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Long-time Slashdot reader theodp writes: While Apple CEO Tim Cook may not be able to force schoolchildren to code, there's no law against Cook and Apple using Sesame Street to make preschoolers want to code. Among the original Apple TV+ shows Cook announced at Apple's March Event was Helpsters, an "incredible new preschool show" about coding from "the peeps at Sesame Workshop and Apple."

In a skit on stage at the Steve Jobs Theater [available on YouTube], a Helpster monster from the new show named "Cody" (get it!) explains to Big Bird, "See, coding fosters collaboration, critical-thinking skills, and is an essential language that every child can learn. By teaching preschoolers about coding, we are giving them the opportunity to change the world."
One site described Cody as "a sociopathic tech recruiter muppet," complaining that "Teaching kids about technology is fine. But this is just creepy." They also objected to the show's targeting of pre-schoolers.

"From a developmental point of view, most experts agree very young children should be working on figuring out how to share their toys, not thinking about how to program them."

Netflix has addressed Steven Spielberg's concerns, after the legendary director indicated he'd throw his weight behind making Oscars harder to reach for Netflix films like "Roma". From a report: The streaming giant didn't name Spielberg directly in its tweet, but considering his views on Netflix films and the Academy Awards, it seems like the statement is associated with the director's thoughts about their participation as contenders in award season. "We love cinema," the official Netflix Twitter account wrote. They continue with a list of things they loved including: Access for people who can't always afford, or live in towns without, theaters; letting everyone, everywhere enjoy releases at the same time; and giving filmmakers more ways to share art. "These things are not mutually exclusive," they concluded in a tweet that could be considered a clap back at the filmmaker. IndieWire reported last week that Spielberg, who serves as the current governor of the Academy's directors branch, intends to argue in favor of changing the Oscars' rules to prevent streaming services from entering the campaign field at the Academy Board of Governors' next meeting. Because Netflix is a home-viewing platform, critics like Spielberg say that it's better-suited for the Emmys, which celebrate TV, a medium inherent to home-viewing.

An anonymous reader writes from a report via NPR: Netflix announced this week that it has acquired the rights to stream Chinese sci-fi blockbuster "The Wandering Earth," which has already grossed more than $600 million globally and hit number two in the all-time Chinese box office rankings since it was released in theaters Feb. 5. Netflix will translate the movie into 28 languages and release it in more than 190 countries. The movie, based on a short story by Hugo award winner Liu Cixin (author of "Three Body Problem" and "Ball Lighting") is set in a distant future in which the earth is about to be devoured by the sun. Using propulsive engines, humans turn earth into a spaceship and try to launch it out of the solar system and the planet is saved by a Chinese hero (rather than American ones as typically seen in Hollywood sci-fi movies.)

For China's film industry, the release marks a major milestone. "Filmmakers in China see science fiction as a holy grail," Raymond Zhou, an independent critic, told The New York Times. "It's like the coming-of-age of the industry." Two sci-fi movies, "The Wandering Earth" and "Crazy Alien," which is also inspired by Liu's work, topped this Chinese New Year movie season. Inkoo Kang wrote at Slate that the film "understands what American blockbusters are still loath to admit: Responding to climate change will pose infrastructural challenges on a massive order and require drastic measures on a planetary scale. Perhaps it takes a country like China, which is accustomed to a manic rate of construction and grandness of organizational possibility, to seriously consider how dramatically humanity will have to reimagine our ways of life to survive such a catastrophic force."

An anonymous reader quotes a report from Hollywood Reporter: Netflix has joined the membership ranks of the Motion Picture Association of America alongside the six major Hollywood studios, the top lobbying group said Tuesday, The unprecedented move -- coming on the same day that the streamer landed its first Oscar nomination for best picture -- was endorsed by Disney, Fox, Paramount, Sony, Universal and Warner Bros. It is the first time in history that a non-studio has been granted entry. It also is a defining moment for MPAA chairman-CEO Charles Rivkin 18 months into his tenure. The Netflix-MPAA union coincides with the streamer becoming a card-carrying member of the Oscar race after securing an unprecedented 15 nominations on Tuesday morning. Netflix CEO Reed Hastings and Sarandos are intent on upping the company's profile as a legitimate force in the movie business, and joining the MPAA will further that goal. Additionally, once Fox is merged with Disney, the MPAA will have one less member, meaning a loss of as much as $10 million to $12 million in annual dues. Sources say the MPAA is courting other new members as well (Amazon could be a candidate). Prior to joining the MPAA, Netflix "departed from the Internet Association -- a major industry trade group representing tech companies including Google, Amazon, and Facebook," Engadget notes. "Netflix had been a member of the internet association since 2013."

The Federal Trade Commission has sent out a flare to warn Netflix users that there are some grinches out there looking to take advantage of everyone's holiday bliss and vulnerability. From a report: In a post on the FTC's website, they warned us of scammers using household company names to dupe consumers. In a specific example, they cited a phishing email sent to a Netflix customer that claimed the user's account is on hold because Netflix is "having some trouble with your current billing information." The email invites the user to click on a link to update their payment method. The FTC sent the cautionary message out to all Netflix users so that they won't be victim to phishing.

