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Lucas Loses Star Wars Stormtrooper Copyright Case

An anonymous reader writes "A prop designer who made the original Stormtrooper helmets for Star Wars has won his copyright battle with director George Lucas over his right to sell replicas. The five-year saga, which ended in the highest court in the land, has stakes of galactic proportions."

325 comments

  1. So goes a once-talented filmmaker by elrous0 · · Score: 5, Insightful

    This may be hard for a lot of younger people to believe, but there was actually a time in Hollywood when George Lucas was considered an incredible up-and-coming young director. Coming off of American Graffiti, a lot of people were thinking he would be the next Francis Ford Coppola. He was widely regarded as being in the same league (maybe an even better one) as Martin Scorsese coming off Mean Streets.

    But then the greed got him. An afterthought merchandising deal on Star Wars meant that his big money-maker from that point on was toys and merchandise, not movies. He stopped directing and let his best years pass him by. The ten-year-rule for directors is that, give or take, most directors have about 10 years of truly creative energy. And with the mountain of money he was sitting on from toys, he just sat back and let his expire. Now we'll never know what he might have done if he had to struggle, if he had kept working.

    That's a great lesson for you young creative types out there. Careful what you wish for.

    --
    SJW: Someone who has run out of real oppression, and has to fake it.
    1. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      American Griffiti sucked. Lucas was always total fail.

    2. Re:So goes a once-talented filmmaker by Literaphile · · Score: 1

      That's a great lesson for you young creative types out there. Careful what you wish for.

      I'm not sure what you're getting at. Are you implying that George Lucas' career is a failure? Because I'm sure he wouldn't see it that way, and, given the massive empires he's created (Star Wars and Indiana Jones most prominently), I don't agree with you either. He may not have focused on directing for much of his career, but, looking back, you can't really say that he failed.

    3. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      He's responsible for many innovations in SFX. He's had a far greater impact than just directing a few more movies would have done.

    4. Re:So goes a once-talented filmmaker by redemtionboy · · Score: 5, Insightful

      Ehhh, I don't think it has anything to do with greed. I think it has to do with that George Lucas is a great producer but a horrible director. Any director that says "I don't like the talking parts" should never be a director. If you think he is any different now than he was then, all you need to do is look at the original script to Empire Strikes Back. which features Darth Vader's subterranean castle with gargoyles and lava and that Luke's real father wasn't Darth Vader nor was Leia his sister. The thing that kept Lucas under control wasn't less licensing, it was smaller budget constraints and a lack of a team of yes men. No one dare tell Lucas that anything he did with Episodes I-III was garbage, He had a blank check to make the movies and a team telling him he could do no wrong. I couldn't expect anything different to happen.

    5. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      Wow, pretty good post. Well-written and posted within two minutes of the story appearing. No typos.

      Were you saving this blurb for the eventuality that a Lucas-related story popped up? Well done!

    6. Re:So goes a once-talented filmmaker by Hylandr · · Score: 2

      What's amazing is those innovations started when he was a kid.

      - Dan.

      --
      ~ People that think they are better than anyone else for any reason are the cause of all the strife in the world.
    7. Re:So goes a once-talented filmmaker by alphatel · · Score: 2

      You're forgetting about THX 1138 which for a student project, starring Duvall and Pleasence, was a true sci-fi piece of brilliance. Too bad about most everything afterwards.

      --
      When the foot seeks the place of the head, the line is crossed. Know your place. Keep your place. Be a shoe.
    8. Re:So goes a once-talented filmmaker by elrous0 · · Score: 3, Insightful

      His failure was in never coming even close to living up to his creative potential.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    9. Re:So goes a once-talented filmmaker by Dragon_Eater · · Score: 1

      That's a great lesson for you young creative types out there. Careful what you wish for.

      Because being filthy stinking rich and not having to struggle to make a name for yourself is NOT the goal of many up and coming -insert art form here-.

      I think George is OK with where he is, rolling around in all that money.

      --
      They kinda taste like tasty wheat . . . . kinda . . .
    10. Re:So goes a once-talented filmmaker by elrous0 · · Score: 2

      Yes, he made a lot of money before his directing career had even begun to mature. I'm just glad Scorsese didn't.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    11. Re:So goes a once-talented filmmaker by Dr_Barnowl · · Score: 1

      Look at the little asterisk by his name - he is a subscriber. Subscribers get to see stories early.

      <waves hand>
      This is not the troll you're looking for.

    12. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 2, Insightful

      American Griffiti sucked. Lucas was always total fail.

      Agreed. I never saw what the big deal was. I could barely stay awake while watching it.

      Star Wars was such a huge hit because of timing and his special effects. I remember back then - there wasn't anything like it before: special effects is what made it.

      He's all special effects and no story. The last Star Wars made, it was all: Anakin turns completely evil, fight, Anakin kills, Yoda says something trite, pseudo Zen like and backwards, Palpatine says something trite and "evil", fight, more fighting, and Anakin dressed as Vader.

      Tada! Star Wars III.

      Isn't there a Perl script that writes Star Wars scripts?!

    13. Re:So goes a once-talented filmmaker by Ucklak · · Score: 3, Interesting

      Not a failure in a business sense but a failure in a creative sense.

      He surrounds himself with 'yes' people. Once he lost Kurtz, he never had that struggle to give his creative properties that extra push that made them great.

      Even Phillip Kaufmann is credited with Indiana Jones.

      Rick Mcallum is a total YES man and could have saved Prequel Star Wars if he would have had balls.

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    14. Re:So goes a once-talented filmmaker by garcia · · Score: 1

      Based on the number of financially successful movies which rely little on dialogue, I'm going to guess you're wrong.

      However, I do agree that *I* much prefer movies with dialogue and clever scripts but it would appear that the general movie-going-public doesn't give a shit about thinking.

    15. Re:So goes a once-talented filmmaker by Ucklak · · Score: 1

      His team is responsible for the innovations in SFX, Dykstra, Muren, Johnston, Kuran, Tippett, Knoll.

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    16. Re:So goes a once-talented filmmaker by Chucky_M · · Score: 3, Insightful

      Plinkett covered this in detail via http://redlettermedia.com/plinkett/ His reviews were easily the best thing about episode 1-3, GL is a great business man and nobody will take that away from him but he is the Microsoft of the film world.

    17. Re:So goes a once-talented filmmaker by Literaphile · · Score: 1

      His failure was in never coming even close to living up to his creative potential.

      In other words, by "failure" you mean in the eyes of others (i.e. you), not his own. Because I'm sure he wouldn't see his own career as a failure, especially since he's probably too busy counting all of his money to care about what others think.

    18. Re:So goes a once-talented filmmaker by dainer · · Score: 0

      Lucas a good director? Oh don't be silly. At best he had good timing.

      "Hollywood" will say anyone is "up and coming", or the "brightest start.." blah blah blah. It is all echo chamber hype.

      These are the folks that give themselves awards every year from themselves!

      Please lets start "Celebrating" the real people in our society.

    19. Re:So goes a once-talented filmmaker by 91degrees · · Score: 1

      But that's something of a subjective opinion. The majority of critics considered it a fantastic film. Your opinion, although perfctly valid, doesn't really count for much in this respect.

    20. Re:So goes a once-talented filmmaker by Nineteen-Delta · · Score: 1

      Still a talented filmmaker, though maye a bit faded now. - But he wrote for a child and young-adult audience. He succeeded. Yes it was a mistake to wait so many years between making the original trilogy and the prequels. Much as I'm no fan of JK Rowling and the Harry Potter frnachise, the films and the books and the characters more-or less kept pace with the target audience. If Lucas had used his influence to do that, then we might have an epic franachinse by now. - Ask a 7-year old how good the prequel trilogy are or the Clone Wars animations. They're the target audience, much as we were a long, long time ago....

    21. Re:So goes a once-talented filmmaker by JosKarith · · Score: 1, Insightful

      I agree that 1-3 were a terrible disappointment. They were a perfect opportunity to paint a horrific personal slide as an idealistic young man with the galaxy laid out before him becomes everything he hates becuase of hubris.
      Instead we got Meesa, younglings and _every_ lightsaber duel ending with hands chopped off. Screw you Lucas. I could have eaten a bowl of alphabet soup and shat a better plot than that.
      Let it go. Star Wars isn't your baby any more. Your combination of control freakery and abuse have destroyed any love that might have once existed for you. Go back to counting your huge pile of money - we all know that's all you're capable of loving now.

      --
      'Don't worry' said the trees when they saw the axe coming, 'The handle is one of us.'
    22. Re:So goes a once-talented filmmaker by multisync · · Score: 3, Insightful

      The ten-year-rule for directors is that, give or take, most directors have about 10 years of truly creative energy.

      Lolz ...

      Well, I guess someone better tell Scorsese, Eastwood, Woody Allen, David Lynch, the Cohen brothers, Cronenberg, Richard Linklater, Errol Morriss, Tarantino, Paul Thomas Anderson, Ang Lee, Gus Van Sant, and Wim Wenders their careers are over.

      Oh, and considering Lucas helmed two of the most successful movie franchises of the late 20th century, while founding companies that set the standard for cinima sound (THX) and special effects (ILM), no, I'm not surprised he was considered "an incredible up-and-coming young director." Along with contemporaries like Copola and Scorsese, he has had a dramatic influence on the art and science of making movies.

      --
      I don't care why you're posting AC
    23. Re:So goes a once-talented filmmaker by tg123 · · Score: 2
      Seriously, you make a handshake deal (Bet this deal was done in a pub)

      turn a few drawings into props for a major film and you lose all rights to use /make those props again ???

      How does that work ???

      Show me the paperwork that was signed.

      Sounds to me like George Lucas was being a cheapskate and ripping someone off.

      Is this great Wheel of Karma coming back or is it Luke defeating the Evil Emperor again ??? Use the Force .........

    24. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      Isn't there a Perl script that writes Star Wars scripts?!

      There is, but it's even bigger and convoluted than the scripts from Episodes I,II, and III.

    25. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 2, Interesting

      I have one of the Darth Vader light sabers. In the sense that it is one of the flashlight holders that was rented to the movie by the props agency. I bought it when the props agency closed. At the time of the movie, no-one knew it would be a success. A lot of stuff was rented from the various agencies in LA. My version of the saber can be seen hanging from DV's belt. Once the movies became successful, the franchise has rewritten the history of its props and has mislead people in the various exhibitions it has staged. In the first movie, no-one was designing kit for posterity, they were renting junk for a single movie.

    26. Re:So goes a once-talented filmmaker by Desler · · Score: 1

      But...but...him making these items was piracy!!!!

      A Lucasfilm spokeswoman said: "We believe the imaginative characters, props, costumes, and other visual assets that go into making a film deserve protection in Britain. The UK should not allow itself to become a safe haven for piracy."

    27. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I rather agree with this.

      I think that Lucas and Spielberg, were largely as good as they were because they dreamed big, and pushed the limits of what was possible, but when they couldn't push the limit any further they made good choices about what to keep and what to throw out. Now in the age of CGI, they don't have to throw anything out, they can have everything they wanted, and that lessens the quality of the work because in fiction it's the creator's choices about what's important and what's not important that make the difference in quality.

      Give them a shoestring budget and a cast of good actors who tend to ad-lob rather than follow the script too closely, and you'll get a good movie. Give them unlimited resources and a cast of yes-men and you'll get a mediocre special effects piece.

    28. Re:So goes a once-talented filmmaker by elrous0 · · Score: 2

      Of course. I was the one who wrote the original post, not him. I'm sure *he* also thinks his shit doesn't stink.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    29. Re:So goes a once-talented filmmaker by MBGMorden · · Score: 1

      That's a great lesson for you young creative types out there. Careful what you wish for.

      With a net worth of $3.2 billion, I seriously doubt George is regretting much these days. The people who say "money can't buy happiness" are typically all poor.

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    30. Re:So goes a once-talented filmmaker by Desler · · Score: 1

      Lucas has been rewriting history of Star Wars for quite some time. What's especially funny are the people who still believe the BS about the "nine stories" that he supposedly wrote. Yet in one of the documentaries for Episode 1 he said he didn't even start writing the story for Phantom Menace until the mid to late 90s. He's got a good scam going, though. There are very few groups of people that are more easily milked out of cash than Star Wars fanbois. The sad part is that in most cases Lucas barely has to spend any money to rake in hundreds of millions of dollars in return on his investment.

    31. Re:So goes a once-talented filmmaker by dunezone · · Score: 3, Informative

      There is a "Making of the Phantom Menance" video that you can watch on youtube. The look on Rick Mcallum's face after the first cut of The Phantom Menace is priceless. Then they go talk to the editors who tell them they cant fix any of the problems they see. This was a main point on the Red Letter Media review of the movie also. The only thing that saved them was that the movie would be a box office success no matter what.

    32. Re:So goes a once-talented filmmaker by theshowmecanuck · · Score: 1

      So you are saying in terms of the art world the only measure of success is money? I call bullshit. In business he sure has won big, but not as a moving maker. And that was the point of the OP. So your comment is off base.

      I really liked the first Starwars movie that came out (Episode IV for you anal retentive types), as well as enjoyed the second that came out. But when he figured out that marketing would make him even more money than a well done and still very profitable movie, he began his epic failures with the ewoks. They ruined the third movie for me and I can't watch it (I could overlook Mark Hamel's bad acting but the ewoks jumped the shark. The rest of the movies just sucked shit.

      I wish the studio hadn't given Lucas the marketing rights. Then the last four Starwars movies he did would be worth watching more than once. Hopefully he loses more court cases like this and decides to redo those movies properly. i.e. so they don't have so many stupid gimmicks like ewoks and jar jar movie ruiner (I'd like to sue Lucas for the money I spent on the tickets and popcorn for episode 1... and I never went to the theatre for the last two).

      --
      -- I ignore anonymous replies to my comments and postings.
    33. Re:So goes a once-talented filmmaker by elrous0 · · Score: 3, Informative

      Out of your entire list, only Scorsese is an exception to that rule. He got about 20 years instead of the usual 10.

      And the only influence that Lucas ultimately had on the "art and science of making movies" was in the influence that the special effects innovators working *FOR* him had.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    34. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      you mean it is over 5 lines of code !?!

    35. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      He has hundreds of millions of dollars in merchandising cash, him and his family will be living comfortably long after he's gone.

      You, on the other hand, are a troll on Slashdot.

