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Fair Use Must Be Considered In DMCA Notices

I Don't Believe in Imaginary Property writes "US District Judge Jeremy Fogel has ruled that an 'allegation that a copyright owner acted in bad faith by issuing a takedown notice without proper consideration of the fair use doctrine thus is sufficient to state a misrepresentation claim,' which paves the way for a lawsuit against Universal Music over a ridiculous DMCA Takedown notice they filed. One can only hope that this ruling will some day be used against those who file misguided copyright complaints against computer printers. Those lawyers who rely upon buggy infringement detection programs to do their thinking for them — programs which are incapable of making subjective considerations like fair use — might want to think again before rubber stamping computer-generated DMCA Takedown notices."

189 comments

  1. A Bit Tilted? by eldavojohn · · Score: 5, Insightful

    "U.S. District Judge Jeremy Fogel has ruled that 'allegation that a copyright owner acted in bad faith by issuing a takedown notice without proper consideration of the fair use doctrine thus is sufficient to state a misrepresentation claim,' which paves the way for a lawsuit against Universal Music over a ridiculous DMCA Takedown notice they filed. One can only hope that this ruling will some day be used against those who file misguided copyright complaints against computer printers. Those lawyers who rely upon buggy infringement detection programs to do their thinking for them -- programs which are incapable of making subjective considerations like fair use -- might want to think again before rubber stamping computer-generated DMCA Takedown notices."

    Speaking of subjectivity, this summary is rife with it. Even though I agree 100% with it, I would prefer my news fed to me in the form of low grade homogeneous neutral gruel. I know it's more boring to read that way but it allows me, the reader, to form my own opinions. More importantly, it maintains that news source's credibility and will actually make the other side listen instead of instant dismissal. You're also needlessly jeopardizing those who are undecided on this issue. I think I'd rather read:

    "U.S. District Judge Jeremy Fogel has ruled that 'allegation that a copyright owner acted in bad faith by issuing a takedown notice without proper consideration of the fair use doctrine thus is sufficient to state a misrepresentation claim,' which now puts Universal Music at risk over a DMCA Takedown notice they filed. This ruling may also one day be used against those who attempt to file copyright complaints against computer printers & automated DMCA Takedown notices.

    I know Slashdot is not a true news site and is more so a news aggregater of whatever CmdrTaco feels is relevant but does anyone else get a sinking suspicion that we might look a bit biased to outsiders?

    There's no objectivity in this summary, it just assumes the reader needs to be told how to think (which is usually taken as an insult to intelligence). I just don't want Slashdot to turn into the "Fox News for Geeks, Stuffed into Your Gullet Our Way."

    --
    My work here is dung.
    1. Re:A Bit Tilted? by gEvil+(beta) · · Score: 4, Insightful

      I just don't want Slashdot to turn into the "Fox News for Geeks, Stuffed into Your Gullet Our Way."

      I think you're about 11 years too late for that.

      --
      This guy's the limit!
    2. Re:A Bit Tilted? by gandhi_2 · · Score: 3
      You must be new here.

      but seriously, just because you disagree with someone doesn't make them a troll. slashdot "troll" and "flamebait" are just mod-point sensoring. I'll call it a /. takedown.

    3. Re:A Bit Tilted? by UnknowingFool · · Score: 2, Insightful

      There's no objectivity in this summary

      You must be new here! :P

      Seriously this is slashdot. If you want objectivity go to news.google.com or the like.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    4. Re:A Bit Tilted? by blcamp · · Score: 1

      It may be a bit tilted, but in this case, it's tilted the way most of the readers here are in agreement with.

      Put another way: the opinions had already been formed.

      I'm just glad to see that the momentum is finally building with respect to copyright and fair use.

      It took a while for common sense to prevail in the SCO case; it's taken awhile here as well, but it good to see cracks in the Media Cartel's armor.

      --
      The problem with socialism is that they always run out of other people's money. - Margaret Thatcher
    5. Re:A Bit Tilted? by gstoddart · · Score: 1

      I know Slashdot is not a true news site and is more so a news aggregater of whatever CmdrTaco feels is relevant but does anyone else get a sinking suspicion that we might look a bit biased to outsiders?

      Suspicion??

      I know for a fact that an outsider to Slashdot is going to mostly view us as a bunch of bickering, squabling wankers who divide into camps defined by who makes out favorite operating system, music player, or role playing game.

      It's a little late to be worried that someone else might notice. Slashdot is what it is. Yup, the summaries are biased, frequently containing glaring grammatical errors, and may get posted multiple times in the same day.

      Me, I think that's (mostly) part of its charm. I don't want something written for Joe Average in a neutral way. I use google news as an aggregator to get the big picture of what's going on and what several different sources say about it.

      Cheers

      --
      Lost at C:>. Found at C.
    6. Re:A Bit Tilted? by iminplaya · · Score: 2, Funny

      ...Stuffed into Your Gullet Our Way

      Aaah, Slashdot...Gavage for nerds...Foie gras that tastes great

      --
      What?
    7. Re:A Bit Tilted? by nomadic · · Score: 1

      I know for a fact that an outsider to Slashdot is going to mostly view us as a bunch of bickering, squabling wankers who divide into camps defined by who makes out favorite operating system, music player, or role playing game.

      Outsiders? I've been reading and posting on slashdot for a decade, and that's how I feel.

    8. Re:A Bit Tilted? by sm62704 · · Score: 2, Funny

      You must be new here! :P

      Ewe muss bee knew hear! ;)

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    9. Re:A Bit Tilted? by Sockatume · · Score: 4, Insightful

      Slashdot's stories almost always come about because some guy found something on the internet he feels strongly about, and submitted it to the firehose. I mean, we wouldn't have half as many stories on IP law if I Don't Believe in Imaginary Property wasn't a complete fanatic on the subject, and Slashdot be the worse for it. The way the summaries are presented makes it pretty clear that they're the editorialised version of the original, interpreted the opinions of the submitter, and I think honestly we all have the critical thinking skills required to handle that, right? It's not like the summary is downright misleading or yet another dupe.

      --
      No kidding!!! What do you say at this point?
    10. Re:A Bit Tilted? by fm6 · · Score: 3, Insightful

      I don't agree. Slashdot has never pretended to be objective. But there's a difference between the slanted newsgathering the editors have always done and the outright rants that they've been doing lately.

      One difference is the blogosphere. Slashdot stories used to be mostly summaries of (and links to) stories on serious news site. Now there are thousands of angry, self-righteous blogs out there, and they all have have "Submit to Slashdot" buttons. The editors often pass these submissions on with little or no editing (in particular, they rarely double check the blogger's assertions) and end up posting a lot of very subjective opinions as if they're established fact.

      Plus, many editors seem to have been infected by the Howard Beale attitude of the blogosphere, and feel compelled to add their own ill-informed little rants.

    11. Re:A Bit Tilted? by Alarindris · · Score: 1

      does anyone else get a sinking suspicion that we might look a bit biased to outsiders?

      I am new here, and this site is terribly biased.

    12. Re:A Bit Tilted? by Hijacked+Public · · Score: 2, Interesting

      I doubt we all have enough critical thinking skills to grant us immunity form this kind of thing or the tactic would not be so popular. It is fun to think of Slashdot as a community of exclusively high end thinkers, but that is quite a ways from the truth.

      Despite that I much prefer this kind of bias to the paid-for-but-not-admitted-to stories. At least we can assume overly dramatic write ups get through because the editors don't really want to take the time to edit them. With the paid stories the editors are taking an active role in the deception.

      --
      "Sacrifice for the good of The State" - The State
    13. Re:A Bit Tilted? by ahabswhale · · Score: 2, Interesting

      What do you expect on a story about DMCA takedown notices submitted by a guy named "I Don't Believe in Imaginary Property"?

      --
      Are agnostics skeptical of unicorns too?
    14. Re:A Bit Tilted? by Anonymous Coward · · Score: 0

      What good is an editor if he isn't going to editorialize? I don't know where this fetish for unbiased news came from. I think it might be an offshoot of the realization that instead of multiple newspapers there are only a few TV networks, and those networks should "be responsible" or "do the right thing" or "don't be evil" or something.

      Let me clear something up for you: News sources always have bias. ALWAYS . Whether you agree with it or not is your decision. Whether you disagree so strongly as to stop accepting news from that source is also your decision. But it's not a news source's responsibility to ensure they don't have a bias.

      In fact, I'd be somewhat cautious when accepting news from a bias-free source. It usually means they have a profitable stake in either side, and are in a bidding war. That's exactly what you don't want.

    15. Re:A Bit Tilted? by larry+bagina · · Score: 0, Troll

      Ever eat a nice steak? mmm tasty. Ever try eating the turds the next morning? Not quite as good, is it?

      So why does slashdot push 3rd or 4th hand me too circle jerk blog links instead of the original source?

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

    16. Re:A Bit Tilted? by spun · · Score: 5, Funny

      Interesting side note, 'high' is a synonym for 'stoned,' while 'end' is a synonym for 'asshole.' And 'thinker' just means 'someone who doesn't do shit, but talks a lot.' I definitely think Slashdot is a community of high end thinkers.

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    17. Re:A Bit Tilted? by bugs2squash · · Score: 1

      I agree, that is not the way for a slashdot article to behave. But I do enjoy tilted news.

      Our break room used to have a TV playing fox news - about as unfair and mentally imbalanced as it gets, but funny as all heck. Especially when they get torn to shreds by some well-informed liberal or spout angry, laughable nonsense.

      It was fun watching other people respond to it too. I actually missed fox when the company decided to change the channel to CNN.

      --
      Nullius in verba
    18. Re:A Bit Tilted? by Anonymous Coward · · Score: 1, Insightful

      We? Outsiders?

      Who are these groups? I am certainly not part of some type of Slashdot hive mind. I also don't care what "outsiders" think of Slashdot. Why would I? As long as Slashdot fills a need/want for me, I am satisfied.

      It's not like people find out I read slashdot and go "Oooh..." and walk away unsure what to say. At least, not the males.

      Is there room for improvement? Probably, but it's not so bad that I'll leave and they've shown pretty well that there are just some things they are not going to change. And why should they? These types of headlines/summaries pay.

    19. Re:A Bit Tilted? by RanCossack · · Score: 4, Funny

      Ever eat a nice steak? mmm tasty. Ever try eating the turds the next morning? Not quite as good, is it?

      I'm 100% willing to take your word for it.

    20. Re:A Bit Tilted? by gEvil+(beta) · · Score: 1

      Interesting side note, 'high' is a synonym for 'stoned,' while 'end' is a synonym for 'asshole.' And 'thinker' just means 'someone who doesn't do shit, but talks a lot.' I definitely think Slashdot is a community of high end thinkers.

      Well, when you put it like that, I don't think anyone can disagree....

      --
      This guy's the limit!
    21. Re:A Bit Tilted? by geobeck · · Score: 2, Funny

      ...it's tilted the way most of the readers here are in agreement with.

      A bit off-topic, but just for an academic exercise...

      In a startling setback for the advancement of intellectual property rights, U.S. District Judge Jeremy Fogel has ruled that 'allegation that a copyright owner acted in bad faith by issuing a takedown notice without proper consideration of the fair use doctrine thus is sufficient to state a misrepresentation claim,' which paves the way for a ridiculous lawsuit against Universal Music over a duly served DMCA Takedown notice they filed. One can only hope that this ruling will not be used against those who, in good faith, mistakenly file copyright complaints against computer printers. Those lawyers who rely upon infringement detection programs to help them navigate the epidemic of IP theft -- programs which aren't derailed by frivolous claims of fair use -- should verify that the IP addresses to which they send takedown notices are indeed owned by grandmothers and children of middle-income families, who cannot afford legal representation, and will settle quickly.

      --
      Find environmentally and socially responsible products on http://buy-right.net
    22. Re:A Bit Tilted? by lpevey · · Score: 2, Insightful

      You weren't clued in to this by the "News for Nerds... Stuff That Matters" tagline? Of course a site purporting to know what "matters" to you is biased. For the most part, no one here pretends otherwise, which is neutral enough for me.

    23. Re:A Bit Tilted? by Dishevel · · Score: 1

      You must be new here. :)

      --
      Why is it so hard to only have politicians for a few years, then have them go away?
    24. Re:A Bit Tilted? by value_added · · Score: 1

      The way the summaries are presented makes it pretty clear that they're the editorialised version of the original, interpreted the opinions of the submitter, and I think honestly we all have the critical thinking skills required to handle that, right?

      I can't tell whether the irony in striving for the lowest common denominator escapes you, or you actually believe that a "It sucks but it's OK" argument can ever be valid.

      Sorry, but I think the OP was entirely correct. Slashdot readers are invited to "submit" a story. If that invitation is abused, and the reader decides to offer personal opinions, commentary, advocacy, or otherwise offers an editorial in the place of a story, then we should recognise it for what it is (and what it's not), and skip the lame excuses to justify it, irrespective of the abscence (or existence) of real editors.

      Personally, I don't how anyone would not be offended or have their intelligence insulted by someone who, quite frankly, has no business submitting anything. It's even more suprising that the submitter doesn't recognise that his lack of objectivity undermines his own commentary and makes him look like a complete ass.

      Dunno about everyone else, but when I see a new story, I'd like to be able to choose whether or not I want to read comments; that's what the "read more" link is for. If the submitter wants to offer comments, he can do so just like the rest of us.

    25. Re:A Bit Tilted? by 91degrees · · Score: 1

      I see your point, but really, Slashdot has always editorialised, and has always had a strong slant against strong IP.

      That said, the opinion is a little uninformed. This isn't a ruling, so much as a judge stating that there's clearly an argument to be made that is likely to succeed.

    26. Re:A Bit Tilted? by Chyeld · · Score: 2, Insightful

      Speaking of subjectivity, this summary is rife with it. Even though I agree 100% with it, I would prefer my news fed to me in the form of low grade homogeneous neutral gruel. I know it's more boring to read that way but it allows me, the reader, to form my own opinions

      Let me highlight something in the summary I believe you missed.

      I Don't Believe in Imaginary Property writes
      "US District Judge Jeremy Fogel has ruled that an 'allegation that a copyright owner acted in bad faith by issuing a takedown notice without proper consideration...

      Did you notice it this time? The submitter's name?

      I expect objectivity from people claiming to be objective. When someone who states up front they have an agenda; I expect an agenda. That isn't duplicitous.

    27. Re:A Bit Tilted? by gEvil+(beta) · · Score: 1

      Ewe muss bee knew hear! ;)

      Eye yam!

      --
      This guy's the limit!
    28. Re:A Bit Tilted? by the+order+of+His+Maj · · Score: 1

      Uhh, you must be new here?
      Although I have to admit it does seem to be getting worse lately.

      Old news, dupes, horrible contorting of facts... welcome to /.

      --
      __
      ipsa scientia potestas est
      "knowledge itself is power" - Francis Bacon
    29. Re:A Bit Tilted? by Anonymous Coward · · Score: 2, Interesting

      Q. How does Slashdot earn money?

      Advertising.

