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Finnish Record Labels Want To Block Pirate Bay

jones_supa writes "International Federation of the Phonographic Industry, the national trade association representing record companies in Finland, has filed for a court injunction ordering the Internet service provider Elisa to block access to the Pirate Bay website. 'The development of a legal online market is impossible in Finland if illegal services like The Pirate Bay are freely allowed to continue their operations,' said Lauri Rechardt, a spokesman for Finland's branch of IFPI."

144 comments

  1. yawn by Anonymous Coward · · Score: 0

    Proxy in the short term. Fuckup International Federation of the Phonographic Industry later. Blah blah blah.

    1. Re:yawn by mlts · · Score: 1

      Bingo, the more there are bans against sites, the more companies will be stepping up to offer VPN services.

      The sad thing is that once people are forced to VPN services, there is nothing countries can do to see traffic, unless try to ban the services. Then a cat and mouse game will ensue.

    2. Re:yawn by Lumpy · · Score: 1

      and it does not matter, once the tracker get's out you are fubar. so I cant get the tracker at Pirate bay, but dave can and he can paste that magnet link on another site and BOOM I now can enjoy the 39,000,000 seeder swarm that will be this artist's album and a bootleg recording of their shower singing recorded by someone to prove a point.

      --
      Do not look at laser with remaining good eye.
  2. Bzzzt! Bullshit. by Microlith · · Score: 4, Informative

    If that was true in any way, shape, form, or sexual position then Apple, Amazon, and a multitude of other legitimate services would have failed.

    Lo and behold, they have not. Instead they have grown.

    1. Re:Bzzzt! Bullshit. by dsavi · · Score: 1

      Not to mention Spotify. Spotify was absolutely huge in Finland- It was replacing TPB before they made the free version lame.

    2. Re:Bzzzt! Bullshit. by Anonymous Coward · · Score: 0

      >Lo and behold, they have not. Instead they have grown.

      In Finland?

      Maybe the culture of pirating is more pervasive in Finland? Maybe there is a point to the lamentation.

      Fuck the fucking record labels either way. Finland has good social security. Artist don't need to starve even if they can't get by with gigs and t-shirts.

    3. Re:Bzzzt! Bullshit. by billcopc · · Score: 4, Interesting

      If they can't get by with gigs and t-shirts, they're doing it wrong and deserve to fail.

      My own business didn't take off overnight, just because I showed up with a screwdriver and gaudy business card. It took off because I busted my ass for years to build it up. Music for profit is a business, and must be built from the ground up, just the same. You write good tunes, you put on good concerts, you identify your market, you establish relationships with other bands, promoters, producers, etc. You keep working at it until all that investment starts paying off, and if it doesn't, you either fucked up, or you're offering a product for which no one wants to pay.

      I sure as shit would not buy someone's shirt or pay to see them, if all they played were Limp Bizkit covers, but that's what a lot of kids today are doing. Playing absolute shit to disaffected hormonal preteens, and wondering why, five years in, they're still not globe-trotting bazillionaires. I should know, because I'm operating a label :) I actually encourage my acts to give free tunes online, because it generates a ton of buzz and goodwill that pays off in spades down the road. Just look at Die Antwoord, as a prime example. They're a niche act from South Africa that has toured worldwide to great success, and yet their first album was posted on their web site, in its entirety, free to all visitors. I bought the commercial re-release, I bought the merch, I've seen them live. They've made about $60 from me, just by posting free music online, because it was GOOD music. Multiply that by the 2300 people who showed up to that one concert, and that's a pretty nice chunk of coin for a relatively unknown act. Now multiply that by the hundreds of shows they're played, and I'd call that a thundering success.

      How much money has Rihanna made from me ? ZERO. I wouldn't even download her shit for free. So what's the difference ? I actually WANT Die Antwoord to succeed, I'm interested in their offerings, I appreciate what they're doing, and the entertainment they're providing me is worth every penny. I've played that free album more times than I can remember, it gets stuck in my head. Rihanna, she just makes me reach for the mute button. The more I hear her crap on the radio, the more I feel compelled to strangle puppies. Puppies with Rihanna's album cover taped to their cute little faces.

      I don't know who Finland's most popular musical franchise might be, but it's a safe bet that if they need lobbyists to write up laws to secure their income, chances are they suck. Chances are I wouldn't ever sign them to my humble little label. Chances are I'd cheer if they got run over by a drunk driver. You're not allowed to call it art, if you're not investing your entire being into the work.

      --
      -Billco, Fnarg.com
    4. Re:Bzzzt! Bullshit. by Kamiza+Ikioi · · Score: 1

      Maybe it's a typo. "The development of a legal online market is impossible in Finland," said Lauri Rechardt, a spokesman for Finland's branch of IFPI. "If illegal services like The Pirate Bay are freely allowed to continue their operations..." to which the rest of the quote continued, "...at least we can see that there are some people out there who are interested in Finnish artists, whom we should probably be promoting on the international market rather than just within our own small country, where we still think we're a 'Phonographic' Industry."

      I mean, I'm just trying to read into it and draw out the best possible alternative for Lauri.

      --
      I8-D
    5. Re:Bzzzt! Bullshit. by Anonymous Coward · · Score: 0

      I don't know who Finland's most popular musical franchise might be

      Worry not, it's those same Idols-winner crapholes that every country has, except for this year, since Finland won the Ice Hockey gold, it's going to be the songs related to ice hockey.

    6. Re:Bzzzt! Bullshit. by lordholm · · Score: 1

      I know for a fact that iTunes music store is available in Finland. Not sure you can get anything else, but the FIFPI has apparently no clue. The development of online markets in the EU is a complete stone age thanks to the likes of the FIFPI who continuously oppose the establishment of the digital single market. Usually the arguments is that it is bad for diversity, something that I don't understand... how is it diverse if it is impossible for me to download French or Italian music just because the record companies refuse to sign a EU wide license.

      As soon as the Commission manages to set up the rules for the digital single market, that they have promised to establish within the current term, the European digital market will bloom.

      --
      "Civis Europaeus sum!"
    7. Re:Bzzzt! Bullshit. by blair1q · · Score: 1

      Amazon killed Borders Books.

      So your argument may be built on a cantilevered floor of lahvosh.

    8. Re:Bzzzt! Bullshit. by elrous0 · · Score: 1

      Spotify was absolutely huge in Finland- It was replacing TPB before they made the free version lame.

      So, sales were great when the price was $0?

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    9. Re:Bzzzt! Bullshit. by Anonymous Coward · · Score: 1

      Yeah, oddly enough the $0 price was the thing that got people into actually paying for it eventually. Pity the labels had to ruin the whole idea; now it's near death.

    10. Re:Bzzzt! Bullshit. by nospam007 · · Score: 1

      "Maybe the culture of pirating is more pervasive in Finland?"

      Yes, billions of people downloading Leningrad Cowboys.

    11. Re:Bzzzt! Bullshit. by interkin3tic · · Score: 1

      How much money has Rihanna made from me ? ZERO. I wouldn't even download her shit for free. I actually WANT Die Antwoord to succeed, I'm interested in their offerings, I appreciate what they're doing, and the entertainment they're providing me is worth every penny.

      You lost my remaining mod point when you went negative here, since I am not afraid to admit I like Rihanna, both her songs and what little I know about her personal life. Furthermore, what are you implying? That's one mainstream act you don't like, fine. If you're saying that -no- mainstream acts that sell music rather than giving it away meet your approval, well, we should just agree to disagree. And I'll jokingly call you a hipster.

      The larger point is this: not wanting to give away your work does not make you evil, a bad artist, or a bad musician. It's all well and good that some acts can follow your model of "making it by concerts and shirt sales" while giving their music away free. I see no reason to suggest that could work with all or even most acts. I see no reason why your standard of "if they do that, it's good music" is better than my standard of "if it's good music, it's good music." I see no reason to fault acts that don't choose to go with your model, just as I see no fault with software developers that choose to charge money for their products rather than simply asking for donations.

    12. Re:Bzzzt! Bullshit. by brit74 · · Score: 1

      > "If that was true in any way, shape, form, or sexual position then Apple, Amazon, and a multitude of other legitimate services would have failed."
      Indeed, because if there's one thing propping up Apple, Amazon, and other legitimate services, it's sales to Finland.

    13. Re:Bzzzt! Bullshit. by arisvega · · Score: 1

      .. then Apple, Amazon, and a multitude of other legitimate services would have failed.

      Well, those already have an established client base. Plus they also deal hardware, plus most of their clients are in the USA where, apparently, the penalty for downloading a song or two is incarceration with rapists, killers, drug dealers, and the like.

      So if you are just starting your little business now, it IS going going to be harder- unless people are willing to buy it so some of the money ends up to you. Which is something they do in Scandinavia, out of respect for other people's work.

      Finland is not considered that much scandinavian, but still, notice how they are actually telling the truth about it; i.e. not "it is immoral", "DRM this and that", but actually "this will stop my business from making money, and I want that money".

      --
      The three laws of thermodynamics:(1) You can't win. (2) You can't break even. (3) You can't even quit.
    14. Re:Bzzzt! Bullshit. by cyber-vandal · · Score: 1

      $0 with adverts every other song. It was limited to 20 hours a month and then they changed it to 10 hours a month. So now it sucks more. I don't mind paying for it, it's great.

    15. Re:Bzzzt! Bullshit. by Anonymous Coward · · Score: 0

      Let's also not forget AllOfMP3. In Russia they not only have an access to TPB, but also to their own very popular rutracker.org (formerly torrents.ru). And guess what? AllOfMP3 was selling music left and right. Do it right, give customers what they want regarding quality and a price (and no DRM), and you will have a very successful online market. But try to screw your customers, and you will have none - they will go to TPB instead. TPB doesn't prevent you from creating an online market, it prevents you from screwing customers.

    16. Re:Bzzzt! Bullshit. by lpq · · Score: 2

      Americans are trained differently.

      This is reasoning for why things like legalized cannabis-coffee shops work in the Netherlands, or legal prostitution works, but not in the US.

      In addition to the large number of law abiding citizens, there are a huge number who wouldn't know how to download something. There is also laziness.

      I suspect the ratios of those various groups are different in other countries.
      Now whether or not those differing ratios would prevent the start of such a service is anyone's guess.

      Another factor -- The US has draconian penalties for almost every crime, imprisons more people than any other country in the world. Once you have a prison record, you become part of an underclass -- one which encourages further criminal behavior. I don't know how many people think about these things or consider their chances of getting caught or prosecuted, but it could be considered more of a threat than in other countries.

      So, it's hard to compare the success or fail of different rules & policies in different countries given all the different factors -- unfortunately.

    17. Re:Bzzzt! Bullshit. by Skal+Tura · · Score: 1

      Freemium is often very excellent :)

    18. Re:Bzzzt! Bullshit. by hsa · · Score: 1

      That might actually be the point.

      Legal online market in Finland is not selling so well. So they blame piracy.

      Instead, Apple, Amazon, even Spotify are selling much more than Finnish online retailers together. Why buy from local legal online service with shitty DRM and/or high prices, when you can buy from well established American counterpart? The people in Finland can use the internet and they are just flocking to better online music providers.

    19. Re:Bzzzt! Bullshit. by billcopc · · Score: 1

      I'm not at all offended that you like Rihanna, you're obviously not alone. I like a lot of pop music too, I wouldn't call myself a hipster at all. I can't stand Rihanna but I dig Lady Gaga. That's completely beside the point.

      One of the many reasons I'm opposed to selling digital music, and then suing downloaders, is that the industry itself is hypocritical: they'll release "singles" on the radio, cost-free, as a way to promote the rest of the album. Problem is, the singles are often the only good songs on the whole damn disc, so they're effectively giving away the good stuff, and then charging you $18 for filler. If you go and download the free singles, they sue you for infringement, even though the same song has been playing 40 times a day on pop radio.

      Just set the dials on your time machine to 11 years ago, when Metallica shat all over Napster. What was the result ? Massive backlash against the band, not increased sales. I still remember that awards show where they aired a skit of the band "borrowing" tangible belongings from a Napster user, leaving him in his underwear in an empty room, as if that were any realistic parallel to file sharing. They didn't get the clue back then, and the industry still doesn't get it today. Music is a social phenomenon. No sane artist would systematically alienate millions of fans like that! The correct response is to adjust your business model to provide more of what the customers want.

      File sharing has replaced the mixtape, and if it weren't for countless "personal top 40" torrents on The Pirate Bay, a lot of bands would never find an audience outside their hometown or small country. Do you honestly believe I'd be a huge Dutch metal fan today if my only source of new music was HMV or Wal-Mart ? I'm the only guy in my circle who knows these bands, so if I hadn't stumbled upon the music online, I would never have been exposed to it at all. Now the wife digs it, a couple of friends dig it too, and you can be sure if a Dutch metal band ever comes to Canada we'll be ordering four tickets and train fare to go see them. Four paying customers, acquired for FREE. It didn't even cost them bandwidth, I got the music via P2P. Just hit their facebook pages and you'll find a thousand more stories like mine. These rather obscure bands from half a world away can already look forward to a sold-out concert, despite not spending a penny on advertising over here. Even after the venue takes its cut, that's a six-figure payday. Considering we're crawling out of a recession (supposedly), that's nothing short of a miracle.

      --
      -Billco, Fnarg.com
  3. whoa by nomadic · · Score: 1

    Record labels want to stop an organization which makes money from their copyrighted work without compensating them for that? That is just shocking.

    1. Re:whoa by Anonymous Coward · · Score: 1

      Record labels want to stop an organization which makes money from the copyrighted work that their cartel basically extorts from artists without compensating them for that? That is just shocking.

      FTFY

    2. Re:whoa by Anonymous Coward · · Score: 0

      ...an organization which makes money from their copyrighted work without compensating them for that...

      I see you're drinking that Kool-Aid.

    3. Re:whoa by DJRumpy · · Score: 2

      The artists are partially to blame for that. They continue to perpetuate the control the record labels extend by signing those shitty contracts. The sad thing here is that if they managed to block that site, and records sales still don't improve, who are they going to after next? Recorded music, as a technology, hasn't decreased in price as the technology became cheaper. People can buy spools of a hundred CDR's for pennies, meaning the only real value is the music itself, and when you compare a 3 minute song to the value of a matinee movie for 5 bucks, the difference is a bit startling. 5 Bucks for a few hours of entertainment vs. a $1.00 or more for 3 minutes, it's just not a good value in most people's eyes.

    4. Re:whoa by cpu6502 · · Score: 1

      Dear Nomadic:

      I would feel sorry for the record industries decreasing profits (from 2 to 1.9 trillion since 2000 --- oh so sad!), if they didn't SCREW THE ARTISTS AND REFUSE TO PAY BILLIONS IN BACK WAGES (link below). It's like trying to feel sorry for Al Capone because someone stole his bootleg liquor..... or Sony because judges won't let them jail customers who buy used games instead of new. My sympathy is non-existent for these bastards.

      http://www.futureofmusicbook.com/2011/03/music-managers-and-artists-could-collect-over-2-billion-in-unpaid-royalties/

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    5. Re:whoa by MightyMartian · · Score: 1

      Traditionally artists had little choice. I agree that that is no longer the case, but what do you do if you're a band who signed your distribution and publishing contracts even ten or fifteen years ago? Yes, new artists will probably more and more find alternative means that avoid the traditional recording companies and publishing houses, but the issue for older artists is still there.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    6. Re:whoa by nomadic · · Score: 1

      Extorts? So the labels threaten to break their kneecaps if the artists don't sign over rights to their songs for absolutely no compensation?

    7. Re:whoa by d3ac0n · · Score: 2

      At issue is not that the organization wants to protect it's copyright. That is certainly a logical desire. At issue is the argument that they make in an attempt to protect said copyright. The argument is clearly and obviously flawed and frankly, just plain silly on the face of it, as evidenced by the success of iTunes alone.

      --
      Official Heretic from the "Church of Global Warming". Proven right thanks to whistle blowers. AGW = Flat Earth Theory
    8. Re:whoa by DJRumpy · · Score: 1

      I wonder how long a typical contract is that they sign? I know a lot of younger artists are using the net for distribution, and doing so with great success. Surely those contracts don't last a lifetime. I would think even older artists, once they get past that 'new' stage and get some name recognition, probably have more bargaining power.

    9. Re:whoa by nomadic · · Score: 1

      In other words, the problem is the record labels screwing over artists, so the remedy is for the Pirate Bay to make money by offering the work and screwing over the artists even more? As bad as the labels are, they at least compensate the artists SLIGHTLY. The Pirate Bay just screws them over completely.

    10. Re:whoa by SilentStaid · · Score: 1

      I would like to point out that 5 dollars for a movie gets you to that show. 99c for a song from apple and you could listen to it until your harddrive gives out.

    11. Re:whoa by MightyMartian · · Score: 2

      I think a lot of it depends on ownership of publishing rights and to the masters. A lot of older artists, to put it bluntly, were royally screwed as far as ownership goes, or, to put it more bluntly, bamboozled. The recording industry left behind a lot of victims, which is why I find the current "woe is us, TPB is killing us" rather ironic. The problem is that, no matter how you do it, the fall of the record companies, whether it happens now or later, will have a lot of victims who weren't in on the scam.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    12. Re:whoa by Professr3 · · Score: 2

      Or until the DRM decides otherwise.

    13. Re:whoa by Moryath · · Score: 2, Insightful

      No, but the IFPI/RIAA/MAFIAA "either you sign the contract with us or we'll have you blacklisted from most live venues and you won't be eating by next week" negotiation model is pretty damn close.

    14. Re:whoa by mcgrew · · Score: 1

      Fewer musicians are doing that. I know a fellow personally who's been offered a label contract. He told them to fuck off, he'd rather play in bars than give his work away to the record companies.

    15. Re:whoa by hairyfeet · · Score: 3, Insightful

      Actually most musicians will tell you they don't make shit from record sales, all the money comes from concerts and merch. hell even those of us that played in regional bands can tell you that, you sell the CD for a little over cost, just to cover production, and where you make your profits are the T-shirts, hats, mugs, keyrings, etc.

      Why? simple: the music is advertising that gets you to the show. The more CDs you have out there, the more people you have potentially listening and hopefully playing it for their friends. this advertising then gets said friends to go to the show, where you as the artist then sell them the merch.

      I had a nice thing going with my band where in each city we played I'd go hit the pawn shops and pick up a "pawn shop special" guitar or bass, which we would all sign and either myself (if it was a bass) or one of our guitarists would play it for a few (or several if they liked the sound) songs and then we would raffle it off. Every CD,T-shirt, etc got you another slot in the drawing. made out like bandits with that one we did. Oh and if any other musicians want to use the idea I offer it under the GPL. As long as you give me credit have fun! And enjoy the money, as we'd make close to a thousand a night with that trick.

      So you see Nomadic the CDs are adverts nothing more, and it is the middle men leeches, that royally fuck EVERYBODY that are trying to make them profit centers. and why not? they steal the rights from the artists, don't pay them shit (last I checked even top draws only get a lousy 80c on a $20 CD) and own the rights to do with as they like for eternity.

      Oh and as for why anyone would sign? We were told flat footed that NO radio stations in any of the markets would be allowed to play us, NO TV other than local would be allowed to touch us, and you know what? They were right. We had DJs tell us "Man we just love your stuff and listen to it in our cars, but we'll get fired if your name isn't on the list". You see this is what in the past would be labeled payola or antitrust, but since our corporate masters were able to get those pesky laws ignored with sack fulls of bribes they are allowed to pull that shit. We never signed but we got to see first hand what happened when you did, as one of the bands opening for us did. They ended up breaking up and never being able to work together just to get out of their contract, and now they can't play those two albums worth of songs, since the record company completely owns them for eternity.

      So I can tell you that you aren't hurting any artists by going PTB, in fact the more people that listen to them the better. They will be lucky if they get a few pennies from the record leeches, more likely they will be like our friends and get hit with a $60,000 bill for "advertising expenses" for a record THEY promoted THEY recorded for less than $10k and THEY hustled to sell. The record management set up a grand total of TWO radio interviews, then new management came in and decided they were "going in a new direction" and basically left them in the street. so fuck the record companies and the horses they rode in on, you ain't doing no favors to artists by buying from them!

      --
      ACs don't waste your time replying, your posts are never seen by me.
    16. Re:whoa by Moryath · · Score: 1

      The Pirate Bay just screws them over completely.

      O RLY?

      Interestingly, the heyday of the RIAA, the point at which they were making the most money, was the period when Napster was also in its heyday. New artists were coming out all the time, getting a ton of exposure through Napster that they'd never get over the radio.

      MafiAA revenue declines match well with four factors, none of which have anything to do with "piracy":
      #1 - The rise in other forms of entertainment. Video games, in the past decade, have ballooned. In a system where people only have a finite amount of recreational funding, people are less likely to buy music CDs. Youtube videos, Hulu... people have a ton of access to other time-wasters. About the only thing CDs are good for is car listening.

      #2 - The re-rise of the single over services like iTunes. Why buy an entire album when you can just buy the 1-2 songs that are any good off of it and leave the rest of the crap songs behind?

      #3 - Economic decline in general. Face it, when 15-20% of your target market is unemployed, you should EXPECT revenues to decline.

      #4 - Lack of investment in new acts and production of new material. Instead of anything innovative, or anything GOOD, we get overproduced, cookie-cutter garbage 99% of the time these days. Miley Cyrus, the Jonas Brothers, and don't forget the newest gay disney boyband "BBMak." Britney Spears sounds like Mcdonna sounds like Lady Gaga sounds like Who The Fuck Cares I'm Done. Rap, "Hip-hop", and the bastardized "R&B" that has ceased to mean "Rhythm and Blues" and instead now means "Retarded and Black"? Yeah. I don't care if you talksing like William Shatner about shooting cops or fucking hoes, I really don't, because your "music" is pure crap.

    17. Re:whoa by Anonymous Coward · · Score: 0

      It's not a matter of supporting the piratebay or their users, or even about making sure we're allowed to use p2p protocols, it's a matter of ill deserved sympathy for the "MAFIAA" should be allowed to be used as a stepping stone to turning our tubes into cable-tv 2.0 (now with more adds - and we also spy on you!) complete with censoring (see Australia, only blocking sites with objectionable content.. and sites listing content that is blocked but shouldn't).

    18. Re:whoa by Lumpy · · Score: 1

      No they don't like the competition for robbing the artist. And they are frightened that the artists will discover they don't need the label at all. Honestly, if you are good and you recorded everything and threw it all to the internet for free, you will be a success. People will go to your shows, people will BOOK YOU for shows, they will want the tshirt, etc.... There are a couple of bands here that have done this and they all now do music stuff and no longer need day jobs. Do they make $40,000,000,000 in record sales? no but that 's not realistic.

      --
      Do not look at laser with remaining good eye.
    19. Re:whoa by iceaxe · · Score: 1

      Does your friend have a website where I can purchase something from him? I'd like to support that attitude.

      --
      WALSTIB!
    20. Re:whoa by Maxo-Texas · · Score: 1

      I bought Moulin Rouge for $9.99.

      I've watched it 20 times. I can continue to watch it.

      That movie took hundreds of people to make. The typical record takes a couple dozen (some involved for only a few hours).

      Prices for records reflect the tiny market of the 1950's- not today's market of millions of listeners.

      If you sell your self-produced song to 7 million people for a dime, you just pulled in $700k for 5 to 10 people. Not bad for a month's worth of work.

      Prices will trend downwards- there is an enormous glut of entertainment. I fall more behind every week. One way I choose is based on price. By watching cheaper now- the price on the other stuff drops and it becomes cheaper to watch in 3-5 months. I have one friend who is now 3 years behind and his entertainment is very inexpensive.

      The last "bootleg" disk I got (Blue October) resulted in my spendng about $130 so far on their concerts and T-Shirts.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    21. Re:whoa by Maxo-Texas · · Score: 2

      A huge, already successful band tried to bypass the concert system a few years ago.
      Failed.

      The only way you can bypass the labels is if you find a new path- the existing ones are all wholly owned top to bottom (distribution channels, record stores, radio stations).

      I think it's breaking apart and hopefully the radio stations will not be able to lock up online distribution.

      --
      She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    22. Re:whoa by iceaxe · · Score: 3, Insightful

      The problem is supply and demand and changing technology leaving behind a formerly profitable business model that is slowly but surely going extinct, and not going quietly into that good night. The recording industry would do well to spend their efforts on figuring out a business plan that fits tomorrow instead of yesterday. Some will make the transition, some won't.

      As for TPB, they merely supply a place to discover what other people are offering - whether illegal or legal. They profit from the traffic to their website creating ad revenue. One might successfully claim that they encourage illegal acts, and that they facilitate illegal acts, but they aren't selling anything but ads and TPB paraphernalia.

      As for the artists, they are getting publicity and growing fan base at the low low cost of $0.00, which is one heck of a lot less than what the big labels charge them. (Give up your artistic freedom, give up your publishing rights, give up nearly all of the profit from selling recordings, etc. etc.)

      The fact is, for most artists the labels provide a valuable service for a steep price. However, the value of that service is decreasing, but some labels still see more profit in fighting change than in revising their way of doing things. The future is bright for labels that offer good service with equitable terms to artists, and fair prices for desired products to consumers. Fact is, though, the value of a commodity is how much someone is willing to pay for it, not how much it costs to produce. And bits are cheaply and easily obtained - unlike in the past.

      --
      WALSTIB!
    23. Re:whoa by Coren22 · · Score: 1

      What is the band name? In Baltimore, they actually have a venue that does weekly shows on Monday night, and the most popular band each night makes it onto the local radio station (www.98online.com) and they even run contests where the outcome is a recording deal (not distribution deal), but I am unsure how often that happens.

      --
      APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
    24. Re:whoa by SilentStaid · · Score: 1

      Sir, if you're still buying DRM'd music when you can get the mp3s for 99 cents I'd call that the first problem.

    25. Re:whoa by MBGMorden · · Score: 1

      5 dollars get in you into that movie until it comes out on DVD. Then $15 buys it on release day, then $10 a year or two later, finally ending up in the $5 bin a few years after that. The really unpopular ones end up at Big Lots for $3 or so. For the most part though, you can buy plenty of movies for that $5.

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    26. Re:whoa by Anonymous Coward · · Score: 0

      Oh, so piracy HELPS artists then? And I suppose the companies that promote them and organise the tours so they can peddle their merchandise, without whom nobody would have heard oif the artist, I suppose they're helped by piracy too? And you came to this conclusion without any facts, statistics or logic? Well, thank goodness then that you removed that pesky element of choice from the artists and labels how to run their own businesses, we wouldn't want them to fail now would we. Got any other bright ideas for how we can force companies to only operate in such a way as to maximise their profits based on your gut feelings?
      Maybe we could force Linux distributions to charge their users, after all they're not going to make any money giving it away for free are they? Put in legislation that stops companies from giving to charity, what a waste of money that is.
      But why stop at companies? Why, I bet we could improve quality of life across the globe if we just forced people to act in the greater good! Sorry, studies have shown humans work best with 8 hours sleep. No more late nights for you! Stay out past curfue and be shot on site, it's for your own good!
      Thanks for your insightful ideas Adolf, +5 Slashdot Groupthink!

    27. Re:whoa by Methuseus · · Score: 1

      I thought BBMak came around in the late 90's and then went back into obscurity pretty quickly. Don't tell me they're still around and still big!

      --
      Two things are infinite: the universe and human stupidity, though I'm not yet sure about the universe. - A Einstein
    28. Re:whoa by mcgrew · · Score: 1

      His name's Joe Frewe, he's been doing solo shows. I think "The Station" has been approached by labels as well, they play all over the midwest and have at least two CDs out. Their front man, Dave Littrell, is about the most talented musician I've seen. The guy plays guitar, sax, keyboards, and sings. You can download thir live shows in several formats both compressed and lossless at archive.org.

    29. Re:whoa by mcgrew · · Score: 1

      His name's Joe Frewe, he's been doing solo shows. Not sure if he has a web site but he's most likely on FaceBook.

      Some other friends are in "The Station", I think they've been approached by labels as well. They play all over the midwest and have at least two CDs out. Their front man, Dave Littrell, is about the most talented musician I've seen. The guy plays guitar, sax, keyboards, and sings. You can download thir live shows in several formats both compressed and lossless at archive.org, can probably buy their CDs at thestationmusic.com, and IINM they're on iTunes as well.

  4. Really? by Robadob · · Score: 1

    What about iTunes and amazon music etc, don't these count as legal online markets to purchase music? (Or are these unavailable in Finland?)

    1. Re:Really? by Anonymous Coward · · Score: 0

      They probably aren't seeing that the same retarded regioning/zoning/whatever the hell you want to label them are still in play even though the Internet should have destroyed them long ago. It's fucking ridiculous.

    2. Re:Really? by kehren77 · · Score: 1

      Yes, iTunes has a Finland store.

    3. Re:Really? by dsavi · · Score: 3, Interesting

      Most of the regular services are available in Finland, with the exception of Pandora (However "regular" Pandora is, I don't know). Finland also has Spotify. Given Finland's stance on free speech (We top the Reporters Without Borders press freedom index along with a few other countries, last I checked), I doubt that this kind of censorship will go through. I know, press freedom isn't entirely related to this. But Finland is a lot more liberal about such things than, say, the US.

      Pretty much everyone I know here in Finland had moved to Spotify from illegal downloading, until Spotify watered down the free version. Restoring Spotify to its previous state would be far, far more effective than blacklisting TPB.

    4. Re:Really? by Anonymous Coward · · Score: 0

      I always thought that spotify being free was to lure in customers before forcing them to pay for it because they can't have made much money from those adverts. It could also be of use to them if somehow they can highlight some increase in piracy related to some other event which coincides with the spotify removal of unlimited free. (Although correlation != causation)

    5. Re:Really? by Aggrajag · · Score: 1

      TTVK (IFPI representative in Finland) is blaming piracy when the real reason is that most Finnish online record stores are not very good and the music is full of DRM.

    6. Re:Really? by elrous0 · · Score: 1

      Restoring Spotify to its previous state would be far, far more effective than blacklisting TPB.

      Yeah, if only they would give it away for free, we wouldn't have to steal it.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    7. Re:Really? by uvajed_ekil · · Score: 1

      This isn't about fair trade or free speech, unfortunately. Record companies around the world developed a sense of entitlement because their business model worked very well for a few decades. Now that consumers and artists alike have grown tired of the record companies only serving their own interests while screwing everyone else, no one wants to support the old business model. Force legislation down our throats to protect a bad, dying model is not the way to go.

      Don't allow the big corporations to tell you what you must buy and how much, and they will be forced to adapt if they want to survive.Take Apple: they went through some very tough times (because there were no laws designed specifically to protect them), so they innovated, adapted, gave people what they wanted, and now they are thriving. The case with Ford in the US is somewhat similar - they were bailed out, yes, but their competitors were not banned or handcuffed; Ford is once again producing quality products that people want and can afford, and they are doing remarkably well as a company. I'm considering buying a new Ford for the first time in my life, though I see little reason to spend $18 on crappy CDs using 1980 technology, which I can not return or test drive. I also never buy movies anymore, since $20-30 for new releases I will only watch once or twice more, and am legally (though not technologically) unable to back-up. Ford didn't screw me or push restrictive laws to force all cars look and perform like a 1989 Ford Taurus forever, they went back to the drawing board (after borrowing a few bucks, which they have repaid, of course).

      I'm a couple of generations removed from Finland, but I doubt this will go over well there, arguably the most "free" country in the world. Besides, iTunes is proof that a legal market can exist and thrive amidst piracy. And you'll never eliminate piracy entirely - they just keep making it more inconvenient, and some one else keeps finding ways to make it easier. Folks will revert to analog copies if digital-digital copies are ever somehow made impossible.

      --
      This is a hacked account, for which the owner can not be held responsible.
    8. Re:Really? by indeterminator · · Score: 1

      Actually, a lot of previously free Spotify users I know are now either paying for it, or considering paying for it. The big reason: Spotify mobile (which never was free).

      10€/month is close enough to free for a lot of people.

      (also most people I know wouldn't know what a 'torrent' is)

    9. Re:Really? by Anonymous Coward · · Score: 0

      Gladly the only site worth visiting and buying from does not enforce its users to crappy drm. http://www.digital-tunes.net/ is The Place.

    10. Re:Really? by mmcuh · · Score: 1

      It was never free. It had ads in it. It may be the case that the ad revenue didn't cover the expenses, but it was never free.

    11. Re:Really? by cyber-vandal · · Score: 1

      It's not really free since you have to listen to adverts every other song.

    12. Re:Really? by Anonymous Coward · · Score: 0

      > Pretty much everyone I know here in Finland had moved to Spotify from illegal downloading, until Spotify watered down the free version.

      I don't understand the people that leave Spotify. I mean, the cheapest Spotify version is 5 euros/month! That's basically free in my book. For 15 years I was pirating music saying there was no alternative. But with Spotify, there is a reasonable alternative.

      For 10 euros per month, I get all my music/playlists on my home computers, laptops, work computer, and mobile phone. That's convenience.

    13. Re:Really? by Anonymous Coward · · Score: 0

      Hear hear! Comes With Music tanked not because of piracy, but because it was SHIT!

  5. Not going to happen by Anonymous Coward · · Score: 0

    It's not going to happen.

    And The Pirate Bay is not an illegal site.

    1. Re:Not going to happen by denis-The-menace · · Score: 1

      it doesn't matter.
      Any website that angers or annoy rich people will be taken down by hook or by crook (e.g.by bought politicians)

      --
      Obama's legacy: (N)othing (S)ecure (A)nywhere and (T)error (S)imulation (A)dministration
    2. Re:Not going to happen by lordholm · · Score: 1

      Most likely not as Finnish courts have to abide by rulings from the Union courts: http://euobserver.com/893/32190

      --
      "Civis Europaeus sum!"
  6. Nope, that's not how it works. by Anonymous Coward · · Score: 0

    First you provide multiple working alternatives that don't screw over the consumer, whilst the government regulates the industry to ensure customer safety.

    If I have to, I'll go and off each of these idiots. I have a car, guns ain't that hard to find and I'm already in the country.

  7. Translation by Anonymous Coward · · Score: 0

    We're unable to provide a similar service for a reasonable price, and are unwilling to give customers access to music without burdensome restrictions. Therefore, we want to destroy any competition so people are forced to turn to us.

    1. Re:Translation by i_ate_god · · Score: 1

      well, reasonable price? TPB is free, it doesn't get much more reasonable than that in the eyes of a consumer.

      --
      I'm god, but it's a bit of a drag really...
    2. Re:Translation by d3ac0n · · Score: 1

      Actually, if the success of iTunes is any indication, You actually CAN get more reasonable than "free".

      I know that I don't mind paying a moderate price for the cost of an "album" because I get a sense that I am supporting the artist. Particularly if I am buying it from either the artist's website or from an independent artist not affiliated with a major record label.

      That feeling alone is a form of value. It is the intangible value that you do NOT get when you simply download it. I think the success of online music sales has proven that even without a physical object, legal ownership of data does carry intrinsic value all on it's own.

      --
      Official Heretic from the "Church of Global Warming". Proven right thanks to whistle blowers. AGW = Flat Earth Theory
  8. They're not alone by Anonymous Coward · · Score: 0

    They're amongst the many companies that have no place on the internet. Can't handle the heat of the competition? Then get out of the kitchen (unless you're making me a sandwich, then be quick about it)

  9. International Federation of the Phonographic Ind.. by Haedrian · · Score: 1

    Remember kids! Don't download your Long Plays and Singles illegally,

  10. Not always infringment by McGiraf · · Score: 2

    What if someone is using the pirate bay to distribute his own content?

    Blocking it for the record company is just using the government and laws to prevent competition.

    They are losing control of the music business and they are getting scared.

    1. Re:Not always infringment by Anonymous Coward · · Score: 0

      This is exactly what the entire MPAA, RIAA, or insert whatever countries version has been doing regardless of what artist gets distributed. They've encountered a disruptive technology that is/will/has killed their "sell the same thing to the same person every time a new standard takes off" business and they've been trying to legislate it back to the mid 80s. Do people pirate still? sure. Is it as big as it was when napster, limewire, or bittorrent were the only way to easily get digital music besides ripping CDs yourself? No, probably not. They had no barriers to doing their own Itunes, Amazon MP3, spotify, or mp3.com type service except their own greed and they got themselves left behind while they were busy suing their customers for making music easier to get and more convenient to enjoy.

    2. Re:Not always infringment by brit74 · · Score: 1

      > "What if someone is using the pirate bay to distribute his own content?"
      Use a different method. There's lots of them available on the internet. Here's a few: setup a website and put your music on there, put your music on MySpace, put your music on Facebook, put your music on Megaupload, put your music on dropbox.

      > "Blocking it for the record company is just using the government and laws to prevent competition. They are losing control of the music business and they are getting scared."
      No, it's blocking illegitimate competition.

    3. Re:Not always infringment by McGiraf · · Score: 1

      "No, it's blocking illegitimate competition."

      Which law is the Pirate bay breaking?

      (Hint, US laws do not apply outside of the US)

    4. Re:Not always infringment by gknoy · · Score: 2

      > "What if someone is using the pirate bay to distribute his own content?"

      Use a different method. There's lots of them available on the internet. Here's a few: setup a website and put your music on there, put your music on MySpace, put your music on Facebook, put your music on Megaupload, put your music on dropbox.

      A torrent is more convenient for your customers (people you might want going to your shows or buying your next album) than some of those, and after the initial seeding, requires very little from you in terms of upload bandwidth. I'm not saying that a torrent is the best option, but saying "well don't use it" is disingenuous.

    5. Re:Not always infringment by Anonymous Coward · · Score: 0

      Pfft, the film and music industry aren't getting scared, they've been scared whitless for the last ~15 years. But the same old 'discs are like solid gold' leadership is still in power and they're deluded enough to believe they've got the power to control what people think.

    6. Re:Not always infringment by Anonymous Coward · · Score: 0

      ProTip: BitTorrent protocol does not require you to use the Pirate Bay tracker. You could use one of the other thousands of free trackers that don't encourage crime by virtue of their name.
      Anyway, since the primary function of TPB is to search for torrents, I'm wondering how exactly one is supposed do this whole mythical "promote your unknown music on BitTorrent!" thing unless people already knew what they were looking for. Doesn't seem too common that people would search random terms on TPB and from the thousands of illegal downloads from popular artists they know and love that DON'T want their music freely available against their will, would choose Random Indie Band's offerings. I would think such sites are useful only for finding popular commercial works.
      Almost seems like the whole "giving the indies a platform" argument is just pirates scraping the bottom of the barrel for legitimate reasons for their favorite culture-jamming criminal website to exist.

  11. Of course by Dachannien · · Score: 1

    The development of a legal online market is impossible in Finland if illegal services like The Pirate Bay are freely allowed to continue their operations.

    Well, duh. I mean, it totally turned out that way in the US and various other countries with unfettered access to TPB. Nobody ever buys music online from iTunes or Amazon.

    1. Re:Of course by brit74 · · Score: 1

      > "Well, duh. I mean, it totally turned out that way in the US and various other countries with unfettered access to TPB. Nobody ever buys music online from iTunes or Amazon."
      If you look at the numbers, you'd see that music sales in the US, when adjusted for inflation and population growth, have declined to 1/3rd of what they were 10 years ago.

    2. Re:Of course by Dachannien · · Score: 1

      That's not what their statement is arguing. They're saying that there's no way to develop a viable online market for music sales in the face of file sharing, which simply isn't true. In fact, despite the decrease in sales overall, there has been a significant increase in online sales over the past several years. The CD is dying, and digital sales will take over regardless of whether file sharing sites like TPB are accessible or not.

      As for the decline in sales overall (and I'd like to see a reputable reference for your statistic, preferably one with a nice graph), one could attribute this to several things other than file sharing: one, a shift to other forms of entertainment in the Internet age; two, the ability of people to preview music before buying (e.g., 30-second clips on iTunes or Amazon); three, the ability of people to purchase only the songs they're interested in rather than having to buy complete albums; four, a perceived reduction in the quantity of high-quality music over the past several years; five, a reduction in marketing "bandwidth" resulting from fewer people listening to radio and MTV no longer showing videos; six, the increased accessibility of the non-RIAA "long tail" associated with being able to discover music online. I'm sure there are others, but that's what I could come up with right now.

  12. What about the levy fees? by Fizzl · · Score: 3, Informative

    We pay ungodly amounts for our blank media so we can legally copy. Fuck you Teosto and Gramex.

    1. Re:What about the levy fees? by Lemming+Mark · · Score: 1

      In *some ways* I like the idea of being able to legally copy, even though I'm against imposing a stupid tax on blank media. To what extent can you "legally copy", though? Can you really just copy any physical media you can get your hands on and it's OK? e.g. rent all the films you want once, then share your copies of those disks with friends?

      This case basically sounds like the same people who'd be in favour of the "free market" if the boot was on the other foot, now whinging because nobody is enforcing their business model.

    2. Re:What about the levy fees? by Anonymous Coward · · Score: 0

      I'm no expert on copyright laws, but i think it basically goes like this: You can copy things from original media for your own use and for your family. Not sure about copying rental stuff, but copying cds/dvds/whatever borrowed from library is perfectly ok. Sharing copies with friends is not allowed as far as i know. Not that anyone could prevent it...

    3. Re:What about the levy fees? by grimJester · · Score: 2

      We're allowed to copy, iirc, "a few copies for oneself, family and close friends" provided that the original source was legally acquired. I assume a p2p system where you only download from / upload to people you know irl would be legal.

      Anyway, these claims about the Finnish market being somehow special is complete junk. The actual companies behind Teosto and Gramex are the same old RIAA, any realistic online market for music is international anyway and Finnish consumers have the same devices, habits and preferences as people listening to music anywhere.

    4. Re:What about the levy fees? by negge · · Score: 1

      Finnish law is a bit outdated on this subject. The tax on blank media originates from the times when movies were bought on VHS and music on CD or cassettes. The purpose of the tax was that individuals could freely make personal copies of movies they'd bought and the movie and record industry could still have a piece of the cake. Today the problem is that even though you're allowed to make personal copies of DVDs and Blu-ray discs, you're not allowed to break the encryption, which is required if you want to make a copy, essentially defeating the whole purpose on the tax.

      In related news the "blank media tax" has been widened to also include USB memory sticks and USB harddrives. The tax on external harddrives with capacity over 250GB is 20 € if I recall correctly, which of course is absurd. Luckily the tax doesn't seem to have affected retail prices (yet).

    5. Re:What about the levy fees? by Anonymous Coward · · Score: 0

      Guilty until proven innocent. (Not that it would be possible.)

  13. At first glance... by Anonymous Coward · · Score: 0

    I read "International Federation of the Pornographic Industry" and wondered how I got a job in that organization!

  14. Pricing by archer,+the · · Score: 1

    The development of an *overpriced* legal online market is impossible. Make a fairly priced legal online market, and I'll be there, as I am with Amazon's MP3 store.

    1. Re:Pricing by Anonymous Coward · · Score: 0

      This includes the sleazy tactic of pricing goods for sale in euros for the same amount in US dollars. I don't mean the same value, I mean pricing something for sale in the US for $0.99 and pricing the same product in the EU for 0.99€. Bzzt.. wrong! There is something called a currency market, the US dollar vs. euro is not 1:1 and has not been close to equal for some time. Currently, one euro is worth approximately $1.41. US companies take advantage of this all the time and rape their EU customers. Yes, I am aware of the VAT vs. sales tax difference, but it still makes for a large price gap and EU citizens pay more for the same goods.

      Don't even get me started on CD pricing... here in Finland we pay the equivalent of $31 for a new CD release, taking the above exchange rate into account. The music companies are greedy to the core, and I for one can't wait for them to run their business into the ground and let something new take its place. They are surely trying their hardest to do just this.

  15. Re:International Federation of the Phonographic In by Anonymous Coward · · Score: 0

    Download? What's that? Don't make up words!

  16. Re:International Federation of the Phonographic In by idontgno · · Score: 1
    --
    Welcome to the Panopticon. Used to be a prison, now it's your home.
  17. I'd have to say... by Megane · · Score: 1

    I'd have to say that The Pirate Bay is... Finnished.
    (removes sunglasses)
    YEAAAAAAAAAAAAAAAAAAAH!

    --
    #naabhaprzrag, #sverubfr-000, #agi-fcbafberq, negvpyr[pynff*=' negvpyr-ary-'] { qvfcynl: abar !vzcbegnag; }
  18. erm, good luck by Anonymous Coward · · Score: 0

    Regardless of the right or wrong of this, Sony have suffered losses of (according to them) ~ 200 million USD due to the Anonymous hacker breach.

    It's not clear to me why what must be a smallish industry organization in Finland of all places wants to single itself out for attacks like this?

    1. Re:erm, good luck by icebraining · · Score: 1

      Here in Portugal the video rental club association tried to get TPB blocked. Result? There's a torrent which points to a few thousand of their emails, extracted from their server. Oh, and TPB was never blocked :)

  19. So provide an equivalent service... by SharpFang · · Score: 1

    I'd like then the record labels to provide a free search and tracker for Linux images, free games, public domain music and ebooks, alternative cinema and investigative journalism movies, and other legal material provided normally by the Pirate Bay.

    The development of a legal online free culture is impossible in Finland if corrupt organizations like IFPI are allowed to shut down their operators.

    --
    45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
    1. Re:So provide an equivalent service... by brit74 · · Score: 1

      > "The development of a legal online free culture is impossible in Finland if corrupt organizations like IFPI are allowed to shut down their operators."
      What silliness. All that stuff can still be put online. Here's a few places: YouTube, MySpace, MegaUpload, Wordpress, Download.cnet, or one of the trackers that actually respects copyright. What in the world would make you say that "legal online free culture" is impossible without the PirateBay?

    2. Re:So provide an equivalent service... by SharpFang · · Score: 1

      A full DVD of the last "The Yes Men" stunt?
      In one comfortably available piece?

      Youtube? no. Myspace? hell no. MegaUpload - in 50 pieces with delay between downloads, so no. Wordpress? Unlikely. Download.cnet? hell no. Other trackers? The people shamed by the movie will send (baseless, invalid) DMCA and the trackers will comply without a fight.

      BTW, did you RTFS? The last sentence of it?

      --
      45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
  20. Let them by Anonymous Coward · · Score: 0

    I'm sure thepiratebay don't really care if Finnish record labels access their site.

  21. Give us our MONEY BACK by Anonymous Coward · · Score: 0

    Maybe they should fu**iing lobby there government to give the UK back there money instead!

    1. Re:Give us our MONEY BACK by GCsoftware · · Score: 1

      You fail the Internets. (Hint: Iceland != Finland)

    2. Re:Give us our MONEY BACK by Anonymous Coward · · Score: 0

      Surprising a Brit does not know that, seeing how they even waged a "war" over fishing with Iceland back in the 1970s.

  22. Ok. by Anonymous Coward · · Score: 0

    I'd like a pony, please. Pink. That farts rainbows.

  23. There are Finnish record labels ?! by bugs2squash · · Score: 1

    Holy crap ! What next, Klingon ?

    --
    Nullius in verba
    1. Re:There are Finnish record labels ?! by Anonymous Coward · · Score: 0

      Yes, there are. Vast majority of benefactors in the lawsuit are essentially representatives of non-Finnish, and even non-European (read: American) record labels. Finnish record labels, and especially Finnish musicians are quite a fringe on this branch of "business." Their "unions" bully against their own rights, and restrict the freedoms regarding the content they have created. It's all a big smoke screen for the big money - institutional investors, advertising/propaganda agencies and lawyer armies they have to support - that suck most of the money out of content creators' pockets, thanks to the restrictive contracts the representative bodies that have a government-granted *monopoly* power over the "voluntary" music makers.

      These representatives are biggest enemies of creative professionals in the music/movie business in Finland these days, in addition to the backwards, punishment-oriented attitude of the big record labels in their attempts to maintain their market share. They have taken every move to eliminate formation of commercial new-media outlets that would be not in their control (for some reason they want to ignore Spotify now, no matter how poorly they say it's paying), the unnecessary interlopers - and now they blame awkward, unreliable hobbyist project for their systematic, greedy sabotage of the marketplace. Thank you, TTVK. If I ever can avoid buying a record from shops that pay for you in a legal way, I certainly make an attempt to do so.

    2. Re:There are Finnish record labels ?! by Anonymous Coward · · Score: 0

      Yeah, small labels like Spinefarm records which are distributing the best metal music in the world.

  24. FINLAND BE WARNED! by Jeremiah+Cornelius · · Score: 2

    Your feeble entry to Eurovision will be mocked!

    --
    "Flyin' in just a sweet place,
    Never been known to fail..."
    1. Re:FINLAND BE WARNED! by Luckyo · · Score: 1

      That was below the belt.

    2. Re:FINLAND BE WARNED! by Jeremiah+Cornelius · · Score: 1

      PLEASE! KEEP FINLAND OFF TORRENTS!:
      http://www.youtube.com/watch?v=SA5Vno4Z43M

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    3. Re:FINLAND BE WARNED! by Luckyo · · Score: 1

      http://www.youtube.com/watch?v=ZHReqKRvonE = what should have gone to eurovision.

    4. Re:FINLAND BE WARNED! by Jeremiah+Cornelius · · Score: 1

      Ouch.

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    5. Re:FINLAND BE WARNED! by Skal+Tura · · Score: 1

      Let's not forget http://www.youtube.com/watch?v=B5ZfQMOHB5k ;) Yes, hell froze over

    6. Re:FINLAND BE WARNED! by Skal+Tura · · Score: 1

      Special hero heavy metal version shot in lapland: http://www.youtube.com/watch?v=_M6px6Ynm90

  25. Hungary by sourcerror · · Score: 2

    Hungary has a similar law and tax (and quite a few other European countries as well). The tax is currently only distributed among musicians, moviemakers don't get a share, and the distribution ratio is based on popularity ( radio playlists and number of records sold). Downloading copyrighted work is legal*, uploading is illegal. So bittorrent is illegal in theory, as people upload as well, but users aren't prosecuted. (Although, you can't use it in university networks.) Sometimes trackers are shut down. Pay-for-ftp warez servers are quite often the target. And there's BSA. But they only harass corporations.

    * Rationale is that users can't know what content is legal and what isn't, but they won't prosecute you even if you're using a pay-for-ftp warez site.

  26. Re:legal online market is impossible w/ piratebay by shentino · · Score: 1

    Singles aren't as profitable when you can force consumers to buy the whole CD and pay for every song on it.

  27. Pirate Bay is Sweden, a local old rival of Finland by circletimessquare · · Score: 1

    nothing here to see except typical nationalistic ego tweaking, jealousies, and grudges. move along

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  28. Suppose, Just Suppose... by Nom+du+Keyboard · · Score: 1

    Suppose, just suppose, that someone in Finland wishes to download something from TPB not owned or controlled by this trade association requesting this all-encompassing block? Something otherwise legal in Finland to download? Hasn't the trade association totally overstepped their charter by trying to deny that as well?

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  29. behind the times by MrDiablerie · · Score: 1

    Really? People still use TPB? i thought everyone pretty much moved onto private trackers.

  30. Legislative, executive, judiciary, and now media by tepples · · Score: 1

    Why? simple: the music is advertising that gets you to the show.

    So how do fans get into the show if they're not 21 years old yet? And are all musical genres amenable to live performance?

    Every CD,T-shirt, etc got you another slot in the drawing.

    Did you make sure that this drawing was in compliance with local sweepstakes regulations, which often stipulate no purchase necessary?

    We had DJs tell us "Man we just love your stuff and listen to it in our cars, but we'll get fired if your name isn't on the list".

    "So how do I get on the list?" If you collect enough replies that a local band can't get on the list, try reporting about these replies to the local newspaper, to newspapers of nearby cities, and then to the major news media. The media have in effect become a fourth branch of government.

  31. People listen to Finnish music? by coronaride · · Score: 1

    Other than "How's it hangin', Grandma?", I thought that Fins don't even listen to their own music.

    --
    Those who can, do. Those who can't, go into business for themselves.
    1. Re:People listen to Finnish music? by Anonymous Coward · · Score: 0

      I'd say about 1/3 of the music on our pop music stations is Finnish (and there is not, to my knowledge, any kind of regulation about playing home grown music like Canada has). Stations playing older stuff play an even higher percentage of Finnish music. My friends, ranging in age from early 20s to 60s are all interested in Finnish music as well as imported stuff.

    2. Re:People listen to Finnish music? by OwMyBrain · · Score: 1

      Well, if you're into Power Metal (like me) you're actually probably quite familiar with plenty of Finnish music. In fact, I was drawn to this article because I care way more about the music coming out of Finland than I do about the music here in the US.

      When you get tired of all the recycled Pop, Alternative, and Hip Hop around here check out some bands like Nightwish, Stratovarious, Sonata Arctica, and Lordi. You won't be disappointed!

  32. Does anyone use Pirate Bay anymore? by LordRobin · · Score: 1

    Okay, I'm being semi-facetious. But when I want a torrent of something, I never type in Pirate Bay's URL. I go to one of the many torrent search sites easily found by Google. Of the torrent files I download, many point to a Pirate Bay tracker, but just as many don't.

    I guess what I'm saying is that I don't see what is accomplished by singling out the Pirate Bay at this point.

    ------RM

  33. Other way around? by Rozzin · · Score: 1

    'The development of a legal online market is impossible in Finland if illegal services like The Pirate Bay are freely allowed to continue their operations,' said Lauri Rechardt, a spokesman for Finland's branch of IFPI.

    That sounds backward: isn't it difficult-to-impossible to get an illegal trade under control unless there are legal alternatives competing with it?

    --
    -rozzin.
  34. Between two recent recessions by tepples · · Score: 1

    #3 - Economic decline in general.

    There have been two recent recessions: one starting in 2001 caused by the collapse of the dot-com bubble and the attack on the World Trade Center, and another starting in 2008 caused by the collapse of the housing bubble. Where were the labels between those?

  35. OCILLA by tepples · · Score: 1

    I'd like then the record labels to provide a free search and tracker for Linux images, free games, public domain music and ebooks, alternative cinema and investigative journalism movies, and other legal material provided normally by the Pirate Bay.

    Mininova.

    Here in the United States, we have a process called OCILLA (17 USC 512) in which a copyright owner can tell a service provider to take an allegedly infringing copy of a work down, and then the subscriber can tell the service provider to put it back up two weeks later. In return, the service provider is immune to contributory or vicarious infringement liability (Viacom v. YouTube). The two week delay is intended to allow the copyright owner enough time to file a copyright suit against the subscriber. I imagine that other countries have analogous processes. But I seem to remember that The Pirate Bay has made a point of flouting such notices, unlike Mininova which stays in business by heeding them.

  36. Insightful by fuzznutz · · Score: 1

    Fact is, though, the value of a commodity is how much someone is willing to pay for it, not how much it costs to produce.

    This has to be the most insightful comment I have ever read here. Throw in a bit about artificial scarcity, and I will vote for you for Emperor of Slashdot.

  37. Re:legal online market is impossible w/ piratebay by brit74 · · Score: 1

    > "iTunes seems to be doing just fine, even though piratebay and other illegal sites exist."
    That's because many people refuse to accept piracy as a legitimate means to get entertainment. It's also worth noting that music sales in the US, when adjusted for inflation and population growth, are roughly 1/3rd what they were 10 years ago.

  38. Oh noes by cyberfin · · Score: 1

    I read phonographic wrong. Very wrong. Need poffee, I MEAN coffee.

    --
    "I'm taking this loop off." - Jack O'Neill
  39. Will this be by cyber-vandal · · Score: 1

    A fight to the finnish? (sorry...)

  40. Keep it laughable, guys. by quag7 · · Score: 1

    Back in 1985 or so, I remember reading all of the anti-piracy stuff that was being put out by software companies, all of which essentially amounted to this argument:

    If people pirate stuff, there won't be any monetary incentive to create, and:

    * The video game industry will dry up and no one will make any more video games.

    * The business software industry will dry up and no one will make any business software.

    * The record industry will die and no one will make any music.

    In 2011, is there any more appropriate reply than "LOL"?

    At bare minimum, they need to stop making stupid arguments. "We are losing revenue which we could rightfully pocket if piracy were stopped" is far more honest here, however anyone else feels about piracy. Or "sharing." Or whatever people call it.

    People need to drag out the "Don't Copy That Floppy!" stuff from the early days, and rather than laugh at how dated the pitch looks, use it as an example of how fucking stupid the argument is, as it has no basis whatsoever in reality. I seriously wonder who the affected industries think they're impressing with the "OMG piracy - the pump don't work 'cos the vandals took the handle! SOFTWARE FAMINE ICE AGE WASTELAND COMING!" argument, because this is such a laughably shit argument.

  41. Re:Legislative, executive, judiciary, and now medi by hairyfeet · · Score: 1

    I have seen guys playing Nintendos in avant garde Lo fi, so frankly I don't see why any music can't be played live. hell in case you ain't heard Elvis is on tour (digital Elvis with live band) and in Japan they have a hologram throwing live concerts and packing the place!

    As for the sweepstakes rules? Dude cops don't care about that as long as the drawings are fair which was why they had the "no purchase necessary" placed in there in the first place! Hell we even had a uniformed state trooper do the drawing at one of our shows, he got a thrill out of being the one to choose the winners and hand out the prizes, nobody cares as long as you're honest, and since we in the band NEVER did the drawings ourselves, but would pick some random person from the front row to reach in and draw the tickets it was all good.

    As for kids most of us are QUITE happy to play outdoor festivals and all age shows, our main concern is you get to enjoy the music, not how much booze you get to drink. Most bands love playing the summer shed shows, it lets us get closer to the audience (we would always set up a booth in the back where folks could get merch and talk to us about anything, it was nice to get folks asking questions like "Why do you play that pretty red & white bass on some songs and not on others?" Answer-Because it is nearly 40 pounds of South American Swamp ash and sling that sucker for the whole show slows me down, whereas my black JP90 is less than 10 pounds and lets me run across the stage like a madman?) and we were all kids too once you know. We remember how nice it was to go out and catch a live band and have a good time.

    As for "how do I get on the list" are you SERIOUSLY that naive dude? Because the same companies that own the radio own the TV thanks to the congress critters removing that pesky "only allowed so many stations per area" rule. Go look up the rules on Clear channel play, I'm sure you'll find them posted, no big secret. you have to be signed with an affiliated label to get on the lists. No label deal? no play for you! It isn't exactly a secret dude, its been that way for years. Good luck BTW since no lawyer is gonna want to tangle with those sharks for less than a couple of hundred grand up front, as they know the appeals will take the better part of a decade.

    --
    ACs don't waste your time replying, your posts are never seen by me.
  42. Finnish music industry by fibonacci8 · · Score: 1

    How else are we going to get such wonders as this? http://www.youtube.com/watch?v=ZHReqKRvonE

    --
    Inheritance is the sincerest form of nepotism.
  43. It wouldn't help anyway... by Anonymous Coward · · Score: 0

    Being working in IT security company and creating network security services and in particular blocking sites, IPs etc I would say that blocking TPB wouldn't solve IFPI's "problem" anyway. Even so it is easy to block particular site, but it is also easy to bypass such blocks. TPB site is just a catalog of available downloads, actual exchange happens (or could happen) without TPB being involved in it. Of cause there is ways to block p2p connections, but that would block all even legal connections, which would harm big companies business.

    Btw this isn't a first time some finnish politician try to restrict internet usage in Finland. I wasn't succeeded before, it most probably wouldn't succeed this time either. But my point is even if such law would pass through it wouldn't help IFPI, but just add more harassment to the end user.

  44. Seriously, this has gone too far... by jim_kaiser · · Score: 0

    This is so ridiculous that it has to end now. The court rules them guilty of making it possible to share files illegally. Okay.. let me provide a few more examples they should target next according to their logic.

    • 1. Microsoft -> For over 15 years, Microsoft has been making it possible for people to illegally copy files over the network (Windows Sharing).
    • 2. FTP -> FTP protocol has been making it possible for people to illegally transfer files for as long as the internet.
    • 3. HTTP -> You can download and upload files via HTTP.
    • 4. SSH, TELNET -> Even allowed people to illegally take control over a system.
    • 5. TCP/IP -> Allows transfer of data illegally with sessions and options to split packets and route through different routes reassembling them at destination.
    • 6. UDP/IP -> Allows faster data transfer where some data loss is acceptable.
    • 7. Post Office -> Allows transfer of information, objects, anthrax, even originals of secret documents.
    • 8. Running Messengers -> For thousands of years these people who carry messages from place to place have been allowing illegal sharing of information.

    You get the point... So please, MAFIAA, RIAA, RETARDAA, go ahead censor the whole fucking shebang or shut all networks, and you will finally see the dormant reaction of the people you have been trying to provoke for so long.. Pirate Bay is not wrong in its actions, neither is Anonymous in defending the founders.

    --
    The last person to mod me down is a rotten egg..... there.. that should do it..
  45. Back to pirating by Anonymous Coward · · Score: 0

    As a Finn who's been subscribing Spotify for half a year I guess it's time to get back to pirating.

    I'd happily pay for music if the price is right - I think Spotify's 10e/month is ok - and the money would actually go the artists. However, I do not want to support the greedy media companies and their failing business model.

    I'm really looking forward to seeing how far people & goverments will let this bullshit escalate until someone calls it a bluff and does something. At least here in Finland it's money talking all the way for now...

  46. ISPs really? by Anonymous Coward · · Score: 0

    So these guys would also sue their streetbuilders because it would be possible to smuggle goods on streets. Interesting!
    But as a resident of austria I know how you guys feel. They forced our main ISP UPC Austria to block kino.to^^ After about 2 hours
    a new domain with new IPs was registered by the guys of kino.to . An effective law....

  47. Re:Legislative, executive, judiciary, and now medi by tepples · · Score: 1

    Because the same companies that own the radio own the TV

    Then get your story on NPR.

    Go look up the rules on Clear channel play, I'm sure you'll find them posted, no big secret. you have to be signed with an affiliated label to get on the lists.

    I couldn't find such on ClearChannel.com nor on Google rules on clear channel play. Nor does Wikipedia's article about Clear Channel Communications contain the word "label". Google clear channel affiliated label pulls up an article about Clear Channel's allegedly having ended payola four years ago.