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Lessig, Zittrain, Barlow To Square Off Against RIAA

NewYorkCountryLawyer writes "The RIAA's case in Boston against a 24-year-old grad student, SONY BMG Music v. Tenenbaum, in which Prof. Charles Nesson of Harvard Law School, along with members of his CyberLaw class, are representing the defendant, may shape up as a showdown between the Electronic Frontier and Big Music. The defendant's witness list includes names such as those of Prof. Lawrence Lessig (Author of 'Free Culture'), John Perry Barlow (former songwriter of The Grateful Dead and cofounder of the Electronic Frontier Foundation), Prof. Johan Pouwelse (Scientific Director of P2P-Next), Prof. Jonathan Zittrain (Author of 'The Future of the Internet — And How to Stop It'), Professors Wendy Seltzer, Terry Fisher, and John Palfrey, and others. The RIAA requested, and was granted, an adjournment of the trial, from its previously scheduled December 1st date, to March 30, 2009. (The RIAA lawyers have been asking for adjournments a lot lately, asking for an adjournment in UMG v. Lindor the other day because they were so busy preparing for the Tenenbaum December 1st trial ... I guess when you're running on hot air, you sometimes run out of steam)."

288 comments

  1. Zit Train? by Anonymous Coward · · Score: 5, Funny

    I bet he had a fun childhood.

    1. Re:Zit Train? by Anonymous Coward · · Score: 5, Funny

      I don't know, once he hit adolescence I could see him going Quagmire with it: "You must be at least this fine to ride the Z-train! All aboard ladies." :D

    2. Re:Zit Train? by mcgrew · · Score: 1

      I feel for him. Can you imagine how sick I got of hearing "Oh, McGrew, you've done it again?"* Of course, my classmate Charlie Salmon** had it worse than me ("Sorry, Charlie")

      *For those of you non-geezers out there, I was in sixth grade at the time, early'60s. There was a popular TV cartoon then called "Mister Magoo" about a nearly blind old man who was too vain to wear glasses, and of course I wore coke-bottle glasses.

      **Charlie Tuna was new then, he's made a comeback in recent years. He's the "Chicken of the Sea" brand tuna mascot, and the commercials featured Charlie Tuna trying to get caught to be in their tuna can, but Charlie wasn't good enough to be Chicken of the Sea tuna.

    3. Re:Zit Train? by Anonymous Coward · · Score: 0

      Not chicken of the sea, he is for Star Kissed.

    4. Re:Zit Train? by LMacG · · Score: 1

      -100 wrong brand, skimpy explanation.

      StarKist.

      They don't want tuna with good taste, they want tuna that tastes good.

      --
      Slightly disreputable, albeit gregarious
    5. Re:Zit Train? by Just+Some+Guy · · Score: 2

      Can you imagine how sick I got of hearing "Oh, McGrew, you've done it again?"

      About as sick as I got of "like Captain Kirk? Aye-aye! HAR HAR HAR" as ten thousand successive wits invented the joke for the first time.

      --
      Dewey, what part of this looks like authorities should be involved?
    6. Re:Zit Train? by mcgrew · · Score: 1

      Imagine if, instead of being Kirk Strauser, your name was James Thomas Kirk? (Nobody would neme their kid "Tiberious", would they?)

    7. Re:Zit Train? by Anonymous Coward · · Score: 0

      I work for zittrain. he's a baller. look him up on Wikipedia.

    8. Re:Zit Train? by Miseph · · Score: 1

      Yeah, or "mishap" wow, that one just got funnier every time.

      Of course by 7th grade it was pretty easy to just mock people for being idiots and coming up with such obvious and pathetic attempts to insult me.

      --
      Try not to take me more seriously than I take myself.
    9. Re:Zit Train? by Anonymous Coward · · Score: 0

      Bet he learned to fight early on - probably before he could read

    10. Re:Zit Train? by Anonymous Coward · · Score: 0

      ...giggity.

  2. Before you start cheering them on... by CRCulver · · Score: 5, Insightful

    Before those of us here who love to download copyright films and music at no cost start cheering these men on who challenge the RIAA, let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms. He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

    1. Re:Before you start cheering them on... by Sun.Jedi · · Score: 4, Insightful

      let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms.

      I didn't think the argument was about 'sensible' copyright as opposed to the current life +75 years copyright abomination of common sense.

      It may not be such a bad thing to have sane copyright laws, reasonable first sale doctrines, and appropriate penalties for consumer violations.

    2. Re:Before you start cheering them on... by Ethanol-fueled · · Score: 4, Interesting

      but simply restore short terms

      The problems with the copyright system aren't just about getting sumthin' for nuthin'. It's about the inevitable abuses of the copyright owners.

      A hyperbolic example: having to pay royalties to the RIAA because you sang "Happy Birthday to you" at your friend's party. Some may even say that the RIAA's asking settlements constitute "cruel and unusual punishment".

    3. Re:Before you start cheering them on... by CRCulver · · Score: 4, Informative

      The RIAA holds copyrights on recordings. The copyright on songs like Happy Birthday is held by songwriters' associations like BMI/ASCAP.

    4. Re:Before you start cheering them on... by morgan_greywolf · · Score: 1

      Minor nit: You wouldn't pay royalties to the RIAA over a live performance of Happy Birthday. You would pay BMI/ASCAP or whatever songwriters association holds the copyright.

    5. Re:Before you start cheering them on... by morgan_greywolf · · Score: 4, Insightful

      No one in their right mind on Slashdot should want to abolish copyright. As authors of free software under licenses like the GPL, we actually depend on copyright law to keep our creations free.

    6. Re:Before you start cheering them on... by LordNimon · · Score: 2, Interesting

      The primary, and completely valid, reason to dislike the RIAA is that they harass innocent people and cost them a lot of money. They've sued individuals who didn't even own a computer. If the RIAA carefully used ethical methods, and not the shotgun "John Doe" approach they're famous for, they would have a lot more support from the Slashdot crowd. Like the DEA, they don't care at all if they've gone after the wrong person.

      --
      And the men who hold high places must be the ones who start
      To mold a new reality... closer to the heart
    7. Re:Before you start cheering them on... by gad_zuki! · · Score: 5, Insightful

      Are you kidding? Do you think slashdot is just a bunch of people who want to abolish copyright altogether? No copyright means the gpl is no longer enforceable. Essentially, all things would be public domain. No copyright hurts a lot of things.

      The consensus Im seeing with geeks and non-geeks alike is a sensible copyright limit and sensible damage caps. We should absolutely be cheering these guys on for what they are doing. and unlike your extremist position, they have a chance of winning and changing minds.

      >He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      The idea that any sensible person, let alone someone of Lessig's stature, would support something like that is beyond ridiculous. People dont mind paying fair prices and owning what they buy. The fight against the RIAA isnt to abolish copyright, its to protect consumers and to stop corporations from using the courts as a debt collection service.

    8. Re:Before you start cheering them on... by CRCulver · · Score: 3, Interesting

      Stallman created the GPL to use copyright against itself. He probably would be happy in a world that didn't know copyright or other forms of "intellectual property". Even if people weren't compelled to keep their changes open, a lack of NDAs and the legality of reverse engineering with help would ensure changes got leaked anyway.

    9. Re:Before you start cheering them on... by mcgrew · · Score: 5, Insightful

      Indeed. I just finished reading his book Creative Commons (you can download it here). I have to say I agree with just about everything he says in the book.

      I think that if all his reforms were instituted, there wouldn't be an "abolish copyright" movement. If copyrights were truly limited, most of what is downloaded would be free to download anyway.

      The main thrust of the book is that the "permission culture" (as opposed to "free culture") harms creativity itself, something I've also been preaching.

      Have you hear the Kidd Rock song "all summer long?" It starts with a note-for-note and sound for sound copy of Warren Zevon's Werewolves of London and copies much of Skynard's Sweet Home Alabama (the song is about drinking whiskey and smoking dope and having sex while listening to Sweet Home Alabama). The Zevon start is a very creative statement about the fact that the two songs use the same chords and sound a lot alike, something he isn't alone in noticing (a friend of mine who plays in bars does a medely of those two songs and a third I can't think of right now). If he wasn't on the same label as Warren Zevon and Lynard Skynard, there would be hellishly expensive lawsuits. It isn't right that no independant artist could have recorded a similar song.

    10. Re:Before you start cheering them on... by TheRaven64 · · Score: 1

      Even those of us who use the BSDL still benefit from copyright, since without it there would be no requirement to credit us for our work. That said, I'd be in favour of abolishing copyright if someone proposes a better system (and no, usage-right systems do not count as 'better' in any way), but abolishing it and leaving a vacuum is not a good idea. Reforming it and giving terms of a sensible length is a good start.

      --
      I am TheRaven on Soylent News
    11. Re:Before you start cheering them on... by Ethanol-fueled · · Score: 3, Interesting

      I stand corrected, but I will continue to download out of principle because I know that the eventual goal of the *AAs is to charge on a per-listen, per-song basis and they will continue to fight for their revenue stream at the expense of the consumer just as I will continue to fight for the freedom to experience my media with no strings attached. The vast majority of the stuff I download are songs from CD's I bought years ago, or older movies which I see on paid-for cable TV.

      I will pay for the media when the content providers develop reasonable business models. I want to enjoy what I pay for on any device that I own without having to satisfy pointless software and hardware DRM requirements and other annoyances such as being forced to sit through previews.

    12. Re:Before you start cheering them on... by CRCulver · · Score: 0, Troll

      This is a community where people are pretty open about using Bittorrent to download films instead of buying or renting the DVD or going to the cinema. It's a community where people have shared secrets about the best file-sharing networks for music swapping. It does seem like a good portion of the Slashdot community doesn't think there should be restrictions on the sharing of media. If there is some conflict with Stallman's ideas, they haven't noticed it yet.

    13. Re:Before you start cheering them on... by AliasMarlowe · · Score: 1

      Before those of us here who love to download copyright films and music at no cost start cheering these men on who challenge the RIAA, let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms.

      Shortening the term of copyright is a sensible and fair objective. I still fail to see why copyright should have a longer term than a patent (20 years maximum).

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      Follow that path, and the production of good media will drop in quantity, while the majority of new media will be of even lower quality than today - think of user-generated content on youtube, for instance.

      --
      Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    14. Re:Before you start cheering them on... by multisync · · Score: 1

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      I hope you are joking. If not, who is this "we" who think they should get whatever media they want whenever they want for no cost?

      What I want is copyright laws that serves the needs of copyright holders and the public equally. Shorter copyright terms, allowances for fair use and penalties for infringement that are more in line with the actual damages would be a good start.

      If you just want to be a freeloader, you deserve what you get.

      --
      I don't care why you're posting AC
    15. Re:Before you start cheering them on... by CRCulver · · Score: 1

      In the ancient world, there was no copyright. And among the literate elite, there was mass duplication when someone could transcribe poetry recitals, give it to a team of amanuenses to copy, and then sell it in the marketplace with no money going back to the author. Nonetheless, fine literature flourished and so many of the masterpieces Western civilization cherishes today were born. Abolition of copyright would mean the return of patrons as a motivating force in the arts, and it would probably be for the best.

    16. Re:Before you start cheering them on... by Anonymous Coward · · Score: 0

      Before those of us here who love to download copyright films and music at no cost start cheering these men on who challenge the RIAA, let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms. He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      So? You're making it sound like we're all frothing at the mouth to steal every copywritten work we can without paying for it, and that there is and should be no concept of a fair cost associated with anything, ever.

      Your argument seems to be implying a desire to completely abolish all copyright laws. As in, taking away the rights and protections that allow an artist to charge for his/her work, for starters. It's the artist's prerogative to want to charge something for his/her hard work. If they want to, they can, I say. But, if you don't want to pay said charge, you avoid the work, and the artist doesn't get paid. Is it that hard to understand? And no, "but I really, really want it!" is no excuse.

      Would you also want to remove from copyright law the ability for artists to protect credit for their work? I know I certainly wouldn't. I didn't have a massive wave of popularity to ride when I started my artistic work[1]. I was the little guy. Still am, in fact. Without any copyright law protection, the first Johnny Jackass to come across what I've done could easily pinch it, shuffle up the name a bit, and take credit for it, and nobody would know any better. Sure, if I could crib from a massive fanbase beforehand, nobody would believe Johnny, but without it, you're pretty well screwed.

      Copyright laws are what give some relevance to the GPL. Copyright laws are why you can safely take credit for your work. SOME amount of protection is needed. As an artist myself, the "restore short terms" bit and bringing some sanity to the whole process are good things, not bad things.

      [1]: A work which I am not linking and posting anonymously to avoid linking, mainly because this isn't an advertisement.

    17. Re:Before you start cheering them on... by Foobar+of+Borg · · Score: 2, Informative

      If he wasn't on the same label as Warren Zevon and Lynard Skynard, there would be hellishly expensive lawsuits. It isn't right that no independant artist could have recorded a similar song.

      Well, this is one of the main thrusts of why the MAFIAA is trying to prop up their business model though lawsuits and buying legislators. If they have copyrights that are perpetual, or at least so long that they may as well be perpetual, no one will be able to create or even express *anything* without their permission and without paying them a hefty sum. Couple that with international cooperation in IP legislation, and the future looks incredibly grim for any kind of free expression.

    18. Re:Before you start cheering them on... by oahazmatt · · Score: 1

      Additional Nit: And that's only if you do so in a broadcast capacity. Not in the privacy of your own home.

      --
      Those who believe the Internet is private,
      find their privates are on the Internet.
    19. Re:Before you start cheering them on... by Rary · · Score: 3, Informative

      The RIAA holds copyrights on recordings. The copyright on songs like Happy Birthday is held by songwriters' associations like BMI/ASCAP.

      BMI and ASCAP are Performing Rights Organizations, and as such don't hold copyrights. They administer the payments of performance royalties to copyright holders.

      The "Happy Birthday to You" copyright is held by Time Warner.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

    20. Re:Before you start cheering them on... by Walpurgiss · · Score: 2, Insightful

      I figure, let them switch to a per song per listen business model.

      Once they do, they will see how few consumers (approximately 0%) are willing to purchase music for personal use under that kind of restriction.

      Piracy will become the -only- channel for consumers to personally get music, since not a single consumer will purchase a song good for only one play. Their business model collapses, hopefully chapter 11 ensues, new management enters, abolishes overpaid execs.
      Sanity can return to the music industry, but I think that it will only happen after an utter and complete failure of their 'ideal' business model.

      So I say let them try to charge per song per listen. It would be quite amusing when they post their first quarter profits after adopting fully such a model. I doubt they would ever really try though, because it can't be possible that they are so blinded by greed that they can't see that adopting a pay per song per play, and ending their other distribution, is complete fail.

    21. Re:Before you start cheering them on... by Rary · · Score: 3, Insightful

      It may not be such a bad thing to have sane copyright laws, reasonable first sale doctrines, and appropriate penalties for consumer violations.

      It wouldn't be such a bad thing to have sane copyright laws. In fact, it wasn't when we did.

      The disapproval of copyright law has arisen as a result of the changes (bastardizations?) that have occurred in recent decades. No one complained about copyright when it first came into existence. If we put copyright back to the way it once was, most of the complaining will go away.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

    22. Re:Before you start cheering them on... by rhsanborn · · Score: 1

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      I hope you are joking. If not, who is this "we" who think they should get whatever media they want whenever they want for no cost?

      I'm not sure if this was the intent of the original poster it sounded a bit like satire against the slashdot community. I may be wrong though. In that light, the comments on articles like this tend to include a large number of people who admit to downloading copyrighted works. Some justify it by saying that they're "screwing the MAFIAA" or "making a point by not buying their stuff". I think a boycott loses it's teeth when the boycotters aren't actually boycotting the product, they just aren't paying for it.

      If the people here want to boycott works with overly restrictive copyrights I fully support them. I do. I don't buy music published by the big labels and have, for the most part, avoided buying DVDs of the same type. But I don't think that gives this community some inherent right to go download it just because you wanted it. If it's of value, suck it up and buy it against your stance on copyright, or don't have it at all.

    23. Re:Before you start cheering them on... by Ioldanach · · Score: 1

      The consensus Im seeing with geeks and non-geeks alike is a sensible copyright limit and sensible damage caps.

      Also to limit time. Life of the author plus 70 years, or 95 years for a work of corporate authorship, is just obscene.

    24. Re:Before you start cheering them on... by KillerBob · · Score: 1

      Before those of us here who love to download copyright films and music at no cost start cheering these men on who challenge the RIAA, let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms. He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      Lessig has a point. Copyright does actually serve a purpose... it helps to ensure that the artists get paid for their work. This allows them to continue producing work, and provides incentive to keep working. A culture which properly provides for the artists anyway wouldn't need copyright, but in a consumerist and capitalist society, there needs to be some kind of protection for the artists' right to be paid.

      Provide me a method to pay the artist directly for a digital download, and I'll happily take it.

      These people grouping together to fight the RIAA is still a good thing, however, because the RIAA isn't going to give me a mechanism to pay the artist directly for their work. They're a cartel, and they do need to be fought.

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    25. Re:Before you start cheering them on... by Ethanol-fueled · · Score: 1

      It would be quite amusing when they post their first quarter profits after adopting fully such a model.

      Then they'll blame it on piracy and the process begins anew ;)
      Luckilly, it seems that each iteration is beginning to favor the consumer rather than than the content providers, and then the RIAA will run out of steam as the summary suggests.

    26. Re:Before you start cheering them on... by Ungrounded+Lightning · · Score: 1

      Hear hear.

      Unfortunately, part of the structure of copyright law is its explicit recognition that a game of whack-a-mole is impractical as an enforcement tool if damages are limited to the actual damages from the particular infringement that is caught and successfully prosecuted - because only a tiny fraction of those infringing will be caught. So it provides a draconian minimum penalty to serve as a deterrent and to help make up for the losses on the moles that are missed.

      Whether this is the right thing to do is another issue. But because this punitive function was explicitly contemplated in the structure of the law it will make arguments that the penalties are excessive more difficult.

      --
      Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
    27. Re:Before you start cheering them on... by sumdumass · · Score: 1

      You can't possibly think Stallman would be happy to abolish copyright. The entire purpose of the GPLv3 was to stop people from hiding changes in things. With no copyright, I could take any GPLed program, improve it to a point that people would want to use it in mass, and then not release any code or anything. In other words, Listen to what Stallman has to say about the BSD license.

    28. Re:Before you start cheering them on... by nabsltd · · Score: 2, Insightful

      The key statement in the GP post that you overlooked is "people don't mind paying fair prices and owning what they buy".

      In other words, some people download so they can actually use the content they have paid for, because it's harder to break the artificial restrictions (i.e., DRM) yourself than just download something without those restrictions.

      Some people also download because they don't want to pay $20 for the crapshoot that new movies are. It's sort of like paying on the way out of a movie theater if you were entertained.

      I've downloaded re-mastered CDs to see for myself if they are better or worse than the original releases that I already own. I'm not going to gamble $15 when the vast majority are worse than the original releases, because "re-mastered" today seems to mean "compress the hell out of it so that the overall volume level is louder", and stupid people will review it with astonishment about how they can now "hear the piano", even though it was there all the time and was meant to be 20dB down from the main volume.

      I also own over 1000 movies on various formats, and I'm sick and tired of seeing many of them re-released every year with 20 seconds more footage, or the commentary that was supposed to be on the "special edition", but is now available on the new "extra special edition". I'm just not going to pay another $10-15 to companies that believe I'm only buying a "license" to their content and who believe that I shouldn't be allowed to sell the old version to help pay for the new one.

    29. Re:Before you start cheering them on... by sumdumass · · Score: 3, Informative

      Well, no. Kid Rock actually licenses his music from other when he uses it. He didn't just create a song that took parts of other people's works then think no one would care, I saw him explain this a while back when he did a cover of a Metallica song. About the only thing having the same song label (if that is true) has to do with it is perhaps more favorable licensing agreements or access to the artists.

    30. Re:Before you start cheering them on... by russotto · · Score: 1

      Before those of us here who love to download copyright films and music at no cost start cheering these men on who challenge the RIAA, let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms.

