A few thousand dollars went into the trash.

    All because everyone else says so.

    1. Re: Do they? by Anonymous Coward · · Score: 0

      And if your offer or financing fell through? Some people want a âoemove in readyâ house and wonâ(TM)t be redecorating any time soon. A house that needs repairs will have those costs negotiated out of the final price. Better to get the house into an acceptable condition where it may attract multiple offers than to have many contingencies.

  17. Yeah, pixel war... by 140Mandak262Jamuna · · Score: 4, Insightful
    You know the auto industry was having this pissing contest about the 0-60 times. Basic problem is, the IC engine has zero torque and zero power below the idle speed. All kinds of mechanical contraptions and gymnastics, making the engine bigger and bigger, so much bigger rest of the car body and the driver form an insignificant things strapped on to a huge monstrous engine with 8, 10, 12, or even 16 cylinders....

    Then came in the electrics, the puny wheezy golf cart electrics.... Beats them hollow in their own game. An electric SUV beats an Alpha Romeo Spyder, while towing an Alpha Romeo Spyder!

    Wish someone will make a CCD with a dynamic range 3 orders of mag better than the crappy ones we have.

    --
    sed -e 's/Chuck Norris/Rajnikant/g' joke > fact
    1. Re:Yeah, pixel war... by thegarbz · · Score: 1

      Wish someone will make a CCD with a dynamic range 3 orders of mag better than the crappy ones we have.

      What for? As it stands currently the biggest problem with have with the images our existing CCDs are recording is processing them in a way to display that detail. We already have the ability to shoot into the sun while seeing into the shadows. What will even more dynamic range show? That glass is imperfect and flaring limits our ability to see?

    2. Re:Yeah, pixel war... by Anonymous Coward · · Score: 0

      Wish someone will make a CCD with a dynamic range 3 orders of mag better than the crappy ones we have.

      Have you checked whether enough photons actually exist in the average scene to enable adding another 6 stops of DR?

  18. Zoom? by MindStalker · · Score: 2

    While I know this high pixel count is worthless, can anyways with actual knowledge of the technology tell me if this would help with digital zoom? If my cellphone camera could offer me a 10x zoom producing a 4 Megapixel image, this is something I might consider buying.

    1. Re:Zoom? by Anonymous Coward · · Score: 0

      A 2x digital zoom halves both width and height of the image on the sensor. A 10x digital zoom results in 1/(10*10) of the pixels, so with this sensor you would get about 0.5 megapixels. If 4 megapixels is your limit, you'll get a 3.5x zoom out of this sensor (3.5*3.5*4=49).

    2. Re:Zoom? by thegarbz · · Score: 1

      While I know this high pixel count is worthless

      Why do you know that? Higher pixel counts do wonders for the ability to process data. Control of the individual pixels even more so. HDR, noise reduction, better colour reproduction through different and very lossy interpolation across the beyer sensor, software based vibration reduction all benefit from higher pixel counts.

      But ultimately the answer is a: not really. You can cram as many pixels as you want into your sensor. That 3mm tiny camera lens will limit your sharpness and your practical ability to digitally zoom.

  19. Quad Bayer by rminsk · · Score: 2

    Quad Bayer is just the binning of a 2x2 region of sensors. It does not give you double the effective sensor size. They are using both long and short exposure to give more dynamic range. See the following diagram. https://i.imgur.com/rm1UKHj.pn...

  20. It's a trick by nospam007 · · Score: 1

    Even if it's a Sony.

  21. Size of sensor by Anonymous Coward · · Score: 0

    Agree with all of that no doubt. There's also the sensor size to consider. Pixel to pixel noise is worse in small sensors with high pixel counts, where the pixel count can cause a less desireable result than the lower count, larger, noise reducing pixel spacing.

    So, a full frame sensor (35 mm = 1.37 inches) is best, and found in better DLSR cameras, but no way can be fit into phone partly due to the optical lens needed. So, mobile will continue to be crappy, relatively speaking compared to DLSR. A 24 mp sigma quatro is on my bucket list - but my 16 MP Pentax will put any mobile to shame

    1. Re:Size of sensor by Rhipf · · Score: 1

      Actually a medium format (120mm?) sensor is even better. I don't know what the next size up would be but that would probably be even better yet (assuming pixel density stays relatively the same.
      Just as in film the larger the sensor (film) size the better the end results.

    2. Re:Size of sensor by ChrisMaple · · Score: 1

      Full frame and larger is a waste of money for all but a very narrow range of uses - mostly low-light photography where low noise is critical and there's time to do critical focusing, or extreme detail applications. For most amateur photographers APS-C is optimum: the price is less than half of full frame and the depth of field is substantially better. Also, full-frame cameras with high quality lenses are heavy; you won't be happy carrying one while mountain climbing.

      --
      Contribute to civilization: ari.aynrand.org/donate
    3. Re:Size of sensor by nasch · · Score: 1

      Since the 70D came out, it's not clear full frame is even needed for low light. I assume Nikon has made similar advances.