      Q. How does advertising make money?

      A. People.

      Q. How do we get people?

      A. Discussion.

      Q. What makes discussion?

      A. Conflict. Arguements.

      That is not to say Slashdot doesn't post good stories. I read them - as do you. The world has changed since these beautiful early days you speak of though. You don't have to be a professional to find a good story. You don't even have to be a writer. Slashdot has evolved with the times, in some ways for the good, and in some ways for the bad. It is now a commercial entity though, so stories that bring people are always good, no matter how bad you think they are.

    30. Re:A Bit Tilted? by Scrameustache · · Score: 1

      Speaking of subjectivity, this summary is rife with it. Even though I agree 100% with it, I would prefer my news fed to me in the form of low grade homogeneous neutral gruel.

      Good, if you ever find such a thing, let us know.

      --

      You can't take the sky from me...

    31. Re:A Bit Tilted? by Sockatume · · Score: 4, Insightful

      I'm not saying that the editorialision of news, as a general phenomenon, is acceptable. To elaborate my reasoning:

      1) Slashdot will inevitably receive summaries written by people who engage strongly with the subject matter. Those people are unlikely to write neutrally.

      2) It is immediately obvious that in the summary we are receiving the submitter's editorialised version of the events. There is no facade of neutrality or objectivity in an IP law post that starts "I Don't Believe In Imaginary Property writes:"

      3) There is an expectation of factual accuracy in a Slashdot summary. Outright lying with regards to the content of the article is not acceptable in any case. Fortunately that is not true here.

      4) A non-editorialised, neutral version of events is usually provided by the story itself, a mere mouse click away, assuming it is not a blog or some other editorial article. Given that said story contains the news we're actually after, it seems to me inevitable that even the most credulous reader would be dissolusioned of any false assumptions they made on the basis of an editorialised summary.

      To get down to brass tacks: I never read a Slashdot summary an expect it to be neutral and free of editorialisation, any more than I would expect a blog post to be. Everything from the way stories are gathered at the back end to the way they're written on the front page makes it obvious that this is not the case. Even if you argue that all news sources (even Slashdot summaries) should come with an expectation of neutrality and objectivity it seems obvious to me that it's in an entirely different kingdom of bias than the likes of Fox News.

      --
      No kidding!!! What do you say at this point?
    32. Re:A Bit Tilted? by rahvin112 · · Score: 1

      You lived in a bunker since Fox News and "fair and balanced" journalism became the norm?

    33. Re:A Bit Tilted? by Sockatume · · Score: 1

      Yeah, perhaps I'm being too optimistic. My bias is towards open editorialisation, because it makes for more interesting material. Looking back on my adolescence that sort of material did lead me into a lot of really stupid offline and online arguments about the merits of the Commodore 64 or yetis or whatever. Impressionable minds and all that. I wonder what the demographics are for Slashdot?

      --
      No kidding!!! What do you say at this point?
    34. Re:A Bit Tilted? by ScrewMaster · · Score: 1

      We're all asshole stoners who don't do shit but talk a lot? Huh. Well, I'll admit to the stoned part anyway: my doctor had me on Darvocet all week.

      --
      The higher the technology, the sharper that two-edged sword.
    35. Re:A Bit Tilted? by SlickNic · · Score: 1

      Very well said! I really hate when news becomes opinionated and the text is tainted with the journalists point of view. Thanks for posting

      --
      Saying "all faiths are equivalent" is akin to saying "all drugs are the same".
    36. Re:A Bit Tilted? by jedidiah · · Score: 1

      In other words there is a relevant judge out there that is sympathetic
      to our position and has just handed us "a map and a flashlight"?

      Sounds like a future ruling in the making... possibly his.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    37. Re:A Bit Tilted? by 91degrees · · Score: 1

      Not even that really. He's not antagonistic to our position, and feels that it's worth listening to. He may still believe that Universal have a valid argument, but there's not nearly enough evidence to make such a declaration just yet.

    38. Re:A Bit Tilted? by HiThere · · Score: 2, Insightful

      If you think the "official news" is objective, then you've never been on site at a news happening and then later seen it reported ... TV, newspaper, they slant equally, though they prefer different techniques.

      Slashdot is, at least, blatant about presenting slanted news. I've been on site where NBC (this was prior to MSNBC) was recording for rebroadcast. When I later saw the report it took a significant amount of time (about half the footage) before I finally realized what they were "reporting" on. It was marvelously jiggered, by careful choice of shots.

      I do think that THAT news was only "edited" to be more interesting, and not for any political purpose, but in more political stories the means of slanting what was presented were obvious.

      The "official news" should be called "Pravda". (A word meaning "the official word" rather than, as occasionally translated, "the truth".) Or perhaps "Maat". (An antique Egyptian word with, I believe, the same meaning.) (Another translation of Pravda which would apply to current US news it "the party line", though the word "party" would need some creative interpretation...but then so does "official" in my term "official news".)

      If it isn't reasonable, be quite skeptical about believing that it happened. E.g.:
      Why did the Luddites smash the machines?
      Look it up. Popular myth got it totally wrong. They just didn't want to starve. And the brouhaha
      about "give us back our 21 days" when the calendar was changed from Julian to Gregorian was also reasonable. The people were being charged an extra 2/3 of a month rent...and many of them were living at a subsistence level already.

      Don't believe the news media. They lie on purpose...sometimes harmlessly, and sometimes not.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    39. Re:A Bit Tilted? by Mana+Mana · · Score: 1

      > I Don't Believe in Imaginary Property

      You mean, "Ponca City, We Love You," right.

    40. Re:A Bit Tilted? by Anonymous Coward · · Score: 0

      The "official news" should be called "Pravda". (A word meaning "the official word" rather than, as occasionally translated, "the truth".)

      The beauty of the "truth" translation is that the competing Soviet newspaper was "Isvestia", aka, "The News", which leads to the sort of koan that only a Russian convert to Zen Buddhism could come up with:

      "There is no news in Truth, and there is no truth in the News!"

      Literally, Pravda lies to you by telling you the official word, and not reporting on current events -- and the only organization that was permitted to write anything about current events... wasn't telling the truth either.

      It's the sort of thing that used to draw gales of derisive laughter during the Cold War.

      Today, it draws gales of laughter, but it's a very Soviet laugh - the laugh of the despondent man who recognizes the humor in the fact that we're no longer any different: There's no news on the Fair and Balanced channel, but there's nothing fair and balanced on the news channels either.

    41. Re:A Bit Tilted? by Anonymous Coward · · Score: 0

      That was really funny to read... good job with it :)

    42. Re:A Bit Tilted? by Hal_Porter · · Score: 1

      Plus, many editors seem to have been infected by the Howard Beale attitude of the blogosphere, and feel compelled to add their own ill-informed little rants.

      I hope one of them kills himself live on slashdot. The page views will and ad revenue will be massive.

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    43. Re:A Bit Tilted? by Hal_Porter · · Score: 1

      Q. How does Slashdot earn money?

      Advertising.

      Q. How does advertising make money?

      A. People.

      Q. How do we get people?

      A. Discussion.

      Q. What makes discussion?

      A. Conflict. Arguements.

      That is not to say Slashdot doesn't post good stories. I read them - as do you. The world has changed since these beautiful early days you speak of though. You don't have to be a professional to find a good story. You don't even have to be a writer. Slashdot has evolved with the times, in some ways for the good, and in some ways for the bad. It is now a commercial entity though, so stories that bring people are always good, no matter how bad you think they are.

      I agree with this comment 100%.

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    44. Re:A Bit Tilted? by Hal_Porter · · Score: 1

      I was talking to my Dad about foie gras and he said that the liver of one of our very fat relatives "would probably be good to eat".

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    45. Re:A Bit Tilted? by TheVelvetFlamebait · · Score: 1

      The way the summaries are presented makes it pretty clear that they're the editorialised version of the original, interpreted the opinions of the submitter, and I think honestly we all have the critical thinking skills required to handle that, right?

      Sure, but the one of the OP's points is that it alienates outsiders. Which is actually the way I like it on these anti-IP stories.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    46. Re:A Bit Tilted? by KDR_11k · · Score: 1

      I'm not sure it presents the situation properly either. To me it sounded like those "misrepresentation claims" mean counter-notices (a standard form liek the takedown notice stating you believe the takedown was filed in error, once a counternotice was filed no further takedowns may be filed for that work and if the takedown filer still wants it removed he has to go to court), not directly going for a lawsuit.

      --
      Justice is the sheep getting arrested while an impartial judge declares the vote void.
    47. Re:A Bit Tilted? by Artifakt · · Score: 1

      Plus, this particular story lends itself to more objective reporting. The submitter could still have made the claim that software isn't capable of determining something as nuanced as fair use, and this still requires a human to make the final decision, and a very high majority of potential readers would agree. There was no need to use loaded words such as 'buggy'.

      --
      Who is John Cabal?
    48. Re:A Bit Tilted? by Artifakt · · Score: 1

      There are levels to editorializing. Suppose an article covers the recent Russian invasion of Georgia, and stops right after mentioning the statements Russia made regarding Poland and deployment of ABMs. It's one thing if the editor points out that invading Poland was once a 'straw that broke the camel's back' when it came to a regional conflict escalating into a 'World War', but it's quite another if the editor starts referring to Putin as "Put-hitler".

      --
      Who is John Cabal?
    49. Re:A Bit Tilted? by ivucica · · Score: 1

      Iz it bee-kozz Aye iz blakk!?

      Some of us read it precisely because it's a community of "high", "end", "thinkers" :)

    50. Re:A Bit Tilted? by fm6 · · Score: 1

      What's your point? That flamebait attracts readers? Sure it does. It also drives them away. Maybe you end up with more readers total — but are they the ones you want

      Posting stupid stories might get Slashdot more eyeballs, but that doesn't prove that the editors know they're stupid. Usually, it's pretty obvious that they don't.

  2. but... by gEvil+(beta) · · Score: 2, Funny

    Those lawyers who rely upon buggy infringement detection programs to do their thinking for them...might want to think again...

    But you've just shown that they don't even think the first time around...

    I can't wait to see where the countersuit goes from here.

    --
    This guy's the limit!
  3. Too soon to celebrate by boaz112358 · · Score: 3, Informative

    FTFA: 'Still, Judge Fogel said he had "considerable doubt that Lenz will be able to prove that Universal acted with subjective bad faith" when it sent YouTube the takedown notice.' If I were a betting man (and I am), I'd bet Universal wins this one.

    1. Re:Too soon to celebrate by oldenuf2knowbetter · · Score: 3, Interesting

      If "subjective bad faith" as the cause of Universal's behavior is eliminated, they're left with only "stupidity" or "ignorance of the law" as their excuses. Since neither of those is likely to make their lawyers look good, I'm guessing they'll go with with some variation on the general theme of "ignorance".

      Sample: "Sadly, your honor, in spite of the many requirements we placed in their contract, we were not informed by a third-party subcontractor of a computer or software error for which they were entirely to blame."

    2. Re:Too soon to celebrate by Zordak · · Score: 1

      Agreed. I read the opinion, and it's not that big a deal. It just says that when a big corporation wants to send nasty take-down notices, they have to pause for a about half a second and think, "Is this absolutely, positively fair use?" After they've done that, and determined that it may be, but it's not a slam dunk fair use, they can send their takedown notice.

      The standard of proof on the misrepresentation claim is subjective bad faith. That means that even with this decision, Lenz will have to prove that Universal knew that this was a fair use and deliberately ignored that fact (apparently to appease Prince) (and seriously, honest question, does Prince even sell records anymore? Seems like I haven't heard much about him lately except litigation. Why is Universal bending over backward to appease him).

      I really can't think of very many situations where fair use is such a slam dunk that issuing a takedown notice in the light of otherwise clear infringement is going to be misrepresentation. Maybe if it is clearly in pursuit of some motive other than controlling distribution of the work (like trying to silence criticism or something). But it seems pretty clear in this case that it's just a matter of Prince getting his feelings hurt because somebody did something with his song that he didn't expressly approve. It's not like Lenz was saying, "Look how bad this Prince song is," or "Here's a YouTube video of me analyzing the theme of this Prince song."

      --

      Today's Sesame Street was brought to you by the number e.
  4. Maybe it isn't so much reliance... by HitoGuy · · Score: 4, Interesting

    Maybe it isn't so much reliance on a mindless infringement detection program as groups like the MPAA and RIAA seem to absolutely loathe the concept of fair use. Maybe the lawyers are actually looking for a scapegoat.

    --
    I am beginning to think that maybe Darl McBride was attacked viciously by a penguin as a child.
    1. Re:Maybe it isn't so much reliance... by sm62704 · · Score: 4, Insightful

      They don't just loathe the concept, MPAA honcho Jack Valenti said "there's no such thing as fair use". It's like the music industry in the 1980s, when LPs would say on their covers that any copying was a federal felony, despite the fact that the Audio Home Recording Act of 1978 specifically said that recording those LPs to tape was LEGAL.

      These bozos don't give a rat's ass about the law. As far as they're concerned, what they say is the law is the law. Considering their army of lawyers, lobbyists, and campaign bribes; er, 'scuse me, "campaign contributions", they may well be right.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    2. Re:Maybe it isn't so much reliance... by Scrameustache · · Score: 1

      These bozos don't give a rat's ass about the law.

      Sure they do, they spend so much on changing it to their liking!
      Lawmakers and lobbyists aren't cheap, you know. You should see their food budget, they cost hundreds of dollars per meal! And only in restaurants free or rats asses, or any other rat parts.

      They care about the law as much as a slave owner cares about the whip.

      --

      You can't take the sky from me...

    3. Re:Maybe it isn't so much reliance... by Anonymous Coward · · Score: 0

      It's like the music industry in the 1980s, when LPs would say on their covers that any copying was a federal felony, despite the fact that the Audio Home Recording Act of 1978 specifically said that recording those LPs to tape was LEGAL.

      "Audio Home Recording Act of 1978"!!?? You're making that up!! The Audio Home Recording Act was 1992. Go to http://law.copyrightdata.com/amendments.php and choose the amendment dated October 28, 1992. 1978 was the year that the 1976 Act went into effect, and audio recording was not revised again in 1978.

    4. Re:Maybe it isn't so much reliance... by sm62704 · · Score: 1

      I stand corrected; it was indeed 1976.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  5. Quality line from Universal by Xelios · · Score: 4, Insightful

    "Universal also raised the question of whether a particular use of copyrighted material constitutes fair use is a "fact-intensive inquiry," arguing that it is difficult for copyright owners to predict whether a court eventually may rule in their favor."

    Well isn't that a crying shame, they can't shotgun automated DMCA notices without the threat of consequence anymore. Boohoo.

