Oscar Nominations (LotR, Spirited Away, and more)
An anonymous reader noted that the
Oscar Nominees
are now online. The Two Towers is nominated for Best Picture, and Miyazaki's Spirited Away is nominated for Best Animated Picture (someday an Anime will be nominated Best Picture). Road to Perdition, Spider-Man, and even Star Wars have random nominations throughout the list. Even Eminem's got a nomination now ;)
There's tons of other good movies in there too (Adaptation, Chicago) and a bunch of movies I've never seen. Anyway, talk amongst yourselves ;)
Is there a hollywood conspiracy against Scorecese (even though he got nominated), can anyone believe he hasn't won best director yet?
It would have been interesting (and genuinely deserved) to see Andy Serkis nominated for Best Supporting Actor. Unfortunately, his performance defied conventional categorization. Perhaps they can figure out what to do about this before next year...
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This'll go on my tivo right after American Film Institute Awards Producers guild British Academy of film & tv Los Angeles Film Critics Association Awards New York Film Critics Circle Awards Independent Spirit Awards The Academy Awards National Society of Film Critics Awards Broadcast Film Critics Association Awards National Board of Review Awards Golden Globe Awards Annual Directors Guild of America Awards MTV Movie Awards NAACP Image Awards The Internet Entertainment Writers Association American Cinema Foundation awards Aurora Awards Blockbuster Entertainment Awards Bubakar Awards FOX Teen Choice Awards The Peoples Choice awards Gemini Awards Golden Raspberry Award Foundation Humanitas Prize Screen Actors Guild Awards The Grammy Awards Billboard Music Awards American Music Awards Country Music Association Awards Pulitzer Prize in Music BMI Awards FOX Teen Choice Awards The Peoples Choice awards Blockbuster Entertainment Awards LA Weekly Music Awards Los Angeles Music Awards MTV Video Music Awards Radio Music Awards World Music Awards The Emmy® Awards Daytime Emmy Awards Golden Globe Awards George Foster Peabody Awards Alfred I. duPont Awards Directors Guild of America Awards FOX Teen Choice Awards The Peoples Choice awards Golden Raspberry Award Foundation Humanitas Prize Screen Actors Guild Awards
People who think they know everything really piss off those of us that actually do.
Despite the campaign for recognition Andy Serkis has not been nominated for Supporting Actor in his role as Gollum.
Thanks to slashdot for stating the obvious.. Yeesh.
And now, the not to obvious:
The Golden Raspberry Awards.
The fact that Gangs Of New York got nominated sort of cinches it for me. I havent seen acting that bad and Irish accents that poor since.... uhh... wait, I've never heard acting and Irish accents that poor! Ever!
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That'll go on my Tivo Right after
Movie Awards
American Film Institute Awards
Producers guild
British Academy of film & tv
Los Angeles Film Critics Association Awards
New York Film Critics Circle Awards
Independent Spirit Awards
The Academy Awards
National Society of Film Critics Awards
Broadcast Film Critics Association Awards
National Board of Review Awards
Golden Globe Awards
Annual Directors Guild of America Awards
MTV Movie Awards
NAACP Image Awards
The Internet Entertainment Writers Association
American Cinema Foundation awards
Aurora Awards
Blockbuster Entertainment Awards
Bubakar Awards
FOX Teen Choice Awards
The Peoples Choice awards
Gemini Awards
Golden Raspberry Award Foundation
Humanitas Prize
Screen Actors Guild Awards
Music Awards
The Grammy Awards
The Latin Grammy Awards
Billboard Music Awards
American Music Awards
Country Music Association Awards
Pulitzer Prize in Music
BMI Awards
FOX Teen Choice Awards
The Peoples Choice awards
Blockbuster Entertainment Awards
LA Weekly Music Awards
Los Angeles Music Awards
MTV Video Music Awards
Radio Music Awards
World Music Awards
Tv Awards
The Emmy® Awards
Daytime Emmy Awards
Golden Globe Awards
George Foster Peabody Awards
Alfred I. duPont Awards
Directors Guild of America Awards
FOX Teen Choice Awards
The Peoples Choice awards
Golden Raspberry Award Foundation
Humanitas Prize
Screen Actors Guild Awards
People who think they know everything really piss off those of us that actually do.
Why didn't Star Wars get a nomination in this category? It was almost like Roger Rabbit. A cartoon with some real people in it.
