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George Riddick — the One-Man RIAA of Clip Art

An anonymous reader writes "Pages at ireport.com and extortionletterinfo.com have been documenting and researching the activities of George P. Riddick III, previously known for his lawsuits against IMSI and Xoom at the turn of the century. In 2007 he issued a largely-ignored press release claiming the majority of clip art online infringes a copyright and has ranted about how Microsoft and Google are stealing from him. In recent months, he's apparently made a business model of going after web site operators who were using clip art they believed to be legally licensed or public domain, telling them they're infringing clip art collections he hasn't offered commercially in years and making outrageous settlement demands. He seems to have tested the waters on this some years back, but emboldened by the passage of the PRO-IP act, he's gone aggro with it. A few dodgy anonyblogs had popped up to 'out' him as a copyright abuser, but these recent ireport.com and extortionletterinfo.com reports go much deeper in documenting and researching Riddick's recent one-man campaign to be the RIAA of clip art."

175 comments

  1. I've patented a method of trademarking a copyright by thomasdz · · Score: 3, Funny

    I'll make millions!

    --
    Karma: Excellent. 15 moderator points expire sometime.
  2. And they called it by Rosco+P.+Coltrane · · Score: 5, Funny

    "Pages at ireport.com and extortionletterinfo.com have been documenting and researching the activities of George P. Riddick III

    they call the document "the chronicles of riddick"

    *bad-dum-dah*

    I'll be here all week

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
    1. Re:And they called it by Anonymous Coward · · Score: 0

      maybe that document will be more interesting than the movie!

    2. Re:And they called it by Anonymous Coward · · Score: 0

      The game was fun though, for once.

    3. Re:And they called it by matang · · Score: 2, Funny

      the whole thing is riddickulous.

    4. Re:And they called it by DeskLazer · · Score: 1

      why riddickule us all with that statement?

    5. Re:And they called it by Adriax · · Score: 1

      cabin fever causes bad puns, riddickorating your home can help

      --
      I don't suffer from insanity, I enjoy every minute of it!
    6. Re:And they called it by MegaMahr · · Score: 3, Funny

      As a representative of Universal Pictures, a member in good standing with the MPAA, and owner of the copyright and trademark for the motion picture "The Chronicles of Riddick," I hereby demand that you pay a fine of $1 BILLION USD for willful, malicious, and deliberate copyright infringement.

      --
      788652 = 2 x 2 x 3 x 3 x 19 x 1153
    7. Re:And they called it by Anonymous Coward · · Score: 1, Informative

      Laughs, I just found a court case that dismissed his rights to some of the images already: http://caselaw.lp.findlaw.com/cgi-bin/getcase.pl?court=4th&navby=docket&no=021121p

      Sadly, it's this type of sue everyone for everything attitude that places the US in a bad light.

    8. Re:And they called it by Anonymous Coward · · Score: 0

      After inflation that's, what, a happy meal at McDonalds?

  3. Riddick.... by TheHawke · · Score: 1

    Time to sicc Toombs on his rump.

    No jail that serves waffle-eating pussies will be for him.

    --
    First rule of holes; When in one, stop digging.
    1. Re:Riddick.... by dasunst3r · · Score: 2, Funny

      And the Internet would be a better place if we get RID of this (insert last four letters of his name here).

    2. Re:Riddick.... by Anonymous Coward · · Score: 0

      Thanks for that nearly incomprehensible, yet oddly titillating image.

    3. Re:Riddick.... by Pope · · Score: 1

      Orge?

      --
      It doesn't mean much now, it's built for the future.
  4. Growing network of victims! by gravos · · Score: 4, Informative

    A very large and rapidly growing network of Riddick victims are organizing and sharing information. A large compilation of his threats and extortion tactics, which he tries to keep secret, are being assembled. You can find some here.

    1. Re:Growing network of victims! by Anonymous Coward · · Score: 0

      But... but... HE'S GONE AGGRO! How can we possibly fight back?!

    2. Re:Growing network of victims! by Anonymous Coward · · Score: 5, Funny

      the majority of clip art online infringes a copyright

      Notice, too, that he doesn't state outright that it infringes his copyright, only implies it.

      I wonder if he has a copyright on a single black pixel, and is trying to count everything else as a derivative work......

    3. Re:Growing network of victims! by cbiltcliffe · · Score: 1

      By going gartul?

      --
      "City hall" in German is "Rathaus" Kinda explains a few things......
    4. Re:Growing network of victims! by cbiltcliffe · · Score: 4, Insightful

      Yeah. I've found in my cynicism that when you're dealing with somebody with a vested or political interest in something like this, what they don't say is much more important than what they do say.

      --
      "City hall" in German is "Rathaus" Kinda explains a few things......
    5. Re:Growing network of victims! by cshark · · Score: 1

      Seems like bad economies spur this sort of thing. You'll recall Mcbride, or that company that claimed to own the shopping cart last time around.

      --

      This signature has Super Cow Powers

    6. Re:Growing network of victims! by clickety6 · · Score: 3, Funny

      Quick! Somebody copyright a single white pixel and save all the greyscale clipart at least!

      Alternatively, don't use any black pixels, just really really, really, really, really dark blue ones!

      --
      ----------------------------------- My Other Sig Is Hilarious -----------------------------------
    7. Re:Growing network of victims! by cyphercell · · Score: 1

      Hah, I'm off to patent a method for substituting very dark blue pixels in replacement of copyrighted black pixels.

      --
      Under the influence of Post-Cyberpunk Gonzo Journalism
    8. Re:Growing network of victims! by nacturation · · Score: 1

      Someone should create a chronicle of all these Riddick threats. Who knows... it might someday make a great movie too.

      And why am I not surprised that someone who insists on using such a pompous, bloated name has been accused of such tactics? Also see "Colin James III" who was the single most voted person for the "Kook of the Month" award years back:

      http://groups.google.com/group/alt.cyberspace/browse_thread/thread/4531d778be9f0bf9

      --
      Want to improve your Karma? Instead of "Post Anonymously", try the "Post Humously" option.
    9. Re:Growing network of victims! by dem0n1 · · Score: 1

      I see only one solution. Get real olde skuul and go all HUNTGATH on him.

      --
      Why save your soul when you can sell it for a profit?
    10. Re:Growing network of victims! by BikeHelmet · · Score: 1

      I wonder if he has a copyright on a single black pixel, and is trying to count everything else as a derivative work......

      No, that's me. Best $40 I ever spent! I'm going to sue all your asses for infringing on my 42 byte "blank.gif", containing a single black transparent pixel.

      And thanks to web.archive.org, I can track down millions of violators! I'm going to be rich!

    11. Re:Growing network of victims! by Gandalf_Greyhame · · Score: 1

      Someone should create a chronicle of all these Riddick threats. Who knows... it might someday make a great movie too.

      Yeah, and why don't we call it "The Chronicles of Riddick" and lets get Vin Diesel to play the lead role...

      --
      I am not stubborn. I am right!
  5. Use the web by neapolitan · · Score: 5, Informative

    Although the web makes this sort of thing possible, the same web will help to mitigate the damage. I'm very happy people post this thing for all to see.

    After reading all of these letters, I don't think that anybody would really take this guy seriously. He is running the equivalent of a modified 419 scam (pay us a little to prevent a big payout in the future.) The repeated requests for confidentiality should be a tipoff.

    Hopefully not too many small websites without proper legal counsel to advise them on this sort of thing have not been taken....

    --
    Slashdotter, ID #101. UIDs are in binary, right?
    1. Re:Use the web by dotancohen · · Score: 3, Informative

      Although the web makes this sort of thing possible, the same web will help to mitigate the damage.

      Riddick's thought of that. He's a domain squatter too:
      http://www.islandview2.com/index3A.htm

      Usually, when someone takes advantage of one facet of the World Wide Web, they take advantage of all of it.

      --
      It is dangerous to be right when the government is wrong.
    2. Re:Use the web by macraig · · Score: 1

      Why exactly has this been modded as Troll? Is Riddick or one of his minions haunting this discussion as a faceless anonymous moderator?

  6. How to call it by Anonymous Coward · · Score: 3, Funny

    Let's call it The chronic LES (Lawsuit Egocentric Syndrome) of Riddick

  7. Mr. Johns should have just killed the bastard by elrous0 · · Score: 1

    Never did trust him.

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
  8. Ahh, fair use by mlwmohawk · · Score: 4, Insightful

    make no mistake, this is an assault on "fair use" of work.

    The logos and art in question are not representing Google or Microsoft, they are mere representations of what was found on the external sites which are assumed to be displaying lawfully acquired content.

    Google and Microsoft are not the police or the courts. If you have a valid issue with their display of an image, issue a take down notice.

    1. Re:Ahh, fair use by Technician · · Score: 4, Insightful

      This is one of the first things I noticed when my SO was looking at sewing machines. We looked into the extra costs in doing embrodary and was appalled at the total lockdown of the artwork for any of the machines. It resulted in a simple no sale as the machines were unusable for any hobby applications as everything was tied up in royalties and legal risk.

      This is a field that could have had lots of interest, but due to greed and closed formats, etc, it appeals to very few.

      --
      The truth shall set you free!
    2. Re:Ahh, fair use by blincoln · · Score: 2, Interesting

      We looked into the extra costs in doing embrodary and was appalled at the total lockdown of the artwork for any of the machines.

      Is there no one who's hacked them yet? Home CNC paper-cutters which don't have built-in support for custom patterns have had third-party software published that lets you e.g. import SVGs.

      --
      "...always new atoms but always doing the same dance, remembering what the dance was yesterday." -Richard Feynman
    3. Re:Ahh, fair use by gnick · · Score: 4, Interesting

      Actually, this is an often under-noticed area of copyright infringement (It looks like actual illegal infringement to me, but IANAL). My mother has several CDs full of images that she uses to decorate shirts, blankets, etc for her grand-kids. They cost her ~$5 apiece and are filled with lovable Disney characters that have been copied out of movies or TV shows, interpretted into embroidery patters, burned in bulk to CD, and then sold. My mom, of course, uses the logic that, since she paid for the discs, there's no way that she could be doing anything wrong. I'm sure that Disney is aware of the situation and is frustrated that they can't suck the blood from these spinster pirates because of the bad PR involved with suing confused grandmothers. At least that's my take on it.

      --
      He's getting rather old, but he's a good mouse.
    4. Re:Ahh, fair use by mcgrew · · Score: 1

      No, it's due to the insane lengths of modern copyright. Why should copyright outlast a patent?

    5. Re:Ahh, fair use by Anonymous Coward · · Score: 1

      My guess is you've never actually seen the automatic sewing machines that do this, because if you did, you'd realize what a stupid fuck you sounded like just then. The point is that if you do "actually CREATE something" as you so shittily put it, you can only do it on proprietary tools that aren't cross-compatible across manufacturers.

      Being a copyright troll doesn't bother me. Being a stupid shit copyright troll does.

    6. Re:Ahh, fair use by Miseph · · Score: 1

      If anything, they'll go after the people selling the discs in the first place. Confused grandmothers are not known for their deep pockets.