Facebook has been fined $645,000 by the UK's Information Commissioner's Office for its role in the Cambridge Analytica scandal, which affected over 80 million users. "The fine was served under the Data Protection Act 1998," reports Deadline. "However, this was replaced earlier this year by an updated version of this law, which alongside the EU's General Data Protection Regulation, meaning that Facebook could have been served a maximum fine of 17 million British pounds or 4% of global turnover." Deadline reports: The ICO's investigation found that as a result of Facebook allowing personal data to be given to app developers, Aleksandr Kogan and his company GSR was able to harvest the data with some of this information shared with organizations such as Cambridge Analytica parent company SCL. It noted that event after the misuse of the data was discovered in December 2015, Facebook "did not do enough" to ensure those who continued to hold it had taken adequate and timely remedial action.

The merger that once seemed all but inevitable has fallen apart. According to The Wall Street Journal, Tribune Media has terminated its merger agreement with rival TV station-owner Sinclair Broadcast Group (Warning: source may be paywalled; alternative source). The company is also suing Sinclair for failing to make sufficient efforts to get their $3.9 billion deal approved by regulators. From the report: The suit, filed in Delaware Chancery Court, alleges that Sinclair breached the merger agreement by engaging in "unnecessarily aggressive and protracted negotiations" with regulators over their requirement that Sinclair divest stations in certain markets to obtain approval, Tribune said in a statement. The deal structures Sinclair proposed, which Tribune said were done to allow it to maintain control over stations, created risks for the deal in violation of the merger agreement. Tribune is seeking financial damages.

The collapse of the deal and lawsuit mark a stunning turn of events for a deal that when it was announced in April of 2016 seemed certain to receive regulatory approval. "Our merger cannot be completed within an acceptable time frame, if ever, Tribune Media Chief Executive Peter Kern said in a statement. "This uncertainty and delay would be detrimental to our company and our shareholders. Accordingly, we have exercised our right to terminate the merger agreement, and, by way of our lawsuit, intend to hold Sinclair accountable." The merger hit the rocks last month when FCC commissioners voted to send the proposed sale to a judge. "FCC chairman Ajit Pai raised 'serious concerns' about Sinclair's selloff of 21 stations it had proposed in order to remain under station ownership limits post-merger," Engadget reported last month. "Had Sinclair declined to sell off some stations, its 173 broadcast stations in 81 markets, combined with Tribune's 42 stations in 33 markets would reach 72 percent of U.S. TV households."

Today Comic-Con attendees were treated to new trailers and previews for a slew of upcoming geek-friendly movies. An anonymous reader writes: Besides footage from Wonder Woman 1984, there were also trailers for DC's Aquaman movie, plus a new DC superhero franchise with a lighter tone, Shazam. (And there was also a very apocalyptic preview of Godzilla: King of the Monsters.)

Numerous celebrities were on-hand to tout their upcoming films. Johnny Depp introduced the trailer for Fantastic Beasts 2: The Crimes of Grindelwald -- in character -- while Bruce Willis and Samuel L. Jackson introduced the trailer for M. Night Shyamalan's Glass. Jamie Lee Curtis even plugged her return to the Halloween franchise 40 years after the original, revealing that her character has been waiting all these decades to kill Michael Myers after his release from prison.

TV Guide has collected most of the trailers for TV shows, including season 11 of Doctor Who, the revival of Star Wars: The Clone Wars, and new seasons of Marvel's Iron Fist and Fear the Walking Dead. There was apparently also a trailer for Marvel's mutant series The Gifted -- and a preview for the 30th season of The Simpsons featuring this Halloween's "Treehouse of Horror XXIX", which includes a parody of Invasion of the Body Snatchers.

According to a new study by Hub Entertainment Research, viewers are increasingly defaulting to on-demand sources like Netflix, Amazon Prime Video, and Hulu instead of live TV. The study found that only 39% of viewers tune into live programming from a traditional pay-TV provider, down from 47% last year. On-demand sources, collectively, were the first choice for 48% of viewers. Deadline reports: For viewers aged 18-34, the pattern is more stark -- only about a quarter (26%) of the demo lists live TV as a default, compared with 35% a year ago. One clear influence on consumer behavior is the increase in TV sources -- the average person has 4.5 distinct sources to choose from (including linear TV, DVR, VOD, Netflix, etc.). That number is up from 3.7 in 2014. Among viewers 18-34, the number is higher, at 5.1 sources -- plus, Hub found that fully 50% of 18-34-year-olds subscribe to at least two of the "big three" SVOD services, Netflix, Amazon or Hulu. Even older generations accustomed to the "clicker" have turned away from live TV as a default. About 56% of viewers 55 and older listed live as their first choice, but that's down from 66% a year ago.

yagoda shares a report from MIT Technology Review: Andreas Rossler at the Technical University of Munich in Germany and colleagues have developed a deep-learning system that can automatically spot face-swap videos. The new technique could help identify forged videos as they are posted to the web. But the work also has sting in the tail. The same deep-learning technique that can spot face-swap videos can also be used to improve the quality of face swaps in the first place -- and that could make them harder to detect. The new technique relies on a deep-learning algorithm that Rossler and co have trained to spot face swaps. These algorithms can only learn from huge annotated data sets of good examples, which simply have not existed until now. In semi-related news, the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) says it's "fighting back" against the dangers posed by new face-swapping technologies that have been used to digitally superimpose the faces of its members onto the bodies of porn stars.

