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A while back now I had the chance to use Monarch Computer's Hornet Pro. The Hornet is a small form factor game cube-style machine. You may recall that I reviewed Monarch's Nemesis system a while back. Read more to find out how well this machine stacked up and compare notes.

The Nemesis, while an amazingly powerful machine, is large both in physical size and in price. The Hornet Pro is a surprisingly affordable machine and combines with that the virtue of being portable -- or at least as much as a desktop can be portable.

Given my experience with the Nemesis last time, I was somewhat favorably disposed to the machine going in. The Nemesis had been put together with either top of the line components, or close to it. The Hornet Pro, while not in the same range of power as the Nemesis, was similar in construction quality. The paint job was the custom "evil lizard" look -- definitely not the design that I'd want for my own machine, but to each his own, I suppose. The machine itself is the standard "cube" size.

(I've had some bad experiences with reduced footprint machines before, so I was concerned about heat dissipation with the Hornet. My bad experiences were primarily on an Icecube machine in which the heat put out by the RAM, CPU, and SATA drive so close to each other was simply more then the components could handle, even with the case's sides removed.)

The Hornet Pro was put together very nicely. Cables were tied off well, with proper screws where they were supposed to be. The thumbscrews on the back made it very easy to gain access to the guts via one of the two side panels. However, after opening it upon receiving the unit and once more for this review, I had no need to open it up for circulation or anything like that.

The front of the machine is your standard cube face front. The only issue that I've had was needing to double-press the power button occasionally; the physical button on top of the peg got a little off kilter sometimes

I used the machine in a number of different environments. First usage was within standard office setting; I just had it up on the desk and was using it along with my 23" Apple Display. The second location was a basement LAN-party setting, with the third being home use. The handle on the front of box itself made transportation easy, and the machine was light enough that I could carry it, when I had to, with just my pinky finger through the handle. (Kinda hurts, though, with only one finger, so consider yourself forewarned.)

In each of those situations, the machine did great. In the home and LAN-party settings, the noise wasn't really very noticeable because of the other activities going on. However, in the office setting, the fan noise was loud enough that if the machine was running full-bore, you knew it was running full bore. But at least with nice big fans pushing air through the case, heat was never an issue.

The Hornet Pro has temp read-outs for CPU & Mobo on the front of the machine. The only time I was able to get the CPU monitor near 95 degree C was by using UT 2004 and maxing out all of the settings. At that point, the CPU hit 93.9 C, while the mobo chugged along at 83.4 C.

My other current favorite obsess^H^H^H^H^H game is World of Warcraft. WoW does not demand nearly the same amount of resources that something like say, UT, Doom 3 or the other major FPSes demand. But it does have the additional requirement step of needing to remain in sync with the server, while also rendering all the other things that other players are doing. Given that sometimes that connection to WoW is the major bottleneck, the machine once again handled it without any major problems. With every graphic option turned up to max, the lowest the frame rate ever hit was 39.9. Not quite as good as the Nemesis machine, but then again, you could buy roughly 3 Hornet machines what you'd spend on one of those.

For the price ($1695) the Hornet is definitely worthwhile, particularly if you are doing gaming or anything else on the higher computing end. I've spent the last five or six years building my own gaming machines, and have come to the end of my rope with doing things that way. The issues surrounding motherboard incompatibility with DDR400 Ram -- for instance, my (former) Icecube machine said it would support the RAM; turned out it was spotty in supplying power so the RAM would randomly crap out -- and just dealing with the hardware crap have seriously made me reconsider how much time is worth spending to save a little bit of cash.

The Hornet Pro features an excellent power system: the TopPower 350/12V. That's a 350W power supply, which is more then adequate. Internally, the machine has 3 drive bays. One is occupied by the DVD+RW drive (16x8x16x) while the other holds one of the best hard drives I've had in a while.

It takes a lot to get me excited about storage devices, but I have to say that the transfer speed on the Hornet's Western Digital was awesome. It's a 200 GB SATA drive with an 8MB cache. It runs at 7200 RPM, so conceivably you could get a faster spin speed, but the speed on the 7200 was marvelous for everything I was throwing at it; and moving up to 15000 would cause a noise/heat level increase that wouldn't be too good for a desktop machine.

I was able to copy VIDEO_TS folders in under 15 seconds with this. Kicks my PowerBook's butt on that front. *grin*

The third and final drive bay is left open; it has a faceplate, so if you want to throw in a floppy or memory card reader or whatnot, you have room for expansion.

The motherboard itself sits on a removable tray, which makes it easy if you want to change any settings or put more RAM in. The motherboard that I tested was a WinFast NF4K8MC-ERS nForce4 (u- ATX). It has the standard nForce 4, Socket 939, and supports up to 2 GB of unbuffered DDR400. I've been burnt on most of the mobos that I've worked with that supported only unbuffered RAM, but had zero issues with this one. (I suppose that's the benefit of a company making the machine and doing adequate testing, rather then just randomly ordering motherboards. *grin*) This mobo also has a PCI express 16x slot, one PCI Express 8x slot, and 2 "normal" PCI slots. For storage support it has 2 ATA 133 slots, and 4 SATA 150s with RAID support. Granted, I'm not sure how the heck you'd fit all of those drives into the case, but hey, good to know.

The integrated audio on board is decent; neither bad nor exceptional, and you get the obligatory integrated Ethernet, Firewire and USB outputs. One nice thing is that you get4 USB slots, plus speaker and mic jacks on the front of the machine, which makes for easy plug/unplug. The only connection issue I have is that one of the USB slots on the back of the machine sends power -- you can see the keyboard/mouse lights come on -- but doesn't work with an input device. However, given that I have six USB slot options, Im not going to sweat that too much.

In summary, quite a good machine -- and a decent price. I'm looking at adding another one for my gaming rig in the basement at home. The portability factor of being able to move it to LAN events or raiding MC with my guildies makes another Hornet Pro absolutely worth buying.

XMilkProject writes "Apple just released 5 new products, all of which should show up on the Apple Store within minutes. You can already see the most interesting new product, the iPod Hi-Fi, a supposed high fidelity boombox for your iPod. Other new products are an iPod Leather Case and three new media-center-style Intel Mac minis which will hit the Apple Store within the hour."

