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Macrovision Responds to Steve Jobs on DRM

An anonymous reader writes "Macrovision Corporation, best known for its long history of DRM implementations, (everything from VCRs to software copy protection), has responded to Steve Jobs open letter regarding DRM. With ample experience and despite the obvious vested interests, it's great to hear their point of view. In the letter they acknowledge the 'difficult challenges' of implementing DRM that is truly 'interoperable and open'. At the same time they also feel that DRM 'will increase electronic distribution', if implemented properly, because 'DRM increases not decreases consumer value', such as by enabling people to rent content at a lower price than ownership, and lowering risks for content producers. While I'm impressed they responded, I can't say I'm impressed by lofty goals that might not be reached for years. The reality is, current DRM implementations often leave users with the bad end of the deal. What do you think? Should people give DRM manufacturers more time to overcome the challenges and get it right?"

221 comments

  1. DRM adds customer value ??? by mAIsE · · Score: 1, Insightful

    I would disagree that buying music that is flawed EG i can't use it with devices i desire, vs buying in DRM free for increases consumer value!!

    But what do I know I am just a consumer ;) ...

    1. Re:DRM adds customer value ??? by Anonymous Coward · · Score: 4, Insightful

      As far as I am concerned there is no value in a product you buy and can't use as you see fit. The one thing that doesn't want to be admitted here is that it isn't what a company sets the price and value at that has meaning. It what the customer is willing to pay for it that sets the value. You can make all the thousand dollar matches you want, if your customers won't buy them then you go broke waiting for the sale.

      While the example may be a good bit overextended, it makes the point no less applicable. Selling a nonphysical product at the price of a physical one and then limiting what can be done with it lowers the value that is already seen as near nil by the majority of the public.

    2. Re:DRM adds customer value ??? by Bega · · Score: 1

      DRM increases not decreases consumer value

      I think this is in the same category as piracy causing losses to record labels. "It's this way because we say so."

      --

      THIS IS THE INTERNET. PLEASE PICK UP YOUR SERIOUS BUSINESS SUIT AT THE FRONT COUNTER.
    3. Re:DRM adds customer value ??? by smenor · · Score: 3, Insightful

      What you say is true, but, aside from people who hang out here, it seems that an awful lot of people (myself included) place enough value in iTMS songs, music videos, TV shows, and movies that they're very happy to pay what Apple charges, despite the DRM.

    4. Re:DRM adds customer value ??? by Anonymous Coward · · Score: 0

      As far as I am concerned there is no value in a product you buy and can't use as you see fit.

      thats a nice chainsaw you've got there.... why are you pointing it at me? i rest my case.
    5. Re:DRM adds customer value ??? by Naviztirf · · Score: 1

      Agreed completely. What makes sense to me is not charging more for playing your content in more devices, but I would pay more for higher quality encoding of digital content. For instance, I can see paying $.99 for an AAC encoded track, but with the option of paying $3 for an uncompressed AIF file. Why? Because the AAC encoded file hurts my ears, and makes me cringe. If ITMS offered that sort of tiered pricing I can see profits for all involved increasing exponentially, while giving the consumer more choice in the marketplace.

    6. Re:DRM adds customer value ??? by mikeydb · · Score: 2, Insightful

      If the downloaded music in question is 'hurting your ears' then maybe (in the UK at least) there's a trade descriptions act problem, should music hurt your ears? Even at 0.99c/ 50p a track? Also, how do you define low quality, an AAC file encoded at 128kbps, is that low quality? Or is Mp3 at 192kbps low quality? How does it compare with casette or vinyl? I had the pleasure of listening to a casette album on a relatively good quality casette deck, and was surprised at how good it sounded, bearing in mind I listen mostly to music encoded with either Mp3 (typically 192kbps) or AAC (usually 128kbps on the few files bought from the itunes music store) via the pc or ipod. I have to add I have no desire to return to the days of casette and unpicking chewed up tape from the car casette drive..

    7. Re:DRM adds customer value ??? by Naviztirf · · Score: 1

      AAC file encoded at 128kbps, is that low quality? Or is Mp3 at 192kbps low quality? Yes and yes, at least to my ears. Of course, I work as a sound engineer so my ears are more attuned to the loss in range you get from such encoding. If you listen to an AAC or MP3 file on a good sound system next to a CD of the same track, there is a very noticeable difference. For me, it's hard to listen to. While older analog recordings include hiss and other interference, the range is still much more dynamic. At least an aiff file is as good as commercially available CD recordings.

    8. Re:DRM adds customer value ??? by Anonymous Coward · · Score: 0

      DRM is just a lame attempt at artificial price hiking.

      Record labels charge $20 for a CD that you can rip and play as many times as you like, right? But what if they instead produced a $2 CD that only played 3 times, a $10 CD that only played on Wednesday, a $30 CD that only played on every day except the weekend and now you only need to pay a cheap $40 for a CD that plays as often as you want, or $50 for a CD that can be downloaded onto your DRM "MP3" player, sounds fair and justified right?

      I agree with everyone else who has voiced this opinion, they are just trying to hold onto a failing business model - artists can now sell directly to consumers so the big labels are obsolete but are still desperately trying to hold on rather than adapt to the changing circumstances.

    9. Re:DRM adds customer value ??? by uncoveror · · Score: 1

      DRM, from having to type in an easily lost key number to re-install software, to highly complicated technological schemes has always been a pain for legitimate users of media, but not even a bump in the road for pirates who produce the counterfeit products that you find at flea markets and on street corners. Of course, Macrovision will never admit that this is the case. Making copy protection schemes is all they do. If the entertainment industry abandoned DRM, they would be out of business. They profit from the entertainment industry's assumption that their paying customers are thieves.

      --
      The Uncoveror: It's the real news.
    10. Re:DRM adds customer value ??? by islanduniverse · · Score: 1

      If it's DRM'd so that it only works on limited devices you have to buy it multiple times...

      That increases the value to someone anyway!

    11. Re:DRM adds customer value ??? by jacksonj04 · · Score: 1

      I keep saying this to people who insist DRM is bad: The concept is great, it allows sharing to be controlled, be it media or software. I have no problems paying for the music I listen to (The price is another argument entirely - that *is* a problem) but the fact it's protected shouldn't make any difference.

      The problem with DRM is that there is no standard. MP3 took off because it was able to be implemented in everything (Licence issues mostly ignored), but everything is DRMed differently. There needs to be a single, openly implementable standard where the 'auth server' can be specified individually for every piece of data so there's no central body to lock it down and charge exorbitant licence fees. Never gonna happen, but if that was implemented and there was an option in iTunes to "Replace all my FairPlay music with OpenDRM" then the world would be a better place. *Then* you only need to buy it once.

      Stop bashing DRM as a concept, just bash how it's implemented at the moment.

      --
      How many people can read hex if only you and dead people can read hex?
    12. Re:DRM adds customer value ??? by Pyrex5000 · · Score: 1

      From TFA: "Similarly, consumers who want to consume content on only a single device can pay less than those who want to use it across all of their entertainment areas - vacation homes, cars, different devices and remotely." Please explain to me why I should have to pay more for content if I want to view it on different devices. Again, from TFA: "Thank you, Fred Amoroso" Yeah, fuck you, Fred.

    13. Re:DRM adds customer value ??? by mikeydb · · Score: 1

      I can hear the difference, very easily between a 192kbps MP3 and the original CD, while it's subject to my own hearing, I find listening to a CD after listening to an Ipod all day is bliss..

    14. Re:DRM adds customer value ??? by Anonymous Coward · · Score: 0

      I completely agree. He should absolutely be allowed to use his chainsaw on you and any others who make ridiculous analogies between power tools and recordings of music.

  2. renting content by ravenspear · · Score: 4, Interesting

    DRM increases not decreases consumer value', such as by enabling people to rent content at a lower price than ownership

    Well, if the consumer recognizes that as a value at all. So far the trend (at least in DRM systems used in internet distribution) has been clearly indicating that people generally don't want to rent their content.

    The media companies certainly want this however, as it gives them more opportunities to get the consumer to pay for the same content multiple times, maybe in different formats or for different devices or uses.

    1. Re:renting content by DrSkwid · · Score: 3, Insightful

      There's a tiny store near us called 'blockbuster', I wonder if it will catch on?

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    2. Re:renting content by dangitman · · Score: 5, Insightful
      The wanker-in-chief Fred Amoroso says:

      Quite simply, if the owners of high-value video entertainment are asked to enter, or stay in a digital world that is free of DRM, without protection for their content, then there will be no reason for them to enter, or to stay if they've already entered. The risk will be too great.

      Quite simply, this is bullshit. Some of the greatest (sorry, "High value") music and film was produced in an era when there was no DRM. The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.

      Are we really to believe that people such as these would not pursue their art if there were not DRM? It doesn't even make sense from a hardcore businessperson's point-of-view. If someone stamps their feet and says "Fine, I'm not going to make my brilliant movie because I cannot use DRM," then there is no loss. Someone else with more sense will simply step up to the plate and make their movie instead, and profit from it. To think that one cannot make money on media without DRM is ridiculous. History has shown this. If there is money to made, somebody will do it.

      Some will argue that less profit would be made without DRM due to piracy. Even if this were true, less profit does not equal no profit. But various studies have shown that piracy does not affect sales much, and nobody has ever been able to demonstrate that DRM prevents piracy. In fact, it is more likely that DRM reduces profit, because companies have to pay a "DRM tax" to the ridiculolus companies who make crappy DRM, like Macrovision. It's basically an extra cost that doesn't even prevent piracy.

      We offer to assist Apple in the issues and problems with DRM that you state in your letter. Should you desire, we would also assume responsibility for FairPlay as a part of our evolving DRM offering and enable it to interoperate across other DRMs, thus increasing consumer choice and driving commonality across devices.

      Macrovision even think they can do a better job than Apple, and offered to "take responsibility" for Fairplay. This is hilarious. They are obviously jealous of Apple's success, and would love to be given access to Apple's products. Does anyone think that Macrovision could do a better job? Apple is one of the top software producers in the world. Macrovision is a bunch of hacks, a one-trick pony who has made a living from a stupid analog video hack. I doubt they are even competent to write software. We've all seen the kind of shit that bottom-feeding companies like this produce, and it ain't pretty. (think Sony rootkits)

      --
      ... and then they built the supercollider.
    3. Re:renting content by AC5398 · · Score: 1

      It's not so much about renting their content inasmuch as I'd rather not have them control my hardware.

    4. Re:renting content by professionalfurryele · · Score: 1

      In that case I'm sure DRM does increase value to the consumer. And I have no problem with special disk being released which you can rent with the DRMed content on them, under the precondition that there are non-DRMed sales as well, with equivilant market penetration to ensure that when the time comes the content enters the public domain, and to protect fair use rights.

    5. Re:renting content by Marcus+K · · Score: 0

      11 (2) == 3 (10) ;-)

    6. Re:renting content by Anonymous Coward · · Score: 0

      Well, I don't use Windows anymore, but back in the day, had there been a way to cheaply "rent" a play-once-movie (or play-for-one-day), I'd have appreciated it.

      Yet, there is STILL no internet site that offers a wide selection of movies, TV shows, DESPITE the existence of DRM for YEARS (can I say WMA/WMV?).

      So their argument is clearly ludicrous.

      And there are more reasons: renting a movie online should be cheaper than buying a used DVD on ebay, Amazon & friends, it should be good quality, and yes, some people out there can't watch WMV on their computers. And those few sites that allow you to buy/download movies, they're just way to expensive.

      It's like "almost nobody" shopping on iTunes: CDs are just as cheap, better quality, format of your choice (no iPod lockin), system of your choice (OS + no need for iTunes the application when your MP3 player works as an external hard disk).

    7. Re:renting content by Phil246 · · Score: 3, Informative

      Apple is one of the top software producers in the world. Macrovision is a bunch of hacks, a one-trick pony who has made a living from a stupid analog video hack. I doubt they are even competent to write software ever heard of safedisc? http://en.wikipedia.org/wiki/SafeDisc Macrovision make that, and its fairly 'successful' in terms of publishers using it
    8. Re:renting content by dangitman · · Score: 3, Interesting

      ever heard of safedisc? http://en.wikipedia.org/wiki/SafeDisc [wikipedia.org] Macrovision make that, and its fairly 'successful' in terms of publishers using it

      Sounds like crap to me. Deliberately authoring discs with "weak sectors"? Sounds like copy protection from the Commodore 64 era. Probably breaks DVD standards, too.

      This is exactly the kind of shit I'm referring to when I talk about hacky software developers. When have they written some serious software that does something useful?

      And, from the Wikipedia article:

      Though SafeDisc protection effectively prevents regular home users from creating functional copies of CDs or DVDs, it is quite easy for skilled software crackers to bypass.

      So, it doesn't even work, does it?

      00000001.TMP CLCD16.DLL CLCD32.DLL CLOKSPL.EXE DPLAYERX.DLL And also by the existence of two files .EXE and .ICD (where is replaced with the acual game's name). The EXE executable is only a loader which decrypts and loads the protected game executable in the encrypted ICD File.

      Gee, that EXE file must work wonderfully with non-Windows systems.

      --
      ... and then they built the supercollider.
    9. Re:renting content by Phil246 · · Score: 1

      So, it doesn't even work, does it? it works against the novice, clueless users who dont realise it can be removed yes, but not the more technically inclined who can crack it, download a crack for it, or work around it using emulation software.
      Its why i put 'successful' in quotes :)

      Gee, that EXE file must work wonderfully with non-Windows systems. Indeed, so well infact that it wont even let it *start* the game :D
    10. Re:renting content by Anonymous Coward · · Score: 0

      drm can never be implemented 'well'.

      this is in two senses

      1) this is not a model that can have an 'unbreakable' encryption, since
      the consumer has access to decrypt the information since they need to view it to play it on their ipod or whatever...

      2) consumers don't like drm since it's restricting how they can play back the media they paid for. it's job is to lock it to one device and is against our nature to share with each other, what makes us successful.

    11. Re:renting content by dangitman · · Score: 3, Informative

      it works against the novice, clueless users who dont realise it can be removed yes,

      The problem being that the novice clueless users are probably not inclined to try and copy a disc in the first place, and just go buy them at the store. So, it does nothing except cost producers profits, because they have to pay to license stuff from Macrovision, when they could simply release the product without those costs.

      Its why i put 'successful' in quotes :)

      Yeah, I got that, but I still think they remain a "one trick pony." the "SafeDisc" thing is really just the digital equivalent of their analog video hack. What are they going to do to "help Apple improve Fairplay? Have it include deliberate "bad samples" in AC3 files?

      I was trying to highlight what a joke it was of Macrovision to think they had anything to offer Apple - who have some of the greatest talents in the software field, and produce a greater breadth and depth of software than pretty much any other company. In comparison, Macrovision reminds me of those idiots who write the drivers for hardware copy-protection dongles.

      Indeed, so well infact that it wont even let it *start* the game :D

      Yup, but Macrovision claim they want to "lead the industry" in DRM. Yet they've written software for a grand total of one platform, and are basically only still around because of the prevalence of their video hack. not really ones to be in a position of leadership over anything.

      The funniest thing about their rant is that I actually know people who stopped buying DVDs, and started getting copied DVDs from friends because of Macrovision. You see, their DVD player is hooked up to their old TV via a VCR. This is because their TV only has an RF input. So DVDs look like utter crap. They eventually found out that this was because of Macrovision. But ripped DVDs that have been de-macrovisioned look perfectly fine.

      I'm not sure how Macrovision can be considered "successful" when illegally ripped copies of products that use Macrovision look better than the purchased original. I guess they are successful in the way the mafia is successful - but even the mafia adds more value for end users than Macrovision.

      --
      ... and then they built the supercollider.
    12. Re:renting content by Ullteppe · · Score: 1

      Ha ha! This is the most abt comparison I have seen so far - Macrovision and similar companies "add value" in the same way that the Mafia "adds value"! Extortion is the right word here.

    13. Re:renting content by jbuda123 · · Score: 2, Insightful

      The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work. DRM = Digital Rights Management. I don't think any of these people had to fear digital reproduction of their content when they made it. Or did your IBM 650 vacuum-tube machine have an LP duplicator?
    14. Re:renting content by MMC+Monster · · Score: 4, Informative

      I've got a pretty nice library near me. Selection is not as nice as Blockbuster, but the prices are somewhat better.

