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Purported ACTA Wishlist Would Put DMCA To Shame

ulash writes "Ars Technica has an article about the (alleged) leaked 'wishlist' that RIAA submitted to the US government back in March of this year listing what they wish to see as a part of ACTA. The list includes such gems as forced filtering of materials by the ISPs, gutting the parts of the DMCA that provides safe harbor to the ISPs, and even restricting supplies of 'optical grade polycarbonate' in countries 'with high rates of production of pirated optical discs.' While the effectiveness of such a 'wishlist' on the law is not by any means objectively measurable, if one takes into account how *AA was instrumentative in the passing of DMCA, I think it is more than likely that they will get at least some of their wishes."

79 of 348 comments (clear)

  1. At what point by Anonymous Coward · · Score: 5, Insightful

    At what point are they satisfied?

    1. Re:At what point by Endo13 · · Score: 5, Insightful

      It looks like they won't be satisfied until they can charge an "entertainment tax" that everyone on earth has to pay simply for being alive. And of course, dictate exactly how much that tax must be.

      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    2. Re:At what point by spidercoz · · Score: 5, Insightful

      When they can charge us for thinking about music

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - Evelyn Beatrice Hall, re Voltaire
    3. Re:At what point by pitchpipe · · Score: 5, Insightful

      Never. If your livelyhood was threatened by by changing global economic dynamics, at what point would you be satisfied by government intervention? Especially when that intervention will always be ineffective?

      Really what they are going to succeed in doing is continuing the decline of the United States as a global power relative to other countries through restrictive trade practices and strong arm tactics to the point where the U.S. will not be the preferred trading partner because of all of the baggage that comes with it.

      In essence, they are selling us down the river.

      --
      Look where all this talking got us, baby.
    4. Re:At what point by ShibaInu · · Score: 5, Informative

      Well, except for the fact that the RIAA is controlled by four large multi-national firms. EMI is British, Universal is owned by Vivendi, a French company, the head of Warner music is Canadian and Sony BMG is about as multi-national as you'll find anywhere. If anything, the RIAA and the companies that control it are trying to do this everywhere. US politicians are going along for the ride, but so are governments all over the world.

    5. Re:At what point by dintech · · Score: 4, Insightful

      I can't conceive that RIAA members would ever submit to a fixed rate payment system unless they were backed into a corner. The main objective of all this lobbying is to defend the monopoly against newcomers to the content distribution game and lock in consumers to their existing business model.

      How can you grow your business year on year without disproportionately raising the tax. Cut costs by lowering lower quality? Make less content? This levels the playing field with the YouTube generation and that's not where the *AAs want to go.

      Right now, the monopolies are looking for ways to safeguard the business models which keep them at the top of the game. Since they're still holding all the financial cards, expect this very powerful lobby to continue to shape the rules of your country for the foreseeable future.

    6. Re:At what point by somersault · · Score: 2, Insightful

      While I agree with the notion that we need to be able to have more involvement in the passing of individual laws (though things like the PATRIOT act would likely still go through when the proponent hit the sheeple's fear nerves when doing the marketing/propaganda when proposing the law..), how is open source a valid model? Are people just going to occasionally put forward patches for the law? Who decides what patches are commited and what are thrown away? etc etc. There will always have to be leadership, and that leadership will have its price.

      --
      which is totally what she said
    7. Re:At what point by jollyreaper · · Score: 4, Funny

      It looks like they won't be satisfied until they can charge an "entertainment tax" that everyone on earth has to pay simply for being alive. And of course, dictate exactly how much that tax must be.

      Citizen! Did you see Love Guru, the hit new Mike Meyers comedy?

      No.

      Traitor! The cost of a ticket has already been debited from your account.

      WTF!

      Citizen! Have you seen the latest Halloween, the hit new Michael Meyers slasher?

      No.

      Eh, can't really fault you on that one, it sucked. We're still deducting the cost of a ticket but crediting it to a better movie.

      WTF!

      --
      Kwisatz Haderach
      Sell the spice to CHOAM
      This Mahdi took Shaddam's Throne
    8. Re:At what point by Mix+Master+Nixon · · Score: 5, Funny

      Let them just try it. Why keep shooting yourself in the foot when you can blow the whole leg off?

      --
      Oppressing an entire population is never cheap.
      --Jeckler (/. Beta IS GARBAGE!)
    9. Re:At what point by somersault · · Score: 3, Insightful

      I think the word actually embodies western culture quite well. We take something, consume it, and throw it away. That's even true when it comes to music in some cases, as in with trashy pop that gets to number one one week and then is gone the next. Despite the fact that digital files are not technically 'consumed' (unless they have some kind of DRM that deletes them after a few days), IMO the the word is fairly accurate even in its economic and political context. Consumers are the ones that make use of all the goods and services that the market provides (ie anyone who isn't self sufficient).

      Personally I'd say the RIAA views its customers more as cattle to be slaughtered, and processed in such a way that no part is 'wasted'. Only they don't realise that in slaughtering every last cow they can right now, they are forgetting that they need to leave some behind to create future generations and further profits.

      --
      which is totally what she said
    10. Re:At what point by rtb61 · · Score: 4, Interesting
      No, it has nothing to do with profitability of corporations. The underlying basis is power and lust. The RIAA/MPAA works for organisations that target most of their works at children. Their desire is for unlimited power and control. They want to be the only source of information, the only point of access for self 'sic' expression, they want to totally define public thought and they wish to force adoration for them from the general public.

      This is clearly demonstrated by their willingness to punish children, to control their lives, sending them to jail for copying music whilst simultaneously promoting the self destructive practices within that age group via that same content, in affect priming them for intimate contact with publishing executives.

      The only constraints that will limit the corruptive practises of these organisations are the ones forced upon by the general public, those that appreciate that the quality of an industry is not defined by the profit it makes but by the nature of the products it produces and whether that product supports a healthy society or as is clearly apparent the product in fact attacks society, tears down family values and, even promotes criminal behaviour.

      --
      Chaos - everything, everywhere, everywhen
    11. Re:At what point by sm62704 · · Score: 4, Insightful

      Really what they are going to succeed in doing is continuing the decline of the United States as a global power relative to other countries

      The sellout continues.

      Well, except for the fact that the RIAA is controlled by four large multi-national firms. EMI is British, Universal is owned by Vivendi, a French company, the head of Warner music is Canadian and Sony BMG is about as multi-national as you'll find anywhere

      Yet these foreigners have more access to "your" representatives than you do. WTF is the point of even going to the polls when our legislators are OWNED lock stock and barrel by foreigners?

      No lobbyist from any corporation whose shares are available to ANY foreigner should have any access whatever to "my" representatives. "My" representative doesn't represent me, he represents foreign rich people.

      And I'm supposed to respect the laws these bozos write? Sorry, bud, fuck your laws, I'll follow my conscience. The RIAA and its government stooges can go to hell. I'm no longer playing. Since I have no representataion, the only reason I see for respecting the law is their guns. The traitorous Democrats and Republicans have gotten the last vote they'll get from me until they swear off accepting contributions from my enemies. When we get respectable lawmakers writing respectable laws, I'll respect the law. Until then I shall not only ignore it, but I will encourage everyone else to as well.

