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Million-Dollar Donation To Fight Abusive Copyrights

WeekendKruzr writes: "There is a story on C|Net detailing how Duke University's law school received an anonymous gift of $1 million for the express purpose of funding '...advocacy and research aimed at curtailing the recent expansion of copyright law.' It's good to know that we have some well-funded idealists on our side, even if they are 'Anonymous Cowards.' ;^) This, combined with the recent rash of even large corporations running afoul of intellectual property law, could precipitate some tangible results in the next couple of years."

146 of 349 comments (clear)

  1. A good start, but??? by www.sorehands.com · · Score: 2
    The question is how will this be applied?

    To fund think-tanks to write papers? To to pay-off^H^H^H^H^H^H^Hlobby politicians for better laws? Or to fight court cases?

    Why not just give this to the EFF?

    There is too many unanswered questions to say if this will really help.

    1. Re:A good start, but??? by Stephen+VanDahm · · Score: 3, Funny

      Dude, I bet you could purchase at least four Senators with $1,000,000. If not, then I'm sure there's a rent-to-own plan out there...

    2. Re:A good start, but??? by jedidiah · · Score: 2

      It is far better to get laughed out of court than to never bother to go to court at all.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    3. Re:A good start, but??? by darien · · Score: 2

      Oops - misread that as "at least four senoritas." Which is, let's face it, not a bad alternative.

  2. Don't hold your breath. by saikou · · Score: 2, Insightful

    What a meager million bucks can do against multimillion dollar lobby? :)
    I think it's very naive to expect any major changes and/or law corrections. A good commercial, asking people vote for candidates that support removal of opressive/excessive copyright restriction night be of more help.

    1. Re:Don't hold your breath. by Soko · · Score: 2, Insightful

      A million smackers can do a lot, when it's used to help marshall a community of volunteers.

      A few men firing an artillery gun that has bad aim can be cut to peices very quickly by a devoted team with swords and knives - this is what should happen here.

      Soko

      --
      "Depression is merely anger without enthusiasm." - Anonymous
    2. Re:Don't hold your breath. by Scrameustache · · Score: 2

      Its gonna do more than 0 dollar.

      I think its very unhealthy to focus on anything the but the simplest concept. (not to bitch at you or anything, but there are so many similar comments up there...)

      I just hope the bucks don't stop there...maybe a few lawers could donate an hour here and there...

      --

      You can't take the sky from me...

  3. There will be no change by Smallest · · Score: 3, Insightful

    While starry-eyed /. folk get uptight for a few minutes when they read about new technologies, the people who make the laws don't care about our complaints - we're not a big enough lobby or voting block.

    Even more important, stricter copyright laws help the media corps sell more product, and GWB is in favor of anything that helps US corps sell more stuff.

    -c

    --
    I have discovered a truly remarkable proof which this margin is too small to contain.
    1. Re:There will be no change by homer_ca · · Score: 2

      Remember, GWB isn't your enemy (last I checked, he hadn't made a public stance on the issue of copyright law)

      Actually yes he has:

      5) How Do You Feel About Intellectual Property?
      by Phil Gregory

      In this age of the Internet, intellectual property has become a very important concept to many people. Many companies make their living on the artificial scarcity provided by intellectual property laws, selling information that they have either created or aggregated. Some others, mostly in the Free Software world, make their living seemingly in spite of these laws, selling their services based on information that is freely given.

      Do you feel that out current system of intellectual property is a good one? Which parts of it (e.g. trademarks, patents, copyrights) do you feel are well suited to the world of the Internet and which do you think need to be changed (and, if changes are needed, what changes are needed)?

      Bush:

      In the next five years, we anticipate that two-thirds of software will be distributed over the Internet, making it more important than ever to ensure strong copyright protection for computer software. In the United States, much of the legal framework already exists, but we need to redouble our efforts on enforcement. In particular, the next President must make sure that the US Department of Justice and US law enforcement agencies have the resources to enforce our intellectual property laws. In the international community, the challenge is even tougher since we must both help establish a legal framework for intellectual property protection and ensure it is enforced.

    2. Re:There will be no change by jafac · · Score: 2

      well, he's spending so much time on vacation so that he can give other Americans opportunities to work. The cause of unemployment is all those damned people working two jobs! Those people should go get some rich parents or something so they don't end up taking jobs away from other Americans.

      Spend more time at home telling your kids not to mastrubate or something!

      --

      These are my friends, See how they glisten. See this one shine, how he smiles in the light.
    3. Re:There will be no change by bluGill · · Score: 2

      You make it sound like spending 42% of his time on vacation is bad. I hate goverment, and since goverment prefers to bring their size up, not down, time on vacation is good, less time to create more boondoggels. I wish he was on vacation instead of working when he came up with the office of homeland security.

      Of course if we could get a president that would actually reduce goverment's size, then I might think differently. The fact is most people agree with me in theory, but whenever an actual reduction is proposed they realise they are getting something from that service and disagree. (Never mind that those services could be better provided other ways) And of course this is all my personal opinion, there are plenty (a majority?) of people who completely disagree with my views.

    4. Re:There will be no change by acb · · Score: 2

      True, but weaker copyright laws help sell more mp3 players, CD burners, and so on. It's not clear (to me, anyway) which contributes more to the US economy and how changing copyright law will affect the relative balance of sales.

      CD burners and MP3 players are typically manufactured in the Far East where labour costs are low; in many cases, the profits go to overseas electronics firms.

      Copyrighted materials are typically manufactured in Los Angeles.

      Therefore, content companies could exploit the mood of hyper-patriotism to push for laws reinforcing their business models at gunpoint. As for MP3 player manufacturers in Taiwan, it's just tough luck.

  4. bad news for Linux? by tps12 · · Score: 2, Funny

    I've hated intellectual property for as long as anyone. When I started out my career as a young geeklet, I'd frequently pirate games for my Apple ][, and I would always tape music from my friends. I still enjoy copying mp3s and warezing games (though mostly I just don't want to shell out for something that may or may not run under Wine).

    But like it or hate it, Linux's success pretty much hinges upon intellectual property laws. Without copyright and patent laws that make the GPL enforceable, Linux would be no better off than *BSD, and certainly wouldn't have made the inroads it has at IBM and HP.

    Microsoft will always do fine, with or without intellectual property laws. They sell certification, training, and support in addition to IP. And Linux's only advantages--better stability and security--are only as safe as its code base. If intellectual property laws are repealed, then Linux as we know it is doomed.

    --

    Karma: Good (despite my invention of the Karma: sig)
    1. Re:bad news for Linux? by Abcd1234 · · Score: 2

      Troll? Probably, but I'll bite...

      Can you prove that Linux is successful because of the GPL? Is there any way to show that, if Linux was under the BSD license, it would have failed? I would argue that Linux succeeded because it just happened to be in the right place at the right time. I mean, really, can you honestly say, with a straight face, that IBM and HP put money into Linux *because* it was GPLd?

      The fact is, the BSDs are successful in their own right. And while they're not as successful as Linux in the commercial marketplace, I highly doubt that has anything to do with licensing. I know I'd still be using Linux if it was using a BSD license. Wouldn't you?

      As for Linux's advantages you listed, "stability and security", you seem to forget that OpenBSD, a landmark of security and stability, is a BSD-derived operating system. So, clearly, these advantages have little or nothing to do with the GPL. Heck, I can't even understand why the GPL would promote these things. The popular "Linux" name exists because there is a group of developers who perform quality control on the kernel source. This is totally unrelated to licensing, since the same thing could be done if Linux wasn't GPLd. The only difference is that, theoretically, a company could create a distribute their own Linux-based kernel, and close it up. But where's the harm in that? If people wanted "stability and security", they'd just go for the official Linux kernel distribution.

      So, please, try to explain to me why the GPL has *anything* to do with Linux's success. I'd love to hear it, because I sure don't believe it.

    2. Re:bad news for Linux? by drudd · · Score: 2

      I don't think you could prove it, but you can certainly make good arguments.

      I doubt IBM would put a huge amount of effort into something which was under a BSD type license. Why should they invest large amounts of effort just to have their work stolen by their compeditors. The GPL at least allows IBM to benefit from the work of the others who use their software.

      Doug

      --
      Venn ist das nurnstuck git und Slotermeyer? Ya! Beigerhund das oder die Flipperwaldt gersput!
    3. Re:bad news for Linux? by EllisDees · · Score: 2

      >So, please, try to explain to me why the GPL has *anything* to do with Linux's success. I'd love to hear it, because I sure don't believe it.

      The GPL attracts more programmers than BSD. Many of us don't appreciate the idea that we might spend our time writing a quality piece of software and turn it over to the community, only to have a company turn around and make a tiny change and start selling it.

      The forced openness of the GPL is a big part of what makes Linux successful.

      --
      -- Give me ambiguity or give me something else!
    4. Re:bad news for Linux? by hendridm · · Score: 2

      > Without copyright and patent laws that make the GPL enforceable...

      As they state in the article, they're not against copyright and patent laws and are not seeking to obliterate them. They are mearly trying to find a cure for the ones that hinder innovation (to paraphrase).

    5. Re:bad news for Linux? by leviramsey · · Score: 2

      Think McFly, think.

      With no intellectual property laws, the GPL is invalid. This means that I am free to take Linux (or any other GPL code) and close the source, or insert backdoors, or do other mischievous things.

      " The simplest way to make a program free is to put it in the public domain (18k characters), uncopyrighted. This allows people to share the program and their improvements, if they are so minded. But it also allows uncooperative people to convert the program into proprietary software (18k characters). They can make changes, many or few, and distribute the result as a proprietary product. People who receive the program in that modified form do not have the freedom that the original author gave them; the middleman has stripped it away." -- Free Software Foundation
  5. Re:Imagine this by stinky+wizzleteats · · Score: 5, Interesting

    Do people not understand that the law is there to protect them ?

    I am an information consumer. Please explain how the DMCA protects me.

  6. Re:mystery donor? by nanojath · · Score: 2, Insightful
    Honestly, a million bucks ain't all that much, in the world of major fundraising, so it could be very hard to say - there are a ton of people, even consdiering the most obvious candidates (i.e. more likely to be a Duke rather than a Stanford graduate).


    A donor who really wants to stay anonymous can do so pretty effectively. Personally, I think we should respect their wish. It's rare someone will cough up this kind of a chunk of change for the more general and abstract public good, and if they would rather not be recognized (and end up having every ogg hacker or yahoo with some open licensing scheme they've hatched begging them for pocket change, we should let them be.

    --

    It Is the Nature of Information to Transgress Artificial Boundaries

  7. mechanics of anonymous million dollar transfers? by kisrael · · Score: 3, Interesting

    Anyone know how the anonymous transfer of a million dollars happens?

    Especially these days, when big secretive money moves are watched more carefully.

    A bunch of 50s in some briefcases?

    Some kind of anonymous bank check?

    Or does the University probably know, but part of the deal is that they don't tell anyone?

    --
    SO YOU'RE GOING TO DIE: The Comic for Dealing with Death
  8. Theory on the donor.... by jsonmez · · Score: 2, Funny

    This is my theory on the donor... You know how serial killers eventually get caught, not because people outsmart them, but because they feel guilty and really want to be caught and punished so they leave clues... I think it's the guy that copyrighted the phone numbers as music pieces, or maybe the jpg company...

  9. Re:mechanics of anonymous million dollar transfers by HaeMaker · · Score: 3, Insightful

    The university knows. There is probably a contract that states the benefactor shall remain anonymous.

  10. Lawsuit v. Duke University School of Law? by MORTAR_COMBAT! · · Score: 2

    Remember, the $1M went to the Duke University School of Law. there are hundreds of students there, paying Duke for the privilege of researching this subject.