XMilkProject writes "Apple just released 5 new products, all of which should show up on the Apple Store within minutes. You can already see the most interesting new product, the iPod Hi-Fi, a supposed high fidelity boombox for your iPod. Other new products are an iPod Leather Case and three new media-center-style Intel Mac minis which will hit the Apple Store within the hour."

bonch writes "Apple has noticed the high amount of Mac usage in the Ruby on Rails community and has posted an illustrated Ruby on Rails tutorial. The document goes into more concise detail in getting new users up to speed, from database schema to moving beyond scaffolding, all done with the favored Rails editor, Textmate."

An anonymous reader writes in to say that "Rob Braun (OpenDarwin core developer claims Apple's open source efforts are now dead, because Apple is afraid of assisting OSx86 piracy. First, Apple withheld the source of cctools required to to build Darwin. Now it seems they are no longer releasing the source to OS X's xnu kernel. "

An anonymous reader writes in to say that "Rob Braun (OpenDarwin core developer claims Apple's open source efforts are now dead, because Apple is afraid of assisting OSx86 piracy. First, Apple withheld the source of cctools required to to build Darwin. Now it seems they are no longer releasing the source to OS X's xnu kernel. "

pvt_medic writes "Apple has announced their newest contest for the 1 Billionth iTunes song downloaded. Every 100,000 downloads someone will win an iPod nano and a $100 giftcard, with the grand prize being an iMac, 10 iPod (60GB), and $10,000 credit at iTunes. Looks like business is going well for Apple."

Dave Robertson asks: "Fibre channel storage has been filtering down from the rarefied heights of big business and is now beginning to be a sensible option for smaller enterprises and institutions. An illuminating example of this is Apple's Xserve Raid which has set a new low price point for this type of storage - with some compromises, naturally. Fibre channel switches and host bus adapters have also fallen in price but generally, storage arrays such as those from Infortrend or EMC are still aimed at the medium to high-end enterprise market and are priced accordingly. These units are expensive in part because they aim to have very high availability and are therefore well-engineered and provide dual redundant everything." This brings us to the question: Is it possible to build your own Fibre Channnel storage array? "In some alternative markets - education for example - I see a need for server storage systems with very high transaction rates (I/Os per second) and the flexibility of FC, but without the need for very high availability and without the ability to pay enterprise prices. The Xserve Raid comes close to meeting the need but its major design compromise is to use ATA drives, thus losing the high I/O rate of FC drives.

I'm considering building my own experimental fibre channel storage unit. Disks are available from Seagate, and SCA to FC T-card adapters are also available. A hardware raid controller would also be nice.

Before launching into the project, I'd like to cast the net out and solicit the experiences and advice of anyone who has tried this. It should be relatively easy to create a single-drive unit similar to the Apcon TestDrive or a JBOD, but a RAID array may be more difficult. The design goals are to achieve a high I/O rate (we'll use postmark to measure this) in a fibre channel environment at the lowest possible price. We're prepared to compromise on availability and 'enterprise management features'. We'd like to use off the shelf components as far as possible.

Seagate has a good fibre channel primer, if you need to refresh your memory."

Chowser writes "Forbes is reporting Stanford University is now offering a wide range of content on iTunes. From the article: 'In an unprecedented move, Stanford University is collaborating with Apple Computer to allow public access a wide range of lectures, speeches, debates and other university content through iTunes. No need to pay the $31,200 tuition. No need to live on campus. No need even to be a student. The nearly 500 tracks that constitute "Stanford on iTunes" are available to anyone willing to spend the few minutes it takes to download them from the Internet.'" Talaper noted the Official Apple Page on the program is up as well.

Ruliz Galaxor writes "IEBlog posts that Internet Explorer 7 will support a native XMLHTTPRequest object as many other browsers currently do. This will mean no more ActiveX MSXML objects to implement AJAX functionality. It looks like Microsoft is seriously trying to make the lives of us web developers easier. Of course you'll still need to use the Microsoft.XMLHTTP ActiveX object if you want to support IE6 and older."

Barry Norton writes "VNUNet reports that the Photocasting feature in Apple's iPhoto application violates core XML and RSS standards. Perhaps the worst part is that, in many cases, this isn't even a case of 'embrace and extend', but just plain doing it wrong. Dave Winer, essentially the creator of RSS, says, 'It's pretty bad. There are lots of errors, the date formats are wrong, there are elements that are not in RSS that aren't in a namespace.'"

daveschroeder writes "According to MacWorld and BoingBoing: 'An Apple spokesman (reliable word has it that it was Steve Jobs himself) told MacWorld that Apple discards the personal information that the iTunes Ministore transmits to Apple while you use iTunes. [...] Apple tells us that the information is not actually being collected. The data sent is used to update the MiniStore and then discarded.' Apple also has a knowledge base article, which apparently was available the day iTunes 6.0.2 was introduced, explaining the MiniStore behavior and how to disable it: 'iTunes sends data about the song selected in your library to the iTunes Music Store to provide relevant recommendations. When the MiniStore is hidden, this data is not sent to the iTunes Music Store.'" The discussion about this topic was fast and furious yesterday.

onethumb writes "Andy over at Digital Grin got his hands on a pre-release copy of Adobe's hot new app 'Lightroom' last week and has a nice review up. Adobe Lightroom, is designed to go head-to-head with Apple's own recently released Aperture. Is digital photo editing finally getting both powerful and easy?"

sidney writes "I was happy to receive an email January 5 informing of a class action settlement that could get me up to $1000 back on my Toshiba Satellite Pro 6100 Notebook. This follows an announcement last month that the court granted preliminary approval of settlement. The email looks like a phishing attempt, but whois says the website's domain is owned by Garden City Group who are well known for administering class action settlements. After going through four hard disks, motherboards, power supply daughterboards, and VGA cards in eight repairs during the three-year extended warranty of this piece of junk I'm more than happy to send it back to Toshiba in exchange for a down payment on a new Mac."

sidney writes "I was happy to receive an email January 5 informing of a class action settlement that could get me up to $1000 back on my Toshiba Satellite Pro 6100 Notebook. This follows an announcement last month that the court granted preliminary approval of settlement. The email looks like a phishing attempt, but whois says the website's domain is owned by Garden City Group who are well known for administering class action settlements. After going through four hard disks, motherboards, power supply daughterboards, and VGA cards in eight repairs during the three-year extended warranty of this piece of junk I'm more than happy to send it back to Toshiba in exchange for a down payment on a new Mac."

zackmac writes "For over two weeks domain registrar GoDaddy has been serving blank pages to Safari and Opera users who attempt to access sites using its domain forwarding and masking service. GoDaddy is blaming Apple as the source of the problem, and with nowhere to turn, Mac users are flocking to Apple's support forums to discuss the issue in-depth. Apple has so far been unresponsive and GoDaddy has directed affected customers to contact Apple Support. An inconvienent workaround is to open the website first in Firefox or Internet Explorer and then the page will load in Safari or Opera. Speculation abounds as to the cause of the problem and how to fix it. The current belief is malformed headers, an invalid 302 header with a bogus location and a redirect loop."

