From what I have heard, they are not allowing wi-fi of any kind. Not because its a security risk but because it can interfer with the equipment they really care about. the mic's and cameras and radios used to make sure everything goes smoothely.
I don't think there will be too much trouble with this. Just another company spreading the FUD trying to make a buck.
Some one has a website to tell you how to disable the GPS triangulation on your new cell phone? And then how long before it gets shut down for some kind of DMCA, PATRIOT act or [insert new law taking away our right to play with our toys law here] violation?
This is a right to privacy issue, my boss doesn't need to know where I am when I'm not at work, its none of thier damn business where I answer my phone from. As long as I answer it and do what has to be done.
IBM is screwed no matter what if they did a copy and paste job. But, there are the 1500 linux using corps that got a letter from SCO and if all the chunks owned by SCO are gone the rest of the Linux using world would be safe[r]. It could restore some of the lost faith in OSS if IBM could admit the screwed the pooch on this one but now everything is ok so go download and run linux without fear of Mr. McBride knocking on your door.
IBM has the code to both SCO and Linux, why don't they find out the offending chunks and release a patch to romove them. The Linux community can then rewrite these peices of code and the problem goes away.
Unless ofcourse IBM thinks that would be an admission of guilt and therefore screw them.
If you don't care about using their patches and updated RPMs then you don't need 5 years of support. But if you don't want to have to compile the src on every server or do your own patching some other way then the "consumer" version is not thw way to go. They tend to stop releasing patched RPM's after a while.
I remember this being said before but, if some low-level microserf was to post the src to windows on the web with a GPL license attached and then you downloaded it. They did a no-no by osting it and you keeping it is wrong too, ignorace of the law does not make you exempt from it. It's the same way with stolen property, you can buy a car from some one, pay them the money and even get a title, a fake one, and when the cops come knocking on your door they don't let you keep the car because you paid for it. It's still STOLEN no matter how you got it.
You are in no position to argue anything. You do not have any relevent facts. For all you know there is a big clause in his contract that says all releases must be cleared with AOL or all releases must be closed source or any number of things that we just don't know about. So, its a bad idea to make anykind of assumtion about what he can and cannot do.
What kind of encryption is that?!?! it shoudl either be formatted in blocks of 5 or without spaces.. you are giving away entirely too much information about sentance structure. Its quite apparent you didn't read any of his other books..
Your lucky.. When i get stuff delivered by UPS they don't even bother bringing it to the house! They leave at the bottom of the driveway! Even when the package SAYS signature required, even when its insured, regardless of whats in the box. Be it junk, clothing or computer parts. Fedex leaves it by the front door, which we never use. Today we "found" a package that had been sitting there for about a week without us knowing. So, I try to get stuff delievered at work too.
Here's thje info off their main page and a list of everything it contains for when it gets slashdotted.. Its basically an easy install of everything they use in the labs at the school..
Turn-Key Linux Audio is a scripted installation package for the core set of linux audio applications used at the Eastman Computer Music Center (ECMC). It contains among its many tools over a decade's-worth of powerful shell scripts, smart aliases, tutorials, documentation, shell level environment variables for multi-media linux/unix workstations, and a library of powerful templates and macros (Csound, Score11, SMS, PVC, Rt, Vspace, etc) created by composer, teacher, and ECMC director Allan Schindler.
It is therefore a kind of ECMC 'mirroring' package, inclusive of open source applications from nearly all categories of music production such as editing, mixing, recording, dsp fuctionality, Csound helpers/front-ends, real-time applications, sound utilities, and many others(1). See the explore page for a complete listing. Each individual application is the result of the dedicated hard work and imagination of developers and users whose ongoing efforts continue to expand and improve linux as an audio platform.
The entire package installs from within a fully installed linux distribution (currently Mandrake 9.0) with the execution of a single script, saving users hours of dependencies footwork and versioning troubles, ensuring a virtually transparent initiation into linux as a mutimedia platform.