    If somebody wants to sue Duke Law School and hopes to suck them dry with legal costs, they are barking up the wrong tree. You generally don't sue people who (a) know more about the law than you and (b) have hundreds more lawyers than you, especially since (c) they have those hundreds more lawyers for free.

    --
    MORTAR COMBAT!
    1. Re:Lawsuit v. Duke University School of Law? by DEBEDb · · Score: 2

      You forget that Duke's law school also has
      PROFESSORS.

      --

      Considered harmful.
  11. Re:Imagine this by Anonvmous+Coward · · Score: 5, Insightful

    "I am an information consumer. Please explain how the DMCA protects me."

    It protects your wallet from getting heavy.

  12. Just a minute... by Anixamander · · Score: 5, Funny

    It's good to know that we have some well-funded idealists on our side, even if they are 'Anonymous Cowards.' ;^)

    Interesting article submission, yet it violates my patent on "a method for using ASCII test to simulate a pointy nosed person winking and smiling ." You will be hearing from my lawyers.

    --
    Do not taunt Happy Fun Ball(TM)
    1. Re:Just a minute... by unicron · · Score: 2

      Yes, but I own the patent for "using ASCII text to express the english language in written form" so I more or less run the world at this point.

      --
      Finally, math books without any of that base 6 crap in them.
    2. Re:Just a minute... by BlueGecko · · Score: 2

      No no no, that's not technical enough. Refer to it as an image compression algorithm wherein a specific sequence of ASCII characters sent from server to client signals that an image stored on the client is to be used at the location of the specified ASCII stream. This is much broader and should nail a lot of people, including people who try to view a website on the same machine that's serving the content (such as most webmasters).

    3. Re:Just a minute... by morie · · Score: 2

      he did not use ASCII test, did he? Oh, text, do you have that patent as wel?

      --
      Sig (appended to the end of comments I post, 54 chars)
  13. A tough job by ch-chuck · · Score: 2

    I know it's an unpleasant, thankless, unpopular job, but I'll volunteer to give up my personal time and make the necessary commitments it takes to be the anonymous recepient of the million dollar grant. Just PayPal the funds to my hotmail account, mayadharme@hotmail.com. You're quite welcome, and rest assured, this generous donation will go a long way to restoring sanity to the patent, copyright and IP situation in these turbulent times.

    --
    try { do() || do_not(); } catch (JediException err) { yoda(err); }
  14. the patent problem is a bigger issue by MattW · · Score: 5, Insightful

    While abuse of copyright and dwindling fair use law is bad, fundamentally those things which are copyrighted are created by the authors, and they should have the ability to control them. If they control them in an anti-consumer way, consumers can always boycott them. This isn't going to change the world tomorrow or the day after, but what's at stake? Movies, music, TV, books -- mostly entertainment.

    The patent problem is horrid. Unlike copyright, where at least people might claim some rights based on creation, patent law is clearly corrupted. People patent things that are not inventions -- they patent "business methods" of dubious originality, they patent software methods which have been in use long before the patent filing ("oh, no documentation that you used it? no prior art, then"), and moreover, patents screw the little guys, because patents cost a metric fuckton of money to get, especially en masse. If I write a book, copyright protects me automatically, and filing a copyright is cheap. If I didn't want to file a copyright, nowadays technology gives me other irrefutable options -- like publishing MD5 checksums in the paper -- that are even cheaper. If patents are truly for novel inventions, then why are developers in the software industry constantly afraid of stepping on patents? If all that many people are coming up with something independantly, doesn't that imply that the patent holder was just the first to file on something obvious that followed from existing technology, instead of the inventor of something novel?

    Moreover, with patents, we affect all of technology, from CS to biotech, and we stop innovation. Having to pay $10 more than you should for a Britney Spears CD isn't going to hurt the economy -- but having to pay too much for inferior technology for 25 years that no one can legally improve upon, well, that's going to hurt the economy. Patents on obvious inventions slow innovation, hurt growth, damage industries, restrict R&D -- and this effect cuts across industries.

    I'm sorry, but this is a lot more damaging that whether or not you can legally rip and/or trade mp3s.

    1. Re:the patent problem is a bigger issue by cpt+kangarooski · · Score: 5, Insightful

      [F]undamentally those things which are copyrighted are created by the authors, and they should have the ability to control them.

      Oh? How are you getting this? Merely coming up with a creative work doesn't seem to impart control, nor inherently need it to be artifically given. You're not arguing from a standpoint of utility, or you wouldn't've made such an absolute statement. You appear to be arguing from a stance of natural rights.

      So... what natural rights? Are you, the author, HARMED because I can copy your work. I'm not excluding you from your ability to do things with it. I can't stop you for the same reason you couldn't stop me. And you ignore the notion that multiple authors may create a work. Did Disney create the Little Mermaid movie themselves, or by using previous works. Who then would be owed control if it flowed from the author?

      Copyrights do not work like this. You cannot claim rights for as trifling a thing as a creative work MERELY because you created it. (which as we've seen may not mean complete creation anyway)

      The way this _actually_ works 'round these parts is that people are granted copyright protection when society, and the government acting on its behalf, find it in _their_ best interests to do so. Whether it is in authors' best interests is irrelevant, save where that is a factor in the public's.

      And frankly, I'm disturbed that you take such a dim view of copyright anyway. Copyright is culture. Our folk heroes now are Bugs Bunny and Luke Skywalker. Our common cultural experiences are in books, music, tv shows and movies. It's how we tell one another about ourselves and the world around us.

      It is vitally important.

      Do we study ancient Greece because of their inventions (precious few of them) or their art, architecture and philosophy? Do tourists worldwide flock to Rome to marvel at the way that the Sistine Chapel was constructed, or what's painted on the ceiling? Art is damned important. The damage that can occur to our culture is far more signifcant than you understand.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:the patent problem is a bigger issue by amchugh · · Score: 2, Interesting

      In addition to entertainment, 'font software', source code, educational textbooks, design concepts, and 'architectual work' are copyrighted. An indefinite extension to copyright of such items will harm education efforts, the ability of musicians, artists, designers, and architects to create 'derivative' works, or incorporate design elements of varied themes, and the ability of archivists and librarians to capture such work in a meaningful way that lets us preserve history and culture.

      In my opinion, a lot of the failures of the world wide web to capture all information (especially educational or 'high quality' content) in a searchable manner are related to our attitudes towards copyright and IP.

    3. Re:the patent problem is a bigger issue by Anthony+Boyd · · Score: 2
      [F]undamentally those things which are copyrighted are created by the authors, and they should have the ability to control them.
      Oh? How are you getting this? Merely coming up with a creative work doesn't seem to impart control, nor inherently need it to be artifically given.

      Well, no control mechanism magically appears when I write a poem or record a song. So you're right that control isn't automatically or fundamentally given upon creating an original work. However, I disagree with the end of your sentence -- the suggestion that it inherently doesn't need to be given is, frankly, wrongheaded. People who create content have repeatedly stated and shown that when their creations have no protection, they go create them elsewhere. Employees who are told that the ideas they come up with over the weekend during NON-work hours somehow belong to the company, well, those employees leave fast. There is a reason why Silicon Valley is in California -- there are laws on the books that protect me from a predatory employer who wants to steal my weekend hobby. So the idea-guys flourish here. Startups abound. And back to content, I create poetry, essays, technical articles, and sometimes graphics. I fully expect to be given -- artifically or otherwise -- the right to capitalize on that creation. I want to present my work in the best light, and in some cases I want to charge for it. If a magazine wants to republish it on the Web, I want my penny-per-page-view. If there is no copyright system in place, it does not create some Kumbaya communal ownership structure. Instead, it gives big companies the ability to appropriate my work and sell it with a million-dollar marketing push that I cannot match, and then all the money for my work goes to them. Fuck that.

      Are you, the author, HARMED because I can copy your work. I'm not excluding you from your ability to do things with it.

      Yes you are. Part of copyright is -- or dammit, I want laws passed that make it this way -- similar to the limited monopoly concept: I want you deprived of the content if you won't pay for it. I need copyright laws to force you to miss out so that market forces create demand. See, I believe a lot of the "I never would have paid anyway, so what's the harm" questions are bullshit. You will buy it if it's the only way to get it. And if you really won't, then when my product doesn't sell, I'll know I need to lower the price or make a better product. That's not only the system that I believe is currently in place, it's the system I want enforced, and if it's not exactly as I described, then I want it to be that way, and I'm willing to go vote to get people in office who will support that.

      Now, after disagreeing with you so much, I want to make one concession: copyright laws go too far right now. Even with my own creations, I don't want my kids to live off of them. I don't want their grandkids to live off of them. I want enough time to sell my book or CD, make some money, and maybe have enough time to sell a greatest hits or compilation or a few reprints. So while I defend the copyright system, I want it completely rolled back to the original copyright system put in place 200 years ago: 14 or 28 years with 1 renewal. That's it. That's all.

    4. Re:the patent problem is a bigger issue by MattW · · Score: 2

      Sorry -- it should be clear that it's an opinion. I think that, in a way, control over work created is a payment of sorts. Do I believe that people have an inherent right to intellectual property? Not necessarily. I do believe that people have the right to enforce contracts, and if you created intellectual property which people regarded as valuable, you might restrict it by contract so that only those who agreed to not redistribute it would have access. If it were redistributed, you could then trace that and take action against those who violated a contract with you. Copyright law just simplifies this by automatically forcing people into a contract of non-distribution.

      So, in terms of the inherent right to intellectual property, I believe it does exist, because you shouldn't have the right to force me to think and create for you. Copyright law is merely a mechanism for shifting the onus of proof onto the distributor that they have the right to distribute, rather than the creator to show that they never publically released a work, thus meaning that someone violated a contract.

      I don't believe that the 'popular culture' which is sold by big media firms is important to us, no. Art is important, but I'm talking about the dangers of losing Britney Spears, and you're countering that the Cistine Chapel is important? I'm sorry, but Britney != Cistine Chapel.

    5. Re:the patent problem is a bigger issue by MattW · · Score: 2

      Most or all of these things can be re-written. All software can be re-coded, and thus not violate copyright. Textbooks can be re-written.

      I'm certainly not saying that we should indefinitely extend copyright -- Bono and the supports of the Mickey Mouse Copyright Extension Act were clearly pandering to entertainment industry interests, starting with Disney.

      That said, patents cause a larger problem -- if I wrote font rendering software, someone can circumvent my copyright by writing their own version. But if I patent the only valid method to render such fonts, then no one can circumvent it. This is why the focus on much of copyright is on creative works like music -- because no matter how much you listen to Dave Matthews Band, you can't just duplicate their creative abilities -- it just isn't the same. That can't be said of something more rote, like the copyrighted code produced during the creation of a program. That can be duplicated, and is, all the time.

    6. Re:the patent problem is a bigger issue by Salsaman · · Score: 2
      Copyright is culture.

      True. But I am sure you will agree that culture is not something static, it is something that changes and evolves and constantly reinvents itself.

      If that is the case, then the kind of copyrights we see today (author's life+75 years is it ?) are not helping culture but in fact are holding it back. Or, how about the kind of copyright law that says: 'you can buy a CD, but you can't make a backup of it even for yourself; you can buy a DVD, but make sure you play it in the approved countries, on a licensed player, oh and too bad if you don't run Windows'.

      So, I am not saying that copyright is bad, but the way it is being abused these days.

      However, I am not too sure what your point is, you seem to be arguing both that copyrights are bad, and that simultaneously they are not bad.