Ant wrote to mention a C|Net story discussing fundamental changes in how the Nielsen company tracks viewership. From the article: "CNET says that the Nielsen company is finally taking one of several steps aimed at adapting to the new television/TV audience (those who use TiVo or another service to record prime time shows for viewing later) on December 26th, 2005. Ratings will be broken out by how shows are watched--live, later in the day or within a seven-day period. Over time, Nielsen will also move to measure viewing that takes place via iPods, cellular/cell phones, laptops, and other digital devices that are gaining TV privileges. The company also will track audiences for on-demand fare. The steps are a radical change for Nielsen, reflecting an overall paradigm shift that's shaking up the television world. The audience is taking control. And TV companies are scrambling to catch up."

Peaceful_Patriot writes "PCWorld's list of the 'Best Products of 2005' is out and Firefox tops the list. Also notables are GMail at number 2, Apple OS X, Tiger at number 3, Skype ranks in at 8 and Ubuntu at 26!" From their Firefox article: "Are you sick and tired of Internet Explorer? Have you grown weary of the constant vulnerabilities and patches? Do you scratch your head at sudden program lockups and crashes? Are you dismayed that Microsoft hasn't lifted a finger to improve or enhance IE since it buried Netscape's Navigator browser at the dawn of the century? Yeah, me too."

Peaceful_Patriot writes "PCWorld's list of the 'Best Products of 2005' is out and Firefox tops the list. Also notables are GMail at number 2, Apple OS X, Tiger at number 3, Skype ranks in at 8 and Ubuntu at 26!" From their Firefox article: "Are you sick and tired of Internet Explorer? Have you grown weary of the constant vulnerabilities and patches? Do you scratch your head at sudden program lockups and crashes? Are you dismayed that Microsoft hasn't lifted a finger to improve or enhance IE since it buried Netscape's Navigator browser at the dawn of the century? Yeah, me too."

Toothpick writes "Apple Insider reports that a new security update is available for download from Apple. This addresses issues identified in sudo, Safari, and OpenSSL among others. The gory details are, predictably, available on the Apple Info site." Commentary from ZDNet is also available.

brajesh writes "CNET News.com is reporting that a critical vulnerability has been found in some versions of Apple's popular iTunes that could allow attackers to remotely take over a user's computer, according to a warning issued by eEye Digital Security, a security research firm. The latest iTunes flaw affects all operating systems from Windows XP to Mac OS X, according to the advisory. The discovery of this latest flaw comes days after Apple issued its iTunes 6 for Windows security update."

IceFox writes "In the past few years many of us have been introduced to a new type of application, the Type Manager. Most of us are familiar with iTunes, but there are many other Type Managers out there that are gaining market share and a rabid fan base of users such as digiKam and amaroK. Type Managers seem to have that magic combinations of features that makes users love them. I have been taken a closer look at the Type Manager, what makes them so usefull, what they really provide for the user and came to some surprising results. After creating a list of all the traits of a Type Manager I was able to define exactly what a file manager should be and discovered that there are in fact many partial Type Managers out there now that implemented only half of what makes up a full Type Manager."

-1-Lone_Eagle writes "With the free availability of literally thousands of MIDI files on the Internet, and increasingly powerful home desktop systems and software, virtually anyone can take a MIDI file and using a program such as GarageBand or Reason create a near-studio-quality rendition of their favorite song. This opens up an interesting discussion, is a remixed MIDI file an original creation? Or is it simply a copied work with the rights belonging to the original author? Is it piracy? What do you think?"

JPigford writes "The Apple Blog makes claim that Apple sabotaged the success of the ROKR so as to sway public opinion of MP3 cell phones in general...ultimately to drive more sales to the iPod. By mandating a 100 song limit on the ROKR and having the product flop, Apple was able to put a bad taste in the mouths of consumers so that not only do they drive more iPod sales, but they keep competitors from fighting back with their own MP3 phones."

JPigford writes "The Apple Blog makes claim that Apple sabotaged the success of the ROKR so as to sway public opinion of MP3 cell phones in general...ultimately to drive more sales to the iPod. By mandating a 100 song limit on the ROKR and having the product flop, Apple was able to put a bad taste in the mouths of consumers so that not only do they drive more iPod sales, but they keep competitors from fighting back with their own MP3 phones."

parry writes "Software Update just delivered the Mac OS X 10.4.3 update to my PowerBook. Key changes include improved responsiveness when searching in Spotlight, Safari now passes the Acid2 test, better performance for MS-DOS formatted volumes and numerous bug fixes."

Ant writes "Steve Jobs is the chief executive of two of the most powerful technology brands in the world: Apple and Pixar. But what motivates him? And how does he choose a new washing machine? An article in the Independent explores this much loved and much hated man." From the article: "Alan Deutschmann, a journalist who researched Jobs's middle years for a biography called The Second Coming of Steve Jobs, believes he displays two personalities in his dealings with people: Good Steve and Bad Steve. The Good side is charming, and can make people believe almost anything; that's the side on public view at the rock-star product launches. He's been said to have a 'reality distortion field' - by a mixture of charm and exaggeration, he can make you believe pretty much anything."

Berkana writes "PVR Wire reports that 'TVHarmony.com has released a new version of its AutoPilot software that supports converting TiVo-recorded shows into a format that's compatible with the new video iPod. It also works with Palm devices that can view video. "The software automatically transfers, converts and stores your TV programming. You can select shows to be downloaded automatically, in the middle of the night if you like, and process the transfers into popular formats. AutoPilot keeps track of the shows you've already downloaded so you can transfer an entire TV series without duplicates.' . . . in other words, one of the biggest gripes concerning the new iPod has been addressed."