I'd geekily start lashing out at the popular entertainment culture and how Hollywood panders to the "lowest common denominator" (whatever that means), but years of sitting at a computer have shriveled my heart into a weak little prune. I haven't the energy left.
I thought Hollywood had awards for Best Breasts and Best Plastic Surgery... My bad.
/^[A-Z0-9._%+-]+@[A-Z0-9.-]+\.[A-Z]{2,4}$/i
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They'll thow a bone to Jackon and crew with a "Visual Effects" award, and maybe "Sound Editing".
Bowling for Columbine, hands down, the best FILM of the year, let alone the best documentary. Too bad it couldn't have been nominated for both, but I don't see how it cannot win best documentary. Absolutely one of the most impactful things I have ever viewed. I saw it when it came out, and I really want to see it again. Even if you disagree with some of the views that it presents, you need to see it.
My beliefs do not require that you agree with them.
Oh yeah, Moulin Rouge. D'oh.
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...are at Rotten Tomatoes.
What, you guys didn't love Juwanna Mann ?
They're theives! Wicked... false... tricksie... They stole our nomination... and we wants it back!
Why bother.
On the whole, it's tough to get particularly pissed off about the nominations on the whole. It's been a very, very good year, and none of the nominations in the major categories is truly ridiculous.
Individually:
Best Picture:
Will win: Chicago
Should win: Gangs of New York, probably
Should have been nominated: Adaptation, Spirited Away, or Punch-Drunk Love, in a perfect world
Thoughts: Not a bad set of nominees. Nothing particularly outrageous, except for The Hours, which was designed for the express purpose of winning year-end awards. But on the whole you can't complain.
Director
Will win: Scorsese
Should win: Scorsese
Should have been nominated: Spike Jonze for Adaptation or Peter Jackson for The Two Towers.
Thoughts: It'll be a Lifetime Achievement Oscar for Scorsese, essentially. Gangs is far from his best work, but he runs circles around everybody else even on a bad day. (Side note: How do you nominate a movie for Best Picture, but not its director, a la TTT? These things don't direct themselves.)
Original Screenplay
Will win: Talk to Her
Should win: Y Tu Mama Tambien
Should have been nominated: Spirited Away
Thoughts: I'll be glad when they send Vardolos back to made-for-TV land where she belongs.
Adapted Screenplay
Will win: Adaptation or Chicago
Should win: Adaptation
Thoughts: A close call-- Condon could win for Chicago if it rides the wave in, even though Adaptation deserves it. Kudos to Charlie Kaufman for figuring out a way to get the first nomination ever for a person that doesn't exist.
Best Actor
Will win: Jack Nicholson
Should win: Daniel Day-Lewis
Thoughts: Everybody loves Nicholson. But watching Day-Lewis perform is like having ring-side seats for a hurricane.
I don't really care about the other acting categories. Nothing too interesting happening there. Sorry.
In the end, I'm glad overall. Spirited Away got some recognition it deserves-- I'm not an anime fan in the least and it was still my favorite movie of the year. There's not an unworthy film in the bunch, by my reckoning. Like I said, it was a good year. Lots of treats, lots of movies that'll last.
Thoughts?
Go watch something like Grave of the Fireflies and then come back and tell us how that's an adolescent fantasy.
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So don't get too offended when Spirited Away loses to Lilo & Sitch, and The Two Towers gets beaten by Chicago.
Any sufficiently advanced technology is indistinguishable from a rigged demo
--Andy Finkel (J. Klass?)
I am by no means a cinematic expert, but like most people, I enjoy movies and I see my fair share. I think I can appreciate an off-beat, artistic movie (Adaption), as well as a solid dramatic piece (White Oleander) or a hard-edged cop thriller (NARC). You might like or dislike any of those movies, but in my opinion they all have appeal and I enjoyed them.
Far From Heaven, on the other hand, was one of the worst movies I've ever seen. I saw it with my two closest friends, and we left after 90 minutes of agony. I've only walked out of one other movie in my life (Bloodwork), and the three of us spent the rest of the evening talking about how painstakingly bad Far From Heaven was.
And then I look at the internet. Almost every movie critic thought Far From Heaven was a masterpiece. Why? The dialogue was painful, the story was farfetched and flat out laughable at times, and I thought Dennis Quaid's acting was a joke (I ordinarily like him). What do these critics see that I am missing?
Anyway, I'm glad that Paul Newman received an Oscar nomination for Road to Perdition. I was greatly disappointed by this movie as Tom Hanks is my favorite actor and the movie just wasn't very interesting. But Paul Newman was stellar in his role and very much deserved a nomination.