    7. Re:the patent problem is a bigger issue by jyx · · Score: 2, Insightful

      Having to pay $10 more than you should for a Britney Spears CD isn't going to hurt the economy

      Wot? Call me an economically challenged dumb-arse, but isn't that 10$ per CD is going into big ol faceless record corporations pockets? For doing sweet bugger all?

      I think Id rather use my 10$ PER CD to support a local restaurant, buy something physical that is actually WORTH the money it costs, or maybe even buy more music!? Surely the money is better for the economy spread out all over the place, purchase things that its actually worth. How is paying $30 for goods worth $5 (and I'm being generous) good for the economy?

      My view: 5 year IP Copyright.. for everything. You write a book, great. You have 5 years after publishing to make money of it, after that, if some publishing house can publish your book in hard cover, on quality paper for HALF THE PRICE OF WHAT I PAID FOR MY FALL TO BITS PAPER BACK that more power to them. Made a killer app, milk it for all its worth, but after 5 years anyone can burn it and do what they like.

    8. Re:the patent problem is a bigger issue by cpt+kangarooski · · Score: 2

      I _definately_ agree that culture is not static. You very accurately discern my point in your last two sentences. A utilitarian copyright system is, in principle, useful and desirable. The devil is in the details however -- not any particular implementation of copyright laws will live up to the lofty goals we set for it. Only those that do should recieve our support. (or be legal)

      So copyrights are fairly bad as they stand now. But the basic system could be very good. In fact it could be very good without even altering the basic precepts behind it, just what we're doing to achieve them.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    9. Re:the patent problem is a bigger issue by cpt+kangarooski · · Score: 2

      People who create content have repeatedly stated and shown that when their creations have no protection, they go create them elsewhere.

      This is not universal. I for example create content. (I'm an artist by trade, though my output is rather low due to demands on my time now that I'm back at school) Not only do I not especially care about the protection it recieves, but as you'll notice if you read my .sig here I actively try to eliminate said protection. For me, it is enough to know that the work has been created and may be valuable in some way to others -- particularly in ways that are only possible when it is in the public domain.

      Other artists may be happy with the money that they stand to make by being the first to market. For example, Shakespeare received no protection for his plays, and by necessity they were publicly performed. The audience included actors who, by listening carefully from the performance would learn the parts and stage the same play. Shakespeare's money came more from being the first to present it, and from being in one of the companies that would ultimately present it, keeping him in the game. (actually, he liked real estate even better, but then, who doesn't?)

      Commissioned artists work like this -- you pay them a fee and they makes you some art. They don't seriously expect to see any reward from it ever again. Most of my professional experience has been in this respect. It is distinct from, but similar to, the concept of a work for hire.

      And then there are some artists who are just happy to do art for art's sake. Or for their reputation. Or out of public-spiritedness. Or because the little green men told them to. (e.g. Whitley Streiber ;) Or whatever.

      Copyright is an incentive to those artists who are motivated materially by the possibility of financial reward. This is some, maybe even a lot of artists... but not all.

      And even then, there is a continuum -- an artist might just wait on tables if the potential reward to him is X, but max out all of his credit cards if it's 100X.

      So would you want to have copyrights that last forever if it meant that, say, billion dollar movies might be made? I wouldn't. The trade wouldn't be worth it. It makes more sense to have the field be rich in public domain works than to have utterly grandiose ones.

      In fact, it is entirely possible that TODAY we have too much reward for too little benefit. People point to the massive numbers of works being created now as though this is an unquestionable success of the copyright system as it stands, but it is entirely possible that we are getting those at too great a cost to the public domain and works that have not yet been produced, and will not, because they cannot draw on what's new now, and will be somewhat old then.

      Anyway, I'm flirting with getting off-point here.

      There is a reason why Silicon Valley is in California....

      Because there's a lot of VC to be had there? The defense industry? Good weather? Because people who went or were there (Shockley, the Fairchildren) didn't care to leave?

      What you're describing is trade secret law. Not copyright by a long shot. And it may have an impact on this... but it's utterly irrelevant to the discussion, and operates on totally different principles. Don't make the mistake of thinking that all forms of IP law are similar.

      I fully expect to be given -- artifically or otherwise -- the right to capitalize on that creation.

      Okay, great. Now we have established what you want. What's in it for me? You're asking me, after all, to give up my easily exercised ability to use that information too should I legally find it out. Unless you give me not just AN incentive to do as you wish, but one that's big enough to make up for the loss I'll suffer of being able to do what I like, I see no reason why I should submit to your wishes.

      And that is what copyright tries to do: to give the public, on whom the burden is placed, a greater net benefit than they would have had if they'd never had copyrights at all.

      Necessarily this is limited. It is limited to what makes sense for the public. Whether artists want something or not is irrelevant. Lots of artists don't want their work parodied. The public says, screw that, and lets parodists practice their art anyway, because we prefer to. Artists don't get to make that determination.

      You already appear to be buying into this: you think that artists get too much, EVEN IF THEY WANT IT. Because they don't get to decide.

      What's left is to follow this all the way: That copyright _may_ be good, but that it has to conform to what the public believes is in its best interests. This may indeed go so far as to give you what you want. But it's a gift; you didn't earn it and you cannot demand it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    10. Re:the patent problem is a bigger issue by cpt+kangarooski · · Score: 2

      I don't believe that the 'popular culture' which is sold by big media firms is important to us, no. Art is important, but I'm talking about the dangers of losing Britney Spears, and you're countering that the Cistine Chapel is important? I'm sorry, but Britney != Cistine Chapel

      You are right of course. And this is not an unusual position to adopt. Let's recount your like-minded predecessors, shall we:

      1950's: Rock and roll isn't music, it's crap.
      1890: Vincent Van Gogh dies having only sold one painting in his lifetime, because he is, after all, a crappy artist.
      1600's: Shakespeare doesn't bother publishing his plays because plays are crude entertainment and not real art.

      I can go on. Art has to do more with the audience than the artist. Think of films that flopped, but turned out to be classics. It's not because the movie itself changed, it's because the audience found value in it that they hadn't seen before.

      For all we know, our descendants will be amazed that we didn't recognize Britney Spears as the greatest musician ever to grace the Earth. They might have whole movements based on her works, and be dismissive of lesser artists, like Bach.

      I'd be surprised, but stranger things have happened. It's a perfectly reasonable position for the Britney fans of tomorrow to adopt, because ART IS SUBJECTIVE.

      I'll bet you $5 you're not armed with an Artometer that can accurately and objectively measure how much artistic value is in any particular thing. Until you invent one, we have every reason to protect Britney for no more and for no less than the reasons why we might have protected Michelangelo. Just think of them as interchangable.

      So, in terms of the inherent right to intellectual property, I believe it does exist, because you shouldn't have the right to force me to think and create for you.

      I never once said that I have the right to force you to do anything. I'm not forcing you to create. I'm not chaining you in a slave galley and drumming a rythym for you to think to.

      But this goes both ways.

      If you create something, why should you be able to force me not to copy them? God gave me eyes and ears and a brain. He created the nature of information in such a way that if I copy it, I don't take it from you, you still have it. In such a way that for me to even know what it is at all, you basically have to reveal it all to me. In such a way that copies are necessarily made just in order to utilize it.

      You're forcing me to NOT think of your works, and NOT create copies of it. How can you justify this if you're so opposed to the other? Aren't they basically the same sort of injury: compulsion?

      If you are a better person than that, you will ask me to respect your desires. If you're sensible, you'll give me a good reason to do so, rather than just trust my better nature.

      So, if you want me to refrain from doing something that I am otherwise free to do, what's in it for me?

      This is a question you really must have anticipated in using an analogy of contracts. After all, BOTH sides must exchange some value to have a contract. It's the notion of consideration. It can be slight, but few are likely to agree to such a thing unless each finds it equitable.

      So... tell me why I'd be a fool not to give you what you want. Tell me what I gain.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    11. Re:the patent problem is a bigger issue by Anthony+Boyd · · Score: 2
      I fully expect to be given -- artifically or otherwise -- the right to capitalize on that creation.
      Okay, great. Now we have established what you want. What's in it for me?

      Lack of jail time.

      You're asking me, after all, to give up my easily exercised ability to use that information too should I legally find it out. Unless you give me not just AN incentive to do as you wish, but one that's big enough to make up for the loss I'll suffer of being able to do what I like, I see no reason why I should submit to your wishes.

      Because it's in MY head, not yours, and I'm going to the government and saying to them that I'm not giving a brain dump until their laws protect me. I fully expect this to be a power play between content creators and content copiers, and I'm confident that the government will side with creators (well, this isn't even much of a gamble -- the US government has already done this). They know that if they don't, their entire country will suffer a brain drain as the talent goes elsewhere.

      And again, for those that see this post and not my previous one, I am no fan of locking up content forever. I firmly believe that Disney needs to get over Mickey Mouse and come up with something new. I believe in a strong, healthy public domain, and that work should fall into the public domain much more quickly than it does now (really, for all practical purposes, it doesn't). I also believe that if an author wants to release content under the Open Content license or even just release all rights and put it into the public domain, they should be free to do so. I am not advocating that every content creator must endure a forced lockdown of their work if they prefer to release it into the wild. But for those that want copyright to protect their work for a limited time, they ought to be able to do that, and have it backed up with rule of law.

    12. Re:the patent problem is a bigger issue by Reziac · · Score: 2

      Maybe the artist should have the right to control his work (within reasonable limits, not forever), but that does NOT mean he should have the right to control what *I* do with *other* works, and that is what the real issue is here: acto the RIAA, we are not to be trusted with ANY digital content, because after all we *might* steal *someone's* content -- better to restrict everything we do right up front, so there's no chance that some hypothetical infringement might occur.

      IOW, boycotts are all well and good if we have CHOICE, but what they're trying to enforce is "All things not compulsory are forbidden".

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    13. Re:the patent problem is a bigger issue by evbergen · · Score: 2

      For all we know, our descendants will be amazed that we didn't recognize Britney Spears as the greatest musician ever to grace the Earth. They might have whole movements based on her works, and be dismissive of lesser artists, like Bach.

      Heresy! Heresy! Heresy!

      (And a horrible thought too. Brrr).

      --
      All generalizations are false, including this one. (Mark Twain)
    14. Re:the patent problem is a bigger issue by Our+Man+In+Redmond · · Score: 2

      Do we study ancient Greece because of their inventions (precious few of them) or their art, architecture and philosophy? Do tourists worldwide flock to Rome to marvel at the way that the Sistine Chapel was constructed, or what's painted on the ceiling? Art is damned important. The damage that can occur to our culture is far more signifcant than you understand.

      Actually we do all of the above. And while inventions dating from before, say, AD 1200 might be few in number, they are by their nature fundamental. Or would you disagree that we have built today's technology on concepts like the measurement of time (Babylon), basic engineering (Egypt), systematic mathematics and medicine (Greece), and even something so basic and obvious to us but revolutionary at the time as the number zero (Arabs)?

      Copyright is culture.

      You are taking a pretty limited view of culture. Or are you forgetting Shakespeare, Dante, Milton, Goethe, Lao Tze, Dickens, the Bible, the Talmud, Aristophanes and countless others, none of which is copyrighted today if it ever was and, again, all of which is a foundation for Bugs Bunny and Luke Skywalker and the rest of today's culture?

      Sure, to most people (in the United States at least) culture is stuff like Star Wars and What's Opera Doc?, but when Lucas and Warner Brothers (and Tom Clancy and romance novelists and anyone else who creates today's equivalents of the stories by the campfire) create their works, they are standing on the shoulders of giants.

      --
      Someone you trust is one of us.
    15. Re:the patent problem is a bigger issue by Odinson · · Score: 2

      You are absolutly right, to bad we can't get the patent reform message out past the big media copyright holders.