      I'm thinking this little tirade of yours has more to do with the fact that you're a jealous little punk than any sort of artistic squabbling. Feel free to correct me in a post that I'll never read of course, paying attention to people like you is only encouraging you.

    36. Re:So goes a once-talented filmmaker by jitterman · · Score: 1

      The term "failure" certainly can be applied if one is discussing opinions on quality film making. If we're discussing how to make a boatload of cash, OTOH, then of course failure would not describe his outcome. You're correct that in his own eyes he's done a great job of making movies; it is painfully obvious that even the collaborators on his films (watch this) feel he has not. I agree with elrous0 - he failed to live up to the expectations and hopes of those of us who spent our formative years watching his first films and dreaming that we were a part of the story.

      --
      For conscience is the wound, and there's naught to staunch it
    37. Re:So goes a once-talented filmmaker by CastrTroy · · Score: 1

      This has a lot to do with it. Empire Strikes Back was on TV a while ago, so I decided to watch it. It's a terrible movie. This move has lost so much since I watched it 10 years ago. With Episodes I, II, and III, everybody who loved the first ones was now 30 years old, yet it was still made for young people to watch. This is why there was so much hate for tme.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    38. Re:So goes a once-talented filmmaker by UnknowingFool · · Score: 2

      I think that main problem with the prequels was the fact he was in total control and no one challenged him on anything. With the original three there were others that brought in their ideas like script writing and directing. I'm not advocating creating by committee but sometimes a fresh perspective can make something better.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    39. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      While I like Star Wars ( even saw the original in the movie theatre back in the 70's ) THX-1138 is way better. Low budget and dystopian to the extreme, he should have made more like THX!

    40. Re:So goes a once-talented filmmaker by elrous0 · · Score: 2

      Who's the bigger fool? The troll, or the anonymous coward who follows him?

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    41. Re:So goes a once-talented filmmaker by SirWhoopass · · Score: 2

      I agree, the "Lucas is greedy" bit is far overblown. Yes, he makes a ton of money. But he doesn't live like Donald Trump, even though he easily could. From all accounts, he has a rather modest lifestyle for someone of his wealth. He pours the money into what he likes: making films. He seems to enjoy it from the macro level, and isn't so good at the details.

      Plus, a lot of people overlook the influence of his former wife, Marcia. She edited Graffiti, Scorsese's Taxi Driver, and all three in the original Star Wars trilogy. For the prequel trilogy there was no studio or editor who could force hard decisions on Lucas.

    42. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      An afterthought merchandising deal on Star Wars meant that his big money-maker from that point on was toys and merchandise, not movies.

      Toys and merch make more money than movies? So you're saying he foretold the golden age of internet piracy and the new marketing strategies it forced upon us long before the internet was in everyone's homes? I'd call the man a visionary, then.

    43. Re:So goes a once-talented filmmaker by 91degrees · · Score: 1

      Given your views on the matter, why did you feel that anyone else would be remotely concerned with your opinion of how much Ameerican Grafitti sucked?

    44. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      Clearly, then, they are all wrong. You said so.

    45. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      Eastwood, the Cohen Brothers and Allen all have pretty strong cases for staying on the list. However, Lynch, Cronenberg, Tarantino, Anderson, Lee and Van Sant are pretty much the poster children of why the list exists in the first place.

    46. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      You realise he's only directed 3 films that weren't Star Wars episodes 1,2 and 3 right and that they were all great?

    47. Re:So goes a once-talented filmmaker by kilfarsnar · · Score: 1

      Well, from what I've been told, George Lucas' old wife helped touch up a lot of the original scripts (she actually won numerous awards for her work). Star Wars episode I was long after they were divorced, and she wasn't there to fix a lot of his mistakes.

      I see. So she was the one who could write dialogue?

      --
      "What the American public doesn't know is what makes them the American public." -Ray Zalinsky (Tommy Boy)
    48. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 1

      I agree. This 10 year rule is entirely bogus. Look at some of the greatest film directors int the world: Jean-Luc Godard, Ingmar Bergman, Federico Fellini, Rainer Werner Fassbinder, Yasujiro Ozu, Akira Kurosawa etc. I could easily list another 50 directors that have been producing films for greater than 10 years. Any film student would laugh at the original remark.

    49. Re:So goes a once-talented filmmaker by Lashat · · Score: 1

      Yeah, but he has an entire Marin county valley named after him in Northern California. Smith Ranch Road became Lucas Valley Road west of Highway 101. This while still being alive. Usually, people don't have things named after them until they are dead. (presidential libraries excepted).

      Having the county name a geographical region after you is a success.

      --
      For every benefit you receive a tax is levied. - Ralph Waldo Emerson
    50. Re:So goes a once-talented filmmaker by AvitarX · · Score: 2

      I thought the clone wars non-cgi animations were the best part of the new bits.

      Grevious as an undeterable jedi killing robot was actually a decent villain.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    51. Re:So goes a once-talented filmmaker by Pope · · Score: 4, Interesting

      I would tend to agree: Lucas is a great technologist (THX sound, ILM effects, starting Pixar), a man who had a great imagination and desire for story telling, but an absolutely lousy director. You need to connect with your actors to get great performances from them, and Lucas wasn't interested enough in that. There's a behind the scenes clip from "Star Wars" that takes place on the Death Star. The good guys finish the scene, Lucas yells "Cut!" and the actors ask how it was. Lucas says nothing for a while, then finally says it was OK. The actors sarcastically say "Finally! Thanks, George!" or similar.

      Then look at the making of Episode 1 and some of the clips on Red Letter Media, especially about the casting of Anakin. George chooses a worse actor and everyone just agrees with him so they don't rock the boat. Then during filming, he provides barely any direction to the actors at all, which is why everyone except for Obi-Wan comes off so damn stiff. I think Ewan realized early on he wasn't going to get any feedback and just had fun with it.

      I'm certainly willing to cut Lucas some slack on "Star Wars" due to studio pressure and his own relative inexperience, but he was never and actor's director and I doubt ever wanted to be.

      Now back to the topic: Hooray for the little guy! :)

      --
      It doesn't mean much now, it's built for the future.
    52. Re:So goes a once-talented filmmaker by MotorMachineMercenar · · Score: 1

      Uh, what? The #1 rule of screenwriting is show, don't tell. This is extended to dialogue, where terseness is a highly valued characteristic across the entire medium's history.

      --
      "We have an A-Bomb...what more do you want, mermaids?" --I.I. Rabi, speaking in defense of Robert Oppenheimer
    53. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      why did you feel that anyone else would be remotely concerned with your opinion of how much Ameerican Grafitti sucked?

      I didn't. Though last time I checked Slashdot was a place where we discuss things and *gasp* post our opinions on subjects. If my opinion bothers you so much maybe you should either GTFO or get thicker skin?

    54. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 1

      I didn't think the prequels could disappoint me any further, until I watched them again last week: then I noticed for the first time that it was Jar-Jar who brought ruin on the galaxy, by proposing the motion granting Palpatine emergency presidential powers, the critical moment in his term of office. I was dumbfounded at the stupidity of it all.

    55. Re:So goes a once-talented filmmaker by Archangel+Michael · · Score: 1

      What good is toiling away in obscurity making great films that nobody will see, and dying in poverty?

      I know a guy who writes lots and lots of songs that nobody will ever hear. It is sad.

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    56. Re:So goes a once-talented filmmaker by luis_a_espinal · · Score: 1

      Yeah, but he has an entire Marin county valley named after him in Northern California. Smith Ranch Road became Lucas Valley Road west of Highway 101. This while still being alive. Usually, people don't have things named after them until they are dead. (presidential libraries excepted).

      Having the county name a geographical region after you is a success.

      Stalingrad?

    57. Re:So goes a once-talented filmmaker by tg123 · · Score: 1

      But...but...him making these items was piracy!!!!

      A Lucasfilm spokeswoman said: "We believe the imaginative characters, props, costumes, and other visual assets that go into making a film deserve protection in Britain. The UK should not allow itself to become a safe haven for piracy."

      Holly crap Batman. We have to stop these evil feens from doing their dirty deeds.

    58. Re:So goes a once-talented filmmaker by FingerDemon · · Score: 1

      What does your heart tell you?

      I hope so. Yes, I guess...

      Ugh, now I need a shower.

      --

      "Contrarily the lookaside buffer might not be the panacea... "
    59. Re:So goes a once-talented filmmaker by 91degrees · · Score: 1

      My point was simply that saying the film sucked adds nothing to the discussion.

      Of course some people didn't enjoy it. This doesn't mean that George Lucas wasn't "considered an incredible up-and-coming young director", which is what i infer from your statement that Lucas was "always a total fail".

      So uhm... you didn't like it. Erm... okay... thanks for sharing. I like rocky road ice cream.

    60. Re:So goes a once-talented filmmaker by RoccamOccam · · Score: 2

      What does your heart tell you? I hope so. Yes, I guess... Ugh, now I need a shower.

      I don't remember that last line.

    61. Re:So goes a once-talented filmmaker by BitZtream · · Score: 1

      Stalingrad wasn't named after Stalin.

      Stalin named Stalingrad. He changed the name.

      Thats entirely different than other people changing a name because they think highly of you.

      The fear of being 'disappeared' causing a name change is not impressive or even the same thing as what happened to Lucas.

      --
      Persistent Volume manager for Kubernetes - https://github.com/dwimsey/openshift-pvmanager
    62. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      The term failures comes to mind when you see Episode I-III in the star wars saga. Now if he had produced them in the years after Episode IV-VI, then we would probably not talk about him this negatively....

    63. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 1

      Being a special effects pioneer doesn't make anyone a great director.

      Lucas has contributed an amazing amount to special effects, but is a hack as a director.

      Don't confuse the two.

    64. Re:So goes a once-talented filmmaker by bhcompy · · Score: 1

      The Ewoks jumped the shark, but the Luke-Leia-Han triangle made it a good movie regardless. Eps 4-6 were character stories with actors that invested themselves in the roles(even Billy Dee). That is what made them great. We liked the characters(or hated them). Eps 1-3 were special effects sets with characters as an afterthought. The only likable characters were Qui-Gon and Obi-Wan. The sad thing is that Eps 1-3 had a lot of good actors that completely mailed it in. Even Christopher Lee was underwhelming.

    65. Re:So goes a once-talented filmmaker by jitterman · · Score: 1

      Kurosowa made tons of great films; he's inspired many filmmakers and he's by no means obscure. Not everything Coppola did was great, but he is highly regarded and again, not obscure. Also, he wasn't poor. Sergio Leone, Woody Allen, the Coen brothers, Clint Eastwood, etc; all fit in this category.

      Closer to Lucas (but far more capable and with more integrity), Spielberg occasionally makes brilliant films. Certainly well-known, certainly not poor. More *like* Lucas, Cameron schlocks it on, makes a ton of money, and writes embarrassingly bad dialogue with bland stereotypical characters clearly aimed at the lowest common denominator. I don't fault him for making his money (nor Lucas), but I don't respect either of them as "artists", whereas the former individuals have earned both a comfortable living and critical respect of both peers and audiences.

      --
      For conscience is the wound, and there's naught to staunch it
    66. Re:So goes a once-talented filmmaker by Qzukk · · Score: 2

      What good is toiling away in obscurity making great films that nobody will see, and dying in poverty?

      He toiled away making great films that everyone saw, and got rich, so he stopped and let other people sell toys and books for him.

      When he finally decided to go back and milk the cow again after 16 years (during the last 10 of which he directed nothing and produced only The Last Crusade and Radioland Murders), there was only a skeleton and a bit of leather in the corner of the shed. That didn't stop him from trying anyway.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    67. Re:So goes a once-talented filmmaker by bhcompy · · Score: 1

      Maybe if they focused more on Grevious as a predecessor to Vader. It was a big gaping hole that they only tangentially made with the sickness and the heart and a few other bits.

    68. Re:So goes a once-talented filmmaker by Desler · · Score: 1

      My point was simply that saying the film sucked adds nothing to the discussion.

      Good for you?

      Of course some people didn't enjoy it. This doesn't mean that George Lucas wasn't "considered an incredible up-and-coming young director", which is what i infer from your statement that Lucas was "always a total fail".

      I didn't say that Lucas wasn't considered that. I said I thought he was always a shitty directory. Once again, I have a differing opinion. You need to get over yourself.

      So uhm... you didn't like it. Erm... okay... thanks for sharing. I like rocky road ice cream.

      And thanks for sharing that you get all whiny and bitchy over someone making a post you dislike. That truly added so much to this discussion as well.

    69. Re:So goes a once-talented filmmaker by redemtionboy · · Score: 2

      It's not that there wasn't enough dialogue. There's plenty of it, but it's the wrong dialogue and its delivery was poor. I'd blame the actors on delivery, but the ones that had issues with delivery in the new films are fantastic in others, so at that point I must refer solely to the director.

    70. Re:So goes a once-talented filmmaker by GooberToo · · Score: 2

      Most intelligent people saw the writing on the wall when he sued Battlestar Galactica way back when. He's been on a steady decline ever since.

    71. Re:So goes a once-talented filmmaker by aztektum · · Score: 2

      Spielberg anyone?

      Jaws -1975

      Schindler's List - 1993

      Jurassic Park - 1993

      Saving Private Ryan - 1999

      Munich - 2006

      Plus everything in-between, that's 30 years of, give or take, of making movies people "must see."

      Munich did not bring in the crowds like Jurassic Park, but it wasn't that kind of movie. It was still critically lauded and nominated for many awards.

      --
      :: aztek ::
      No sig for you!!
    72. Re:So goes a once-talented filmmaker by s13g3 · · Score: 2

      Really? Lucas isn't greedy? He musters the entire weight of his fortune, business and legal team against little guys selling bits of plastic; this is neither the first nor the only example of such behavior, as there is the beginnings of a clear pattern dating back to 1984 when he sued FASA Games over the use of the word "droid", leading to their game "BattleDroids" being renamed "BattleTech". I appreciate your sentiment, and would agree that Lucas' ex-wife probably had a lot to do with his earlier films being any good (since none of his films since then haven't been), but regardless of his lifestyle, he's still a greedy, arrogant schmuck.

      --
      "Inveniemus Viam Aut Faciemus" 'We will find a way... Or we will make one!' --Hannibal of Carthage
    73. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      kids these days...

    74. Re:So goes a once-talented filmmaker by GooberToo · · Score: 5, Informative

      I could have eaten a bowl of alphabet soup and shat a better plot than that.

