U2's Manager Calls For Mandatory Disconnects For Music Downloaders
sleeplesseye writes "In a speech at the Midem music industry convention in Cannes, Paul McGuinness, longtime manager of the band U2, has called on Internet service providers to immediately introduce mandatory French-style service disconnections to end music downloading, and has urged governments to force ISPs to adopt such policies. McGuinness criticized Radiohead's 'In Rainbows' pay-what-you-want business model, saying that 'the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire'. He also accused ISPs, telcos, device makers, and numerous specifically named companies such as Apple, Google, Yahoo!, Oracle, and Facebook of building 'multi billion dollar industries on the back of our content without paying for it', and of being 'makers of burglary kits' who have made 'a thieves' charter' to steal money from the music industry. The full text of his speech has been posted on U2's website."
Aside from that, Paul continues to show his disconnection from reality by using Radiohead's example. Radiohead made far more money distributing it this way than they ever did with a record label. His entire speech was nothing more than a "oh noes! Please help me save our dying business model."
Talk about profitting off the backs of other's work- he's using U2's name (and website) to push his agenda!
Belief? Hope? Preference?The Existential Vortex
Why should ISPs lose profits to protect another industry's profits?
Hardly
...are always the one who scream loudest.
SJW: Someone who has run out of real oppression, and has to fake it.
U2's good stuff would be public domain by now if we had reasonable copyright lengths, like we used to.
With all due respect, Paul, Fuck you.
I've bought U2's albums, t-shirts, concert tickets and other crap. Over the years, I've easily spent several hundred dollars on your band's products. Same goes for hundreds of other artists: Concerts, posters, tshirts, albums, box sets, fan club-only items. Hell, some albums I've bought multiple times in multiple formats over the years.
I've got a huge DVD library, and it keeps growing. I'll happily pay premium prices for Criterion editions, I'm a hardcore movie geek who's always loved going to the cinema, sometimes even repeat fucking viewings for movies I really like.
So when you come out with this ignorant, self-serving tripe and try to pass it off as a moral issue, I look at you and get sick to my fucking stomach. I'm terribly fucking sorry I downloaded your band's last album just so I could get my hands on that lame "quatorze" single. Fuck, I can't even remember the last time I listened to that song (I sure as shit didn't bother with the rest of the album).
Hell, if it makes you feel better, I'll delete it when I get home tonight. Not really any skin off my nose. I've got my $120 Led Zep Box set to keep me warm at night. I've got the Joshua Tree and Rattle & Hum, 2 albums I've paid full retail for more than once.
Big big fan of U2, at least until Pop, anyway. Shame they're on the decline. Shame you're a douchebag.
One last thing. Facebook? Apple? Get some meds, man. Even the worst **AA shill isn't that shrill.
Linux, you magnificent bastard, I read the fucking manual!
I'll disconnect my internet connection if in turn you stop making music with that whiny Bono guy.
For the record, U2 has always sucked. Whiner music.
I downloaded and paid for In Rainbows. I'm going to sell my U2 CDs online. Screw U2.
Wow, there are legal P2P download "services"? Are they only in Canada?
has felt like they were the only one in the room who "just didn't get it"
well now is the time for you to relish, jeer, or commissurate (condescendingly)
for here we have the experience of "just not getting it" playing out on someone else's dime, on a much larger scale, to a much larger audience
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
Make CD prices reasonable.
Make CD last more, invest in the technology that promotes your sound.
Make Copyright time frames reasonable.
And don't forget if we didn't listen to your crap you'd be a broke begging musician.
Shush you greedy F...s.
Life takes interesting turns, but the most interest is when you're off the beaten path.
There's more exciting music being made and more listened to than at any time in history. Cheap technology has made it easy to start a band and make music. This is a gathering of managers; our talented clients deserve better than the shoddy, careless and downright dishonest way they have been treated in the digital age. Yes, they deserve the shoddy, careless and downright dishonest way they have always been historically treated by their record labels and managers.