      Media war room: a -> b -> c... "hmmmm, can you summerize the patent problem in 2 sentances or less? Sorry don't have time. "

      Media back room:"You offered them two sentences? Are you nuts?" "But sir, we have to at least appear to be fair..."

    16. Re:the patent problem is a bigger issue by cpt+kangarooski · · Score: 2
      I fully expect to be given -- artifically or otherwise -- the right to capitalize on that creation.


      Okay, great. Now we have established what you want. What's in it for me?


      Lack of jail time.

      Cute. Allow me to rephrase my question more clearly:

      If I am the government, and my mandate is to represent the best interests of all of the citizens in the country, including, but not limited to you, why should I pass a law that is favorable ONLY to you as opposed to a law that benefitted everyone generally, even if that meant less of a benefit to you as an individual?

      I eagerly await your response.

      Because it's in MY head, not yours, and I'm going to the government and saying to them that I'm not giving a brain dump until their laws protect me.

      So what? Let's imagine that the benefit to society by learning this is X. And the harm to society of protecting you is Y.

      If X>Y then it behooves us to protect you. If XI fully expect this to be a power play between content creators and content copiers, and I'm confident that the government will side with creators (well, this isn't even much of a gamble -- the US government has already done this).

      Why? There's no historical basis for such a claim. Content copiers won in the U.S. from day one. Copyright law in the U.S. is intended to promote their interests by encouraging to be created many works, and by letting them copy those works.

      If it were intended to protect established creators, it would NEVER let people copy things. This invariably cuts into their profits.

      Of course, if it were intended to protect ALL authors, it would still permit copying, because there are no totally creative authors. Everyone stands on the shoulders of those who came before.

      They know that if they don't, their entire country will suffer a brain drain as the talent goes elsewhere.

      This is decidedly false as you've stated it.

      Let's imagine that the U.S. abandons all copyright law. The rest of the world keeps it.

      This means that if you publish a copyrighted work ANYWHERE, the people of the U.S. can (and will) copy it freely, because they can get their grubby little hands on it. Information is extraordinarily portable. In the worst situation it can be memorized; more often it's just easily carried around in some external medium.

      You clearly are no student of history.

      For quite a long time, U.S. copyright law only protected American authors. (and most countries had no copyright laws at all) Charles Dickens bitched all the time about how he could publish a serial novel in England where he held a copyright, a copy would find its way to America, and everyone would legally pirate it.

      Seems like a win for Americans, no? It doesn't matter whether Dickens lived in the U.S., since we could get the benefit of his creativity anyway. It even saved us money and restrictions on our freedom.

      The only alternative Dickens could've had would've been to not publish at all. But then he'd have to do something other than being an author. Maybe he'd work in a bank.

      It is to keep authors WRITING that we have copyright law. No one gives a rat's ass where they do it at. There's no brain drain. Such a concept is absurd on its face.
      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    17. Re:the patent problem is a bigger issue by MattW · · Score: 2

      This is a question you really must have anticipated in using an analogy of contracts. After all, BOTH sides must exchange some value to have a contract. It's the notion of consideration. It can be slight, but few are likely to agree to such a thing unless each finds it equitable.


      Copyright laws are merely an automatic contract. Let's assume there was no such law, and I wish to create content for a living. I believe that my music, stories, or whatever, are of such quality that people will pay be to possess a copy. I create a contract that stipulates: (1) I'll show this to you, and if you don't like it, you have to return or destroy this copy that I give you. (2) If you do like it, you can pay me for this copy, but you agree not to make other copies. People have to come get one from me, so I can make the money from it.

      If you don't agree to this contract, you don't get to view the work. If this contract was ubiquitous, you'd have to agree each time to preview something to buy it. I'm not 'forcing' you to not copy something -- I'm simply allowing you to enter into a contract to get access to my work, which you do not have the ability to view/hear/etc unless I grant it.

      The practical problem, of course, is that it would be difficult to enforce. Once you've sold 100 copies, when illegitimate ones show up, how do you know who made them?

      My point is that copyright is not some arbitrary thing created to encourage the creation of artistic works -- it is an expression of natural contracts. In the absense of the contract or the copyright, people would still create -- but the creation would not be as prolific, and many who might create things would find other work that guaranteed them pay, and we would all be worse off (if you believe that the lesser quantity of creation would mean we were worse off).

      The thing about such a contract is that it places no onus on the potential consumer -- you can preview, and if you don't want the content, you pay nothing for having seen it. But despite the fact that it is 'information', and must, as you put it, be revealed for you to know it, that revelation does not enable a copy. You can't make a copy of Star Wars just because I show it to you and you view it. If I sing you a song, you can't recreate my voice. I can show you a book, without you being able to retype it. You can do some of these things with devices, but I can not show you or sing or such if you have such a device.

      This is, as my original post pointed out, diametrically opposed to many patented things. If I say, "I have an idea where potential buyers can bid what they want to pay on things like plane tickets" -- well, I've just pretty much covered Pricelines "patent" on their business model. Our implementations of the idea may differ slightly, but the end result is the same. I wonder; what does it take for an idea simple enough to be expressed with a single sentence to be "non-obvious"? I think that the Priceline patent is for something that WAS obvious -- something that followed very naturally from the power of the Net, and even from typical auction sites.

      Obviously, some patents are not like this. Despite the basics of public key encryption being expressable in a paragraph, that doesn't make them obvious at the time of their invention. Discovering drugs is hardly obvious -- anyone can make new molecules, but researching their results on living things is painstakingly difficult.

      Still, many patents are for excruciatingly obvious "inventions", and they are the sort of thing where (1-click shopping, anyone?) they can be expressed trivially, and that mere expression does allow for a functionally perfect copy. That sort of information truly does want to be free -- it is the nature of its use that it produces perfect copies. Of course, that's the difference between art and science -- art is creation, ergo its subjective nature, whereas science is discovery, thus the way its revelation leads to duplication.

    18. Re:the patent problem is a bigger issue by cpt+kangarooski · · Score: 2

      I've read the story ("Melancholy Elephants" is the title, actually). I liked it.

      I think you're basically right, though I'd make two comments. First, that the question of who benefits needs to be kept to deciding whether the copyright holder or the public benefit. While it _is_ important to decide who the author should be (see the recent work for hire issue in the music industry), this is not quite as high a priority for me. Especially since it will influence the public benefit, and thus perhaps be solved by looking at the problem from the public's perspective.

      And in truth, really this has been decided in favor of the public, what's needed now is to convince people that the goals of the system really are society-centric, rather than author-centric.

      The second issue is related to the term length, and is the matter of what the copyright should include. There's no reason to blithely assume that the public will be best served by a large copyright across the board.

      We should only draw within the confines of copyright protection those types of infringement that actually materially threaten the public interest. For example, it is arguable that non commercial copying is acceptable; that the harm caused by prohibiting it is more than the harm caused by letting it occur. Examples of what I wouldn't consider infringement might be to mandate publication of source code for software, non-commercial music trading, non-commercial derivative works, and the already-extant fair use, incidental copying of software, and backup copying of software. So we've even got a history of this.

      Reform's definately needed though. We've gone too far, and while I do not believe that we need to eliminate copyright at all -- the system still holds the promise of overall public benefit -- we could stand to reduce it so that we're certain that it _is_ clearly serving the public first and foremost.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    19. Re:the patent problem is a bigger issue by drinkypoo · · Score: 2
      Copyrights do not work like this. You cannot claim rights for as trifling a thing as a creative work MERELY because you created it. (which as we've seen may not mean complete creation anyway)

      This is nonsense. Unless you outright put your work in the public domain, you are granted copyright over it (provided you can show some kind of proof that it's your work) for the current standard duration, which is somewhere between an eon and a coon's age.

      On the other hand, no one will defend your copyright for you, and it can be expensive. This is why we have this whole DMCA thing going on, to make it easier to defend copyright. Of course, it's for so-called evil purposes, but whatever.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  15. Verizon? Is that you? by JohnDenver · · Score: 4, Interesting

    The latest buzz seems to be that the Telcoms and tech manufacturers are getting peeved with the MPAA and RIAA push to legislate thier industry (Hollings Bill, DMCA liability). The 20 billion dollar entertainment industry is trying to push around a 600 billion dollar tech industry.

    Simply put: Piracy is the killer app for Telcoms and consumer electronics industries, unless it's in the Telcoms and consumer electronics.

    My theory: I think the Telcoms and friends want to devalue the entertainment industry. They want the same exclusive content that AOL/Time Warner enjoys, but rather aquiring the content via an expensive merger, our friends would much rather buy all that content at commidity prices, or sign exclusive deals to act as the conduit to deliver music and entertainment at competitive prices.

    If you really want to figure out who's conspiring what. (1) You have to be realistic (2) You have to determine how it pays off

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
  16. One million isn't much by nuggz · · Score: 3, Interesting

    I disagree, a million dollars is a good amount for some research.
    It isn't enough to fight anyone, but it is a good amount to pay a small staff to research the actual cost and benefits of copyrights.

    We really don't have clear data on how much work is impeded by copyright patent length, and how much worse it would be if it was lengthened.
    Nor do we know what effect shorter periods would have.

    So little is really known that we can't intelligently argue all that fairly about the cost and benefit to society.

  17. No, good news by Baki · · Score: 2

    Linux didn't succeed commercially because of the GPL, but in spite of.

    BSD could and would have done better, were it not for the License problems they were having with AT&T in the early 90's. This held them up a lot, and in the meantime Linux got the attention and popularity.

    1. Re:No, good news by jedidiah · · Score: 2

      As other people have noted: no one wants to contribute to shared infastructure just to have someone else use that effort against you. The GPL is actually PREFERABLE to the likes of IBM and Sun.

      The BSDL offers NO ADDED BENEFIT WHATSOEVER to those that might want to build commercial software on top of BSD or Linux.

      Your arguments are dependent on a very selective view of the available facts. The vast majority of copylefted "shared infastructure" infact accomodates commercial/proprietary software development.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    2. Re:No, good news by Reziac · · Score: 2

      "Linux didn't succeed commercially because of the GPL, but in spite of."

      I'd like to see more (intelligent :) discussion of this viewpoint -- I agree, but my thoughts on the subject are an amorphous mass that defies being verbified.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  18. Re:This is a good start... by stratjakt · · Score: 5, Insightful

    Actually, alot of the public does care, once made to understand.

    Personally, I'm furious that I can't legally make a copy of Steamboat Willie to show to my kids. It's a piece of culture. It's history. It's not a commodity anymore. I should be able to say "look kids, here's the very first Mickey Mouse cartoon". But I can't do so unless Disney both decides to sell it, and I can afford it.

    Just this weekend I explained this to an untechnical friend of mine. As soon as I explained that Steamboat Willie (and countless other pieces of culture) should belong to EVERYONE, not do Disney, he was confused. He truly did not understand the concept of 'Public Domain'.

    His response was 'they can profit off Mickey Mouse, so they should keep it'

    To which I replied, "Mark Twain's ancestors could profit off of Huckleberry Finn, but it's public domain. Profit isn't an issue. Copyright is a favor we grant creators. We own it. They stole it. This was exactly the same situation the founders of this country set up the law to prevent: a handful of corporations owning and controlling what we see, read and hear."

    I actually watched as the hamster turned the wheels in his head. In an instant he was as pissed about the situation as I was.

    This is our culture. This is our history. Whether any one person thinks any one piece of film, text, or music is trivial is irrelevant.

    Fact is, in 100 years, when some kid needs to write a book report on 20th century culture, he'll be paying royalties.