      We fought for independance from foreign overlords (ironically we celebrate it this Friday), only to let them sneak in and steal our country.

      It's a sad day for America.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    12. Re:At what point by sm62704 · · Score: 2, Insightful

      At what point is enough heroin to satisfy a heroin junkie? At what point is enough crack to satisfy a crackhead? At what point is enough money to satisfy a billionaire?

      There is no such thing as "enough" with any such addict.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    13. Re:At what point by Reziac · · Score: 2, Interesting

      What, like the British television tax??

      Tho that one at least goes to support publicly-available broadcasts. If the **AA were to get such a tax enacted (and I'm sure they'd love to collect an annual fee for every receiving and/or recording device) it would go directly into their own executives' pockets.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    14. Re:At what point by Anonymous Coward · · Score: 2, Interesting

      Bad Hypothetical Alert!!!

      That's because copyright violation is a civil and not criminal charge.

      The original poster was on to something- only the RIAA would sue somebody for downloading a song that glorifies theft and murder. (I'll find a specific rap song for you if you really need it). To spell it out for some of the slower readers, it is ironic that they would sell you an album promoting theft and lawlessness, and then sue you for doing what their own product encourages.

    15. Re:At what point by dwarfking · · Score: 3, Informative

      The problem as I see it is the fact that they even can be owned, and that is because they are professional politicians instead of the original citizen-statesmen that was envisioned by the founding fathers.

      They act more like an aristocracy than a representative body, but because they are constantly on the re-election tread mill, money has great influence over them, and these types of organizations (i.e. RIAA/MPAA) have lots of money.

      It would seem, then, that a simple solution would be for the individual States to enact term limits. And this doesn't need to be a US Constitutional Amendment to limit Congress Critters as the 22nd Amendment limits the Presidency, because Congress are not Federal employees (which means they actually shouldn't get Federal pensions either). They are elected solely by their State, so a given State should be able to enact term limits that affect their own representation. Only the President and VP are nationally elected, thus the need for the 22nd Amendment.

      If you eliminate the permanent politician in Washington, then there wouldn't be as much need for the money chase and we might actually get better laws.

      Of course all the Congress Critters would scream bloody murder and pass all types of legislation to prevent term limits that would need to be challenged to the Supreme Court, but based on how they responded to Gore vs Bush, indicating all voting rules are the province of the State to decide, it would be an interesting fight.

      Pipe dreams, I know.

    16. Re:At what point by somersault · · Score: 2, Insightful

      It is the way of it. If someone wants money and power, there are generally ways to get it. Those that aren't interested aren't going to be putting as much time towards open source governance anyway. I'm not saying the current system is the right one, and I hate corruption, but open sourcing everything isn't going to get rid of all corruption either.

      Those power-hungry, corrupt, egomaniacal people will still be able to manipulate people as much as they currently are. Having the ability to vote on individual issues will help a little, but not entirely, because the public is easily manipulated through education and media. Most people who write OSS are quite intelligent, so I wouldn't mind if they had legislative power. Now, instead imagine that instead it was the inhabitants of MySpace, or the viewers of Fox News that had control over the law. Would you want that? How does open source government deal with the fact that a lot of people are dumb and easily manipulated? The ones with money are still going to be the ones who can push their own agenda the most, unless advertising and campaigning was made illegal. But if it was, they'd pay people to vote for it to be made legal. Meh.

      --
      which is totally what she said
    17. Re:At what point by ultranova · · Score: 2, Interesting

      Yet these foreigners have more access to "your" representatives than you do. WTF is the point of even going to the polls when our legislators are OWNED lock stock and barrel by foreigners?

      As a foreigner I assure you that I have no access whatsoever to your legislators, nor to my own for that matter. In fact it seems that the situation is essentially identical in all countries. That suggests to me that the RIAA are actually the covert intelligence operation of an invading alien force, sent here to cripple our culture and make it possible to shutdown our technology remotely.

      Indeed, it is the most plausible explanation: RIAA and its ilk are actually slime creatures from outer space, and not very nice to the human race. They'll suck your brain out through a straw, you just can't trust those guys. So hide the children, lock the doors, and always watch the skies.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    18. Re:At what point by lessermilton · · Score: 2, Interesting

      It would seem, then, that a simple solution would be for the individual States to enact term limits. And this doesn't need to be a US Constitutional Amendment to limit Congress Critters as the 22nd Amendment limits the Presidency, because Congress are not Federal employees (which means they actually shouldn't get Federal pensions either). They are elected solely by their State, so a given State should be able to enact term limits that affect their own representation. Only the President and VP are nationally elected, thus the need for the 22nd Amendment.

      If you eliminate the permanent politician in Washington, then there wouldn't be as much need for the money chase and we might actually get better laws.

      What would be really interesting is if representatives could not recieve renumeration for their efforts, but instead had to pay from their own pockets traveling/food/etc. Or at the most, only recieve the "average" wages of their constituents as renumeration. I think that would lead to a lot more fair and equitable laws being passed. And elected officials would actually *care* about how much their constituents earned, and they would have a desire to increase the standard of living for all.

      At least I *think* so.

      --
      I wish I had a witty .sig
    19. Re:At what point by KillerBob · · Score: 3, Interesting

      Sadly not... they're spending more money to produce the crap that they're making now than they did to make the truly good works of art of yesteryear. The movie industry has been going steadily downhill since 1939 (slowly at first, but with gaining moment recently), and the music industry has been going downhill since the 1970's. There's still a few places you can go to see real talent, but it's mostly been stifled by people who would rather not take risks.

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    20. Re:At what point by KillerBob · · Score: 3, Interesting

      Whenever I buy a CD (and yes, I do still buy them) I check the label. If it's a member off the RIAA, I don't buy it. It's not that hard to avoid them, if you know where to look. And because they aren't afraid of taking a risk (well, aren't *as* afraid) you tend to find better music on the indy labels anyway.

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    21. Re:At what point by Phil+John · · Score: 2, Funny

      It is if what you are successful at is art gallery heists!

      --
      I am NaN
    22. Re:At what point by Lost+Race · · Score: 3, Insightful

      What would be really interesting is if representatives could not recieve renumeration for their efforts, but instead had to pay from their own pockets traveling/food/etc.

      So when you get elected and go to serve your term in Congress, you catch a bus to DC and stay in some cheap hotel/apartment. Or maybe you get a ride with a friend who happens to be going that way, and stay at the house of some other friend who happens to have a spare bedroom. And maybe that ride happens to be in a private jet and the spare bedroom is in an unoccupied (but nicely furnished) house in the best part of town. And you always have lunch with friends (who always seem to pick up the tab) and somebody always invites you over for dinner.... You often chat with your friends over lunch or dinner, or maybe at the golf course, and they don't exactly ask for favors but they do present some really compelling arguments for or against some public policy in which they've taken an interest. They're eloquent and erudite and really seem to have thought about this stuff a lot, so at some level you trust their judgment and it helps form your impression of the zeitgeist. It sure is nice to have so many smart, successful, and generous friends! Where were they before you got elected to Congress? Oh, that's right, they were helping out (on a strictly volunteer basis, as friends) with your campaign.