    --
    Murphey's fighting Occam, and we're in the stands.
    1. Re:Quality line from Universal by HitoGuy · · Score: 1

      I bet my next rice krispie block that the MPAA/RIAA are going to raise a hissy fit over this. Their entire business plan seems to resolve around ripping away the rights of the consumer under the guise of "anti-piracy."

      --
      I am beginning to think that maybe Darl McBride was attacked viciously by a penguin as a child.
    2. Re:Quality line from Universal by gstoddart · · Score: 1

      I bet my next rice krispie block that the MPAA/RIAA are going to raise a hissy fit over this. Their entire business plan seems to resolve around ripping away the rights of the consumer under the guise of "anti-piracy."

      Well, with luck, the courts will start swinging back towards being a little more sane and decide that these groups need to have proof and follow the rules.

      It really can't be allowed that the *AA's have a consequence-free use of the courts to enforce their own agenda and don't need to back up their claims. They've been skirting around the edges of what's legal for a while, it's time someone yanked on their leash.

      Cheers

      --
      Lost at C:>. Found at C.
    3. Re:Quality line from Universal by HitoGuy · · Score: 1

      It's not really helping that we have the DMCA, unfortunately.

      --
      I am beginning to think that maybe Darl McBride was attacked viciously by a penguin as a child.
  6. Perjury by Hatta · · Score: 4, Interesting

    To date, has anyone anywhere gone on trial for perjuring themselves in a false DMCA notice? If not, why not?

    --
    Give me Classic Slashdot or give me death!
    1. Re:Perjury by HitoGuy · · Score: 4, Insightful

      Because laws such as the DMCA are biased toward Big Business, like everything else in the US.

      --
      I am beginning to think that maybe Darl McBride was attacked viciously by a penguin as a child.
    2. Re:Perjury by 91degrees · · Score: 2, Interesting

      Perjury is a criminal offence. You would have to prove, beyond reasonable doubt, that they knowingly lied about the notice rather than simply made a mistake. Nobody will bring charges without a reasonable chance of conviction. Essentially you'd need a smoking gun here; something like a memo saying "I don't care that it's not infringement!"

    3. Re:Perjury by Anonymous Coward · · Score: 0

      To date, has anyone anywhere gone on trial for perjuring themselves in a false DMCA notice? If not, why not?

      Because the perjury provisions are designed to catch people who claim to be acting on behalf of a copyright holder that hasn't authorized them to do so, and if that has ever happened it wasn't noticed. If the claim that the content is believed to be infringing is a deliberate, malicious lie, that doesn't make it perjury.

  7. a lot of us are happy by circletimessquare · · Score: 5, Insightful

    that someone in the justice system has noticed that the rabid dog has no right to go around just randomly biting people

    but a lot of us are still waiting for someone in the justice system to notice that we need to put the rabid dog out of its misery

    there is no more life in copyright for products that can be consumed electronically (music, text, movies, etc.) because there is no way to enforce the legal concept of copyright in an environment where there is zero distribution cost for infinite distribution abilities

    the internet killed copyright. the internet lets everyone be a publisher with greater reach than all the most powerful media companies combined. i can share a file with someone in buenos aires, wellington, seoul, and vancouver. my distribution costs are zero. my reach is infinite. there is no such thing as copyright in this environment

    there are no checkpoints where a rogue printing press, pirate cd presser, or renegade vcr duplicator can be located by the authorities and shut down. who are you going to shutdown on the internet? traffic can be obscured in such a way that you can't monitor it, and these methods can be encapsulated in code so the clueless end user need not know any special technical abilities to trrde files discreetly, and find anything they want

    game over dude

    a lot of time now must be spent waiting for everyone else to wake up to this realization

    the internet killed copyright

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:a lot of us are happy by Anonymous Coward · · Score: 0, Flamebait

      Easy to say when you don't own a copy right. I do own several, and make money off my copy rights. I do not want to live in a world where there is no copy right law. It would end creativity. No one would write boks, or movies or take pictures of any quality. Why put the time in when you can't make money off it, so instead I would be forced to do something else to support my family.

    2. Re:a lot of us are happy by iminplaya · · Score: 2, Insightful

      ...make money off my copy rights...

      I can make great money selling contraband. Prohibition is great for my profit margins. The prison system and law enforcement industry is flourishing for it. I can control the quality of my product. If contraband suddenly became legal and everybody was able to sell it, we would all be forced to do something else to support our families.

      --
      What?
    3. Re:a lot of us are happy by Skye16 · · Score: 1

      A lot of people do these things because they enjoy it. The fact that they can make money off of it is actually just a bonus.

      Don't for a second think that people wouldn't create new works of art just because they had to work another job. To say that people who create as a hobby don't count vs. those who create as a job is at best misleading.

      I'd even go so far as to say that I have more respect for the person who creates art just because he/she wants to express themselves than I do for the person who is trying to make sure they have food on their table that month. When it comes down to the "spirit" of art and creativity, the hobbyist has less pressure to -do- things with their art vs. that of the person ensuring their survival.

    4. Re:a lot of us are happy by cdrguru · · Score: 1

      Right. Payment for creativity, unless it is shrouded by something else, is gone. People will take whatever they want, however they can. And the lack of international enforcement and differing laws ensures that there can be no prosecution of any copyright, patent, or trademark laws.

      As a software publisher, what this really means is that without some physical embodiment, anybody can take our software and republish it, free of cost or not, and there isn't anything that can be done about it. It means that if you spend five years creating anything that can be represented digitally, someone can take it from you and there is nothing you can do about it. Music, books, software, movies, plans, specifications, anything.

      I certainly agree that copyright is pretty much dead. There isn't any way today to ensure that someone gets paid for their work when that work is available digitally. This specifically applies to GPL, which is a joke because it only applies to digital works.

    5. Re:a lot of us are happy by iminplaya · · Score: 1

      ...the internet lets everyone be a publisher...

      For the gatekeepers that's the problem. It is the curse of all those who control the flow of information. And as long as those same people are the only ones that provide access, and we remain tied to their wire, progress remains in doubt.

      --
      What?
    6. Re:a lot of us are happy by Gat0r30y · · Score: 1

      No one would write boks (sic), or movies or take pictures of any quality. Why put the time in when you can't make money off it

      I dunno - it seems to me creative ventures like writing, or taking a picture have an inherent value of their own. On a note the GP raised, indeed there is no way to enforce copyright on the internet - for individuals who infringe. Corporations are still gonna have to pay for copyright. You own copyright on a picture? NYT or the AP is still gonna pay. As long as corporations and branding perpetuate on the internet your copyright will still have value. Just not for individuals who want to infringe.

      --
      Prediction: The real iPhone killer is going to be sex robots from Japan. Think about it.
    7. Re:a lot of us are happy by miserere+nobis · · Score: 1

      there are no checkpoints where a rogue printing press, pirate cd presser, or renegade vcr duplicator can be located by the authorities and shut down. who are you going to shutdown on the internet? traffic can be obscured in such a way that you can't monitor it, and these methods can be encapsulated in code so the clueless end user need not know any special technical abilities to trrde files discreetly, and find anything they want

      Or, alternately: there are no hidden rooms in basements where printing presses can remain hidden unless the authorities search every nook and cranny of everyone's house, no envelopes that can't be opened without evident tampering. There isn't anymore an issue of indiscriminate, whole-nation-scale monitoring of people's activities being hard to pull off logistically and socially due to being 1) physically impossible; 2) obvious to everyone.

      Now, what we have, is everything everyone does or says flying around in data packets constructed by software those people don't understand and can't know whether to trust, each packet endlessly capable of being copied, logged, and examined at will, all of them traveling across computers and wires owned by a very small set of large corporations which have already proved themselves willing to give up data about both the data traffic and the subscribers themselves. We have means far beyond what could ever have been dreamed of except in an Orwellian fantasy of tying together a portfolio of evidence linking different activities to the same person. Remember that in the end everything comes down to an actual, physical set of wires that go to your house or business (or a particular contract with an agency to broadcast to a physical satellite or cellular device). The people on the other end of those wires receive everything you send, and can record anything they want about usage, and tell anyone they want about what they see you doing.

      The Internet-- or an Internet-- certainly bears the possibility, somewhere in the future and depending on how it develops, of being a completely anonymous world of interaction with data and its destination obscure, but let's not confuse the universe of cyberpunk novels for the reality of today. As long as the protocols in widespread use and the means of end-user service delivery remain something like they are, the Internet is-- or can be-- the ultimate tool for nonprivacy in your day-to-day transactions. It could just as easily ultimately become "game over" in the opposite direction as you mean it; this all remains to be seen.

    8. Re:a lot of us are happy by Just+Some+Guy · · Score: 1

      Easy to say when you don't own a copy right.

      I own the copy rights to tens of thousands of works. Hey! Here's another one!

      I do own several, and make money off my copy rights.

      Nice niche! On the other hand, I make money off writing material for paying customers, aka my boss. I and my colleagues outnumber you about 10,000:1.

      I do not want to live in a world where there is no copy right law. It would end creativity. No one would write boks, or movies or take pictures of any quality. Why put the time in when you can't make money off it,

      ...he says while (probably) using an open source browser to send packets over a network built from open source components to an open source web server running an open source web application catering to open source advocates.

      so instead I would be forced to do something else to support my family.

      Cry me a river. I wish I could make money from reading Dilbert all day, but since society has decided that it doesn't consider that a profitable career, guess I'll have to find more productive employment.

      --
      Dewey, what part of this looks like authorities should be involved?
    9. Re:a lot of us are happy by khellendros1984 · · Score: 1

      You do it as a job, fine. If copyright is someday struck down for artistic works, there just won't be any more commercial artists. Only the artists that do it for the love of the art will still be around, and the internet will be there to help them distribute their work to as large of an audience as they can. I know you have a family to support, and there are thousands or millions of people like you. But that seems to be one of the prices of large-scale societal change.

      --
      It is pitch black. You are likely to be eaten by a grue.
    10. Re:a lot of us are happy by Anonymous Coward · · Score: 0

      Tell me something, do you get paid royalties to write it as "copy right"?

    11. Re:a lot of us are happy by jam244 · · Score: 1

      Here, a gift for you: . . .

    12. Re:a lot of us are happy by nine-times · · Score: 1

      It would end creativity. No one would write boks, or movies or take pictures of any quality.

      Of course, if you end copyright, you end creativity. No one would ever write a book or compose music or take pictures unless they were getting paid. I know I don't write anything ever and just post it on the Internet for free. Every time I take a picture, I expect to sell it. Certainly no music or books were written before copyright was invented. And if you really want creative work, the best thing to do is consolidate all distribution into a few huge companies.

      </sarcasm> The truth is, people *LOVE* to do this shit. If you made music illegal, people would write it in secret and run underground night clubs to perform it. Just try to stop people from engaging in the creative arts-- you'll fail.

      Now I'm not saying that copyright doesn't serve a purpose, but it's purpose is not to keep creativity from "ending".

    13. Re:a lot of us are happy by geminidomino · · Score: 1

      Easy to say when you don't own a copy right. I do own several, and make money off my copy rights. I do not want to live in a world where there is no copy right law. It would end creativity. No one would write boks, or movies or take pictures of any quality. Why put the time in when you can't make money off it, so instead I would be forced to do something else to support my family.

      You must have modded yourself up, because that canard has been disproven many many times, considering that the concept of "Creativity" didn't come into being with the (historically speaking) invention of "copyright."

      On the other hand, "money-grubbing sellout whoring" did have a spike in popularity around that time...

    14. Re:a lot of us are happy by bigstrat2003 · · Score: 2, Interesting

      Cry me a river. I wish I could make money from reading Dilbert all day, but since society has decided that it doesn't consider that a profitable career, guess I'll have to find more productive employment.

      If one doesn't like someone else's business model, they have every right to not do business with them. However, not doing business with them does not mean "ignoring their business model because it doesn't suit me, but taking the end product anyway". Those who support reasonable copyright aren't demanding that you pay money for their work, they're demanding that you either agree to their stipulations, or don't take their work. I fail to see what's particularly unfair about that.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    15. Re:a lot of us are happy by Just+Some+Guy · · Score: 3, Insightful

      Those who support reasonable copyright aren't demanding that you pay money for their work, they're demanding that you either agree to their stipulations, or don't take their work. I fail to see what's particularly unfair about that.

      The failure is that it isn't a natural, inherent right. Copyright is something whipped up to encourage artists to add to the public domain. Since Disney et al have stolen (yes, stolen, as in "deprived others of use") their early works from the public domain by paying to have copyright extended perpetually, I can't work up a lot of sympathy for people who take their new stuff without paying.

      Basically, as a society, we're telling them to either agree to our stipulations or don't take our protections.

      --
      Dewey, what part of this looks like authorities should be involved?
    16. Re:a lot of us are happy by PhreakOfTime · · Score: 1

      No one would write boks, or movies or take pictures of any quality

      That is completely wrong on almost infinite levels. What would really happen; 'No one would write books, or movies, or take pictures of any quality WHO WAS ONLY INTERESTED IN PROFITING FROM THEM. And frankly, Im fine with that.

      There is no copyright on the bible, and my guess is that the bible has many more publications than any of your copyrighted books.

    17. Re:a lot of us are happy by bigstrat2003 · · Score: 0, Flamebait

      Yes, it is. Every man, woman, or child has the right to set their terms for doing business with them. You are obligated to accept the terms, or not accept the fruits of their labor. Pick one (or negotiate, I suppose). Copyright merely makes it easier to apply this right into the realm of creative works.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    18. Re:a lot of us are happy by Just+Some+Guy · · Score: 1

      No, copyright is most certainly not an inherent right. It's just a legal construct that the founding fathers thought would be a net win.

      You are obligated to accept the terms, or not accept the fruits of their labor.

      Oh please. If I like the way you've decorated your yard, then I can decorate mine exactly like it. I don't care how hard you worked to come up with that particular arrangement. If I like it, I can copy it. That's to illustrate the idea that you can most certainly enjoy the fruits of another's labor without their permission. Nothing but the law makes written works a protected class.

      --
      Dewey, what part of this looks like authorities should be involved?
    19. Re:a lot of us are happy by Zordak · · Score: 1

      there is no more life in copyright for products that can be consumed electronically (music, text, movies, etc.) because there is no way to enforce the legal concept of copyright in an environment where there is zero distribution cost for infinite distribution abilities

      I wonder how many Slashdotters would be singing this tune if Microsoft downloaded a copy of the Linux kernel and appropriated it for use in Windos 7 like Apple (legally) did with OSX. Without strong copyright laws (and without strong freedom of contract jurisprudence to enforce some of the more far-reaching provisions), the GPL is not viable. The only other way to keep it "open" would be to maintain it as a trade secret, which kind of defeats the whole philosophy.