I haven't heard any artists speaking out about their royalties drying up. Maybe because they made 10 cents on the dollar before and now they make 10 cents on the quarter now since it's all digital?
Funny how he starts with "We've been used to bands who wrote their own material since the Beatles
Is he complaining that Steve Jobs pulled the $1 per song price out of his ass? No, he's pointing the finger at file sharers. This guy is losing his income and his bands are probably curious as to how they can get that $1 per song from iTunes without having to pay their manager 40 cents for
Earth to U2's Manager: take your cut of the work you actually do like arranging concerts and press coverage and then shut the hell up and let the artists do their thing and make money.
My work here is dung.
SCO et al. found this out the hard way. AT&T does not seem to be picking up on this either.
Calls for reform will only be taken seriously when they are financially feasible.
42
I love it when the truly retarded stand up, and for all the world to see and hear, reveal, in fact, that they are, truly retarded. Its not like I ever buy U2 albums, but I'm going to download their entire discography, just out of spite now. Its not like shaw doesn't randomly disconnect me already, and this guy wants them to sift through my downloads and disconnect me if I download *.mp3? To quote a great man: "Never trust anyone over thirty" --bono
Hi, I Boris. Hear fix bear, yes?
Don't forget... Don't move your offices to from Ireland to another country whose taxation rate is low/none-existent to save yourself money. Unless of course the savings made by doing this are going to all those poor, starving types you always wail on about. The day you give up all your money, property and worldly belongings and donate the proceeds to these starving masses, and then you live in a box on a street, better still, sod off over to africa to live, is the day I'll pay strict attention to the cause.
Maybe then, finally, U2 will stop making music! *crosses fingers*
Seriously, someone needs to call the waahmbulance for this guy.
That's the brunt of the problem here anyway, these people are more than willing to disrupt every, every internet connection in the world in order to protect thier profits.
Litigate! In Rainbows was just released, topping all the album charts and getting universally positive reviews. Where's the latest album by U2? Riiight.
Where was Paul McGuinness when the record companies were taking over 80% of the profits during the last few decades? He didn't have a problem with that form of robbery, eh?
The guy is off his rocker, clearly.
How much you want to bet that U2 sees the problem with this line of reasoning and it totally fucking over their fans and fires this guy? I mean does U2 really want to become the next Metallica?
If they continue releasing such crappy records like their latest ones, it will come a day sometime soon when they won't have to worry about anyone downloading their music anymore...
Yeah Paul, just like all those ingrate thieving pirate bastards were stealing those $250+ concert tickets over the past few tours!! And on a side note - for a band who's very carefully crafted their public perception as being a band for social justice and sticking it to the man, do you really want to draw more attention to the fact that U2 are extremely rich and wealthy individuals who really are even more "the man" than some of "the man" they like to point their preachy fingers at from time to time? Do you really think whining about the fact that your giant pile of money used to be a lot bigger is going to endear U2 to it's fanbase?
When was that? It used to be life of the author, plus 20 years. So U2's stuff would still be theirs.
Best Slashdot Co
...but I'm paying less than $0.27USD per song on eMusic. I could pay less per song if I chose to. Now, if that business model starts to eat into this guy's house payments, is he going to campaign for eMusic to increase it prices? Or would he just advocate for a surtax? He's skipping over this whole 'free market' thing that we're supposed to be operating under, so what would stop him from taking the next logical step?
It's about time we recognize that what it going on here is _not_ an attempt to reform capitalism. It is an attempt to replace capitalism with _mercantilism_. Remember that minor North American rebellion in 1776? It had in part to do with British plans for how the colonies would buy imported crap ad infinitum, regardless of how they felt about the matter.
My fellow conservatives, allow to me scream 'wake up!' in your general direction. When an industry owns a market, it's no longer a _free_ market! Duh!
(sigh).... Rant over. Thanks for your patience.