Nearly all applications, including their respective dependencies, build from source code on the local system, creating maximum compatibilty and performance, and providing users with access to the packages' lowest levels, either for custom configuration, or for development. Source-code level access is one critical benefit of using linux, and providing users with code-level exposure broadens the base of informed user-contributers, leading ideally to better feature suggestions and better apps.
The Turn-Key package shares its model with other all-in-one installs for audio, such as Demudi/Agnula, and PlanetCCRMA. It is similarily directed at a broad audience of home users, but has a particular place in its heart for students and the many under-staffed/under-funded computer music studios in institutions around the world.
In fact, the Turn-Key package began as a way to provide students at ECMC with the same tools used in the studio for use on their home systems (something only linux and open-source software can make possible), but the full installation is now being made available to the larger community. - Kevin Ernste
Alternatively, each application (with dependencies and a TKLA install script) may be download individually (see the explore page for details. Editors *
* Audacity - a fast multi-platform editor, includes multi-track capabilities.
* DAP - Richard Kent's port of the classic SGI version.
* MiXViews - a powerful editor from Doug Scott, includes editing tools for analysis data.
* Snd - Bill Schottstaedt's wonderful everything editor.
* Sweep - a very nice, newly updated editor from Conrad Park. * Wavesufer - one of the best editors for Linux, from Kåre Sjölander and Jonas Beskow.
Analysis/Resynthesis and DSP *
* Ceres3 - the latest, greatest incarnation of the ceres spectral editor.
* Cecilia - more than just a graphical front end to the csound engine...a rich sound manipulation environment.
* LADSPA - a plugins package, including the CMT set, and a number of others.
* Mammut - a fun and useful analysis/resythesis tool with limited features but often suprising results.
* PVC - Paul Koonce's phase vocoding tools with ECMC templates/scripts/docs.
* SMS - Xavier Serra's Linux incarnation of his Spectral Modeling Sythesis application. * Vspace - an excellent tool for ambisonic encoding/decoding and soundscape creation.
Sythnesis/Composition *
* Csound(1) - the composition app, richly expanded with dozens of scripts and templates.
* ngen - Michael Kuehn's powerful new event preprocessor for Csound.
* PD - The venerable MAX-like tool from Max''s own author Miller Pucket.
* RTCmix - The Columbia/Princeton extension of its Cmix music composition "language".
* RTMix - Ivica Ico Bukvik's exciting performance/real-time tool.
* Score11 - Alec Binkman's very flexible Csound score preprocessor, powerful and easy to use.
o TKLA includes a library of Score11 macros, templates, and examples
Players/Recorders *
* Alsaplayer - a very nice player with some added functionality for visualization and playlisting.
* Real Player (downloaded at install time) - a widely used streaming audio app, now for Linux. * xplay - very handy, very simple, no frills player.
Mixing *
* Ardour (2) - Paul Barton Davis' impressive hard disk recorder/mixer.
* Mix - the venerable NoTAM 9 channel mixer, with some welcome additions.
* Ecasound - a rather deep hard-disk recording and playing/routing tool from Kai Vehmanen.
* MixMagic - a GNOME mixing application with some useful features. * Rt - Paul Lansky's scripted mixer, ported and updated for Linux by Doug Scott.
Utilities/Other *
* ALSA - An advanced audio API for Linux with support for the venerable OSS in emulation.
* JACK - the Jack audio connection kit for professional audio under Linux.
* xsox (old version)- a graphical front end for the ubiquitous audio conversion utility "sox".
* Shorten - a program for lossless compression of audio files.
* Normalize - a command line utility for batch production of normalized levels. * RipperX - a nice GUI front end to cdparanoia for ripping CD tracks to audiofiles.
ECMC scripts, utilities, macros, templates and examples * (downloads as a complete set)
* Environment variables and program aliases for audio
o soundfiles are stored, accessed, and manipulated in a separate but simultaneous directory tree (the users "working soundfile directory"-- pwdsf). Most common unix commands have a soundfile analog (i.e., cd has cdsf, ls has lsf, cp has cpsf, pwd has pwdsf, and so on). Applications which open, output, process, or create soundfiles do so to and from this directory (default is/snd/'whoami'). All audio applications are aliased to open ready to access the current working soundfile directory. Ideally, a separate partition is used, optimizing this disk/space for large contiguous blocks such as sound or analysis files.