    So, in the end, we just need to increase public awareness, be it one person at a time. Your average Johnny Lunchpail doesn't realise what Public Domain is. They think copyright is forever.

    That said, 1 million dollars to pay a bunch of future lobbyists isn't, IMO, the answer. 1 million dollars for a TV or radio campaign would be much better spent.

    People are pissed when they understand the problem. We've all been taken advantage of.

    --
    I don't need no instructions to know how to rock!!!!
  19. Why this matters, and why it's mostly good by AAAWalrus · · Score: 5, Interesting

    Basically, you have a donor who "anonymously" threw $1 million at Duke to fund "advocacy and research" of battling copyright law expansion. Why this is good is hopefully apparent. It's basic economics of the new millenium.

    Basically, corporations believe that public knowledge of technology and processes is bad, because it's hard to make money off of something everyone can reproduce. This country is founded on democracy (good) but also has strong roots in free-market capitalism (mostly good). Making money is why we as a country are so well off, and people seek to maximize their money making. Public domain knowledge of technology and processes reduces the chance to make money because people will pay you more for something that only *you* can make, hence putting a premium on innovative AND proprietary information.

    Lawmakers in a capitalist society are easily swayed by the corporations with their lobbying and donations, making it possible to influence law in their favor. In this case, copyright law, when expanded, better protects the information of corporations, making it harder for technology and processes to come into the public domain. In a society where money is so valued, any chance to make money by the corporations is often countered by ways to save money by the consumers.

    We as consumers would love to see copyright law weakened rather than expanded because it increases the potential to save money. Also, there is a certain ideology in promoting the free sharing of thought, ideas, and technology for the betterment of society. So when someone donates money to the cause of actively opposing copyright law expansion, it serves to benefit us (the consumers).

    But the real question is this: Why would someone do this? Certainly someone with a cool million lying around did something to make that money. What is to be gained by an individual donating that much money to a cause that has its roots in opposing the big corporation and "the man"? Likely, it isn't because it was just philosophically the "right thing to do".

    -AAAWalrus

    1. Re:Why this matters, and why it's mostly good by gosand · · Score: 2
      But the real question is this: Why would someone do this? Certainly someone with a cool million lying around did something to make that money. What is to be gained by an individual donating that much money to a cause that has its roots in opposing the big corporation and "the man"? Likely, it isn't because it was just philosophically the "right thing to do".

      I think the key is that to some people, a million dollars is not as much money as it is to you or me. And you have to wonder if this can be written off. I mean, it says the donation was anonymous, but that could very well mean that the university agreed to keep it anonymous. They could have written a receipt for it as an educational donation, and the donor could write it off as charity. The university may know who donated it, but agreed to keep it secret. Obviously there were specific things that this money was intended for, so there could have been stipulations with the donation.

      I like the fact that someone is trying to do some good with the money, but you really have to wonder how far $1 million will go against all of the mega-millions that companies have invested in building copyright law.

      A million dollars is a lot to you, me, and the university, but it probably isn't much to a Senator. ;)

      --

      My beliefs do not require that you agree with them.

    2. Re:Why this matters, and why it's mostly good by grumpygrodyguy · · Score: 2, Insightful

      But the real question is this: Why would someone do this? Certainly someone with a cool million lying around did something to make that money. What is to be gained by an individual donating that much money to a cause that has its roots in opposing the big corporation and "the man"? Likely, it isn't because it was just philosophically the "right thing to do".

      This happens all the time, when Joe Rich Guy donates 1M to Greenpeace, he can use it as a tax deduction. Same thing here.

      So no, it's not pure philanthropy...it's using money that would have gone to the government to further a personal cause.

      --
      The government has a defect: it's potentially democratic. Corporations have no defect: they're pure tyrannies. -Chomsky
  20. Yes...and in related news... by fireboy1919 · · Score: 4, Funny

    In a surprise announcement, the Republican National Committee has revealed it is bankrupt! A spokesman for the party said they had plenty of money in their accounts last week, but today they just don't know where the money has gone. But not everybody's going begging. Amnesty International, Greenpeace, and the United Negro College Fund announced record earnings this week, due mostly to large, anonymous donations.

    --
    Mod me down and I will become more powerful than you can possibly imagine!
    1. Re:Yes...and in related news... by cosmosis · · Score: 2

      I always loved that line - it made the whole movie 'Sneakers' just hilarious. Too bad we don't hear about stuff like this in real life,

      "Today the RIAA and MPAA found themselves bankrupt, and filing for chapter 7. But not everyone is going hungry, the EFF and ACLU received record donations this last week".

    2. Re:Yes...and in related news... by Oculus+Habent · · Score: 2

      It's too late, they are both available on video.

      I don't mind 1984 so much as Rollerball, though.
      --
      You may call me Siggy.

      --
      That what was all this school was for... to teach us how to solve our own problems. -- janeowit
  21. Re:mechanics of anonymous million dollar transfers by totallygeek · · Score: 4, Informative
    .

    Anyone know how the anonymous transfer of a million dollars happens?


    Usually the benefactor pays a legal firm with a cashier's check and the legal firm pays the university. The university to be sure that all is legitimate can ask who the benefactor is, but will need to sign non-disclosure agreements before they can find out. These agreements give the law firm the ability to sue the school if they leak the information (usually for more than the initial investment).

  22. How very odd. by nukeade · · Score: 2, Interesting

    Hmm, a well known law school gets a large anonymous donation to fight our awful IP laws so shortly after eBay gets into trouble with a very vague and questionable patent.

    What strange timing. I wonder if one of those fresh out of school lawyers will be taking up eBay's case at a significant discount. I wonder how much cheaper one of these lawyers is than a more expens... I mean experienced lawyer.

    ~Ben

  23. Value of research by nuggz · · Score: 5, Insightful

    I think the purpose is being missed.
    This isn't being used to fight of lobby bad laws.

    It is to try and find out what is good and bad about the existing laws.
    We don't know the cost benefit curve for copyright length, they are going to try and define it.
    (yes, that is a simplification)

    Many "content creators" want infinite copyrights, to milk out as much as possible.
    Many "content consumers" want short copyrights to copy and create derivative works for little or no cost. (that isn't the only reason)

    At some point the time is long enough to have benefit for "creators" and short enough for "consumers" that both sides can be "happy". They are trying to find out what that point is.

  24. Socialist crap by ToasterTester · · Score: 2

    What's wrong with choice. If you are you company wants to donate its work then that is your choice. But is someone or some company wants to retain ownership of their work that is their right. Monetary gain has been the mother of invention, always has and always will. Look at socialist countries even they reward their creative people with a higher standard of living than others. Sure there are some people who aren't out for financial gain who just want to help, but few. Just think about all the things in life you enjoy and most exist because at some time someone or company made money creating it. Even if they only made enough money to pay their bills to allow them to continue creating.

    Don't try to legislate altruism, leave it to choice.

    1. Re:Socialist crap by adb · · Score: 4, Insightful

      In what way is limiting the scope of a government-granted monopoly "legislating altruism"?

    2. Re:Socialist crap by spitzak · · Score: 2

      In case you didn't notice, Patents and Copyrights are enforced by the *government*. They are not a natural effect of free markets and they are as Socialist as they come.

  25. Simple! by Eric_Cartman_South_P · · Score: 2
    I gave them a Tux stuffed with 100's.

  26. Finally something to slow down the reactionaries by sielwolf · · Score: 2
    It's good to know that we have some well-funded idealists on our side

    I'm glad too but for a much different reason. This is a perfect exemple that shows the issue of economic rights is not a "Good" and "Bad" issue with "po'folks" on one side and "rich folks" on the other.

    Such moral absolutism is counterproductive in the worst way... especially for us in the IT world where the living is pretty good. So often I've heard people imply that "making money" and "doing what's right" are polar opposites. Like the Anarchists who would destroy every SUV they saw in the name of skater-justice. Constructive solutions are the way to go. And thinking reasonably about your world is the first step to finding them.
    --
    What is music when you despise all sound?
  27. Whither EFF? by John+Miles · · Score: 2

    It's interesting that this gift went to a particular university's law school rather than to a grassroots organization such as the Electronic Frontier Foundation. I wonder if it could be interpreted as a vote of no confidence in the EFF after their attorneys' recent losses in cases like Universal Studios versus 2600 Magazine?

    It's true that the EFF hasn't been batting 1.000 lately, but I've never even heard of the "Center for the Study of the Public Domain." Their web site talks only about "...hiring new faculty, creating new courses, setting up Internet Journals and creating new Fellowship Programs." Anyone know what cases they've actually participated in, if any? And for which side?

    --
    Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
  28. Commercials are for selling Beer by JohnDenver · · Score: 2

    If you want to influence politicians.

    1. Support thier campaign - $$$
    2. Give them a good arguments/rhetoric to support your cause.
    3. Give them voters

    This money is going towards reason #2 (education/rhetoric). You may or may not know, but the Telcoms and tech industry is on *our* side (file sharing is the killer app of telcom and consumer electronics industries), and they have already started lobbying against the MPAA's and RIAA's Hollings and P2P Hacking bills.

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
  29. Sounds great =) by Matt+-+Duke+'05 · · Score: 4, Interesting

    For anyone who's interested, the law school's website has a press release with a little bit more information than was mentioned in the C|Net article. It is great to see that some people (esp. the lawyers!) can see the harm that is being done by our outdated system of intellectual property laws.

    Even at the undergrad level, it seems that Duke has taken an interest in the subject. This year, for the first time ever, the CS department is offering a course that I'm currently enrolled in whose primary focus is intellectual property issues. It's panning out to be a pretty cool course, and is actually the only CS course I've taken thus far that doesn't involve any coding.

    I think more CS departments should offer curriculum like this, since we (the techies) have a unique perspective on the issues, because we are the ones opening the public's eyes to the fact that our system of intellectual property law needs to be completely revamped.

    If anyone out there has an interest in the topic, I'd highly reccommend reading John Barlow's The Economy of Ideas as a starting point.

    --
    -Matt
    Duke '05
    1. Re:Sounds great =) by luge · · Score: 2

      You're taking that course from Astrachan? You're a lucky kid- value every damn moment of it. He's as good a prof as you're ever going to have, anywhere.

      --

      IAAL,BIANLY

    2. Re:Sounds great =) by Turmio · · Score: 3, Informative

      Telecommunications software and multimedia laboratory of my school, Helsinki University of Technology organized this this kind of course back in year 1999. It was the first and the last time it was organized. The reason why they removed it, that I don't know. Maybe subject wasn't sexy enough back then. But it's a real shame I have no possibility to attend a course like that. Actually, maybe I hold a petition among friends and mail the professor who lead the '99 course and request the course to be added to selection :) Actually, the homepage of the course is still online (in Finnish) as is the course material which is partly in English. Material covers corresponding EU directives and Finnish national legislation.

    3. Re:Sounds great =) by Zigg · · Score: 2

      "A candle loses nothing by lighting others"



      To be strictly pedantic... you could smother a candle's flame with a thousand other candles' wicks, all at once. Actually, I've done it with far fewer than a thousand. I enjoy playing with fire. :-)

  30. Dear Sir or Madam by Featureless · · Score: 2

    Wherever you are, thank you. You have my profound gratitude, and the debt of a nation.

    Now if only someone would put a million dollars into reforming our wheezing, corrupt implementation of the democratic process, so that million dollar donations like this one wouldn't be necessary.

  31. IP will soon be matter of life or death by Anonymous Coward · · Score: 2, Insightful

    Please remember that after the "fun" music&dance Intellectual Property fight of the 0's, we are likely to get the "less fun" IP fights over new and improved DNA sequences that may make you die (or not) of hunger, or whatever else.
    *This* is what has to be said to wake the general public up.