U2 started using Stage Crew Services, a non union shop, back in the '90s. Seeing as how they were born working class and still tout their so-called activism, that smells of hypocrisy to me. I haven't bought a U2 album since. Funny thing, everyone is so up in U2's ass, you can't find much about it on the web. I was part of a protest against them, we got a chance to talk to them, and Bono was the biggest piece of shit ever. Basically said, "Do you know who I am, and what I've done? I'm the biggest activist in the world, who are you peons to criticize me? I'll hire whoever I like."
- None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
Heaven forbid that U2 might rig their website to enable them to profit off the creative output of other people.
http://twitter.com/onion2k
Am I hallucinating or did this band wilfully advertise (and directly profit from) the device that is supposedly killing them? http://www.youtube.com/watch?v=YiV4jzWitnA
This is why I paid $10 for In Rainbows, and I don't even know the name of the latest Metallica album. I refuse to listen to music by those who shit on their fans (performers or managers) and U2 just got off my list. Thank God Trent Reznor is sane.
It is dangerous to be right when the government is wrong.
Paul ain't due much respect. U2 has been on the forefront of anti-fair-use since the incident involving Negativland in 1991: The Letter U and the Numeral 2
The track parodies the whole top-40 industry by sampling the backbeat of "Still Haven't Found What I'm Looking For", and punches in bits of Casey Kasem going apeshit!. It's not just hilarious, it's one of the single most important cases in the history of sample-based music. Long story short, after a multiyear legal battle, Negativland won. By this time, most physical copies had been recalled and/or destroyed, but you can download the MP3 from their website.
In 1998, the last few chapters of the legal battle played out, also to Negativland's favor, and RIAA rewrote its rewrote its guidelines on sampling, fair use, and parody.
Which brings us back to our next top-40 hit - it's no surprise that U2 and RIAA are back in bed with each other, working ever diligently against any form of fair use: they still haven't found what they're looking for.
> I've got a huge DVD library, and it keeps growing. I'll happily pay premium prices for Criterion editions, I'm a hardcore movie geek who's always loved going to the cinema, sometimes even repeat fucking viewings for movies I really like.
If we could only find someone like Casey Kasem ranting like that off-mike, the war for fair use would be over, and we geeks would finally have won.
First off, a long-time principle of the FCC in this country (when did this change???) has been that content carriers (ISPs) cannot also be content providers. That helps keep monopoly and censorship wannabes out of the equation. Court decisions have repeatedly held (see stories here int the past recent days) that if carriers control the content of what they are carrying (ANY content), then they assume responsibility for that content. Which leads to this interesting scenario:
In the U.S. at any rate, if an ISP tries to filter out "copyrighted content", then they automatically become liable for any "copyrighted content" that subsequently gets through. I am quite sure that is not what they want to do. This issue was discussed here at length just the other day.
"building 'multi billion dollar industries on the back of our content without paying for it'" This really doesn't carry much weight coming from the lips of somebody's who's basically an agent; IMO, the pinnacle of parasitic business models. Wake up: If you're business model is based on being an intermediary or owning a channel (neither of which adds any value to the product or service)- guess what? It's time to get a new business model. There's an internet now- nobody needs intermediaries or monopolistic channels.
[dons flame proof suit]
The principle behind what he says is correct. There is an attitude that because people can do things that they should do them and that by downloading music etc illegally for free that they are sticking it to the man.
The techology companies have paid lip service to trying to solve the problem. They offer up solutions but their heart isn't really in it. The ISPs find illegal media downloads profitable especially on capped tariffs. The hardware makers are happy to have music etc on their systems as its another reason to buy/upgrade. They want it to be as easy as possible to get stuff onto them. They will do the minimum possible to ensure that the lawmakers don't feel compelled to legislate.
Blaming the problems on a poor, or outdated, business model might work to salve people's conscience but the weasel words still don't hide the fact that what is being done is illegal. From a ethical point of view they are taking the product of fellow human beings endeavours without paying for them. Somewhat of a moral dilemma.
I fully expect people to heap derision on my simplistic view of the world but in the end the above is the truth of the matter. Anything else is just an exercise in smoke and mirrors to justify theft.