"SAG-AFTRA has undertaken an exhaustive review of our collective bargaining options and legislative options to combat any and all uses of digital re-creations, not limited to deepfakes, that defame our members and inhibit their ability to protect their images, voices and performances from misappropriation. We are talking with our members' representatives, union allies, and with state and federal legislators about this issue right now and have legislation pending in New York and Louisiana that would address this directly in certain circumstances. We also are analyzing state laws in other jurisdictions, including California, to make sure protections are in place. To the degree that there are not sufficient protections in place, we will work to fix that..."

An anonymous reader quotes a report from Deadline: In a competitive situation, Apple has nabbed a TV series adaptation of Foundation, the seminal Isaac Asimov science fiction novel trilogy. The project, from Skydance Television, has been put in development for straight-to-series consideration. Deadline revealed last June that Skydance had made a deal with the Asimov estate and that David S. Goyer and Josh Friedman were cracking the code on a sprawling series based on the books that informed Star Wars and many other sci-fi films and TV series. Goyer and Friedman will be executive producers and showrunners. Skydance's David Ellison, Dana Goldberg and Marcy Ross also will executive produce.

Originally published as a short story series in Astounding Magazine in 1942, Asimov's Foundation is the complex saga of humans scattered on planets throughout the galaxy, all living under the rule of the Galactic Empire. The protagonist is a psycho-historian who has an ability to read the future and foresees the empire's imminent collapse. He sets out to save the knowledge of mankind from being wiped out. Even the Game of Thrones' creative team would marvel at the number of empires that rise and fall in Foundation. Asimov's trilogy has been tried numerous times as a feature film at Fox, Warner Bros (with Bob Shaye and Michael Lynne, who greenlit The Lord of the Rings), and then at Sony with Independence Day director Roland Emmerich. Many top sci-fi writers have done scripts and found it daunting to constrict the sprawling saga to a feature film format. Most recently, HBO tried developing a series with Interstellar co-writer and Westworld exec producer Jonathan Nolan, but a script was never ordered.

On Sunday, 'Blade Runner 2049' won the Oscar for the movie with the best visual effects. BBC spoke to Richard Hoover, the visual effects supervisor at Framestore which was one of the companies responsible for the movie's special effects.

Further reading: How 'Blade Runner 2049' VFX Supervisor John Nelson Brought Rachael & Pic's Holograms To Life (Deadline); Behind the breathtaking visual effects of 'Blade Runner 2049' (Digital Trends); How Blade Runner 2049's VFX team made K's hologram girlfriend (Wired).

According to a report in The New York Times (Warning: source may be paywalled), Ajit Pai and the FCC approved a set of rules in 2017 to allow television broadcasters to increase the number of stations they own. Weeks after the rules were approved, Sinclair Broadcasting announced a $3.9 billion deal to buy Tribune Media. PC Gamer reports: The deal was made possible by the new set of rules, which subsequently raised some eyebrows. Notably, the FCC's inspector general is reportedly investigating if Pai and his aides abused their position by pushing for the rule changes that would make the deal possible, and timing them to benefit Sinclair. The extent of the investigation is not clear, nor is how long it will take. However, it does bring up the question of whether Pai had coordinated with Sinclair, and it could force him to publicly address the topic, which he hasn't really done up to this point.

Legislators first pushed for an investigation into this matter last November. At the time, a spokesman for the FCC representing Pai called the allegations "baseless" and alluded to it being a partisan play by those who oppose the chairman. "For many years, Chairman Pai has called on the FCC to update its media ownership regulations," the FCC spokesman said. "The chairman is sticking to his long-held views, and given the strong case for modernizing these rules, it's not surprising that those who disagree with him would prefer to do whatever they can to distract from the merits of his proposals."

Rotten Tomatoes launched a new movie-review series called See It/Skip It last week -- but it just made some people hate the site even more. An anonymous reader quotes Wired: Rotten Tomatoes, the review-aggregator-slash-Hollywood-agitator, had irked DC fans by withholding its Justice League score until Thursday night's See It/Skip It premiere -- even though a wave of reviews for the film had already been posted online. The move was ostensibly a ploy to get viewers to tune in for the show, yet others saw a greater villainy at work: Was Rotten Tomatoes, which is owned in part by Warner Bros., actually trying to shield the studio from an inevitably bad grade that could help kill its opening weekend?