  32. this will probably (realistically) be used for pat by luge · · Score: 2

    Given that Duke's IP department is heavily interested in patent law as well as copyright, I'd guess that a lot of this money will be spent on research that is relevant to both copyright and patent. See, for example, some of the papers from their conference on the public domain, including the ones on biopharmaceutical patents. They are not dumb people, in other words- they're just as well aware of the dangers of patents as you are. :)

    --

    IAAL,BIANLY

  33. Re:Verizon? Is that you? by Anonvmous+Coward · · Score: 2

    "Piracy is the killer app for Telcoms and consumer electronics industries, unless it's in the Telcoms and consumer electronics."

    If that were true, then how come the video game industry is thriving?

    The Game Industry is not very far from the Entertainment Industry. They'd co-exist on a venn diagram with the *AA on one side and the Telcom/IT Industry on the other. If piracy was as destructive as they say, then the PC video game market wouldn't exist.

    My personal theory is that the *AA has a monopolistic business model that earns them ridiculous amounts of money. With the internet, now they have to be fair like everybody else. Suddenly, it's not acceptable to say "You cannot return an opened CD" anymore. They'll have to *gasp* understand what customers want and give them the opportunity to decide "I really don't want that afterall."

  34. $1 million by Loki_1929 · · Score: 3, Insightful

    Wasn't that the price of a 30-second commercial during the last couple years of Seinfeld?

    As nice as this is, a million dollars just isn't going to cut it against Big Media. Until we make this a national policy issue, one where actual numbers of voters are involved, we're pretty much screwed. Until then though, I suppose a million bucks can fund some studies and research to strengthen our position from a logical standpoint once the public realizes that they're being screwed.

    --
    -- "Government is the great fiction through which everybody endeavors to live at the expense of everybody else."
    1. Re:$1 million by msouth · · Score: 2

      in an interest-bearling account this could have one person working on this problem indefinitely. One person can do a lot with infinite time. (Of course the bad guys will still be working on it, and we'll be paying them to by buying DVDs of stuff we apparently can't live without, so maybe it won't be enough...)

      --
      Liberty uber alles.
    2. Re:$1 million by Puk · · Score: 2

      I dunno. It only takes about $280,000 to buy a senator.

      -Puk

  35. Aint Democracy Wonderful by serutan · · Score: 3, Interesting

    Now with some big money in play, maybe the anti-copyright forces have a chance after all. I just love American government -- of the people, by the people, for the people.

    1. Re:Aint Democracy Wonderful by haaz · · Score: 2

      How many people can throw $1 million at something? No one I know can do that. Throwing a big lump of money at something is not democracy.

      BTW, I'm all for restraining out-of-control copyright law, and grateful that we now have a significant chunk of change. But it is not democratic for one person to affect something. If we were really in a democracy, we would have been able to more directly have a say in this before things like the DMCA and SSSCA crept in to existence. And technically, we did -- our senators and representatives are supposed to represent us, but often times, they represent the corporations (and a few individuals) who give them -- or more likely, their party -- campaign contributions.

      For the RIAA to buy off a senator (i.e. Hollings) makes the government into of a plutocracy -- rule by the rich. And so much of it is what I call a petrolcracy - he who controls the oil controls much more. But I digress...

      Oh, last: that $1M didn't go to the American government. Duke Univ. law school != the American government. Neither of which are democratic.

      --
      -- haaz.
    2. Re:Aint Democracy Wonderful by serutan · · Score: 2

      DUH !!
      It was sarcasm.

  36. Copyright for $.37 by MmmmJoel · · Score: 2, Informative

    Blah, print out a copy and mail it to yourself. The Post Office's stamp is all the proof you need (assuming you don't open it and seal it well). I heard it referred to as the "starving musician's copyright."

    1. Re:Copyright for $.37 by glenmark · · Score: 2

      Sorry. Not nearly as effective as an actual copyright registration, and inadmissible in court. Too easy to steam open an envelope, change contents, and re-seal it. (I'm not a lawyer, but this is what I've been told by someone who is.)

      --
      *** Quantum Mechanics: The Dreams of Which Stuff is Made ***
  37. Re:mechanics of anonymous million dollar transfers by NeoSkandranon · · Score: 2

    Usually the benefactor pays a legal firm with a cashier's check and the legal firm pays the university.

    Cashier's check for a million bucks? Uhh...somehow i dont think you can buy those at the local supermarket

    --
    If you can't see the value in jet powered ants you should turn in your nerd card. - Dunbal (464142)
  38. Re:mystery donor? by 0x0d0a · · Score: 2

    I don't think Ellison has a beef with the *AA.

    He's a Microsoft enemy, yes...

  39. Re:Imagine this by symbolic · · Score: 2


    The DMCA protects copyright owners. If you own any copyrighted material, it protects you. On the other hand, if you're one of the "information wants to be free" crowd, it's obviously an imposition. However, is that because protecting copyrights is a bad idea, or is it because people just hate the idea of forcing themselves to respect a law that's so easy to break, and that carries an almost non-existant chance of suffering any consequences?

  40. Re:mechanics of anonymous million dollar transfers by bwt · · Score: 2

    One method: You hire an attourney, give the money to them with instructions what to do with it, how to report back to you, and instructions not to reveal your identity. If they do reveal your identity, they are violating attourney client priviledge and you can file a grievance and they will get disbarred. You can probably also sue them for malpractice and recover the original money. This only works if the activity is legal, of course.

  41. Meaning by nuggz · · Score: 2

    I want my children to benefit from my work, even after I die.

    when I said "content creator" I was meaning the general group of creators editors distributers and stuff.

    1. Re:Meaning by Zigg · · Score: 2

      I think the whole idea of tying copyright to an authors' life is quite silly indeed.

      I see absolutely nothing wrong with a fixed time period, i.e. 10 years. If you croak on day three, you can will your copyrights to whomever you wish.

    2. Re:Meaning by Zigg · · Score: 2

      I agree providing an incentive for creation is good, but I also believe that providing "maximum incentive" constitutes a tremendous disservice to the public.

      Instead, I would expect that the benefits to the author of a copyrighted work would be much more in-line with work in a traditional industry. I think it's crazy that people still get paid for work they did decades ago. The rest of us have to keep producing value in order to get paid. Copyright holders should too.

  42. Plan of Action by SkewlD00d · · Score: 2
    1. Revamp the TPO
    2. Kill the DMCA
    3. Break up the MPAA, RIAA, etc.
    --
    The biggest trick the devil pulled was letting lawyers become politicians so they can write the laws.
  43. Good question by JohnDenver · · Score: 2

    The Entertainment industry has been fighting the Technology industry for some time now.

    The technology industry wants to sell TV's, CD-RW's, DVD-RW's, Harddrives, portable MP3 players, portable DVD players, and anything else the consumer wants. If they could sell a machine that would enable the consumer to watch any movie they want or play any song they want, for free, they would be in heaven. (Better yet, THEY would like to be the ones charging $5 per view)

    The entertainment industry makes the technology industry's products more exciting. With filesharing becoming popular, it's making the telecommunications industry more exciting (File Sharing fuels highspeed internet sales)

    Here's where copyright law comes in: VERY strong copyright law hurts all of these fair uses that are currently fueling the technology/telecom industry. If a person can't burn a CD of music they downloaded from thier high speed connection, what good is the burner and a high speed connection?

    The Telecoms want to be the ones who deliver Movies on Demand

    ...but they don't want to do it for free. If they could have it thier way, they would shoot the owners, assume ownership of the movie industry, and sell each movie as pay-per-view for $20 a view (or whatever price yields the most return).

    Because they don't own the movies and they can't shoot the owners, they have two options.

    1. Negotiate with the owners
    2. Buy the owners

    It's tough negotiating with the entertainment industry, because thier business model has worked very well to this point, and they don't want to risk it on some hair brained scheme that might risk it. They want to give the telcom/tech industry as little of a cut as they must, unless the telcom/tech industry can give them a lot of sales.

    The Entertainment Industry and Telcom/Tech industry all need each other, but both want to hold all the cards. The entertainment industry would get it's way by legislating copy protection in every device (Hollings Bill). This would enable give them unlimited control over the terms of usage. If they want to sell you a DVD that only plays 5 times, no one would be able to stop them. Any provider who trafficked thier content without thier permission would be held liable.

    The telcom/tech industry would love the same thing, but they don't have the content. They basically have two options:

    1. Let file sharing go rampant, fix it (Telcoms *COULD* stop filesharing), in return for a very exclusive/lucritive deal as distributor.
    2. Let file sharing go rampant for many years, let entertainment industry suffer, watch stock plummet, buy stock and content, stop file sharing + protect content with DRM, resell at nice markup.

    No conspiracy here, just good business strategy...

    Follow the greed... :)

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
    1. Re:Good question by Steve+B · · Score: 2
      The telcom/tech industry would love the same thing, but they don't have the content. They basically have two options:
      1. Let file sharing go rampant, fix it (Telcoms *COULD* stop filesharing), in return for a very exclusive/lucritive deal as distributor.
      2. Let file sharing go rampant for many years, let entertainment industry suffer, watch stock plummet, buy stock and content, stop file sharing + protect content with DRM, resell at nice markup.

      Or, if the big money is in selling the hardware with content as mere support, 3)Let the entertainment industry twist in the wind (but with an occasional investment infusion to keep it alive).

      --
      /. If the government wants us to respect the law, it should set a better example.
  44. Re:Imagine this by Xtifr · · Score: 2

    The DMCA protects copyright owners.

    No, copyright law protects copyright owners. The DMCA is not, despite the name, a copyright law. It makes it illegal for a copyright holder to even CHECK if some media cartel's copy prevention scheme actually works and helps "protect" his/her copyrighted material. (Rot13 anyone?) It makes it illegal to disclose how to access PUBLIC DOMAIN material that has been encrypted by someone. It is a bad law which fails to achieve its stated goals, and which should be stuck down (in part if not in whole).

  45. Re:Imagine this by jedidiah · · Score: 2

    Maybe it's ELVIS.

    There are plenty of creative people that don't agree with the current regime. Many of them may sympathize with our take on the issue and be just as outraged that their work hasn't taken it's rightful place beside that of Mozart or Shakespeare.

    The King is alive and well and pissed off because Heartbreak Hotel hasn't ceded into the public domain yet.

    --
    A Pirate and a Puritan look the same on a balance sheet.
  46. And Duke is the best place for this? by sunilhari · · Score: 3, Funny

    Of course, Duke Law is THE best place to give such a donation, given that their most famous alumnus is ... Richard Nixon.

  47. Gaming Industy is harder to rip off... by JohnDenver · · Score: 2

    The movie industry and record industry are thriving too, but then again only a small minority of people download movies, computer games, and songs.

    If more people downloaded this stuff (your mom and uncle), the entertainment industry would see less money. (Most people I know who download songs don't buy CD's anymore, why should we?)

    The Gaming industry has starting moving in on the subscription model, which has worked out VERY well for them. You can't cheat the subscription model, you can only compete with it.

    Secondly, It still isn't easy to download a game. Many of them span many CD's (take forever to download), and many more will buy it just because it's more convienent.

    Once piracy becomes more mainstream, it will hurt the industries who it's easy to pirate. Here's the order from most susceptible to least.

    1. Music - Small downloads, many devices geared for it
    2. Movie - Compression makes download acceptible via highspeed internet, some won't comprimise with quality and will buy DVD.
    3. Computer Gaming - Can turn to subscription services, or make games REALLY big (600 - 3000 Megs) thus making the VERY inconvienent to download.

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
    1. Re:Gaming Industy is harder to rip off... by JohnDenver · · Score: 2

      Most people I know who download songs don't buy CD's anymore, why should we?