      --
      Try not to take me more seriously than I take myself.
    7. Re:Ahh, fair use by Inda · · Score: 5, Funny

      Actually, I believe your Mom hangs out in alt.binaries.embroidery* and is in fact "Yenc-PP-A&A". The same "Yenc-PP-A&A" who posts countless music and movies.

      Your clever attempt at deflecting the pointing finger has failed.

      *(of course it exists!)

      --
      This post contains benzene, nitrosamines, formaldehyde and hydrogen cyanide.
    8. Re:Ahh, fair use by Amazing+Quantum+Man · · Score: 1

      The late Ed Foster talked about this on the [now defunct] Gripelog.

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    9. Re:Ahh, fair use by AliasMarlowe · · Score: 1

      Why should copyright outlast a patent?

      Good question. I've never seen or heard an answer to it.
      Twenty years protection at most, then into the public domain. That's long enough to allow inventors to profit from their inventions, and would be a tolerable term for copyright also.

      --
      Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    10. Re:Ahh, fair use by fyoder · · Score: 2, Insightful

      If anything, they'll go after the people selling the discs in the first place. Confused grandmothers are not known for their deep pockets.

      That wouldn't stop the RIAA. The Embroidery Inustry Association of America is obviously not made of the same stuff.

      --
      Loose lips lose spit.
    11. Re:Ahh, fair use by rueger · · Score: 2, Funny

      There have been charges and convictions on this one in the past. Disney polices their IP very stringently. As one Grandmother told me, "You don't fuck with the mouse."

    12. Re:Ahh, fair use by agrippa_cash · · Score: 1

      I agree that copyrights are too long, but ... A patent deprives the public of something that is useful. A copyright only deprives the public of something pleasureable (software excepted). There is a quote somewhere about invalid patents serving as scarecrows in the fields of innovation; I don't think the same can be said of copyright because I doubt people refrain from writing a story or song or game for fear of infringing the work of some obscure author.

    13. Re:Ahh, fair use by Anonymous Coward · · Score: 1, Insightful

      It is because the scope of protection offered by patent is significantly more than that offered by copyright.

      The justification being that because the rights it confers are limited it takes longer to make a reasonable profit.

      That said, I think the protections offered by both extend for too long a period.

    14. Re:Ahh, fair use by Stanislav_J · · Score: 2, Insightful

      I'm sure that Disney is aware of the situation and is frustrated that they can't suck the blood from these spinster pirates because of the bad PR involved with suing confused grandmothers.

      Never stopped the RIAA. Maybe that's why Disney is a thriving concern and the RIAA is in its death throes.

      --
      "Every great cause begins as a movement, becomes a business, and eventually degenerates into a racket." -- Eric Hoffer
    15. Re:Ahh, fair use by Anonymous Coward · · Score: 1, Insightful

      No, it's due to the insane lengths of modern copyright. Why should copyright outlast a patent?

      Shut up! If the right person hears you, they'll extend the length of patents!

    16. Re:Ahh, fair use by interiot · · Score: 2, Interesting

      Right, so you've established that copyright protects things that are less useful. So why do copyrights deserve more incentives than patents again?

    17. Re:Ahh, fair use by wiredlogic · · Score: 1

      There are third-party applications (Embird and Drawings) that can import vector art and export to many proprietary stitch formats.

      Corel used to own Drawings and had a free plugin for CorelDraw that lets you get a preview bitmap of stitches derived from a vector drawing. I don't know if it is available for the latest verson though.

      --
      I am becoming gerund, destroyer of verbs.
    18. Re:Ahh, fair use by Keen+Anthony · · Score: 3, Interesting

      Maybe Disney would still go after the buyers of those discs anyway. There's probably not much parity in the example I'm about to give, but I remember many years ago that Disney went after several independently owned daycare centers and home daycare businesses which used depictions of Disney characters on walls. Sometimes these depictions were painted, but often the depictions were vinyl or wooden cut-outs presumably purchased from a source licensed to use the images.

    19. Re:Ahh, fair use by Anonymous Coward · · Score: 0

      My take about that is that long ago Micky Mouse became the property of the people aka public domain. Disney's ability to continue extending copyright was wrong in the first place. Look at how Disney has virtually crushed Micky and friends cartoons to a shameful version of what it was. If it was public domain we'd have wondrous Micky movies now. Yea there would be some bad ones too but those get known and thoroughly trashed. Look at all the bad versions of "Dracula" for example and some of the good ones have been those that deviated from the actual book even.

    20. Re:Ahh, fair use by ConceptJunkie · · Score: 1

      So why do copyrights deserve more incentives than patents again?

      Because that right was bought from Congress. This is the U.S.A., you must be new here.

      --
      You are in a maze of twisty little passages, all alike.
    21. Re:Ahh, fair use by mcgrew · · Score: 1

      A Brief History of Time isn't useful? I'd personally rather have art and no inventions than inventions and no art.

      The whole purpose of patents and copyrights (as stated in the US Constitution) is to promote the useful arts and sciences. Like science and engineering draws from past inventions and discoveries, all art also draws from past art. Were copyright lengths as insane when Disney made Pinnochio as they are now, it could not have been made. If patent lengths were as insanely long as copyright lengths, there would be little technological progress.

  9. Professional Indemnity Insurance by alansingfield · · Score: 4, Interesting

    In the UK, it is highly advisable for any business to take out Professional Indemnity Insurance. This covers this type of eventuality - and faced with a professional legal opponent these type of people will invariably back down.

    1. Re:Professional Indemnity Insurance by slashkitty · · Score: 1

      Isn't this making matters worse? If any insurance companies are paying him to settle, it only gives him more ammo to fight more battles.

      --
      -- these are only opinions and they might not be mine.
    2. Re:Professional Indemnity Insurance by Anonymous Coward · · Score: 0

      Wow yet another way of extorting money from people.

    3. Re:Professional Indemnity Insurance by Nick+Ives · · Score: 1

      Read the GP again:

      faced with a professional legal opponent these type of people will invariably back down.

      Insurance companies love taking money as much as they hate paying it out; they know better than to feed litigious trolls.

      --
      Nick
  10. Even stupider... by FlyingSquidStudios · · Score: 4, Informative

    Riddick's designs are so simple and generic that they could easily have been drawn (or typed) by someone else from scratch without ever having seen Riddick's version.

    1. Re:Even stupider... by Simon+Brooke · · Score: 4, Interesting

      Riddick's designs are so simple and generic that they could easily have been drawn (or typed) by someone else from scratch without ever having seen Riddick's version.

      It's also highly likely that versions of at least some of them were around before Mr Riddick's businesses claim to have 'designed' them. In the early days of graphical computing clip art got copied around even more than it does now. In this case if someone had authentic prior art, and could demonstrate it, they could sue Mr Riddick for copyright infringement, which would be deeply sweet.

      If you were producing graphics on a computer before about 1986, it could be well worth scanning your collection for images which match any of the disputed images...

      --
      I'm old enough to remember when discussions on Slashdot were well informed.
    2. Re:Even stupider... by neumayr · · Score: 1

      Isn't that kind of the point of clipart?
      That, and being so ugly that people who actually use it deserve getting sued.

      --
      Truth arises more readily from error than from confusion. -Francis Bacon
    3. Re:Even stupider... by FlyingSquidStudios · · Score: 3, Interesting

      Oh, I don't know... I can think of a few pretty brilliant uses of clip art...

    4. Re:Even stupider... by SpacePunk · · Score: 1

      The hand graphic could have been copied out of any Beagle Bros. book, or even the math book that came with my old TI calculator.

    5. Re:Even stupider... by Twinbee · · Score: 2, Interesting

      Not too keen on their RIAA-style tactics, but his other artwork is more detailed and colorful if you look. Example: http://www.imageline2.com/pages/ipics2_AnmalTOONS.htm

      --
      Why OpalCalc is the best Windows calc
    6. Re:Even stupider... by abigsmurf · · Score: 1

      There's a difference between 'looks like' and 'is'. Most notably in terms of fonts where using copyrighted fonts, even for 'generic' looking fonts can easily land you on the receiving end of a lawsuit.

      Given that vector Clip Art shares a lot of parallels to fonts, why should they be different?

    7. Re:Even stupider... by Sfing_ter · · Score: 1

      Does he have this image copyrighted?
      Bird

      I believe I have proof of Prior Art !!!

      --
      A computer once beat me at chess, but it was no match for me at kick boxing. Emo Philips
    8. Re:Even stupider... by Anonymous Coward · · Score: 0

      Almost all Clip Art anywhere is so generic that it should not be copyrightable.

      Creators of Clip Art should only expect a one-off payment for their work when it is actually produced/commissioned and not try and push their way into the IP schemes of films and music for what generally is a derivative and non creative piece of work.

      If they were to charge enough up-front then they shouldn't care what happens to the images afterwards, but they are simply getting greedy and overestimating what their product is worth.

  11. Taking credit for clip-art, and not clippy? by Useful+Wheat · · Score: 4, Funny

    Is there any way he could take credit for Clippy the dancing paperclip? I think most of us would enjoy it if he was made illegal to install on new computers.

    1. Re:Taking credit for clip-art, and not clippy? by ubrgeek · · Score: 4, Funny

      "I see you are writing a pointless lawsuit. Would you like help with that?"

      --
      Bark less. Wag more.
    2. Re:Taking credit for clip-art, and not clippy? by DarKnyht · · Score: 1

      Yes, please use SCO vs. IBM template as the basis of the lawsuit, but with pretty embroidery and a shrubbery on it.

      --
      Voting them all out of office, now that's change I can believe in.
    3. Re:Taking credit for clip-art, and not clippy? by CodeBuster · · Score: 1

      There are five (5) templates for "frivolous lawsuit" available online, would you like to download and use a template instead?

    4. Re:Taking credit for clip-art, and not clippy? by Tubal-Cain · · Score: 1

      Is there any way he could take credit for Clippy the dancing paperclip?

      He is smart enough to realize that he won't enjoy the money very long before the assassination.

  12. let me be the first to say... by binaryseraph · · Score: 0, Troll

    What a douche bag. Our economy is falling apart, our courts should be handling more sinister crimes like rape/murder and this guy is off law suiting away (yes, I know the courts are different for copywrite vs. criminal acts- thank you for pointing that out wannabelawyers on slashdot) on some "oh i'm the victim, the internet is against me" crusade.

    1. Re:let me be the first to say... by Anonymous Coward · · Score: 1, Informative

      What a douche bag. Our economy is falling apart, our courts should be handling more sinister crimes like rape/murder and this guy is off law suiting away

      Just so you know, the courts are different for copyright vs. criminal acts.

    2. Re:let me be the first to say... by gnick · · Score: 1

      Our economy is falling apart, our courts should be handling more sinister crimes like rape/murder and this guy is off law suiting away (yes, I know the courts are different for copywrite vs. criminal acts- thank you for pointing that out wannabelawyers on slashdot)

      Actually, murder can wind up in civil court - OJ was cleared of criminal murder, but found liable for his wife's death in the civil case IIRC. Dunno about rape, but I'd suspect it's the same case.