    23. Re:At what point by invader_vim · · Score: 3, Insightful

      You missed one...

      Citizen! Have you seen any Hollywood blockbuster films recently?

      No, I went to see an independent fi--

      TERRORIST!!!!

    24. Re:At what point by nomadic · · Score: 2, Insightful

      At what point are they satisfied?

      Honestly? When you can only rent their music. Their dream is to have a pay-per-listen system set up.

    25. Re:At what point by drinkypoo · · Score: 2, Interesting

      There's still a few places you can go to see real talent, but it's mostly been stifled by people who would rather not take risks.

      Bah. Just go out! Eventually you'll find some. If not at least you'll get some air and you'll see some people no worse than the dipshits being produced by the so-called major labels.

      The good news is that internet distribution is quite feasible these days, and any asshole can master an album (I've done one, for example.)

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  2. What about when the **AA's are out of business? by fictionpuss · · Score: 4, Insightful

    We know their business model is fatally flawed, but the legislation they've bought will still be hanging around for years to come.

    1. Re:What about when the **AA's are out of business? by ivantheshifty · · Score: 5, Insightful

      That's exactly right, and why everything the **AA's do is so dangerous. The RIAA is an example of an industry group that knows its business model doesn't cut it, and rather than adapting to face advancing technology, it's instead desperately flailing to stymie progress and preserve itself for just a couple more years. But the rest of America will be grappling with the DMCA for decades. God help us all if ACTA gets enforced.

    2. Re:What about when the **AA's are out of business? by norminator · · Score: 2, Funny

      they music and sell it to people who want to buy it.

      Wow, I didn't know music could be a verb. But I think that's a great idea. I'm going to music my cubicle as I work this morning. Then when I go home tonight, I'll music with my guitar for a while. I remember that party I went to last weekend... They really musiced up the place!

    3. Re:What about when the **AA's are out of business? by causality · · Score: 4, Insightful

      they music and sell it to people who want to buy it. Whats a better business model that WORKS genius?

      If its so shit, why do 99% of artists still sign to a record company?


      Why is it that anytime a large organization abuses its power/influence and Slashdot calls them on it, there are always those like you who rush in to defend said organization? I realize you're probably not really an employee and are probably not a paid shill; however, the reason why such accusations come up from time to time is that it otherwise doesn't make sense.

      I'll sum it up for you this way. If your business model requires expanding the power and authority of the federal government and dictating to another industry how many units they may sell (the summary mentioned restricting supplies of "optical grade polycarbonate"), then your business model is broken and deserves to fail. This is true no matter how many artists sign up with you. If "people want to buy it" then these measures are unnecessary. If people don't want to buy it then the industry needs to either fail or find something that people do want. I've read the Constitution, I couldn't find "guarantee the success of an entertainment industry" anywhere in it. People who really think this is a good idea have no clue how dangerous it is to allow government to be so blatantly controlled by a trade industry.

      When you asked "What's a better business model that WORKS", that's the question the *AA's should be asking. Instead, they are asking "how can we use government to guarantee the success of our current business model" which is the problem.

      --
      It is a miracle that curiosity survives formal education. - Einstein
    4. Re:What about when the **AA's are out of business? by uxbn_kuribo · · Score: 5, Insightful

      Not only that, but with every industry on the decline due to recession, the RIAA seeks to blame piracy for its downturn. Gee, guys, ever think that maybe poor people buy less albums? The way they talk, people have an obligation to support their industry. I swear, they're just as bad as the travel companies.

      --
      No portion of this post may be rebroadcast without the express, written consent of Major League Baseball.
    5. Re:What about when the **AA's are out of business? by uxbn_kuribo · · Score: 5, Insightful

      And for that matter, the bit about security officials searching mp3 players for illegal music? Let's not worry about the guys sneaking bombs into the terminal, let's worry about the guy with some Coldplay (ugh) mp3s! Furthermore, how can an airport offical determine what mp3s are legal or not? I mean, they could be freely distributed (like Jonathan Coulton's work) or legally downloaded. Hell, Youtube regularly removes "copyrighted" videos at the request of people, despite no copyright being violated, despite fair use, and even despite the claimant not owning the copyright at all. The *IAA will soon reach a point where everyone (not just us internet folk) knows that if they could form their own police force like the Gestapo, they would.

      --
      No portion of this post may be rebroadcast without the express, written consent of Major League Baseball.
    6. Re:What about when the **AA's are out of business? by gooseupfront · · Score: 2, Funny

      how do you pronounce musiced? is it musicked, museeced or muse-iced?

    7. Re:What about when the **AA's are out of business? by Endo13 · · Score: 4, Insightful

      if they could form their own police force like the Gestapo, they would.

      Why bother, when other police forces already do their dirty work for them.

      --
      There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
    8. Re:What about when the **AA's are out of business? by oyenstikker · · Score: 3, Insightful

      The industry's business model (make music, sell it) is fine. Except that the people it wants to sell its product to are breaking the law to get their product by other means.

      The industry has two options. It can try to get law enforcement to go after a huge number of its customers until the enforcement is a deterrent to the law breaking. Or it can try to make it harder for people to break the law.

      Trying the first method is very problematic, as I'm sure you all know, because you can't figure out exactly who was doing the law breaking. The second is incredibly inefficient and causes a huge amount of collateral damage.

      I'm not a shill. I dislike the industry enough that I only buy music directly from musicians. But come on, the only problem with their business model is that it is easy to break the law and people are willing to do it.

      You may not like that they are doing terrible things to try to stop people from breaking the law, but their business model is not the problem.

      --
      The masses are the crack whores of religion.
    9. Re:What about when the **AA's are out of business? by z80kid · · Score: 3, Insightful
      Everybody mentions that their business model is flawed, and that they need to change.


      But who is the "they" who are pushing this crap? They == the executives who control the current racket. And their "business model" basically boils down to "riding on the backs of the relatively few who actually produce something."

      "They" have to fight the future, because the future does not include most of them.

    10. Re:What about when the **AA's are out of business? by zippthorne · · Score: 5, Funny

      Strip searching people for any reason will often yield busts...

      --
      Can you be Even More Awesome?!
    11. Re:What about when the **AA's are out of business? by whereiswaldo · · Score: 3, Insightful


      Just about every time I'm tempted to buy a movie, I think about how many times I've watched rent-and-burned movies. In all, I think I've watched two burned copies more than once. Even the movies I have actually bought just sit there and collect dust.

      Every time I'm tempted to buy a CD, I think about first finding a store that lets me listen before I buy, then thinking about spending at least an hour going through albums aimlessly as I have no good way to find what's related to things I already like. If I do find something good, I think about the blank CDR media tax here in Canada and say forget it - I'll get my money's worth out of that tax and just download my music. Besides, it's so much more convenient. I also think about all the CDs I had bought over the years and how much crap is on them. It's time to get my money's worth.

    12. Re:What about when the **AA's are out of business? by IndustrialComplex · · Score: 4, Interesting

      You know what, I don't buy their stuff, but then I might want to buy something that is completely unrelated to the RIAA.

      You know, cable television service.