Another movie that has received critical acclaim of which I do not understand is Gangs of New York. Leo DiCaprio was pitiful in his role, and Daniel Day Lewis spent half the movie talking like Deniro, and half the movie talking like some guy from Brooklyn. The story was flat out boring - revenge stories have simply been done to death, and this added nothing new. Cameron Diaz was especially bad in this (as bad as she is in everything). Yet this movie received tons of critical acclaim. Why? DiCaprio was very good in Catch Me If You Can, where he could play a young, cocky kid who schmoozes his way through life. But he has no edge, and looking angry for two hours doesn't count.
White Oleander was one of the most underrated movies of the year in my opinion. Alison Lohman was just fantastic in this role, and this movie was very interesting and entertaining at the same time. Minority Report was probably my favorite movie of the year, but was dismissed.
Anyway, I don't understand what makes movie critics tick. Adaptation was an inventive movie, that I liked. I can understand critics liking it. But Far From Heaven and Gangs of New York were total throwaways as far as I'm concerned, and I don't understand how anyone could watch them and come away thinking, "that was great!"
Why oh Why Dear Slashdot Editors dose Lord of the Rings not have a Logo? Starwars has a Logo.. the Ipod has a Logo.. why dosent LOTR?
9 16 794d =4983 792d =5033 027
Think about it.. all the Posts that are going to be made over the next +2 Years for LOTR.. Movie Reiviews, Spoilers, Trailers, DVD's, DVD Reviews, Special Ed. DVD's, Cast Interviews, Award Shows, ect.. ect... ect..
LOTR DESERVES its own Logo/Icon
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The More Knowledge you have the Luckier you Get- J.R. Ewing
Miyazaki's Spirited Away is nominated for Best Animated Picture (someday an Anime will be nominated Best Picture).
Uh, no. No animated film will ever again receive a Best Picture nomination (Disney's Beauty and the Beast in 1991 is the only time it's happened). For some reason the Academy believes it's inappropriate for cartoons to compete with "real" movies for honors, so last year they created the Best Animated Feature Film category (won by Shrek). Yeah, it's a load of bullshit. But this way Disney's happy; they have three movies up for the award (Lilo & Stitch, Spirited Away, and the wholly undeserving Treasure Planet).
Somebody explain this: If Y Tu Mama Tambien was one of the best movies of the year and earned a Best Original Screenplay nomination, why isn't it a Best Foreign Language Film candidate? Isn't Mexico its country of origin? Instead we get a movie I've never heard of.
And be totally honest with yourselves: did The Two Towers really deserve a Best Picture nomination this year?
The Oscars make no sense these days.
The motion picture industry, for one, doesn't respect animated pictures above being cute for kids.
They gave the nod to Beauty and the Beast one year for various reasons, but the industry on the whole didn't like this. My personal opinion was that because there are now more competing art houses for animated films now (Dreamworks and Nickelodeon studios are actually giving Disney a run for their money, and Pixar producing most of Disney's quality anyway) that this animated category was an industry move to satisfy the egos of people who only produce animated films so they can say they made good quality. This might help animated films slightly, because Disney will at least make some small effort to bring one art house animated feature to america a year to try to win this, but for the most part animated films are about getting kids into the movies and separating their parents from their money.
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I think in some ways there probably shouldn't be a "Best Picture", because that will inevitably lead people to make to apples and organges comparisons (Spirted Away to LOTR, in this case). However I don't think it's going out on a limb to say that Miyazaki's works are generally some of the finest filmmaking ever.
Miyazaki's work has three hallmarks, none of which are anime/animation specific:
Pacing: Miyazaki has the confidence to let things take time instead of rushing to the payoff. He doesn't need explosions and chases to generate excitement: he uses psychology and timing. He makes you want to know what is around the corner, and then makes you wait as the characters discover it in real time.
Composition: Miyazaki's animation doesn't have the attention lavished on character motion that Disney animation has. It is rudimentary and sometimes jerky by comparison (although this is also used for effect). However, the landscapes he puts the characters in is lavishly realized, almost every frame a masterpiece of landscape painting. Furthermore, these aren't just throwaway backdrops against which the action takes place; the landscape is often another character in itself, telling you about the situations the character is in.
