More Than One Third of Music Consumers Still Pirate Music (theguardian.com)
More than one-third of global music listeners are still pirating music, according to a new report by the International Federation of the Phonographic Industry (IFPI). From a report: While the massive rise in legal streaming platforms such as Spotify, Apple Music and Tidal was thought to have stemmed illegal consumption, 38% of listeners continue to acquire music through illegal means. The most popular form of copyright infringement is stream-ripping (32%): using easily available software to record the audio from sites like YouTube at a low-quality bit rate. Downloads through "cyberlocker" file hosting services or P2P software like BitTorrent came second (23%), with acquisition via search engines in third place (17%).
Because it is extremely beneficial for them to put the situation in such a way , so it is easier to introduce new taxes, new draconian measures to restrict the rights to backup copies, to limit the ways of reproduction and etc.
Their greed has no limits
only 1/3 of music consumers still pirate music. Also, no $h!t Sherlock. Broke kids are always going to pirate. Let them. It gets them in the habit of listening to music when they're young. Without piracy they're going to grow up without it and not care when they're old enough to pay. That's how Metallica got their start; pirated mix tapes. Without them they'd be working at 7-11.
Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
>> More Than One Third of Music Consumers Still Pirate Music
Is this number this low because the other two thirds still don't know how to pirate music? Or are there still people who know how to pirate but still plug their holy ears should any not-properly-thithed music hit their virgin eardrums?
Of course we do.
I pay $10/month for a service, and side-load what's unavailable.
Some of the side-loaded stuff isn't available anyway.
Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
Without pirated music, the music industry as we know it today wouldn't exist. Piracy, garage recordings, dubbed mixtapes, is how the majority of bands get their name out... Growing up, I first heard everyone from the Greatful Dead to Metallica to Guns N Roses to Sublime via pirated music... and then went on to share those tapes with countless other friends. Piracy is where popularity comes from. I can honestly say I've never seen a band or bought an album from a musician who I didn't first hear through some form of pirated media. This sounds like nothing but an effort to make a "problem" out of something that's always been the case so that record companies can tax us further.
The most popular form of copyright infringement is stream-ripping (32%) using easily available software to record the audio from sites like YouTube at a low-quality bit rate
Sounds like a lot of work. I just listen to youtube with an ad blocker. Gives me exactly the same result, and it's not copyright infringement.
Please take a moment to read this old article: "The plaintiffs (musicians) claimed compensation for use of work listed on what are known in the Canadian recording industry as pending lists. These lists, accumulated over many years, contain works for which no licence was obtained and no compensation paid........ the action could have been worth up to $6-billion."
In other words the music industry owed 6 billion dollars to musicians for non-payment of songs they used w/o compensation. - LINK https://business.financialpost... And the followup: The record industry only paid 50 million of the 6000 million owed to artists: https://entertainment.slashdot...
- The Music Industry wants to scold us commoners, and yet THEY are far worse at screwing the musicians than we are.
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
What kind of fools do they think we are? We've been taping stuff off of the radio since before I was born in the 70s. Now we listen to music through YouTube and "tape" off of that instead. Only in the mind of an IP lawyer is there some kind of moral distinction here. I'll do this until it is technically infeasible to do so, and I'll sleep just fine at night.
W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
They're not in the least hurting for money but of course they have to have all the money. Then when they have everything so locked-down and monopolized they'll just raise the prices on everything, or worse: they'll try to convince everyone that paying every month forever for 'streaming' is somehow better. Yeah well fuck them no wonder people still pirate music.
The music you want is not available as a CD on Amazon/etc?
#DeleteFacebook
The most popular form of copyright infringement is stream-ripping (32%): using easily available software to record the audio from sites like YouTube at a low-quality bit rate.
This is also known as Time shifting.
ProTip: The Supreme Court of the United States decided that Time shifting is perfectly legal Fair Use, and does NOT infringe copyright.
Pay for music? WTF?