      Give to your local library. Either media (originals, of course) or via donations. Your entire community will benefit.

      --
      Help! I'm a slashdot refugee.
    15. Re:renting content by Anonymous Coward · · Score: 0

      Much anger i sense in you

    16. Re:renting content by chaoticgeek · · Score: 2, Insightful

      But if we are renting the license to use whatever we paid money for, movie or music than if we break the medium it came on or how we obtained it in the first place it should be replaced for us for free or for the cost of the medium. However if we bought the medium it came on such as a DVD/CD then we should have the right to do whatever we want. I don't think they can have it both ways. Either we buy the license to use it or we bought the entire thing that is ours, in which case we can do what ever we please with it.

      --
      hello
    17. Re:renting content by PopeRatzo · · Score: 1

      And isn't it interesting that people continue to use Blockbuster and Netflix despite being able to rip and copy DVDs or download bittorrents? And people continue to buy music in an age of easy ripping of CDs?

      Sometimes, there's a benefit to having a wide and deep catalog. I will admit to using online music stores occasionally. Sometimes, you just need a copy of Ollie and the Nightingales singing "Just a Little Overcome" or a cut off of an obscure 999 album. Then, I turn to the marketplace, but not to DRM.

      --
      You are welcome on my lawn.
    18. Re:renting content by rg3 · · Score: 2, Interesting

      I don't fully disagree with you. Renting content at a lower price may or may not work, but in the mean time Blockbuster closed all their stores in Spain because they were not profitable. So it's not a clear answer. Of course, they blamed piracy, but maybe people are no longer interested enough in renting movies and watching them at home when you can either watch them in the cinema or when they reach digital TV (and then you can record them). They are passed on digital TV maybe one or two months after they're available for rent. Maybe people think "well, I didn't watch it in the cinema 4 months ago, so why not wait 1 or 2 more months and I can watch it on TV?".

    19. Re:renting content by dangitman · · Score: 1

      DRM = Digital Rights Management. I don't think any of these people had to fear digital reproduction of their content when they made it.

      What's your point? It could still be duplicated - and it was. What difference does it make if it is digital or not? Never heard of an audio cassette or videotape?

      --
      ... and then they built the supercollider.
    20. Re:renting content by Tim+C · · Score: 3, Insightful

      The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.

      They also created their work in a pre-Internet era, in which essentially zero cost distribution to potentially hundreds of millions of people simply wasn't possible.

      I'm no fan of DRM, but you're (intentionally?) ignoring the fact that copyright infringement is a lot easier and on scales orders of magnitude greater now than in the period you're talking about, even ignoring the (solved) problem of generational loss of quality.

    21. Re:renting content by tm2b · · Score: 1

      That's pretty disingenuous.

      Compare a twentieth generation audio cassette or video tape copy and a twentieth generation CD copy and then get back to us and tell us that they're the same situation.

      --
      "It is our blasphemy which has made us great, and will sustain us, and which the gods secretly admire in us." - Zelazny
    22. Re:renting content by wass · · Score: 1

      Some of the greatest (sorry, "High value") music and film was produced in an era when there was no DRM. The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.

      Don't be silly, back in those days you couldn't effectively duplicate your music. And even when audio/video tapes came around you could roughly duplicate it, but with notable loss in quality. And a copy of a copy, well, it gets exponentially worse. Eg, I remember as late as the 90's, even while even DAT's were popular amongst audiophiles, on Phish newsgroups how people would brag about having a 2nd-generation analog audio tape recording direct from the console, etc. Ie, you just couldn't make perfect duplicates (well without fancy equipment in those days).

      I'm too young to remember, but back in the day when CD's first came out, did people complain about a record they previously bought that if they wanted the CD of that album they had to pay again? Hell, even in the 60's and 70's, did they complain that if they bought a record and later scratched it, they should be entitled to a free new copy of that same album?

      It's highly worthwhile to try to convince the music studios that DRM is a bad thing. But using misleading arguments about previous music formats which you couldn't efficiently or accurately duplicate, will only weaken your arguments.

      --

      make world, not war

    23. Re:renting content by Jeff+DeMaagd · · Score: 1

      Quite simply, this is bullshit. Some of the greatest (sorry, "High value") music and film was produced in an era when there was no DRM. The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.

      I don't think that counts as much of an argument because during that era, the quality loss in making a copy was so great, and generational loss was great. Now, the quality loss in making a copy is so small, and the loss is often in the original re-encoding, duplicating the encoded file entails no generational loss whatsoever. That's what is considered the problem, you can pass a copy from a copy hundreds of times with no quality loss, unless there was a rare glitch along the way.

      Macrovision is a bunch of hacks, a one-trick pony who has made a living from a stupid analog video hack. I doubt they are even competent to write software.

      This is fairly ignorant, they do own a software company that makes copy protection. They now own InstallShield - the Windows Installer and quite a few other products.

    24. Re:renting content by Anonymous Coward · · Score: 0

      "when there was no DRM"? Do you understand the nature of the "D" in "DRM"? Those works you cited were "copy-protected" in a much more effective way than even the best DRM of today. I couldn't make a vinyl copy of a vinyl record. Vinyl didn't fit in my 8-track player or cassette deck. And if you "copied" at all, the quality of the copy was always reduced. Put these attributes in a system modeled on perfectly-reproducible "bits" without "DRM" and the *AA will be very happy to pay you millions of bucks, instead of investing in DRM schemes to protect their revenue stream.

    25. Re:renting content by DrSkwid · · Score: 2, Interesting

      We've got Video on Deman on cable with quite a wide selection of films.

      If you just fancy watching a decent film it's the laziest, cheapest way of doing it. Just press yes and $3 later you're watching the movie and you can as much as you like for 24 hours.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    26. Re:renting content by Danga · · Score: 1

      Hell, even in the 60's and 70's, did they complain that if they bought a record and later scratched it, they should be entitled to a free new copy of that same album?

      How I stand on this issue is if they claim they are selling me a license to listen to the music on a particular format and they want to restrict me from making a backup for myself from that particular format then I damn well better be able to get a replacement if the original format gets broken. I am not talking about a free replacement, just charge me the cost of the materials plus shipping. DON'T make me pay full price AGAIN, that is complete bullshit to do that.

      Now, if a completely new format comes out and for example Terminator 2 is available on it (which I own on DVD) then I am completely fine having to repurchase it if the quality/benefits of it make it worthwhile such as the jump from VHS to DVD or if the price gets lowered to a reasonable level (which I am waiting for HD-DVD to do). It would be nice if they somehow offered a discount if you trade in your copy on the old format for the new format but I know that won't happen.

      --
      Hey, there is only one Return and it's not of the King, it's of the Jedi.
    27. Re:renting content by DannyO152 · · Score: 1

      Remember VHS and Beta, besides making it more difficult for consumers to rent (because 1/2 of the tapes at the store were in the wrong format) it reduced title choice. For awhile, those of us with Beta machines weren't allowed to give the store our rental/buying money because Beta was losing. Also, originally, all video tapes were sold to the video stores at a price based on an $80 list price. Someone dared to think that there'd be money to be made if the video tapes were priced for sales and they were right. But, for awhile, titles were priced at 80 for rental and 20 (or so) to sell. Some other genius realized that, low sales price or not, some people still only rented, and some people wanted to buy and so the studios dropped the tier, so buyers could buy any thing and renters still rented.

      Music is different than film. We've always owned our records and cds. We've always been able to make personal copies, once magnetic tape and recorders became affordable. Some of the value of records is that we could make mix tapes. We all know that we are hearing the first whispers of an oncoming "Aha!" moment when someone realizes that there are people who will start buying once the mp3s are unlocked. And there, Mr. MacroVision , is the point: while DRM infests music files, the record labels are leaving money on the table and paying MacroVision for the privilege.

    28. Re:renting content by Anonymous Coward · · Score: 0

      Quite simply, this is bullshit. Some of the greatest (sorry, "High value") music and film was produced in an era when there was no DRM. The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.


      Playing Devil's Advocate here: there was no ubiquitious high bandwidth internet access or cheap CD/DVD burners back then, either. They also didn't have to worry about their works winding up torrented the day after release or having cheap, fast copies passed around the net or on CD/DVD. It's a lot harder to stamp out vinyl LPs or tapes than set up a torrent or burn a disk.

      Personally, I think restrictive DRM is going to be around until they figure out a new business model or until they figure out a much less restrictive DRM method that doesn't place the onus on the purchaser.

      [ob_geezer] Back in my day, making copies was slow, hard work- and we wuz grateful! [/ob_geezer]
    29. Re:renting content by jenesuispasgoth · · Score: 1

      Quite simply, this is bullshit. Some of the greatest (sorry, "High value") music and film was produced in an era when there was no DRM. The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.
      Disclaimer: I really think DRM stinks.
      But even then, you can't compare an era when people just couldn't copy a record, and thus had to buy it, with ours where everyone can copy almost everything, as long as it exists digitally. DRM are needed not because of (lack of) talent from some artists; they are needed because without them, movie and record companies can't make more money. By having digital equipment, by being able to produce one's own music/film/whatever, the value of a work of art decreases, which is quite a problem when your job is to make money off it.

    30. Re:renting content by cypherz · · Score: 1

      I'm not sure what you point is supposed to be. That MacroVision could distribute Apple's DRM since they were commercially successful with SafeDisc? Or was it irony? SafeDisc is horrible and has been cracked many times. Jobs argued that if FairPlay was released to many distributors, it would be much harder to contain breaches of Fairplay security. Given MacroVisions track record with SafeDisc, they would be a bad choice as a partner for Apple's DRM.

      --
      This sig kills fascists.
    31. Re:renting content by DDLKermit007 · · Score: 1

      Macrovision offered to take it off Apple's hands purely because they are pissed that they aren't getting a cut. Macrovision HAD to put out something like this. I'm supprised they didn't do it sooner personally. The whole company is based upon scare tactics. If no one used DRM afterall, what else do they do? It's just one more licensing fee you pay when you buy legitimate media. DRM stops no one that they want to stop. Just punishes good customers.

    32. Re:renting content by melikamp · · Score: 1

      So, it doesn't even work, does it?
      Nope. Even a total noob can defeat it with Alcohol and Daemon Tools.
    33. Re:renting content by tepples · · Score: 1

      back in the day, had there been a way to cheaply "rent" a play-once-movie (or play-for-one-day), I'd have appreciated it. Blockbuster?

      It's like "almost nobody" shopping on iTunes: CDs are just as cheap Not when your local pawn shop doesn't have the title you want, and iTunes Store does. Compare 9.99 USD for an album on iTS to upwards of 30 USD for the same album on CD imported from Europe or Japan because it was never given a retail release in the United States.
    34. Re:renting content by 2nd+Post! · · Score: 1

      Cheapest? You mean cable is free now?

      Granted DSL costs $15 a month in my area so if I were to download a $10 movie I would be spending $25 for one movie and $15 if you got three. You would have unlimited movie watching rights however.

      For a cable movie, how much is it a month?

    35. Re:renting content by Anonymous Coward · · Score: 0

      Ever hear of a DVD burner?

    36. Re:renting content by arminw · · Score: 1

      .....Music is different than film.....

      Indeed true! However, the biggest difference is the fact that most people can and do listen to good music over and over again. Truly good music, memorable tunes, just don't get tiresome very fast. There are good movies, such as the Star Wars series Lord of the Rings and the many entertaining comedies and dramas. However, how many repeat plays will such a movie get compared to some of the Beatle songs or the classics? Another big difference is that music can accompany other activities, such as driving a car, working in the shop or office. These are major reasons why people are not willing to rent music.

      DRM, whether rented or purchased is a dumb idea whose time has passed. The content makers have been duped by Macrovision and their ilk. These are ONLY ones who benefit from DRM. Not the labels, the sellers and least of all the consumers. Maybe the **AA lawyers are a group that are also beneficiaries of DRM.

      DVD sales and rentals are brisk, despite the fact that anyone who really wants to can copy any so called "protected" DVD. The music companies could simply try an experiment. Sell DRM free music on the iTunes and other music stores for a year, but don't advertise the fact that they've made a limited time agreement to do so. A year or so ought to be enough time for them to tell whether the lack of DRM has reduced their income and whether "piracy" as skyrocketed. If the bottom line results and surveys reflect badly, they can just go back to the DRM as it is now or tell Apple "Hey Steve you have to let others use your DRM system so the market as a whole can prosper." If however, the labels make more money, then Steve can tell them "See I told you so." However the extra cash would likely assuage the label's wounded pride.

      --
      All theory is gray
    37. Re:renting content by dangitman · · Score: 1

      Compare a twentieth generation audio cassette or video tape copy and a twentieth generation CD copy and then get back to us and tell us that they're the same situation.

      I think you're the one being disingenuous. Why make a 20th generation copy, when you can make a first-generation copy from something borrowed from a friend or library? That's the actual situation with most DVD copying.

      Let's look at reality. Copying of audio cassettes was very common, and the quality didn't seem to bother too many people. In fact, multiple generation copying of tapes was almost legendary in the early hip-hop and rap scenes, for example. Also, people used to make compilations by recording songs from the radio. Some people still do.

      The change to a digital medium hasn't really changed much - people copied then, and they copy now. probably the biggest difference is that since DVD, many more people actually buy movies to keep. Before DVD, not many people purchased VHS cassettes to keep - they mostly recorded stuff from TV broadcasts. So, the digital medium has improved sales, and I would think has reduced copying.

      --
      ... and then they built the supercollider.
    38. Re:renting content by dangitman · · Score: 1

      They also created their work in a pre-Internet era, in which essentially zero cost distribution to potentially hundreds of millions of people simply wasn't possible.

      Very few people download feature-length movies. TV episodes yes, but rarely movies. Most of those are copies from a borrowed DVD, not via the internet.

      It's also the studios ignoring the low cost and reach of the internet. If they actually made their products cheaper to reflect the internet era, and massive increase in potential sales, then there would be little motivation for anybody to download copies illicitly.

      --
      ... and then they built the supercollider.
    39. Re:renting content by dangitman · · Score: 1

      But using misleading arguments about previous music formats which you couldn't efficiently or accurately duplicate, will only weaken your arguments.

      How is my argument misleading? You could duplicate content, and many people did it. Few were bothered by the loss of quality. The misleading argument is saying that it wasn't possible, or that people didn't do it. Your Phish argument demonstrates this - if people were proud of a second-generation copy, then that shows how widespread multi-generation copying was. We did it all the time as teenagers.

      --
      ... and then they built the supercollider.
    40. Re:renting content by wass · · Score: 1

      My point is that in the 'old days' that you argue that the record companies got along just fine without DRM, you couldn't make perfect duplicates as you can in today's digital age.

      --

      make world, not war

    41. Re:renting content by wass · · Score: 1

      How I stand on this issue is if they claim they are selling me a license to listen to the music on a particular format and they want to restrict me from making a backup for myself from that particular format then I damn well better be able to get a replacement if the original format gets broken.

      What do you mean by 'copy'? You could copy stuff back in the old days, you can copy DRM'd music now, and do so for your own use, but with reduced quality.

      So you think record companies should automatically give you new vinyl records every time you play one? Hell, every time you play a record you reduce the quality of it a small bit. Now you could have copied your record to a cassette, for your own backup, but that would lose quality. You can do the same thing in today's DRM'd world. So you think the record company is required to provide you with brand new media for your lifetime to preserve the original quality since your own copies are of worse quality?

      Technically if you buy a DRM'd AAC file from the iTunes store, you can route your audio out back to your audio in, and re-record your music digitally that way. You'd definitely lose quality, but you could do that, and even re-save the file as an AAC. Or you can output it to a cassette deck and record to analog tape, as we did in the old days. That is today's equivalent of what was going on in the 60's, 70's, and 80's.

      How do you feel about this kind of backup? It's not DRM encumbered. It's definitely of lower quality than your original, just like copying a record or analog tape.

      So if you want to claim that record companies got along just fine without DRM in the old days, then they can claim you can get along just fine now with DRM by making analog copies as mentioned here.