      --

      Today's Sesame Street was brought to you by the number e.
    20. Re:a lot of us are happy by bigstrat2003 · · Score: 0, Troll

      Oh please. If I like the way you've decorated your yard, then I can decorate mine exactly like it. I don't care how hard you worked to come up with that particular arrangement. If I like it, I can copy it. That's to illustrate the idea that you can most certainly enjoy the fruits of another's labor without their permission. Nothing but the law makes written works a protected class.

      a) When decorating someone's yard is a creative work, get back to me.

      b) When I decorate my yard, I'm not doing it to make money, so I don't give a damn what anyone does with respect to my yard decorations (except insofar as I'll be annoyed if they mess my decorations up, and I have to re-do them).

      Copyright most certainly is an inherent right, but not at first glance. It is the application of an inherent right (you get to do business how you want, free of other people's interference) to creative works, to make it easier to punish violations of this right.

      Nothing but the law makes written works a protected class.

      The law, and basic morality. If you think we should throw authors to the wolves, effectively ruining their ability to turn a profit from their work, so be it, but know that it's a blatantly immoral thing to do.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    21. Re:a lot of us are happy by crosbie · · Score: 1

      I wouldn't be so quick to lay the blame for copyright with the Founding Fathers. See Mythologising Copyright. Copyright was enacted 3 years after the constitution.

      Even the GPL respects an author's (constitutionally recognised) exclusive rights, it simply undoes the monopoly (unconstitutionally) granted by copyright over published works.

    22. Re:a lot of us are happy by Sockatume · · Score: 1

      So, just for the sake of argument, you'd be happy for Universal to appoint itself distributor, grab your low-budget HDV Filipino horror movie when it's finished and put it out as a mainstream cinema release, then a lavish DVD production, without actually giving you anything in return? What if everybody you'd hoped to show the movie to goes to Universal's screenings instead? How do you even recoup your original (small) budget in that environment? What if Universal takes it personal (you know they would) and decides to cut you out of the equation when it comes to the distribution of every movie you ever make? This is an extreme example, of course, but so is "copyright is dead".

      --
      No kidding!!! What do you say at this point?
    23. Re:a lot of us are happy by jedidiah · · Score: 1

      > Copyright was enacted 3 years after the constitution.

      Well, that pretty much confirms that the "founding fathers"
      had a hand in it? Just who do you think were there enacting
      the laws at T +3 years?

      --
      A Pirate and a Puritan look the same on a balance sheet.
  8. Prince song? by ilovesymbian · · Score: 2, Insightful

    All this snowballed because of Prince's song? Gee, even that toddler doesn't really like Prince. And no, his mother wasn't making any $$ from that song. Nothing to see, lets move on.

    1. Re:Prince song? by DaveV1.0 · · Score: 1

      What does making money on something have to do with whether or not copyright infringement has occurred?

      --
      There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.
    2. Re:Prince song? by UnknowingFool · · Score: 2, Interesting

      Commercial considerations are important in copyright infringement. If Mrs. Lenz was somehow using the clip for monetary gain, then Prince and Universal are entitled to royalties. For example, any movie or TV show that uses a song has to reach an agreement with the copyright holder regardless of the length of the song clip. Also part of Universal's argument was the clip could be used for commercial gain and might harm the market of dancing baby videos if anyone could put up videos of their babies dancing to music without impunity. I know that sounds absurd but that is what Universal argued.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    3. Re:Prince song? by Anonymous Coward · · Score: 0

      whether or not copyright infringement has occurred?

      Simple answer: absolutely nothing, but then again, you're the one who brought the strawman to the ball. The article is about the Fair Use provisions of copyright law which are (as currently interpreted by the Supreme Court) an affirmative defense against a claim of copyright infringement, of which a major component is whether or not you have an effect on "the potential market for or value of the copyrighted work" which is usually interpreted to mean "people are paying you instead of the right holder".

      So the long answer is: "It's one of the 4 points one must make in order to defend against a claim of copyright infringement." Whether successfully defending against a copyright infringement claim means that no copyright infringement has occurred depends on how much faith you have in the legal system.

    4. Re:Prince song? by DaveV1.0 · · Score: 1

      While I agree that there are monetary considerations as you suggest, infringement of copyright does not require anything to be sold or any monetary gain on the part of the infringer.

      Monetary gain (making money on something) is irrelevant in proving infringement or, conversely, proving or disproving fair use.

      --
      There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.
    5. Re:Prince song? by Hatta · · Score: 1

      Well Prince is a bit of a nutjob. He wants things done his way, exactly. Check out Kevin Smith's story about working with Prince for an idea of what I'm talking about.

      She's like, "Prince doesn't comprehend things the way you and I do."
      I was like, "What do you mean?" She was like, "Well . . .

      . . .Prince has been living in Prince World for quite some time now."
      She's like, "So Prince will come to us periodically and say things like:

      'It's 3 in the morning in Minnesota. I really need a camel .
      Go get it.'

      And then we try to explain to Prince, like:
      'Prince, it's 3:00 in the morning in Minnesota, it's January. . .

      . . .and you want a camel .
      That is not physically or psychologically possible.'

      And Prince says, 'Why?"'
      I'm like, "Is he an asshole?"

      She's like, "He's not malicious when he does it.
      He just doesn't understand why he can't get what he wants.

      So I can easily see how Prince would want to control every single use of his songs, no matter how big or small. He's just that neurotic. But that's ok, the dude can fucking play.

      --
      Give me Classic Slashdot or give me death!
    6. Re:Prince song? by Hatta · · Score: 1

      Also, IIRC Prince personally went on Youtube looking for his music and initiated this lawsuit.

      --
      Give me Classic Slashdot or give me death!
  9. fiscal conservative by fermion · · Score: 4, Insightful
    What concerns me about these endless suits is the amount of money they represent. Surely not all of the costs are paid for by the participants. Surely there would significant cost savings to the taxpayer if these frivolous suits, which are primarily issued by corporate entities looking to minimize competitions, were severely punished. I can't imagine what a judge would do if I went to a judge and sued, for instance, Exxon Mobil because a IP linked to their firm showed up on my log during an attack. i would hope the judge would dismiss and force me to pay additional fines.

    It is certainly the government;s responsibility to help maintain the laws, but what has happened to the normal fiscal responsibility we apply to these things. We don't stop everyone who is speeding. We don't staff police departments so that every person who steals a CD from a car is prosecuted. Yet our court system is being overwhelmed by companies who stand to lose a $20 cd sale due to copyright infringement.

    This situation is getting worse. The FBI wants to open a case with no probable cause. Each case represents a finite amount of expenditure of taxpayer money. In times past, we had some assurance that money spent was used to investigate a legitimate crime with legitimate suspects. Now we could have massive amount of waste due to an agent not liking his new neighbor.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    1. Re:fiscal conservative by DaveV1.0 · · Score: 1

      Apparently, you have never heard of court costs, filings fees, etc.

      Oh, and do not lump a civil lawsuit in with a criminal prosecution.

      --
      There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.
    2. Re:fiscal conservative by ScrewMaster · · Score: 1

      Why not? The RIAA/MPAA are trying very, very hard to criminalize copyright infringement. If they succeed, matters are going to go from bad to worse.

      --
      The higher the technology, the sharper that two-edged sword.
    3. Re:fiscal conservative by Anonymous Coward · · Score: 0

      > It is certainly the government;s responsibility to help maintain the laws, but what has happened to the normal fiscal responsibility we apply to these things. We don't stop everyone who is speeding. We don't staff police departments so that every person who steals a CD from a car is prosecuted. Yet our court system is being overwhelmed by companies who stand to lose a $20 cd sale due to copyright infringement.

      The point isn't the $20, the point is changing mindset. The average person isn't going to try to walk out of Best Buy with a 30" TV without paying for it. Not too many people (relatively) are that daring. Many more will try to walk out with small items easily hidden in a pocket. Many many many more will steal online when they feel they won't get caught. It's largely about convenience vs fear of being caught.

      The lawsuit craziness is about convincing the public at large that they will get caught, and a record of being overzealous works in their favor, because people fear them. "They're clearly crazy and mean business, I better not mess with them! If not owning a PC doesn't get you off the hook, I can't get away!"

      If they can shift the majority mindset to "I'd better do this the right way" from "What can it hurt?" they believe they'll get that $20 many times over, uncontested by people quietly doing right out of fear of being caught. Whether that will actually happen increasing sales, people will just do without causing no change or serious numbers of people will eventually actively boycott them dropping sales is up for debate.

  10. A Bit Tilted AND nonsensical by Clovis42 · · Score: 4, Funny

    US District Judge Jeremy Fogel has ruled that an 'allegation that a copyright owner acted in bad faith by issuing a takedown notice without proper consideration of the fair use doctrine...

    One can only hope that this ruling will some day be used against those who file misguided copyright complaints against computer printers.

    Hmm... I thought that the takedown notices sent to printers was ridiculous because it showed that the method the RIAA used to determine who was pirating music was b0rken.

    Apparently, the printers really were downloading music, but they had a fair use! I totally misread that story before. I, for one, will not stand for fair use rights being taken away from our electronic friends!

    --
    Clovis
    ^ Clovis, look! It's that guy you are!
    1. Re:A Bit Tilted AND nonsensical by EchaniDrgn · · Score: 1

      I for one welcome our toner drinking electronic Overlords.

  11. Summary of Universal's position by UnknowingFool · · Score: 5, Informative

    A brief recap for those who haven't been following the case:

    Around Feb. 2007, Stephanie Lenz posted a Youtube video of her toddler laughing and dancing to Prince's "Let's Go Crazy". The song is heard somewhat indistinctly in the background of the low resolution, low fidelity 29 second video. Four months later, Universal sent a takedown notice to Youtube to remove the video. Mrs. Lenz with the Electronic Frontier Foundation filed a counter-notice and sued under a provision of the DMCA.

    Universal wanted the case dismissed with their brief arguing:

    • Fair Use is not a defense for copyright infringement
    • The DMCA does not require copyright holders to check for Fair Use before sending a notice
    • There is no such thing as "self-evident" Fair Use
    • There was no way Universal could have know it was Fair Use

    In court, Universal also tried to argue that their takedown notice wasn't a DMCA takedown notice because the notice had a disclaimer saying it wasn't. The notice however followed the same procedure as a DMCA takedown and was sent to the DMCA takedown email address at Youtube. This point is important as the DMCA has a provision that allows for lawsuits if copyright holder abuses the DMCA. The Judge didn't address this point in particular but apparently disagreed given his ruling.

    Universal however seemingly admitted to ABC News that it doesn't really check material for Fair Use before sending out takedown notices and doesn't care:

    Prince believes it is wrong for YouTube, or any other user-generated site, to appropriate his music without his consent. That position has nothing to do with any particular video that uses his songs. It's simply a matter of principle. And legally, he has the right to have his music removed. We support him and this important principle. That's why, over the last few months, we have asked YouTube to remove thousands of different videos that use Prince music without his permission.

    This is another important point because copyright law requires copyright holders should be diligent when pursuing legal actions. From what we know of the RIAA lawsuits, Universal doesn't seem to think this applies to them.

    --
    Well, there's spam egg sausage and spam, that's not got much spam in it.
    1. Re:Summary of Universal's position by bigstrat2003 · · Score: 3, Insightful

      Fair Use is not a defense for copyright infringement

      HA! Jolly good show, old chaps. I sure hope the judge got a laugh out of their ludicrous claim, because I know I did. The other claims are just ridiculous... this one blatantly contradicts the law.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    2. Re:Summary of Universal's position by svank · · Score: 1

      MAFIAA Lawyer: Your Honor, the defendant's legal exemptions from copyright law do not make the defendant exempt from copyright law.

      Judge: What the heck? Baliff, bring me my rifle. I'm worried.

      MAFIAA: You can't shoot me!

      Judge: If farmers can put donkeys out of their misery on the farm, I can with asses in my court room.

    3. Re:Summary of Universal's position by stephanruby · · Score: 1

      Prince believes it is wrong for YouTube, or any other user-generated site, to appropriate his music without his consent. That position has nothing to do with any particular video that uses his songs. It's simply a matter of principle. And legally, he has the right to have his music removed.

      I wonder which Prince they're talking about. The real person that we know to be "Prince" lost the rights to his stage name a long time ago, and believe me -- he's far more pissed at the recording studio that stole his name and withheld his royalties than he is at his fans for "stealing" a song he doesn't even get any more money from.

  12. Printers by DoofusOfDeath · · Score: 2, Funny

    One can only hope that this ruling will some day be used against those who file misguided copyright complaints against computer printers.

    I wonder for whom I should root when a lawyer ends up suing the RIAA on behalf of a slandered printer...

    1. Re:Printers by Anonymous Coward · · Score: 0

      I'd just root for the printer to KILL THEM. KILL THEM ALL.

  13. What is fair use? by thogard · · Score: 3, Insightful

    I run a web site for local bands where I give away their MP3 and a few bands have ended up with international gigs because of it. Some of their older songs may have names that new RIAA approved songs happen to have which results in nasty letters from lawyers. I know of at least US$20,000 worth of losses due cancelled gigs due to to RIAA paranoia so far. The RIAA isn't about music, they are after moving small plastic things.
    If you don't think the RIAA is out of hand, how much should the senators who sung God Bless America on the steps of the Capital pay the Boy Scouts? The law is the law isn't it?

    1. Re:What is fair use? by Just+Some+Guy · · Score: 1

      I know of at least US$20,000 worth of losses due cancelled gigs due to to RIAA paranoia so far.

      How'd that happen?

      --
      Dewey, what part of this looks like authorities should be involved?
    2. Re:What is fair use? by CodeBuster · · Score: 1

      The bands should pay the fee (~$20 or so I think) to get an official notarized filing receipt with the United States Copyright office stating the name of the song(s) and the date and time of the filing. That way, when the RIAA causes damages (i.e. a canceled gig and legal hassles) you can shove a copy of the letter in their face and demand a settlement for damages out of them for using your already copyrighted song name(s) to promote their crap and loss of business.

    3. Re:What is fair use? by tobiah · · Score: 1

      So what's the site? You're missing out on a good opportunity for self-promotion.

      --
      "The ability to delude yourself may be an important survival tool" - Jane Wagner -
    4. Re:What is fair use? by ScrewMaster · · Score: 1

      Ever heard of the Slashdot effect? Some kinds of people don't care for it. Server admins, for one.

      --
      The higher the technology, the sharper that two-edged sword.
    5. Re:What is fair use? by thogard · · Score: 1

      One example was the crackdown of sharing done by the US AF academy but it accounts for a less than $1000. The musicians had been approached for a gig but couldn't get samples to the other committee members in time to meet their cut-off time.

  14. Dear RIAA, MPAA, etc... by Legion_SB · · Score: 4, Interesting

    I am fully prepared to begin holding up my end of the bargain on the copyright equation.

    As soon as you are willing to hold up yours.

    This includes, but is not limited to:

    • Complete respect of the Fair Use Doctrine, and no further attempts to legally narrow it's scope
    • An immediate end and repeal of all laws extending the length of copyright ad infinitum

    Copyright is a two-way street, and failure to maintain your responsibilities means a complete forfeiture of any right to try and enforce compliance with my responsibilities. Continued attempts to pass laws in order to shirk your responsibilities will be responded to with unchecked, tube-clogging mass downloading.