      IANAL. IAAWL.

      BTW, what courts handle copywriting? I didn't even know it was illegal...

      --
      He's getting rather old, but he's a good mouse.
    3. Re:let me be the first to say... by Anonymous Coward · · Score: 0

      Rape does indeed go to civil court. That is where "mental anguish" and stuff are transformed into $$ for the victims. Some women have been known to make a business out of it...

  13. What's the problem? by HEbGb · · Score: 1, Insightful

    If this guy really owned the clipart, and they are being used commercially without permission, then he has every right to go after any involved party. Obviously they can then choose to settle, if under reasonable terms, or just remove the damn clipart.

    I really don't see what's so evil about this guy. *As long as he can prove his assertions.*

    [ Notice how slashdot folks rail against people who steal personal videos, photos, artwork, etc. for commercial use... ]

    1. Re:What's the problem? by SpacePunk · · Score: 2, Insightful

      What's to stop him from copying an image, placing it on his site, then claiming he owns the image? He'd be hard pressed to prove he owned the image to begin with.

    2. Re:What's the problem? by dornbos · · Score: 3, Interesting
      I worked for George back in the mid-80s as he was shifting the sales of his clip art library from large corporate Videoshow users (General Parametrics) to the emerging desktop publishing market.

      He had illustrators and computer artists on staff generating clip art from scratch. He paid our wages at times when I know he wasn't keeping up with his own personal bills. (banker in the front lobby waiting to collect a mortgage check)

      If there are other matching images out there for free - great, the copyright shouldn't apply and the folks that originally sold those images for use should have an easy time defending themselves. And there really are boatloads of public domain clipart out there. On the other hand, if they can't point to a free source for that image - then they outta be ready to repay George for the all that he invested in creating that image.

      It's not the end-user embroidery shop that's the problem - they're being legit, buying rights to use artwork from the real scumbags here - the folks that are grabbing art libraries from whatever source they can find and putting them up for sale as if they own them.

    3. Re:What's the problem? by cdrguru · · Score: 1, Interesting

      Sorry, George. This is the Internet age now. If it isn't nailed down nothing in the world will keep people from stealing it. And then making use of it however they see fit. This is part of the new bargain we are striking with people everywhere - creativity is now a "mashup" or a "remix" of older works because it is impossible to create anything new - it has all been done before. Therefore, there are no legal rights to anything.

      It also means that if I can take something, I can sell it. If you are stupid enough to buy it from me rather than just taking your own free copy, you are the loser. Trying to involve the courts simply means that you don't understand the Internet. Of course, the courts don't either.

    4. Re:What's the problem? by whoever57 · · Score: 2, Informative

      If this guy really owned the clipart, and they are being used commercially without permission,

      Imageline, Inc registered copyrights on clipart in 1996. The copyright office's search page does not display the actual subject matter of the copyright registrations, so it is hard to tell if the claimed images were in that collection.

      --
      The real "Libtards" are the Libertarians!
    5. Re:What's the problem? by Saint+Fnordius · · Score: 5, Interesting

      (Umm, you just triggered my "astroturf" alert. This is the only comment Slashdot has you on record for, so I can't get a grasp of whether you are real or not.)

      Your argument is wrong in that it tries to place a burden of proof on every amateur website out there, something that is silly. Cliparts from the Eighties have changed hands many, many times; disks sold at garage sales and copy/paste make it impossible for a hobby webmaster to keep records. If we were to use your metric, then almost all of the web would be easy prey to copyright lawsuits.

      No, I have to disagree with you there, Mister Former Riddick Employee. If someone is actually selling cliparts, well, OK. That's worthy of legal action. But merely using a picture and not remembering if you bought it or not? Please. You may as well accuse me of shoplifting because I can't produce the receipt for the jeans on me arse.

    6. Re:What's the problem? by Mr.+Underbridge · · Score: 2, Interesting

      Your argument is wrong in that it tries to place a burden of proof on every amateur website out there, something that is silly. Cliparts from the Eighties have changed hands many, many times; disks sold at garage sales and copy/paste make it impossible for a hobby webmaster to keep records.

      That's not a real solid defense. I would say not to use discs sold at garage sales if you're running a professional operation. Using an image when you have no idea who the rightholder is would be a bad idea.

      No, I have to disagree with you there, Mister Former Riddick Employee. If someone is actually selling cliparts, well, OK. That's worthy of legal action. But merely using a picture and not remembering if you bought it or not? Please. You may as well accuse me of shoplifting because I can't produce the receipt for the jeans on me arse.

      That mixes the notion of copyright (where images can be duplicated) with actual objects that can't. But, just for fun let's say I can prove only I make/sell those jeans. Well, if I know I'm the only one who sells the jeans, and I didn't sell you the jeans, and you're wearing the jeans...

      ...Then yeah, you either stole the jeans or are in receipt of stolen property. Just like in the current scenario.

      Now, if it were me I'd send a C&D to people who are using the stuff before actually pursuing litigation, because it is kind of a d*ck move to demand money. But from a legal standpoint, I do believe he has the right to do what he's doing, though I'm most certainly not a lawyer.

    7. Re:What's the problem? by dornbos · · Score: 3, Informative

      (Umm, you just triggered my "astroturf" alert. This is the only comment Slashdot has you on record for, so I can't get a grasp of whether you are real or not.)

      I realize there's a required minimum number of posts before becoming real - for the moment, I can only aspire to be real with post #2 here.

      I just wanted to stick my nose into the conversation to vouch for the effort that I know firsthand George put in to creating the image libraries that he sells in various forms.

      From reading tfa & links, I got the impression that the individual embroidery sites were doing the right thing and pointing back to the vendor(s) where they purchased the artwork. To me, they're off the hook at that point. I wasn't always wild about the licensing agreements that were used with the clipart libraries & I don't support blanket scare tactics to weasel money from mom-n-pop embroidery shops, but I do think whoever is collecting the money for use of the clipart libraries ought to hand some portion of it over George.

    8. Re:What's the problem? by Amazing+Quantum+Man · · Score: 1

      But, just for fun let's say I can prove only I make/sell those jeans. Well, if I know I'm the only one who sells the jeans, and I didn't sell you the jeans, and you're wearing the jeans... ...Then yeah, you either stole the jeans or are in receipt of stolen property. Just like in the current scenario.

      Or he bought them from your client who resold them.

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    9. Re:What's the problem? by Slashcrap · · Score: 0, Troll

      From reading tfa & links, I got the impression that the individual embroidery sites were doing the right thing and pointing back to the vendor(s) where they purchased the artwork. To me, they're off the hook at that point. I wasn't always wild about the licensing agreements that were used with the clipart libraries & I don't support blanket scare tactics to weasel money from mom-n-pop embroidery shops, but I do think whoever is collecting the money for use of the clipart libraries ought to hand some portion of it over George.

      Yes, I also have no personal stake in the matter but nonetheless feel obliged to stick my head above the parapet and put on the public record my unbiased opinion, namely that you need to suck the very fattest part of my asshole.

    10. Re:What's the problem? by Mr.+Underbridge · · Score: 1

      Or he bought them from your client who resold them.

      That's where the "comparing physical objects to copyright" thing breaks down. In this case, I'm guessing he didn't provide relicensing rights to his customers. Certainly if he did, that would be a defense.

    11. Re:What's the problem? by cthulu_mt · · Score: 1

      Medical analysis seems to indicate that your entire body is made out of asshole but the head is particularly dense.

      --
      Virginia is for lovers. EVE is for griefers.
    12. Re:What's the problem? by Anonymous Coward · · Score: 0

      Oddly enough as another artist who has been ripped off by internet using freaks like you, I think you could suck mine! And then die, yes that would be quite nice. Perhaps a few parasites, as well.

    13. Re:What's the problem? by Magic5Ball · · Score: 1

      Even if he didn't provide relicensing rights, companies and assets can change ownership through restructuring, M+A, court settlements, etc. in ways which may not be limitable through commercial license agreements.

      --
      There are 1.1... kinds of people.
    14. Re:What's the problem? by deets101 · · Score: 4, Funny

      I realize there's a required minimum number of posts before becoming real - for the moment, I can only aspire to be real with post #2 here.

      There is also a 2 car analogy minimum.

      --

      --
      My parents went to Slashdot and all I got was this lousy sig.
    15. Re:What's the problem? by NeutronCowboy · · Score: 1

      I just wanted to stick my nose into the conversation to vouch for the effort that I know firsthand George put in to creating the image libraries that he sells in various forms.

      The problem is that it doesn't matter that George put a lot of work into creating his stuff. Instead, what matters is that he is trying to claim copyright on stuff that is so generic as to be impossible to work around. A hand pointing? A crown? I've seen those around long before George. I'm sure he has clip-art for arrows, and buildings, and all kinds of generic shit that everybody who ever drew a symbol has pretty much drawn before.

      My beef with George is that he doesn't care that his stuff isn't unique or even difficult in any sense of the word. He was merely the first to copyright stuff that has been around for a while without copyright, and now wants to extort money from everybody.

      Mind you, it's a valid business plan, but it also makes him a money grubbing asshole.

      --
      Those who can, do. Those who can't, sue.
    16. Re:What's the problem? by perryizgr8 · · Score: 1

      creativity is now a "mashup" or a "remix" of older works because it is impossible to create anything new - it has all been done before.

      that's a really huge thing to say, my dear sir!

      --
      Wealth is the gift that keeps on giving.
    17. Re:What's the problem? by John+Hasler · · Score: 1

      > On the other hand, if they can't point to a free source for that image - then they outta
      > be ready to repay George for the all that he invested in creating that image.

      First he must prove that he owns the copyright in that image.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
    18. Re:What's the problem? by Mr.+Underbridge · · Score: 1

      Even if he didn't provide relicensing rights, companies and assets can change ownership through restructuring, M+A, court settlements, etc. in ways which may not be limitable through commercial license agreements.

      All of which would be extremely easy to document. Certainly "we acquired your client" should quickly end the conversation.

    19. Re:What's the problem? by mikael_j · · Score: 3, Insightful

      But, just for fun let's say I can prove only I make/sell those jeans. Well, if I know I'm the only one who sells the jeans, and I didn't sell you the jeans, and you're wearing the jeans... ...Then yeah, you either stole the jeans or are in receipt of stolen property. Just like in the current scenario.

      To make this about clipart again (since physical items aren't the same as data on a disk), let's say I can't remember where I got the clipart from, but I'm reasonably sure I got it from a backup of an original disk (that had been destroyed) that a friend of mine gave to me because he no longer had any use for it, and he bought the original disk from some guy ages ago, doesn't remember who this was and that person most likely doesn't have a receipt anymore? Would you say it's a clear-cut "YUO STOEL FROM ME!!!111" situation then?