* Soundfile utilities
o bounce - convert stereo files to mono
o cpsf.aif - convert/copy any format to.aif
o cpsf.wav - convert/copy any format to.wav
o fixaiff - repair broken aiff headers
o mkcaltones - outputs -15 dB calibration tone soundfile
o pitchshift - shift in semi-tones, or multiplier
o sfcheck - check and report soundfile header information
o sfinfo - display soundfile information: format, duration, etc
o sfnorm/stripnorm - normalize soundfiles (renamed.norm) and strip.norm extensions
o sfpeak - find maximum amplitude value
* Playing, listing, and searching soundfiles
o findsnd - find soundfile by character string (-p will play them as they are found)
o playsnd (p) - a command-line player (batch tool)
o lsf - list soundfiles in current working soundfile directory
o players - opens soundfiles in separate graphical players for quick mix auditioning
o playlist - plays from a text file list
* Playing, listing, searching personal soundfile library (/sflib)
o findsflib - find soundfile in library by character string (-p will play them as they are found)
o playsflib (psfl) - play file in soundfile library
o lsfl - list soundfile in sflib
o sflibinfo - find file info for file in sflib
o sflibloops - finds loop points in files with extension ".loop"
* Csound tools, extentions
o chorus - for creating chorsused Score11 files
o lsexamples (lsex)/getexample(getex) - list and get tutorial examples
o lsscore(lssc)/getscore(getsc) - list and get ECMC score examples
o lsmidifunc/getmidifunc - list and get ECMC MIDI functions
o mkkeymap - creates keymaps for Csound functions
o mkmidikeymap - generates a MIDI keymap
o mkmidisffuncs - creates function definitions for use with MIDI and Csound
o mko - m4o expand macros into an orchestra from ECMC library...see below
o mksffuncs - make function tables for soundfiles
* Csound orchestra library--m4o expandable instrument macros (type lsins and mko)
o "sampler" instruments (transposing and non): samp, sampST, tsamp, tsampST, bigsamp, bigsampST, bigtsamp, bigtsampST, samplerpxsyn, samplertxsyn
o modeled instruments: bsn, carillon, cbsn, celesta,chorbsn, chorcarillon, chorcbsn, chorcelesta, chordrums, chorfmod, chormarimba, chorplunk, chortrpt, drums, marimba, plunk
o synthesis (granular, cross, etc): gran, xsyn, gxsyn, fmod
o anaylsis/resynthesis: phavoc, resyn
o global instruments and utilities: sf1to2, sf2to1, sfpan, sf, sfs, sfvpan, rev, rev2, delay
o Allan Schindler's Eastman Csound Tutorial examples (includes orchestra and Score11 files for each tutorial example)
* Score11/Csound score examples and templates (type lsex or lssc respectively)
o templates which write corresponding score files for all above orchestra library instruments, as well as multiple examples for each
* PVC (Paul Koonce) front-ends/templates (type pvcex)
o useful templates for each Phase VoCoder program (chordmapper, plainpv, harmonizer, etc), as well as musical examples (type.tp...Ex. "chordmapper.tp" to access templates)
* SMS (Spectral Modeling Synthesis) examples and scripts (type lssmsex)
* Vspace ambisonic templates/scripts (type vspacetp or lsvspaceex to list examples) -- available for sampling rates to 96k
o for generating ambisonic B-format, as well as 9 channel.fmh (Furse-Malham Higher Order Format) ambisonic spacialization files.
o Can be decoded to stereo, quad, etc with ambidec
* Help and musical information
o ecmchelp (a variety of help pages and charts for music and audio...Ex. ecmchelp pitchratios displays a table of interval ratios for the diatonic system)
o man pages for most tools
o utilities display usage statements when typed without arguments
* CD burning, copying
o mkaudiocd/burnaudiocd, mkdatacd/burndatacd, blankcdrw, cpaudiocd, cpdatacd
but if you remove the library how useful is a program that can't run? If a programmer doesn't like the fact that they would have to open src their project they can use a different platform or library. no one HAS to develop for Gnu/Linux, they don't like the terms they can go to some other OS or library..