      Since the mainstream in the US on copyright is to increase terms to infinity (less one day, to let the robed 9 declare it OK), increase scope nearly as much, and increase penalties to the point where you'd get a lesser term for shooting a record company executive than copying one of the albums, Lessig still deserves some cheering, even if he's not radical enough.

      Personally, I think the only meaningful copyright reform in the US has to start with "Title 17 of the US Code is hereby repealed, and the United States hereby withdraws from the Berne Convention and the World International Property Organization". Then they can start with a new copyright that acknowledges the reality of modern technology rather than trying to outlaw it.

    31. Re:Before you start cheering them on... by Weaselmancer · · Score: 1

      Additional Additional Nit: Give them time.

      Before long if your RMIM (Rectal Music Industry Microphone) detects Happy Birthday being sung within 100 yards of you, it'll automatically show up as a charge on your credit card.

      --
      Weaselmancer
      rediculous.
    32. Re:Before you start cheering them on... by myvirtualid · · Score: 1

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      I beg your pardon? Why are you putting words in our mouths?

      I don't want whatever media whenever at no cost. I want to buy a copy of a song or movie at a reasonable cost (pennies on the download, dimes for a hardcopy) and listen to that copy on my computer, in my car, in my house, while walking the dog, whatever, and make a backup copy just in case. And I want those things to be easy to do. Easy for me. And easy for my 75 year old Mother when she buys something.

      If I want to watch a movie again and again (which is the only reason I buy 'em in the first place), then when I stick the farging disk in the farging player I want it to farging play, goldurnit! I don't want to have to watch the same warning over and over and over and over and over and OMG not again over....

      And I want all works to eventually get where they should be: The public domain. Perpetual copyrights and excessively long copyrights and corporate coddling are social evils.

      As it is now, I cannot

      1. Buy a copy of a song or movie at a reasonable price.
      2. Buy a copy of a song or movie and know for sure that I can make a backup copy.
      3. Buy a copy of a song or movie and know for sure that I can access it on whatever player I happen to have handy (computer, 10 year old car CD player, 1 month old portable player, etc.). I can only use one at a time, so why this be difficult?
      4. Make fair use of an excerpt from a song or movie and not have myself sued unto the seventh generation. Happy Birthday, indeed.
      5. Know that future generations will be able to freely explore their history, just as we can freely explore our history, freely access and study works of the past, both great and mundane.

      For #1, my alternatives are to download copies of questionable quality from sites of questionable morality, downloading itself being an act of questionable legality, or to go without. Some choice. Thanks Hobson.

      For #2 and #3, well, since I happen to use Linux, I have an easier time obtaining and using the tools necessary to allow me to exercise my legal rights (in Canada, backup copies are, AFAIK but IANAL, legal), but why should I have to go through extraordinarily painful hoops to do so?

      And my poor Mom doesn't stand a chance of understanding those hoops. And she lives on Windows, so they're orders of magnitude more painful.

      For #4 and #5, well, forget it, there is nothing I can realistically do. The courts are far too sympathetic to corporate and estate interests: The presumption is that I am a criminal and a pirate so I must defend myself at outrageous expense, and hope, just hope that the courts get it right and order my costs to be paid. Sometime before me and my heirs are bankrupt, bankrupt because I presumed to exercise my rights.

      The situation is so ass-backwards it is no longer even slightly amusing.

      Lessig? I declare him to be my friend because he is a careful and balanced and critical thinker. Restore short term copyright? I'm good with that. It'll go to #5. And the thinking behind it will go to number #[1234] as well.

      I will always be willing to support those that produce things of interest to me. But how do I know what they produce is of interest if I cannot sample?

      Every song or movie I've downloaded and liked I've bought on disk. Despite the price. And for every such disk there are several I regret buying and wished I'd downloaded and test-listened first.

      Imagine not being able to test drive a car before buying. Imagine a winery or brew-pub that did not provide tastes of their products.

      Imagine industries that don't treat their customers like criminals.

      Imagine computers and media players and songs and movies that don't treat fans like slaves.

      Hyperbole? No.

      I want to support artists whose work interests me.

      I don't want to support cartels of lawyers and megalomaniac political and c

      --
      I'm here EdgeKeep Inc.
    33. Re:Before you start cheering them on... by chad.koehler · · Score: 1

      Or, they attempt to get their hands on some Government cheese. After all, their failing business model isn't their fault (just as it wasn't Ford or GM's fault). Lack of foresight to what the market will bear can bring down these institutions over time -- as long as the government doesn't deem them "too important to let fail".

    34. Re:Before you start cheering them on... by Anonymous Coward · · Score: 0

      >>>The fight against the RIAA isnt to abolish copyright, its to protect consumers and to stop corporations from using the courts as a ATM service. Fixed.

    35. Re:Before you start cheering them on... by profplump · · Score: 1

      If Stallman didn't like copyright he'd advocate for public domain software, not the GPL.

    36. Re:Before you start cheering them on... by tepples · · Score: 2, Insightful

      With no copyright, I could take any GPLed program, improve it to a point that people would want to use it in mass, and then not release any code or anything.

      If you do "not release any code", you're running a server. On the other hand, if you publish executable code but not source code in an environment with no copyright, expect people to disassemble, comment, and document the shit out of your binaries in their free time.

    37. Re:Before you start cheering them on... by tepples · · Score: 1

      This is a community where people are pretty open about using Bittorrent to download films instead of buying or renting the DVD or going to the cinema.

      What else is there for films like Song of the South, which completed their theatrical runs decades ago and never saw a DVD release?

    38. Re:Before you start cheering them on... by Translation+Error · · Score: 1

      That makes the RIAA's actions an even worse abuse!

      --
      When someone says, "Any fool can see ..." they're usually exactly right.
    39. Re:Before you start cheering them on... by AK+Marc · · Score: 1

      No copyright means the gpl is no longer enforceable.

      If there was no copyright, there wouldn't have been a GPL, and it wouldn't matter if it isn't enforcable. GPL is there to make sure things released as "free" stay that way. Without copyright, everything would be free (at worst, some decompiling might have to be done).

    40. Re:Before you start cheering them on... by mcgrew · · Score: 2, Informative

      About the only thing having the same song label is that the label owns the copyright to the recording. Paul McCartney tried to buy the copyrights TO HIS OWN SONGS from the label, but was outbid.

    41. Re:Before you start cheering them on... by Anonymous Coward · · Score: 0

      Abolition of copyright would mean the return of patrons as a motivating force in the arts, and it would probably be for the best.

      Really? This means that only the very rich will be able to dictate the art that's made in this world. The masses won't have any power what-so-ever. The masses won't be able to get together and invest $10 by purchasing a ticket. Well, someone might pull it off once. But after it's pirated all of the suckers who ponied up the $10 would wait until after the release next time.

      Patrons may be very nice and they may be stupid, but only the rich can really afford to be patrons.

      There's a reason many modern literary forms didn't really flourish until after copyright. Jane Austen, who was one of the first to be called a novelist, was born in 1775, well after the Statute of Anne was passed in 1709. Copyright came along pretty soon after the printing press became common.

      Now, I know that the English professors like to say things like Beowulf is a masterpiece (the novel, not the GPL software). Perhaps it is. But I found it very dull and a bit predictable. The olde englishe didn'te make ite anye easiere to reade eithere.

      Think about it. Aside from Shakespeare, most students dread reading stuff born before the printing press. And most students don't even like Shakespeare very much either. When I was in high school, the teachers paid good money to get a copyrighted movie version of "Romeo and Juliet" by Franco Zefferelli.

      The only way for big budget art work like movies to exist is if the creators can get paid for their investment. A bard might be able to prattle on and make a living with a day job, but a movie production team needs money to pay for food at the very least.

      While every likes quirky, cheap and independent films, I submit to you that there's something better about heavily produced, expensive blockbusters. Everyone on the team makes the product a bit better.

    42. Re:Before you start cheering them on... by legirons · · Score: 1

      the idea would be for copyright to benefit society (i.e. you) by encouraging the growth of a public domain (i.e. stuff you can download) as copyright advocates originally intended.

      put it this way: rumour is that copy-control on movies is considered effective by the publisher if it gives them the entire opening weekend to sell box-office tickets without competing with online copies. They make most of their money during the first two days, and that is the viewing figure used to gauge whether their film succeeded or failed.

      So the industry has already agreed the effective lifetime of a film for copy protection (2-5 days)

      depending how good the film is, it could be a year or so before even the most restrictive studios allow it to be broadcast on television (i.e. free distribution including recording, to anyone who wants it), giving an upper limit on the necessary terms for copyright protection for films.

      So... big question is: why does the law stiplulate an exclusive distribution period that's 90 times what the industry considers to be upper-limit, and 7,000 - 15,000 times what the industry considers to be normal?

    43. Re:Before you start cheering them on... by cayenne8 · · Score: 1
      "Additional Nit: And that's only if you do so in a broadcast capacity. Not in the privacy of your own home."

      I guess they charge a restaurant to sing it too. I wondered for the longest time why restaurants quit singing Happy Birthday, and switched it to some Happy Birthday like song, usually starting something like:

      Happy Happy Birthday...on this your special day.....etc

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    44. Re:Before you start cheering them on... by tompaulco · · Score: 1

      The proper response to a law that you disagree with is not to disobey the law. Otherwise we would have people murdering others out of principle. If you disagree with the laws about downloading material, then you should just not listen to the music period.

      --
      If you are not allowed to question your government then the government has answered your question.
    45. Re:Before you start cheering them on... by Anonymous Coward · · Score: 0

      Before those of us here who love to download copyright films and music at no cost start cheering these men on who challenge the RIAA, let's remember that Lessig doesn't want to abolish copyright, but simply restore short terms. He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      I like free stuff as much as anyone else... But that doesn't necessarily mean that I think everything should be free. I have no problem paying for software, movies, music, or whatever.

      Folks who create content like music and movies certainly deserve to be paid for their work.

      But these days the copyright terms have just gone insane. I'm sick of Disney rolling out ancient works every couple of years and re-selling them. No new content being created, just milking the old stuff that certainly should have fallen into the public domain by now.

      Just imagine if Shakespeare's works were as tightly controlled as the properties that Disney owns.

    46. Re:Before you start cheering them on... by sumdumass · · Score: 2, Informative

      OK, so I obfuscate the code before compiling it to make it difficult and they will always be 10 steps behind me with less then usable crap going around.

      Reverse engineering isn't as easy as saying it. Look at SAMBA in which they had tried for how many years to reverse engineer some of Microsoft's authentication schemes just to reliably be on a windows domain network let alone participate as a server. Look at the open source exchange boxes and clients and how they still haven't really got it.

    47. Re:Before you start cheering them on... by Cor-cor · · Score: 2, Funny

      Wouldn't a hyperbolic example just approach madness, rather than cross right over the line?

      *ducks

    48. Re:Before you start cheering them on... by tsstahl · · Score: 1

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      Not too many people are looking for a free lunch.

      Movies (DVD) are priced roughly correctly given their production cost and 'replay worth'.

      CD's are priced so out of whack that it boggles the mind how such practices are morally defensible.

      The collective consciousness wants the RIAA members to embrace the modern technologies of distribution and consumption of their product, not just give the stuff away for free.

      The copyright system was intended to be a societal trade-off between content and content providers. The framers never intended copyrights to be a club of corporate media giants.

    49. Re:Before you start cheering them on... by Croakus · · Score: 1

      Actually, if you bothered to read the songwriter credits Kidd Rock credits Zevon as well as the writer of Sweet Home Alabama. As such, these Copyright holders are being paid songwriter royalties for the music he used as part of his work. There is absolutely no reason an independant musican (like me) couldn't do the same thing. Unless of course he was just looking for a reason to be whiny and ticked off (like you). You should at least have a basic understanding of Copyright law before you start the, ". . . so-and-so gets specials treatment and the big bad record companies are all out to get me" crap.

    50. Re:Before you start cheering them on... by Cor-cor · · Score: 1

      Abolition of copyright would mean the return of patrons as a motivating force in the arts, and it would probably be for the best.

      Be careful what you wish for. It seems like things might be headed this way, only the patrons would inevitably be corporations. I don't listen to radio much and the following statement may make this horribly obvious, but the other day I swear I heard an extended version of a Doublemint commercial I'd seen. As though the song had been written about the product, rather than adapted to fit it.

      Just how many songs about how Coke makes the summer cool do you think you can take?

    51. Re:Before you start cheering them on... by Cajun+Hell · · Score: 1

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      Yeah, but this an agenda like that, hardly anyone is your ally, comrade. He's sure an ally of a lot of us, though.

      --
      "Believe me!" -- Donald Trump
    52. Re:Before you start cheering them on... by sumdumass · · Score: 1

      Yawn...

      You don't need exclusive rights to a song in order to reproduce it. You need a license to do it and then you own the song. And no, the label doesn't always own the copyrights to the songs, What they typically own is the publishing rights which is what Paul McCartney tried to buy when he was outbid by Michael Jackson. And surprisingly, those same publishing rights that Paul lost out on, revert back to him automatically in about 10 or so years because of the contract he signed when he gave them away.

      BTW, you should really look into the Paul McCartney -Beatles' rights thing a little better, the only reason they lost the songs in the first place is because they signed them over to a publishing company created by his then manager after attempting to find a way to insulate themselves from the heavy taxes in the UK. He didn't lose them at all because he had a record label, it was because he attempted to scam the system. He owned 15% of the company with the rest of the Beatles owning portions from 1.5-15 percent too. The company lost a takeover bid by the Associated Television Corporation in which his managers who owned 37.5 percent of the company sold out to them and they purchased enough of the 23% ownership stock in public circulation.

    53. Re:Before you start cheering them on... by MrNiceguy_KS · · Score: 1

      Brilliant! Would have modded you up if I hadn't already posted.

      --
      Redundancy is good And also good.
    54. Re:Before you start cheering them on... by gilgongo · · Score: 1

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      No, but speaking as somebody who has just downloaded and watched "My Fair Lady" made in 1964, not to mention "Raiders of the Lost Ark" (1981), I see no problem with his preferred term of 14 years plus 14 renewable on application.

      In any case, the issue here is not about copyright and "intellectual property theft" it's about the erosion of the public domain. Without the public domain we would not HAVE any art. So, think of Lessig, et. al. as "ecologists of information" not people for or against profit.

      --
      "And the meaning of words; when they cease to function; when will it start worrying you?"
    55. Re:Before you start cheering them on... by Hatta · · Score: 1

      Are you kidding? Do you think slashdot is just a bunch of people who want to abolish copyright altogether? No copyright means the gpl is no longer enforceable. Essentially, all things would be public domain. No copyright hurts a lot of things.

      That may be true, but that's not the point anymore. Copyright is quite simply unenforceable. Copying bits is as easy as breathing air. You might as well pass a law requiring the Inuit to use iceboxes, or prohibit Ghandi from making salt from the sea.

      We can't go back to the way it was before. If you really want to enforce copyright you're going to have to restrict the kinds of devices people can get their hands on, but that would turn the United States into a technological backwater and be quite a bit worse than eliminating copyright. Or we could keep on like we have been, and turn most normal citizens into criminals. That is also unsustainable. The only rational option is to recognize that copying is by nature a right we all have.

      Yes, this is going to hurt some businesses. But every technological revolution hurts some businesses. They also create opportunities. This is progress.

      --
      Give me Classic Slashdot or give me death!
    56. Re:Before you start cheering them on... by NotBornYesterday · · Score: 1

      "Aside from Shakespeare, most students dread reading stuff born before the printing press"

      Sorry, little nit - Gutenberg press invented circa 1440, Shakespeare lived between 1560 or so through the early 1600s.

      [/pedantic]

      Yeah, I know, most kids hate reading Shakespeare regardless of when the press was invented.

      --
      I prefer rogues to imbeciles because they sometimes take a rest.
    57. Re:Before you start cheering them on... by Hatta · · Score: 1

      I'd support much much stricter penalties for copying if it would stop Kid Rock from mutilating rock classics.

      --
      Give me Classic Slashdot or give me death!
    58. Re:Before you start cheering them on... by Tenebrousedge · · Score: 1

      Murdering people can be an effective way to change the law--you are correct in that much. But nonviolent civil disobedience has been shown to be quite effective. What purpose does it serve to obey an unjust law?

      I believe, however, for civil disobedience to be effective, it must be public---as public as possible. For further details, I would refer to the relevant work on the subject by M. K. Gandhi et al.

      --
      Those who advocate genocide deserve every protection afforded by law, and none afforded by common human decency.
    59. Re:Before you start cheering them on... by Tenebrousedge · · Score: 1

      Not to detract from your point, but the Inuit do use iceboxes when they are available. It's not freezing in Alaska all year, and being able to keep foodstuffs at a consistent temperature is useful. The components of western civilization that they have adopted nearly universally are alcohol, firearms, and snowmobiles, but I believe most villages that have power also have iceboxes.

      --
      Those who advocate genocide deserve every protection afforded by law, and none afforded by common human decency.
    60. Re:Before you start cheering them on... by Hatta · · Score: 1

      Yes of course. It's simply a metaphor used for descriptive power, and not necessarily reflective of reality. Kind of like the "boiling the frog" metaphor. It's false but still a very useful concept.

      --
      Give me Classic Slashdot or give me death!
    61. Re:Before you start cheering them on... by cliffski · · Score: 1

      So you want the production of movies, TV, music and video games to be restructed to the tastes of the super-rich who would be able to fund such things?

      How strange.

      Amazingly, the free market does an extremely good job of providing what ordinary people want. Not surprisingly, the people whining the loudest about all media being crap are those who pirate everything, and thus are no longer participating in the free market, and thus not encouraging anyone to make anything they actually would like.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    62. Re:Before you start cheering them on... by Starayo · · Score: 1

      Comparing copyright infringement to murder - are you an **AA employee?

      --
      Ezekiel 23:20
    63. Re:Before you start cheering them on... by Anonymous Coward · · Score: 0

      NDA's and the legality of reverse engineering have nothing to do with copyright.

      They are just contracts; if someone signs them, they disclose at their peril. And NDA's typically are covering patents too, if hardware is involved. Not to mention DMCA. True, once the cat is out of the bag, presumably it's "too late" if there's no copyright. But they can still nuke to offending leaker, financially and legally.

      We have a big body of laws, very little of it friendly to people who want to screw the system.

    64. Re:Before you start cheering them on... by EzInKy · · Score: 3, Insightful


      The proper response to a law that you disagree with is not to disobey the law.

      If a law is obeyed there is no reason to change it. It took millions of people drinking illegally for years to get Prohibition rescinded.

      Otherwise we would have people murdering others out of principle.

      That's the fourth box. Content providers are probably safe at least until the people exhaust the soap, ballot, and jury boxes.

      If you disagree with the laws about downloading material, then you should just not listen to the music period.

      Listening to music does not violate even the current draconian copyright laws.

      --
      Time is what keeps everything from happening all at once.
    65. Re:Before you start cheering them on... by riceboy50 · · Score: 1

      There are plenty of us cheering them on in their quest to fix copyright. I have no problem paying fair value for the enjoyment of other peoples' creativity, and I'm sure most people feel the same.

      --
      ~ I am logged on, therefore I am.
    66. Re:Before you start cheering them on... by NewYorkCountryLawyer · · Score: 2, Informative

      Listening to music does not violate even the current draconian copyright laws.

      I don't think the laws are as draconian as many assume; it's the MAFIAA's incorrect interpretation of the copyright laws that is "draconian". Actually the words I would use are "ludicrous", "frivolous", and "fictional".

      --
      Ray Beckerman +5 Insightful
    67. Re:Before you start cheering them on... by EzInKy · · Score: 1

      The MAFIAA's lobbyists seem to have a knack for convincing legislators to turn fiction into fact.

      --
      Time is what keeps everything from happening all at once.
    68. Re:Before you start cheering them on... by Nefarious+Wheel · · Score: 1

      Some may even say that the RIAA's asking settlements constitute "cruel and unusual punishment".

      Text of the Eighth Amendment of the US Constitution:

      "Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted."

      --
      Do not mock my vision of impractical footwear
    69. Re:Before you start cheering them on... by multisync · · Score: 1

      Does it really have to be "all or nothing?" Do I have to turn my back completely on popular culture or roll over and accept anything the big players in the content industry tell me I must accept? Conversely, is the only meaningful response to their outrageous grab for power to simply take as I please, self-righteously proclaiming that they are evil so I may do as I please?

