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The Pirate Bay Facing "Old Fashioned" Pressure

Jety writes "Ars Technica has an article reporting that The Pirate Bay is facing legal pressure from a new front. A wealthy musician with a track record for going head-to-head with record labels and little kids is now joining the queue to take a legal swing at TPB. What I find particularly interesting about this article is the description of the 'camera-toting investigators following [The Pirate Bay admins] around in cars marked with Danish plates.' One TPB admin asks, '"What do they think they can find out by following us around? Everything we do is digital.'"

106 of 415 comments (clear)

  1. Maybe... by AlphaDrake · · Score: 5, Funny

    I think that they COULD find out what they do by following them around. But the years of training of these pirates has turned them into a ninja/pirate combination, taking the best from both worlds, ending the age-old argument, and allowing them to stay concealed.

    1. Re:Maybe... by Zeinfeld · · Score: 4, Insightful
      Its pretty obvious why they would follow them round, find out what assets they have and whether they might be worth siezure.

      Clearly not everything they do is digital. They have atoms as well: servers, laptops, flash drives. And clearly they are making a living somehow and someone is funding their activities somehow.

      If I was investigating them I would have PIs on their tail. If nothing else it is certainly causing them enough concern to comment on it.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    2. Re:Maybe... by Anonymous Coward · · Score: 5, Informative

      Pirate bay servers are distributed across several nations and the TPB core admins typically neither own nor have physical access to them.

    3. Re:Maybe... by Rude+Turnip · · Score: 4, Informative

      I think they would be more interested in personal assets that could be liquidated for damages, not the servers.

    4. Re:Maybe... by Mr_Freedownload · · Score: 5, Insightful

      They should release music for free and make money on live shows that to be honest can't be pirated cause you can't download the experience of a live show now can you?

    5. Re:Maybe... by bladesjester · · Score: 4, Insightful

      Live shows and the merchandise sold at them *are* how most bands actually make money. The truth is that not many bands make much of anything from album sales due to shady practices by the record companies. Generally the bands only break even on album sales and that's if they're lucky.

      --
      Everything I need to know I learned by killing smart people and eating their brains.
    6. Re:Maybe... by Anonymous Coward · · Score: 5, Informative

      But harrassing or even incarcerating the currenty TPB admins won't shut TPB down is the point. In fact it would probably increase publicity for it and encourage more people to step up.

    7. Re:Maybe... by davidsyes · · Score: 4, Funny

      "What do they think they can find out by following us around? Everything we do is digital.'"

      NOTHING will be found out about them. EVERYthing they:

      -- eat
      -- breath
      -- shit
      -- shower
      -- shave
      -- scratch
      -- rub
      -- tickle
      -- burp

      is a DIGIT.

      Can u dig it?

      --
      Previously: "Linux... Toward the Sunrise..." Now: "Linux... Toward the-- No, now, part of Every Sunrise"
    8. Re:Maybe... by ZombieRoboNinja · · Score: 5, Funny

      "Clearly not everything they do is digital. They have atoms as well: servers, laptops, flash drives. "

      I may not be a lawyer, but it seems pretty obvious that since they're making illegal ELECTRONIC copies of stuff, only the electrons from those atoms are really in violation. The Pirate Bay folks should be able to insist that the cops leave behind all the protons and neutrons that are their rightful property.

    9. Re:Maybe... by Sabalon · · Score: 4, Insightful

      And they're shooting themselves in the head over that as well. Shows are starting to get too costly to bother, and the merchandise sold is already outrageous. $35 for a t-shirt? After paying $90 to get in (Rush) - I think not.

      On the other hand, I've been to smaller shows where it was about $12 to get in, and have bought the CD's because the artist was good and the CD's weren't a ripoff. If they had other merchandise I may have even bought that, assuming the price was just a little profit for them, and not a down payment!

    10. Re:Maybe... by jamesh · · Score: 4, Funny

      They have atoms as well

      A member of TPB was quoted as saying "If they want those atoms then they can have them, when they pry them from our cold dead fingers".
    11. Re:Maybe... by WhatAmIDoingHere · · Score: 2

      Good thing you're not a lawyer because you're wrong.

      TPB doesn't make copies of anything. They host .torrent files. That's it. You can use the torrent file to get pirated material, sure, but you're not downloading the actual files from TPB.

      --
      Not a Twitter sockpuppet... but I wish I was.
    12. Re:Maybe... by ZombieRoboNinja · · Score: 4, Funny

      I am aware of this. The above comment was a joke. If you think the phrasing, "I may not be a lawyer, but it seems to me that the torrent files hosted by TPB that point to copyright-infringing content, and are therefore themselves presented as illegal by record-company lawyers, are ELECTRONIC..." would make the joke funnier, feel free to substitute it in your head.

    13. Re:Maybe... by TheLink · · Score: 5, Insightful

      Doesn't make sense?
      Take off those rose-tinted glasses and read this.

      http://www.negativland.com/albini.html

      Written by Steve Albini.

      http://en.wikipedia.org/wiki/Steve_Albini

      There are articles by others on how it works which are similar.

      Basically the band gets an "advance" on future earnings, and almost everything is paid for off that advance (recording studio, recording + mastering fees, you name it...), so often the band ends up _owing_ the record company money :).

      Quote: "The band is now 1/4 of the way through its contract, has made the music industry more than 3 million dollars richer, but is in the hole $14,000 on royalties. The band members have each earned about 1/3 as much as they would working at a 7-11, but they got to ride in a tour bus for a month. The next album will be about the same, except that the record company will insist they spend more time and money on it. Since the previous one never "recouped," the band will have no leverage, and will oblige. The next tour will be about the same, except the merchandising advance will have already been paid, and the band, strangely enough, won't have earned any royalties from their T-shirts yet. Maybe the T-shirt guys have figured out how to count money like record company guys. Some of your friends are probably already this fucked."

      Why do you think some bands don't care if their stuff gets copied, they've figured that the people doing the most hurt to them aren't the "evil downloaders".

      --
    14. Re:Maybe... by Dun+Malg · · Score: 4, Informative

      The truth is that not many bands make much of anything from album sales due to shady practices by the record companies.

      Prove it.

      Christ, it's not like the way record contracts work are a state secret. There's even an article in How Stuff Works detailing everything. Artists have complained about it for years. Record companies have a laundry list of "mitigating factors" that they use to rationalize the status quo. Christ, it's like someone mentioned that the sky is blue and now you're demanding a picture. Get a fucking clue. Google "record contract" and read, you lazy fuck.
      --
      If a job's not worth doing, it's not worth doing right.
    15. Re:Maybe... by FauxReal · · Score: 3, Funny

      Obviously a shill for The Pirate Bay... look at the blatant name "ZombieRoboNinja".

    16. Re:Maybe... by packeteer · · Score: 4, Insightful

      Wrong. Should the current TPB admins be prosecuted, dispossessed of their goods and incarcerated, it would scare into submission anyone who would think of following in their footsteps.

      It will scare most people, some people will still go for it. Also it will probably only scare people in the same country. Someone under a different legal system is probably going to still feel fairly safe.

      --
      unzip; strip; touch; finger; mount; fsck; more; yes; unmount; sleep
    17. Re:Maybe... by Antique+Geekmeister · · Score: 3, Interesting

      Yes, and money is only a concept, therefore unimportant to real life.

      Let me offer you a hint from the real world: private investigators can, and will, root through your garbage and find out fascinating things about your medical history, your social life, and your work history. Contacting your bank and informing them that you are the guy who runs a pirate site might make it a bit awkward to get a mortgage.

    18. Re:Maybe... by pyr3 · · Score: 2, Informative

      Artists still sign because they "want to make it big." Also, the record companies hire 20-somethings that are basically the 'con-men' that woo the artist by telling them things like "this contract is what most artists sign for us" or "Blink182 gets about the same deal as you." The young, budding artist sees that they are getting the same deal as a multi-platinum artist and they feel it must be a good deal. They are also 'wined and dined' by these smooth talking reps from the record industry, so that they feel like they are important to the company.

      The truth is that maybe 80% of the artists never make anything of themselves, but it's not like the record companies are going to tell them that. And let's face it, not everyone is smart enough to 'just f'ing google it.'