The See It/Skip It pushback -- which involved a lot of Tweet-screaming -- was a reminder of just how controversial Justice League had become... With Justice League having earned a less-than-expected $96 million in its opening weekend, the lowest ever for a DCEU title, the movie will likely be seen as a Flash-point moment for DC movies as a whole. Considering how some DC obsessives have reacted to the films' bad reviews -- there have been death threats in the past -- the conspiracy theory is actually a somewhat measured response... But there's another reason for all the pre-release pressure on Justice League: With the exception of this summer's Wonder Woman, the previous DC entries have all earned disappointingly low scores on Rotten Tomatoes... For some fans, the low scores felt like a referendum not only on [director Zack] Snyder's work, but the DC Extended Universe franchise as a whole -- so much so, a few defenders even began to speculate as to whether Rotten Tomatoes was manipulating the DCEU data (or, at the very least, grading the reviews on a much steeper curve than the Marvel films). Such theories filled message boards and Quora discussions, and there was even a Change.org petition to shut the site down that collected more than 23,000 signatures... Dangling the [Justice League] verdict in front of fans, and putting off the inevitable, felt like a misuse of power.
"They just want to focus on the negative," one DC fan told the Chicago Tribune. Meanwhile, the film's director has endorsed a Change.org petition calling for the release of his original edit of the film.

Justice League cost nearly a third of a billion dollars to produce. On Thanksgiving Day, it earned less money than Disney-Pixar's film Coco.

An anonymous reader quotes The Verge: Amazon Studios has been looking for a way to duplicate HBO's success with Game of Thrones, and the company may have found a solution: adapting J.R.R. Tolkien's The Lord of the Rings into a TV series. Variety reports that the company is currently in talks with Warner Bros. Television and the late author's estate, and while discussions are said to be in "very early stages," it is clearly a high priority, with Amazon CEO Jeff Bezos himself involved in the negotiations.

Amazon isn't the only one looking into the rights, according to Deadline, which reports that the Tolkien Estate is looking to sell the television rights to the iconic fantasy series to the tune of $200-250 million, and has approached Netflix and HBO as well. There appears to be some strings attached: the rights might not encompass all of the characters in the story. HBO has reportedly passed on the project.
"We can hear the pitch now," jokes The Verge. "It's like Game of Thrones, only with a series of books that are actually finished."

NASA claims they set a record Monday with 40 million views of their eclipse coverage (12.1 million unique) and more than 2 million simultaneous views. Now Slashdot reader xmas2003 asks: "What did /.'ers do to experience this rare incredibly cool event and how did it turn out?" SmarterEveryDay Destin gets great geek cred for watching the ISS transit the eclipsed sun [YouTube] while we were fortunate to have an incredible experience on 40 acres of farmland watching the Total Solar Eclipse near Tryon, Nebraska -- here's a complete video of [a darkening crowd watching] the totality event from the middle of nowhere. While the pics/video are cool, the real-life experience of actually being there in person is even 100X better -- highly recommend you try to attend a future total solar eclipse!.
In my town it was cloudy all morning -- though I got a postcard from friends experiencing "the path of totality" in Idaho City. But how about you? How did you experience this week's solar eclipse?

Nellie Andreeva, writing for Deadline: Star Trek: Discovery will debut Sunday, September 24, with a special broadcast premiere on the CBS TV network airing 8:30-9:30 PM. The first as well as the second episode of the sci-fi series will be available on-demand on CBS All Access immediately following the broadcast premiere, with subsequent new episodes released on All Access each Sunday. Originally slated for a January 2017 premiere, Star Trek: Discovery's debut was first pushed to May and then to fall 2017. At CBS' upfront presentation, the company announced that Star Trek: Discovery's first-season order had been increased from 13 to 15 episodes. The expanded season now will be split into two. The first eight episodes will run Sundays from September 24 through November 5. The season then will resume with the second chapter in January 2018. The break also will allow the show more time for postproduction on latter episodes.

An anonymous reader quotes Deadline: Netflix, Amazon and Hulu will be paying a lot more in writers' residuals under the new WGA film and TV contract. New details, outlined by WGA West, reveal that high-budget shows they run will generate anywhere between $3,448-$34,637 more residuals per episode over the life of the three-year contract than they did under the old contract, depending on the platform and the length of the show. Essentially, it's the same deal the Director's Guild of America got in their negotiations last December. The WGA contract, which has been unanimously approved by the WGA West board and the WGA East council, now goes to the guilds' members for final ratification. Voting begins Friday and concludes May 24.
For every half-hour of a high-budget show, Netflix will be paying $19,058 more in residuals than it did under the old contract.