      Because that sounds a lot like what's going on, and to take it to the jeans analogy: I got a pair of jeans from a friend of mine, he got them from some guy in his dorm who most likely bought them years ago and now a Levi's just sent me a threatening letter telling me that I've been spotted wearing a pair of their jeans in public and that they have no record of ever selling me a pair of their jeans. Does that sound even remotely sane?

      /Mikael

      --
      Greylisting is to SMTP as NAT is to IPv4
    20. Re:What's the problem? by illegalcortex · · Score: 1

      You're basically proposing we go off the honor system. We might as well scrap the entire copyright system in that case. Not that I'd be opposed to that. But I do understand that you can't have copyright and just trust someone when they say they bought it at some point.

    21. Re:What's the problem? by Anonymous Coward · · Score: 0

      And what is your suggestion? Random "inspections" by jackbooted thugs employed by various rights-holders?

    22. Re:What's the problem? by illegalcortex · · Score: 1

      Nice strawman you got there.

      I'd say the system we have now (and have had for quite some time). If a copyright holder observes their copyrighted material being used, they ask the person in question to show ownership.

      The main issue I have with the current system is on the value of the penalties imposed.

      So, what is your suggestion? No copyrights at all?

      Turns out two can play the strawman game.

    23. Re:What's the problem? by _Sprocket_ · · Score: 2, Interesting

      If this guy really owned the clipart, and they are being used commercially without permission, then he has every right to go after any involved party. Obviously they can then choose to settle, if under reasonable terms, or just remove the damn clipart.

      I really don't see what's so evil about this guy. *As long as he can prove his assertions.*

      It strikes me that there are a few issues going on. First there's the question over whether the guy really does own the copyright to these images. It should be the fundamental question and the ultimate focus of the issue. But a lot of attention is being drawn elsewhere; by the guy (George Riddick) himself.

      He's made grandiose claims that search engines are to blame. Either he really believes search engines are to blame or he's using the big names behind those search engines to gain attention.

      His letters to individuals employ numerous methods often also employed by con-men. They request / demand confidentiality. They are hostile and threatening in nature. They seek to uncover information that one wouldn't normally be interested in providing to a hostile party. They induce an artificial sense of urgency. They attempt to induce costs and complexity. And they are ultimately light on detail of the matter at hand - the actual copyright infringement.

      That's not to say that any of this negates a real legal claim. But the showmanship is distracting. The more someone waves their hand around, the more attention you should pay to what it is they're hiding.

    24. Re:What's the problem? by Dogtanian · · Score: 1

      (Umm, you just triggered my "astroturf" alert. This is the only comment Slashdot has you on record for, so I can't get a grasp of whether you are real or not.)

      I realize there's a required minimum number of posts before becoming real - for the moment, I can only aspire to be real with post #2 here.

      Yet oddly, despite having just posted your first comment, your user ID number is in the 800k range. IIRC we're up to about 1.2M now, so your account itself must at least a year old, if not two or three.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    25. Re:What's the problem? by Dogtanian · · Score: 1

      This is the Internet age now. If it isn't nailed down nothing in the world will keep people from stealing it. And then making use of it however they see fit. This is part of the new bargain we are striking with people everywhere - creativity is now a "mashup" or a "remix" of older works because it is impossible to create anything new - it has all been done before.

      Puh-leez! I don't mind agreeing that there's rarely if ever anything entirely new under the sun, but claiming that it's all been done and there's nothing left but mashups seems to be pandering to a defeatist and lazy attitude. The fact that the Internet and computer technology has made it *easier* to engage in such manipulation of existing material seems to have blinded our (or rather your) mind to the idea that anything new is possible.

      Yes, there are some great mashups and great "remixes" work that quality as new works in their own right. However, I'm not buying that we can't create anything new- the prominence and popularity of mashup culture is because in the Internet age it's an easy way for the mainly lazy and mostly untalented masses (as it has always been) to create something interesting without too much effort and investment of their own.

      I don't buy for a second that someone with real talent couldn't come along and create something way more creative and original if they were determined to, but it won't be someone who does it simply to have something cool to upload to YouTube; it'll be someone who has real passion and creativity.

      FWIW, I'm waiting for the tools that will give people the ability to twist media from *any* source into what they want, truly taking 80s-inspired sampling beyond its roots and into the potential for true originality. In some ways such tools are already here- perhaps we just need to use them more creatively.

      Even if they let people do this, it'll still require some talent to exploit those tools well and create something original with them. If you don't believe me, consider a pre-existing medium which- laws imposed by society aside- has no restrictions on what you can put in it beyond your own creativity and skill. Yet the vast majority of people do not create great literature.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    26. Re:What's the problem? by Keen+Anthony · · Score: 1

      I read a few posts from George Riddick, III is an Ass! A couple of statements stood out, namely: his collection of bitmap clip art is vastly out-dated crap that no one in their right mind apart from the odd backwater church community or primary school would ever nowadays use. and George, you are not losing out because of piracy. You're losing out because no one wants to buy your rubbish drawings any more, get over it! and stop pestering everyone and wasting people's time with your petty and hate-fuelled quest.

      Personally, I've always despised clip art. If even 10% of the clip art in the world were to disappear as a result of Riddick's efforts, I would do a little irish jig. However, it seems that the thesis to blogs like this is that Riddick is bitter at being a forgotten part of computing culture, and that he is predatory not just litigious; going after "weak and defenseless" people. Moreover, he's committing the cardinal sin in computer culture of holding on viciously to "out-dated" dead technologies and accomplishments which have no value in the modern world except as nostalgia. Since we live in a world of sub-$100 300 dpi+ color inkjet printers, WYSISYG desktop publishing, and vector graphics freeware/shareware; Riddick going after clip art users is maybe like Thom Henderson going after people for using ZIP... okay, maybe that's a stretch?

      As you said, if he can prove his assertions, he's definitely within his rights. He isn't *obligated* to release his old work into public domain, and he shouldn't have his work forced into PD. And of course, he has a right to be a total dick in life (if he indeed is). He is however seeking huge damages from shallow pocket, ordinary people who have come to rely on clip art being, at the very least, 2 cent art pieces, if not public domain. Basically, his copyrights appear to be totally diluted. Just to be fair to him, another Slashdotter has pointed out that he worked with Riddick and Riddick was an honorable employer. If he is "evil", maybe it's cause of who he's going after. I am a little sympathetic to the guy, but personally, I'm for freeing up old technologies.

      Additionally, there are counter accusations that some of Riddick's work which he claims infringement upon are actually trademark violations in themselves (national flags, UN emblem, depictions of the Sydney Opera House, etc.)

    27. Re:What's the problem? by dornbos · · Score: 1

      Yet oddly, despite having just posted your first comment, your user ID number is in the 800k range. IIRC we're up to about 1.2M now, so your account itself must at least a year old, if not two or three.

      Very astute observation. It's sort of like buying a new car, then getting so busy with other things that you don't have time to drive it. When you do get a chance to try it out years later, it looks two years old to the rest of the world, but still feels brand new to you. Still pretty sweet to be driving around in.

      (mark me down for one gratuitous car analogy) re: http://slashdot.org/comments.pl?sid=1147375&cid=27051659>

    28. Re:What's the problem? by Anonymous Coward · · Score: 0

      yes yes, you were all ripped off, and you would have trillions of dollars in sales if not for the internet freaks. of course no one would know who the heck you were in the first place.

    29. Re:What's the problem? by Saint+Fnordius · · Score: 1

      That is why I said that, since I'm most likely not the only one. Too many companies have tried to fake grassroots support, so much so that most readers become jaded. I wanted to give you a chance to allay my doubts (and the doubts of those like me).

      Yes, I agree with you there: it's the issue of someone selling clipart as their own that should be persecuted, not those using clipart in good faith. Unfortunately, Mr. Riddick's letters poison the atmosphere and make an amicable agreement almost impossible.

    30. Re:What's the problem? by Saint+Fnordius · · Score: 1

      You must have missed the word "hobby" in there. Consider the case of someone with an embroidery business, who has the cliparts built in to the machine. They are most likely not even aware that the images were licensed from Company X, only that they are available. Now this little embroidery shop thinks it would be neat to show prospective customers what motives are available on a web page, and makes a page with a bunch of GIF images that look like what the machine can do. Would you sue that person?

      Returning to my jeans analogy, the point is that I have no way to prove to you that I purchased them, since I got them at a garage sale. Even though you are the sole supplier of these jeans, you cannot prevent people from selling them on eBay or at garage sales. Even if they were counterfeits made in some sweat shop, it would be unwise for you to accuse me of stealing them (though in the EU big brands have pushed legislation through that punishes someone who buys a fake brand more than if they had bought stolen goods...go figure).

    31. Re:What's the problem? by againjj · · Score: 1

      No, I have to disagree with you there, Mister Former Riddick Employee. If someone is actually selling cliparts, well, OK. That's worthy of legal action. But merely using a picture and not remembering if you bought it or not? Please. You may as well accuse me of shoplifting because I can't produce the receipt for the jeans on me arse.

      That mixes the notion of copyright (where images can be duplicated) with actual objects that can't. But, just for fun let's say I can prove only I make/sell those jeans. Well, if I know I'm the only one who sells the jeans, and I didn't sell you the jeans, and you're wearing the jeans...

      ...Then yeah, you either stole the jeans or are in receipt of stolen property. Just like in the current scenario.

      Or you sold the jeans to someone that then resold them to me.... First sale doctrine, anyone?

  14. What a joke. by Loadmaster · · Score: 5, Informative

    The letters at extortionletter.info are hilarious. As Walter would say, "Fucking amateur! George Riddick you're out of your element."

    One of my fav lines:

    "I would be happy to send you a rough draft copy of our standard Settlement and Release Agreement, which we have used over 100 times over the past few years (unfortunately)."

    Is it really a "rough draft" if you are using it?

    Or how about:

    We are very disappointed that you have chosen litigation for you, your family, your business partners, your distributors (i.e. XXXXXXXXX), and your end user customers. The amount of money spent bringing all of these people and companies to court is going to be enormous. But since our designs are all registered with the U.S. Copyright Office, you will end up paying every dime of these legal expenses on all sides, in addition to all infringement and DMCA (Section 1202) penalties as well. These penalties could easily exceed $35,000 per design infringed. What a shame!

    What a shame? What a dick! and what's an "end user customer?" Isn't an end user a customer? I love the fact in his letters he always "hopes to keep this confidential." That always works when the internet is involved.

    fucking lamer.

    1. Re:What a joke. by Red+Flayer · · Score: 2, Insightful

      I love the fact in his letters he always "hopes to keep this confidential." That always works when the internet is involved.

      I think you may misunderstand the reason he writes that he "hopes to keep this confidential".

      It's not about protecting himslef, it's part of the threat package: "Pay me now or spend a fortune paying me later... oh, and by the way... nice reputation you have there. It would be a shame if anything *happened* to it."

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
  15. But can he see clipart in the dark? by Glowing-Wind · · Score: 1

    -Insert Chronicles of Riddick Clipart Here-

    --


    "I drank what?" -Socrates
    "I have never let my schooling interfere with my education." -Mark Twain
  16. The obligatory joke... by Timosch · · Score: 1, Redundant

    That's simply riddickulous!

  17. The man is an expert on the subject by Teun · · Score: 0, Offtopic
    Just look at his name: "George P. Riddick, III, the founder and CEO of Imageline." This means his name is the third copy of the original!

    Because his family clearly lacs the fantasy to find an original name for their kids it wouldn't surprise me they've also failed to pay the dues on this now illegal name.

    --
    "The likes of Facebook and WhatsApp are free to those whose privacy is of zero value."
  18. re:Riddick. by SeijakuShin · · Score: 1

    Part of me wishes I were in a position to be contacted by Mr Riddick, there are a couple of things I would want to ask him namely if browsing the internet and making bullyboy threats is a good business model and secondly if he has ever actually sued anyone successfully.

    Having been through various sites since reading this entry I see sort of a pattern, a cohort of his emails the victim and sets herself up as a friendly warning, Mr Riddick comes along and makes threats to which our new friend suggest we pay up to, it's obviously a scam and you'll notice every dated email from the past 14 months mention how he has just got a new legal team etc etc.

    I feel sorry for the people who take him seriously.

  19. A Neutral Observation by illegalcortex · · Score: 4, Insightful

    claiming the majority of clip art online infringes a copyright

    I'm actually fairly willing to believe this.

    Of course, that's not the same as proving that HIS clip-art is being used at all the sites he sues. If it is, then I'd find it hard to actually get mad at him.

    Did anyone read the linked to "rant"? It's actually fairly cogent. First he basically says "If I was to steal your copyrighted stuff, you'd sue me into the ground because you're a huge company. Yet you steal mine all the time. That's rather unfair." Doesn't this sound like the Official Slashdot Position? Next he goes on to say he's mad at Google and Microsoft's image search tools because they continue to cache the image even after the site has removed it. Microsoft claimed they weren't caching them and he showed them an example that proved them wrong. Isn't this also a very Slashdot thing to do?

    All in all, it sounds like he wasn't pissed that the image search features exist, but that they kept caching them even when he got people to yank his clipart off their server. Then they get money for ads on pages with the cached picture. And then people would copy the clipart again from the returned image results, making it easier for people to continue copying his clipart.

    I've went to the links in the summary and they actually make me sympathize with the guy MORE. And I'm a bittorrenting fiend. One of them posts a picture of him accompanied by "Maybe if he makes enough money, he can go on a diet course, or at least buy a bigger belt to hold up that fat, obese stomach." Especially petty considering he looks like just about any old man his age, not actually spectacularly obese or anything.

    I haven't been able to find widespread claims that he sues over clipart he doesn't own the copyrights to. Just that he's a jerk because his letters say "you put our clipart on your page, pay up" and don't give the target a chance to say "I'm sorry, I'll just take it off and we can pretend it never happened." The only other thing I can find other than personal insults was that they claim his clipart sucks anyway (sour grapes, anyone?). True, he does sell a lot of clipart that looks straight from the 80s, but there's also things like this:

    http://www.imageline2.com/pages/ipics2_LOGOSNature.htm
    http://www.imageline2.com/pages/ipics2_OTHERWorldRel2.htm
    http://www.imageline2.com/pages/PRESENT_Index.htm

    This looks like prime fodder for a lot of business use today. It looks better than 90% of what I see in powerpoint presentations even now.

    And the last point I can find people make against him is that he has clipart of the UN flag and the Sydney Opera House and those have some very specific copyrights attached to them. First, the UN flag is not protected by copyright but simply by a UN resolution that says "don't use our flag." A resolution that has no actual legal backing. And the question of how much the SOH can legally limit the use of their image is murky at best:
    http://www.freedomtodiffer.com/freedom_to_differ/2007/06/photographing_t.html

    So really, I just don't get the uproar. Yeah, I wish copyright law was MUCH different to align penalties with actual profit being made by the infringer. But this guy hardly seems to be in the same league as the RIAA and their whole "making available" bullshit.

    1. Re:A Neutral Observation by Anonymous Coward · · Score: 0

      I'd wager most of the outrage is over the way he is pursuing legal action, not whther or not he is acctually being wronged.

      I don't care whether he is wrong or not - attempting to strongarm people with legal tactics into paying you a settlement smacks of abuse of the legal system, and I think he should have the book thrown at him regardless of whether or not his rights are being infringed.

    2. Re:A Neutral Observation by argiedot · · Score: 1

      And what do you think it looks like from his point of view? "These people are taking my stuff, and they didn't even have the courtesy to ask. They don't even credit my company. I think I should have the book thrown at them." I'm not with this guy, and I think his name is hilarious, but I can understand where he is coming from.

  20. Entitlement again by Migraineman · · Score: 3, Insightful
    From the ImageLine website:

    How many of these people who believe our copyright laws are outdated and should be abolished do you think work in one of the copyright-dependent industries? Better yet, how many of them have ever given a dime, let alone a cup of hot coffee, to a starving artist, musician, painter,or writer who has lost their job due to piracy?

    And here again we see the Entitlement Mentality. The "starving artist" can't earn a living at his chosen profession. Exactly why is the artist *entitled* to make a living at said profession? If his chosen career path isn't economically viable, why am I suddenly obligated to support him? Perhaps the "starving artist" wouldn't be starving if he made better choices in his life.

    Further, I work in an industry that relies heavily on copyright law. It is plainly obvious that copyright law is broken, and is detrimental to society in it's current form. The "temporary monopoly" was never intended to grant a semi-permanent revenue stream for you and your children. Copyright Rebels, my ass.

  21. Re:copyright lawsuits the new "Nigerian Scam" by Anonymous Coward · · Score: 0

    Please mod this up if read the second article the letter fits the definition of a scam. Nigerian scam was just a catchy heading

  22. tags? by Anonymous Coward · · Score: 0

    Shall we tag chronicles_of_riddick? Please?

  23. And this is different from Getty images how? by Overzeetop · · Score: 2, Interesting

    Except for the less polished langauge, it's the same thing that happens if you happen to grab an image off a CD from ten years ago which unluckily happens to be in the Getty imagebank and use it in your website. They'll send you a bill for a couple grand for an image they license at $30/yr. And you'll send a check, because if not they'll haul you to court, and any lawyer worth his salt will tell you you're fucked.

    The problem is that there is no way to determine if the clip art (or images) you have infringe on anyone's copyright, because there is no way for an individual or small business to match images against the sea of information out there. Your only recourse is to have a physical paper of license in your hands before you do anything. Somehow, I don't think that was the intent behind Article I, section 8, clause 8 of the United States Constitution - that Congress shall have the power: "to promote the Progress of Science and useful Arts, by securing for limited times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries." You may as well just lock up the web and throw it away.

    --
    Is it just my observation, or are there way too many stupid people in the world?
    1. Re:And this is different from Getty images how? by NeutronCowboy · · Score: 1

      Pretty much. The story of the goose with the golden eggs comes to mind. There are some people who just don't understand and don't care that they're killing a larger downstream revenue for themselves and everyone else. They just want cash now.

      --
      Those who can, do. Those who can't, sue.
    2. Re:And this is different from Getty images how? by pcfixup4ua · · Score: 0

      They just want cash now.

      This is because this society is on the decline, and our IP is the only true national asset left. Asia, China in particular is now the dominant manufacturer. India is producing far more doctors, scientists, and engineers then we are. A lot of people have decided to cash out of the system, and this is happening as a lot of early baby boomers are retiring.

    3. Re:And this is different from Getty images how? by Big_Breaker · · Score: 1

      The raster image of a photo makes it easier to detect a derivative work. A good example of this is the controversy over the Obama poster versus a particular Time photo of the President in the same pose.

      Clip art is a bit tricker since it is vector based. If someone ends up with a similar design is it tough to prove whether it is a derivative work or an independent rendition of the same public domain thing/image.

      Clip art of a generic bicycle developed independently can't be sued for copyright infringement by Riddick because it bears a resemblance to his version. They are both representing a bike, something that you can't copyright. Of course two doodles of the same thing will look similar.

    4. Re:And this is different from Getty images how? by tg123 · · Score: 1

      They just want cash now.

      This is because this society is on the decline, and our IP is the only true national asset left. Asia, China in particular is now the dominant manufacturer. India is producing far more doctors, scientists, and engineers then we are. A lot of people have decided to cash out of the system, and this is happening as a lot of early baby boomers are retiring.

      Please mod the previous post as insightful

      I cannot agree with you more. The economic fundamentals always work you need to produce a product or provide a service.

      What product has been produced here ? What service was provided?

    5. Re:And this is different from Getty images how? by Overzeetop · · Score: 1

      That might be true, except that websites are - for all intents - raster based. Once a piece of clipart is rasterized and modified enough times (scale, skew, color, whatever) there's no way to prove you didn't get it from a particular, similar looking vector base.

      There is no perfect solution. It's not fair to make content holders prove that a (practically) identical image was their work. It comes down to the need for everyone, everywhere to positively source all content. If you find the perfect image/art, but can't find the author or licensee, you can't use it. That's significantly stifling for most of the (non-commercial and small commercial) web. We don't have teams of lawyers at our fingertips to chase this stuff down.

      --
      Is it just my observation, or are there way too many stupid people in the world?
  24. Imageline ? smells to Fruityloops! by freaker_TuC · · Score: 1

    Isn't Fruityloops (the music sequencer) made by Imageline ?

    --
    --- I am known for the ones who want to find me on the net. Is that a privacy risk or a privilege? One might wonder..
  25. behind every douche is a ... by onionlee · · Score: 1

    douchey lawyer. i dont know how much you must blame him or his bloodsucking lawyer.

  26. ....yes... by binaryseraph · · Score: 1

    uhg

  27. In Soviet Union... by Anonymous Coward · · Score: 0

    He'd be a corpse... then... NO PROBLEM!

    What?!! You were expecting:
    Art Clips YOU!

  28. Re:Use the web-Nailed It! by Nom+du+Keyboard · · Score: 3, Insightful

    After reading all of these letters, I don't think that anybody would really take this guy seriously.

    You've nailed the point. Most people don't see all the letters. They only see the one they received and few know the actual history of any art they might be using.

    And that's not a 419 (Nigerian) scam. It's the classic mob extortion line: "You've got a nice little web-site here. Be a shame if anything happened to it - along with personally bankrupting you for copyright infringement. Remember those huge statuary damages the RIAA is always suing for...?"

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  29. Same way as usual... by GameboyRMH · · Score: 3, Funny

    Give one person with high HP all the health powerups and defense boosters, get that person to tank, get a healer to stand nearby to assist, and everyone else wails on him, duh.

    --
    "When information is power, privacy is freedom" - Jah-Wren Ryel
  30. George Riddick - the one man RIIA of clipart by GRiddick · · Score: 0, Flamebait

    Wow! My Google "clip art alert" system really does work! Checking my e-mails at lunch today, I noticed this Slashdot article devoted entirely to me and my small electronic graphic arts content development company, Imageline. We are honored. First of all, I would like to say "thank you" to those of you who chose not to simply jump on the "sensational" bandwagon, but took the time to carefully read what we are saying and understand what we are trying to do here at Imageline. We believe that our efforts, our experience, our creativity, and our tenacity, will benefit practically everyone who wants to participate in the wonders of the digital art world and the Internet legally. And "hello, Jim!" ... it was great to hear you are still 'active and kicking' after all of these years. I always admired the fact that you were not reluctant at all to speak your mind. That's what successful companies are made up of ... excellent, dedicated, and intelligent people ... with a great work ethic and a common cause. There's a huge difference between what we trying to do here at Imageline and what the RIAA has been doing for the past few years. I do not believe that the appropriate way to curtail digital piracy over the Internet is to simply try to throw a few college students, uninformed end-users, and/on single moms into bankruptcy ... or into jail. At Imageline, we ALWAYS go after the "middlemen", exclusively. They are the most flagrant infringers, by far. Not the actual end-users, who, by and large, are the innocent recipients of stolen property, and the victims of the various distribution scams organized and orchestrated by these so-called legitimate "middlemen". The industry calls them "digital pirates". The "middlemen" I am referring to here are the dealers, the distributors, the "pushers", the web site operators, and the product bundlers (even the counterfeiters), who try to feather their own nests by sub-licensing and re-distributing the hard-earned digital artwork and other property owned by others. From my own personal experience, most of these "middlemen" not only do not respect copyrights or the laws of this country, they do not respect property rights in general, unless, of course, that property is theirs or something they have stolen. It is all very shameful, in my opinion. Those that have made an honest mistake (and we all do that on occasion) are ALWAYS treated with respect and given several reasonable options by Imageline in an attempt to resolve our disputes and protect their end user customers at the same time. In fact, some of our best friends, and best customers, are people who inadvertently were caught infringing at some time in the past, but certainly do not do that sort of thing anymore. By and large, they are happy people, as well, and have no trouble looking at themselves in the mirror each day. Every single company we have contacted over the past few years is a "middleman" trying to earn money from goods and services (and sweat and tears) of others, to which they have no rights. Most of the people responding to this web posting apparently have not even bothered to take the time to read our various communications carefully. Yet they are not hesitant at all to criticize what we are doing. That is a very dangerous, and not particularly useful, way to interact, in my humble opinion. Imageline owns one of the largest archives of digital vector-based artwork in the entire world, and we have just recently doubled our exclusive libraries with the acquisition of the Image Club Graphics libraries from Getty Images. All of our artwork had previously been developed in-house by talented artists, designers, animators, and digitizers, and by a number of what I consider "world class" independent illustrators under tight "work-for-hire" agreements. The new Image Club libraries begin an entire new chapter for Imageline, and we are all very excited about our future. Unlike most of our competitors, all of Imageline's digital artwork is also registere

    1. Re:George Riddick - the one man RIIA of clipart by illegalcortex · · Score: 1

      Dude. I'm going to have to stop defending if you don't format your posts better. Seriously, it's a giant block of text. Most people won't read more than a half-dozen sentences like that. I'd suggest reformatting this with paragraph breaks and posting it as a reply to your original comment.

    2. Re:George Riddick - the one man RIIA of clipart by GRiddick · · Score: 4, Informative

      Wow! My Google "clip art alert" system really does work!

      Checking my e-mails at lunch today, I noticed this Slashdot article devoted entirely to me and my small electronic graphic arts content development company, Imageline. We are honored.

      First of all, I would like to say "thank you" to those of you who chose not to simply jump on the "sensational" bandwagon, but took the time to carefully read what we are saying and understand what we are trying to do here at Imageline. We believe that our efforts, our experience, our creativity, and our tenacity, will benefit practically everyone who wants to participate in the wonders of the digital art world and the Internet legally.

      And "hello, Jim!" ... it was great to hear you are still 'active and kicking' after all of these years. I always admired the fact that you were not reluctant at all to speak your mind. That's what successful companies are made up of ... excellent, dedicated, and intelligent people ... with a great work ethic and a common cause.

      There's a huge difference between what we trying to do here at Imageline and what the RIAA has been doing for the past few years. I do not believe that the appropriate way to curtail digital piracy over the Internet is to simply try to throw a few college students, uninformed end-users, and/on single moms into bankruptcy ... or into jail.

      At Imageline, we ALWAYS go after the "middlemen", exclusively. They are the most flagrant infringers, by far. Not the actual end-users, who, by and large, are the innocent recipients of stolen property, and the victims of the various distribution scams organized and orchestrated by these so-called legitimate "middlemen". The industry calls them "digital pirates".

      The "middlemen" I am referring to here are the dealers, the distributors, the "pushers", the web site operators, and the product bundlers (even the counterfeiters), who try to feather their own nests by sub-licensing and re-distributing the hard-earned digital artwork and other property owned by others. From my own personal experience, most of these "middlemen" not only do not respect copyrights or the laws of this country, they do not respect property rights in general, unless, of course, that property is theirs or something they have stolen. It is all very shameful, in my opinion.

      Those that have made an honest mistake (and we all do that on occasion) are ALWAYS treated with respect and given several reasonable options by Imageline in an attempt to resolve our disputes and protect their end user customers at the same time. In fact, some of our best friends, and best customers, are people who inadvertently were caught infringing at some time in the past, but certainly do not do that sort of thing anymore. By and large, they are happy people, as well, and have no trouble looking at themselves in the mirror each day.

      Every single company we have contacted over the past few years is a "middleman" trying to earn money from goods and services (and sweat and tears) of others, to which they have no rights.

      Most of the people responding to this web posting apparently have not even bothered to take the time to read our various communications carefully. Yet they are not hesitant at all to criticize what we are doing. That is a very dangerous, and not particularly useful, way to interact, in my humble opinion.

      Imageline owns one of the largest archives of digital vector-based artwork in the entire world, and we have just recently doubled our exclusive libraries with the acquisition of the Image Club Graphics libraries from Getty Images. All of our artwork had previously been developed in-house by talented artists, designers, animators, and digitizers, and by a number of what I consider "world class" independent illustrators under tight "work-for-hire" agreements. The new Image Club libraries begin an entire new chapter for Imageline, and we are all very excited about our future.

      Unlike most of our competi

    3. Re:George Riddick - the one man RIIA of clipart by illegalcortex · · Score: 1

      Much better formatted!

      This response sounds far more reasonable and rational than almost all of the people attacking the guy on the summary links.

      As a programmer, I frequently need to find icons for stuff. I've done searches for "free icons" before and looked very skeptically on some sites with thousands of images, none of them attributed in any way. How could I tell they're legit? Answer, you can't. Some people in the comments keep harping about watermarking, but how do you watermark a 32x32 pixel x 256 color icon? How do you watermark a simple vector graphic? And aren't we generally against watermarking anyway, due to a) possible quality depredation due to wedging non-image data in there and b) the NSA being able to track all our images?

      This is why I generally just stuck to the crappy icons provided with my IDE. When I found the various CC icon packs (my favorite is silk), it was a godsend. Attribution is a very small price to pay.

    4. Re:George Riddick - the one man RIIA of clipart by Destoo · · Score: 1

      I was about to post an anonymous "TL:DR" reply..but then decided to read.
      Thanks for that. You will probably get a lot of replies nitpicking some points, but I think most will get the general idea.

      --
      Nouvelles de jeux et technologies en français. TC
    5. Re:George Riddick - the one man RIIA of clipart by Anonymous Coward · · Score: 0

      George,

      First off, I do not post this as anonymous because I am a "coward" but only so I do not lose this page as I tried to register.

      I have been around for quite awhile, and my age tells me a few things about your claims of clipart found on your website, and on other websites I have visited.

      First, and foremost why is it that clipart on the ImageLine, and on the Clipart.com website are the same? how did they come to own said clipart? and why is it that Claiprt.com claims to own the rights to use all images on said website IF they do not?

      Why is it, you say you are not going after end users, when of course the end user of your clipart are indeed the embroidery website owners themselves after purchasing the clipart used from clipart.com and then turning them into digitized embroidery designs?

      you said, and I quote "All of our artwork had previously been developed in-house by talented artists, designers, animators, and digitizers" I myself had no idea that ImageLine digitized designs into embroidery back in the 90's, care to be more specific, or does Imageline intend to sell embroidery designs on their new website?

      George, After reading all your ranting and raving in public forums located all over the internet, I am going to say it publicly, I would NEVER, EVER purchase anything from ImageLine, and will tell everyone I know in the graphics industry who use clipart to NEVER, EVER use anything from your company.

      I do believe George that the Image of your company has been forever tainted. It appears to me that ImageLine KNEW of their images years ago being taken by the other corporations (if that being the case) and failed to enforce the copyright laws put into place on purpose. Is it so ImageLine could come back and sue a few hundred little ole ladies who digitize, or the single mothers who TRY to make a living via the internet by opening a website, purchasing what they believe are legal clipart images, and then come to find out later they are being sued.

      George, why would you be on such a self suicidal, egomaniac, venue of recourse? This is why Disney stopped suing years ago. It cost them more then what they won in court, and when they did win they had to collect, and THAT cost them millions more.

      George, why did ImageLine not go after the source of this supposed copyright infringment, Clipart.com where these images were legally purchased? This would have once and for all ended it for ImageLine, and had others remove their embroidery designs, as it always does.

      George, I also noticed that when you follow up with a demand letter you send an email stating what images are claimed by ImageLine, however the emails you send are in formats MOST users you send them to cannot view. Is this done on purpose? I myself was sent an email stating our company had multiple embroidery designs on it you claim are deritives from your clipart. However, it cannot be opened by ANY program I have. Odd to say the least.

      I would have been more them willing to remove ANY design off my webpage you claimed to have owned, and then I would have went to Clipart.com with a complaint, and then been done with it. As it is now, I am left wondering WHAT images are on my website, and cannot remove them.

      I have already went to Clipart.com with a complaint, but was sent an email from them stating THEY own ALL rights to images on their website. I have used their website for over 5 years, and once before when they were known as ArtToday, and would have NEVER used them if I had known they did not own rights to them.

      So, instead of trying to point fingers at those who believe they are innocent, and have legally purchased these images, why not go after the source? Is it due to the large amount of money it would take to sue them? is it because you would taint your image with Getty after the purchase of designs from their library? or is it because you think you have found an easy target with these women who open up small business's and cannot afford attorneys?

      Oh, please answer all these questions, the high and mighty George Riddick of ImageLine, oh how I bow down to you and call you master of the clipart realm.

      Signed,
      anonymous coward

    6. Re:George Riddick - the one man RIIA of clipart by INowRegretThesePosts · · Score: 1

      What sounds *very* fishy is that you go after individual embroidery companies, who may bot be able to afford lawyers and thus choose to settle even if honest. Hence the comparison with RIAA. The threats and the claims of confidentiality and urgency add to this.
      It is *very* unfair that a person chooses to settle, while believing he/she is innocent, because settling is cheaper than litigating.