      The recording industry's business model is to keep throwing things at the wall to see what sticks, and only ~20% of anything sticks to the wall. The rest fail, and owe them money. The record companies then tie them up with 'working off the debt.' I'm not too sure of the specifics, but I know that their career goes into limbo because the contracts prevent them from going elsewhere or producing more music (or at least making money from it I gather).

  2. So I guess that means... by MatchbooksAndSarcasm · · Score: 5, Funny

    That's game. Blouses win.

    1. Re:So I guess that means... by EmperorKagato · · Score: 2, Funny

      Would you like some pancakes?



      bitches.

      --
      ----- You know you have ego issues when you register a domain in your name.
    2. Re:So I guess that means... by buckadude · · Score: 2, Funny

      correct, he will bring the Purple Pain!

    3. Re:So I guess that means... by KEnderK · · Score: 2, Funny

      You seem angry. Perhaps you should go purify yourself in the waters of Lake Minnetonka.

  3. Conspiracy theory? by mrbluze · · Score: 2, Funny

    "What do they think they can find out by following us around? Everything we do is digital.'" Maybe they will hound them into getting a cheauffeur, speed around the city streets at night and erm.. accidentally crash into a bridge and die later in hospital under great secrecy.. or something.
    --
    Do it yourself, because no one else will do it yourself. [beta blockade 10-17 Feb]
  4. Arrgh, Pastry! by drunken_boxer777 · · Score: 5, Funny

    investigators following Pirate Bay members around in cars with Danish plates

    It's good to know that in Sweden cops have options beyond boxes of donuts. ;P

  5. FTA: by moderatorrater · · Score: 4, Interesting

    I'm just sad that Prince--whose music I really like--can't understand that he's the new Metallica versus Napster. And we all know who lost that... Umm, I know he's trying to say that Metallica lost. However, Napster was closed down and turned into a less popular subscription service and file sharing was dealt a harsh blow that it took a while to recover from. They definitely lose that court case. Metallica won the smaller case and lost the larger war of digital piracy, at least so far. The difference here is that Prince actually has been embracing the internet and consumer rights in general. This situation isn't as clearly a case of "dinosaur fights the inevitable," and it certainly doesn't mean that TPB will be able to survive it.
    1. Re:FTA: by king-manic · · Score: 3, Insightful

      Umm, I know he's trying to say that Metallica lost. However, Napster was closed down and turned into a less popular subscription service and file sharing was dealt a harsh blow that it took a while to recover from. They definitely lose that court case. Metallica won the smaller case and lost the larger war of digital piracy, at least so far. The difference here is that Prince actually has been embracing the internet and consumer rights in general. This situation isn't as clearly a case of "dinosaur fights the inevitable," and it certainly doesn't mean that TPB will be able to survive it. Metallica's career also declined. No way of knowing if it was the bad PR among their key demographics or if they were already growing unpopular beforehand. It's likely a little of both.
      --
      "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
    2. Re:FTA: by ricree · · Score: 3, Informative

      To be fair to Metallica, they haven't exactly shunned digital distribution either. Although they were against having their studio albums available on Napster, many of their live shows are available online in DRM free formats, and they've also made several of the shows available free of charge. I know they managed to get themselves a bad reputation, but as far as I can see they've been a lot more friendly to the fans over this issue than most bands have been.

    3. Re:FTA: by Anonymous Coward · · Score: 2, Funny

      they haven't exactly shunned digital distribution either.
      I agree. They were one of the pioneers. When CDs came out, they were one of the first few thousand bands to distribute digitally.
    4. Re:FTA: by domatic · · Score: 3, Interesting

      Metallica attacked the PAN newsreader project because it included an mp3 decoder (gasp!) and was being funded at the time by the same VP funding Napster. It was basically a bullshit guilt-by-association thing. The best part was Metallica's attorney asking one of the developers on the stand "How would you like it if someone gave away your work for free on the Internet?" He seemed completely flabbergasted when the rest of the dev team and the developer burst out laughing.

      It is customary for newsreaders and other Internet protocol software to use internal and external decoders on file formats. PAN certainly wasn't unique in that regard. Those Metallica dipshits just thought "ZOMG! It's something else that downloads mp3s! Napster BAD!" Their being cool about the live shows doesn't entirely absolve them of the "bad reputation". Attacking the only FOSS project making a decent GUI newsreader at the time definitely put them in the thoughtless jerk category as far as I'm concerned.

    5. Re:FTA: by ScrewMaster · · Score: 5, Insightful

      Nothing really changed in terms of music availability, other than that now we can now find more "illegal" tracks at higher bitrates, better quality, more quickly and conveniently than we could then. Amazing, isn't it? The Gnutella network alone is just bursting with music, and it's hardly the only one. The fact is, the RIAA's effort to shut down Napster was an absolutely classic Pyrrhic victory. Hell, a few more "successes" like that and they'll put the studios out of business entirely. Personally, I think the RIAA's poor decisionmaking in that situation would have justified the studios shutting them down instead. It really was a massive fuckup.

      Put it this way: not only was that lawsuit a dismal failure in terms of discouraging copyright infringement, but also yet another clear example of the RIAA mindset simply not getting it. They failed to grasp either the technological potential of P2P (there's more than one way to skin a cat) or the human element (we've had a taste of this and we want more.) Had they asked, I would have told them that all they were doing was forcing a phase change on the technology. The appearance of Frankel's prototype Gnutella client so close on the heels of Napster's shutdown was no surprise to me. I grabbed a copy the night it was released, before AOL tried to shut it down (horse, barndoor, all that.) I could not believe how fast music began to appear on it. The thing had a serious memory leak, but I'll be damned if it didn't work! Anyway, if it hadn't been Justin Frankel, sooner or later somebody would have released the next generation of peer-to-peer, because Napster gave millions upon millions of people something they wanted. Here's the thing: some of those people were programmers.

      That was something that even an RIAA lawyer should have been able to predict, and I think it should have been sufficient motivation to make them work with Napster so as to maintain a level of control over distribution. That would have required some vision, though, and a willingness to tell their bosses, "Hey, things are about to go from bad to worse and you had better do something NOW." Instead, they did the only thing they know how to do: throw lawyers at the problem. So they blew it.

      So the GP can claim that the RIAA was successful in eliminating Napster as a source of illegal downloads ... and he would be right.

      Not that it mattered.

      --
      The higher the technology, the sharper that two-edged sword.
    6. Re:FTA: by wanderingknight · · Score: 2, Interesting

      They lost all popularity here in Argentina after deciding, one or two weeks before their planned concert in 2003 (I think, can't remember the exact year), that they wouldn't be doing the gig after all (I think because they thought they wouldn't get enough money from it--it was the time our currency was getting devalued). I still remember the long lines of angry people waiting to get their money back.

    7. Re:FTA: by Martian_Kyo · · Score: 5, Interesting

      By shutting down napster, file sharing took a harsh blow that is took a while to recover from? I wouldn't really agree there, maybe in the eyes of cnn and official news sources. Personally, I never felt that blow. I switched over to kazaa in matter of days, it was still usable then, later to sheraza, then dc...and so on and so on.

      It's almost impossible to deal a harsh blow to file sharing. Even shutting down oink, didn't disrupt things. Though it made a lot of people sad, myself included. In my opinion the only way to deal a harsh blow to file sharing is on the internet provider level, not by shutting down services, because new ones pop up in matter of weeks, or even days.

      Once you receive a mail from your isp, saying 'I know what you've been downloading last night', you'd be more careful/paranoid. That sort of monitoring would however anger the privacy advocates.

    8. Re:FTA: by fatlaces · · Score: 2, Informative

      Quoting from : http://www.ugo.com/channels/music/features/metallica_somekindofmonster/

        Lars was also asked if he feels differently now about Napster. He says: "I'm much more open about my hurt and all the hits and scars I have from that. Back when you're in the thick of it, you have to put your game face on and you can't let them see you squirm. It was really difficult, because we had no idea what the f*** we were getting ourselves into. I was proud of the fact that we did what we always do, which is, we just throw ourselves out without really ever thinking of the consequences...all of a sudden, we were caught in a s*** storm. We just didn't see it coming. That was out of ignorance and shortsightedness. If I could do it again, I would've probably still leaped, but I would've taken a parachute with me."

