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Why Amazon's Kindle Should Use Open Standards

Tim O'Reilly wrote in Forbes a while back that he thinks the Kindle only has another two or three years of life left, unless Amazon wises up and embraces open standards. He came to this conclusion, in part, because of his experience deciding how to publish documents on the web back in the mid-1990s. "You see, I'd recently been approached by the folks at the Microsoft Network. They'd identified O'Reilly as an interesting specialty publisher, just the kind of target that they hoped would embrace the Microsoft Network (or MSN, as it came to be called). The offer was simple: Pay Microsoft a $50,000 fee plus a share of any revenue, and in return it would provide this great platform for publishing, with proprietary publishing tools and file formats that would restrict our content to users of the Microsoft platform. The only problem was we'd already embraced the alternative: We had downloaded free Web server software and published documents using an open standards format. That meant anyone could read them using a free browser. While MSN had better tools and interfaces than the primitive World Wide Web, it was clear to us that the Web's low barriers to entry would help it to evolve more quickly, would bring in more competition and innovation, and would eventually win the day."

87 of 315 comments (clear)

  1. I wouldn't publish on Kindle if it was Open by drmemnoch · · Score: 5, Interesting

    No way on Earth I would work hard writing or creating something to have it passed around the Internet for free. I create for my own profit, not your entertainment. Once the Internet community stops (I know it isn't everyone but it is enough to be a major problem) stealing content created by artists for profit, we will finally be able to embrace the open standards we all truly want. Until then DRM will live one in some for or other.

    --
    Those who can do... Those who can't get a certification from Cisco or Microsoft.
    1. Re:I wouldn't publish on Kindle if it was Open by QuantumG · · Score: 5, Insightful

      Heh, ya actually think the DRM on the kindle works?

      But you make a good point. Amazon has to at least pretend they are making an effort to "protect" the content.. it doesn't really matter that its trivial to defeat, the publishers don't know the difference and the authors obviously don't either.

      --
      How we know is more important than what we know.
    2. Re:I wouldn't publish on Kindle if it was Open by dattaway · · Score: 5, Funny

      If you keep your work as the internet's best kept secret, that's great by me!

    3. Re:I wouldn't publish on Kindle if it was Open by Darkness404 · · Score: 5, Insightful

      ...Then chances are you aren't a decent enough writer and you will just add to the pile of crap which are most books. Seriously, unless you are writing a technical manual of some sort (then usually you have a company paying you and give up all rights to the book in the first place) and won't write for any other reason other than to make a profit, your book will be crap. I don't know of a single really good author who writes primarily for profit. Sure, there are some really good authors who write and make a profit, but most have some other drive to write, especially for fiction writers. If you won't publish it, fine. I'm sure the world will be better off.

      --
      Taxation is legalized theft, no more, no less.
    4. Re:I wouldn't publish on Kindle if it was Open by selven · · Score: 5, Interesting

      I create for my own profit, not your entertainment

      Good luck profiting or entertaining with that mindset.

      Once the Internet community stops (I know it isn't everyone but it is enough to be a major problem) stealing content created by artists for profit

      This statement, especially with the word "once" in it (implying that it's inevitable) is the epitome of the "goodluckwiththat" tag.

      we will finally be able to embrace the open standards we all truly want

      We will be able to embrace open standards only when the entire internet agrees to do things your way. Nice.

      Until then DRM will live one in some for or other.

      Given that file sharing is not going to vountarily go away, this statement becomes "information will continue to be locked down until the entire internet is locked down", which is probably true. We can't stop DRM any more than you can stop piracy.

    5. Re:I wouldn't publish on Kindle if it was Open by Lachlan+Hunt · · Score: 4, Insightful

      DRM, and other artificial restrictions (e.g. regional restrictions on sales) are some of the major reasons why "piracy" persists. Drop the DRM and offer products and services for a fair price using innovative business models and you'll find that the issue of piracy will be of little concern.

      --
      By reading this signature, you hereby agree with the content of the above comment.
    6. Re:I wouldn't publish on Kindle if it was Open by hedwards · · Score: 4, Interesting

      No it isn't, and I wish people would stop suggesting that piracy is killing services off. Because it's not. Show me a platform that was killed by piracy and I'll show you a platform that was horribly managed. More often than not the DRM just limits the number of sales and raises the number of copies necessary to break even.

      The problem is that customer service stinks and there's a belief in the entitlement to profit. Trust me there isn't one, and as soon as people start to acknowledge that the cost of an item is going to approach the marginal cost of another one, there's going to be no effort that effectively stops the piracy.

      Worse still is the fact that piracy goes way up when one has to pirate in order to use the content as one wishes. You have the right to control the distribution of the copies of your work, not what people do with those copies, and as such DRM is a pretty egregious violation of ones rights. I have the right to sell any copies I've bought provided that I don't create any additional copies to sell.

      I'm also sorry that you're so terribly misinformed about copyright law, copyright isn't there so that you can profit. It's there to maximize the amount of work being created, any profits you make are purely as a side effect of that goal. Fighting consumers to prevent them from using it on the platform of their choosing in whatever way they wish to is an egregious abuse of that right.

    7. Re:I wouldn't publish on Kindle if it was Open by bcrowell · · Score: 5, Informative

      No way on Earth I would work hard writing or creating something to have it passed around the Internet for free. I create for my own profit, not your entertainment. Once the Internet community stops (I know it isn't everyone but it is enough to be a major problem) stealing content created by artists for profit, we will finally be able to embrace the open standards we all truly want. Until then DRM will live one in some for or other.

      You're free to make that choice. But:

      (1) There are other strategies that may be more to your economic benefit. I write science textbooks and science fiction. In the areas that I'm familiar with, one good example of a highly successful alternative strategy is the Baen Free Library of science fiction books. A couple of other very talented professional SF writers who make their work available for free online are Cory Doctorow and Benjamin Rosenbaum. For a few hundred other (mostly nonfiction) examples, see my sig. (I'm not a particularly well known SF author, but here is where I've done the same thing with my fiction. My nonfiction is free online here.)

      (2) History has shown that DRM doesn't work. Back in the 1980s we went through the whole DRM fiasco before. Back then it was called "copy protection." You would buy software on a 5-inch floppy disk, and it would have various formatting trickery that made it hard to copy. Users hated it. For one thing, they couldn't back up their software properly, so as soon as the disk wore out, they had lost their investment. Users voted with their feet, refusing to buy copy-protected software. The result was that copy protection disappeared. Since then, various people have kept insisting on relearning the same lessons over and over. The outcome is always the same. DRM doesn't work, users hate it, and because users hate it, it ends up being a failure in economic terms.

    8. Re:I wouldn't publish on Kindle if it was Open by stms · · Score: 2, Insightful

      You must have missed the whole argument against DRM (if not allow me to remind you). It doesn't decrease piracy it only stops end-users from storing in the desired format.

    9. Re:I wouldn't publish on Kindle if it was Open by Seth+Kriticos · · Score: 2, Interesting

      I have the gut feeling that you are doing it wrong. See I have a bunch of O'Reilly books in my bookshelf and I will probably increase that number. I really doubt I will ever get one of your books in my hand, or for that matter books written by folks of your mentality. The simple truth is, that the O'Reilly people give me a good reason to by, because they produce good books and they have a moral philosophy that I feel comfortable with. I'm actually totally happy when I buy something from them. Also DRM and proprietary standards are ineffective and very annoying which is why I neither consider buying a Kindle nor any books that are crippled by this abomination.

    10. Re:I wouldn't publish on Kindle if it was Open by davester666 · · Score: 5, Interesting

      They also 'helpfully' keep 70+% of the price end-users pay.

      Maybe if authors made a bigger stink about getting the shaft from Amazon, they just might get more sales.
      Maybe if authors didn't bitch and moan about how they should get paid extra because a machine converted text to speech, they just might get more sales.

      The world has changed, maybe consider doing something new instead of trying to stuff the genie back in the bottle.

      --
      Sleep your way to a whiter smile...date a dentist!
    11. Re:I wouldn't publish on Kindle if it was Open by eldavojohn · · Score: 3, Insightful

      No way on Earth I would work hard writing or creating something to have it passed around the Internet for free.