      Why don't you go after clipart.com?
      If you don't answer this, I find it very hard to believe you have good faith.

    7. Re:George Riddick - the one man RIIA of clipart by GRiddick · · Score: 1

      I know exactly where you are coming from, and, believe me, I totally understand your points. Thank you so much for keeping an open mind and taking the time to communicate with me.

      In many ways, you are exactly right. I have been a staunch supporter of small business enterprises for my entire career. The largest companies serving the embroidery industry are responsible for 95% of these infrigement problems. Several of "the little guys" simply have gotten themselves caught up in the fray and tried to make up a few things to get out of trouble. They should have asked the Nixons if that strategy works.

      We are working as hard as we can to make new, highly relevent, information regarding these large graphic arts content publishers available to the public, and small embroiderers, as quickly as we can. Stay tuned.

      Thanks again for sending us a note and keeping an open mind.

      None of our illustrations/designs have even been available on any Jupiter Images (owners of clipart.com) web site in almost ten years, by the way. This has all been fabricated. Truly unbelivable if you ask me. You will soon see.

      George

    8. Re:George Riddick - the one man RIIA of clipart by Anonymous Coward · · Score: 0

      Most of the people responding to this web posting apparently have not even bothered to take the time to read our various communications carefully.

      You must be new here.

    9. Re:George Riddick - the one man RIIA of clipart by INowRegretThesePosts · · Score: 1

      Well, you seem to dispute the information from http://www.ireport.com/docs/DOC-221999. Since I have no other background on either you or ireport.com, I think I cannot have a strong opinion on this matter.

      Then I just hope you are honest. Please think carefully before sending these letters to people. And maybe some of the little guys who "made up a few things to get out of trouble" did this because they were desperate, due to excessive pressure (an aggressive and threatening letter, demanding confidentiality and urgency)? I'm not saying that pressure justifies an illegal action, but maybe if you apply less pressure, it could be better for both parties (assuming you are honest and want a fair outcome). I don't know, I am not familiar with the situation.

      I mean, I just hope that you are honest. And please think carefully before each cease and desist letter, and try not to make innocent people settle because it is cheaper than litigating - that is unfair, and that is why we don't like RIAA.
      Also, don't do something immoral just because there is a legislation loophole that says it is legal. For example, some commenters have claimed that some of your images are too generic, so someone could very well have created their own image but, since it is similar to yours, technically infringes on your copyright. I don't have the expertise and time to investigate this allegation, so I can only ask you to be fair.

      Cheers and good luck

    10. Re:George Riddick - the one man RIIA of clipart by GRiddick · · Score: 1

      You seem to be both fair-minded and level-headed. I appreciate your advice. Again, I do understand your points here.

      I don't want to bore you, but "since you commented" on the actual images, let me share this information with you. All Imageline illustrations and designs are originally created as vector digital files, in a process at least 15-20 more complicated, and costly, than simple scanning and clean-up. The resulting illustration/design is more like a complex puzzle, with dozens, hundreds, or sometimes even thousands of individual pieces that have to come together to form the final image. Thes pieces, or "ploygons" as they are called, are generated by mathematical algorisms in vector drawing programs. Imageline adds it own proprietary utitilies and processes to thes program to help us identify our images in the marketplace and improve our technically and asthestic qualities.

      Someone generally never sees this background technical data behind each ilustration and design, but we assures us of what we origanally proiduced, and copyrighted, and what was producced independently by others.

      Not many people know this, but it is why we can state with 99% accuracy that an infringed image is actually owned by Imageline after spending some time comparing the digital artwork.

      So there. Now, aren't you glad you asked?

      Anyway, thanks again for your sage advice. You will find me to be an advocate for the small designer and publisher when all of the truth surrounding this complex matter begins to surface.

      George

  31. George Riddick - formatting by GRiddick · · Score: 1

    Sorry ... I agree with you. Nothing is more annoying to me than reading un-formatted text. It looked nice when I posted it, but I am new to Slashdot and apparently hit the wrong key. I do appreciate the fact that you took the time to look at both our e-mail communications and our digital images. Thanks for your support, by the way. I forgot to mention that in my earlier post.

    1. Re:George Riddick - formatting by illegalcortex · · Score: 1

      Sadly, some idiot has modded your quite informative post as Flamebait. This means your post disappeared for anyone reading this site with their comment threshold set at 1. The comment is the thing near the top of the discussion. It lets you weed out comment moderated below a certain score. Unfortunately, there are too many people in the world who are willing to do such a thing.

      Be patient, though, as hopefully someone else will come along and moderate your post back up. Until then, you may need to change the threshold to find it. You'll want to make sure you click on the "Reply To This" button under the post, otherwise your post will show up out of place, like the one you just made (don't worry, I know you said you're new here).

    2. Re:George Riddick - formatting by GRiddick · · Score: 0

      Thanks for the help. Do the owners/moderators of this web site know it is being "self-censored" by the readers like this? I would not spend a second on a web site that encouraged that kind of one-sided activity. I appreciate you taking the time to inform me of such things. George

  32. Solution to the scourge of copyright by mkcmkc · · Score: 1

    Here's an idea, derived from other bright people (imagine that!):

    Anyone that wants a copyright has to declare its value, and pay an annual property tax on it of (say) one percent. They can declare any value they like, but only once, and only within a year of creation.

    The kicker: total income for the work, from licensing, sales, infringement penalties, etc., are capped at ten times the amount declared. Upon payment (which cannot be refused) from any source, it goes into the public domain.

    Not quite as good as getting rid of copyright altogether, but still would solve 99% of the nonsense we're seeing.

    --
    "Not an actor, but he plays one on TV."
    1. Re:Solution to the scourge of copyright by illegalcortex · · Score: 1

      Hey, yeah, that'd be awesome. We'd get rid of that pesky GPL overnight!

  33. The Chronicles of Riddick 2 by CodeBuster · · Score: 1

    Perhaps they could do a sequel to the 2004 film, the tagline could go something like this: "Riddick, all the power in the universe can't nullify his copyrights...this time its personal".

  34. Nice advertisement by morgauo · · Score: 1

    I read the one labeled "ranted about how Microsoft and Google are stealing from him". That's a pretty nice ad for Microsoft Live Image Search don't you think?

  35. Xoom Whips Riddick's Litigious Butt by flameproof · · Score: 1

    Seems as though Riddick Geo III hasn't had the greatest luck in court. Despite his voriferous abilities to bully, harass and cajole, the United States District Court for the Eastern District of Virginia replied in it's March 21, 2003 decision of Xoom v. Imageline that, "The district court found that Imageline had no basis for litigating claims of infringement with respect to the individual images because, as registered, the copyright claims were only in the works as a whole and not in the individual images".

    This being a referential case, there's no reason the websites under attack by him shouldn't just take him to task and toss this little gem in his face; he'd be hard put to claim "thousands of copyrights" on every digital image in his collection - and most likely provenance could be shown otherwise under closer examination. Additionally, he's only adding fuel to the flames brewing over the copyright bruhahau (of course, we're all anti-private-property-lovin'-commies here at /.)

    "We mean business. We hate digital pirates. We hate hypocrites even more. We never walk away from a case until a resolution in agreed to, or forced through curt order, in writing. We never will." Curt Order, indeed: clean your own house, Georgie, before you decide to bitchslap someone else in their own.

    --
    ~Just as a thing fails if it lacks a kernel, so too it fails if it lacks a skin. ~ Rumi, Discourses
  36. That'd be OK by RMS by mkcmkc · · Score: 1

    If RMS were given a choice between

    • the current system with the GPL, and
    • abolishing copyright (at least for software) and no GPL,

    he'd choose the latter. He created the GPL as the best thing he could think of, since abolishing copyright is not within his powers. In a sense, the GPL is a simulation of abolished copyright. [BSDish licenses are not, because they don't have the level playing field that abolished copyright would provide. (i.e., "I can use yours and you can use mine")]

    Check out his writings...

    --
    "Not an actor, but he plays one on TV."
    1. Re:That'd be OK by RMS by illegalcortex · · Score: 1

      First, I don't think you've read many of his comments over the years. One of the thrusts of his disgruntlement over software is when source code isn't provided, because the user can't improve or change the software to meet his needs. He also seems to get quite pissed off when companies take a GPL piece of code and wrap it in a bunch more closed source code. This is a guy who will stop you in mid-sentence and berate you if "GNU" isn't put in front of the word "Linux."

      No copyright would not level the playing field. Microsoft's dominance has a lot more to do with keeping things proprietary and closed and constantly adding new proprietary and closed features just as soon as people reverse-engineer the old ones.

      Plus, there's the issue that plenty of people that use the GPL != RMS. The GPL is used by a large variety of people with a large variety of philosophies.

    2. Re:That'd be OK by RMS by mkcmkc · · Score: 1

      First, I don't think you've read many of his comments over the years.

      I would hardly presume to speak for him, but your assumption is false.

      No copyright would not level the playing field.

      My point was that if the three options are (1) code under GPL, (2) code under BSD, (3) copyright is abolished, the BSD option clearly leads to the least level playing field.

      --
      "Not an actor, but he plays one on TV."
    3. Re:That'd be OK by RMS by illegalcortex · · Score: 1

      The more I think about it, the more I wonder if no copyright would actually lead to an even worse situation. It would be even harder to get source code for a non-free program. The "service model" works ok for some commercial software, but poorly for most. Most of the companies I can think of that make money off the service model (i.e. Red Hat) are actually using a large percentage of someone else's man hours (the people who make most of the software they repackage and sell support for). So what are my options then?

      • Release all my programs for free with source code and hope for enough donations to pay my health insurance.
      • Release all my programs for free with source code and hope there's some way I can convince people to pay me for support, even though most programs short of Office and Photoshop won't need support.
      • Charge for my programs and release the source code. People can then buy them and freely redistribute them because there's no copyright. Since they have the source code they can also freely rip any reference to me out of them and sell them for 10% cheaper than I do (or more), since they don't have to make back the investment of time I put in creating/updating them.
      • Charge for my program and don't release the source code. Make my formats/protocols as obsfucated and encrypted as possible. Release new versions of the program frequently, continually adding new "features" to further obsfucate the formats/protocols and quickly drop backwards compatibility with the old versions.

      Which of these means I can make a standard of living that doesn't involve cardboard housing? This is a serious question. Please use some actual figures for income to show a business model that means I can continue to make a living as a computer programmer in this post copyright world.

      If that's not enough, I'll have to live in a world where almost every programmer is going through this same problem and be stuck with a limited selection of software that will likely suck much more in comparison to what we have today.

    4. Re:That'd be OK by RMS by againjj · · Score: 1

      Another option is a corporate sponsor. Many FOSS projects have time being invested by people that are simply employees of some corporation that has found that they would benefit from the improvements/software.

    5. Re:That'd be OK by RMS by illegalcortex · · Score: 1

      True. Though that seems to be the very infrequent exception rather than the rule.

  37. More Slashdot Details by illegalcortex · · Score: 1

    Yes, the designed it this way. It's definitely not a perfect system. But it's a decent system and works that doesn't try to pretend that human nature doesn't exist. It's based on "the wisdom of crowds." Look it up, sometime, it's an interesting theory. Basically, at any given point in time, the system may not come up with the correct result. But the theory is that, given some time, it will work itself out.

    You might want to read the section starting "Moderation seems restrictive. Is it really necessary?" on this page. First off, users are randomly given a handful of moderation points. Second, if they post a comment on an article, all of their moderation on other people's comments on that article are undone and they can't moderate that article anymore. This helps keep people who are really vocal about a topic from also being the one to moderate their debate opponents.

    Now, this doesn't always work if you have a crowd with a bias and they have to moderate someone who takes the opposite opinion. Unfortunately, the way the summary has been written has created an automatic bias against you. I can imagine an alternate version of the summary where it was spun to present you as the underdog going after fraudulent content repackaging middleman, and how you were a shining example to the RIAA of the way they should be working because you never go after end users of your content, only middleman (at least, based on your claims in your post).

    Yet another problem you're having is related to being a new user. Every logged in user (as opposed to anonymous posters that show up as "Anonymous Coward") have a score called "karma." This is based on whether people have generally moderated their comments up or down. Since your very first posts were unpopular, you've gotten bad karma already and your new posts start out at a score of 0 instead of the normal neutral score of 1. Since most people seem to default to viewing only comments at score 1 or higher, this may also make it take a bit more time for you to be moderated up.

    The last wrinkle here is "meta-moderation." This is where random users of the system are chose to moderate someone else's moderation. So basically, it's another check and balance. These people will review random situations of moderation and say "this user moderated this comment right/wrong." I'm not sure on the details, but this may determine how often the original moderator is allowed to moderate discussions in the future.

    Again, not a perfect system but one with some checks and balances. It's very difficult to have discussion groups on the internet and have them not overrun by crap. Slashdot actually does one of the best jobs out there, I think.

  38. Riddick's Litigious Buttwhipping 2 by flameproof · · Score: 1

    Ah! As it turns out, Riddick Geo III has infringed upon the copyrights of other people! The Sydney Opera House for one. Further down this blog there's a pic of Geo III himself so you'll know the demonic aspect that is the Riddick if you happen to see it coming at you through the dark and dangerous tubes in your neck of the big, bad ©'ed and ®'ed world.

    --
    ~Just as a thing fails if it lacks a kernel, so too it fails if it lacks a skin. ~ Rumi, Discourses
  39. White Pixels Only by Anonymous Coward · · Score: 0

    Ah ha you fool, that's why I only use white pixels in my artwork!

    PS: There's a racism joke in here somewhere but it's the end of the day and I'm feeling mentally drained.

  40. Re:I've patented a method of trademarking a copyri by thomasdz · · Score: 0, Offtopic

    Geesh, in the six years that I've had a Slashdot account, this is the first time I've ever gotten a "first post" and I didn't say the usual "Frosty Pist"
    Sorry about that everyone... I know I let you all down

    --
    Karma: Excellent. 15 moderator points expire sometime.
  41. George P.Riddick,III Your PR agent does good work by tg123 · · Score: 1

    George what a nice reply, Did I get your title right ?

    I can see your PR agent put a lot of effort into this. You might want to tell to present you with a little more compassion but on the whole its good work. I hope you paid your PR agent well. Do they get royalties' ?

    The real issue I have is clipart was originally an add on to programs like photoshop, word etc. You paid the money and you got the clipart disk.

    I am fine with that you make your money by selling to people who want that little bit extra.

    What I dont like is your now saying I have to pay each time I use the clipart ? What your trying to do here is change the boundaries and turn print media into multimedia and that quite frankly is wrong.

    People have tried to do the right thing but do to your greed you want more.

  42. Re:George P.Riddick,III Your PR agent does good wo by GRiddick · · Score: 1

    You've got that all wrong, tg, but I can understand that with all the confusion out there today in this crazy market.

    We have always licensed our digital images on a "royalty free" basis. This means you, as the licensed user, can use it as often as you like, and on as many projects as you choose to ... forever.

    What you cannot do is sub-license or other wise convey the electronic file to others, whether its the orginal file or a derivative file format that you create.

    George

  43. Re:Use the web-Nailed It! by WRX+Gav · · Score: 1

    Was the last person sued for _statuary_ damages the Venus de Milo? Did you mean "statutory"? Or maybe the mob extortionist was making them an offer they couldn't understand .... :)

  44. Re:I've patented a method of trademarking a copyri by jonadab · · Score: 1

    Oh, dear. Your patented method for trademarking a copyright violates my intellectual property rights under the PRO-IP act, the DMCA, and also the Berne Convention. I'm afraid I'm going to have to ask you to cease and desist all use of the method covered by your copyright trademark patent.

    --
    Cut that out, or I will ship you to Norilsk in a box.
  45. getting to no copyright by mkcmkc · · Score: 1

    I think those are good points--abolishing copyright would dramatically change things and a lot of planning and accommodation would have to take place to limit the short-term pains involved.

    Considering the long-term, though, it's less obvious whether there would really be dramatic differences. I don't know how you make your living, but my twenty-plus year career has consisted entirely of either writing bespoke software or generally installing/managing/herding/fixing software (all kinds: bespoke, mass-market commercial, GPL, and Open Source). As best as I can imagine, none of that work would have been disrupted at all by abolishing copyright, because the software in question wasn't really that valuable in itself--it only became valuable because I was there to make it work in the situation at hand.

    I have also made contributions to various GPL and Open Source projects. I did not do so with monetary compensation in mind, and I believe I would still have done so if copyright had previously been abolished. So, no change there.

    In the early years of computing, copyright arguably had little affect on the field, and yet much software got written.

    No doubt though many people would be affected. I suspect that a certain amount of software would be funded by groups and consortia that needed the software to exist. Beyond that, I'd be happy to see the government also fund general software at a certain level.

    I'm not necessarily saying that all of this would be painless. Like the situations with health insurance and drug legalization, however, the status quo is simply not working, and I think we have to bite the bullet and look for changes.

    --
    "Not an actor, but he plays one on TV."
    1. Re:getting to no copyright by illegalcortex · · Score: 1

      I, too, have always written custom software that has a large service component. So I do actually get what you're talking about. However, I just don't think a sample size of two tells you that much about the software market as a whole. I look around at the other software I use on a daily basis - Excel, Word, Photoshop, Delphi, Flex, SQL 2000.

      This software IS all that valuable in and of itself. It takes no one at the other end of the line to make it do its job, once the initial programming is complete.

      I have never contacted the companies who make these for one single bit of service or support. The closest I've come is using the peer support groups for Delphi and Flex. As many problems as I've had with Photoshop or Office, I still believe they are head and shoulders above the open source alternatives I've tried. At this point, it's all prognostication since you can't scientifically predict what will happen if copyright went away. My prognostication is that you wouldn't have apps at the level of quality of Photoshop and Office.

      I don't honestly think my job today would be eliminated. But I do believe when I wanted to switch jobs, my options would be more limited. And I would have to go through the day using lower quality software to try to get my job done.

    2. Re:getting to no copyright by mkcmkc · · Score: 1

      I agree that N=2 doesn't say much. Re Word/Excel, I'll say that I've never contacted MS for help either--in my case it's because I'm sure, based on the accounts of others, that no help will be forthcoming.

      I'm most familiar with PowerPoint vs OO Presentation. I'm not really a "power user", but they seem quite equivalent to me.

      No one can really say what will happen, I agree, but I don't think we should necessarily assume it will be bad. Hollywood fought VCRs and movie rentals tooth and nail for years, for fear that it would destroy their business. When it finally happened, though, we see that it's been a major source of income and probably saved many thousands of industry jobs.

      --
      "Not an actor, but he plays one on TV."
    3. Re:getting to no copyright by illegalcortex · · Score: 1

      That's precisely the problem I have with a lot of "open source equivalents." They are not targeted at the users that use the original application to the fullest. They're targeted more at the casual users. That's fine, but it's not the same program.

      And no, I don't think it would be helpful to contact Microsoft. I've also not contact Mozilla after a few lackluster attempts at getting bugs fixed via bugzilla. This has little to do with the closed/open source aspect and much more about the sheer size of a program. Once it gets past a small development team, it becomes much less useful to seek support and much less likely that the bugs that affect your corner of the use case for the application will be addressed.

      The company I've actually had the best support from has been Adobe for Flex. I've found that they are very responsive to bug reports. FAR more responsive than any large scale open source program I've ever used. But the end result of that is a new patch or fixes in a new version. Yes, they give these patches out for free, but that is really just an extension of the large original price that was paid for the original product. I don't personally believe this would work if the majority of the users freeloaded and left the purchasing of support to a small handful of users. Especially for a technology like Flex that's just getting off the ground and isn't already embedded in corporate needs.

      And, of course, the really major improvements come out in a new, paid, upgrade.

      I really do feel your last paragraph is apples to oranges. You're just talking about moving from one method of selling copyrighted material to another method. A better analogy would be if the VCR and movie rental places came out and it had been perfectly legal to dupe the tapes all they wanted. Do you think it would have become a major source of income? Do you think movie studios would ever have joined in and released their movies on videocassette?

    4. Re:getting to no copyright by mkcmkc · · Score: 1

      I really do feel your last paragraph is apples to oranges. You're just talking about moving from one method of selling copyrighted material to another method.

      Taken at that level of detail, yes, I agree with you--the analogy doesn't work.

      I had in mind the bigger picture, though. In a sufficiently complex system, sometimes the result of a change can be quite paradoxical. Who would have thought that Hollywood could make more money by encouraging people to rent movies or tape them off the TV, instead of buying them?

      --
      "Not an actor, but he plays one on TV."
    5. Re:getting to no copyright by illegalcortex · · Score: 1

      I'm sure there were plenty of people who thought that at the time.

      I agree that the result of a change can be paradoxical. But again, you're talking about a whole different scale of change. It seems you and others are just throwing up their hands and saying "it's complex, who knows what will happen?" and hoping it will just turn out for the best. This seems an incredibly poor basis upon which a change of this scale should be made. If this is your basis, than there's innumerable changes to be made in society that will have unknown and possibly drastic results. I'd really like college to be free. Let's just make that happen, ok? And medicine, too. Also, can we go ahead and get rid of income taxes and just do a flat tax?

      Who knows, you can make an argument for all of those things turning out well. But do we really want to risk them turning out terribly without having a solid plan for how they would turn out well?

      At this point, I think I'm just going to have to agree to disagree with you. Because it's really just opinion more than anything else. It's been an enjoyable discussion. Take care!

  46. Re:I've patented a method of trademarking a copyri by thomasdz · · Score: 1

    I'm Canadian you insensitive clod! Since I pay a tax on every CD-R that I buy, I'm immune to your lawsuit-foo
    Take that!

    --
    Karma: Excellent. 15 moderator points expire sometime.