Sony Entertainment CEO Michael Lynton has told his employees that he is stepping down from the company. He will however be staying with the company for six months to help in the transition. Lynton's note to the staff reads: Dear Colleagues,

Today I will be announcing my resignation from Sony to focus on my position as Chairman of the Board of Snap Inc. This was not an easy decision for me, and one that I arrived at after long and careful consideration. Sony Corp will be issuing an internal note from Kaz to all Sony global employees as well as a press release describing the details and timing of my transition, which I have included below.

As some of you are already aware, I have been involved with Snapchat since its early days. Given Snapchat's growth -- and my growing role and responsibilities in it -- I recently determined that the time was right to make a change.

I leave Sony with great pride in all we have accomplished together -- from our greatest victories to overcoming our biggest challenges. Together we: Produced terrific films such as American Hustle, Captain Phillips, The Social Network, Spider-man, Skyfall and Spectre; and hit TV shows like Breaking Bad, The Blacklist, The Goldbergs, The Crown and Kevin Can Wait; Grew our worldwide networks business to 178 countries, including India with our ownership of the IPL cricket rights the Ten Sports Network; Completed the Lot's most significant capital improvement projects in decades including the Jack and Harry Cohn buildings, Calley Park and the beautiful new 8-story Akio Morita building, which brought Sony Music and Sony/ATV Music Publishing employees onto the Lot for the first time; Completed the $750 million acquisition of the Michael Jackson Estate's stake in Sony/ATV, making us 100% owners; And triumphed over the most devastating and disruptive cyber-attack in corporate history, keeping studio operations running and not missing a single day of production.

An anonymous reader writes: The two top members of the Senate's antitrust subcommittee said Sunday that they plan to probe a colossal deal between AT&T and Time Warner. In a statement, Mike Lee, R-Utah., and Amy Klobuchar, D-Minn. -- chairman and ranking Democrat, respectively, of the Judiciary Subcommittee on Antitrust, Competition Policy and Consumer Rights -- said AT&T's acquisition of Time Warner "would potentially raise significant antitrust issues" that the panel would "carefully examine." AT&T Chairman and Chief Executive Randall Stephenson announced the $85 billion deal Saturday as "a great fit" that will combine the "world's best premium content with the networks to deliver it to every screen." Among those new properties are HBO, Turner Broadcasting System and Warner Bros., which would give them ownership of Cinemax, CNN and DC Comics, to name a few. Last year, AT&T completed the purchase of DirecTV, the country's largest satellite television provider. In an interview with NBC News, Klobuchar pointed to past mega-media acquisitions -- including the purchase of NBCUniversal by Comcast in 2011 and of Time Warner Cable by Charter Communications -- and said the "sheer volume" of the deal should give regulators pause.Presidential candidate Donald Trump has said that he would not approve of this deal if elected as the President. In the meanwhile, Bernie Sanders have also asked Obama administration to kill this agreement. The Vermont Senator said, "The deal would mean higher prices and fewer choices for the American people,"

New submitter bufo333 quotes a report from Deadline: Character actor Barry Jenner, best known for his pivotal role as Admiral William Ross on "Star Trek: Deep Space Nine" and with credits including recurring roles on "Dallas," "Knott's Landing," "Family Matters" and many others, died on August 9, his family has announced. He was 75.

An anonymous reader writes: While filming Star Wars: The Force Awakens, Harrison Ford almost died when he was crushed by a hydraulic door on the set of the Millennium Falcon. He was reportedly knocked to the ground and crushed beneath the heavy door when he walked on to the set not believing it to be live. The 71-year-old actor suffered a broken left leg. Prosecutor Andrew Marshall said the door "could have killed somebody. The fact that it didn't was because an emergency stop was activated," he said. The company responsible, Foodles Production, pleaded guilty to two breaches under health and safety legislation, one count under section two of the Health and Safety at Work Act 1974, which related to a breach of duty in relation to employees, and a second under section three, a breach over people not employed by the company. The lawyer for Foodles Production, which is owned by Disney, said the company would contest the level of risk involved on August 22nd at Aylesbury crown court.

An anonymous Slashdot reader writes: Leonard Nimoy's 59-year-old son released a trailer for his upcoming documentary, For The Love Of Spock. CBS released a video teaser for their upcoming Star Trek: Discovery series. And Schmaltz brewery released a "Trouble With Tribbles" beer.

It was all part of the festivities celebrating the 50th anniversary of CBS's original Star Trek series at this year's Comic-Con festival in San Diego, which culminated with an all-star panel of actors from previous Star Trek TV series. William Shatner, Michael Dorn, Brent Spiner, Jeri Ryan, and Scott Bakula all reminisced on the phenomenon of the show's fan culture, with Dorn telling the audience that Apple's iPad was inspired by Star Trek technology. And Brent Spiner told the audience, "We're in a time now where identity is under attack... Politicians could learn from Star Trek."

