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Might iCloud Be a Musical Honeypot?

An anonymous reader writes "Between watermarked MP3 files and matching identical files, iCloud Music Match might wind up being a giant trap for finding owners of illegally copied files should the RIAA subpoena the evidence."

375 comments

  1. Which is why you sanitize your "collection"... by Anonymous Coward · · Score: 0

    ... Convert to WAV, then LAME it back to MP3. I bet someone can come up with a simple bash statement using mplayer and lame.

    1. Re:Which is why you sanitize your "collection"... by Hatta · · Score: 1

      No! Bad! No biscuit!

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      Give me Classic Slashdot or give me death!
    2. Re:Which is why you sanitize your "collection"... by errandum · · Score: 1

      If their hashing includes a spectrum analysis that wouldn't work.

      If they want to find pirated copies they will, it won't matter how many times you transcode it (unless you actually modify the song). And a good genetic algorithm won't be fooled by that either.

      I just doubt Apple will ever let anyone look at those files... Especially because apple is paying the big companies for the right to stream copies of their music (even if illegal). So they get payed even by the songs you downloaded.

    3. Re:Which is why you sanitize your "collection"... by Ruke · · Score: 1

      While this is technically feasible, 99% of people will not do this. If something is perfectly safe if, and only if, you're a paranoid expert, it's not very safe at all.

    4. Re:Which is why you sanitize your "collection"... by MBGMorden · · Score: 1

      Wouldn't it be easier (and less damaging to the quality) to just write a script to strip all non-essential metadata (ie, everything except title, album, and artist) out of the file?

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    5. Re:Which is why you sanitize your "collection"... by bluemonq · · Score: 1

      Audio watermark. If copies leaked onto the into the internet had a non-audible portion embedded and when iCloud found that watermark while scanning your music it'd be able to tell you had a non-legit copy.

    6. Re:Which is why you sanitize your "collection"... by pandrijeczko · · Score: 2, Insightful

      I like BASH as much as the next guy but I find it easier to *JUST NOT BUY SHIT MUSIC*.

      That way, when I buy a really good CD, I get a nice warm fuzzy feeling about what great value £10 is for a piece of music that I may be listening to for the next 30 years plus and then feel more than happy to go buy another some time later.

      I can then rip it to my heart's content, store it on a shelf as it's own backup, drop my trousers and wave my big fat hairy arse at lossy "pick 'n' mix" sweetie music & pointless iCloud technologies designed merely to part the incredibly dumb of yet more of their hard-earned cash.

      --
      Gentoo Linux - another day, another USE flag.
    7. Re:Which is why you sanitize your "collection"... by Anonymous Coward · · Score: 0

      Don't need to worry about quality. In fact, I would transcode to a much lower bitrate (80kbps?). If iCloud can identify the song, they will allow you to download THEIR copy of the song (256kbps I think?).

    8. Re:Which is why you sanitize your "collection"... by jellomizer · · Score: 1

      Yet services like shazam can take music from a radio over the air into the tiny iPhone microphone go to a server and it knows what song it is?
      By clearing out the MetaData all you did was raise a Red Flag.

      That might have worked 10 years ago... Today voice/sound recognition has gotten much better.

      Stage 1. Find all Songs with meta data not belonging to it owner or with blank or empty meta data.
      Stage 2. Sound analysis of the music to see how well it matches copy-written songs on the list.
      Stage 3. Sue person.
      Stage 4. Profit.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    9. Re:Which is why you sanitize your "collection"... by BLKMGK · · Score: 1

      Umm at what point in that process do they know you didn't pay for it exactly? Not every song is purchased from Apple nor Amazon for that matter and what will they do about ripped CDs?

      --
      Build it, Drive it, Improve it! Hybridz.org
    10. Re:Which is why you sanitize your "collection"... by jonbryce · · Score: 1

      They have to distinguish between a copy of the song that you ripped from your own CD, and a copy of the song that a Piratebay uploader ripped from their CD. The source material is the same in both cases, so you are going to end up with fundamentally the same mp3. The differences are going to come from subtle differences in the settings used and the specific version of the software and associated libraries, and you just need to transcode it enough to change these.

    11. Re:Which is why you sanitize your "collection"... by jonbryce · · Score: 1

      You don't need to worry about quality, as you get the iTunes 256k aac file from Apple in return whatever you send up.

    12. Re:Which is why you sanitize your "collection"... by CharlyFoxtrot · · Score: 1

      Would Apple be legally obliged to look for such a watermark, if not why the hell would they ? Also no song will be uploaded that exists in the iTunes catalogue so they'd have to scan the songs on the disk for the watermark (might be legally dubious) as opposed to just scanning the local iTunes database which is a lot faster.

      --
      If all else fails, immortality can always be assured by spectacular error.
    13. Re:Which is why you sanitize your "collection"... by macs4all · · Score: 1

      Yet services like shazam can take music from a radio over the air into the tiny iPhone microphone go to a server and it knows what song it is? By clearing out the MetaData all you did was raise a Red Flag.

      That might have worked 10 years ago... Today voice/sound recognition has gotten much better.

      Stage 1. Find all Songs with meta data not belonging to it owner or with blank or empty meta data. Stage 2. Sound analysis of the music to see how well it matches copy-written songs on the list. Stage 3. Sue person. Stage 4. Profit.

      This assumes (incorrectly) that there is some big, master list of all the music everyone ever purchased. And that list has to go clear back to before CDs, because there are many people who have ripped vinyl copies of things that never came out on CD, or that they never bought on CD.

      Throw another layer on that tinfoil hat. The mind-control rays are obviously still leaking in.

    14. Re:Which is why you sanitize your "collection"... by ilsaloving · · Score: 1

      Unless of course, the CD was manufactured by Sony, in which case putting it into your machine will trash your Windows installation.

  2. Absolutely not by hsmith · · Score: 4, Insightful

    Apple as a company cares a lot more about their brand image than most. If suddenly Apple had 90% of it's customers who uploaded pirated music being sued because of a service Apple provided - it would be bad. I'd assume that yearly fee you pay goes to the RIAA, because Apple being a hardware company cares little about software when it is driving their hardware sales.

    1. Re:Absolutely not by tripleevenfall · · Score: 1

      It would be interesting to know if they are paying RIAA off out of the revenue from the iCloud service.

      However, as far as "Steve wouldn't do that, Steve loves us"... when it comes to subpoenas, Apple might not have a choice but to comply.

    2. Re:Absolutely not by tripleevenfall · · Score: 2, Informative

      In addition, does this criticism not apply to Google's budding Music service?

    3. Re:Absolutely not by BadPirate · · Score: 1

      I think the key here (and likely what Apple plans to do), is to avoid having the honey pot in the first place. The iCloud service has no need beyond the original matching to keep a record of what Hash was used by which user to get which legal version of what music file. By not retaining any personally identifying information (beyond what legitimate songs a user is entitled too)... Apple could truthfully and fully comply with any subpoena without giving away anything.

      --
      - Holy crap, I've got MOD points! Who thought that was a good idea.
    4. Re:Absolutely not by Duradin · · Score: 5, Funny

      Google good. Apple bad.

      Please report to the nearest /. reeducation center.

    5. Re:Absolutely not by Anonymous Coward · · Score: 1

      If suddenly Apple had 90% of it's customers who uploaded pirated music being sued because of a service Apple provided - it would be good.

      FTFY

      It would allow Apple to make a deal with the RIAA where the person gets out of being sued by 'buying' all the songs they illegally obtained (along with a reasonable processing fee).

    6. Re:Absolutely not by vux984 · · Score: 2

      Don't be daft. They absolutely want to know what songs you have, and which you listen to, and how often you listen to them, so they can profile you and sell you more crap.

    7. Re:Absolutely not by Tharsman · · Score: 1

      I think there were leaks noting 70% of iTunes Matc 24.99 yearly fee is going to the studios.

      Also Apple can protect consumers by simply not gathering any signs of piracy. In theory they don't even need iCloud to do this, they could do this years ago just by datamining iTune libraries. They already scan it for Genius recomendations and have done so while respecting user privacy.

    8. Re:Absolutely not by Anonymous Coward · · Score: 0

      iTunes is linked to you personally. They know what they're giving you and will have the transactions for each file for their own accounting purposes. Apple will datamine this to see how to change the service to make more money. After 18 months or so, the RIAA will subpoena this information in the mother of all John Doe fishing expeditions.

    9. Re:Absolutely not by salesgeek · · Score: 3, Insightful

      a) Who cares what Apple thinks or their brand (in context of this discussion). If the RIAA or one of it's members files suit and gets access to music stored in iCloud in discovery, Apple has to obey the law. Apple's employees probably care a lot more about not going to jail for contempt of court than they do about getting your business or being cool. All the money and lawyers in the world will not intimidate a Federal Court Judge who spends the better part of their career dealing with litigation between companies, governments and people with more money than God.

      b) If 90% of Apple's customers use iCloud for storing pirated music, that will be a problem with the business plan, unless you are right about some legal/license arrangement existing in advance.

      c) Assume nothing. It would be wise to read the contract, terms of service and any license agreement between the labels, RIAA and Apple before putting yourself and your family at risk. Personally, I hope Apple has got a solution on this. If not, then I'd rather not be left out in the wind like iPhone developers are right now (see Lodsys).

      --
      -- $G
    10. Re:Absolutely not by fusiongyro · · Score: 1

      His point is that they don't have to actually store the file in violation. So it doesn't necessarily have to even look like a violation in their records.

      Note that I'm saying it doesn't have to, not that it will not, which remains to be seen. However, it would be a PR disaster for Apple if people wound up sued over using iCloud, so it seems unlikely to me.

    11. Re:Absolutely not by coinreturn · · Score: 2

      It would be wise to read the contract, terms of service and any license agreement between the labels, RIAA and Apple before putting yourself and your family at risk.

      Good luck with that. It will surely be twenty pages long and be "updated" every week or so.

    12. Re:Absolutely not by Andreas+Mayer · · Score: 1

      If suddenly Apple had 90% of it's customers who uploaded pirated music being sued because of a service Apple provided - it would be good.

      No it wouldn't. I would probably never buy anything from them again. And you can bet that the value of my Macs and iDevices is a *lot* more than the value of the music I have.

    13. Re:Absolutely not by jeffmeden · · Score: 1

      On top of that, many forget how tiny the music industry really is. Sure, they have been around a long time and sure, they are just about everywhere you look. But really, it's a few billion-dollar companies. Apple, on the other hand, is a $65B company that would gladly buy up or pay off any of the pathetic little music companies that might try to get in their way. Apple wants what it's customers want, after all; music that's affordable and easy to manage.

    14. Re:Absolutely not by gnasher719 · · Score: 1

      a) Who cares what Apple thinks or their brand (in context of this discussion). If the RIAA or one of it's members files suit and gets access to music stored in iCloud in discovery, Apple has to obey the law. Apple's employees probably care a lot more about not going to jail for contempt of court than they do about getting your business or being cool.

      Should any of the record companies try to pull that off, I'll bet that their share holders will receive an offer they cannot refuse, and when Apple has bought them out everyone responsible will be fired. That would be the only way Apple could prevent total damage to their business, so that is what they would do.

    15. Re:Absolutely not by pandrijeczko · · Score: 0

      It would be interesting to know if they are paying RIAA off out of the revenue from the iCloud service.

      I would suggest that Steve Jobs is probably feasting hungrily on the RIAA's barbed black cock as we speak.

      --
      Gentoo Linux - another day, another USE flag.
    16. Re:Absolutely not by pandrijeczko · · Score: 5, Funny

      Let me put it this way to you - Adam and Eve did not ensure that humanity was banished from the Garden of Eden for eternity by taking a bite from the forbidden Google.

      --
      Gentoo Linux - another day, another USE flag.
    17. Re:Absolutely not by InnovATIONS · · Score: 1

      As I understand it some of the money from the $24.99 fee does go to the music industry, However would that stop them from ALSO wanting to go after illegal copies and force them to buy (and get even more money)?

    18. Re:Absolutely not by Anonymous Coward · · Score: 0

      Err.

      No.

      Apple is a 65B company with a legal department.

      The music industry is all legal. It is like comparing an oil tanker with millions of tons of cargo to a lighter battleship with far more armaments.

      Remember, the RIAA has been doing DRM and crap over a century. They have yet to lose a single significant victory. DAT? Won, though they lost in Congress. AHRA? Consumer video tapes degrade horribly, and no consumer has the ability to press LP records. Cassettes? Bad generational loss. MP3s? This is probably the only minor loss the RIAA has suffered. However, being able to make up for it with multi-trillion dollar lawsuits as scare tactics (which was effective at driving P2P to the edges).

      Think Apple has a chance at the RIAA? Think again. The RIAA buys laws where Apple can't even get markets.

    19. Re:Absolutely not by Derkec · · Score: 1

      More specifically, they'd be insane to ever have the file. It would mean sending it to them. Much smarter and more efficient to hash the file on your computer (ignore meta-tags) and match against the tag on their server. Done. They never have the file and never look at the incriminating bits.

      This is why Apple thinks they can have all your music to you quickly instead of the weeks of upload time to get it to google. Because you don't upload it. They might still be uploading meta information that would be incriminating, but they would have to go out of their way to do so.

    20. Re:Absolutely not by wickedskaman · · Score: 1

      Isn't it already a probability Apple has been doing this for some time via the Genius playlist service in iTunes? When you use genius you agree to some different ToS and give Apple access to your whole library to make pretty little playlists for you.

      --
      Sand's overrated... it's just tiny little rocks.
    21. Re:Absolutely not by Luckyo · · Score: 1

      You are likely in a very small minority. Most people use a PC for itunes and buy almost nothing but digital stuff from apple. They can afford to lose you as gains are significantly larger.

    22. Re:Absolutely not by Grishnakh · · Score: 1

      But what's to stop any sufficiently rich company from buying out the music companies? After all, (unless I'm mistaken) these companies are publicly-held and have stock, so anyone can buy up the stock. Once you have a majority, you have control of the company.

      The only problems I see are 1) if Apple bought up only one music company, instead of buying ALL of them, they'd face some kind of anti-competition lawsuits, since Apple is also in the distribution business with iTunes and works with the record companies on that, so if they became owner of one of those companies, there'd be a conflict of interest, and 2) legal challenges from the record companies being bought out, but again, what legal challenges can there be against someone buying up your company's shares?

    23. Re:Absolutely not by Goaway · · Score: 1

      If the RIAA or one of it's members files suit and gets access to music stored in iCloud in discovery, Apple has to obey the law.

      And the RIAA will get a huge list of "this person owns legal copies of these songs".

      I am not sure what you think they would do with those lists.

    24. Re:Absolutely not by rolfwind · · Score: 1

      I don't think Apple is just a hardware company anymore.

      They make 30% of sales on the apps. They say they aren't making money off of it, but then, with their automization, they aren't making money off of 30%, I can guarantee that the developers who make 70% aren't either. And that's just not the case.

      It's not an either/or here. Apple does both hardware/software. What throws people off is that they sell enough of their own hardware, that they don't need to license out their software for use with other hardware, ala Microsoft, but it doesn't make them exclusively a hardware comany.

      In fact, considering music/movies/app sales, I'd say they're in the the media business too. Especially considering Steve Job's stake in Disney and Pixar, which he uses to be an ambassador between the computer and media worlds and cut deals.

    25. Re:Absolutely not by Anonymous Coward · · Score: 0

      both bad.

    26. Re:Absolutely not by Anonymous Coward · · Score: 0

      Google good. Apple bad.

      Please report to the nearest /. reeducation center.

      You think you're being sarcastic, but your comment is 100% accurate. Apple is the single most evil corporation I'm aware of, and Google is the single most ethical corporation I'm aware of.

    27. Re:Absolutely not by EvilStein · · Score: 3, Interesting

      Google already claimed they'd delete "unauthorized" tracks, didn't they?

      Ah, yes...

    28. Re:Absolutely not by rjstanford · · Score: 5, Insightful

      Google good. Apple bad.

      Please report to the nearest /. reeducation center.

      You think you're being sarcastic, but your comment is 100% accurate. Apple is the single most evil corporation I'm aware of, and Google is the single most ethical corporation I'm aware of.

      You need to meet more corporations.

      --
      You're special forces then? That's great! I just love your olympics!
    29. Re:Absolutely not by vux984 · · Score: 1

      What if they don't have the file I want? There is tons of music not on itunes...

    30. Re:Absolutely not by uigrad_2000 · · Score: 1

      If suddenly Apple had 90% of it's customers ... being sued

      I read the article, and assumed that only 0.1% of users would be at risk of being targeted.

      Even if the RIAA decided to sue the top 5%, that would be an incredibly huge number of lawsuits. If the article claimed such a high percentage, then I would disregard it as FUD.

      But, I think this article is very relevant. Let's say you or the small company you own do something to make Apple and the RIAA upset. If you've used iCloud at all, then they may be able to crash down on you hard, BSA-style. Even if you have not misused the service, defending such a case could be extremely expensive, and could ruin you.

      For the teenager that appears to have purchased $1 Mil in music, they may also try to prosecute. But, if her family doesn't have a lot of money, there isn't really much to be made from such lawsuits.

      --
      Free unix account: freeshell.org
    31. Re:Absolutely not by Anonymous Coward · · Score: 0

      LOL.

      Google doesn't come up with anything original, be it sin or otherwise.

    32. Re:Absolutely not by Anonymous Coward · · Score: 0

      If the RIAA or one of it's members files suit and gets access to music stored in iCloud in discovery, Apple has to obey the law.

      And the RIAA will get a huge list of "this person owns legal copies of these songs".

      I am not sure what you think they would do with those lists.

      Go for the ones with the most songs and investigate them? Are you absolutely sure that those thousands of people with 10,000+ songs own them all legally?

      Pay an ISP or two to snoop their customers to correlate Torrent downloads of music with iCloud comparison transactions?

      Point out that there's 10 times more "legal" uploads of the latest Lady Gaga hit to iCloud than there were sales recorded by the label?

      There's a lot of creative things the RIAA could do with the subpoenaed iCloud logs.

    33. Re:Absolutely not by TMB · · Score: 1

      I suspect that Apple is not legally allowed to own record companies, as part of the settlement with Apple Records.

    34. Re:Absolutely not by jonsmirl · · Score: 1

      EMI is for sale right now. Probably around $2-3B.
      http://www.latimes.com/business/la-fi-0621-ct-emi-20110622,0,1830090.story

      Warner was just sold for $3.3B. The other two are Universal and Sony. The entire industry is worth about $15B. But the computer companies would only want the recorded libraries, not the rest of the business. Probably around $10B to buy that piece.

    35. Re:Absolutely not by Rasperin · · Score: 1

      I wish I had mod points so bad! LOL, that was awesome!

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    36. Re:Absolutely not by Anonymous Coward · · Score: 0

      i love that quote; I am going to use it.
      I award you 10 internet points, redeamable whereever internet points are good.

    37. Re:Absolutely not by Anonymous Coward · · Score: 0

      you can upload ones they don't have, there's just a limit of how much

    38. Re:Absolutely not by Dogtanian · · Score: 2

      Google good. Apple bad.

      In all seriousness, the "Google good" thing was undeniably true a few years back when most Slashdotters' attitude towards them was almost 100% positive to the point where (in retrospect) it was fanboyish.

      However, it's noticeable that this seems to have died down quite a lot in the past five years or so. Some may argue that Google still get cut too much slack here, but there's definitely a lot more scepticism about them now, and the blatant halo that Google seemed to have during the first half or so of the last decade no longer shines brightly enough to entirely deflect criticism, or at least scepticism.

      --
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    39. Re:Absolutely not by tripleevenfall · · Score: 1

      What's in Room 101?

      Did the iCloud service ever really exist?

    40. Re:Absolutely not by DeadboltX · · Score: 1

      b) If 90% of Apple's customers use iCloud for storing pirated music, that will be a problem with the business plan, unless you are right about some legal/license arrangement existing in advance.

      iCloud doesn't store peoples pirated music. Apple's paid service allows you to scan your non-itunes music and then "purchase for free" the matching itunes music. This essentially allows people to download pirated music, then use the service to convert all of their pirated music into aac encoded itunes music. Since it is a monthly fee, this could be very enticing for someone who has hundreds or thousands of pirated albums, since they could obtain legitimate copies for pennies per album.