      Except that due to the proddings of these organizations my cable-box is a piece of shit. If I switch input sources on my television, it loses its HDCP connection and must reconnect (this results in a few seconds of black-screen that aren't necessary).

      The nice company, Scientific-Atlanta, decided to be very safe in their design. When their smart cable box determined that an evil pirate like me decided to include the input source from my cablebox->HDMI->TV with my Cablebox->Composite out->TIVO->Composite->TV (you know, the low res stuff). The cable box freaks out and blocks ALL output on all video sources.

      The result is that whenever my Cablebox detects a HDMI connection, it shuts down all other outputs and displays a large "OMG DON'T USE ANYTHING BUT HDMI" message with an 'ok' dialog.

      So what happens? My Tivo records nothing but a large dialog box instead of the television show that I am completely within my rights to record.

      Of course, this doesn't happen if I use the component connections on the cable box, which kind of makes this entire attempt to block piracy COMPLETELY FUCKING POINTLESS. It simply causes me to not be able to use all of the functions of the equipment that I already own.

      So I had to ditch the HDMI connection, or manually operate my TIVO....

      Or I could just spend 10 seconds and download an unencumbered pirated version that works better.

      --
      Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
    13. Re:What about when the **AA's are out of business? by gknoy · · Score: 2, Informative

      The industry's business model (make music, sell it) is fine. Except that the people it wants to sell its product to are breaking the law to get their product by other means.

      The idea of selling music is JUST fine. The success of iTunes is a testament to that. The trouble is that they want to overcharge for music, and thus people no longer want to pay for it. The existence of a "black market" which allows near cost-less redistribution of content (and which people collaborate in to share music with each other) is a genie which I don't think we can get back in the bottle. The entertainment industries need to adapt to this, rather than try to ignore it (or try to crush it with legislation).

      If I were inclined to buy music (I rarely listen to music), I'd prefer to either buy used CDs, or buy non-DRM-encrusted songs from iTunes. My other options are to infringe copyrights to get it (which I don't feel is ethical or prudent), or to pay more than "market value" for an album. I prefer not to do the latter, because I feel that the RIAA has been abusing their monopoly position, and I just generally don't feel that music has the value they put on the price tag.

      This is merely a matter of supply and demand. They're unwilling to supply music at a price I feel is reasonable, and I don't find myself feeling a demand for music atthe price they set. I'd be more likely to BUY CDs if I could sample an album for free (in a convenient manner), and just pay less for an album. I'd buy more music at $5/CD than I would at $15-$20/CD... but would even then be more likely to buy individual tracks that I like.

      The costs that the recording companies charge for music includes costs for:
      - artist
      - recording service/equipment/expertise
      - profit
      - advertising
      - packaging/manufacture
      - distribution
      - ???

      I'm OK with the first three (yes, even profit), but electronic distribution means that I no longer value packaging or distribution costs AT ALL. Bandwidth costs are miniscule by comparison. Additionally, if I can listen to an album for a while before buying it, or just hear songs (even in crappy net-radio bitrate), advertising and packaging design no longer mean as much. Sure, the shiny package is pretty and stuff, but ... I look at that maybe twice in the lifetime of a CD. I'm not going to pay $10 or more for the experience of opening a CD case and looking at the liner packet.

      The industry has two options. It can try to get law enforcement to go after a huge number of its customers until the enforcement is a deterrent to the law breaking. Or it can try to make it harder for people to break the law.

      A third option is to discourage people from breaking the law by pricing their music competitively, and have it be available in such a way that it's more convenient than infringement is. Yes, this won't stop people from infringement, but MOST people would say, "meh, I can just buy it and have it in my music library." iTunes gets this right, for the most part. I'd prefer to be able to listen to a WHOLE song, or even a playlist, multiple times (and would even probably pay a subscrption if I were into listening to music), before buying a song.

      he only problem with their business model is that it is easy to break the law and people are willing to do it.

      I argue that this is precisely the problem with their business model. Kinko's no longer gets as much fax volume now that we can e-mail eachother PDFs, for example. The entertainment industry is built around the idea that Music should be scarce, and that we should pay for the priveledge of listening to it. They're wrong: music is plentiful, distribution can be (and is) nearly free. It's like trying to charge money for the shade from your tree, when people can walk around with umbrellas. For a car analogy, it would be like Amtrak or other public transit trying to prevent people from carpooling, as that reduces their potential revenue. (I know, weak car analogy. ;))

    14. Re:What about when the **AA's are out of business? by radarjd · · Score: 2, Interesting

      Why is it that anytime a large organization abuses its power/influence and Slashdot calls them on it, there are always those like you who rush in to defend said organization? I realize you're probably not really an employee and are probably not a paid shill; however, the reason why such accusations come up from time to time is that it otherwise doesn't make sense.

      The GP was trolling in tone, but it tangentially raises a good point. Artists don't have to sign with a label. They are totally free to release music on their own according to any business model they wish. Some of them do so, and others do not. Those who choose to do so obviously have reasons. The labels are able to provide marketing and distribution services which the artists apparently find lacking in other models.

      I think the "slashdot community" (and by that I mean the generally highest-modded opinions expressed on this site) believes that the record labels should not be able to support their marketing and distributing activities through the restriction of opportunities to subvert those marketing and distribution activities. On the flip side, it also seems that most people do want to "consume" the artists'-who-choose-to-use-the-labels music. In other words, if at least some people (and in fact a very large number of people) didn't want to buy it, this discussion would be moot. After all, it's extremely easy to make the record industry as it exists now go away -- simply don't purchase their music. If people didn't buy, the industry would already be defunct.

      What we have, then, is a situation where 1) people want the music, but 2) some don't want to pay for it, and 3) those can get away with not paying for it fairly easily. The people who want it and do pay for it are subsidizing the attacks on those who want it but don't pay for it. Further, regardless of your ideology on how things should be, it's difficult to argue that the large scale transfer of copyrighted material is legal under the law. That is, if you share a CD with a friend (or even several friends) you can argue that as a fair use. If you transfer a copy of that CD to a few dozen strangers, under current US law, I don't see how that's defensible. The labels are in a position where they have a right which is being violated, and enforcement is essentially impossible. All of these laws are their attempt to make enforcement of their rights possible. In other words, even their current business model should be sustainable given current law if enforcement of their rights were possible.

      They [the labels] have, by any measure, gone way way too far. ACTA is an undoing of some of the best parts of the DMCA, and a totally unreasonable extension of the liability of other industries. At the same time, you can't say their business model requires expanding the authority of the government.

      And as the GP said, if you want them to go away, it's easy -- don't buy their products.

    15. Re:What about when the **AA's are out of business? by Anonymous Coward · · Score: 3, Funny

      About half the time, as a matter of fact.

    16. Re:What about when the **AA's are out of business? by Omestes · · Score: 4, Insightful

      As for the price, if the price is too high, don't buy it. (A price that you think is too high does not justify breaking the law to get it.)

      First: breaking a law is not inherently bad. Breaking a bad law is at best a neutral act, and sometimes can be a good act. When 60% of your "customers" break a law, there is something terribly wrong with your business model AND the law. When the law is completely written by the industry, and exists only for the good of the industry, there also is something terribly wrong.