      That is fair and I'm certain you are voicing a very popular opinion among editors, artists, writers, etc. As O'Reilly mentions, though, Apple seems to have balanced this both with music (MP3s are pretty "open" to play on anything). I think what the article means by "open" is that it would be nice to be able to read this through multiple devices and not just the kindle. Your username starts with DRM and, although insanely flawed, there are ways to implement it so that numerous devices and programs can use it. Yes, I realize that a skilled developer could write a simple application with the sole intent of converting DRM files to plain text but I'm pretty sure those who want to are doing that already.

      Once the Internet community stops ...

      Let's just step back and look at the facts. Don't make any assumptions about what I'm trying to convince you.

      1. The internet is a thriving marketplace for the dissemination of digital media and is undeniably what the consumer wants.
      2. People take things without paying all the time. It might be a hardcover of your book, it might be the right to read your book. It's always been part of capitalism (I think the industry calls it "shrink" and places like Best Buy or Barnes and Noble just expect it).
      3. If you fail to put your books online you stand to not only reduce your market but also your exposure.

      I don't want to steal your book. But if I want your book, I sure the hell would prefer paying 2/3 the cost of the hardcover and having it instantly in front of me. And, I would be making far more purchases. I may not be the general populace but I think that's a pretty safe rule. The music industry is enjoying iTunes, you would enjoy it more since no one wants only Chapter 23 of your novel.

      With or without DRM/closed standards, people are stealing your work. Do you really think that making the standard in which they are saved/read/transmitted an "open standard" is going to increase your losses that much?

      I don't know what your numbers look like but I would speculate that the increased sales from people walking around with iPhones and Palm Pres and mobile devices would outweigh that. I agree there will be people trading these files online. But you can't stop that now. Do you not agree that you, as a writer, would benefit from this move? O'Reilly seems to think so and he seems to think it's great for Amazon too ... being one of the largest tech book publishers and author himself, I'm going to side with him. Especially since everyone at work talks about how awesome the Safari book service is (two coworkers are toying around with full subscriptions).

      I wish I could tell you that you have full control over this but the facts indicate that you really just have the power to delay the inevitable.

      --
      My work here is dung.
    12. Re:I wouldn't publish on Kindle if it was Open by hedwards · · Score: 5, Insightful

      Given that file sharing is not going to vountarily go away, this statement becomes "information will continue to be locked down until the entire internet is locked down", which is probably true. We can't stop DRM any more than you can stop piracy.

      That's not quite true, pirates are much more likely to win than that. It's a matter of will, and if you get enough people cracking the protection schemes quickly enough at launch, DRM will eventually go away. DRM is about control and profit, if the schemes are broken fast enough there's definitely a question of why spend many thousands of dollars locking something down that'll be cracked within a few weeks. Sure it does help with sales initially, but you're typically having to sell a hell of a lot of copies in order to break even and it does put one at a competitive disadvantage to those that don't need to sell those extra copies.

      Not to mention the fact that there's a surprising number of people that don't pirate software that doesn't have DRM incorporated into it.

    13. Re:I wouldn't publish on Kindle if it was Open by Vectronic · · Score: 2, Interesting

      (Somewhat) Obligatory Don't Copy That Floppy, and the Video

    14. Re:I wouldn't publish on Kindle if it was Open by fooslacker · · Score: 4, Interesting

      That's an interesting viewpoint. Let me share another with you. I own a Kindle2 and loved it from day one. I'm totally willing to buy books for it. In fact I don't really have an issue with the prices Amazon charges given the current market but I would expect them to fall as the user base grows.

      All of that said, I have decided to stop buying books from one publisher and a specific author due to unreasonable (IMO) DRM restrictions placed on the book when I bought it. Specifically it was a Doubleday book called House of Cards that opened my eyes to how restrictive the Amazon DRM can be. As a result of that experience and the fact that there was no way to know what the restrictions were prior to purchasing, I have started looking for free books and converting various third party books.

      I will still occasionally buy books from a known author that I "must" read but I do this with the full realization that Amazon could rip the content away from me at a moments notice. I don't buy unknown authors or books I may want to keep or reread any more on my Kindle. Instead I go to the library or borrow the books from a friend until I'm sure I want to follow that author. I used to just buy everything and anything I was interested in but now I'm much more careful and have started finding ways to read the books for free if I'm not interested in keeping them or they're not a favorite author. So if you're a favorite author of mine your viewpoint works but you certainly won't break into the market at least for me while your works are DRM crippled.

      Perhaps piracy is a greater problem that growing your audience for you and if so then good luck with your battle against it but for most authors I suspect growing your audience is the greater problem and at least for me DRM is a non-starter when trying to get me to buy an unknown author or a book I want to keep for multiple reads which leaves me only purchasing stuff that I know I like but don't want to keep and reread over and over again. It has really limited what I buy on my Kindle to just escapist writing that I read for recreation.

    15. Re:I wouldn't publish on Kindle if it was Open by registrar · · Score: 2, Interesting

      drmemnoch... a creator of something I actually want, and therefore someone whose opinion I care about? Or are you just some self-important writer of doggerel who wants to restrict my rights, without benefiting either you or me?

      I'm a content creator too. I do it because I enjoy it and it makes me good money. My content is paid for by government and commercial contract (mostly commercial). I have absolutely no pretension to creating content for your entertainment.

      The key difference between you and me is this: you want to restrict my rights, I don't want to restrict yours. I can enjoy my own life without asking you to do or refraining from doing anything. Unless I ask you to create something for me, in which case I will be expecting to pay you for it.

    16. Re:I wouldn't publish on Kindle if it was Open by bcrowell · · Score: 5, Interesting

      How many colleges are using your book as their primary text? My guess is that you are doing it as a hobby, haven't ever been paid for it and if any students are using your text they are probably your own because you run a course and set the textbook to your own.

      57. Here is the list.

    17. Re:I wouldn't publish on Kindle if it was Open by ScrewMaster · · Score: 5, Funny

      How many colleges are using your book as their primary text? My guess is that you are doing it as a hobby, haven't ever been paid for it and if any students are using your text they are probably your own because you run a course and set the textbook to your own.

      57. Here is the list.

      Apparently he guessed wrong.

      --
      The higher the technology, the sharper that two-edged sword.
    18. Re:I wouldn't publish on Kindle if it was Open by bursch-X · · Score: 3, Insightful

      This from the not so new news: Apple offering DRM-free Music in the iTunes Music Store. Have they positioned themselves avgainst the poor artitsts, or does it simply make business sense to give users what they want and not treat your customers like criminals?

      --
      There are two rules for success:
      1. Never tell everything you know.
    19. Re:I wouldn't publish on Kindle if it was Open by fractoid · · Score: 3, Insightful

      No way on Earth I would work hard writing or creating something to have it passed around the Internet for free. I create for my own profit, not your entertainment.

      And that's why I've heard of David Wong and Cory Doctrow, and would buy books by either of them in hardcopy if I spotted one in a book shop, but I still have no idea who you are.

      --
      Rampant carbon sequestration destroyed the Dinosaurs' tropical paradise. I'm here to help repair the damage.
    20. Re:I wouldn't publish on Kindle if it was Open by civilizedINTENSITY · · Score: 2, Insightful

      "I create for my own profit, not your entertainment."

      Seems obvious to me that you can't achieve the former until *after* you've achieved the latter.

    21. Re:I wouldn't publish on Kindle if it was Open by demonlapin · · Score: 3, Informative

      You can rip the protection from any .azw book on your Kindle. Google mobidedrm.py for more. Sadly, no crack is available for Topaz (.tpz) files - at least, not that I can find. Some online booksellers sell DRMed Mobipocket books that can be stripped of protection in the same way.

    22. Re:I wouldn't publish on Kindle if it was Open by swillden · · Score: 2, Insightful

      No way on Earth I would work hard writing or creating something to have it passed around the Internet for free. I create for my own profit, not your entertainment. Once the Internet community stops (I know it isn't everyone but it is enough to be a major problem) stealing content created by artists for profit, we will finally be able to embrace the open standards we all truly want. Until then DRM will live one in some for or other.

      You're free to make that choice. But:

      (1) There are other strategies that may be more to your economic benefit. [...]

      (2) History has shown that DRM doesn't work.

      And don't forget:

      (3) You'll be competing with millions of people who are willing to create something to have it passed around the Internet. Through all but the last tiny slice of history, pretty much all creative works were produced for the joy of creativity, and to share ideas and expressions with others.

