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Domain: boxofficemojo.com
Stories and comments across the archive that link to boxofficemojo.com.
Stories · 10
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Netflix Buys Rights To Stream Chinese Sci-Fi Blockbuster 'The Wandering Earth' (npr.org)
An anonymous reader writes from a report via NPR: Netflix announced this week that it has acquired the rights to stream Chinese sci-fi blockbuster "The Wandering Earth," which has already grossed more than $600 million globally and hit number two in the all-time Chinese box office rankings since it was released in theaters Feb. 5. Netflix will translate the movie into 28 languages and release it in more than 190 countries. The movie, based on a short story by Hugo award winner Liu Cixin (author of "Three Body Problem" and "Ball Lighting") is set in a distant future in which the earth is about to be devoured by the sun. Using propulsive engines, humans turn earth into a spaceship and try to launch it out of the solar system and the planet is saved by a Chinese hero (rather than American ones as typically seen in Hollywood sci-fi movies.)
For China's film industry, the release marks a major milestone. "Filmmakers in China see science fiction as a holy grail," Raymond Zhou, an independent critic, told The New York Times. "It's like the coming-of-age of the industry." Two sci-fi movies, "The Wandering Earth" and "Crazy Alien," which is also inspired by Liu's work, topped this Chinese New Year movie season. Inkoo Kang wrote at Slate that the film "understands what American blockbusters are still loath to admit: Responding to climate change will pose infrastructural challenges on a massive order and require drastic measures on a planetary scale. Perhaps it takes a country like China, which is accustomed to a manic rate of construction and grandness of organizational possibility, to seriously consider how dramatically humanity will have to reimagine our ways of life to survive such a catastrophic force." -
Ask Slashdot: Why Did 3D TVs and Stereoscopic 3D Television Broadcasting Fail?
dryriver writes: Just a few years ago the future seemed bright for 3D TVs. The 3D film Avatar smashed all box office records. Every Hollywood studio wanted to make big 3D films. The major TV set manufacturers from LG to Phillips to Panasonic all wanted in on the 3D TV action. A 3D disc format called Blu-ray 3D was agreed on. Sony went as far as putting free 3D TVs in popular pubs in London to show Brits how cool watching football ("Soccer" in the U.S.) in Stereo 3D is. Tens of millions of dollars of 3D TV related ads ran on TV stations across the world. 3D Televisions and 3D content was, simply put, the biggest show in town for a while as far as consumer electronics goes. Then the whole circus gradually collapsed -- 3D TVs failed to sell well and create the multi-billion dollar profits anticipated. 3D at home failed to catch on with consumers. Shooting genuine stereo 3D films (not "post conversions") proved to be expensive and technically challenging. Blu-ray 3D was only modestly successful. Even Nvidia's stereo 3D solutions for PC gamers failed. What, in your opinion, went wrong? Were early 3D TV sets too highly priced? Were there too few 3D films and 3D TV stations available to watch (aka "The Content Problem")? Did people hate wearing active/passive plastic 3D glasses in the living room? Was the price of Blu-ray 3D films and Blu-ray 3D players set too high? Was there something wrong with the stereo 3D effect the industry tried to popularize? Did too many people suffer 3D viewing related "headaches," "dizzyness," "eyesight problems," and similar? Was the then -- still quite new -- 1080p HD 2D television simply "good enough" for the average TV viewer? Another related question: If things went so wrong with 3D TVs, what guarantee is there that the new 3D VR/AR trend won't collapse along similar lines as well? -
Star Wars Pulls In $1 Billion At Record Speed (reuters.com)
New submitter henrydan798 writes to note that Star Wars: The Force Awakens has set a new record for ticket sales, becoming the fastest movie ever to earn a billion dollars at the till. As the L.A. Times reports, The latest installment in the "Star Wars" franchise grossed an estimated $153.5 million in the U.S. and Canada in its second weekend, beating the lower end of analyst expectations of $140 million. This drives the J.J. Abrams-directed picture to a to-date domestic gross of $544.5 million. "The Force Awakens," which cost an estimated $200 million to produce, debuted last weekend to record domestic ticket sales of $248 million. It also grossed $281 million overseas for a global total of $529 million, topping the previous worldwide debut benchmark set in June by "Jurassic World" ($525 million). This week, with an international estimated gross of $546 million to date, the film became the fastest to surpass $1 billion globally. Were any of those dollars yours? If so, do you think they were well spent? -
Behind the Scenes of Narnia's Special Effects
louismg writes "Walt Disney Pictures' Chronicles of Narnia: The Lion, the Witch and the Wardrobe took in more than $100 million at the box office worldwide in its opening weekend, riding the back of special effects powering nearly all the movie's characters, from the lion Aslan to the Gryphon, Minotaur, Centaurs and more. VFXWorld has a series of diaries with the technology geeks at Rhythm & Hues behind the special effects. (Part 1, 2) For the fantasy film's special effects, Rhythm & Hues teamed up with Industrial Light and Magic and Sony Pictures Imageworks to deliver more than 1,400 shots for the film, and used cutting-edge technology from BlueArc, NVIDIA and others to keep the effects' production running." -
Can Hayao Miyazaki Save Disney's Soul?