John McAfee 'It was like that time I hired that Bangkok prostitute; to do my taxes, while I fucked my accountant'
1. You think AAC is proprietary to Apple?
2. In case you were referring to DRM, Apple stopped selling DRM'ed music in march 2009 in the U.S.A.
3. Music encoded with AAC at 256kbps is lower quality than a lossless track, sure, but it is far from low quality.
You have the right to dislike Apple or even hate them with a passion. But at least get your facts straight when talking about them.
#DeleteFacebook
... and their musicians as well. Hence no surprise. They are at fault, not the "pirates".
Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
"Phonographic"
cartel with a mid 20th century mind set
Piracy is easier than dealing with DRM. End of story.
Back to reddit for you non-geek!
Between Youtube and Pandora, you can hear everything you want for free anyways. Streaming services have already pretty much killed piracy in the classical 1990's sense of the word.
Weaselmancer
rediculous.
People have their music taste developed between 12 and 18 and they stick to it all their life. To download all that music on broadband you need half an hour and you're good for life.
So I doubt that third very much.
There are lots of ways to find music and actually support the artists.
I find stuff on youtube, and if I like it I may rip it (to listen in my car). If I really like it, I will support the artist on whatever site they have (e.g. bandcamp.com) I have found quite a lot of good stuff that you will NEVER hear on any of these services that cater to the masses. Check out youtube channels or bandcamp.com, or whatever you can find. And by all means support the artists by buying their stuff.
It's usually priced right, and sends the real message to the RIAA - we don't need you any more!
My beliefs do not require that you agree with them.
I just hate when I music along on my music when suddenly, BOOM! Music pirates firing their acoustical cannons on my vessel!
They force us to heave-to, or risk colliding with them, and throw over their limewire hooks. Repel all Billboarders! I cry to my gallant crew, but we are quickly overcome. The music pirates STREAM onto our vessel, and quickly Spotify our Pandoras box of music CDs, LPs, and cassette tapes are.
They take our hidden treasure and stream back to their ship and sail away, leaving us adrift, musicless. We try to sing or hum, but all our crew who could even carry a tune in a bucket were abducted and went off with the music pirates, damn and blast them.
At least they did not steal my ship bell.
Our reign has gone on long enough. Indeed. Summon the meteors.
Rearrange those Titanic deckchairs.
https://www.youtube.com/c/BrendaEM
and if I really, really like it I buy. So I've got King Diamond, Fate's Warning, John Arch and Judas Priest CDs all over the place but, well, I like Udo but not enough to buy up his CDs.
Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
AAC is not proprietary to Apple. Apple isn't even a member of the AAC patent pool. However, it is encumbered by royalty-bearing patents in Slashdot's home country and others, which means it cannot be implemented in software distributed under a license that meets the FSF, DFSG, or OSI criteria for a free software license.
A lot of people have Internet access at home, at work, and in select restaurants, but no Internet access away from there. In order to afford a mobile ISP, they'd have to cancel their home ISP and make do with an oppressive monthly cap.
The music being offered is worth paying for
But how much content is pirated? 38% of the listeners might download an occasional song. But if the amount of content being acquired is down in the single digits of total distribution, it's not really a big problem.
Have gnu, will travel.
It may be that the underlying reason is that much of the music produced today is pure shit and not worth paying for.
Just cruising through this digital world at 33 1/3 rpm...
I subscribe to google music and more on more than one occasion I've observed music going missing from my playlists because of contractual agreements / rate disputes between google and the publisher. Google doesn't make any attempt to notify their paying customers of this change to the catalog. When you obtain music thru other means and upload it to google, you never need to worry about it disappearing. Piracy gives me the ability to continue enjoying the music long after it's removed from google.
I'm surprised its only 1/3. 10 years ago, before mobile, this would at least be 40-50%, without all the great music apps we have nowadays.
... adjust you're pricing and it will be 100%.
'Pirating' will always be present until the purchase of the music becomes a reasonable 'risk' for the money and one is allowed to move and replicate the purchase on all one's owned devices.
"Consensus" in science is _always_ a political construct.