Berkana writes "PVR Wire reports that 'TVHarmony.com has released a new version of its AutoPilot software that supports converting TiVo-recorded shows into a format that's compatible with the new video iPod. It also works with Palm devices that can view video. "The software automatically transfers, converts and stores your TV programming. You can select shows to be downloaded automatically, in the middle of the night if you like, and process the transfers into popular formats. AutoPilot keeps track of the shows you've already downloaded so you can transfer an entire TV series without duplicates.' . . . in other words, one of the biggest gripes concerning the new iPod has been addressed."

Lucas asks: "I run a small business as one of the people who 'knows something about computers', which now means, like many of you, I find myself having to solve IT problems. We have been trying to share maybe three simple, stupid calendars. Here's the catch -- we need to able to edit each other's calendars! This is where the problem comes in. We tried Mozilla Calendar/Sunbird with a WebDAV server (even though it deleted two calendars upon upload and barfed on a third, my office loves Sunbird's interface), OfficeZilla (too complicated for just one calendar), Calendars.net (too slow), ACT! (bolted on and expensive), and Yahoo (not designed for corporate stuff). Even iCal won't let you edit someone else's calendar. Is there any way to do this -reliably- without using MS Exchange and without spending a ton of money?"

porcupine8 writes "As many had speculated, today Apple unveiled upgrades to their PowerBook and Power Mac lines (although no PowerBook G5). They also introduced a new professional photography application known as Aperture, rounding out their software lineup for creative professionals. Can't wait to find out what they announce next week!"

porcupine8 writes "As many had speculated, today Apple unveiled upgrades to their PowerBook and Power Mac lines (although no PowerBook G5). They also introduced a new professional photography application known as Aperture, rounding out their software lineup for creative professionals. Can't wait to find out what they announce next week!"

porcupine8 writes "As many had speculated, today Apple unveiled upgrades to their PowerBook and Power Mac lines (although no PowerBook G5). They also introduced a new professional photography application known as Aperture, rounding out their software lineup for creative professionals. Can't wait to find out what they announce next week!"

Carl Bialik writes "By making an episode of 'Lost' available for download last week just half a day after it aired, for a $1.99 charge, 'Apple may have helped open a Pandora's box for the media business,' the Wall Street Journal reports. The president of the association representing ABC's affiliate stations sent a letter to the president of ABC, reading in part, 'It is both disappointing and unsettling that ABC would embark on a new -- and competitive -- network program distribution partnership without the fundamental courtesy of consultation' with its affiliates. While the extent of Apple's TV downloads is limited, the Journal parses the potential impact: 'if downloading episodes over the Internet proves popular, analysts believe Apple will get permission to offer shows with better-fidelity pictures. Any success Apple has won't go unnoticed by other online media powerhouses with expanding video initiatives like Yahoo Inc., Google Inc. and Microsoft Corp., which could all help extend TV downloading to more viewers.'"

_am99_ writes "In the "one more thing" media event today, an iPod that can play Video was announced. The initial content seems to be music videos that can be purchased from the iTunes Music Store." In related news aquachannel writes "Apple has just updated their iPodYourCar page to include a slew of new car companies. This means that there'll be a lot of cars that you can buy off the showroom floor and use your iPod with your car - right off the floor and out of the box."

echomancer writes "Think Secret is reporting that Apple has released a slightly updated version of the Mac mini, but has failed to tell anyone. Some Mac minis may now include a 1.5GHz processor, 64MB of VRAM, and an updated 8x superdrive but these new machines are being shipped in boxes reflecting the original specs. 'The motivation behind this is to help clear current inventory without lowering prices. Essentially, customers are promised that the Mac mini they purchase will have specifications at least equal to the label, but that their system may exceed those.'"

prostoalex writes "DesignTechnica has a comparison of the leading online music stores. With the variety of services available they only concentrated on several top ones. Conclusion? 'If you simply want to download music from the charts, then Yahoo and Wal-Mart are your cheapest options. For your MP3 player, there are several options, with Yahoo the best of all. If you're an iPod owner... then you're stuck with iTunes.'"

wellington map writes "TheRegister reports iPod nano users have discovered that it is unbelievably easy to scratch the screen, which quickly makes the colour screen all but useless for viewing album art and photos stored on the machine. Apple's discussion forums are already host to hundreds of threads on this topic."

adpowers writes "Lots of updates today on the Apple front. First we have the iPod nano, which is an iPod photo-esque replacement for the iPod mini. It comes in 2 and 4 gig varieties and is half the thickness of the mini it replaces. A new iTunes is release as well, which looks similar to Mail.app. I'm not sure I like the cosmetic changes. It also touts an improved search bar, but I can't find an explanation of what that means. Finally, Apple, Motorola, and Cingular announced the ROKR E1, which has the iTunes on a cellular phone. (Theorized last week.) It syncs with iTunes just like an iPod." Coverage of the Apple news extravaganza available at The NYT, Forbes, Gizmodo, Mobiledia, and Macworld.

adpowers writes "Lots of updates today on the Apple front. First we have the iPod nano, which is an iPod photo-esque replacement for the iPod mini. It comes in 2 and 4 gig varieties and is half the thickness of the mini it replaces. A new iTunes is release as well, which looks similar to Mail.app. I'm not sure I like the cosmetic changes. It also touts an improved search bar, but I can't find an explanation of what that means. Finally, Apple, Motorola, and Cingular announced the ROKR E1, which has the iTunes on a cellular phone. (Theorized last week.) It syncs with iTunes just like an iPod." Coverage of the Apple news extravaganza available at The NYT, Forbes, Gizmodo, Mobiledia, and Macworld.

adpowers writes "Lots of updates today on the Apple front. First we have the iPod nano, which is an iPod photo-esque replacement for the iPod mini. It comes in 2 and 4 gig varieties and is half the thickness of the mini it replaces. A new iTunes is release as well, which looks similar to Mail.app. I'm not sure I like the cosmetic changes. It also touts an improved search bar, but I can't find an explanation of what that means. Finally, Apple, Motorola, and Cingular announced the ROKR E1, which has the iTunes on a cellular phone. (Theorized last week.) It syncs with iTunes just like an iPod." Coverage of the Apple news extravaganza available at The NYT, Forbes, Gizmodo, Mobiledia, and Macworld.

psiph writes "'Japan's two major online music distributors said [Thursday] they have agreed to tie up to push the distribution business... The tie-up accord was reached in the wake of the Aug. 4 launch of Apple's Latest News about Apple iTunes in Japan.'"