      Laws exist for the common good, not for the good of corporations, unless the two intersect.

      Buying directly from musicians don't work, since they have to buy their copies from the label. And most the time are contractually limited from being able to produce independent albums.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
    17. Re:What about when the **AA's are out of business? by TFloore · · Score: 2, Interesting

      Fair warning, I'm giving a USA-centric reply here. If you aren't in the USA, this will apply much less well to you.

      The industry's business model (make music, sell it) is fine. Except that the people it wants to sell its product to are breaking the law to get their product by other means. ...
      You may not like that they are doing terrible things to try to stop people from breaking the law, but their business model is not the problem.

      Really, the business model is not the problem I have with the RIAA and the companies that make it up.

      The problem I have, and the problem that a lot of people here have, is that the RIAA based its business model on a social contract, and then purposefully perverted that contract. I'm talking about Copyright, obviously, as defined by the US Constitution. (Told you this was a USA-centric reply.)

      Copying blatantly from Wikipedia:
      Article I, Section 8, Clause 8
      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

      This was implemented first as a 14 year copyright, with an optional 14-year extension if the Author applied for that extension. That 14-year term has been extended several times in the last 200 years. Every extension of that term in the 20th Century (3 of them, I think) has been retroactive, mostly to prevent Steamboat Willie (the first cartoon featuring Mickey Mouse) from falling into the public domain.

      Many people, myself included, view this as a violation of the social contract for Copyright, that refers to "limited times" for protection.

      The problem isn't the business model, really. It's the dirty politics and betrayal of the public trust that allows that business model.

      --
      This is my sig. There are many like it but this one is... Oops. Frank, I've got your sig again! Where's mine?
    18. Re:What about when the **AA's are out of business? by fictionpuss · · Score: 2
      There are many eloquent descriptions of why the business model is flawed, in the comments for this story already.

      If you don't agree, then you don't agree. But there isn't a 'memo' or conspiracy to formulate opinion - there is just a subjective reflection of the majority-held opinion.

    19. Re:What about when the **AA's are out of business? by Sofa+King+Cold · · Score: 2, Interesting

      Would you sneak into a movie theater to watch half of a movie just because they wouldn't sell you a ticket to watch half of it at half price? Would you break into a museum to look at one piece because the museum wouldn't give you a discount to only look at one piece?

      First of all, let me go on record as saying that these scenarios are ludicrous at best. But seeing as how you brought them up, let us discus how your logic is faulty in simple terms.

      Now, for the movie reference, First fault is that you are comparing half a movie with one song, and unless we are talking about the Styx album Kilroy Was Here or any Pink Floyd album where the music is actually telling a story, that analogy is shot to hell. But to humor you, in the sense of video watching, if I think that only half the movie is worth seeing, then none of it is.

      Now along the same analogy, only tweaked to make sense, it is like the local six screen theater charging you $46 admittance with the ability to watch all the movies in that one day, and it is the only way to watch the movies. Now, if all the movies are good block busters it might sound like one hell of a deal, but four of the screens are showing Pee-wee's Big Adventure, would you cough up the $46 to watch that one movie you wanted to watch, or would you just wait for it to come out on video, by itself, with none of the fluff or crap. But then the theater feels like it is losing money because people don't want to have to wade through their BS, so they start shutting down the video stores and the only way to see the movies is by paying for five screens of crap that no one wants to see... That scenario, stupid as it might sound, is the business model that the "album" represents.

      And now to the whole "breaking into the museum for one piece of art" argument... ARE YOU FUCKING SERIOUS?? *ahem*, sorry 'bout that. But seriously, you're joking, right? You aren't actually comparing the cesspit that is the music industry with a museum? But once again, let us dissect this logically. A museum charges a flat fee for you to make your own experience, or "playlist" if you will. You can go in and look at any pieces anywhere in the museum. If it were more like the music industry, you would have to pay ten bucks to get in to see the cubism exhibit, another fifteen to get in to see the Renaissance paintings, and don't even ask to see the sculptures....

      --
      I'll see your computer nerd, and raise you two Chess Clubbers and a role player
  3. As a frequently-seen signature says: by Boetsj · · Score: 2, Insightful

    "In Soviet Russia, the government controls the commerce"

    1. Re:As a frequently-seen signature says: by ivucica · · Score: 3, Insightful

      "In Federal USA, the commerce controls the government"

  4. Hardly surprising by SimonGhent · · Score: 5, Insightful

    Well, it's fairly common practice to submit a huge list of "wants" whether your list is business requirements, suggestions for law makers or what you want for Christmas.

    Put a few obviously silly items on the list and the ones you really want probably look a bit more plausible. I in no way advocate what they are asking for, but the way they are asking could be considered pretty smart.

    --
    simon
    1. Re:Hardly surprising by Applekid · · Score: 4, Insightful

      And if Congress weren't bought and sold by the MAFIAA, they'd get lumps of coals thrown at them.

      I never have advocated out-and-out piracy... you want an album to keep in your collection you should buy it instead of downloading or borrowing. But this is pretty much it for me. I fully support any effort to 100% undermine the funding for RIAA member companies. That way the sheer volume of cash they can throw around to bribe, er, "donate" to politicians is reduced so much that the fatcats won't budge for them any longer.

      --
      More Twoson than Cupertino
  5. Go ahead by msgmonkey · · Score: 2, Insightful

    Not that the US has some kind of monopoly on 'optical grade polycarbonate' but I'd love them to restrict access and see where it gets them.

    Hint: All fiber used for telco/datacomms infrastructure is made from glass.

    1. Re:Go ahead by Anonymous Coward · · Score: 4, Insightful

      They are talking about plastic for making CDs, not glass for making telco infrastructure.

      Keep in mind these people still think the future is in selling discs to people.

    2. Re:Go ahead by jcknox · · Score: 2, Informative

      Not that the US has some kind of monopoly on 'optical grade polycarbonate' but I'd love them to restrict access and see where it gets them.

      Hint: All fiber used for telco/datacomms infrastructure is made from glass.

      The concern is not for optical fiber, but for CD / DVD / BlueRay discs, which are optical grade polycarbonate.

    3. Re:Go ahead by HolyCrapSCOsux · · Score: 2, Insightful

      As are the lenses in my eyeglasses (or should I say eyeopticalgradepolycarbonates)

      --
      0xB315AA8D852DCD3F3DCA578FD2E0BF88
  6. the printing press by circletimessquare · · Score: 5, Interesting

    had some unintended consequences

    it made books cheap, leading to better educated commoners, leading to the creation of a middle class, leading to the idea of democracy and equality

    i'm obviously broadly glossing over the historical details, but the lesson is that the printing press allowed for the realization of a number of previously impossible and unforseen societal changes

    whatever the internet is going to do society in the realm of unintended consequences, one is sizing up pretty obvious:

    the invalidation of the concept of intellectual property

    intellectual property works when only a small number of players distribute data. it takes a lot to run a vinyl pressing plant, and easy to find and shut one down that doesn't play by the rules. but when every single person is a one man effortless data distribution factory, then getting everyone to play by the rules of the game becomes impossible to enforce

    such that there is no more game. the idea of intellectual property simply ceases to be a valid concept. if it gets out on the web, it stays there. and anything not on the web is given a strong incentive to get on there. witness the imbroglio over guns n roses chinese democracy album recently. once its out there, you can't take it back, and it is extremely easy and anonymous to get out there

    what can you enforce in such an environment? say the *AAssholes actually get their way and get all of their draconian laws passed. who cares?

    do they honestly believe anything will change? the technology will simply treat their laws like damage, and route around them. this is what the internet was made to do

    go for it *AAssholes, give the laws your best shot. why do you believe any legal structure will work to contain the internet? or, i guess the next step is: break the internet. destroy what makes the internet compelling and useful in order to preserve a dying business model

    heh, had to open my big mouth

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:the printing press by bmajik · · Score: 2, Interesting

      In exactly the same way it did before the fiction of "intellectual property" was foisted on the world!