Characterization: It's been said that Miyazaki's characters all look alike from movie to movie. This may be true; I like to think of them as actors that he uses over and over again. However, they are all distinct persons. Miyazaki's stories are character driven; the plot arises out of putting characters in situations. Even while he uses elements of magic and the fantastic, he's most interested in specific human conditions. In Spirited Away, he is interested in what happens to the bond between a child and parent when the child reaches an age where she has the capacity to become independent.
Looked at on these dimensions, Spirted Away is far superior to LOTR:TTT, which in my book is high praise. But it's apples and oranges again. Peter Jackson is somewhat saddled by the nature of his source material. Miyazaki conceives his work specifically for his medium, for what he knows will work in an animated film. For Jackson to try to display the same strengths Miyazaki has would either result in a movie that was several times longer already, or to cut and compress the source material until it was unrecognizable.
I'm glad Jackson did the LOTR movies. But if there were one series of movies I wish everyone would see, it would be Miyazaki's.
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The best supported actress!
i thought just the opposite. the video footage of columbine itself was gripping, of course, but the interviews and other parts of the movie were haphazardly strung together. moore made no meaningful points about anything.
Might have been a little haphazard, but it kept me interested. One of the big critisizms of the film was that he didn't seem to have a clear point or opinion. I think that was the beauty of it - it is left up to the viewer to DISCUSS it later. Why should he present it in a nice, neat package? Because that is what we are used to? I think some very powerful points were made in the movie.
the tirade against k-mart was hypocritical; he forced an innocent company's hand by leveraging the wrath of the media, and in the same breath talked about how the media was always picking sides with its stories and creating an atmosphere of fear.
Exactly! I say that is a pretty strong point about the power of the media in this country. he gets a kick out of putting celebrities on the spot, making them want to end the interview, and then stands there looking meaningful as they drive away (dick clark) or shoo him out (heston). the scene of moore with his "won't somebody think of the CHILDREN?!" victim picture and leaving it on heston's doorstep was utterly without value. that sort of "poignancy" appeals only to bleeding-hearts who see the issues only as far as the tears in their eyes.
I thought the placing of the picture on the ground was a little too "bleeding heart". I had to roll my eyes a little at that point. But you have to look at the bigger scene with those celebrities. Didn't you find the question to Heston about why he kept a loaded gun in his house relevant? And he didn't accept the "because I have a right to" answer, he pressed on and said "Yes, of course you do, I don't argue with that - but WHY do you keep one in your house?".
OK, so the movie isn't pure documentary, I'll buy that. But look at what this movie does, it doesn't pre-package everything so there are no questions. It makes you THINK and TALK about the topics he brings up. Holy guacamole, what a concept! Come on, would you rather sit around and drink a few beers with friends talking about Lord of the Rings, or some of the topics that Moorer brought up in this movie? And the interview with Marilyn Manson was absolutely phenominal.
My beliefs do not require that you agree with them.
Blockquoth the poster:
...or 'Wings of Honneamise'.
...or 'Perfect Blue'.
...or 'Robot Carnival'.
...or 'Ghost in the Shell'.
...or 'Jin-Roh: the Wolf Brigade'.
...or 'Serial Experiment Lain'.
Sure he won last year, but Howard Shore's soundtrack for Two Towers was widely praised so it does seem like a snub to not even be nominated this year.
Might as well throw in: "Too bad for Peter Jackson," too. If you aren't nominated for Best Director, there's really no shot of your movie winning Best Picture.
It is interesting to note that Miramax (guess who owns them?) has some 30+ nominations. It is no secret that Miramax pushes heavily on Academy voters to vote for their stuff because an Oscar Award (and lesser extent Nomination) means advertising dollars. This includes the much vaunted Spirited Away...
Miramax in the days of Clerks used to be about a production company that wanted to do off beat and out of mainstream stuff. Of course all of that changed when Shakespeare in Love came along and dumped a huge pile of cash in their laps. Oh well...The Oscars were never for the outside and indie film industry anyway. No one should labor under the delusion that the Oscars are anything but a big advertising gig.
I hope spirited away gets best animated picture. That'd really do wonders for getting anime into America, and increasing American awareness. Plus, imoho, Spirited away is the best thing I've seen all year that's animated. I dunno, maybe Disney's losing their touch. (So they have to leach off Miziaki.)
Surely its a better movie than any musical?
Someone's whoring for humor karma, I see. The only category I can think of for Nemesis is "Best Adapted Screenplay," since it was based so thoroughly on "Wrath of Khan."