But I believe if you link to GPL'd librarys you have to release under the GPL. Striaght form the GPL FAQ: If a library is released under the GPL (not the LGPL), does that mean that any program which uses it has to be under the GPL? Yes, because the program as it is actually run includes the library.
The past is not a real indicator of the future. If it was I would be making $60,000 a year instead of fight battling with a bunch of people with 4+ years of experience to get a level 1 help desk job. Flat panel monitors are just too damn expensive if you want something large.
it sounds more like they are going to charge for security extras not for basic security patches and what not. This isn't MS cutting its massive user bass off, its MS trying to make a few extra bucks off the companies that need enhanced security. Sure, you could argue that the best possible security should be available on all versions of windows, but they are a for profit company and are trying to make a few dollars in this rough economy.
I'm sure they have a way to transcribe it directly to text then run some pattern matching algorith to search for certain words and phrases.. so its computing power not man power, and it doesn't take much of a machine to run grep..
It even worked without the internet.. A lot of towns and cities have the big buildings filled with books. If you live around there you can get this card that will let you walk right in, find the book, then take it home and read it.. all you have to do is bring it back in a month.. and the best part is that its free!! you don't even pay shipping and handling.. I think its called a "library"..
A) If you have a degree you are over qualified and they might not hire you.
B) McDonald's doesn't actually flip burgers anymore! they cook both sides at once. I almost cried when i heard my fallback profession of flipping burgers and mickey D's ceased to exist.
Now when I go out into the real world I have nothing to hope for.
the randomness of the noise is what the method relies on. The more random the noise the hard er it is to remove. With the CD player, it KNOWS whats playing before you even hear it. If you are are sending light down some fiber the attacker only sees what looks like random noise going down the pipe. the need to know what was added to the stream to get back the real data. assuming the people developing this aren't idiots the noise should be quite random and there for hard to pick out. and it isn't like a flash light among stobes, its more like picking out random 0's and 1's from random 0's and 1's. If you know how a simple XOR cipher works, thats its.
If any CD that is copy protected isn't really a CD by the current stanrdard, could Phillips sue for producing a confusingly similar product? Make them change something about it so everyone would instantly know its not a regular cd.
Did anyone else see the large ad under the post before the comments? It only loads sometimes for me. If thats what the ads are going to be it isn't allt hat bad. I was expecting annoying popups and popunders. I can live with that little square there.
As we all learned today in an earlier/. article, the only flaw in windows itself is new one in XP that allows anyone to seize control of the machine. This is clearly an MS Outlook problem which is totally seperate from WinXP. Let us not confuse the users out there into thinking Microsoft doesn't care about OS security.
Please note the slight hint of sarcasm before modding this as a troll. Thank you.
where the linux version? I loved that game and infact i had a machine setup just to play it until a few months ago. That game is one of the reasons i love to play with computers! it it what started a new genre (for the most part), and i will never forget that game. I would love to play it again but i dont have a windows machine and this is one thing i would go out and spend money on for a linux version. most games i just dont bother to play because they arent worth it, but i want this one! ya hear me loki?
sorry, i've had a few too many mcewan's scotch ales tonite.. mmmmmm beer...
and why does NASA have to do it? Maybe our time here is up and we should be obliterated. And this may be the only way to destroy the evil empire that is Microsoft. I say let the commet come and hope it hits Redmond!
Don't they know that if they had a quick easy buy me link they would sell hundreds of these to all the/. geeks hitting their site as we speak. I had my dredit card out and everything for this one..