      Keep in mind, too, it's not just "big labels" you would need to boycott if you want to take a principled stand; it is any art that gets to patrons via commercial channels. And that's a lot of art.

      Also, as has been said elsewhere, many of us are copyright holders. I'm not just talking about "you own your slashdot comments," I mean many of us produce work that falls under copyright. Do I have to give up my own ability to have a say in the distribution of my work just because some dorks in LA could'nt figure out a new business model that doesn't depend on distribution of little plastic discs?

      Sorry, I've got to go or I would have more to say on this. Maybe I'll write more later.

      I think there is a middle ground, and as soon as these dinosaurs who run the entertainment industry in the US die off, I think we'll all find we can achieve a compromise.

       

      --
      I don't care why you're posting AC
    70. Re:Before you start cheering them on... by spazdor · · Score: 1

      You never go ass to mouth.

      --
      DRM: Terminator crops for your mind!
    71. Re:Before you start cheering them on... by AceofSpades19 · · Score: 1

      The GPL wouldn't be nessecary in a world without copyright.

    72. Re:Before you start cheering them on... by Ithelrand · · Score: 1

      I accidentally mismodded you, so I'm commenting to undo the mod.

    73. Re:Before you start cheering them on... by registrar · · Score: 1

      I'm considered by some to be in my right mind, and I want to abolish copyright.

      We don't depend on copyright law to keep our creations free: we use it, it helps, but there was free software before the GPL and there will be afterwards. The GPL provides a rather interesting kind of freedom that might be difficult to obtain otherwise, but there are plenty of free software projects that don't depend on it.

      The GPL was a fantastic ride but it isn't terribly sustainable. It's been watered down in various ways by the likes of Tivo, MySQL and Linus Torvalds, and that is essentially unavoidable. Enforcing copyleft through copyright was a work of genius, but it is pushing water uphill.

      Personally, I'd like to see copyleft enshrined in law, and copyright abolished entirely: if you don't want something to be copied, don't publish it. The default legal position for created material should be "you can use it, and not restrict others from using it; authors' moral rights should be respected." Of course, authors would have the possibility of releasing something into the public domain.

    74. Re:Before you start cheering them on... by NewYorkCountryLawyer · · Score: 1

      Does it really have to be "all or nothing?" Do I have to turn my back completely on popular culture or roll over and accept anything the big players in the content industry tell me I must accept?

      No.

      Conversely, is the only meaningful response to their outrageous grab for power to simply take as I please, self-righteously proclaiming that they are evil so I may do as I please?

      No.

      Keep in mind, too, it's not just "big labels" you would need to boycott if you want to take a principled stand; it is any art that gets to patrons via commercial channels. And that's a lot of art. Also, as has been said elsewhere, many of us are copyright holders. I'm not just talking about "you own your slashdot comments," I mean many of us produce work that falls under copyright. Do I have to give up my own ability to have a say in the distribution of my work just because some dorks in LA could'nt figure out a new business model that doesn't depend on distribution of little plastic discs?

      No

      Sorry, I've got to go or I would have more to say on this. Maybe I'll write more later. I think there is a middle ground, and as soon as these dinosaurs who run the entertainment industry in the US die off, I think we'll all find we can achieve a compromise.

      Me too.

      --
      Ray Beckerman +5 Insightful
    75. Re:Before you start cheering them on... by CRCulver · · Score: 3, Informative

      A lot of people complained about copyright even when terms were quite short. Publishers on one side of the Atlantic tried desperately to ignore the copyrights of publishers on the other side for decades. And copyright never made any sense at all to most of the world's population, being a peculiar Western concept that only rose within the last several hundred years. Even today, if you tell the typical Indian, Eastern Europe or Southeast Asia that there should be a law to prevent them duplicating media as they see fit, they'd think you're a madman.

    76. Re:Before you start cheering them on... by dcollins117 · · Score: 2, Funny

      It took millions of people drinking illegally for years to get Prohibition rescinded.

      And on their behalf I bid you welcome. It was an arduous, dangerous, and sometimes thankless task, but in the end I hold fast that we were just humble servants acting in the best interests of the greater public good.

    77. Re:Before you start cheering them on... by bzipitidoo · · Score: 1

      without it there would be no requirement to credit us for our work.

      Copyright is only the "right" to make copies. What you're talking about is plagiarism. Imagine that copyright didn't exist. A work still has an author or authors, and someone else trying to claim authorship is still committing plagiarism.

      Many people are confused on this point, and will viciously defend copyright because they think they're defending themselves from plagiarism. We can certainly keep plagiarism under control without resorting to copyright and all the overreaching, confusion, and unnecessary restrictions that has caused. Digital notaries should be a very easy way to settle any allegations about authorship.

      Yes, there are other ways to compensate people for works of art and science. We don't need copyright for that. There's a centuries old method known as patronage. We pay for a public highway system through taxes, and avoid the massive overhead involved in trying to collect tolls. We can do the same for art.

      The details would be the sticky parts, but it isn't hard to imagine there'd be some acceptable way to raise money, perhaps with taxes, or perhaps a levy on media. The other part is disbursement. It shouldn't be too hard to come up with fair amounts of compensation. Amounts could be based roughly on popularity, which could be statistically estimated perhaps by counting some downloads, or by doing surveys or running polls. Naturally, would want ways to prevent or discourage authors from stuffing the ballot boxes so to speak. Or could go for more of a tiered or flat rate, and skip much of the expense and effort of trying to determine the current popularity of every recent work made. This could all be handled by governments or independent corporations chartered for this purpose.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    78. Re:Before you start cheering them on... by AliasMarlowe · · Score: 1

      Aside from Shakespeare, most students dread reading stuff born before the printing press.

      I think you meant copyright, not printing press.

      And most students don't even like Shakespeare very much either.

      The typical high school curriculum actually avoids those Shakespeare plays which would grab the students' attention. One such is The Taming of the Shrew, which is politically incorrect in almost every way. It's also filled with sexual innuendo which is blatant even to a modern reader (Petruccio: What, with my tongue in your tail? Come, Kate, I'll be the gentleman for you.).

      Show your students the BBC production of The Taming of the Shrew (the 1980s version, with John Cleese as Petruccio) and they'll quickly become Shakespeare fans.

      --
      Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    79. Re:Before you start cheering them on... by Anonymous Coward · · Score: 0

      Stallmans opinions on copyright are complex (see link). But he specifically uses the GPL for his code rather than a BSD type license which allow the "taking of code proprietary". To preserve freedom you need access to the code. You can only guarantee access to the code via laws that would pretty much amount to copyright.

      http://www.gnu.org/philosophy/misinterpreting-copyright.html

    80. Re:Before you start cheering them on... by Weedlekin · · Score: 1

      "I will continue to download out of principle"

      Then your principles are exactly the same as those of the people you claim to be opposing, i.e. the principle of greed and inventing justifications for that greed.

      "they will continue to fight for their revenue stream at the expense of the consumer just as I will continue to fight for the freedom to experience my media with no strings attached."

      That this nothing more than a justification for your own greed is evident from your next statement:

      "The vast majority of the stuff I download are songs from CD's I bought years ago, or older movies which I see on paid-for cable TV"

      Cable TV is a completely proprietary, DRM-ridden platform run by, and which shows content from companies who are pushing hard for restrictions that make the ones the RIAA want look positively open by comparison, yet you're not only willing to pay for it, but also use that payment as a justification for downloading stuff that the cable company probably didn't produce, and certainly didn't give you permission to download from other sources. So your "fight" amounts to nothing more that a willingness to take stuff you want that's easy to take, and pay when it's not easy, i.e. exactly what the media industry and its representative bodies are saying is the reason for them infesting their products with DRM.

      "I will pay for the media when the content providers develop reasonable business models."

      Like for example the one used by the cable TV service you subscribe to?

      "I want to enjoy what I pay for on any device that I own without having to satisfy pointless software and hardware DRM requirements and other annoyances such as being forced to sit through previews."

      Then why are paying to sit through ads and previews on cable TV that's so ridden with DRM that it requires a large proprietary dongle which can be disabled by the service provider if you breech the terms of your contract with them?

      --
      I'm not going to change your sheets again, Mr. Hastings.
    81. Re:Before you start cheering them on... by theaveng · · Score: 1

      >>>The proper response to a law that you disagree with is not to disobey the law.

      You need to go read Henry David Thoreau's "Civil Disobedience". It was the document which Harriet Tubman, W.E.B. Dubois, Ghandi, and Martin Luther King followed, and they changed the course of history. Unjust laws are meant to be ignored..... and if they are unConstitutional, they should be actively denigrated as "nonlaws".

      --
      FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
    82. Re:Before you start cheering them on... by malkavian · · Score: 1

      That is because they've had to clean room reverse engineer the processes involved by watching the behaviour on the network of a notoriously weird protocol.
      Now, if they could dive into the binary and simply watch that run on a disassembler, the job would have been quicker by far. However doing that would breach copyright, which would get them sued by a company with notoriously deep pockets, and summarily shut down, invalidating their entire project.
      Obfuscate the code and it'll make no difference. It still has to compile, and the compiler doesn't really obfuscate (it optimizes).
      Encrypt it, and someone will bust the encryption, and you'll be back at square one (disassembled code, and someone will have it cloned and documented in a short period of time, say a week or two for smallish changes, a few weeks/months for large).

    83. Re:Before you start cheering them on... by jvkjvk · · Score: 1

      Good troll!

      He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

      I should hope not. I don't think anyone's truly your ally in getting whatever you want for no cost. Sorry about that. Maybe you should file a bug report?

    84. Re:Before you start cheering them on... by Weedlekin · · Score: 1

      "We pay for a public highway system through taxes, and avoid the massive overhead involved in trying to collect tolls. We can do the same for art."

      The problem with that idea is defining what counts as art, which is entirely subjective, as is any attempt to assign a quality rating to it.

      "Amounts could be based roughly on popularity, which could be statistically estimated perhaps by counting some downloads, or by doing surveys or running polls."

      I'd personally prefer to choose who I support with my wallet instead of having the government take much larger amounts of my money away by force and give the 1% of it that's left after the costs of their inefficient collection and distributions systems have been deducted to a bunch of people who produce stuff that I have absolutely no interest in. I don't care one whit or iota when lots of people throw _their_ money at Madonna or whoever, but I'd care a whole lot if a government was throwing my money at her.

      "This could all be handled by governments or independent corporations chartered for this purpose."

      Because things always work better when governments are running them or giving a private corporation a monopoly over an entire market sector.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    85. Re:Before you start cheering them on... by kocsonya · · Score: 1

      Yes, you can do that. So what? Just because *you* can use free code and if you ar so clever that you can make something that people want, you get your money. Until someone implements your idea (what your program does, not *how* it does it), releases the source and then you are dead in the water, because everybody else is going to improve *his* program, while you stand alone with your secrets.

      That is called competition, which is a Good Thing. Copyright, on the other hand, is a (government granted) monopoly, which is a Bad Thing.

      Copyright does not eliminate trade secrets (that is what you were talking about), copyright is on top of trade secrets. If copyright would be no more, you could try to fall back to trade secrets - that's fine. We'd still be *much* better off without copyright (and patents, for that matter).

    86. Re:Before you start cheering them on... by Weedlekin · · Score: 1

      "In the ancient world, there was no copyright."

      Indeed.

      "And among the literate elite, there was mass duplication when someone could transcribe poetry recitals, give it to a team of amanuenses to copy, and then sell it in the marketplace with no money going back to the author"

      And each of those copies cost more than a decent townhouse did because scribes were expensive specialists who wrote in great big letters so people without glasses could read the text in dim lighting, and therefore used large amounts of expensive materials to produce those copies. I doubt we'd have much piracy around nowadays either if the copying process and materials cost more than a luxury car.

      "Nonetheless, fine literature flourished and so many of the masterpieces Western civilization cherishes today were born."

      And an even greater number of masterpieces that we would cherish were lost forever because their potential audience was small, so few copies were made because the copying process was so ridiculously expensive, and none of those few have survived.

      "Abolition of copyright would mean the return of patrons as a motivating force in the arts, and it would probably be for the best."

      We already have a patron system that supports artists who produce what the patron tells them to -- the only difference is that these patrons happen to get their wealth from selling copies of those works instead of having 200,000 slaves toiling on their farms and sending private armies to take other peoples' possessions away and then killing or enslaving them.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    87. Re:Before you start cheering them on... by sumdumass · · Score: 1

      Yes, you can do that. So what? Just because *you* can use free code and if you ar so clever that you can make something that people want, you get your money. Until someone implements your idea (what your program does, not *how* it does it), releases the source and then you are dead in the water, because everybody else is going to improve *his* program, while you stand alone with your secrets.

      And if his is better, I will just take it and continue. With no copyright, who is going to stop me?

      That is called competition, which is a Good Thing. Copyright, on the other hand, is a (government granted) monopoly, which is a Bad Thing.

      Sure it is. I'm not arguring anything different. I like competition, especially when I can take your work, spiff it up a little better then you have it, and then hide the shit out of my improvements and use it to make money above your implementations. I could even start a company called Tivo.

      Copyright does not eliminate trade secrets (that is what you were talking about), copyright is on top of trade secrets. If copyright would be no more, you could try to fall back to trade secrets - that's fine. We'd still be *much* better off without copyright (and patents, for that matter).

      Sure we would be better off without copyright. I have millions of dollars waiting for a project with your name associated with it. We will consider you as an unpaid employee in the creativity department. And no one would care if I did what I suggested, after all, there is no need for the GPL because the BSD-L license creates the world I just suggested and many people seem to not use the GPL while embracing the BSD license in preference to it.

      OK, let me end the sarcasm there. This utopia you think might happen has a fat chance in hell of happening. My devils advocate just showed what kind of hell could come from it. Personally, I don't care if people build off my work, I don't care if they make a profit with it, I don't care if they don't even share anything back with me. That is when I give something away, when I don't give it away, I do care a lot and without copyright, I'm suspecting that you will care a lot more then your leading on right now. If not right now, shortly after you experience it.

      If you have looked at what has came out of the open source world, you will see that for the most part, it has either been niche products that a lot of people wouldn't be able to use or subpar products that take quite a bit longer then commercial products to get to market and they usually still aren't quite as good as their commercial counterparts. That's what you can expect about all software to be when no copyright means that people won't pursue commercial development because you will just take it and reverse engineer it to make a free version and stop them from getting paid for their work. I know, I know, you have all the answers there too, you'll say they can sell services, or they will have to make documentation for charge or something else but how free are you when you have to do what someone else tells you because he wants to impose his will on your products?

      The world isn't full of nice people who will leave you alone in your utopia. You can see that now with patent trolls and other shysters and I just laid out an example where if I have money, I can benefit from your work, your ideas, your labor, your creativity, and make it very difficult for you to benefit from my applications of your life. I'm not sure that you would be fine with that when it happens to you, you probably don't even write code so you won't be effected by it. Perhaps one day you will write a novel and I can make a TV series based from it without giving you credit or one red cent while I make a fortune 10 times over. Perhaps I can talk to your teachers and get copies of all your essays and so on and make something out of that.. Perhaps your starting to feel violated now?

    88. Re:Before you start cheering them on... by sumdumass · · Score: 1

      Well, I messed up thinking you were the same person as before when I made my other reply. Please don't get offended when I use the personal terms like you and stuff and infer my impressions from him.

    89. Re:Before you start cheering them on... by sumdumass · · Score: 1

      The obfuscation and possibly encryption doesn't have to stop you from getting to the code, it just has to stop you long enough for me or anyone to stay ahead of you. In software, 1-2 years is quite a long time.

      And while your breaking my code, I'm looking at your improvements and taking what I want just to start over with the obfuscation and profit from you again.

      I'm not saying this to be a troll, I'm just showing how different it really can be without copyright. I don't think that difference would be appreciated by people either. Especially Stallman who the comment about abolishing copyrights was originally about. I mean otherwise, we would all be using the BSD license and not the GPL. The GPL relies on copyright and it forces distributed improvements to be availible to others. I don't like the "given back" because there is nothing requiring me to give anything back to anyone I received it from, just to make it availible in general to those who got it from me or anyone if I let them download it separately.

      I don't think that the people who think no copyright would be a good thing have something at stake or that haven't thought things through enough. The world is full of people we wouldn't consider good. I mean we just had an election and we find that government officials were using state computers and computer networks for fund raising, they used them to dig up dirt on someone who simply asked a question that one of the candidates answered in a way that made them look bad and they are supposed to be the good party. There are very evil people out there if you just look around. It doesn't take much of an imagination to see how they can screw you without certain protections. Need I mention Tivo and the GPLv3's attempt to address it?

    90. Re:Before you start cheering them on... by digitrev · · Score: 1

      Actually, disobeying that law is the correct response. Along with trying to get media attention and public support, as well as accepting the consequences of your actions. As long as you make it clear that you're disobeying what you consider to be an unjust law and are willing to face the consequences, then yes, breaking the law is perfectly fine.

      --
      Cynical Idealist
    91. Re:Before you start cheering them on... by bzipitidoo · · Score: 1

      The people define what is art. Whatever is popular, that's what wins the money. That's how it theoretically works now (except they try to manipulate the people, try to dictate what shall be popular), and that's how it could work under a patronage system.

      It's not so easy to avoid supporting a mega-star you don't like. Do you listen to any radio station that ever played any Madonna? If yes, then you supported her. Just mentioning her name as you did in your post, even to say you don't like her music, is more publicity. Also, I hope you like classical music, because some of your tax money is very likely supporting the symphony orchestra of whatever major city you're closest to.

      I think it could be a good deal. Better that a little of my money goes to an artist I don't like rather than a lot to those blood suckers of the RIAA. Public highways save us from massive overhead on toll collection. So public music could save us from the massive overhead we incur by insisting on distribution via CDs or DRMed formats, the cut that goes to the labels who do nothing but impede commerce, and the expenses of figuring out the rights and prices for every piddling little usage. For the same music, we could pay less AND have the artists get more. What's not to like about that? Nothing at all not to like. It's that people just can't believe it could work.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    92. Re:Before you start cheering them on... by Weedlekin · · Score: 1

      "The people define what is art. Whatever is popular, that's what wins the money."

      This is precisely the way things work now, i.e. not in anything like the same way as the patronage system that you (correctly) claimed worked for centuries, because patrons of the arts supported either what they liked themselves, or what they thought would be approved by a very small number of wealthy elite who were considered to be the arbiters of good taste. The opinion of the common horde was neither sought nor considered by such patrons, who regarded them as a bunch of easily amused philistines.

      "It's not so easy to avoid supporting a mega-star you don't like Do you listen to any radio station that ever played any Madonna?".

      No, I do not. And even if i did, it wouldn't my money that was supporting her, but that of advertisers, whose products I am not compelled to buy. This is a very different thing indeed from taking my money by force and giving it to her.

      "Just mentioning her name as you did in your post, even to say you don't like her music, is more publicity"

      It was however _my choice_ to do so rather than something that was forced on me by a government or a government-appointed company.

      "Also, I hope you like classical music, because some of your tax money is very likely supporting the symphony orchestra of whatever major city you're closest to."

      The existence of a small injustice doesn't make an even bigger one desirable.

      "I think it could be a good deal."

      Because unlike me, you don't live in a country where something like it already exists, and therefore also don't know how much both the general public and businesses detest being forced to pay _large_ levies on all blank media (including paper) and every device or component that's capable of recording, storing, or outputting content (printers, hard disks, CD and DVD burners, MP3 players, video and sound recorders, etc., etc., etc,) in return for having unrestricted non-commercial copying permission.

      "Public highways save us from massive overhead on toll collection."

      Public highways which, unlike canned entertainment, are vital infrastructure elements that make it possible for 1st. world countries to maintain population centres that aren't entirely self-supporting in terms of basic necessities such as food, medical facilities, building materials, and a diverse pool of skilled labour. Being forced to pay for something that the entire social structure of one's country of residence would collapse without is a very different proposition indeed from being forced to pay for somebody else's luxuries.