    --
    'a';DROP TABLE users; SELECT * FROM DATA WHERE name LIKE '%'... if you're reading this, it didn't work.
    1. Re:Dear RIAA, MPAA, etc... by CyprusBlue113 · · Score: 2, Insightful

      This includes, but is not limited to:

      • Complete respect of the Fair Use Doctrine, and no further attempts to legally and/or technologically narrow it's scope
      • An immediate end and repeal of all laws extending the length of copyright ad infinitum

      Fixed that for you

      --
      a handful of selfish greedy people are no match for millions of selfish, greedy people -u4ya
  15. Imposing a Condition upon Another by Sanat · · Score: 1

    I have a book published in 1994 that has the following copyright notice... here it is verbatim.

    "This book sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser."

    So if I sell or give the book away then how do I guarantee that I fulfilled my part and why should I care anyway what someone else does with the book.

    "Imposed on the subsequent purchaser" sounds like I have certain responsibilities but no true authority to make it happen.

    Normally authority and responsibility go hand in hand.

    The whole copyright thing has only gotten more convoluted as time goes on.

    --
    And in the end, the love you take is equal to the love you make
    1. Re:Imposing a Condition upon Another by FrostDust · · Score: 1

      That clause seems like an attribution requirement to me, similar to how the BSD license allows you to do what you want with somebody's work, as long as you credit the contributors. Without the book cover/binding being attached to the book, then it is possible that whomever you give the book to would have no idea who the author or publisher of the book is. Likewise, the copyright clause you posted doesn't care what you do with the book (you can rip off the cover if you wish), as long as you don't distribute it to others without the cover.

    2. Re:Imposing a Condition upon Another by Lostlander · · Score: 1

      This reminds me of a book I once read that started with "Rip the cover off this book". and then shortly followed that with something along the lines of "Ok now that you're stuck with this book."

    3. Re:Imposing a Condition upon Another by nsayer · · Score: 2, Informative

      This is less sinister than it sounds.

      It is a common practice that when a book store buys way too many copies of a book from a publisher, that they can "return" the overstock to the publisher by ripping the covers of the book off and sending just those back, and tossing the rest of the book into the trash.

      Some unscrupulous book stores will turn around and sell the coverless books, thus screwing the publisher.

      Often times, the wording is less legalistic and states something to the effect of, "if you bought this book without its cover, you should know that this means you bought something that was declared unsold and was supposed to be destroyed. Please contact the publisher so we can go after the numbnut who tried to screw us."

  16. you can't copyright anything in meatspace by circletimessquare · · Score: 4, Insightful

    in other words, you can control access to a venue in the real world, such as a concert hall. so you can't control your mp3 of your song anymore. but you will still make a rich living, have tons of fame and eager female fans. your mp3 becomes advertising, and your source of revenue becomes your journeyman concerts

    "Why put the time in when you can't make money off it, so instead I would be forced to do something else to support my family."

    oh, you mean like every struggling musician who ever existed? what a crock. what you mean to say is "i recorded a song once, now society owes it to me, my children, and my greatgrandchildre that they never have to work a day in their lives". you see copyright as a path to entitlement. sorry, fuck you, consider this notice that your sense of entitlement is hereby revoked. yes, you DO have to work like the rest of us, sorry asshole

    furthermore, this observation of still making $ in a world without copyright can be extrapolated to any other media, even book writers. jk rowling would still be very rich in a world without copyright because she would sell all sorts of ancillary products and sell her script to hollywood. how can you sell a script in a world without copyright? my observation on copyright being dead only applies to media that is consumed electronically, because the internet represents zero distribution costs and infinite reach. anything in the realworld, such as a hollywood production, represents a choke point that doesn't exist on the internet. since cost is involved, control can be exerted. another studio can be sued for making a harry potter movie without the studio who owns the rights' permission. you simply can't do that on the internet. you can do that in the real world, and you will always be able to do that. so notice the qualitification: the copyright is dead in regard to anything that can consumed on the internet, and only in that regard

    hollywood itself would still make lots of money because people still like going to theatres. watching the dark knight on a 17 inch monitor in your basement by yourself does not compete. television was supposed to kill hollywood in the 1950s. now the internet is supposed to kill hollywood. the entire time, theatre attendance and revenues keep going up. conclusion: people like going to the theatre, and always will, regardless of all the constant doomsayers. a theater is a venue where you charge attendance, because yu can CONTROL attendance, so we will have $100 million production budgets for decades to come

    btw, hollywood will still make money on dvds. people will still buy them to guarantee organization, ease of use, quality. likewise, bertelsmann will still sell cds. its just that they won't stop, or be able to stop, the free trade of dvd and cd content on the web (where most of it will be distributed and consumed for free, granted)

    meanwhile, penguin will still sell plenty of books, because nothing competes with woodpulp in terms of cost and convenience and ease of use (sorry kindle)

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:you can't copyright anything in meatspace by oyenstikker · · Score: 1

      The reason copyright extends past death is not to benefit the copyright owner's offspring, it is to deter murder.

      In that light, I'm okay with X years or life + Y years, so long as X and Y do not change.

      --
      The masses are the crack whores of religion.
    2. Re:you can't copyright anything in meatspace by Anonymous Coward · · Score: 3, Insightful

      Your entire argument is based on supposition - not to mention obnoxious levels of selfishness in attacking artists for daring to want to make any money at all from their works directly - and some of your points are completely illogical on its face. Hollywood wouldn't make money off of DVDs because most stores would instead sell pirated DVDs, BMG wouldn't make money from CDs because most CDs would be pirated, Hollywood might not even make much money from movies because bootlegging from reels (especially as more films become digital and easier to copy) will become an accepted practice. Moreover, there'd be neither an enforceable GPL nor a way to prevent bootleg software from taking over the software market. I couldn't say what we'd end up having but there'd at least be a period of anarchy, and stockholders and employees would understandably panic and (at least for a while) flee for other sectors.

      Moreover, your idea that copyright is dead because breaking copyright law is now easy is fallacious. Copyright's reason for being wasn't based on breaking copyright being difficult to do, it was based on spurring creativity for the benefit of society. The fact that it's easy to break copyright has no bearing on whether copyright is worthwhile - it's been easy to make tapes for a long time, relatively easy to make copies of books for a long time, etcetera - and it has no bearing on the value of copyright law to society. If anything, I think the people responsible for copyright law - e.g., James Madison and Thomas Jefferson - would argue that copyright law is now more beneficial to society because in the past the barriers to ripping off a copyrighted work were more of an impediment to breaking copyright.

      If you want to prove your case, you need to show that the past 200 years of living with copyright law have been a tragedy that has stifled creativity and innovation to the detriment of society at large. I've yet to hear anyone argue that successfully.

    3. Re:you can't copyright anything in meatspace by LionMage · · Score: 1, Insightful

      It's a pity I don't have the mod points for you. I really don't understand why circletimessquare gets the mod points he does -- they're almost entirely undeserved, and that especially holds true in this case.

      Somebody, please, mod this post up!

      Your second paragraph alone is worth a +5 Insightful, IMHO.

      I suspect that too many people who hate the RIAA are modding this guy (circletimessquare) up without considering the fact that his arguments are sheer crap. Just because the RIAA has abused copyright law doesn't make copyright law a bad thing intrinsically. You can oppose the RIAA and the MPAA and other copyright abusers without throwing out all copyright. (The same holds true for patent abusers not being sufficient justification for throwing away the patent system.) Reform is what's needed.

    4. Re:you can't copyright anything in meatspace by Tanktalus · · Score: 3, Insightful

      Actually, I'd say that involving "end of life" calculations would do nothing but *encourage* murder. Better to kill you now to get the clock ticking than to wait for your natural death.

      Better to just say "X years, regardless whether the owner is still alive or dead." Doesn't matter if you kill the author or not, copy rights will survive to the estate if the author dies, and you still won't have unfettered access to the material.

      Of course, X should be no more than 25. I mean, really. Anything more is silly. Even 25 is excessive.

    5. Re:you can't copyright anything in meatspace by LionMage · · Score: 2, Insightful

      furthermore, this observation of still making $ in a world without copyright can be extrapolated to any other media, even book writers. jk rowling would still be very rich in a world without copyright because she would sell all sorts of ancillary products and sell her script to hollywood.

      And this is where you completely lose credibility. Let's analyze your reasoning here. You're saying J.K. Rowling is going to give away her books, which take a substantial amount of time to write. How is she going to pay the bills while she's working on her books? Oh, right, she has to get a job "like everybody else." Well, she did that until she got established as a writer and proved there was a market for her writing.

      I don't know if you've ever done anything creative in your life (and low-budget horror movies don't necessarily count in my book), but it's substantially distracting and draining to try to hold down a "regular job" and do writing in your spare time. It's beyond doubt that Rowling's productive output would have been much lower if she were not able to reap the financial benefits of her writing, and I doubt she would have had the incentive to produce nearly as many Harry Potter books if she had been forced to work in a "straight" job. That, incidentally, is the stated goal of copyright law -- to provide that incentive, to provide a limited time monopoly on the rights to one's creative works in exchange for an incentive to produce more. (That copyright law has been perverted is a separate issue, and a legitimate one.) As an Anonymous Coward posted in another response, copyright law never existed simply because copying used to be difficult to do. Many advances in technology have made copying of bits easier -- let's not forget the printing press. There's nothing magic about electronic media; the only difference is that once the bits are in an electronic form, the speed of copying grows tremendously (exponentially if every consumer is a potential "printing press").

      So maybe Rowling could leverage her books, as you claim, to sell ancillary goods and services, and that would provide the money to kick-start her next wave of book writing. Except many of those business deals take time to bring to fruition, and there's no guarantee that any will succeed. A reasonable person under such circumstances might give up on writing altogether, rather than wait for a paycheck that might never come.

      Back to your thesis. Let's suppose, somehow, that Rowling gets over the energy hump necessary to crank out the first book or two under this hypothetical regime of yours. She's supposed to sell a script to Hollywood, you claim. How is that supposed to happen? Hollywood could hire any writer to adapt her books (remember, they're freely available in electronic format). Why pay her when they could get some cut-rate in-house writer to do the script and do it the way the studio wants? If copyright is dead, she can't assert her rights over the material, so what's to force a movie studio to give her any money or creative control? Nothing, that's what.

      Let's pretend, then, that there's some magical way for Rowling to assert some kind of IP rights to the books that are freely available as bits in the Internet cloud, some way for her to force the studio to give her money for writing a screenplay. Sort of like copyright, except that copyright doesn't apply to bits in the electronic world, only to bits in the "real" world. How you draw that line isn't really clear to me, but whatever. Let's say Rowling has this ability to exert control over a movie studio that she doesn't have over any Joe Schmo with a computer and an internet connection.

      But why would a movie studio bother to create a Harry Potter movie? Special effects and elaborate sets cost money. Once the movie is out in the real world, anyone can sit in a movie theater with a video camera and capture that film, then distribute it over the internet digitally. Even if that were not the case, as soon as the fil

    6. Re:you can't copyright anything in meatspace by Bob9113 · · Score: 1

      You are clearly engaged in unauthorized and non-conformist thinking. Seeking solutions to novel facts is not the objective. The objective is to change discourage inappropriate acceptance of fact and to promote submissive participation in the system as ordained by those in power. A reeducation officer will be with you shortly. COMPLY

    7. Re:you can't copyright anything in meatspace by Sockatume · · Score: 1

      You seem to have written in a hurry here, so I'd like to clarify what you're saying. I think what you're saying is that while protection from large-scale, commercial exploitation of intellectual property is important for creators, and easy to enforce, protection from small-scale noncommercial exploitation is dead, because it's simply impossible to enforce in the real world, and ultimately not particularly harmful to the creator's ability to exploit his or her creation. I'm not sure I agree with that, but it's persuasive.

      --
      No kidding!!! What do you say at this point?
    8. Re:you can't copyright anything in meatspace by petermgreen · · Score: 1

      In that light, I'm okay with X years or life + Y years, so long as X and Y do not change.
      Imo life + Y years is likely to encourage murder unless Y is exceedingly high (which it is at the moment).

      A simple fixed term seems like by far the fairest system.

      --
      note: i'm known as plugwash most places but i screwd up registering that here somehow in the past and now can't register
    9. Re:you can't copyright anything in meatspace by Anonymous Coward · · Score: 0

      Let me just say that, frankly, I don't want to listen to shit that people only produced for money. Ever. That's what leads to over-produced 'Britney Spears' music, which is really just Britney moaning into a microphone for a few hours while a team (yes, a whole TEAM) of people scramble to slap chunks of prerecorded samples on top of it to make it into something they can shove down high school girl's throats. Meanwhile, people who make music because they love music, regardless of the money involved, are a lot less likely to sacrifice what they believe sounds good for what some asshat in Hollywood believes will make them more money.

    10. Re:you can't copyright anything in meatspace by Anonymous Coward · · Score: 0

      Yes, because your telling people that you should be able to benefit from their work on your terms isn't a case of misguided entitlement or anything.

  17. Important Addendum by Skye16 · · Score: 2, Interesting

    I wish I hadn't clicked "Submit" before:

    What I also want to point out is that, if these people who are creating "intellectual property" can no longer afford to do so because they can't make money on their works, there would indeed be a sharp, incredible decline in the number of "works of art". Pop-culture as we know it would utterly cease to exist.

    To some this is a good thing. To others, absolutely awful. I just wanted to make sure I pointed this out so I didn't come off *completely* one sided. I don't think that copyright is necessarily bad. But I also think that copyright law, as it is now, is horrendously fubar. If you make money on your copyright works, that's fine, but there's no reason at all why you should get 70 years after your death to make money. That completely unbalances the copyright equation.

    It is important to have new works of art added to society. So we provide copyright on those new works to justify the cost of creation to the people creating.

    However, if we never get to use those new works of art in any way other than as consumers, then the benefit to society (by being able to use said works in other forms, new packages, or just in any which way they want) is lost. I'd say the value of those works decreases by over half, in that instance, but that's admittedly subjective.

  18. the ancillary business model by circletimessquare · · Score: 2, Insightful

    television and radio has been beaming free media content on the airwaves for decades, and they are very profitable. why? how?

    because charging someone to buy your book/ software/ cd/ dvd is not, and never has been, the only way money is made in media. the advertising that radio and tv sell is but one of dozens of other ways you can make $ with free software

    free software represets an upside to: zero resistance to widespread implementation. if you sold your package for $100, you might have 100 customers. if you sell the same package for $0, now you might have 100,000 customers

    so if you have an ancillary business model that makes, say for example, an average of $1 per customer per year (such as advertising, among many other real and speculative secondary revenue streams), you can see your free software actually makes you more money in the end than charging your customers, thereby drastically limiting your reach

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:the ancillary business model by Anonymous Coward · · Score: 1, Interesting

      Television and radio as we know them would not exist without copyright.