From what I have heard, they are not allowing wi-fi of any kind. Not because its a security risk but because it can interfer with the equipment they really care about. the mic's and cameras and radios used to make sure everything goes smoothely.
I don't think there will be too much trouble with this. Just another company spreading the FUD trying to make a buck.
Some one has a website to tell you how to disable the GPS triangulation on your new cell phone? And then how long before it gets shut down for some kind of DMCA, PATRIOT act or [insert new law taking away our right to play with our toys law here] violation?
This is a right to privacy issue, my boss doesn't need to know where I am when I'm not at work, its none of thier damn business where I answer my phone from. As long as I answer it and do what has to be done.
IBM is screwed no matter what if they did a copy and paste job. But, there are the 1500 linux using corps that got a letter from SCO and if all the chunks owned by SCO are gone the rest of the Linux using world would be safe[r]. It could restore some of the lost faith in OSS if IBM could admit the screwed the pooch on this one but now everything is ok so go download and run linux without fear of Mr. McBride knocking on your door.
IBM has the code to both SCO and Linux, why don't they find out the offending chunks and release a patch to romove them. The Linux community can then rewrite these peices of code and the problem goes away.
Unless ofcourse IBM thinks that would be an admission of guilt and therefore screw them.
If you don't care about using their patches and updated RPMs then you don't need 5 years of support. But if you don't want to have to compile the src on every server or do your own patching some other way then the "consumer" version is not thw way to go. They tend to stop releasing patched RPM's after a while.
I remember this being said before but, if some low-level microserf was to post the src to windows on the web with a GPL license attached and then you downloaded it. They did a no-no by osting it and you keeping it is wrong too, ignorace of the law does not make you exempt from it. It's the same way with stolen property, you can buy a car from some one, pay them the money and even get a title, a fake one, and when the cops come knocking on your door they don't let you keep the car because you paid for it. It's still STOLEN no matter how you got it.
You are in no position to argue anything. You do not have any relevent facts. For all you know there is a big clause in his contract that says all releases must be cleared with AOL or all releases must be closed source or any number of things that we just don't know about. So, its a bad idea to make anykind of assumtion about what he can and cannot do.
What kind of encryption is that?!?! it shoudl either be formatted in blocks of 5 or without spaces.. you are giving away entirely too much information about sentance structure. Its quite apparent you didn't read any of his other books..
Your lucky.. When i get stuff delivered by UPS they don't even bother bringing it to the house! They leave at the bottom of the driveway! Even when the package SAYS signature required, even when its insured, regardless of whats in the box. Be it junk, clothing or computer parts. Fedex leaves it by the front door, which we never use. Today we "found" a package that had been sitting there for about a week without us knowing. So, I try to get stuff delievered at work too.
Here's thje info off their main page and a list of everything it contains for when it gets slashdotted.. Its basically an easy install of everything they use in the labs at the school..
/snd/'whoami'). All audio applications are aliased to open ready to access the current working soundfile directory. Ideally, a separate partition is used, optimizing this disk/space for large contiguous blocks such as sound or analysis files.
.aif .wav .norm) and strip .norm extensions
.tp...Ex. "chordmapper.tp" to access templates)
.fmh (Furse-Malham Higher Order Format) ambisonic spacialization files.
Turn-Key Linux Audio is a scripted installation package for the core set of linux audio applications used at the Eastman Computer Music Center (ECMC). It contains among its many tools over a decade's-worth of powerful shell scripts, smart aliases, tutorials, documentation, shell level environment variables for multi-media linux/unix workstations, and a library of powerful templates and macros (Csound, Score11, SMS, PVC, Rt, Vspace, etc) created by composer, teacher, and ECMC director Allan Schindler.
It is therefore a kind of ECMC 'mirroring' package, inclusive of open source applications from nearly all categories of music production such as editing, mixing, recording, dsp fuctionality, Csound helpers/front-ends, real-time applications, sound utilities, and many others(1). See the explore page for a complete listing. Each individual application is the result of the dedicated hard work and imagination of developers and users whose ongoing efforts continue to expand and improve linux as an audio platform.