An anonymous reader writes: In 2014, Threshold Entertainment announced it would be producing a live-action film based on the Russian stacking game Tetris. Today, Threshold Entertainment announced it had secured $80 million in funding for the project. Threshold's Larry Kasanoff has worked on the Mortal Kombat film in 1995, which grossed $70 million. Media mogul Bruno Wu, will serve as co-producer on the film ensuring that the movie will be able to sustain any unplanned budget overruns. According to Deadline, the film is planned for a 2017 release with Chinese locations and a Chinese case. However, Kasanoff notes "the goal is to make world movies for the world market." What's more is that the movie could be the basis of a trilogy, the producer says, with a plot that's "not at all what you think; it will be a cool surprise." Kasanoff told the Wall Street Journal that "this isn't a movie with a bunch of lines running around the page. We're not giving feet to the geometric shapes... What you [will] see in Tetris is the teeny tip of an iceberg that has intergalactic significance."

An anonymous reader writes: The movie industry has reported global box office records reached $38.4 billion in 2015, up 5% on 2014's total, according to the MPAA's Theatrical Market Statistics report. The U.S. and Canada turned in $11.1 billion with international box office revenues hitting $27.2 billion. "I'm proud to say that the state of our industry has never been stronger," the former U.S. senator, MPAA chairman and CEO Chris Dodd said. "To paraphrase Mark Twain, the death of the movies has been greatly exaggerated," Dodd said. It begs the question whether or not piracy is truly killing the movie business -- the MPAA insists it is. According to Dodd, the box office would be more healthy to the tune of $1.5 billion if piracy could be brought under control. Some possible theories to achieve such a goal would be based off making content more readily available to the consumer. Napster co-found Sean Parker has a Screening Room project which hopes to bring first-run movies into the home via a set-top box. Though it has a trick up its sleeve: Customers prepared to pay the required $50 to watch at home would get two tickets to watch the movie in the cinema, which could either boost or at least maintain box office attendance. The Art House Convergence (AHC) said it "strongly opposes" the plan, warning it would only fuel torrent sites and piracy. National Assosciation of Theatre Owners chief John Fithian said, "More sophisticated window modeling may be needed for the growing success of a modern movie industry."

MarkWhittington writes: The 43rd anniversary of the mission of Apollo 17, the last time men walked on the moon, has elicited a strange kind of nostalgia, and no little melancholia in some parts of the media. These qualities are captured in a story in IO9 that purports to tell us why no one has been back to the moon in over four decades and why we might soon return at last. Deadline Hollywood informs us that "The Last Man on the Moon," a documentary on Apollo moonwalker Gene Cernan, is set for a release to both theaters and video on demand in February, having been shown at film festivals for the past year or so,

HughPickens.com writes: Entertainment Weekly reports that George Lucas has compared his retirement from Star Wars to a break-up – a mutual one, maybe, but one that nonetheless comes with hard feelings and although Lucas came up with story treatments for a new trilogy, those materials, to put it bluntly, were discarded. "They decided they didn't want to use those stories, they decided they were gonna go do their own thing," says Lucas. "They weren't that keen to have me involved anyway. But at the same time, I said if I get in there I'm just going to cause trouble. Because they're not going to do what I want them to do. And I don't have the control to do that anymore. All I would do is muck everything up. So I said, 'Okay, I will go my way, and I'll let them go their way.'" Lucas says he was going to tell a story about the grandchildren of figures from the original trilogy. "The issue was, ultimately, they looked at the stories and they said, 'We want to make something for the fans,'" says Lucas. "So, I said, all I want to do is tell a story of what happened – it started here and went there. It's all about generations, and issues of fathers and sons and grandfathers. It's a family soap opera."

Although the team behind The Force Awakens acknowledges they're taking the story in a different direction from what Lucas intended, they maintain affection for his original creations and the man himself. "Before I showed up, it was already something that Disney had decided they wanted to go a different way with," says J. J. Abrams. "But the spirit of what he wrote, both in those pages and prior, is everything that this movie is built upon." Some fans question why there was no "Based on" credit for Lucas in the poster for The Force Awakens. "I don't know why it isn't on the poster, but it's a valid point. I'm sure that that will be a credit in the film," says Abrams. "We are standing on the shoulders of Episodes I through VI."

An anonymous reader writes: Classic sci-fi show Lost in Space is making a comeback. Netflix is developing a new version of the series, according to Kevin Burns, the executive producer in charge of the project. "The original series, which lasted three seasons and 83 episodes, is set in a futuristic 1997 and follows the Robinson family's space exploration. After the villainous Dr. Smith (Jonathan Harris) sabotages the navigation system, they become helpless and, yes, lost. (The robot tasked with protecting the youngest child, the precocious Will, utters "Danger, Will Robinson!" — a phrase that still tortures this reporter.)" Burns has been trying to bring the series back for more than 15 years, and it looks likely he'll finally get his chance.

HughPickens.com writes: John Koblin writes in the NY Times that there's a crisis in television programming felt among executives, viewers and critics, and it's the result of one thing: There is simply too much on television. John Landgraf, chief executive of FX Networks, reported at the Television Critics Association Summer Press Tour that the total number of original scripted series on TV in 2014 was 371. The total will surpass 400 in 2015. The glut, according to Landgraf, has presented "a huge challenge in finding compelling original stories and the level of talent needed to sustain those stories."