      Actually, 1-3 literally have no plot. They are just a combination of random, usually conflicting and confusing words, and images.

      Don't believe me? Check these out. The narrative voice is annoying as all hell, and the reviews are very long, but he does an absolutely wonderful job of analyzing those "movies." Literally, they have no plot. If a film student were to produce that shit, they would be ejected from school.

    75. Re:So goes a once-talented filmmaker by berashith · · Score: 2

      was there a Natalie Portman shower scene only available on a special edition DVD set?

    76. Re:So goes a once-talented filmmaker by GooberToo · · Score: 2

      Because I'm sure he wouldn't see his own career as a failure

      Very likely, you're wrong. Look at how many of his movies he goes back to fuck up. That's typically a sign he does in fact see his previous accomplishments as a failure; either directly or indirectly.

    77. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I was more referring to the chase scene that spanned a few episodes, where he was picking them off slowly. I thought he was a totally bad-ass villain, and didn't really think any of the other villains in the new ones were any good. Grevious choking post neck-punch was kind of lame too.

    78. Re:So goes a once-talented filmmaker by nabsltd · · Score: 1

      Thats entirely different than other people changing a name because they want to suck up to you.

      FTFY

    79. Re:So goes a once-talented filmmaker by ginbot462 · · Score: 1

      Up mod: the Red Letter Media reviews for those that haven't seem .. hilarious, and pizza rolls.

      --
      Atlas Shrugged : Thematic Story :: Battlefield Earth : Organized Religion
    80. Re:So goes a once-talented filmmaker by smitty97 · · Score: 1

      sub amputate $weapon, @character, %body_part;

      --
      mod me funny
    81. Re:So goes a once-talented filmmaker by Pulzar · · Score: 1

      He musters the entire weight of his fortune, business and legal team against little guys selling bits of plastic

      You're exaggerating. If you decide that someone is selling something that you think you own, and you decide to sue him, you're going to use your corporate lawyers to do it, whether you're greedy or not.

      --
      Never underestimate the bandwidth of a 747 filled with CD-ROMs.
    82. Re:So goes a once-talented filmmaker by gknoy · · Score: 1

      They were a perfect opportunity to paint a horrific personal slide as an idealistic young man with the galaxy laid out before him becomes everything he hates becuase of hubris.

      You didn't see that? I thought I did, but I may be reading too much into it. I'm not sure how idealistic he was initially, but Anakin was certainly portrayed as a young, talented Jedi whose late start meant that he hadn't swallowed the moral kool-aid yet, and whose "horrific personal slide" (as you artfully put it) started when Palpatine manipulated him. He had a lot of hubris, and that made him very susceptible to feeling slighted when, for example, he wasn't made a Jedi Master. Couple that with the visions he was having of his wife dying, and Palpatine's promises that he knew how to save her, and I can certainly see how a young father could sacrifice his own soul (effectively) to try to save the ones he loves, not realizing that it was based on someone else's subterfuge. It's tragic. It's sometime hard to remember that when you see the spectacle on the screen, but there is still a core of a plot when you simplify it.

      Instead we got Meesa, younglings and _every_ lightsaber duel ending with hands chopped off.

      To be fair, it seems pretty believable that wrist removal would be a relatively common way for a saber duel to end. It was a common tactic in kenjutsu, wasn't it?

    83. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      Fool 1: Of course. I was the one who wrote the original post, not him.

      Fool 2: You, on the other hand, are a troll on Slashdot.

      Fool 3: Who's the bigger fool? The troll, or the anonymous coward who follows him?

      ... or the self-righteous off-topic git who follows the Anonymous Coward?

      ... or this Anonymous Coward here who follows the git?

      We're all in this boat together.

    84. Re:So goes a once-talented filmmaker by paiute · · Score: 1

      Isn't there a Perl script that writes Star Wars scripts?!

      There is, but its agent has demanded that said scripts can only be credited to Alan Smithee.

      --
      If Slashdot were chemistry it would look like this:Cadaverine
    85. Re:So goes a once-talented filmmaker by swb · · Score: 1

      I think the "Ten Year Rule" needs to be amended as "Ten Years or Five Great Films".

      Eastwood's directed a lot of half-assed films in his years -- Space Cowboys? Honkytonk Man? He's really only be given the directorial laurel in the last ten years, since maybe Mystic River.

      Scorsese is a great mob film director, but short of "The Departed" he hasn't had a lot of critical success since Casino and IMHO, hasn't had a ton of success in films that weren't mob films -- although his remake of Cape Fear was pretty good.

      Lynch has talent, but does he even have 5 great films? He's more auteur than filmmaker of great films.

      The Coen Brothers are talented, but are that many of their films great? IMHO, not, there's more than a couple of marginal films in their library.

      The only one on the list who seems to have defied the odds is Woody Allen, and it depends on whether or not you care for most of his catalog of the last 15 years, as IMHO, "Husbands and Wives" is kind of the last great "Woody Allen" film. I've liked his recent efforts, but they're somewhat different from a "Wood Allen" film.

    86. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I understood what the original poster meant. He was talking about film as art, and Lucas as a failure in that respect. But you do not see art you see through it, and assumed he meant financial potential.

      By far most of our culture's cherished artists were folks who bucked trends and commercialism. The true value of their works is often not noted at the time of their creation, hence Picasso etc. were financial failures.

    87. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I've read many interviews where GL says he'd like to make small, artsy films. He hasn't made those and either can't or never will. Yes, I love "the first one" (the one that came out in 1977) but my favorite GL film-going experience was seeing a nice print of THX-1138 on a really big screen in 1990. It's a film-school film for sure (and I went to film school ;-)) but it really *works* visually on a big screen with all those vistas of sterile white "showing" as opposed to talking.

    88. Re:So goes a once-talented filmmaker by The+Grim+Reefer2 · · Score: 2

      You're forgetting about THX 1138 which for a student project, starring Duvall and Pleasence, was a true sci-fi piece of brilliance. Too bad about most everything afterwards.

      Actually he did two versions. Electronic Labyrinth: THX 1138 4EB was the the student project in 1967. The 1971 movie THX1138 was the Warner Brothers/American Zoetrope version based on the short he did as a student in 1967.

    89. Re:So goes a once-talented filmmaker by herksc · · Score: 1

      Perhaps I'm missing something, but Clint Eastwood directed his first film in 1971, and probably did his best with Letters from Iwo Jima in 2006. The Coen Brothers did Blood Simple and raising Arizona in the 80s, and then No Country for Old Men in 2007. Surely some of this is up for debate?

    90. Re:So goes a once-talented filmmaker by el+borak · · Score: 2

      Any director that says "I don't like the talking parts" should never be a director.

      You mean like Kubrick did in 2001?

      --
      An imperfect plan executed violently is far superior to a perfect plan. -- George Patton
    91. Re:So goes a once-talented filmmaker by SuricouRaven · · Score: 2

      The lightsabres cut through flesh and bone like a hot knife through butter. The surprising thing isn't that hands get chopped off, it's that anyone finishes the training with all their limbs still attached. How many corpses get thrown out the back of the Jedi academy for each one who graduates? They don't even use training swords - right from the time they are barely old enough to walk they are using the omni-slicer.

    92. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 1

      or maybe the rule is stupid, you got way more creativity if you keep doing creative stuff, while you lose creativity, if you stop doing stuff.

    93. Re:So goes a once-talented filmmaker by The+Dawn+Of+Time · · Score: 1

      Well you've really hammered home your point.

      Assuming your point is that you're a rabid asshole.

    94. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      You made a stupid comment and now your busy trying to defend it. Quit it. It's over. Just admit you made a mistake and end this futile attempt to prove your silly 'theory' on the life span of 'creative' juices.

    95. Re:So goes a once-talented filmmaker by jahudabudy · · Score: 1

      I have never been so proud as when my 3 year old niece said Empire Strikes Back was her favorite Star Wars movie. She does like Jar Jar, but hey! She's only 3...

      --
      ...sometimes, in order to hurt someone very badly, you have to tell that person terrible lies. - PA
    96. Re:So goes a once-talented filmmaker by Cederic · · Score: 1

      Because I'm sure he wouldn't see his own career as a failure, especially since he's probably too busy counting all of his money to care about what others think.

      Where I come from people value more than just money.

      (I don't come from America)

    97. Re:So goes a once-talented filmmaker by Cederic · · Score: 2

      Whoa! Differentiate between early and late Cameron please.

      The Terminator and T2 were excellent films. Aliens is close to being perfect.

      I'll concede that he hasn't maintained that level, but he has demonstrated a level of vision, technical skill and artistry far beyond Lucas.

    98. Re:So goes a once-talented filmmaker by hesaigo999ca · · Score: 1

      >The ten-year-rule for directors is that, give or take,...
      This did not apply to Cameron though, and therefor is null and void as a rule...based on evidence to the contrary.

    99. Re:So goes a once-talented filmmaker by drinkypoo · · Score: 1

      Someone stockpiling a lot of money and NOT spending it is more harmful than someone who DOES spend it, because there is no "trickle down" effect when the money is not flowing (which is what is wrong with the idea of "trickle down" economics in the first place — there are too many ways to make money without actually contributing to development.) I'd rather see someone make a billion dollars a year and spend it all than make a million and spend half. When they die a big piece will be eaten by the government for nothing.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    100. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I guess I am. Following this thread is actually quite entertaining. Please continue.

    101. Re:So goes a once-talented filmmaker by Defenestrar · · Score: 1

      Well, from what I've been told, George Lucas' old wife helped touch up a lot of the original scripts (she actually won numerous awards for her work). Star Wars episode I was long after they were divorced, and she wasn't there to fix a lot of his mistakes.

      I see. So she was the one who could write dialogue?

      Got it in one.

      You don't think they took time to discuss it in a committee did you?

    102. Re:So goes a once-talented filmmaker by Grishnakh · · Score: 2

      Star Wars was such a huge hit because of timing and his special effects. I remember back then - there wasn't anything like it before: special effects is what made it.

      There was more to it than that. It was a classic good-and-evil story with some mythology ("the Force") thrown in, some very entertaining characters, amazing sets and alien costumes, space ship battles, and of course the lightsabers. A lot of very unique ideas, and while not really high art (the plot was straightforward and mundane), it was very entertaining. Some of it was a little campy, but then again in the 70s, everything was campy, plus that can be a nice alternative to the hyper-realism that things have now. Movies are supposed to be an escape from reality; I really don't like movies that show the most nitty-gritty life in all its gory details, I want to see something that makes me think positively.

      Even so, those movies could have been a lot better. Even for the 70s, Star Wars (ep4) was a little too campy, and ep6 had problems. ESB showed what those movies really could have been if Lucas had stuck to his strengths--FX, costumes, visuals, etc.--and let someone more capable handle the direction and script. The script and especially dialog are his absolutely worst qualities, as we saw in the Prequels. Small children could write better dialog than he can.

    103. Re:So goes a once-talented filmmaker by Grishnakh · · Score: 1

      Maybe those were special training lightsabres, with the feel and cool glow, but without the ability to cut through anything.

    104. Re:So goes a once-talented filmmaker by Grishnakh · · Score: 1

      Seconded.

      And Avatar wasn't an embarrassingly bad movie, either. It wasn't nearly as good as Aliens of course, but it didn't descend to the depths of the Prequels either.

    105. Re:So goes a once-talented filmmaker by next_ghost · · Score: 1

      Small kids use training sabers, you know? Those things can't harm you any more than the training remote Luke was training with on board Millenium Falcon in Episode 4. The first real lightsaber a Jedi gets is usually the one he builds himself at the end of his basic training. And by then, he should be able to use it without cutting himself to pieces.

    106. Re:So goes a once-talented filmmaker by Grishnakh · · Score: 1

      I disagree. You need a big budget to make a really good sci-fi movie that involves space ship battles, other planets, etc. Otherwise, you're stuck with Moon, which was a good movie, but it was stuck inside a small station for the vast majority of the film. That's fine for a one-off, independent movie, but we're talking about space opera movies here: space ships, crazy-looking aliens, going to different worlds, etc. You need FX and money for that.

      Giving Lucas a shoestring budget isn't going to magically help him write good dialog. The only way to do that is to remove Lucas from the scriptwriting altogether, and let someone else do it. And get someone else to direct it too, because he sucks at that. The only thing Lucas is good at is visual design and FX, and you could get some great big-budget movies if you could convince his egomaniac ass to stick to those roles while other, more talented people handle the direction and scriptwriting.

      How about a space movie with Lucas on FX and visuals and Jon Favreau as director?

    107. Re:So goes a once-talented filmmaker by SuricouRaven · · Score: 1

      They certainly *look* like lightsabres. Shorter, yes. But still distinctively glowy. I don't recall the films specifying them to be special training sabres (All glow, no slicy) but it might just be part of the extended universe works.

    108. Re:So goes a once-talented filmmaker by russ1337 · · Score: 1

      +1 insightful.

      After watching the plinket reviews you referenced, I purged the 1-3 movies from my collection. I now realize just how bad they are.

        I still enjoy 4-6 though.

    109. Re:So goes a once-talented filmmaker by elrous0 · · Score: 1

      James Cameron's period lasted from Terminator (1984) until True Lies (1994). He's actually a rather ideal example (truthfully, I'm being a bit generous, there was a notable decline even by True Lies). Titanic and Avatar were simple, overrated garbage in comparison to his earlier work. Titanic is just your typical love story (and surprisingly boring) and Avatar is just a flashy rehash of the tired "outsider meets with, comes to admire, and ultimately joins, the noble savage" story structure used in everything from Little Big Man to Dances With Wolves.

      In his heydey, Cameron was incredible at mixing traditional action with great characters and character interaction. He was sort of like the John Sayles of action movies. The scenes in Aliens where the marines are just sitting around bullshitting are more interesting to me than any CGI'ed flight scene in Avatar, no matter how visually impressive the latter. He had an incredible knack for creating realistic characters, throwing them together in the most stressful of situations, and making you feel for them all. He could flesh out a whole roomful of characters, in a few opening scenes, better than most directors could flesh out their single protagonist over the course of their whole movie.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    110. Re:So goes a once-talented filmmaker by Darinbob · · Score: 1

      But how is success defined? Is it just money, or is there also success also come from the praise of your peers, a lasting legacy, an enduring body of art?

    111. Re:So goes a once-talented filmmaker by ManTaboo · · Score: 1

      It's amazing to think what the hell this guy has become. I just read this story here, the other day. I pity you George Lucas. Another example of a person with a vision (at least through episode VI) becoming corrupt over the almighty dollar! Disapointing is an understatement.