As a final thought. Its now possible to buy music, on a track by track basis, for a reasonable amount of money, without DRM. Has this made a dint in illegal filesharing?
[/removes suit][on second thoughts dons suit again, this is slashdot afterall]
You may think me a tired, old, cynic. I'd have to disagree about the tired bit.
May I assume that they musicians who play some sort of popular dance music? Is there an accordion involved?
Best wishes,
Bob
"McGuinness criticized Radiohead's 'In Rainbows' pay-what-you-want business model, saying that 'the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire'." In addition, I don't see how this statement makes sense.
Let's for a second assume that Limewire, et al were "illegal download services", how does that reflect negatively on Radiohead's distribution strategy? Radiohead said: "Hey, download it HERE and pay what you want for it"; So some people downloaded it "THERE" and paid nothing for it. How is this any different from someone saying: "Hey, buy it in stores, and pay $15 for it" and then seeing people downloading it "THERE" and paying nothing for it?
If anything it shows proves that it's not just about the money. It's about how people prefer to access music. Radiohead offered it for free "this way", and people took it for free "that way". It's about a delivery mechanism that is not being provided by the industry.
And I quote...
There is technology now, that the worldwide industry could adopt, which enables content owners to track every legitimate digital download transaction, wholesale and retail.
This system is already in use here in Cannes by the MIDEM organisation and is called SIMRAN. Throughout this conference you will see contact details and information. I recommend you look at it. I should disclose that I'm one of their investors.
I think that puts it in context...
I know first hand that the iTunes sales are extremely strong. It also gives equal opportunity to every record label beyond the "top four labels", which is the real problem for the major labels. They're used to being able to throw their weight around and putting a can of spaghetti-o's on the shelves for 3 months and have it turn into gold. Things are different now. Music & Movies can be successful, but requires true talent and overall good entertainment value.
This guy is completely oblivious and ignorant of the current generation of consumers. The consumer market is still extremely strong, but the average consumer wants to be able to try before they buy, high quality, cheap, and they want it immediately. Overnight shipping is too expensive for this generation along with it's not immediate.
Ignoring the generation's desires along with the technology at the finger tips is completely ignorant. I don't mean to come across as a "fan boy" but Steve Jobs single handedly rescued the music industry. He had given the current generation the ability to satisfy all the needs of the current generation with technology of today.
I have always felt that piracy was the entertainment industry's excuse for making poor investment choices. Putting out bad bands and bad movies results in low sales. Piracy has always been around, and there have been people renting videos and copying them to VHS tapes for EVER. People used to make Mixed tapes for their friends. People used to sit around recording the radio onto tapes.
If you think about it, piracy is another form of "airplay". The record industry pays hundreds of thousands to get your song "radio airplay", because it helps create buzz and get your album noticed and then people buy it. This is the trend that has been going on for decades. There will always be people who buy albums and people who don't. There's a small group of consumers on the fence who don't buy music because it's too easy to get through some other means. I think this is a small group, because the larger group consists of people who had never bought an album, and never would buy an album, but have TONS of music because they enjoy music. But these people would rather listen to radio than buy music, but since they can download stuff for free, they do. You can find these types because they have gigs and gigs of music, and they have their music players on 'random' and don't care what is being played. You can identify a music "buyer" by their numbers of playlists and/or how frequently a specific album is played. These people are the "music buying" people.
The music industry is a tough one. But not impossible. You need spectacular talent and incredible foresight to work with musicians who are wanting to be their own thing and not ride the coattails of what is already popular. Individuality rewards a lot greater in this kind of market, where as being a "me too" band is a waste of time and money.
U2 jets don't fly anymore and the band is now a shadow of its former self.
When Metallica filed the lawsuit against Napster a coworker of mine in San Jose actually organized a boycott of Metallica at the office. He offered put his entire collection of Metallica CD's on loan in the company kitchen 'for listening' and after a few months put them up for sale on Ebay.