      You mean in the dark ages? When there were no books available to the common person? No recordings of music for them to enjoy? No engineered medicines to improve quality of life?

      The idea that content matters over physical goods came about when it was first possible to produce a physical copy tremendously faster than the original content. And this radically transformed society forever, generally for the better.

      I'm merely asking how one reconciles too seemingly opposing points:

      1) copying things is easier than ever before. Information apparently wants to be free
      2) information is the only instrument of value or progress in Western society. It, more than anything else (besides perhaps the British Rule of Law) is the difference between man of today and man of 1400 AD.

      I'm not willing to throw intellectual property under the bus until you can explain to me how people with ideas can distribute their life work and be fairly compensated.

      --
      My opinions are my own, and do not necessarily represent those of my employer.
    2. Re:the printing press by Spy+der+Mann · · Score: 2, Interesting

      Please don't say IP. There is *NO SUCH THING* as intellectual "property". Musicians and content "producers" have the right to get a return of their investment. But after that return, they're no longer being "stolen" by pirates because they already got their money back.

      I'd recommend you to read The Pirate's Dilemma, and see how piracy is beneficial to EVERYONE. It's more about economics than morals. In fact, the U.S. progressed so fast because they "pirated" european patents and paid absolutely no royalties (don't believe me, read the book).

    3. Re:the printing press by UserChrisCanter4 · · Score: 2, Informative

      It's interesting that you chose books as one of your examples. They provide an excellent mirror to today's copyright problems.

      American colonists (and early American citizens) were huge consumers of pirated European books (often printed in Scotland). Part of the reason for Scottish supplies was that London printers had a gentlemen's agreement not to lower the wholesale price of books and this made early shipping owners unwilling to risk losing such expensive cargo for a minimal payoff. Scottish printers had no such qualms with dropping the wholesale price (of course, they also weren't paying the authors) As paper and presses became more affordable, American printers became engaged in wholesale copyright violations.

      Remember that although you could always find bootleg discs from some guy on the corner, the internet piracy era really took off when the perfect storm of dropping CD burner prices and expanding broadband hit.

      Canada was still an English territory, so although England was powerless to stop the piracy in the United States, they attempted to level import duties on books moving into Canada. The idea was to allow whatever books across the border, but to collect the duty, record the titles, and remit the money so that it could be distributed to the authors. You can guess how well that worked with customs agents, who basically ignored the extra work or were simply bribed into accepting shipments. Through cheap pirated work, the entirety of the American book-printing industry was built. They could undercut production costs from anyone due to the fact that American printers didn't pay out royalties.

      There are certainly many legitimate sources for electronic music, but it's difficult to imagine the success of the MP3 player without bootleg MP3s. Joe Average - to this day - is more likely to know how to pirate a song using some program his kid installed than he is to know how to rip a CD. Plenty of legitimate sources of music exist online, and the prices are quite reasonable; it's very difficult to compete with $0. Although Napster bowed out of the DRM market, they were a legitimate company who built their name on pirated goods. One might even argue that much of the success of Apple is owed not just to a quality MP3 player design but a ready supply of bootleg music with which to fill the iPod.

      Ultimately, Governments passed more and more preposterous copyright laws relating to novels. In order to obtain copyright in America, for example, you had to deposit a copy of your book with Washington BEFORE you started selling overseas. Copyright law at the time was an amalgam of author/publisher's and printer's concerns, with several countries enacting protectionist measures relating to imported books. The English had further problems with copyright on homegrown authors in their colonies (India, Canada, Australia). Things only finally sorted themselves out at the beginning of the 20th century when enough American/Canadian/Australian authors were "big" enough that both sides found it worthwhile to call a truce. American publishers stood to lose just as much money to overseas pirating as the English publishers had. Major countries met, agreements were made, and things settled into the current system.

      And so we find ourselves in the "more and more preposterous copyright laws" stage of the game. Restricting optical-grade polycarbonate? Removing common-carrier status by forcing filtering? It's going way beyond reasonable. If history is to be believed, a large meeting of the major countries and a treaty is needed, but the unfortunate answer is that such treaties already exist. The wholesale piracy houses are located in countries who don't yet have enough to lose; They're 1800 America instead of 1900 America. So while we can cross our fingers and hope for their IP cultures to take hold, we also have to address the problem of the individual file sharer - he or she will never be 1900 America and will thus always have an incentive to shoot for the bottom.

      It was a fund

  7. 'with high rates of pirated discs' by scourfish · · Score: 2, Funny

    Oh shit! They won't be sending any more blank CD's to my house in Ohio.

  8. I refuse to buy music. by tjstork · · Score: 4, Insightful

    It's pretty simple. I'm not giving these people one fricking dime and its not like songs are something that people absolutely can't live without. There's plenty of free stuff on the radio, I have plenty of songs I've paid for already... why do I need to continue to subsidize a subpar industry giving me all of this crap to begin with.

    You know, it never ceases to amaze me, that an industry that proclaims itself to be most on the side of the people, the most liberal, that rips any commercial interest of the right wing as morally wrong, has done more to subvert the rights of mankind in the digital age than any other industry.

    Next time Michael Moore or Oliver Stone or Spike Lee makes a film telling me how evil George Bush is for illegal wiretaps, perhaps we might ask them, what about all the raids, wiretaps and assaults on PCs born about by their industry. You can't benefit from digital surveillance and iron fisted prosecution of teenagers while proclaiming to be innocent of it.

    If I were President, I would pardon every single person that was ever arrested for the supposed crime of copyright violation, and i would reply to every law that congress passed at the industry's behest, with a signing statement declaring such law to be unconstitutional and a refusal to enforce.

    --
    This is my sig.
  9. Know when to hold 'em... by intx13 · · Score: 4, Insightful
    ...and know when to fold 'em. Surely somebody at the **AA must realize that the jig is up, the game is over, it was a nice (profitable) thing while it lasted, but simply pushing for more and more draconian laws is not going to bring back the age of the vinyl record - "piracy" is just too fast and easy. You just aren't going to make as much as you used to through media distribution anymore. Either find a different way to make money or settle for reduced profits.