Michael Lombardo, president of programming at HBO, says it is harder than ever to build an audience for a show when viewers are confronted with so many choices and might click away at any moment. "I hear it all the time," says Lombardo. "People going, 'I can't commit to another show, and I don't have the time to emotionally commit to another show.' I hear that, and I'm aware of it, and I get it." Another complication is that shows not only compete against one another, but also against old series that live on in the archives of Amazon, Hulu or Netflix. So a new season of "Scandal," for example, is also competing against old series like "The Wire." "The amount of competition is just literally insane," says Landgraf.

Others point out that the explosion in programming has created more opportunity for shows with diverse casts and topics, such as "Jane the Virgin," "Transparent" and "Orange Is the New Black." Marti Noxon, the showrunner for Lifetime's "UnREAL" and Bravo's "Girlfriends' Guide to Divorce," says there has been a "sea change" in the last five years. "I couldn't have gotten those two shows on TV five years ago," says Noxon. "There was not enough opportunity for voices that speak to a smaller audience. Now many of these places are looking to reach some people — not all the people. That's opened up a tremendous opportunity for women and other people that have been left out of the conversation."

New submitter requerdanos writes: Former attorney and professional troll Jack Thompson is set to become a major motion picture figure, played by Bill Paxton, in the upcoming film Grand Theft Auto. According to Cinema Blend, "Paxton is in line to play Jack Thompson. A Miami lawyer, Thompson came into the public eye by frequently blasting Grand Theft Auto, creator Rockstar Games, and video game violence in general. Before that, he was known for attacking media companies who promoted both hip hop and sex. In 2008, allegations of professional misconduct, including harassment, defamation, intimidation, and false statements led to Thompson being disbarred."

According to a report at The Verge, itself based on another at Deadline.com, Shaun of the Dead creator Simon Pegg is to co-write (along with Doug Jung) the next Star Trek film. Pegg is also signed on to play Scotty, as he did in both the Star Trek reboot and Into Darkness.

Dave Knott writes Although J.J. Abrams directed the first two films in the popular revamped Star Trek series, his new job masterminding the Star Wars sequels had left Star Trek 3 as one of the most prestigious unfilled directing assignments in Hollywood. No longer. It is now known that Justin Lin will direct the third Star Trek film. Lin is best known for revitalizing the long-running Fast & Furious series, helming the third through sixth films in that franchise. Several top-flight directors were under consideration for Star Trek 3, but Lin was the only one actually offered the job, following the postponement of the Bourne Legacy sequel that he had previously been set to direct.

Dave Knott writes Although J.J. Abrams directed the first two films in the popular revamped Star Trek series, his new job masterminding the Star Wars sequels had left Star Trek 3 as one of the most prestigious unfilled directing assignments in Hollywood. No longer. It is now known that Justin Lin will direct the third Star Trek film. Lin is best known for revitalizing the long-running Fast & Furious series, helming the third through sixth films in that franchise. Several top-flight directors were under consideration for Star Trek 3, but Lin was the only one actually offered the job, following the postponement of the Bourne Legacy sequel that he had previously been set to direct.

hypnosec writes Lionsgate, the film company in charge of distribution for Expendables 3, has filed a lawsuit against unknown individuals who shared a DVD-level copy of the movie and six file-sharing sites known to have the links through which copies of the movies are being downloaded illegally. An advance copy of Expendables 3 was leaked online in July, and it was downloaded as many as 180,000 times in just 24 hours. The movie, which is releasing on August 15, is said to have crossed two million downloads already. In addition to the lawsuit, the Dept. of Homeland Security is on the case.

hawkinspeter (831501) writes Amazon has given the green light to produce the Hugo award-winning "The Man in the High Castle". This is after the four-hour mini-series was rejected by Syfy and afterwards by the BBC. Philip K Dick's novel takes place in an alternate universe where the Axis Powers won the Second World War. It's one of his most successful works, probably due to him actually spending the time to do some editing on it (most of his fiction was produced rapidly in order to get some money). Ridley Scott has previously adapted PKD's "Do Androids Dream of Electric Sheep" as the film Blade Runner, so it will be interesting to see how close he keeps to the source material this time. This news has been picked up by a few sites: International Business Times; The Register and Deadline.