      Now before you accuse me of supporting DRM, I'm just pointing out that the original claim by the GP wasn't fully accurate in light of what I've written here, so if you want to convince the record companies to get rid of DRM you'll have to come up with logically and technically stronger arguments than that one.

      --

      make world, not war

    42. Re:renting content by Hamoohead · · Score: 1

      We should have an "irrelevant" mod for the parent in this case. Arguments like this make the community come off as sounding like a bunch of pirates who are pissed that someone stole their flagship.

      The Beatles, the Rolling Stones, Charlie Chaplin, B.B King, Billie Holiday, Miles Davis, Martin Scorcese, Stanley Kubrick, even Steven Spielberg created their work in a pre-DRM era and somehow managed to sell their work.

      If the artists mentioned here had a choice in their pre-DRM era, the parent post might have had some merit. But since digital didn't even exist during most of these artists careers (and in the case of Chaplin, not at all), the parent comment comes off as nothing more than sour grapes. The real problem is not DRM, but competition of DRM companies creating incompatible standards. Imagine if, at the inception of the CD format, there were no standard agreed upon beforehand (lack of DRM aside) the confusion it would have created. You would have had some discs only playable in one brand and other discs only playable in another. If companies want to stick with DRM in their content, then so be it. The masses will determine whether the copy protection survives by its portability or transparency. **AA, if you must do this thing, give us a standard that preserves fair use while curbing piracy. This means a robust system impervious to reverse engineering or attack by those wanting to bootleg for profit while making the technology invisible to users. If I want to make 100 copies for my own use like I have been able to do with reel-reel, 8-track, cassette, and CDR in the past, then this is not harming your bottom line, because I wouldn't have paid for 99 of those copies anyway if the technology was unavailable to duplicate them. If you can't give us a consumer-friendly DRM that allows us the rights granted by the MPAA vs. Sony case, then don't DRM at all.

      As it stands with the current systems in place, I wholeheartedly agree with Mr. Jobs (even though his motives could be called to question) that media companies should abandon DRM. IMHO, schemes like this promote piracy. In the case of software, I have, on occasion had to resort to cracks or keygens because the purchased software wouldn't work as advertised and the company refused to do anything about it, nor would the store take it back because the package had been opened (case in point: a copy of PowerDVD that was incompatible with WinXP bundled with my DVD burner with the "Designed for Windows XP" sticker on the box). When you inconvenience your customers like this, is it any wonder they search for other alternatives to get the value they paid for?

      Sure, Macrovision is going to take a stance against dumping DRM. Would you expect any different? Remember, the so called "bottom feeders" as the parent puts it exist for only one reason: to protect content. But remember also that they exist because the **AAs feel a need for them. They have no other purpose. Of course they will fight to maintain their status quo. Wouldn't you? They are in essence, the "middle man", not "bottom feeders". They (Macrovision) are not in existence to profit off of others' misfortune. They exist solely at the behest of the **AAs.

      --
      "If your parents never had children, chances are you wonât either." -Dick Cavett
    43. Re:renting content by tm2b · · Score: 1

      Not true.

      The situation with most DVD copying (by people other than professional pirates) is downloading via Bit Torrent - go on, go to a bit torrent site and look for DVDs, you will find literally tens of millions of copies of various DVDs currently seeding right now.

      That's fundamentally digital and is a very different scale than what happened with audio and video tapes.

      --
      "It is our blasphemy which has made us great, and will sustain us, and which the gods secretly admire in us." - Zelazny
    44. Re:renting content by sjames · · Score: 1

      It sounds like a re-hash of the many attempts at producing an 'un-copyable' floppy in the early '80s.

      ANYTHING at all in a computer can be virtualized and emulated, including media with weak/bad sectors. Running in ring 0 makes it a bit harder in addition to opening up yet another hole in the hapless user's security but absolutely does NOT make emulation impossable. The trend in CPUs is to make virtualization easier and more complete. It isn't THAT hard to set up emulation software as 'ring -1' and convince a driver or an entire OS that it is ring 0 and that emulated hardware is real.

      Consider how hard it WOULDN'T be to get qemu to introduce random read errors into the cdrom 'device'.

      Most of those crazy floppy protection schemes were similarly 'successful' until software producers woke up and realized:

      1. It didn't work for long.
      2. It was costing them money anyway.
      3. Some people found cracking games more fun than playing them.
      4. The harder it was to crack, the wider the crack would be distributed when it was accomplished, both for 'revenge' and for boasting rights.
      5. People who might have paid for the game were choosing to download instead in order to not be hassled by copy prevention measures. Even more so when they implemented the cheesy "what is the 23rd word on page 52 of the manual" protection.

      I suppose we SHOULD thank Macrovision for giving us Asian VCRs with superior AGC and vsync circuitry and a once-thriving market in 'video stabilizers'.

  3. If you are asking that question on /. by budword · · Score: 1

    You must be new here.....

    1. Re:If you are asking that question on /. by jbuda123 · · Score: 3, Interesting

      I've never understood the standard /. position on this. Most /.ers support the GPL, which is nearly identical to DRM, at least in theory - both protect the original creator of a copyrighted work from unauthorized redistribution by others (the GPL doesn't forbid redistribution, but does force derivative works to be distributed under the terms of the GPL, i.e. open). The motives behind the two are completely different, but the theory is the same - content creators control the rights of redistribution.

      Or is it that /.ers aren't opposed to DRM per se, but just the current implementations? If DRM worked in practice the way it works in theory - that is, by preventing redistribution while allowing free use for private purposes - would /.ers support it? If that's the case, then I wouldn't entirely disagree. But, then I wouldn't say I don't like DRM - I'd say I don't like the current implementations, the concept of DRM being sound. But that's not the impression I have of most /. posters' positions.

    2. Re:If you are asking that question on /. by TheRaven64 · · Score: 4, Informative
      The GPL and DRM are very different, both conceptually and in terms of implementation. The GPL is based on copyright law, DRM is not. The GPL says you have bought (or had given to you by someone who is either the copyright holder or their authorised distributor[1]), and you may use it in any way you wish. If you want to distribute it, then the GPL imposes legal, but not technical, limitations on you (such as requiring you to pass on the same rights that you have to anyone you distribute the code to).

      DRM, in contrast, says 'you have paid for this material, now you may do any of this small list of things (which are usually smaller than the list of things copyright law allows you to do anyway) with it.' Do you see the difference? The GPL (and copyright law) are exclusive, while DRM is inclusive. You can use GPL'd (or copyrighted) material for anything that the GPL (or copyright law) does not expressly prohibit. You can only use DRM'd material in the way that the DRM vendor authorised; no transcoding, no playing it on unauthorised devices, and often no fair use rights, such as extracting clips for academic discussion or using a music track as the sound track to your (not for distribution) home video.


      [1] In the case of the GPL, this is anyone who has a copy of the code and accepts the GPL.

      --
      I am TheRaven on Soylent News
    3. Re:If you are asking that question on /. by Anonymous Coward · · Score: 1, Interesting

      Oh, I knew the first tag was going to be "no" (I'm the AC who submitted the article), but like I said, I *am* impressed that Macrovision tried to respond. They put on a good show ... if you're the sort of person who found Orwell's "1984" a good roadmap for a future political system.

      Let me count the ways that Macrovision has interfered with my fair use rights:
      1. When I wanted to pipe the output from my DVD player through my VCR to use it as a video switch -- Macrovision ruined the signal, even though I wasn't recording. I had to buy a manual switch
      2. When I wanted to play a Microsoft game on a new Microsoft operating system, and it wouldn't run, not because the game was incompatible, but because the Macrovision copy protection wasn't
      3. Every time I want to install and play a game without hunting for the CD, Macrovision (or some other DRM scheme) is there
      4. When one of my DVDs got badly scratched up, and I wanted to make a copy of it before it was completely ruined
      5. When I wanted to extract some tracks from a particular (copy protected) audio CD to make a compilation CD

      And that's just the hassles where I know Macrovision's technology has been directly respondible. DRM in general has caused more. While it's often an interesting adventure to figure out how DRM systems work and circumvent them, I really have better things I could have been doing, and both Macrovision and the companies that buy its product have been working hard to make what I am doing (circumventing the DRM in order to exercise my fair use rights) illegal in my country (it currently isn't). The technical means are bad enough. The lobbying for legal changes to tilt the balance in copyright is much, much worse. Forcing electronics manufacturers to include protections (conveniently the technology Macrovision sells) by law? And I as a consumer get to pay for them, all in a FUTILE effort to stem commercial-scale piracy? Yay!

      Everything the CEO says sounds laudable, fair, and well-principled, but they've been at this for decades and I've seen NO sign that they care about the half of copyright law that limits controls and grants users certain rights. "Challenges"? In what way have they attempted to implement a technical system that would respect all the user's rights inherent in copyright law? All I've seen is very one-sided efforts that care only about the content owners, and trample user's rights. Even if they did try, is it even technically feasible to have a DRM system that can read user's minds to figure out their intended use and whether it qualifies as "fair use"?

      The answer is a resounding "no", but thanks for trying, Macrovision. You had your chance to do things right, and you never have. You're at the forefront of the erosion of consumer rights, and now that the general population are slowly starting to realize it, you are starting to realize the backlash could hurt your business. Now you care.

      It's too late. You and your DRM crew are the pirates. You've made your money by stealing fair use rights from me and every other honest user who has paid for content with one of your DRM schemes embedded.

    4. Re:If you are asking that question on /. by tcg2k5 · · Score: 1

      I agree, speaking of the fair use I thought I read somewhere once that the original purchaser was entitled to make 1 backup copy under the fair use exception for their personal use only. What happened to this?

      --
      thank you, Brian M. http://www.masonfamilytree.com http://www.thefederation.us http://www.patriciaannmason.com http
    5. Re:If you are asking that question on /. by xswl0931 · · Score: 1

      Nothing you've stated here invalidates the parent poster's point. Both the GPL and DRM are for the purposes of protecting the redistribution of the creator/owner's content.

  4. they are retards by Anonymous Coward · · Score: 0

    Disk are cheap to reproduce in bulk, EVERYONE knows this. They could SELL the disks without DRM just as cheap as renting them and that would be customer value..and they would still make a profit by much higher numbers of sales.There's no reason disks need to be more than a few dollars any longer, none, just they have this mindset they need to make 1000% markup or more on manufacturing costs. Entire complex computers, which are orders of magnitude more difficult to make, and costlier to ship around, have dropped in price drastically the past ten years...entertainment disks? What used to be a 1500 dollar computer a few years ago is now at least 5 times more powerful and costs 500 bucks-disks? Same price during the same time frame.

    They are just rip off greedy millionaire gougers trying to justify their predatory pricing schemes and scams.

    1. Re:they are retards by WetCat · · Score: 1

      Guess what? DRM is not about profit, DRM is about CONTROL and POWER...

  5. Well... by kinocho · · Score: 1

    I say:

    My opinion has been meditated for a long time, based on personal experiences, feelings to different companies and the fact that I am no the other end of the deal. So the conclusion is:

    Fuck DRM, Fuck Macrovision, Fuck any company, retailer, producer, whatsoever that supports drm.

    DRM just hurts the legal users, it has never, never stopped me from pirating content, so what's the point?

    Why the never tried to, don't know, lower the prices to increase the sales? and not try all the time to increase profit by sale.

    1. Re:Well... by FPF422 · · Score: 1

      Agrees 100%

    2. Re:Well... by JrOldPhart · · Score: 1

      Yeppers,

      Adding any form of copy protection is a technical challenge.
      After I spend the time to crack it my payoff is to distribute it.
      So that non technical others do not have to worry about how to make
      backup copies.

      --
      Nothing is foolproof, fools are too ingenious. - Murphy
  6. DRM increases not decreases consumer value by bug1 · · Score: 4, Insightful

    "such as by enabling people to rent content at a lower price than ownership"

    Consumers don't get the opportunity to "own" media, consumers get no ownership rights at all, we cant resell, get a refund etc like you can with a TV you buy.

    Consumers get usage rights as granted by the copyright holder, DRM makes it easier to restrict these usage rights which takes us further away from what they would call "ownership".

    Smells like fud to me.

    1. Re:DRM increases not decreases consumer value by gregorio · · Score: 2, Informative

      Consumers get usage rights as granted by the copyright holder, DRM makes it easier to restrict these usage rights which takes us further away from what they would call "ownership".

      Smells like fud to me.
      That's an extremely inappropriate use of this expression.
    2. Re:DRM increases not decreases consumer value by bukharin · · Score: 2, Insightful

      I agree...

      'DRM increases not decreases consumer value', such as by enabling people to rent content at a lower price than ownership

      This is such bullshit. The price differential between "renting" and "owning" is almost purely profit, and is specifically enabled by DRM. This decreases value, by allowing them to charge us more for something that costs them the same to provide. How stupid do they think we are?

    3. Re:DRM increases not decreases consumer value by fermion · · Score: 1
      Furthermore, the low cost has nothing to do with DRM, but changing attitudes and competition. I recall when a movie cost 50-100 dollars, or $150 in todays money. Why is this so? I believe that originally all movies were priced assuming that some would be shown publicly, and to compensate for that the prices were high. Then renting came along, and the fact that someone else was making a profit on the product forced prices to decrease. The only purpose of DRM on VHS was to impose the implicit licensing limitation that the "owner" had the right to view the movie only as long as the media was viable.

      With the DVD everything changed, and this proves that DRM does not provide value for the customer. DVDs, even those that contain no significant extra content, are more expensive than a tape, even though the process for the DVD is no more expensive for tape, and shipping for the DVD is less. The DVD is the most secure consumer format, almost no casual piracy happens, yet the consumer is forced to pay more for product that is essentially dead stock than a music release with a new, previously unreleased product. If DRM increased consumer value, then most DVDs would sell for $15.

      Yet DVDs are not decreasing in price due to DRM, but again due to compition, mostly through places like Netflix, and now on demand download. Sure everyone would want to blame online piracy, but industry survey show that minority has downloaded media, and the standard for counting those downloads is :one over the past year".

      In fairness the presence of DRM probably does reduce the unauthorized casual distribution of content, and even may place a picket fence between the content and professional copyist, but as the parent say the biggest reason is to enforce licensing restriction, which is to say make the business model predictable enough so that middle management is comfortable enough putting forth a minimal effort to create the product.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    4. Re:DRM increases not decreases consumer value by Tim+C · · Score: 1

      Consumers don't get the opportunity to "own" media, consumers get no ownership rights at all, we cant resell, get a refund etc like you can with a TV you buy.

      Rubbish. With the possible exception of refunds (although even then if you're firm enough you'll get one) you most certainly do have those rights when you buy content on a physical medium. There's nothing in copyright law that prevents one from reselling a CD, DVD or any other item which is protected by copyright. You're not allowed to distribute copies, or to sell the original on and keep a backup copy you made previously, but they're the only restrictions.

      DRM makes it easier to restrict these usage rights which takes us further away from what they would call "ownership".

      Now there I do agree - if you pay to download a file and the DRM system ties it irrevocably to your account (or hardware, etc) then you can't transfer ownership to anyone else. However, that's not the case with iTunes songs, and I'd be surprised if it's the case with ones bought from other music stores (although I'm willing to concede that I don't know, so it may be). They do have counterparts in the physical world, however - here in the UK at least, tickets for public transport are generally not transferable. For example, if I buy a season ticket for the London Underground, I'm not allowed to give (or sell) it to anyone else. It doesn't stop anyone, and you used to get touts at most stations selling on used tickets until they cracked down on it (but I digress).

      However, I do agree that rental seems to me to cost a lot more than ownership in the long run, and quite possibly in the medium term too. I've bought 8 or so songs from iTunes at a cost of 79p each. I can't see a realistically-priced rental service being cheaper than that for me. Now, I appreciate that I'm something of a special case (an extremely light user), but you'd have to be downloading a lot of music/videos per rental period to actually make a saving.

  7. Added value by QuickFox · · Score: 5, Funny

    Of course DRM adds value! You get an interesting pastime, a puzzle to solve.

    --
    Terrorists can't threaten a country's freedom and democracy. Only lawmakers and voters can do that.
    1. Re:Added value by iminplaya · · Score: 1

      That's excellent. It's like getting a free Rubiks Cube every so often. So yes let them take all the time they want to get it "right"...again and again and again.

      --
      What?
    2. Re:Added value by __aailob1448 · · Score: 1

      Brilliant comment. Please stay here and post often. /added to my slashdot hall of fame.

    3. Re:Added value by QuickFox · · Score: 1

      Thanks! :-)

      --
      Terrorists can't threaten a country's freedom and democracy. Only lawmakers and voters can do that.
  8. A new job for starving stunt men by codefrog · · Score: 5, Funny

    Those starving stunt men who show up in front of otherwise legitimate movies to warn us about how we (the theater-going evildoers of the world) are denying their kids a college education...
    I SAY LET THEM EAT CAKE. Let's take up a collection... and hire them to drive cars off cliffs ...said cars to be filled with DRM executives and other such indispensible consumer-value-enhancers.

    1. Re:A new job for starving stunt men by Anonymous Coward · · Score: 0

      Every time I see one of those commercials, I download a few movies just to spite them for spreading bullshit. They can pay actors $20 million per movie, but the lighting guy is starving? Give me a fucking break.

    2. Re:A new job for starving stunt men by AC5398 · · Score: 5, Insightful

      Nothing irritates me faster than being forced to watch that drivel BEFORE I get to watch the movie I PAID FOR!

    3. Re:A new job for starving stunt men by echo_kmem · · Score: 1

      Like Stunt men (and women) never pirate movies...

    4. Re:A new job for starving stunt men by Legion303 · · Score: 5, Insightful

      The really hilarious part here is that I've never seen those infomercials before movies, because I stopped paying for the movie theater "experience" (i.e., douchebags with cell phones, sticky floors, and 25 minutes of car commercials on the screen) long before the studios started adding them. So the people like me--who might actually feel a smidgen of guilt at seeing the infomercials--don't actually see them, while people who are doing the right thing by paying instead of stealing get to be annoyed by shit that doesn't apply to them in the first place.

      I guess I just defined irony.

    5. Re:A new job for starving stunt men by blackjackshellac · · Score: 1

      You know what pisses me off more than that? It's being forced to spend 15 minutes opening the CD or DVD that I've purchased trying to get off the goddamned "security stickers". Fucking idiots in the music and movie industries, the lot.

      --
      Salut,

      Jacques

    6. Re:A new job for starving stunt men by Anonymous Coward · · Score: 0

      I'm living in New Zealand now and they don't even shrink wrap the DVDs here. Some places keep the DVD media behind the counter and fill the case when you check out. That, added to the region-free, PAL/NTSC equipment makes the DVD experience a bit less painful. On the other hand the DVDs will occasionally have 'no skip' warning screens about copyright in many world languages. If you don't hit 'menu' to escape from the movie before the end credits conclude then your DVD player will enter this trap you'll have to wait through 'don't copy me' in Netherlands, French, Israeli, Russian, Polish, Romanian, who knows what-all before you get back to the Special Freaking Features.

    7. Re:A new job for starving stunt men by JrOldPhart · · Score: 1

      What about the designers of the hardware that plays and stores DRM content.
      Without the hardware they wouldn't have a market.

      Screw the stunt men I want my piece of your wallet.

      --
      Nothing is foolproof, fools are too ingenious. - Murphy
  9. Translation from PR-Speak to English by sunya · · Score: 5, Interesting

    Here is John Grubers translation. Spot on.

    --
    MLT - simple and robust open source multimedia framework for Linux
    1. Re:Translation from PR-Speak to English by suv4x4 · · Score: 1

      Here [daringfireball.net] is John Grubers translation. Spot on.

      Spot on maybe, not for long though. How much music is out there? How many action movies? Comedies, TV series, cartoon, dramas...

      Can you own all of it? Can you afford all of it? People instinctively want to own all that media since there has never been a single central, *reliable*, *compatible* and *immediate* source where they can go to and rent their media.

      You buy it, since tommorow it may be out of stock and forever lost. You want to make sure it's always on your shelf to listen to it / watch it, and show it to friends, and maybe even your kids some day.

      How does DRM / Internet change this? You no longer need to own all this media. It's too much trouble owning all this. The truth is you want most of it available, but it's not SO good that you wanna watch it every single day, you'll get sick of it fast, and there's new content produced every day.

      Imagine being able to to rent a DRM-ed movie for 10-20 cents for specific 3 devices (example: three iPods, *or* your iPod, your PC, and your home cinema station), which expires in 3 days. And all movies produced worldwide instantly available in this central store, forever.

      Beats ownership big time.

      Would it happen? At some point it may, but greed will drive prices up, sales down, and some future era hippies will whine about DRM being evil.

    2. Re:Translation from PR-Speak to English by Clear+Monkey · · Score: 1

      Thanks for pointing to the translation at daringfireball.net - that really cuts through the peanut butter.

    3. Re:Translation from PR-Speak to English by noamsml · · Score: 1

      What you are suggesting may be somewhat valid, and it is a slightly different approach to DRM: instead of making all digital media DRM in order to "suppress piracy" (ineffective), you are suggesting that DRM should be used for "restricted media" at a lower price and that full-license media can be unencumbered of DRM. I do, however, believe that since DRM is ultimately ineffective from a technical standpoint, it might be said that a metadata-based control system without faux encryption is actually as good and does not waste unneeded CPU cycles. In both cases, the two devices are essentially honor-based, since they can both be broken easily (every DRM suggested, especially an interoperable one, will have a decryption program before you can say "Jack Robinson").

    4. Re:Translation from PR-Speak to English by Anonymous Coward · · Score: 1, Insightful

      Can you own all of it? Can you afford all of it? People instinctively want to own all that media since there has never been a single central, *reliable*, *compatible* and *immediate* source where they can go to and rent their media.
      How exactly does a single centralised source fit in with the free market?

      Imagine being able to to rent a DRM-ed movie for 10-20 cents for specific 3 devices (example: three iPods, *or* your iPod, your PC, and your home cinema station), which expires in 3 days. And all movies produced worldwide instantly available in this central store, forever.
      Imagine perpetual copyrights and no public domain. While, at the same time, artists are forced to hand over their right to control what happens to their work.

      Basically, you're advocating artistic communism. Thanks, but I prefer an imperfect freedom to perfect captivity.
    5. Re:Translation from PR-Speak to English by suv4x4 · · Score: 1

      - How exactly does a single centralised source fit in with the free market?

      One word: utility companies.

      - Imagine perpetual copyrights and no public domain. While, at the same time, artists are forced to hand over their right to control what happens to their work.

      I never said that, did I.

    6. Re:Translation from PR-Speak to English by wootest · · Score: 1

      - Imagine perpetual copyrights and no public domain. While, at the same time, artists are forced to hand over their right to control what happens to their work.

      I never said that, did I.

      How else than by making everyone waive their rights to the music will you be able to concentrate everything to a single vendor? Because if people have any say in it, out of *the creators of all the music ever* there will definitely be two artists who don't want to be with the same vendor, or that want to create their own. And if everything will be there and it's going to be convenient for customers, there's going to be liberal usage rights, and there's probably one or two artists that want more control over their own stuff than that, too.

      I'd definitely enjoy renting the music from the single reliable, full-stock and honest source you're describing, but that's not to say that it'd be practically possible. Way over the horizon. Handwaving to counter the real argument. How about describing DRM as it applies to today's situation rather than in the Republic of Imaginary Perfect Bliss? (Population: speculative.)

    7. Re:Translation from PR-Speak to English by tepples · · Score: 1

      Imagine being able to to rent a DRM-ed movie for 10-20 cents for specific 3 devices (example: three iPods, *or* your iPod, your PC, and your home cinema station), which expires in 3 days. And all movies produced worldwide instantly available in this central store, forever. Imagine perpetual copyrights and no public domain. I never said that, did I.

      (emphasis in quotations is by tepples)

      If works are available only for rental and not for purchase, then who outside the publisher will own a copy with the capability to reproduce it after the copyright expires?

  10. John Gruber has a great translation by Anonymous Coward · · Score: 0
  11. Renting makes no sense by Lobais · · Score: 2, Insightful

    At first sight their argument about letting people rent videos might sound reasonable,
    but then in real life, why rent videos to a lower prize, when it costs the same (or even less) for the content manufacturers to give a real copy?

    1. Re:Renting makes no sense by TheRaven64 · · Score: 2, Interesting

      The difference between buying and renting is who pays for storage. There are very few films I want to see more than twice, so I'd rather someone else pays for storage. Ideally, I would be able to download a film in an unencumbered format, transcode it to a format that suited my playback device (e.g. burn it to a DVD+RW as MPEG-2 or make a lower quality copy for a mobile device) then delete it when I'm done with it.

      The idea of DRM seems completely pointless for video content, since I have no desire to hoard films (and neither do the majority of the non-kleptomaniac population). I don't want to pay to own a film. I want to pay for access to new films. I want to pay for someone else to maintain a well-indexed store of all older films. I want to pay for the convenience of being able to watch any film I want, when I want to watch it, how I want to watch it. I thought capitalism was about the market providing customers with the services they want to pay for, not using technology to try to prolong obsolete business models.

      --
      I am TheRaven on Soylent News
  12. Hi, it's Fred calling. Is Steve home? by Anonymous Coward · · Score: 0

    TFL is nothing more than a sales call.

    "Hello, Steve? It's Fred--Fred Amoroso, you know, from Macrovision. We sell DRM products and we're wondering if you'd like to pay us to get FairPlay working with the Nomad and the Zune. [Click] Steve?"

  13. It's a waste of money by Noonian+Soong · · Score: 3, Insightful

    I don't think DRM will ever develop to a good thing. Either it places restrictions on a user regarding OS, player, mobile device, etc. or it is available everywhere which will make the DRM system more vulnerable to cracks. Then it's a waste of money to develop such a system if it's unable to protect content. Was making analog copies of VHS tapes and DVDs really prevented by the Macrovision protection on there? No. So why develop it in the first place?

    --
    The strength of a civilization is not measured by its ability to fight wars, but rather by its ability to prevent them.
    1. Re:It's a waste of money by TheVelvetFlamebait · · Score: 1

      I'm not sure about the VHS protection, but certainly now there is a point. For one, a crack only helps those who know about it, have access to it, and are capable of using it. For example, many copy protection systems on CDs can be easily be bypassed by not copying with windows (or holding down shift), but when a friend tried to copy a copy-protected CD, and it didn't work, they gave up instantly. They actually said they were relieved that they had been stopped in their attempts to do something illegal (and it was illegal).
      For two, an effective copy protection mechanism is protected under the DMCA, and so it makes it harder for people to distribute cracks. You can't sell them in the country, you can't really advertise in the country, and the DMCA-equivalents are spreading across the globe. Even if the copy protection mechanism only makes a token effort, it still isn't a waste.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  14. OK, let's see by nickol · · Score: 1

    > DRM increases not decreases consumer value

    Can somebody explain me, how exactly DRM will increase the consumer value of
    a particular music piece. Let's take http://en.wikipedia.org/wiki/Symphony_No._9_(Beeth oven)
    Symphony No. 9 as a very good music and well-known example.

    Well, I'm not Steve Jobs and it seems that nobody will answer...

    1. Re:OK, let's see by Anonymous Coward · · Score: 0

      This piece itself, being old, is in the public domain. However, modern performances of the piece are not necessarily in the public domain. Because it takes money to record music, DRM would allow performers who might not otherwise would be able to to make performances and sell them to finance their recording. It is well known that most classical music CDs are money losers - that is, they cost more money to produce than they bring in. This has meant that music publishers have eschewed CD production of niche classical music and increasingly have just put their weight behind big name, 'sure sellers.' With a well done DRM on the internet, there is no cost of CD, warehousing, distribution, etc, so the break even point is much lower, thus potentially allowing CD-unprofitable artists into making more recordings of Symphony No 9 available.

      QED.

    2. Re:OK, let's see by nickol · · Score: 1

      This is complete nonsense. Classical music performance are usually very expensive.
      It requires large halls with good acoustics, lots of people involved, very precise
      recording equipment. It costs far more money to record 9th of Bethoven than to record
      punk-rock disk. Performance and recording of classical music is usually sponsored
      by government or private institutions. In Germany for example, classical music recordings
      costs sufficiently less than rock music recording. That means that every copy made
      by people saves sponsor's money. Free copying of sponsored music recordings allows
      to invest more money into performance and recording, rather than printing disks and
      boxes. DRM itself costs money too - so you need to throw away more tax and charity money.

      This is normal "marketing model" of classical music, being used for centuries. Why not
      use it for other kinds of music too ?

    3. Re:OK, let's see by maxume · · Score: 1

      It's all about the content owners perceived value of some particular item of media, and how much they think a given form of release lowers that value.

      If the owner thinks that a drm free release will take away $X from their perceived value, and the profit they will make on the release is less than $X, they will elect not to distribute.

      At the same time, if they think a drmed release will take away $Y from their perceived value, and the profit they will make on the release is larger than $Y, they will elect to distribute.

      The argument is that the consumer gains access to said media, and that any access at all is better than no access.

      I'm not endorsing it or saying it is a good idea, but I believe that is the line of reasoning being used.

      On the other hand, I would love to be able to rent a movie(drm or not, I wouldn't care) for distribution cost + $0.25(or so...). I doubt they make a whole lot more than that(per viewer) on advertising supported television broadcasts.

      --
      Nerd rage is the funniest rage.
    4. Re:OK, let's see by Anonymous Coward · · Score: 0

      ah, i see. because it's paid for with tax money, it's actually free.

      you are an idiot.

  15. if you can't compete with free by DrSkwid · · Score: 4, Insightful

    then you're in the wrong business

    --
    There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    1. Re:if you can't compete with free by Jeff+DeMaagd · · Score: 1

      Please tell me exactly what business can compete with free?

      I think it does dramatically hurt. Please tell me the name of a Malaysian theatrical film made in the last ten years. Anyone? There's no point in making one because it would never post a profit, anyone that wants to see it can just buy a $1 bootleg.

    2. Re:if you can't compete with free by Anonymous Coward · · Score: 0

      Please tell me the name of a Malaysian theatrical film made in the last ten years. Anyone?

      That has more to do with the paternalistic/totalitarian government of Malaysia censoring literally everything in sight, than it has to do with pirates. I've lost count of the number of PG-13 movies that IMDB says are "Banned" in Malaysia.

      You can't have a healthy creative climate if it's illegal to pick up a camera.

    3. Re:if you can't compete with free by DrSkwid · · Score: 1

      In a competitive market, the price of your product tends toward it's marginal cost, i.e. cost of manufacture incurred per item, over and above fixed costs.

      For some businesses i.e. car manufacturing this might be $20000 per product.

      Whereas for CD / DVD this tends toward zero.

      So effectively everyone is competing with free.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
  16. Balance by infonote · · Score: 1

    It is all about balance. While as a consumer I prefer non DRM, I understand the business point of view. This is a grey-area IMHO not black or white.

    --
    Visit http://www.kaizenlog.com
    1. Re:Balance by grimJester · · Score: 1

      It is all about balance. While as a consumer I prefer non DRM, I understand the business point of view. This is a grey-area IMHO not black or white.

      Yes. While, as a rational thinker I prefer evolution, I understand the Intelligent Design point of view. It's false. This is a boolean value, not a color.

      Society has an interest in as many consumers as possible having access to as much art and information as possible. This is literally equal to the interest of the individual consumer. There is no "right to make money" that overrules the interests of humanity. Patents and copyright are useful concepts to the degree that they encourage innovation and the creation of art more than they limit the access of people to that innovation or art. DRM makes the business model of online rental possible. Since there are already other, proven, ways to distribute content, DRM is not needed. Since it also prevents access using equipment already owned by massive amounts of potential consumers, DRM is harmful. Bad for humanity. An enemy of the information society.

    2. Re:Balance by bnenning · · Score: 1

      DRM makes the business model of online rental possible.

      And it doesn't even do that, since all DRM can be defeated. Anyone with the slightest degree of technical skill can rip every DVD they get from Netflix, yet the world has not come to an end. It's contract law combined with people's honesty and/or laziness that makes rental possible.

      An enemy of the information society.

      Exactly. It's baffling to me that we're even considering crippling the technology industry which has contributed a staggering amount to human progress in the last several decades, just so Hollywood can make slightly higher profits.

      --
      How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
  17. needing more time by Anonymous Coward · · Score: 0

    We slashdotters, as the somewhat informed, somewhat less ignorant majority, will have very little impact on whether DRM takes hold or not. Regardless of time, companies will roll it into the "gotta have" (read: Ipodzzzz!!..Poniezzz!!!) gadgets that the less informed, much more ignorant, consumer majority will lap up like warm milk. This will make the technology neccesary for other gadgets that need to interact with them creating a need for the 'capability'. I expect this will just simply end up with every consumer paying a premium for anything with DRM ingredients; whether there is a benefit or not.

  18. Looking for a silver lining... by tkrotchko · · Score: 4, Funny

    because 'DRM increases not decreases consumer value', such as by enabling people to rent content at a lower price than ownership

    That's like being happy you got into a car accident because you met a nice nurse at the hospital.

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
    1. Re:Looking for a silver lining... by l-ascorbic · · Score: 1

      That's like being happy you got into a car accident because you met a nice nurse at the hospital. Well, if it wasn't a serious accident, and she was really hot...
    2. Re:Looking for a silver lining... by Anonymous Coward · · Score: 0

      That's like being happy you got into a car accident because you met a nice nurse at the hospital.

      I saw that movie! Damn that was a hot scene.

      I'll be in my bunk.

    3. Re:Looking for a silver lining... by Kattspya · · Score: 1

      That depends on the severity of the crash and on the looks of the nurse. The same isn't really true for DRM unless it doesn't work or the DRM'ed movies are of Pearl Harbor quality.

  19. These Guys Want You To Drink Their KoolAid by rogerborn · · Score: 2, Interesting

    How is this possible that anyone who buys tracks and listens to music can benefit from these Jokers
    who want to steal your right to own your own copy of a song, and share music with your friends at
    parties? (Things even our parents and grandparents could freely do when they were growing up).

    You buy a copy of a song or album, and play it all you want, and move it to another player for jogging,
    or to play in your car, or as a backup on your computer. But Macrovision and the music companies would
    deny you any of this.

    To them, DRM means they own the music and they will rent you your copy for a price, and totally limit
    what you can do with that rented copy. Don't buy into their Doublespeak. They are not your friend.
    Their only interest in you is profit, and as much as they can milk you for.

    To them, you have no rights, and you are probably a criminal anyway, stealing their potential profit
    from them, every time you hum the words in public, and every time a second person hears the song
    you bought playing on your stereo, and every time you move that song to another player or computer.

    Which sort of makes this whole topic ludicrous, doesn't it? You might as well discuss how the terrorists
    are going to benefit us with their way of doing things. Sheesh!

    Steve Jobs was right about DRM. It is time to ger rid of that whole thing. If it were gone, more people
    would buy music, and even these people who say they own the music would profit by DRM being gone.

  20. Prices wont come down, they'll go up. by Jackie_Chan_Fan · · Score: 1

    The prices of DVD's have gone down, with all of the illegal copying and downloading...

    Why in the world would the prices go down with DRM? DVD's when they first came out were not copyable, were not downloadable and cost a lot more than they do now...

    Now they're cheaper..

    Should we presume that they are cheaper because they are downloadable, copyable and so forth?

    I know the market is saturated with dvds but still. Frankly i think the piracy is a way keep their prices fair. If they eliminate piracy, the skyies the limit for them, they can charge whatever they want and you have no alternative.

    1. Re:Prices wont come down, they'll go up. by Knetzar · · Score: 1

      The alternative is other forms of entertainment. RIAA music competes with local/independent music. MPAA movies compete with film students, YouTube, TV, videogames, etc...

      Just because there is no alternative for a particular product, doesn't mean there is no alternative.

      Example: A Mercedes SL 55AMG is nearly $100,000, but the high price doesn't mean that people have to go without cars.

    2. Re:Prices wont come down, they'll go up. by mgiuca · · Score: 1

      This is true, and it's an argument I haven't seen before. Well done.

    3. Re:Prices wont come down, they'll go up. by JrOldPhart · · Score: 1

      Agreed,

      TANSTAAFL
      If you ADD something someone pays.
      With DRM you pay to have it on the disk.
      You pay to have hardware and software added to your players.

      All of this I pay for so that I have to spend time to circumvent it to make a backup copy for the inevitable time when it gets damaged by my kids.

      No, I don't think so. I would rather have the disk I don't have to pay extra for stuff I don't want.

      --
      Nothing is foolproof, fools are too ingenious. - Murphy
  21. Mackerelvision by izprince · · Score: 2, Interesting

    So, the guys at Mackerelvision respond... DRM "increases" value for the consumer. War is peace. Freedom is slavery. Up is down. Black is white. Anyway, I don't know whether to laugh or cry, I'd laugh if I thought there was no way people would believe them, but I cry because I know people tend to be stupid enough to believe something that absurd. How exactly, does a technology that by design, interferes with my fair usage rights, and interferes with my ability to play back the content I purchased usage rights for at a time of my choosing on the platform of my choice add any value for me? No, every time you buy a DVD with Mackerelvision crippling, you're signing these assholes paychecks, so they can keep designing worse and worse systems by which to restrict you.

    1. Re:Mackerelvision by scharkalvin · · Score: 1

      So, the guys at Mackerelvision respond... DRM "increases" value for the consumer. War is peace. Freedom is slavery. Up is down. Black is white. ....And they get killed at the next Zebra crossing.

  22. Electronic distribution by edschurr · · Score: 1

    I absolutely wouldn't want DRM on anything I "buy" (or is it "license" with shitty terms?). I am however excited at the prospect of more content being available over the Internet. I don't really mind watching commercials much, but I would much rather use my monitor than TV and I hate planning around schedules. Piracy, besides price, simply offers a better product.

  23. Parasites versus pirates by Walt+Dismal · · Score: 5, Insightful
    It seems to me that the DRM people are basically parasites. They do not create the original source material, they would have no function if the source material did not exist. Now I admit that if original works that are expensive to produce (movies) were heavily pirated, then no one could afford to make them and they would generally not come into being. (Although machinima is pointing to the future when maybe you won't need to spend $50 million to produce a movie, with a $10 million paycheck for some actor.) But I think that neither parasites nor pirates have an honorable role in society. Maybe we need new models for the arts that make both irrelevant. Look at the great animation that came from projects sponsored by the National Film Board of Canada. Then look at the latest Hollywood stinkbomb produced by the existing bloated system. Somewhere there's something wrong.

    And on a side note, if we have a system where DRM is needed to protect Kevin Federline or Britney, it begs the question of why lock up turds in a vault anyway.

    1. Re:Parasites versus pirates by Lars+T. · · Score: 1, Troll

      It seems to me that the DRM people are basically parasites. They do not create the original source material, they would have no function if the source material did not exist. Hey, just like computer programmers.
      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    2. Re:Parasites versus pirates by PopeRatzo · · Score: 1

      Look at the great animation that came from projects sponsored by the National Film Board of Canada. Then look at the latest Hollywood stinkbomb produced by the existing bloated system.


      The National Film Board of Canada has produced some real stinkers, too. I don't think taxpayer funding for movies is really the way to go. I think there's room for some public financing for arts, but it does not guarantee quality. Thank God the technology for making movies is getting cheaper, is all I can say. There may still be room for the big Hollywood blockbuster too, but they'll have to figure out how to make the experience of going to a movie in a theater more appealing. I don't know about you, but when I see the price tags on some of these big-budget pictures I wonder "who's skimming money?". The same guys who write up military contracts must be making these things. I'm thinking The Pirates of the Carribean Two doesn't really look like it's price tag to me.

      --
      You are welcome on my lawn.
    3. Re:Parasites versus pirates by awol · · Score: 1

      Now I admit that if original works that are expensive to produce (movies) were heavily pirated, then no one could afford to make them and they would generally not come into being.

      So how did movies get made before the existence of all the extra revenue that these new technologies bring? I believe that movies were being made before the invention of VHS, yet alone DVD. I understand that even before TV there were movies being made. Some might say that some of the best movies of all time were made before the first cinema release was ever even shown on TV.

      So perhaps you are mistaken and that unencumbered access to this content might have no impact at all on the content being made in the firt place

      --
      "The first thing to do when you find yourself in a hole is stop digging."
    4. Re:Parasites versus pirates by im_thatoneguy · · Score: 1

      You have obviously never worked on a production. The *only* way that small independent films keep their budgets out of the millions for a feature film is because everybody works for free.

      Even larger independent films (we're talking sundance winners) still depend on massive ammounts of volunteer help to come to completion. The moment you add visual effects you just enormously increased your man hours on and off the set.

      Even if you didn't pay anybody you still have to aquire equipment. Cameras, Audio, Lights, Grip and Post gear all add up quickly. In the case of post production equipment on a visual effects intensive film you might be swapping out hardware during production. Now even if you only have 150 (volunteer) workers you've just invested another half million dollars. Plus your render farm will also need updating, assume two nodes per artist at a minimum: another half million. You're going to need a massive SAN to handle the data calls and writes. Now no production can run without food, so we'll factor in $3 per person per meal per day and assume post production with 150 artists runs for 12 months there's another 160,000. We'll also assume production required 70 employees all volunteers, but they require 3 meals for 30 days because they're working all day, chalk up another 20k.

      But like I said that's assuming everyone is a volunteer. Equipment is an almost insignificant percentage of a final budget. Human resources, the people who actually have to operate the gear will more than quadruple your costs even at very low rates. A grip working at $30 an hour + overtime for 18 hours a day for 30 days has already cost you more than double that of one of those new "inexpensive" cameras which is going to save us so much money.

      Tech isn't going to save the movie industry. Movies are expensive now and shall forever more be expensive. That is until you decide to employ slaves.

    5. Re:Parasites versus pirates by PopeRatzo · · Score: 1

      Except for a very small contingent of "stars" most of the creative artists in the world work for "free". If their product is successful, then they'll see some reward. If not, well, the good ones try again.

      This whole business went off-track the day they started calling it "the entertainment industry". It makes it sound like you can punch a timecard and be creative for 8 hours, then punch out and go home, collecting a paycheck at the end of the week.

      Art is and always has been about risk. Artists from Coppola to Jackson Pollock to The Ramones and novelist Christopher Moore started doing the work despite the fact that a check wasn't forthcoming. Things worked out for them because their work clicked with an audience. A kid playing shortstop in Little League today may or may not become the next A-Rod, but he's not getting paid today.

      Yes, there are people on many film sets who aren't getting paid, but if it's a commercial film, the cinematographer, the screenwriter, even the food service vendor is hoping to get a taste if the project works. The ones who are working for free are doing so because they hope someday to be one of the ones getting a check.

      Now, not everybody on the set of Pirates of the Carribean Two is getting paid. The entire entertainment industry, top to bottom, makes liberal use of "interns" who are doing everything from lighting to proofreading the screenplay.

      No, movies will not forever more be expensive. I remember reading about Roberto Rodriquez first feature, La Mariachi that cost him like $40k. I wonder what the first few episodes of South Park cost to make? Someone gave me a preview copy of "Epic Movie" the other day and I don't hesitate to say that I'd much rather watch the first few episodes of South Park OR La Mariachi before sitting through that stinker again.

      The problem is, the big blockbusters have warped the system so badly and skewed in in favor of the big-money productions that the industry is on the verge of implosion because they've practically got to make criminals out of half their audience, setting SWAT teams on 14 year-olds, or go bankrupt. At the end of the day, it's their own fault.

      --
      You are welcome on my lawn.
    6. Re:Parasites versus pirates by im_thatoneguy · · Score: 2, Insightful

      I strongly disagree with that position. This is the same kind of bullshit that has been propagated for decades. "Artists should starve for their work." Why? Why shouldn't they be entitled to get payed for their talents like everybody else.

      I am one of those "nonexistant artists who can't punch in" I don't punch in, but if I work 8 hours, I get payed for 8 hours. I also do speculative work, but I don't think my economic security should be put entirely in jeopardy just because what I create is something people find entertaining. You hate your job? I'm sorry, sounds like you made a bad career choice. Making films is a very very difficult business and it's hard enough finding enough work that to suggest when you do find work you should have to eat the risk on every project you work on is lunacy. Most of the people working on films aren't even doing anything "creative", they're craftsman, they're highly skilled and they are good at what they do. Should carpenters build houses speculatively? Should workers in an oil field operating drilling equipment pray to god they hit oil, because if they don't, they won't be able to eat that month? No! Sure you need someone at the top who is willing to take a risk, sure there will be those crazy drillers who will find a venture capital firm willing to sponsor a well or two. There will always be those who want to take the big risk to get the big reward and sometimes they do make it big. Google comes to mind. But that should be limited to a very small number of people as it is today, otherwise until *YOU* start the next google, you have to work at Red Robin serving drinks waiting for a chance to program the next big killer app.

      You can be creative, and you can create art on the clock just as easily as a programmer can create code. Once you've proven yourself as a capable and productive, profitable content producer, I see no reason why you shouldn't be insulated from waiting tables and payed a decent wage to produce future products. Some products might succeed some might fail.

      What next? Cancer researchers should all be independent? Let's have them raise the money on their own to buy the lab equipment and out of their sterile garages produce the next big cure! No! So why should the entertainment industry be any different? If you want to try creating the next big cure... go for it, this is america/canada/britain/france/[insert just about any first world country] go out and do it, if you hit it big, you'll be the next rodriguez.

  24. Do you know Zonk the journalist? by Anonymous Coward · · Score: 0

    Michael Zenke (608) 845-6941 3101 Stratton Way,Madison, WI 53719

  25. But in the meantime, dear Macrovision by infolib · · Score: 1

    Why can't those of us who prefer buy-to-own just download in a standard, non-defective format? Then you can put time-expire DRM on the market once you've made it work in an open and efficient fashion (or invented a free-energy machine, whichever comes first).

    --
    Any sufficiently advanced libertarian utopia is indistinguishable from government.
  26. Facts by tomstdenis · · Score: 4, Informative

    1. DRM costs the consumers money. That is, the producers license shit technology (that going by their track record they're batting .000) that they then pass the cost onto the consumer/customers.

    2. DRM doesn't actually work. Every single form of DRM from CSS to WDRM to Fairplay has been in one form or another broken or circumvented. Including the many methods (and millions of dollars that went into) CD and video game protection schemes

    3. Despite the ability to circumvent DRM, media says continue to increase.

    4. DRM often attempts to circumvent fair use rights preventing the social order.

    5. The introduction of the DMCA was a *crutch* introduced by lobbyists to do what DRM could not do.

    6. DRM vendors have no souls.

    7. Media studios leverage their market share to unfairly harm competition (see: payola).

    8. Media studios will boldly lie about revenue and other statistics to gain power over citizens of "free" nations.

    9. I ran out of facts.

    Tom

    --
    Someday, I'll have a real sig.
    1. Re:Facts by pembo13 · · Score: 3, Insightful

      10. The executives who think this DRM stuff up, go to bed every night with a big smile thinking of all the money their making despite having cheated on their tests all the way from high school to college, since they are now putting their training to good use.

      --
      "Thanks for all the money you paid to us. We've used it to buy off ISO among other things" -Microsoft
  27. DRM solution... by Hymer · · Score: 1
    DRM woul be a acceptable solution if (and only if):
    • the consumer have the right to buy as many copies of the media, at raw media cost, when (s)he bought the right to see it (then you don't need to copy it). The content owner must however always and forever be able to ship new media if you media dies, after X years they may choose to lift the copy protection.
    • the DRM was truly transparent and platform independent (also on open platforms like Linux and xBSD).
    • the DRM didn't require a connection to the content owner.
    If you now look at this, it is quite simple to achive... most people are just too blind to see the solution. The solution is a USB like device with personal key allowing wiewing and copying as long as the key device is present, copies made this way have to require the key too unless the media is uncopyable (that could be a MP3 player with no digital output capability).
    Now... there are several problems in it... your key device need to have the capacity to hold indefinite number of keys... AND there have to be a central copy of it so you can get a new one if it fails (wich may be against the law at least in some countries). Next problem are gifts... you can't buy the physical media... you have to buy a gift certificate (because the key have to be updated too, unless there also is an online key distribution service wich is multiplatform).
    ---
    This idea is now in public. You may or may not use it. The license is GPL ver. 3. ...oh shit ;-)
    1. Re:DRM solution... by pembo13 · · Score: 3, Insightful

      How about....no DRM ? There are many other problems in the world looking for solutions, why create more problems?

      --
      "Thanks for all the money you paid to us. We've used it to buy off ISO among other things" -Microsoft
    2. Re:DRM solution... by mgiuca · · Score: 1

      You're talking about a DONGLE..... possibly one of the most restrictive, annoying and inconvenient forms of copy protection there is.

    3. Re:DRM solution... by Hymer · · Score: 1

      That would be optimal... I'm not pro-DRM, I just described the minimum requirements for an implementation wich could be successful. I also listed some technical problems...

    4. Re:DRM solution... by Hymer · · Score: 1

      That is correct... and ? Your car got a dongle too... the key, so does your home. You use a card for your bank, that's a dongle too.
      Correctly implemented it is a very secure and very flexible solution.
      I'm no DRM fan... I just listed some minimum requiremnts... and a possible solution. ...and it's not perfect.

    5. Re:DRM solution... by Watson+Ladd · · Score: 1

      What prevents me from making an uncopyable device that's really one copying can be done with? Like if I gutted the no-copy MP3 and searched the disk for the files. Isn't this just distribution on the USB, or does the USB have the key? If the USB has the key, what stops me from cloning it? No DRM system can ever succeed, because you need to hide the information from the person viewing it!

      --
      Inventions have long since reached their limit, and I see no hope for further development.-- Frontinus, 1st cent. AD
    6. Re:DRM solution... by Anonymous Coward · · Score: 0

      This idea is interesting, but it probably won't fly unless the entity that controls the keys also controls the software that will play the file, else the key is easily circumvented; which is a sticky situation already.

    7. Re:DRM solution... by Hymer · · Score: 1

      Nothing... however if the DRM is transparent for you then you are just doing the same as if you were breaking into your own car just because you don't want to use the key you've got in your hand.

    8. Re:DRM solution... by mgiuca · · Score: 3, Insightful

      Let's see...

      It would really suck if my car got stolen. That's why I go to the effort of carrying a key with me everywhere I go to protect it.
      It would also really suck if my house got broken into. Or my bank account. These things are so important that it's worth carrying around a piece of metal or plastic just for that wherever I go.

      If someone copied my music off my iPod... well frankly that would be between them and the RIAA. In other words, I as a consumer have no interest in protecting my music from being stolen (especially when it's being protected from myself), therefore I have no interest in carrying a dongle to access my music.

      Furthermore, my car, my house and my bank account are probably the 3 most expensive things I own, so once again I go to such lengths to protect them. If I am forced to go to such lengths to protect something like my music, then why not have a dongle to activate my toaster, my chair or my shirt?

      As with all DRM, the issue here is that unlike other forms of security (where I go to as much or as little lengths as I wish to protect myself) this is about me being forced to go to exactly the lengths they tell me to go to to protect them. This is a hopeless solution, and I don't think consumers would even be stupid enough to go along with it unlike other forms of DRM.

    9. Re:DRM solution... by Hymer · · Score: 1

      It could be as simple as dual key encryption. The player should in fact be as simple as possible... my points are: make it as simple and cheap for the end user as possible then there will be no point in trying to crack it.

    10. Re:DRM solution... by Anonymous Coward · · Score: 1, Informative

      DRM only takes value away from a product; the only way it can be of advantage is to convince those who would otherwise be unwilling to offer content to the consumer on fair terms, the chance to offer it on more restrictive terms.

      The music industry is now curious about the advantages of offering their product on fair terms; as Macrovision imply, when the "transition between physical and digital distribution" is coming to an end and producers are comfortable with fair terms, DRM is no longer useful.

      Obviously, as a business based solely on providing DRM technologies, Macrovision is unhappy with their product base becoming irrelevant. Cry me a river. The door's that way, don't hit it on your way out.

      And, dongles aren't secure at all.

      Crackers have debuggers which find it very, VERY easy to trap on hardware interactions; they stick out like candles in the dark.

      Really good crackers have friends who perform professional hardware reverse-engineering, with ready access to nitric acid and scanning electron microscopes that will take that poor potted dongle and turn it into a specification and a routine in about 24 hours.

      Really, really good crackers will sidestep the whole thing.

      Dongles aren't flexible at all.

      You either have the dongle or you haven't. When the dongle breaks, you're screwed. When the dongle wobbles, you're screwed. When the dongle is removed or breaks during your access, you're screwed. If the dongle stops working at any point, it's a minor miracle if you can get a replacement, and you're screwed until you do.

      I have, in the distant past, been employed at considerable cost by content purchasers to remove dongle-based copy protection from an expensive software package they have licensed, on the grounds that the dongle was failing on a continual basis and the manufacturer refused to provide the support they were paying for. I was successful in this. It was a nice challenge. The dongle was a 16-bit LFSR with an extra XOR whitening stage. Calls to it were used to step into jump-tables that indexed into tables of mathematical operations such that if the dongle was not working correctly, the content that was being produced using the software would be subtly altered without the purchaser's knowledge, leaving a watermark identifying the user with the unique 16-bit code imprinted in the dongle's FPGA. This watermarking was not disclosed to the licensee by the producer. They were very interested to learn it was deliberately ruining their data for not working right.

      I have, in the recent past, but before relevant changes in the law, also been employed at considerable cost to provide a proof-of-concept procedure for non-interactively deriving knowledge of the PIN from the smart-card on a Chip&PIN card. I was successful in this. It was a nice challenge, too. It takes approximately 30 seconds, is non-destructive, offline and potentially portable, and leaves no usage traces. It could be performed by a modified rogue terminal. Now I am very careful where I use my card, never let it out of my sight, and always treat the terminals with healthy suspicion. I doubt I am the only person to figure that out.

      Hardware tokens ("dongles") where the adversary has physical access and ownership are fundamentally insecure, and are not the answer.

    11. Re:DRM solution... by Hymer · · Score: 1

      Technically when your car is stolen it is a case between the thiev and the police...
      ...so you do in fact not care about the fact that someone has stolen the music you have paid for ? ...and that is just because you got a working copy of it... if we now were talking about a physical CD (or the whole iPod) then you would care, wouldn't you ?
      Yes, DRM is wrong but so is your attitude... just because you didn't lose anything doesn't mean that you shouldn't care about it... and btw. strictly speaking you did lose 50% of what you paid for that music.
      The DRM problem is in fact two separate problems... one is about what one can do with something (s)he bought (everything except redistributing copies, wich is illegal in allmost all countries)... and the other is how to protect it from beeing stolen. As long as the protection makes it difficult to use it, then it is wrong...
      I can live with the fact that I need to buy something to have it...
      ...and all the DRM schemes used do not adress any of these problems... and are in fact only ment for controlling how we can use the media, because that is the only thing the record labels (and Microsoft) cares about. That is btw. called censorship.

    12. Re:DRM solution... by Hymer · · Score: 1

      That's not in the scope... everything can be cracked, just give me the time and the technology and I get you somone that can crack it.
      You need to remove the reason for cracking it, if it always works then there are no reason for cracking it. DVD-Jon didn't crack CSS because it was there, he cracked it because he couldn't see his films where he wanted and on what he wanted... if you look at all these cracks they are made just because of that, it is not because "I want share my films/music with the whole world".
      In my post I've tried to ADRESS ALL POSSIBLE AND LEGAL difficulties with DRM (with success) and people are still arguing against it. That's seems to me more like people are interested in just beeing able to make and distribute illegal copies... that is very interesting. ;-)

    13. Re:DRM solution... by Anonymous Coward · · Score: 0

      It's even simpler. It's possible (and usually easy) to copy the key of your car or your house. But you don't want to.
      It's possible to copy a dongle (or crack it) and you don't care, RIAA care and it's not your business.
      You probably even want to copy it for sharing your music with your friends...

    14. Re:DRM solution... by r3m0t · · Score: 1

      It isn't transparent in that I can't watch it on older devices, stream it across the house, edit it, sample it, connect it to old speakers, or hell, just give it to a friend. Of course people will crack it and of course it will be an annoyance.

    15. Re:DRM solution... by dangitman · · Score: 1

      DVD-Jon didn't crack CSS because it was there, he cracked it because he couldn't see his films where he wanted and on what he wanted...

      I doubt that is true. i think DVD jon did crack it just "because it was there" - or rather, to make a name for himself as a hacker. The "only wanted to watch a DVD on my Linux machine" was just an excuse to get leniency from the authorities, and to help make him a symbol of The People(tm).

      Look at what he does now. He has started a company whose goal is to make money by cracking Apple's Fairplay DRM. That's not the action of someone who simply wants to listen to tracks from the iTunes store on a non-iPod player. He pretty obviously has a profit motive. Ironically, this makes DVD Jon a supporter of DRM - if Apple actually dropped DRM as Jobs says he wants to - DVD Jon would be out of business, because his business model relies on having DRM to circumvent.

      --
      ... and then they built the supercollider.
    16. Re:DRM solution... by Hymer · · Score: 1

      You can't use DVD's in a CD-player either and You can't use CD's in your tape deck. I didn't say it was backward compatible. I said it would be transparent in use.
      --
      Yes, I still do hate DRM.

    17. Re:DRM solution... by Anonymous Coward · · Score: 0

      Your car got a dongle too... the key, so does your home. You use a card for your bank
      thats all stuff I want to protect. the music is someone elses shit (i apparently only get a licence to it), let them protect it without inconveniencing me
    18. Re:DRM solution... by Hymer · · Score: 1

      The only reason you don't want to protect your music is because you do not lose it... If it was a CD, DVD, tape or an iPod (the whole iPod) you would protect it. You do btw. lose something, everytime a copy is made of something you paid for you lose 50% of the rest of what you paid... after ten copies the track you paid $1 for is worth 10 cents.
      Your response, however, show us that you do not care about other peoples property... and THAT is the whole problem.
      --
      I do not like DRM...

    19. Re:DRM solution... by Anonymous Coward · · Score: 0

      You do btw. lose something, everytime a copy is made of something you paid for you lose 50% of the rest of what you paid... after ten copies the track you paid $1 for is worth 10 cents.
      what the fuck sort of retard math is that? someone copies my shit and it loses value? what the hell are you smoking fool?
    20. Re:DRM solution... by Hymer · · Score: 1

      I'm not smoking anything... you have eaten some bad mushrooms. ;-)
      That is called inflation and the only reason you can't see/feel it (in this case) is because it is a high-volume, low-cost product.
      If your government did the same with the money everyone would scream because the prices would double in matter of days.
      What you think is "I make a copy and then I've got $2" but in reality those two copies are together worth what you paid for one, so each of them is worth 50 cents. They are worth what you paid, not what you can get because you don't have any real influence on what you can get... else you would be making money out of nothing, wich seems quite cool... and quite impoosible.
      --
      This sig. is a copy of a real cool sig... wich i do not remember.

    21. Re:DRM solution... by Anonymous Coward · · Score: 0

      you're a fool

    22. Re:DRM solution... by sjames · · Score: 1

      Not to mention if I want to let my friend use my car, I am free to hand him the key. I am not required to give him the key to both cars or none at all, I get to select just one. I am free to leave my car unlocked if I like and leave the key in the ignition. The major auto makers are not lobbying to make it illegal for me to replace the ignition lock with a simple switch should I wish.

      In other words, the key serves the person who uses it, not the company that made the car.

  28. No matter what they throw at us by iminplaya · · Score: 1

    We'll put our 5,000 computers on the grid and break it in an hour. There's almost no sport in it anymore. It's like hunting sqirrels with an elephant gun.

    --
    What?
  29. Not interested in digital restrictions management by Anonymous Coward · · Score: 0

    I'm not interested into buying copy protected media. I'm not interested into buying personalized (watermarked) media. I'm not interested into sponsoring devices that try to implement such limitations like HDMI capable tv's (I will stay for a long time with my old one)

    As a result I'm not buying music via internet and I'm trying to avoid to buy CD's from major lables (I mostly buy music from the musicians at their concerts)

  30. Stop pretending it's in our interests by mgiuca · · Score: 3, Interesting

    DRM is uniquely suitable for metering usage rights, so that consumers who don't want to own content, such as a movie, can "rent" it.
    I fully agree that the Single And Only Fair Usage of DRM is to enable rentals. I hate DRM, but if I'm going to pay $3 to rent a film, it's in everyone's best interests to give me a disc which I don't need to return, I can just throw away as it becomes useless after a week. That's great, and it's a great use for DRM.

    Problem: I don't want DRM to "meter my usage rights". In other words, I don't want DRM to say "you own this" "you rent that". By the very nature of DRM, I don't own it. In my eyes there is one and only one solution: Anything I am renting has DRM on it. Anything I own does not, or by definition, I don't own it.

    Similarly, consumers who want to consume content on only a single device can pay less than those who want to use it across all of their entertainment areas - vacation homes, cars, different devices and remotely.
    Correction: Consumers who want to use content across all of their entertainment areas can pay more than those who just want to consume it only on a single device. This was never about making things cheaper.

    The entire concept of this is complete bullshit. You buy content. You own it. You do whatever the hell you want with it. There is no free or convenient consumer market for "only using content on a certain device". No market like that is ever in the consumer's best interests.

    Abandoning DRM now will unnecessarily doom all consumers to a "one size fits all" situation that will increase costs for many of them.
    You know... if I could buy a shirt that fits any size body, like I can buy hats or socks that do, I'd be happier with my shirts (in case I grow, or I want to give it to my friends, or I don't want to fuss about with shirt sizes, or whatever, it's just more convenient to have one-size-fits-all shirts). Digital media is great, because it is one-size-fits-all! Yay! Now why would you use the phrase "doom all consumers to a one-size-fits-all situation"? One-size-fits-all is good for consumers, if it's feasible. And it is.

    "DRM needs to be interoperable and open"
    There is no such thing as open DRM. There is only different shades of interoperability. So you can get FairPlay vs Zune going at each other, or you can unify them into a single DRM model which is interoperable. That's better for consumers, yes, but it isn't open. DRM, by design, can never be open, because as soon as it is, it can be cracked. In other words, you may get the same DRM working on Zune, iPod, Windows and Mac, but you will never get it working in open source software (unless it's been hacked, like DVD).

    Without reasonable, consistent and transparent DRM we will only delay the availability of premium content in the home.
    The delay, I assume, being from the corporate shits who can't stand to see their content go on a format without DRM. What about the years of setbacks in products such as PS3 and Vista just to get the overblown and insane DRM specs working?
    1. Re:Stop pretending it's in our interests by dangitman · · Score: 1

      it's in everyone's best interests to give me a disc which I don't need to return, I can just throw away as it becomes useless after a week. That's great, and it's a great use for DRM.

      No, that's not great. It's a fucking disgusting waste of resources. It's harmful for everybody to have landfills filling up with discarded "useless" discs, and it's harmful for us the waste of petrochemical resources that go into producing that disc.

      It's even harmful for the vendor, who has to pay more to distribute on disc, rather than simply using the internet (or a reusable storage medium like flash drives, for that matter).

      --
      ... and then they built the supercollider.
    2. Re:Stop pretending it's in our interests by mgiuca · · Score: 1

      No, that's not great. It's a fucking disgusting waste of resources. It's harmful for everybody to have landfills filling up with discarded "useless" discs, and it's harmful for us the waste of petrochemical resources that go into producing that disc.
      Woops... Sometimes in our murderous rage at DRM we forget to think about the environment..... well anyway if we change everything I said from "renting a disc which can be thrown away" to "downloading a file off the internet which can be deleted" - then I think that's a valid form of DRM... once again IF AND ONLY IF I have the option of fully purchasing the content in a DRM-free form.
  31. BS arguments by petrus4 · · Score: 1

    TFA is the usual corporate snake oil.

    "We don't give a shit about our customers and we don't want to see them as anything more than cows to be economically milked, but we can't let them know that because if they do find out, they have a tendency to jump the fences we're trying to build around them. The only thing we care about is money. We don't care about our own lives, the lives of anyone else, or anything else. The only thing that matters is getting as much money as possible. We don't even care if we destroy the world sufficiently that we won't be alive to do anything with our billions of dollars after we've made it...the only thing that matters is making it."

    It's times like these that I am in danger of almost vaguely starting to believe that at least some of Stallman's paranoia and relentless fanaticism is justified...it becomes momentarily seductive, anywayz. I may not appreciate the FSF's desire to dominate people to the extent they seem to want to, but I sure as hell don't advocate demoniacs like the author of this article, either.

  32. My own personnal experience of macrovision by Anonymous Coward · · Score: 0

    When their copy protection system became ubiquitous on the VCR, i stopped buying and renting VHS.
    In fact, I even gave up my VCR.
    Yes, if you had a good TV, you werent affected, but people without the money to buy a good one saw quite clearly the flickering and the color degradation. It just gave me headache.

    It's the same here: rich people, buy another set of everything you own and then more. The rest? we dont care.

    Macrovision is not about increasing distribution.

  33. Might be with the world "digital" in it by aepervius · · Score: 1

    but it did start with analogue, and with VCR+Macrovision. The real fact here is "digital" is only a red herring. It should be called "copyrighted Media Right Management" as in "our wet dream is to put a good lock on this and every time you want to watch it or put on another computer/player you have to pay again. And again. And again". If they could apply the same method to analogue with the same sucess that they had with DRM and macrovision , they would. Alas, it is not that easy without breaking legacy analogue equipement, and such they concentrate on the digital area.

    --
    C. Sagan : A demon haunted world:
    http://www.amazon.com/gp/product/0345409469/
    visit randi.org
    1. Re:Might be with the world "digital" in it by arminw · · Score: 3, Interesting

      .....If they could apply the same method to analogue with the same sucess.....

      Analog success? I remember making a simple one transistor sync restoration circuit to circumvent the Macrovision VHS "protection" scheme. Other than the normal generation loss from the analog process, the VHS copies were just fine.

      --
      All theory is gray
  34. DRM increases cost by harshmanrob · · Score: 1
    A couple of days ago, I put forth how DRM was just a waste of money and mostly defeatable by those who want to try enough. What DRM is really for is to increase cost.

    (*) M$ would love it if you had to pay to open Word or PowerPoint each time you needed it, maybe even renting your computer back to you after you shelled out the money on the hardware. (*) Music companies would also like to charge you each time you play a song on your mp3 player

    Now is really the time for M$ and other organizations to start thinking about how they plan to implement DRM before they start to do stupid things and Linux and open source really becomes a desktop standard.

    On a side note, I have no problem paying for things. I do not think most people do either. But there is a difference when a song is not worth buying but worth enough to waste the time to download.

  35. Insight by franksands · · Score: 1

    I am currently in Tokyo, Japan and there is a very curious thing here: there is an area of the city (akihabara, the "electric town") where whole buildings have nothing but DVDs with porn. And they are very easy to find. But there's a catch: all the scenes that shows the sexual parts are pixelated. That's right: you pay the whole price for a movie, to watch in the privacy of your den, and you're denied the option to see the whole thing. That's DRM. You pay the whole price for something that only hinders you and prevents you from doing stuff that you have the right to.

    ps. I don't know if there is any "normal porn" around here, I've been here for 2 weeks and so far, nothing.

  36. cut the bull by v1 · · Score: 1

    'DRM increases not decreases consumer value', such as by enabling people to rent content at a lower price than ownership

    That statement takes advantage of the nearsighted. DRM's purpose is to maximize proffit, and to do that you have to maximize the money you squeeze out of the consumer. You cannot maximize proffit AND provide the customer with a better value, the two goals are opposed to each other.

    Yes, DRM allows a consumer to rent content for less, but it also requires them to rent it every time they want to watch it, paying several times instead of once. As a result, the consumer ends up paying more over the long term to rent the content many times than they would have paid to purchase it and play it as many times as they liked.

    Saying that DRM provides better value to the customer is a very poorly disguised lie.

    Anyone trying to convince me that companies are spending millions of dollars and pissing off their customers because they are "trying to provide the consumer with better value" will be laughed at. (and then kicked)

    --
    I work for the Department of Redundancy Department.
    1. Re:cut the bull by Anonymous Coward · · Score: 0

      > Saying that DRM provides better value to the customer is a very poorly disguised lie

      Don't forget that this comes from the company that has the gall to call a deliberate degradation of the video signal "quality protection".

  37. Jobs didn't call for the death of DRM... by RalphBNumbers · · Score: 4, Insightful

    Macrovision's CEO's argument with Jobs seems to rest on a faulty foundation. Jobs didn't call for the death of DRM, at least not directly, he called for the big 4 to license their music for sale online without DRM.

    If, like most people reading this, you consider DRM a negative for the consumer, then you'd naturally think DRM-free licensing would obviously lead to the death of DRM, at least for music. But if, like Macrovision's CEO, you claim that DRM actually adds value for the consumer, then you should have nothing to fear from competition with non-DRMed sales. If a consumer thinks it is a better value to rent music with DRM, then they will do so regardless of weather music available for sale elsewhere has DRM or not.

    The idea that DRMed music cannot be successfully sold when non-DRMed music is also available is only valid if you assume that DRM has a negative impact on the consumer large enough to overwhelm any positives it might offer (like the ability to facilitate online rentals). The fact that Macrovision's CEO equates allowing DRM-free sales opportunities to denying DRMed sales opportunities, while asserting that DRM is a positive for the consumer, would seem to indicate that he is either arguing dishonestly or hasn't really thought this out (or both).

    That said, Macrovision's CEO's position actually suggests a compromise (if we assume that Macrovision's CEO is honest in his assertion that he believes DRM adds value for the consumer, and that decision makers at the big 4 agree with him, both of which are far from certain imho):
    If Apple were to license the RIAA (and it's international equivalents) the right to sub-license FairPlay DRM to anyone they liked, in return for the RIAA's members giving Apple license to sell all their music DRM-free under terms no worse than their current ~70% cut, then everybody wins (after a fashion).
    Apple gets to sell music DRM-free, the RIAA&co get to sell/rent DRMed music for the iPod under whatever terms they like, and the customer gets to have their choice.

    --
    "The worst tyrannies were the ones where a governance required its own logic on every embedded node." - Vernor Vinge
    1. Re:Jobs didn't call for the death of DRM... by spwolfx · · Score: 1

      jobs did not do such thing. He simply explained why Apple will never provide DRM free music.
      This is what jobs said:
      1. we do not WANT to open our DRM implementation
      2. we do not WANT to offer DRM free music, unless all of our music is DRM free

      It would be quite easy for Apple to destroy DRM on iTunes... simply provide DRM free music when publishers allow it, and once other publishers see that customers, when given choice, will buy DRM-free music, they will be forced to open their music.

      2nd biggest music store in the world - eMusic.com, sells ALL of their music DRM free, so in reality, it really shouldnt be that hard for Apple to find DRM-free content.

      Problem is that Apple is one of the main beneficiaries of current state of DRM, and in reality, they dont want to sell music DRM free, or use open DRM... because if they wanted to do so, they could have done it already...

  38. 'Difficult Challenges' too difficult for them! by mikearthur · · Score: 2, Interesting

    In the letter they acknowledge the 'difficult challenges' of implementing DRM that is truly 'interoperable and open'

    Clearly too bloody hard for them. I got two new DVDs last week, was pretty happy with them. Both use RipGuard, meaning none of my Linux machines, using XINE, MPlayer or VLC can play the damned things.

    The sad fact is, these are fairly obscure UK TV shows, and basically, short of piracy, this is now the only way for me to get them on DVD. So what I have to do now is rip them to watch them on Linux.

    Ironic, how the only way to watch "RipGuard" on any of my computers (all running Linux) is to rip the things!

  39. Creators vs distributors by devlynh · · Score: 1, Insightful

    DRM is a method by which the distributors can keep charging consumers ad nauseum for access to what they already have paid for. Same goes for media format changes (LP, Cassette, CD, VHS, Beta, DVD, MP3, etc...) We are living an age where you don't purchase anything, you only rent it monthly or weekly.
    When you purchase a blender you own it. You can use it as you choose, where, when and how.
    Imagine if when you paid for a blender there was a EULA that stated that you actually did not purchase the blender but only a license to use it. Also by "opening this blender you agree to only blend drinks for 4 people or less" (you could purchase a license for a 4 to 8 person blender) and that you could not have any alcoholic product in the blender. And that if you violated any of the EULA that the licenser of the blender could turn off the blender remotely and you have no leave for appeal. That effectively is what the distributors of music want and DRM is the enforcement mechanism.
    We have become the ultimate in consumer society, we can now pay money for items we can never own. What's next on the restricted list, cars, shoes, clothing, food... (by purchasing this potato you agree that it will used for its nutritional content only and not for use in advertising or promotion, and built into it is a chip to sense camera lights and explode the potato to prevent such uses)
    We need to take back our rights as consumers, avoid DRM protected media, and challenge EULA's at every opportunity (most won't hold up in court anyway). Lets stop purchasing rights and start purchasing products.

    --
    We're not happy 'til you're not happy.
  40. Please, Apple... by techmuse · · Score: 3, Insightful

    "At Macrovision we are willing to lead this industry effort. We offer to assist Apple in the issues and problems with DRM that you state in your letter. Should you desire, we would also assume responsibility for FairPlay as a part of our evolving DRM offering and enable it to interoperate across other DRMs, thus increasing consumer choice and driving commonality across devices."

    ie. "Please, Apple. Give us the keys to your iPod and let us make money from your copy protection scheme while you abandon it" Huh?

  41. DRM lowers prices? Since when? by walterbyrd · · Score: 2, Insightful

    I have not seen drm lowering prices. Maybe I'm missing something?

  42. Just put DRM on rentals then by AusIV · · Score: 1
    I've long said that I have no problem with DRM in cases like Napster, where the music is provided under a subscription contract, because it's not realistic to believe someone will delete their DRM-free music when a contract expires. If people want to rent music or movies, DRM is necessary. I don't want to rent music, but I will agree that there is a potential market for that. Suggesting, however, that DRM from iTunes increases the consumer value for that reason is stupid.

    If I rent something, I have no problem with it expiring after a certain period. If I buy something, I want it to be mine. If I get tired of it, I want to be able to sell it to somebody else. I want to be able to play it on any platform technically capable of playing it. If it's mine, I should be able to do these things.

    On media distributed on the Internet, it's certainly reasonable that purchased media could be DRM-free while rental media could contain DRM. I believe that that the physical rental services, at least in the united states, are vast enough to justify printing DVD's for Blockbuster, libraries, etc. that have DRM, while printing DRM-free DVD's for stores.

  43. Wait for better DRM, you say? by Tiger+Smile · · Score: 1

    No.

    I don't like DRM. I'm not happy with the concept. I don't like where copyrights have gone in the last 200 years. The first 120 years were okay.

    Life is far far far too short to be a complete fool spending my time, effort, money, and resources trying to make something as simple as looking at a picture, watching a movie, listening to music, or reading a book, into a huge wrestling match between me and my electronics. See, I've got a life. Not enough to stop me from making this comment, but enough that I'm not going to fool around with crap and pretend it's all good.

    Go out, get your Zune and squirt your eyes out, for all I care. You young people with your rock and roll music. GET OFF MY LAWN!

    --
    -- Prepared at the direction of, or to be sent to Legal Counsel, in anticipation of litigation. Attorney Client Pri
  44. Like it matters by ClubStew · · Score: 1

    The U.S. isn't governed by the people. When our opinions differ from big business, big business lobbying will win.

    It's pretty clear what Slashdotter opinion is, so why is the some old question being asked again when it certainly won't change anything?

  45. DRM Sucks by Anonymous Coward · · Score: 0

    I was helping my mother recently burn her photos to a CD. I was using Windows Media Player which I'm not entirely familiar with. Anyways I select the photos, drag them to the app, then attempt to burn. I got an error message that was something like "We're sorry, you're not the author of this content, therefore you cannot burn it." That error message alone is enough for me to hate DRM (and Microsoft, which, it might just be their poor implementation). I did manage to find out how to burn them, but the process shouldn't be hindered like this. Nice, I can copy the photos all around the world with ease but I can't burn my own photos..

  46. An open letter to Macrovision by andydread · · Score: 1

    Dear Macrovision,

    I would like to start by thanking you for bringing forth you opinion on the matter of DRM and the content industry.

    First I would ask you to please explain your statement about DRM being a key "enabler" across the spectrum of available content. From a consumer perspective DRM is the great disabler of fair use rights and Macrovision has been at the forefront of disabling consumer rights. Please explain to us what value do consumers find in the inability to migrate legally purchased tapes to newer available media? Please explain to us (the consumer) what "value" we find in the inability to make backups of thousands of dollars worth of legally purchased media. Please exlpain to us the consumer how Macrovision enabled content protection has stopped the criminal piracy of the content protected my Macromedia. You probably want to explain this to your customers also because in the 20+ years that content and content players have been infected with your products bootlegged and pirated content has been thriving. Everything that content creators have paid you to protect is avalable unprotected worldwide in markets and on the Internet. Your products have done the reverse of what they were intended to do. They force the Law abider to break the law just so they can access their own legally purchased content in new media formats. Are VCRs going to be around forever? DVD players too? Please explain how upgrading perfectly good hardware and devices that are capable of playing "premium content" is a "value" to the consumer. Please explain how stripping my right to play a cd in any player I chose then charging me more to do what i have been doing for 20 years is a "value" to me the consumer. The "one size fits all" situation that you mentioned has been in existence for ever. How has that doomed us? I think what you mean is that getting rid of DRM will not allow the content distributor cartel to *charge more* to allow consumers to play their legally purchased media in whatever device however they feel fit as they have been able to do for decades. And you call this a value to consumers? Please explain how we the consumers are doomed if we don't have to pay more to play more.

    Your idea that without DRM content owners will refuse to produce content is ludicrous. What you are saying is that there will be no entertainment industry without Macrovision. This is pathetic rhetoric at its best. Market dynamics are the biggest driver. Macrovision has only been around for 20 years. Didnt an entertainment industry exist before that ? Also the failure of Macrovision products to stop wholesale piracy of Macrovision protected content is total disservice to the content creators and owners that have funded your existence for two decades. I would say that content providers would be better served if they stop paying you for false protection of content. They could lower the price of the content while still recovering the same profits and driving higher sales due to lower prices.

    Please explain how DRM enables the creation of more sophisticated devices. From what we have been seeing for the last 20 years of Macrovision DRM is that it disables and encumbers sophisticated consumer devices while doing NOTHING to prevent the criminals from mass producing and illegally distributing content. Please explain how HDCP devices more sophisticated than non HDCP devices.

    In closing I would like to point out that the enormous sums that Macrovision has siphoned from the content creators and consumers had done absolutely nothing to protect any Macrovison protected content and has done a lot cripple the home entertaiment industry and the rights of consumers while the criminals continue to stay ahead of game and redistribute as they please. Your advocacy for more draconian DRM measures will simply make it more convenient for the consumer to turn to the criminals for content while providing a market for the criminals to thrive.

    1. Re:An open letter to Macrovision by demon · · Score: 1

      Your first mistake is referring to yourself, the CUSTOMER, as a "consumer". Referring to yourself as a "consumer" means you've bought into the hyper-simplified producer/consumer model which companies like Macrovision like to employ - they will produce the content, you will consume the content and not ask questions. New formats come about? Why, of course you'll buy it in the new format - you're an ignorant consumer whose only purpose is to fork over your money for what they say you want. Macrovision doesn't *care* what you want - they'll give you DRM (poorly implemented, just like the "copy protection" for which the company is named) and you'll like it, damn it. So, don't refer to yourself as a "consumer" - you're just lowering yourself to be what they want you to be. You're a customer, and you should be *satisfied* with your purchases, not a deaf, dumb consumer.

      --

      Sam: "That was needlessly cryptic."
      Max: "I'd be peeing my pants if I wore any!"
    2. Re:An open letter to Macrovision by andydread · · Score: 1

      Point well taken.

  47. of course by cypherz · · Score: 1

    FTA: "The solution is to accelerate the deployment of convenient DRM-protected distribution channels--not to abandon them."

    Of course they would say this. DRM is what they sell.

    --
    This sig kills fascists.
  48. see also "Fair Market" by bill_mcgonigle · · Score: 1

    I thought capitalism was about the market providing customers with the services they want to pay for, not using technology to try to prolong obsolete business models.

    It is. And in a fair market customers would put businesses with other business models out of business as their business. Sorry, that last use of 'business' was gratuitous.

    Two issues that affect fair markets: cartels and regulatory capture.

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  49. DRM encourages labels to publish more works by tepples · · Score: 1

    DRM increases not decreases consumer value I think this is in the same category as piracy causing losses to record labels. "It's this way because we say so." Or it could be that the number of works that the labels are willing to publish from their back catalogs into an environment with DRM is greater than the number of works that the labels are willing to publish from their back catalogs into an environment with no DRM.
  50. Copyrightability varies per type of work by tepples · · Score: 1

    There is a difference between computer programmers and other artists in this respect. Courts in the United States and in other jurisdictions hold that most human-perceivable aspects of a work of fiction, music, or drama are copyrightable. The human-perceivable aspects of a computer program, on the other hand, are more often deemed functional and thus uncopyrightable.

  51. how about... by danielk1982 · · Score: 2, Interesting

    How about DRM for 'rented content' (movies or music subscriptions for example) and no DRM for bought content?

  52. Works both way... by DrYak · · Score: 1

    They also created their work in a pre-Internet era, in which essentially zero cost distribution to potentially hundreds of millions of people simply wasn't possible.


    They also did in a period before digital video and easy movie editing, before all digital pipe-lines that only require hi-quality inputs and then all the mixing stage can be done with common computer part all the way until the master data ready to be pressed, etc...

    Internet isn't the only technology that has progressed. We live in a time were the tools to design such masterpieces are much more cheaper and widespread.

    The parent poster was ignoring the fact that today it's much more quick and much cheaper to distribute copies over the enet.
    But you neglect that the actual cost of the technology producing the media themselves has gone down too.
    It's mostly the outrageous salaries of some that has made the price go up.
    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
  53. Handy Translation Guide by Tavor · · Score: 1

    Since this letter is full of PR speak, I'm providing a link to a Handy Translation Guide

    --
    Windows has detected an undetectable error.
  54. HD DVD needs a new TV? So did DVD. by tepples · · Score: 1

    You see, their DVD player is hooked up to their old TV via a VCR. This is because their TV only has an RF input. So DVDs look like utter crap. They eventually found out that this was because of Macrovision. You're right. A lot of people claim that HD DVD and Blu-ray Disc will fail because making them look good needs a new television set that supports connectors compatible with HDCP. But you have provided evidence that this was also the case for DVD-Video: it needed a new television set that supported connectors compatible with Macrovision analog copy distortion. Yet DVD-Video caught on anyway.
    1. Re:HD DVD needs a new TV? So did DVD. by Tweekster · · Score: 1

      except that all tvs produced from the days of VCR supported that macrovision compatible garbage...so it is a BIG difference between then and now

      --
      The phrase "more better" is acceptable English. suck it grammar Nazis
  55. Image constraint token by tepples · · Score: 1

    DRM = Digital Rights Management. The DVD-Video format includes Macrovision analog copy distortion. The HD DVD-Video and Blu-ray Disc formats include the image constraint token, which downsamples anything over an analog connection to enhanced definition.
  56. Sonny Bono owns you by tepples · · Score: 1

    to ensure that when the time comes the content enters the public domain In what year will that happen? In the 1990s, Europe and the United States "harmonized" their copyright term to that of Germany, which was life plus 70. In the 2010s, Europe and the United States are more than likely to "harmonize" their copyright term to that of Mexico, which is life plus 100. What will prevent this?
  57. Would you rather rent the hardware too? by tepples · · Score: 1

    It's not so much about renting their content inasmuch as I'd rather not have them control my hardware. Would you rather rent the hardware too? In that case, you wouldn't need to spend effort on the excuse "it's my hardware".
    1. Re:Would you rather rent the hardware too? by AC5398 · · Score: 1

      I'm very meh on renting hardware - ie. the tv cable box. Often it's cheaper in the long run to purchase it, and I don't like the idea that I can't upgrade/hack/pry it apart/trip over it/take a hammer to it as it belongs to somone else.

      And generally, rented hardware is all about the owner's idea of what the hardware should do, it's very rarely about what I think the hardware should do, features-wise.

  58. Investors? by tepples · · Score: 1

    DRM is not about profit Then why do investors stand for it?
    1. Re:Investors? by WetCat · · Score: 1

      Why?

      Power and control -> monopoly -> even more money.

  59. Vault Disney by tepples · · Score: 1

    The price differential between "renting" and "owning" is almost purely profit, and is specifically enabled by DRM. This decreases value, by allowing them to charge us more for something that costs them the same to provide. Compare providing a work under DRM to not providing the work at all. Where can I buy a copy of the 1940 film Pinocchio produced by Walt Disney Productions?
  60. Transfer of tickets to family members? by tepples · · Score: 1

    here in the UK at least, tickets for public transport are generally not transferable. For example, if I buy a season ticket for the London Underground, I'm not allowed to give (or sell) it to anyone else. Not even your family? Must all members of the household who will be riding the underground be present in person where and when the purchaser purchases the season tickets?
  61. "I wanna watch Sin-duh-weh-wuh again" by tepples · · Score: 1

    There are very few films I want to see more than twice But have you considered the entertainment preferences of single-digit-year-old children? They tend to prefer watching a G-rated animated film well over twice a year. Try twice a week.
  62. of course... by Anonymous Coward · · Score: 0

    of course theyre going to say what ever it takes to defend DRM because if its no longer used theyre out of a job.

  63. owning information by drDugan · · Score: 1

    I think that we need to seriously re-evaluate the idea that information should be owned, and whether people are better off if we use the power of governments to enforce ones ability to own information.

    The only way we've been able to support information ownership is the one structure with exclusive right to control the army (the government) also works to enforce the interests of businesses to own information.

    While this hellish compact may have made sense in the past, we now exist in a world with near-instantaneous, near-free global communication. Why should the governments enable businesses in own (and necessarily then) hide information from their own citizens? This is not a rhetorical question any longer. The role of governments is to protect the interests of the citizens, not the businesses. I assert that the social contract for information ownership no longer makes sense as currently implemented, and must be seriously reassessed.

    In the final analysis, I say the inevitable path for humans to take towards real, global peace is to adopt the open-source mentality for all information, not just source code.

  64. Macrovision proves only that liars can still lie by YetAnotherBob · · Score: 2, Insightful

    That is all they established in thier letter.

    1. DRM is broader than just music. This one is true. Digital restictions are placed on more than just music. They cause problems for legal purchasers of movies and computer software as well. As Sony showed us a year or so ago, DRM doesn't mix well with other media either.

    2. DRM Increases Consumer Value. FALSE. This only shows that the author has no idea what value is. Value is increased by ability to use the product. DRM is all about limiting the ability to use the product. DRM is diametricly opposed to the value of the product. You do not increase by limiting. Limiting DECREASES. Jobs at least got this one right in his letter.

    3. DRM will increase electronic distribution. FALSE. Electronic distribution was at it's peak with Napster (the origional, not the current imitator). Record companies never saw thier sales as high as they were when Napster was operating. When it was shut down, sales plummeted. Only with the rise of the P2P services have sales recovered. Somewhat. Experience shows that consumers are not the fools this group hopes they are. Limiting the ability of purchasers to use the product will result in sales declining. (That is after what DRM does. It is all it does.) Electronic distribution is only one more avenue for sales. Choking the users of the product will not result in increased sales. Non DRM media will outsell restricted media in every market where it is available.

    4. DRM needs to be interoperable and open. this is just his pitch to be the new monopoly in this space. It won't happen. Microsoft and Apple both have thier eyes set on that little plum, as whoever controls the most used format will have the Hollywood billionaires by the throat. They would both love to be in that position. Both Jobs and Gates would rather see nobody in control, than the other guy in control. That's why they are both making minor moves in an open direction.

    The end result should be that the producers realize that giving your business to somebody else is not a good move. The past efforts at 'DRM' have done nothing to deter mass pilfering of movies or music. The latest attempts (Blue-Ray and HD-DVD) were broken less than a week after going on sale. the professional copiers in organized crime were already selling bootlegs on the street by then.

    I wish that this whole ugly assault on purchasers by a power mad industry would just go away. But, I don't think they are that smart. Or that honest.

    --
    Everybody knows 3 people with my name.
  65. I wouldn't ... by joe_n_bloe · · Score: 1

    I wouldn't read a lot into that letter. Macrovision isn't basing its future on DRM. Copy protection is a revenue stream for MVSN, but so are its installer products (InstallShield, etc.) and license management products (FlexLM), and let's not forget that MVSN is the largest backend for online (downloadable) game sales in the world. Fred has to pay lip service to DRM but MVSN has backed way, way off its fairly stern position of just 18 months ago, before the Sony audio CD protection debacle. Sony's misadventures probably put an end to the possibility of any onerous new DRM for audio material in the near future. DRM for film and video has never been a big deal, really.

    Some people are quite happy with the "jukebox" model for music and on-demand video. I might be at some point in the future, but of course there's the problem that much of the music I listen to is out of print, and no one seems to have a solution to that other than used CDs/LPs and piracy.

  66. DRM by spwolfx · · Score: 1

    There is nothing wrong with the concept of DRM, in perfect world, same as there is nothing wrong with concept of DRM-FREE content in perfect world.

    DRM in perfect world
    - download music in multiple formats, multiple bit rates
    - download movies in multiple formats, including smaller sizes for handhelds, and HD quality for big screen, with same purchase
    - easily play content in any player you device
    - easily transfer content to any device you want

    If DRM would still give me freedom of decision as to when, where and how to play my purchased content, there is simply nothing to complain there.
    Case in point - Blu-Ray movies. There is nothing wrong with DRM in BD movies. Movies are playable in all players, I can borrow them to my friends, I can sell it on ebay, whatever I want. No problem there, especially since BD's are VERY durable, unlike standard DVD's.

    However, content I purchase on iTunes is completly different. I can not play it where I want. I can not borrow it. I can not sell it when I am done with it. If I buy some other music player, I can not legally use my PURCHASED music on it.

    Why will we never see perfect DRM situation? Because both content providers and hardware monopolists are strongly against it. Content providers know that they have limited number of people that want to purchase online content, so they to make them purchase it as many times as possible. On the other side, hardware monopolist keeps users locked in their hardware platform by not allowing them to use any other devices, with their purchased music.

    DRM-FREE in perfect world
    - purchase content, DRM free, do whatever you want with it

    This sounds really great, with exception of one problem. And that is that people will always get something for free, rather than pay for it. Most humans dont have really high moral standards, which we witness every time when we watch CNN. We have to face the fact that content producers spend considerable resources (read:money) to produce content. For instance, if game publisher spends 10mil to produce xbox game, and game is available, DRM-Free from their favorite torrent site, that publisher would easily go out of business.

    Conclusion is that however you slice it, gray is the color of our world, and we cant group everything into the same bin. Music is not same as Games, and not same as the movies. DRM on xbox game is perfectly fine, because it does not take away your customer rights, and DRM on Blu-Ray movie is perfectly fine for the same reason. On the other hand, online market is currently in dark shades of gray. DRM exists only to limit you in using your purchased content and is completly wrong. I dont doubt that music companies will realize the distinction soon, especially since anyone can easily download any mp3 for free, so their DRM only ends up being the deterent to their customers and not to the pirates.

  67. Not all TVs had the inputs by tepples · · Score: 1

    except that all tvs produced from the days of VCR supported that macrovision compatible garbage All? Citation needed. Even up to 2000, there were still plenty of TVs sold that had only a coax jack for RF in, not RCA jacks for baseband composite in.
    1. Re:Not all TVs had the inputs by Tweekster · · Score: 1

      im sorry that i left out the 10 inch tvs built in someones garage.
      but for all intents and purposes yes, even in 2000 any tv you paid more than 30 bucks for had component connections.

      --
      The phrase "more better" is acceptable English. suck it grammar Nazis
  68. Wonder whether Sega knows its patent is violated by Myria · · Score: 1

    The "weak sectors" used by SafeDisc 2 and later are the same technique that was invented by Sega for the Saturn - and is patented by Sega. I wonder whether Sega knows that Macrovision patented the same technique after Sega had patented it. I wish I could find the patent numbers.

    In the area that contains the human-visible "TRADEMARK "SEGA"" message, the data is a bunch of Y's: YYYYYYYYYY... On SafeDisc 2, it's a bunch of XY pairs: XYXYXYXYXY... The basis of the protection is that these regular bit patterns after EFM encoding induce a DC bias on the signal to the write laser. I wish I could find the original article on it, but Google has some sites if you search for "XYXYXY safedisc".

    You can test this yourselves. Make a 44100 Hz 16-bit stereo .wav file at least a minute long. Use a hex editor to replace the sample area with Y's (59's). Burn the .wav file as audio track onto a CD-R. Try to rip it, and it'll fail for most drives. (The real failure was during write, not read, which is why the protection works.)

    --
    "Screw Sun, cross-platform will never work. Let's move on and steal the Java language." - Visual J++ Product Manager
  69. One thing they missed.... by Joce640k · · Score: 1

    DRM companies are selling some kind of fictional utopia to the media companies, no DRM system has ever worked, or is ever likely to work.

    All DRM ever achieves is to inconvenience paying customers. For pirates it's business as usual.

    So what exactly is the point...?

    --
    No sig today...
    1. Re:One thing they missed.... by jamar0303 · · Score: 1

      "DRM companies are selling some kind of fictional utopia to the media companies, no DRM system has ever worked, or is ever likely to work."

      Depending on the medium in question, it works quite well. The cellphone "DRM" known as carrier locking works just fine; just ask the people who are trying to unlock the new Japanese phones.

      --
      OSx86 FTW
    2. Re:One thing they missed.... by TimothyJones · · Score: 1

      Maybe. Artificial carrier, format etc locking was always baffling to me. I guess it could be viewed as a customer retention mechanism whereby you expensive toys don't work somewhere else but to me it was always like shooting yourself in a foot and the customer in the ass. I recall countless times when I was nagged to switch cell providers, and though sometimes features or SQ were arguably better or maybe cheaper, but since I cannot use the equipment I have and like, well go F yourselves then. Good for my current provider I suppose, but "current" is a relative term, or should be. I'd like to try Dish instead of DirectTV but likely won't cause there's hell to spend on equipment that does exactly the same. Good for DirecTV cause Dish would have to offer me one helluva deal to bite. But it could be bad for DTV because once I do bite, I will likely never bite "back" again. I love music, I have plenty of disposable income for tunes and such, but I will never subscribe to the iTMS model. Sorry, no sale.

      The story is similar in many more areas where a DRM in one form or another not only does not enhance customer experience but also is potentially hurting the company hell bent on DRM-ing their crap. It is an escape door for not winning customers with superior, quality services but rather making them stay despite the contrary. I realize that there is a difference between an imposed DRM and a de facto DRM brought on about by the objectively technical issues of the device, but more often than not it is done just because somebody said so.

      Any form of DRM imposed on a customer under the guise of a benefit is a total and utter bullshit. It is a contradiction to the concept of free market economy, capitalism and their benefits to customers and businesses alike. It is in fact best likened to the countries of the former Soviet block, whereby the citizens were granted their lives under a "DRM" and could enjoy all the benefits of communism. Bound by the "DMCA" were legally forbidden from format hopping over the Wall, but with all those great benefits, who'd ever want to? Yeah, that worked out well for everybody.

      Bullshit. Complete bullshit.

  70. The DRM Challenge by Anonymous Coward · · Score: 0

    A while ago a friend of mine wanted me to listen to his cd, "In your Honor" but warned me that unless I did exactly as the prompts said, the cd would always pop and crack as it played.

    Well, how could I resist making a CD submit? I got hit by the sony rootkit, got rid of it, and ripped that sucker to disk using a lossless codec. I didn't really like the music, so I deleted it later.

    I probably wouldn't have bothered copying the CD if I hadn't been told that it was impossible.

  71. Steve Jobs, hypocrite by Murple+the+Purple · · Score: 1

    It's easy for Steve to complain about other companies using DRM to protect their intellectual property. If Steve feels so strongly that DRM is a problem he should set an example by removing the DRM that prevents MacOS X from running on non-Apple hardware.