      In the 21st century, there are a *lot* of people in the world, and lots of them have time on their hands and some of them have creative talent. You could write a Drake-type equation calculating the intersection of people that have time, talent, resources and desire, and the resulting fraction would be small, but as Internet connectivity reaches the corners of the Earth, it's eventually going to be multiplied by several billion.

      Sure, most of what all those amateurs create will be crap, but not all of it, not by a long shot. I think a significant portion of professional content creation may well get squeezed out by crowd sourcing. Not all, certainly, but I suspect that even those who want to do professional work will end up doing a lot for free, just to get known.

      Free content is big, and just going to keep getting bigger. Those who recognize it and figure out how to work with it and profit by it will do well. Those who refuse had better plan on getting/keeping a day job.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    23. Re:I wouldn't publish on Kindle if it was Open by Mista2 · · Score: 4, Interesting

      All the DRM does on the kindle is make it harder to move the same book to another device, not impossible. Bus as to only a few years left? Well Talk to Apple about a propietary locked down format for content that can be easily pirated. They won eventually because the device was easy to use, and the content was available WORLD WIDE. Wize up Amazon and the whole publishing industry. E-books have no borders or regions, just like digital music. I live in NZ and would love to get my hands on ebooks from amazons catalog, and I would buy them too, but it is restricted to US only regions, and locked to the Kindle, so I'll keep on pirating the content to get it in a format I can use. Thanks Amazon. You just keep on protecting that content 8)

    24. Re:I wouldn't publish on Kindle if it was Open by hairyfeet · · Score: 2, Insightful

      Nice troll BTW, but you kinda miss one little problem with this. Here, I will give an example-Steamboat Willie is STILL under copyright. The man has been dead for nearly half a century, and yet one of his first works, when planes were made of cloth and antibiotics were just a dream, is STILL under copyright.

      Do you think Zombie Walt is cashing his checks? Nope, because copyrights no longer have jack shit to do with "creators" and EVERYTHING to do with blood sucking leach middlemen and multi national corporations. Remember that US copyright laws, which are now being jammed down the throat of many other countries, was a contract, nothing more. In return for a limited monopoly We, The People got a richer Public Domain. But the contract has been broken, our Public Domain stolen from us and our children by treasonous bribery of our elected officials.

      And if you think it has jack shit to do with the "creators" I would like to introduce you to a little concept known as Hollywood Accounting, which is so widespread they have a nice little name for it. It is Hollywood Accounting that forced Meatloaf to sue for over a decade because they had the brass balls to say Bat Out Of Hell I, one of the biggest selling albums in all of history and is STILL last I checked on the top 200, didn't actually make a dime. They also tried the same brass balled bullshit with Peter Jackson, saying the LoTR didn't actually make any money. WTF?

      So if copyrights were rolled back to what they were for over 150 years I would agree with you, but they have been hijacked by multinational corporations using treasonous bribery. So until We, The People are represented at the table again I urge all of those who are getting US copyrights laws and DMCA style bullshit rammed down their throats, as well as my fellow US citizens to ignore these illegally made laws. Laws written in backroom deals with bribes changing hands should be looked upon as the criminal act they are and duly ignored.

      And please don't bring up the "its for the creators!" FUD, because that is as much bullshit as MSFT with their "get the facts" or "IE is the most secure" horse shit. If you can't make a profit in the original 20+ years that copyrights were originally for then you suck and DESRVE to go broke, okay? Thanks to the digital revolution it has NEVER been easier to sell your product, ever. All these insane draconian copyright laws due is consolidate even more cash in the top 4%, while fucking US, our children and grandchildren by outright robbing us of our Public Domain which thanks to them is all but destroyed. Sorry, but I simply have to call bullshit and FUD on your post sir.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    25. Re:I wouldn't publish on Kindle if it was Open by QuantumG · · Score: 2, Insightful

      Well yes. There certainly is a chilling effect. You can't publicly make these tools and try to sell them. Which is what his employer was doing. But everyone knew this, long before the DMCA came into effect. It really does nothing to change the "scene", and that's where the cracks come from.

      --
      How we know is more important than what we know.
    26. Re:I wouldn't publish on Kindle if it was Open by msparker · · Score: 4, Insightful

      Yeah, I hear Cory Doctorow is starving.

    27. Re:I wouldn't publish on Kindle if it was Open by sribe · · Score: 4, Informative

      Well Talk to Apple about a propietary locked down format for content that can be easily pirated.

      Uhmmmm. No! Apple supported that format (AAC + Fairplay) in addition to the worldwide unprotected (MP3) format. In fact, they supported the unprotected format first and only added the DRM-encumbered format later as necessary to strike deals with the music-distribution cartel.

    28. Re:I wouldn't publish on Kindle if it was Open by fooslacker · · Score: 2, Informative

      You can rip the protection from any .azw book on your Kindle. Google mobidedrm.py for more. Sadly, no crack is available for Topaz (.tpz) files - at least, not that I can find. Some online booksellers sell DRMed Mobipocket books that can be stripped of protection in the same way.

      To be honest I haven't looked into the details of cracking it because I'm lazy and have plenty of other stuff to do these days but my main philosophical argument is that I shouldn't have to crack it to use content I paid for in a legit manner (i.e. I want to consume it on either of my devices capable of reading it).

      The primary issue I had with the DRM is that they had the download limit set to 1. Hence once I downloaded it to my Kindle2 I could not read it on my iPhone or another Kindle (such as the DX I was considering purchasing at the time). The reason this sucks is that I use my iPhone as a time waster when waiting on movies to start or waiting at the dentist or doctor by reading my Kindle books. The built in "Whispersync" functionality lets both my devices know where I reached while reading either device and jumps me forward to that point. I really like this functionality because it means I can read most of my stuff on the Kindle but don't have to carry it with me when I'm out and about daily.

      While I could crack the DRM such that I could manually load it on the other devices I suspect that the Whispersync functionality that makes the iPhone Kindle app so useful as a time waster when away from the larger device would fail to function and I'd have to manually track pages read on each device. (I speak only speculatively and without any real knowledge here)

    29. Re:I wouldn't publish on Kindle if it was Open by Teancum · · Score: 3, Insightful

      Well yes. There certainly is a chilling effect. You can't publicly make these tools and try to sell them. Which is what his employer was doing. But everyone knew this, long before the DMCA came into effect. It really does nothing to change the "scene", and that's where the cracks come from.

      Why not? Where the tools were being made and sold (the Russian Republic.... not even in US jurisdiction or the jurisdiction of the court under question) the "tools" were perfectly legal.

      In this case it was also about academic freedom and being able to make commentary about perhaps a sensitive subject to peers who are engaged in similar research (in this case cryptology). Ultimately what happened was that this person was arrested purely because of his speech, in an academic forum no less, but on the grounds of violations of the DMCA.

      This legal issue, together with 1st amendment conflicts and other similar problems with the DMCA, still hasn't been completely resolved in a legal sense, nor has SCOTUS had their crack at trying to form an opinion on the topic either. The point here really is that this law continues to be a potential sword to hang over the heads of software developers that might seem to piss off a U.S. Attorney... for whatever reason that may be.

      BTW, you asked if anybody had been prosecuted, and the answer was given to the affirmative. It doesn't matter if eventually the DOJ was embarrassed to the point of dropping charges in this case, it still was used and can be used in a heavy handed manner as demonstrated with this example.

    30. Re:I wouldn't publish on Kindle if it was Open by Enigma2175 · · Score: 2, Insightful

      The charges against Sklyarov were later dropped [..] He was allowed to return to Russia on December 13, 2001.

      Way to fail to even read the article you linked to.

      Idiot.

      The charges were dropped in exchange for his testimony against his company. He was still jailed. Exchanging cooperation for freedom is a common practice. It doesn't change the fact that he was jailed and charged.

      You asked for a single person that had been jailed in violation of the DMCA, I provided one, then you start the ad hominem attacks. Who is the idiot?

      --

      Enigma

    31. Re:I wouldn't publish on Kindle if it was Open by cervo · · Score: 2, Interesting

      Well that's why you are an absolute idiot my friend. You see there are people who photocopy books today and copy software/music. The more you lock it down with DRM the more people will break that DRM eventually. Then the break will be distributed. Even in the itunes store, often apple would recommend cracking its songs (by burning a CD and then ripping the mp3) in certain situations. Even the DVD format was cracked. It's not a matter of if, it's a matter of when. There will always be a DVD Jon to crack it.