      "So public music could save us from the massive overhead we incur by insisting on distribution via CDs or DRMed formats"

      Those of us who live in countries with such systems can tell you categorically that they do not eliminate CDs, and cause a net increase in DRM as companies resort to technological means of reducing non-commercial copying because they can't do it in the courts.

      "the cut that goes to the labels who do nothing but impede commerce"

      Which stays the same or increases because so many artists want the promotional opportunities they provide that they're willing to make those companies the recipients of their cuts of what the collecting agencies hand out.

      "and the expenses of figuring out the rights and prices for every piddling little usage"

      To be replaced by the expense of applying and collecting taxes, which is of course deducted from those taxes before the rest is handed on to a monopoly agency, whose efficiency is poor because it doesn't have to compete with anyone, and therefore has extremely high overheads which must also be paid for before any money gets handed out.

      "For the same music, we could pay less AND have the artists get more."

      Whereas what actually DOES happen is everyone ends up paying a lot more while the artists lose out, the big media companies get more for doing less, the government has another form of revenue, and a bunch of do-nothings in an ap

      --
      I'm not going to change your sheets again, Mr. Hastings.
    93. Re:Before you start cheering them on... by bzipitidoo · · Score: 1

      The current system is bad. Is public patronage better? Enough better that switching is worthwhile? Of course it isn't perfect. It may not even be that good. But some of the objections you raised are, I think, unfounded. Also, I think that we really don't have a choice, that the status quo won't hold up no matter how hard we try to cling to it. Better to have some reasonable alternatives worked out rather than drifting blindly towards possibly far worse conditions-- such as complete anarchy where no one creates anything because no one can earn a thin dime on any art whatsoever as interested fans will copy it all instantly for free in unbreakable anonymity.

      To answer some of your points:

      Taste in a modern patronage system can hardly help but be far more democratic. The masses are far more powerful now than in centuries past when elites did indeed do all the selecting. Elites won't be dictating art now. Communication and connectivity have made it far too easy to engage the masses in ways that were not possible centuries ago. And everyone is better educated-- unlike then, nearly everyone can read and write these days. No, the elites won't have a stranglehold on art.

      the general public and businesses detest being forced to pay _large_ levies on all blank media

      Well of course the price is too high. Could the levy be reduced in both scope and amount to acceptable levels that are however more than nothing? I'm thinking yes, that is possible. One crucial provision is that the door must be left open for renegotiation and amending if the original deal turns out to be a bad one. I'm guessing you're in Canada? We have some of the same issues with some of the toll road schemes in the US. Some of them are obviously bad deals because the private buyer was conceded far too much. If they charge the maximums they're allowed (and why wouldn't they?) the toll road scheme will end up costing the public quite a bit more than if it had been done as a typical public highway project. They will also of course spend the absolute minimum necessary to keep the road barely good enough to be in compliance. Particularly irksome are some of the "no competition" provisions that they won in the contracts. The state can't even improve an existing road that might compete with the toll road.

      Luxuries? Much more than music would be covered by patronage systems. Research, for instance. In fact, right now most research is done under a patronage system. The government is the big patron, and they hand out the vast majority of research grants. They also support research more indirectly with the public university education system.

      Government is not to be trusted. Neither are businesses. Waste, fraud, corruption must be constantly rooted out. Of course we want systems that minimize opportunities for graft, and which discourage attempts and make getting away with something very, very difficult. The RIAA has been getting away with way too much. They've screwed the artists for decades with horrible contracts, and more recently they've had some success in cozening organizations and governments into doing their dirty work at the public's expense. For instance, these demands that ISPs or universities find out who was using a particular IP address at a particular time, that these organizations store all such data for years solely so the RIAA can go fishing, and demands that they buy expensive and worthless anti-piracy software, and so on. It's hard to get much worse than that. Your ideas on how a government could waste, misuse, and outright steal public funds are speculative. The things I've mentioned above, and more, are all things that the RIAA has actually done. Maybe the government would do a bad job. Maybe. What is certain is that the RIAA is doing a worse job.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    94. Re:Before you start cheering them on... by Weedlekin · · Score: 1

      "The current system is bad."

      I agree.

      "Is public patronage better? Enough better that switching is worthwhile?"

      I'd say so no in both cases, and my reasoning is a simple one: bad situations tend to get worse over the long term when put under government control, even though they sometimes improve in the short term.

      "But some of the objections you raised are, I think, unfounded."

      The objections I've raised are based on nearly 50 years of having lived in various countries where governments have embarked on nationalisation binges that have invariably ended up causing far more problems than they solve. It _always_ looks good paper, and it often lives up to expectations initially because everyone involved is full of enthusiasm for the idea, so they do everything they can to make it work. But the utopian dream invariably ends up becoming a nightmare where battling fiefdoms each demand a bigger slice of a bigger pie that they have more control over than any of the other factions.

      " think that we really don't have a choice, that the status quo won't hold up no matter how hard we try to cling to it."

      I'm not arguing that we should maintain the status quo. This does not however mean that we have no choices other than nationalisation.

      "Better to have some reasonable alternatives worked out rather than drifting blindly towards possibly far worse conditions-- such as complete anarchy where no one creates anything because no one can earn a thin dime on any art whatsoever as interested fans will copy it all instantly for free in unbreakable anonymity."

      And the solution governments select will, as is always the case, be regulations that result in them having more power over everyone by completely removing that anonymity with the usual excuses: combating terrorism, reducing organised crime, and preventing child abuse. This is already happening, and it will get worse because those who seek power always want more of it, just as those who seek great wealth never have enough money to satisfy them.

      "Taste in a modern patronage system can hardly help but be far more democratic. The masses are far more powerful now than in centuries past when elites did indeed do all the selecting."

      Recent events should be enough to convince anyone that the (a) masses have very little power over anything, and (b) we're willingly handing ever more of it to our version of the aristocracy, which like earlier forms of aristocracy, isn't subject to the same rules that they force us to live by.

      "Elites won't be dictating art now"

      Yes they will, just like they do now by deciding what the public gets to listen to, see, read, etc. You'd simply be exchanging a commercial elite that's driven by what they think will sell for a political elite motivated by what they allow us to hear, see, and read, as for example was the case under the old Soviet system, where all art and (non-military) science was in the public domain, but the government decided who was allowed to be an artist or scientist, and told them what to work on.

      "Communication and connectivity have made it far too easy to engage the masses in ways that were not possible centuries ago."

      All of which is entirely dependent on what our governments allow us to do, as things like the "Great Firewall Of China" and new obscenity laws in the UK that make it a crime to distribute text containing a description of anything the morality police doesn't like amply demonstrate.

      "And everyone is better educated-- unlike then, nearly everyone can read and write these days."

      See above for but two examples of the fact that this changes nothing, because people have only ever been able to read and write what their governments permit them to.

      "Well of course the price is too high."

      The price _always_ ends up being too high even when it starts off at a reasonable level, because the compulsory nature of levies means that they can raise them whenever costs rise, so there's no incentive to maintain an efficient system.

      --
      I'm not going to change your sheets again, Mr. Hastings.
  3. I wish you the best, guys. by bannerman · · Score: 1, Insightful

    Hit 'em hard for freedom's sake, eh?

    --
    I keep forgetting my place. Jesus is for losers. Why do I still play to the crowd?
  4. Lessig AND Barlow? by Anonymous Coward · · Score: 0

    NEXT WEEK at the MANHATTAN SLAMATARIUM! Aaaaaaaaaaare you reeeeeaaaaadyyy to RRRRRRRRRRRRRRUUUMMMMBLE?

  5. Not surprising at all by Drakkenmensch · · Score: 5, Insightful

    Is anyone surprised that the Righteous Inquisition Army of Autocrats is resquesting more time? It takes a LOT of lawyers to succesfully bully and threaten an entire all-star team of intellectuals college professors well-reknowned in their fields as opposed as a single young student. You don't just steamroll a group like that with a single "cease and decist or we'll ruin you" email.

    1. Re:Not surprising at all by moderatorrater · · Score: 1

      You don't just steamroll a group like that with a single "cease and decist or we'll ruin you" email.

      Dangit! *closes exchange*

    2. Re:Not surprising at all by Anonymous Coward · · Score: 0

      Given the way the RIAA has acted in the past I'd be surprised if they don't just file some more suits and try to out-spend to win.

    3. Re:Not surprising at all by cloakable · · Score: 1

      That presumably matters if you're paying your lawyers.

      Is this pro-bono or not? Anyone know?

      --
      No tyrant thrives when every subject says no.
    4. Re:Not surprising at all by NewYorkCountryLawyer · · Score: 3, Informative

      Is this pro-bono or not? Anyone know?

      My guess is yes. The Judge specifically asked Prof. Nesson to take the case. It's in this transcript, where she asks Mr. Tenenbaum if he'd been contacted by Prof. Nesson yet.

      --
      Ray Beckerman +5 Insightful
  6. Re:first post by BountyX · · Score: 0, Offtopic

    =( looks like i blew it lol

    --
    Trying to install linux on my microwave, but keep getting a kernel panic...
  7. For mainstream spin see... by mcgrew · · Score: 5, Informative

    I submitted a story about this Monday, Constitutionality of P2P law "under attack" (rejected) after seeing it in an AP story in the Chicago Tribune. That story quoted NYCL, who it of course called Ray Beckerman. I wondered at the time why he hadn't submitted it himself.

    But at any rate, for the corporate media spin on this, here are a few links:
    Billion Dollar Charlie vs. the RIAA
    Legal Jujitsu in a File-Sharing Copyright Case
    Lawsuits Brought by Music Industry Are Unconstitutional, Lawyer Says
    Law professor fires back at song-swapping lawsuits (AP)
    Law Professor Takes on RIAA
    Prof: Penalty unfair, will help with $1M download lawsuit
    RIAA defendant enlists Harvard Law prof, students
    Harvard Professor: File-Sharing Lawsuits Unconstitutional

    1. Re:For mainstream spin see... by NewYorkCountryLawyer · · Score: 1

      I submitted a story about this Monday, Constitutionality of P2P law "under attack" (rejected) after seeing it in an AP story in the Chicago Tribune. That story quoted NYCL, who it of course called Ray Beckerman. I wondered at the time why he hadn't submitted it himself.

      I had submitted the story about Prof. Nesson entering this RIAA litigation, but the Slashdot editors chose someone else's story.

      --
      Ray Beckerman +5 Insightful
    2. Re:For mainstream spin see... by NewYorkCountryLawyer · · Score: 4, Funny

      That story quoted NYCL, who it of course called Ray Beckerman.

      The bastards.
      :)

      --
      Ray Beckerman +5 Insightful
    3. Re:For mainstream spin see... by bendodge · · Score: 1

      But at any rate, for the corporate media spin on this, here are a few links:
      Billion Dollar Charlie vs. the RIAA

      Hmm, the story you linked on Slashdot's coverage refers to Slashdot's coverage. This must be some kind of trick!

      --
      The government can't save you.
    4. Re:For mainstream spin see... by mcgrew · · Score: 1

      It happens. It's not like it's a problem, I would rather have seen your submission accepted than mine.

    5. Re:For mainstream spin see... by hansamurai · · Score: 1

      The bastards. :)

      Can I quote you on that?

    6. Re:For mainstream spin see... by mcgrew · · Score: 1

      The paper is the Boston Globe, and you are correct, it does reference slashdot:

      "RIAA Litigation May Be Unconstitutional," headlined Slashdot, a self-described "news for nerds" website. "Harvard's Charlie Nesson Raises Constitutional Questions in RIAA Litigation," trumpeted ZDNet Government. "Insane Harvard Law Professor Promises MP3 Justice," proclaimed Gawker.

    7. Re:For mainstream spin see... by TuaAmin13 · · Score: 1

      Can I quote you on that?

      Looks like you already did.

    8. Re:For mainstream spin see... by NewYorkCountryLawyer · · Score: 1

      It happens. It's not like it's a problem, I would rather have seen your submission accepted than mine.

      Yeah, I know, but I worked hard on that submission, trying to weave together a bunch of useful links. But what can you do? I guess I get more than my share accepted.

      --
      Ray Beckerman +5 Insightful
    9. Re:For mainstream spin see... by NewYorkCountryLawyer · · Score: 2, Funny

      Can I quote you on that?

      Only if you include the ":)".

      --
      Ray Beckerman +5 Insightful
    10. Re:For mainstream spin see... by Brain+Damaged+Bogan · · Score: 2, Funny

      geez, I hope you copyrighted whatever they quoted so you can send a DMCA take down notice, or better yet, sue them.

      --
      -- Sex is the antonym of pringles. Once you pop it's time to stop.
  8. Delay, Delay, Delay... by Anonymous Coward · · Score: 1, Interesting

    While this approach may work when suing Gramma, it's a different story when you roll in pro bono representation and evangelical students.

    Wonder how long Sony is going to keep writing checks?

  9. Remember that Justice is Blind by Anonymous Coward · · Score: 0

    Hit 'em hard for freedom's sake, eh?

    Well, I'm glad you're so certain that the grad student has not broken any laws. Frankly, I'm not certain anything the RIAA is doing is illegal ... and if that's the case, we need to target a change in the laws.

    1. Re:Remember that Justice is Blind by apathy+maybe · · Score: 1

      Notice the original anon c didn't say anything about legality or illegality?

      They talked only about freedom. Freedom and legality are two different and distinct concepts.

      Personally I don't give a shit if copying something that is under copyright is illegal or not. It is about freedom really.

      The freedom to copy is quite distinct from the fact being illegal or not.

      --
      I wank in the shower.
  10. If they'd stop putting a bad taste in my mouth... by Moof123 · · Score: 5, Insightful

    I might stop being spitting mad.

    I hate:
    1. DVD's that lock you out of fast forwarding through the crap (long intros, FBI warnings, previews, etc).
    2. Stupid itunes making it a hassle to give my wife a copy of something WE own legally (or often was free in the first place).
    3. Anti-competitive prices on CD's, and music in general. There have been findings of fact showing anti-competivie behavior, but nothing done to stop it.
    4. CD's that try to install crap on my machine (yes, you Sony).
    5. DVD's that all prevent me from being able to make fair use of their content (using short clips for example) without becoming a criminal.
    6. Retarded EULA's.

        I want to own my own shit again!

        I can't wait until my clothing starts coming with FBI warnings that the design is trademarked, pateneted and that I may only wear the shirt before Labor Day, and before 8 PM on weeknights. You just wait.

  11. Re:first post by BountyX · · Score: 5, Informative

    Since I keep getting modded down, I feel compelled to provide userful information. I apologize for the way I stated my first comment, but the RIAA is the guardian of an industry so antiquated and oppressive that having sympathy for these guys is a little like feeling sorry for a Georgia slaveholder after watching Sherman's troops fire his mansion and scatter his livestock. Here's an industry so bloated with executives and middlemen, all of them greedily slurping up profit, that the people who actually write the songs and play the music -- the "talent" -- are getting royally screwed in the royalty department. It's been like that for years. Anyways, harvard has the court documents posted here for all to see.

    --
    Trying to install linux on my microwave, but keep getting a kernel panic...
  12. Strange timing by phoebus1553 · · Score: 2

    Are they perhaps trying to postpone the trial long enough so that the class has finished it's term and the 'defense team' has moved on to a new subject?

    --
    ----- - The beatings will continue until morale improves
    1. Re:Strange timing by NewYorkCountryLawyer · · Score: 4, Funny

      Are they perhaps trying to postpone the trial long enough so that the class has finished it's term and the 'defense team' has moved on to a new subject?

      Perhaps yes. But last time I looked, Harvard Law School did have a sufficient number of new applicants to keep Prof. Nesson's CyberLaw class quite full.

      --
      Ray Beckerman +5 Insightful
  13. eternal, spiritual, good offing evile by Anonymous Coward · · Score: 0

    the way it's always been meant to be. even though it's minions tend to foist themselves to their appropriate reward, it's still no giveaway.

  14. Delay While Lobbying by Bob9113 · · Score: 1

    The RIAA lawyers have been asking for adjournments a lot lately, asking for an adjournment in UMG v. Lindor the other day because they were so busy preparing for the Tenenbaum December 1st trial ... I guess when you're running on hot air, you sometimes run out of steam

    I'd restate that as, "I guess when congress sells you a few new laws every year, delaying is a pretty smart business tactic."

    1. Re:Delay While Lobbying by rzei · · Score: 1

      Wouldn't the judge/others have to do their decisions only based on the laws that were at the time of this very criminal act?

      Wouldn't it be unconstitutional for someone get convicted of something that might not had been illegal when the act was committed?

      That is, if *AA would get some more horrendous laws passed while they are on Hawaii...

    2. Re:Delay While Lobbying by NewYorkCountryLawyer · · Score: 4, Interesting

      "I guess when congress sells you a few new laws every year, delaying is a pretty smart business tactic."

      I'm not so sure the Obama administration is going to be rubber stamping MAFIAA legislation.

      --
      Ray Beckerman +5 Insightful
  15. Re:If they'd stop putting a bad taste in my mouth. by Muad'Dave · · Score: 2, Interesting

    Yeah, well the manufacturers of that shirt might sue you if your picture is taken wearing 'their' shirt. It happens with cars.

    --
    Tiller's Rule: Never use a word in written form that you've only heard and never read. You will end up looking foolish.
  16. Re:first post by againjj · · Score: 0, Offtopic

    Offtopic? I would say that anyone who tried to make a "first post" blew it. Thus, the above comment is spot on. Apparently BountyX has gained some insight. (But don't anyone dare mod it insightful! We don't want to encourage such things.)

  17. Re:If they'd stop putting a bad taste in my mouth. by moderatorrater · · Score: 5, Funny

    I can't wait until my clothing starts coming with FBI warnings that the design is trademarked, pateneted and that I may only wear the shirt before Labor Day, and before 8 PM on weeknights.

    That's absolutely reasonable. When you wear that shirt, you're representing Tommy Hilfiger and are, therefore, impacting the future sales of that brand. By wearing that white shirt after labor day, you're in effect saying that the Hilfiger brand itself is out of style, causing irreparable and immeasurable damage. This theft of future sales is obviously wrong and it needs to be stopped. Since there's no telling how many days you've warn that shirt in a damaging way, and there's no telling how many people were negatively impacted, I think it's entirely fair to set the minimum damages to $15,000 and the maximum at 2% of the brand's gross yearly earnings (even though the damages may be much, much greater).

    Also, since clothing brands are named after the person who designed them, and by wearing them incorrectly, we're going to start calling the improper wearing of clothes "Assassination" instead of the more tame "bad style". The Designer Assassination Prevention Act of 2009 will set all of this into the law books. It's only fair, after all.

  18. Re:If they'd stop putting a bad taste in my mouth. by Shakrai · · Score: 5, Funny

    I hate: 1. DVD's that lock you out of fast forwarding through the crap (long intros, FBI warnings, previews, etc). 2. Stupid itunes making it a hassle to give my wife a copy of something WE own legally (or often was free in the first place). 3. Anti-competitive prices on CD's, and music in general. There have been findings of fact showing anti-competivie behavior, but nothing done to stop it. 4. CD's that try to install crap on my machine (yes, you Sony). 5. DVD's that all prevent me from being able to make fair use of their content (using short clips for example) without becoming a criminal. 6. Retarded EULA's.

    Easy solution: Don't buy any of that stuff.

    I can't wait until my clothing starts coming with FBI warnings that the design is trademarked, pateneted and that I may only wear the shirt before Labor Day, and before 8 PM on weeknights.

    Then we'll just get all of our clothing from Sweden like we currently do with all of our media ;)

    --
    I want peace on earth and goodwill toward man.
    We are the United States Government! We don't do that sort of thing.
  19. Adjournment: So the RIAA is basically saying . . . by PolygamousRanchKid+ · · Score: 2, Funny

    "I'll get back to ya on that!"

    Didn't someone just recently copyright that phrase?

    I hope the RIAA gets sued!

    --
    Schroedinger's Brexit: The UK is both in and out of the EU at the same time!
  20. Re:If they'd stop putting a bad taste in my mouth. by mcgrew · · Score: 1

    I have to agree with you except for #3. An anticompetetive price would be one that was underpriced, when RIAA music is sickeningly overpriced. There is no reason whatever why you should have to pay more than ten bucks for a CD, as you can get professionally duplicated lots as small as 1000 for $1k including covers and printing. I'd guess for RIAA sized lots they could get them for a quarter of that.