    People will purchase media when obtaining that media is less costly than "pirating" it. You've got three ways to make that happen:
    1. Monetarily: make the music cost less in dollars than the pirated version. Obviously not posible.
    2. Punishment: make it more costly to be caught with pirated media. Tried this one, it doesn't work.
    3. Ease of use: make it easier/more pleasant to get and use purchased media than pirated media.

    The **AA is happy to keep pounding away at #2, suing en masse, requesting ridiculous measures like those suggested in TFA... but there must be somebody at the headquarters whose pondering #3.

    Of course maybe it's just that anybody with a sense for business has better things to do than work for the **AA.

  10. There are lots of gems in that wishlist by Hoplite3 · · Score: 4, Interesting

    Here's a good one:
    "3. Provide that the presumption of ownership may be rebutted only if the defendant is able to provide concrete evidence to the contrary."

    Yeah, that's right. Claimants own whatever they claim unless the defendant proves otherwise. Oh, and don't put up a fight if they sue you for having copyrighted material because:

    "4. As a deterrent to groundless defenses, award plaintiffs full costs and fees for overcoming frivolous challenges to titles."

    I propose a modest fifth bullet point. Anyone with a copyright may punch those damned ordinaries not in the "creative class" in the stomach at any time, without fear of reprisal. Genius!

    --
    Use the Firehose to mod down Second Life stories!
  11. Gutting safe harbor would destroy the web by Coopjust · · Score: 4, Insightful

    gutting the parts of the DMCA that provides safe harbor to the ISPs

    This would destroy the free web as we know it. No site would be willing to accept user generated content (at least, no site in the United States) because there is no foolproof way to tell whether the person is uploading home movies or part of a summer blockbuster.
    That provision is absolutely necessary for the functioning of the web as-is. Any legislation that would try to remove it would be laughable.

    Mandatory copyright filters- good luck with that. More stuff will come in password encrypted rars (including filename, of course), nullifying any benefits of these things. Consumers would have to pay for these moronic devices, which would be expensive if they didn't botttleneck ever-growing connections.}

    And, as other posters have said, the United states is not the only country that makes optical disks.

    This is a poorly attempted legal solution to an age old technical problem...

  12. the world you describe never existed by circletimessquare · · Score: 4, Insightful

    ip laws never rewarded creators. it rewarded distributors. one hit musical wonders throughout the 70s and 80s signed away their rights for pennies, were given free rides on corporate jets for a few months, then utterly forgotten about. bands like the beatles and prince got to be powerful because they became popular enough over long enough of a time that they took on the rules of the distributors, and became part of the machinery. but the vast majority of musical creation was never rewarded in real sense that you mean

    so the idea ip rewarding creators is a nice idealistic selling point, but it never actually works that way. the rules of power favors the distributors, so they merely shade and juggle the legalese that the ip laws serve them instead of the creators

    this leads us to 2 conclusions:

    1. destroying ip doesn't actually impoverish creators
    2. creators can still tour- you can't distrubte a concert tour on the web. creators can still whore for advertising. creators can be sponsored by corporate masters to make corporate product. and creators can simply enjoy their fame. is money really the only thing that motivates people to create music?

    so its a better world without ip. its not like music will suddenly disappear. cheap opo like britney spears and justin timberlake won't even disappear: they'll simply be hired by corporations to produce product that is used for advertising, brand building, etc.

    the desire to create music is not dependent upon financial concerns. music predates ip law, duh. most kids pick up the guitar to impress chicks. now if you said making music means you could never seduce a woman ever again, then yeah, music is dead. otherwise, no ip law? no problem. full steam ahead

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  13. Re:Congress has become a liability by Shark · · Score: 2, Interesting

    Getting rid of congress and passing everything onto the people through referendum (some sort of yearly limit would be necessary for legislation) seems like a better choice to me at this point.

    I agree, let's hire Diebold to make sure that the process is fair. And Fox News to make sure the opinion of the masses is completely impartial.

    Though that was satire, I honestly can't say your idea would be worse than what's currently in place. Regardless, a purely democratic government would likely leave 'large minority' of its people quite oppressed. The US is(was?) a constitutional republic for that reason.

    --
    Mind the frickin' laser...
  14. Presumption of guilt by Tweenk · · Score: 5, Informative

    Interesting excepts:

    Section D.1 basically says that when you pirate something, they can confiscate anything they deem "related" to the infringement (all your PCs are belong to us).
    Section I.1 says that all optical disks must be approved by MPAA/RIAA thought police prior to pressing.
    Section J.6 requests that ISPs are guilty until proven innocent.
    Section J.10 says that MPAA/RIAA should be able to directly spy on your Internet use.
    Section K.1 implies that IP pirates are tied to terrorists and organized crime.

    --
    Those who would give up liberty to obtain working drivers, deserve neither liberty nor working drivers.
    1. Re:Presumption of guilt by Smidge204 · · Score: 4, Interesting

      I guess this will come down to who has the stronger lobbyists: The *AA or the telecoms.

      That is really goddamn scary.
      =Smidge=

  15. Important article by Reziac · · Score: 4, Interesting

    If you haven't read TFA at http://www.spectrum.ieee.org/print/3673 , kindly do so. It makes some pungent observations, frex this one, which pretty much says it all:

    "Copyright is being turned from a limited-term incentive designed to encourage creative artists to a broadly scoped transfer of wealth from the public to the private realm. As the industries that generate copyrighted materials seek control over not only their works but also the devices on which we watch, listen to, and remix them, copyright law is turning into technology regulation."

    --
    ~REZ~ #43301. Who'd fake being me anyway?
  16. Re:Working hard on losing that cultural dominance? by sm62704 · · Score: 2, Insightful

    ...with all the religious fundamentalists in your country

    Actually, those "religious fundamentalists" worship money, although they pretend to be Christians worshiping God. Their prayer:

    Our money, who art in the bank, hallowed be thy name
    My kingdom come, my will be done on Earth and in outer space
    Give me this day my daily income, and forgive nobody
    Lead us not into temptation of charity, but deliver us from taxes
    For gold is the kingdom and the power and the glory forever.
    Let's eat.

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  17. My Wishlist by Aidtopia · · Score: 3, Interesting
    1. Creators and authors get to choose copyright protection OR technological protection measures, but not both. DRM is incompatible with copyright law. I'm happy to let you have both, IF your DRM scheme manages to respect Fair Use and expiration of copyright and doesn't invent any restrictions that aren't part of the copyright protections (e.g., geographic restrictions). Of course, that's impossible.
    2. Any work whose primary distribution is encumbered with DRM must place an unencumbered copy in escrow with the Library of Congress before any commercial distribution, along with a maintenance fee to off set the Library's expense.
    3. No copyright registration is required UNTIL commercial distribution of a work.
    4. Copyright expiration is dramatically shortened. Lifetime of author, 25 years from creation for a corporation, or 14 years from first commercial distribution. Protection may be renewed for a modest fee every 14 years, indefinitely. Disney can keep Steamboat Willie as long as they value it, but we get all the orphaned and abandoned works in the public domain.
    5. False use of DMCA take downs and lawsuits alleging infringement may be penalized by placed the work(s) in question into the public domain.
  18. It is immoral to buy from RIAA members by Jimmy_B · · Score: 3, Insightful

    It is immoral to pay for any CD which is published by an RIAA member. They use the money to corrupt our legislators, abuse our courts and ruin peoples' lives. On the other hand, copyright infringement is illegal, but not immoral; no one is harmed by it except for sleazy lawyers and businessmen.