      But the DRM does hurt legitimate customers. I buy books and I absolutely refuse to buy e-books until I get the same rights that a normal book gives me. Over and over I hear that company x has decided to close down its DRM servers and fuck over the customer. Then all the works either become totally unplayable or the company unlocks them all. The other issue with DRM formats is that except for DVDs there seem to be multiple formats. Look at e-books, there are a variety of formats. Sony has their own format, the kindle has its own format, Microsoft had its own format, etc.. Many authors only pick one format. So it is quite often that if there is a book I want, either the author has not decided to publish to e-books at all (so I can't get it), or the author has published to only one format, so if you don't have that device you can't get it.

      Currently everyone publishes to paper so that's what I buy. And if your book is lousy which I'm sure from such a narrow minded prick who wants to fuck over the consumer such as yourself, I will sell it to a used bookstore and you will get nothing from that sale. Then someone a bit smarter than me will pay much less to realize your writing is a worthless piece of shit. But DRM meanwhile kills the used book market completely. In fact that's one thing publishes like about DRM. It kills a used music market. Even Video games are under consideration for DRM because game stop makes a nice profit on used video games that goes write to game stop and not the publishers. IT is fair because when buying a video game or a book I own the media and I can sell it.

      But anyway now back to the book thing. I have a ton of books, some older than I am. They take up a ton of space. I would love an e-book reader so that instead of a giant book case I only need a tiny device. In fact I would love multiple readers. But if I can't get all the books that I want on that reader, I need a giant bookcase anyway so why bother. Also if I get the device and amazon invents a new device and abandons the kindle (or god forbid goes out of business) and shuts down the services that say convert PDFs to the kindle format, or even shuts down the store, then I"m fucked. I have to throw out my kindle. But even if I keep all the books on my kindle, I'm still fucked as I can no longer buy new books for my kindle, because if they close down and so does the kindle no one will make books in that format. Also what happens if my hard disk is wiped out? Amazon has a content manager so you can re-download the book but if amazon goes out of business and closes that then you can't, if you lose the kindle you have lost your entire library....that's not good. I probably spent well over 10,000 or 20,000 on books for my entire life. First of all to get an e-format I'd have to buy them all again. But then to tell me that if I lose my device or because a company goes out of business/stops supporting it I have to buy it all again. I say to you publishes and authors "fuck you" and a "go to hell".

      I will buy an e-book when the following criteria is met:
      1. The format is open. If I buy a kindle and then decide to get a sony reader, I want my library to work. I want my library to be mine.
      2. The entire industry embraces this format. I have eclectic tastes in books. I want "Structure and Interpretation of Computer Programs" available on my device, but at the same time I also want the Anita Blake series available too. I don't want some paper books and some electronic bo

    32. Re:I wouldn't publish on Kindle if it was Open by icknay · · Score: 2, Insightful

      Wow, Slashdot has a bit of a focus problem when DRM comes up .. EPub -- you know, the standard discussed in the article -- has DRM! Wikipedia: http://en.wikipedia.org/wiki/EPUB The amount that DRM sucks is dwarfed by the tremendous, earth-killing suck that is proprietary/closed formats. That's what the article says and that's why you should should avoid all things Kindle.

    33. Re:I wouldn't publish on Kindle if it was Open by jgs · · Score: 2, Interesting

      Did you RTFA? The point that O'Reilly (and others like Cory Doctorow) is making is essentially that according to his data (and he does have data), people who publish on closed platforms using DRM make less profit than people who publish on open platforms.

      Yes, it's counter-intuitive. But so far, the people who use actual evidence in making their arguments seem to be showing that's how it is.

      If you resent unpaid use of your work so much that you are willing to make less profit in exchange for preventing it, that's your call. But if you really do create for profit, you might want to read the article, and others like it, and think hard about it.

  2. Use ODF by Elitist_Phoenix · · Score: 2, Insightful

    They should make it support ODF. But I guess its all about profit to them.

    --
    "I'm going to f***ing bury that guy, I have done it before, and I will do it again. I'm going to f***ing kill Google"
    1. Re:Use ODF by fuzzyfuzzyfungus · · Score: 2, Insightful

      I'm all for open standards; but it isn't at all obvious that ODF is anything like the right one. ODF has a great deal of complexity, not a virtue in embedded devices, because it is designed to cope with the (fairly intricate and evolved) needs of office suites. Something like EPUB, which is designed for ebook purposes, or even a subset of HTML seems like it would be a great deal more suitable.

  3. iPod and iTunes by DaRat · · Score: 5, Insightful
    The Kindle does support the Mobipocket format. Docs in that format can be distributed freely and without copy protection. The tools are available for free.

    A better analogue is the iPod and the iTunes Store. The iPod became the dominant mp3 player not because it supported proprietary and non proprietary formats. It became successful because it made the process of acquiring and transferring content (ripped and purchased) seamless and easy. The Kindle has something very similar in its ease with which you can purchase books and put them onto your Kindle.

    1. Re:iPod and iTunes by Darkness404 · · Score: 4, Insightful

      ...No, the iPod became dominant because it was A) affordable B) had a decent enough UI once you got used to it C) had enough features and D) the competition was crap. Sure, today you can find better MP3 players than the iPod if all you want to do is listen to music, but back when the first iPod came out, it was the smallest player with the highest capacity and attractive design. And now the iPod continues its dominance via the applications on the iPod touch/iPhone plus all the DRM'd music others have bought and don't want to spend $100 reconverting it and prefer to instead pay $75 more to upgrade their player to the latest iPod.

      --
      Taxation is legalized theft, no more, no less.
    2. Re:iPod and iTunes by revlayle · · Score: 2, Insightful

      iPod = affordable?

      I would call the iPod a lot of positive words/descriptors. "Affordable" would not be one of those. I love my current iPod, but you pay a premium for quality/capabilities of such a device.

    3. Re:iPod and iTunes by Dare+nMc · · Score: 2, Insightful

      The article did recognize that, and also explained why that didn't work for O'reily (lack of features.) Really it didn't seam the article cared as much about the hardware, as about the publisher side. I also think this open format discussion was also more about letting it be developed and improved by some community, than leaving it locked to being developed by a single group of developers.
      It seams the only way to meet this definition of open is to make the kindle platform open to developers, it was unclear how amazon was supposed to match that on the publisher side though.

    4. Re:iPod and iTunes by Darkness404 · · Score: 4, Informative

      A) It costs a couple of hundred dollars more than the competition.

      Back in 2001? I don't think so. There were no commonly available 5 GB devices in the iPods form factor back in 2001. Today, yes, 2001? No.

      B) It ripped off the UI from the competition with the exception of the buttons on the case

      Not really, the entire UI was basically based off the click wheel which wasn't really used on anything else back in 2001. If you have evidence feel free to show me, but I can't remember (and a quick Google search turned up no results) of any other player having a similar UI back in 2001.

      C) The iPod never had as many features as the competition did, you're probably thinking of attachments. D) The competition wasn't crap, I've used the competition for years, and I've never had to send it back for a costly battery replacement.

      About the only other digital audio player that came close back in 2001 to the iPod would be the Personal Jukebox and even then it used a larger HD making the entire device itself larger.

      --
      Taxation is legalized theft, no more, no less.
    5. Re:iPod and iTunes by demonlapin · · Score: 3, Informative

      Ever actually used a Kindle? It's nothing like reading a book on a computer, which I've done a few times. It's like reading a real book - no eyestrain, easy viewing, no need to be plugged in if you'll be more than a couple of hours.

      I get that it's not everyone's cup of tea, and yes, it is really expensive. But if you have the money - and I do, so all you folks out there who depend on early adopters should thank me - it's just an amazing device. I bought my wife a K2 for our anniversary, and liked it so much that I went out and bought a K1, used, not a month later. (The price was too good to turn down.)

  4. Commercialism by Techmeology · · Score: 5, Insightful

    The trouble with today's society is commercialism driven technology. Just as art is hollow when the artist cares only about money, truly creative science and technology cannot take place when its primary purpose is to line the pockets of some corporation. It's this care and passion for creation that makes open standards superior. Yes. We all know Microsoft can pump marketable features out, but ultimately, Microsoft technology exists to serve Microsoft, not us. As an added side effect, most DRM schemes rely on security through obfuscation. Hence a piece of technology based on open standards ought to be free of DRM. Even if open source DRM could be constructed, most people passionate enough about a scientific community would be very anti-DRM. Conclusion: unless you like being Microsoft's pawn, open standards FTW!

    --
    Excuse for why is your room always messy?
  5. I almost got a Kindle.. by Lysol · · Score: 4, Interesting

    But instead... I got a Sony PRS-700. And I love it. Sure the screen could be bigger, but it supports PDF natively and a lot of the tech books I get (probably not going to be the case with most other books - yet) are in epub format, which is at least an open format. I know the Kindle DX supports native PDF, but I actually like the epub format now as it seems to render better on my PRS-700. The PRS-700 also has touch screen and a SD slot; so I can just download the epub's, copy them over to the sd, and then they show up on my 'bookshelf' on the reader. Exactly the amount of control I wanted.

    I can see what Amazon is doing here - they're trying to mimic the success of the iTunes music store. I suspect this will work for a while, but at some point, others will come along and force Amazon to open up. Once they do, I might buy a bigger Kindle.

    All in all, I think ebooks have finally arrived and I'm ditching all my paper text manuals and never buying another one again..

    1. Re:I almost got a Kindle.. by Winckle · · Score: 2, Insightful

      Yeah, but Apple made the device support plain mp3s and such and then made a store to go with it. Who would have bought an iPod if it couldn't play your mp3s?

  6. Mod parent up by hedwards · · Score: 5, Insightful

    The Parent poster is right, Art is not something which really works under the model that the GP suggests. There is an element of truth in that being paid to create art provides one with the ability to do so without having to work all day and improves the energy and time available to create the work.

    But it comes at a cost that can be quite high. As soon as you start having to worry about being paid, one has to worry about whether or not the piece is going to be marketable and that is a terribly damaging environment under which to create innovative work. It's not really much of a surprise that most of the masters were doing portraits, working for patrons or downright broke when they were turning out works that would later sell for millions. It's rare to say the least to be able to be a professional artist without putting a muzzle on ones own creativity.

    DRM isn't going to help that situation out much, in fact it's probably going to hurt by eliminating people that are likely to get work that's somewhat out of the ordinary or in other ways unconventional.

  7. Kindle Coverage by Nom+du+Keyboard · · Score: 4, Interesting

    Boy, Kindle is sure getting a lot of coverage on Slashdot lately. You're left to think that somehow the world matters because of it - which it doesn't.

    Google getting into book selling is a much bigger deal. Fictionwise's current meltdown where they apparently can't even report and pay royalties on time or properly is a big deal given their size in the eBook market and number of publishers involved. The fact that you don't even need a Kindle reader to buy and read Kindle books seems seldom mentioned. (A free Kindle reader app is available for iPhone/iPod Touch and there are millions more of those out there than Kindle hardware.)

    Now another pundit tells us that Kindle must change, or die, in 3 years. Kindle is excellent for its intended uses. It's purpose built to provide eBook reading in a thin format with a very readable screen in bright light, weeks' long battery life, limited browsing, multiple formats, bookmarking, annotation, and sharing the book across multiple devices, and no-worries wireless connection. Also, lots of books available for it from the biggest bookseller on the planet. It's hard to see who is going to beat out that combination easily in the near future. I'd just as quickly predict the iPod demise as the end of Kindle.

    Where do I see Kindle in 3 years? Cheaper, if production catches up to sales. Better browsing and better integration of its features into other formats (e.g. annotations on PDFs). Content (e.g. Newspapers) delivered to it by subscription replacing dead tree physical delivery. Or possibly limited to a hardware niche market while their reader software is running on every significant portable device with a screen large enough to read on.

    One way or another "Kindle" survives as a brand as long as Amazon doesn't abandon it themselves and keeps developing the product.

    My personal opinion? That the people predicting Kindle's demise are the ones who hate it in the first place and are trying to talk it away.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    1. Re:Kindle Coverage by Spy+Handler · · Score: 3, Insightful

      Kindle took over when Oprah gushed about it on her show.

      You think Slashdot has a wide reach? For every eyeball on the internets reading your Slashdot post, there are probably 10,000 old women watching Oprah on TV.

  8. Apple tablet by ciaohound · · Score: 2, Interesting

    I was at a neighborhood party this weekend, which provided something like a random sample of the population. You know, morons. Anyway, someone had a Kindle and they were passing it around a bit, showing it off. At the same time, there were many more people showing each other things on their iPhones. The Kindle didn't hang around for long. Maybe it's just not good at parties. Anyway, it made me think that if and when Apple makes a tablet that does everything an iPhone does AND everything the Kindle does, and costs just a tad more than an iPod Touch, that will hit the ebook reader sweet spot.

    --
    Oh, yeah, it's not easy to pad these out to 120 characters.
    1. Re:Apple tablet by commodoresloat · · Score: 2, Informative

      In a way, they kinda did that already.

    2. Re:Apple tablet by demonlapin · · Score: 3, Insightful

      The thing is, Kindle = e-Ink + Amazon store.

      e-Ink is really a crucial part of the Kindle experience. If you've never played with it IRL, you can't really appreciate it - it just sounds a bit ridiculous to say "Works in full sunlight!" and "Long battery life!" until you've gone outside in full summer sun and found it easier to read than it was inside, and then gotten through 3 or 4 long books before you have to recharge. If used heavily, the battery STILL lasts a week when wireless is off. No tablet based on currently available tech can touch this, and I know of no tech in the pipeline that will change that.

      And the Kindle has an edge - in some ways, to most people - in that you can shop wherever there is Sprint access. I'm in a 1xRTT area, and though it's slower, it works. So you get the big-buyer power of Amazon opening up the catalog, and the universal access, and it gets a major edge over other readers in some ways - especially if you're in an airport, e.g., that doesn't have free WiFi.

  9. Artists deserve to get paid. by tjstork · · Score: 5, Insightful

    Last time I checked, taking advantage of someone's enjoyment of their work by not paying them is called exploitation. How about, if because you like to program, your employer decided not to pay you.

    Artists work. They deserve to be paid for what they do. If you don't want to have art on your computer, you can choose to not pay for it. But if it is valuable enough that you might be motivated to go out of your way to get some DRM breaking device, chances are, that means it is valuable, even to you. That means, don't steal it.

    The question isn't whether, for example, Paul McCartney made a billion dollars off of his music, or Steven Spielberg made a billion dollars off of his movies. The question is, is a Paul McCartney song worth a $1 to you. If so, then pony up. Otherwise, don't listen to it.

    It's pretty simple, really.

    --
    This is my sig.
    1. Re:Artists deserve to get paid. by daath93 · · Score: 3, Insightful

      it seems to me though that most "Artists" have an inflated idea of what their "Art" is "worth". If a person enjoys looking at a painting by da Vinci, it doesn't necessarily mean they enjoy paying $10m for the privilege of looking at it. This is why museums were created, and...lets face it, most painters are no da Vinci.

      The same is true on a much smaller scale. Someone may enjoy reading Anne Rice, but will go to a library and read The Mummy for free. This doesnt mean she doesnt like the book, or appreciate the artist, or the art.

      Not everyone is going to PAY for you to not have to work. Sorry.

    2. Re:Artists deserve to get paid. by icebraining · · Score: 5, Informative

      Paulo Coelho is not the literary world's most active Web aficionado, but he's certainly its most prominent. The Brazilian author has sold more than 100 million books, which include 14 short story collections and the novel "The Alchemist." He has been a fan of the Internet since the early 1990s. He spends at least three hours a day online, writing e-mails back and forth with his readers and posting photos on Flickr, MySpace and a blog.

      Coelho's online activities also include a somewhat nefarious one: he likes to promote pirated copies of his own books. At the recent Digital, Life, Design Conference in Munich, Coelho told a gathering of tech company CEOs, artists and designers that since 2005 he's been directing his readers to an online site where they can download his books, in languages from German to Japanese, for free. "I always thought that when, at the beginning of your career, you strive to be read, you can't change your mind later and become greedy about it," he said.

      Tell that to his publisher, HarperCollins. When reached by NEWSWEEK, a HarperCollins spokeswoman, Patricia Rose, said the publisher knew nothing about Coelho's online activities.

      With his announcement Coelho is turning up the heat on an issue that's been simmering in the book publishing industry for years. In supplementing traditional promotional strategies, such as book signings and reviews, with free downloads, Coelho is championing a model that's gaining momentum among his fellow, albeit lesser-known, authors. Writers of technical manuals, academic books and fiction authors, like science fiction writer Cory Doctorow, have been putting their entire books online for free, with the consent of their publishers. Some authors claim that online publishing increases book sales by stimulating word of mouth. Publishers, for the most part, have been reluctant to endorse the practice for fear that it will undermine their sales and contracts for foreign rights and distribution. The trouble is, nobody really knows what effect free online publishing has on book sales, because there's almost no data to go on. "I think the Internet, for [publishers], is a very strange world, still," says Coelho's agent, Monica Antunes, from her office in Barcelona. "They can't make up their minds whether it's good or not good."

      Whereas most authors who have embraced online publishing have done so openly, Coelho had been deftly hiding behind the anonymity provided in the digital world. His site, Piratecoelho, culls pirated versions of his books on sites like BitTorrent and eMule. He pays 10 fans scattered across France, Spain, Brazil, Russia and Turkey to find new pipelines for him to gather versions of his books onto the site. Visitors to his blog can click on an image of Coelho, resplendent in a neatly trimmed white beard, scarf and eye patch (he resembles an affable buccaneer in real life as well), and continue on to the site.

      Coelho believes his online activities have only increased his already healthy sales. When he first came across a pirated edition of one of his books, in Russian, on the Internet in 1999, he put the link on his site, and the impact was immediate. Bookstore sales in Russia, a market in which Coelho was having distribution problems and where he had sold only 1,000 books, rocketed to 10,000 in 2001. He has since sold 10 million copies of his books, his agent says. His fans have downloaded complete editions of his books, in languages ranging from Spanish to Swedish, more than 20 million times in the past seven years. By publishing online, he says, "you give the reader the possibility of reading books and choosing whether to buy it or not."

    3. Re:Artists deserve to get paid. by tjstork · · Score: 4, Interesting

      . By publishing online, he says, "you give the reader the possibility of reading books and choosing whether to buy it or not."

      That's good for Coehlo, but the issue here is that the work is his. Like it or not, the US and the rest of the world has adopted the French model of copyright and in that model the artist reigns absolutely supreme first. If Coehlo wants to give his work away to promote himself, that's fine. But, that is his choice to make and not something that should be imposed on him - unless you want to change the law.

      --
      This is my sig.
    4. Re:Artists deserve to get paid. by civilizedINTENSITY · · Score: 5, Insightful

      First, beautiful definition: "taking advantage of someone's enjoyment of their work by not paying them is called exploitation".

      However, just because someone works hard doesn't mean they deserve to be paid. "Artists work. They deserve to be paid for what they do." A fool who works hard first digging holes, then the next day burying them, doesn't deserve to demand a paycheck "because he works hard all day." Who was he working for?

      If an artist is hired to do work, he deserves to paid for the work he does as per the agreement. If an artist choses to produce art, there is no guarantee of payment. None. Why should there be?

      Agreed: "The question isn't whether, for example, Paul McCartney made a billion dollars off of his music."

      But then, disagreed, because the question is *not*: "is a Paul McCartney song worth a $1 to you".

      A sweet smelling rose bush is worth a $1 to me, for sure. But do you have the right to ask me for $1 to enjoy that rose bush?

      The real question is should we continue to pretend that nonmaterial productions should count as property? Does the societal benefit of such an artifical and arbitrary distinction outweigh the cost? That is the real question.

    5. Re:Artists deserve to get paid. by SleepingWaterBear · · Score: 2, Interesting

      The question is, is a Paul McCartney song worth a $1 to you. If so, then pony up. Otherwise, don't listen to it.

      You seem to have completely failed to grasp the supply half of supply and demand economics. Where did this magical $1 figure come from which you must pay or else not listen to the music? If going to a movie isn't worth the $10 the big theatres charge to me, am I not allowed to go see it in the second run theatre for $2? If I go perform music in the street can I then insist that everyone who enjoys it has to pay me? Just because you produce something doesn't mean you have some intrinsic right to make money from it - unless there's some reasonable way to ensure the scarcity of what you're selling, you need to resign yourself to the reality that you can't really sell it.

      Copyright exists to promote creation of art. Right now, most artists make very little money from records and depend on live performances to make their money. With the exception of a few mega stars who don't need extra money to make it worth their while, copyright is protecting businessmen and lawyers rather than artists here, and on the whole increasing the total cost to society, while doing very little to encourage art. Why, as a society, should we make it possible for Paul McCartney to make yet more money, rather than making art widely and freely available to people?

      If recordings of Paul McCartney's music were in limited supply things would be different, but introducing artificial scarcity unbalances the economic system for no good reason that I can see.

    6. Re:Artists deserve to get paid. by Maudib · · Score: 5, Insightful

      Actually if an "artist" is a member of a guild or union that pushes legislation the end result of which is to steal from the commons, then I make sure that I not only don't pay for it, but I will help other people take it without paying as well.

      Until the Copyright Term Extension Act is rescinded, I consider all media produced by "artists" affiliated with the companies/guilds/unions that bought the law, to be free. Furthermore the act of refusing to pay for their work while actively distributing it to others for free is not only ethical, but an important bit of civil disobedience. Those who pay for works created by said artists are in fact the real transgressors.

      It really is unfortunate that so many people end up buying these works simply for the sake of convenience.

    7. Re:Artists deserve to get paid. by JPLemme · · Score: 5, Insightful

      I think the situation would be improved if the artist reigned absolutely supreme. Unfortunately the copyright owner reigns supreme, and that seems to be the root cause of a lot of the current unhappiness with the situation. Frankly, Lars Ulrich may have been a dick, but it's hard to argue that he didn't have the moral right to complain that a recording that he had created got released without his consent. But when Sony argues that they're defending the "rights of the artists" whilst taking 100% of the artist's royalties until promotional bills are paid in full (thus forcing the artist to pay for the production and promotion of the recording, but without actually giving the artist control over the budget for production or promotion), it's hard to be sympathetic.

    8. Re:Artists deserve to get paid. by Maudib · · Score: 2, Interesting

      Of the content I download, an extraordinarily small fraction of it is ever imported in to my media library. Most of it I download simple so that I am then in turn able to help other people obtain it for free. I download and distribute because I want to cause harm to companies and individuals that stole from the commons. I have zero interest in most of what they produce and will never personally watch/listen/read the vast majority that I download.

      As I am coming from a highly cynical POV that has decided civil disobedience is the best path to defending the commons, I can easily understand your own cynicism and difficulty in believing that "piracy" is ever anything other then selfishly motivated. However I assure you that one can in fact be both a cynic and an idealist.

    9. Re:Artists deserve to get paid. by abigsmurf · · Score: 4, Insightful

      Most of Da Vinci's great works were commissioned or sold. He would not have been able to live like he did if he wasn't very well paid for his work.

    10. Re:Artists deserve to get paid. by shmlco · · Score: 2, Interesting

      "I download and distribute because I want to cause harm to companies and individuals that stole from the commons."

      That's a BS argument. Even if copyright were a mere 7 or 14 or 20 years, I bet 90% of the content you steal and distribute is less than a year or so old, and as such would STILL BE PROTECTED UNDER LAW.

      And you may think it's some sort of civil disobedience, but I'll also bet that the vast majority of the people you're supporting could care less. They simply prefer to steal music and movies and software because they can and then spend the money saved on beer.

      And if you REALLY want to help the "commons", then spend a year or so writing a book or producing great music or a movie and then give it away under Creative Commons. Create something worthwhile, if you can. Hell, any pea-brain can run a torrent server and delude themselves that they're "making a difference."

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    11. Re:Artists deserve to get paid. by rolfwind · · Score: 2, Insightful

      Imagine that, commissioned or sold? Are you saying he didn't retain lifelong copyright on his works and they could have been freely imitated without recieving royalities? That means he would have to keep on working rather than resting easy after the Mona Lisa and making the next project?

      I find it 100x more disgusting that his descendents don't recieve their due royalties as copyright obviously should be artist's life + 9999999999999999999999 years.

    12. Re:Artists deserve to get paid. by MHDK · · Score: 2, Insightful

      RE: "The question is, is a Paul McCartney song worth a $1 to you. If so, then pony up. Otherwise, don't listen to it."

      No, the question is: What is the value of the work overall? Markets don't provide an answer to that question any better than a Joe Random's subjective assessment.

      If you still don't understand, let me put it in terms even the typical mercantile-minded drone can understand: Copyright is a monopoly, monopolies misprice everything, the price of copyrighted material cannot be determined by a market. Moreover, the market clearing price of something which has a zero marginal cost is zero. Information no longer has to be packaged up in physical blocks, so the true market price of information is zero, just as Adam telling Joe a joke has no cost.

      Perhaps with no laws against non-commercial copying a large number of authors will stop writing. Perhaps so. But people will still want to share their ideas with one another and will write them down. And without publishers making a pointless cut on an artificially created scarcity (i.e. via DRM and copyright) there will be no gatekeepers determining what can be published or not. A conservative should be appaulding this! Or is liberty and the individual enterprise only a concern in limited situations?

      Using the market as a means to determine the value of information is becoming more and more untenable, both technologically and ethically. Using the market requires that the natural inclination to share information (i.e. to communicate) is fatuously characterised as "piracy", and can only work by sabotaging free market mechanisms with government-backed monopoly selling of artificially created scarcities.

      But no! Apparently conservatives are all in favour of monopolies, against free markets determining price and in favour of BIG government in the form of law enforcement of non-commercial copyright infringement!

  10. Some things... by tjstork · · Score: 2, Insightful

    This is why museums were created, and...lets face it, most painters are no da Vinci.

    Actually, most painters today in good art schools are better painters than Da Vinci could ever have hoped to become. We don't study old masters because they were somehow better than the people that came after, but, because they broke new ground and showed the way to do things. Seriously, go walk into a good art school, and you'll find 19 year olds kids painting things that DaVinci could never have even dreamed up, but then they get bored and go onto looking for something new.

    it doesn't necessarily mean they enjoy paying $10m for the privilege of looking at it.

    But to see a DaVinci painting or a painting by any major master is probably not free. In the very least, the musuem has an active and ongoing fundraising drive in addition to charging for major exhibits.

    The same is true on a much smaller scale. Someone may enjoy reading Anne Rice, but will go to a library and read The Mummy for free

    Yeah, but those people are stupid. They would pay an easy $10 in gasoline, public transportation and possibly a library membership to go to the library and read the Anne Rice book, when could have just gone to Amazon.com and bought the thing and had it delivered to your doorstep.

    --
    This is my sig.
    1. Re:Some things... by maxume · · Score: 3, Interesting

      One of my parents neighbors walks to the library and reads the paper. I think he even enjoys the exercise.

      --
      Nerd rage is the funniest rage.
    2. Re:Some things... by Anonymous Coward · · Score: 3, Interesting

      Quoth the OP: "Yeah, but those people are stupid. They would pay an easy $10 in gasoline, public transportation and possibly a library membership to go to the library and read the Anne Rice book, when could have just gone to Amazon.com and bought the thing and had it delivered to your doorstep."

      Or just walk there from work, which takes all of 3 minutes each way, and get a stack of books on subjects with many currently out-of-print and unavailable in the commercial market. Plus I get the book immediately and don't have to wait for Amazon to deliver it - or the postal service to decide to keep it at their depot while I have to go and collect it. I can even check online if it's available which is cool and saves wasted journeys.

      If I really want a book to keep, I'll pay for it. No problems there. But quite often, I just want to use one for reference for a few things so the library is a God-send to me. I must have taken out over 20 books in the last month or so which would have cost hundreds of dollars as many of these were heavy-weight text books, and yes some were out of print and over-priced (ie, collectable) on the second-hand market. Total cost to me of all this lending: zero outside of a few pennies in taxes and the knowledge that culture is being preserved for anyone to access.

      So what's stupid about me doing this? More books, better choice, lower cost? I fail to see what I'm doing that's so dumb. Please enlighten me.

    3. Re:Some things... by icebraining · · Score: 4, Insightful

      In my case, I have a free (tax paid, no memberships) public library 15 *walking* minutes from my house that lets me take the book home for one week.
      Amazon takes at least 3 days to get the books to my doorstep, and as I'm never home in the morning when the mailman comes, I have to pick up the books from the post office.

      Libraries clearly win in this case.

    4. Re:Some things... by nausea_malvarma · · Score: 4, Funny

      You pay 10$ in gas to drive to the library? What do you drive? A Hummer h2?

    5. Re:Some things... by tjstork · · Score: 2, Insightful

      .In my case, I have a free (tax paid, no memberships) public library 15 *walking* minutes from my house that lets me take the book home for one week....Libraries clearly win in this case.

      Unless you are the guy that has to drive 20 miles to get to the library, to find out that you've taken out the book that they wanted, for a week....

      So... libraries don't win, overall. In your example, they only win for you.

      --
      This is my sig.
    6. Re:Some things... by Enigma2175 · · Score: 2, Insightful

      .In my case, I have a free (tax paid, no memberships) public library 15 *walking* minutes from my house that lets me take the book home for one week....Libraries clearly win in this case.

      Unless you are the guy that has to drive 20 miles to get to the library, to find out that you've taken out the book that they wanted, for a week....

      So... libraries don't win, overall. In your example, they only win for you.

      What library doesn't have their card catalog online these days? If you're driving 20 miles without checking to see if they have your book first then you lose. Maybe libraries don't win, but you still lose.

      --

      Enigma

    7. Re:Some things... by Ian+Alexander · · Score: 2, Insightful

      Yeah, but those people are stupid. They would pay an easy $10 in gasoline, public transportation and possibly a library membership to go to the library and read the Anne Rice book, when could have just gone to Amazon.com and bought the thing and had it delivered to your doorstep.

      I think your statement is stupid. If I didn't have a bus pass the total cost to me of going to the library would be 75 cents per trip. Since I do have a bus pass it's not even that much; I ride the bus so often that the cost per trip is probably closer to a quarter for me. I don't know about you, but I would be very hard-pressed to find a book whose total cost- including shipping- was 25 cents on Amazon and arrived at my house an hour after I decided I wanted a book. I think it would be pretty difficult to do that for 75 cents, as well. Additionally, when I go to the library I don't have to scour their catalog looking for such a book like I would have to do for Amazon.

      Just because in your particular circumstances, it may be more cost-effective to buy from Amazon in general doesn't mean that the people for whom the library does work are stupid.

      And if you're paying $10 in gas every trip you make I'd consider getting a hybrid.

    8. Re:Some things... by Ian+Alexander · · Score: 2, Funny

      2 of them, actually. He's got a lot of books to read!

    9. Re:Some things... by meta-monkey · · Score: 2, Insightful

      For you. My library is 30 minutes away. I'm extremely busy and travel a lot for work, but love to read and go through one or two books a week. So, I buy Kindle books for my iPhone for $4-6 bucks a pop. I save myself a trip across town, I always have my books with me, and when I finish a book at 2AM and decide I have to start on the sequel, I press a couple of buttons on my phone and there it is. Does it cost $4-6 more than waiting until I'm back home next week and driving across town to the library? Yes, but I'm willing to pay for the convenience. Also...seriously, it's pocket change. A full novel, delivered to me wirelessly and instantly, for about what I'd pay for a meal at McDonalds.

      --
      We don't have a state-run media we have a media-run state.
    10. Re:Some things... by lena_10326 · · Score: 2, Insightful

      Ehhh... I've been to art school. Most students couldn't paint a paper bag. I'd consider 10% of those students "good" and maybe 1% "great". I think the rest either get good after working years in a commercial setting or totally wash out and do something else. It's rare you will find modern art as detailed or meaningful as the best work produced by renaissance masters. Of course, the photorealists are an exception with respect to detail, but those artists essentially copy photos of real scenes: not much allegory or deep meaning in those pieces. I would not make generalities regarding who's better--modern artists (including students) or painters of antiquity. Human ability and talent is the same today as it was then, so the work of any time period will reflect a broad spectrum from crap to great. Also remember that today's students have an enormous advantage: high quality paints and artist tools, cameras, printed photos, libaries, computers, illustration software, and the internet. Plus the understanding of perspective drawing was very poor prior to 1700ish, not to mention students today don't even have to gather materials and make their own paints. It's my opinion today's students should be light years better than the masters but they're not. It's probably because we value quantity and speed of production over quality and meaning.

      --
      Camping on quad since 1996.
    11. Re:Some things... by dna_(c)(tm)(r) · · Score: 2, Insightful

      Plus the understanding of perspective drawing was very poor prior to 1700ish

      ...and so the current generation builds on the knowledge and experience gathered by their predecessors.