SFEley (Stephen Eley) writes "Todd Cochrane's Podcasting: The Do-It-Yourself Guide has been heavily pushed in the podcasting community as the first of a wave of podcasting books to be released in the next several months. All of these books will surely cover the same themes, more or less: what podcasts are, how to listen to them, and how to produce your own. The popularity of podcasting is exploding right now, with coverage in every press outlet and Apple hyping it as The Next Big Thing. It's easy to see that there will be a huge demand for these books, even if they don't do much more than state the obvious. So what about this one? Other than being the first, does it offer any compelling virtues for the would-be podcaster or listener?" Read on for Eley's answer to that question. Podcasting: Do-It-Yourself Pirate Radio for the Masses author Todd Cochrane pages 281 publisher Wiley rating 4 reviewer Stephen Eley ISBN 0764597787 summary How to find, record, and publish podcasts

Before we can even begin to talk about the book, we ought to cover the preliminaries. If you've been living under a rock for most of 2005, you may not know that podcasting is the latest Internet publishing wave, getting most of the same hype that blogging has gotten but much faster. In its simplest form, it's just people producing audio files (talk, music, whatever) and syndicating them over an RSS feed. Listeners can then use one of several apps to automatically download them and load them onto an MP3 player. The mainstream media, feeling some embarrassment for missing the last few Web boats, has jumped on podcasting and given it, frankly, a lot more press than it probably deserves right now.

A note on the author: Todd Cochrane produces Geek News Central, a very popular tech podcast wherein he reads out news headlines and offers commentary. He also founded and manages the Tech Podcast Network, a consortium of other technology podcasts that band together for cross-promotion, content standards and advertising, and he's the main force behind the heavily advertised and sponsored Podcast Awards. It's fair to say that Cochrane has done a lot for podcasters in various ways, and although I've disagreed with him on some of the details of his projects, I respect him highly for his tremendous energy and the work he's done to make podcasting a respectable form of media.

Another note (and disclaimer) on myself: I also have my own podcast, a moderately popular one that narrates science fiction short stories. In a practical sense this makes me both a podcaster and a literary editor. Which means, in turn, that I have a sensitivity both to poor information on podcasting and poor writing.

And with all that said... I'm afraid Podcasting: The Do-It-Yourself Guide is a marginal book at best. It doesn't suck, and there's nothing horribly wrong with the information it gives, but it has two endemic problems. Cochrane's responsible for both, but I put the real blame on his editors at Wiley, who likely ignored them in their rush to get the book out before any others.

The first problem is the writing. It's possible that this bothers me more than it would others. Todd Cochrane may be an intelligent, selfless, wonderful guy -- I truly believe that he is -- but the man can't write. The entire book exhibits a rushed, forced-casual, eighth-grade English paper style that grates on me like nails on a chalkboard. Cochrane even admits this in his acknowledgments: "Early on, I made it clear to Chris [Webb], my acquisitions editor, that I was a geek/tech guy first and that he did not want to see my English grades. Even so, he assured me that I was their man, and I went to work."

Well, Chris Webb, you're a dumbass. You picked someone who admitted he couldn't write to write a book on a breakthrough technology. As a result, the book is vague, meandering, and frequently redundant, e.g.: "You will want to use this Recording Control window to control your default recording device." That phrase ("You will want to ...") crops up everywhere: the book's not only in second person, but it's a second person that tells the reader what he/she wants. The only sentence opener that appears more often is "Obviously" -- which frequently precedes a thought that is neither obvious nor related to the sentence before it.

You will also want to ignore the poor punctuation and comma splices, the frequent intersplicing of Notes and Tips paragraphs that seem indistinguishable (in both font and content) from the main text, and very often, the simple use of the wrong words. In many cases this is simply amusing: "[Dave Winer's] analogy was that it was taking longer to download the video than it was to play it." Uh, that's not an analogy, dude. In at least one case it leads to a technically incorrect statement: "The reading on the software-controlled meter in my audio-recording package showed nearly 40 dB of baseline noise," when what he really meant was a noise floor of -40 dB. Two very different things.

The other major problem is the narrow perspective. It's really Podcasting: The Do-It-Todd-Cochrane's-Way Guide. Everything in this book is about Cochrane. Every example is his own podcast, every screenshot of a Web page is his own, and he's got multiple photos of himself in various dorky situations. Any photos of other podcasters? Mur Lafferty, perhaps, or Soccergirl? You wish. I have no problem with Cochrane using himself as a starting point, but it's a very diverse field, and nobody podcasts with quite the same gear or the same techniques as anybody else. Cochrane says he spent significant time interviewing software developers for the chapters on applications, but there's no indication anywhere that he spoke to any other podcasters in writing this book. That's a huge mistake, rushed deadlines or no rushed deadlines. Not only does it reduce the book's utility, but it also makes the prose seem dreary, monotonic, and egocentric.

So there's my overview. For those who think the book may still have some use to you (and it might, if you can put up with the above) I'll break it down by section:

Part I: Listening to the Podcast Revolution This section has three chapters, and they're useless. The book begins, "Do you have specific interests? How about triathlons? I have to admit, most radio broadcasts don't deal with those kind of subjects. But that's about to change." Yeah, okay. The problem here (beyond the clumsy writing) should be obvious: if you have no idea what podcasting is, you're not interested enough to buy a book on podcasting. The first chapter, "What Is a Podcast?" has Cochrane spiraling around the subject of podcasting for twelve pages without ever giving a simple definition. Then we've got two chapters which together describe the leading software tools used to download podcasts, and tutorials for using them to subscribe to -- can you guess? -- Todd Cochrane's podcast. To be fair, it was a pretty decent overview of the major client applications at the time of the book's writing; which means it's already obsolete, as iTunes 4.9 has totally changed the landscape since then. Of course, that can't be helped. The real weakness of this section is its superfluity: if you're willing to pay $20 for a book on podcasting, it's because you want to make podcasts. Even Grandma's not going to buy this book to learn how to listen to them.