      The issue being highlighted is that there are "known" pirated mp3 files that can be identified via watermark or hash. If Apple stores this information after the initial scan then it could be subpoenaed and then the RIAA has a list of thousands of user accounts who were in possession of known pirated mp3 files.

      The obvious answer here is that if you don't pirate music then you don't have anything to worry about. The only problem with that is that it isn't always a clear cut case on if an mp3 was indeed pirated or obtained illegally. It is the RIAA who ultimately decides which files are legitimate and which ones are not so this could lead to a lot of false positives.

    41. Re:Absolutely not by BadPirate · · Score: 1

      Yeah.. but they don't need the source. Only the RIAA wants that.

      --
      - Holy crap, I've got MOD points! Who thought that was a good idea.
    42. Re:Absolutely not by edalytical · · Score: 1

      Nor was it specifically an Apple. All translations I've read refer to a forbidden "fruit." As usual interpretation is whatever you find useful at the time.

      --
      Win a signed Stephen Carpenter ESP Guitar from the Deftones: http://def-tag.com/?r=0008781
    43. Re:Absolutely not by CharlyFoxtrot · · Score: 1

      a) Who cares what Apple thinks or their brand (in context of this discussion). If the RIAA or one of it's members files suit and gets access to music stored in iCloud in discovery, Apple has to obey the law.

      On what basis would they sue ? They wouldn't have a leg to stand on.

      b) If 90% of Apple's customers use iCloud for storing pirated music, that will be a problem with the business plan, unless you are right about some legal/license arrangement existing in advance.

      Apple has indeed signed agreements with all major record labels prior to launching this service. Further more only songs that don't exist in the iTunes catalogue will get uploaded, the rest will just be made available for download to you. Now have a look at the iTunes catalogue, whatever is not in there I probably bought legally because it's going to be relatively obscure.

      c) Assume nothing. It would be wise to read the contract, terms of service and any license agreement between the labels, RIAA and Apple before putting yourself and your family at risk. Personally, I hope Apple has got a solution on this. If not, then I'd rather not be left out in the wind like iPhone developers are right now (see Lodsys).

      Reading the terms is never a bad idea. And you seem to have missed that Apple has developer's backs on the Lodsys situation. Unlike Google which has been silent on the matter despite its developers also being targeted.

      --
      If all else fails, immortality can always be assured by spectacular error.
    44. Re:Absolutely not by omfgnosis · · Score: 1

      Internet points are good wherever odds of getting laid are poor.

    45. Re:Absolutely not by CharlyFoxtrot · · Score: 1

      You assume they will scan the files themselves as opposed to just the iTunes database, as they already do for the "Genius" mix function in iTunes. Actively scanning files for illegal files, then reporting them to a third party sounds pretty illegal to me, doesn't that violate the US fourth amendment or does that only apply to government ?

      --
      If all else fails, immortality can always be assured by spectacular error.
    46. Re:Absolutely not by Anonymous Coward · · Score: 0

      The diff between apple and google....

      Apple, all music *BROUGHT* via iTunes will be put in bucket x, all other music will be put into bucket y. This makes 'filtering' out brought vs maybe not so brought music a bit easier.

      Google, all music goes into a bucket...... Means a lot more data to 'sort' through and makes it a bit harder to track stolen music etc.

      I doubt they will bother, everyone appears to agree that apple is passing the $25 straight though. Its a lot of money when you have 100M users! $2.5B!

    47. Re:Absolutely not by pandrijeczko · · Score: 1

      I could argue that getting laid regularly makes me enough of a good-humoured person to come up with such witticisms in the first place.

      --
      Gentoo Linux - another day, another USE flag.
    48. Re:Absolutely not by macs4all · · Score: 1

      Google already claimed they'd delete "unauthorized" tracks, didn't they?

      Ah, yes...

      And how, pray tell, can they tell if I ripped a track from a CD or LP that I've owned for years?

    49. Re:Absolutely not by macs4all · · Score: 1

      Don't be daft. They absolutely want to know what songs you have, and which you listen to, and how often you listen to them, so they can profile you and sell you more crap.

      I have never gotten a targeted email from Apple. Never.

    50. Re:Absolutely not by macs4all · · Score: 1

      iTunes is linked to you personally. They know what they're giving you and will have the transactions for each file for their own accounting purposes. Apple will datamine this to see how to change the service to make more money. After 18 months or so, the RIAA will subpoena this information in the mother of all John Doe fishing expeditions.

      And every one of those subpoenas will get thrown out; simply because they are nothing more than fishing expeditions. Remember, there is no "infringing IP" here. No "distribution" to other persons. And rest assured that Apple spent the last year or so hammering all that out with the record labels.

      Do you REALLY think that no one brought up the subject of "pirated" music in those talks?

    51. Re:Absolutely not by macs4all · · Score: 1

      Isn't it already a probability Apple has been doing this for some time via the Genius playlist service in iTunes? When you use genius you agree to some different ToS and give Apple access to your whole library to make pretty little playlists for you.

      I personally don't know anyone who uses that feature; so it's not a very deep data mine.

    52. Re:Absolutely not by macs4all · · Score: 1

      I think there were leaks noting 70% of iTunes Matc 24.99 yearly fee is going to the studios.

      I wouldn't doubt that one bit. In fact, they probably did some analysis of how much the average user spends on purchased/downloaded music per year, and came up with a compromise number that users would consider a good deal (and it is), and that the record labels could then use in perpetuity to not pay the artists with.

    53. Re:Absolutely not by macs4all · · Score: 1

      As I understand it some of the money from the $24.99 fee does go to the music industry, However would that stop them from ALSO wanting to go after illegal copies and force them to buy (and get even more money)?

      Um, the agreements they signed with Apple. You know, the ones that Apple has been hammering out with the labels for the past year or so.

    54. Re:Absolutely not by pandrijeczko · · Score: 1

      Apple as a company cares a lot more about their brand image than most.

      What a stupid statement! Why does Apple care more about their brand image than, say, HP or Dell? They are all out to make as much profit as possible, of course HP want someone to go back and buy a HP printer if they were happy with their HP laptop purchase.

      If suddenly Apple had 90% of it's customers who uploaded pirated music being sued because of a service Apple provided - it would be bad.

      That's an impossible scenario because Apple's music services are so controlled by the music industry that it could never get that bad before the music industry pulled its product from iTunes. iTunes exists purely as a sales outlet for music, there are many others and Apple has to compete to be that channel as much as anyone else does.

      I'd assume that yearly fee you pay goes to the RIAA, because Apple being a hardware company cares little about software when it is driving their hardware sales.

      Again, that's nonsense and it actually contradicts your first statement. If Apple cares about its brand image as much as you say it does, then it clearly relies on repeat sales to people who have bought Apple stuff before. Therefore Apple (and any other company) is going to target advertising to those people, and in order to do that it needs to collect data on those people to understand their buying habits, extract their likely yearly incomes, etc. So having someone pay a yearly subscription fee obviously goes towards covering the cost of the service but, because its a "membership" service, then Apple can tie each and every usage or purchase to a specific person - that is valuable data that can be used very effectively for targetted advertising.

      --
      Gentoo Linux - another day, another USE flag.
    55. Re:Absolutely not by macs4all · · Score: 1

      You are likely in a very small minority. Most people use a PC for itunes and buy almost nothing but digital stuff from apple. They can afford to lose you as gains are significantly larger.

      However, that "small minority" (hardware purchasers) happens to be their greatest revenue stream BY FAR. Note that even their Mac sales handily eclipse both the iTunes Store sales and the "Other" category (which is probably Apple TV, accessory and software sales combined).

      You might check your facts before you post, or risk looking like an idiot.

    56. Re:Absolutely not by macs4all · · Score: 1

      I don't think Apple is just a hardware company anymore.

      They make 30% of sales on the apps. They say they aren't making money off of it, but then, with their automization, they aren't making money off of 30%, I can guarantee that the developers who make 70% aren't either. And that's just not the case.

      It's not an either/or here. Apple does both hardware/software. What throws people off is that they sell enough of their own hardware, that they don't need to license out their software for use with other hardware, ala Microsoft, but it doesn't make them exclusively a hardware comany.

      In fact, considering music/movies/app sales, I'd say they're in the the media business too. Especially considering Steve Job's stake in Disney and Pixar, which he uses to be an ambassador between the computer and media worlds and cut deals.

      So, you're saying that this chart is a lie?

      Remember, that 30% of not much money is still not much money. And you have to sell a BUNCH of 99 cent apps to make the same revenue as one iPhone, iPad or Mac.

      But you just keep on worrying about that horrific 30%, even though it isn't there to do anything but defray the costs of maintaining the "store", and, oh yeah, drive hardware sales.

    57. Re:Absolutely not by modmans2ndcoming · · Score: 1

      25 dollar service charge is a YEARLY fee.

    58. Re:Absolutely not by Luckyo · · Score: 1

      I'm not talking about hardware purchasers in general, but about those who buy as much as you do. Most people own one-two pieces of apple hardware at best. Incidentally most of these people would probably also not care one bit if someone got sued for "illegal stuff".

    59. Re:Absolutely not by VolciMaster · · Score: 1

      ... Apple being a hardware company cares little about software when it is driving their hardware sales.

      If Apple *were* a hardware company, I might agree with you. But they're not - they use hardware as an enabler to sell content.

    60. Re:Absolutely not by vux984 · · Score: 1

      I have never gotten a targeted email from Apple. Never.

      Right. That must be why itunes is literally stuffed with links to buy stuff from the store. And the whole 'genius' thing that they rolled out to suggest even more itunes music for you to buy.

      If you haven't noticed apple's been trying to profile you and sell you crap for a while.

      Not to mention trying to cram mobileme and safari down my throat every couple weeks.

    61. Re:Absolutely not by Anonymous Coward · · Score: 0

      "as part of the settlement with Apple Records" ... so is there something that keeps Apple from buying Apple Records? Problem solved.

    62. Re:Absolutely not by shutdown+-p+now · · Score: 1

      I thought Google music doesn't do any kind of matching - they just let you upload whatever you have. Ditto for Amazon.

    63. Re:Absolutely not by Goaway · · Score: 1

      Go for the ones with the most songs and investigate them?

      "Investigate" them how? Break into their home and go through their CDs?

      Pay an ISP or two to snoop their customers to correlate Torrent downloads of music with iCloud comparison transactions?

      What purpose would that serve?

      Point out that there's 10 times more "legal" uploads of the latest Lady Gaga hit to iCloud than there were sales recorded by the label?

      They already have plenty of real and made-up statistics they can quote - why would they go to that kind of effort to get just one more drop in the bucket?

    64. Re:Absolutely not by russotto · · Score: 1

      The issue being highlighted is that there are "known" pirated mp3 files that can be identified via watermark or hash.

      They aren't even talking about hidden watermarks (in the audio itself) or hashes. They're talking about purchaser information stored in the metadata. Given that you know it's there (and it's not hard to find, since it's stored uncompressed in the clear), you can remove it. It's not even illegal to remove in the US, due to a little known section of the DMCA, 17 USC 1202(c)

    65. Re:Absolutely not by Doctor_Jest · · Score: 1

      That's why I turned off Genius originally. Now I use other players when I want to listen to my music (I have been since the advent of the "Genius" setting.) iTunes is nothing special unless you have an iPod or iPad (I have a 2nd gen iPod, but I use 3rd party sync apps to fill it.. since I can only use it on my old firewire capable macs.) I don't infringe on copyright other than a single here or there to see if I like the music.. if it's not already listenable on amazon. (I've got enough CDs to last me well past the apocalypse... thank you used CD stores!) Most of my music has passed the current generation by.. so other than remasters and compilations (and the occasional new album)... I'm pretty much set. :)

      It will be interesting to see how the RIAA (if they even do it) will figure out how "illegal" a file is, other than saying it's a pre-release. Speculation here has been too forgiving of the RIAA's past stupidity. :)

      --
      It's the Stay-Puft Marshmallow Man.
    66. Re:Absolutely not by Anonymous Coward · · Score: 0

      B) what about like in Canada the tax on blank CDs to cover the inevitable % that will be from grey sources (shared, or unprovable ownership eg bought it once then it burned along with all the rest of my stuff). The yearly script fee implies similar "whatevs, just pay us to eternity /some/ and let us try to hawk other margin shit at you and it's more or less cool, since you're at least part paying customer now, not /all/ pirate... No?

    67. Re:Absolutely not by Divebus · · Score: 1

      Apple is the single most evil corporation I'm aware of, and Google is the single most ethical corporation I'm aware of.

      You work for the RIAA, don't you?

      --

      Most of the stuff on /. won't survive first contact with facts.
    68. Re:Absolutely not by vijayiyer · · Score: 1

      Let's say one iPhone makes apple $300. And let's say that one song makes Apple 30 cents, with the rest going to the RIAA. Do you think a typical user buys 1000 songs or buys an iPhone?

    69. Re:Absolutely not by Luckyo · · Score: 1

      What makes you think such a typical user will care? In my experience, most of the iphone holders are after the trend, and don't generally care what happens to "geeks". Your mistake is that you're assuming that people who queue in front of apple stores are apple's target crowd. They're not. It's the girls and boys in the office who value being trendy that are the real money maker, and they won't care.

    70. Re:Absolutely not by jeffmeden · · Score: 1

      Hah, saying Apple has an average legal department is like saying Apple dabbles in selling phones. They live and breathe patents, IP, copyrights, trademarks and the like. They are suing other companies for just thinking about making a product that bears resemblance to theirs. They don't hesitate to buy up trademarks and other IP that they think have decided is valuable (to the tune of many millions of dollars). And they survive in the marketplace solely thanks to the fact that their devices are all equally good at playing music. Do you think they would let anything stand in the way of keeping their spot as the king of the hill?

    71. Re:Absolutely not by ObiWanKenblowme · · Score: 1

      Are you personally familiar with a significant enough portion of all iTunes users to make this statement valid?

      --
      Obvious exits are NORTH, SOUTH, and DENNIS.
    72. Re:Absolutely not by jwhitener · · Score: 1

      Assuming a rights holder can prove that the track is pirated, which is basically impossible, assuming your music isn't watermarked in some way. Based on the statements of the exec,

      "We will respond to requests by rights holders who feel their rights have been violated."

      So I doubt that Google is going to be constantly scanning for pirated watermarks. They will instead wait for a complaint to do the following (maybe).

      And though it seems like it will be difficult to distinguish what's pirated and what's not, Google could use the same analysis tech they use for playlists to verify you that have the right to upload that track to Google Music. (Spectral analysis and/or watermarks could expose rips from different sources).

      I guess if you were really paranoid, you could get some software to check/remove any watermarks. They are specific to each seller (iTunes, etc..) but there is software for sale that will do it. I'm not sure if there is any free software that has kept pace with all the different company watermarks though.

      And do you have to make your Google music library public? If not, how would a rights holder even check it for pirated copies?

    73. Re:Absolutely not by Anonymous Coward · · Score: 0

      nor from an apple, it could have been an orange for all we know, the bible never says it was an apple. /noob

    74. Re:Absolutely not by macs4all · · Score: 1

      I'm not talking about hardware purchasers in general, but about those who buy as much as you do. Most people own one-two pieces of apple hardware at best. Incidentally most of these people would probably also not care one bit if someone got sued for "illegal stuff".

      Hahahaha!

      If you only knew how LITTLE I have spent on Apple gear in the THIRTY FIVE years I have owned the 14 Apple computers I have acquired.

      Apple 1: Free (For sale. Anyone interested?)

      Apple ][+: Paid good money for it. I think $1195 or so.

      128k Mac (upgraded to a Mac Plus): Fished out of dumpster at work. Replaced bad capacitor in Power Supply. Free

      Mac SE: Free. (given to me)

      Performa 575: $950

      Powermac 6116: $50 on eBay

      Powermac 8500: $800 on eBay, chock-full of apps

      Powermac 9500: Free, with 21" Sony Trinitron monitor

      iMac (Slot Load, CRT version): $200

      Clamshell iBook: Free

      G3 iBook: Free

      B&W G3 Tower: Free

      eMac: $125

      PowerMac G5 1.8 GHz DP (the machine I am typing this on): $1545.

      With the exception of the Mac SE and the 9500, I have used every single one of those computers for several years. So, if you factor out the SE and the 9500, (which were free anyway), the total comes to $4865, or $139 per year.

      Big deal.

    75. Re:Absolutely not by macs4all · · Score: 1

      I have never gotten a targeted email from Apple. Never.

      Right. That must be why itunes is literally stuffed with links to buy stuff from the store. And the whole 'genius' thing that they rolled out to suggest even more itunes music for you to buy.

      If you haven't noticed apple's been trying to profile you and sell you crap for a while.

      Not to mention trying to cram mobileme and safari down my throat every couple weeks.

      You do realize that you switched from talking about me, to talking about yourself in the same comment, right?

      Psychologists call that "transference".

      BTW, I didn't say anything about iTunes. I said I haven't received a targeted EMAIL from Apple.

      And I never said anything about you...

    76. Re:Absolutely not by macs4all · · Score: 1

      Are you personally familiar with a significant enough portion of all iTunes users to make this statement valid?

      Why yes, as a matter of fact, I am.

      Prove otherwise.

    77. Re:Absolutely not by Luckyo · · Score: 1

      And amount of /care apple has for you? Zero. Because one cute girl at office that gets her friends jealous sells a dosen iphones with a boatload of fashionable and massively profitable accessories for them, not to mention all the guys who'll buy one to impress her.

      And will likely upgrade in 6 months when a white version comes out in spite of still having 18 months of payments on the plan.

      Why should apple care about you and your low margin computer crap again?

    78. Re:Absolutely not by vux984 · · Score: 1

      You do realize that you switched from talking about me, to talking about yourself in the same comment, right?

      Yes. Becuase the first two lines were things I know apple directs at all users including you.

      The last line was about my experience, because i don't know if apple is trying to cram safari and mobileme down your throat every couple weeks. I only know they constantly bug me about them.

      I imagine YOU already have them (with a name like macs4all that seemed probable), and maybe you didn't realize how hard they try to get everyone to install them. Ask yourself what's in it for them?

      BTW, I didn't say anything about iTunes. I said I haven't received a targeted EMAIL from Apple.

      And?

      If you read the original post, you'll see that I didn't say anything about EMAIL either. I said:

      "Don't be daft. They absolutely want to know what songs you have, and which you listen to, and how often you listen to them, so they can profile you and sell you more crap."

      Your "counter argument" was that you didn't get targeted email. To which my reply demonstrated that they were profiling you and trying to sell you targeted crap in other ways besides email.

      Psychologists call that "transference".

      I'd call it "You missing the point."

    79. Re:Absolutely not by Anonymous Coward · · Score: 0

      Apple isn't stupid, I'm quite sure Jobs has thought through all of this.

      Whatever deal Apple made with the music companies is guaranteed to cover the very obvious issue of privacy.

      Apple would have just forgone doing iTunes Match if they can't get the terms they want - that protects their reputation.

      You should be more worried about Google and Amazon who don't have deals with the music companies. Music companies have no reason to be nice to them - especially Google who unlike Amazon isn't a huge ass music retailer.

    80. Re:Absolutely not by Anonymous Coward · · Score: 0

      Ok assuming the RIAA did get hold of the database about who has what tracks on their hard drive, what are they going to do with it? Will they say to a judge Joe Smith has too many tracks not bought through iTunes he must be a pirate, force Apple to give us his contact details so we can sue him. If they did that, at best the judge would laugh them out of court since it is only one step up from picking a random name out of the phone book. If Apple did actively look for known pirated tracks during the scan, then the RIAA might be able to make a case out of it, but why would Apple do that, they don't want to alienate their own customers.

    81. Re:Absolutely not by salesgeek · · Score: 1

      None of those issues are a threat. All the RIAA need do is ask you to produce proof you are the owner of a given song. If you cannot prove it (i.e. show the CD your ripped, show a receipt for the purchase, get an affidavit from the person who gifted it to you, etc...), then the RIAA will show that you have 7,000 more songs you cannot prove you own and that the preponderance of evidence is that you have infringed on their member's copyrights.

      --
      -- $G
    82. Re:Absolutely not by salesgeek · · Score: 1

      We'll see if Apple has developer's backs with the Lodsys situation. The Android ecosystem is very different and developers are allowed to use whatever system they like for in-app purchases, so I'm not sure that your comparison of Apple and Google's behavior is valid. In Apple's case, the issue is that devs have to use Apple's in app purchase system, and Lodsys is suing developers who use it.