    That's right: downloading music illegally is morally better than paying for it. Ten years ago, it was not so; for indie music, it is not so; but if you pay for major-label music now, then you are helping to ruin lives.

    The RIAA is doing everything they can to portray their struggle as one of morals vs. cheapness. It isn't, because they lost the moral high ground. The only remaining excuse for paying for major-label music is ignorance.

  19. fair enough by circletimessquare · · Score: 4, Insightful

    "I'm not willing to throw intellectual property under the bus until you can explain to me how people with ideas can distribute their life work and be fairly compensated."

    ok, its 2058 and ip law is dead. you just wrote "harry potter and the toilet gnomes". a gazillion kids around the world read it electronically. you get $0

    are you unfairly compensated?

    well, now you are a world famous author idolized by most kids in the world. thats a lot of power and fame. how does that power and fame get turned into $? lots of ways: autographed copies, private readings, personalized content for rich fans, etc. you could make a tidy little enjoyable living doing that

    furthermore, how much $ did albert einstein get for general relativity? how much money did shakespeare get for hamlet?

    what do they get?

    they get immortality. respect from their peers. renown, love, admiration past their lifetimes

    how do those qualities figure into your calculation of "fair compensation"?

    in other words, there are more motivations in this world than just $. that if no money were ever guranteed again for any work of art, guess what: art would go right on being made. because anyone who is really producing art, is tapping into something that isn't motivated by money in the first place, and is rewarded with something more valuable than money in the end

    and you STILL get related revenue streams to make you quite comfortably rich

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  20. A Shorter List by masdog · · Score: 2, Interesting

    1. Copyright remains with the author or creator. In the event that there is more than one author or creator acting as a group, each shall have a share of copyright but cannot enter into exclusive agreements without the approval of the other holders.

    2. Ownership of copyright cannot be transferred to a non-creator.

    3. Fair Use and format shifting are consumer rights, and unreasonable restrictions on these rights shall be prohibited./P

  21. Re:Exactly by Actually,+I+do+RTFA · · Score: 2, Informative

    I started a mail delivery system that relied on a complicated hierarchy of mostly management, lawyers, and other high level executives, leaving only 10% of the money that the business earned actually going to pay people who delivered the mail.

    Why is that relevant? Either their business model for selling things is good or it is bad. When you bring up arguments like this, you are implicitly saying (and I doubt you mean based on the rest of your comments): Enforcement of copyright laws would allow the RIAA and its member companies to continue to exist, so the copyright laws should be ignored for the greater good of destroying an industry that treats its workers like shit.

    I'm shocked and disgusted that this new "e-mail" system gives my service away for free, and I'm going to use all of my bloated hierarchy's power to get a mail tax levied on all devices with a MAC address produced from here until Kingdom come!

    That's a poor analogy. E-mail is a competing product. Note that the RIAA, as much as it wants to, isn't advocating shutting down independent artists (the equivalent of e-mail in your analogy). They advocate people not making copies of their songs. More like the mail provider who is upset people are duplicating his stamps on photocopiers. It's a loss of revenue that he would otherwise get, from people using his product. You may claim that the lack of a marginal cost is a distinction, but I fail to understand why. The fixed costs still need to be amortized over many sales to be worthwhile.

    If the market says the way you distribute media has no value, guess what! You don't get paid.

    The market doesn't say that. CDs still sell. But, guess what, counterfit goods always have a market. That doesn't mean there is no market for Gucci bags.

    --
    Your ad here. Ask me how!
  22. Who is that behind the curtains? by Nomen+Publicus · · Score: 3, Insightful
    The *AA is not the problem - they are the symptom. *AA doesn't produce anything, they are just the media private rent-a-cops.

    The real problems here are Sony etc who fund the *AA and set the agenda.

    *AA gets all the headlines and the hate, but the companies hiding behind them seem to get a free pass for some reason.

    How about always listing the *AA backers in any *AA story?

    1. Re:Who is that behind the curtains? by Bane1998 · · Score: 2, Informative

      Yes! We need this. And we should post all their email addresses. And we should email them. Perhaps I'll go to the trouble of finding all the email addresses, or better... US Mail addresses.

      RIAA Board of Directors: http://www.riaa.com/aboutus.php?content_selector=who_we_are_board

      Mitch Bainwol Recording Industry Association of America
      Victoria Bassetti EMI Recorded Music
      Jason Flom Virgin Records America
      Bill Hearn EMI Christian Music Group
      Deirdre McDonald SonyBMG
      Joe Galante SonyBMG
      Kevin Kelleher SonyBMG
      Rob Stringer SonyBMG
      Jeff Harleston Geffen Records
      Steve Bartels Island Records
      Lawrence Kenswil Universal Music Group
      Mel Lewinter Universal Music Group
      Zach Horowitz Universal Music Group
      Craig Kallman The Atlantic Group
      Tom Whalley Warner Bros Records
      Michael Fleisher Warner Music Group
      Kevin Liles Warner Music Group
      Bob Cavallo Buena Vista Music
      Glen Barros Concord Records
      Mike Curb Curb Records
      Michael Koch Koch Entertainment
      Tom Silverman Tommy Boy Entertainment
      Jose Behar Univision
      Alan Meltzer Wind Up Records

      MPAA Members: http://www.mpaa.org/AboutUsMembers.asp

      Paramount Pictures Corporation;
      Sony Pictures Entertainment Inc.;
      Twentieth Century Fox Film Corporation;
      Universal City Studios LLLP;
      Walt Disney Studios Motion Pictures; and
      Warner Bros. Entertainment Inc.

  23. Stupid riaa. killing the internet for united state by unity100 · · Score: 2, Interesting

    s.

    up until now everything regarding internet ranging from major routers to domain name registration regulatory agency have been in united states, run by united states agencies and firms. everyone was content with it, with a few moaning voices on minor stuff.

    however if these faggots' sponsored bill passes, it will no longer be the case. no country will want to leave their connectivity to the world in a country which has a senate that is so easily made a bitch by some private interest profit groups, regardless of the excuses that are made and regardless of the pressure from their internal equivalents of riaa. national security interests and economic prospects of every country surpasses copyright shill rights.

    i can cite you a number of recent big profile cases in which such private interest pressure groups , and even international ones, have found their cases thrown out by local and national governments or courts. im sure there are more among you who can remember these, and other examples.

    result would be separate internets, one that is run by other sources, like u.n. or european union, or whichever local gathering of nations would create, and one that is run with corporate shills in america.

    i dont need to tell you how badly this would affect everything american on the web, economically. and change how things work.

  24. Parties shall... by gedhrel · · Score: 2, Insightful

    5. Provide for the availability of civil and injunctive relief against landlords that fail to reasonably exercise their ability to control the infringing conduct of their tenants.

    This is clearly targeting those pesky universities.

  25. Re:Warm and Mandatory! by eldepeche · · Score: 2, Funny

    Our market research shows that's the most popular coupon in the country!