    112. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I think that main problem with the prequels was the fact he was in total control and no one challenged him on anything. With the original three there were others that brought in their ideas like script writing and directing. I'm not advocating creating by committee but sometimes a fresh perspective can make something better.

      I think the word you're looking for is collaboration ("creating by committee" is a very loaded phrase). While some forms of art are best undertaken by a single individual because of the limitations of the medium, like painting and composing classical music, most of the time 2-3 heads are better than one. The first three films (Episodes IV-VI) demonstrate that abundantly. (See also: the Beatles, the Rolling Stones, Pink Floyd, and the respective solo careers of their constituent musicians.)

      In some sense film is an inherently collaborative medium, but only up to a point unless you put some kind of checks and balances in place. Every creative artist has his or her own excesses and shortcomings, but collaborators help limit the first and compensate for the second. Other people are good at things you suck at, and will stand up to your self-indulgences.

      Someone like Lucas has too many excesses and shortcomings to be allowed complete creative control over any project. He may have a spark of brilliance, and obviously has one hell of a lot of ambition, but he needs people to tell him when he's full of shit, because he so frequently is.

      For many creative people, the worst possible thing for their work is for all limitations to be removed, both human (other people standing in your way) and practical (technological limitations in the medium). All too often, when they're finally allowed to do whatever they want, we find out that "whatever they want" is actually really boring and stupid and heavy-handed and obvious -- and that the most interesting thing about their art was really their creative response to unexpected or immovable obstacles.

    113. Re:So goes a once-talented filmmaker by silverspell · · Score: 1

      Huh, I completely disagree. I watched the original three movies on TV recently, for the first time in ages, and I was impressed by how well they hold up. They're not perfect, and some of the aura around them is a kind of self-fulfilling prophecy, i.e. we're measuring them against their own yardstick so of course they come out well. Still, there's a sense of momentum and verisimilitude and spontaneity ("I know.") that's totally absent from the prequels. Then again I find that almost all 20th-century SF movies are more satisfying than their 21st-century equivalents, including the ones I hadn't seen when I was a kid (so it's not just nostalgia talking). Most recent SF movies feel like someone shouting "Fuck you!" in my ear while force-feeding me an energy drink. For two hours.

    114. Re:So goes a once-talented filmmaker by wed128 · · Score: 1

      My KINGDOM for mod points!

    115. Re:So goes a once-talented filmmaker by snowgirl · · Score: 1

      Ehhh, I don't think it has anything to do with greed. I think it has to do with that George Lucas is a great producer but a horrible director. Any director that says "I don't like the talking parts" should never be a director

      This statement should apply equally well to Michael Bay.

      --
      WARNING! This girl exceeds the MAXIMUM SAFE standards established by the FDA for BRATTINESS
    116. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I have to respectfully disagree. His new synthetic style of film-making where everything is generated by a computer opens the door creating to all kinds of different stories, and the prequels have redeemed the Star Wars franchise.

    117. Re:So goes a once-talented filmmaker by Belial6 · · Score: 1

      But please, tell me how I can have an "objective" opinion?

      That easy. Just agree with mine!

    118. Re:So goes a once-talented filmmaker by joss · · Score: 2

      > They were a perfect opportunity to paint a horrific personal slide as an idealistic young man with the galaxy laid out before him becomes everything he hates becuase of hubris.

      Star wars 1-3 did a perfect job of this, as long as the young man you're talking about is George Lucas.

      --
      http://rareformnewmedia.com/
    119. Re:So goes a once-talented filmmaker by Golddess · · Score: 1

      There was even a part in one of the extras for the first DVD where George Lucas said "Jar-Jar is the key to it all" or something to that affect. At the time I watched it, I hadn't yet seen the third movie (it was the third movie with the scene you just described, yes? Otherwise it was the second I hadn't yet seen), so thought Mr Lucas was joking. How wrong I turned out to be..

      --
      "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
    120. Re:So goes a once-talented filmmaker by Kittenman · · Score: 1

      But how is success defined? Is it just money, or is there also success also come from the praise of your peers, a lasting legacy, an enduring body of art?

      Well said. Think about Van Gogh. When alive, he was dirt poor and ridiculed as a waste of space. Roll on a century and a bit, and he's said to be the best artist around. His work is priceless. Ok, he died dirt poor and is still dead - but looking back from where we are now, he added a lot to civilization. The collective value of the race (ok, high faluting' stuff. Sorry).

      Money isn't everything.

      --
      "The greatest lesson in life is to know that even fools are right sometimes" - Winston Churchill
    121. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      You're leaving out Spielberg's other greats, which would show that he's slowing down. He also makes _a lot_ of movies, so it could be argued that he's just taking the many darts approach to getting a bulls-eye.

      I'd say the real director being forgotten is Herzog.

    122. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      No one challenged him because they wanted to stay employed. Or they were afraid of being outcast by the other production crew members. Sorta like " Mr. Lucas made all of these blockbusters. Who does this nobody think he is, telling Mr. Lucas he's wrong?"

      Believe or not, there is a hierarchy in Hollywood and most of those people working on the prequels were trying to make it in the movie business. I think about the only people that had the stature to directly challenge GL were Steven Spielberg, who I think helped early on in the Phantom Menace, and John Williams. Judging by the "making of" documentaries at the end of the special editions of the DVDs, Rick Mccallum didn't look like he'd be too comfortable confronting GL. He looked almost afraid.

    123. Re:So goes a once-talented filmmaker by sentientbeing · · Score: 3, Informative

      The RedLetterMedia reviews are better than the movies. Theyre fantastic.

      --

      ------
      beware he who would deny you access to information, for in his mind he dreams himself your master
    124. Re:So goes a once-talented filmmaker by JohnBailey · · Score: 1

      What good is toiling away in obscurity making great films that nobody will see, and dying in poverty?

      Because only shitty movies are successful? Or doers your inverse snobbery equate good with art house stuff that gets a showing at a film festival, and nothing is ever heard of them again?

      Peter Jackson has made some really good movies. Brain Dead was hilarious, The LOTR trilogy is great. King King, watched once, and it was ok.

      Tim Burton does some great work. Dark but entertaining too. And beautifully visualised. Are they obscure and penniless? I'm sure I could find many many more who are making enough money to satisfy your idea of success, but still do good work, not just flash in the pan bargain bin in six months movies.

      I know a guy who writes lots and lots of songs that nobody will ever hear. It is sad.

      And if he enjoys writing them, he has fulfilled the purpose of the exercise.

      If the only way you can assess worth is financially, then the failing is yours.

      --
      It is difficult to get a man to understand something when his job depends on not understanding it.
    125. Re:So goes a once-talented filmmaker by yoshi_mon · · Score: 1

      I think it is more that Lucas is more a control freak rather than simply money greedy. Yeah it is a bit of a nuanced difference but it seems to fit in this case.

      --

      Really, I know what I'm doing...Ohhhh, look at the shiny buttons!
    126. Re:So goes a once-talented filmmaker by Jeremy+Erwin · · Score: 1

      Yes. It involves hot grits, nakedness and. of course, petrification.

    127. Re:So goes a once-talented filmmaker by lennier · · Score: 1

      When they die a big piece will be eaten by the government for nothing.

      No, by your exactly argument above, a big piece of that dead money which was sitting there doing nothing will be spent by the government purchasing useful goods and services for the population/em., thereby stimulating the economy.

      Here's to my taxes. They buy civilisation.

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    128. Re:So goes a once-talented filmmaker by wickedskaman · · Score: 1

      THIS.

      --
      Sand's overrated... it's just tiny little rocks.
    129. Re:So goes a once-talented filmmaker by wickedskaman · · Score: 1

      Jar-Jar did not ruin the movie. Horrible writing, shooting, directing, and acting did. Anakin's character is more annoying and infuriating than Jar-Jar.

      --
      Sand's overrated... it's just tiny little rocks.
    130. Re:So goes a once-talented filmmaker by PopeScott · · Score: 1

      Picasso wasn't a financial failure. Many of the artist of that time were quite wealthy in fact. That poor starving genius artist thing is mostly a lie, based mostly on Van Gogh.

    131. Re:So goes a once-talented filmmaker by Nyder · · Score: 1

      This may be hard for a lot of younger people to believe, but there was actually a time in Hollywood when George Lucas was considered an incredible up-and-coming young director. Coming off of American Graffiti, a lot of people were thinking he would be the next Francis Ford Coppola. He was widely regarded as being in the same league (maybe an even better one) as Martin Scorsese coming off Mean Streets.

      But then the greed got him. An afterthought merchandising deal on Star Wars meant that his big money-maker from that point on was toys and merchandise, not movies. He stopped directing and let his best years pass him by. The ten-year-rule for directors is that, give or take, most directors have about 10 years of truly creative energy. And with the mountain of money he was sitting on from toys, he just sat back and let his expire. Now we'll never know what he might have done if he had to struggle, if he had kept working.

      That's a great lesson for you young creative types out there. Careful what you wish for.

      That is the best summary of Lucas I have ever heard.

      thank you.

      --
      Be seeing you...
    132. Re:So goes a once-talented filmmaker by theshowmecanuck · · Score: 1

      Oh God, I forgot about Anakin. I think that was the human ability to block extreme pain and horror from entering our conscious mind. Thank you for making relive those fucking horrible memories. I disagree that Anakin is more annoying. But I will concede that they are equally repugnant. And yes, they ruined the movie because the horrible writing and production included those characters and their actions and dialogue. The necessary suspension of disbelief in a galactic civilization was impossible because of the whole production. Those races that Anakin was were just retarded and made only for marketing toys. As was jar jar and the stupid soldier robots. Let's face it, the whole movie just sucked shit. Like I said elsewhere: CGI ruined special effects movies. The only movies I can think of that CGI was any good was maybe the Lord of The Rings trilogy with Gollum... but that was *just* passable. The ghost army sucked in my opinion, as did the oliphants and much of the CGI that was used in the foreground. The background CGI was fine (and until it is flawless that is where it should stay, filling in background elements). But I enjoyed those movies much, much more than Lucas's lastest shit. (But I wish they hadn't made the brave and stalwart Frodo into a whiny pussy only able to finish things because of Sam... but that is another story.)

      --
      -- I ignore anonymous replies to my comments and postings.
    133. Re:So goes a once-talented filmmaker by Isaac+Remuant · · Score: 1

      Besides, many people enjoyed that movie (even if we all forgot about it 2 days later). We may agree it is far from brilliant or original but if it entertained a huge number of people and made a profit from doing good advertising can you really fault them?

      --
      "Science can amuse and fascinate us all, but it is engineering that changes the world. " - Asimov.
    134. Re:So goes a once-talented filmmaker by Drgnkght · · Score: 1

      True, Avatar wasn't embarrassingly bad.

      The only thing about Avatar that constantly set my teeth on edge was the usage of the word "Unobtainium". That was probably the most glaringly inappropriate mineral name I have ever heard used in a SciFi movie. They were mining it; it wasn't exactly unobtainable. It didn't exactly do wonders for my suspension of disbelief either.

      Other than that I didn't think it was all that bad.

    135. Re:So goes a once-talented filmmaker by drinkypoo · · Score: 1

      Unfortunately, the majority of the money is spent either on military adventures or military pensions (i.e. past military adventures.) So really, the money will be spent bombing brown people for profit.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    136. Re:So goes a once-talented filmmaker by lennier · · Score: 1

      Yes, that's exactly why 2001 fails to be the science-fiction masterpiece it was trying to be and instead ended up just a nice tech demo / screensaver, watchable if you turn the sound off.

      --
      You are not a brain: http://books.google.com/books?id=2oV61CeDx-YC
    137. Re:So goes a once-talented filmmaker by Drgnkght · · Score: 1

      Anakin's character...

      Wow, you totally lost me right there. Anakin had character? :-P

    138. Re:So goes a once-talented filmmaker by Lanteran · · Score: 1

      Especially considering that it was what Amidala was supposed to prevent by being in office in the first place- you'd have thought they would have at least explained to him what politics were before granting him a position in the galactic senate.

      --
      "People don't want to learn linux" hasn't been a valid excuse since '03.
    139. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      You're not seriously giving props to Woody Allen for his yuck yuck humor and utterly pointless films, are you?

    140. Re:So goes a once-talented filmmaker by hexagonc · · Score: 1

      Blasphemy! Epic comment fail! Although it didn't do very well at the box office in its day, 2001 is pretty universally considered one of the best sci fi movies ever made. Even in its time, it won 4 Academy awards (ref). No other sci fi movie (Apollo 13 by Ron Howard doesn't count since I don't consider that sci fi) before or since has had a more realistic portrayal of space travel and life in space (sans the whole warp speed travel at the end). From a pure technology standpoint, the movie still isn't particularly dated, even after 40 years. Quoting Wikipedia to drill the point home:

      2001 was #15 on AFI's 2007 100 Years... 100 Movies, was named #40 on its 100 Years, 100 Thrills, was included on its 100 Years, 100 Quotes ("Open the pod bay doors, Hal."), and HAL 9000 is the #13 villain in the AFI's 100 Years... 100 Heroes and Villains.[154] 2001 is the only science fiction film to make the Sight & Sound poll for ten best movies, and tops the Online Film Critics Society list of "greatest science fiction films of all time."[155] In 1991, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry. Other lists that include the film are 50 Films to See Before You Die (#6), The Village Voice 100 Best Films of the 20th Century (#11), the Sight & Sound Top Ten poll (#6),[156] and Roger Ebert's Top Ten (1968) (#2). In 1995, the Vatican named it as one of the 45 best films ever made (and included it in a sub-list of the "Top Ten Art Movies" of all time.)

      Jesus Christ! Do you even like sci fi?

    141. Re:So goes a once-talented filmmaker by Grishnakh · · Score: 1

      Yeah, that could have been done better. I suspended my disbelief with this rationalization: perhaps it had a real name, but it was one of those ridiculously long and complex chemical names (like the ones that have numbers and commas in them). Because the real name was unwieldy, and because it wasn't even obtainable on Earth and had to be mined in another star system, someone coined the nickname "unobtainium", using the old engineering term, and the nickname stuck. Would have been nice if someone had explained away the stupid name in the movie dialog, however.

    142. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I couldn't agree more. Avatar was an okay movie, save for the awful name "unobtainium", which was unacceptably lame.