Part II: Joining the Revolution: Your Own Podcast Here's where the book starts to get genuinely interesting. The obligatory but stupid chapters on listening to podcasts are behind us; now it's all about making them. The first chapter here, "Choosing a Podcast Format," actually has little to criticize. His basic message is sound: Follow your passions; develop a show structure and follow it; and be aware of copyright issues if you're playing music. All of that is good advice, and his detailed description of his own show structure and notes is appropriate here. This is followed by a completely unnecessary chapter about computer choices, in which he shows his Windows colors and comes off a trifle condescending toward the Mac. ("In researching materials for this book, I found I could not do the reviews justice unless I had a Mac, so I purchased a Mac Mini ... I knew that if I could record a podcast on a Mac Mini, it would probably make the Mac fans happy.") Then, at last, he delivers the first truly crunchy chapter: "The Semiprofessional Podcast Studio." This chapter's honestly very good, running the gamut of sound cards, microphones, mixers, Firewire interfaces (he dismisses USB interfaces rather unfairly), digital recorders, even quiet case fans. Some of it's hand-waved, and some of it's so vague it's just silly: "A condenser microphone is generally never found in households. People might have them, but they usually are not aware that they do." On the other hand, his discussion of quality sound cards does have much of value (barring the "40dB of baseline noise" misstatement I mentioned above), and he gives one of the best descriptions of mixers and effects processors for novices that I've found. If you have no idea what sort of equipment you might need for quality sound in your podcast, you'll get a decent grounding here. Not an excellent grounding, but perhaps enough to parse a little bit more of the serious sound FAQs on the Web.

Part III: Recording Your Podcast and Performing Postproduction Tasks (Yes, the man can't even name things with brevity.) There's one weak chapter here and two great ones. In "Recording Locations," Cochrane reveals that you can podcast at home, in your car, at a restaurant, or walking around. Whee. Then we get to the actual process of recording and postproduction, and the book honestly shines. He describes step-by-step how to set up Audacity (the excellent freeware Win/Mac/Linux sound editor) to record, how to set up a typical mixer, and best of all, how to set levels properly. Levels are the bane of any audio amateur, and these half-dozen pages are gold; it's the one thing a novice podcaster is likely to turn back to and reference several times over in his first few recordings -- or ought to, anyway. His advice on noise reduction, amplifying, and normalizing is spot-on, the steps listed for MP3 encoding are simple but solid, and he even gives several good options for ID3 tagging. (A step too often overlooked by podcasters.) I could complain about a few weird digressions -- e.g., the postproduction chapter tells you how to upload to Openpodcast.org, which is an utterly bizarre thing to advise -- but they're easily ignored, and overall this section truly shines.

Part IV: Hosting and Preparing to Publish Your Podcast This section's ... okay. His chapter on hosting is mostly a treatise on how to evaluate service agreements, which is valuable enough in itself but can be overkill for someone just starting out. There are a few math exercises for estimating bandwidth -- useless when you don't know your potential audience size -- and a brief list of "podcast-friendly hosts" which is, of course, already obsolete. His coverage of publishing methods is about weblog software -- wait, scratch that, it's about MovableType. He's infatuated with MT, and devotes several pages on a step-by-step for hacking MT's code and templates to support enclosures with full-source RSS code listings, then mentions virtually offhand that Wordpress and Radio Userland support enclosures out of the box. This is another case where having multiple podcaster perspectives would have helped. Finally, we get a chapter named "The Life Breath of a Podcast: RSS 2.0 With Enclosures," just barely longer than its title, which covers how to use FeedForAll to hand-crank an RSS file if you don't have blogging software that will make one for you. It might have been a valuable chapter if he'd spent any real time explaining RSS 2.0 or enclosures.

Part V: It's Show Time A closing section that's nearly pointless, but mercifully brief. There's an entire chapter about using graphical FTP clients -- lame because anyone who's that blinking-twelve was lost back at Chapter 6. The meaty chapter is called "Feedback, Promotion, and Paying the Bills," and it has some moderately useful information and some large gaps. Feedback apparently means "have a mailing list and a voicemail line, and hang out on Skype." Okay. Promotion's about directory listings and exchanging promos with other podcasters; then he offers a long commentary on advertising and why it's a fine thing to have. Unfortunately, other than creating a media kit he has nothing much to say on how to contact and market your show to advertisers. And the final chapter of the book, "Where Do We Go From Here?" offers a few vapid musings of the sort all podcasters talk about over beer: we're going to kill mainstream radio, podcasts will band together and commercialize, all the starving children of the world will have an MP3 player ... And Yes, in his final sentences he invokes the already-tired "Podcasting Revolution" chestnut. Not much to say here, but rest assured, he says it.

So there you have it. That's the entire book. Worth buying? That depends. If you're itching to get started with podcasting, if you're an absolute beginner when it comes to sound recording, if the online resources at Podcast411 and other sites don't float your boat, and if you can't wait a few more months for books like Podcast Solutions and Podcasting for Dummies to come out ... then sure. There are at least three or four good chapters in here with information you can use. It's not all the information, and you have to take Cochrane's style and limited viewpoint with a big grain of salt, but it'll get you started. For less than twenty bucks, at least it isn't a high-risk investment.

On the other hand, if you're the bootstrapping type, or you already know most of what you're doing, then there's not much in here you can't figure out online and through experience. And if you're patient, there will be other books, and I'm almost positive they'll be better written.

You can purchase Podcasting: the Do-It-Yourself Guide from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

SFEley (Stephen Eley) writes "Todd Cochrane's Podcasting: The Do-It-Yourself Guide has been heavily pushed in the podcasting community as the first of a wave of podcasting books to be released in the next several months. All of these books will surely cover the same themes, more or less: what podcasts are, how to listen to them, and how to produce your own. The popularity of podcasting is exploding right now, with coverage in every press outlet and Apple hyping it as The Next Big Thing. It's easy to see that there will be a huge demand for these books, even if they don't do much more than state the obvious. So what about this one? Other than being the first, does it offer any compelling virtues for the would-be podcaster or listener?" Read on for Eley's answer to that question. Podcasting: Do-It-Yourself Pirate Radio for the Masses author Todd Cochrane pages 281 publisher Wiley rating 4 reviewer Stephen Eley ISBN 0764597787 summary How to find, record, and publish podcasts

Before we can even begin to talk about the book, we ought to cover the preliminaries. If you've been living under a rock for most of 2005, you may not know that podcasting is the latest Internet publishing wave, getting most of the same hype that blogging has gotten but much faster. In its simplest form, it's just people producing audio files (talk, music, whatever) and syndicating them over an RSS feed. Listeners can then use one of several apps to automatically download them and load them onto an MP3 player. The mainstream media, feeling some embarrassment for missing the last few Web boats, has jumped on podcasting and given it, frankly, a lot more press than it probably deserves right now.