      Take Battlestar Galactica. The folks who make that show do not make money from advertisements. They make money from Sci-Fi, which makes money from advertisements. If Battlestar Galatica did not have a copyright, Sci-Fi would not have to pay them anything and the show might never be made.

      Sci-Fi might want to pay them to keep making the show so Sci-Fi can keep getting advertisements, but what then stops someone else from airing the same show with fewer, cheaper commercials?

      This would be GREAT for the consumer. At least until people realized there was no money to be had in creating television or airing it.

    2. Re:the ancillary business model by mpeskett · · Score: 2, Interesting

      If Sci-Fi want the show made, then they would have to pay the people who make it, the only thing that changes is that no-one gets to keep the copyright under their control. Someone else could re-broadcast it, but they'd always be an episode behind; being the official channel for a show is still going to draw in the bulk of the viewership. Besides, the rebroadcasters are providing a useful service for people who missed the show the first time around, if Sci-Fi don't want the ad money from doing a re-run the next day they why shouldn't some other channel?

      People aren't going to suddenly stop paying for their media, just because copying is allowed... some people might, but there's still money to be had by broadcasting TV (some will prefer that to a download) or charging attendance to a movie theatre, or selling books. Hell, some people might even prefer to pay for things they could obtain a free copy of with minimal effort just for the "official" version, or to get some neat extras or something.

      Or even, how's this for an idea, because they like the media in question and want it to continue being made. If it were a case of "here's our show (or music, or game, or movie), we know you can get it for free, but if you like it then either support us by getting it via [approved distribution channel] or sling us a donation" then I'd be happy to toss some money into the metaphorical hat. Case in point, I played some of a pirate copy of Half-Life 2 then decided I'd rather pay for it because it was a great game and Valve deserved to be paid for it.

      Even without copyright I think there's money to be made online if the producers are sensible about it. They'll still be the first to have it, the recognised name for having it, a stronger brand than the pirate site (or at least they would be if they'd taken this route from the start - now TPB is pretty well rooted)... so long as they don't pull stupid shit like loading it down with DRM or restricting people to a crappy web player or something, they could make money from it.

    3. Re:the ancillary business model by Sockatume · · Score: 1

      Your example shows exactly why copyright is necessary. In a copyright-free world, if I make Zottospace 2, and try to distribute it online and make money off the advertising, there's nothing to stop IGN from doing exactly the same thing. Suddenly, I'm competing with one of the internet gaming giants, and I am surely going to lose.

      --
      No kidding!!! What do you say at this point?
    4. Re:the ancillary business model by jedidiah · · Score: 1

      Yes. The missing part of this is the idea that there would be people "willing
      to foot the bill" besides the studios. These people that preaching disaster
      are essentially calling everyone theives who have no capacity for enlightened
      self interest.

      There are more than enough willing buyers to go around.

      It just wont be as easy to get fat off of it if you aren't the talent.

      --
      A Pirate and a Puritan look the same on a balance sheet.
  19. RIAA Doesn't Support Artists by tobiah · · Score: 3, Insightful

    I'm glad that copyright is working for you, but in the case of the music industry it is out of control, and is actually harmful to individual artists. If we returned to the original definition of copyright, where it belonged to the artist only, I'd support it.
        But in the current situation, artists often can't play or distribute songs they wrote, receive little to nothing of copyright-related revenues, and often lose control of future work before they write it.
        Internet radio is struggling heavily because the RIAA spinoff SoundExchange has been named the sole arbiter of webcast revenue collection, and are collecting fees on every song played, regardless of who owns the copyright.
        If you go to http://www.soundexchange.com/ and follow their "Unregistered List" they have an 84-page list of artists they have collected revenue for but have not been paid. These are mostly indepent labels and artist who more often than not would prefer that their music play for free to generate publicity, rather than receive their 50% share of the $10.38 collected on their behalf. It's a fairly transparent attempt to choke out independent labels and artists by making it prohibitively difficult and expensive to use the otherwise easy and free webcasts to promote themselves.

    --
    "The ability to delude yourself may be an important survival tool" - Jane Wagner -
  20. wrong by circletimessquare · · Score: 1

    for many reasons, those who control the technology of media consumption are not the same companies that create media. sony, even though it makes hdtvs and studio films, does not sell you your cable modem access

    the reason for this is that those who sell you access make more money as independent business entities. there are many reasons for this, but a quick reason is that locking yourself into the exclusive broadcast or exclusive arrangements of only one content creator is very risky, and dramatically reduces your audience, because people want to partake of many studio's product

    and so the business space of media distribution is always dominated by companies that are independent of the companies that produce media

    when you realize this, you realize those who create media will never, and can never, control how you consume media. the chain of control is broken. even with all the legal pressure they can mount, the loopholes will always exist, and savvy programmers will release apps that get around the media creator's attempt to control your consumption

    now, if you want to get absurd, and assume we live in a complete fascist corporatocracy, even THEN they cannot control your consumption. why? beause to get at the level of control needed to ensure no media is being broadcast on the internet surreptitiously (via obfuscation, encryption, bizarre protocols and ports and channels, etc.) they have to break what makes the internet interesting in the first place

    did you get that? to establish the level of control needed to ensure their product isn't being traded without their approval (and profit), those who create media need to break that which makes the internet interesting

    they would turn it into this ridiculous sprawling series of checkpoints. nothing would be fluid and seamless and easy. everything would be a bureacratic life choking nightmare

    this will never happen. it is a legal nightmare, a tremendous financial burden, and, when implemented, nothing more than a way to shut down the net. all protocols, apps, everything must be broken in order to "fix" the internet to allow for this absurd level of control

    so the media creators they would wind up controlling a ghost town, because we simply wouldn't use the net anymore anymore. no one can kill progress like that. the desire for what was lost and the anger at those who took it away would be too strong from all sectors of society. the media creators lose

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:wrong by iminplaya · · Score: 1

      ...because we simply wouldn't use the net anymore anymore...

      You give the average consumer way to much credit. Take a glance at the drivel that gets the highest ratings, the most hits.

      they would turn it into this ridiculous sprawling series of checkpoints.

      The bureaucrats wet dream come true. People don't care about that when there's dinner on the table, Idol's on the TV. People complain about the airlines all the time, but the airports are no ghost towns. The lines are as long as ever. And the service is worse than ever. People want entertainment. As long as they get it, they care not where it comes from. There will be no uprising. Those that want freedom are but a tiny majority, and the others will shout them down if the fall season is threatened in any way.

      Your first post that I responded to was most right on. I agree with it a thousand percent. Copyright must go away. But the vested interests that keep it in place for their very survival are most stronger than those ideals. They've been doing it for over 300 years. Everybody expected all the succeeding new technologies to kill it off, and it has only become stronger every step of the way. What was an eighteen year copyright is now a hundred year copyright. And there's still no let up in sight. What with new more draconian rules written into law every year. Now with actual criminalization entering the picture. Things could change in two or three generations, but this thing is very tenacious. And the people currently running the show are not about to give it up yet. And also you will find that the cross ownership between the producers and the providers is much stronger than it appears, all done through proxies and their stock portfolios. They are very intertwined. They will fight till the very end.

      --
      What?
  21. Wired? by Sun.Jedi · · Score: 1

    Wired sucks. Ars has it as well.

  22. suddenoutbreakofpithytags by Anonymous Coward · · Score: 0

    To all slashdotters who cleverly tag stories with "suddenoutbreakofcommonsense":

    I hate you with every part of my body.

    1. Re:suddenoutbreakofpithytags by Anonymous Coward · · Score: 0

      I hate you with every part of my body.

      suddenoutbreakofherpes

  23. no, wrong by circletimessquare · · Score: 1

    lets assume the government is copying and storing every packet ever sent (on wireless p2p too?!)

    encryption: they have hooks into every method? ok, they don't but they can hack it... ok, they have enough supercomputer time to analyze all of that?!

    sheer volume for analysis: ok this is going to be categorized by who? and micromanaged by who exactly? at what cost and for what perceived benefit by even the most megalomaniacal anal retentive authoritarian?

    do a cost analysis. and you find out that your "raid every basement, read every enveloped" analogy for why complete surveillance in the real world is impossible ALSO APPLIES TO THE INTERNET

    they don't have enough soldiers to kick in every door. you got that. good

    now guess what: they don't have enough analysts to read every packet

    and NO, this cannot be automated, simple methods of obfuscation can get around known attempts at automation of packet sniffing

    even if every street corner had a camera on it, they need someone going through the millions of camera feeds to look at them to interpret them. you'd need 10 times more people than exist in your population to do that, even with automation techniques (that people would find methods to usurp)

    the 1984 fantasy is a total joke. its a nice fable that orwell wrote up, but too many people have latched onto it as a valid model of society, present or future

    no, orwell's 1984 will never come to pass, and is not happening now, or anywhere else, or ever will. some people are just a little too paranoid for their own good

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:no, wrong by miserere+nobis · · Score: 1

      encryption: they have hooks into every method? ok, they don't but they can hack it...

      Encryption? Who the hell is encrypting all, or even most, of their network packets? Nobody, that's who. Most people and companies aren't even encrypting sensitive information, just dumping it as SMTP right across the wires (if they're lucky) and the unsecured public networks (if they're not). Most of those who are using encryption are using proprietary software belonging to companies that aren't provably trustworthy. Many of those who are not, say, by using open source software, are incapable of understanding the source anyway, or might never check the source (or use an auto-update feature which could give them something different than the source posted publicly). And have you read the official position of the FBI (and probably also, then, of more than a few members of Congress in the US and their equivalents elsewhere) regarding encryption? We could someday wind up with legally mandated governmental key escrow. All it will take will be one terrorist attack that "could have been stopped if we could have deciphered their planning communications." Now such a thing would be, of course, impossible to enforce universally...but if it is prosecutable then it becomes a real risk for anyone to use real encryption, and most communications will then once more be watchable.

      And you can't encrypt certain things anyway, such as the destination, or it won't get there (forget anonymizers; that's a field that can too easily be infiltrated. It's just a bit of obfuscation, not real anonymity).

      Do you have control over the log files of every DHCP server, DNS server, router, and web server you make use of?

      do a cost analysis. and you find out that your "raid every basement, read every enveloped" analogy for why complete surveillance in the real world is impossible ALSO APPLIES TO THE INTERNET they don't have enough soldiers to kick in every door. you got that. good now guess what: they don't have enough analysts to read every packet

      Now guess what else. They don't have to. What, you think I imagine an army of millions of technicians employed all day and night reading Matrix-style screen dumps of every person's download of Grandma's new pictures of her cat? You're not thinking broadly enough about the possibilities, and completely leaving out the vast amount of social and personal information that can be gathered without even actually opening most of the envelopes. Basically what we have here is, as you point out, exactly what we had before, except:

      1. The volume of information that can be stored, copied, and scanned is much greater.

      2. The speed of analysis is much greater.

      3. The proportion of communication that goes through the same few channels is much greater. This is important-- once upon a time you would have had to what, infuse the entire postal service with hundreds of thousands of spies? Now a few hundreds of well-placed computers have access to an even greater percentage of data traffic than all those postal spies ever would have.

      Don't forget that the means of obfuscation you say are simple are also subject to the channel problem, as well as the information spreading problem-- any means of evasion that becomes widely known to the evaders will also become widely known to the monitors, and because those evaders are still stuck transmitting over the same few networks to which those monitors have access, they won't be effective for long. This is a problem inherent to the way the Internet is set up. Until it is replaced by a nationwide self-building mesh network (or multiple such networks operating on top of each other) where the majority of data does not travel over just a few people's routers but is actually spread everywhere and completely unpredictably, this will not change.

      4. The amount of understanding the average person has about what is going on when they transmit something, and what steps would be

  24. AudioGalaxy claimed PD material was copyrighted... by dpbsmith · · Score: 2, Interesting

    Oh, I hope this is a harbinger for the future. I used to use AudioGalaxy regularly, mostly rare 78s and cylinder recordings from 1900 to 1940 which a number of generous collectors were sharing.

    One day, virtually all of the shared material was unavailable. If I recall correctly, all of the items were still visible, but now contained individual notices that they were no longer available due to copyright restrictions.

    I made a few weak attempts to contact AudioGalaxy and ask them to restore material that was obviously not under copyright, to ask them what checking they had done, and how they could possibly even think that a 1907 recording of Vesta Victoria singing "There Was I Waiting At The Church" was copyrighted.

    Of course, they wouldn't even give me the courtesy of a reply.

  25. Can't copyright titles. by Ungrounded+Lightning · · Score: 2, Informative

    You can't copyright titles: Song names, book names, movie names, etc.

    Otherwise Alan E. Nourse would have a dandy suit against Warner Brothers over _Bladerunner_.

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  26. sorry, i need to qualify by circletimessquare · · Score: 2, Interesting

    from my othwer comment:

    http://slashdot.org/comments.pl?sid=653201&cid=24693271

    furthermore, this observation of still making $ in a world without copyright can be extrapolated to any other media, even book writers. jk rowling would still be very rich in a world without copyright because she would sell all sorts of ancillary products and sell her script to hollywood. how can you sell a script in a world without copyright? my observation on copyright being dead only applies to media that is consumed electronically, because the internet represents zero distribution costs and infinite reach. anything in the realworld, such as a hollywood production, represents a choke point that doesn't exist on the internet. since cost is involved, control can be exerted. another studio can be sued for making a harry potter movie without the studio who owns the rights' permission. you simply can't do that on the internet. you can do that in the real world, and you will always be able to do that. so notice the qualitification: the copyright is dead in regard to anything that can consumed on the internet, and only in that regard

    if you are talking about the internet, where trading files is anonymous, free, and infinite in reach, there is no place for copyright, because it is unenforceable

    in any other venue: the real world, or even in small controlled virtual settings with a few players, copyright is still valid, because it is still enforceable

    the situation you describe above involves a small set of players playing with something that costs a lot of money. this gives them the incentive, and the means, to control who does what with what media content

    so yes, in your scenario, copyright sitll aplies, an always will still apply

    but copyright in regard to anything that can distributed AND consumed on the internet is as dead as michael jackson's day care business

    an agreement between studios is NOT something distributed and consumed on the internet

    its a real world meatspace issue involving a lot of expense by a few slow moving players

    copyright is untouchable in this scenario

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:sorry, i need to qualify by Sockatume · · Score: 2, Interesting

      So what you're saying is, the distribution and duplication part of copyright law no longer makes sense online, but the sections which preserve the author's control over the way his work is used - movie rights, etc. etc. - are still viable.

      --
      No kidding!!! What do you say at this point?
  27. Copyright misuse? by Ungrounded+Lightning · · Score: 1

    Perhaps this case can lead to a determination that such bogus suits constitute "copyright misuse", leading to the loss of copyright protection on any song involved in such a suit.