      --
      -- $G
    83. Re:Absolutely not by salesgeek · · Score: 1

      You have the basic idea of how it would work right. I'm personally hoping that the RIAA is smart enough to see the difference between storing my own music for my own use (iCloud) and sharing music with a few million other people (old Napster, LimeWire, etc). We'll see.

      --
      -- $G
    84. Re:Absolutely not by Goaway · · Score: 1

      Well.. no, they can't just do that?

      If you want to claim they can, back it up with an actual legal argument, please.

    85. Re:Absolutely not by salesgeek · · Score: 1

      Step one: File suit, have enough evidence (on information and suspicion is good enough) to get to discovery.
      Step two: Subpoena away.

      It's kind of scary how easy it is for the civil legal system to be weaponized.

      --
      -- $G
  3. It'a an Apple article! by Anonymous Coward · · Score: 0

    Based purely on speculation! Revolt against Apple! Revolt!

  4. What motivation would apple have? by Anonymous Coward · · Score: 0

    Doing something like that to customers would ruin Apple's reputation with customers, and for what gain? So the music companies could sue their customer more successfully?

    1. Re:What motivation would apple have? by Saishuuheiki · · Score: 1

      It could be part of the agreement signed to get the music companies to agree to put their stuff up on it

    2. Re:What motivation would apple have? by node+3 · · Score: 2

      That doesn't answer the question. What motivation would Apple have to agree to something like that? It's completely absurd.

    3. Re:What motivation would apple have? by InnovATIONS · · Score: 1

      First of all they could paint the RIAA as the bad guys. And then, the easy way out of the RIAA's wrath would be to buy legal copies of those songs. By from who? Apple! Then Apple comes off as the hero giving you an easy (thought not cheap) escape from those mean mean lawyers.

    4. Re:What motivation would apple have? by InnovATIONS · · Score: 1

      Apple believes that it loses billions in iTunes sales each year to file sharing. Once the RIAA is on your case Apple offers a one click solution....just buy all that music legally (from them)! KA-CHING!

    5. Re:What motivation would apple have? by Americano · · Score: 1

      RIAA: "In order for us to agree to let you set this service up, we need your assurance that you will hand over to us any and all evidence you can gather through an aggressive indexing of all music files. This includes personal information as well as an exhaustive list of every file that person has infringed on."

      Apple: "Well, that would make our service useless because nobody would use it, and drive us to the brink of bankruptcy as our users abandon our products in droves when they find out that we've sold them out by being a stooge of the RIAA. I see no potential downside. Agreed."

      Apple has made some missteps in recent years, but a botch of this scope would require them to have hired Ballmer's lovechild by Bernie Madoff, the one whose birth Nokia's management team midwifed. There is NO conceivable reality where Apple would agree to those terms.

    6. Re:What motivation would apple have? by node+3 · · Score: 1

      Apple believes that it loses billions in iTunes sales each year to file sharing.

      Where have they ever said anything like this? And let's pretend for a moment that they do believe this: they will lose tens of billions each quarter if they scare away their customers.

      Once the RIAA is on your case Apple offers a one click solution....just buy all that music legally (from them)! KA-CHING!

      From Amazon, you mean. No one would ever deal with Apple again if they did something like this.

      The theories you guys come up with are insane.

    7. Re:What motivation would apple have? by pandrijeczko · · Score: 1

      There is actually a very good motivation and it is not as stupid an idea as you think.

      I love music but I buy CDs, I have no interest whatsoever in paying good money for downloadable music. However, I'm a very satisfied CD customer because, rightly or wrongly, the music industry perceives that it is losing vast amounts of money to piracy.

      In practice, that means that the music industry has got used to lower CD sales and they now have to work hard for their money so they are doing a lot more to try to keep those us who do buy CDs to continue to do so. In my case, I'm a huge fan of hard and progressive rock from the 1970s and onwards, at this moment in time I have never had such a wealth of music to choose from because the music industry is now releasing a mass of obscure albums that never saw CD release in the first place, but are now nicely remastered with extra tracks, and at the same prices the standard pop dross comes out at.

      Additionally, I'm actually rebuying some classic albums that I bought 20 or 30 years ago on CD because they, again, are being remastered with extra tracks. maybe an extra CD with some live stuff on it or even a DVD with a full concert on it from about the time the original album came out - in a strangely weird way, I can probably attribute piracy as being the reason why I get better value than ever in CDs.

      The point I am coming to is that the music industry is clearly desperate to find ways to "add value" for people who do currently legally pay for music, hence something like iCloud which couldn't ever appeal to a CD buyer like me but may be of some appeal to those who buy downloaded music.

      --
      Gentoo Linux - another day, another USE flag.
    8. Re:What motivation would apple have? by node+3 · · Score: 1

      There is actually a very good motivation and it is not as stupid an idea as you think.

      Making your customers afraid to use your product for fear of being sued is *not* a stupid idea?

      [a bunch of examples of you buying CDs which only you seem to have any idea as to how it's relevant to Apple selling out their customers]

      The point I am coming to is that the music industry is clearly desperate to find ways to "add value" for people who do currently legally pay for music, hence something like iCloud which couldn't ever appeal to a CD buyer like me but may be of some appeal to those who buy downloaded music.

      iCloud is *Apple's* product, not the music industry's product. Apple pays the industry for their product, which is licensing of the music. Why would Apple destroy their product by making their customers afraid to use it?

      And how iCloud "couldn't ever appeal to a CD buyer" is unclear. In fact, the $25/year add-on is specifically *designed* for CD buyers (among other groups)!

    9. Re:What motivation would apple have? by BJ_Covert_Action · · Score: 1

      As another commenter already pointed out further up the thread, Apple doesn't necessarily have to agree to anything. If the RIAA or some other similar entity files a suit requiring the iCloud data as part of a subpoena, Apple essentially has to play ball and turn over the data or break the law and try to stare down the U.S. court system.

      Apple may have nothing but the best interest for their customers, but the music labels have demonstrated quite remarkably that they don't give a fuck about customer's rights, and they consider themselves and their business interests to be entitled to any and all data/property that they think they can use to prop up their business model. Simple as that.

    10. Re:What motivation would apple have? by node+3 · · Score: 0

      What data do you think Apple is going to keep that will endanger their users?

      This is nothing more than nerd paranoia combined with nerd Apple hate. It's not going to happen. It's all but impossible.

      Apple essentially has to play ball and turn over the data or break the law and try to stare down the U.S. court system.

      Let's imagine Apple really fucks this whole thing up so bad that they end up in this position. That their deal with the labels don't prevent this, and the data they keep somehow has the ability to incriminate their users, and the RIAA decides to piss off their single-most important customer.

      So, let's just throw reason to the wind and take this absurd possibility seriously for a moment. If this ever did happen, you can bet your life on the fact that Apple will fight this in the courts (and out of the courts) harder than they've ever fought anything. That's because something like this would have the potential to actually end Apple. It would not simply be Apple having "nothing but the best interest for their customers", but an existential crisis.

      Which is why I think this is getting such play on Slashdot. It's nothing more than Apple disaster porn.

    11. Re:What motivation would apple have? by pandrijeczko · · Score: 1

      Making your customers afraid to use your product for fear of being sued is *not* a stupid idea?

      If you are going to constantly stalk my comments, I *DO* wish you'd at least make an attempt to read and digest them.

      My core point, once again for the clearly learning impaired, is that the music industry in *DESPERATE* to sell more product due to their perception that piracy is killing their sales.

      iCloud is *Apple's* product, not the music industry's product. Apple pays the industry for their product, which is licensing of the music. Why would Apple destroy their product by making their customers afraid to use it?

      That's kind of the same as me saying I've just opened a butcher's shop to sell meat products but not having any suppliers for meat. iCloud exists because the music industry makes product that can utilise it.

      As for making their customers afraid to use it? Where did *THAT* deduction come from? Let's get it clear, Apple *NEEDS* the music industry so it can "stock" iTunes and iCloud, not the other way around. Yes, iTunes is a big music sales channel, I'm not denying it for one minute, but so are Amazon and others.

      And how iCloud "couldn't ever appeal to a CD buyer" is unclear. In fact, the $25/year add-on is specifically *designed* for CD buyers (among other groups)!

      Well, I'm sorry but as a CD buyer I cannot think of a use for such a service, whether or not it's provided by Apple. Hard disks and RAID drives are cheap, in many cases ripping a CD is as simple as popping it into the PC optical drive and letting it get on with it until it spits it out. And when it's ripped, I stick the CD on a shelf as its own backup and carry about a small portable hard disk with my music on. The hard disk lets me access my music whether or not I have an Internet connection and it's not going to take many months of renting the iCloud service to exceed the cost of a portable hard disk.

      Finally, the iCloud service exists only as long as I pay a rental fee and Apple provide that service. If that service discontinues, or suffers a service outage. then access to my music stops - unless I have a local copy of it in which case why would I use iCloud in the first place then?

      --
      Gentoo Linux - another day, another USE flag.
    12. Re:What motivation would apple have? by node+3 · · Score: 1

      Making your customers afraid to use your product for fear of being sued is *not* a stupid idea?

      If you are going to constantly stalk my comments, I *DO* wish you'd at least make an attempt to read and digest them.

      Hey, dumbfuck. YOU replied to ME.

      My core point, once again for the clearly learning impaired, is that the music industry in *DESPERATE* to sell more product due to their perception that piracy is killing their sales.

      Your "core point" was in reply to my post, where you started it off by saying:

      There is actually a very good motivation and it is not as stupid an idea as you think.

      In response to me asking:

      That doesn't answer the question. What motivation would Apple have to agree to something like that? It's completely absurd.

      So, your point is just aimless, off-topic rambling then? Or was I to take it as a response to my question, as any sane person would do?

      iCloud is *Apple's* product, not the music industry's product. Apple pays the industry for their product, which is licensing of the music. Why would Apple destroy their product by making their customers afraid to use it?

      That's kind of the same as me saying I've just opened a butcher's shop to sell meat products but not having any suppliers for meat. iCloud exists because the music industry makes product that can utilise it.

      What the hell are you talking about? I pointed out that Apple has a supplier. It's right there in the part you quoted! I've bolded it for you for good measure.

      As for making their customers afraid to use it? Where did *THAT* deduction come from? Let's get it clear, Apple *NEEDS* the music industry so it can "stock" iTunes and iCloud, not the other way around.

      This entire slashdot story is about iCloud being used to sue customers. Where do you *THINK* this deduction came from?

      Yes, iTunes is a big music sales channel, I'm not denying it for one minute, but so are Amazon and others.

      And how iCloud "couldn't ever appeal to a CD buyer" is unclear. In fact, the $25/year add-on is specifically *designed* for CD buyers (among other groups)!

      Well, I'm sorry but as a CD buyer I cannot think of a use for such a service, whether or not it's provided by Apple.

      Sorry, I never meant to imply you had much of an imagination. But even so, it can't take much imagination to see why a service that stores your CD rips in the cloud is meant to appeal to people who have CDs to rip. You said that iCloud "couldn't ever appeal to a CD buyer", which is laughably absurd. That's exactly who it's aimed at, and I think it's fair to say Apple will have more than a few customers.

      Hard disks and RAID drives are cheap

      Cheaper than $25/year? And that's not even what iCloud is. It's not local storage for the user. In fact, it's pretty much the exact opposite of that.

      in many cases ripping a CD is as simple as popping it into the PC optical drive and letting it get on with it until it spits it out.

      Yes, and iCloud is predicated on this having happened first. What do you think the iCloud matching service actually is?

      And when it's ripped, I stick the CD on a shelf as its own backup and carry about a small portable hard disk with my music on. The hard disk lets me access my music whether or not I have an Internet connection and it's not going to take many months of renting the iCloud service to exceed the cost of a portable hard disk.

      $25/year.

      Finally, the iCloud service exists only as long as I pay a rental fee and Apple provide that service. If that service discontinues, or suffers a service outage. then access to my music stops - unless I have a local copy of it in which case why would I use iCl

    13. Re:What motivation would apple have? by pandrijeczko · · Score: 1

      I'm not picking out each and every point you've made because arguing semantics in words is going off the topic of discussion and there aren't enough hours in the day to deal with that.

      The fact is that Apple will do what the music industry tells it to do because Apple making money from music sales is clearly important to Apple's business model. When you are an absolute colossus as a sales channel, like Wal-Mart in the US or Tesco here in the UK, then you have enough power and mass to dictate to your suppliers how much product you want and at what price.

      iTunes is big, granted, but it is by no means the only sales channel, especially when you consider not just download sales but also physical media sellers as well. Therefore, Apple needs the music industry more than the music industry needs Apple.

      With regard to those people like me who buy CDs, unless I was extremely paranoid that I would lose my CD collection through a house fire or burglary (despite having house contents insurance also), then what POSSIBLE use could iCloud have for me such that I wanted to hand over good money for the service?

      Let's assume I did subscribe to that service, what's likely to happen? Presumably, I need to put each and every CD I own such that iCloud can read the ID from it in order to obtain some degree of proof that I own it. So, already, I need to put every CD I own, one-by-one, into my PC is precisely the same way that I would do if I ripped every CD myself.

      Or let's look at another scenario. Let's say I've been a music lover for many years, bought lots of CDs but now buy my music as downloads. In that scenario, there *might* be a case for me bringing my entire music collection online within iCloud so that all the music I've downloaded and the CDs I bought over the years are in the same place. But then let's look at that a bit more closely...

      The economics of downloadable music *ONLY* works in the first place if you are the sort of person that wants "pick n mix" music - i.e. one or two tracks from an album. If you buy the whole album as download, then the chances are it works out more expensive than buying the physical CD - and the one major reason why, as an album listener, I have no interest in the greater expense (and greater lossiness) of downloadable music.

      It would be interesting to see statistics from iTunes, Amazon or whoever that show what percentage of their downloadable music sales are full albums, but I suggest the percentage is very low compared to sales of indvidual tracks because of the poorer value offered against physical CDs.

      What I am leading to is the point that there are very few musicphiles out there who, as traditional CD buyers, will have reverted to downloadable music in the first place - I suggest to you, again, in the absence of statistics, that the people who buy individual tracks are those who either don't take music too seriously (and therefore bought very few CDs in the first place) or the younger generation who only recently got into music and never bought CDs.

      This leads to the indisputable conclusion that a musicphile CD buyer is unlikely to have ever bought any downloadable music - therefore they've not used iTunes for music and therefore would have no use for iCloud.

      --
      Gentoo Linux - another day, another USE flag.
    14. Re:What motivation would apple have? by node+3 · · Score: 1

      I'm not picking out each and every point you've made because arguing semantics in words is going off the topic of discussion and there aren't enough hours in the day to deal with that.

      Yeah, don't quote what I wrote or anything, just ramble on like normal, making shit up out of thin air.

      I can't really blame you, though. That's exactly what I would do if I wanted to make an argument about something of which I was completely ignorant, and if I had no sense of honesty.

      The fact is that Apple will do what the music industry tells it to do because Apple making money from music sales is clearly important to Apple's business model. When you are an absolute colossus as a sales channel, like Wal-Mart in the US or Tesco here in the UK, then you have enough power and mass to dictate to your suppliers how much product you want and at what price.

      iTunes is big, granted, but it is by no means the only sales channel, especially when you consider not just download sales but also physical media sellers as well. Therefore, Apple needs the music industry more than the music industry needs Apple.

      Aside from the fact that Apple sells more music than any other retailer, the RIAA cannot dictate to Apple that they have to try to trap pirates. Apple *CAN'T POSSIBLY* agree to that. That would utterly destroy Apple.

      How do you think negotiations work anyway? Do you think the labels all come to Apple and just dictate terms? Or vice versa?

      This piracy honey-pot idea is something Apple can not possibly agree to, so even if the RIAA or the individual labels might *want* such a thing, they will have to accept that it cannot be required if they actually want to make a deal.

      With regard to those people like me who buy CDs, unless I was extremely paranoid that I would lose my CD collection through a house fire or burglary (despite having house contents insurance also), then what POSSIBLE use could iCloud have for me such that I wanted to hand over good money for the service?

      $25/year buys you backup and remote access to your music that you didn't buy from iTunes. You keep acting like this is both a lot of money and something no CD buying person could possibly want.

      Let's assume I did subscribe to that service, what's likely to happen? Presumably, I need to put each and every CD I own such that iCloud can read the ID from it in order to obtain some degree of proof that I own it.

      As usual, you are incorrect. You keep arguing from ignorance, yet never seem to grasp that making shit up doesn't make something real.

      The economics of downloadable music *ONLY* works in the first place if you are the sort of person that wants "pick n mix" music - i.e. one or two tracks from an album. If you buy the whole album as download, then the chances are it works out more expensive than buying the physical CD - and the one major reason why, as an album listener, I have no interest in the greater expense (and greater lossiness) of downloadable music.

      It would be interesting to see statistics from iTunes, Amazon or whoever that show what percentage of their downloadable music sales are full albums, but I suggest the percentage is very low compared to sales of indvidual tracks because of the poorer value offered against physical CDs.

      Um, by definition it will be low, since you *CAN'T* buy individual tracks from a CD the way you can on iTunes. CD singles have always been priced to be a poor value. However, none of what you wrote here implies people buy CDs won't find a value in using iCloud.

      What I am leading to is the point that there are very few musicphiles out there who, as traditional CD buyers, will have reverted to downloadable music in the first place - I suggest to you, again, in the absence of statistics, that the people who buy individual tracks are those who either don't take music too seriously (and therefore bough

    15. Re:What motivation would apple have? by gmhowell · · Score: 1

      Yay, remastered with extra loudness. Sign me up! (TBH, there are a few engineers here and there who understand and avoid the problem as much as the label allows).

      That said, Apple has repeatedly said that iTMS, AppStore, and OSX are merely differentiators of their hardware/systems. While they of course want to monetize those streams as much as possible, the goal is to sell more iPods, iPhones, and iMacs, not more Lady Gaga singles. You would have to buy a helluva lot of music for Apple to get the same profit from music sales as from an iPod. Just look at the margins.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    16. Re:What motivation would apple have? by gmhowell · · Score: 1

      Sony Music, you subpoenaed our users? Fine, we aren't streaming your tunes to our users any longer. They'll only hear the insipid pop put out by your competitors unless they want to jump through hoops.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    17. Re:What motivation would apple have? by pandrijeczko · · Score: 1

      Please note that your abusive comments will be ignored, only intelligent comments will be responded to from this point forward.

      Aside from the fact that Apple sells more music than any other retailer, the RIAA cannot dictate to Apple that they have to try to trap pirates.

      Here's the latest stats on UK music sales, downloads account for 25% of all music sales in the UK. Based on that, I'd be very surprised if iTunes sold more music than Amazon, bearing in mund 3/4 music sales are still physical media and Apple doesn't sell CDs whilst Amazon sells loads of them.

      Apple *CAN'T POSSIBLY* agree to that. That would utterly destroy Apple.

      We can but hope.

      Um, by definition it will be low, since you *CAN'T* buy individual tracks from a CD the way you can on iTunes. CD singles have always been priced to be a poor value. However, none of what you wrote here implies people buy CDs won't find a value in using iCloud.

      I don't know why I am bothering to argue with you coherently because you clearly have a fixed viewpoint from which you will not be swayed, despite reasoning that clearly shows your viewpoint to be wrong.

      I am saying, yet again, that most serious CD music buyers do not, and will not, buy downloadable music. Therefore they have no use for iCloud.

      And this doesn't even make any sense. CD buyers are EXACTLY the type of people who would find value in the iCloud match feature. In fact, it is specifically targeted at them. The people who only get their music from iTunes won't have any use for this feature, and already get to use the free portion right now.

      Rubbish. I have proven that most CD buyers are serious about music, therefore they don't buy downloads. Plus if they're serious about music then they rip the stuff themselves at an appropriate rate to what they want to play it on.

      $25 p.a. or not, iCloud is a pointless service for the 75% of people (at least in the UK) who still buy CDs.

      Do you think the labels all come to Apple and just dictate terms?

      Yes. Music industry does not need Apple, Apple needs music industry.

      --
      Gentoo Linux - another day, another USE flag.
    18. Re:What motivation would apple have? by node+3 · · Score: 1

      All these things you've "proven", what will you say when they fail to come to pass? What will you say when no one gets reported for piracy by Apple? What will you say when people use iCloud to store their ripped CDs?

      Did you even read the article you linked to?

      Digital music sales account for 25% of total music sales in the UK. The industry continues to suffer from declining sales of physical formats, with singles down 27% year on year to £6.9m and albums down 14.5% to £863m.

      CD sales are on the decline. There isn't some sort of sophisticated CD buying populace in the UK who meticulously rip their CDs, carry around portable hard drives, and store music on RAIDs.

  5. Re:Admiral Akbar saw this coming by tripleevenfall · · Score: 2

    even though there was only 1 comment when I clicked, I knew I would be too late.

  6. Sure it *COULD* be... by mark-t · · Score: 3, Insightful

    ... but it won't be effective, because pirates won't utilize it.

    1. Re:Sure it *COULD* be... by Anonymous Coward · · Score: 0

      but a lot of iDIOTS will.

    2. Re:Sure it *COULD* be... by mark-t · · Score: 1

      They will, at best, only actually catch a couple of them, because the news will spread so fast that everybody else who might have otherwise got caught for pirating by using it will quit using it immediately.

    3. Re:Sure it *COULD* be... by cultiv8 · · Score: 1

      Exactly, it will only catch those who have a few pirates in their entire collection. This could play out the same way that NY decreased crime in the 90's using the broken windows theory; bust the people doing petty crimes to prevent escalation into more serious crimes.

      Or it'll just be a PR nightmare for Apple.

      --
      sysadmins and parents of newborns get the same amount of sleep.
    4. Re:Sure it *COULD* be... by Anonymous Coward · · Score: 0

      Why? The RIAA and Apple can wait for years until the iCloud service has reached market saturation, then spring the trap.

    5. Re:Sure it *COULD* be... by Kenja · · Score: 1

      Which pirates? The ones with raid systems full of MP3s or my mother who downloaded a couple CDs from "free" music sites?

      --

      "Have you ever thought about just turning off the TV, sitting down with your kids, and hitting them?"
    6. Re:Sure it *COULD* be... by poetmatt · · Score: 1

      your wiki link confirms the broken windows theory thing is incorrect.

      Meanwhile, there's no way to sue anyone for having files in the cloud - they would have to sue apple - you don't contain the file once its in the cloud.

    7. Re:Sure it *COULD* be... by cultiv8 · · Score: 1
      From wiki:

      The broken windows theory has received support from several empirical studies. At the same time it has also been the subject of a large body of criticism.

      It's been both supported and criticized, as is the case with any theory

      --
      sysadmins and parents of newborns get the same amount of sleep.
    8. Re:Sure it *COULD* be... by mattack2 · · Score: 1

      Did you see/read Freakanomics?

      It gives another explanation of why crime went down: abortion being legalized in the 1970s.

    9. Re:Sure it *COULD* be... by poetmatt · · Score: 1

      the word is theory, so don't be relying on it as fact.

  7. Sounds like a good idea... by Anonymous Coward · · Score: 0

    But I'm staying the fuuuuu away.

  8. Depends how it works by MrEricSir · · Score: 1

    Are you actually uploading the MP3s to Apple? I don't think so.

    The service has to "fingerprint" the files in some way. A hash of the file wouldn't be enough to identify it, since there could be an unlimited number of hashes for the same song.

    At most, it's probably like SoundHound or Shazam that just listens to the track. Based on that type of analytic data, there's no way the RIAA or whoever could know whether you purchased the track legally or not.

    --
    There's no -1 for "I don't get it."
    1. Re:Depends how it works by tepples · · Score: 1

      Based on that type of analytic data, there's no way the RIAA or whoever could know whether you purchased the track legally or not.

      I once read an article about various methods of encoding an inaudible watermark in audio's phase. Shift the audio two samples early or two samples late after a kick drum, or invert both channels' phase by 180 degrees after a crash cymbal, or the like. All this is imperceptible to the human auditory system, but the information it encodes still survives popular psychoacoustic codecs.

    2. Re:Depends how it works by demonlapin · · Score: 1

      So? All that proves is that you have a file that was once leaked illegally, not that you obtained it illegally (after all, someone had to have the legal right to make it in the first place). And once you've done that, you're going to have to try to make a charge of copyright infringement stick based on mere file possession. I have never seen a suit by the RIAA or MPAA where the defendant was charged with possessing a single digital copy of a song... only for sharing.

    3. Re:Depends how it works by Marillion · · Score: 1

      Obviously, we're all speculating. Much of my music came from ripping CD's I own. Given all the different ripping options (bit-rate, variable bit-rate, codecs) I'm sure there are hundreds of legal rips out there of the same song. That said, there are dozens of illegally shared rips out there. What's the difference between a legal rip on my drive and an illegally shared rip of the same disc that used the same settings I did? None.

      Any file, in and of itself, is neither legal nor illegal. It just is. The method of acquiring any file can be illegal, but not the file itself.

      --
      This is a boring sig
    4. Re:Depends how it works by uigrad_2000 · · Score: 1

      Based on that type of analytic data, there's no way the RIAA or whoever could know whether you purchased the track legally or not.

      I once read an article about various methods of encoding an inaudible watermark in audio's phase. Shift the audio two samples early or two samples late after a kick drum, or invert both channels' phase by 180 degrees after a crash cymbal, or the like. All this is imperceptible to the human auditory system, but the information it encodes still survives popular psychoacoustic codecs.

      This isn't really relevant.

      Can a watermark be added that would disappear or change only after the .mp3 has been transferred from my friend's computer to mine? If not, then there is no way to know whether I own the listening rights to the music in the mp3, or whether my friend does.

      --
      Free unix account: freeshell.org
    5. Re:Depends how it works by tepples · · Score: 1

      Can a watermark be added that would disappear or change only after the .mp3 has been transferred from my friend's computer to mine? If not, then there is no way to know whether I own the listening rights to the music in the mp3, or whether my friend does.

      If the watermark identifies your friend's download store account number, then your friend has the listening rights.

  9. FUD? by SkywalkerOS8 · · Score: 4, Insightful

    Doesn't the same problem apply to the music lockers (Amazon, Google) or even Dropbox? Why single out iCloud?

    1. Re:FUD? by Tasha26 · · Score: 1

      Good question, that South Park episode was perhaps spot on about "carefully reading Apple T.O.S." I suspect Google & Amazon online storage are alternatives to your hard-drive, so there should be a privacy clause (they don't get to interact with your files). With Apple, this article points to Apple having the right to do data mine. In both cases, I wonder if one can tell if a nosy admin has gone through your online files?

    2. Re:FUD? by Teun · · Score: 1

      Low hanging fruit?

      --
      "The likes of Facebook and WhatsApp are free to those whose privacy is of zero value."
    3. Re:FUD? by Flyerman · · Score: 1

      Because it's Apple! Gotta talk about Apple!

    4. Re:FUD? by InnovATIONS · · Score: 1

      Actually it would apply to any service that did de-duplication across users, but since iTunes Music Match is specifically oriented to music files it provides what one might term a much richer vein of ore for the RIAA to mine.

  10. Duh by Anonymous Coward · · Score: 0

    get FLAC and re-encode.

  11. I don't see the appeal of clouds by ackthpt · · Score: 2

    Am I out of touch or am I, by default, wise? I look at these services and think "why would I want that? I have an ftp site of my own anyway."

    Considering there must be a business model behind these services to make $$$ I wonder what I might have to put up with

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:I don't see the appeal of clouds by Bloodwine77 · · Score: 1

      "Cloud" is just the latest buzzword for storing data at a network-accessible data repository or using network-accessible servers to handle some workload.

      The only real benefit I can see from storing media in such a solution would be that all your devices anywhere can stream the media from the repository. You might have a FTP server, but you won't find a mobile app that plays songs directly from your FTP server in real-time.

      With that being said, the only "cloud" I will use is one at my home network. A private cloud. If ISPs don't all go down the dark path of data caps I can see a bright future of hosting media centers/apps on your home network and stream media from your network when you are away from home.

    2. Re:I don't see the appeal of clouds by flooey · · Score: 1

      Am I out of touch or am I, by default, wise? I look at these services and think "why would I want that? I have an ftp site of my own anyway."

      The main advantage to iCloud over your own server appears to be that they'll upsample your music for you, as long as it's something they sell on iTunes. If you only have a crappy copy (that's what you could find for download, you ripped it from CD in a low bitrate, whatever), your copy on your FTP server won't be any better, but the copy in iCloud will be 256kbps AAC. Whether that's worth the price is up to you, but it's at least one clear advantage over running your own server.

    3. Re:I don't see the appeal of clouds by Bucc5062 · · Score: 1

      This I do already. Thank you subsonic! My next project is photos so I don't need to upload to Picasa. It's not a bad site, but why duplicate effort. Hosting one's own media server is not for beginners, but I'd rather learn then trust the "cloud".

      --
      Life is a great ride, the vehicle doesn't matter
    4. Re:I don't see the appeal of clouds by Ruke · · Score: 5, Insightful

      This is not marketed towards you, if you're willing to set up, configure, and run your own music server. This is marked towards the people with enormous music collections at home, who want to be able to listen to any song in their library on their mobile device at any time, without having to worry about whether their data is synced.

      Your "wisdom" is no deeper than someone who says, "Why would I go out to a restaurant, when I could cook a gourmet meal myself?" or "Why would I take my car into the shop, when I'm perfectly capable of diagnosing and repairing any problems that it might be experiencing?" Cloud storage is offering a valuable service to those without the expertise or patience to do it themselves.

    5. Re:I don't see the appeal of clouds by frank_adrian314159 · · Score: 3, Insightful

      Yes, you are out of touch.

      Most people do not have the skills or desire to set up their own FTP site, even if iCloud didn't do a lot more for ease of use than a simple FTP site. Do you want to set up a streaming service? Write the apps to automatically download the songs to your device? Even if the user had the skills to set up all of these services, do they have the skills and abilities to keep them secure?

      I have my own FTP server set up and even that's getting to be a pain in the butt for me to maintain. I'm moving to hosted environments as quickly as I can at this point - they're good enough now and I don't have to dick about maintaining the hardware and OS anymore. I'm looking forward to the day when I can simply own one computer again.

      --
      That is all.
    6. Re:I don't see the appeal of clouds by Anonymous Coward · · Score: 0

      Upsample? My FLACs? haha

      Without U (the paying users) it would just be iClod.

    7. Re:I don't see the appeal of clouds by brainzach · · Score: 1

      It is much easier paying $20 a year than setting up a server on your own.

      You save money on hardware and don't have to waste your time maintaining your server. The cloud is also going to be more reliable than what most people would set up on their own.

    8. Re:I don't see the appeal of clouds by Anonymous Coward · · Score: 0

      You're out of touch. Everyone needs to store everything on the internet because disk space is so expensive and everyone has uncapped internet.

    9. Re:I don't see the appeal of clouds by UnknowingFool · · Score: 1

      The main point is, yes, you can setup something remarkably similar; not everyone can or wants to do the same. After setup, you have to maintain your site including backups. For some people, they would rather pay someone else a small yearly fee.

      A secondary benenfit is that you can upgrade your lower bit MP3s to higher bit AACs

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    10. Re:I don't see the appeal of clouds by Americano · · Score: 1

      It's not a bad site, but why duplicate effort

      So the effort of setting up and administering your own photo sharing site - similary to Picasa, or Flickr, or any of the dozens of other photo sharing sites - isn't duplicated effort?

    11. Re:I don't see the appeal of clouds by Anonymous Coward · · Score: 0

      Am I out of touch or am I, by default, wise?

      You are not out of touch. Me, too, have an ftp site and every time I want to listen to music I just launch up my ftp client from bash and start from there. Just a dozons of commands and few minutes my music plays away.

    12. Re:I don't see the appeal of clouds by Anonymous Coward · · Score: 0

      Yeah, I was hoping that someone (Apple?) would make an easy to use home server, that could host AV files, data files, and web pages, and be easy to setup and secure. I guess the market is the issue. Anyone who know why such a server would be cool most likely has already set one up. How to sell it to regular users, no sure. Thought that Apple might have expanded their Router/backup drive in this direction but guess they had this cloud thing in mind the whole time.

    13. Re:I don't see the appeal of clouds by AmiMoJo · · Score: 1

      Best of all the service is free if you agree to a little bit of advertising. Those fuckers at the dealership wanted to charge me for the car AND put an advert sticker for themselves on the rear window!

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    14. Re:I don't see the appeal of clouds by Grishnakh · · Score: 2

      Unlike the parent, I realize expecting regular people to set up FTP sites is a bit much, but what about USB thumb drives? How hard is it to copy all your music onto one of those? These days, you can get a 32GB USB flash drive for $35 (incl. shipping) from Newegg.com. That really should be enough space to hold most peoples' entire music library. How many people really have "enormous" music collections that can't fit on one of these, or at most a 64GB drive? (Don't forget, flash prices keep coming down; in a year or so we'll probably see 64GB or 128GB drives for the same price.)

      In fact, what the heck is the point of having a streaming music service in "the cloud" if you can carry your entire library around on a thumb drive? Lots of cars and car stereos these days have USB ports (and sometimes SD slots, like VWs) so you can plug in these thumb drives and have your entire library accessible in your car, and of course with today's hard drive capacities keeping your entire collection in MP3 format on your desktop or laptop computer is trivial. Even today's smartphones typically have 16GB of flash, if you want to use your phone as your music device.

      Sure, there's a few people who do have enormous collections; I have a sister with literally thousands of CDs. But how many people are like that? I have somewhere over a couple hundred CDs, so my whole collection (ripped) is around 13GB (160kb Ogg; if I rerip at 320k MP3 since many devices don't accept Ogg then it'd probably be about 26GB). What benefit is there to most people in putting their ~10-20GB music collection in "the cloud" and paying monthly fees to retain access to it, instead of just using a $30 thumb drive? Yes, this won't work for the people who have thousands of albums, but I don't think there's many people like that. Big businesses like Apple don't make money by catering to outliers, but instead by catering to the mainstream. The only businesses that ever make money catering to outliers (people with very odd habits or tastes) are small businesses that can afford to do so and be profitable serving a small niche market; big businesses always pass up the niche markets because it isn't profitable for them to bother with markets that are too small.

      Finally, I realize that streaming services can be useful, such as in the case of Pandora radio. However, this is a totally different thing: Pandora streams music to you which you don't already own. It's like regular radio used to be: it's a way of finding new music you might like, that you haven't heard before. It's not a way of listening to music you already own. This "iCloud" music service discussed here is not like that; it's just a way to store music you already own. And for that, it's much easier and cheaper to just use inexpensive flash memory, whether in a USB drive, or built into a phone or iPod.

    15. Re:I don't see the appeal of clouds by jwhitener · · Score: 1

      You don't necessarily need a mobile app. You could stream from your server using any number of methods (apache alone can do it) or use something like GNUMP3D which has a web based client to play the songs.

      http://maketecheasier.com/4-easy-ways-to-stream-your-music-online/2009/04/13

  12. audio fingerprinting by TenMinJoe · · Score: 1

    From the article: "I also doubt that there is going to be any process that is going to ‘listen to’ the music to see if it sounds like a recognized song."

    Why not? This technology exists and is available in projects like MusicBrainz Picard, used for a very similar purpose. There's every chance that iCloud could work this way.

  13. Transcoding doesn't fool YouTube's Content ID by tepples · · Score: 2

    Transcoding doesn't fool YouTube's Content ID. Why should it fool iCloud Music Match?

    1. Re:Transcoding doesn't fool YouTube's Content ID by localman57 · · Score: 1

      Because YouTube is looking for a particular song. The watermarks allow them to trace a song to the person who bought it. For example, something as simple as putting a unique id in one of the obscure pieces of metadata stored in the .mp3 file. This method would purge that metadata. It's a bit different than markers embedded in the content itself (although the music may have those as well). I believe that some video tapes used to have this sort of thing; a unique DTMF touchtone put on each copy to identify ones that were pirated from a common source.

    2. Re:Transcoding doesn't fool YouTube's Content ID by MrEricSir · · Score: 1

      The author of the article seems to think they're just hashing the file.

      It's a stupid assumption, because you could easily fool it unless Apple had already scanned every song ever made, encoded it with every configuration of every version of every encoder ever developed, and stored the hash.

      --
      There's no -1 for "I don't get it."
    3. Re:Transcoding doesn't fool YouTube's Content ID by Anonymous Coward · · Score: 0

      YouTube: identifies song, assumes you don't own permission to broadcast it
      iCloud: identifies song, assumes you own permission to listen to it

      You WANT iCloud to identify the song, because it works in your favor. You DON'T want YouTube to identify the song.

    4. Re:Transcoding doesn't fool YouTube's Content ID by Ruke · · Score: 1

      So long as iCloud: "assumes you own permission to listen to it, discards any personally identifiable information linking song-on-your-hard-drive to you."
      If they assume you have permission, store evidence that you actually don't have permission, and then get subpoenaed on behalf of the RIAA, you're going to be up shit-creek without a paddle.

    5. Re:Transcoding doesn't fool YouTube's Content ID by ZombieBraintrust · · Score: 2

      Get a subpeonea? Why would they need to do that. They have contracts with Apple to have this service. For all we know those contracts include a monthly report from Apple on possible infringement.

    6. Re:Transcoding doesn't fool YouTube's Content ID by DrXym · · Score: 0
      Audio and video files can be identified by watermarks and it's likely that there are ways to compute an acoustic / visual fingerprint for arbitrary content which doesn't rely on the codec, bitrate, filesize or any byte level hashing. Given that Apple is in bed with the recording industry, it's safe to assume they can do this if they wished and have the content to produce references from. They probably hash files too (ignoring tags) so if a P2P rip did propagate (or an Apple user started sharing their MP3s) they'd be capable of tracking it.

      Short of Apple coming out and saying the key is on the client side and all content and file names are encrypted in transit I wouldn't trust their service for storing anything illicit.

    7. Re:Transcoding doesn't fool YouTube's Content ID by InnovATIONS · · Score: 1

      They don't have to hash every song ever made. They just have to look for the patterns among the songs that are arriving. Moreover the system doesn't have to be unbeatable because the average person telling Apple 'go ahead and scan my system' isn't thinking two steps ahead.

    8. Re:Transcoding doesn't fool YouTube's Content ID by EraserMouseMan · · Score: 1

      The iCloud is just Steve Jobs' brain plugged into the backbone of the Internet. Trust me, if Jobs can make the most amazing products ever known to mankind he can figure out which of his minion are illegal down-loaders. As long as they each pay him $25/year he'll happily look the other way.

    9. Re:Transcoding doesn't fool YouTube's Content ID by Luckyo · · Score: 1

      Until record companies pay him 30 for every one he gives to them, so they can sue for maximum possible penalty under US law. Nets both parties a really nice bonus.

    10. Re:Transcoding doesn't fool YouTube's Content ID by CharlyFoxtrot · · Score: 1

      Record companies have to subpoena information like that due to privacy laws and such, how much they offer Apple is irrelevant. They would have no justification to offer the courts for said subpoenas.

      --
      If all else fails, immortality can always be assured by spectacular error.
    11. Re:Transcoding doesn't fool YouTube's Content ID by Luckyo · · Score: 0

      So in your professional, legal opinion they cannot formulate a deal under the table where apple would agree to collect information necessary for prosecution when subpoenas come if RIAA and such agree to fund the "costs"?

      Really?

      Well, hey, I have some real estate on the moon to sell you. Interested? Very good investment, absolutely perfect for naive fools.

    12. Re:Transcoding doesn't fool YouTube's Content ID by CharlyFoxtrot · · Score: 1

      There's no evidence such a deal exists or would be advantageous to Apple and yes, I contend it would be on pretty shaky ground legally. Probably the best evidence so far that no such deal exists is that there have been no reports of such actions concerning Amazon's Music Locker service. Unless ... they are just waiting for the best moment to strike (!), I won't buy your real estate but I have a very nice tinfoil hat for you.

      --
      If all else fails, immortality can always be assured by spectacular error.
    13. Re:Transcoding doesn't fool YouTube's Content ID by macs4all · · Score: 3, Insightful

      Given that Apple is in bed with the recording industry

      Having an agreement which allows copying copyrighted material to several devices SIMULTANEOUSLY is HARDLY "in bed with the recording industry."

      Quit trolling.

    14. Re:Transcoding doesn't fool YouTube's Content ID by macs4all · · Score: 1

      Until record companies pay him 30 for every one he gives to them, so they can sue for maximum possible penalty under US law. Nets both parties a really nice bonus.

      Yeah, because Apple is so cash-strapped that they'd happily destroy their reputation for a few shekels.

      Do you really think they built their huge datacenter and spent years getting this whole idea together just to hand over their loyal customers to the RIAA? If so, you're pretty damned stupid.

    15. Re:Transcoding doesn't fool YouTube's Content ID by macs4all · · Score: 1

      Get a subpeonea? Why would they need to do that. They have contracts with Apple to have this service. For all we know those contracts include a monthly report from Apple on possible infringement.

      Right. Because Apple has a long history of selling out their users to the MAFIAA.

      Oh, wait...

    16. Re:Transcoding doesn't fool YouTube's Content ID by Hal_Porter · · Score: 1

      Apple would butcher their users if they could sell their organs profitably.

      Actually if would be funny reading True Believer Mac users try to explain why this was justified on the Internet as they got stuffed into cattle carts.

      /Godwinned

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    17. Re:Transcoding doesn't fool YouTube's Content ID by Luckyo · · Score: 1

      I never turn down free tinfoil hats! :)

    18. Re:Transcoding doesn't fool YouTube's Content ID by Anonymous Coward · · Score: 0

      So in your professional, legal opinion they cannot formulate a deal under the table where apple would agree to collect information necessary for prosecution when subpoenas come if RIAA and such agree to fund the "costs"?

      Really?

      Well, hey, I have some child porn to sell you. Interested?

      FTFY

  14. Why don't you wait for the TOS... by Anonymous Coward · · Score: 0

    ...to be published before spreading this FUD. Oh yeah, then you might not be able to engage in your fear tactics.

    1. Re:Why don't you wait for the TOS... by InnovATIONS · · Score: 1

      In general any TOS or any privacy policy can be punched through by a court order. The bottom line is that if they are storing the data (which in order to have Music Match work as advertized they do) then the RIAA could subpoena it.

  15. "Cause I may be bad..." by Anonymous Coward · · Score: 0

    RIAAnna ftw

  16. You guys are completely paranoid by MouseR · · Score: 3, Interesting

    You guys are completely paranoid.

    There is no telling the difference between a CD that iTunes ripped or aggregated from your disk (which might have been ripped prior to iTunes' existence). Remember MacAMP (or any *AMP)? How about SoundJam? There was music before iTunes. (I tell ya!)

    They are SELLING you an online subscription to "upgrade" (ie, crossgrade) this music to their catalog. This way they can stream to your devices and... believe it or not... possible upcoming thin, storage-less inexpensive devices.

    The only trap in there, if any, is user's reliance on a yearly subscription; how many times are you willing to pay for the music you already own?

    1. Re:You guys are completely paranoid by Jiro · · Score: 2, Informative

      RTFA. Each time you rip from a disk, the rip is slightly different. If twenty people have the exact same file, they'll know that at least 19 of them didn't get it by ripping disks.

    2. Re:You guys are completely paranoid by AlienSexist · · Score: 0

      I have observed that itunes encodes a non human readable hexadecimal comment into the MP3 ID3 comment tag when ripping a CD. For what possible reason? If you were to share that file with someone and both of you uploaded to iCloud, why wouldn't that be detectable?

    3. Re:You guys are completely paranoid by Anonymous Coward · · Score: 0

      Apple won't be streaming the music to devices. The devices actually download the music first.

    4. Re:You guys are completely paranoid by kriss · · Score: 1

      Actually, no.

      If you use different compression algorithms, sure, it'd yield a different result. But if you rip a CD with default settings in whatever music manager - say iTunes, for posterity - you'd end up with the same file hash as the next guy that did the same thing with the same software. Digital data, et al.

    5. Re:You guys are completely paranoid by Hatta · · Score: 1

      It would be, but that's no proof you shared the file. It's only proof that you shared the ID3 metadata.

      --
      Give me Classic Slashdot or give me death!
    6. Re:You guys are completely paranoid by Rolgar · · Score: 1

      So, if people buy music from Amazon, they'll have the same file (since Amazon doesn't re-rip for every customer). Which ones are valid purchasers, and which ones received a copy from a friend or file sharing site?

    7. Re:You guys are completely paranoid by scorp1us · · Score: 1

      There are these things called computers and they work over discrete values -1 and 0 to create a completely deterministic outcome.

      If you take a CD, all copies are identical as the data is stored in frames lasting 1/75th of a second. If you then read the identical data, and apply a transform to it given the same parameters, using deterministic computers, you'll arrive at the same output. I don't think rand() is used anywhere in DSP, because it would result in incompressible noise...

      And FWIW, just because you have downloaded a copy of a CD, it does not make it illegal. If you have the original disc, or rights to it, you can possess a copy of it electronically. It does not need to be made by you.

      --
      Slashdot's rate-of-post filter: Preventing you from posting too many great ideas at once.
    8. Re:You guys are completely paranoid by ShakaUVM · · Score: 1

      >>RTFA. Each time you rip from a disk, the rip is slightly different. If twenty people have the exact same file, they'll know that at least 19 of them didn't get it by ripping disks.

      For analogue sources, sure. From a digital source, you will get the same result each time.

      The RIAA thugs would have no way of knowing which songs were pirated unless they created a mp3 themselves (with custom encoding or other means of uniquely tagging it) and then sharing it on the internet. Which would be illegal, I guess?

      More likely, they could just subpoena the iCloud to find all mp3s with the ID3 of "Downloaded from Demonoid.com". I expect ID3 tag cleaners to become more popular in the near future.

    9. Re:You guys are completely paranoid by neoform · · Score: 1

      What happens when the RIAA leave a trap on the piratebay? If they had a watermarked mp3 that you download, then put in the icloud... suddenly you've made it obvious that you downloaded it from the piratebay...

      --
      MABASPLOOM!
    10. Re:You guys are completely paranoid by InnovATIONS · · Score: 1

      That is exactly the test that the author of the article did: Two computers, same software, same version, same settings, same CD, different MD5

    11. Re:You guys are completely paranoid by SirMasterboy · · Score: 1

      Not if you use EAC (exact audio copy) in secure mode. The whole point of using EAC in secure is to rip a bit-perfect copy. This is also what databases like http://www.accuraterip.com/ are for. To see if your CD was clean enough to indeed get a prefect rip. The only way it's not going to be perfect is if your disk is too scratched.

      I my friend and I both buy the same pressing of a CD and rip using EAC in secure mode its almost guaranteed we will have bit-identical copies.

    12. Re:You guys are completely paranoid by gknoy · · Score: 1

      Except, that would be useless for identifying that you own a Crappy Copy of That One Song. Of course the MD5s will be different, otherwise you wouldn't need to get the new copy. Surely they'd do some fingerprinting based on the sounds the song represents, not the bits involved in representing it.

    13. Re:You guys are completely paranoid by SirMasterboy · · Score: 1

      It's because he didn't use a proper ripping program like EAC. Who else is http://www.accuraterip.com/ able to verify my rips with other users if they are all different then? The hashes for my rips match the ones in that database when the CD is ripped properly.

    14. Re:You guys are completely paranoid by LoganDzwon · · Score: 1

      amazon watermarks (some) of their mp3. I believe, Amazon also adds personally identifiable info the tags... I know Apple store the original purchaser in the tags.

    15. Re:You guys are completely paranoid by InnovATIONS · · Score: 1

      They wouldn't really have to leave a trap. They could just build a database of hash values of the files already available there.

    16. Re:You guys are completely paranoid by Anonymous Coward · · Score: 0

      $25/year is trivial for this sort of service.

      The only trap in there, if any, is user's reliance on a yearly subscription; how many times are you willing to pay for the music you already own?

      Most music is licensed, not owned, but getting past that .... for me the trap is in potentially letting go of local copies of one's music collection. Apple changes their mind, or the service goes POOF, and it's all gone.

    17. Re:You guys are completely paranoid by AmiMoJo · · Score: 1

      Which makes you wonder why they don't demand iTunes or even the OS checks file hashes already. I wouldn't be surprised if the RIAA already asked for it but Apple nixed the idea because it would look pretty bad if they starting spying on their users for the sole purpose of allowing the RIAA to sue them.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    18. Re:You guys are completely paranoid by Anonymous Coward · · Score: 0

      More likely, they could just subpoena the iCloud to find all mp3s with the ID3 of "Downloaded from Demonoid.com". I expect ID3 tag cleaners to become more popular in the near future.

      Won't help if Apple don't look at that tag. The RIAA can't subpoena information Apple don't have.

  17. Duh, of course by AlienSexist · · Score: 1

    We shouldn't expect that they would store peoples' music files without exploiting the advantage of learning about what people have uploaded, right? Of course they are going to look for any exploitable pattern that can be gleaned. Comparing most-popular songs uploaded v.s. most-popular by sales to determine what kinds of music people acquire elsewhere, encoding qualities people typically utilize, track changes with encoding format trends, better quantify the amount of stolen music, collecting bounties on self-incriminated pirates... There simply must be business value for them to bother with this endeavor at all.

    1. Re:Duh, of course by node+3 · · Score: 1

      There simply must be business value for them to bother with this endeavor at all.

      Yes, it's called "selling hardware", which is something Apple intends to do for many years to come, and something which they will find exceptionally difficult to keep doing of they *EVER* do anything like this idiotic notion.

  18. Stupid argument for several reasons by SuperKendall · · Score: 2, Informative

    1) Apple doesn't get the file; that would take forever. They fingerprint or otherwise use ID information from the file to see what song you get. Without the file there is no "proof".

    2) The implied message of the program is to bring pirates in "out of the cold" with a blanket payment. The music industry doesn't care as they finally get something instead of nothing. They would not seek to kill this golden egg they are about to hatch.

    3) Suing individuals has just about run the course; there is no profit in it (for the music industry, movie industry is just getting started there).

    4) No way for the most part to distinguish between copies you ripped off a CD and downloaded.

    This story is an Apple Haters wet dream, they same technique they always try where they take something positive Apple is doing (providing a way to move away from pirating music for the masses) and twisting it into some distorted version that is actually evil in some way. The music industry itself has and will be evil incarnate, but Apple has treated the consumer quite well to date and really served as a needed buffer between the populace and ravening madness that is the combined record industry.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Stupid argument for several reasons by Anonymous Coward · · Score: 1

      1) Apple doesn't get the file; that would take forever. They fingerprint or otherwise use ID information from the file to see what song you get. Without the file there is no "proof".

      There is no reason a cryptographically secure hash, e.g. from the SHA-2 family, would not be considered proof.

    2. Re:Stupid argument for several reasons by Anonymous Coward · · Score: 1

      1) Apple doesn't get the file; that would take forever.

      This isn't entirely correct -- if the song isn't already in the iTunes Store's library, the file *will* be uploaded.

    3. Re:Stupid argument for several reasons by Anonymous Coward · · Score: 1

      Have no fear SuperKendall is here to save Apple's day! I'm just waiting for TatsuNG-whatever to chime in too.

    4. Re:Stupid argument for several reasons by Anonymous Coward · · Score: 0

      Yar! His tongue be far up thar arse! I - Unbelieving Pirate

    5. Re:Stupid argument for several reasons by chemicaldave · · Score: 1

      2) The implied message of the program is to bring pirates in "out of the cold" with a blanket payment. The music industry doesn't care as they finally get something instead of nothing. They would not seek to kill this golden egg they are about to hatch.

      I think it's important to note that past services have existed to bring pirates in "out of the cold" before. Internet radio, individual song purchases, etc. Yet the industry still pursues legal cases.

    6. Re:Stupid argument for several reasons by Charliemopps · · Score: 2

      All of your arguments are pointless. They've proven time and again that logic doesn't matter in these cases. They sue people to get them to settle. They don't want any of these cases to go to court. They HAVE made huge profits suing people. They do not have to prove you downloaded or not. There was a case a couple of years ago in which the person sued owned ALL of the music he had downloaded and he still lost the case. As far as the RIAA and our court systems are concerned, digital music files are illegal.

    7. Re:Stupid argument for several reasons by Anonymous Coward · · Score: 0

      Sorry, but I disagree with your fanboyism. I hate Apple for a variety of reasons (I rather feel like they've become the new Microsoft), but this is one of their few services I've really taken an interest to. It sounds genuinely useful and not overpriced like the vast majority of Apple products and services. Additionally, iTunes is one of Apple's other services I ever didn't have a scathing dislike for (the iTunes service, not the client, which is a horrible mess).

      I think people are genuinely looking at this with skepticism, not just randomly bashing another Apple thing like you say.

  19. Ridiculous by brit74 · · Score: 4, Insightful

    Yeah, because Apple wants to spend hundreds of millions of dollars creating and promoting its iCloud service just so that they can bring the hammer down on pirates and drive everyone away to other services. That makes sense. Maybe Slashdot is getting a little paranoid and forgetting what companies actually care about (money). Seriously, how did this type of paranoia get to the front page without being flagged as "makes no economic sense". Besides, if Apple were going to do that, then why haven't they already leveraged their iTunes application to do the exact same thing?

    1. Re:Ridiculous by c0d3g33k · · Score: 1

      Well, why not?

      Will Apple make more money selling music at $0.99/track, or $hundreds_or_thousands_or_millions selling infringers to the lawyers?

      My money is on the lawyers.

    2. Re:Ridiculous by wintercolby · · Score: 1

      My concern is far less about what Apple wants to do, but more what RIAA's lawyers are able to get a subpoena to. When music I backed up from CD's that I own is sitting on my computer, in my home, there is a different expectation of privacy, and a different form of ownership, when compared to files on a remote server, housed by someone else. I won't use it or anything like it until read about the cloud provider insisting on a court order when RIAA comes knocking, and winning when they bring it to trial.

      --
      Most ignorance is vincible ignorance. We don't know because we don't want to know. --Aldous Huxley
    3. Re:Ridiculous by 1+a+bee · · Score: 1

      Agreed. Even if this privacy thing does become an issue, it's can probably be technically addressed. For example, if the only information is in the collision of watermarks, and if those watermarks are not steganographic, then the client app downloading the file could be made to modify the watermark. That way downloaded files will look like ripped files.

    4. Re:Ridiculous by frank_adrian314159 · · Score: 1

      I'd take that bet.

      iTunes is now the dominant force in the music industry. Apple has the RIAA members over a barrel, with respect to distribution. Any play to "get pirates" would not come from the RIAA or its members. That leaves Apple to make the move. If they did this, they'd lose a lot of revenues from iTunes and have the customers having illegal files leave iCloud almost immediately. They'd probably lose a buttload of revenue on their other products since this would be a major dick move.

      If they actually did this, since Apple does not own the copyright for the files, they'd need to negotiate with the RIAA lawyers about how much money they'd get from settlements, since the RIAA and its member companies are the only ones with standing to sue. Then, you'd have to go through all of the rigamarole as with current RIAA litigation, Apple would have to go through hoops in each suit to prove that its servers weren't compromised, etc., etc., etc.

      If Apple just provides the service, collects the $25 from the pirates and passes on $5 to the RIAA for each one, the people storing music win, the RIAA wins, and Apple wins. Apple has done some unusual things in the past, but they're not so stupid as to screw up a win-win-win situation like this. And until someone comes along to make iTunes not the monopoly distributor in this little triangle, the RIAA will sit back and take it.

      --
      That is all.
    5. Re:Ridiculous by Andreas+Mayer · · Score: 1

      Well, why not?

      Will Apple make more money selling music at $0.99/track, or $hundreds_or_thousands_or_millions selling infringers to the lawyers?

      My money is on the lawyers.

      Apple is making money by selling *hardware*. People who got f*cked over by you, won't buy your hardware. That's why there's no chance in hell that Apple would do something like that.

    6. Re:Ridiculous by Ixokai · · Score: 1

      What?

      The drugs, man. Lay off the drugs.

      They won't make more money selling music at $0.99/track -- they, various reports indicate, don't really make much money off of that at all. They do, however, make enormous, mountain-sized piles of cash that they can't manage to haul off to the bank fast enough, selling their devices that tie into their Ecosystem. The iTunes Music Store isn't about making a ton of money selling music -- its about keeping customers (and record labels) happy-ish in the iUniverse that Apple is providing for both, so everyone gets something and everything someone wants is available.

      Selling infringers to the lawyers would make them some bucks, maybe. I'll even grant you the extremely generous many-millions number.

      "Millions" isn't real money to Apple, though. Selling infringers to the lawyers would threaten the iUniverse and put in jeopardy the BILLIONS they rake in selling things that depend on iTunes, soon-to-be-iCloud, and the like, to make the whole experience great.

    7. Re:Ridiculous by node+3 · · Score: 1

      Well, why not?

      Um, he explained why not.

      Will Apple make more money selling music at $0.99/track, or $hundreds_or_thousands_or_millions selling infringers to the lawyers?

      Selling iPhones, iPods, iPads, and Macs. Something they will find extremely difficult to do if people are afraid of them.

      My money is on the lawyers.

      Well, you know what they say about a fool and his money.

    8. Re:Ridiculous by gnasher719 · · Score: 1

      Will Apple make more money selling music at $0.99/track, or $hundreds_or_thousands_or_millions selling infringers to the lawyers?

      Apple makes billions every quarter selling hardware to their customers. "Happy customers" is worth billions and billions to them. Do you really think they would give one damn about any amount of money the record industry could pay them, when that would turn their customers into "unhappy customers"?

    9. Re:Ridiculous by boyfaceddog · · Score: 1

      Law of unexpected consequences, when applied here, states that all you need to have this great service turn against users are:

      1) A company that feels Apple's users pirate music (a reasonable assumption)

      2) Lawyers at Apple who are unwilling to indemnify end users (as ALL corporate lawyers are want to do)

      3) A judge who supports the 'rights' of corporations over the needs of users to access their music (a thing proven to exist)

      4) and Greed

      Since all of these things exist it is then a reasonable assumption that someone using an online music storage service would be putting themselves at risk. I don' see the paranoia.

      --
      Here will be an old abusing of God's patience and the king's English.
    10. Re:Ridiculous by InnovATIONS · · Score: 1

      Or both. They might find billions of illegal copies, the RIAA sends them intimidating letters, and then Apple steps them to offer them a one click solution to all their problems by just buying the music?

    11. Re:Ridiculous by Americano · · Score: 1

      My bet is that Apple will make more money selling several-hundred-to-several-thousand-dollar devices to its customers, making a hefty profit margin on every sale, and then selling them all kinds of great apps, music, books, movies, and other stuff to put on those devices, and continue doing that for years and years and years, rather than selling out their entire customer base for a $5 million payoff in 2012 that will end in their bankruptcy in 2013.

      But don't let logic get in the way of your "WHOA SPOOKY!" paranoid delusions.

    12. Re:Ridiculous by Anonymous Coward · · Score: 0

      'as ALL corporate lawyers are wont to do"

      FTFY

  20. One more, cannot prove you shared it... by SuperKendall · · Score: 5, Insightful

    5) Even if you owned a file that was without a shadow of a doubt pirated, that doesn't matter if they can't prove you SHARED it. If you just own it all you MIGHT be liable for the 0.99 the song could be purchased for, not the 200x damages they normally seek in lawsuits. There is no way to prove, from a file, that YOU have shared it as opposed to someone else.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:One more, cannot prove you shared it... by TheLandyman · · Score: 1

      And also, there is no way for them to prove just by looking at the possibly 'pirated' file that you are not just being lazy. I could, for example, have a case of CDs that I feel like downloading in 5 minutes per CD, rather than ripping (and using my precious CPU) for 10 or 20 - not to mention all that wear and tear on my optical drive. As you say, if you are not SHARING (i.e. using torrents) then you still have committed no crime as long as you OWN a copy of the media in question. Also, for media that you have purchased which is damaged or possibly stolen, the same is true.

    2. Re:One more, cannot prove you shared it... by Anonymous Coward · · Score: 0

      5) Even if you owned a file that was without a shadow of a doubt pirated, that doesn't matter if they can't prove you SHARED it.

      No one needs to prove anything. What percentage of the population has the financial means to merely defend against the accusation?

      If you just own it all you MIGHT be liable for the 0.99 the song could be purchased for, not the 200x damages they normally seek in lawsuits.

      And the RIAA MIGHT just say "golly, well, for the love of music you might as well just keep it and we'll forget you ever did such a naughty thing." Why would the RIAA leave money on the table and accept a 0.99 restitution when they could go the distance and make you choose between a disgustingly inflated settlement amount or bankruptcy? On what do you base your supposition they'd be reasonable?

      There is no way to prove, from a file, that YOU have shared it as opposed to someone else.

      "Through Media Sentry, we uploaded selected tracks from a honeypot and collected some IP information of the downloaders. An IP address, as we know, isn't enough to uniquely identify people. However, the unique person with an iTunes account uploaded a hash derivative from that file that completes the chain of custody that helps prove our complaint, from the initial unauthorized duplication to the unauthorized storage to the false declaration of ownership."

    3. Re:One more, cannot prove you shared it... by Anonymous Coward · · Score: 0

      but but but... you've shared it with Apple!

    4. Re:One more, cannot prove you shared it... by Angst+Badger · · Score: 1

      Even if you owned a file that was without a shadow of a doubt pirated, that doesn't matter if they can't prove you SHARED it.

      I hate to hit you with this, but the whole "shadow of a [reasonable] doubt" standard applies to criminal cases, not civil suits. Even in criminal cases, we're talking about reasonable doubts, not the sort of infinitely elastic justifications that small, grouchy children in the back seat on road trips give about how they really didn't touch each other. In a civil case, the standard is the preponderance of the evidence which, even if it's on your side, will cost you an arm and a leg to prove, with the usual result being that you'll settle for an arm to be able to keep the leg.

      --
      Proud member of the Weirdo-American community.
    5. Re:One more, cannot prove you shared it... by am+2k · · Score: 1

      And also, there is no way for them to prove just by looking at the possibly 'pirated' file that you are not just being lazy. I could, for example, have a case of CDs that I feel like downloading in 5 minutes per CD, rather than ripping (and using my precious CPU) for 10 or 20 - not to mention all that wear and tear on my optical drive.

      The one who sent you the file still committed a copyright violation, so there's no difference whether you own another license to it or not.

    6. Re:One more, cannot prove you shared it... by Anonymous Coward · · Score: 0

      Yes, but clearly everyone that has checked in the same hash is a part of the same terrorist or lone wolf organization.

    7. Re:One more, cannot prove you shared it... by Anonymous Coward · · Score: 0

      But, does that mean that if I only leech, and not seed (maybe a ratio of 0.05 or so on torrents), I would be safe from the 1000's of dollars per song fines?

    8. Re:One more, cannot prove you shared it... by demonlapin · · Score: 1

      The sharers might have broken the law, but good luck proving the leecher did.

    9. Re:One more, cannot prove you shared it... by InnovATIONS · · Score: 1

      Yes but if they detect billions of shared files, and intimidate all of them into buying them for 99 cents...how much money have they made? On the other hand if it is a watermarked MP3 then they will know the original sharer.

    10. Re:One more, cannot prove you shared it... by Americano · · Score: 1

      Actually, criminal cases are beyond a "reasonable doubt" not "beyond a shadow of a [reasonable] doubt," which is generally considered to be an unattainable standard of evidence, as there's always some bizarre, but possible, alternate way things went down - this confusion is why Slashdotters frequently get outraged at stories about judgements where they can "totally conceive of an alternate conspiracy theory where the guy being declared guilty is actually innocent." Beyond the shadow of a doubt, and beyond a reasonable doubt, are two very different legal standards. The latter is what we use in our criminal cases, but it's no surprise that literal-minded science & math types often want to think in terms of the binary certitude of "beyond the shadow of a doubt," instead of the much more analog "beyond a reasonable doubt."

      But that's beside the point anyway.

      If you apply your critical reading skills, you'll see that the GP wasn't talking about the standard of evidence required to convict, he was saying that even if they knew absolutely, 100% correctly, that you have a pirated file on your hard drive (i.e., it is beyond the shadow of a doubt that you have pirated this file), that does nothing to prove that you have *ever* shared it with anybody - it doesn't even meet the much lower standard of "preponderance of the evidence" which would be required for a civil judgement against you for file sharing. "The existence of a file" =/= "the file was shared by the user whose hard drive we found it on." The best they could do would say "You owe us $0.99 for that pirated track," and for those returns, they're not going to expend a lot of time and effort tracking down individual users and building a case against them that will get them the subpoena to pull Apple's records.

    11. Re:One more, cannot prove you shared it... by InnovATIONS · · Score: 1

      The argument will be made that the leecher made one unauthorized copy of the song...the copy that came from the file sharing service to their computer's disk. It may be just one little copy but it was clearly the leecher's intentional action that created it. Copyright infringement is in the copying.

  21. Apple Excels at Customer Service by Anonymous Coward · · Score: 0

    Apple does many things well, and near the top is providing a positive end user experience. Only a simpleton (or a troll) would believe Apple is setting their customers up for RIAA lawsuits.

    1. Re:Apple Excels at Customer Service by InnovATIONS · · Score: 1

      Apple is the largest music seller on earth. They believe that they lose tons of money each year to file sharing. If they could have a way to get that, and make the RIAA look like the villain doing so, why not?

  22. The author lost me at MD5 by LordNite · · Score: 1

    From the article:
    "MD5 hash values are a cornerstone of computer forensics and fully accepted as evidence that two files are identical copies of each other. You could claim that you didn’t download the song from the file sharing network because you were the one who uploaded it, but I doubt that will help your legal predicament."

    The MD5 hash has been known insecure since at least 2005. See: http://www.schneier.com/blog/archives/2005/06/more_md5_collis.html. I seriously doubt any computer forensics expert in 2011 would use MD5 hashes as evidence that two files are identical.

    --
    If it looks like a duck, and quacks like a duck, it must be a duck.
    1. Re:The author lost me at MD5 by nedlohs · · Score: 2

      It's an MP3 file of a given size. Yes if the MD5s match, it is the same file.

    2. Re:The author lost me at MD5 by Anonymous Coward · · Score: 0

      Wouldn't it be trivial to just change the Comment field on your entire library (or some other metadata you're not using)? I suppose the problem here is that most people wouldn't bother.

    3. Re:The author lost me at MD5 by Anonymous Coward · · Score: 0

      From the article:
      "MD5 hash values are a cornerstone of computer forensics and fully accepted as evidence that two files are identical copies of each other. You could claim that you didn’t download the song from the file sharing network because you were the one who uploaded it, but I doubt that will help your legal predicament."

      The MD5 hash has been known insecure since at least 2005. See: http://www.schneier.com/blog/archives/2005/06/more_md5_collis.html. I seriously doubt any computer forensics expert in 2011 would use MD5 hashes as evidence that two files are identical.

      It means it can be broken for secure communications. Running it over a file is a different matter. The hash process is fine. Maybe you cannot tell the difference between the two?

    4. Re:The author lost me at MD5 by Sinthet · · Score: 1

      I know you are technically correct, but didn't these collisions take a cluster of PS3s (At least with that demonstration with the web-certificates)? I think for general usage md5 is still a pretty good way to check whether or not a file has been messed with.

    5. Re:The author lost me at MD5 by LordNite · · Score: 1

      Incorrect. Read Schneier's blog, which I included in my post. It is broken for file hashing.

      --
      If it looks like a duck, and quacks like a duck, it must be a duck.
    6. Re:The author lost me at MD5 by LordNite · · Score: 1

      There are collisions. It is possible with MD5 to create a hash for two completely different files. Read Schneier's blog.

      --
      If it looks like a duck, and quacks like a duck, it must be a duck.
    7. Re:The author lost me at MD5 by LordNite · · Score: 1

      And here's (http://cryptography.hyperlink.cz/md5/MD5_collisions.pdf) a paper demonstrating a technique for finding MD5 collisions quickly: eight hours on 1.6 GHz computer.

      --
      If it looks like a duck, and quacks like a duck, it must be a duck.
    8. Re:The author lost me at MD5 by sqlrob · · Score: 1

      No, it doesn't.

      Of course, the only (probable) way this would occur is if it's manufactured that way, and I don't know what the motive for that would be. For executables it makes sense. For MP3s not really.

    9. Re:The author lost me at MD5 by InnovATIONS · · Score: 1

      MD5s can possibly be reverse engineered or cracked, but the chances of two files in the wild accidentally having the same MD5 are beyond astronomical. MD5's are perfectly acceptable for doing file comparisons. Besides MD5s were just being used as an example. They may be using SHA or something else.

    10. Re:The author lost me at MD5 by InnovATIONS · · Score: 1

      Exactly, It isn't something that would snare a security-focused used, but they would most likely never let anybody be scanning their system in the first place.

    11. Re:The author lost me at MD5 by gknoy · · Score: 1

      A suit doesn't need to show that the music MUST BE the same, merely that it's highly likely to be. MD5s show that it's highly likely to be the same file, as the odds of a collission are (by definition) low. Subpoenas can verify what songs you actually have.

      The fun part would be having a music collection where each song matched the MD5s of a different song that was not part of your music collection...

    12. Re:The author lost me at MD5 by nedlohs · · Score: 1

      Obviously. There are fewer bits in the hash then there are in the file, there must be collissions.

      And yes you can construct a collission.

      But good luck having two valid MP3 files of the same size give the same MD5 hash, and further luck convincing a judge you just happened to have this unlistenable too MP3 file with a colliding sum of this other popular song, and for every song on an album too.

      The legal system does not need mathematical proofs of guilt. More likely than not is good enough for a civil copyright suit...

  23. No. by Anonymous Coward · · Score: 0

    They have no way to distinguish from format-shifted samples.

  24. Much cheaper ways to do this... by Beelzebud · · Score: 1

    You can pay for a website, run something like Ampache, and have better functionality, have it be cheaper, and have your privacy.

    1. Re:Much cheaper ways to do this... by Grishnakh · · Score: 1

      Or you could just put your collection on a USB thumb drive. You can get a 32GB model now for $35 from Newegg.

    2. Re:Much cheaper ways to do this... by jwhitener · · Score: 1

      I wasn't aware of Ampache. That looks really nice. Android app and everything.

    3. Re:Much cheaper ways to do this... by Beelzebud · · Score: 1

      Those are nice, but what about a music/video collection that has a couple of TB of data? Ampache is cool because you can access all of that anywhere.

    4. Re:Much cheaper ways to do this... by Grishnakh · · Score: 1

      As I said in another post here, how many people have music collections that large? And why would you care about having a video collection available anywhere? As long as you can watch it anywhere in your home, that's all you really need, and there's plenty of solutions for that already (e.g., DLNA).

  25. Remember SDMI? by tepples · · Score: 4, Informative

    Because YouTube is looking for a particular song.

    And Apple is looking for a particular song to stream it to the user.

    The watermarks allow them to trace a song to the person who bought it.

    So we have two separate pieces of information to convey: the identity of the work and the provenance of the copy. YouTube's Content ID adequately identifies the work, leaving inaudible watermarks to identify the provenance. Do you remember the SDMI challenge, involving watermarks that were allegedly inaudible but could allegedly survive a transcode?

  26. Follow the money by hellfire · · Score: 4, Insightful

    1) Apple creates this service to upload your music
    2) User's upload massive amounts of pirated music
    3) Apple passes to RIAA all the logins of people who have uploaded watermarked music
    4) RIAA sues these people with massively punitive lawsuits
    5) Apple profits!!... profits?!?! Right? Hey, where are all our iPhone customers going?

    Such a move is entirely not in Apple's best interest and Apple would not let such a thing happen. Nor would Google or Amazon, unless compelled by a court of law. Steve spent months negotiating so they wouldn't get sued, they wouldn't turn around and allow their customers to be sued en masse. All the Android fans could only hope that Apple would be this galactically stupid.

    --

    "All great wisdom is contained in .signature files"

    1. Re:Follow the money by revscat · · Score: 4, Insightful

      > All the Android fans could only hope that Apple would be this galactically stupid.

      Which is exactly why this article was posted in the first place.

    2. Re:Follow the money by Anonymous Coward · · Score: 0

      Were not talking about apple; we are talking about the courts and the courts have been massively stupid in the past.

      Case in point: copyrighting software...

      Also, apple will not cross swords with the court system, DOJ or any other government agency that has anyrhing to do with law enforcement.

      Why?

      Steve Jobs is not massively stupid either.

    3. Re:Follow the money by wintercolby · · Score: 1

      All the Android fans could only hope that Apple would be this galactically stupid.

      Actually, I'm an Android fan that wishes nothing but good things for Apple, and stronger iPhones. It's unbelievably awesome that iPhones aren't just limited to AT&T, I'd like to see every carrier have an Apple offering. We're not talking sports, were talking products. Better iPhones means that Android manufacturers have to do better to compete. Apple fans should be hoping for better Android phones to come out, to continue to push the iPhone to be better. That's the problem with Windows. As soon as it's the only game in town, it's not worth buying tickets. Get off your Apple high-horse. In the mobile market place, any sensible capitalist wants to see iPhone, Android and even Windows Mobile (or whatever they're making) do well. Complete market dominance is the worst thing that can happen for consumers of almost any service or product.

      --
      Most ignorance is vincible ignorance. We don't know because we don't want to know. --Aldous Huxley
    4. Re:Follow the money by Anonymous Coward · · Score: 0

      Apple has no choice if the RIAA gets the courts to force them to provide logins.

    5. Re:Follow the money by Anonymous Coward · · Score: 0

      You dont upload your music with apples service.

    6. Re:Follow the money by panikfan · · Score: 1

      Yep - look at all the great features that were developed for phones after ma bell was broken up. Competition is good for consumers.

    7. Re:Follow the money by Anonymous Coward · · Score: 0

      1) Apple creates this service to upload your music

      Stop right there. Apple has not yet created a service to upload your music. They have created a service (iCloud and iCloud Match) that matches your music with one that already exists in the server, then gives you the ability to download that *server* version of the song to other Apple devices or computers with iTunes on it.

      When you rewind back to this fact, your numbered list goes in another direction. But if you would care to direct your paranoia from this fact, I'd be interested what you come up with! I await your update!

    8. Re:Follow the money by Spykk · · Score: 1

      2.5) Apple is issued a subpoena and ordered to provide the RIAA with the logins of people who have uploaded watermarked music

    9. Re:Follow the money by Anonymous Coward · · Score: 0
    10. Re:Follow the money by Anonymous Coward · · Score: 0

      Let me try:

      1) Apple creates this service to upload your music
      2) User's upload massive amounts of pirated music
      3) Apple gives you legal music in return
      4) Apple is the only company in the world making money on pirated music
      5) User walks around with legal music collection on cool device
      6) Everybody's happy except the ever frowning RIAA

  27. Actually... by MrEricSir · · Score: 5, Insightful

    The problem is much worse with Amazon, Google, DropBox, etc. With those services you're uploading the file itself to their servers. The RIAA could stomp in with a fancypants court order and demand to see your music collection.

    With iCloud you're not uploading the file; you're getting the "right" to play a different copy of the file that already exists on Apple's servers. Even if the RIAA came in, it's not clear there's much they could do.

    --
    There's no -1 for "I don't get it."
    1. Re:Actually... by Anonymous Coward · · Score: 0

      Wait, Apple's gonna want to see my library list?

    2. Re:Actually... by shutdown+-p+now · · Score: 1

      The point is that Apple is already analyzing the tracks, so presumably they know which users own which RIAA copyrighted tracks, and how they differ from baseline. Whereas Google/Amazon just have tons of raw files that'd have to be processed.

      Either way I think it's a stretch.

    3. Re:Actually... by Anubis+IV · · Score: 1

      Actually, with iCloud, if you possess a song that Apple doesn't have in iTunes, your file does indeed get uploaded and then synced to your other devices. Minor detail, and it won't matter for most RIAA music anyway, since they're already in iTunes. But for someone like me who likes to import soundtracks because I'm unable to find it in the iTunes Store, it matters, since I'd basically be paying $25/year for the convenience of not having to sync my devices myself. Not really worth it.

    4. Re:Actually... by Anonymous Coward · · Score: 0

      The RIAA could stomp in with a fancypants court order and demand to see your music collection.

      I'm thinking that RIAA would have to show some level of probable cause to demand to see MY music collection.

    5. Re:Actually... by Anonymous Coward · · Score: 0

      I think they're talking about the tracks that aren't matched. You do still upload those.... I think. I read the notes a while ago.

  28. Proof of WHAT by SuperKendall · · Score: 1

    There is no reason a cryptographically secure hash, e.g. from the SHA-2 family, would not be considered proof.

    That you have a file with a given song, yes.

    That you own a copy that came from pirating instead of a copy that came from ripping using the exact same software on a different system, no.

    You also assume Apple wants to keep all those hashes. Why would they? They don't care.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  29. Illegal to distribute. by Maxo-Texas · · Score: 1

    It's not illegal to have a copy of a song.
    Pretty trivial to have made a legal copy in a variety of ways including recording off the radio or your personal CD.

    It is illegal to distribute songs.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
    1. Re:Illegal to distribute. by Anonymous Coward · · Score: 0

      Yes, and then you see the evil in Watermarked copies. "Hmm. Joe here is uploading a copy that claims it is owned by Jane. There is no legal way Joe should have said copy. Let's go after both and see which one sticks."

    2. Re:Illegal to distribute. by Anonymous Coward · · Score: 0

      It is illegal to distribute songs.

      Tell that to Sony, BMG, et al

  30. No by Hatta · · Score: 1

    To date, no one has been sued for downloading a file. Simply possessing a copy that was illegally made is not illegal. It is making the copy that is illegal. Since this service cannot determine who made the copy, it is no threat whatsoever.

    --
    Give me Classic Slashdot or give me death!
    1. Re:No by c0d3g33k · · Score: 1

      Are you sure about this? Citation needed.

    2. Re:No by Hatta · · Score: 1

      How can I cite the absense of a law? Typically the burden of proof is on those making a positive claim, i.e. that possessing an illegal copy is in itself illegal. The best I can do is offer the list of exclusive rights from Title 17 and note that possession of a copy is not among those rights.

      --
      Give me Classic Slashdot or give me death!
    3. Re:No by node+3 · · Score: 1

      Um, a citation that something hasn't happened? How exactly do you provide that?

    4. Re:No by InnovATIONS · · Score: 1

      What the RIAA would argue is that the act of downloading the file was making a copy. It was taking the song that was on the file sharing system and making a copy on your disk. In other words the existence of the file isn't the problem, it is the act that created the file.

    5. Re:No by Hatta · · Score: 1

      Why haven't they persued this argument in the past? What makes you think they will do so in the future?

      --
      Give me Classic Slashdot or give me death!
    6. Re:No by Anonymous Coward · · Score: 0

      I hope your kidding...There are a ton of lawsuits and court cases flying around right now for people who have downloaded movies/videos illegally. They haven't been winning the cases, but they are still suing.

    7. Re:No by Hatta · · Score: 1

      Name one. All the lawsuits that I'm aware of have involved sharing. Either "making available" by having files in the kazaa shared folder, or downloading through bittorrent, which almost certainly entails uploading to other peers.

      Can you point me to a lawsuit against someone who is only alleged to have downloaded?

      --
      Give me Classic Slashdot or give me death!
    8. Re:No by InnovATIONS · · Score: 1

      Because their strategy has been to go after the big fish, people with large numbers of files hosted. But now, if they have access to a centralized database of what music files people have on their computer it becomes low hanging legal fruit.

  31. Rip jitter can be ignored by tepples · · Score: 2

    Each time you rip from a disk, the rip is slightly different.

    True. CD has one "subcode" byte per six samples to store timing information for the 588 audio samples in each sector. The digital data from several lossless rips is the same; it just has a random amount (up to one sector) of silence before and after it because drives are allowed to let the subcode data drift slightly out of sync from the audio data. This leads to so-called jitter. But rip jitter doesn't interfere with the ability to identify the actual timing of the first note of a song.

    1. Re:Rip jitter can be ignored by thoromyr · · Score: 1

      Interesting, but reading the cdrfaq.org page it indicates that it is not actually inevitable at all and can be corrected in either software or the drive doing the extraction. What the jitter does explain is how to rips can differ (even though they *can* be identical). Another explanation for rips differing is errors during reading, and here I'm talking about a scratched disk. Scratches are an analog feature, as is the spinning of the drive, etc., and can result in minute variation in the digital data. Just wanting to point out that jitter isn't the only explanation.

    2. Re:Rip jitter can be ignored by Anonymous Coward · · Score: 0

      Scratches are an analog feature, as is the spinning of the drive, etc., and can result in minute variation in the digital data.

      CDDA has error correction built in, this may not correct for larger scratches, but for small scratches it allows for exact replication of the data, there won't be minute variations.

  32. Only for stupid pirates by Angst+Badger · · Score: 1

    Not that I would ever do such a thing -- cough, cough -- but if I was pirating mp3s and wanted to store them on a remote server under the control of someone else, which is not very smart to begin with, I sure as hell wouldn't pick a service run by the music industry or one of its primary partners like, just for the sake of argument, Apple.

    Ergo, I read this story as an excessively wordy way to say that, yes, if you are dumb as a fucking rock, the odds that you'll get caught doing something illegal are higher than average.

    --
    Proud member of the Weirdo-American community.
  33. Thank you... by Kamiza+Ikioi · · Score: 1

    ... Capt. Obvious. Without this story, the re-re's would never have thought of this.

    As for those talking about "Aww, they'd never go after individuals!" Um, what universe did you come from? Before, they had to settle for little girls downloading Happy_Birthday.mp3. You think they'll ignore someone with a 50,000 mp3 collection given the chance? Hell no! Why? Because most people SETTLE. And they can hold you up and say, "See, see, here are the ones we've been talking about!"

    So, are you, owner of 50,000 mp3's (for which you have no explination) going to settle for $100,000 fine and lose your home? Or, are you going to fight them knowing that you are not a 14 year old girl, the songs aren't Happy Birthday, and they still kicked her ass all over the place?

    But hey, don't let me rain on any Apple fan-boy's parade (above comments), this same technique would work on Apple, Amazon, or Google cloud music solutions. There's no "safe" cloud storage for streaming pirated music. It's not Apple, it's the industry. They love cloud, and don't doubt it. Cloud is the new DRM. Most people just haven't realized it yet. Then again, I buy my music... now. ;) And I'm fine with using cloud.

    --
    I8-D
    1. Re:Thank you... by node+3 · · Score: 1

      As for those talking about "Aww, they'd never go after individuals!" Um, what universe did you come from?

      The "they" here is Apple, not the RIAA. And yes, Apple would never do that.

      Before, they had to settle for little girls downloading Happy_Birthday.mp3. You think they'll ignore someone with a 50,000 mp3 collection given the chance?

      Uploading, not downloading. No one has ever been sued for downloading a song.

      But hey, don't let me rain on any Apple fan-boy's parade (above comments), this same technique would work on Apple, Amazon, or Google cloud music solutions. There's no "safe" cloud storage for streaming pirated music. It's not Apple, it's the industry.

      So, where are all the lawsuits from cloud stored music then?

  34. Good point by SuperKendall · · Score: 1

    This isn't entirely correct -- if the song isn't already in the iTunes Store's library, the file *will* be uploaded.

    That's actually a very good point; music Apple doesn't sell will be uploaded.

    However, again it's not proof you have shared the file with anyone (which they need to seek damages), and also at this point if a song is not on iTunes it's probably not owned my a major label so who would come after you?

    It also assumes visibility into the "cloud" by third parties which I can assure you is something Apple does not want liability for.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Good point by node+3 · · Score: 1

      This is a red herring anyway. For copyright violation stemming from sharing a file, whether you originally pirated the file or ripped it from your own CD is wholly irrelevant. What matters is whether you have the right to distribute the song. The source of the file only really matters if it can actually make the damages *worse* (and, potentially criminal), such as a situation where you leak an unreleased album.

  35. You do not understand lawsuits or what is proven by SuperKendall · · Score: 1

    No one needs to prove anything. What percentage of the population has the financial means to merely defend against the accusation?

    There has to be some proof to even bring a suit or else the company bringing the suit will be heavily fined and the lawyers possibly disbarred. Witness the major damage currently in progress for Righthaven and you will understand what a company insane enough to try this would face...

    All that assumes that Apple would even let them have the data, which why would they without proof? It's a catch-22 of stupidity.

    Why would the RIAA leave money on the table and accept a 0.99 restitution when they could go the distance .99 IS THE DISTANCE. That is as far as they can theoretically go with you simply owning a file. And they can't even get there as I have shown.

    Through Media Sentry, we uploaded selected tracks from a honeypot and collected some IP information of the downloaders.

    Because the honeypot seeded it using a torrent they ALSO had proof it was being shared to other people as that is a reasonable assumption due to how BitTorrent and clients generally work. With just knowing the file exists for a user you have no proof of how they obtained it.

    Plus the lawsuits you mentioned aren't even working out that well.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  36. Here to battle utter stupidity by SuperKendall · · Score: 0

    I am not here to "save" anyone, much less a giant multinational corporation with more lawyers than I have t-shirts.

    It's just that stupidity rubs me the wrong way, and few people on this planet are as willfully stupid as the Apple Hater. I am however gleeful in correcting stupidity on all fronts, not just Apple stories.

    Basically I am doing what small part I can to delay the heat death of the universe by stemming the tide of intellectual entropy. So perhaps I am here to save something after all..

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Here to battle utter stupidity by WhitetailKitten · · Score: 1

      Have you ever considered that you're a rabid Apple fanboy, and also annoying?

      Wait, I'm clearly an Apple Hater, so my opinion doesn't matter. Imma go cut myself now and cry on Steve Ballmer's shoes.

  37. It's not doubt at all, need proof to bring suit by SuperKendall · · Score: 1

    I hate to hit you with this, but the whole "shadow of a [reasonable] doubt" standard applies to criminal cases, not civil suits.

    a) Without any inking of who might have pirated music, the companies have no reason to legally compel Apple to give up data they are probably not even keeping. If the companies already have proof you are pirating music they don't need Apple's data anyway.

    b) To bring a suit you must have some proof. If you are bringing a suit for copyright infringement you must have some notion a user shared a file, some initial suspicion even if remote. Just owning a file is not enough.

    The whole thing is absurd on the face of it, nothing at work in this process is enough to bring a suit with. You don't need to "prove" anything as a judge would not accept a case based on this alone.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:It's not doubt at all, need proof to bring suit by Applekid · · Score: 1

      In all your posts on this topic, you seem to be consistently drawing the conclusion that Apple wouldn't share the data. What do you base this conclusion on?

      Keep in mind that Google's music locker service was unable to get enough permissions from the RIAA members about streaming master tracks of music therefore necessitating the upload of your entire music collection along with having the user certify they will not use the service to upload pirated material.

      What sorts of assurances and dealings were negotiated with Apple to make their (admittedly superior) implementation legitimate? Do you know? Can you say for certain there is no arrangement?

      --
      More Twoson than Cupertino
  38. Question for any budding lawyers out there by jimicus · · Score: 1

    I was rather under the impression that possession of copyrighted works isn't the illegal bit. It's distribution that's the illegal bit.

    As iCloud won't provide any evidence of distribution, I'm not sure how useful the information will be.

    1. Re:Question for any budding lawyers out there by InnovATIONS · · Score: 1

      I am not an RIAA lawyer but I suspect that their argument will go like this: In order for iTunes Music Match to find the song it had to be on your disk. In order for it to be on your disk you made a copy of the song without the rights to do so. The act of making that copy was a violation of copyright. You had 10,000 such files. But then out of the shadows steps your hero Steve Jobs! He offers that with one click you can make all ten thousand copies legal and make the RIAA go away! And it will only cost you $9,900!

    2. Re:Question for any budding lawyers out there by jimicus · · Score: 1

      I am not an RIAA lawyer but I suspect that their argument will go like this: In order for iTunes Music Match to find the song it had to be on your disk. In order for it to be on your disk you made a copy of the song without the rights to do so.

      No.

      In order for it to be on my disk, I made a copy. That's all you know. How that copy came to be, you have no idea.

      Will iTunes even place a note against songs that it didn't rip itself?

      (In any case, I can't see the RIAA subpoenaing Apple for iCloud information. They'd seriously piss off the biggest music retailer in the world.)

    3. Re:Question for any budding lawyers out there by InnovATIONS · · Score: 1

      Yes, but when that MP3 is bit-for-bit identical to the version of the song that was downloaded millions of times from bittoreent (or gnutella etc.) you are going to have a tough time arguing that you got it from some other source.

  39. I don't think so Tim by Anonymous Coward · · Score: 0

    Over jobs dead body. That would be corporate suicide.

    1. Re:I don't think so Tim by InnovATIONS · · Score: 1

      A poor choice of phrase.

  40. But what would they get? Nothing. by SuperKendall · · Score: 1

    After 18 months or so, the RIAA will subpoena this information in the mother of all John Doe fishing expeditions.

    And all they would get is that you now own a legal copy of "99 red balloons" (or whatever) with zero information about the original file that Apple used to determined you owned 99 red balloons.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  41. Easy Fix by Anonymous Coward · · Score: 0

    Just add a tag to the ID3 for all the files. All the hashes will change and it will be impossible to make a match.

  42. So much music, so much money... by Registered+Coward+v2 · · Score: 1
    While this could be used to chase down prates, I doubt that's that's the real reason behind it. Why? Follow the money. I would assume the labels cut a deal that gives them a share of each subscription, probably based on the relative number of songs that are matched. That makes sense because it allows them to further monetize the music they have, a t virtually no cost to them; in fact it can even lower their distribution costs since everything is electronic rather than hard copy.

    I would even call the plan brilliant - not because it provides a (possible) way to track piracy but makes the mantra now "Piracy - the recording industry's new friend (TM)." Now, every pirated song that is matched yields a Ka-ching for no distribution cost. The more a song is pirated, the louder the Ka-ching; which is the real music executives want to hear. I would go so far as to say they may even want to encourage "sharing" as Cloud gains steam since that would increase their relative take. Of course, someone will figure out how to fool the system into transferring songs for files you don't really have - but again, it's to the label's advantage. Apple's as well, because if that drives iCloud subscriptions, Ka - ching.

    So who's the loser in this? Well, depending on the contract, musicians if specific sales (CD or online) is how they get paid; at least until they can figure out how to get a cut of the new revenue stream. Other music services, since Apple will be essentially a limitless source of music at a set price. Ultimately, sellers of physical media because there is no need to buy a CD when you can easily and essentially legally get whatever you want from Apple; which will please the labels because Wal-Mart will no longer be able to dictate terms to them.

    I'd venture the real end game is to transfer to a subscription based service - for a flat fee d/l whatever you want. Keep it as long as you have a subscription. Create custom playlists and stream you're own radio channel, which for a reduced subscription fee will include select targeted ads. Yes, others have tried it but given the clout behind this Apple and the major labels may finally pull it off.

    --
    I'm a consultant - I convert gibberish into cash-flow.
  43. Re:Admiral Akbar saw this coming by node+3 · · Score: 0

    Except the proper phrase for this story is, "It's a troll!"

    There is no trap here. The idea is all but impossible.

  44. A little research would cut through this cr*p by ge · · Score: 1

    Apple acquired Lala.com a while back:

    http://www.appleinfocenter.com/article/Apple_s_Lala_Acquisition_Could_Change_Music_Business/70457/index.html

    "Lala uses licensed technology to instantly match songs from a consumer's personal music library with the web-based catalog on lala.com."

    Sounds like Music Match to me.

    1. Re:A little research would cut through this cr*p by InnovATIONS · · Score: 1

      Everybody knows that the tech behind iCloud came from LALA, So?

    2. Re:A little research would cut through this cr*p by CharlyFoxtrot · · Score: 1

      I think the point is Lala wasn't a honeypot. Neither is Amazon's already running Music Locker service apparently, and people aren't saying anything like this about Google's upcoming service. So what makes iCloud so special ?

      --
      If all else fails, immortality can always be assured by spectacular error.
    3. Re:A little research would cut through this cr*p by InnovATIONS · · Score: 1

      Lala was small potatoes, I believe that Amazon de-dupes files purchased through Amazon (which are undeniably legal) but other files are just stored. Google also does just storage. The difference is with Music Mach is Apple is keeping a big central database of who has what.

    4. Re:A little research would cut through this cr*p by CharlyFoxtrot · · Score: 1

      That actually makes Apple less of a threat: a list of files is a lot less incriminating than a physical file uploaded by you to the server that they are apparently already scanning (to de-dupe as you put it.)

      --
      If all else fails, immortality can always be assured by spectacular error.
  45. less than the cost of running an FTP server... by schlachter · · Score: 1

    Bet it will cost you more than $25/yr in power to run your FTP server...and I bet there will be times when your server goes down, or needs updating, or hacked, etc.

    Oh, and I bet you have to spend hundreds of dollars of your time to setup and maintain the server...and I'm not even including buying the thing.

    --
    My God can beat up your God. Just kidding...don't take offense. I know there's no God.
  46. Lawsuits by warGod3 · · Score: 1

    So, people are saying that Apple won't do something that would infringe on their income (re: iTunes). Others have said that they won't do something to screw over their userbase. The whole problem is going to be in the EULA that comes with iCloud and whether or not by accepting the EULA that you can have your files reviewed to see if they contain pirated material. Proving that you are in legal possession of copyright material will be YOUR responsibility, not Apple's. Factor in that RIAA probably realizes that more money is to be had from sales from Apple and that they have probably had some prior collaboration prior to iCloud. Otherwise, if RIAA pisses off Apple, could Apple not just say "screw it. We're closing iTunes store to all members of RIAA. Everyone can just download their pirated stuff for free." or they could offer a monthly rate that might screw RIAA over.

    I think that the RIAA is not going to fight with Apple. Not that the RIAA is smart, they aren't. But, taking on Apple is kind of like SCO taking on IBM.

    --
    "Be polite, be professional, but have a plan to kill everybody you meet." General James Mattis
    1. Re:Lawsuits by InnovATIONS · · Score: 1

      You realize of course that if Apple banned all RIAA member publishers then iTumes would be essentially empty?

  47. I hope.. by EvilStein · · Score: 1

    that we're all wrong, and iTunes Match is finally the bitchslap into modern times that the recording industry tools finally get...

  48. Get it right at least.. by Anonymous Coward · · Score: 0

    People keep repeating the MYTH that apple will upload your songs .. It doesn't take a genius to realise that uploading everyone's songs would be an absolute disaster, waste of time, etc. etc. If you stopped to think, why would they do that? what if someone has a very large collection and a very slow uplink? You will have to download a matcher/hasher/identifier program which will identify the tracks you have available, and make the same tracks available to you via the Icload. Its ok for the price but ???
    And no-one seems to be taking account of the marketing data and information which the rec co's will get, which to them is expecially valuable .. maybe they will find people BUY bieber but hardly ever play it .. and not so many buy Joss Stone but millions own/pirate it. Priceless information.

  49. Re:Admiral Akbar saw this coming by jcombel · · Score: 1

    it is a little naïve to assume apple hasn't considered this
     
    it is a lot naïve to assume that RIAA and the current content producer-friendly presidential administration (and courts) won't consider capitalizing by subpoenaing user information

  50. Re:Admiral Akbar saw this coming by kurzweilfreak · · Score: 1

    If this ever happened and Apple allowed it, no one would ever trust another Apple product ever again. Ever. Bye bye Apple.

    --

    kurzweil_freak

    5th Kyu Genbukan Ninpo/KJJR student

    Be the darkness that allows the light to shine.

  51. Re:Admiral Akbar saw this coming by node+3 · · Score: 1

    it is a little naïve to assume apple hasn't considered this

    Um, if you mean something like:

    Person A: "Let's see, can we make money from this in other ways?"
    Person B: "How about selling out our users?"
    Person A: "Nope, that's retarded. Any other ideas?"

    Then, sure, *maybe* Person B was high enough or something to have come up with the idea for half a second. Otherwise, no. It's all but completely impossible that Apple ever seriously considered the idea.

    it is a lot naïve to assume that RIAA and the current content producer-friendly presidential administration (and courts) won't consider capitalizing by subpoenaing user information

    What user information is that, exactly? Apple will only have a list of what songs you have (it's not illegal to have a song) and the files you have uploaded to the server (again, which are not illegal to have). And, in fact, Apple (unlike Google or Amazon--hey, where's the "it's a trap!" nonsense about them?) actually has a deal with the labels. A deal which you can be certain does not include a clause which opens their customers to lawsuits.

    The only naivety here is in thinking that Apple would ever implement something so abysmally stupid. However, this being Slashdot, naivety (a very generous word) regarding Apple is not only standard, but highly rewarded.

  52. You don't have to bet by sean.peters · · Score: 1

    If you were following Apple gossip in the weeks before the iCloud announcement, the press was full of reports about how Apple's negotiations with the labels were going. Some large percentage of the subscription cost is, in fact, going to the labels (vs. the RIAA). So, yeah, I doubt I'd worry too much about this. RIAA members are going to make a ton of money off this scheme.

    And if you're still paranoid, go ahead and put on your tinfoil hat, and then just change a few bits from each song (or cut a second of the silence at the end of each track). Voila, new MD5 hash.

    1. Re:You don't have to bet by Anonymous Coward · · Score: 0

      Some large percentage of the subscription cost is, in fact, going to the labels (vs. the RIAA).

      That'll stop the RIAA going after Apple not it's customers.

  53. Metadata by Anonymous Coward · · Score: 0

    Apple's genius has a hard time with tracks that have incomplete metadata- I'll bet Apple will only mirror a track if the metadata is exactly correct.
    I've seen some pirated tracks in my time and usually they had bad or missing metadata.

  54. Re:Absolutely not - ABSOLUTELY YES! by Anonymous Coward · · Score: 0

    The US government forced US Telcos to set up systematic wire taping.
    The US government can force Apple (or any other company, for that matter) to do the same in order to "detect illegal activity".

  55. It's even worse than that by sean.peters · · Score: 1

    Amazon, Google, et al, didn't go to the trouble of getting licenses from the labels. Apple did. Presumably, the large share of iCloud subscription revenue the labels negotiated (they're getting something like 60% of the subscription fees!) was sufficient to buy them off.

  56. No kidding by sean.peters · · Score: 1

    Their "genius" service within iTunes ALREADY indexes your whole freaking music library and sends the results to Apple. If the music industry wanted to use this data to try to sue "pirates", they could have done so a long time ago.

  57. Brilliant business ideas #237 by biglig2 · · Score: 1

    Hello, is that Mitch Bainwol, CEO of the RIAA?

    Hi Mitch, how's it hanging? Anyhoo, listen, I've come up with another of my brilliant business ideas. You're gonna love this one.

    So, the first thing you do, you take the number one music retailer in the world. You know, the ones with enough cash in the bank to buy the whole of the recording industry. The one with a CEO who once killed a man with a spoon because the poor schmuck suggested an extra button on the iPhone. That's it - those guys. Yeah, so step one: you piss them off. Subpoena them and sue all their customers. Ruin their business. Make them real mad.

    Then, for step two.... Mitch? Mitch? Are you there?

    --
    ~~~~~ BigLig2? You mean there's another one of me?
  58. Re:Admiral Akbar saw this coming by jcombel · · Score: 1

    spell out the process for you:
     
    Person A downloads album from iTunes. the songs are watermarked with personally-identifiable metadata that indicate to Apple who bought them (this is current fact, not speculation).
    Person A shares the album using favorite method with Person B (which is illegal for Person A to do).
    Person B uploads his music collection to iCloud.
      one year goes by
    RIAA subpoenas Apple for the metadata, and records of who bought what.
    Apple happily complies, as it isn't interested in the legal costs involved with a privacy battle it will lose.
    RIAA parses the data, finds Person A illegally shared the album, adds them to the "to be sued" list.
     
    the only way to avoid this situation would be if apple edited the music files that are updated to iCloud, laundering them for the customer. this won't happen because a) their RIAA contacts would have a fit, b) they would have to inform the public that their "stored" data is being altered -which they haven't - and c) it is an extra cost they just don't want.

  59. Re:Admiral Akbar saw this coming by frozentier · · Score: 2

    What user information is that, exactly? Apple will only have a list of what songs you have (it's not illegal to have a song)

    Yeah, but Apple doesn't have to prove the songs are illegal. The whole point of the program is the assumption that you are replacing illegally obtained songs with good, clean songs. Just by signing up you are admitting guilt. So the user information would be names and contact information, a list of illegal songs you used their service to replace, and admission of guilt in the form of the TOS of the program you signed up for. All of the lawyers' work is done for them.