      [sarcasm]Great thing we now have "Intellectual Property" and virtually unlimited copyright, DRM, DMCA ... to drive innovation[/sarcasm]

  11. Money = success by mrmeval · · Score: 2

    The one true measure of success in writing is money. Not some babbling reviewer from Publisher Weakly. But cold hard cash. It's a measure of how popular and respected your work is.

    --
    I'd go on a Vegan diet but the delivery time from Vega is too long. --brownkitty
  12. Lame by commodoresloat · · Score: 3, Funny

    when the first iPod came out, it was the smallest player with the highest capacity

    Not true at all. It had less space than a Nomad!

    And no wireless!!

  13. You would still turn a profit by betterunixthanunix · · Score: 2, Insightful

    You would still turn a profit even if you were using an open standard. You would just have to charge for things like printed copies -- I paid for a printed copy of a book recently, simply because a printed copy is easier to read than a digitized copy. No need for batteries, charges, or whatnot -- just an easy way to access information.

    Seriously, why are you so worried about people who trade files? This is a minority of people, and they are probably people who would not have purchased your book anyway, had the content not been available on some file sharing network. Seriously, the publishing industry is not threatened by people downloading books, it is threatened by people not bothering to read in the first place.

    --
    Palm trees and 8
  14. You are just an anti-electron bigot. :-) by tjstork · · Score: 3, Funny

    A sweet smelling rose bush is worth a $1 to me, for sure. But do you have the right to ask me for $1 to enjoy that rose bush?

    If it is my bush, I do. Otherwise, grow your own.

    The real question is should we continue to pretend that nonmaterial productions should count as property

    Or, you might say, how long do we pretend that just because something doesn't have a mass, it doesn't mean its free. People invest in, create, store, protect, and attempt to trade digital works just as much as any physical work. Of course its real....

    And really, while we are at it, just because something is represented by electron states doesn't mean that it is any less real than something that is represented by a more giant assembly of atoms and molecules. You just worship that neutron and proton, don't you. No matter what we little electrons do, spin, absorb photons, spit them out.. you just want to sit there with your buddy the big stupid neutron that doesn't do anything. Ever notice in Physics, that they don't have "neutron volts"... why, it's electron volts. Geez, wonder why that is. That's because neutrons are lazy. Oh we will just hang out and let the protons and electrons makes the atom do all of its interesting stuff. We'll just be stupid mass distorting spacetime and being useless. Let the electrons do all the work..Yeah, you go hang out with your "real" neutron buddies.

    SIGNED,

    SOB SOB SOB

    ELECTRON

    PS.. I GAVE UP MY LAST PHOTON FOR YOU, AND NOW i AM JUST THE LOWEST SHELL!

    --
    This is my sig.
  15. Re:That's all just backwards. by betterunixthanunix · · Score: 5, Insightful

    "No, the fact of the matter is that open standards and this anti-commercialism that you speak of is really just a geeks way of saying that they are self indulgent and want to create for themselves."

    No, it is our way of saying that we are tired of being made into cash cows, and even more to the point, tired of being called communists, criminals, and terrorists just because we have a decent understanding of how computers work. We are sick of living in a society where everyone is trying to monetize everything -- now they even want to monetize our friendships with other people.

    "It's the guys at Microsoft and Apple that have to sweat deadlines, do focus groups, sift through the complaints of millions of users, the genuinely work for everyone else. They get paid for it."

    I am a Fedora contributor, and yet I get complains from Ubuntu, Debian, and Gentoo users all the time. Millions of bugzilla entries have been filed in various open source projects over the past year. The Fedora development list receives hundreds of messages a day discussing how to solve end user problems. We are not getting paid for it, but we still do it.

    "Windows is for the people that use it. Mac is for the people that use it. But, Linux is for the people that write it."

    No, Windows is for Microsoft and their investors. Mac is for Apple their investors. The fact that they have users is secondary to the fact that they can turn a profit. Linux is for anyone who wants it, for whatever they want to do with it. That is why we give it away, and grant everyone the right to use, study, modify, and share it.

    "You can rip me all you want, but just look at all the project managers of various Linux things, and their postings, and the things that strike you is that they are all about 'me' first."

    That would explain why the swfdec developers were so busy getting Youtube to work correctly with swfdec back when Torvalds sent them a message about how his wife was having trouble. That would explain why the Fedora developers took the time to create graphical configuration utilities even though we could configure our systems using ed as a text editor. That would explain why the Ubuntu developers bothered with creating an easy to use system. Yes, you certainly know what you are talking about.

    "Stallman, Torvalds, etc, are all pretty self-centered people. Me. Me. Me."

    Oh yes, that is why Torvalds had it out with Stallman over whether or not it is better for Linux users to deal with GPLv2 or GPLv3.

    "This solution is evil, that technology is terrible."

    Which is why the NSA uses it for mission critical systems.

    "Everything to them is black and white."

    Which is exactly why Stallman admitted that not everyone is going to take free software to the extreme that he takes it, and why Torvalds rejected GPLv3 for Linux because he wanted to leave open the option of using Linux for TiVo and similarly locked-down platforms. Yup, real black and white there.

    --
    Palm trees and 8
  16. Re:That's all just backwards. by SL+Baur · · Score: 2

    Windows is for the people that use it. Mac is for the people that use it. But, Linux is for the people that write it.

    Microsoft Windows is for the Microsoft shareholders to profit from. Macs are for the Apple shareholders to profit from.

    There, fixed that for you.

    You can rip me all you want, but just look at all the project managers of various Linux things, and their postings, and the things that strike you is that they are all about "me" first. Stallman, Torvalds, etc, are all pretty self-centered people.

    <sarcasm>Me, me, me! Neener, neener, neener!</sarcasm>

    I won't speak for anyone else, but the reason that I got into XEmacs project management was that XEmacs 19.14 was a lovely rose ... that smelled bad. Once it was stable, pretty fast and did everything I needed it to do (XEmacs 21.1) I lost interest. If that's self-centered, whatever.

    Since I now support IOS[1] and a host of other proprietary CSCO products, does that make me a better person than the evil open source project manager I used to be? Just asking.

    IMNSHO you're painting Linus with the wrong brush. I've long been of the opinion that someone should collect up his postings and edit them into a text book. It could be as important as The Bible - Elements of Programming Style http://www.amazon.com/Elements-Programming-Style-Brian-Kernighan/dp/0070342075 , the most significant computer book ever written.

    [1] And use XEmacs doing so ...

  17. Re:That's all just backwards. by rastoboy29 · · Score: 3, Insightful

    Who else should they be working for?

    You?

    I trust the OSS guys to protect my interests a thousand times more than any random corp.

  18. Re:There are alternatives by Eskarel · · Score: 3, Interesting

    First of all, open source and open standards are two totally separate things.

    Second, I'm fairly certain that the biggest cost in those things is the screen, followed by the hardware, followed by the name recognition mark up(Sony, Amazon), the percentage of the cost that the OS creates on a device whose entire purpose is to store, index, and display documents in a limited subset of formats is just not even worth mentioning. Half of slashdot could knock that kind of system up in a couple of months on their own.

    E-book readers are expensive because the OLED screens which are so necessary for them to be even remotely comfortable to read are really new technology and still really expensive and because the hardware is specialized largely to the purpose. Eventually we'll get economies of scale and that will drop the price quite dramatically, but OS licensing fees aren't even in it, Linux doesn't have code to run an ebook reader, and everything that isn't about running an ebook reader isn't necessary, so there's not much gain.

  19. Re:It's not so much the open standards by obarthelemy · · Score: 3, Interesting

    - "open standards" pretty much guarantee that you can port software, and interface hardware, to newer stuff. And that somebody will do it. I have 15+ year old ISA cards that still work in recent PCs. I'm 100% sure that my .txt, .jpg, .rtf, .html, ... files will be readable by my grandchildren, if they care. They might be able to hack my old parallel printer to actually print stuff on paper, and laugh at the idea.

    - "Popular" used to guarantee pretty much the same thing - I can still read my CP/M Wordstar Docs ! Except now with DRM and DMCA, it's harder, and it's a crime. I'm fairly sure you won't have a kindle reader + Windows 2035 / Ubuntu 40.10 synch software + amazon authentification server to access your Kindle books 25 years from now, and that Amazon won't be around, or willing, to help. And forget about the children ^^

    --
    The Cloud - because you don't care if your apps and data are up in the air.
  20. Re:There are alternatives by jibster · · Score: 3, Informative

    All the big readers use e-Ink dispalys. Very different from OLED. Your point about the expense is still true.