      Because it's morally indefensible to illegally download music?

      If morals are bothering your from doing what you want, just ignore them...

      Seriously though, morals are much more pliant then you think, and it's very easy to morally defend illegally downloading music, especially in light of todays circumstances.

      Rather than making this an issue of morals, I suggest you look at it as an economic issue, because it's the economic aspects that is getting everyone into a fuss.

      If you want my opinion regarding the economic aspect: I think everyone could benefit from an unbreakable DRM system, and I speculate it could fuel the creation of more artistic works.

      --
      "Communism is like having one [local] phone company " - Lenny Bruce
    2. Re:Gaming Industy is harder to rip off... by JohnDenver · · Score: 2

      And how would this system distinguish legal copying from illegal copying?

      A. It wouldn't. Tough titties.

      But if you were a programmer, writer, artist, and musician, you would be able to control how your work is used (whether it's pay-per-view, enjoys all prior fair uses, can be resold, loaned, licenses for each use, etc.)

      Many of the restrictions exist and are legal today, they're just not enforced with technology.

      I understand an unbreakable DRM system could be used in draconian ways, but I'm willing the bet effects of protecting INDIVIDUAL work and INDIVIDUAL contributions to larger works would help balance it out.

      Feel free to go for the jugular with me on this, I'm gathering some ideas, I'll get back to you with them.

      --
      "Communism is like having one [local] phone company " - Lenny Bruce
    3. Re:Gaming Industy is harder to rip off... by hyphz · · Score: 2

      > But if you were a programmer, writer, artist,
      > and musician, you would be able to control how
      > your work is used (whether it's pay-per-view,
      > enjoys all prior fair uses, can be resold,
      > loaned, licenses for each use, etc.)

      Um, nope - DRM makes this *worse*.

      The problem that *individual* programmers, writers, artists and similar invariably have is that they can't get direct access to distribution channels; and if they go through a middleman, the middleman can take whatever cut they wish from the profits, and may demand the surrender of the copyright.

      Even if somehow these individuals could apply DRM to their works, the companies controlling distribution could simply tell them to remove it or not get distributed. NO reform of copyright law can possibly affect this problem, because the distribution middlemen can always ask the authors to waive whatever rights copyright gives them.

      But in the real world the existance of DRM makes the distribution problem worse, because usually the only people who can legitimately produce material which includes the 'keys' or whatever to be recognised as a proper copy by DRM are the 'trusted' content producers - ie, the same firms that have a 'reputation' that gets them access to distribution channels.

      So DRM well and truly cements the distribution channels shut. Some little guys manage to get distributed, but overcoming the DRM barrier is much harder, because there's usually only DRM granting authority but multiple distributors on a single channel. If HMV won't put your stuff on its shelves, you could try Virgin instead, and HMV know that they might lose out to Virgin if they gamble on you and it pays off. But if Sony won't give you a secret key for your SecureCD, you can't try anyone else and they have no fear of competition because they know you're completely frozen out.

      "Unbreakable DRM" is just another step along the line of transforming computers into media consumption devices. I wonder what Babbage would have thought.

    4. Re:Gaming Industy is harder to rip off... by PhilHibbs · · Score: 2

      So you're prepared to say "tough titties" to the majority of the population, in order to remove the threat to the purses of Big Media. Just so long as we know where you stand.

  48. Re:Copywrite Law by jedidiah · · Score: 2

    This has not been universally true in the past. There is no reason for it to be universally true in the future.

    The legal theories that circulate around here don't do so in a vaccuum. They actually reflect US law as it has been in the past, as well as case law. We aren't all just pulling these ideas out of our asses.

    --
    A Pirate and a Puritan look the same on a balance sheet.
  49. Re:mechanics of anonymous million dollar transfers by Alsee · · Score: 2

    sue the school

    Could you explain the logic behind handing someone a million dollar gift and then proceeding to sue them?

    Oh, you're a lawyer? Nevermind, my mistake.

    -

    --
    - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  50. Re:Imagine this by milo_Gwalthny · · Score: 2

    This is absolutely true. But we have struck a balance between the producers and consumers of IP that has worked pretty well for a pretty long time. Digital media came along and upset the balance. Then the DMCA came along to compensate and *really* upset the balance. That's why it's bad.

    I think most people on this board want reasonable protection of copyright, but unfair protection that only benefits the very large media companies is not in our best interests.

    --
    Milo
  51. Article by deblau · · Score: 2

    I think it's absolutely pitiful that they have to use Shakespeare as the example of copyright terms expiring.

    --
    This post expresses my opinion, not that of my employer. And yes, IAAL.
  52. You were right. by Anonymous Coward · · Score: 2, Funny

    It was me.

  53. It all makes sense when you realize ... by jc42 · · Score: 2

    The RIAA and MPAA were based on the idea that they are cartels that had near-total control over the distribution media. This means that if you or I, as artists, wanted to get seen/heard by people, we had to use their distribution. They could enforce "standard" contracts on us that gave them all the profits and the rights to our art. You had a choice: Hand it over to them to distribute, or don't see it distributed.

    They are now in a panic because the Internet provides a new distribution channel that (partially) obsoletes their cartel. This is the whole source of the IP and IRM fuss. They are struggling to find a way to prevent us from getting our art to audiences via this new medium that they (so far) can't control.

    Verizon has realized that they have a real opportunity here: They are part of a cartel that in most of the world has a monopoly over telecomm, including the Internet. If they can get into a position of controlling both the communications and the content, then they will have total control over all the world's information except the relics on hard copy in libraries. The RIAA and MPAA will be dead, but to distribute your art, you'll have to get a license from whoever controls your Internet connection. Verizon is volunteering for this position, and hoping that by publicly attacking the RIAA and MPAA, the world's artists will support them.

    If you don't believe this, read their TOS. You aren't allowed to run your own web server. That is, if you have an Internet connection through them, you can't use it to distribute your own work. You are required to use their web servers. They are, of course, in a position to strictly control what is on their own machines

    It's really hard to be too paranoid here ...

    --
    Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  54. Re:mechanics of anonymous million dollar transfers by poot_rootbeer · · Score: 2

    A box containing 1,500 postal Money Orders. ;)

    (as of ~2 years ago, the max amount a MO could be made for was $700 IIRC)

  55. Bill Gates? by subsolar2 · · Score: 2
    Wouldn't it be funny if it was a gift from Bill Gates? Though if it were him the money would have been given to Harvard.

    What entrepreneurs went to Duke University and might have a million dollars to throw around? Anybody have a clue?

    - subsolar

  56. Re:Imagine this by GoatPigSheep · · Score: 2

    it doesn't, but it protects me, a copyright holder.

    --
    GoatPigSheep, the 3 most important food groups
  57. To The Donator by bwt · · Score: 2

    To the Donator:
    THANK YOU!

  58. One million [pinky to corner of mouth] dollars? by Mind+Socket · · Score: 2, Funny

    At lawyers rates, that'll last .. ummm .. 4 hours.

  59. I hope that's not true by jcsehak · · Score: 2

    There are also people like me (who may be "content creators" and/or "content consumers" or neither) who believe that the more content that is available to the general public (e.g. current and future "content creators"), the more inspiration they will get, and the richer the whole of society will be.

    The aim of copyright law should not be to find some middle ground between the greed of the providers and consumers, but to create an environment that makes as much stuff available to as many people as cheaply as possible, at the same time making sure that content creators are well rewarded for getting into the creation business in the first place.

    --

    c-hack.com |
    1. Re:I hope that's not true by jcsehak · · Score: 2

      Yeah, but the finding of the middle ground should be based on what gets the most art to the most people, not trying to satisfy people who want free stuff or more money.

      --

      c-hack.com |
  60. Re:Verizon? Is that you? by jafac · · Score: 2

    JohnDenver wrote:
    My theory: I think the Telcoms and friends want to devalue the entertainment industry. They want the same exclusive content that AOL/Time Warner enjoys, but rather aquiring the content via an expensive merger, our friends would much rather buy all that content at commidity prices, or sign exclusive deals to act as the conduit to deliver music and entertainment at competitive prices.

    -------
    That's a good theory, but if that were the case, why are they (the telecoms) fighting like mad to hand over the whole broadband industry to AOLTW by fucking up DSL competition, and letting cable (dominated by RoadRunner) undercut DSL price-wise? You would think that if they wanted this killer app to keep going, they'd sell DSL at $10/mo like they do in Japan, Canada, and every other more civilized country in the world.

    --

    These are my friends, See how they glisten. See this one shine, how he smiles in the light.
  61. My estate by nuggz · · Score: 2

    Well you might donate your estate to the gov when you die, but I want my kids to inherit my stuff.

    1. Re:My estate by flacco · · Score: 2
      Well you might donate your estate to the gov when you die, but I want my kids to inherit my stuff.

      Too fucken bad. Let your kids earn their own living.

      Copyright law doesn't exist to enrich your spawn for all eternity.

      --
      pr0n - keeping monitor glass spotless since 1981.
    2. Re:My estate by nuggz · · Score: 2

      This isn't copyright specific. I want to provide for my family and friends. And upon my death I want the people who supported me to have my stuff as a final thank you, it is my stuff, it is my right to do so.

    3. Re:My estate by flacco · · Score: 2
      This isn't copyright specific. I want to provide for my family and friends. And upon my death I want the people who supported me to have my stuff as a final thank you, it is my stuff, it is my right to do so.

      My feelings on the issue are also not copyright-specific. I think the best possible kind of tax is the inheritance tax. It's consistent with the concept of a meritocratic society, and discourages the emergence of "dynasties" within a democracy.

      --
      pr0n - keeping monitor glass spotless since 1981.
  62. Re:He's talking about China by jafac · · Score: 2

    You don't have to read too deeply between the lines to see he's talking about bulk copying and reselling in China, not you ripping off the latest J'Lo mp3. --- You are blind if you don't see his plan to hire more law enforcement to sit on your DSL line and sniff every packet that goes through for unlicensed or immoral content.

    --

    These are my friends, See how they glisten. See this one shine, how he smiles in the light.
  63. Life + 75 years != a limited time by rollingcalf · · Score: 3, Interesting

    The US Constitution gives Congress the power to grant creators exclusive rights for "a limited time." Since when did life plus 75 years become "a limited time"?

    If someone is sent to prison for life, is that "a limited time"? If you purchase a product which is advertised with a warranty that lasts ten years longer than you shall live, would you think the warranty is limited in time?

    If I am awarded something or restricted from something for the rest of my life no matter how long I shall live, that is an unlimited time as far as I am concerned. If my ISP offered me $5/month Internet access for the rest of my life regardless of how long I live, I would consider that to be cheap internet service for an unlimited time. If my driver's license was suspended for life, that would be a complete revocation, not a suspension for a limited time. So I wonder what in the world the lawmakers were smoking when they thought that "a limited time" for anything granted to a person could be defined as a time period that is guaranteed to extend beyond their lifetime. Apparently "a limited time" to them is anything less than infinity.

    --
    ---------
    There is inferior bacteria on the interior of your posterior.
    1. Re:Life + 75 years != a limited time by pommiekiwifruit · · Score: 2, Interesting
      like what Disney did with the Grimm fairy tales and others did with Shakespeare and Tarzan and Dracula.

      Of course, The Jungle Book and Peter Pan were borderline cases for that, since they were still under copyright (in the UK anyway) when Disney made their pirate versions.

  64. Holling's next bill... by inkswamp · · Score: 2

    I'm sure Fritz and Co. are busy right now working out the details of the meta-DMCA bill: that is, laws governing 'research aimed at curtailing the recent expansion of copyright law.'