    Such a precedent would put RIAA in the following position:
      - Bring a solid case, win some bux.
      - Bring a bogus case and get caught, the songs involved lose copyright protection.

    Perhaps that sort of risk would get them to evaluate the cases more carefully before firing the scattergun.

    Then again, perhaps they still wouldn't. In which case the member organizations might decide to bail out once the RIAA had lost them the copyright protection of a bunch of their "intellectual property".

    (And of course the denizens of the internet would be carefully tracking which "IP" had lost its copyright protection as a result. B-) )

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
    1. Re:Copyright misuse? by Hyppy · · Score: 1

      Brilliant.

  28. this is such utter bullshit by circletimessquare · · Score: 1

    every artist EVERY SINGLE ONE works from a starting point of poverty

    because no one starts out as an artist as someone who is well-known adn well-funded. the money comes AFTER the work is made, not before, and NO ONE makes a work of art with the certainty you are getting paid, because no one knows who you are or what you are doing is of any worth

    therefore, if copyright dies utterly (which it won't) people will still make books, films, music, because what motivates all artists in the beginning is love of music

    even the rapster gangster who said he raps just for money is just fronting. if he were solely interested in cash he would just sling hash on the corner. he likes the sound of his voice, he does it for chicks and ego

    and even if, in some absurd universe where no one ever made a single penny ever again from a piece of art, art would be made in as much volume as it is today with batshait insane copyright, as it is. because EVERY SINGLE ARTIST WHO EVER EXISTED works for the sake of loving the art, or its intangible benefits (fame and ego, women eager to give you blowjobs, immortality, etc.). but even then, if coypright doesn't exist, such artists would still be immensely rich, from all of the ancillary businesses a famous artist enjoys (advertising, live venues, commissioned works, harry potter plush dolls, etc.)

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:this is such utter bullshit by Sockatume · · Score: 1

      Actually, a lot of artists worked for their daily bread, and not just for love of the work. From the classic period all the way up to the Paris Salon, there were many who did it as work for hire and were absolutely dependent upon it in order to keep a roof over their heads and food in their bellies. Of course this is beside your point, because they lived in a copyright-free age, the kind of work that these artists did generally wouldn't be adversely affected by illicit copying (I doubt most people would notice it, given the genericness of a lot of the work), and even copying a painting takes a considerable amount of skill.

      --
      No kidding!!! What do you say at this point?
  29. Simple fix to overzelaous litigation by Mike_K · · Score: 4, Interesting

    If an entity sues for copyright infringement on some work they claim copyright to and loses with prejudice, they are stripped of any copyright to the work they sued for.

    Simple. In litigation, there needs to a concept of jeopardy. Both sides can lose. Not just the case, but something substantial. The defendant here is being sued for monetary compensation. In criminal cases the prosecution jeopardizes their ability to prosecute in the future using better evidence. We clearly need the same principle to apply to copyright litigation.

    If you don't want to take away the copyright, at least make the plaintiff pay the amount they were asking for in damages to the defendant. Jeopardy would restore balance to the system.

    m

    1. Re:Simple fix to overzelaous litigation by shentino · · Score: 1

      Uh, that's not jeopardy, exactly.

      I do agree with your suggestion though.

      Instead of just letting people secure judgements, why not make them secured debts?

      RIAA wrongly sues John Doe, John Doe wins and collects attorney fees, then here's what should happen. John Doe should get a lien on the copyright the RIAA alleged he broke until his expenses and damages (which should include some punitives for malicious prosecution) are paid.

      And...until the RIAA pays the lien off, they don't get to collect one red cent of damages for future alleged infringement of that copyright until they pay off the lien.

  30. know your enemy by Scrameustache · · Score: 1

    the internet lets everyone be a publisher with greater reach than all the most powerful media companies combined.

    No. The media conglomerates can do everything you can do on the internet, but you are limited to viewers who know on what adress to reach your data.
    The corporations can spend millions to not only host their data on a robust server capable of whithstanding the harshest slashdotting, but they can also pay for tv and radio and print distribution to inform anyone in contact with their targeted demographics of the location of their content.

    It lets anyone be a publisher, and it allows greater than ever before, but it does not make the individual stronger than the many or the wealthy-as-many.

    Never underestimate your enemy.

    --

    You can't take the sky from me...

  31. who cares by circletimessquare · · Score: 1

    copyright for 10 years. copyright for 200 years. copyright for 20 years or 7 years after death of author unless in a leap year following a tsunami blah blah blah... whatever

    who fucking cares

    because, for anything distributed and consumed on the internet, copyright is 0 years, 0 days, 0 minutes

    of course you won't find that in the lawbooks, but thats the reality of the situation. copyright, for anything consumed electronically, is dead. its simply unenforceable

    go ahead, tell me what SHOULD be. who cares. i'm telling you about what IS

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:who cares by Sockatume · · Score: 1

      I'm pretty sure that copyright is still enforcable if, say, George Lucas decides to make a movie of The Dark Tower without giving Stephen King any money or input. Or if Marvel decides to start publishing Megatokyo every week without paying its writers.

      --
      No kidding!!! What do you say at this point?
  32. Good news by Sloppy · · Score: 1

    Huh. I was bitching about irresponsible takedown notices just a few days ago, when the Olympics people used a DMCA notice to chill political speech.

    It's really a good thing that Fair Use will have to at least be superficially evaluated from now on, because that means that a human will get involved. A DMCA-notice-bot can do a lot of damage to its victims, and holding someone accountable for that, means that the days of DMCA-notice-bots are numbered (unless there's an AI breakthrough).

    We already have a lot of noisy, abusive bots on the internet, and it was a bad idea for Congress to allow a certain type of bot to send un-ignorable packets that had legal force without the bot's owner bearing some risk.

    The internet just got better.

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  33. your observations are true, but off-topic by circletimessquare · · Score: 1

    i'm not trying to defeat media companies

    they can, and will, continue to be gatekeepers to the likes of britney spears' popularity. they can pay to get exposure, and continue to exist in this way, profiting from acne cream commercials and teeny bopper concerts in stadiums. they are not my enemy, they have every right to continue doing this

    what they CAN'T do is sue me because i downloaded a britney spears mp3 for free. they have no moral rationale to do this. in this narrow regard on this small topic, yes, they are my enemy. but they are not my enemy just out of spite or some broader ideological bullshit i am not trying to promote

    corporations are a valid and useful part of society in spite of the deluded thinking a weird few. i am not one of those. i value corporations as constructive entities. i am not opposing corporations. i am simply opposing the abuse of power by corporations in this narrow way, on this specific topic, of copyright of media consumed electronically being essentially unforceable in today's world

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  34. thats called copyleft by circletimessquare · · Score: 1

    copyleft is not copyright. copyleft says you can distribute anyway you want, but you should properly attribute. this is still enforceable

    in other words, a copyright for electronic media is dead not because i say so, but simply because i am making the observation that it is unenforceable

    copyleft, meanwhile, is still enforceable

    thus, copyleft is still valid

    not because i say so, but because of what is ENFORCEABLE and what is not. get it?

    you can go sue microsoft under the terms of the gpl. you can't sue everyone sharing music on the internet. get it now?

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:thats called copyleft by Zordak · · Score: 2, Insightful
      Your entire post is astoundingly circular and misinformed.

      copyleft is not copyright.

      Wrong. Copyleft is a cute term somebody made up to describe a certain type of copyright license. It's still entirely dependent upon copyright law. Like any non-exclusive copyright license, the GPL conveys less than the entire interest in the copyright, meaning that the owner of the copyright can impose restrictions on use of the copyrighted work. It has nothing to do with any inherent right of attribution. In fact, there expressly is NOT an inherent right to attribution in the United States (or any other "moral rights"), which is why Jacobsen (the case last week about the Artistic License) had to deal with the attribution clause.

      copyleft says you can distribute anyway you want, but you should properly attribute. this is still enforceable

      This statement is not only merely conclusory, it is wrong. Some licenses say that, but they are not considered "copyleft" by the FSF. Copyleft licenses require that derivative works be perpetually re-licensed under the original free software license. If they can place that stipulation on derivative works, it is because Title 17 of the United States Code says they can. If there is no copyright, the only potential cause of action you have is maybe a breach of contract claim, but as the defendant in Jacobsen pointed out, your damages in the case of software you're handing out for free to all takers are essentially zero. That's called efficient breach, and it's perfectly allowable under contract. It's only with copyright that you can get stuff like statutory damages or the defendant's ill-gotten profits.

      The rest of your response seems to be simply an observation that it's easier to sue Microsoft (a single entity) than it is to sue millions of people who are just as blatantly violating the copyrights of the media cartels (I'm not talking about Stephanie Luz here; I'm talking about those of you who feel entitled to download songs simply because you want them).

      While this may indeed present a practial issue, it has nothing to do with this alleged fundamental difference between copyright and "copyleft."

      So pick your poison. Either copyright is a good idea, and the GPL is enforceable, or copyright is a bad idea, and Microsoft can steal your code and do whatever they want with it (similarly, George Lucas could take your Fillipino horror movie and release it in theaters under the auspices of Lucasfilm, re-branded as a Star Wars prequel, and you could do nothing more than rant about it on Slashdot). To say that copyrights are enforceable against Microsoft or George Lucas but not against you is simply hypocritical and intellectually dishonest. Sure, the cartels are evil. But that doesn't change the fact that if you want to control what you create, you need strong copyrights just as much as they do. Get it now?

      --

      Today's Sesame Street was brought to you by the number e.
  35. thank you by circletimessquare · · Score: 1

    for the patronizing and condescending discussion on copyright and copyleft

    for the sake of an abbreviated discussion on slashdot, you could have safely assumed that my shorthand terms indicated i was talking about the substantive differences between copyleft and traditional unmodified copyright. and that would have sufficed to be adequately useful for you to make your points or lack thereof, but no. therefore, a lack of points on your part must be assumed

    "'copyleft says you can distribute anyway you want, but you should properly attribute. this is still enforceable'

    This statement is not only merely conclusory, it is wrong. Some licenses say that, but they are not considered "copyleft" by the FSF. Copyleft licenses require that derivative works be perpetually re-licensed under the original free software license. blah blah blah..."

    http://en.wikipedia.org/wiki/Copyleft

    Copyleft may also be characterized as a copyright licensing scheme in which an author surrenders some but not all rights under copyright law. Instead of allowing a work to fall completely into the public domain (where no copyright restrictions are imposed), copyleft allows an author to impose some but not all copyright restrictions on those who want to engage in activities that would otherwise be considered copyright infringement. Under copyleft, copyright infringement may be avoided if the would-be infringer perpetuates the same copyleft scheme. For this reason copyleft licenses are also known as reciprocal licenses.

    While copyright protects the rights of the creator by providing control of distribution and modification, the idea of copyleft is to grant Gratis freedom to all others. In this way, seemingly using copyrighted works as if there were no copyright law on them, with one exception: copyleft also grants the open access to information useful in supporting modification (e.g. source code) by enforcing its publication, and allows the original author to be acknowledged.

    ok, now it is my turn to be patronizing and condescending. darling: if you copyleft your work, you are placing your work under a commonly understood scheme where you are surrendering the traditional rights to modification and distribution under copyright, without surrendering other rights. this is the substance of my remarks, and it remains true and unchallenged by everything you wrote above

    you apparently have a strong need to lecture other people about facts and figures. i have no problem with this personal need of yours, but please next time make your lecture about something that disproves what i am saying, otherwise you are merely engaging in a long winded discussion of orthogonally related issues that do not disprove what i said and is a waste of time

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  36. you complain about the status quo by circletimessquare · · Score: 1

    but you use assumptions originating from the status quo in your rationale. your delusion is self-supporting

    you argue form the point of view of an unstoppable force in control. if the force is unstoppable, then why are you complaining? merely accept it and be quiet

    if on the other hand you believe the status quo can be changed, speak with that interest in mind. of course it is hard and difficult, but your hopelessness and helplessness in your thinking merely makes it more difficult

    you are part of the problem: you believe this status quo cannot be changed. i believe it can be. in your words, the words of the defeated and hopeless, i find that you are simply another part of the enemy

    "But the vested interests that keep it in place for their very survival are most stronger than those ideals."

    for saying those words, this makes you a bigger part of the problem than the drivel you speak of. you've internalized the status quo. YOU are the drivel that must be overcome and defeated. those who have met the enemy, and accepted them

    fuck you and your weak will and helpelessness. you are not me, and oyu have nothing to do with me

    speak hopefully or shut up. to whine about the status quo as being stronger than higher ideals makes you a complete loser

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:you complain about the status quo by iminplaya · · Score: 1

      speak hopefully or shut up.

      Aaah..hope. I've heard of that. Sorry sonny, the forces of nature are much more powerful than all your silly ranting and raving that will only turn people against you. For good reason with the way you express yourself. I've seen your type..over there at deomocraticunderground.com. You all sound just as foolish as the Rushball himself. More so actually. Damn near make me want to go vote for McCain with the kind of pathetic pomposity you spew. You're the kind that is actually slowing things down. Because of you, more and more people will believe there is no hope. You are proving that you are no viable alternative. Leaving us all with one less. I am thanking my god that I am not you, and will have nothing to do with you. It would only hurt the cause. You are the little man who envies the strength you will never have. The little dictator with mad desires. At first I thought you were rather eclectic, but now I see you're just another ass. Have a nice day :-)

      --
      What?
  37. you're a crackpot by circletimessquare · · Score: 1

    if you believe the netcan only be used to opppress, why are you wasting your time with me? go, get a backhoe, start cutting the fiber before its to late

    just leave me alone from your delusions. because you are simply wrong on what you believe

    technology is neutral. it can be used to oppress just as much as it can be used to free. any technological advance that can be used to spy can also be used to obfuscate. its an arms race, and its equal opportunity access on all sides. creativity is not the monopoly of the state. anything prison walls that can be built by a man is also prison walls that can taken down by a man

    and besides, our rulers are not alien pod people bent on enslaving mankind. i'm sorry if this interferes with your personal mythology, but please keep the stink of that away from me, its noxious and speaks of personal flaws in regard to your ability to resist and remain free. by assuming the insurmountability of the oppressor, you are paving the way for your acceptance of him. i do not believe he is insurmountable, therefore, i retain the spirit of the free, while your attitude merely paves the way for you to help in your own enslavement

    your cognition is repulsive

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:you're a crackpot by miserere+nobis · · Score: 1

      Dude, really? You write a post claiming basically and unreservedly that The Internet Will Set Us Free, and then I counter that it can be used for freedom or oppression, you follow up with an insistence that the latter is impossible, I point out some reasons why it is not, again asserting that both directions are possibilities...and then you assert the same thing I just said and call me a crackpot for having a point of view I never took? Sure, technology is neutral, usable for good or evil. It was your assertion otherwise-- the notion that only more freedom, never less, can come from it-- that prompted my first post on this thread.