    Most local bands here in Springfield have their own CDs, and sell them for five or ten bucks each.

  21. Re:first post by UnknowingFool · · Score: 5, Interesting

    Wierd Al Yankovic, among others, have complained that they make less off digital downloads than regular sales. The problem is that the record companies haven't changed their royalty system to accommodate digital sales and probably won't. For physical media, record companies would deduct from sales for things like manufacturing and distribution out of the artists' royalties. With digital sales, there are not any real manufacturing costs and retailers like iTunes Store absorb the distribution costs. But the record company would still deduct these costs from royalties.

    --
    Well, there's spam egg sausage and spam, that's not got much spam in it.
  22. copyright protection schemes by circletimessquare · · Score: 1

    have three effects:

    1. they punish well-behaved customers for what pirates do
    2. they have zero effect on the pirates
    3. they turn well-behaved customers into pirates

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:copyright protection schemes by spottedkangaroo · · Score: 1

      I think you're confused. Pirates hijack boats, sometimes kill people, sometimes hold hostages for ransom, and otherwise cause jackassery upon the open sea (near Somalia I guess).

      Copyright infringement is a civil matter and has to do with DRM and the like.

      Please don't continue calling copyright infringement piracy. It's not.

      --
      Imagine if you weren't allowed to use roads because a bus company complained about your driving 3 times. --skunkpussy
    2. Re:copyright protection schemes by Dragoness+Eclectic · · Score: 1

      Yes, yes, I know RMS has been trying to discourage the use of the word 'piracy' for commercial copyright infringement because of the violent connotations, but, alas, that use of the word was not invented by the RIAA or the MPAA. It's been around since the 17th or 18th century for unauthorized copying; I believe the earliest known reference was to the unauthorized publishing and distribution of Daniel Defoe's "Robinson Crusoe".

      However much you and RMS dislike it, one of the legitimate other definitions of piracy is "large-scale commercial copyright infringement".

      Qualifier: it does seem like the **AAs started the trend of applying it to non-commercial, personal sharing of published works.

      --
      ---dragoness
  23. Just waiting. by psydeshow · · Score: 4, Funny

    Obviously they're postponing trials because they are busy drafting a Federal bailout of the music industry.

    The Govt. created the Internet, they owe the record companies some love. $30 Billion ought to do it.

  24. GPL etc. is copyright defending against copyright. by Ungrounded+Lightning · · Score: 2, Informative

    No one in their right mind on Slashdot should want to abolish copyright. As authors of free software under licenses like the GPL, we actually depend on copyright law to keep our creations free.

    But what we're keeping them free from is mainly compilation copyrights.

    The problem is that software couldn't be safely released into the public domain because somebody else could fix a bug or make a useful mod, copyright the fix or upgrade, and everybody else (including the original author) are hosed. They can't fix or upgrade it in the same way themselves without being in trouble. So putting software in the public domain means losing, not just control of its future (which is OK), but possibly the use of future versions (which is not).

    GPL and other "free" licenses head this off by keeping the copyright alive, using it as a bludgeon to prevent others from capturing the freed software, while allowing its use by those who agree to leave it free, including its future versions.

    But while killing coypyright would kill free licenses, it would also kill the thing they were created to prevent. Yes you wouldn't be able to use the copyright underlying the license to force somebody who didn't distribute the upgrade source to chose between releasing it or stopping distribution of the object (and paying big penalties). But then he couldn't use copyright to keep you from reverse-engineering his object code and distributing equivalent source, either. B-) With the original problem solved we could dispense with open licenses and some of their additional downsides (such as mutual incompatibility).

    (Granted GPL has since been upgraded to provide some protection against patents, which WOULD be lost. But that's a kludge providing very limited protection. Meanwhile software patents are being attacked separately.)

    = = = =

    Having said all that:

    My own opinion is that copyright (with reasonable term, without a ban on reverse-engineering, and without junk like "look and feel", "interface operation is a 'performance'", and "similar function is a derived work") is the right protection for software. It bans straight copying, giving adequate time for original developers to get a product established in a market before clones can appear and imposes adequate development costs on cloners, without setting patent-style boobytraps for others who independently develop the same ideas.

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  25. Re:first post by Anonymous Coward · · Score: 0

    I would feel sorry for the Georgia slaveholder, he'd already (however rightly so - since it was made illegal) lost property that he'd paid for. But since he was doing something completely legal for years, society had made it illegal, it's okay for government thugs to destroy his home and and food/income as well? In the land of bad analogies that is /., your analogy truly stinks.

  26. Well Shoot by JonDorian88 · · Score: 1

    When we finally get these production companies out of the picture maybe we can start getting some decent music. These companies have stunted artist evolution since they starting coming up with formulas for shallow success. This is one industry that should go the way of GM out of principle.

    --
    The 14'th amendment was was created to be an option.
    1. Re:Well Shoot by mcgrew · · Score: 1

      When we finally get these production companies out of the picture maybe we can start getting some decent music

      There is already lots and lots of very, very good music out there. The problem is that the RIAA has a monopoly on getting their dreck on the radio.

      Go to bars, I've seen some incredibly talented people playing in bars with professionally produced, recorded, and duplicated CDs for five to ten bucks each, available at their shows. They're in it for the art. Making art for the love of art often makes money, but making art for the sake of money seldom makes good art.

    2. Re:Well Shoot by MarkvW · · Score: 1

      You don't need to worry about the production companies. They can be bypassed--if you employ a producer sufficiently talented to meet your needs. The mechanics of production belong to everybody now. That victory is over.

      You don't need to worry about manufacturing companies now, either. You can contract with a company to make your CDs with no fuss and no muss. It's just a matter of pressing plastic. Or, you can avoid manufacturing altogether, thanks to the internet.

      You don't need to worry about distributing companies now, either. You can distribute your music over the internet, or you can market your own CDs.

      Rethink your analysis. You don't need anything! The music industry can be cracked--and they know it. That's why the lawyers are so very desperately involved. Lawyers are DEFINITELY not the first resort of a corporation, because they will relentless bleed the corporation dry, if they can. The lawyers are there in force because the industry is VERY concerned.

      The music industry's only hole card is the MAKE IT BIG culture coupled with the industry's awesome distribution networks. If many great artists start small with a scalable promotion and distribution music network that is slanted toward them, the Music Industry is threatened. Alternatively, if consumers stop behaving like herd animals and seek diverse entertainment (I dream), then the Music Industry is threatened.

      The digital music culture will evolve a lot in the coming years. Right now it is feeding itself on musical products created by the Music Industry. The Music Industry wants to keep its cash cow alive for as long as it can (time is money) even if it requires very expensive lawyers to do it. But sooner or later (later if the Music Industry has its way), the digital music culture will start feeding on public domain music and independently produced and distributed music, then things will change geometrically.

      The most interesting factor in all of this is talent. How rare is talent? How much talent does it take to develop talent? The future may help answer this.
       

    3. Re:Well Shoot by NewYorkCountryLawyer · · Score: 4, Insightful

      The Music Industry wants to keep its cash cow alive for as long as it can (time is money) even if it requires very expensive lawyers to do it. But sooner or later (later if the Music Industry has its way), the digital music culture will start feeding on public domain music and independently produced and distributed music, then things will change geometrically. The most interesting factor in all of this is talent. How rare is talent? How much talent does it take to develop talent? The future may help answer this.

      In my experience, talent is not rare. Being untalented myself, I am always surprised by it, but there are a great many very gifted people out there who have been underemployed, in the sense that they are not employed to do the thing that best utilizes their special talents. And the reason these very talented and creative people have not been able to make a living at their art has been the 'gatekeepers'... i.e. the MAFIAA. The internet and digitalization have made it possible for the 'gatekeepers' now to be dispensed with. In my view, we are entering a golden age of music, where there will be less 'megastars' but there will be more people making a living at their art, instead of having to take 'day jobs' to sustain themselves. Society will be the better for it.

      --
      Ray Beckerman +5 Insightful
    4. Re:Well Shoot by aadvancedGIR · · Score: 1

      There are also many people who, while keeping a day job, do music or videos on their spare time (I personnaly know a couple of them, and am fan to dozen more) and thanks to modern technologies, have access to decent quality cheap production and distribution tools.

      MAFIAA are the remanents of a time when the entry bar was so high only corporations could afford it, what they fail to admit is that it dropped so low amateurs can record a CD with their pocket money (of course, there is still a gap between them and major league, but it's no monger major league or nothing).

    5. Re:Well Shoot by Anonymous Coward · · Score: 0

      but there are a great many very gifted people out there who have been underemployed, in the sense that they are not employed to do the thing that best utilizes their special talents. And the reason these very talented and creative people have not been able to make a living at their art has been the 'gatekeepers'

      this is only tangentially related, but the same heavy handed "gatekeeping" has reared its ugly head in human resources departments almost universally.

      "behavioral interviewing" and personality tests are now the most common methods of pairing back candidates.

      You are not supposed to be allowed to discriminate based on creed,but here they are discriminating against those who believe in introversion rather than extroversion.

      Being introverted does not mean one is anti-social, nor does it mean one is incapable of adopting a "professional persona" unrelated to personal belief just like the extrovert can. Still, introverts are weeded out and tossed down to the mail room at best.

      Gotta love "gatekeepers"!

    6. Re:Well Shoot by T.E.D. · · Score: 1

      there will be less 'megastars' but there will be more people making a living at their art, instead of having to take 'day jobs' to sustain themselves. Society will be the better for it.

      Says you. If that happens, who's going to be surly to me while bringing my double cheesburger?

    7. Re:Well Shoot by NewYorkCountryLawyer · · Score: 1

      there will be less 'megastars' but there will be more people making a living at their art, instead of having to take 'day jobs' to sustain themselves. Society will be the better for it.

      Says you. If that happens, who's going to be surly to me while bringing my double chees[e]burger?

      That's easy.

      The RIAA lawyers.

      --
      Ray Beckerman +5 Insightful
  27. Re:first post by mcgrew · · Score: 1

    There's a knee-jerk reaction among many mods to downmod ANY first post, even it it's on-topic, insightful, informative, and/or funny and in no way insiteful or inflammatory. Every time I've made a first post it gets its ass ripped with "offtopic" or "troll" yet somehow winds up at better than 1, often 5.

    Think before you mod.

    However in this case, I'd have downmodded it too.

  28. Re:GPL etc. is copyright defending against copyrig by Ungrounded+Lightning · · Score: 1

    Heh. Described a different copyright problem than I named.

    Compilation copyrights are copyrights on collections of otherwise free (i.e. public-domained) works. A bad guy could also get a copyright on a piece of freed software by including it with several other pieces in a distribution and copyrighting that.

    Both this and copyrights on derived works based on a public-domain work are copyright recapture. Both are defended against by open licenses built on copyright. And both cease to be a problem if copyright goes away.

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  29. Re:first post by the_womble · · Score: 1

    I would feel sorry for the Georgia slaveholder, he'd already (however rightly so - since it was made illegal) lost property that he'd paid for. But since he was doing something completely legal for years, society had made it illegal, it's okay for government thugs to destroy his home and and food/income as well? In the land of bad analogies that is /., your analogy truly stinks.

    Just because something is legal does not make it right. He still deserves what he gets.

  30. you missed one by Anonymous Coward · · Score: 0

    I hate:
    7. apostrophes

  31. Re:If they'd stop putting a bad taste in my mouth. by Anonymous Coward · · Score: 0

    I've seen what you wear after 8PM on weeknights, I wouldn't be caught dead on your ass either.

  32. Re:first post by negRo_slim · · Score: 1

    I guess when you're running on hot air, you sometimes run out of steam

    =( looks like i blew it lol

    I am perturbed at the references to steam engines today.

    --
    On the Oregon Cost born and raised, On the beach is where I spent most of my days
  33. Re:If they'd stop putting a bad taste in my mouth. by Jason+Levine · · Score: 3, Insightful

    I had posted that story to a photography forum I'm a member of and someone took the initiative to contact Toyota's legal department. They're backpedaling now on their original claim:

    Response (XXXX) 11/18/2008 04:34 PM
    Thank you for contacting Toyota with your comments and concerns regarding the use of vehicle images. The letter asking the DesktopNexus site to remove all images featuring a Toyota, Scion or Lexus vehicle was the result of mis-communication at Toyota, which we regret.

    Copyright law protects the creative work product of artists, photographers, and other creators. Toyota respects these rights, including those of photographers who work with Toyota. Toyota purchases the rights to the images it posts on its sites, and welcomes public use of those images where we have the rights to give. However, this permission is limited to editorial or personal use, not commercial use, such as advertising any products or services. That's because the photographers - not Toyota - retain the rights to any commercial use, and we cannot give permission to use those images for that purpose. In response the concerns raised by DesktopNexus, Toyota is working with photographers to determine what images may be used for non-commercial purposes, and what we can do to provide broader access.

    We hope you will understand and appreciate the legal constraints we face.

    Toyota also welcomes interested members of the public to use their own images or photography of Toyota's vehicles, and we confirm that we have no objection to this use.

    We appreciate your interest in our products.

    Toyota Customer Experience

    Translation: We found a couple of legitimately infringing photos on your site but rather than give you specifics we decided to be lazy and just order them all down. We figured you'd just roll over and take it, but then you had to spread the word. Now we're facing a ton of bad PR so we're going to limit our claims to just those originally infringing photos.

    --
    My sci-fi novel, Ghost Thief, is now available from Amazon.com.
  34. while i appreciate the sentiment by circletimessquare · · Score: 2, Insightful

    words evolve in meaning and use, and you need to get used to it

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:while i appreciate the sentiment by Simon+Brooke · · Score: 1

      words evolve in meaning and use, and you need to get used to it

      One of the processes by which words evolve is hegemony. The *IAA want to influence what you believe about copyright infringement, want you to believe it is evil and worthy of extreme sanction, so they persuade you to call it a name which means a very serious crime. If you apply the word 'piracy' to copyright infringement, you are singing off their hymnsheet.

      Which, of course, it copyright, so now you owe them...

      --
      I'm old enough to remember when discussions on Slashdot were well informed.
    2. Re:while i appreciate the sentiment by Danse · · Score: 1

      words evolve in meaning and use, and you need to get used to it

      So just to make things clear, I think we need a new name for these guys I wouldn't want to soil their reputation by continuing to call them pirates.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  35. Re:If they'd stop putting a bad taste in my mouth. by CorporateSuit · · Score: 1

    I can't wait until my clothing starts coming with FBI warnings that the design is trademarked, pateneted and that I may only wear the shirt before Labor Day, and before 8 PM on weeknights. You just wait.

    Wait till produce markets start selling oranges that have a note injected under the peel that says, after about 6 pages of legal boilerplate and definitions, "Sunkist Oranges are owned and trademarked by Sunkist. Any reproduction including but not limited to: using seeds to grow more Sunkist Oranges, taking pictures of Sunkist Oranges, or using Sunkist Oranges for any non-personal use is prohibited by law and punishable by a maximum fine of up to $500,000 per offense and 5 years of incarceration. Purchasing this orange licenses you to one user per purchase. If you wish to share this orange, you must contact Sunkist to purchase additional licenses through our hotline below. By tasting, juicing, or breaking this orange into slices, you agree to these terms." and meanwhile, it infects your house with airborn SecureFROOT scurvy.

    --
    I am the richest astronaut ever to win the superbowl.
  36. Re:If they'd stop putting a bad taste in my mouth. by Anonymous Coward · · Score: 0

    Brilliant.

  37. Re:If they'd stop putting a bad taste in my mouth. by Tracy+Reed · · Score: 2, Funny

    I find your ideas intriguing and would like to subscribe to your newsletter.

    Are you working on legislation which would lock up all of those content thieves who get up and go to the bathroom instead of watching the commercials thereby depriving the starving artists of their hard earned income?

    These BATHROOM BANDITS must be stopped.

  38. Re:first post by chazbet · · Score: 2, Insightful

    Just because the law permits something, doesn't make it right to take advantage of it, when it's a stupid law. The law allowed slavery and slaveholders got rich off the sweat of other human beings, until time, circumstances, and war finally put a stop to it. All the slaveholders had to do was free his slaves to avoid the consequences of war.

    The law currently allows ridiculously long period of copyright protection, while technology allows individuals to undermine the stupidity of current law. All copyright holders have to do is to put their works into the public domain (or a Creative Commons license).

    See the analogy?

  39. Re:first post by db10 · · Score: 2, Funny

    I've been to the land of bad analogies, they have some extremely nice fjords.

  40. I wouldn't be surprised by Weaselmancer · · Score: 4, Interesting

    I'll bet if Weird Al were to sell his digital downloads directly on his own webpage without RIAA support he'd have a different opinion on the profitability of digital music sales. Especially if Steve Albini's numbers are correct.

    Al is probably earning about 2% of each sale. I'd be pissed too.

    --
    Weaselmancer
    rediculous.
    1. Re:I wouldn't be surprised by UnknowingFool · · Score: 1

      If Al was independent enough, he probably would see better profitability. I have friends who are independent artists with tracks on iTunes and they like the system. Unfortunately, Al's music is contracted through a record company. His complaints are more against record companies than digital music.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    2. Re:I wouldn't be surprised by Mister+Whirly · · Score: 1

      Al may be pissed, but not as pissed as Albini seems to perpetually be. That guy hates EVERYTHING.

      --
      "But this one goes to 11!"
    3. Re:I wouldn't be surprised by Anonymous Coward · · Score: 0

      http://en.wikipedia.org/wiki/Ghosts_I-IV
      Trent made $750,000 just from selling the $300 Uber-Super-Mega-XXXtra-Special-Laser-Beam-Upon-Shark-Cranium edition to idio^H^H^H^Hbeg fans.

      The numbers speak for themselves; The new Recording Industry is the guy who has the rack and tube space to host the downloads.

  41. Re:first post by Anonymous Coward · · Score: 2, Insightful

    I would feel sorry for the Georgia slaveholder, he'd already (however rightly so - since it was made illegal) lost property that he'd paid for. But since he was doing something completely legal for years, society had made it illegal, it's okay for government thugs to destroy his home and and food/income as well? In the land of bad analogies that is /., your analogy truly stinks.

    Just because something is legal does not make it right. He still deserves what he gets.

    There you go again foisting your morals off on others.

    He does not deserve what he gets, and the type of bullying you're suggesting amounts to something quite worse than what the RIAA does to the people on the receiving end of their bullying.

    Forcing him to comply with the law is one thing, basically killing him by destroying his ability to eat is as bad as it gets, it's tantamount to murder. In fact, they are basically murdering him and his whole family (children and all), as well as anyone else who depended on him.

    When freeing the slaves, the government should have done what they are required by law to do whenever they take property, they can force a sale, but they still have to pay whatever they can convince a judge is the fair market value for it. That's right, you heard me, the US government should have bought them and freed them.

    And just so your high and mighty "morals" don't get too out of control, remember, most of the culture you likely benefit from was built by societies that allowed slavery or other types of indentured service. If you're a religious nut I'll also remind you that Paul, from your New Testament sent the runaway slave back to his owner.

  42. The first question to ask... by westlake · · Score: 0, Offtopic
    Is what do these all these "expert" witnesses contribute to the case before the court?

    In the 1925 Scopes "Monkey Trial," the issue before the trial court wasn't evolution, it was the teaching of evolution in the public schools in violation of Tennessee state law.

    Which meant that all the intellectual firepower Darrow had assembled to defend evolution had no platform. They had nothing useful to say. Nothing admissible as evidence.

    The place to make that argument was before the Tennessee legislature.

    1. Re:The first question to ask... by danzona · · Score: 5, Insightful

      Is what do these all these "expert" witnesses contribute to the case before the court?

      The plaintiff will try to convince the judge that Tenenbaum downloaded 7 songs and owes them $1 million. The expert witnesses will try to convince the judge that Tenenbaum downloaded 7 songs and owes the plaintiffs nothing (or maybe $6.93).

      In the 1925 Scopes "Monkey Trial," the issue before the trial court wasn't evolution, it was the teaching of evolution in the public schools in violation of Tennessee state law.