The entire package installs from within a fully installed linux distribution (currently Mandrake 9.0) with the execution of a single script, saving users hours of dependencies footwork and versioning troubles, ensuring a virtually transparent initiation into linux as a mutimedia platform.
Nearly all applications, including their respective dependencies, build from source code on the local system, creating maximum compatibilty and performance, and providing users with access to the packages' lowest levels, either for custom configuration, or for development. Source-code level access is one critical benefit of using linux, and providing users with code-level exposure broadens the base of informed user-contributers, leading ideally to better feature suggestions and better apps.
The Turn-Key package shares its model with other all-in-one installs for audio, such as Demudi/Agnula, and PlanetCCRMA. It is similarily directed at a broad audience of home users, but has a particular place in its heart for students and the many under-staffed/under-funded computer music studios in institutions around the world.
In fact, the Turn-Key package began as a way to provide students at ECMC with the same tools used in the studio for use on their home systems (something only linux and open-source software can make possible), but the full installation is now being made available to the larger community.
- Kevin Ernste
Alternatively, each application (with dependencies and a TKLA install script) may be download individually (see the explore page for details.
Editors *
* Audacity - a fast multi-platform editor, includes multi-track capabilities.
* DAP - Richard Kent's port of the classic SGI version.
* MiXViews - a powerful editor from Doug Scott, includes editing tools for analysis data.
* Snd - Bill Schottstaedt's wonderful everything editor.
* Sweep - a very nice, newly updated editor from Conrad Park.
* Wavesufer - one of the best editors for Linux, from Kåre Sjölander and Jonas Beskow.
Analysis/Resynthesis and DSP *
* Ceres3 - the latest, greatest incarnation of the ceres spectral editor.
* Cecilia - more than just a graphical front end to the csound engine...a rich sound manipulation environment.
* LADSPA - a plugins package, including the CMT set, and a number of others.
* Mammut - a fun and useful analysis/resythesis tool with limited features but often suprising results.
* PVC - Paul Koonce's phase vocoding tools with ECMC templates/scripts/docs.
* SMS - Xavier Serra's Linux incarnation of his Spectral Modeling Sythesis application.
* Vspace - an excellent tool for ambisonic encoding/decoding and soundscape creation.
Sythnesis/Composition *
* Csound(1) - the composition app, richly expanded with dozens of scripts and templates.
* ngen - Michael Kuehn's powerful new event preprocessor for Csound.
* PD - The venerable MAX-like tool from Max''s own author Miller Pucket.
* RTCmix - The Columbia/Princeton extension of its Cmix music composition "language".
* RTMix - Ivica Ico Bukvik's exciting performance/real-time tool.
* Score11 - Alec Binkman's very flexible Csound score preprocessor, powerful and easy to use.
o TKLA includes a library of Score11 macros, templates, and examples
Players/Recorders *
* Alsaplayer - a very nice player with some added functionality for visualization and playlisting.
* Real Player (downloaded at install time) - a widely used streaming audio app, now for Linux.
* xplay - very handy, very simple, no frills player.
Mixing *
* Ardour (2) - Paul Barton Davis' impressive hard disk recorder/mixer.
* Mix - the venerable NoTAM 9 channel mixer, with some welcome additions.
* Ecasound - a rather deep hard-disk recording and playing/routing tool from Kai Vehmanen.
* MixMagic - a GNOME mixing application with some useful features.
* Rt - Paul Lansky's scripted mixer, ported and updated for Linux by Doug Scott.
Utilities/Other *
* ALSA - An advanced audio API for Linux with support for the venerable OSS in emulation.
* JACK - the Jack audio connection kit for professional audio under Linux.
* xsox (old version)- a graphical front end for the ubiquitous audio conversion utility "sox".
* Shorten - a program for lossless compression of audio files.
* Normalize - a command line utility for batch production of normalized levels.
* RipperX - a nice GUI front end to cdparanoia for ripping CD tracks to audiofiles.