I would change the radio station every time one of their songs came on. I figured there was no way I was going to give the radio station my ad dollars for playing the enemy. I haven't listened to a single song since 2000.
I don't know if I'll be changing radio stations because U2's music is much better, but I definitely won't be buying any more of their albums until Paul is gone.
I read the article speech, and here are a few points of contention:
1. He states that the band (U2) is making more money than ever on live shows. Why not do more live shows then? Why bitch and moan about record sales, when your bread and butter is performances?
2. He promotes a DRM-mechanism called SIMRAN, and then states that he is an investor in the company that created it. Does this not seem self-serving to anyone else?
3. He claims that the Radiohead initiative "backfired". It strikes me that Radiohead received 100% of the profit, instead of 5% of the profit, from sales of their last album. I wonder if Radiohead thinks that this backfired?
4. From TFA:
Kids don't pay $25 a month for broadband just to share their photos, do their homework and email their pals. Hrm. It strikes me that the kids aren't the ones paying for the broadband access. It also strikes me that their parents are often the ones that shell out the money for the albums they do buy, be it from iTunes or from a record store. So does this mean that the parents should stop paying for the Internet? Or does it mean that the parents should stop paying for the albums? Or does this mean that we need a revolution in the music industry, one that focuses on live performances, with record sales being the gravy?5. He argues that the ISPs that claim they should not have to police the Internet are "relying on outdated excuses from an earlier technological age" to avoid responsibility. Well, it strikes me that the police deal with Criminal offences, not civil. If we want to have anyone 'police' the Internet, should it not relate to criminal offences? The last time I checked, copyright infringement was a civil offense, not a criminal one.
6. From TFA:
A simple three strikes and you are out enforcement process will see all serial illegal uploaders who resist the law face a stark choice: change or lose your ISP subscription. Hrm. Well, how do you determine what a strike is? Is it using p2p software? Is it downloading a U2 song? Is it uploading a U2 song? How do we define a strike? For that matter, how do we determine when someone has violated these policies? With data encryption, is there any sure way to tell, aside from criminally hacking into the end user's computer to determine what files are being shared from their hard drives?7. From TFA:
To me, prosecuting the customer is counter intuitive8.
When the volume of illegal movie and music P2P activity was slowing down their network for legitimate users recently in California, Comcast were able to isolate and close down BitTorrent temporarily without difficulty. And then they got sued. 'Nuf said.9. He goes on to say that ISPs can filter content easily, citing Google blocking BMW when BMW started 'playing games'. I think this guy needs to learn the difference between a search engine and an ISP!
10. Here is my last point. From TFA:
Cheap technology has made it easy to start a band and make music. Well, that same 'cheap technology' has allowed these bands to distribute their music and get heard, which most artists are quite happy with. The money is made from the live performances, and I will happily pay to see a good band live rather than listen to a mediocre band on a CD. I will even pay double, triple, or quadruple the price of a single CD to see one live show!Well, all that being said, does anyone have any thoughts?
.sig
I cant believe the news today
Oh, I cant close my eyes and make it go away
How long...
How long must they steal our songs?
How long? how long...
cause tonight...no sales of our song "One"
tonight... they're all downloading "One"
Tonight...
Broken models of our business bleat
Record execs thrown out on the street
And we won't make our earnings call
It puts my back up
Puts my back up against the wall
Pirate bay, bloody pirate bay
Pirate bay, bloody pirate bay...
There are 2 kinds of people in this world. Those that can keep their train of thought,
Unions as they exist today are a mixed bag, neither the saviors of the working poor nor the blight you make them out to be. Reform is needed, but that's been true of unions for over 100 years. I volunteered with the Industrial Workers of the World, otherwise known as the Wobblies. Most people don't know about us outside of history class, but the IWW still exists. Here's how the IWW is different: no mandatory union dues taken out of your paycheck, complete and total democracy, and only one paid (and democratically elected) position. Also, instead of seperate unions, everyone is in the same union, but a different branch. That way, when the janitors at a plant strike, the electricians do too.
I uphold that anyone should be able to hire whoever they like. But I and my friends should be able to bargain collectively, and we will point out, quite vociferously, when you as a business owner are trying to screw us over. That's free speech, and the Wobs used to read from the Constitution in town squares across the US just to make that point. That's one reason the IWW was suppressed so hard. Even to the point of being literally massacred.
We are NOT like other unions.
- None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
If refusing to work on a wage below X is extortion, then refusing to pay someone more than Y for that work is also extortion. Given this, you may wish to rethink your statement a little.
Forget magic. Any technology distinguishable from divine power is insufficiently advanced.
US copyright wasn't extended to life of the author + 50 years until 1976. From 1909 to 1976 it was 28 years and one 28 year renewal. From 1831 to 1909 it was 28 plus one 14 year renewal. The original 1790 terms applied until 1831.
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I am a musician. I play mandolin and fiddle. But I all really getting pissed off at all these folks who are doing everything they can to lock up our cultural heritage with copyrights and other dodges as described in this story. Music has developed into its present form over many, many thousands of years. Nothing U2 or what any other musician is creating is anything other than an incremental twitch to what has gone before. Yet the content companies and artists are attempting to claim exclusive and complete control over musical expression without the recognition of the debt they owe to those that came before.
The real thieves are the RIAA and musicians who claim all content to themselves. It is very, very wrongheaded. It is like building your house on the town commons and then claiming you own the land and will allow no trespass.
What about the artists that put their own stuff out on P2P networks? You going to kill people's ISP accounts for downloading what artists rightfully put out their? (And I'm talking about artists that fully own their stuff and don't have to worry about whether a label has rights to it.) I think both artists and people very much have a right to trade that stuff over P2P. (Yes, I plan on doing this myself. Working on setting up my own sound studio at the moment.)
Truth is like the sun. You can shut it out for a time, but it ain't goin' away. - Elvis Presley (source: imdb.com)
I love how this is advertised as a proof of lost sales. People who were NOT even willing to pay $0 to download 'In Rainbows' from the official site would have paid for the album if file sharing didn't exist? How is that reasoning possible?
What this fact proves, quite soundly, is that the vast majority of illegal downloads were never lost sales at ANY price. The reasoning used to say it is 'lost sales' shows a stunning lack of basic business sense that just might be the real problem in the music industry.
I noticed that too and laughed. Then I read the article to learn that the summary is totally botched.
U2's agent actually mentioned Oracle, Intel and other major companies in a plea for a solution to "save the music industry". While I disagree with his plea, he's not as dumb as the summarizer to suggest Oracle profits from so-called "piracy".
I'm usually harshly anti-P2P, on the basis that it hurts artists through cheapskates using it instead of buying music through legitimate sources, therefore denying them revenue. Given that I kinda like having said artists around to listen to, I really, really don't like P2P.
For U2, however, I will make an exception. I'd use Azureus and hurt them myself, but my broadband connection would start crying and go on strike at having to carry such shite.
The same goes for the film Lady In The Water. What a godawful piece of shit that movie is. I didn't even pay to see it and I want the ticket price back as compensation.
I write bullshit
Why does this whiner have a voice that people listen to? Because he has influence.
How did he get influence? Truckloads of money flowing through the band he manages.
Where did he get his truckloads of money? You.
Lesson: Stop giving these people money and they just might go away.
Your wallet is more powerful than you might think - who you give money to determines who influences your government in the future far more than your insignificant vote ever will.
"Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
My old professor used to say, "Those companies with unions have, in almost all cases, done something to the employees to deserve it".
And the best part is: when you go back and actually fact check that statement, he's exactly right.
You just don't see unions at places that treat their workers well. And in the converse, you almost always see unions where they don't (or at least attempts to unionize). Sometimes they intersect when the unions try to recruit new members at "good" companies but for the most part, unless the employer is just an asshat, they get rebuffed. In places where the employers are good to the employees, the unions just don't get the play that they demand.