      That was the position of the prosecution. The position of the defense was that the law was unconstitutional because it violated the teacher's (Scopes) constitutional rights (the law benefited a particular religious group). But at some point the trial became a media circus full of the celebrities of the age and the defense just made speeches (that as you point out were irrelevant).

    2. Re:The first question to ask... by NewYorkCountryLawyer · · Score: 4, Insightful

      Is what do these all these "expert" witnesses contribute to the case before the court?

      The plaintiff will try to convince the judge that Tenenbaum downloaded 7 songs and owes them $1 million. The expert witnesses will try to convince the judge that Tenenbaum downloaded 7 songs and owes the plaintiffs nothing (or maybe $6.93).

      Well spoken, danzona. I hope you get modded up for that succinct observation (and I hope I don't get modded down as 'redundant' for agreeing with you and for not being able to improve on what you said).

      --
      Ray Beckerman +5 Insightful
    3. Re:The first question to ask... by martinw89 · · Score: 1

      NYCL being modded down? Blasphemy!

      :)

    4. Re:The first question to ask... by malinha · · Score: 1

      RIAA market value per 7 songs --> $1 million

      REAL market value per 7 songs --> $6.93

      so someone is selling their products below real market value, that's "dumping" and where i live that's illegal!!

  43. Re:If they'd stop putting a bad taste in my mouth. by fprintf · · Score: 1

    Here's a newsflash, those navel oranges that taste so yummy? You can't grow a tree from them as they are sterile (I forget the actual term applied to fruit). So they've already taken that step. Now I don't know how they will do the EULA under the peel, but for now they probably just stick it on the box/bag/outside. :-)

    *Seedless watermelon and grapes are the same... can't grow your own either. I am OK with that since I'll never do either.

    --
    This post brought to you by your friendly neighborhood MBA.
  44. That's not what we want by Weaselmancer · · Score: 1

    He is not our ally in ensuring we can get whatever media we want whenever we want for no cost.

    Short terms is what we actually do want. Copyright and patent.

    Make your money off of something when it's new. Let a few years pass. Then it goes into the public domain.

    How is this a bad scenario? Sounds like a little slice of heaven to me.

    --
    Weaselmancer
    rediculous.
  45. From TFA... by jimbudncl · · Score: 1
    Not TFA for this, but another posted above: http://www.foxnews.com/story/0,2933,453365,00.html

    Entertainment attorney Jay Cooper, who specializes in music and copyright issues at Los Angeles-based Greenberg Traurig, is convinced that Nesson will not persuade the federal court to strike down the copyright law.

    He said the statutory damages it awards enable recording companies to get compensation in cases where it is difficult to prove actual damages.

    The record companies have echoed that line of defense.

    Umm... ok. So, you feel entitled to compensation even though you can't prove anything. I'm sorry, but this calls for a huge:

    WTF!!??

  46. Re:If they'd stop putting a bad taste in my mouth. by Anonymous Coward · · Score: 0

    The solution to all those problems is....

    Pirate your media.

    Better 'customer' experience. Lower price.

    Heck. You're stupid not to pirate. What with the way the media companys have been treating people lately.
         

  47. RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 2, Interesting

    The copyright environment sucks.

    I was using a torrent to download a linux distro the other day. I was actually concerned about being "tracked" by my ISP as a file pirate.

    This is so wrong. Corporations are using private law backed up by copyright statute to create a Kafka-esque "guilty because we say you are guilty" environment. Oh, sure, they don't have the power to imprison you, but with the courts they do have the power to bankrupt you with lawyers fees with no credible evidence.

    I'm serious, people need to start fighting back, and not just in the courts. Who says they get to make the rules? What they are doing is not fair, it is not civilized, and it is not human. The fight, therefor, need not be either.

    If every lawyer and executive that works for a RIAA company gets egged every day on the way to work. If every car they own gets its tires slashed. If every time they are in a starbucks, someone pours hot coffee on their suit. If every time someone sees one yells at the top of their lungs "CRIMINAL F(*&CK GET OUT OF HERE." Maybe they'll start to see that the money they are being paid to ruin people's lives will in turn ruin theirs.

    We don't have the money to fight them in court, but we can ruin their lives just as easy as they can ruin the lives of innocent people. If they don't have a conscience, perhaps we should perform that function for them. I'm not calling for violence, not at all. I am calling for wholesale property damage. Break everything they own when ever they get it. They feel perfectly comfortable wreakig financial havoc on people, we should feel the same until they stop.

    1. Re:RIAA and the copyright MAFIA need to end. by TechForensics · · Score: 2, Insightful

      Respectfully, I have to tell you I found more heat than light in your argument.

      --
      Those are my principles, and if you don't like them... well, I have others.
    2. Re:RIAA and the copyright MAFIA need to end. by Anonymous Coward · · Score: 0

      I'm not calling for violence, not at all. I am calling for wholesale property damage

      violence Show Spelled Pronunciation [vahy-uh-luhns] Show IPA Pronunciation

      -noun 1. swift and intense force: the violence of a storm.
      2. rough or injurious physical force, action, or treatment: to die by violence.
      3. an unjust or unwarranted exertion of force or power, as against rights or laws: to take over a government by violence.
      4. a violent act or proceeding.
      5. rough or immoderate vehemence, as of feeling or language: the violence of his hatred.
      6. damage through distortion or unwarranted alteration: to do editorial violence to a text.

      You are in fact calling for violence. You're just not calling for violence directed at another human being. It honestly scares me that you were modded insightful; it means other people out there agree with you.

    3. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 1

      Wow.
      So you disagree with a companies attitude to copyright, so you want to vandalize their employees cars.
      What next? How about cutting the brake cables? How about sending them letter bombs?

      Get a grip. It's attitudes like yours which make everyone who opposes the RIAA look like a criminal jerk.
      Tbh, faced with people who want to prosecute file-sharers on one side, and lunatics who want to vandalize peoples cars on the other, I'd side with the RIAA, and so would 99% of people.

      Only on slashdot is such extremist bullshit modded up. Attitudes like yours are dangerous and shameful.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    4. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 3, Insightful

      Get a grip. It's attitudes like yours which make everyone who opposes the RIAA look like a criminal jerk.

      Are you sure you meant to say that? That is tantamount to saying that the large majority of people in this country 'look like criminal jerks'. I have never met anyone who ever heard of the RIAA who does not oppose it, except for people who are on its payroll. And I have never met anyone who thinks that 'everyone who opposes the RIAA looks like a criminal jerk'.

      A lot of people think it's the RIAA and their aiders and abettors that are 'criminal jerks', such as these attorneys in St. Louis, who just filed RICO counterclaims pointing out the RIAA's extortion, mail fraud, and wire fraud, and these government officials in North Carolina who have summoned the RIAA's investigators to a "probable cause hearing", and these state troopers in Massachusetts who have ordered them to "cease and desist" from their illegal "investigations".

      So, just between you and me, I think you may have overstated things a bit. If it's you who thinks that everyone who opposes the RIAA looks like a criminal jerk, well, that's you, and you alone, and maybe this guy.

      --
      Ray Beckerman +5 Insightful
    5. Re:RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 1

      So you disagree with a companies attitude to copyright, so you want to vandalize their employees cars.

      That is not the problem at all. I have no problem with an honest dispute of law. What is happening however, is the wholesale abuse of innocent people. HUGE fines for small offenses. Intimidation through the courts. Using the resources of multinational multibillion dollar organizations to threaten and destroy people.

      We don't have the power in the courts, because we don't have billions of dollars, but we do have the power in the streets.

    6. Re:RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 1

      You are in fact calling for violence. You're just not calling for violence directed at another human being. It honestly scares me that you were modded insightful; it means other people out there agree with you.

      I am only calling for people to inflict the same threats and damage against an industry as they are empoying against us.

      I understand that copyright is a complex issue, and I'm not on the side of file sharers, but I am on the side of equal justice.

      These a-holes are using courts and laws to destroy private individuals. They circumvent the rules of the court, delay, and bankrupt the people they intend to intimidate. They sue with virtually no evidence against people they have no way of having any idea are guilty, and bully them to settle.

      Well, screw that, it is time that "We The People" show OUR bully power.

    7. Re:RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 1

      Respectfully, I have to tell you I found more heat than light in your argument.

      Maybe so, but all I am calling for is equal justice.

      Can you honestly say they fight fair? Can you honestly say what they are seeking justice or intimidation? They are trying to bully the people into abandoning their rights. The threaten, bully, and defy the rules of law, and get off because they have the money to lobby.

      I say the real power is the people, and we have the power to destroy them with the same sort of tactics they come at us with.

      They started the fight, they have used lawlessness and indiscriminate accusation and intimidated, So be it, I say it is there turn!

    8. Re:RIAA and the copyright MAFIA need to end. by MarkvW · · Score: 1

      You urge others to acts of vandalism and criminal harassment because you don't like the way filesharing copyright cases are civilly prosecuted!

      The law will work its way around to fairness in the MP3 world. It always does, although it may take some time. Advocating and inciting criminal acts does not help the process and it undermines respect for the rules that govern us all.

      If you want the freedom to download without interference from the legal system, go to a country without a legal system and download away. If not, face the fact that you live in a democratic society and must take the good with the bad. Grow up!

    9. Re:RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 1

      You urge others to acts of vandalism and criminal harassment because you don't like the way filesharing copyright cases are civilly prosecuted!

      Like I said in another post, I have no problem with an honest dispute being settled lawfully. But these a-holes aren't fighting fairly. They and their jon-doe suits are a travesty of justice and injurious who happens to be in scatter-shot range.

      If they wanted to play fair, then that would be one thing. They are not, they are themselves skirting the law worse than any file sharer.

      They started an unfair and unlawful fight. Since they aren't abiding by the rules of engagement, we shouldn't feel compelled to either.

      They get to fight in the courts, we get to fight in the street.

      If you want the freedom to download without interference from the legal system

      I don't download music. I go to my public library and borrow what I want and return it when I'm done. I'm pissed off at the abuse of process and power in my country.

    10. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 0, Troll

      oh grow up. You advocate vandalising the cars of RIAA employees? Or do you condemn it? I notice that you do not.
      Please say you do, it will expose you for the rabid foaming fanatic we know you to be.

      Don't try and assume everyone agrees with you. personally I consider you to be an ambulance chasing jerk.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    11. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 1

      so you will take to the streets violently because of getting caught stealing music, but won't even raise a finger to solve the problems with health care or the economy?

      nice priorities kid.

      Interesting to see so many slashdotters advocating violence against corporations.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    12. Re:RIAA and the copyright MAFIA need to end. by plasmacutter · · Score: 1

      so you will take to the streets violently because of getting caught stealing music, but won't even raise a finger to solve the problems with health care or the economy?

      nice priorities kid.

      Interesting to see so many slashdotters advocating violence against corporations.

      what use is having health and money if you dont have the freedom to participate in your own culture?

      I have a chronic disease and am uninsured, but I still place copyright issues over health because without culture you don't "live", you merely exist.

      --
      VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
    13. Re:RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 1

      so you will take to the streets violently because of getting caught stealing music

      I don't care one little bit about stealing music. I don't do it and it has nothing to do with my point of view.

      My point of view is that RIAA and MPIAA are terrorists, they don't use bombs, they use the courts. They create false charges, accuse people of theft with no credible evidence, they then intimidate and bully. Make no mistake, the accusation is by definition assault. (look it up)

      Now, when you are threatened by someone, do you fight them under their terms or do you try to pick a venue more suitable to you?

      They own the courts, they bribe (oops, "lobby") the politicians, the only advantage you have is the ability to bring the fight out of the protection of corporate shield and in their personal face.

      Yes, trash these F*&^*cks where they live. We didn't start the fight they did. If they want to dragnet innocent people to create an environment of fear, so be it, we should retaliate in kind.

    14. Re:RIAA and the copyright MAFIA need to end. by intheshelter · · Score: 1

      "personally I consider you to be an ambulance chasing jerk." Then you obviously don't know who you were talking to nor how respected his fight has been by most readers on Slashdot.

    15. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 1

      personally I consider you to be an ambulance chasing jerk

      Sorry I offended you. Which record company do you work for?

      --
      Ray Beckerman +5 Insightful
    16. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 1

      wow, you are so delusional you think anyone who disagrees with you must work for a record company.
      What a prick.

      I make a living making original stuff. You make a living from charging people who get caught stealing music to defend their hopeless cause against record companies.
      I know who I'd rather be.

      You make Jack Thompson look like a real lawyer.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    17. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 1

      when you say participate, you mean steal copyrighted content right?
      If not, what is the problem?

      --
      DRM-free indie games for the PC and Mac: Positech Games
    18. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 1

      you think the RIAA are 'terrorists'?
      get a fucking grip.

      Go to Israel or Baghdad and live there for 6 months. Then tell me that companies that prosecute bit-torrent users are 'terrorists'.

      The mentality here is scary.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    19. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 1

      I make a living making original stuff.

      Thank you for revealing the reason for your pro-RIAA bias.

      --
      Ray Beckerman +5 Insightful
    20. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 1

      wow, you are so delusional you think anyone who disagrees with you must work for a record company. What a prick. I make a living making original stuff.

      Talk about delusional. I'm sure the stuff you make is completely 'original'.

      --
      Ray Beckerman +5 Insightful
    21. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 1

      OK cliffski, let's bury the hatchet. I looked you up, I see that you're not anonymous, and I respect that. I also understand why you have this point of view. I see that you're a small independent guy who designs games, and makes them DRM-free... and is then no doubt betrayed by people who make unauthorized copies instead of paying you the probably modest price to which you are entitled and which you have earned. Someone like you should be protected. And I have never at any time expressed any opposition to copyright law. I have been working in copyright law for more than 34 years. What I am opposed to is the RIAA/MPAA cartel's collusion, violation of antitrust laws, bullying of mostly innocent people, frivolously litigating, making extortionate settlement demands, violating the procedural laws, making false legal arguments, misrepresenting the facts, etc. I have nothing whatsoever against a person like you, or a person like you being protected by the copyright law.

      And I can tell you that I have done nothing to deserve the venom you spew at me. When I have a client who actually did commit copyright infringement, we put in an answer fully admitting the copyright infringement, and challenge only the exorbitant damages the RIAA is seeking, which run from 2,600 to 450,000 times the record companies' actual damages.

      And if you think the RIAA, MPAA, and other mega corporations are friends of independent guys like yourself, think again. They would squash you in a second, like they have squeezed the life blood out of musicians for so many years. You have much more in common with me, and with the victims of their over-the-top aggression, than you do with them.

      --
      Ray Beckerman +5 Insightful
    22. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 1

      By the way, I didn't really think you work for the RIAA. That was supposed to be a joke, but I'm not very good with humor.

      --
      Ray Beckerman +5 Insightful
    23. Re:RIAA and the copyright MAFIA need to end. by mlwmohawk · · Score: 1

      you think the RIAA are 'terrorists'?

      And what would you call a campaign of fear? I mean, other than terrorism, that is.

      Go to Israel or Baghdad and live there for 6 months. Then tell me that companies that prosecute bit-torrent users are 'terrorists'.

      That's like saying: "You think domestic violence is hurts people? Look at all the murders! That's violence!" Violence is violence and the degree doesn't matter.

      RIAA and MPIAA use fear, the same as the terrorists, Sure, they don't use bombs, but they use the courts.

    24. Re:RIAA and the copyright MAFIA need to end. by cliffski · · Score: 1

      I don't vaguely support the RIAA or MPAA, I think they are ignorant, short-term thinking assholes who deserve nothing but contempt. I just think that advocating slashing the tires of people who work for the RIAA is juvenile, and dangerous and should not be supported by anyone, let alone a lawyer.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    25. Re:RIAA and the copyright MAFIA need to end. by NewYorkCountryLawyer · · Score: 1

      I don't vaguely support the RIAA or MPAA, I think they are ignorant, short-term thinking assholes who deserve nothing but contempt. I just think that advocating slashing the tires of people who work for the RIAA is juvenile, and dangerous and should not be supported by anyone, let alone a lawyer.

      As you know, I have never supported any such thing. So please withdraw the accusation.

      --
      Ray Beckerman +5 Insightful
    26. Re:RIAA and the copyright MAFIA need to end. by plasmacutter · · Score: 1

      when you say participate, you mean steal copyrighted content right?
      If not, what is the problem?

      rifftrax can't be watched if DRM exists, neither can AMV's or mashup projects like fsFs

      99% of the material on the internet is infringing. The only reason copyright hasn't been used to shut down the ENTIRE world wide web is lax enforcement.
      your typical myspace page carries hundreds of infringing images, infringing quotes, infringing music, etc. etc.

      Of course, this is the reason practically everything that becomes popular gets shut down. People notice "their" material on the site, whether it be images, videos, print quotes, whatever, and kill it dead "as an example".

      I refer you to this writeup on the reason why copyright is out of control, and in direct opposition to modern cultural norms.

      To sum up, please be more vigilant about all the material around you which is copyrighted, and avoid swallowing propaganda whole.

      --
      VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  48. Re:If they'd stop putting a bad taste in my mouth. by Bearhouse · · Score: 1

    I might stop being spitting mad.

    I hate:
    2. Stupid itunes making it a hassle to give my wife a copy of something WE own legally (or often was free in the first place).

    Try Mediamonkey. http://www.mediamonkey.com/
    Works as advertised.

    Not slashvert, just a happy user, with loads of Macs & PCs, iPods, bluetooth in the cars...and three teenage girls. Junked iTunes early on, never looked back.

  49. Re:first post by sukotto · · Score: 2, Informative

    Author/editor Eric Flint (of the Baen Free Library fame) wrote a whole series of wonderful essays on copyright as editorials in the "Jim Baen's Universe" magazine. You can read them all for free (and I urge you to go read them.. he make a whole series of great points).

    1. A Matter of Principle
    2. Copyright: What Are the Proper Terms for the Debate?
    3. Copyright: How Long Should It Be?
    4. What is Fair Use
    5. Lies, and More Lies
    6. No Such Thing as a Free Lunch
    7. The Problem is Legal Scarcity, not Illegal Greed
    --
    Come play free flash games on Kongregate!
  50. Re:first post by jasen666 · · Score: 1

    The government didn't "take" property. They made kidnapping and forced labor illegal.

  51. Solly, Cholly by tepples · · Score: 1

    Charlie Tuna was new then, he's made a comeback in recent years. He's the "Chicken of the Sea" brand tuna mascot

    Last time I checked, Charlie was on StarKist, not COTS.

    1. Re:Solly, Cholly by mcgrew · · Score: 1

      I think you're right, it is Starkist. Boy that advertising sure works well on me, doesn't it?

  52. A question about Happy Birthday logistics by Weaselmancer · · Score: 2, Interesting

    How is it possible to hold a copyright on Happy Birthday? The lyrics change every time you sing it.

    What does their copyright look like?

    Happy birthday to you
    Happy birthday to you
    Happy birthday dear *
    Happy birthday to you.

    Or have they filed millions of copyrights?

    Copyright 2234257612, Happy Birthday to You, Aaby version.
    Copyright 2234257613, Happy Birthday to You, Aaron version.
    Copyright 2234257614, Happy Birthday to You, Abe version.
    ...

    --
    Weaselmancer
    rediculous.
    1. Re:A question about Happy Birthday logistics by Chris+Burke · · Score: 3, Informative

      Or have they filed millions of copyrights?

      Copyright 2234257612, Happy Birthday to You, Aaby version.
      Copyright 2234257613, Happy Birthday to You, Aaron version.
      Copyright 2234257614, Happy Birthday to You, Abe version.

      They only need a copyright on one version, and all the other versions are derivative works, which is a reserved right under copyright.

      That's why you can't make a proprietary Linux kernel by changing one variable name.

      The Name Game is the same way.

      The stupid part isn't being able to copyright a song that has a lyric that changes every time. The stupid part is that it's such a fundamental part of our culture that most people don't even realize it's copyrighted, and yet it's going to be for quite a long time yet.

      --

      The enemies of Democracy are
    2. Re:A question about Happy Birthday logistics by blueskies · · Score: 1

      We can just switch the lyrics. Every line should have the person's name in it and the 3rd line should say "to you".