ECMC scripts, utilities, macros, templates and examples * (downloads as a complete set)
* Environment variables and program aliases for audio
o soundfiles are stored, accessed, and manipulated in a separate but simultaneous directory tree (the users "working soundfile directory"-- pwdsf). Most common unix commands have a soundfile analog (i.e., cd has cdsf, ls has lsf, cp has cpsf, pwd has pwdsf, and so on). Applications which open, output, process, or create soundfiles do so to and from this directory (default is
* Soundfile utilities
o bounce - convert stereo files to mono
o cpsf.aif - convert/copy any format to
o cpsf.wav - convert/copy any format to
o fixaiff - repair broken aiff headers
o mkcaltones - outputs -15 dB calibration tone soundfile
o pitchshift - shift in semi-tones, or multiplier
o sfcheck - check and report soundfile header information
o sfinfo - display soundfile information: format, duration, etc
o sfnorm/stripnorm - normalize soundfiles (renamed
o sfpeak - find maximum amplitude value
* Playing, listing, and searching soundfiles
o findsnd - find soundfile by character string (-p will play them as they are found)
o playsnd (p) - a command-line player (batch tool)
o lsf - list soundfiles in current working soundfile directory
o players - opens soundfiles in separate graphical players for quick mix auditioning
o playlist - plays from a text file list
* Playing, listing, searching personal soundfile library (/sflib)
o findsflib - find soundfile in library by character string (-p will play them as they are found)
o playsflib (psfl) - play file in soundfile library
o lsfl - list soundfile in sflib
o sflibinfo - find file info for file in sflib
o sflibloops - finds loop points in files with extension ".loop"
* Csound tools, extentions
o chorus - for creating chorsused Score11 files
o lsexamples (lsex)/getexample(getex) - list and get tutorial examples
o lsscore(lssc)/getscore(getsc) - list and get ECMC score examples
o lsmidifunc/getmidifunc - list and get ECMC MIDI functions
o mkkeymap - creates keymaps for Csound functions
o mkmidikeymap - generates a MIDI keymap
o mkmidisffuncs - creates function definitions for use with MIDI and Csound
o mko - m4o expand macros into an orchestra from ECMC library...see below
o mksffuncs - make function tables for soundfiles
* Csound orchestra library--m4o expandable instrument macros (type lsins and mko)
o "sampler" instruments (transposing and non): samp, sampST, tsamp, tsampST, bigsamp, bigsampST, bigtsamp, bigtsampST, samplerpxsyn, samplertxsyn
o modeled instruments: bsn, carillon, cbsn, celesta,chorbsn, chorcarillon, chorcbsn, chorcelesta, chordrums, chorfmod, chormarimba, chorplunk, chortrpt, drums, marimba, plunk
o synthesis (granular, cross, etc): gran, xsyn, gxsyn, fmod
o anaylsis/resynthesis: phavoc, resyn
o global instruments and utilities: sf1to2, sf2to1, sfpan, sf, sfs, sfvpan, rev, rev2, delay
o Allan Schindler's Eastman Csound Tutorial examples (includes orchestra and Score11 files for each tutorial example)
* Score11/Csound score examples and templates (type lsex or lssc respectively)
o templates which write corresponding score files for all above orchestra library instruments, as well as multiple examples for each
* PVC (Paul Koonce) front-ends/templates (type pvcex)
o useful templates for each Phase VoCoder program (chordmapper, plainpv, harmonizer, etc), as well as musical examples (type
* SMS (Spectral Modeling Synthesis) examples and scripts (type lssmsex)
* Vspace ambisonic templates/scripts (type vspacetp or lsvspaceex to list examples) -- available for sampling rates to 96k
o for generating ambisonic B-format, as well as 9 channel
o Can be decoded to stereo, quad, etc with ambidec
* Help and musical information
o ecmchelp (a variety of help pages and charts for music and audio...Ex. ecmchelp pitchratios displays a table of interval ratios for the diatonic system)
o man pages for most tools
o utilities display usage statements when typed without arguments
* CD burning, copying
o mkaudiocd/burnaudiocd, mkdatacd/burndatacd, blankcdrw, cpaudiocd, cpdatacd
but if you remove the library how useful is a program that can't run? If a programmer doesn't like the fact that they would have to open src their project they can use a different platform or library. no one HAS to develop for Gnu/Linux, they don't like the terms they can go to some other OS or library..