    That would, after all, make just about as much sense as the DMCA itself, so why not. Why not outlaw people from questioning the DMCA as well?

    --
    --Rick "If it isn't broken, take it apart and find out why."
  65. Corporations are actually hurting themselves by rollingcalf · · Score: 3, Insightful

    The ironic thing about all this is that by perpetually extending copyrights, corporations are hurting their own profits. If copyrights were capped with a time period of 50 years or less, like they used to be over a century ago, the content creators would have now become able to make money from derivative works based on other people's stories and music from the mid and early 1900s, just as Disney made a fortune by creating derivatives of works from the 1800s.

    --
    ---------
    There is inferior bacteria on the interior of your posterior.
  66. Re:Imagine this by stinky+wizzleteats · · Score: 2

    There are a few problems with your theory.

    If the market for CD's was about licensing the use of the material, then CD's would not have been invented. The reality is that the market is for delivery of the material. Therefore, the vendor of that delivery service must provide a compelling reason for me to purchase that service. Content providers very much want the market to be built around the concept of licensing, because that allows them to charge money for things they do not do (such as charging incremental fees for the continued use of the material they already distributed).

    The modern problem is that advances in the exchange of information has obviated the need for the service they provide. All they can do now is function as a talent selection and content production service. Rather than attempt to operate in this environment, they are desperately trying to reduce the free exchange of information. This brings us to the DMCA.

    The DMCA is about artificially applying pressure to the market in order to transform it to the benefit of content providers. The idea is to create a condition where the vendor can dictate the price for a service which has no incremental expense.

    This isn't Capitalism. This is robbery.

  67. Re:Imagine this by Oculus+Habent · · Score: 2

    There are many problems with DRM as is stands now. To really make it work, and work well, we need a few things:

    Frist, we need a standard (preferably open) file format that supports DRM. Without this we are locked into the player du jour.

    Next, DRM needs to be reasonable. There's obviously no way to connext to a huge database if you have no Internet connection. While the RIAA may want total control, DRM solutions should err on the side of the individual. If no Internet connection is available, the computer should take new files as owned and perhaps even allow a number of files to be shared. Streaming should be expressly allowed.

    Finally, we have to change our own minds. Too many of us don't realize that freedom comes at the cost of responsibility. The freedom to be able to download media comes with the responsibilty to pay those, no matter how much we dislike their business practices, who provided us with same. Until most of us are willing to accept this, we will never make peace with the RIAA

    --
    That what was all this school was for... to teach us how to solve our own problems. -- janeowit
  68. might be less involved in this case by Trepidity · · Score: 2

    From reading the press release, it sounds like (someone at) Duke knows who donated the money, but are honoring his wishes to remain anonymous.

  69. Cashier's check by totallygeek · · Score: 2
    Cashier's check for a million bucks? Uhh...somehow i dont think you can buy those at the local supermarket.


    Cashier's checks are drawn against a cashier at a bank. You have this confused with money orders. I see cashier's checks in excess of one million often (I work at a bank).

    1. Re:Cashier's check by NeoSkandranon · · Score: 2

      No, actually I have cashiers check's confused with the signs i see at store checkouts that say "cashier's checks"

      thanks for the clarification tho

      --
      If you can't see the value in jet powered ants you should turn in your nerd card. - Dunbal (464142)
  70. Continuous value creation by nuggz · · Score: 2

    What about apartment rental.
    I build an apartment, I rent it, I can rent it forever, and keep getting paid, although I'm not creating anything new.

    A creative work, I could sell it outright, and make a lump sum. Or I could sell copies, and make a smaller amount year after year.

    1. Re:Continuous value creation by Zigg · · Score: 2

      You could make that argument for any type of physical property rental; but you are still actively working to regulate access to the physical property, of which only one may be rented to one person at a time, and maintain that physical property, as it will wear and tear. That costs you time and money.

      By contrast, a copyable work doesn't cost the effort or time of the creator when it is copied (unless the creator is making a copy for sale), nor does the work itself require any kind of maintenance that costs the creator.

  71. anonymity by dswan69 · · Score: 2, Interesting

    Too many people donate money because they want to be seen as charitable, they are essentially doing it for selfish reasons. When I donate money I don't want my name on a plaque, in fact I don't want any recognition - I donate because I believe in something not for recognition of my charity.

    In fact the current campaign contribution (i.e. bribery) system could be improved by requiring all contributions to be completely anonymous.

  72. Anonymous? by Hoi+Polloi · · Score: 2

    Do you think Duke listed the donor as "Anonymous Coward"?

    --
    It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
  73. who was that masked man? by stinkythumbs · · Score: 2, Funny

    Receptionist: Sir, a man just swung down through the open window and gave me this envelope with a million dollars in it, and a letter instructing us to fight the stupid/phoney patents we've been seeing.

    Duke Lawyer: Who was that masked man?!

    Receptionist: I'm not sure, but he had ebay written on his chest.

    Duke Lawyer: He must be one of those out of work bay area IT people. Throw it in with the rest of the "donations".

    --
    I wish I had more hands so I could give this post 4 thumbs down!
  74. Re:This is a good start... by PMuse · · Score: 2
    Well said. In America, copyright is a bargain. We give authors monopoly rents for a period of time and in exchange, their work eventually enriches the public domain. To explain how the public domain is being robbed to the uninitiated, we have to list off works in their favorite genre of music, movies, or literature that are more than about 30 years old.

    For example, take the AFI's Top 100 Movies. Eighty-nine of the 100 are more than 30 years old! Including "Citizen Kane" (1941), "Casablanca" (1942), "The Godfather" (1972), "Gone With the Wind" (1939), "The Wizard of Oz" (1939), "The Bridge on the River Kwai" (1957), "Psycho" (1960), "2001: A Space Odyssey" (1968), "The Maltese Falcon" (1941), "To Kill a Mockingbird" (1962), "King Kong" (1933), "A Streetcar Named Desire" (1951), "A Clockwork Orange" (1971), "Snow White and the Seven Dwarfs" (1937), "The Sound of Music" (1965), "M*A*S*H" (1970), "Fantasia" (1940), "Rebel Without a Cause" (1955), "Ben-Hur" (1959).

    Under the original term of copyright, all these would already be 100% free to all of us. Not to mention Elvis, the Beatles, Tolkien, and a host of novels: Ulysses (1918) -- James Joyce, The Great Gatsby (1925) -- F. Scott Fitzgerald, Lolita (1955) -- Vladimir Nabokov, Brave New World (1932) -- Aldous Huxley, Catch-22 (1961) -- Joseph Heller, The Grapes of Wrath (1939) -- John Steinbeck, 1984 (1949) -- George Orwell, Slaughterhouse Five (1969) -- Kurt Vonnegut, Invisible Man (1952) -- Ralph Ellison, Animal Farm (1946) -- George Orwell, Lord of the Flies (1954) -- William Golding, Deliverance (1970) -- James Dickey, The Sun Also Rises (1926) -- Ernest Hemingway, The Maltese Falcon (1930) -- Dashiell Hammett, The Catcher in the Rye (1951) -- J.D. Salinger, A Clockwork Orange (1962) -- Anthony Burgess, Of Human Bondage (1915) -- W. Somerset Maugham, A Farewell to Arms (1929) -- Ernest Hemingway, The Postman Always Rings Twice (1934) -- James M. Cain. While some of this stuff may already have fallen into the public domain, by rights, ALL of it should be ours already.

    The public domain is what let's us sing "America the Beautiful" and do anything we want with it, royalty-free. The plundering of the public domain by copyright extensions, is what will prevent us from freely sing "God Bless the USA" for more than 70 years (copyright Lee Greenwood 1984).

    -----

    To which I replied, "Mark Twain's ancestors could profit off of Huckleberry Finn, but it's public domain.

    ;) Of course, Clemens' ancestors are probably a lot less worried about that than his descendants.

    --
    "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
  75. AOL/TW is just one slice of the pie by JohnDenver · · Score: 2

    AOL/TW has a lot of competitors, both Cable and DSL who's services are priced competitively, so I don't see them taking whole pie anytime soon. Even if the cable companies gain an overwhelming majority of customers 5-10 years down the road, AOL/TW will still only be part of the pie.

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
  76. Re:Imagine this by hyphz · · Score: 2

    > The DMCA protects copyright owners. If you own
    > any copyrighted material, it protects you.

    No it doesn't. If you own copyright material that isn't protected by copyright enforcement technology, the DMCA does nothing for you.

  77. Re:Imagine this by hyphz · · Score: 2

    > If you don't have a system to protect the
    > producer from theft, he must charge more to
    > the consumer to make up for lost items.

    And if you don't have a system to protect the consumer from being ripped off, the producer will charge more because - hey, why not.

    In most cases competition serves as this system. But that doesn't work in the business of creative works, because no creative work is a substitute for another. If you want a CD that you think is too expensive, you can't go buy the same music on a different company's cheaper CD.

    You can do without the CD, of course, but the extent to which entertainment can still be considered a luxury is variable. This might seem like an outrageous claim, but the problem is that so much social interaction is based on popular trends in consumer entertainment that somebody who chooses not to consume any of it could wind up socially disadvantaged - and social acceptance is a fundamental human need.

    > Similarly copyright and IP law protects
    > comsumers because it helps keep the price down.

    No - it means that the costs to the producer are lower. This by no means guarantees that the producers will past the cost on to publishers. Have any media costs actually fallen since the DMCA passed? Nope. Oh, yes, of course, that's right, they're still paying off their losses from the last 20 years piracy. I'm reminded of the similar business with petrol.

  78. A person can't be open minded and hate Big Media? by JohnDenver · · Score: 2

    A person can't be open minded about DRM and hate Big Media too?

    If you would have comprehended ANYTHING I wrote, you would have understood that I think DRM (if done corectly) could enable independant artists to distribute thier own works via thier website, WITHOUT having to sign your life away to Big Media.

    Big Media essentially does two things:

    1. It distributes
    2. It promotes

    The reason the record companies, publishers are able to keep thier grips on the industry is because they bundle distribution with promotion. For most artists, there is no other way they can offer thier works to so many people and get people to actually pay for it. Wouldn't you know it if Big Media uses this to have writers and artists sign thier lifes away. What else can they do?

    The Internet has been turning into a great way to distribute content, so good infact people will be happy to distribute your content for you via P2P networks. Never mind you probably won't see a dime, but your works will get distributed.

    While a good DRM system will do nothing to get your work on the shelves, and do little to promote it, it WILL commodify distribution and give artists more financial leverege dealing with Big Media, by giving artists a way to dsitribute thier own works WITHOUT the need for Big Media.

    --
    "Communism is like having one [local] phone company " - Lenny Bruce
  79. Who's ignornant now? by JohnDenver · · Score: 2

    Consumer electronics has dramatically changed in the last 10 years. It's no longer exclusive to the Japanese enterprises and entertainment devices. Making a CD player that can read MP3's or any other arbitrary format is limited by the guy writing the firmware. Secondly, you shouldn't discount the pervasiveness of PDA devices and their growing roles as MP3 players, Internet browsers, eBook readers, and maybe movie players in 3-5 years?? (using a UWB wireless connection to a portable DVD player)

    Go to audible.com: It's an online retailer that sells primarily audio books, in a secure format. Already many MP3 players support DRM system, including: All Pocket PC's, Handspring, Rio, Iomega, Digisette, and Franklin.

    Not bad for a little operation...

    Imagine what Microsoft could do? (If they wanted to do something)

    Next time you call me ignorant, why don't you back it up with a LITTLE insight and SOME information rather than just stating an empty assertion.

    --
    "Communism is like having one [local] phone company " - Lenny Bruce