      I don't have some kind of Orwellian personal mythology. I do, however, have some familiarity with history, and the fact that basically anything people invent is used both for advancement and oppression. The greater the technology, the more good, or the more large-scale evil, it can be used to bring about. So we always need to be aware of both possibilities and take care to be vigilant in preventing the latter.

  38. my argument is based on what is by circletimessquare · · Score: 2, Interesting

    yes, copyright is unenforceable on the internet. do you agree or disagree?

    if you disagree, you are in denial, if you agree, forget everything i said, throw it all out. consider me a loathesome poisonous crackpot. i don' care. i'm merely describing reality, a world without copyright. which, obviously, is what the internet is turning it into. see? do you adapt to that? or die off in denial?

    and you've kind of revealed your sluggishness of mind on that subject already:

    "Hollywood wouldn't make money off of DVDs because most stores would instead sell pirated DVDs, BMG wouldn't make money from CDs because most CDs would be pirated"

    my good friend, the subject matter at hand are people are copying and distributing media on the internet. do you understand that? this pirating of dvds and cds is a red herring, a kind ancient 20 year old concern. please update your understanding of the world before us

    i think that you are simply in denial. you describe panic and anarchy. really? hollywood doesn't do great business in theatres? there ar eno touring musicians? bertelsmann and dreamworks aren't going to die, they'll just see an aspect of their business atrophy while other aspects takeoff. the artists menwhile, who are mostly ripped off by the distributors will continue to create. copyright as you understand it is in the ideal sense it never existed in. thanks for bringing up jefferson. i think jefferson's keen mind would perceive that copyright is being abused to protect the distributor, not the artist. meanwhile, ever hear of shakespeare? beethoven? i think jefferson would perceive that copyright has been abused, and abolish it. your belief in copyright is mythology. the real world implementation of copyright is as a bullyclub for distributors. artists sign away their rights, and get pennies. stop believing the hype

    when you are revolted by me, you aren't disagreeing with me, you are shooting the messenger, you are disagreeing with reality, which i am merely describing

    go ahead and hate me, i'm just a random asshole on the internet

    reality on the other hand, i suggest you come to grips with

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:my argument is based on what is by Anonymous Coward · · Score: 0

      The fact that people give this moron upmods is shocking.

    2. Re:my argument is based on what is by Anonymous Coward · · Score: 0, Interesting

      my good friend, the subject matter at hand are people are copying and distributing media on the internet. do you understand that? this pirating of dvds and cds is a red herring, a kind ancient 20 year old concern. please update your understanding of the world before us

      No, it isn't a red herring. You specifically mentioned that they would still make money from physical media, but if copyright is no longer in law then they would not. From your response, it seems like perhaps you want to disallow copyright only for works on the internet. It is simply absurd to try to limit copyright - which is for a particular expression - to certain forms of media. If copyright were attached to physical media, then stores would simply sell physical media and access to machines that would copy songs to that media, or figure out some other workaround where the artists and those responsible for financing the artistic works wouldn't be compensated. There's simply no way for copyright to have any real significance in spurring creativity if it's not attach to every method of distributing such works.

      What other aspects of Dreamworks and BMG's business would take off? What would they sell without copyright that they cannot sell currently, besides other people's works? They already sell merchandising, bands already sell tickets to live shows, so what is it that's going to take over? I think I know what you're getting at, which is that other things would be the core of there business, but that just means that the artistic works themselves would have less emphasis. Is that what we want, to de-emphasize in law the artistic works themselves and devalue their place among the people who aid in their creation? For the vast majority of people in first world nations, recorded music is much more a part of their daily life than is live music and for practical reasons that seems extremely unlikely to change.

      A major problem with eliminating copyright law with regard to recordings is that then artists have much less reason to create recordings or spend the same time, effort, and money on them. Ever hear of The Beatles' Revolver, Sgt. Peppers' Lonely Hearts Club Band, or Magical Mystery Tour, (or others)? Ever hear of great debut albums that cost more than a few thousand to make? Those things would be much less likely to exist because there would be little chance of them paying off.

      "Tomorrow Never Knows", for instance, is a terrific - perhaps brilliant - song which only exists in recorded form. George Martin has said that it could never be reproduced from individual pieces again: by its nature, it is strictly tied to the recording medium itself. (And if you've seen Oasis or other band's live versions, you might notice the Beatles recording of it is worlds better.) There would be far less of such intricate recorded works in the future, as there'd be far less incentive for them to exist.

      A lack of copyright law would mean the emphasis would move from the artistic works themselves to ancillary things, which means that the artistic works themselves would be devalued in terms of the artists and companies time. That artists existed in a world with completely different culture and technology that had no copyright, it in no way impugns copyright's ability to spur creativity. What's more, trying to impugn copyright because of the way some businesses operate within it is wrong-headed.

      How does forcing all artists to give up their current rights to protect their recorded works empower them to make more money than by continuing with copyright law, where they're already allowed to choose to give up their rights of ownership to the public domain? If that was a preferable model for artists, it would seem to me that more of them would already do so and slashdot and other such savvy sites would probably have taken notice of all of those successes. (Most creative commons works don't qualify, as the way they rely on copyright law and have limits that are usually not functionally equivalent to releasing to

    3. Re:my argument is based on what is by Anonymous Coward · · Score: 0

      Ecch, I should have edited that down a bit, especially the redundant start to the second-to-last paragraph.

    4. Re:my argument is based on what is by jedidiah · · Score: 1

      The rest of us realize that culture doesn't depend on the rockstar model.
      Infact, it tends to do a lot better that way. Before the advent of the
      modern record label, culture did fine. People with the motivation and
      resources were willing to "pay everyone else's way". Such patrons are
      still why certain forms of performing and fine art can continue to
      exist at all. There's no reason that a modified form of that can't
      continue to support art in general.

      Quite frankly, any form of art that can't survive off the consideration
      of patrons (large and small) really does deserve to go the way of the
      dodo.

      Some "pop musicians" are already successfully doing this.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    5. Re:my argument is based on what is by Anonymous Coward · · Score: 0

      How in Hell is this flamebait? Because it disagrees with circletimessquare or because it's in favor of copyright? circletimessquare goes out of his way to insult people and he gets modded up constantly... abso-fucking-amazing. I guess he's got friends protecting him.

  39. its very simple by circletimessquare · · Score: 1

    if you believe that which oppresses is insurmountable, then you are merely paving the way for internalizing your own enslavement

    i meanwhile believe that which oppresses can be beaten. and i'm glad you bought up the oppression of the natural world. antibiotics, agriculture, landing on the moon: all the spirit of humanity yearning to be free of oppression

    then you become incoherent, as you speak of me being an oppressor and me destroying hope, when i speak from a posiiton of being hopeful

    all i know is, you think like a slave, and i think like a free man

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:its very simple by iminplaya · · Score: 1

      You think you're free there, city boy? What, you cut your own wood to heat your house? Grow your own food? Got a gerbil running in his wheel for the lights? Your own ISP?

      Ohhh..all the spirit of humanity yearning to be free of oppression

      Jesus! The sap runs out of you like Niagara Falls. Your antibiotics that nobody can afford...Your genetic monstrosities of terminator seeds...Man on the moon? Done a lot with that, haven't we? Oh yeah! that's real "yearning to be free"...You have no clue of the meaning of the word you pompous piece of poop! You don't see the other end of the stick. Let's see how free you are when you actually stand up and take action. You would be laughable, if you weren't so pitiful. Free~ Christ! Why don't you go out and see what you do to other people to be so "free". But screw them. They're only slaves but they think like slaves. Do you know what blood money is? Cause that's all you got in your pocket. Punk!

      --
      What?
  40. The Taming of the n00b by Zordak · · Score: 1

    A Play in One Act. [Enter CIRCLETIMESSQUARE, a poster to Slashdot] CTS: Behold, copyright is dead! w00t! w4r3z 4-evar! [Enter ZORDAK, who tireth of hearing this nonsensical and self-serving platitude] ZORDAK: Methinks these Slashdotters think otherwise of him who hath blasphemed the holy GPL. CTS [condescendingly and patronizingly]: Ha ha, thou fool! Thou fellest victim to one of the classic blunders! Copyright is verily dead, but the GPL is copyleft! Copyright is not enforceable because copyright is not enforceable. Copyleft is enforceable bevause copyleft is enforceable. ZORDAK: Thou art mad and reasonest in circles. The GPL printed is but toilet paper without the power of copyright to enforce it. Copyleft is but a cute name for a species of copyright license. It is as any other license. It granteth unto the licensee certain privileges and imposeth on him certain obligations. And verily it retaineth to the licensor certain rights. There is no distinction between copyright and copyleft. The one is but a subset, wholly consumed in the other. If copyright dieth, copyleft dieth with it. CTS: Thou art condescending and patronizing as well as foolish! To prove your foolishness, I cite the Oracle of Wikipedia. Behold! Copyleft is a species of copyright license. It granteth to the licensee certain rights while retaining others unto the licensor! And behold, it imposeth certain obligations on the licensor. Seest thou now thy foolishness? Seest thou wherein thou dost err? Thou saidst nothing to disprove my premise. ZORDAK: I yield to your mastery, for thou hast shown me the error of my ways. I go straightaway to turn in my bar card.

    --

    Today's Sesame Street was brought to you by the number e.
  41. Guess I was a bit unclear... by Anonymous Coward · · Score: 0

    > Apparently, the printers really were downloading music, but they had a fair use! I totally misread that story before. I, for one, will not stand for fair use rights being taken away from our electronic friends!

    I do my best when writing the stories, but it's not like I'm getting paid for this :)

    I know you're kidding, but maybe I wasn't as clear as I hoped to be. I was trying to point out why I think that some lawyers are relying on programs instead of critical thinking when sending out notices. Obviously, if the computer does all the thinking, it's not going to consider Fair Use.

    That said, who knows? There are days when I could swear that this stupid printer has a mind of its own...

    - I Don't Believe in Imaginary Property

  42. More simply by hacksoncode · · Score: 1

    Slashdot is *commentary* on news, not news itself. There's no particular reason to expect that the summary will be any more objective than the 100 pages of mindless drivel, punctuated by the occasional cogent remark, that immediately follow it.

  43. Social Contract by bill_mcgonigle · · Score: 1

    Prince believes it is wrong for YouTube, or any other user-generated site, to appropriate his music without his consent. That position has nothing to do with any particular video that uses his songs. It's simply a matter of principle.

    Society believes it's wrong for Prince to abuse the social contract under which his monopoly right to the song is granted and protected with force. It has nothing to do with any particular insane artist who spontaneously desires camels in the middle of winter in Minnesota, it's simply a matter of principle.

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  44. wake up by Scrameustache · · Score: 1

    i am not opposing corporations. i am simply opposing the abuse of power by corporations in this narrow way, on this specific topic

    Take off the blinders and look around, this is just one iteration of a pattern of behaviour with much greater impact on your life than the price of mp3s.

    That attack on the public domain is systematic, and gets as bad as outlawing the collection of rain water after multiplying the utilities bill, and trying to force farmers to pay for a liscence to their newly gene-sequenced and now patented traditional crop.
    Or just skimping on security and gassing tens of thousands of people to death.
    These are real things corporations have done. Their one motive is profit, and people will kill for money if they think they won't get caught.
    And corporations are legal entities that can be legally blamed instead of their owners.
    A sort of "get out of jail for a large sum of money" card, since your stock obviously takes a dive after you kill so many people that it makes the news around the world.

    You may not want to see it, but it is going on.

    corporations are a valid and useful part of society in spite of the deluded thinking a weird few.

    I see you have somehow marginalized all people who decry the crimes made by the rich as "a weird, deluded fiew". It's a shame that you've shoehorned yourself into such a reductionist view of the world. I fear these limitations you've built in your mind will make this conversation quite futile.

    A corporation made the splint I'm wearing, and another brought it to their nice clean store within walking distance of my house, and I gladly paid the price for them.
    Corporations are not a good or a bad thing, they're just a thing. But they are being used by greedy people against the rest of humanity, and this power has to be removed from these few. Hence, the opposition to "corporations" as shorthand for the fight to remove the legal framework that makes corporations so dangerous to the well being of the people.

    The internet takes the power of publishing to a worlwide audience away from the exclusive right of the very rich and into the hands of the middle class (the poor are too busy being hungry to publish). It gave power of the press to more people than ever.
    The media conglomerates are fighting back, trying to outlaw P2P, etc.
    The are your enemy if you wish to retain the rights that technology affords you.

    And there are many other rights that a few, rich people are trying to keep out of your hands and into theirs, corporations are one of the tools they use for this. So it's not an idelogical battle against corporations, it's class warfare.

    You have seen one, narrow example of this in one, specific topic. Broaden your horizons.

    --

    You can't take the sky from me...

  45. My heart bleeds for Universal by jnork · · Score: 1

    "Universal argued that copyright owners may lose the ability to respond rapidly to potential infringements if they are required to evaluate fair use prior to issuing takedown notices."

    Awwwww. Po' widdle lawyers might have to WORK for a living instead of picking low-hanging fruit. What a gosh darn shame.

    "Universal also raised the question of whether a particular use of copyrighted material constitutes fair use is a "fact-intensive inquiry," arguing that it is difficult for copyright owners to predict whether a court eventually may rule in their favor."

    Hah. You know, one definition for "bully" is somebody who only fights when he knows he can win (as opposed to somebody who only fights when he has to).

    --
    Cleverly disguised as a responsible adult.
  46. present company excluded, of course by toby · · Score: 1

    n/t

    --
    you had me at #!
  47. Anonymous Coward by Anonymous Coward · · Score: 0

    I can't believe that anyone reading this website wants to be "fair" to the Universal Music corporation... ? Aren't people, like you, supposed to be on the innocent citizen's side?

  48. The Audio Home Recording Act by Anonymous Coward · · Score: 0

    sm62704 (957197) wrote:

    It's like the music industry in the 1980s, when LPs would say on their covers that any copying was a federal felony, despite the fact that the Audio Home Recording Act of 1978 specifically said that recording those LPs to tape was LEGAL.

    Wrong, wrong, wrong. The Audio Home Recording Act exempts manufacturers of recording devices from lawsuits for use for certain types of noncommercial recordings, but says nothing of consumers. The Act also sets up royalties and made possible the marketing of digital formats.

    The Audio Home Recording Act is dated 1992, not 1978. There wasn't a recording act in 1978, although that was the year that the most-recent full overhaul of the Copyright Act took place.

    Given that the Act was voted into law in 1992, the above quoted grumbling about the 1980s is grumbling about a subject that the music industry had not yet seen addressed by law.

    Want to read the Audio Home Recording Act? Want to confirm when it was voted into law. Go
    to http://law.copyrightdata.com/amendments.php and click the check box for "Public Law 102-563 (October 28, 1992)".

    1. Re:The Audio Home Recording Act by sm62704 · · Score: 1

      There was an earler AHRA, another commenter corrected me; it wasn't 1978, but 1976. I haven't googled to verify.

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest