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Top Authors Make eBook Deal, Bypassing Publishers

RobotRunAmok writes "Home to 700 authors and estates, from Philip Roth to John Updike, Jorge Luis Borges, and Saul Bellow, the Wylie Agency shocked the publishing world yesterday when it announced the launch of Odyssey Editions. The new initiative is selling ebook editions of modern classics, including Lolita, Fear and Loathing in Las Vegas, and Updike's Rabbit tetralogy, exclusively via Amazon.com's Kindle store, leaving conventional publishers out of the picture. The issue boils down to who holds digital rights in older titles published before the advent of ebooks, with publishers arguing that the ebook rights belong to them, and authors and agents responding that, if not specifically granted, the digital rights remain with the author. Publishers and authors are also at loggerheads over the royalty that should be paid for ebooks: authors believe they should be getting up to double the current standard rate of 25%, because ebooks are cheaper to produce than physical editions. (Amazon pays authors 70%.)"

297 comments

  1. A good idea by sa666_666 · · Score: 5, Interesting

    As far as I'm concerned, this is a very good thing. Any time one can get remuneration to the actual content creators instead of the middle-men is a good idea in my book. Now, maybe the prices will drop a little on these things. And in the future, maybe the movie industry can move this way too (yeah, I know, wishful thinking).

    1. Re:A good idea by cob666 · · Score: 2, Insightful

      I Agree, if ebooks are cheaper to produce then they should cost a fraction of what paper books cost. I should not have to pay 7.99 for an ebook when the physical book costs 3.99 at the book store.

      --
      Do what thou wilt shall be the whole of the Law - Aleister Crowley
    2. Re:A good idea by L0rdJedi · · Score: 1

      As far as I'm concerned, this is a very good thing. Any time one can get remuneration to the actual content creators instead of the middle-men is a good idea in my book. Now, maybe the prices will drop a little on these things. And in the future, maybe the movie industry can move this way too (yeah, I know, wishful thinking).

      Except in the case of the movie, who created the content? Is it the writer, the director, producer(s), or actors? Scripts change all the time and are even changed during filming, so who would get the payments? And you can't forget the cameraman and microphone operators.

    3. Re:A good idea by ClaraBow · · Score: 2, Informative

      They are selling these editions at 9.99$. It seems a bit hight to me.

    4. Re:A good idea by Anonymous Coward · · Score: 1, Insightful

      All of the above. Just not (or at least not as much) to the idiots responsible tagging the movie with a production label and burning dvds. Distribution mechanisms are great, but there are cheaper ways now that mean the middle man is the one who's not doing the job and should therefore not be making a mint off it.

    5. Re:A good idea by Andy+Dodd · · Score: 4, Insightful

      The only thing I don't like about this is the Amazon exclusivity. (Unless Amazon offers DRMed eBooks in formats other than the Kindle's - I haven't looked into that too much, but I understand that eBook DRM is at least semi-standardized.)

      --
      retrorocket.o not found, launch anyway?
    6. Re:A good idea by tixxit · · Score: 2, Informative

      I think the idea is for the authors to get more money on a sale of their book, rather than making the e-books cheaper.

    7. Re:A good idea by straponego · · Score: 3, Insightful

      And there's plenty of middle ground for both.

    8. Re:A good idea by Anonymous Coward · · Score: 1, Interesting

      this is a very good thing. Any time one can get remuneration to the actual content creators instead of the middle-men is a good idea in my book.

      They're still using a middleman (Amazon) and it looks like they're going to have an exclusive deal with that one single middleman. So instead of multiple middlemen having to compete to offer them the most remuneration, there's just one.

      Worse, this particular middleman has a limited market for the books; these files will only be readable on Amazon products (rather than say, text files that anyone can read on anything), therefore the authors will only be selling to a fraction of the market that they could have had.

      If you want remuneration to go to the authors then I would have expected you to say this is a disaster, rather than a "very good thing."

      Maybe you're right in a long-term strategic sense, though. If the authors give a Fuck You to their dead-tree publishers and get away with it in court (backed by Amazon's deep pockets!), then after the retarded sales over the next two years, when the Amazon monopoly expires, a much more competitive/low-margin publisher market can develop. That's when the authors will be able to make some money.

    9. Re:A good idea by Lumpy · · Score: 1

      Classics like that.... $0.99 I'll buy the crap out of them.

      Most places have them at price gouging rates.. so I buy the paper book and download a cracked epub of it.

      --
      Do not look at laser with remaining good eye.
    10. Re:A good idea by arth1 · · Score: 4, Insightful

      Indeed. I'm one of those who still boycott Amazon over its 1-click patent, and will continue to do so until that patent expires.
      Which means that anything sold exclusively on Amazon will be a sale they won't make to me (and others who still continue that boycott), and the money is spent elsewhere, quite possibly on competitors.

      For books, I much prefer the PeanutPress format (also known as ereader) for "locked" books, as the format is device agnostic, and I can read the same book I purchased on my PDA, my laptop, my cell phone or my Nook e-ink reader. I'm not locked down to one provider, and can continue to read AND transfer the books between devices even if Barnes and Noble should go out of business one day.

      Why people willingly go for locked down technologies like Kindle and iTunes, I'll never understand. Is it just because of the hype?

    11. Re:A good idea by JaredOfEuropa · · Score: 1

      You can read Amazon's books on the iPad; it's too bad that reading books on this device is a rather poor experience compared to proper e-ink. And I don't want a Kindle and its lock-in with Amazon (and a keyboard... seriously, on an e-reader???) That's why I too was disappointed about this announcement... Most publishers and distributors are still utterly clueless about e-books (some won't even sell them overseas, what's up with that?), and a few like B&N and Amazon are large enough to play the market on their own terms.

      I only buy DRM-free e-books, or ePub/PDF with Adobe DRM, as long as the tool that lets me strip the DRM off continues to work. One of the publishers who do e-books well is O'Reilly; they offer a variety of DRM-free e-book formats. But so far I've been rather disappointed in the rest of them.

      --
      If construction was anything like programming, an incorrectly fitted lock would bring down the entire building...
    12. Re:A good idea by Kryptonian+Jor-El · · Score: 2, Insightful

      Whoever holds the copyright?? Actors, writers, directors, cameramen are all for-hire. Just like if a band hires a temp drummer, he is for hire and does not gain any of the copyrights to any songs he helps the band record, same for those rolls above. I'd assume the copyright is held by the executive producers and the movie studios, of course, and they cant cut themselves out...

      --
      All your 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0 are belong to us
    13. Re:A good idea by bluefoxlucid · · Score: 2, Insightful

      It's only a good thing because they're not bound by a publisher, so they can further license their book rights. Kindle books are a tyranny.

    14. Re:A good idea by david_thornley · · Score: 1

      I bought a Nook, which serves my eReading needs nicely. If authors/publishers don't want to publish in a form I can put on my Nook, well, there's plenty of stuff on the Nook I haven't read yet.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    15. Re:A good idea by mark72005 · · Score: 1

      I don't like hearing of anything of value becoming exclusive to one format or platform, personally.

    16. Re:A good idea by b0bby · · Score: 4, Insightful

      $10 is too high for older books; even on Amazon itself, you can get a used copy of London Fields for $4 ($0.01 + 3.99 s/h). One of these days I'll get an ereader, but it will likely not be a Kindle. Their DRM is bad enough, but the ability to mess with stuff already bought & the refusal to support epub is the final straw. I'll stick with my trusty Palm Tungsten for now, my eyes are still ok.

    17. Re:A good idea by mark72005 · · Score: 1

      the Kindle dynamic seems quite similar to the iPhone dynamic.

    18. Re:A good idea by Anonymous Coward · · Score: 0

      I'm the one person who still boycott Amazon over its 1-click patent

      There, fixed that for you ;)

    19. Re:A good idea by Eponymous+Coward · · Score: 4, Informative

      Why people willingly go for locked down technologies like Kindle and iTunes, I'll never understand.

      Then I'll explain it: convenience. Kindle and iTunes work and are affordable.

      The Kindle software group has done a decent job getting their reader software on a bunch of different platforms. Install the software and your library shows up.

      iTunes is mostly selling MP3's these days and it doesn't get much safer than that.

      Once upon a time, books were expensive and well made. These days, they are cheap and start yellowing before you are done reading them. Many publishers have even started using crappy paper for hard covers. As a result, I've started looking at books about the same way as I do a magazine. Read and toss. eBooks hang around longer on my hard drive (or in my Kindle library), but I don't have any real attachment to them.

      I can see if you are a physical book collector or like to maintain a collection, eBooks will seem stupid. To each his own.

    20. Re:A good idea by rwven · · Score: 2, Interesting

      I'm less concerned with the prices dropping and more concerned with passing more of the benefit straight to the person who deserves it. Publishers, in general, are simply too greedy and controlling.

    21. Re:A good idea by jgagnon · · Score: 3, Informative

      You realize that Amazon has a Kindle reader on many platforms, like the PC, Kindle reader, iPad, iPhone, Mac, and Linux... It's not like you have to buy a Kindle device to read the ebooks.

      --
      Remember to maintain your supply of /facepalm oil to prevent chafing.
    22. Re:A good idea by Eponymous+Coward · · Score: 4, Informative

      Ack! I said MP3s and I really meant to say unencumbered files. I guess in my mind the two are equivalent.

    23. Re:A good idea by fredjh · · Score: 1

      Yeah... we have Nooks, too; it would seem that a publisher that actually is working on behalf of authors would get wider distribution than just Amazon, but I least look at this as a step in the right direction...

      Unfortunately, all it means is that publishers will saddle make authors sign contracts giving up "e-rights," too; probably far too few authors will be able to negotiate out of that one.

      I'm still looking forward to being able to get textbook style books (like all my programming books) in e-form....

      Still, it's a good baby step.

      --
      Stupid, sexy Flanders.
    24. Re:A good idea by h4rr4r · · Score: 1

      I would imagine both both can happen.

      If an ebook goes for $5.99 and the author normally gets $4, $0.99 for amazon and $1 to the middle man, then these books should be $5.49. That would be $4.50 for the author and $99 for amazon.

    25. Re:A good idea by hgriggs · · Score: 2, Insightful

      They go for it because of the convenience. You might have other options open to you, but regular folks just want to click a few buttons and have the book on the device and ready to read. They don't care about DRM or patents or rights or morality. They just want the book there, and they don't want to have to think about it, or go to any extra effort to satisfy someone else's views on right or wrong.

    26. Re:A good idea by interval1066 · · Score: 1

      Feh. Until Amazon stops dealing with DRM I won't even bother. That and their ridiculous $10 per eBook pricing. But this is definitely good for the authors.

      --
      Python: 'And then suddenly you have a language which says "we're all stuck with whatever the whiniest coder wants".'
    27. Re:A good idea by gorzek · · Score: 4, Informative

      The issue isn't one of copyright but contract. Actors, writers, and directors in particular are all bound by contracts--either the boilerplate contracts from their respective guild (SAG, WGA, DGA) or a specific contract for the film in question. Those establish royalties and may or may not permit additional control over the film.

      To use a film clip in a TV show, for instance, you may need permission not only from the studio, but also from the actors, writers, and director, depending on how their contracts were negotiated. Even if you're the studio that owns the film, you would have to do this.

      A studio may have exclusive distribution rights for a film but that doesn't mean they have unfettered control over its use or get all the royalties. When it comes to major studio films, who holds the copyright just isn't that important because so many contracts are involved that divide control and proceeds among so many people.

    28. Re:A good idea by SplicerNYC · · Score: 1

      Absolutely a good idea. Let the artist benefit from his work, not a series of middlemen each with a hand in the till.

    29. Re:A good idea by johndesmarais · · Score: 1

      This is exactly the idea. They don't want the books to be cheaper, they just want a larger percentage of the (ridiculous) retail price to go directly to them. More power to them - but I still won't buy the dang things. Paying $9.99 for an ebook when I can get a (new) printed copy for $7.99 - which I can then loan to my friends or sell to a used book store - is just silly.

    30. Re:A good idea by Unequivocal · · Score: 1

      Wow - you've got a long memory! And I mean that in a nice way. I was also p-o'ed about 1-click when it came out but have left it behind b/c I don't even want to use it on Amazon (not due to protest but due to lack of utility - I like confirmations). So it's a dumb patent but it seems like it's dumb b/c no one misses the functionality they locked down. But I agree it's still a patent that shouldn't exist (but same goes for that reverse auction patent that priceline got way back when)..

    31. Re:A good idea by Suki+I · · Score: 2, Interesting

      Not a plug, not even linking or naming any of our books.

      Expanding your first point, you can read them on iPad, iPhone, iPod, Blackberry, MAC, and PC. I like the way they look on my iPhone better than on an actual Kindle, but I can see why most people prefer the bigger screen.

      As soon as I saw this article I cheered that the publisher of my only story is the same as these famous authors :) Need to pass this on to my friend I help with his books too.

      E-Junkie.Com provides PDF hosting. On our stuff there, has some DRM (can print I forgot how many copies, can copy and paste too) but we are aware that those measures can be sidestepped.

      Scribd.Com is a new place he has posted his free book and all of our stuff is available in paperback. They also sell eBooks in multiple formats.

      As for "no DRM", if we wanted our works out there totally free, that is the way we would do it. His second book is and it still gets Amazon and paperback sales, but lower than the others. On Scribd.Com it has been read thousands of times, lots of free downloads from E-Junkie.com.

      All of the stories are priced low, most below $4, except for one that is a collection of the first four books. Kindle has a preview function and they are also on Google Books where 20% (or 30%, can't remember) can be browsed without having to buy.

    32. Re:A good idea by Weezul · · Score: 1

      Yes, it's a very good idea, but not likely for audio or visual media. Indeed, all this will more likely just convince studios the must lock down their contracts even tighter.

      I'll stick mostly with pirated or print books however, given prices haven't dropped much, and amazon isn't the ideal vender.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    33. Re:A good idea by Runaway1956 · · Score: 2, Funny

      I hate grammar nazis and pedantic asses - but check your math. I think your fingers got ahead of your brain, lol

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    34. Re:A good idea by Eponymous+Coward · · Score: 1

      Does it matter? I respect people whose actions align with their ideals.

    35. Re:A good idea by Anonymous Coward · · Score: 1, Insightful

      Exclusive to Amazon is kind of nutts. It begs for darknet intervention to supply material to non-kindle hardware.

    36. Re:A good idea by localman57 · · Score: 1

      They are selling these editions at 9.99$. It seems a bit hight to me.

      Not if people will pay it. As marginal cost of production drops (now acutally a cost of distribution, not production), and excess production of unpopular titles ceases to be an issue, the authors/publishers will move towards maximizing the gross rather than net revenue (the two will converge as production cost approaches zero).

      The seller will try to anticipate the demand curve at any given time. Multipy the cost against the projected number of people who will buy it at that cost. Whatever cost generates the greatest net income will be charged. And that price will change over time with market conditions (e.g. staleness of the book's content or a surge due to popular discovery (think "Girl w/ dragon tattoo")).

    37. Re:A good idea by kimgkimg · · Score: 1

      So at some point the publisher's start suing the end-users (just to stay consistent with the media business models we've been seeing so far...)

    38. Re:A good idea by steelfood · · Score: 1

      convenience

      And an overall short-sightedness that seems to be incredibly pervasive these days. The culture of instant-gratification is eventually going to backfire, and the so-called digital revolution, when/if it completes, is only going to pave the way for a new dark age.

      It's not merely DRM or closed file formats, but the reliance on technology itself, that makes things unable to last. Even your mention of cheap paper on hardcover books indicates even distribution over a physical medium is becoming unreliable. DRM and closed file formats just make things expire that much quicker.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    39. Re:A good idea by silanea · · Score: 1

      Still the money would go to the copyright holders first, who then distribute it amongst those parties they hold contracts with. When I buy an audio CD today I do not pay € .50 to the band, € 3 to the store and € 14.50 to the studio/publisher, I pay € 18 to the store which pays € X to its distributor which pays € X to the relevant collecting society which splits those € X into shares for the studio, the artist(s) and other parties. The artists do not have a contract with me.

      --
      Rudolf Hess edited Mein Kampf. He was the very first grammar nazi.
    40. Re:A good idea by Joe+Tie. · · Score: 2, Interesting

      Why people willingly go for locked down technologies like Kindle and iTunes, I'll never understand. Is it just because of the hype?

      Because DRM doesn't work. I have a kindle. One of the first thing I did was crack the drm on my old mobi ebooks that I had and put them on there. One of the first things I did on getting a new phone, before the kindle app was released, was to crack the drm on my kindle ebooks and toss them on there. It's not perfect yet, only about 75% of them were able to be cracked. But I consider it almost impossible that this will still be the case when I'm ready to try a new device.

      --
      Everything will be taken away from you.
    41. Re:A good idea by Anonymous Coward · · Score: 1, Funny

      Yes, I'm sure that getting paid more money for e-books will give the dead authors an incentive to write more books...

    42. Re:A good idea by localman57 · · Score: 4, Funny

      my trusty Palm Tungsten for now, my eyes are still ok.

      Not for long. According to what I was told as an adolecent, if you Palm your Tungsten too often, you'll go blind.

    43. Re:A good idea by Anonymous Coward · · Score: 0

      Except they are encumbered, since they'll only play on iTunes and the iPod since they're in some Apple proprietary format.

      Ironically, if you want unencumbered music, you can get straight MP3s from Amazon.com.

    44. Re:A good idea by chris234 · · Score: 1

      No, Apple's never used a proprietary format, they use AAC.

    45. Re:A good idea by Eponymous+Coward · · Score: 1

      No they're not. They are AAC files and AAC is an ISO standardized format.

    46. Re:A good idea by harrkev · · Score: 1

      Too bad too. I do not own an iPhone, iPad or iPod just because Apple is being a jerk with how they are controlling things. I also avoided the Kindle and went with the Nook for the same reason.

      I am all for authors getting more money. However, the Amazon exclusivity is asinine because they leave out a large number of buyers (me included).

      --
      "-1 Troll" is the apparently the same as "-1 I disagree with you."
    47. Re:A good idea by cybereal · · Score: 1

      The only thing I don't like about this is the Amazon exclusivity. (Unless Amazon offers DRMed eBooks in formats other than the Kindle's - I haven't looked into that too much, but I understand that eBook DRM is at least semi-standardized.)

      Sorry to disappoint you but Amazon bought the mobi format and has cut off all third party access to it. It is easily one of the most proprietary of all in terms of both the format and the encryption mechanism.

      Fortunately, it's relatively trivial to remove it (and a little googling around or perhaps searching your favorite torrent site for ebook drm removal should land you some information.)

      The reality is that there is no standard DRM as that is pretty much an oxymoron. DRM doesn't work, therefore, publishing it as a standard would be publishing exactly how to break it. There is one generally accepted ebook format standard, which is ePub. However, ePub doesn't define the DRM, it simply allows for it. Up until recently, everyone who used ePub with DRM used Adobe's ADEPT DRM. This is the DRM used where access to the file is made via Adobe Digital Editions AIR based reader. But, recently, Barnes & Noble has pushed for a second form of DRM (also produced by Adobe) that uses passwords instead of a content server.

      So the closest to a standard DRM format would be ADEPT on ePub (also PDF) but I wouldn't accept that as "standard" for the reason stated above. What you get with Amazon, however, is actually variable. If you get one of their text-based editions you get the old mobi DRM. If, however, you get one of their more advanced typeset versions (which are an awful format that they produced without any thought for performance, and Kindle owners everywhere loathe the "TOPAZ" format for this.) then you're in even more proprietary territory.

      There is nothing good about Kindle-exclusivity. There is no reason whatsoever that these publishers can't also release their books through other vendors such as Apple iBooks, or something even more "open" like booksonboard.com.

      Still, it's interesting to see such powerfully important books being released outside the control of classic publishers. I hope to see this happen more, and am confident that enough prodding will get these same books released on more venues.

      --
      I read the script, and I think it would help my character's motivation if he was on fire. -Bender
    48. Re:A good idea by xaxa · · Score: 1

      Not for long. According to what I was told as an adolecent, if you Palm your Tungsten too often, you'll go blind.

      Do people actually tell you that? The only thing I was told was "some people might tell you too much masturbation will [bad things], but they're wrong". (And they still do.)

    49. Re:A good idea by commodore64_love · · Score: 0, Troll

      >>>To use a film clip in a TV show, for instance, you may need permission not only from the studio, but also from the actors, writers, and director, depending on how their contracts were negotiated.

      Usually the studio retains all rights to show a TV show on air and on videotape, while the actors/writers get fixed residuals from each airing or sale. That eliminates the need to renegotiate every time you air an old episode. ----- The problem arises when a new technology comes along. Like DVDs. The music industry said the songs were licensed for TV and Videotapes, not for dvd, and therefore the music industry demanded more money for each song used. That forced the studios to renegotiate each-and-every song.

      Likewise I think it's reasonable to say: The authors only licensed their creations for books and audio, not electronic editions. So they are free to sell those e-editions directly to amazon without the studio's prior permission.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    50. Re:A good idea by dissy · · Score: 0, Flamebait

      Why must you turn our nice clean slashdot into a house of lies, Ralph :{

    51. Re:A good idea by brasselv · · Score: 1

      At first sight, yes.
      However, when you break down the costs of paper books, you see that the 'physical' production is only a fraction of what makes the retail price.
      Editing, promotion, overheads, rights, etc, take a larger share of the _average_ book cost.

      (of course this is less true for a bestseller, where you have higher promotion costs, but also a larger number of copies to allocate such costs to)

      --
      "Whenever people agree with me I always feel I must be wrong." (Oscar Wilde)
    52. Re:A good idea by imunfair · · Score: 1

      My problem with ebooks is the cost. I can buy a paperback for the same price or cheaper (sometimes new, almost always used is cheaper than ebook). Now on top of the additional cost for the actual book I have to pay several hundred dollars for a device that I will have to replace at some point when it breaks, or lose my books. (assuming I want my ebooks to be as portable and readable as a normal book)

      You also have the possibility that 10 to 20 years from now your ebook format won't even be readable anymore - then you would have been better off buying the paperbacks even if you threw them in the trash when you finished.

    53. Re:A good idea by Eponymous+Coward · · Score: 1

      It's clear that ebooks aren't for you.

      I wouldn't assume that any books you buy today will still be holding together in 20 years time. If this is something you are worried about, I hope you are buying library editions of books (and those can be $100 per copy).

      My problem with physical books is that cost of getting them. I either have to place an order and wait a few days or drive to a book store. With a Kindle or similar device, I can get the book in a few clicks. It's part of the reason I'm reading so much more these days and I'm happy about that.

      Secondly, even when I do buy books, I tend to either throw or give them away when I'm done with them. I'm not interested in collecting things.

    54. Re:A good idea by imunfair · · Score: 1

      Well if you read a lot you can order 5 at a time or so off Amazon ahead of time. This gives you free super saver shipping, cheaper than ebooks, and technically no delivery wait since you're always ordering before you finish your current books.

      So a Kindle for example is the cost of approximately 30 paperbacks, with no tangible upsides, unless you're a person that wants to carry around a lot of books for some reason. (I think most people just read one book at a time)

    55. Re:A good idea by Anonymous Coward · · Score: 0

      Yeah, and Microsoft Office uses an open format too. Please.

      Can you play a track bought from iTunes on anything other than an iPod? No.

      So even if it's technically "open" it's honestly closed and tied directly to Apple.

    56. Re:A good idea by rcharbon · · Score: 1

      The "middlemen" (the original publishers of the paper version of the books) in this case almost certainly provided editing services that improved the final product. I'm not saying they deserve payment for eBook rights they didn't buy because of that, but the value they add should not be dismissed altogether.

    57. Re:A good idea by thrawn_aj · · Score: 1

      Any time one can get remuneration to the actual content creators instead of the middle-men is a good idea in my book.

      I agree wholeheartedly. I can't help being afraid of the publishers' backlash though. As the good Captain Reynolds would say -

      "About 50% of the human race is middle-men and they don't take kindly to being eliminated"

      Hopefully, there's not much they can do in this case, but ya never know :/

    58. Re:A good idea by thrawn_aj · · Score: 1

      Agreed. It's probably been mentioned to death on here by (by myself more than a few times) but it must be said again - Baen usually sells their ebooks (even new releases) for $5-6. Unfortunately, there's only a handful of excellent authors in their stable that I like (and perhaps a dozen or so objectively good authors otherwise) - also, it's largely SF & Fantasy. Good thing Flint, Weber and Bujold have been so prolific over the past decade.

      While that $9.99 price tag does make me puke every time I have to shop on Amazon or B&N for ebooks, I think of it as an easing in period. Unfortunately, I still haven't decided whether it's an easing in period for the consumers (to get used to high prices for ebooks notwithstanding the almost comical lack of material resources needed to produce digital books) or for the publishers (to get used to lower prices for ebooks notwithstanding the usually high prices they extort from the consumer for new release hardcovers). If you're a Stephen King fan, you might recall the unbelievably honest disclosure from the publisher preceding Under the dome (to the effect that they would be delaying the ebook release to avoid stepping on hardcover sales - the worthless assholes!)

      When mainstream publishing stops pulling egregious stunts like this on its customers, you can expect the price tag to dip a little. Until then, might as well get used to it (or start moving towards the independent publishers - of which there are several popping up now, many that are ebook only now that the ereader market has gone mainstream with the Nook and Kindle [*sigh* yes, and iPad too, though that's the last time I admit it in public =p]).

    59. Re:A good idea by thrawn_aj · · Score: 1

      Could you give me an example please? I've heard this before elsewhere but never actually seen the numbers. Ballpark estimates would be fine, I just have no sense of what it is at the moment.

    60. Re:A good idea by Anonymous Coward · · Score: 0

      Well, that and the fact that "locked down" is hardly "locked down" when it comes to ebooks. I don't respect any DRM that is meant for restricting the owner's property rights. And both the Kindle and Nook DRM is laughably primitive. Remember, the only truly effective DRM of any kind is the one that Ubisoft uses for its games (the "always connected to the internet" kind). Any other kind can and will be broken. Since a huge part of the handheld ereader marketing is the fact that "it reads like a real book", absolutely NO ONE will stand for a Ubisoft style DRM. So, effectively (for personal backups only - I'm serious about this but of course you're not obliged to believe me =]), neither device is locked down and easy conversion software exist (with flawless - and I never use that world frivolously - conversion for professionally typeset books). I paid for the frakking books, I'll read them any way I want to. I'm tired of dialogues with the foolish publishers to get rid of DRM when they're dumb enough not to see what happened with MP3s and how beneficial it has been for the industry to sell DRM-free MP3s. They can argue about it ad infinitum - I'll be over here in my corner reading the damn books that I continue to pay for (and keep exclusively for my own use, in keeping with the moral intent of their license) any frakking way and on any goddamn device that I want to.

      /Gets off soapbox
      //Anon for obvious reasons
      ///Coward because I have lost all interest in fighting for change - just wanna read my precious books in peace - is that too much to ask for?

    61. Re:A good idea by thrawn_aj · · Score: 1

      Laudable no doubt, but in this case doesn't make a particle of difference to the status quo. You pick your fights - life is too short to make an issue of every single thing (but that's just me). What makes it worse is that I think he's confused about whom to fight in this case. From Amazon's point of view, it's a global business and they know that they can never make everyone happy. I'm sure they don't give a crap either way about DRM (and hence lock-in) as long as they can sell the ebooks. It's the publishers who have been scared into the whole DRM thing by the never-to-be-sufficiently-damned RIAA/MPAA farktards. And the same publishers recently bullied Amazon into the Agency 5 model (where Amazon is no longer free to unilaterally set ebook prices - so expect even the $9.99 to start going up steadily). Yes, the initial decision on Bezos' part to go with the MOBI format instead of EPUB was a bit douchey but as I've written elsewhere in this thread, ebook format conversion (through Calibre for instance) is 100% flawless, except that DRM prevents that. So, without DRM, format would be completely irrelevant - buy anywhere and read anyhow.

      Boycotting Amazon while continuing to buy these publishers' books in paper form from some other retailer is foolishness in the first degree. There are enough online retailers now that the loss of Amazon (it's so unlikely that I can barely write that phrase) would merely remove a thorn from the publishers' side and leave them free to set ebook prices arbitrarily high and they do with hardcovers - $25 for a hardcover novel - are they fucking insane?).

    62. Re:A good idea by thrawn_aj · · Score: 1

      Once upon a time, books were expensive and well made. These days, they are cheap and start yellowing before you are done reading them.

      I'm sure you're exaggerating to make a point but unless it takes you a year to read a book (or you're Xorgg from the planet Gnarrh in the Magellan sector and you read in a Chlorine atmosphere), I find this highly unlikely =). I will say though that what's called a "trade paperback" these days is made with paper that my ass would refuse to be wiped by. It really wasn't that way once upon a time and that's not just my 'get off my lawn' gnome talking =p. Hell, I have Del Rey paperbacks of Asimov printed 20 years ago that are still quite robust (though just a trifle yellowed but the paper is still topnotch). I have not (thankfully) had your experience with hardcovers being equally crappy though. That's very troubling - I do hope they don't do this for textbooks (for reasons made clear soon).

      eBooks hang around longer on my hard drive (or in my Kindle library), but I don't have any real attachment to them. I can see if you are a physical book collector or like to maintain a collection, eBooks will seem stupid. To each his own.

      Interesting. Just to provide a different perspective, I tend to use both heavily, albeit for different genres. Fiction of any kind (novels, anthologies) have been banned entirely in my apartment since I filled my second bookshelf (a matter of necessity or I'd have to sleep in my car). I got rid of most of my cheap paperbacks and all my hardcovers (except for some irreplaceable treasures - some old Clarke, Asimov and Crichton classics as well as books with nostalgic value). Switched over to ebooks entirely (for fiction). All my math and physics textbooks and other non-fiction that I plan to keep all my life stayed. Now, the dichotomy is simple - ebooks for fiction and hardcovers for "keeper" non-fiction (limited to textbooks of one kind of another or at the most, good quality popular science/economics books). This system seems to work really well since the latter category is (sadly) not very prolific, while the former category has nearly infinite space to expand in. Seems to me that each kind has its uses. Of course, (if and ) when ereaders become so ubiquitous and open that any book can be read anywhere and scientific typesetting (in ebooks) is not the freak of nature that it is today, I'll probably switch to all ebooks. I can sacrifice any of the usually mentioned tertiary qualities of paper books if it means that I can read more and with greater fidelity than before. One just has to keep one's priorities straight ...

    63. Re:A good idea by thrawn_aj · · Score: 1

      ... go to any extra effort to satisfy someone else's views on right or wrong.

      And why should they? Its is absurd for someone to fight for a cause unless he/she strongly believes in that cause. It's simple arithmetic - there are a billion causes on this planet; we choose a few and fight for them. If you don't do that, you have (what I see in Berkeley all the time) the pure political junkie. At some point you have to step back and pick your fights. Mind you, the DRM fight is one that I believe in, strongly. But I can understand why not everyone would be as strongly involved in it. The slightly pompous attitude that fighters-for-a-cause tend to have for the people who don't really care saddens me because they are equally guilty of ignoring some (perhaps worthier) causes themselves.

    64. Re:A good idea by Eponymous+Coward · · Score: 1

      I don't have a Kindle. I read on my iPod touch. It seems crazy, but I actually like reading on the small screen (have been doing it since the days of my Handera 330).

      I do have some actual books lying around, but they never get read. I tend to read in the little bits of downtime I have throughout my day. I almost always have my iPod with me and so I always have a bunch of books available. If nothing I have looks interesting at that particular moment, I can buy something right then and there. I don't have to plan ahead, or cart books around with me.

      The other place I read is in bed and since the iPod is back-lit, I don't need a light, don't have to turn pages, and it's small. Win, win, win.

      At least it works well for me. YMMV.

    65. Re:A good idea by Eponymous+Coward · · Score: 1

      I would wager text books are probably printed on acid-free paper. For what you pay for them, they better be.

      I'll just leave this here:
      http://www.permanencematters.com/the-issue/

      High quality paper costs the publishers about ten cents more per book (95 cents vs 85 cents). Sad, isn't it?

    66. Re:A good idea by thrawn_aj · · Score: 1

      As for "no DRM", if we wanted our works out there totally free, that is the way we would do it. His second book is and it still gets Amazon and paperback sales, but lower than the others. On Scribd.Com it has been read thousands of times, lots of free downloads from E-Junkie.com. All of the stories are priced low, most below $4, except for one that is a collection of the first four books. Kindle has a preview function and they are also on Google Books where 20% (or 30%, can't remember) can be browsed without having to buy.

      I'm afraid you're mistaking "no DRM" for "free". If there's a big enough market for your work (which, as an author, I assume you would find pleasing) and if there's any kind of ebook out there, piracy (Scribd, torrents, etc.) is a fact of life. DRM is not just a bad solution to the problem - it is simply NO solution. Stops only the law -abiding people (who wouldn't have downloaded illegally in the first place). Otherwise, as you might have read before on this site through numerous examples, DRM is largely a feel-good con (much like airport "security").

      No one is stupid enough to think that authors should put up their works for free (at least I hope not). What we're simply saying is that once I buy an ebook, I have the right to read it on any device I want to. I personally do not think that that extends to loaning a copy to a friend or anything like that. Simply put - a legal owner of the book should be able to read it any way he/she wants to. DRM prevents us from doing that. Some people therefore break the DRM (which is so laughably simple to break that airport security is actually very effective in comparison :)) so that they can read it on a Kindle or a Nook or on their phone or PC. You, as an author lose nothing by it, unless you also feel that I should buy several physical copies of a book (one for bedside reading, one for the bus, one for the office and one for the bathroom :))

      For some reason, I have seen pro-DRM arguments from authors a lot lately. I wonder if the publishers are trying to trick you into being their spokespersons for this issue. The DRM thing is a tired old cliche that no pragmatic person would take seriously. It's a childish response to a real problem but is rather like trying to secure your gingerbread house with padlocks made of gingerbread. All it does is keep the diabetics at bay but they wouldn't want to steal your gingerbread house anyway. Oh, and awkward analogies like these is why I'm not an author :) but I really really like to read ;)

    67. Re:A good idea by thrawn_aj · · Score: 1

      I'm still looking forward to being able to get textbook style books (like all my programming books) in e-form....

      Ugh! Tell me about it. It's even worse in physics/math (with proper typesetting support). Unfortunately, you (and I) might have to splurge on bigger screens than the current Nook/Kindle (non-DX). The Kindle DX or the new large format B&N device coming up (I forget its name and couldn't re-find it on the web). It's really all about screen size as textbooks are notoriously difficult to re-flow like novels can. Anytime you have graphics, equations, sidebars, etc. embedded with text, re-flow is simply not an option (as any TeX use would remind you of - painfully :). "No, I don't want it to go on the page of floats, I want it here. Gahhhhh.)

    68. Re:A good idea by Suki+I · · Score: 1

      "I'm afraid you're mistaking "no DRM" for "free"."

      You might be right. John has one book out free, that can be downloaded in multiple formats, no restrictions.

      The no DRM part was the others, inclucing mine, can't be copied willie-nillie without some effort. Most are available as PDFs that can be shared and read on multiple platforms.

    69. Re:A good idea by thrawn_aj · · Score: 1
      That link may be the most depressing thing I've read today =(. What's sadder is that the impermanence of these books actually plays into a manufacturer's instinctive desire for planned obsolescence (the cynic in me would say that publishers (not printers though) would actually prefer to use groundwood even if it was 10 cents MORE expensive). I guess 5 years down the road, we shouldn't expect to see any hardcovers at garage sales eh?

      Also, this -

      Until several years ago, groundwood paper was traditionally used for printing newspapers and other more disposable publications, and freesheet, or permanent, paper was used for printing books. As the newspaper industry faces declining readership, groundwood paper manufacturers have promoted their paper for lower-cost book production.

      Now, that's one externality (of rising electronic media usage) that I could never have foreseen. In hindsight, it makes sense. An enormous groundwood supply, suddenly made useless due to a rapidly declining newspaper industry - where's it gonna go? Into our beloved hardbacks =( I wouldn't mind actually subsidizing these groundwood suppliers to NOT sell to publishers.

      Having never looked into this before, I was surprised to find that acid-free has nothing to do with this particular issue. See here and here for example. Turns out that most commercial paper today is acid-free. If it wasn't, the acid residues would be an additional culprit in yellowing/deterioration of the paper. The groundwood just means that the lignin in the wood is mashed together with the cellulose (the lignin induces the yellowing and the mechanical grinding means that fiber strands are shorter). Freesheet is paper made from chemically processed pulp (lignin and resins are removed and the gentler process produces longer and stronger strands). They are both still acid-free in most cases.

    70. Re:A good idea by Anonymous Coward · · Score: 0

      Nor would they want to have a contract with a trolling mindless asshole like yourself.

    71. Re:A good idea by brasselv · · Score: 1
      --
      "Whenever people agree with me I always feel I must be wrong." (Oscar Wilde)
    72. Re:A good idea by h4rr4r · · Score: 1

      $4+$1+0.99 = $5.99
      $4.50 +0.99 = $5.49

      What did I miss?

    73. Re:A good idea by julesh · · Score: 1

      Whoever holds the copyright?? Actors, writers, directors, cameramen are all for-hire. Just like if a band hires a temp drummer, he is for hire and does not gain any of the copyrights to any songs he helps the band record, same for those rolls above.

      Except this doesn't really apply to writers. In 90%+ of situations, the writer does his work first, then approaches a studio to attempt to sell rights to produce a film from the script. Usually, the only time this doesn't happen is when the story is based on some preexisting work (e.g. either a novel adaptation or a sequel).

      At that point, it's all down to the individual negotiations between the writer and the studio. Which is why most studios will only consider scripts from writers who are members of WGA: it makes those negotations simpler because the writer will usually accept WGA-standard terms.

    74. Re:A good idea by Runaway1956 · · Score: 1

      The decimal point.

      "That would be $4.50 for the author and $99 for amazon."

      As I say, I hate pedantic asses, but I had to give you a little bit of a hard time, LOL

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    75. Re:A good idea by silanea · · Score: 1

      Ah, I see I picked up a dedicated follower in the APK thread. Btw, it is sufficient to insult me once per each of my posts. You do not have to make those hate posts in scores to simulate widespread opposition to ramblings.

      --
      Rudolf Hess edited Mein Kampf. He was the very first grammar nazi.
    76. Re:A good idea by thrawn_aj · · Score: 1

      Very interesting article. It has changed my perspective somewhat, but there is a large part of the cost per book listed that is a still vague. Everything except the printing and royalty (and retailer profit) is pre-production and a lump sum amount that seems to have been amortized over ... how many sales? It's not mentioned. Surely that would very a lot based on the book we are talking about.

      Also, I keep coming back to the example of Baen (a large publisher with a substantial popular author cadre), which regularly (not on sale) sells its ebooks at $5 or $6 and frequently does so for free as carrots for spurring series sales. They have been doing so for several years now, which tells me they have a robust business model. The authors seem quite happy with the royalties they're getting. The ebook sales are in addition to regular paperback and hardback sales on their own as well as at popular retailers (B&N, Amazon). I just wonder what their price breakdown is.

      Basically, I think most publishers appear to be suffering from a bloated business model (too much fluff perhaps, I dunno). They're acting like movie studios in that sense, trying to recoup their entire investment in ... what? A year? A few months? Considering that their size is their only real advantage, they should be able to do so over a few years at least, considering how long paperback sales and ebook sales go on for good books. Or maybe that's it - with all the single-shot authors out there (every last minor celebrity writing a book about their every last fart), they have forced themselves into this weird model.

      Anyway, thanks for the article. Good to have some numbers to look at.

    77. Re:A good idea by Spudtrooper · · Score: 1

      That still doesn't change the fact that I can't put Kindle files on my Sony Reader. Even though I don't have a Nook, I can still use B&N's ebooks (ePub) on my device.

    78. Re:A good idea by Mr.+Slippery · · Score: 1

      I wouldn't assume that any books you buy today will still be holding together in 20 years time. If this is something you are worried about, I hope you are buying library editions of books (and those can be $100 per copy).

      I have plenty of paperbacks that are 30 to 40 years old, and quite a few hardbacks that are 50+. I recently purchased a hardback that's over 110 years old. None are "library editions".

      Please don't try to spread FUD about the lifespan of books. It's just silly.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    79. Re:A good idea by dave87656 · · Score: 1

      Any time one can get remuneration to the actual content creators instead of the middle-men is a good idea in my book.

      If only we could do this for music. Wouldn't everyone be better off if we knew that the money we spend on music went directly to the artist? It probably would reduce a lot of piracy. Of course, the labels wouldn't be too excited about this.

    80. Re:A good idea by Eponymous+Coward · · Score: 1

      I'm not the only person concerned about publishers cutting costs by using crappy paper.

      http://www.permanencematters.com/

    81. Re:A good idea by Mr.+Slippery · · Score: 1

      I'm not the only person concerned about publishers cutting costs by using crappy paper. http://www.permanencematters.com/

      Wow, a manufacturer of high-end paper is concerned about a decrease in use of high-end paper? Color me shocked.

      Again: I have mass market paperbacks -- cheap paper -- from the 1960s that are still readable. Fragile, yes, and some have been Scotch-taped a bit. But they're much more useful than any digital media from that era.

      Right here on my desk, for example: Envoy to New Worlds, Keith Laumer, a 1963 Ace paperback. Yellowed, but so what? I can still enjoy the adventures of Retief, the interstellar two-fisted diplomat. I expect that in 47 years, a paperback printed today will be just as useful as this one is today. (If we haven't burned all the books by then either from crazed religious fundamentalism, or to keep warm once the oil runs out.)

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    82. Re:A good idea by Eponymous+Coward · · Score: 1

      A mass market paperback from today is printed on lower quality paper than one from 50 years ago. Ground wood paper is a relatively recent innovation.

      The race to the bottom is accelerating. Somebody posted elsewhere in this thread that the decline of newspapers is leading to a glut of ultra-low cost (and quality) paper. You're nuts if you don't think publishers will be tempted by it.

    83. Re:A good idea by hvnlyfireangl · · Score: 1

      I think this would be even better if they started doing this with textbooks to drive down the high costs and make it easier to get textbooks in a timely manner.

  2. Good! by rotide · · Score: 5, Insightful

    Publishers, whether it be of music, books, etc, all seem to have this idea that they are entitled to more of the profits than the people who actually _created_ the work.

    Now, in the case of physical items, such as printed books, etc, there is the issue of mass producing it, distribution, deals with resellers, etc, etc. I can see where merely _creating_ the original can potentially pale in comparison to the work it takes to actually make/move/sell the item.

    But, in the case of digital distribution, it takes next to nothing to make after the initial eBook/PDF is created. Merely the cost of duplicating those bits which equates to a tiny amount of electricity and then a little bit more plus bandwidth to push the item. Pennies. Sold with a _heafty_ profit margin.

    Why would a publisher need to take all this profit? Or even a large percentage? They have next to no costs associated with the make/move/sell aspect of digital distribution. Sure, some guy at the end of the road, such as Amazon, needs an online storefront to actually make the sale, but beyond that these things are pretty much on par with Star Trek Replicators. Poof! another copy! Poof! Ten million more!

    Damn straight the creators get the majority of the cut on this form of media/distribution. No need for presses, warehouses, massive shipping requirements, shelf space, etc, etc, etc.

    1. Re:Good! by Anonymous Coward · · Score: 0

      so in your idealized world, who does the marketing?

    2. Re:Good! by roman_mir · · Score: 0, Troll

      Well, it's not a surprise. Do you know what the markup is at a clothing store on those designer jeans or any suit or dress, etc?

      Here are the numbers: anything at all did not cost the store more than 20 dollars. In fact $20 is the highest price that a store would ever pay for any dress or any single piece of clothing.

      A cashmere sweater cost you $350? It cost the store $14.

      Of-course I am not talking about sable fur coats, that's a different purchase price, but it's not thousands of dollars either.

      And that's the way the cookie crumbles.

    3. Re:Good! by Councilor+Hart · · Score: 2, Funny

      mouth-to-mouth review sites Does a good product even need marketing? Or is marketing just to make you buy crap you didn't even want in the first place.

    4. Re:Good! by maxwell+demon · · Score: 1

      In an ideal world there is no marketing.

      --
      The Tao of math: The numbers you can count are not the real numbers.
    5. Re:Good! by Hijacked+Public · · Score: 4, Insightful

      I don't see where entitlement is involved in any way. Publishers/distributors offer a set of terms to which a content creator can agree or not. There is no 'why' or any balancing of who contributed what, just terms freely offered and freely accepted by the two parties involved.

      You could argue that prior to widespread digital distribution there was no practical way to distribute content on large scale without entering into an agreement above, but that is just acknowledgement of the value that the distributors are offering in their contracts.

      --
      "Sacrifice for the good of The State" - The State
    6. Re:Good! by GreyyGuy · · Score: 3, Informative

      Coward, most of the time (unless it is a big name writer) the person doing the marketing is the author themselves.

    7. Re:Good! by DarkKnightRadick · · Score: 4, Interesting

      Seems to me that the literary agents are already doing marketing for their clients to publishers, for ebooks they could take the same cut they are now and go right to the distributor. "Hey Jeff baby, I got this book that'd be perfect in eBook/PDF for your Kindle and bring you loads of moolah. Lets do lunch."

      --
      "There is a way that seems right to a man, but its end is the way of death." Proverbs 16:25 (NKJV)
    8. Re:Good! by Local+ID10T · · Score: 2, Informative

      so in your idealized world, who does the marketing?

      Ideally? No one does. Social networking and word-of-mouth is all that is needed.

      Realistically? The retailer does most of the marketing while the author does a smaller portion themselves.

      --
      "You want to know how to help your kids? Leave them the fuck alone." -George Carlin
    9. Re:Good! by straponego · · Score: 2, Informative

      Marketing? I don't think I've ever bought a book I've seen an advertisement for. In my idealized world, nobody does the marketing.

    10. Re:Good! by ergrthjuyt · · Score: 2, Interesting

      all seem to have this idea that they are entitled to more of the profits

      Just a small nitpick: taking a larger share of gross revenue != more of the profits. Legitimate expenses such as editing and marketing come into play. There isn't anything I know of that indicates that publishers are getting more of the actual profits. Otherwise I agree with your assertion.

      What I do find interesting is how closely related all of this is to music piracy and DRM. Everyone on slashdot seems to think it is a crime to want to sell music with drm, and conclude that the artist deserves to be pirated for such an offense. However, I don't see that argument being made here with respect to ebooks.

      The drm and copyright problem is more sinister and nuanced than most people realize. Many people argue that music artists shouldn't have the right to sell their music, they should give it away for free and perform live to make their livings.

      What would the book authors do?

    11. Re:Good! by Wireless+Joe · · Score: 2, Interesting

      In this case, I'm assuming works like Lolita, Fear and Loathing in Las Vegas, etc. don't need marketing. For new authors, the huge up-front costs of advances, binding, distribution, etc. are gone (for digital distribution), reducingt publishing houses to simple marketing. If you're a new author, you just hire a marketing firm, which will not demand 75% of the profit, and distribute via Amazon or other no/low cost model.

    12. Re:Good! by rotide · · Score: 2, Insightful

      Of course, if you sign your rights away to the digital version of your work, it's theirs. Not arguing that point in any way. But for those that haven't explicitly signed away any rights/privileges/licenses to their digital versions, it should be theirs.

      No one can say that they have some implicit right to your version of work that isn't already covered by a contract. It just doesn't work that way, and rightfully so.

    13. Re:Good! by rwv · · Score: 4, Informative

      They have next to no costs associated with the make/move/sell aspect of digital distribution.

      Devil's Advocate here. Publishers are entrenched in the front lines of the multi-Billion dollar literature industry. They pay graphical artists to come up with book covers that reflect the nature of the book. This is a cost that does not go away when transitioning to electronic distribution. They pay copy editors to refine the style and grammar of a manuscript. Authors actually make many mistakes while writing their stories... and it would be a shame to sell thousands of copies where the word "teh" pops up three or four times. Marketing and advertising costs... whether through new or traditional media are significant. Though, even using new media, Facebook pages don't create and maintain themselves. It take one or two full time staff to properly drive eyeballs to the advertisements so that sales can be made.

      I'm not arguing that publishers aren't charging too much. I'm just pointing out that their role is not completely diminished because of a shift from print to digital.

    14. Re:Good! by butterflysrage · · Score: 5, Insightful

      Problem with that is good old fashioned price fixing. "We will give you 20%, nothing more", next guy says "We will give you 20%, nothing more" third guy says.... well you get the idea.

      For a physical book, you can not do any serious volume without signing on to a major publisher, and they have you by the short hair (and they know it) because they have total control over the market.

      Signed
      A "slightly" bitter author

      --
      the preceding post was not spell checked... suck it.
    15. Re:Good! by Daniel_Staal · · Score: 5, Insightful

      Have you bought a book off of a big-chain's shelf? There's heavy marketing to get books on those shelves...

      (Just because marketing isn't to the final consumer doesn't mean it doesn't exist.)

      --
      'Sensible' is a curse word.
    16. Re:Good! by Anonymous Coward · · Score: 0

      Now, in the case of physical items, such as printed books, etc, there is the issue of mass producing it, distribution, deals with resellers, etc, etc. I can see where merely _creating_ the original can potentially pale in comparison to the work it takes to actually make/move/sell the item.

      If you consider the editing, proofreading, etc.. to be part of the "book" itself, then yes, the physical distribution a large portion of the expense. There are other costs though. Like a movie, books need to be promoted. Authors are put on tour, posters are sent to bookstores, copies are made available to reviewers. All of this could potentially go away if everything is electronic and authors will make more. There are some legal costs too. In some cases lawyers need to read the book. The publisher is usually protected because of some very lengthy agreements, but could be liable in certain situations.

      There are downsides though.

      One of my favorite pasttimes is to wander through the bargain aisles at the local bookstores. All these remainders are deeply discounted so I can pick up books for $2/$3 apiece. With all-electronic versions there won't be many remainders. Sure, they might discount the electronic versions, but based on a quick browse through the Kindle catalog, I don't see this happening.

    17. Re:Good! by Haffner · · Score: 1

      There are a couple reasons to market a product: 1) The product will not be (as) successful on its own, or 2) To raise awareness of the product. Most marketing spans both categories, and campaigns that fall only in one camp are almost always in choice 1.

      --
      "Going to war without the French is like going deer hunting without your accordion." ~General Norman Schwarzkopf
    18. Re:Good! by tibman · · Score: 1

      Books are marketed? I have never seen any of the books i buy in an advert or promotion. Usually word of mouth or i pick up each book and read the summary.

      If i like an author, i buy all their books until they die. You hear that Jack McDevitt and Alastair Reynolds? Keep writing and i'll keep buying.

      --
      http://soylentnews.org/~tibman
    19. Re:Good! by Danathar · · Score: 1

      Actually it's the whole idea of "Publishing" that is in danger. If there is a method of getting your work directly to the masses without the slimy middleman (or maybe a middleman that wants less money) then I'd guess authors want it.

    20. Re:Good! by butterflysrage · · Score: 2, Informative

      They pay graphical artists to come up with book covers that reflect the nature of the book
      sometimes, often it is paied out of the money they would have given to the author

      They pay copy editors to refine the style and grammar of a manuscript.
      HA! Maybe if you are JK Rowling... everyone else has to have their own editing.

      Marketing and advertising costs
      Again, usually either non existant except for extremely popular books (*twitch* Twilight *twitch*), or fronted for the author to be paid back later out of their sales.

      The majority of actual costs publishers have to deal with are getting dead trees to print the book on, and getting the physical books to stores.

      --
      the preceding post was not spell checked... suck it.
    21. Re:Good! by bluefoxlucid · · Score: 1

      Now, in the case of physical items, such as printed books, etc, there is the issue of mass producing it, distribution, deals with resellers, etc, etc. I can see where merely _creating_ the original can potentially pale in comparison to the work it takes to actually make/move/sell the item.

      Please write me a good fantasy or scifi novel. See Stephen R. Donaldson (The Gap), or Mark Chadbourn (Age of Misrule). See others as you see fit.

    22. Re:Good! by Anonymous Coward · · Score: 0

      Become playwrights?

    23. Re:Good! by viking099 · · Score: 1

      That and publishers aren't exactly forthcoming about their payments to authors, and most won't easily grant the author audit rights to the books.

      So now you've got a content creator who signs away their creation to a company who then markets it, takes all the money, then tells the author "trust us, we won't let you down." If you don't have a lot of market clout (like Stephen King) or market savvy (like Piers Anthony), you're going to have a long row to hoe to get fully and fairly compensated.

    24. Re:Good! by Ephemeriis · · Score: 1

      so in your idealized world, who does the marketing?

      Interesting that you should mention this...

      I don't check any newspaper's best seller list. I don't generally read any publications that really feature book reviews. I generally skip over the book reviews here on Slashdot. With the exception of a very few books that actually show up on TV commercials, I have basically no idea what books are out there.

      So, I'd suggest that if publishers are currently responsible for marketing their books, they're doing a crappy job of it.

      Generally I find the books I want to read through word of mouth (or word on blog) advertising.

      I'll see somebody here on Slashdot mention something that sounds interesting, and I'll go look it up. Or somebody I know will tell me that they just finished reading something good, and I'll go look it up.

      Ever since I bought my nook, I've been subscribed to the Barnes & Noble Unbound Blog RSS feed. That's their nook/ebook-centric blog. There's some genuine advertising for various ebooks... New releases and things like that... But they also give away an ebook every Friday. Frequently it's something I'm not very interested in. But I've picked up more than a few free ebooks and found them quite entertaining.

      One such title was Already Dead. This is the first book in a series, and was being given away free for a while. I picked it up, read it, and wound up buying more of the series.

      So, I'd suggest that if you're turning out halfway decent books, you don't really need a marketing department to help you sell them.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    25. Re:Good! by butterflysrage · · Score: 3, Interesting

      Now, in the case of physical items, such as printed books, etc, there is the issue of mass producing it, distribution, deals with resellers, etc, etc. I can see where merely _creating_ the original can potentially pale in comparison to the work it takes to actually make/move/sell the item.

      Obviously you have never written a book. My husband has been working on his fantasy novel for 10 years, tweaking it, changing it, improving it. Find me a single publisher that would spend 10 years developing the marketing or infrastructure to sell a book

      --
      the preceding post was not spell checked... suck it.
    26. Re:Good! by Haffner · · Score: 1

      This pricing model takes into account the fact that a clothing store must by a LOT of clothing it will never sell. It must offer pants ranging, say, from 30-42 waist, and 28-36 length. This by no means covers the entire market, and even with just even sizes, you are looking at 35 different types of pants. This doesn't account for style changes, either: most clothing goes out of style twice a year (I think?). You are now talking about a product that will likely sell below 50% of its volume. Now, there is still much profit to be had, but its not $80 per pants * $ of pants - $10 cost * # of pants. Its $80*#pants*.35 - $10*#pants.

      --
      "Going to war without the French is like going deer hunting without your accordion." ~General Norman Schwarzkopf
    27. Re:Good! by IICV · · Score: 3, Insightful

      Well that's the other thing - it costs almost $0 for Amazon (or anyone with any sort of real IT infrastructure) to publish an eBook. They don't have to gear up a print run, they don't have to haggle for commercial shelf space, they don't even have to pay shipping - all they do is put a 1 MB file in their multi-petabyte storage cloud, make a page based on that one template they've been using since 2000, and set the price. Every cent they get after doing that is almost pure profit.

      At that point, Amazon would be stupid to not publish every eBook they can get their hands on.

    28. Re:Good! by Anonymous Coward · · Score: 0

      What about editors, copy editors, layout designers, artists (cover and interior), typesetters (yes, even with eBooks), and proofreaders?

      I don't want 10 million copies of someone's piece of crap work that's never seen a competent editor. I don't want Sara (or is it Sarah? Or Sera?) having heer eyes change color (colour?) every three pages. I don't want your cliched ending that a good editor would have detected. And if office workers can't understand that comic sans is a bad font, what makes you think the average author will? And, yes, I do kinda judge a book by its cover (or thumbnail). It lures me in at the very least.

      Publishing isn't just about putting ink on paper. Publishing is part of the refinement process. Good editors are worth almost as much as good authors. They push and prod an author to create something better. They don't just check for periods and commas. They make sure characters stay, well, in character. They spot rough spots and send it back for revision. They pull diamonds out of coal.

      I'll probably get flamed for this, but book publishers aren't anywhere near the level of evil as music publishers. They actually add some legitimate value to the process. And even some of the more intangible values - like connections with existing authors and reviewers who can read a book and provide blurbs - help a book sell.

      Then again, actual authors tend to have a way with words and say all this much better... http://www.tobiasbuckell.com/2010/01/31/why-my-books-are-no-longer-for-sale-via-amazon/

    29. Re:Good! by elrous0 · · Score: 2, Interesting

      Because so much has went into the *promotion* of these authors back when they were nobodies. It's real easy for a writer to go indie after he/she has become famous. But they forget about those early years when the publisher/newspaper/studio was taking a chance on them, and helping to promote them. Seems a little unfair to dump your publisher after you get the fame that they helped you achieve. It would be different if these authors has *started out* as indies.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    30. Re:Good! by rwv · · Score: 1

      A "slightly" bitter author

      Could you share the story that made you bitter towards the publishing industry? I'm working on a book that I will eventually be pushing through Amazon's POD BookSurge service. I think many of the readers on Slashdot would appreciate your anecdotal evidence that the traditional publishers are jerks.

    31. Re:Good! by LandDolphin · · Score: 3, Interesting

      None, because the return on investment would be horrible. Your husband's return on time invested would be better spent being a day laborer outside of Home Depot. He's doing this for the love of the book and not the business aspect of it. Most professional authors wouldn't spend that much time on a single book unless they were doing it as a side project and more of a personal project then a professional project.

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    32. Re:Good! by ISoldat53 · · Score: 2, Insightful

      Or the editing. Have you read many blogs lately. An editor, even in electronic media, is still needed. But I applaud the writers getting more of the profit from creating the work.

    33. Re:Good! by firex726 · · Score: 1

      All to often I find that marketing has an inverse relationship to the quality, and if I will like the product.
      When I go to sites and see a large advertising spread I'm more likely to avoid that item then actually buy it.

    34. Re:Good! by MozeeToby · · Score: 3, Interesting

      10 years, or 10 'man-years'? Heh, I bet they spend a man-year just loading the books onto and off of trucks (lets see, 8 hours a day, 1 hour to unload per store... if they sell at ~3000 stores that seems valid), never mind printing, editing, promoting, and selling. Don't get me wrong, that your husband has worked tirelessly for 10 years shows that he has much more dedication than a publisher ever would, but in terms of cost the publisher's are going to be higher.

    35. Re:Good! by Zironic · · Score: 1

      I'm pretty sure you pulled that number out of your ass as my sister runs a clothing store and her margins are apparently 20%ish on most pieces of clothing.

    36. Re:Good! by butterflysrage · · Score: 1

      It is not so much a singular event, more a combination of all the "we own your soul".

      --
      the preceding post was not spell checked... suck it.
    37. Re:Good! by AK+Marc · · Score: 2, Interesting

      Perhaps Amazon could be that marketing model. Between product referrals and ratings, it only takes a couple people taking a chance on a product to get you in the mix. And maybe there'd be a system added where you can rate/refer your own book and offer, say, the first 10 free on the condition they write a review and rate it. Then let Amazon ratings and suggestions take over. Want a new book? Got to Amazon and see what's recommended based on your other book purchases. Amazon may do it for free because it drives sales. And the only ones hurt are the traditional publishers.

      Though there are a lot of books that need a publisher/editor that people think are ready and just aren't. So we'll have to see if that's a good thing.

    38. Re:Good! by Unequivocal · · Score: 3, Funny

      You sir sound like someone who knows how businesses are run. What are you doing on slashdot?

    39. Re:Good! by butterflysrage · · Score: 2, Insightful

      You don't write a book 9-5. You live it. I can't count the number of nights I've woken up and found him madly scribbling down some idea he came up with while laying in bed so he won't forget it by the next morning (hell I've done this several times on my own book). So yes, I would call it 10 "man-years" as you don't really get to 'stop' being creative if you want to write anything worth reading.

      There is also the question of how you define "work". Ya, you have to pay those loaders minimum wake to move box A to truck B. I've done that kind of job, it's painful work, it's annoying work, but it is far from what I would call "hard work". You are told what to do, when to do it, and when you are done you are done... creating doesn't have that. No one can tell you how to write a book, there are no forklifts to make it easier either, there is no whistle at the end of the shift to let you know you can stop and go home.

      --
      the preceding post was not spell checked... suck it.
    40. Re:Good! by Unequivocal · · Score: 1

      Which is what I love about Ross and similar stores. They buy the scraps that don't sell and re-sell them. Intercepting the clothes before they hit the dumpster. A classic case of bottom feeding profit - a great business innovation, imo. It allows Macy's to not worry about overbuying b/c they can dump overages on Ross for at/near cost and everyone wins.

    41. Re:Good! by Suki+I · · Score: 1

      This is probably bad to admit on Slashdot, but when I got my only story finished my friend started walking me through the Kindle posting process (in chat). I gave up and just sent him the file to post under his account.

    42. Re:Good! by mmontalvo · · Score: 3, Interesting

      There have been multiple studies that show the majority of the cost is not the printing of the actual book but on editing, and advertisement. The printing is an average of about 10% of the cost. Take a look at http://ireaderreview.com/2009/05/03/book-cost-analysis-cost-of-physical-book-publishing/ .

    43. Re:Good! by mcgrew · · Score: 1

      Publishers, whether it be of music, books, etc, all seem to have this idea that they are entitled to more of the profits than the people who actually _created_ the work.

      Now, in the case of physical items, such as printed books, etc, there is the issue of mass producing it, distribution, deals with resellers, etc, etc. I can see where merely _creating_ the original can potentially pale in comparison to the work it takes to actually make/move/sell the item.

      I've had a lot of people request that I publish The Paxil Diaries in book form, and at least one slashdotter wants a signed copy (which I will be happy to provide). Can anybody here clue me in as to the best way to go about doing that? I have it in PDF form ready to print.

    44. Re:Good! by butterflysrage · · Score: 3, Insightful

      Maybe I missed it, but how did they gather their data? Does Harry Potter and the Next Big Thing count as one book or one million sold? Does Granny Jem's Guide to Catholic Churches in the North West count as one book or 5 sold?

      Yes, the advertisement on a very select few books can be insane, but just how many books get that treatment? Looking at it from a total books sold per publisher, yes, it can be impressive. However, when looked at amount spent on the average title the numbers trend down drastically.

      --
      the preceding post was not spell checked... suck it.
    45. Re:Good! by Luckyo · · Score: 1

      Publishers, whether it be of music, books, etc, all seem to have this idea that they are entitled to more of the profits than the people who actually _created_ the work.

      And in most cases, they are right. You clearly do not know how modern book writing and publishing works in the most cases. Unlike the few vocal critics, most authors get an idea. They run the idea through the publisher who makes an assessment of how such book would succeed. The then supply writer with an editor, who will help writer mold the book from "I puked this idea on the paper" to a "readable by target audience".

      Finally they do a lot of checks, cover many of authors potential legal problems, contact author with illustrator that would fit the book, do a lot of design work on covers and such. Only after this do paper issues like storage, shelf space, printing et al come into play.

      Many people miss this because there's a lot of authors out there who like the current system, where their needs for proper editors, illustrators, legal representation, design, etc are handled by a publisher, and they can focus on what they do best - writing. A few vocal exception merely cement the rule.

      The argument here is that a few big names can afford to hire their own editors, illustrators, designers, etc. For beginning authors without a sizable nest egg, publisher is more or less mandatory to get anywhere near main stream fame even if author would want to go all digital. Note that this isn't disputed at all in the article - they instead argue that for books where all work is already done, authors should take a bigger cut. This is more of a negotiation strategy then authors denying the importance of publisher support structure as many here on slashdot seem to imagine it.

    46. Re:Good! by Luckyo · · Score: 1

      Sadly, this is correct. Competition is necessary on this particular market. There are many similar problems in other creative industries as well, such as music.

      It gets better if your books end up good enough to break it through into good mainstream sales. Then you can usually re-negotiate the contract for next book under much better terms, as suddenly instead of you going to publishers, publishers come to you.

    47. Re:Good! by mmontalvo · · Score: 2, Interesting

      The linked page was a breakdown for the cost per book of a hardcover. There were multiple links on that article that have even more detail on the cost breakdown. As for where they get the information, most large publishers have roughly the same costs. I have had some conversations with some authors and a few small time publishers I know and their opinion is that those numbers are fairly accurate to actual costs. I do believe the articles was more in line to the average selling book and not to the big names authors. To compare Harry Potter to Granny Jem's Guide to Catholic Churches is a bit weird. Advertisement would probably be different but the overall editing costs are probably the same.

    48. Re:Good! by bws111 · · Score: 2, Interesting

      It seems that you think marketing consists only of consumer-level advertising. The B&N Unbound Blog is marketing. Their Friday giveaway is marketing.

      You could write the best book in the world, but until someone other than yourself knows about it you are not going to sell a single copy. As soon as you tell someone, you have begun marketing it. Next, it does no good at all to have thousands (millions?) of people clamoring for your book if they can't buy it anywhere. So before you have consumers wanting your book, you better convince the retailers that this is going to be a best-seller so that they can stock up on it. That is marketing (and is in fact the real heavy-duty marketing as far as books are concerned).

    49. Re:Good! by TubeSteak · · Score: 2, Insightful

      Seems a little unfair to dump your publisher after you get the fame that they helped you achieve.

      They would dump you in a hot second if it made financial sense.
      The business world and Joe Average have long been playing by different sets of rules...
      Mostly to the detriment of Joe Average.

      --
      [Fuck Beta]
      o0t!
    50. Re:Good! by Anonymous Coward · · Score: 0

      Next, it does no good at all to have thousands (millions?) of people clamoring for your book if they can't buy it anywhere. So before you have consumers wanting your book, you better convince the retailers that this is going to be a best-seller so that they can stock up on it. That is marketing (and is in fact the real heavy-duty marketing as far as books are concerned).

      The internet is a world-wide market.

    51. Re:Good! by haystor · · Score: 1

      In an ideal world there is no editing either.

      --
      t
    52. Re:Good! by SydShamino · · Score: 2, Insightful

      Seems a little unfair to dump your publisher after you get the fame that they helped you achieve. It would be different if these authors has *started out* as indies.

      Then why didn't the publisher insist on a contract that included all of the author's output for the rest of his or her life, published in any medium?

      Are you trying to imply that the poor, defenseless publisher was roped into signing an inferior contract by a big, powerful no-name author? If the publisher helped make the author famous, then clearly the author was not famous when they signed their first contract with the publisher. In every case the publisher chose to promote them and their work knowing the contract would end.

      Should the company that first hired you in your chosen field be able to prevent you from ever working again? It's very likely that you learned a lot in your first professional job, so you were learning and building your resume at the same time. Seems unfair to dump your employer after you get the experience that they helped you achieve.

      Your post isn't the first time I've heard your argument. But it's a very, very anti-freedom argument.

      --
      It doesn't hurt to be nice.
    53. Re:Good! by SydShamino · · Score: 1

      I dunno, does the publisher arrange who gets to be interviewed on The Colbert Report? Honestly that's the only book marketing I've paid attention to in years.

      --
      It doesn't hurt to be nice.
    54. Re:Good! by Anonymous Coward · · Score: 1, Insightful

      Not true. If by editing you really mean proof-reading, yes; however a significant portion of the work of the editor is choosing fonts and doing typesetting, arranging any illustrations, and making the whole thing look professional and organized. Even if this is part of the writing process, it will still be necessary even in an ideal situation.

    55. Re:Good! by Anonymous Coward · · Score: 0

      There is no 'why' or any balancing of who contributed what, just terms freely offered and freely accepted by the two parties involved.

      Publishers have an oligopoly on marketing and sales channels. Fortunately, that is slowly disappearing, in part through efforts like this: the offers are being rejected now.

    56. Re:Good! by bws111 · · Score: 2, Insightful

      There is plenty of competition in those markets. The question is: who is competing for what? Are publishers competing for authors, or are authors competing to be published? If you are a best-selling author, then publishers will compete for you. They may try to one-up each others percentages, or offer stronger promotion, or any number of things to win that author. However, if you are an author competing to be published, then it is YOU who must offer better terms. If other authors are willing to settle for 20%, you are not going to get higher than that. If you really want to be published, you need to be willing to DROP your take, not complain that they won't give you more.

    57. Re:Good! by Ephemeriis · · Score: 2, Informative

      The B&N Unbound Blog is marketing. Their Friday giveaway is marketing.

      Yes, it is. It is marketing being conducted by Barnes & Noble, not whoever publishes the books.

      In the fine article, we're talking about a number of authors who've bypassed their publishers to sell directly on Amazon. Amazon can go right ahead and market things. The publishers are not necessary.

      You could write the best book in the world, but until someone other than yourself knows about it you are not going to sell a single copy. As soon as you tell someone, you have begun marketing it.

      Yes, I have begun marketing it - without involving a publisher.

      And these days I can potentially reach millions of people simply by posting something on my blog, or on Slashdot, or on Facebook, or wherever. All without requiring the services of a publisher.

      Next, it does no good at all to have thousands (millions?) of people clamoring for your book if they can't buy it anywhere.

      I could host the book on-line and accept donations. Or I could use one of several on-line ebook publication services. There's absolutely no need for me involve a traditional book publisher.

      So before you have consumers wanting your book, you better convince the retailers that this is going to be a best-seller so that they can stock up on it.

      You're talking about brick & mortar retailers, and physically stocking up on paper books, aren't you?

      Because this article, and my comments, are aimed at digital ebooks.

      If you're doing digital distribution, nobody needs to stock up. And it isn't too hard to convince folks to stock digital products. They don't take up any shelf space. There's no trade-off between some no-name and someone famous. You can throw both of them on your digital storefront and let them sell whatever they want.

      That is marketing (and is in fact the real heavy-duty marketing as far as books are concerned).

      As I said before, and just clearly illustrated, it is no longer necessary to have a publisher do your marketing for you.

      --
      "Work is the curse of the drinking classes." -Oscar Wilde
    58. Re:Good! by dragmar · · Score: 1

      "Facebook pages don't create and maintain themselves" If only the Author knew someone who was good at writing they could do that part themselves

    59. Re:Good! by Daniel_Staal · · Score: 1

      Simple: My job is to make sure computers run.

      So, either I am wrongly educated or wrongly employed. Either way, hanging out here is better than contemplating my wreck of a life. ;)

      --
      'Sensible' is a curse word.
    60. Re:Good! by rwv · · Score: 1

      Facebook pages don't create and maintain themselves

      If only the Author knew someone who was good at writing they could do that part themselves

      An author who takes the time to maintain an advertising push on Facebook is going to be taking a significant amount of time away from writing his next manuscript. Benefits of specialization would direct the author away from doing his own publicity. On the other hand, he could hire somebody and pay then for a few months to create buzz.

      The main point is that something that seems obvious for you might be the wrong tactic for somebody else who has different ways of valuing their own time/efforts.

    61. Re:Good! by Anonymous Coward · · Score: 0

      Cover art frequently has little to nothing to do with the content, in my experience. At least in genres like science-fiction and fantasy, where just about the only significant book covers have more than minimal relationship with the book contents were done by Janny Wurts. A special case, since she was able to do her own covers, since she was an established cover artist before her first novel.

    62. Re:Good! by RafaelAngel · · Score: 1

      Dr. Who left him in the present. He's actually a retail book manager at Futuremart. They went for a male love interest this time around but they had a argument and he's stuck in our time working as a retail manager at Wal-mart. He logs into Slashdot to be in the midst of history. Hopefully he won't mess up the time line.

    63. Re:Good! by Hatta · · Score: 1

      They pay graphical artists to come up with book covers that reflect the nature of the book. This is a cost that does not go away when transitioning to electronic distribution.

      Who needs a cover for an electronic book? Author, Title, and maybe an Abstract are all you really need.

      --
      Give me Classic Slashdot or give me death!
    64. Re:Good! by bws111 · · Score: 1

      I never once mentioned 'publisher' or said who was doing the marketing. I was merely responding to the statement that said if you write a good book you don't need marketing, and your statement that if publishers are doing marketing they are doing a crappy job. Whether it is you personally doing the marketing, or a family member, or someone you hire, or a publisher, you still need to do the marketing. Even for eBooks, you need to get someone to offer it (even if it is putting up your own web site). That is marketing. Now, if your statement was 'I don't need a publisher to market for me, I can do it myself' then I would agree. But that is not what you said.

    65. Re:Good! by Anonymous Coward · · Score: 0

      First impressions are important and you don’t have long to make them. Yeah yeah, don’t judge a book by its cover – but the publisher wants you to, because that’s often the only thing they can use to grab you enough to get you to read the flyleaf or back cover.

      Whether it’s a printed and bound book or whether it’s a listing on an online store, a picture is much better at grabbing someone’s interest than a couple of paragraphs of text would be.

    66. Re:Good! by zzatz · · Score: 1

      You've assumed that the author does far more work than the publisher. More, but not far more. The publisher pays for the editing, typesetting, proofreading, and marketing.

      If you want to see what authors create without collaborating with editors, check the Internet for fan-fiction, erotica, and other self-published works. A few authors can pull it off. Most need guidance.

      This work applies to all published works, electronic and printed. The man in the street greatly over-estimates the cost of printing and distribution, and greatly under-estimates the cost of taking an author's draft and turning it into a published work. And the collaboration may begin well before the draft is written.

      Sure, the music business is distorted in the manner you describe. But your understanding of book publishing is flawed, as you leave out large quantities of creative work not done by the author. The creators do get the the majority of the profits, but some of them work for publishers.

      tl;dr - Publishing a book takes many people, not just the author. Oddly enough, all of those other people want to be paid.

    67. Re:Good! by Anonymous Coward · · Score: 0

      Ten years?

      That's retarded. Just because he spent a fucking decade writing one work doesn't mean that actual authors spend even close to that amount of time for FIVE books.

      So don't act like that's the norm, 'kay?

    68. Re:Good! by david_thornley · · Score: 1

      Economics advocate here. Getting a book ready to go, with graphics and copy editing, is a fixed cost. So's marketing and advertising: none of this scales with the sales of the book.

      And, assuming publishers are rational, nothing of this affects the price. The price should be set at the point that maximizes the number sold times the difference between the price and the marginal cost, because setting it higher or lower means less money. Fixed costs are important only in telling whether the whole venture is profitable or not.

      Since marginal costs are almost zero for an e-book, you can simplify that to number sold times price, but that's not going to be as favorable as you think.

      As far as I can tell, book demand isn't all that responsive to price. People will, by and large, buy what they want to read, and changing the price doesn't affect purchases that much. That's why paperback prices rose considerably faster than inflation since 1970 or 1980: the publishers found that the decrease in sales from raising the price wasn't as significant as greater profit per sale.

      The exception might be if books get down to iPhone app prices. I'm much more likely to buy a book for $2 if I might read it and it isn't going to take up physical space until I do. I'm not sure if how many publishers have been experimenting with this.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    69. Re:Good! by roman_mir · · Score: 1

      Oh, that's a number that is absolutely right, it's a wholesale number.

    70. Re:Good! by DarkKnightRadick · · Score: 1

      Perhaps, but do you realize how difficult, even with pre-packaged software, it is to setup and maintain your own e-delivery system? I'd rather pay someone (in the form of a commission on sales or some other agreeable setup) to distribute it for me, especially if they already are in the public consciousness. Otherwise I'd have to spend money I don't have on a website, hosting, SSL certificate, possibly merchant accounts (I'm not sure how trusting I would be of PayPal if I got really popular), ADVERTISING. This way all I have to do is setup a facebook fan page, a twitter account and possibly even an alternate facebook profile (if I already had a personal one), link to my book on Amazon (or even a simple website with a link to the Amazon page with my book) and profit. Everything I just did was absolutely free (as in no additional cost (aside from additional time spent doing my own guerrilla marketing) from my current day-to-day activities).

      Win-win (unless your Random House or some other PH or imprint).

      --
      "There is a way that seems right to a man, but its end is the way of death." Proverbs 16:25 (NKJV)
    71. Re:Good! by cdrguru · · Score: 1

      You are obviously not an author. As someone that was paid an advance by a publisher I can assure you that copyediting is something the publisher does whether the author wants it or not - this gives them a lot of control over the final product. Without this control, they would be publishing gibberish.

      Similarly, for the publisher to talk to Amazon is going to cost them money. For them to talk to Walmart is going to cost money. No, they aren't going to do a full-page ad in the New York Times for most books but there are indeed promotion costs. Advertising costs are going to be things like getting a poster sent to 1,000 bookstores that lists the new books out this month.

      Very little of book publishing has to do with printing and distribution. Printing? Maybe $2.50 per book for non-paperback books and $1 or less for paperbacks. Distribution? Oh, you mean shipping... Well we get boxes of 22 of my book for about $10 in shipping costs. UPS is your friend when you ship that much stuff.

    72. Re:Good! by cdrguru · · Score: 1

      How do you combat or otherwise deal with the fact that most "review" web pages are chock full of negative content from disgruntled customers with no legitimate complaint. Sure, there might be one or two real reviews in most sites, but that hardly counters the complaints from people that feel for one reason or another they weren't treated right.

      You also have the "reviews" from interested parties friends and family.

      With that, what possible point is there to looking at an online review of anything? You aren't going to get any more information about the item being reviewed. You are going to get bias one way or the other depending on the attitude of the reviewer. And who they are friends with. Or being paid by. Oh, you didn't know there are services to create positive reviews?

    73. Re:Good! by Anonymous Coward · · Score: 0

      Distribution? Oh, you mean shipping... Well we get boxes of 22 of my book for about $10 in shipping costs. UPS is your friend when you ship that much stuff.

      If you write FREE MATTER FOR THE BLIND on the box, your shipping costs drop to zero. On the off chance that someone inspects the contents of your packages, just claim that you couldn't see what you were putting in the box when you packed it.

    74. Re:Good! by Libertarian001 · · Score: 1

      Who cares if it's a digital distribution? Seriously. Published is published.

    75. Re:Good! by WWWWolf · · Score: 1

      But, in the case of digital distribution, it takes next to nothing to make after the initial eBook/PDF is created.

      Uh...

      I write short stories. I publish them on the Internet under CC licenses. And yet, I'd terribly appreciate if I had a publisher. (I just don't bother submitting my stuff to publishers because, frankly, I'm still learning. Maybe when I get a novel done.)

      I can understand why people are peeved when music publishers are grabbing money: it's easier to see if a song sucks or is awesome, so as works of art, they're easier to market. The musicians do most of the work on their own, from composition to the finished song. But with books, there's so much more work that the author can't really do on their own - the publishers actually need to do something. Books are harder to market because they're not something you can just spend minutes listening to and deduce it's awesome. Reading a book takes a commitment of a few days. Readers need some assurance that what they're getting is not some badly spelled, barely coherent drivel.

      Publishers do far more than just physically distribute the books. They need to make sure the book is in proper physical format (or in an appropriate file format). They need to make sure it's got correct catalogue data (yeah, right, as if I'm going to waste my money on ISBNs).

      The publishers edit the books. I find it's freaking impossible for me to edit my work properly - it'd be easier if I just could hit a reset button in my head and see the text from a completely different person's perspective. I can never spot all of the silly little mistakes I make. People whine endlessly when they spot typos, and I can't blame them. I do, especially if I find typos in stuff I've already sent out.

      The publishers market the book. This is rather crucial. I do absolutely no marketing, and according to Google Analytics I've had hundreds of page hits over the last year! Some even stayed on the site for more than a few minutes! I'm overjoyed! I don't have a foggiest idea of how to market my stories, and I don't actually want to learn. (Ummm.... here's my boring fantasy stories! ...I fail this marketing stuff forever.)

      Marketing and editing are the two things that the publishers are needed for. From a reader's point of view, the publisher acts as a quality control figure: They won't try to sell books unless they think they can make money out of them, and toward that end, they only select books that actually may be marketable and fix them up so people won't gouge their eyes out when they try to read the books. From author's point of view, publishers simplify things: they're doing the boring gruntwork and the author can focus on stuff they're supposed to be good at - that is to say, writing. The authors write, and the publishers hand out an advance based on how well they expect the book will sell and royalties in case the expectations are exceeded. Pure and simple.

    76. Re:Good! by Hatta · · Score: 1

      Ah, so the publisher needs a cover so they can sell me books based on something besides the content. When you put it that way, the lack of a cover on ebooks is a positive boon.

      --
      Give me Classic Slashdot or give me death!
    77. Re:Good! by Anonymous Coward · · Score: 0

      And copyright is copyright. The copyright holder assigns limited permissions to copy and distribute to a publisher via a contract. If the contract doesn't cover something the publisher has no right to it.

      "Publishing" via a publishing house is just a part of a particular sales and distribution model and is governed by contract law. It's not the be all and end all you seem to think it is.

    78. Re:Good! by Anonymous Coward · · Score: 0

      Does your bookseller carry every new book published? If not (and I assume not since you are picking them up and looking at them), how does he decide which books to carry? Which to place on display in prominent positions in the store? Do you read book reviews from a magazine or newspaper? How do the reviewers decide which books to review? How do they get the books before they are published? Have you ever heard an interview with an author of a new book? How did that author get interviewed on that show or in that magazine?

      So sure, authors build up followings and then don't need to advertise to you personally that their 10th book is available if you'd like it to go with all the previous 9 you bought, but getting in that position to begin with required a lot of marketing even if you never noticed any of it happening.

    79. Re:Good! by Anonymous Coward · · Score: 0

      Hate to break it to you but authors, at least in the US, have to market themselves. Those Facebook pages? They are kept up by the author. Authors pay for their own book tours. Authors pay a "discounted" price for books that they supply to reviewer. Publishers only shell out cash for those few multi-million dollar authors. And these days, publishers are demanding a percentage of any movie deals that comes along afterwards.

    80. Re:Good! by ZzzzSleep · · Score: 1

      There's Lulu, which was recommended here, but I haven't used the service myself, so I can't vouch for how hard/easy it was to use.

    81. Re:Good! by thesandtiger · · Score: 1

      Have you considered that your husband simply may not be a very good writer?

      My father has spent 40 years on his hobby, which is a biography of Lord Byron. He has spent an absurd amount of money on travel, owns (of course) everything the man wrote, but also damn near everything written about the man, to the man, possibly read by the man, and other people in his circle. It's his second job, basically.

      About the time I turned 12 or 13, my father would give me drafts to read and comment on. Some of those drafts were older than I was, and had never been read by anyone but him because he didn't feel that my mother or my older siblings would "get" it. Throughout my life (I'm almost 40) he has, from time to time, given me revisions and edits, complete re-writes of entire sections, etc.

      So I can say this with authority: My father is a fucking AWFUL writer. He's a TERRIBLE biographer. I love him, but good lord, his efforts here suck in a way that few other things in the universe are capable of sucking. The massive amount of time spent on a project says dick about the quality, and more about the obsessiveness of the person working on it.

      We live in a world where Cat Warriors or other inane shit like that can be published - if your husband has needed 10 years to work on his book and hasn't been able to find a publisher, I'm thinking it's a dog.

      --
      Since I can't tell them apart, I treat all ACs as the same person.
    82. Re:Good! by butterflysrage · · Score: 1

      I have but one question to ask you:

      How many years did it take Tolkien to write LoTR? (hint: more than 11, less than 13)

      --
      the preceding post was not spell checked... suck it.
    83. Re:Good! by butterflysrage · · Score: 1

      Guess you don't like Tolkien, or Clavell, or Herbert (ok, Dune took 8, but close).

      People like King who can curn out 5 books a year are the abnormals of the writing world, not those who take 10 or more.

      --
      the preceding post was not spell checked... suck it.
    84. Re:Good! by thesandtiger · · Score: 1

      So you think your husband is the next Tolkien?

      Grandiose ideas about the quality or potential impact of your husband's work aside, the fact that you invoke Tolkien as if he were some great writer is telling. Those books aren't exactly notable because they have good prose - it was the universe creation that was something new and different at the time. It has since been done again and again, and also better, in that not only have other fictional universes chock full of detail been created, but the stories told in them were definitely more robust, and the prose with which those stories were told also vastly improved over Tolkien's works. To say nothing of the vast changes in the publishing world that have also taken place in that time, as well as in the perceived social acceptability of people creating those kinds of works.

      I actually hope that the work your husband is creating does turn out to be fabulous, but statistically speaking, it's 10 years spent on a hobby, not 10 years spent on the creation of a new masterpiece. Like I said - I smell a dog.

      --
      Since I can't tell them apart, I treat all ACs as the same person.
    85. Re:Good! by butterflysrage · · Score: 1

      the MAJORITY of published works take between half a decade to more to complete. People like King who can write 5 books a year are the outliers. Dune took 8 years, many of A.D. Foster's works have taken close to a decade from inception to publication.

      To be blunt, your ignorance of professional writing is showing. Sure, maybe you can churn out an unpolished, unedited, unrefined, plot-hole ridden POS in a year... but pro quality takes longer.

      --
      the preceding post was not spell checked... suck it.
    86. Re:Good! by thesandtiger · · Score: 1

      And you're demonstrating a complete willingness to suspend rational thinking about the realities of professional writing.

      Most things that are written are absolute shit. Even most things that are published are absolute shit. The odds of your husband writing the next LoTR, Dune or even Twilight are phenomenally slim. He's spent 10 years of his life on this, tweaking it and refining it, and I'm going to say that I *still* smell a dog, regardless of how many "classic" cases you want to throw out there, and regardless of your statement that "most" published works take 5+ years to complete.

      Dune is *not* good prose. Tolkien is *not* good prose. What they were was groundbreaking in the way they made a complete universe in a genre which was notorious, at the time, for lacking depth and consistency (think of pulps). Were those works published - assuming they could be - today, for the first time, they would likely pass quickly into obscurity because the writing is *really* awful. So with regards to your husband, him taking 10 years to create a world (nothing groundbreaking there, anymore, thanks to the authors you cite) is almost certainly just going to yield a mediocre thing at best, and I won't even give it being groundbreaking any kind of real probability.

      It's great that you believe in him, but don't expect everyone else - especially random internet strangers like me - to believe for a second that he's likely to put out anything that's even adequate. I will tell you what, though - right here, right now, I will happily make a wager: You let us know when your husband's work is published (if it ever is) and I will happily, cheerfully, admit I'm wrong, buy a copy, go to a book signing (traveling, if need be, to do so) and literally eat a crow sandwich. If you lose the bet, well, that's punishment enough, I guess.

      --
      Since I can't tell them apart, I treat all ACs as the same person.
    87. Re:Good! by butterflysrage · · Score: 1

      most published works that are, as you put it "absolute shit" are so because some yotz thought they could whip up a story and push it in just one to two years. Find me a GREAT fantasy novel that has been completed in less than five (note: I'm not talking 5 years for draft 1, I'm talking from "this would be a good idea for a book" to seeing it on the shelves).

      If you can find me anything that would generally be considered a classic in the fantasy genere that went from initial concept to published work in less then five years I will concede the point that any author who takes 10 years to write a book is utter crap, my husband included.

      Your utter ignorance of actual professional writing (as opposed to hobby writing where you can turn out a turd in a year), is staggering.

      --
      the preceding post was not spell checked... suck it.
    88. Re:Good! by butterflysrage · · Score: 1

      The costs would be similar, except for one key difference... for Harry Potter and the Next Big Thing the publisher will pay for it to be edited in order to hold on to the author, for Granny Jem's the author will have to pay for it themselves (either before publication, or as a cut out of their royalties).

      --
      the preceding post was not spell checked... suck it.
    89. Re:Good! by thesandtiger · · Score: 1

      Easy - especially since you set the bar so amazingly low with Alan Dean Foster in an earlier post.

      On a Pale Horse (and other "Incarnations of Immortality" books) by Piers Anthony. Individually none of the books took more than a year or 2 to go from inception to execution. Some of his other series can also be considered GREAT, depending on who you talk to - Xanth, Adept and the like. As for Sci-Fi, there's the Tyrant books.

      I'm not 100% sure on the timelines, but I believe Snow Crash (this one might be iffy), Diamond Age, and Cryptonomicon each took less than 5 years. Not Fantasy, but there you go.

      Neuromancer, by William Gibson, and the world in that story seems to have been developed from about 1980 to 1984 - he wrote some short stories that were part, to some extent, of that universe (Burning Chrome, Johnny Mnemonic) 2 years or so before Neuromancer was published).

      JK Rowling claims that Harry Potter took 5 years to go from first bolt-out-of-the-blue idea to publication of the first idea, but also claims she wrote large chunks of the next 6 books in that time.

      Zelazny's Amber series - and here it's hard to say 100% what the timeline is because the first story was serialized throughout 1967 before being published as a single book in 1970 - is another fantasy work, but may not count as "great" on it's own. I think only the first 2 (or 3) books were published in the 5 year window.

      Again, the "greatness" of these works is going to depend, YMMV, and all that. Genre-wise, I personally don't like fantasy very much EXACTLY because of the authors you've mentioned previously and the tendency of many authors to try and emulate their styles.

      You can keep on calling me ignorant and keep on insisting that my ignorance is staggering if you like, but I just gave you a bunch of examples of works that many people would consider GREAT that were less than 5 years in the making, from multiple genres. I assume you'll either go 2 ways with this: 1) You'll insist that those books aren't GREAT (despite that being a meaningless term) or 2) you'll insist that they aren't really fantasy and that you were REALLY SPECIFIC about it being fantasy.

      There's a third option - you actually being able to admit that you were wrong - but given the rabid nature of your defense and your penchant for screeching that I'm ignorant despite you obviously doing no research into this yourself, makes it a reasonably safe bet this option won't be exercised.

      Though I'd be happy to be proven wrong - either about your ability to cede a point gracefully, or about your husband's work not being shit.

      --
      Since I can't tell them apart, I treat all ACs as the same person.
    90. Re:Good! by butterflysrage · · Score: 1

      [citation needed]

      --
      the preceding post was not spell checked... suck it.
    91. Re:Good! by thesandtiger · · Score: 1

      I agree; ever time you've insisted that there have been NO great works that took less than 5 years to develop, I've wanted to ask you for a citation. Instead it was much easier to just google some works and look up the author's comments about the timeline of the creation of those works and go from there.

      As I said, I didn't think you'd have the ability to admit you were incorrect, and now you prove it with a meme that has become the go-to position of the intellectually lazy. Please, if you care to actually post something meaningful, do so. I'm not surprised - disappointed, maybe - that you chose to go with one of the less honorable options to respond to my demonstration that you are completely incorrect about your ridiculous assertions.

      My guess is that I really struck a chord; I think you know, in your heart of hearts, that what I've said is true. I'm sorry that you're married to a talentless hack who's spent 10 years of his life crafting shit, but you should take comfort in the idea that the vast majority of humanity is in the exact same boat. Most of us are even still secretly hoping that we're the exception to the rule, so you shouldn't feel bad about your grandiose assessment of your husband's ability, either. I will say that it's kind of sad that your attempts at linking yourself to greatness need to come through your husband rather than through your own efforts, but then, much of humanity also suffers from low self-esteem and can't imagine themselves being great, either.

      Good luck.

      --
      Since I can't tell them apart, I treat all ACs as the same person.
  3. What took so long? by Rivalz · · Score: 2, Interesting

    Seriously I understand publishing a book in multiple languages and in multiple countries is a big deal but they should have saw this one coming for a long time now. If you are the middle man and technology rears it's ugly head prepare to be marginalized or bypassed completely.
    I cannot wait for the day when this happens to Lawyers.

    1. Re:What took so long? by easterberry · · Score: 2, Insightful

      You mean when we invent artificial intelligence? (in before lawyer intelligence joke) Because lawyers aren't middle men. They are paid exclusively to research, think, debate, create documents and do other things that a computer can't. Lawyers aren't middle men in any way shape or form.

    2. Re:What took so long? by Attila+Dimedici · · Score: 2, Informative

      What took so long was that the publishers asserted that they had the rights to e-book along with the rights to phyiscal books even when the contracts explicitly mentioned "book form" but did not mention electronic format. The authors disagreed and one or more took a publisher to court over it. This is how long since the court case was settled in the authors' favor for some organization to work out a deal for a large group of authors.
      Please be aware that the publishers do own the e-book rights to most more recent titles. It will be interesting to see how this plays out in the next little while. Book publishers have never taken as big a chunk of the money made on books as music publishers, so their busness model is not as clearly outdated as that of music publishers (meaning that book publishers may still have time to figure out how to continue to turn a profit in the electronic distribution age).

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    3. Re:What took so long? by kevinNCSU · · Score: 1

      The middlemen in the law is the judge/jury and getting rid of them would result in the lawyers on both sides just coming to your house with a baseball bat and forcibly taking your money =P

    4. Re:What took so long? by easterberry · · Score: 2, Insightful

      The irony that the book publishing model is less dated than than the music industry publishing model is staggering.

    5. Re:What took so long? by Rivalz · · Score: 2, Interesting

      Um no I disagree they are middle men that are between us and the law. We can choose to represent ourselves if we decide thus making them middle men and not required although highly recommended and by current standards necessary.

    6. Re:What took so long? by easterberry · · Score: 1

      And you can design a marketing campaign for your new product yourself, you can write an operating system yourself*, you can make your own trampoline*, you can live entirely isolated from the rest of the world out in the woods should you so desire.

      This does not make the people who perform these services "middle men". It makes them service providers. I'm not sure if you've checked lately, but there are a lot of laws. Like, just, stupid numbers of them. And they vary by region as small as city to city. Plus they're written in legalese (because layman's terms lead to arguments of the definition of the word "is" so they need specific legal words with set definitions) Yes, you CAN represent yourself and spend several hundred hours looking up the relevant laws, interpreting them, developing arguments and counter arguments, writing contracts and defending your point in court. But that doesn't mean that the people who offer to do those things for you are middle men. They're skilled laborers.



      *well, no, YOU probably can't. But I'm sure someone can.

    7. Re:What took so long? by Anonymous Coward · · Score: 0

      Lawyers are totally middle men.

      They represent a client's interests in court and provide services relavent to that core purpose.

    8. Re:What took so long? by easterberry · · Score: 1

      Yes. They do. That is the final product. If you hired a guy to find a representative for you HE would be a middle man. But the legal representation is the final product. The lawyer is between you and the judge but that's not the type of "middle man" a publisher is. The service that connects you to a lawyer to represent you is a middle man. The lawyer is a skilled labourer. He does what you are not skilled enough to do yourself for you.

    9. Re:What took so long? by Attila+Dimedici · · Score: 1

      It is not so much that the model is less dated than the fact that book publishers weren't as greedy in the heyday of the publishing industry (although much of that is due to differences in the way that book publishing developed vs the way that the music industry did).

      --
      The truth is that all men having power ought to be mistrusted. James Madison
  4. yay by Lord+Ender · · Score: 2, Insightful

    The digital revolution will continue to cut out the middle men until everyone has to actually produce something to make a living. RIAA, MPAA, and publisher parasites will no longer run the show.

    --
    A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
    1. Re:yay by Anonymous Coward · · Score: 1, Insightful

      I think you're forgetting something... someone still needs to distribute the books; you're just changing names and faces from HarperCollins and Tor to Amazon, Apple and B&N. The stores are STILL middlemen, and they still control the distribution.

    2. Re:yay by sixsixtysix · · Score: 1

      i think the parent means that eventually, you'll be able to buy directly from the authors, which would be awesome.

      --
      ...
  5. Are any of the authors alive? by Anonymous Coward · · Score: 0

    Or is it just their estates, or rather, the agency in charge of them?

    1. Re:Are any of the authors alive? by Guido+von+Guido · · Score: 1

      Or is it just their estates, or rather, the agency in charge of them?

      From TFA, living authors include Philip Roth, Salmon Rushdie, Martin Amis and VS Naipaul. I would guess that most of the contracts for the books were signed before publishers gave any thought to digital distribution.

    2. Re:Are any of the authors alive? by Anonymous Coward · · Score: 0

      I would guess that most of the contracts for the books were signed before publishers gave any thought to digital distribution.

      Sounds likely to me. And with at least some of the authors being dead, we don't know if this is what they would have wanted.

      Contracts are difficult like that.

  6. Guess who's next! by Haffner · · Score: 3, Funny

    Hey, look at this RIAA! This is the record label industry getting murdered, and everyone else benefiting!

    --
    "Going to war without the French is like going deer hunting without your accordion." ~General Norman Schwarzkopf
    1. Re:Guess who's next! by AmazinglySmooth · · Score: 1

      But MP3 has been available for years. Unless Apple (or some other MP3 player company) creates is own label, it won't get distributed for $$$.

  7. Sounds like valid argument by commodore64_love · · Score: 4, Interesting

    >>>"with publishers arguing that the ebook rights belong to them, and authors and agents responding that, if not specifically granted, the digital rights remain with the author."

    This is the same argument that the music industry made with DVDs. The songs were licenses for TV and Videotapes, not for dvd, and therefore the music industry demanded more money for each song used. Likewise I think it's reasonable to say: the authors only licensed for books and audio, not electronic editions.

    --
    "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
  8. Go Diego, Go by stanlyb · · Score: 0

    At last, the trend is turned, and is going fast in the right direction. Who wanna to keep 1000 "normal" books in his house??? (1000 is the number of books that i bought during my still short life)

    1. Re:Go Diego, Go by tibman · · Score: 1

      That's impressive! I think i'm around 250 right now and starting to think about an eReader. But i don't want to give up paper books for some reason. I like them. But stuff like these reminds me.. there may come a time when a book i want isn't available in paper format *gasp*

      --
      http://soylentnews.org/~tibman
  9. I'm not Shocked by jchawk · · Score: 4, Interesting

    To be honest how can anyone be surprised at this? When books were set free from paper and placed onto the Internet it was only a matter of time before authors decided to cut out the publisher. They no longer have a need for them. Publishers should get wise and start to provide real value to the authors. If I write a book and do not require your editing, marketing or printing services why exactly do you expect to keep 75% of the sale price?

    Give it time and most large authors will just sell their ebooks directly via their own websites.

    This is exactly what the Internet is supposed to be about. Giving the little guy the chance to eliminate the need for the big guy.

    Cheers for these Authors!

    1. Re:I'm not Shocked by DarkKnightRadick · · Score: 1

      Here here!

      --
      "There is a way that seems right to a man, but its end is the way of death." Proverbs 16:25 (NKJV)
    2. Re:I'm not Shocked by jahudabudy · · Score: 3, Interesting

      I don't think ebooks will do away with physical books (and I certainly hope not). The difference between reading an ebook and a physical book is so great as to make them different products in my mind. I would guess that ~75% of books I have read electronically, I ended up purchasing physical copies for the re-read.

      --
      ...sometimes, in order to hurt someone very badly, you have to tell that person terrible lies. - PA
    3. Re:I'm not Shocked by Anonymous Coward · · Score: 0

      Or trade one big guy for another - wait 10-15 years until amazon, apple get a monopoly and see if they still pay 70% to the authors.

    4. Re:I'm not Shocked by nyctopterus · · Score: 0

      If I write a book and do not require your editing, marketing or printing services why exactly do you expect to keep 75% of the sale price?

      Ah, but you're probably still going to require editing of some sort, even just to catch typos! And really, I expect having a considered and professional opinion on your writing structure and clarity probably does result in higher quality work. So I suspect a lot of writers are still going to want editors. Marketing, in a world where every man and his dog can publish their books to the same platform, is going to be absolutely crucial.

      You save printing costs, but depending on the sort of book, you may want to get professional designers on the job.

      Give it time and most large authors will just sell their ebooks directly via their own websites.

      This is exactly what the Internet is supposed to be about. Giving the little guy the chance to eliminate the need for the big guy.

      I very much doubt that. If that was going to happen on any sort of scale we'd be seeing it already. No, they are going to have to go through some sort of distributor, like iBooks or Amazon or similar, which have a ranking/rating system of some sort and a standardised interface.

      I suspect the bright new world of eBooks for everyone from everyone will actually look disappointingly similar to the one we have today.

    5. Re:I'm not Shocked by rwv · · Score: 1

      If I write a book and do not require your editing, marketing or printing services why exactly do you expect to keep 75% of the sale price? [...] Cheers for these Authors!

      This is why Amazon.com offers authors the chance to sell their books for a 70% profit (I think that's *after* the cost of printing is factored in). It's been a long time since I've looked at their BookSurge service, but the economics strongly favor authors.

      That said, my book has been sitting in the "review process" for the last two years. This stuff takes a lot of time that can't necessarily be dedicated by authors who need to feed themselves while their labors of love wait to turn into hard profits.

      Ultimately, though, when my book is well-edited I'll be publishing with Amazon.com because I'm not a career-writer who's concerned about signing with a major publishing house for the long term benefits (exposure, marketing, advertising, and the like) and shopping my one manuscript to the traditional houses doesn't really suit my fancy for the small advance that I'd get.

    6. Re:I'm not Shocked by Danathar · · Score: 2, Interesting

      The only issue is being able to "browse" for books as a consumer. I have NO idea where a website for an author that does not exist...exists. There has to be some way for me to know and word of mouth generally is not very efficient.

    7. Re:I'm not Shocked by Garwulf · · Score: 5, Insightful

      Oh, good grief...

      THIS got marked "informative"?

      Right, I'm both an author who has worked with big publishers, and the owner and operator of a small publishing company. Let me explain what happened here.

      Rather than deal with Random House's e-book terms, Wiley founded an e-book publishing company, which will be publishing the work of his clients. This is still a publisher - it's just a new one. The dispute is over electronic reprint rights, and that will depend on the wording of the contracts that Wiley's authors signed ("first English language publication rights" includes e-book rights - "first English language print publication rights" does not).

      Now, subsidiary matters:

      1. Any new book requires editing by somebody who is not the author (the author is too close to the book to be able to edit it properly), as well as typesetting (which is harder than it sounds - my first typeset job is an embarrassment to me now), as well as some form of marketing. These are what a publisher provides, and yes, they cost money. So, while an author can go it alone, and sometimes succeed, they're usually better off with an actual publisher.

      2. Publishers make much less on books than you think. Let me provide the breakdown, based on any one of my publishing company's books with a $24.95 USD cover price:

      55% goes to the wholesaler (who then sells it on to bookstores and Amazon at a 40% discount off the cover price). So, now we're down to $11.23.

      Next we have the print cost - for a print on demand book like one of mine, we're talking anywhere from $4.00 to $8.00, depending on the page count. We'll take a middle number, so $6.00 is printing. Now we're down to $5.23. Then there's the royalties on top of that.

      Now, for larger print runs (around 1500 copies and up), offset printing is used, which cuts down on the print cost considerably. But, the wholesaler still takes 55%.

      This new publisher is going to specialize in e-books, and that makes the calculation much different. If you're just going through Amazon for distribution, then you don't have the wholesaler in the picture, and that means that rather than having a net profit (before royalties) on a $10 book being around $3.50 (very rough estimate), you can have it at around $7.00.

      But these are the factors in play. It's far more complicated than you described it, and this is certainly not a case of authors going out on their own and leaving the publishing system behind.

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    8. Re:I'm not Shocked by b0bby · · Score: 1

      The difference between reading an ebook and a physical book is so great as to make them different products in my mind.

      Really? I have read, conservatively, 150+ books on my various Palms over the last 10+ years. Most were novels in straight text form. Only a few, which had illustrations etc which were integral to the story, did I bother to get in paper form. A great story draws me in and I quickly lose interest in the delivery medium. Paper is nicer than my Palm's screen, and I have read some books flipping back and forth between the Palm & the book left at home, but in general, for me, if the writing is good I don't care what I'm reading it on. And pretty much these days, if the writing *isn't* good, I don't bother reading it. Millennium Trilogy excepted...

    9. Re:I'm not Shocked by strikeleader · · Score: 0

      Musicians need to break free from their record label overlords and follow suit.

    10. Re:I'm not Shocked by Anonymous Coward · · Score: 1, Interesting

      I met a bloke in Cambodia who made and sold illegal copies of Western books by scanning them into his computer, printing them on his printer and binding them himself. He used much better quality paper than any book (hardback or paperback) I've bought in the UK recently. And selling them for $2 each he made a profit. Which makes me think that a fully automated printing and binding process on the shittiest paper money can buy must cost considerably less than $1 per book (perhaps ignoring setup costs).

      So I'm curious. How much do offset printed books cost?

    11. Re:I'm not Shocked by Anonymous Coward · · Score: 0

      Let me see if I got this right. 55% of the cover price goes to a whoesaler who has now been eliminated. 25% of the cover price goes to printing costs which have been eliminated (or shifted to me if I want to make a print backup of my e-copy.)
      Yet my net cost does not go down at all, or goes up?

      I have no problem paying for the royalties; but I do take issue at none (or a negligible amount) of the cost savings in moving from dead-tree to e-publishing being passed to the consumer.

    12. Re:I'm not Shocked by Anonymous Coward · · Score: 0

      Yes, because this article is about Apple. Oh wait, no it's AMAZON.

    13. Re:I'm not Shocked by Garwulf · · Score: 1

      I think it brings the cost per book down to about $1.00, but I'm afraid I can't say for sure. I've never had to get quotes for an offset print run, so I don't have any solid figures.

      Sorry.

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    14. Re:I'm not Shocked by jahudabudy · · Score: 2, Informative

      Physical format strengths include: Underling passages, making notes in the margin, fulfills my desire to hoard (a filled bookshelf is much more satisfying than a filled Palm), ease of lending to friends (this may become moot if ebooks become ubiquitous), safely read in the tub, don't worry about losing on trips, never run out of batteries (nice for long camping/hiking trips), turning a page is satisfying in a way that scrolling over isn't. I'm sure there are others.

      This isn't to say that physical is superior to electronic, just different. I hope the obvious advantages to authors of distributing ebooks doesn't convince most of them to forgo physical publishing. One is not a substitute for the other.

      --
      ...sometimes, in order to hurt someone very badly, you have to tell that person terrible lies. - PA
    15. Re:I'm not Shocked by SydShamino · · Score: 1

      The Colbert Report? Your local library? A forum for a genre of books you tend to like?

      --
      It doesn't hurt to be nice.
    16. Re:I'm not Shocked by Sandor+at+the+Zoo · · Score: 1

      How do you think big authors got to be big authors? How are we (as readers) going to find the next Stephen King or Heinlein or Grisham? It's not going to be because somebody read something on someone's blog and told their friends about it.

      Name me an author, or a band, that has made it big without involvement of a publisher or label. All these authors (and the bands releasing their stuff on the net to great acclaim and profits) are Big Names already, because of the marketing and push from the publishers and labels.

      Yes, there are a couple of people who started off on the net (Scalzi, for one) and then went through a big publisher, but the big publisher is still a requirement for authors to make a good living, as opposed to just writing for a hobby, or for pizza money.

      Don't get me wrong, the publishers and labels have been major a-holes to their authors and customers, but I for one don't want the publishers to go out of business. I want them to continue being a filter so I don't have to read crap that wouldn't even make it to the slush pile.

    17. Re:I'm not Shocked by Anonymous Coward · · Score: 0

      Thanks anyway.

    18. Re:I'm not Shocked by thue · · Score: 1

      Re 1: Typesetting is not really needed for ebooks. It is just some markup, with the ebook reader linebreaking.

      Re 2: So now that all those publishing costs such as wholesalers and print costs, why do publishers still take 75%?

      The tasks that are left such as copyediting and contacting online booksellers can all be handled by at most a very minimal middle-man, perhaps hired by the author himself.

      All the tasks that required big publishers, such as printing, distributing, and securing some of the scarce shelf-space, are no longer neccesary.

    19. Re:I'm not Shocked by clone53421 · · Score: 1

      Re 1: Typesetting is not really needed for ebooks. It is just some markup, with the ebook reader linebreaking.

      Some ebooks convert easily to plain, boring paragraphs of text. Some do not.

      I once used an e-encyclopedia which was produced by dumping the entire text of an encyclopedia into a database.

      I missed the pictures.

      --
      Alexander Peter Kristopeit bought his basement from his mommy for one dollar.
    20. Re:I'm not Shocked by pandrijeczko · · Score: 1

      I'm surprised you didn't mention marketing costs in there also - presumably someone has to pay for the posters at bus or train stations, or moving the author around various towns & cities signing books. Correct me if I'm wrong but presumably the publisher pays for that & ultimately the marketing serves a purpose of getting news out about the book which a lot of people wouldn't have known about otherwise.

      This is why I have a problem with nosey consumers who have this ridiculous belief that the book industry can survive with publishers & the music industry can survive without record companies - if every author and every musician sets up their own web site to sell direct to the public, the whole thing becomes equivalent to a huge Arabian market where every hawker is trying to sell his wares by shouting louder than every other hawker... and millions of bemused consumers wandering around scratching their heads wondering which stall they should try next in order to find something interesting to spend their money on.

      The system simply wouldn't work...

      --
      Gentoo Linux - another day, another USE flag.
    21. Re:I'm not Shocked by pandrijeczko · · Score: 1

      Incidentally, I used the phrase "nosey consumers" because, quite frankly, as a consumer of books & music, it's frankly none of my business who gets what percentage cut in getting that product to me - all that matters is that it was worth the money I paid for it, that's IT!

      Yes, I'll make an exception about wanting to know if kids suffered human rights abuses working in sweat shops to make the clothes I'm going to buy, or if the meat I'm about to buy isn't produced in an ethical fashion - but none of that stuff concerns books or music anyway so I really don't consider it my business to go poking my nose in there.

      --
      Gentoo Linux - another day, another USE flag.
    22. Re:I'm not Shocked by icebraining · · Score: 1

      A monopoly on websites that can accept payments and serve ePub files?

    23. Re:I'm not Shocked by Garwulf · · Score: 1

      It's not as easy as that.

      I noticed you have a Linux wiki. Does this make you a programmer, then?

      Well, if it did, what would you think of a statement from me (not a programmer) about how easy programming an application is, and you really don't need anybody but one guy for something like a word processing suite. And even there, he could probably do everything himself.

      You'd probably think I'm talking out of my ass, right? Of course, I am. I may not be a programmer, but I know one or two people who are, and I know it's not that simple.

      So, there are absolutely no indications that you have any experience dealing with writing, editing, typesetting, or marketing books. As somebody who does have experience with all of those things, what do you figure I think about your comment about copyediting and marketing?

      The simple fact is that the book industry isn't that simple. There are at least two editing passes that have to be made through a book before it is published - one for content, and the second for errors after the typeset. Both involve different skillsets, and both suffer if you go with "a very minimal middle-man." And I'm not even going to get started on the marketing - that's even harder.

      --
      Robert B. Marks
      Author, Demonsbane in Diablo Archive
    24. Re:I'm not Shocked by Anonymous Coward · · Score: 0

      Since you bring it up I would love to hear what some of the average costs are for:

      1. Editing
      2. Book Covers
      3. Typesetting
      4. Proofreading?(maybe considered part of editing)

      Any other factors that I missed as well would be great. I have no doubt that your efforts are not zero and that the profit probably isn't that great but I am genuinely interested and am often perplexed by why there is so much moaning about the total costs when no one in the industry will talk about what it really takes.

  10. Re:IANAL, blah blah by russotto · · Score: 5, Informative

    This looks like a retarded money grab and nothing more. If the author's are so sure they retain "digital rights," why doesn't one of them post a book the publisher still has the rights to, in its entirety, on a website and see what happened.

    Short answer: They've already done so, they got sued, and the publishers lost.

    Random House's standard contract specified they had the exclusive right to sell the works in "book form". The authors asserted, and the courts agreed, that "book form" did not include electronic rights.

  11. Re:IANAL, blah blah by DMiax · · Score: 1

    This looks like a retarded money grab and nothing more. If the author's are so sure they retain "digital rights," why doesn't one of them post a book the publisher still has the rights to, in its entirety, on a website and see what happened.

    Is this not what they just did? At least for the dead ones I doubt they have books without a publisher. Maybe you are just angry that they still want money, but you cannot blame the middleman?

  12. Perhaps by ThatsNotPudding · · Score: 1

    the first book offered under this deal will be titled 'Balkanization'. Seems apropos.

  13. What to think of Amazon?? by Qwavel · · Score: 3, Insightful

    I really don't know what to think of Amazon.

    Sometimes they are great for consumers - competing fair and square with great prices and a great website.

    Their video service is available to anyone with Flash, and while many people hate Flash (and some now don't have access to it) that seemed like a good way to allow customers to view the video they purchased across a very broad range of OS's, browsers and devices.

    Then they go and do something like this, which seems to lead us to a world where different retailers control different books and have no competition in the sales of those books. This is very bad for consumers.

    This avoid competition and seems to guarantee their customers higher prices. This is the sort of thing I would expect from Apple, not Amazon. I thought Amazon was prepared to compete fairly in book sales?

       

    1. Re:What to think of Amazon?? by Brett+Buck · · Score: 2, Insightful

      This will help you sort it out - they are in it for the money! That's not a bad thing, thats what they are there for.

    2. Re:What to think of Amazon?? by stanlyb · · Score: 0

      But they are doing it, they are the good guys. It is their saying that no book should be more than $9.99, not the ridiculous $16 or $26 for the same book!!!!

    3. Re:What to think of Amazon?? by SydShamino · · Score: 1

      How about you buy your music from Amazon and buy your books from Barnes & Noble? That way you're using an anti-aggressor for each medium?

      --
      It doesn't hurt to be nice.
    4. Re:What to think of Amazon?? by pandrijeczko · · Score: 1

      Yes, but why still the DRM protection?

      If I buy a book for £10 (sorry, I'm in the UK) and when I've finished with it, I hand it in to a charity shop where someone buys it used for £1, then two of us got to read it for £11 total with £1 of that money going to a good cause.

      You cannot pass on DRM ebooks to others, and Amazon stands to make a lot more profit selling it's own DRM ebooks than reselling paper books published by others...

      --
      Gentoo Linux - another day, another USE flag.
    5. Re:What to think of Amazon?? by Qwavel · · Score: 1

      No, that's not a bad thing at all, but somehow that drives some companies to do reasonable or even good things, and it drives others in the opposite direction.

      Consider, for example, the last time a salesperson or telemarketer tricked your naive parents or grandparents with some scam (if it hasn't happened to you yet then just wait). Well, don't judge them poorly, right - they are just in it for the money!

    6. Re:What to think of Amazon?? by sixsixtysix · · Score: 1

      i call to make resale a mandatory part of any digital media (movie, book, song, etc). the people who sell them should have to make the infrastructure available. or the product should be drastically cheaper than one with resale rights.

      --
      ...
  14. nice to see greed is rampant.... by Lumpy · · Score: 1

    So instead of making the books cheaper so that more are sold... we try like hell to keep it at status quo so we can increase profits...

    at 70% royalties and ebooks selling at the same price as dead tree editions... I feel far less guilt getting the cracked epub off of a torrent site..of dead tree books I own...

    The authors are getting as bad as the publishers.

    --
    Do not look at laser with remaining good eye.
    1. Re:nice to see greed is rampant.... by Aladrin · · Score: 1

      Don't buy things if they aren't worth the price. That will show them.

      I actually think books are sold rather cheap. I get a lot more out of them than I do from a movie at 2x-10x the price. (10x being a new, not-yet-discounted Bluray, of course.)

      I've begun to think that we need to have a way to tell the author, "I didn't buy your product because it cost too much!" That way, when we vote with our wallets, they'll know for sure.

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
    2. Re:nice to see greed is rampant.... by Calithulu · · Score: 1

      Most authors have websites, email addresses, or other methods of contact. Write to them and let them know. If they can do something about it, your message might convince them to do so.

    3. Re:nice to see greed is rampant.... by vantagec · · Score: 1

      Writing is not a particularly lucrative profession. Unless you are someone like Capote, King, or Rowling, you can aspire to (maybe) make an upper middle class income after YEARS of working at effectively McDonalds wages. If you are lucky. Obviously some take it too far (I'm looking at you, Mr. Ellison) but it seems to me that these authors are just trying to claim equitable payment after a century of disenfranchisement.

      --
      Myths are things that never were, but always are.
  15. In Soviet Russia... by Biff+Stu · · Score: 4, Funny

    The author pays the publisher.

    Wait a minute! That's how it works in academia.

    1. Re:In Soviet Russia... by zill · · Score: 2, Funny

      I new it! The entire school system is a commie conscipcy!

      You people may mock me for dropping out of high school, but I was right all alone!

    2. Re:In Soviet Russia... by FooAtWFU · · Score: 2, Insightful

      Have you taken a look at academia lately? This is hardly news. ;)

      --
      The World Wide Web is dying. Soon, we shall have only the Internet.
    3. Re:In Soviet Russia... by Haffner · · Score: 4, Funny

      but I was right all alone!

      There's a lesson in here somewhere...

      --
      "Going to war without the French is like going deer hunting without your accordion." ~General Norman Schwarzkopf
    4. Re:In Soviet Russia... by Unequivocal · · Score: 1

      I new it!

      Either he's whooshing us or vice versa..

    5. Re:In Soviet Russia... by Luckyo · · Score: 1

      In perfect world, author would pay the publisher to provide all publisher services but distribution, and distribute himself, then control how profit is distributed.

      Imho.

  16. Re:IANAL, blah blah by vajrabum · · Score: 4, Informative

    Not only are you not a lawyer you don't know much about contracts or publishing rights either. Publishing rights are sold on a country by country basis and format by format basis. If you sell a book to be marketed in the US your publisher has no right to sell it in the UK or Australia unless they negotiate that separately. Same goes for audio books. So those advances are paid for the rights that were negotiated in the contract. Given that's the case then why would you think a pre-digital paper publishers have the right to publish digitally unless they've negotiated it or you work for a publisher who's interested in spreading FUD? The older contracts don't include those rights. Unless a contract is written specifically to allow future changes then things don't get grandfathered into a contract. They have to be renegotiated.

  17. Reminds me by OverlordQ · · Score: 1

    Reminds me when Valve started Steam, Vivendi got pissed for being bypassed.

    --
    Your hair look like poop, Bob! - Wanker.
  18. Good for the authors, bad for consumers by Ngarrang · · Score: 3, Interesting

    I imagine that many of the authors that this greatly effects are the ones that do this as a full-time job. If no one buys their books NEW, then they see no money, or maybe no future book deal. The profit margin approaches 100% after enough time and copies have sold. This allows the good authors to write full-time and not have to worry about asking if we want fries with our order. Book sales trail off after release, so the most money is to be made in that first year, though some books enjoy a long life of sales popularity. So, good for the authors.

    This is a very bad deal for consumers, in the end. My copy of "Nothing: The History of Zero" was a fun read. Now that I am done with it, I can give it to a friend, sell it, trade it in at Half-Priced Books, etc. In this way, I can recoup some of my cost. And the book can be purchased and resold many times, profits staying in the hands of the seller each time. The author makes nothing. The DRM on the eBooks prevents you from selling it, or giving it away.

    Thus, in a sly maneuver to make big publishing look like evil bastards (not a difficult task), the authors conveniently and quietly take control of book distribution and remove the freedom of the consumer to control the end product themselves. This is bad. Very bad.

    Thus, I am conflicted. Yay for getting what you deserve to be paid. Boo for limiting my ability to resell the book.

    --
    Bearded Dragon
    1. Re:Good for the authors, bad for consumers by Shados · · Score: 2, Interesting

      Honestly, I don't get this. If you live in the middle of nowhere, you have a point. But good libraries will have virtually any book worth reading, or at least the vast majority (including tech books), and its freeeeeeeeee.

      So if you don't plan on keeping the book, why buy it in the first place? And if you're not sure, borrow it first, then buy it.

      I mean, i understand this DOES remove an option from you, but most of the time, that option was worthless in the first place.

    2. Re:Good for the authors, bad for consumers by Ngarrang · · Score: 1

      Honestly, I don't get this. If you live in the middle of nowhere, you have a point. But good libraries will have virtually any book worth reading, or at least the vast majority (including tech books), and its freeeeeeeeee.

      So if you don't plan on keeping the book, why buy it in the first place? And if you're not sure, borrow it first, then buy it.

      I mean, i understand this DOES remove an option from you, but most of the time, that option was worthless in the first place.

      Shados, you've bought a book, then?

      And think about what you just wrote...libraries lend books. Does your library lend out eBooks?

      --
      Bearded Dragon
    3. Re:Good for the authors, bad for consumers by proxima · · Score: 1

      And think about what you just wrote...libraries lend books. Does your library lend out eBooks?

      Yes, yes it does, actually (only a few thousand so far, though).

      --
      "The universe seems neither benign nor hostile, merely indifferent." --Carl Sagan
    4. Re:Good for the authors, bad for consumers by Buelldozer · · Score: 1

      Well, sir, unlike you I don't care about reselling my books so this doesn't bother me. As for loaning a friend a copy, well, if I am impressed with a book I buy a physical copy and am able to lend that.

      Let's look look a little deeper though. Where is written, and why is it understood, that only the _consumer_ can benefit from disruptive technology?

      We can all agree that by using electronic distribution, such as Amazon, that e-book prices should be substantially lower than a physical copy. Yay! Cheaper books! Consumer wins! Everyone high fives and agrees that this is how it should be and that the consumer is gaining something.

      By contrast is your line "...the authors conveniently and quietly take control of book distribution and remove the freedom of the consumer to control the end product themselves. This is bad. Very bad." Suddenly the technology shift is being decried because the consumer is losing something.

      Here's a news flash; Disruptive Technology is disruptive! There's nothing written that says it must always impact the seller and never the buyer. This is a value transaction. You get a lower price, the publisher gets more control of secondary distribution. You get your book, whatever it's delivery method, and you give the provider your money. This happens within the contractual and regulatory framework that you agreed to at the time of purchase.

      I agree that it would be nice if we, the consumers, didn't lose anything on the deal but realistically that is not how it is going to work out. If you want a book you can resell / lend buy a physical copy, if you want the cheapest possible price for a new book then buy an e-copy and accept the restrictions that come with that. You can insist on having the best of both worlds but NOWHERE is it written that a seller MUST provide you with you want. IF someone can do that and make money then that service will be provided, if no one can than you're not going to get what you want. So sorry, but that's how it works.

    5. Re:Good for the authors, bad for consumers by Shados · · Score: 1

      Sorry, my comment was actually a little off topic. I was just questioning the logic as to why (before ebooks) someone would buy a book, then resell it (a physical book).

      There are exceptions obviously, but it shouldn't be something common: why would you buy a book to resell it when you can just borrow it for free.

      Of course, now I can think "university books" as one hell of a big exception to my line of thought.

      And yes, libraries do lend ebooks now, though not many.

    6. Re:Good for the authors, bad for consumers by Ngarrang · · Score: 1

      There many reasons why one would want to get rid of a book, like say, when you have too many and you want to make room for other things. And maybe your local library doesn't carry the geeky type books you target. A store like Half-Priced books is a testament to the fact that many people get rid of the books they buy. The eBook era is great in that is frees up the need for trees, but due to the way DRM works, you are stuck with the ebook for all eternity. Unless, of course, Amazon decides to take the book away from you.

      I don't buy DRM-laden e-anything. It must be a DRM-free MP3 or PDF. Am I a thief looking to redistribute it? No. But I like having the freedom to move the file from one computer to the next with me. Or giving it to a friend and deleting it off my system -- which I do. DRM only hurts honest people who don't care to seek out the DRM-cracking programs.

      The way Amazon is selling the eBooks, they aren't cheaper (to address another responder), and it is more akin to a license that can be revoked without any warning to you.

      We consumers are stuck in either case. Authors looking to insure that only NEW copies can be bought, or publishers keeping the lion's share of a books price.

      eBooks aren't being priced to be benefit the consumer.

      --
      Bearded Dragon
    7. Re:Good for the authors, bad for consumers by Rinikusu · · Score: 1

      I think as the industry matures a bit, we'll start seeing publishers doing something more reasonable. If you make the price attractive enough, many customers will buy a "new" digital copy vs a used copy at the shop. This, of course, would be bad for the used book stores, but that might be the price of progress.

      Right now, my biggest complaints are that ebook prices are frequently not much "cheaper" than the physical item. Perhaps this isn't too big a deal, marketwise, as Apple has proven that people will pay almost the same price for "inferior" digital music than buying the CD. But if I can buy a physical book for $15 and the ebook is $14, what's my incentive other than immediate satisfaction? I can't even get the digital copy signed by the author eh?

      Anyway, I envision something like the following:
      New ebooks will be most expensive. People who absolutely must read the latest, greatest book already do this with hardbacks.
      As sales taper off, a second tier would be created (kinda like the paperback introduction of the book), I'm guessing at at least a 50% from the initial release. This would spur a second surge in sales (in theory).
      And finally, to combat the used book market and to take advantage of the so-called "long-tail", I see the ebooks finally dropping in price to, say, $2.

      Now, as you mentioned, when you sell a used book, the author gets none of it. But if you price the ebook at a low enough price, they can still receive revenue, albeit not much, but I've always maintained that a few pennies is better than nothing at all.

      This would also allow them to do stuff like Baen and give away older titles to "advertise" for the new and upcoming releases and heck, probably write them off as "promotional expenses". If the contract is done right, both the publisher and the author would do well.

      Would this destroy the physical market? Not really. I think the market will look towards the music industry (and especially people like Nine Inch Nails) and figure out how to include things that you won't get with the digital copy. Imagine if Neil Gaiman got together with Todd's Toys to make an exclusive "toy" to go along with his latest novel, which will come in a nice, shiny collector's box, signed and numbered, for $45? Or a picturebook of sketches, copies of notes, a DVD containing panel interviews and talks (or readings) and whatnot, things that hardcore fans would gladly pay more for. I think the larger, less agile organizations will fare much like their music industry counterparts, but this leaves the market wide open for innovation.

      --
      If you were me, you'd be good lookin'. - six string samurai
    8. Re:Good for the authors, bad for consumers by Rogue+Haggis+Landing · · Score: 1

      Thus, in a sly maneuver to make big publishing look like evil bastards (not a difficult task), the authors conveniently and quietly take control of book distribution and remove the freedom of the consumer to control the end product themselves. This is bad. Very bad.

      This effect (which is very real) is an effect of ebooks generally and has nothing to do with the question of whether the author or big publishers (or small publishers or whoever) controls the distribution of ebooks. A DRM-laden ebook can't be re-sold no matter what, and that's true if I buy it from Random House or if John Grisham personally emails it to me.

  19. What did Amazon offer? by proxima · · Score: 3, Interesting

    What did Amazon offer to get exclusivity for two years? My hunch is that Amazon agreed to heavily promote the books on its site, and wouldn't do so if they also went to BN and Apple.

    Also, they apparently don't have the rights to decent looking book covers - the current covers are pretty ugly. Seriously - who thought it was a good idea to include quotations as cover art when it goes on devices like cell phones? Just the title and author in a decent font would do.

       

    --
    "The universe seems neither benign nor hostile, merely indifferent." --Carl Sagan
    1. Re:What did Amazon offer? by Luckyo · · Score: 1

      Illustrators and typesetters cost money. It's one of the things that publisher typically covers.

    2. Re:What did Amazon offer? by proxima · · Score: 1

      Illustrators and typesetters cost money. It's one of the things that publisher typically covers.

      Sure, but even the very simple covers that Apple uses for its free Gutenberg-derived books is more usable than what they've chosen for these books.

      --
      "The universe seems neither benign nor hostile, merely indifferent." --Carl Sagan
    3. Re:What did Amazon offer? by sixsixtysix · · Score: 1

      then bills the creator for at a later time

      --
      ...
    4. Re:What did Amazon offer? by Luckyo · · Score: 1

      I never said it was free, I merely pointed out that hiring professionals costs money, and in above case such expenses have been effectively zeroed out in any form.

  20. Too much DRM by thue · · Score: 1

    > This publishing programme is designed to address that need, and to help ebook readers build a digital library of classic contemporary literature.

    > It offers 20 modern literary classics as ebooks for the first time, exclusively via Amazon.com's Kindle store.

    So, you should build your library with ebooks DRM-looked to Amazon's kindle.

    Yeah, right. I think I will pass.

  21. a huge middle finger to anyone who reads by drfireman · · Score: 1

    Setting aside the issue of circumventing the print publisher, exclusive deals like this are extremely consumer-hostile. We're rapidly careening towards a world in which you can only read the set of e-books that's compatible with your reader. I like to think that as a society, we'll stop buying books from publishers (Wylie is acting as publisher of the ebook in this case) that are so shamelessly consumer-hostile. And that writers will refrain from sending their work to agents/publishers that are in the business of screwing over readers. But I know better.

  22. Excellent! by Anonymous Coward · · Score: 0

    It seems, the publishers have already began to strike back:
    http://www.michaelastackpole.com/?p=1582

    Btw.: On above blog there are a lot of articles about ebooks, creation, costs & how much a writer gets paid. In case somebody wants to know details...

  23. Publishers are parasites. by munky99999 · · Score: 1

    The 25% figure is only for those who are known bestsellers. If you are a nobody... you are lucky to get $5000 from the publisher total. JK Rowling for the first harry potter book went to tons of different publishers. They all ignored her. One of the publishers was going to ignore her but a daughter had picked up the book and read it and wanted to know how it ended. The publisher decided to pick it up for $4000 and that's it. The first harry potter book has made about a $1,000,000,000 and JKRowling hasnt seen a dime beyond that original $4000. Publishers are making fucking loads of cash with no risk. That's why kindle ebooks and services like lulu are so much better because you are the author retain the copyright the entire time. Not to mention the 75%-80% author profits. Publishers are losing out on their bullshit.

    1. Re:Publishers are parasites. by pandrijeczko · · Score: 1

      Wrong!

      If publishers are spending millions on advertising & marketing something then there is some risk to them.

      And once again, this raises the same old questions - without the marketing people in the middle advertising books and music, what's going to lead you and I, the consumers, to find the music & books we want to listen to or read amongst the hundreds of thousands of musicians and artists all calling out trying to get us to buy their wares.

      I dislike advertising as much as the next guy but the facts are inescapable - I buy and read classic rock music magazines that contain adverts that lead me to buy albums I would probably never have found & enjoyed otherwise, I buy computer magazines that contain adverts that lead me to buy the best type of computer hardware for the job I need it to do, and I'm sure that despite having an enlarged cynicism gland connected to an equally large anti-corporation venom sac, there's some subliminal marketing shit going on in my head somewhere that occasional causes me to buy other stuff that was advertised at me at some point.

      So please stop fooling yourself - much of marketing is lies & bullshit but some of it does lead you to buy stuff that you wouldn't have found out about otherwise.

      --
      Gentoo Linux - another day, another USE flag.
    2. Re:Publishers are parasites. by cdrguru · · Score: 1

      We all want to live in a world where advertising is dead and extinct. People would find out about new products by trying them out, since most of them would be free. And we would all use the social media sites where absolutely truthful reviews from real, satisfied customers of these products.

      Sadly, sometime around 800AD Thad figured out that while he might have the absolute greatest new oxcart that if he didn't tell people about it nobody would want him to make one for them. This was actually a re-discovery of the same facts know to the early Egyptians but lost when their empire collapsed.

      Since then, we have had advertising. We will always have advertising and promotion of products. Products marketed without advertising and promotion will flop. Advertising and promotion cost lots of money. Hence, there will be people putting up money for advertising and promotion in exchange for the lion's share of the profits.

  24. At my University Press... by twidarkling · · Score: 1

    We had to specifically name digital rights or we couldn't publish an ebook, and it was a major pain if there were any photos in the book, since we had to negotiate rights for those as well. In fact, many of the older books, we didn't even bother. We just made them sans pictures, which really crippled some books. But that's copyright for you.

    Also, it was negotiated that print and ebook would give the same royalty rates, but we bumped up royalties by 5% overall. Just for a non-representative example, I suppose. Being a University Press, and Canadian, we're not really playing in the same field as US textbook publishers, or trade publishers.

    --
    Canada: The US's more awesome sibling.
  25. Re:IANAL, blah blah by sznupi · · Score: 1

    What happens when the publishers demonstrate some e-book reader in the form of a book?

    --
    One that hath name thou can not otter
  26. One step by Anonymous Coward · · Score: 0

    Now, if they could bypass Amazon, we'd be at our destination.

  27. Re:A good idea, bad execution by JoeF · · Score: 1

    The Kindle format is not standard. Nobody but Amazon uses it.
    This deal, while a good start, leaves out a large market, all the people who use other readers. Unless they offer these books in ePub format, it is a big fail.

  28. This is absolutely terrible by PCM2 · · Score: 4, Insightful

    The only thing I don't like about this is the Amazon exclusivity.

    The "only thing"? I'm practically screaming about it!

    I have a Nook. It's a superior e-reader to the Kindle. (YMMV.) What this deal is saying is that I may not read any of the affected books on my Nook, period. If I prefer to read on my Nook, then POOF! These books are lost to me. Apparently, permanently. I do not understand how these authors (or their heirs) can sit still for that.

    And I know the Slashdot audience tends to read mostly fantasy and sci-fi books, but for the literature-minded among you, Jesus titty-fucking Christ! These are indeed modern classics, lost to Amazon's DRM. Fear and Loathing in Las Vegas? Ellison's Invisible Man? London Fields? The Naked and the Dead? These are great books... and now I may not read them in a digital edition unless I give $199 + $10 to Amazon. Fuck me.

    --
    Breakfast served all day!
    1. Re:This is absolutely terrible by metlin · · Score: 1

      Not to mention Jorge Luis Borges, who was perhaps one of the greatest authors ever alive.

    2. Re:This is absolutely terrible by PCM2 · · Score: 1

      Lolita, on its own, is a great loss. That is an amazing book. It's really too bad publishers want to put totally creepy photos on the cover so everyone thinks you're a pedophile when you read it. Nabokov works wonders with the English language (and it wasn't even his native tongue)! I recommend this book to absolutely everyone.

      --
      Breakfast served all day!
    3. Re:This is absolutely terrible by wardred · · Score: 1

      This is the problem with any DRM. The BEST one can hope for is that there is finally a Betamax, everybody with said Betamax gets screwed - heretical supporters of the evil competitors, and we eventually get "one format" that everybody can use...and hopefully it lasts long enough to matter. (If B&N had signed a similar deal, then all the Kindle folk would be in trouble.)

      I own a Kindle and it still irks me that it won't read unencumbered ePUB.

      Eventually I hope a tablet computer with some sort of color reflective and high refresh screen replaces the Kindle/nook/what have you and that the e-reader is just an app on it. Until then, I'm waiting to see who ends up with Betamax. (And who ends up controlling the price / availability of books on e-readers, whatever they happen to be.)

    4. Re:This is absolutely terrible by cpt+kangarooski · · Score: 1

      Well, don't worry; you can find copies of all of his books at /dev/random

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:This is absolutely terrible by thrawn_aj · · Score: 1

      That's another reason ebooks are such a boon! I don't have to worry about off-topic book covers when reading them in public =). Have you seen some of the covers for otherwise serious science fiction/fantasy??? They're an adolescent's wet dream *sigh* but a distinct blow to my dignity when all I'm trying to read is some serious 60s-70s science fiction.

  29. Re:IANAL, blah blah by mcgrew · · Score: 1

    If the author's [sic] are so sure they retain "digital rights," why doesn't one of them post a book the publisher still has the rights to, in its entirety, on a website and see what happened.

    Cory Doctorow did, and it got him on the New York Times best seller list.

    BTW, since you're an illiterate, why are you concerned about books?

  30. How cool would it be... by religious+freak · · Score: 1

    I wonder if iTunes could pull something like this off with bands. Holy hell, that'd be a day in paradise now, wouldn't it? Finally break the back of the RIAA.

    --
    If you can read this... 01110101 01110010 00100000 01100001 00100000 01100111 01100101 01100101 01101011
    1. Re:How cool would it be... by pandrijeczko · · Score: 1

      Okay, so in other words your proposing that iTunes does for music what Amazon is doing for ebooks and going to a "direct from the creator" DRM-based model... ...but didn't iTunes try DRM already & wasn't it vastly unpopular with you iHavenobrain owners?

      --
      Gentoo Linux - another day, another USE flag.
    2. Re:How cool would it be... by religious+freak · · Score: 1

      Who said I was advocating the DRM part? I was advocating the direct from the creator part.

      By the way - go fuck yourself

      --
      If you can read this... 01110101 01110010 00100000 01100001 00100000 01100111 01100101 01100101 01101011
  31. Top authors? by cjcela · · Score: 1

    Half of the authors mentioned in the article are dead. The people receiving money are not the authors, but whoever holds the rights... I will be happy to see a scheme in which authors are the ones that actually receive the money while still alive. Still, happy to see some of the leeches in the middle out...

  32. A good book. by Anonymous Coward · · Score: 0

    I can see if you are a physical book collector or like to maintain a collection, eBooks will seem stupid. To each his own.

    Well I'm a dedicated bibliophile and I see the advantages of E-books. The only problem is the technology hasn't caught up to the state of the art of the printed book.

    1. Re:A good book. by thrawn_aj · · Score: 1

      Unfortunately, as GP also mentioned, the state of the art of the printed book appears to be regressing (sadly).

  33. Re:IANAL, blah blah by sixsixtysix · · Score: 1

    this is one of those issues in the larger IP discussion that drives me fucking bonkers. what did/does work in the physical world, just doesn't cut it on a global network. in fact, it is retarded. sectioning it off any more is just stupid. license globally or gtfo.

    --
    ...
  34. Re:A good idea, bad execution by thrawn_aj · · Score: 1

    Mobipocket does, which for many years was a staple on a slew of pre-WebOS Palm products (including the Centro and Treo family). Of course, since Amazon bought it and took over the MOBI format (which is merely a file extension change from the old PRC format - everything else remains the same), they have been content to keep old Mobipocket customers frustrated with a lack of DRM-capable reader for them. Feh!

    Anyway, a pox on Amazon for this but I just wanted to point out that their format may not be as widely used as ePub but is about as widely used as any other format (except ePub). Besides, Mobipocket still offers its publisher software for free so it's actually much more open than any other format (except again, ePUB). Just wish it hadn't been hijacked by Amazon.

  35. Who Owns the Digital Rights by Nom+du+Keyboard · · Score: 1

    If the publishers own the digital rights and the title is not currently available in eBook form then I say that the publishers have either:

    1: Clearly forfeited the rights by not using them, or
    2: Clearly don't believe that they do own the rights since they're not making any effort to monetize them -- and who knows of any publisher to walk away from easy money?

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  36. Author != Publisher by jman.org · · Score: 1

    Just curious that the title of this story ways "Top Authors Make eBook Deal" yet once again it seems to be all about the publisher...

  37. Kindle will run on your PC or idevice by Anonymous Coward · · Score: 0

    and now I may not read them in a digital edition unless I give $199 + $10 to Amazon

    I think you can run free kindle software on your PC, Mac, Linux box, Android device, iPad, or iPod Touch.

    1. Re:Kindle will run on your PC or idevice by Pollardito · · Score: 1

      and since the Nook is an Android device it will be interesting to see if the Kindle app will be made to work there. I assume that it will be Barnes and Noble that makes sure that doesn't happen

  38. silanea = a chimp simulating human intelligence by Anonymous Coward · · Score: 0

    See subject line above and as far as your 'widespread opposition' moron? Anyone is free to read how stupid you are here versus the widespread opposition to your stupid and obvious trolling here http://apple.slashdot.org/comments.pl?sid=1725068&cid=32968572 as well as any of the posts in this exchange which began on this thread which was modded up http://apple.slashdot.org/comments.pl?sid=1725068&cid=32960808 and which you tried to troll and you did a massive fail on. Silanea, the evidence in those 2 posts show you are nothing more than an idiotic uneducated troll, and quite clearly. You can try to "play smart" here you moronic dolt, but those 2 url's show you are anything but intelligent.

  39. rotflmao, silanea is an acronym by Anonymous Coward · · Score: 0

    simian
    intelligence
    lamebrain
    and
    not
    educated
    also

  40. Re:IANAL, blah blah by qoncept · · Score: 1

    I guess I assumed literacy was more concerned with reading comprehension than proper use of an apostrophe. As long as we're being dick lickers, I'll also provide a citation. You, ironically, are the one that failed at reading comprehension. I'm not sure which part of my post led you to believe I'm concerned about books.

    FWIW, I understand how to use an apostrophe. I honestly read four words of the quote (that's right, I didn't even make it to YOUR comments) and stopped to think "Jesus Christ, I accidentally put an apostrophe where it doesn't belong and this douche bag goes out of his way to point it out." You can imagine my reaction to the last line.

    Your hostility makes me feel like you ARE concerned about books, or at least authors, and don't like what I said. My best advice is to read this. And remember: Even though it worked for Will Hunting, insulting my intelligence isn't going to impress any girls.

    In fact, you remind me of one of my favorite quotes, you fucking loser. Addresses the only two cases I can think of to explain your behavior.
    Guy 1: I think he has Asperger's.
    Guy 2: Yeah, but he's all ass and no burger.

    --
    Whale
  41. Silanea, you troll and you get trolled by Anonymous Coward · · Score: 0

    Silanea I read those urls and you came in there trolling and now you're complaining about it like a beyotch? Please. Who are you attempting to fool here?? It seems you like to dish it out in trolling but when it comes back your way, you cry like a bitch. Grow up. You can also stop attempting to issue orders like you run things around here, because new news/clue: You do not.

  42. Don't try play "innocent victim", troll by Anonymous Coward · · Score: 0

    I am bored. Let me poke the troll. Brightens up the day every time - by silanea (1241518) writes: on Tuesday July 20, @10:07AM (#32963666)

    After you said that quoted above, you're trying to play "innocent victim" here you fucking troll? Don't make us laugh, you stupid fuck! You sow the wind, now you reap the whirlwind you little trolling punk, so you had better learn to take what you yourself dish out and quit crying like a little girl. Instead of bothering others as you did here http://apple.slashdot.org/comments.pl?sid=1725068&cid=32963666 and then you messed up with radically inaccurate and faulty technical data on your part, you have the nerve to complain? Shut the fuck up already because you're attempting to insult the rest of us that can actually read you dimwitted screwball.

  43. I think we are done by butterflysrage · · Score: 1

    You reply with rumor and ad-homs. Either cite your sources or move on.

    As for mine: Dune ( The Road to Dune (2005), p. 264 )
    LoTR: "World War I and World War II". http://www.nationalgeographic.com/ngbeyond/rings/influences.html. Retrieved 16 June 2006.
    I'm afraid I will have to go home to look up the info on Journeys of the Catechist (the one I was not to sure on)

    --
    the preceding post was not spell checked... suck it.