    3. Re:A question about Happy Birthday logistics by againjj · · Score: 3, Informative

      The stupid part is that it's such a fundamental part of our culture that most people don't even realize it's copyrighted, and yet it's going to be for quite a long time yet.

      Until 2030, as it was registered in 1935, if we assume that copyright is not lengthened again. But for us to assume would make an ass out of u and me.

    4. Re:A question about Happy Birthday logistics by 31415926535897 · · Score: 1

      The other retarded thing is that Happy Birthday is a derivative work that is in the public domain. Happy Birthday is the exact same melody as 'Good Morning To You', yet somehow switching the words a little bit privileges it enough to deserve copyright?!

    5. Re:A question about Happy Birthday logistics by RichiH · · Score: 1

      Mickey Mouse just turned 80. They will need to prolong the protection time soon. That is when the people not in the US start laughing & using Mickey Mouse freely. Unless the WTO manages to impose 1000 year terms on us all.

    6. Re:A question about Happy Birthday logistics by Weedlekin · · Score: 1

      Derivations of a public domain musical work can be (and frequently are) copyrighted, including arrangements, which as any one who uses sheet music knows, are a common way of copyrighting specific printed versions of stuff that's in the public domain. Note also that lyrics can be (and frequently are) copyrighted independently of the music, so it's more than possible to copyright a song that uses public domain music without changing anything whatsoever about that music if it's lyrics are original.

      --
      I'm not going to change your sheets again, Mr. Hastings.
  53. Re:If they'd stop putting a bad taste in my mouth. by MarkvW · · Score: 1

    Your talk about owning excrement is disgusting. You already own your own excrement. Your problem is that you want to own somebody else's. That's yucky.

    The solution is obvious: Don't buy excrement. Either pick up your excrement free (it's really easy to do, I'm sure) or make your own (equally easy).

    Stop whining about other people's excrement. They get to make it the way THEY want. That's freedom, man.

  54. Anti-bono by tepples · · Score: 1

    Is this pro-bono or not?

    Prof. Lessig opposed the Sonny Bono Act.

  55. Jukebox by tepples · · Score: 3, Funny

    they will see how few consumers (approximately 0%) are willing to purchase music for personal use under that kind of restriction.

    Citation needed.

    1. Re:Jukebox by spazdor · · Score: 1

      Jukebox song revenues as a percentage of total performance royalties:

      (approximately 0%)

      --
      DRM: Terminator crops for your mind!
  56. Re:first post by Golddess · · Score: 1

    If I may play Devil's Advocate for a second...

    Did the liquor salesmen deserve to lose their lively-hood during prohibition? Just because something is illegal does not make it wrong.

    (I truly don't have any direction to take this, just seemed like something to bring up)

    --
    "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
  57. Re:If they'd stop putting a bad taste in my mouth. by AK+Marc · · Score: 1

    An anticompetetive price would be one that was underpriced, when RIAA music is sickeningly overpriced.

    He meant illegal collusion to set prices. That method doesn't use competition to set prices, so it could be seen as non-competitive, anti-competitive, or whatever. They have been convicted of that, and did nothing to change their actions, other than being a little more discrete when illegally price-fixing.

  58. Not in this day and age by Weaselmancer · · Score: 2, Insightful

    Their business model collapses, hopefully chapter 11 ensues, new management enters, abolishes overpaid execs.

    Not in today's United States. Federal bailout. It's the new model for capitalism these days.

    Incompetent execs? Outdated business model? Are you selling something that was great in the 80's but sucks today?

    Federal bailout. After all, we can't have these overpriced incompetent execs making the unemployment numbers worse, can we?

    I'm only halfway kidding. I would not be surprised if these sleazebags tried to dip into the new broken economy safety net of federal bailouts.

    "OMG the pirates have taken our money! Help help help! NONE of this is our fault at all! Just because we've redefined music to be this thumping easily mass produced crap a trained seal and a drum machine could make and force DRM down our consumers throats (that is, when we're not suing them) doesn't mean a thing!"

    I give about 60/40 odds that some RIAA goon will try this sometime before the current administration is replaced. You watch.

    --
    Weaselmancer
    rediculous.
    1. Re:Not in this day and age by TheGeniusIsOut · · Score: 2, Interesting

      Fortunately, they are not critical components of our economy, and as such, do not deserve bailouts. The auto industry directly and indirectly employs millions of middle class Americans, where as the recording industry only employs a few tens of thousands of upper-middle to upper class people who beleieve they should be repeatedly paid for doing work once. I could care less if these parasites lose their livelyhoods, the music I listen to is done by artist who enjoy creating music, and releasse it freely in digital format, and only ask to cover the costs of media if you want a hard copy.

      --
      Ignorance is Bliss -- And the Opposite is True -- Genius is Madness
    2. Re:Not in this day and age by Weaselmancer · · Score: 1

      Fortunately, they are not critical components of our economy, and as such, do not deserve bailouts.

      Oh, I agree completely. Absolutely. I'd even argue that the auto industry doesn't deserve bailouts.

      So I'm definitely not saying they deserve it, I'm saying they're probably deluded enough to ask. They have a massively inflated opinion of themselves. They lobby to change laws for crying out loud. All for the sake of making money off of other people's music. They sue their own customers. Money is their God, and the consequences be damned. And Uncle Sam has looked like he's in a spending mood lately.

      They may not ever get around to asking publicly, but I'd bet that there has at least been a discussion around some RIAA office somewhere with the topic being "should we ask for some of this bailout money as well".

      --
      Weaselmancer
      rediculous.
    3. Re:Not in this day and age by GuyverDH · · Score: 1

      I know I'll get hammered a bit, but the auto industry is not asking for a *bailout* as the financial industry is, they are asking for a loan, albeit a very long-term one.

      When will companies like Morgan-Stanley and other big name financial companies pay back their chunks of the 700 billion.

      --
      Who is general failure, and why is he reading my hard drive?
    4. Re:Not in this day and age by CRCulver · · Score: 1

      Fortunately, they are not critical components of our economy

      Actually, export of "intellectual property" is one of the only things keeping the US economy going nowadays, as most of its manufacturing base has been shipped overseas. That's why there are strong links between politicians and the entertainment industry.

  59. Vote with dollars for whom? by tepples · · Score: 1

    I hate [DVD DRM]

    Easy solution: Don't buy any of that stuff.

    To which publisher of DRM-free feature films are you suggesting the grandparent switch?

    1. Re:Vote with dollars for whom? by Shakrai · · Score: 2, Insightful

      To which publisher of DRM-free feature films are you suggesting the grandparent switch?

      Feature films aren't food or clothing. You can live a contented life without them.

      If you really can't go without them then I guess you don't really care about DRM that much.

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
  60. Alternatives by shermo · · Score: 1

    Admittedly, this is somewhat offtopic, but maybe I can get some helpful responses.

    What alternatives are there for people who don't want to pirate bay their music? I'm looking both for a way to pay a reasonable sum for mainstream music, and possibly an outlet for freely distributed 'indy' music. For commercial downloads, the ability the preview songs would be preferable but not necessary. Oh, and I'm not in America, so many of the more popular solutions don't work for me.

    As an aside, doesn't it indicate how backwards the music industry is when I have to come to somewhere like slashdot to ask these questions? I'm sure there a millions of other people like me, who have disposable income that they're willing to use to support music, but don't know where to go to do so.

    --
    Insanity: voting in the same two parties over and over again and expecting different results
    1. Re:Alternatives by burgundysizzle · · Score: 1

      There are multiple alternatives here are some suggestions (and there are lots more than this out there).

      If you just want to listen try http://last.fm/ for streaming music of artists that you like (if you scrobble it's easier to find artists that sound like artists you like as last.fm will make recommendations - you can also subscribe to a postcast and get free songs). For some free songs try the shop at http://www.sellaband.com/ (the non free songs are 50 cents each - there's usually 3 free songs per artist). Amie street can also be a cheap place to find indie or older mainstream music http://www.amiestreet.com/ (the more popular songs are more expensive but the less popular songs are cheap). I didn't like it so much but there's always we7 http://www.we7.com/ - it used to be ad supported (not sure about now) but after some amount of time you can download a set number of ad free songs per month.

      As with all things YMMV compared to what I've liked and found useful. As with all of these sorts of sites registration is required. None have been particularly onerous with excessive emails and they usually have ways of opting out of getting email from them.

  61. Re:first post by Danse · · Score: 1

    He does not deserve what he gets, and the type of bullying you're suggesting amounts to something quite worse than what the RIAA does to the people on the receiving end of their bullying.

    Bullying? Are you serious? Like hauling people from another continent across the sea in horrible conditions and then forcing them to spend their entire lives serving you in return for the right to continue living to serve you, as well as any children of theirs being born into servitude isn't bullying?

    You've got some kind of fucked up morality there. There's also the issue of the fact that there was a war going on. They took sides, took up arms, and took their chances. I can't feel sorry for them. Their children, sure. But not the slave-owners themselves.

    Forcing him to comply with the law is one thing, basically killing him by destroying his ability to eat is as bad as it gets, it's tantamount to murder. In fact, they are basically murdering him and his whole family (children and all), as well as anyone else who depended on him.

    I got the impression that there were a lot of manual labor jobs opening up in the south. I'm sure the survivors could get on as laborers somewhere else.

    That's right, you heard me, the US government should have bought them and freed them.

    Funny how your morality excuses the act of purchasing slaves in the first place, but you feel that releasing them without treating them as property is wrong. They were recognized as human beings rather than property. Buying them is a non-starter.

    Since I'm agnostic, that other remark doesn't apply to me.

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  62. Re:first post by blueskies · · Score: 1

    When freeing the slaves, the government should have done what they are required by law to do whenever they take property, they can force a sale, but they still have to pay whatever they can convince a judge is the fair market value for it. That's right, you heard me, the US government should have bought them and freed them.

    I didn't realize they took property. I thought they freed people in bondage. Besides, didn't he steal work from the slaves in the first place? They should have sued him for back wages, overtime, dangerous work environment. And then the IRS should have gone after him for not paying payroll taxes for the value of work he had them do for him. And then they should have sent him to Africa in the hold of a ship.

  63. Re:first post by Anonymous Coward · · Score: 0

    The system works!

  64. Re:first post by MrNiceguy_KS · · Score: 2, Funny

    ...And a lot of cars

    --
    Redundancy is good And also good.
  65. Re:first post by BountyX · · Score: 1

    My analogy did not make a legal reference. It was an emotional analogy that suggested how an onlooker may feel when an obviously corrupt business practice/owner gets taken down. If a judge smacked the RIAA down and gave it a huge fine for all its actions, how many people would truly feel sorry for the organization? My point was from a strictly emoitonal perspective. Next time, I'll use a car analogy.

    --
    Trying to install linux on my microwave, but keep getting a kernel panic...
  66. Re:If they'd stop putting a bad taste in my mouth. by roc97007 · · Score: 1

    >That's absolutely reasonable. When you wear that shirt, you're representing Tommy Hilfiger and are, therefore, impacting the future sales of that brand. By wearing that white shirt after labor day, you're in effect saying that the Hilfiger brand itself is out of style, causing irreparable and immeasurable damage. This theft of future sales is obviously wrong and it needs to be stopped.

    Ok, since you brought it up, I have to wonder if that's the real reason Apple doesn't allow clones. Not because of loss of revenue -- the real thing will still be cooler and in demand -- but because proles will witness OSX running on a VG2230, for instance, instead of the much cooler Apple Cinema Display. Typing on a lumpy Microsoft Natural instead of an Apple Ultrathin. Using an ugly Thermolake Soprano instead of a Mac Pro. And this clearly dilutes the brand, because Apple is about style every bit as much as function.

    --
    Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.
  67. Re:If they'd stop putting a bad taste in my mouth. by MrNiceguy_KS · · Score: 1

    Wow, that's scary. As in, "I can see that happening in a few years," scary. And for some reason, it makes me want to buy a Tommy Hilfiger shirt, some Calvin Klein jeans, then sit around picking my nose in public.

    --
    Redundancy is good And also good.
  68. Re:first post by liquidsin · · Score: 1

    i bet they have really nice cars too...

    --
    do not read this line twice.
  69. Re:If they'd stop putting a bad taste in my mouth. by terrahertz · · Score: 2, Informative

    2. Stupid itunes making it a hassle to give my wife a copy of something WE own legally (or often was free in the first place).

    Ever tried Floola? It works great for me. Never had a need to use itunes since.

    --
    Slashdot? Oh, I just read it for the articles.
  70. Flawed logic there by Anonymous Coward · · Score: 0

    By your logic, the proper response to the illegality of marijuana includes not smoking it? I'm afraid my ethical principles are incompatible with yours then.

  71. halfway there by circletimessquare · · Score: 1

    when the dominant power defines a word as a pejorative, it also instantly develops a positive cachet amongst those oppressed by that power. consider the use of the N word among black people, or the word "queer" by gay people. the original meaning is coopted as a point of pride by those who are labelled with the pejorative, so that in time, the word loses value as a pejorative, or even becomes positive in connotation

    i mean even the word pirate itself, outside of any copyright considerations, is almost positive. it has developed a sort of romantic robinhood like quality. witness the blockbuster pirates of the caribbean movies: the hero is a pirate, when, of course, in reality, these guys were like the pirates trolling off the coast of somalia today: murderous amoral thugs

    a word's meaning, and its negative connotation are complicated things. you simplify too much, and miss completely what happens to a word when it is coopted by various groups. do not underestimate the power of the riaa to shoot itself in the foot by brandishing a word that has romantic qualities to it as well as negative

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  72. ever hear of "pirates of the caribbean"? by circletimessquare · · Score: 1

    blockbuster movie where the pirate is the hero?

    words are complicated, their negative connotations dependent on the context. the pirates of centuries ago were of course just like the amoral murderous thugs trolling off the coast of somalia today, but over time, they've developed a romantic, robin hood type quality

    words are complicated. they are not like a programming statement. they evolve over time, have different meaning to different groups and in different contexts, etc. language is fluid, not written in stone

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:ever hear of "pirates of the caribbean"? by Danse · · Score: 1

      words are complicated, their negative connotations dependent on the context. the pirates of centuries ago were of course just like the amoral murderous thugs trolling off the coast of somalia today, but over time, they've developed a romantic, robin hood type quality

      True. I think that part of it may be the fact that they often preyed on other amoral murderous thugs that happened to be state-sponsored. Not really a lot different today when you consider the actions of the states and corporations behind the oil trade.

      Regardless, there's something to be said for using language that doesn't carry so much baggage. The industry managed to make the pirate moniker stick, which is to their benefit. Doesn't mean we should just roll over and accept it. We have to either point out the biased and inflammatory nature of the term, or try to give it the same romantic notion that Johnny Depp benefits from. Not sure which would work better.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    2. Re:ever hear of "pirates of the caribbean"? by Weedlekin · · Score: 1

      "the pirates of centuries ago were of course just like the amoral murderous thugs trolling off the coast of somalia today, but over time, they've developed a romantic, robin hood type quality"

      The romantic robin-hood quality wasn't developed over time, but was a prominent theme in contemporary literature and popular myth. It comes from the fact that pirate ships were meritocratic democracies who had the enviable capability to go wherever they pleased at a time when people were ruled by those whose wealth and power were both permanent and inherited or conferred rather than earned. They were therefore extremely popular symbols of both hope and rebellion against authority, and a lot of ordinary people dreamed of becoming one and sailing to exotic locations where they could spend the spoils gained from "sticking it to the man" on grog, women, and expensive luxuries that they knew they'd never actually have a chance of owning.

      --
      I'm not going to change your sheets again, Mr. Hastings.
  73. Re:GPL etc. is copyright defending against copyrig by cpt+kangarooski · · Score: 1

    Compilation copyrights are copyrights on collections of otherwise free (i.e. public-domained) works. A bad guy could also get a copyright on a piece of freed software by including it with several other pieces in a distribution and copyrighting that.

    That's incorrect. A copyright on a compilation only covers the compilation, not the contents of the compilation. For example, if I created a copyrightable compilation by creatively selecting and arranging public domain fairy tales that I liked, my copyright would only over that particular selection and arrangement; anyone would be free to copy the individual fairy tales (whether from my book, or any other source), republish them individually, or in other compilations, etc. All that's protected is the particular arrangement of the selected things. Not the things, not other arrangements of multiple things. Compilation copyrights are pretty thin, in fact.

    Both this and copyrights on derived works based on a public-domain work are copyright recapture.

    If I understand your point correctly, you're wrong again. Copyrights on derivative works only cover the original material, not the material derived from the underlying source. For example, if I took the public domain fairy tales, and added illustrations based on the stories, the illustrations would be derivative works. But a copyright on the illustration doesn't cover the underlying story itself, or even the elements of the story as depicted (e.g. if there is a picture of Red Riding Hood, that doesn't prevent other people from drawing her, or copying the public domain elements, such as her having a red hood, directly from my work). Derivatives aren't necessarily thin, but they're weaker than more original works. In fact, if you're concerned about recapture, the real danger is a public domain derivative work which is rendered useless because the underlying original work is still copyrighted.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  74. Mod parent up by openfrog · · Score: 1

    Respectfully, I have to tell you I found more heat than light in your argument.

    I regret not to have any mod point left to mod parent up. What do you want to see on a news clip on this topic, a team of lawyers including Zittrain, Lessig and Nesson defending a student and successfully taking on the RIAA or egg-throwing people? If you are public relation agents for the RIAA, the second or perhaps even preferably, both!

  75. you're position is absurd by circletimessquare · · Score: 1

    language evolves on its own, outside the realm of anyone's control. you don't unilaterally decide by fiat that you will redefine words according to some sort of agenda, and common culture will just fall into place for you. if you want to fight the riaa, use your energies and fight them, but if you instead use your energies to try to redefine the meaning of words, because the coopting of their usage by certain groups is not to your liking, you're just wasting your time and energy

    and yes, that is what the riaa is trying to do by using the word "pirate", and yes, they are wasting their time. so you want to be as hopeless and retarded as the riaa? the game the riaa is playing is stupid. you beat them by not playing their stupid game. stop trying to redefine words. they ebb and flow in meaning on their own, at the behest of popular culture, which no one controls. pure folly

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:you're position is absurd by Danse · · Score: 1

      and yes, that is what the riaa is trying to do by using the word "pirate", and yes, they are wasting their time. so you want to be as hopeless and retarded as the riaa? the game the riaa is playing is stupid. you beat them by not playing their stupid game. stop trying to redefine words. they ebb and flow in meaning on their own, at the behest of popular culture, which no one controls. pure folly

      Wasting their time? The mainstream media uses the term regularly now. I think they've completely succeeded in their goal of redefining the term. It may be folly to try to resist that, but I'm really not convinced of it. Pointing it out to the media that they're using a loaded term may not always accomplish anything, but I think it might in at least some cases. It shows bias, which is something that should be avoided.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    2. Re:you're position is absurd by NewYorkCountryLawyer · · Score: 1

      and yes, that is what the riaa is trying to do by using the word "pirate", and yes, they are wasting their time. so you want to be as hopeless and retarded as the riaa? the game the riaa is playing is stupid. you beat them by not playing their stupid game. stop trying to redefine words. they ebb and flow in meaning on their own, at the behest of popular culture, which no one controls. pure folly

      Wasting their time? The mainstream media uses the term regularly now. I think they've completely succeeded in their goal of redefining the term. It may be folly to try to resist that, but I'm really not convinced of it. Pointing it out to the media that they're using a loaded term may not always accomplish anything, but I think it might in at least some cases. It shows bias, which is something that should be avoided.

      Unfortunately you're right, Danse. The term 'piracy' always meant large scale, wholesale reproduction of exact copies for resale, as e.g. the people who run off copies in their basement. But the PR flacks from the RIAA and MPAA have succeeded in getting newspeople to use the term synonymously with 'copyright infringement' so that a person who downloads a copy of a p2p from a friend is all of a sudden a 'pirate'. (Which is why I'm a little suspicious of the "Pirate Party". Aren't they playing right into the MAFIAA's hands?)

      --
      Ray Beckerman +5 Insightful
  76. Re:first post by Anonymous Coward · · Score: 0

    As sad as it is to think of other humans as "property," the slaveholder had a property basis in his slaves since he had most likely bought them from the Northerners who had encouraged their enslavement and brought them here to be sold.