      Lars continues: "It seems desperate that the record companies are now going after the individual. At least the one thing that was accomplished in 2000 was that it ignited a national debate. People come up to me now all the time, 'Dude, you were right all along! Dude, you won!' If that's winning, I would hate to know f*****g what losing is. There's no glory in any of that s***, man. The Internet is the future, we all know that, but it's on whose conditions? Is it the artists? Is it what's left of the record companies five years from now? Is it the music fans? Is it the software provider? Who's gonna control it?"

      From: http://www.ugo.com/channels/music/features/metallica_somekindofmonster/

  6. All the "piracy" is digital, sure. by loteck · · Score: 2, Insightful
    They obviously haven't been successful in prosecuting them for that, though.

    If I were them, I'd be very careful about jaywalking, cramping my wheels to the curb, and making sure my mattress tags were intact. It's called a shitlist; an idea not entirely unfamiliar to TPB admins, I'm sure.

    1. Re:All the "piracy" is digital, sure. by daybot · · Score: 5, Informative

      If I were them, I'd be very careful about jaywalking

      Just like the piracy laws in Sweden, there is no such crime as jaywalking. Sheesh - and they call the US "land of the free"!

    2. Re:All the "piracy" is digital, sure. by CRCulver · · Score: 4, Informative

      Tags on furniture forbid the seller from removing them, the consumer can do what he wants with them.

    3. Re:All the "piracy" is digital, sure. by Jarjarthejedi · · Score: 2, Interesting

      There are a lot of things that the consumer's supposed to be allowed to do but that will get you sued over*.

      *Like, say, copying your own music to keep a backup of. Now who is it that seems to think that's illegal?

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
  7. Re:Mafiaa by chuckymonkey · · Score: 5, Funny

    Dear TPB Admin,

            We have your limited edition Star Wars Princess Leia figurine still in its original packaging. You do what we tell you when we tell you unless you want something....bad to happen to her. Just so you know what we're serious we have sent you the packaging from your original Jabba the Hut figurine.

                                                                                MAFIAA

    --
    "Some books contain the machinery required to create and sustain universes."-Tycho
  8. What's the Deal With Not Naming Names? by GaryPatterson · · Score: 5, Insightful

    A "wealthy musician?" Seriously?

    It's Prince. Or that symbol thingy. Or TAFKAP (I think I know what one of those "A"s stands for).

    The summary seems unnecessarily coy about exactly who's behind this.

    1. Re:What's the Deal With Not Naming Names? by Anonymous Coward · · Score: 2, Funny

      The
      Artist
      Formerly
      Known
      As
      Prince


      Takes
      A
      Feeble
      Kick
      At
      Pirates

    2. Re:What's the Deal With Not Naming Names? by Dun+Malg · · Score: 3, Informative

      TAFKAP (I think I know what one of those "A"s stands for).

      The
      Artist
      Formerly
      Known
      As
      Prince Yes, anyone who was around for the "my name is an unpronounceable symbol" period (or with access to Google) knows that. See, the original poster was being funny, implying that one of the A's....

      oh, nevermind. I'll jhust say WHOOOSH! and leave it at that
      --
      If a job's not worth doing, it's not worth doing right.
  9. ha by nomadic · · Score: 5, Insightful

    Peter Sunde, a Pirate bay admin, tells Ars that the Purple One's legal team has already started leaning on some advertisers to drop support for the site. "We're not even worried, since the Internet is too big for morally upset people to get it their way," Sunde said in an e-mail. "I'm just sad that Prince--whose music I really like--can't understand that he's the new Metallica versus Napster. And we all know who lost that..."

    Uhhh...yeah, Napster did.

    Could someone please tell me how TPB is somehow offering some new business model for the people who make the music?

    The record labels are told people will still keep illegally distributing music because the labels aren't providing it online. The record labels finally give in and provide it online, and they're told that people will still keep illegally distributing music because they don't like DRM and 99 cents a song is somehow too high.

    The only business model a lot of people here seemed to support was AllofMP3, but honestly 10 cent non-DRMed songs really isn't a viable business model, as much as everyone wants it to be.

    1. Re:ha by garett_spencley · · Score: 4, Interesting

      The record labels finally give in and provide it online, and they're told that people will still keep illegally distributing music because they don't like DRM and 99 cents a song is somehow too high.

      At 99 cents / song it would cost roughly $5,000 to fill a 20GB iPod (assuming an average of 4MB / song).

      The fact that 160GB iPods exist and are selling implies there is demand for them.

      Just something to think about ...

    2. Re:ha by king-manic · · Score: 5, Interesting

      Could someone please tell me how TPB is somehow offering some new business model for the people who make the music? New business model? it's really the old business model. A third party distributes your music and you don't see a dime for it(sometimes you owe them for it) and you make your money from performances, merch, and promotional considerations. 90+% musicians live this way. All TPB is doing is applying the same treatment to the ~10% who actually got something back from that third party. That ~10% isn't really hurt that much either. The stones may make a few million on a new album but they'd make a few hundred million on tour. It's only a problem if your a talentless lazy slut who doesn't tour often. Perhaps if your a studio musician it hurts you more, but all my musician friends don't see a dime and some have been signed. In fact some of those signed now owe money and got nothing in return.
      --
      "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
    3. Re:ha by Joe+Jay+Bee · · Score: 5, Insightful
      There isn't a business model that could truly work, at least not a direct one. Commonly floated is the idea that if you release music for free, word of mouth and subsequent sales will make up for this. This, unfortunately, ignores the simple human traits that a) they will take anything not nailed down and b) perceived anonymity gives them an impetus to do things they wouldn't usually do (cf Greater Internet Fuckwad Theory...).

      Radiohead made money with their recent dealie because they were established artists with a rabid fanbase, not a new band or a relatively unpopular one. For new artists, that isn't really a viable alternative either; not only because so few people would choose to pay for an unknown quantity, but also because cutting out the middleman (aka the record labels) cuts you off from the labels' traditional strong areas of promotion, distribution and general business nous, which, really, are the only reasons anyone signs with a label. What would be the point otherwise?

      In all, my point (yes, I was getting to it in a roundabout way) is that business models based around free/absurdly cheap (read allofmp3) music are either unprofitable or wouldn't fly with shareholders of the major labels. It's a terrible business model unless your explicit aim is "get heard and damn the money". It is of no value except as a talking point for Slashdotters looking for the next justification-du-jour of why they will carry on being cheap rather than paying for what they consume. Like you said:

      The record labels are told people will still keep illegally distributing music because the labels aren't providing it online. The record labels finally give in and provide it online, and they're told that people will still keep illegally distributing music because they don't like DRM and 99 cents a song is somehow too high.


      They can't win; there's always a new reason. Either it's too expensive ($0.99 a song, $9.99 an album seems reasonable enough to me, where I live that's 2 quid cheaper than even an old mid-price album) or it has DRM (see the "take anything nailed down" thing... you want to try before you buy? Most good online music stores have previews you know...) or it's not good enough quality either technically (there's this lossless format you may have heard of, called the compact disc) or aesthetically.

      (I like the last complaint, that people pirate because the music's not good enough; that's definitely why the last Britney album has over 1200 seeds on Mininova and the last Porcupine Tree album's had over 18k downloads... ;)
    4. Re:ha by WinterSolstice · · Score: 2, Informative

      My 160GB iPod has 450 CDs (physical, uploaded to iTunes), 200 downloaded CDs, and the Knoppix DVD on it. There's still room.

      160GB is Crazy big :)

      I honestly am not sure how people intend to fill them... I'm thinking of going back and re-ripping with lossless!

      --
      An operating system should be like a light switch... simple, effective, easy to use, and designed for everyone.
    5. Re:ha by Auz · · Score: 2, Informative

      "Could someone please tell me how TPB is somehow offering some new business model for the people who make the music?"

      Is one needed? I'm pretty sure there was music being made (some of it quite decent) before the advent of audio recording technology allowed a music recording and distribution model to emerge.

      --
      =DIVIDE BY CUCUMBER ERROR: REINSTALL UNIVERSE AND REBOOT=
    6. Re:ha by HTH+NE1 · · Score: 2, Interesting

      The only business model a lot of people here seemed to support was AllofMP3, but honestly 10 cent non-DRMed songs really isn't a viable business model, as much as everyone wants it to be. Maybe they should cut costs on the production end. Instead of using expensive equipment to process and polish and pitch-correct the voices of their current "talent" pool they should focus on hiring artists with actual, natural talent.
      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    7. Re:ha by deathy_epl+ccs · · Score: 2, Funny

      Spears is not my talantless lazy slut. And in any case, that wouldn't be my problem.

      Well, she's got to be somebody's talentless lazy slut, and we all got together while you were going to the bathroom and elected you. Like it or not, you're stuck with her.

      (Oh, by the way... kinda tacky to have spelling mistakes in your grammar nitpick. heh)

    8. Re:ha by garcia · · Score: 2, Informative

      They exist for people, like me, that have 100s of GB of freely available live music and enjoy listening to a wide variety of it as well as watching TV shows, movies, and storing other data in one spot so I can carry my collection to and from work, friends, whatever.

      And while I have pirated music I really don't see many people doing it these days. Why should they bother? It's just as easy to get it from iTunes, eMusic, or whatever and that's exactly what they do.

    9. Re:ha by Fred+Ferrigno · · Score: 4, Insightful

      Could someone please tell me how TPB is somehow offering some new business model for the people who make the music? If they don't have a business model that works, it's up to them and them alone to find one. I don't work for them. I don't see any benefit if their business is or isn't successful. I have no interest in doing their job for them.

      Technology routinely renders old business models obsolete and doesn't necessarily replace them. There may not be a viable business model for selling music anymore. Forcing the issue and banning technology to keep them in business amounts to a government subsidy.
    10. Re:ha by nick_davison · · Score: 2, Informative

      At 99 cents / song it would cost roughly $5,000 to fill a 20GB iPod (assuming an average of 4MB / song).

      The fact that 160GB iPods exist and are selling implies there is demand for them. The last iPod that was solely a music player capped out at 40GB. That was fairly easy to fill with a 600-800 CD collection. I know, I did so.

      That's ignoring its convenience as a portable hard drive and the fact that a 40GB iPod has nothing like 40GB free for music.

      The 160GB versions also work pretty nicely as video player, particularly when you're stuck on long flights and want options for whatever you're in the mood for at the time. Granted, there's no legal way to get your DVDs on to the thing (DVD Decrypter simply ignores the DMCA) so that's hardly an argument against illegal methods being the only option.

      Unfortunately, your argument is part of why Canada is saddled with a ridiculous media and hard drive tax. They too assumed there was no legal way to fill all of the media that was getting sold so they decided to simply assume everyone was a criminal and should pay their share of restitution automatically.

      Just because you can't think of a way to do something legally, that doesn't mean that many people aren't doing just that.
    11. Re:ha by trawg · · Score: 3, Insightful
      I think you make some good points, but I'd just like to add to this:

      There isn't a business model that could truly work, at least not a direct one. I'd qualify this further by saying "there isn't a business model that could truly work FOR THE RECORD LABELS". I think there's plenty of business models that'll work for bands themselves, it's just that all the big names that we're used to hearing are tied up in contracts that prevent them from doing what they want.

      Radiohead is really the first band I know of that is trying something different in this space. Harvey Danger tried it before them, and I'm sure there's other big name artists out there that I just haven't heard of doing similar.
    12. Re:ha by Reikachu · · Score: 2, Insightful

      You're correct, they can't win. No amount of lawyers is going to make the technology go away. All this litigation is the outward manifestation of a death spiral.

      And frankly, my dear, I don't give a damn. No matter what happens to the middlemen, music will continue to be made. Knowing this, and hating what commercialization and celebrity has done to the arts, what sane reason is there for me to continue to support their system? It will implode, and most of us will benefit. This is a simple consequence of sane consumer behaviour.

      As for the artists: if the "traditional strong areas" of the middlemen are "promotion and distribution", then "get heard and damn the money" (from music sales) sounds like a pretty attractive alternative, don't you think?

    13. Re:ha by Markspark · · Score: 2, Interesting

      a little story to cast a bit of light on this:
      three years ago, about simultaneously with the launch of itunes, some friends of mine we're working on a project to sell mp3's from a webpage, they made a nice page, and contacted the record labels. However, most of the labels gave them a blank no, and the ones who would sit down and meet with them, offered the price of 1 $ (6 swedish crowns) per song. And the creditcard companies wanted 3 Skr / song, making it a total of 9 kr/song or roughly 1.5 $ /song. So they way i see it, if they want to be greedy.. they will learn the hard way..

      --
      i find your lack of faith in science disturbing!
    14. Re:ha by Markspark · · Score: 2, Funny

      you obviously missed all of the britney-pics in the last two years..

      --
      i find your lack of faith in science disturbing!
    15. Re:ha by Solandri · · Score: 4, Insightful

      There isn't a business model that could truly work, at least not a direct one. Commonly floated is the idea that if you release music for free, word of mouth and subsequent sales will make up for this. This, unfortunately, ignores the simple human traits that a) they will take anything not nailed down and b) perceived anonymity gives them an impetus to do things they wouldn't usually do (cf Greater Internet Fuckwad Theory...).
      There is indeed a business model which can work. But not in the way as the music industry currently exists.

      About 10-15 years ago, wedding photographers charged for prints. They'd charge a nominal fee to shoot your wedding, but then make the bulk of their money selling you and your relatives the prints. All that changed when scanners and color photo printers became commonplace. Upon finding that a reprint would cost them $10-$30, people would just scan the original photo and print it for themselves. Sure there was some loss of quality since it was a copy, but the cost savings made it worthwhile. Faced with this threat, most photographers shifted their business model. Recognizing that it wasn't cost-effective nor good business to chase down every incident of copyright infringement, they now charge you a lot to shoot the wedding, while giving away the prints at-cost.

      When you come down to it, there's really no difference from the music industry (other than an entrenched publication industry). Both musicians and photographers create a product which is essentially software. Back when software was difficult to duplicate, they both used to charge for the final product. Technology suddenly dropped the cost of duplication to near zero.

      The key difference I see is that the music publication industry is vested in generating big name stars. The obvious reason is that it minimizes their cost - make a lot of money from a few big stars, rather than a little money from many small bands. Unfortunately for them, big stars are particularly susceptible to piracy - their market saturation approaches 100% so the only way they can make more money is by going after the copyright infringers. Small bands on the other hand could very well welcome piracy. If you only have 1% market saturation, if piracy increases your exposure to 10%, you're probably all for it. The additional business due to the widespread exposure (e.g. "I love your wedding photos! Who did you hire?") offsets the loss in revenue due to copyright infringement.

      So very long-term, as the legal issues of copyright on the Internet are sorted out, that's the business model I see music shifting towards. Lots of small bands being paid to play live events (or being paid for the right to place recordings of their music at live events) and giving away copies of their music for free on the Internet as marketing. The era of the music superstar as we know it is coming to a close. Sure there might still be some stars whose music is so catchy it's known across the country (or even the world). But they'll make their money from the performance bookings they'll get from that widespread notoriety, not from selling CDs or MP3s. The vast majority of musicians will eek out a modest living plying their trade, just like most photographers do.

    16. Re:ha by trawg · · Score: 2, Interesting

      Yeh, that's definitely true, but surely there's enough evidence of the prolific spread of internet memes making instant successes out of random douchebags, which hopefully means that there's hope for some excellent small bands to be able to make a living.

      I guess what I'm trying to say is, at the moment the only thing that seems to distinguish "really big bands that everyone knows about" and "small bands yet to get on everyone's radar" is that _at the moment_, it is still the marketing efforts of the labels that are responsible for bringing the former to our attention.

      Hopefully once someone figures out how to bring the small bands to the masses we'll see some big improvements. We're doing our part in Australia with the Unearthed programme, backed by Australia's (government-funded) youth radio station, TripleJ (best radio station in the world).

  10. is it worth it for Prince by Paul+Pierce · · Score: 2

    Ignoring taking sides over if Pirate Bay should be allowed to exist or not, is this worth it for Prince?

    Money probably isn't an issue for him, so count that almost completely out (-.01)

    This can't help him sell records I would imagine, image (-1)

    Any publicity is good publicity? (+.2)

    More people buy his record after not being able to find it on PB (doubt it ?)

    A personal victory for Prince (he must really dislike Pirate Bay or I don't see why bother). Maybe he wants to help out other artists that don't want to attempt getting in the news for this.

  11. Why they're being followed by noidentity · · Score: 3, Funny

    "What do they think they can find out by following us around? Everything we do is digital."

    Duh, they're trying to catch you stealing all that music and software!

  12. Stalking! by Weaselmancer · · Score: 5, Interesting

    What, doesn't Sweden have laws against stalking? Because that's what this sounds like to me.

    Just because Prince is some big star doesn't give him any special rights. Well, outside of America anyways. If Hollywood had any influence there, the TPB admins would already be in jail.

    So go for it - sue Prince for harrassment and stalking.

    --
    Weaselmancer
    rediculous.
    1. Re:Stalking! by TubeSteak · · Score: 2, Interesting

      What, doesn't Sweden have laws against stalking? Because that's what this sounds like to me. In most countries/states, Licensed Private Investigators are generally exempt from stalking* laws if they can provide a judge with good reason(s) for following someone around.

      They get such privileges because they receive background checks and carry liability insurance.

      *Stalking is actually a fairly broad term that encompasses following someone around, phone harrassment, taking pictures, and various other shady behaviors.
      --
      [Fuck Beta]
      o0t!
  13. Re:is our children learning by Anonymous Coward · · Score: 2, Informative

    A wealthy musician with a track record for going head-to-head with record labels and little kids is... Thank you, Mr. President.

    You fail it!

    The subject of the sentence is "A wealthy musician" not "A wealthy musician and little kids". The singular conjugation "is" is correct.

    Please report to your nearest Mother Superior for the appropriate punishment.
  14. Re:what's in a name by HTH+NE1 · · Score: 4, Funny

    Might help if they didn't call use the word 'pirate' in their name. Yeah, like "The Ninja Bay" would have been so much cooler.
    --
    Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
  15. From the Lucas Academy of Drama: by Spy+der+Mann · · Score: 5, Funny

    We have your limited edition Star Wars Princess Leia figurine still in its original packaging.

    NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!

    1. Re:From the Lucas Academy of Drama: by Rude+Turnip · · Score: 2, Funny

      You mean he doesn't want it?

    2. Re:From the Lucas Academy of Drama: by moogs · · Score: 4, Funny

      DO NOT WANT

      --
      I have bad karma. What do I care what you think?
    3. Re:From the Lucas Academy of Drama: by blitziod · · Score: 2, Funny

      thank GOD they can't get my jawa( with the cape) ..i keep that one WITH ME at ALL times!

      --
      The only way to bust a doper--is when you yourself become a smoker!
  16. Purpose of following admins around by NeutronCowboy · · Score: 2, Interesting

    What do they think they can find out by following us around? Everything we do is digital.

    I normally hate all the Ayn Rand crap about how laws are just designed to keep the masses down, but in this case, it provides some context... It doesn't matter if you do everything online. At some point, you step back into the real world, along with real world rules. And that's when you can be caught for a million different things: littering, jaywalking, illegal parking, u-turns, speeding... the list is endless. If you're serious about taking someone out, don't do a frontal attack. Instead, sneak around the back and get them by surprise. Their site is firewalled and legally unassailable? Get them for something else. Tax evasion, anyone? If nothing else, the constant harassment will cause the admins to blow up at some point, and to provide some camera fodder.
    --
    Those who can, do. Those who can't, sue.
  17. Re:Because "Prince" == Asshole by dosius · · Score: 4, Informative

    Nah, that's been Prince's trademark since at least the early 80s. A lot of his song lyrics use kw3lspeak, e.g., "I wanna do it 2 night, baby, I wanna do it 2 U" is an actual line, with original spelling, from 777-9311 (which he wrote for The Time).

    He was doing it before there WAS SMS.

    -uso.

    --
    What you hear in the ear, preach from the rooftop Matthew 10.27b
  18. Re:What is this? Slashdot has a "prince story quot by Anonymous Coward · · Score: 2, Funny

    Yes, his irrelevance is exactly why Prince sold out the O2 arena recently all 21 nights he was in London. Prince isn't burning up the charts any more, but he's hardly been forgotten, "proberbly" or otherwise. "proberbly" is a perfectly cromulent word.
  19. Old Fashioned Intimidation Tactics - MAFIAA Style by CodeBuster · · Score: 3, Insightful

    What do they think they can find out by following us around? Everything we do is digital.

    Perhaps they are trying to dig up dirt about the admins for a good old fashioned blackmail mud-slinging political match ala J. Edgar Hover and the old school politicos or maybe they are just trying to intimidate the admins (i.e. black suburbans, helicopters, and guys in SWAT vests with 'RIAA' velcroed to the back). The best thing that the admins could do in response would be to keep reporting what is going on in their blogs and other public places on the Internet. This will help discourage these pseudo agents from arranging an 'accident' or some other more overt form of persuasion because everyone will know who was responsible.

  20. logical conclusion by enjahova · · Score: 5, Insightful

    There isn't a business model that could truly work
    You just said it all, but you draw the opposite conclusion I do. We both agree that there is no feasible business model that aligns with the reality of modern technology.

    Only you seem to be focusing on deriding the people who don't pay directly for their copies of music (according to our brief custom of the last 70 years).

    Why is it so hard to see that its ok to let companies with no practical business model die off? I know it becomes a touchy subject when we bring art into the picture, but the spirit of copyright law is to promote the creation of art, not to give business models to musicians. It seems particularly hard for people of the last couple generations to fathom that music (or art in general) can be created without being paid for copies of their work. They can't see that the true value in art is the process by which it is created, that is what is rare. This value can still be monetized, and a business model can be developed around it (think service instead of product).

    Even if you don't want to or can't believe this old school view of art, you will face the reality of digital technology. Copying is only going to get faster and more convenient. Distributed technology will only get more robust. Controlling the location of 1s and 0s will become increasingly futile. No laws will be able to reverse this, no amount of yelling thief at a generation of hungry minds will hold them back.

    What do you think will happen when 1 million 3rd world kids get on the internet through OLPC? What happens when they reach 10 million in the next few years? Can you seriously expect them to even consider intellectual property with an open source key on their keyboard?

    Right now there are more people with cell phone in China than there are people alive in the USA. What happens when there are more Chinese online than people in the US? What happens when the same goes for India? Do you think these huge amount of people wont be able to find a way to adapt open source software for their needs? When they are completely bypassing proprietary western solutions, what good will our DMCA do?

    So I laugh at the moral indignation of the slighted intellectual property holders. Right now I am stealing. I'm robbing those who were lucky enough to get fat from an unworkable system. Luckily, the system is changing and I wont have to steal in the future. Still, every time they yell thief I feel more like Robin Hood, and I'm not the only one.
    --
    "how can they call it a MINE if everything here is THEIRS?!?!" -Straight Jacket
    1. Re:logical conclusion by Joe+Jay+Bee · · Score: 2, Interesting

      Only you seem to be focusing on deriding the people who don't pay directly for their copies of music (according to our brief custom of the last 70 years).

      I do focus on them, because by and large their lack of payment is based on pure selfishness rather than any overriding moral conscience. If anything, the lack of money going into the system may well stifle artist development; while MySpace, Peoplesound and other such music sharing sites may provide promotion, they cannot match the marketing or distribution clout of the labels. Small bands seeking fame or wishing to have their music heard by a wider audience than the few people who may happen upon their MySpace page may well fail in that goal if they end up with no practical assistance, assistance that labels (both independent and major) have a role in giving.

      Why is it so hard to see that its ok to let companies with no practical business model die off?

      The record labels HAVE a practical business model, which is funding and promoting artists and then collecting royalties on the records sold as payment. That lots of people selfishly choose to circumvent the payment bit of this model doesn't render it any less practical or feasible.

      It seems particularly hard for people of the last couple generations to fathom that music (or art in general) can be created without being paid for copies of their work.

      I can fathom that, but I consider it to be the artist's choice to release their work for free or not. If the artist chooses to sign with a record label, they've made it fairly clear that they wish to be paid for making their music. Moreover, there is plenty of music which is available for free, legally, with no commercial interference; and yet a huge part of these discussions on Slashdot is discussing precisely how people can and should carry on illegaly obtaining music produced, funded and sold by corporations they claim to despise and consider a relic.

      Even if you don't want to or can't believe this old school view of art, you will face the reality of digital technology. Copying is only going to get faster and more convenient. Distributed technology will only get more robust. Controlling the location of 1s and 0s will become increasingly futile.

      So everyone involved should just give up? They should just succumb to the cries of hordes of selfish downloaders, throw themselves to the mercy of the crowds and say "take it! take it all! We'll never be able to stop you! We'll go out of business to support your selfishness!" Bullshit.