  60. Even I'm not sure whether what I have is legal by sandytaru · · Score: 1

    We're talking nearly 15 years worth of CDs in my collection, many of which no longer have a physical disk associated with them (part of the reason I ripped them over to MP3 in the first place - the CDs were scratched and close to unplayable.) If Apple or the RIAA demanded I produce proof I legally bought my music collection, I'd be SOL. Couple that with tracks of dubious legality (radio DJ shows, international tracks that were not available for sale in the US, and even a few imported CDs from other regions), cataloging the legality of my music collection would be a giant headache for the lawyers at the RIAA.

    --
    Occasionally living proof of the Ballmer peak.
    1. Re:Even I'm not sure whether what I have is legal by InnovATIONS · · Score: 1

      Well, presuming that your CDs never went up to or down from a file sharing service then their signatures are most likely unique and would not raise suspicions. But also bear in mind that Apple's 'minutes, not weeks' statement would not apply to your collection.

  61. Not the only thing by SuperKendall · · Score: 1

    In all your posts on this topic, you seem to be consistently drawing the conclusion that Apple wouldn't share the data. What do you base this conclusion on?

    That is only the first line in a chain of things that ends in the music companies getting no data of any use in a lawsuit.

    But the reason I draw the conclusion is that no company lets any other company have access like that, without legal compulsion. And since the only reason to collect data that would even be of any use leading back to the original file would be for something Apple doesn't care about, Apple will not even be collecting the data the music companies would even consider going after.

    Why? Because it costs Apple real money to store excess data they don't need, and they have no reason to do so.

    I rely only on the obvious conclusions of the economics and law around the current situation to draw the conclusions I have. All the other proposals are fantastic voyages into tin-foil battery of the highest order as the rely on one or more fanatical notions of how real life works for companies and the law.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Not the only thing by Anonymous Coward · · Score: 0

      Translation: I'm an Apple fanboi and there is no way my God will ever betray me. My faith is absolute. Your suggestion that my God does not love me is fanatical heresy.

  62. Re:Admiral Akbar saw this coming by node+3 · · Score: 0

    spell out the process for you:

    Person A downloads album from iTunes. the songs are watermarked with personally-identifiable metadata that indicate to Apple who bought them (this is current fact, not speculation).

    Not quite. It has the user's email address in a tag which is easily removed.

    Person A shares the album using favorite method with Person B (which is illegal for Person A to do).
    Person B uploads his music collection to iCloud.

    Which is not illegal to do, and won't happen anyway. iTunes music will be matched, not uploaded.

    one year goes by
    RIAA subpoenas Apple for the metadata, and records of who bought what.

    On what grounds?

    Apple happily complies, as it isn't interested in the legal costs involved with a privacy battle it will lose.

    Bullshit. Were Apple to "happily comply", the company would end. Even if they eventually complied after kicking and screaming, the company would be severely damaged.

    RIAA parses the data, finds Person A illegally shared the album, adds them to the "to be sued" list.

    No, that's *not* what they will have found.

    the only way to avoid this situation would be if apple edited the music files that are updated to iCloud, laundering them for the customer. this won't happen because a) their RIAA contacts would have a fit, b) they would have to inform the public that their "stored" data is being altered -which they haven't - and c) it is an extra cost they just don't want.

    Um, no, that's not the "only way to avoid this situation". This situation is all but impossible to begin with. You don't understand the law, you don't understand Apple's business model. You, honestly, don't appear to understand much of anything.

  63. Re:Admiral Akbar saw this coming by uglyduckling · · Score: 0

    No, the whole point of the program is to be able to 'upload' your legally owned music without having to upload it. So if I want to have a copy of all of my legally owned CDs that I have legally ripped onto iTunes - and in some cases at a slightly higher bitrate - I can pay Apple a fee to have them scan my music collection and match it with high-bitrate songs on their database. Others have speculated that it could be a way for people to 'launder' the pirated music in their collection, but this is not and never has been "the whole point of the program".

  64. Re:Admiral Akbar saw this coming by node+3 · · Score: 1

    What user information is that, exactly? Apple will only have a list of what songs you have (it's not illegal to have a song)

    Yeah, but Apple doesn't have to prove the songs are illegal.

    Apple has no interesting in proving the songs are illegal. In fact, they have a very strong interest in not making their customers fearful that such a thing might happen as a result of being a customer.

    The whole point of the program is the assumption that you are replacing illegally obtained songs with good, clean songs. Just by signing up you are admitting guilt.

    What? I must have missed that part of the keynote.

    So the user information would be names and contact information, a list of illegal songs you used their service to replace, and admission of guilt in the form of the TOS of the program you signed up for. All of the lawyers' work is done for them.

    What illegal songs? When has the RIAA *ever* gone after someone for simply *having* a song? The lawsuits you are thinking of were for *sharing* the songs. iTunes Match isn't a song sharing service, nor does it contain a way to determine who has and who has not shared which songs.

  65. Re:Admiral Akbar saw this coming by jcombel · · Score: 3, Insightful

    Not quite. It has the user's email address in a tag which is easily removed.

    which will rarely be done by Joe Filesharer

    Which is not illegal to do, and won't happen anyway.

    at this point you are proving to be either ill-informed, or sitting in the RDF (both?). there is little hope in helping you understand the gravity and the possibilities; bummer.

  66. Does this make Steve Jobs... by Anonymous Coward · · Score: 0

    a snake?

  67. Identifying the leaker by tepples · · Score: 1

    All that proves is that you have a file that was once leaked illegally, not that you obtained it illegally

    If the watermark carries enough information, it can show who originally leaked the file illegally, adding to the evidence against the leaker. Illegal downloaders wouldn't be prosecuted but might be given a discount on going legit in exchange for turning in leakers.

    1. Re:Identifying the leaker by demonlapin · · Score: 1

      How many of them know the leaker? Putting aside the real scene guys that push out 0-day movies, etc., that number is basically nil. And for this to be a concern at all, you have to assume that Apple wants to crater its huge, massively profitable hardware business in order to save an industry that it could buy out using petty cash. Apple has over $60B in cash and liquid securities; the entire RIAA's sales were less than $7B in 2010 (here).

  68. Re:Admiral Akbar saw this coming by node+3 · · Score: 0

    Which is not illegal to do, and won't happen anyway.

    at this point you are proving to be either ill-informed, or sitting in the RDF (both?). there is little hope in helping you understand the gravity and the possibilities; bummer.

    Let's put that quote in context, shall we?

    Person B uploads his music collection to iCloud.

    Which is not illegal to do, and won't happen anyway. iTunes music will be matched, not uploaded.

    It is *NOT* illegal to upload your music to iCloud, even if that music was not legally acquired. Second, it *won't* happen, because you were talking about iTunes purchases, and iTunes purchases are matched, not uploaded.

    But even *if* iTunes purchases get uploaded, or even if we include the scope to non-iTunes purchases, it's not illegal to upload them to this service! Cite one example of *anyone* being sued for merely *having* a pirated song. The lawsuits you are thinking of are for sharing them, not possessing them.

  69. Re:Admiral Akbar saw this coming by Angostura · · Score: 1

    The assumption in this piece is that Apple will be collecting very granular information about the exact audio file - such as the MD5 hashes of the files. As the author points out, these types of hashes are no good for identifying the music, since they are unique to each rip. So unless Apple is collecting that information deliberately to help the RIAA, I can't see why they would collect it. In fact, if I were them, I would make sure that I didn't.

  70. Re:Admiral Akbar saw this coming by teslafreak · · Score: 1

    I don't think it said anywhere that the upload was the illegal part. It's just a means for pirated data to be detected. I'm not familiar with any lawsuits over the possesion of illegal music either (as opposed to sharing), but it's hardly a jump to assume that a court, when given evidence that someone has illegal data, would just think "It must have magically appeared!" instead of thinking it was shared (and hence still valid for a lawsuit).

  71. So this is Apple's laundry service? by Anonymous Coward · · Score: 0

    If this service works as all of you think (hope?) it will, then Apple is effectively offering to "launder" all of your illegal music if you pay them a fee. Very nice.

    Will Apple place a limit on the amount of "laundering" it is asked to do? Or will I be able to keep on downloading my pirated music (for them to "launder") forever?

    I thought money laundering was a criminal offense? I guess not in Apple's case...

    Don Corleone definitely was a chump compared to good 'ol Steveo.

    1. Re:So this is Apple's laundry service? by InnovATIONS · · Score: 1

      Well I guess in either way it is a laundering service. The real issue is in what way. The optimists think that Apple will launder all of the dirty laundry for $24.99. The article thinks that you will store all your laundry for $24.99 and then the RIAA laundry inspectors will accuse you of having hundreds or thousands of dirty shirts. And then Apple will allow you to clean that laundry and get rid of the laundry inspectors for just 99 cents a song!

  72. Or maybe only ripped and paid content is allowed? by perpenso · · Score: 1

    Apple as a company cares a lot more about their brand image than most. If suddenly Apple had 90% of it's customers who uploaded pirated music being sued because of a service Apple provided - it would be bad. I'd assume that yearly fee you pay goes to the RIAA, because Apple being a hardware company cares little about software when it is driving their hardware sales.

    Or maybe only ripped and paid content is allowed? When I watched the keynote I got the impression that ripped content was emphasized. The quote below also may suggest that content must be ripped or purchased somewhere. Stuff downloaded off the internet *may* not be part of Apple's plan.

    "iTunes Match
    If you want all the benefits of iTunes in the Cloud for music you haven’t purchased from iTunes, iTunes Match is the perfect solution. It lets you store your entire collection, including music you’ve ripped from CDs or purchased somewhere other than iTunes. For just $24.99 a year."
    http://www.apple.com/icloud/features/

    Apple could do something simple like reject MP3s with no appropriate meta data or dupes. If an MP3 was shared maybe only the first to upload will get to use it. Without dupes the RIAA may be thwarted, meta data only shows where the ripping occurred. It does not indicate who owned the CD and who took the MP3 home.

  73. Re:Admiral Akbar saw this coming by node+3 · · Score: 1

    I don't think it said anywhere that the upload was the illegal part. It's just a means for pirated data to be detected.

    I'm not familiar with any lawsuits over the possesion of illegal music either (as opposed to sharing), but it's hardly a jump to assume that a court, when given evidence that someone has illegal data, would just think "It must have magically appeared!" instead of thinking it was shared (and hence still valid for a lawsuit).

    Who said they'll just think, "it must have magically appeared!"?

    They've only sued the sharers, not the downloaders. It's definitely a huge jump to think they will start now, and even huger still to think Apple will help them do this!

  74. Scrubbed meta data may not be allowed ... by perpenso · · Score: 1
  75. MOD PARENT UP!!!! by TheTyrannyOfForcedRe · · Score: 1

    +1 INFORMATIVE

    --
    "Liechtenstein is the world's largest producer of sausage casings, potassium storage units, and false teeth."
  76. Re:Admiral Akbar saw this coming by macs4all · · Score: 1

    it is a little naïve to assume apple hasn't considered this it is a lot naïve to assume that RIAA and the current content producer-friendly presidential administration (and courts) won't consider capitalizing by subpoenaing user information

    So, how long do you think the courts will put up with the RIAA conducting a pure fishing expedition?

    I also think that Apple is smart enough that they have safeguards in place to keep this from becoming a problem.

  77. I see it as a trick to get you to dump your files by Anonymous Coward · · Score: 0

    Don't you think the idea here is that most users are looking for a place to put this collection we have, so we don't have to maintain it, back it up, etc.

    Some of what we have was most likely obtained illegally, but who cares. Apple is going to cut the RIAA on their share through the fee, and they'll probably get a whole lot more than they ever would have even if we had legally purchased it. Then we'll slack off and eventually delete/lose our local files thus making us totally dependent on their cloud for music, then we'll have no choice in the future but to buy new legal music which we can't easily download or rip anymore.

    So it'll eventually force you legit and it will make them money year after year and soon the supply of illegals will dry up. For me its worth it... but I'm tired of dragging my collection around and backing it up.

  78. I have an ftp site of my own anyway by nurb432 · · Score: 1

    Ya, so do i. but 99.9% of the people out there wont even know what was just said.. 'ftp what?'

    They are the market for these 'cloud' services. Not you. ( nor I )

    --
    ---- Booth was a patriot ----
  79. Re:But what would they get? Nothing. by macs4all · · Score: 1

    Oh, thanks for putting that song in my head.

  80. 'sweet' paranoia by Anonymous Coward · · Score: 0

    To say that Match will be a honeypot is either trolling for readers or if sincere then paranoia. For Apple to allow Match to be used in that way would be the most damaging thing they could do in terms of hurting iCloud. It is much more likely that Match is a pre-curser for a full blown streaming service which can be rolled out once the music moguls can be shown it is a viable source of income.

  81. Re:But what would they get? Nothing. by pandrijeczko · · Score: 1

    No. The RIAA could also subpoena things like logs showing the IP address you logged in from and/or the account name you used.

    If they then subpoena-ed the same information from the servers of a seized BitTorrent tracker site, they could tie the two together.

    What they are then left with is more coherent information about you - e,g, the fact that you bought 99 Red Balloons from iTunes, then just happened to be Torrenting it shortly afterwards... or maybe that the fact you bought 10 albums from iTunes but your IP address shows you were seeding up to 20 albums, then in all likelihood you own them for 10 albums that you didn't purchase.

    --
    Gentoo Linux - another day, another USE flag.
  82. What if I fake an MP3? by Anonymous Coward · · Score: 0

    What would happen if made a MP3 file of some random sound and then renamed it and filled out the tags for a legit tune? Could I gain access to this song through iCloud? Is music fingerprinting being used to verify the song indicated by the tags?

    How about turning iCloud into a honeypot for the RIAA? Some unknown user or 2 or 1000 indicates he/she has 40,000 MP3 (bogus per above) they want to access in iCloud, RIAA sues said user for infringement, we all have a good laugh when its discovered the original files were all bogus.

  83. Re:Or maybe only ripped and paid content is allowe by modmans2ndcoming · · Score: 1

    Because an MP3 that is ripped looks a lot different from one that is Torrented.

  84. i've got a bad feeling about this... by conark · · Score: 1

    there's two things that could occur: 1) evil paranoid plot in snagging pirates; 2) providing a safe haven for former pirates by promising back to the various MAFIAAs their cut through this service in exchange for not going after users participating in this service. if 1) doesn't occur, then 2) basically is a way to enforce perpetual servitude to Apple by making you dependent upon their services while satisfying greedy lawyers/media executives. Of course, Apple might just end up becoming the huge middle man, kinda like the Ticketmaster for selling music, books and movies. don't forget that in Pirates of Silicon Valley Bill and Steve kept repeating, "Keep your friends close and your enemies closer." Just remember that one.

  85. iTunes Match will defeat piracy in 5 years by rsborg · · Score: 1

    The goal of iTunes Match isn't to "hunt down pirates", it's an amnesty program to "legitimize" the honest folks who may or may not have pirated music.

    It will do nothing for piracy rates for about 2-3 years.

    However, as iTunes downloads saturate the populace (as Apple is the #1 music retailer) and folks spend less and less time ripping CDs (by then only life-free-or-die-tards or audiofiles will do that anymore!), any "sharing" of the downloaded music will be fingerprinted with the download info.

    Of course, this will result in sharing of some iTunes match files... and when those fingerprinted files are sent from a different user back to Apple, then it's clear it's a copyright infringement. Perhaps Apple will simply disallow matching of copied itunes files, or ignore or gently remind the user "don't pirate music". However, at this point, it could happen that the RIAA has everything laid out for them in black and white... a few high-profile cases is all it will take to keep the sheep in line and money flowing.

    A capitalist, free-market take on compulsory licensing that both benefits Apple and the RIAA while keeping the government and it's pesky mitts off the gold and the concept of "paid tracks" still alive (as a side effect, it even throws a few bones to the users)... quite diabolical and visionary.

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  86. Re:Admiral Akbar saw this coming by Anonymous Coward · · Score: 0

    It is *NOT* illegal to upload your music to iCloud, even if that music was not legally acquired. Second, it *won't* happen, because you were talking about iTunes purchases, and iTunes purchases are matched, not uploaded.

    You keep running in a circle without much understanding, I'll try to help you. He is saying not that the uploader (Person B) is behaving illegally (neither by obtaining the music, nor by uploading to iCloud), nor will the uploader be actioned. However, by uploading a file watermarked with Person A's information, he will be letting the cat out the bag about how Person A did share the file - which is, without doubt, illegal under current interpretations of copyright law, actionable, and actioned on with some regularity.

    Further, not all iTunes files are automatically matched, for just this reason. Only files that are watermarked indicating they came from your iTunes account will be matched. This feature is for saving bandwidth, not legitimizing stolen music.

  87. Re:Admiral Akbar saw this coming by node+3 · · Score: 1

    You keep running in a circle without much understanding, I'll try to help you. He is saying not that the uploader (Person B) is behaving illegally (neither by obtaining the music, nor by uploading to iCloud), nor will the uploader be actioned. However, by uploading a file watermarked with Person A's information, he will be letting the cat out the bag about how Person A did share the file - which is, without doubt, illegal under current interpretations of copyright law, actionable, and actioned on with some regularity.

    No, I know exactly what he is saying, and he is wrong.

    Person B will not be sued for having the file (none of the MP3 lawsuits were against people downloading or possessing a file), and Person B's possession of the file does not prove Person A's guilt in having shared it.

    Further, not all iTunes files are automatically matched, for just this reason. Only files that are watermarked indicating they came from your iTunes account will be matched. This feature is for saving bandwidth, not legitimizing stolen music.

    That is wholly incorrect. iTunes will match any song it can identify, regardless of the source (the identification is done via fingerprinting, not watermarking). iTunes songs that were purchased by you are matched without scanning. They use your iTunes purchase records. This has already been implemented and is part of the free service. Songs that were not purchased by you on iTunes will still be matched, if they can be identified, with songs available on iTunes, regardless of the source, and also be made available as part of the $24.99 yearly service. Additionally, it will upload songs it cannot match.

    But in no way whatsoever is this going to be used as a honey pot to catch pirates. This whole idea is a farce.

  88. You're out of touch. by Anonymous Coward · · Score: 0

    I have an ftp site

    It's 2011. Do you still use telnet to log in as root to your server, as well?

  89. Look at net worth of music labels vs Apple by iamacat · · Score: 1

    Do you think the later needs to bend over for the former at the cost of antagonizing customers who plan to buy so many Apple devices that they can not keep them synced manually?

  90. Not MD5! by pain · · Score: 1

    MD5 is not what Apple will be using, since every different bitrate and/or encoder will yield different files and thus different md5 sums for the same song. AND you will never know from the perspective of apple, which song we are looking at, if there are no meta information. So Apple will use some kind of audio fingerprinting system like MusicDNS or whatever. Look it up in Wikipedia. Probably they can even reuse information gathered by iTunes genius.

  91. Re:Or maybe only ripped and paid content is allowe by perpenso · · Score: 1

    Because an MP3 that is ripped looks a lot different from one that is Torrented.

    When you rip with iTunes I believe there is info on the hard drive indicating that the file was ripped locally. Apple may require this.

  92. Statute of Limitations? by Plastic+Pencil · · Score: 1

    Wow, I know I'm late to the comment party, but it occurred to me, let's say worst case scenario, ill-gotten mp3's are policed and mined in the cloud for an RIAA-style litigation. Would a statute of limitations be applicable? Like say a college student who got a bunch of mp3s in the heyday of Napster, and then stopped downloading illegally, more than 7 years ago.

    Could that person be held legally liable? I know the RIAA doesn't care about laws that could be applied to them, but it appears to raise an interesting circumstance.

  93. Missing the Point. iTunes Match makes you legal. by Anonymous Coward · · Score: 0

    The main reason that Apple took so long to announce the iTunes Match service was because they were obtaining licenses from the music labels, unlike Google or Amazon. As Mr. Jobs said in his presentation, when you use the Match service and pay the 29.99/yr all your non-iTunes music that is in Apple's catalog will essentially get replaced with the 256 kbps properly licensed version.

  94. It's a covenant not a contract by Anonymous Coward · · Score: 0

    iCloud Music Match is much more a covenant than a contract, with Apple as guarantor.