IronicGrin writes "Even hard-core House of Mouse apologists have to admit that Disney's Feature Animation division has lost its way. After a half decade of pathetic failures (Atlantis) and epic disasters (Treasure Planet), the company shut its fabled Orlando 2D animation studios last year and announced that it was jumping on the computer animation bandwagon. A big motivation for the move to CGI was, of course, the Magic Kingdom's tenuous relationship with Pixar--the source of all of Disney's recent animated hits. But Disney is overlooking a better example of just what its toon team has been doing wrong...right under its nose. Howl's Moving Castle, which opened this weekend to rapturous critical acclaim, is the third masterpiece from Japan's Studio Ghibli that Disney has released theatrically. Today's New York Times has a feature by A.O. Scott [reg required, blah blah] calling Miyazaki the "world's greatest living animated-filmmaker"; meanwhile, last Thursday, I wrote a column for SFGate.com on why Disney animation, 3D rendered or not, is doomed to irrelevance if it fails to (re)learn some basic lessons from Miyazaki and his cohorts at Ghibli. What do you think? Is Disney destined to fade to black, or can a little Ghibli flavor (mmm....Ghibli) get it back on track?" -
Can Hayao Miyazaki Save Disney's Soul?
IronicGrin writes "Even hard-core House of Mouse apologists have to admit that Disney's Feature Animation division has lost its way. After a half decade of pathetic failures (Atlantis) and epic disasters (Treasure Planet), the company shut its fabled Orlando 2D animation studios last year and announced that it was jumping on the computer animation bandwagon. A big motivation for the move to CGI was, of course, the Magic Kingdom's tenuous relationship with Pixar--the source of all of Disney's recent animated hits. But Disney is overlooking a better example of just what its toon team has been doing wrong...right under its nose. Howl's Moving Castle, which opened this weekend to rapturous critical acclaim, is the third masterpiece from Japan's Studio Ghibli that Disney has released theatrically. Today's New York Times has a feature by A.O. Scott [reg required, blah blah] calling Miyazaki the "world's greatest living animated-filmmaker"; meanwhile, last Thursday, I wrote a column for SFGate.com on why Disney animation, 3D rendered or not, is doomed to irrelevance if it fails to (re)learn some basic lessons from Miyazaki and his cohorts at Ghibli. What do you think? Is Disney destined to fade to black, or can a little Ghibli flavor (mmm....Ghibli) get it back on track?" -
Katsuhiro Otomo's Steamboy in Theaters
echocharlie writes "Steamboy is rolling into US theaters on March 18. The movie features the notable return of Katsuhiro Otomo, who hasn't directed an animated film since Akira, so big things can be expected. The film opened in Japan earlier to mostly rave reviews. The english cast features Anna Paquin, Alfred Molina, and Patrick Stewart. That's interesting casting since all three have had prominent roles in comic book movie adapatations (X-men, Spider-Man 2, and X-men respectively), not to mention Mr. Stewart's famous sci-fi ties. Anime films without Pokémon in their titles haven't fared well at the US Box office (see Appleseed, Tokyo Godfathers, Ghost in the Shell 2, et al.). Hopefully with an adequate number of theaters carrying the film, Katsuhiro Otomo's latest opus will gain the exposure it deserves." -
Stan Lee to be Paid Millions for Spidey
Soldrinero writes "After a tough legal battle that began in 2002 (mentioned in a previous Slashdot story), Stan Lee will finally get his due. A recent court decision says that Marvel owes Lee 10% of their profits for works based on his creations. Since three recent Marvel-based movies are in the all-time top 100 for box-office gross, this will be a sizable chunk of change." -
Star Trek: Enterprise in Danger of Being Cancelled
jkcity writes "According to Cinscape.com The Star Trek Enterprise set is awash with rumour that it will not be renewed for a 4th season, It was previous told it was safe by UPN but so was Enteprise's lead-out show Jake 2.0 which was just Cancelled. Star Trek: Enterprise has also been reduced to 24 episodes this season by UPN, things don't look good for the Star Trek Television Franchise and after the flop of Star Trek: Nemesis it could be many years before we ever see any new Star Trek outside of books." -
Matrix Reloads to $42.5 Million Opening
Dante Alighieri writes "Box Office Mojo, the Washington Post, E!, and others reports that The Matrix Reloaded opened with a record of $42.5 million in ticket sales." I saw it yesterday and have a variety of opinions on it, but the short review is that it isn't the original, but it's pretty damn cool, and I'm first in line for Revolution.