    143. Re:So goes a once-talented filmmaker by mgiuca · · Score: 1

      I find this interesting because I usually consider myself to be a copyright minimalist. But I feel like Lucas should have a (moral) case here, if nothing more than the branding.

      I often liken it to John Williams' Star Wars score. He created it -- Lucas can't take credit for it. But he created it for Lucas, and was paid for it. Williams can't just turn around now and say "well I own the Star Wars music, so I can do what I like with it." For example, if someone paid Williams money to use the Star Wars theme for their big-budget movie, that would be wrong: Williams doesn't have the right to say "you can use my Star Wars music in your movie." If that happened, you might mistake this movie for an official Star Wars film. Isn't that essentially what this helmet guy is doing?

      It certainly is a shade of grey here.

    144. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      No.

      But there was a Natalie Portman jiggly-boobs and bare-belly in the kitchen scene on the Clone Wars Special Edition deleted scenes extras.

    145. Re:So goes a once-talented filmmaker by jtnix · · Score: 1

      I remember thinking the same thing, and then I thought, was that a point he was trying to make? An allegory to today's society of manipulative secondary officers / secret masterminds manipulating simpletons into high office and after?

      Once that thought kicked in, I re-watched the prequels and carefully noted the plot points and political dialogue. There is a lot in there that completely passes over the heads of the common viewer/voter who are just waiting for the next lightsaber fight. Maybe Lucas piled so many special effects on the thing to detract from the actual storyline? A storyline that could have been told in a much better way, but maybe that was also the point.

      You realize US citizens have Sarah Palin looming on the horizon. The fact that she don't know sh*t about US politics or history and isn't sore on the eyes must have a million GOP high-rollers chomping at the bit for election. What a wonderful puppet to master! And they sure as hell know the voters will go for whatever they see on TeeVee, because it's the truth, dammit!

      In about 10 years some undergrad will write of the hidden gems in the 'oft-maligned Star Wars prequel trilogy.' Perhaps not like they've been doing with Kubrick's stuff, but I bet it will be pretty close.

      --
      She blinded me with science, she tricked me with technology. ~ Thomas Dolby
    146. Re:So goes a once-talented filmmaker by another_twilight · · Score: 1

      I'm a little late and dangerously offtopic, but for a list of 21stC movies that compare favourably (IMHO) to the 20th, I recommend the following;

      Pitch Black
      Avalon
      Donnie Darko
      28 Days Later
      Minority Report
      Solaris
      Immortal
      Night Watch
      Primer
      Sky Captain and the World of Tomorrow
      A Scanner Darkly
      Children of Men
      Renaissance
      V for Vendetta
      District 9
      Moon
      Watchmen
      X-Men First Class

      I've cribbed from the wiki pages for SF films of the 2000s and 2010s. Grain of salt. YMMV, etc.

    147. Re:So goes a once-talented filmmaker by JosKarith · · Score: 1

      And I was beginning to wonder if I'd been too subtle with that one. Thank you.

      --
      'Don't worry' said the trees when they saw the axe coming, 'The handle is one of us.'
    148. Re:So goes a once-talented filmmaker by JosKarith · · Score: 1

      There were elements of what the story could have been, but it was a pale shadow of how Anakin's slide could have been portrayed.

      --
      'Don't worry' said the trees when they saw the axe coming, 'The handle is one of us.'
    149. Re:So goes a once-talented filmmaker by JosKarith · · Score: 1

      In the fluff the yellow training sabres don't cut through things - though they do sting like hell.

      --
      'Don't worry' said the trees when they saw the axe coming, 'The handle is one of us.'
    150. Re:So goes a once-talented filmmaker by Ezel · · Score: 1

      Dunezone didn't give a link, but I think this is what he was refering to:
      http://www.youtube.com/watch?v=nBjf3I_2fOw&t=4m41s

      --
      Prosp long and liver.
    151. Re:So goes a once-talented filmmaker by tmarsh86 · · Score: 1

      I could easily list another 50 directors that have been producing films for greater than 10 years.

      Anyone can direct films for more than 10 years, but that's not what the OP was talking about. The point of the list is that they be REALLY GOOD films- films that push the creative envelope and show the director at the peak of their craft. There are exceptions, of course, but compared to the overall number of directors that have come down the pike in the last 60 years, there aren't many. And I don't think you can count someone who made a couple of good films, then did mostly crap for 25 years before doing something good again(looking your way, Clint). I like the "10 Years or 5 Great Films Rule" someone suggested elsewhere here, because that would cover someone like Stanley Kubrick who made 5 truly awesome films, but only 13 total films over 46 years.

    152. Re:So goes a once-talented filmmaker by next_ghost · · Score: 1

      Training sabers are not mentioned in the films but they are referenced in video games like Jedi Knight: Jedi Academy. Rosh Penin complains that he doesn't want to use training saber in the intro cinematic.

    153. Re:So goes a once-talented filmmaker by Anonymous Coward · · Score: 0

      I would tend to agree: Lucas is a great technologist (THX sound, ILM effects, starting Pixar), a man who had a great imagination and desire for story telling, but an absolutely lousy director.

      Oh, I see, George Lucas is a great technologist who made all these companies. I had always thought it was the creative workers in those companies that made them special.

      I wrote an essay on this for the GRE, scored a 6 (you'd have to write summat awful to score less than 6). The topic was regarding whether great men change history or if it's the efforts of many men. My theme was that humankind is lazy and that we credit great men with great acts because we are incapable of paying attention to the myriad people who actually did those great things.

    154. Re:So goes a once-talented filmmaker by hesaigo999ca · · Score: 1

      >James Cameron's period lasted from Terminator (1984) until True Lies (1994)
      Titanic was the biggest box office money maker, and has yet to have that record broken, and as for Avatar, this is to me the best of his movies yet....so I guess it all plays out on your opinion vs. my opinion of what good movies are....and unfortunately fro you, clearly washes away your 10 year theory about movie directors.

      Mel Gibson is another one, so is Clint Eastwood, and George Clooney, whom all had longer streaks then 10 years.
      Sorry bud, let it go....it will just add to your pain.

    155. Re:So goes a once-talented filmmaker by cforciea · · Score: 1

      I laugh that somebody still uses terms like "trickle down effect" with a straight face. The rich are getting richer and you're not. The trickle you feel is just them peeing on you.

    156. Re:So goes a once-talented filmmaker by metrix007 · · Score: 1

      So they had CGI in the 40's? Huh. If only some had let Welles know.

      --
      If you ignore ACs because they are anonymous - you're an idiot.
    157. Re:So goes a once-talented filmmaker by Hylandr · · Score: 1

      Tilting the Camera is not CGI. Go take a few history lessons.

      - Dan.

      --
      ~ People that think they are better than anyone else for any reason are the cause of all the strife in the world.
    158. Re:So goes a once-talented filmmaker by metrix007 · · Score: 1

      Right, except the star wars films did have CGI innovations. You implied they started when Lucas was a kid, which is simply wrong.

      --
      If you ignore ACs because they are anonymous - you're an idiot.
  2. Was this guy... by SwampChicken · · Score: 1

    ....responsible for any other SW helmet designs? [slowly caresses credit-card]

    1. Re:Was this guy... by TenDollarMan · · Score: 1

      Of course he was.

      I find your lack of faith... disturbing...

    2. Re:Was this guy... by Grumbleduke · · Score: 1

      Yes - and the original English High Court case also concerned several other helmet designs. They just went with the stormtrooper helmet in the appeal courts (and press) because it was the most obvious, and the law applies the same to all of them.

      The High Court judgment included an appendix with some of the original concept art and stills of models used as evidence and to describe the different models.

  3. "galactic proportions" by exabrial · · Score: 1, Insightful

    facepalm, ow

  4. List of Lucas supporters by Nidi62 · · Score: 5, Informative

    From the article, a list of people that supported Lucasfilms in the lawsuits: Spielburg, Peter Jackson, James Cameron, Jon Landau, Brian Henson (Jim Henson's son). These guys just saw a lot of their monopolistic merchandising rights in the UK disappear.

    --
    The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    1. Re:List of Lucas supporters by Xest · · Score: 5, Insightful

      Yes, and the UK just saw the first evidence for 10 years that in a small hidden away part of the universe, sane copyrights do exist!

      Even though this guy won, the case basically said Lucas had 15 years to monetise the design, and since then this guy, who moulded the original helmets, may now make some money off that having seemingly made fuck all from the original billions the Star Wars franchises netted Lucas and friends.

      All in all, it seems like a decent outcome. Lucas got to make his money from story telling and directing, this guy got to make money from his talent- creating props. Is that such a bad thing? Should Lucas really have been able to make money on even the bits he was talentless at? Even there he had 15 years to do so it would seem!

    2. Re:List of Lucas supporters by mcvos · · Score: 1

      What I don't get about this is: Lucas claims the helmets are sculptures and therefore protected by copyright. But why would Lucas hold that copyright? Andrew Ainsworth made the prototype and all individual helmets, and as I understand it, the deal was sealed on a handshake, so he didn't sign away any rights whatsoever. So even if it's death + 70, it's still his, and only his. Right?

    3. Re:List of Lucas supporters by Anonymous Coward · · Score: 0

      ...plus have a look at this picture. Don't they just look like little Darth Vaders? So who owns the copyright to the Darth Vader likeness?

    4. Re:List of Lucas supporters by Anonymous Coward · · Score: 0

      Exactly. If Lucas had designed the helmets and Ainswort merely built them, he'd have a case. But it wasn't like that. It was more like "That's a cool helmet, I wanna buy some for my movie." With no rights transferred, Ainsworth should have been able to sell helmets even the first 15 years. Lucas has other cash cows - the movies themeselves and all the stuff he did design (or actually purchased the design for).

    5. Re:List of Lucas supporters by 91degrees · · Score: 1

      I was wondering that myself. Presumably the article is written by someone without a good understanding of how the law works and there are some relevant aspects he's missed.

    6. Re:List of Lucas supporters by Nidi62 · · Score: 1

      Actually, the article even says the helmet prototype was made from a clay mock-up by Nick Pemberton, which was itself based on drawings made by Ralph McQuarry. So, the only way Lucas would own the copyright is if they were sculptures and were therefore commissioned by him, I would guess.

      --
      The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    7. Re:List of Lucas supporters by UnknowingFool · · Score: 1

      The problem is without a written contract there is far more argument on what Ainsworth and Lucas agreed upon. Ainsworth can rightfully argue he sold the props pieces and not the rights since the rights were apparently never discussed. Lucas argues that the rights were implied. Most contracts have to be be explicit in what is being exchanged and normally courts rule heavily on what is explicit not implied.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    8. Re:List of Lucas supporters by UnknowingFool · · Score: 1

      Yes and no. This case is a little different in that Lucas didn't contract Ainsworth to only make the helmets. The article states he also designed them as well. It does pose some risk to other copyright holders but in individual cases there has to be some understanding of how much involvement they holders were in the actual design.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    9. Re:List of Lucas supporters by Anonymous Coward · · Score: 0

      I'm not a lawyer, but probably because George Lucas holds the merchandising rights. These helmets have extra value because they are recognized in the context of Star Wars (and ONLY Star Wars). He is merchandising these helmets whose value is 100% based upon Star Wars, despite someone else holding those merchandising rights. If it were something a bit more generic (let's say a tan Fedora), then I would agree with him, since Fedoras can have their own recognized value outside of movies (even if it were to bring to mind thoughts of a movie 95% of the time). The helmet though would have no value though if it weren't for the one movie series that it was created for.

    10. Re:List of Lucas supporters by Desler · · Score: 2

      Yes, but when he purchased these items they were not considered works of art. They were bought as industrial props and nothing more. The UK court didn't care that after the fact it was realized these could be sold as works of art because at the time they were bought they were nothing but props and as such only get 15 years of copyright protection. Unlike the US court, the UK court didn't fall for Lucas' revisionist history.

    11. Re:List of Lucas supporters by TenDollarMan · · Score: 1

      Copyright != Designs

      The Copyright Designs and Patents Act protects them differently. Section 216 gives 15 years for designs, section 12 gives 70 years for sculpture. Confusingly you also get copyright in a design, but it isn't an infringement of that design to make a 3D model from it (ss51, 52). Critically the court found that stormtrooper outfits are not art, they are utilitarian objects.

    12. Re:List of Lucas supporters by Tetsujin · · Score: 1

      Utilitarian? Seriously? That's ridiculous... What's their utility? Getting people to pay attention to you at conventions?

      --
      Bow-ties are cool.
    13. Re:List of Lucas supporters by Nidi62 · · Score: 1

      The article states he also designed them as well.

      No it doesn't. The article states that the helmet molds were made from a clay model made by a puppeteer, which was itself based off drawings from another artist. And Ainsworth was never even contracted by Lucas. His friend the puppeteer asked him to make the plastic molds. Lucas then saw the prototype and bought 50 more off him. There was no contract involved.

      --
      The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    14. Re:List of Lucas supporters by Grumbleduke · · Score: 1

      The original designs and costumes were utilitarian in that they were used to make the film. It seems that props are now classed as things-used-to-make-a-film rather than sculptures in their own right. UK copyright and design law is something of a mess... (Buildings are still covered by copyright as architectural thingamies).

    15. Re:List of Lucas supporters by Grumbleduke · · Score: 4, Informative

      Much of the High Court judgment was taken up arguing this (as Ainsworth was counter-claiming that *he* owned the copyright in the helmet), but it was ruled that if there were any copyright or design rights they would be owned by Lucasfilm as there are presumptions about employers etc. owning things, and the evidence suggested that Ainsworth had only made minor modifications to the original designs, and these had all be approved by someone at Lucasfilm, possibly Lucas himself. [You can read the HC judgment here.]

      However, the court found that the helmet (and the other props he sells) weren't sculptures, so not covered by copyright at all in the UK (the design right they're covered by expires after 15 years). While there are copyrights etc. owned by Lucasfilm in the sketches, plans, drawings for the helmet (and in the films, of course), there is a specific exception to UK copyright law (under s51, CDPA) for making models from plans - this doesn't infringe copyright in the plans (otherwise you'd need a licence for every set of flat-pack furniture or Lego model).

    16. Re:List of Lucas supporters by Machtyn · · Score: 1

      Well, yes. If you commission a work, you own that work even if it was someone else that produced it. Certainly, there are other contractual limitations set forth in legalese - but that's what this lawsuit was all about.

    17. Re:List of Lucas supporters by unitron · · Score: 1

      Actually the article states someone else did the original drawings and another someone else did the clay mockup from the drawings. Ainsworth figured out how to make them out of plastic.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    18. Re:List of Lucas supporters by mcvos · · Score: 1

      But did Lucas also hold the merchandising rights to these helmets, if he didn't purchase the right for that from Ainsworth? I don't know if he did or should, but if Ainsworth really did a significant part of the design and all of the creation of these helmets, then it makes sense that he hold all rights to them, and Lucas might actually owe him quite a lot of money.

      Though if Ainsworth didn't press that issue at all, that could be because too much of the helmet wasn't really his design at all. Still, would have been a funny outcome if Lucas would have had to pay him a couple of million.

    19. Re:List of Lucas supporters by mcvos · · Score: 1

      Much of the High Court judgment was taken up arguing this (as Ainsworth was counter-claiming that *he* owned the copyright in the helmet), but it was ruled that if there were any copyright or design rights they would be owned by Lucasfilm as there are presumptions about employers etc. owning things,

      But was he employed by Lucasfilm? I was under the impression that he just sold 50 units. TFA does mention a price per helmet, doesn't it? That should mean that Lucasfilm was his customer, not his employer.

    20. Re:List of Lucas supporters by Grumbleduke · · Score: 1

      Ah yes - the court found that he wasn't employed and so the s11 copyright ownership thing doesn't apply. Instead the court was willing to imply a term into the contracts between Ainsworth and Lucasfilm's people that any copyrights, design rights etc. would be owned by Lucasfilm. This is a fairly standard thing the Courts do in contract law (at least, as a first-year contract law student, it's something I've actually covered) - where a term can be implied into a contract through trade custom etc..

      But, of course, this didn't matter as all three courts found that there was no copyright (in the helmets). Lucasfilm did, however, own the copyright in the Ralph McQuarrie sketches and the draft designs.

      The relevant paragraphs are 182 - 189 in the HC judgment, and 196 - 208 in the CoA one.

    21. Re:List of Lucas supporters by Darinbob · · Score: 1

      This hurts nothing in the movies themselves, the copyright for plots will still last 15 years anyway. So it's clear their goal is not about artistic integrity but about keeping that merchandising money coming in.

      The odd thing is, Lucasfilm wasn't selling their own line of storm trooper helmets anyway, it just wouldn't be a money maker. The reason these other helmets sold was because of their authenticity, being made from the same molds as the original. That is they were actually more authentic than anything Lucasfilm could ever have made.

    22. Re:List of Lucas supporters by cavebison · · Score: 1

      Should Lucas really have been able to make money on even the bits he was talentless at?

      Isn't that like saying, if I employ a coder in India to create my hugely successful mobile game, he should get a cut of my $billions instead of just being paid to produce what I employed him to produce? I rather think the economy would collapse if that were the case.

    23. Re:List of Lucas supporters by Fjandr · · Score: 1

      There is no contract for commission. Lucas outright bought the helmets as they were produced, via a word-of-mouth agreement. So, it's really just one person's word against another. In a sane legal system that gives the burden of proof to the accuser, that means he should have every right to continue making them. Lucas cannot prove that he legally commissioned the work, simply that he bought a product from the original producer.

      There was no legalese; there was no contract.

    24. Re:List of Lucas supporters by Xest · · Score: 1

      Certainly if you merely came up with the idea and did little that was productive beyond that and paid someone else to do it but made billions then it would seem reasonable the people that did the actual work got a fair amount of money for it. I don't see how the economy would collapse unless you mean collapse for the multi-billionaires who have more money than they know what to do with but still try to hoarde more, meaning there has to be an inherently poorer class.

      If anything it'd improve the economy drastically, because rather than money being hoarded by the ultra-rich and nothing done with it it'd be in the hands of people who would spend it, which creates jobs.

      No one is saying the guy should have a half-half split or any such thing, but certainly the fact he made only a few thousand pounds whilst Lucas many billions is a bit disproportionate, it doesn't seem unfair that he can now make a few hundred thousands pounds out of it now. If the Indian guy came up with a character in your game that was popular in the game, then I see little reason why he shouldn't be able to take that character on his own projects- you've already made enough off your part of the story, why begrudge him to make a bit off the work he did too like reusing the code or characters he designed in his own projects?

    25. Re:List of Lucas supporters by Anonymous Coward · · Score: 0

      Funny you should mention Peter Jackson. Apparently he's the one who wrote the article. Makes you think...

  5. I have mixed feelings about it. by gfxguy · · Score: 4, Insightful

    I have mixed feelings about it, but I like the way the decision went. I think the "implied contract" BS is just that... BS. That this ruling might "hurt" artists in Britain because movie makers will not want to use them is also BS - all they have to do is have, you know, an ACTUAL contract.

    That what this artist is doing is "piracy" is also BS... he's actually making physical objects... the same physical objects he created over 30 years ago. Calling it piracy is like a record label calling their own artists pirates for doing live performances, even though there was no clause in their contracts not to.

    --
    Stupid sexy Flanders.
    1. Re:I have mixed feelings about it. by mcvos · · Score: 1

      Not only is he making physical objects, he's the designer and creator of the originals. If there's no contract, shouldn't any copyright simply be his?

    2. Re:I have mixed feelings about it. by bioster · · Score: 1

      Just because there's no written contract doesn't mean there wasn't a contract. If all you did was shake hands and agree on prices, your contract would default to the standard in the industry.

      When you hire someone to create something for you, this is called a "work for hire" and by default the person commissioning the work owns all the rights to the work. That means if a company hires me to design a widget for them, they own that design. If hired to write a program, they own that program. Now, I'm less clear on the legality of me going and re-designing a similar widget or writing a similar program. I think it's legal, but I'm not positive, and most people don't worry much about copyrights on that sort of work.

      Where it gets strange is some professions such as photography retain the copyright and merely sell you prints of the image. If you hire a photographer and you want the copyrights to the image, you'd better get that in writing. A handshake won't do, there.

      All that said, I'm not even sure why we don't allow people to recreate characters and props from movies. If they're not cut-and-pasting from copyrighted images, and it's all original work, I don't see why we don't let people copy Mickey Mouse or storm trooper helmets even when the copyright is still valid. Sure, it "dilutes the brand", but I don't really find that a convincing argument. The original copyright holders get enough monetization from their rights without barring it, IMO.

    3. Re:I have mixed feelings about it. by Anonymous Coward · · Score: 0

      That this ruling might "hurt" artists in Britain

      Yeah If you aren't able to take any ownership of your art than that might hurt artists as well.

    4. Re:I have mixed feelings about it. by ZombieBraintrust · · Score: 1

      It helps lawyers. It will insure that contracts are written that hand over rights. They won't do these deals over drinks next time. Although honestly, I don't know why lucas didn't just sell this guy a reasonable license.

    5. Re:I have mixed feelings about it. by A+Commentor · · Score: 1

      The problem is the never ending copyrights. Had copyrights not been extended, retroactively, the original term of 14 years, plus one extension of 14 years. Which would mean if this was done in 1977, when he started selling them in 2002, it would have been fine. If you can't make you money back in 28 years, you are doing something wrong, and too bad.

      --

      Looking for any old 8-bit Heathkit/Zenith software/hardware - http://heathkit.garlanger.com

    6. Re:I have mixed feelings about it. by Anonymous Coward · · Score: 0

      Didn't RTFA, but there's a concept called "work for hire" that may apply here. I work for a software company, but I don't own the copyright on the software I write for that company. If the guy was hired to design Stormtrooper helmets, then the design of any helmets he created for Lucas' company while employed by Lucas' company would belong to Lucas' company. I'm not arguing fer or agin the ruling; merely that it's not so simple that "I envisioned it - I own it" without a contract stating that.

    7. Re:I have mixed feelings about it. by rollingcalf · · Score: 1

      "Work for hire" is not the default if the person creating the object is not an employee of the person or company that did the hiring.

      Apparently this guy was a contractor who was paid per Stormtrooper mask/suit, not an employee. So it would not be a work for hire unless a contract said so.

      --
      ---------
      There is inferior bacteria on the interior of your posterior.
    8. Re:I have mixed feelings about it. by cpt+kangarooski · · Score: 1

      When you hire someone to create something for you, this is called a "work for hire" and by default the person commissioning the work owns all the rights to the work

      In the US, this isn't precisely correct. A work is only ever a work made for hire if either: 1) The work is made by an employee in the course of his employment Just claiming employment isn't enough; it has to be demonstrated. There are numerous factors involved, e.g. who provided the tools and work area, who set the hours, whether employee benefits were provided, etc. It's a long list. And if The other option is 2) If the parties expressly agree that the work is a work made for hire in a mutually signed contract, but even then only if the work falls into one of several narrow categories enumerated in the statute. (Though does include works made as a contribution to a motion picture)

      Unless it falls into one of those categories, merely commissioning a work doesn't make it a work made for hire. Even a contract claiming it does is ineffective unless the work falls under the second type discussed above. This is why, if you're going to have a contract, it's good to also include an assignment of the copyright as a backup. (Which also needs to be written and signed. It isn't that it's a professional standard, but that the law requires it; handshake deals and the like are only allowed by the law to cover non exclusive licenses)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    9. Re:I have mixed feelings about it. by Serious+Callers+Only · · Score: 1

      Didn't RTFA, but there's a concept called "work for hire" that may apply here. I work for a software company, but I don't own the copyright on the software I write for that company. If the guy was hired to design Stormtrooper helmets, then the design of any helmets he created for Lucas' company while employed by Lucas' company would belong to Lucas' company.

      Not unless he signed a contract explicitly stating that this was work for hire, otherwise, Lucas owns nothing. Turns out this guy didn't sign a contract, so it really is as simple as who made it. That's why we have contracts, and why presumably your company made you sign one saying software you create for them is work for hire.

    10. Re:I have mixed feelings about it. by Darinbob · · Score: 1

      Contracts won't help. The ruling is that these were props and not works of art. Thus after 15 years in the UK anyone can duplicate them, including people who've never signed a contract.

    11. Re:I have mixed feelings about it. by bioster · · Score: 1

      Sorry, looks like I was wrong here. Guess I'm not as up on US law as I thought.

    12. Re:I have mixed feelings about it. by bioster · · Score: 1

      Yeah, sorry, just went and looked it up. I was completely wrong... I wonder who told me that's how it worked?

    13. Re:I have mixed feelings about it. by Anonymous Coward · · Score: 0

      he'll wave his hand in a Texas court and say 'This is not the verdict I was looking for!"

    14. Re:I have mixed feelings about it. by cpt+kangarooski · · Score: 1

      It's a fairly common belief, really.

      And IIRC, under the 1909 Act (which was in effect in the US until 1978), courts treated authors of commissioned works as having assigned their copyrights to their patron, unless there was some indication to the contrary, which is for many purposes about the same result.

      Plus it makes sense intuitively; if you hire a wedding photographer to take pictures for you, surely the only person who should care about the copyright would be you, not the photographer.

      It's one of those issues that will hopefully one day be addressed in a comprehensive overhaul of copyright law that restores sanity. It's far from the most important issue, though.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  6. I feel a great disturbance in the Force... by ozbird · · Score: 3, Funny

    ... as if millions of voices suddenly cried out "F*ck you, Jar Jar Binks!" and were suddenly smug.

    1. Re:I feel a great disturbance in the Force... by Anonymous Coward · · Score: 0

      Modded +1 not just funny but LMFAO funny. shoehornjob

    2. Re:I feel a great disturbance in the Force... by Sir_Eptishous · · Score: 1

      "The mind go boom..."

      --
      We play the game with the bravery of being out of range
    3. Re:I feel a great disturbance in the Force... by Anubis+IV · · Score: 1

      You've been saving that one for a rainy day, eh?

  7. A Miscarriage of justice! by fuzzyfuzzyfungus · · Score: 5, Funny

    Apparently, the UK case hinged on whether the stormtrooper armor was a sculptural work of art(entitled to copyright in hahaha-not-quite-perpetuity) or a merely functional design(15 years). The court decided the latter.

    However, as a nerd and pedant in good standing, I cannot allow this ridiculous assertion to go unchallenged: can armor that fails to protect its wearer from being clubbed to death by mere teddy-bears, and reduces the accuracy of the Empire's finest to one notch above slapstick truly be called "functional"? Absurd.

    1. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      It's not the armor that reduces their accuracy, it's their role as cannon-fodder fighting the stories' heroes. A hero in the same armor would remain every bit as accurate as he is outside the armor. Stormtroopers are inaccurate because of the simple fact that, if they were *accurate*, Star Wars would have ended as soon as the heroes were first shot at. Not much of a movie to watch then, is it?

    2. Re:A Miscarriage of justice! by fuzzyfuzzyfungus · · Score: 2

      Quoth young Skywalker: "I can't see a thing in this helmet."

      So it is written.

    3. Re:A Miscarriage of justice! by c · · Score: 1

      I cannot allow this ridiculous assertion to go unchallenged: can armor that fails to protect its wearer from being clubbed to death by mere teddy-bears, and reduces the accuracy of the Empire's finest to one notch above slapstick truly be called "functional"?

      Dude, relax. They were just using stunt armor in the movie. Creative liberties, etc. The real stuff is apparently a lot better.

      --
      Log in or piss off.
    4. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      Apparently, the UK case hinged on whether the stormtrooper armor was a sculptural work of art(entitled to copyright in hahaha-not-quite-perpetuity) or a merely functional design

      Yeah, because Stormtrooper armor is oh-so-effective against things like Blaster bolts and Ewoks.

    5. Re:A Miscarriage of justice! by HarrySquatter · · Score: 1

      Dude, relax.

      He was joking....

    6. Re:A Miscarriage of justice! by Nidi62 · · Score: 1

      I would say that the armor was clearly designed not to protect against blunt force trauma, but rather to protect against blaster fire, but obviously they were even useless against the primary weapon used by everyone in the galaxy.

      --
      The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    7. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      In the US, would this not be considered 'clothing' and therefore not subject to copyrights/patents at all?

      Unless Lucas could argue that he owns the trademark for these, which wouldn't be totally out of left field.

      BTW, IANAL

    8. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      I'm reasonably certain the function of the so-called "armor" wasn't protective at all. It's sole function was to look impressive and create an army of troopers that look exactly alike. This is intended to dishearten their opponents, because when one falls, an identical one takes their place and you don't even notice that one's gone.

      Since just about anyone would instantly recognize a Star Wars stormtrooper's uniform, I'd say it served that function pretty well.

    9. Re:A Miscarriage of justice! by Tetsujin · · Score: 1

      Quoth young Skywalker: "I can't see a thing in this helmet."

      So it is written.

      Ah, but you forget Chapter 10, verses two through five:

      "Yea, with the blast shield down, I cannot see. How, then, shall I fight?"
      "Thine eyes may deceive you; do not place your faith in them. Fight with the full measure of thine feelings, for they shalt not lie."

      --
      Bow-ties are cool.
    10. Re:A Miscarriage of justice! by Tetsujin · · Score: 1

      I would say that the armor was clearly designed not to protect against blunt force trauma, but rather to protect against blaster fire, but obviously they were even useless against the primary weapon used by everyone in the galaxy.

      It could be, that by wearing Stormtrooper armor, someone who gets shot is incapacitated, but not likely killed. Kind of like how a bulletproof vest stops the bullet, but still must pass the kinetic energy of the impact on to you...

      --
      Bow-ties are cool.
    11. Re:A Miscarriage of justice! by Tetsujin · · Score: 2

      I'm reasonably certain the function of the so-called "armor" wasn't protective at all. Its sole function was to look impressive and create an army of troopers that look exactly alike. This is intended to dishearten their opponents, because when one falls, an identical one takes their place and you don't even notice that one's gone.

      They started out with an army of clones... and made armor so they'd look identical? :)

      (Though I never really thought of the Imperial Stormtroopers as clones... I never really thought about the mention of the "Clone Wars" in Star Wars, always assumed Stormtroopers were just regular guys.)

      --
      Bow-ties are cool.
    12. Re:A Miscarriage of justice! by ColdWetDog · · Score: 1

      Quoth young Skywalker: "I can't see a thing in this helmet."

      Quoth young Lea "Aren't you a little short to be a storm trooper"

      As usual, not entirely sure where I'm going here, but it might not be the armor's fault all of the time.

      /extreme pedantry

      --
      Faster! Faster! Faster would be better!
    13. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      However, as a nerd and pedant in good standing, I cannot allow this ridiculous assertion to go unchallenged: can armor that fails to protect its wearer from being clubbed to death by mere teddy-bears, and reduces the accuracy of the Empire's finest to one notch above slapstick truly be called "functional"? Absurd.

      Depends on what it's function was. If you are churning out these cheep-o soldiers by growing them in vats for 6 weeks or so, would you really spend the money to armor them up? More likely, they were given cheap plastic crap that *looked* intimidating without actually having any protective capabilities.

    14. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      Yeah, I guess that _is_ was she said.

    15. Re:A Miscarriage of justice! by Sir_Eptishous · · Score: 1

      I always wondered how the Stormtrooper armour would have been up against a good slug thrower, like a 12 gauge shotgun or 9mm pistol.

      --
      We play the game with the bravery of being out of range
    16. Re:A Miscarriage of justice! by Anonymous Coward · · Score: 0

      But of course it's functional! It's very functional to their enemies!

    17. Re:A Miscarriage of justice! by fuzzyfuzzyfungus · · Score: 1

      If you assumed the use of materials commensurate with the general tech-level of the setting, probably pretty good: outer layer of rigid trauma plates, inner layer and joints some sort of fiber weave(I'm assuming that, even in a setting with blasters, fragments would still be a major concern among designers, since there are plenty of explosions and some references to grenades and other explosive weapons). Armor piercing rounds might be exotic enough that no effort would be made to defend against them; but pellets and more modest bullets would likely be fairly well resisted.

      If you extrapolate from performance against ewoks, it would appear that(in addition to offering no protection against blaster fire), stormtrooper armor contains an active-narrative-wounding system which amplifies kinetic damage to the wearer and would(along with the Star Wars convention of all ranged engagements taking place more or less at spitting distance) render stormtroopers utterly helpless against a bunch of Cub Scouts with .22s...

    18. Re:A Miscarriage of justice! by Warhawke · · Score: 1

      I have to point out that that is, in fact, known as the "Stormtrooper Effect".

    19. Re:A Miscarriage of justice! by mrpolyrhythm · · Score: 1

      It's probably not actual canon, but in the role-playing game, the armor actually did what it was supposed to: protect the wearer from blaster fire, or specifically energy weapons. It could be argued that actually having armor work as designed in a movie setting would make every battle ridiculously tedious: In the RPG, combat lasted forever because you had to wear down the armor/do enough damage to get through. In a movie, people would get bored if actual combat meant several minutes for every single stormtrooper. The opening sequence would have had no stormtrooper casualties and a complete victory for the Empire. End of movie, right there. (I can't believe we even go to any of these lengths to discuss fictional settings, but eh, we're nerds)

  8. When is it enough? by g0bshiTe · · Score: 1

    Seriously does Lucas not have enough money? I can understand he is worried about the Logo, because let's face it Star Wars is a brand name.

    --
    I am Bennett Haselton! I am Bennett Haselton!
  9. Corrective Justice by Anonymous Coward · · Score: 0

    If any of the judges have ever seen Jar Jar, Lucas will never win a court case.

  10. Losing It by Anonymous Coward · · Score: 0

    Some are born to move the world
    To live their fantasies

    But most of us just dream about
    The things we'd like to be

    Sadder still to watch it die
    Than never to have known it

    For you, the blind who once could see
    The bell tolls for thee...

    -- Rush

  11. Why did Lucasarts have any rights at all? by 91degrees · · Score: 2

    The writeup suggests that Lucas just bought a load of armour from a supplier. No contract to indicate this was a work for hire. The artist designed and manfuactured the armour and then sold it. They were just sold as props. I seem to agree with the supreme court here.

    What I don't see is why Lucas has rights for those first 15 years. If I use any other commercial product in a movie do I have full rights for 15 years to explit it? If I have my hero drive a Ferarri does this mean I can refuse to allow Ferarri to make their own cars for 15 years?

    Also it's a bit rich for the spokeswoman to say "We believe the imaginative characters, props, costumes, and other visual assets that go into making a film deserve protection in Britain." I didn't see anything in the article about the artist getting royalties for the millions of stormtrooper figures sold.

    1. Re:Why did Lucasarts have any rights at all? by Grumbleduke · · Score: 1

      I've explained some of this above, but ... basically, go away and read the High Court judgment - Mann J explains it all in quite a lot of detail. The court found that, on the balance of probabilities, Lucasfilm owned the design rights and copyrights in the props and the sketches for the props. Ainsworth argued that he made up the armour himself, Lucasfilm successfully argued (with evidence) that any input to the design he might have had was not substantial.

    2. Re:Why did Lucasarts have any rights at all? by Anonymous Coward · · Score: 0

      I don't see how this guy wins. Lucas owns the rights to the design, hands down. He was hired by Lucas to design a suite and make make copies. The courts got this wrong. They weren't off the self parts, he was given artwork and designed the suite for Lucas, sorry this guy should have got nothing. Had he designed this himself and Lucas said hey I like that give 300 then he would have a case.

  12. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  13. Interesting by Anonymous Coward · · Score: 0

    I'm not sure if I agree with this verdict. The decision basically said that the helmets were not works of art or sculpture, but instead 'industrial props', meaning that it only gets 15 years of copyright protection. I think that's an odd distinction to make since props can be very artful and creative. I'm more curious about the 'implied contract' that the Court found to exist, which would distinguish a work for hire from an independently created work. I'd have to see the details of exactly how he was hired to actually say much about this though.

    1. Re:Interesting by Desler · · Score: 2

      The decision basically said that the helmets were not works of art or sculpture, but instead 'industrial props',

      Yes, because at the time that was all they were viewed as by Lucas when purchasing them. It was not until after the success of Star Wars and the merchandising rights started to become lucrative were all these props considered "works of art". It's historical revisionism to claim otherwise.

    2. Re:Interesting by Joe+U · · Score: 2

      I see the opposite.

      'Design and produce 50 helmets and suits, based on a sketch, for a movie I'm filming' doesn't equal 'Design and produce a statue, based on a sketch, for my garden'.

      It was obviously a mass production of props for a movie set, the fact that they became popular doesn't change that.

    3. Re:Interesting by Grumbleduke · · Score: 1

      If you want to know the details, the three UK judgements are all publicly available (under Crown Copyright).

      The first instance High Court judgment contains most of the details, facts, evidence and arguments: Lucasfilm Ltd & Ors v Ainsworth & Anor [2008] EWHC 1878 (Ch) (July 2008)
      The Court of Appeal judgment covers a few of the issues raised above (those which were appealed) in greater detail: Lucasfilm Ltd & Ors v Ainsworth & Anor [2009] EWCA Civ 1328 (December 2009)
      The Supreme Court judgment looks only at the issues of sculpture/utilitarian use and jurisdiction - but in even more detail: Lucasfilm Ltd & Ors v Ainsworth & Anor [2011] UKSC 39 (July 2011)

  14. Lucas has washed out... by fallen1 · · Score: 1

    and yet, it seems the fans/fanboys (and girls) keep throwing money towards him - in the hope that something new will capture the spirit of the original trilogy (I believe). Unfortunately, George seems bound and determined to fill all the roles of director, producer, main grip, scriptwriter, lighting, and so forth (except music and sound). Everyone who was around for the original trilogy when it first came out all know that Lucas should _NEVER_ direct another movie -- hell, not even a commercial! -- in his life. Ever again.

    I'd like to clone Irvin Kirshner (may he rest in peace) and let him re-shoot Episodes 1, 2, and 3 as the director with Lucas bound, gagged, and drugged out in the trailer with his name on it. Maybe then they would be better acted since Kirshner was famous for character development.

    Personally, I'm glad the little guy won this round. Lucas doesn't deserve to sit on his "creation" for eternity+90 years. No one deserves to sit on a patent or design idea for that long. All we are doing is stifling innovation in the long run -- not preserving the benefit for the creator of "insert cool thing here".

    --

    Dream as if you'll live forever.
    Live as if you'll die tomorrow.
    ~Anonymous~

    1. Re:Lucas has washed out... by geekoid · · Score: 1

      Better editing could fix those problems. IN fact, You change about 30 minutes of each film and they would be excellent.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:Lucas has washed out... by AdamThor · · Score: 1

      it seems the fans/fanboys (and girls) keep throwing money towards him

      Doesn't seem like there are many fanboys left around here!

      --
      -- "Oh. This guy again."
    3. Re:Lucas has washed out... by Sir_Eptishous · · Score: 1

      I'm a huge fan of the Star Wars universe, even with all it's flaws. However, I agree with most of the posts here and in the disappointment in GL. My biggest gripe is that there is NO WAY IN HELL Anakin would ever have been allowed to join the Jedi. He had obvious problems, etc;, and I don't buy it that Palpatines power could have pulled the wool over the Jedi councils eyes in that regard. Sure, there is a lot in the Star Wars canon that bugs me, but overall, it's a hell of a story and some really entertaining films. Oh, and to those who preach such "episodes 4-6 were so great, yada, yada", well, I've got news fer ya. When I originally saw episode 6 in the theatre, I almost threw up chunks of semi-digested bantha fodder when I beheld those "cute"(and WAYYYY obvious toy/marketing ploy) and furry stuffed animals. You want to talk about ruining a film? They are just as bad as Jar Jar.

      --
      We play the game with the bravery of being out of range
  15. Unmitigated gall and greed by KingSkippus · · Score: 5, Insightful

    You are so correct. And make money he did--during the late 70s and 80s, George Lucas and 20th Century Fox made millions off this movie. Apparently, that's not enough though, nosiree. In spite of the piles of cash in both of their respective bank accounts--and the piles of cash that are still flowing into their respective bank accounts because of the franchise--they're going to begrudge this schmo living a very modest life a few thousand dollars for physically making something that he originally designed that helped contribute those millions to their bank accounts.

    And then they have the unmitigated gall to accuse the guy of piracy--the guy who designed and built the things to begin with!

    You know, I could understand this if it was some jerk who has no relationship to Lucas or the movies making them and selling them as "Authentic Star Wars Stormtrooper Helmets," but that's clearly not the case. What should have happened is that George Lucas should have said, "You know, even if he's technically breaking copyright law, I'm going to give this guy a pass." Or if he were worried about holding onto his IP rights (even though there's a snowball's chance in hell of him losing them if he chooses not to pursue one single guy because of personal reasons), then he should have called the guy up and said, "Hey, how about giving me a token cut of the profit of each one sold for legal reasons, like say, one penny, and you can even tell people that they're authentic and authorized by George Lucas?" Oh yeah, because that would mean that their piles of millions of dollars would be shorter by a few thousand dollars, which is antithetical to the principle of being so damn greedy that it's not enough that you succeed, but everyone else must fail.

    Watching the Star Wars is one of the most cherished memories of my childhood, and I've always wanted to share those movies with kids growing up today. This crap makes me sick, though. It makes me wish that I had never seen the damn movies to begin with and stop sharing them with other people.

    Personally, I wish that they would restore the copyright length here in the U.S. back to its original 28 years. 28 years seems like plenty to make money off of your creation, and making it any longer stifles creativity and innovation of others and takes away from the public domain that which belongs in it. I know this case took place in Britain, and I wish that they would enforce a similar copyright period, which would have made this whole case a non-issue. The way I'm reading the article, although the outcome was fair to Mr. Ainsworth, it's still not a best-case scenario. He really only scraped by because the court found that his creation was an "industrial prop," not a work of art. Still, whatever, I'm glad the guy won.

    1. Re:Unmitigated gall and greed by Lieutenant_Dan · · Score: 1

      You know, I could understand this if it was some jerk who has no relationship to Lucas or the movies making them and selling them as "Authentic Star Wars Stormtrooper Helmets," but that's clearly not the case. What should have happened is that George Lucas should have said, "You know, even if he's technically breaking copyright law, I'm going to give this guy a pass." Or if he were worried about holding onto his IP rights (even though there's a snowball's chance in hell of him losing them if he chooses not to pursue one single guy because of personal reasons), then he should have called the guy up and said, "Hey, how about giving me a token cut of the profit of each one sold for legal reasons, like say, one penny, and you can even tell people that they're authentic and authorized by George Lucas?" Oh yeah, because that would mean that their piles of millions of dollars would be shorter by a few thousand dollars, which is antithetical to the principle of being so damn greedy that it's not enough that you succeed, but everyone else must fail.

      All of what you describe is what a sensible and decent person would have done. Agree 100%.

