The 2005 Wired Rave Awards
smack-pot writes "March 2005 issue of Wired Magazine features The 2005 Wired Rave Awards announcements. The 15 categories include Films, Business, Science, Architecture, Medicine, Games etc. Some of the winners are Brad Bird for The Incredibles, Danger Mouse for The Grey Album, Burt Rutan for SpaceShipOne, and Pete Parsons for Halo 2."
This years "Best use of glow sticks" award goes too . . .
Oh, not that sort of rave?
Pretty Pictures!
I don't know. iFilms is great and all, but I think Jon Stewart should have won for Television. He did something (and continues to) that no one else on major television stations would dare do, and that is be brutally honest and be intelligent about it. When it comes to those qualities, he's my hero. Oh and the humor aspect is pretty good too.
I only mod up parents of "mod parent up" posts...
(resisting the joke about rendering Alex Trebek) I think anyone who says that is nuts, as nuts as the producers who need star-power to keep them warm at night. Bird just did the job right. There were some pretty insightful comments back in the Discworld movie topic, regarding writing a movie you can make. I become more a cynic when I read people's opinions that such and such can't be done. It's an illusion, dumbasses. Bird's gifted enough to take the intelligent approach. To see the wrong approach taken again, watch Tom Cruise in Spielberg's WoW. Or see a class act, the Pendragon version late March. Bug your theater to carry it! Hopefully it'll live up to expectations and make Wired's list next year.
A feeling of having made the same mistake before: Deja Foobar
"Burt Rutan for launching the private space age"
...
I for one, welcome...
"Mark Fletcher for making bloglines the Internet's news network (RSS Reader)"
Neat, now more people can autocreate blogs targeted for adsense...
"Robert Lanza -for eye-opening work on embryonic stem cells"
See your future, it's right here
"Steven Squyres for keeping Spirit and Opportunity roving"
Where is the rest of Nasa on this one??? But that's humanity, always picking up one who holds the stick
The rest... boring, BTW there are also bunch of research in DNA, materials, and compsci which are changing the world arroung us constantly, why not mentioning anything of those fields?
for those who don't know, the grey album is a remix record using beats from the beatle's white album with vocals from jay-z's black album it's available at http://www.bannedmusic.org/ and is hosted by http://www.downhillbattle.org/. DJ Dangermouse was the DJ who made this mix.
"Until The Incredibles, the conventional wisdom was that animators can't do action," Bird says.
umm..anime?
Film: Brad Bird : Business: Shigeyuki Hori
Science: Steven Squyres : Medicine: Robert Lanza
Architecture: Rem Koolhaas : Music: Danger Mouse
Television: Blair Harrison : Blogs: Kevin Sites
Books: Jeff Hawkins : Industrial Design: Burt Rutan
Technology: Mark Fletcher : Art: Jennifer Kevin Mccoy
Games: Pete Parsons
The rock, the vulture, and the chain
Ron Popeil for Ron Popeil's Pocket Proctology Polyp Fisherman.
I guess it's basic 15-second mainstream digestible keystone of mash-up'dom.
Of course this is old as hip-hop itself. Dancehall exists on the idea of a riddim becoming popular itself and multiple deejays rap/sing over it. Now hip-hop, R&B and Reggeton artists get in on it. An example from '04: Pitbull "Culo", Mr Vegas "Pull Up", Nina Sky "Move Ya Body" and many others all used the Coolie Dance Riddim.
The pop culture clash of using a very recognizable outer-genre instrumental (the "mash-up") got big in clubs two years ago (making this Wire award a bit like John Wayne's Oscar). A popular one was Whitney Houston ("I want to dance with somebody") over Kraftwerk ("Numbers") forming ala Voltron to Girls on Top's "I Want to Dance with some Numbers". Nigh unreleasable due to copyright considerations but interesting none the less.
Of course now MTV is in the Official Mash-up business by creating things that aren't Mash-ups at all (that Jay-Z and Linkin Park thing is, due to original parts by both artists, a collaboration).
I still think Chopped and Screwed is going to hit the mainstream consciousness soon as T.I.'s disc just got the treatment and it sold amazingly. And kids are chop n' screwing all sorts of tracks now. Many on laptops and then distributed into the public conscious via P2P (so Wired could give it an award and be a bit ahead the bellcurve). Of course this is a decade old style too.
What is music when you despise all sound?
I can't help but think of those who got left out--i.e. the rest of the members of the teams the highlighted individuals work with. Anyone else get the feeling that some of these awards should have gone to the whole team and the selection of a single individual was rather arbitrary?
I prefer my Dangermouse to be animated and British, thank you very much.
Boobies never hurt anyone. - Sherry Glaser.
Hey, I'm honest, at least.