Hugh Pickens DOT Com writes "Jon Healey writes in the LA Times that a new lawsuit against the Gawker Media site Defamer for linking to an infringing copy of an unreleased screenplay should send chills down the spines of every reporter who writes about copyright issues. Tarantino had kept the script for his ensemble western The Hateful Eight unpublished, but someone obtained a copy and posted it online. In its piece, Defamer quoted only a brief excerpt and a short summary published earlier that day by the Wrap. But it also included two links to the leaked screenplay on a file-sharing site called AnonFiles. In a complaint filed in federal court in Los Angeles, Tarantino's lawyers say they repeatedly asked Gawker Media to remove the links, to no avail. John Cook, Gawker's editor, responded with a post that rebuts the complaint's most damaging allegations, saying Defamer had no involvement whatsoever in the leak or the script's posting online. Cook also quotes Tarantino's comments last week to Deadline Hollywood, in which the filmmaker said he likes having his work online for people to read and review. 'Reporters often assume that providing links to items of public interest is perfectly aboveboard, even if the items themselves aren't. If this case goes to trial, it could help clarify what links simply can't be published legally, regardless of the news value,' writes Healey. 'I'm not arguing that what Gawker did was legal — that's a judge's decision. I'm just saying that there's a journalistic reason for Gawker to do what it did, and those of us who write about copyrights struggle often with the question of how to report what seems newsworthy without crossing a line that's drawn case by case.'"

First time accepted submitter ClarkSchultz writes "Harris Interactive confirms that consumers streaming video content prefer the practice of binge viewing.The news isn't a big shocker to streaming concerns such as Netflix, Amazon, and Redbox Instant which have been mining viewer habits data, but it has an important read-through for broadcasters like CBS, NBC, Fox, and ABC. Though ad rates could fall if more viewers wait until series are available for streaming, the payoffs for quality content are proving lush: 1) CBS says it paid $700K per episode for streaming rights to Under the Dome 2) AMC Networks has pointed to Netflix as contributing to the success of Breaking Bad after initial ratings were soft. If streaming wins, who loses? Front and center is the Pay-TV industry. A wave of merger rumors (Charter/Cox/Time Warner Cable/Comcast/Dish Network) indicates the industry knows the trend of subscriber losses to the cord-cutting phenomenon will continue. An online TV initiative from a tech heavyweight like Sony, Apple, Google, or Intel could also disrupt the industry enough to put cable and satellite companies into an even bigger tailspin."

SomePgmr tips this quote from Geek.com: "Fans of the cyberpunk novel Snow Crash have reason to rejoice today, as it's been announced that the film adaptation of Neal Stephenson's classic has been revived once again, this time with an exciting writer and director at the helm in the form of Joe Cornish. Cornish is known for his recent sci-fi alien invasion flick Attack the Block, which was filmed and released in the UK by the same studio that put out Shaun of the Dead. Cornish's first film came to the U.S. in a limited release in 2011 and did well enough that Paramount took notice and pursued Cornish for the Snow Crash project."

Sasayaki writes "Hugh Howey's Wool, the self-published sci-fi story that's made him the best selling Indie sci-fi author of 2012 and currently the best selling sci-fi author on Amazon.com, has found its way into the hands of Ridley Scott (director of Alien, Prometheus and others)... who loved it. Rumor is the Hollywood movie will be coming to cinemas in 2013 or 2014. With Fifty Shades of Grey and now Wool getting the attention of Hollywood, it's clear the self-publishing revolution is here to stay."

In his first accepted submission, fwarren writes "Alcon Entertainment, best known for the movie The Blind Side, purchased the rights to Blade Runner earlier this year. The next order of business? Hire Ridley Scott. Scott has signed on to make a new Blade Runner movie. At this point it is not known whether it will be a sequel or a prequel. With no script or writer at this point, I think it is safe to say it will be a roller coaster ride for the next few years."

mattnyc99 writes "In the wake of a not-that-exciting Comic-Con come some (perhaps premature) reports on the so-called "Death of Superheroes" — what one financial group calls "the top of the (comic book) character remonetization cycle." In response, Esquire.com's Paul Schrodt has an interesting look down Hollywood geek road. From the article: "What happens after The Avengers, or Christopher Nolan's third and final Batman movie — after we've seen all there is to see of the best comic-book blockbusters ever made?""

Kozz writes "Universal Pictures and NBC Universal Television Entertainment have closed a deal to turn Stephen King's mammoth novel series The Dark Tower into a feature film trilogy and a network TV series, both of which will be creatively steered by the Oscar-winning team behind A Beautiful Mind and The Da Vinci Code. 'The plan is to start with the feature film, and then create a bridge to the second feature with a season of TV episodes. That means the feature cast — and the big star who’ll play Deschain — also has to appear in the TV series before returning to the second film. After that sequel is done, the TV series picks up again, this time focusing on Deschain as a young gunslinger.'"

derGoldstein writes "Yesterday we discussed which sci-fi should get the reboot treatment next. If you consider Spider-Man as 'proper sci-fi,' then it would appear that's the answer. 'Sony Pictures decided today to reboot the Spider-Man franchise after Sam Raimi pulled out of Spider-Man 4 because he felt he couldn't make its summer release date and keep the film's creative integrity. This means that Raimi and the cast including star Tobey Maguire are out. There will be no Spider-Man 4. Instead, the studio will focus on a reboot script by Jamie Vanderbilt with a new director and a new cast.'" Perhaps Raimi is too busy working on other projects.