  77. The RIAA is Playing for Time by CodeBuster · · Score: 1

    The lawyers for the RIAA and their members probably took one look at the all-star defense witness list and immediately filed delaying motion(s) to reduce the chance that all of them, who are college professors and industry experts with busy schedules after all, would be able to reappear again on the delayed date. Or in other words, they (the RIAA) are simply trying to throw a wrench into scheduling machinery in the hopes that one or more of the all-star expert witnesses for the defense will have a scheduling conflict on the new date and be unable to appear. A cheap shot from the masters of the cheap shot...the RIAA. At what point does an annoying and vexatious accuser simply go away? There was a time, not so long ago after all, when being a persistent and annoying busybody got one into more trouble than it was worth.

  78. Mod parent up by spazdor · · Score: 1

    In the hold of a ship.

    --
    DRM: Terminator crops for your mind!
  79. right by circletimessquare · · Score: 1

    and you defeat terrorists with suicide bombs

    and you defeat rapists with sexual assault

    and you defeat bank robbrs by mugging them

    etc., etc...

    small hint: you don't defeat the riaa by playing their game, understand?

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  80. Re:first post by bob.appleyard · · Score: 1

    I like the bit at the top.

    This story or article is absolutely free to read!

    We hope you enjoy it, we certainly did. Now here's the rub. JBU pays professional rates for these stories, and in order to do that, we sell subscriptions and memberships in the Universe Club. If you liked the story, please

    1. Toss us a few bux-- Pay what you think it is worth via the paypal link, or
    2. Get yourself in line for lots more where this story came from, and subscribe or
    3. Join the Universe Club and help us make sure that there are more stories and authors in JBU for the future...while getting great swag and benefits that are only available to club members

    But no matter what you do, when you leave this page, please pass this URL on to your friends, so they can read this fantastic story, and have the chance of being part of Jim Baen's Universe.

    --
    How dare you be so modest!! You conceited bastard!!
  81. Re:first post by the_womble · · Score: 1

    If I may play Devil's Advocate for a second... Did the liquor salesmen deserve to lose their lively-hood during prohibition? Just because something is illegal does not make it wrong.

    I would say they did not deserve it. Prohibition was unwarranted government interference in people's lives.

    Of course it is possible for a liquor salesman to be evil in how they conduct their business, but it is not necessarily or fundamentally evil in the way slavery is.

  82. What happens if Tenenbaum loses? by Anonymous Coward · · Score: 0

    Guys,

    This is *the* case. The big guns are being brought out. I really hope Tenenbaum wins.

    But has anyone thought of the consequences of a loss? What will happen then?

    I can see dark days ahead if he loses ...

  83. Re:GPL etc. is copyright defending against copyrig by Ungrounded+Lightning · · Score: 2, Insightful

    I agree with you on what these copyrights cover.

    But if one copyrights the fixes or upgrades to a software work, it gives them standing to claim that an equivalent fix or upgrade infringes their copyright.

    Similarly, copyrighting a "compilation" of a set of otherwise free works - for instance, a Linux distribution - would give the holder of that copyright standing to claim that another, later, linux distribution was an infringing work derived from theirs.

    Even if the claim is provably bogus the ability to assert it in court, especially in combination with the draconian penalties for infringement in current copyright law, is a major burden on the targets of such claims.

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  84. I have a mental image.. by RichiH · · Score: 1

    ..of a few, large, hairy baboons entering the kennel and sniffing at the chimpanzees.

  85. Re: Piracy by Tiberius_Fel · · Score: 1

    Yes and no. One of the things that people have done over the years is attempt to "retake" words used against them as pejoratives. The best example that comes to mind is "Queer".

    --
    Join the Empire! http://www.empirereborn.net/
  86. Re:first post by WCD_Thor · · Score: 0

    Finally someone is going to take the RIAA's lawyers to trial. Maybe its happened before but all i hear about are cases where the defendant bows down before the RIAA and agrees to pay an ungodly sum of money for a few hundred/thousand songs. My self, I feel quite secure, because I only download tv shows, and there isn't really a huge coalition of huge companies going after people that Torrent a tv show, watch it, share it to a 1-1 ratio, and then delete it. Speaking of downloading torrents, does anyone know how to get passed a total block on torrent downloading? My school recently uped its torrent blocking, to where you can't download a .torrent file (but Demonoid.com allows one to download them as .txt files), but now when I start uTorrent my internet gets shut off for a few minutes. Anyone got any ideas how to get around this? I'm just a college student that wants to be able to watch tv, most of the shows I watch are network tv as well, and can't afford a TV. Also the school internet is so slow during the day that I can't stream even the low quallity shit they have out there, which is why I preferred torrents. Any help is welcome.

  87. Re:If they'd stop putting a bad taste in my mouth. by Weedlekin · · Score: 1

    "Most local bands here in Springfield have their own CDs, and sell them for five or ten bucks each."

    That's exactly what the big media companies sell them for _to dealers_, who then add their own mark-up to cover their operating costs and make a profit. In another piece of news that that will doubtless come as a shock to many Slashdotters, my own undercover investigations have revealed that Colgate and Nabisco don't get all the money that people pay to stores when they buy toothpaste or crunchy things in packets.

    --
    I'm not going to change your sheets again, Mr. Hastings.
  88. offtopic by Ginger+Unicorn · · Score: 1

    that's wierd i was listening to closer to the heart as i read your sig.

    --
    (1.21 gigawatts) / (88 miles per hour) = 30 757 874 newtons
  89. Sorry Charlie by OrangeTide · · Score: 1

    But Charlie the Tuna is StarKist. Chicken of the Sea has a mermaid on it.

    I can never decide if Charlie and the Mermaid would fight it out to the death like most ocean creatures, or if they would begin a forbidden embrace between two species of the sea that would otherwise be mortal enemies?

    Do merfolk eat tuna, just like dolphins, or are they peaceful people who eat kelp and plankton? Why do mermen carry a trident if they are peaceful, aren't weapons usually the development of hunter cultures. Perhaps it is equivalent to a pitch fork for farming great kelp fields?

    --
    “Common sense is not so common.” — Voltaire
  90. Re:GPL etc. is copyright defending against copyrig by cpt+kangarooski · · Score: 1

    But if one copyrights the fixes or upgrades to a software work, it gives them standing to claim that an equivalent fix or upgrade infringes their copyright.

    So?

    First, copyrights are not patents. If Alice rewrites an algorithm, and Bob also rewrites the same algorithm, Alice can't use copyrights to sue Bob, because copyrights apply to expressions, but not to actual methods or processes. And where there is only one, or are only a few ways to reasonably express a particular method, there cannot be a copyright, lest it effectively be a copyright on the method. Likewise, copyright only protects creative expression, which requires freedom of choice. This means that the copyright only applies to the literal expression of the software, as opposed to what it does, and only where there are quite a number of ways of doing it, which are genuine creative choices, and not dictated by external factors such as efficiency. Thus, a software work generally has a stronger copyright overall (there's lots of creative choices in writing a big, modern OS) than it does in any specific part (there's not so many creative choices when implementing an efficient sorting algorithm). Further, unlike with patents, copyright requires copying, i.e. the infringer being aware of the supposedly infringed-upon work and copying from it to create his own work. Independent creation of the same work does not give rise to copyright infringement. See e.g. the reverse engineering of the IBM BIOS to create IBM compatible computers, which are what most people use to this day. (Technically, clones were the computers that did use infringing copies of the original BIOS; they were more common before the RE had been done) It helps to use 'clean room' methods to ensure that no one can argue that you copied, but it's not strictly necessary.

    Second, even if there was no evidence whatsoever of infringement, and the whole thing was transparently bogus, there would still be standing. Bob could sue Alice with no evidence whatsoever, without an iota of truth in his accusation, and while the case would quickly be dismissed once Alice motions for it, she would have to make an appearance and actually do so. The requirements for standing are far below the requirements to win, because standing just means that you can start the judicial process in motion. I really don't see a problem, or a good solution if it is a problem, especially if you want to protect defendants against possibly dishonest plaintiffs, which doesn't harm honest defendants who actually have a case, but need to use the system to prove it. It's a side effect of an adversarial system, with discovery generally handled by the litigants.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  91. Even if Nesson's argument wins, culture may lose by jambarama · · Score: 1
    I know it is too late for anyone to see this, but so it goes. Even though I think Nesson is on the right side of the issue, I think he's got a hard row to hoe with his argument. And the results, if he wins, could be even worse. Let me explain.

    Nesson argues that the [act] is unconstitutional because it effectively lets a private group . . . carry out civil enforcement of a criminal law. Source.

    So why is it a criminal law rather than a civil law if it provides for 3rd party, rather than government enforcement?

    Nesson charges that the federal law is essentially a criminal statute in that it seeks to punish violators with minimum statutory penalties far in excess of actual damages. Source.

    So he's arguing that steep penalties convert civil law into criminal law based on the 5th and 8th Amendments. The 8th amendment argument will be based around excessive fines. Maybe a judge will look at the piracy "loss" figures, and realize they're garbage and buy the argument.

    Converting the statute into a criminal one will trigger the 5th amendment to ensure due process - meaning substantive rights for accused infringers. That'd be things like public defenders, a heavier burden of proof on the prosecution, and some other goodies. All of which are good.

    Perhaps it'll work. He is a brilliant law professor. Maybe he'll get an appellate court, or maybe even SCOTUS to go along with it. So lets say he wins and SCOTUS overturns the statutory damage statute. What will be the remedy congress comes up with?

    If Congress wants to do anything (and the lobbyists will make sure they do), Congress has two choices. Either reduce the fines to return to civil law OR put in place federal enforcement of copyright infringement. Any guesses which way congress will go? I've got one. Free federal enforcement for the RIAA, MPAA, BSA, and others - this time with all the power of the federal government.

    Yuck. Lets just hope federal prosecutors don't think charging a pimply faced youth with copying Star Wars is worth their time.

  92. Seltzer by drhamad · · Score: 1

    I had Wendy Seltzer for two classes (and an independent study I never really got around to finishing) in law school. Smart woman. Her blog is here, if anyone is interested. http://wendy.seltzer.org/blog/

    --
    -Daniel
  93. Re:If they'd stop putting a bad taste in my mouth. by mcgrew · · Score: 1

    I was looking for The Station just to test Yahoo's music search when it was new. I was disappointed that it returned only the tracks and CDs for sale, and didn't mention the stuff they've uploaded to archive.org.

    The CD cost just as much retail as they sell it for on stage. Dave told me they get 1000 CDs for $1000.00; that's the minimum number the factory will duplicate. The dollar includes the case, insert, and printing on the CD itself.

    If they can get CDs for a buck, BMI with its economy of scale should be able to get them for a quarter. And even if BMI is paying the same buck, that's nine bucks worth of profits to share with the retailer. A 900% markup ain't bad.

  94. Re:first post by againjj · · Score: 1

    I was actually trying to be a little humorous. You or I know before we do it that to scream "first post" is stupid. This person, on the other hand, didn't figure that out until he was down-modded. However, he did figure that out. In other words, he gained some insight. My response was intended to be tongue-in-cheek, which is the reason for my parenthetical comment, in case someone thought I was totally serious.

  95. Re:first post by mcgrew · · Score: 1

    It's a tough room!

  96. Re:first post by NewYorkCountryLawyer · · Score: 1

    It's a tough room!

    Tell me about it.

    --
    Ray Beckerman +5 Insightful
  97. Re:If they'd stop putting a bad taste in my mouth. by Weedlekin · · Score: 1

    "even if BMI is paying the same buck, that's nine bucks worth of profits to share with the retailer. A 900% markup ain't bad."

    This is once again typical Slashdot economics which equates the difference in production cost and retail price with with pure profit. Here are some factors you didn't take into account:

    1) The cost of producing the recordings that are on the disk, which involve rather more than just the studio time. These are paid from artist advances which are recouped from the artist's royalties, but those advances still have to be made.

    2) Cover designs, which aren't free.

    3) Promotion such as advertising, costs incurred by artists travelling to promotional interviews, getting stuff on radio and video playlists, posters and other display items for use in stores, etc.

    4) Bulk warehousing costs.

    5) Transport, packaging, etc.

    All of the above and various other sundry costs must be amortised from sales, hence the fact that the actual profit margin the "big four" make from each CD sale for a new release from a current popular artist is around 10% (there are various sources on the Internet which publish their figures because they're publicly traded companies). The profit margin goes up for back-catalogue and compilation sales where the production and promotional costs have already been recouped, but this sort of CD usually sells for a much lower price than new releases, and its rare for annual sales to be particularly high even with the small number of artists whose back catalogues can command the same sorts of prices as current stuff.

    Retailers also have a number of overheads which have to be deducted from their profit margins, hence the fact that the small outfits whose costs / unit sale are the highest tend to be the ones who've suffered most from the long-term sales downturn, with specialist chain stores being next on the list, and department stores / superstores coming last because CD / DVD sales are only a small part of their overall operation.

    --
    I'm not going to change your sheets again, Mr. Hastings.
  98. Re:If they'd stop putting a bad taste in my mouth. by mcgrew · · Score: 1

    All of these costs are there regardles sif it's BMI or a smal local band. The local small band also has to pay for studio time, cover design, etc. There is no reason that an EMI CD should cost more than a lacal band's CD. RIAA CDs are very, very overpriced.

    You do understand why WalMart is driving small locals out of buiness? Economy of scale. The record companies are like if Wal Mart charged three times what the mom and pop stores did, then sued people for not shopping at WalMart. "But we have all these costs because we're so big".

  99. Re:If they'd stop putting a bad taste in my mouth. by Weedlekin · · Score: 1

    "All of these costs are there regardles sif it's BMI or a smal local band."

    Balderdash. Small bands don't have anything approaching the promotional costs of a major release (if they did, they wouldn't be a small band); they have no warehousing costs because they keep their small number of CDs in their own homes; and they have no transport costs because they take their CDs with them to gigs.

    "The local small band also has to pay for studio time, cover design, etc."

    They pay small sums to a small local studio for small local results, and usually either design their own covers, or get a friend to do it for a pittance, which is why so many of their CDs look and sound poor, especially the drums, because small studios seldom have drum booths or "engineers" who know how to mic. drums properly. Another notably absent element is the session musicians and singers that not only solo artists, but also bands use on professional recordings.

    And the final absent element is of course the radio play, TV interviews, gigs in sold-out football stadiums, and the ability for the artists to live well off the proceeds of making music instead of having to finance everything themselves from a minimum-wage job. That's why the members of just about any of those local bands you cite would undergo major surgery without anaesthetic for a recording deal with one of the companies you claim are ripping us all off.

    "You do understand why WalMart is driving small locals out of buiness? Economy of scale."

    I suggest you check up on some facts before making simplistic statements like this, because there's _a lot_ more involved in the way Walmart achieve their low prices than economies of scale.

    "The record companies are like if Wal Mart charged three times what the mom and pop stores did, then sued people for not shopping at WalMart."

    More exaggerated hyperbolae:

    1) You've already said the majors charge $10 for a CD _including the dealer mark-up_, which is also what you also said at least some local bands charge for a direct sale _without a dealer mark-up_. $10 isn't three times as much as $10.

    2) None of the majors or their representative bodies has ever sued anyone for not buying their products, or attempted to coerce people into buying them in any way other than advertising or bribing radio stations to get their products on playlists.

    ""But we have all these costs because we're so big""

    Which is again something you've invented because it's easier to make stuff up than go to all the effort of looking up some facts.

    --
    I'm not going to change your sheets again, Mr. Hastings.
  100. Re:If they'd stop putting a bad taste in my mouth. by mcgrew · · Score: 1

    Small bands don't have anything approaching the promotional costs of a major release

    One word: Radiohead.

    they have no warehousing costs because they keep their small number of CDs in their own homes

    They pay rent or mortgage; that's warehousing costs.

    have no transport costs because they take their CDs with them to gigs

    That IS transport costs.

    They pay small sums to a small local studio for small local results, and usually either design their own covers, or get a friend to do it for a pittance, which is why so many of their CDs look and sound poor, especially the drums, because small studios seldom have drum booths or "engineers" who know how to mic. drums properly

    The locals here produce CDs that sound as good as, or in most cases better than, RIAA fare.

    Another notably absent element is the session musicians and singers that not only solo artists, but also bands use on professional recordings.

    Black Magic Johnson (a blues guy) sings, plays trumpet, and drums. the live shows have two white guys playing bass and guitar. Their CD Food For Thought is excellent. The Station has seven members, including Dave Littrell, who plays guitar, sax, clarinet, and several other instruments. Both their CDs are excellent, their first "All That Lies Between" is especially good. It surpasses ANYTHING I've seen the majors produce this century.

    None of the majors or their representative bodies has ever sued anyone for not buying their products

    You know that's bullshit. The RIAA lables have fired off hundreds of lawsuits against "pirates", who spend more money on music than anyone.

    The mammals (indies) are feasting on dinasaur eggs and the dinasaurs are making excuses. Transportation, studio, warehousing costs aren't their problem. It's the executives and lawyers and middlemen and the cocaine they snort and mansions they and their top tier of singers and rappers live in.

    The major labels are dying, and I for one will be glad to see them gone. They are leeches on the creative community, and more and more artists are starting to realize it.

  101. Re:If they'd stop putting a bad taste in my mouth. by Weedlekin · · Score: 1

    "One word: Radiohead."

    You're going to have to do better than this, because Radiohead signed a six album deal with EMI in 1992, and were heavily promoted by that label. They'd be complete unknowns without that promotion, as would Nine Inch Nails, who have followed Radiohead's lead in selling music from their own web site.

    A person who actually knew a bit about the industry (which isn't you) would of course have no trouble coming up with artists who actually achieved fame without having it bought for them by a major label. A well-known example is the Arctic Monkeys, whose fans used the likes of FaceBook and various file sharing networks to generate a significant amount of buzz about them. I won't bother going into any more detail here because feeding their name into Google will lead you to lots of info about them.

    "They pay rent or mortgage; that's warehousing costs."

    They'd pay that rent or mortgage irrespective of whether they store CDs in their homes or not, so it isn't anything remotely like industrial warehousing costs. I'm really finding it hard to see why you continue to write things that make you look like a total idiot.

    "The locals here produce CDs that sound as good as, or in most cases better than, RIAA fare."

    You must live in an utterly unique part of the world if your local studios can afford facilities and engineers to rival those of the ones used by major artists.

    "Black Magic Johnson (a blues guy)"

    Black Magic Johnson is a blues group, not a blues guy.

    "the live shows have two white guys playing bass and guitar."

    Who are both members of the group, not session musicians. I also fail to see how anything else you mention has any relevance whatsoever to my point about session musicians and singers on professional recordings, because entire orchestras and "big bands" use session people both in the studio and when playing live, and they have a lot more than seven members.

    "It surpasses ANYTHING I've seen the majors produce this century."

    I suggest you back up this claim by producing some evidence to prove that your opinions about music are objectively more correct than somebody randomly pulled off the street in any part of the world.

    "You know that's bullshit. The RIAA lables have fired off hundreds of lawsuits against "pirates", who spend more money on music than anyone."

    1) None of those lawsuits was brought for not buying products.
    2) Please provide some evidence for your assertion that non-commercial pirates _as a group_ spend more money on music than non-pirates _as a group_.

    "The mammals (indies) are feasting on dinasaur eggs and the dinasaurs are making excuses."

    Independent labels are being hit just as hard by the downturn in recorded music sales as anyone else, so this is more rubbish from a practised purveyor of rubbish.

    "It's the executives and lawyers and middlemen and the cocaine they snort and mansions they and their top tier of singers and rappers live in."

    Which you resent because you're doomed to be an eternal nobody who will never earn as much in a year as they spend in a day.

    "The major labels are dying, and I for one will be glad to see them gone."

    This is obvious, although your rhetoric reveals that your main reason for this boils down to seething envy.

    "They are leeches on the creative community, and more and more artists are starting to realize it."

    If this is the case, then how are "their top tier of singers and rappers" able to live in mansions?

    --
    I'm not going to change your sheets again, Mr. Hastings.