      Still, every time they yell thief I feel more like Robin Hood, and I'm not the only one.

      Robin Hood didn't steal for his own personal gain. You're just being cheap by taking something that you would usually have to pay for.

    2. Re:logical conclusion by digitrev · · Score: 4, Insightful

      The record labels HAVE a practical business model, which is funding and promoting artists and then collecting royalties on the records sold as payment. That lots of people selfishly choose to circumvent the payment bit of this model doesn't render it any less practical or feasible.

      I hate to break it to you, but if you aren't providing the people with what they want, or even with that which they are willing to pay for, then your business model is no longer practical. The fact of the matter is, people are going to download, because it's cheap and convenient. Now, the record labels are forced into a shoddy situation. They have to 1) convince people that downloading is a bad thing, 2) make downloading either difficult or impossible, 3) lobby to make any method of obtaining music other than their proscribed methods illegal, and 4) prosecute those who break your laws.

      Now, one is a hard thing to do, as people who download are people who aren't very likely to listen to The Man. Two is also a pain in the arse, as you encounter the hydra like nature of the Internet, as well as the Streisand effect. For every site you take offline, more will rise to take its place. Three, well they've accomplished it in the US. Now try getting every other country to pass similar laws. Oh, and when four comes along, I sincerely wish you the best of luck when it comes to prosecuting even enough people for breaking your paid and bought for laws.

      If they cannot manage to get people to stop downloading, then their business model will go the way of the dodo, the dinosaur, and the PC Party of Canada.

      --
      Cynical Idealist
    3. Re:logical conclusion by enjahova · · Score: 3, Insightful
      First off, I'd like to thank you for civil discussion. It's refreshing, I'll try do respond in kind.

      The record labels HAVE a practical business model, which is funding and promoting artists and then collecting royalties on the records sold as payment.


      I disagree, this is only true if you concede that records are practical to sell. My argument is that records are becoming increasingly irrelevant. This is based on the reality of technology, namely the increasing convenience and speed of digital communication, as well as the mathematical fact that DRM is impossible. The reality (not the legality) of the situation is that distribution will soon be completely decentralized. How soon isn't for certain, but from a /. reader's point of view it is not hard to see the exponential potential of OSS. For every DRM scheme it only takes one cracker, for every cracked piece of media it only takes one torrent tracker. As usability of these programs increases (and their evolution into libraries to be used by other programs) the struggle for control just gets more futile.

      That is just the state of technology, we could also look at the sociological aspect of all of this. You mention the selfishness of the pirate hordes. I agree that there are large groups of people who will without qualms take whatever is put in front of them, especially when faced with very slim chances of retribution. I also believe that people want art to be made and enjoy supporting it. Many people argue (and you pointed out) that if prices are low enough and convenience is high enough, people will forgo pirating. I agree with this, but think that we haven't reached that point yet. In fact, I believe we will have to abandon the idea of paying for COPIES of a work, since copying will be (and is already) so trivial. My personal prediction is that new systems for directly supporting the artist will rise (we have seen the beginning of this with Radiohead and Saul Williams, or just the fact that paypal exists).

      Finally, I do expect all the people involved will just lay down their arms and surrender, or they will be robbed blind. The end result will be the same, all existing media will be available to everyone. If its hard to believe look at http://youtube.com/universalmusicgroup, thedailyshow.com for some inklings of the future. Here is a giant carefully conceding, trying to stall the inevitable with as much control as possible. I don't think its all bad for them though, I believe they will be putting themselves in position to make money off the new system, slowly adapting to the change. If it doesn't happen too suddenly they may be successful. This is why I and others feel like Robin Hood, we are distributing the pork to the poor, we are seeding torrents,not just keeping it to ourselves.

      All of this is still rather speculative of course. I would just like to point out something that should put us all a bit more at ease, and that is that humans love creating. We love creating art and music. The phrase "starving artist" is a cliche, common knowledge. No matter what happens, short of extinction, will stop humans from creating. I just like to think we will be creating more than ever.

      --
      "how can they call it a MINE if everything here is THEIRS?!?!" -Straight Jacket
    4. Re:logical conclusion by chebucto · · Score: 2, Insightful

      Keep in mind that copyright laws are an infringement on free speech; they only exist because, historically, the costs (in terms of lost freedom) were outweighed by the benefits (in terms of artistic production &tc).

      Filesharing have increased the costs of copyright law: historically, copyright infringement could only be done in a factory setting by profit-seeking groups. Today, it is done by regular citizens. Where before copyright law effectively limited the freedoms of factory owners, today it limits the freedoms of everybody.

      I've always felt that copyright law should be retained; however, it should only be applied against profitmaking infringement. That would restore individual freedoms while protecting artistic production:

      When it comes to music, live performance means that musicians can still make money while being artistically productive. Movies will always have the theater: its ambiance is an attractor, and some movies simply work better on the big screen. Books have a physical form that remains far superior to digital reproduction.

      --
      The English word fart is one of the oldest words in the English vocabulary.
    5. Re:logical conclusion by AcidPenguin9873 · · Score: 2, Interesting

      I disagree, this is only true if you concede that records are practical to sell.

      The ideal of capitalism is that you can sell anything which has value. Music has value, and people have been selling it successfully for years. I disagree with anyone who advocates obtaining something of value without paying for it. Doing so is contrary to all the principles of capitalism, and aligns much more closely with communism. Maybe that's where we're headed, but that's a much longer discussion.

      Back to today and reality. The reality of capitalism is what you said, which I quoted. If something has value, but is impossible to sell for profit, pretty soon no one will be able to sell it. I think eventually that means the death of music as we know it. Maybe new systems for directly supporting the artist will come about. That would be awesome, but I haven't seen any viable ones yet. Radiohead's experiment doesn't count for reasons outlined in other posts. Maybe most slashdotters would welcome the death of pop music and rock stars as we know it, but (call me whatever names you like), I enjoy a lot of pop and rock music. I think it would be sad for it to die.

    6. Re:logical conclusion by uglyduckling · · Score: 4, Insightful

      Back to today and reality. The reality of capitalism is what you said, which I quoted. If something has value, but is impossible to sell for profit, pretty soon no one will be able to sell it. I think eventually that means the death of music as we know it.

      Think back about 90 years. Someone came up with the idea that sound could be transmitted and received wirelessly. Really useful for ships at sea, and letting Europe speak with America. This system could be used to transmit music from theatres and opera houses, but what would be the point - no-one would do that because they couldn't possibly make any money from it. Could they?

      Every time there has been a revolutionary technology introduced the death of music has been predicted. Radio, television, open real tapes, cassette tapes. There was a lawsuit in the UK when Amstrad brought out a twin-deck cassette recorder with high-speed dubbing, because the record labels thought it's only possible use was piracy. CDs introduced a format that was more convenient than anything else in existance and not suitable for home recording, which the record companies loved. Then minidisc, CDRs came along and eventually MP3 players.

      Television has made visual performance art available 24/7 practically for free, yet certainly in the UK theatres continue to exist and stage performers continue to make plenty of money.

      In the UK there was no independent commercial radio when my Dad was a boy, it was all state controlled. Illegal and semi-legal pirate (ship) radio was what teenagers listened to in the 60s, and the government here made huge efforts to stamp it out. Eventually commercial licenses were granted and 'pirate' radio became mainstream, with BBC Radio 1 eventually adopting the same programming style.

      Music will survive - in fact thrive - without the big record labels.

  21. Re:what's in a name by xenocide2 · · Score: 2, Informative

    Invite? They revel in it! They make a habit of publishing silly rebuttals to legal threats, and apparently their country of origin supports them to a surprising degree.

    --
    I Browse at +4 Flamebait

    Open Source Sysadmin

  22. Won the battle, lost the war. by msimm · · Score: 2, Interesting

    I think he probably means did Metallica stop piracy. Which they didn't. Napter is probably a bad choice, but for a the legal noise that surrounded it P2P sharing was just getting started, it didn't stop and barely slowed down.

    --
    Quack, quack.
  23. Please, just don't send Appolonia and Sheila E by SteeldrivingJon · · Score: 2, Funny

    Dear god, Prince, have mercy. Don't send Appolonia Kotero and Sheila E, and certainly not while wearing lingerie.

    And if you have a soul, for the love of all that's holy don't send Sheena Easton, especially not speaking in character as Annah from Planescape:Torment. Rawr. Er, I mean Oh No!

    --
    September 2011: Looking for Cocoa/iOS work in Boston area Cocoa Programmer Quincy, MA
  24. It's really sad to see Prince take this tactic by wishlish · · Score: 2, Interesting

    I can understand why Prince would be tempted to attack the P2P culture. As far back as the early 90s, he was one of the most bootlegged artists around. Seriously- I have hundreds of live shows, along with a ton of unreleased songs, on my hard drive. At least 20% of my 60 GB iPod is made up of Prince music, both released and unreleased. If all you know Prince for is Purple Rain, you're missing out on an artist with a passion for jazz and funk- he's James Brown and Miles Davis put together with a better voice. I've been grooving to his Vegas 3121 concerts and his concert at Montreux for the last few months, and they are SWEET. But this solution is just nuts. Killing the Pirate Bay and YouTubers isn't going to stop the flow of bootleg tracks. When Prince was a Warner Brothers artist and downloading free music was only a Cory Doctorow dream, the problem was just as bad. When he went on his own, some of his solutions were laughably bad. He sold "Crystal Ball", a 4-CD set, directly to his fans; however, once he had their money, he released the same set (minus the soundtrack to his ballet, which wasn't really why anyone bought the set) to retailers at a lower price, then took up to a year to mail out the copies to the fans who bought them first. His NPG Music Club cost fans hundreds of dollars for very little benefit over the life of the club- 12 "radio shows" that hinted at the vast material in his vaults, one acoustic CD, and preferrential seating at concerts. When he then decided to sell albums directly to fans (the little-known Chocolate Invasion was one), he encoded them in low bit-rate DRM'd Windows Media. I love the music that Prince has made over the years, and I want to pay him for that music. All he'd have to do is hook up with iTunes or Amazon.com and sell high-bit DRM-free MP3s, and he'd be raking in great money. Does he need my money? Of course not; he's one of the richest men in the world. But the best reason for paying an artist isn't because the MPAA or the RIAA forces you to; it's because you want to show respect and thank an artist that has added something to your life. I want to thank Prince by paying him some money. I hope he realizes this someday. PS- if you want to hear some GREAT Prince music, try hunting down the 3121 show from 12/2/06, the Small Club show from 8/18/88, the Montreux Jazz Festival show from 6/16/07, the Paisley Park show with Miles Davis from 12/31/87, or the Fillmore show from San Francisco from 2/14/04.

  25. What could they find? by Vampyre_Dark · · Score: 3, Funny

    Dude, you are pirates. They are looking for your ship, and therein, all your booty.

  26. Re:Maybe... Illegal where? by elwinc · · Score: 5, Interesting
    Ah, it occurs to me that different nations and states have different laws, so not all claims about legalities are universal.

    In particular, in some places such as the USA it is a crime to provide a service that abets illegal file sharing. In other places, though the filesharing might be illegal, providing metadata about shared files is legal. In those places, you have to go after the sharers because running the tracker is legal see footnote 9 . Sharers are like roaches: there's a million born every day and they're coming out of the woodwork. There's little evidence that suing a few hundred sharers alters the behavior of the unsued millions. So for Prince, going after trackers is the only sensible option, even if trackers are located where trackers are legal (one wonders when or if the RIAA will ever come to this conclusion). So Prince is desparate. Suing fans, the only legal remedy, may be counter productive. He's left with trying to intimidate the tracker operators.

    The bigger picture here is we're watching the collapse of a business model, and there's no replacement in sight. If musicians can't make money, they won't record. On the other hand, the record labels have earned the ire and disrepect of many fans, and the labels are practically impotent. We're watching dinosaurs die, and we have no idea what will replace them.

    --
    --- Often in error; never in doubt!
  27. Prince Alone in the Studio by tinycorkscrew · · Score: 2, Interesting

    Prince alone in the studio It's two a.m. and all the girls are gone The girls thought they were going to be able To have sex with him They wore their special underwear Once the tracks were laid down Prince's back turned around Raspberry headphones on his head On his ears Prince alone in the studio It's three a.m. Prince hasn't eaten in eighteen hours Dinner's burned on the stove But Prince, he doesn't even know Prince alone in the studio It's four a.m. And he finally gets that guitar track right And it's better than anything any girl could ever give him Because Prince is alone Prince is alone Oh Prince, you are so alone And when it's all complete He feels like a hunter on the street And when it's all complete He feels like a hunter on the street

  28. idea! by Unlikely_Hero · · Score: 2, Funny

    I wonder what would happen if the pirate bay admins suddenly hired their own people to follow Prince around.
    Seriously, people that would take pictures of his every move, looking for something embarrassing to publish in...
    oh....never mind

    --
    Happiness does not come from having much, but from being attached to little.
  29. Re:Maybe... Illegal where? by penix1 · · Score: 5, Insightful

    If musicians can't make money, they won't record.


    This is a crock. Many, if not most of the bands out there are not making any profits off the labels so nothing will change on that front. Also, not every band out there does it for the money. Many do it for *GASP* the music or *GASP* the recognition for the real money maker, concerts. In the days before big mega media corps, many bands released their music to their local radio stations for this recognition. When was the last time you heard one on your local radio? Maybe it's time to break up the stranglehold the labels have on the media market. Maybe it is time the labels cartel was broken up starting with the RIAA itself.
    --
    This is a sig. This is only a sig. Had this been an actual sig you would have been informed where to tune for more sigs.
  30. I don't think "pressure" is the word ... by ScrewMaster · · Score: 2, Insightful

    The Pirate Bay Facing "Old Fashioned" Pressure

    Sounds more like good old-fashioned harrassment to me.

    --
    The higher the technology, the sharper that two-edged sword.
  31. Re: PAN newsreader.... by bwochinski · · Score: 5, Informative

    Did some research into this, since I was all for hearing about lawyers making fools of themselves.

    However, I don't think that actually happened... See FAQ 1.5 at
    http://web.archive.org/web/20010803004755/http://pan.rebelbase.com/faq.html (as of Aug 3, 2001)

  32. One doesn't follow from the other by Anonymous Coward · · Score: 2, Interesting

    "If musicians can't make money, they won't record."

    This is a non-sequitur.

    First of all, the collapse of the RIAA has almost nothing to do with musicians making money. I take that back... it makes it more likely that the average musician will make money.

    But It makes it less likely that older acts like Prince who depend primarily on an older back-catalog for income and who currently makes a lot of money from the old business model. I can appreciate his dilemma, although I have no sympathy. His quandary is that he's already earned most of the money he's going to earn and thus would prefer he keeps making money on work he did 20 years ago. I wish I had that gig.

    Anyway, musicians will record because without the RIAA it's more likely that "middle class" musicians can thrive. It's now profitable to sell 20,000 CD's. Under the RIAA regime, that kind of act will not continue, because that will net the musician nothing. In the new order, selling on iTunes, Amazon, or direct will gross perhaps $200K. That's enough to encourage some acts until they can 100,000 albums directly to consumer. All the sudden, a moderate sized act can hit $1M without the record company scooping up most of it.

    Tough luck to prince though. Maybe he can go back into the studio and become creative again. Life is a bitch when you can't depend on old royalty checks. Kinda like the rest of the world.

  33. What they're thinking. by edunbar93 · · Score: 2, Interesting

    What do they think they can find out by following us around? Everything we do is digital.

    Oh, that's easily explained. You see, Prince is very wealthy and completely insane. So, if Prince throws $60,000 your way and says "follow these people", you stfu and do what he says. It doesn't matter if anything comes of it. It doesn't matter if it's worthwhile. It doesn't matter if there's no point. And there isn't. Any information they collect will likely sit in storage somewhere until all of his copyrights expire (which, thanks to Disney, will never happen).

    --
    "No problem. I have the capacity to do infinite work so long as you don't mind that my quality approaches zero."-Dilbert
  34. Even you are wrong by SmallFurryCreature · · Score: 5, Insightful

    If musicians can't make money, they won't record.

    Dire straits, Sultans of swing.

    Listen to the song and hear what it is about.

    There are countless musicians who got a day time job to support their hobby, at best they recoup a bit of their costs at times but mainly it is a hobby AKA a moneysink.

    When I was young a neighbour of mine operated a pirate radio station. He bought all the gear, bought records, payed for the power and for what? A few small ads? Did he become rich of it or even break even? Hell no, but it was his dream, his hobby.

    If all musicians are out of a job tomorrow, the music will go on. And personally, I think the music will be a lot better or at least more varied, because people will play what they want to play, not what sells best.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:Even you are wrong by witekr · · Score: 5, Insightful

      It seems like the majority of people here want to completely obliterate the business of recorded+sold music. I agree that the current major record labels are absurd and out of control, but I also don't think that completely removing all chances of a musician making an income through records is a good idea either... but that is what i see being implied here often on Slashdot.

      Sure, most musicians worth any mention DO create music for the love of making music. That's obvious, but I think money and fame is still a large point of motivation for many musicians. I'm a musician myself, and release tracks as free downloads on my website. I definately DO aspire for a chance to make some money creating music, though - and don't tell me that's wrong or that I'm following a "dinosaur model". It's a highly motivating factor for me.

      Spending months of free time working on hundreds of song ideas and picking the best I can come up with, in hopes of making a perfect album is a lot of work! A big part of the drive to perfect it is that I might be able to make a few bucks selling such an album, either by distributing music myself over the net, or signing with a small record label. If copyright law was completely changed to fit the views of some people here, then selling music on my website or signing with a small label would be futile, perhaps only resulting in a few 'good samaritan' donations. In that situation, I might as well just keep releasing anything I do for free on my site with no hope of monetary compensation.

      But then I might not work so hard on perfecting and polishing an album. I wouldn't send my album to a professional mastering engineer (or spend countless hours mastering the album myself) because I wouldn't feel like I owe anyone the benefit of that extra layer of polish. I might not spend months or years working on songs and remaking them until they fit what I consider a high standard.

      If all musicians are to lose their chances of making money via records because John Doe doesn't feel like spending any money on music (yet wants to listen to it all anyway..) that is a sad, selfish tradeoff, in my opinion.

    2. Re:Even you are wrong by pyr3 · · Score: 4, Insightful

      I think that the best way to put it is something that I see reiterated a lot.

      In the 'new business model,' it becomes easy for a lot of artists to make a little, but hard to a few artists to make a lot.

      It just means the death of the "mega-lithic" rock star that 'hits it big' and owns 10 yachts and 3 multi-million dollar homes. On the flipside, it means that lots of smaller artists will be able to make more money selling their music through their own sites, or independent online retail outlets (something similar to iTunes Music Store where individual artists can register to sell their music).

    3. Re:Even you are wrong by AdamHaun · · Score: 2, Insightful

      Congratulations, you've seen through the illusion and discovered that Slashdot's anti-RIAA campaign is really about getting free stuff after all. Note that The Pirate Bay is both:

      A) Declining to pay artists for the use of their copyrighted material, and
      B) Making money off of it by hosting ad banners.

      Complete hypocrisy, but of course nobody here seems to care. And you know that if a web site were doing something similar in another medium (say, video game FAQs or Slashdot posts) without permission there would be a huge outcry. Didn't Jon Katz's "Voices from the Hellmouth" book spark just such a controvery? The guiding principle here seems to be "It's okay to use people's stuff for free unless it's my stuff."

      --
      Visit the
    4. Re:Even you are wrong by cliffski · · Score: 2

      excellent post, wish I had mod points. I agree 100%. TPB are the worst example. they pretend to be 'fighting for freedom' whilst cashing MASSIVE checks for advertising revenue. go to the sites of their ad providers and check out the daily rates for TPB.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    5. Re:Even you are wrong by Rary · · Score: 2, Interesting

      "It just means the death of the "mega-lithic" rock star that 'hits it big' and owns 10 yachts and 3 multi-million dollar homes."

      Exactly! And that's the way it should be. People whose contribution to the world is "playing guitar in some band" should not be paid better than someone whose contribution to the world is "healing the sick" or "teaching children to read".

      And, just for the record, I'm someone who plays guitar in a band.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

  35. Navigate away, there's no point in continuing. by Anonymous Coward · · Score: 2, Insightful

    The first HUNDRED FUCKING COMMENTS are of the nauseating amateur-comedy-hour variety that get modded up rather than sent to oblivion where they belong.

    Even the summary is shitty. Way to ironically make a feeble gesture against Prince by not mentioning him by name.

    Actually... in a rational world, actions like this would be lauded rather than mindlessly criticized. Unfortunately the dominant meme here is that information should be forced to be free and anyone opposing that philosophy using any means should be demonized.

    Right on, Prince. You've made some of the best music, you're an intellectual maverick, and you aren't part of the problem regardless of how many insipid comments get positive moderation on a communist geek site.

  36. Failed business model by qc_dk · · Score: 2, Interesting

    I fail to understand why people who create "art" has the right to earn such enormous amounts of money?

    I have not seen or heard of any rich research scientist. There are certainly none were i work. We earn enough to put food on the table and that is it. There is no patent or copyright protection of our work(you cannot copy three consecutive notes from a piece of music, but you can sure copy more than three symbols from our math) and yet science is created. How can this be? The framework which aim was to promote intellectual pursuits is not valid for hard science. It is too important for humanity that we can all share in scientific advance.

    Then what is the point of intellectual property? If it is deemed such a hindrance for progress that it must be invalid for the "important" fields? Why must we have special protection for music, literature, art, inventions when pure science is exempt?

    Furthermore the exemption has shown that the protection is not necessary. Basic research is still being done. Even if I only earn
    the same as a nurse or a police officer. But that is OK. I get to earn a living at doing what I think is interesting. Why should it be different for artists?

  37. I am not saying you are wrong by SmallFurryCreature · · Score: 5, Insightful

    I am saying, don't expect me to give a damn. I am a baker by training. A good one, but YOU buying YOUR bread in the supermarket and insisting on zoning laws that don't allow me to have the bakery attached to the shop have put me out of business.

    Times change, I had to give up my dream, why should you be any different?

    Society does NOT own you the right to make a living in your chosen career. Only a lucky few manage that.

    Unless you support goverment action to protect all kinds of other jobs that are dying out, I don't see my musicians should be given any more special threatment then they already get. Check how much money already goes to the arts. You need my taxes AND my spending money? Greedy much?

    I wish you luck, if you make it, congrats. BUT do NOT expect me to subsidize a dying industry unless you are willing to do the same for mine. Show me the receipts from your local butcher, baker and grocer for the last decade and I will buy your album, but if you shopped at a supermarket just once, the deal is off. You don't care about my career, I don't care about yours.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:I am not saying you are wrong by Mathness · · Score: 2, Funny

      I am a baker by training. A good one ... Does that make you a master baker? :p

      Dear gawd, I can't believe I posted this. XD
      --
      Carbon based humanoid in training.
  38. Re:Maybe... Illegal where? by kz45 · · Score: 2, Insightful

    "This is a crock. Many, if not most of the bands out there are not making any profits off the labels so nothing will change on that front. Also, not every band out there does it for the money. Many do it for *GASP* the music or *GASP* the recognition for the real money maker, concerts. In the days before big mega media corps, many bands released their music to their local radio stations for this recognition. When was the last time you heard one on your local radio? Maybe it's time to break up the stranglehold the labels have on the media market. Maybe it is time the labels cartel was broken up starting with the RIAA itself."

    don't you think we should *GASP* give the musicians a choice? Also, when you don't make shit from concerts unless you are signed with a label.

  39. True Story by koyangi · · Score: 2, Funny

    My wife has a friend that does security for concerts at the major venues in town, so we got free floor tickets to Metallica. This was a "theater in the round" sort of event and I ended up about two or three people away from the stage. I was standing directly in front of James Hetfield when he said, "Here is one off of our new album, St Anger. Have you all gotten it yet". Now I had been drinking a little that evening and apparently my volume knob was turned up a little louder than usual because I replied "Yea, It's great. I downloaded it last night!" and everyone as far as I could see turned and looked at me and started laughing. I guess James heard it to, because he looked down and gave me a little smile.

  40. Post-punk ethical music business still needed by zooblethorpe · · Score: 2, Interesting

    On the other hand, I've been to smaller shows where it was about $12 to get in, and have bought the CD's because the artist was good and the CD's weren't a ripoff. If they had other merchandise I may have even bought that, assuming the price was just a little profit for them, and not a down payment!

    Ahh, I miss Fugazi and their enlightened business ethics... (and hey, the music was pretty good too :)

    Cheers,

    --
    "What in the name of Fats Waller is that?"
    "A four-foot prune."