  22. Throw Away that DSLR! by Anonymous Coward · · Score: 0

    Wow, I can have a tiny, noisy sensor, paired with a tiny, slow lens, paired with poor aperture control, poor ISO, poor focusing, poor zoom, no image stabilization, to take very high resolutions photos, with blur and noise.

    How can I lose?

    I need to throw away my DSLR and lenses, the new *Phone will replace them all!

    1. Re:Throw Away that DSLR! by johnsie · · Score: 1

      rofl

  23. Won't believe until I see it by u19925 · · Score: 2

    There is a diffraction limit which sets in when the pixel size is smaller than 1.22*wavelength*f_ratio. The wavelength range is 0.4-0.7 micron (let us take middle wavelength of 0.55 micron). Best f_ratio that I have seen is 1.8, so the limit kicks in at at around 1.2 micron pixel size. The limit is for far off objects and you get little better when nearby assuming you have a perfect lens.

    In practice, it will be impossible to beat 16 MP SLR camera in terms of resolution. This is why mega zoom camera cannot give as good resolution of moon as some of the SLR with large lens can give.

    1. Re:Won't believe until I see it by thegarbz · · Score: 1

      Diffraction limit is only related to image sharpness. There's a lot more to having more megapixels than sharpness when you start exploring the oportunities of signal processing.

    2. Re:Won't believe until I see it by Anonymous Coward · · Score: 0

      There is a diffraction limit which sets in when the pixel size is smaller than 1.22*wavelength*f_ratio. The wavelength range is 0.4-0.7 micron (let us take middle wavelength of 0.55 micron). Best f_ratio that I have seen is 1.8, so the limit kicks in at at around 1.2 micron pixel size.

      In this specific case averaging out the wavelengths is actually a bad idea for the sake of your argument. There are three different detectors, one for blue, green and red. Red light is at 700 nm. So this will be the color affected the most by the problem. Per your own formula and using the information I could find with a quick search on the lowest f-stop on a phone (LG V30, f/1.6) you get a value of 1.37 for the limit. And if we go to more normal values of f/1.8 or f/2.0...

  24. Viva VVS by Anonymous Coward · · Score: 0

    Yay! 48MP vertical vidéo!

  25. Ah, so not 48MP by Anonymous Coward · · Score: 0

    The effective pixel size of 1.6 microns means that they're quad binning the sensor pixels - this equates to a 16MP sensor, not 48MP.

  26. Bleeding edge of tech by Anonymous Coward · · Score: 0

    Porn will lead the way as usual?

    Maybe.

    What good is it if automatic computer airbrushing wipes away all the wrinkles, in the "all the best skin is wrinkly" sense?

    Can someone write a semi-intelligent skin filter that gets rid of flakes and dirt and face wrinkles, but leaves junk wrinkles and wrinkles on the sexy bottoms of feet, above the knuckles, and on the sexy elbows?

    Some places you want texture, and others you don't.

    Come on, man. AI is supposed to be at that level to know what is where and how on a 3D model.

  27. THANK YOU! by p51d007 · · Score: 1

    Someone else that actually GETS IT. About the only "good" such a LARGE amount of pixels, in such a TINY area is for crop/zooming. Most 8-10mp sensor, if you were to print, would print a photo of A3 (11x17) size. Who prints these days? Higher MP count is good for cropping/zooming without losing as much detail when zooming. As you stated, adding MORE sensors in such a tiny substrate, with the paths so close together, increases the signal to noise ratio, which, after capture, then the software has to attempt to compensate for said noise and knock it down, which would most likely flatten out the photo. Instead of increasing the MP count, how about making EACH sensor LARGER, and increase the physical size of the sensor, and, increase the physical size of the glass in front of the sensor.

  28. quality and MP by snemiro · · Score: 1

    Noise and sensor size are the main parameters for a sensor..then high quality glass for the lens. MP is more a marketing war between brands.....we need smarter people, not smarter phones and cars.....what's next? smart fridges?

  29. Lumia 1020 by Goldsmith · · Score: 1

    The "camera" smart phone to compare against isn't one of the new ones, but the Nokia Lumia 1020. It actually had a good camera: good lens, 41 megapixel sensor, good light/shadow sensitivity, real flash, good camera software. Downside was it was a Window's Phone (anyone who actually used a Windows Phone probably liked the operating system and hated the lack of a good app store), and it was oddly shaped. My 1020 stopped working as a phone a while ago, but it's still the best camera I own.

  30. What race. Nokia hat 41MP, years ago! by Anonymous Coward · · Score: 0

    And it as an *amazing* ... random number source! :D

    (Of course it also had a large sensor and lens because Nokia hardware engineers knew what they were doing.)

  31. Noise will be all that's left! by Anonymous Coward · · Score: 0

    One, two or three photons per pixel, to be exact. ;)

    Way too many pixels for way too little space. And most of it will be used b the thin walls between them. It's like the India of sensors.

  32. Pixel Count? by Agripa · · Score: 1

    How does this help when performance is limited by the lens? My 15 megapixel camera has more coma and chromatic aberration than the sensor will support.