A note on the author: Todd Cochrane produces Geek News Central, a very popular tech podcast wherein he reads out news headlines and offers commentary. He also founded and manages the Tech Podcast Network, a consortium of other technology podcasts that band together for cross-promotion, content standards and advertising, and he's the main force behind the heavily advertised and sponsored Podcast Awards. It's fair to say that Cochrane has done a lot for podcasters in various ways, and although I've disagreed with him on some of the details of his projects, I respect him highly for his tremendous energy and the work he's done to make podcasting a respectable form of media.

Another note (and disclaimer) on myself: I also have my own podcast, a moderately popular one that narrates science fiction short stories. In a practical sense this makes me both a podcaster and a literary editor. Which means, in turn, that I have a sensitivity both to poor information on podcasting and poor writing.

And with all that said... I'm afraid Podcasting: The Do-It-Yourself Guide is a marginal book at best. It doesn't suck, and there's nothing horribly wrong with the information it gives, but it has two endemic problems. Cochrane's responsible for both, but I put the real blame on his editors at Wiley, who likely ignored them in their rush to get the book out before any others.

The first problem is the writing. It's possible that this bothers me more than it would others. Todd Cochrane may be an intelligent, selfless, wonderful guy -- I truly believe that he is -- but the man can't write. The entire book exhibits a rushed, forced-casual, eighth-grade English paper style that grates on me like nails on a chalkboard. Cochrane even admits this in his acknowledgments: "Early on, I made it clear to Chris [Webb], my acquisitions editor, that I was a geek/tech guy first and that he did not want to see my English grades. Even so, he assured me that I was their man, and I went to work."

Well, Chris Webb, you're a dumbass. You picked someone who admitted he couldn't write to write a book on a breakthrough technology. As a result, the book is vague, meandering, and frequently redundant, e.g.: "You will want to use this Recording Control window to control your default recording device." That phrase ("You will want to ...") crops up everywhere: the book's not only in second person, but it's a second person that tells the reader what he/she wants. The only sentence opener that appears more often is "Obviously" -- which frequently precedes a thought that is neither obvious nor related to the sentence before it.

You will also want to ignore the poor punctuation and comma splices, the frequent intersplicing of Notes and Tips paragraphs that seem indistinguishable (in both font and content) from the main text, and very often, the simple use of the wrong words. In many cases this is simply amusing: "[Dave Winer's] analogy was that it was taking longer to download the video than it was to play it." Uh, that's not an analogy, dude. In at least one case it leads to a technically incorrect statement: "The reading on the software-controlled meter in my audio-recording package showed nearly 40 dB of baseline noise," when what he really meant was a noise floor of -40 dB. Two very different things.

The other major problem is the narrow perspective. It's really Podcasting: The Do-It-Todd-Cochrane's-Way Guide. Everything in this book is about Cochrane. Every example is his own podcast, every screenshot of a Web page is his own, and he's got multiple photos of himself in various dorky situations. Any photos of other podcasters? Mur Lafferty, perhaps, or Soccergirl? You wish. I have no problem with Cochrane using himself as a starting point, but it's a very diverse field, and nobody podcasts with quite the same gear or the same techniques as anybody else. Cochrane says he spent significant time interviewing software developers for the chapters on applications, but there's no indication anywhere that he spoke to any other podcasters in writing this book. That's a huge mistake, rushed deadlines or no rushed deadlines. Not only does it reduce the book's utility, but it also makes the prose seem dreary, monotonic, and egocentric.

So there's my overview. For those who think the book may still have some use to you (and it might, if you can put up with the above) I'll break it down by section:

Part I: Listening to the Podcast Revolution This section has three chapters, and they're useless. The book begins, "Do you have specific interests? How about triathlons? I have to admit, most radio broadcasts don't deal with those kind of subjects. But that's about to change." Yeah, okay. The problem here (beyond the clumsy writing) should be obvious: if you have no idea what podcasting is, you're not interested enough to buy a book on podcasting. The first chapter, "What Is a Podcast?" has Cochrane spiraling around the subject of podcasting for twelve pages without ever giving a simple definition. Then we've got two chapters which together describe the leading software tools used to download podcasts, and tutorials for using them to subscribe to -- can you guess? -- Todd Cochrane's podcast. To be fair, it was a pretty decent overview of the major client applications at the time of the book's writing; which means it's already obsolete, as iTunes 4.9 has totally changed the landscape since then. Of course, that can't be helped. The real weakness of this section is its superfluity: if you're willing to pay $20 for a book on podcasting, it's because you want to make podcasts. Even Grandma's not going to buy this book to learn how to listen to them.

Part II: Joining the Revolution: Your Own Podcast Here's where the book starts to get genuinely interesting. The obligatory but stupid chapters on listening to podcasts are behind us; now it's all about making them. The first chapter here, "Choosing a Podcast Format," actually has little to criticize. His basic message is sound: Follow your passions; develop a show structure and follow it; and be aware of copyright issues if you're playing music. All of that is good advice, and his detailed description of his own show structure and notes is appropriate here. This is followed by a completely unnecessary chapter about computer choices, in which he shows his Windows colors and comes off a trifle condescending toward the Mac. ("In researching materials for this book, I found I could not do the reviews justice unless I had a Mac, so I purchased a Mac Mini ... I knew that if I could record a podcast on a Mac Mini, it would probably make the Mac fans happy.") Then, at last, he delivers the first truly crunchy chapter: "The Semiprofessional Podcast Studio." This chapter's honestly very good, running the gamut of sound cards, microphones, mixers, Firewire interfaces (he dismisses USB interfaces rather unfairly), digital recorders, even quiet case fans. Some of it's hand-waved, and some of it's so vague it's just silly: "A condenser microphone is generally never found in households. People might have them, but they usually are not aware that they do." On the other hand, his discussion of quality sound cards does have much of value (barring the "40dB of baseline noise" misstatement I mentioned above), and he gives one of the best descriptions of mixers and effects processors for novices that I've found. If you have no idea what sort of equipment you might need for quality sound in your podcast, you'll get a decent grounding here. Not an excellent grounding, but perhaps enough to parse a little bit more of the serious sound FAQs on the Web.