But I believe if you link to GPL'd librarys you have to release under the GPL. Striaght form the GPL FAQ:
If a library is released under the GPL (not the LGPL), does that mean that any program which uses it has to be under the GPL?
Yes, because the program as it is actually run includes the library.
The past is not a real indicator of the future. If it was I would be making $60,000 a year instead of fight battling with a bunch of people with 4+ years of experience to get a level 1 help desk job. Flat panel monitors are just too damn expensive if you want something large.
it sounds more like they are going to charge for security extras not for basic security patches and what not. This isn't MS cutting its massive user bass off, its MS trying to make a few extra bucks off the companies that need enhanced security. Sure, you could argue that the best possible security should be available on all versions of windows, but they are a for profit company and are trying to make a few dollars in this rough economy.
This is not a troll.
I'm sure they have a way to transcribe it directly to text then run some pattern matching algorith to search for certain words and phrases.. so its computing power not man power, and it doesn't take much of a machine to run grep..
It even worked without the internet.. A lot of towns and cities have the big buildings filled with books. If you live around there you can get this card that will let you walk right in, find the book, then take it home and read it.. all you have to do is bring it back in a month.. and the best part is that its free!! you don't even pay shipping and handling.. I think its called a "library"..
A) If you have a degree you are over qualified and they might not hire you.
B) McDonald's doesn't actually flip burgers anymore! they cook both sides at once. I almost cried when i heard my fallback profession of flipping burgers and mickey D's ceased to exist.
Now when I go out into the real world I have nothing to hope for.
the randomness of the noise is what the method relies on. The more random the noise the hard er it is to remove. With the CD player, it KNOWS whats playing before you even hear it. If you are are sending light down some fiber the attacker only sees what looks like random noise going down the pipe. the need to know what was added to the stream to get back the real data. assuming the people developing this aren't idiots the noise should be quite random and there for hard to pick out. and it isn't like a flash light among stobes, its more like picking out random 0's and 1's from random 0's and 1's. If you know how a simple XOR cipher works, thats its.
It was released today according to the OpenSSH website.go and pound the mirror sites
If any CD that is copy protected isn't really a CD by the current stanrdard, could Phillips sue for producing a confusingly similar product? Make them change something about it so everyone would instantly know its not a regular cd.
I know this isnt going to happen but could it?
Did anyone else see the large ad under the post before the comments? It only loads sometimes for me. If thats what the ads are going to be it isn't allt hat bad. I was expecting annoying popups and popunders. I can live with that little square there.
As we all learned today in an earlier /. article, the only flaw in windows itself is new one in XP that allows anyone to seize control of the machine. This is clearly an MS Outlook problem which is totally seperate from WinXP. Let us not confuse the users out there into thinking Microsoft doesn't care about OS security.
Please note the slight hint of sarcasm before modding this as a troll. Thank you.
where the linux version? I loved that game and infact i had a machine setup just to play it until a few months ago. That game is one of the reasons i love to play with computers! it it what started a new genre (for the most part), and i will never forget that game. I would love to play it again but i dont have a windows machine and this is one thing i would go out and spend money on for a linux version. most games i just dont bother to play because they arent worth it, but i want this one! ya hear me loki?
sorry, i've had a few too many mcewan's scotch ales tonite.. mmmmmm beer...
and why does NASA have to do it? Maybe our time here is up and we should be obliterated. And this may be the only way to destroy the evil empire that is Microsoft. I say let the commet come and hope it hits Redmond!
Don't they know that if they had a quick easy buy me link they would sell hundreds of these to all the /. geeks hitting their site as we speak. I had my dredit card out and everything for this one..