Part III: Recording Your Podcast and Performing Postproduction Tasks (Yes, the man can't even name things with brevity.) There's one weak chapter here and two great ones. In "Recording Locations," Cochrane reveals that you can podcast at home, in your car, at a restaurant, or walking around. Whee. Then we get to the actual process of recording and postproduction, and the book honestly shines. He describes step-by-step how to set up Audacity (the excellent freeware Win/Mac/Linux sound editor) to record, how to set up a typical mixer, and best of all, how to set levels properly. Levels are the bane of any audio amateur, and these half-dozen pages are gold; it's the one thing a novice podcaster is likely to turn back to and reference several times over in his first few recordings -- or ought to, anyway. His advice on noise reduction, amplifying, and normalizing is spot-on, the steps listed for MP3 encoding are simple but solid, and he even gives several good options for ID3 tagging. (A step too often overlooked by podcasters.) I could complain about a few weird digressions -- e.g., the postproduction chapter tells you how to upload to Openpodcast.org, which is an utterly bizarre thing to advise -- but they're easily ignored, and overall this section truly shines.

Part IV: Hosting and Preparing to Publish Your Podcast This section's ... okay. His chapter on hosting is mostly a treatise on how to evaluate service agreements, which is valuable enough in itself but can be overkill for someone just starting out. There are a few math exercises for estimating bandwidth -- useless when you don't know your potential audience size -- and a brief list of "podcast-friendly hosts" which is, of course, already obsolete. His coverage of publishing methods is about weblog software -- wait, scratch that, it's about MovableType. He's infatuated with MT, and devotes several pages on a step-by-step for hacking MT's code and templates to support enclosures with full-source RSS code listings, then mentions virtually offhand that Wordpress and Radio Userland support enclosures out of the box. This is another case where having multiple podcaster perspectives would have helped. Finally, we get a chapter named "The Life Breath of a Podcast: RSS 2.0 With Enclosures," just barely longer than its title, which covers how to use FeedForAll to hand-crank an RSS file if you don't have blogging software that will make one for you. It might have been a valuable chapter if he'd spent any real time explaining RSS 2.0 or enclosures.

Part V: It's Show Time A closing section that's nearly pointless, but mercifully brief. There's an entire chapter about using graphical FTP clients -- lame because anyone who's that blinking-twelve was lost back at Chapter 6. The meaty chapter is called "Feedback, Promotion, and Paying the Bills," and it has some moderately useful information and some large gaps. Feedback apparently means "have a mailing list and a voicemail line, and hang out on Skype." Okay. Promotion's about directory listings and exchanging promos with other podcasters; then he offers a long commentary on advertising and why it's a fine thing to have. Unfortunately, other than creating a media kit he has nothing much to say on how to contact and market your show to advertisers. And the final chapter of the book, "Where Do We Go From Here?" offers a few vapid musings of the sort all podcasters talk about over beer: we're going to kill mainstream radio, podcasts will band together and commercialize, all the starving children of the world will have an MP3 player ... And Yes, in his final sentences he invokes the already-tired "Podcasting Revolution" chestnut. Not much to say here, but rest assured, he says it.

So there you have it. That's the entire book. Worth buying? That depends. If you're itching to get started with podcasting, if you're an absolute beginner when it comes to sound recording, if the online resources at Podcast411 and other sites don't float your boat, and if you can't wait a few more months for books like Podcast Solutions and Podcasting for Dummies to come out ... then sure. There are at least three or four good chapters in here with information you can use. It's not all the information, and you have to take Cochrane's style and limited viewpoint with a big grain of salt, but it'll get you started. For less than twenty bucks, at least it isn't a high-risk investment.

On the other hand, if you're the bootstrapping type, or you already know most of what you're doing, then there's not much in here you can't figure out online and through experience. And if you're patient, there will be other books, and I'm almost positive they'll be better written.

You can purchase Podcasting: the Do-It-Yourself Guide from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

nosoupforyou writes "Jon Smirl, one of two main developers for Xgl and Xegl (a version of X layered on top of OpenGL and rendering directly to the linux framebuffer, similar to Apple's Quartz Extreme) is calling it quits. Citing two years of effort without pay, a shortage of interest from developers, and no hope of release for more than a year, Jon is moving on."

ickoonite writes "The iTunes Music Store has finally come to the Land of the Rising Sun! After months of tricky negotiations, Apple has reached agreements with 15 record companies for the supply of around 1 million tracks, with per-track prices between ¥150 and ¥200. AppleInsider also has some blurb, and Apple has an (English) press release on the launch is here. The question now is: 'Where next?'"

TheRaven64 writes "Hot on the heels of the announcement of x86 Macs, Apple announced a multi-button mouse, known as the Mighty Mouse. It appears that the entire surface is touch-sensitive, allowing the mouse to be programmed as a single-button, multi-button or scrolling device."

wandazulu writes "According to an announcement posted on the Carbon developer's mailing list, Metrowerks announced at AdHoc that the forthcoming release of CodeWarrior 10 will be the last for Mac OS X. This isn't surprising given that Apple is transitioning to Intel chips and Metrowerks has exited the Intel market, but it's still the end of an era. CodeWarrior literally saved Apple's bacon during the transition to PowerPC in the early 1990s by shipping the first working set of developer tools for the new platform. And since then CodeWarrior has been the main toolkit for commercial development on the Mac (especially pre-Xcode)."

TJPile writes "Apple's iTunes Music Store can now say half a billion served. One look at Apple's front page says it all. Sunday, at 2:44PM EST, Amy Greer of Lafayette, Indiana bought Faith Hill's Mississippi Girl to win."

kenthorvath was one of many readers to note that "Apple has quietly released an update for OS X Tiger. New features include a widget manager for dashboard and some 200 bug fixes and enhancements."