      It's clear that George Lucas is not a decent or sensible person in the same sense that you and I (and I would argue the majority of people) understand.
      Seriously, how many millions/billions does one need.
      George should have said; "you did a great job for me back in 76, and yes, it's cool for you to make good money as well. You made this all possible."
      Lucas (and his corp) is an a**hole.

      --
      Wearing pants should always be optional.
    2. Re:Unmitigated gall and greed by klui · · Score: 1

      Ralph McQuarrie painted/sketched the original designs. http://images.wikia.com/starwars/images/c/ce/ST_Lightsaber.jpg

      But I agree Andrew Ainsworth's should be able to profit from his creations.

    3. Re:Unmitigated gall and greed by unitron · · Score: 1

      ...And then they have the unmitigated gall to accuse the guy of piracy--the guy who designed and built the things to begin with!...

      According to the article the original drawings for them came from Ralph McQuarry, whoever he was, and someone named Nick Pemberton made a clay mock-up from those drawings, so Ainsworth apparently just figured out how to make them out of plastic, which may have been quite a feat in and of itself, but that only gets him credit for building them, not designing them.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    4. Re:Unmitigated gall and greed by MikeUW · · Score: 1

      The problem, as I understand it, is that in the US if you knowing do not exercise your copyright in one case that might be considered infringement, that sets a precedent of implicit approval for infringement by others.

      So...if you give one guy a pass, you implicitly give everyone a pass, and that would be an argument used against you in future cases.

      Clearly, the prop maker in this case won, and therefore has the right to make copies. However, Lucas and co. essentially had the obligation to exercise their ownership of the copyright until it was proven otherwise in this case.

      Note: this is based on all the legal advice I've been getting from some guy named INAL.

    5. Re:Unmitigated gall and greed by Grishnakh · · Score: 1

      I think 14 years is a better number. Isn't 14 what it was in the very beginning?

    6. Re:Unmitigated gall and greed by Grishnakh · · Score: 1

      No, you're thinking of trademark. There's nothing preventing you from selectively enforcing copyright.

    7. Re:Unmitigated gall and greed by Darinbob · · Score: 1

      The ruling was that these were props and not works of art. As props there is still copyright but the length of copyright is much shorter than it is with art. Thus even if this guy was not the creator the copyright had expired and he could make these if he wanted. So could I if I wanted but nothing I could make would have any sort of authenticity to sell for that price, at the most I'd jut have some halloween knockoffs.

      Also this ruling only applies to the UK.

    8. Re:Unmitigated gall and greed by Anonymous Coward · · Score: 0

      "What should have happened is that George Lucas should have said, "You know, even if he's technically breaking copyright law, I'm going to give this guy a pass.""

      Yes, but you know what that would mean? This one incident could threaten Lucas' entire Intellectual Property Empire. No, he had to crush this rebellious artist with an entire legion of his best lawyers. Fear would then keep the other artists in line.

    9. Re:Unmitigated gall and greed by KingSkippus · · Score: 1

      14 to start with, but another 14 could be tagged on if the creator was still alive.

    10. Re:Unmitigated gall and greed by Grishnakh · · Score: 1

      Sounds like a pretty good number to me, though I'd prefer 14 with either no extensions, or very expensive fees for extensions. If someone's making that much money off a work, they can afford $100k in fees for a 14-year extension, and that could help finance the government.

    11. Re:Unmitigated gall and greed by RobbieThe1st · · Score: 1

      Mod parent up!
      I think this is a very good idea, though I might allow extensions up to 100 years in 10 year increments... but it'd cost a rediculous amount of money(several million dollars at least) per work for the last 10 years.
      It would be expensive enough that only a few works would be kept, and since it costs so much, it would basically require the company to make money off of it. Oh, and at the same time it'd *really* balance the budget... and help keep companies like Disney from trying to change the laws.

    12. Re:Unmitigated gall and greed by Anonymous Coward · · Score: 0

      I'm a big fan of 14 years too, which is why I have to register with the Sheriff's office whenever I move.

    13. Re:Unmitigated gall and greed by Builder · · Score: 1

      How on earth do supposedly educated people on a site that bangs on and on about intellectual property rights still not know this ?

      You do NOT have to actively enforce copyright. You can let 1 guy use it, and chase down another guy for the same thing, no problems.

      The same goes for patents.

      The only thing that you have to actively enforce and protect is a trademark. If you fail to do so, the mark can become genericised and you can lose your exclusive right to it. Even in this case, you can continue to use it, but you can not take any enforcement action against someone else for using it.

      You need to find a new guy to get legal advice from. INAL is clearly lying to you.

  16. Absurd by llZENll · · Score: 0

    How much money Lucasfilms has is irrelevant. This is yet another strike against business by government. The sculptor was hired by Lucasfilms, therefore any creations of his during employment are the property of Lucasfilms forevermore. The sculptor did not take any risks with his money, he was getting a paycheck, Lucasfilms bear all the risk in the production of the film and thus should bear all the profits. Unless there are prearranged royalty or profit sharing contracts, which I have no idea why there would be as sculptors are a dime a dozen, then he is entitled to nothing. One day soon people will wake up to the fact that government can not provide everything for you and businesses takes risks and therefor must be compensated for it, the good news is that day of economic reckoning is coming much sooner than everyone thinks.

    1. Re:Absurd by Desler · · Score: 1

      And all you say may very well be true but these helmets were purchased and constructed as nothing more than industrial props and as such their copyright has expired. Lucas can try to respin history all he wants with respect to this but apparently some people aren't stupid enough to fall for it which is a good thing.

    2. Re:Absurd by F.Ultra · · Score: 1

      Apparently he was not contracted as a sculptor. Lucas seams to have bought the helmets as props from this guy, and that makes the copyright belong to him and not Lucas.

    3. Re:Absurd by Anonymous Coward · · Score: 0

      Bzzzt the art part of this was just the drawings that he worked from, the minor amount of artistic license he was able to take in "fabricating" them for Lucas was near nill. Copyright Law in the UK says such works are only protected for 15 years.

    4. Re:Absurd by Rastl · · Score: 1

      Standard preface - IANAL

      Was he hired or commissioned? Big difference. If he was an actual employee then yes, Lucas would own the rights to anything he created unless there was specific wording otherwise in his employment 'contract'.

      Commissioned works are far more flexible and unless LUCAS said that he was buying the exclusive rights then the artist is quite probably the owner of the design and can do whatever they want with it. Lucas could have taken that design, turned it over to his people, had them modify it the required percentage to be a derivative work and THEN he would have owned that particular design. But he didn't.

    5. Re:Absurd by Ice+Tiger · · Score: 1

      And yet Lucas bought them as items and didn't hire the guy with a wage or contract. The guy was not hired and so didn't pass over his rights.

      --
      "Because we are not employing at entry level, offshoring will kill our industry stone dead."
    6. Re:Absurd by Anonymous Coward · · Score: 0

      Too much Fox News, I guess.

    7. Re:Absurd by Anonymous Coward · · Score: 0

      I think Lucas' business has been well compensated already for whatever risk it took. Businesses are a dime a dozen, why should society be beholden to them.

    8. Re:Absurd by tg123 · · Score: 1

      ............ The sculptor was hired by Lucasfilms...... Lucasfilms bear all the risk in the production of the film and thus should bear all the profits..

      No he wasn't hired an agreement was made George Lucas could have walked away without paying.

      Which could/would have left the prop maker with thousands of dollars worth of plastic props. That was a lot of money in those days.

      The prop maker took a great risk here based only on an agreement. No contract, no paper just a mans word.

      ......One day soon people will wake up to the fact that government can not provide everything for you and businesses takes risks and therefor must be compensated for it, the good news is that day of economic reckoning is coming much sooner than everyone thinks.

      Holy shit dude take a chill pill the courts have made a ruling , the umpire has spoken.

      We pay these wise people to say wise things .

      Don't go postal on us dude. chill

    9. Re:Absurd by Grumbleduke · · Score: 1

      The point of the ruling is that he wasn't a sculptor. If he was, he would have lost. He merely built props from designs provided.

      Props, being utilitarian objects, aren't covered by copyright in the UK. So there's no issue with copyright at all....

      Props may be covered by design rights, but they expire after 15 years in the UK, so are long-gone and not applicable. Where's the problem here? There's nothing stopping Lucasfilm from making stormtrooper armour and selling it themselves. With an "official" stamp to make even more money.

      Also, where does government come into this? It's a ruling from the Supreme Court, which is very strongly separated from the government. And business has this massive government-sponsored monopoly called copyright in the first place... does it really need even more help?

  17. insert standing ovation here by sgt+scrub · · Score: 0

    Nothing makes my eyes water more than stories about working people getting a slice of the pie despite having filthy rich cock suckers attacking them. If I were British I would sing God Save the Queen. What the hell, I'm singing it anyway.

    --
    Having to work for a living is the root of all evil.
  18. This victory will certainly change things. by grimmjeeper · · Score: 2

    While this certainly is a victory for this guy, things will change in the movie industry. No longer will props be bought without huge contracts that take away every single right of the people who design and build them. I foresee this causing the elimination of most independent shops designing and developing props. Movie studios will instead go to (or create their own) industrial prop houses and hire cheap talent to crank out props. The really good artists will be replaced by wage slaves just showing up for a paycheck. Sadly, winning this battle may eventually cause the war to be lost.

    1. Re:This victory will certainly change things. by erroneus · · Score: 1

      Yes indeed! I'm a bit excited about that too. But I wonder how far it goes. Clearly, there will be a flood of storm trooper costumes on eBay... this guy who originally created them and makes new ones for original moulds will still be able to price his output higher than others, but he will still have to lower his prices.... something I welcome as I have always wanted one of those suits myself. And only recently have I reduced myself back to a size 32 waist so that I can actually wear one without looking like a total dufus... (covering my face really helps in that regard but not having a gut, bulges and rolls popping out from among the bits of armor also helps.)

      Also, I wonder about public appearances... so far, only "charity" and non-profit appearances have really been allowed. Will that change from this? I wonder.

      I love Star Wars and all that, but I do not worship at Lucas's feet and I subscribe to the view that many hold that the more Lucas controls things, the worse they get.

    2. Re:This victory will certainly change things. by ColdWetDog · · Score: 1

      While this certainly is a victory for this guy, things will change in the movie industry. No longer will props be bought without huge contracts that take away every single right of the people who design and build them. I foresee this causing the elimination of most independent shops designing and developing props. Movie studios will instead go to (or create their own) industrial prop houses and hire cheap talent to crank out props. The really good artists will be replaced by wage slaves just showing up for a paycheck. Sadly, winning this battle may eventually cause the war to be lost.

      You're a couple of decades too late. Once people figured out you could make money with the flotsam and jetsam of movie production, the lawyers sauntered in and tied down everything tighter than an intelligent thought trying to escape from Sarah Palin's brain. This sort of thing would never happen in real time. There WOULD be a contract. Yet there are independent shops out there that do exactly what you're complaining they won't. They just hired their own lawyers.

      Sound familiar?

      --
      Faster! Faster! Faster would be better!
    3. Re:This victory will certainly change things. by Anonymous Coward · · Score: 0

      With all the money that is being made auctioning props, things would have changed anyway. Lucas was ahead of his time in being an IP asshole.

    4. Re:This victory will certainly change things. by Anonymous Coward · · Score: 0

      According to this ruling, anyone can make models from plans after 15 years, so the original builders alone won't mean much even with harsh contracts.

  19. So what are the implications? by tompaulco · · Score: 1

    Does this mean that I as an engineer may at some point in the future be able to make millions off of my inventions instead of having to hand them over to my employer?

    --
    If you are not allowed to question your government then the government has answered your question.
    1. Re:So what are the implications? by HarrySquatter · · Score: 1

      No because most likely you have a contract that prevents you from doing so because you signed away your rights to your works to your company. On the other hand, this was a case of Lucas purchasing industrial props and because of this the copyright expired thus allowing this guy to make replicas. Now if your company's copyrights to the works you did for them happened to also expire, yes, you could start creating and selling what you invented for your company.

    2. Re:So what are the implications? by grimmjeeper · · Score: 1

      Does this mean that I as an engineer may at some point in the future be able to make millions off of my inventions instead of having to hand them over to my employer?

      Read your employment contract. Most likely you surrender all rights to the things you produce in exchange for your pay and benefits. In this case, Lucas just showed up and bought some stuff from a shop. The shop had no affiliation with Lucas except to sell him what he bought (without a contract). As a result, the intellectual property is covered by the 15 year copyright. The guy who originally produced the suits doesn't even have a claim to the original rights. Though with the original molds, he'll be able to charge more for the suits he makes.

      I fully expect that we will never see a deal like this in a Hollywood movie ever again. Lucas lost access to a revenue stream by not having a contract. Hollywood executives will never let that happen again. Expect to see every purchase of everything made to be done with huge contracts. Or most of the prop production will move exclusively in house with paid employees having no rights to the things they produce.

    3. Re:So what are the implications? by Anonymous Coward · · Score: 0

      It means anything you do will include a legal contract with so many pages that you will need months to fully understand it. And no, in fact, due to the language in the contract, your employer owns you, everything you do, everything you say, and everything you touch.

    4. Re:So what are the implications? by Grumbleduke · · Score: 1

      In this case, Lucas just showed up and bought some stuff from a shop. The shop had no affiliation with Lucas except to sell him what he bought (without a contract). As a result, the intellectual property is covered by the 15 year copyright.

      No, no and no.
      Lucas entered into a contract with Ainsworth. They provided him with design sketches (covered by full life+70 copyright, owned by Lucasfilm due to employment of the designers) and a clay mock-up, and he turned them into mass-produced plastic props (with some minor design alterations). While Ainsworth claimed copyright over the stuff, this claim was dismissed quickly.

      Today's judgment was whether or not there was any copyright at all in the armour. It was held that they weren't sculptures but utilitarian objects (used in the making of a film) and so there wasn't any copyright at all in the armour itself. There was a design right (which isn't a copyright) but that lasts 15 years so is long gone. There is copyright in the original sketches (and the films), and that might be infringed by making the Stormtrooper armour now ... but for the s51 defence in the Copyright, Designs and Patents Act 1988 that says it isn't an infringement of copyright in plans etc. to make something from those plans.

      The effect of the ruling is that anyone can make replicas of any props etc. from films etc. more than 15 years old, in the UK, without fear of legal action, provided there is no issue with trademarks, passing off or copyright in details (such as particularly artistic surface designs).

    5. Re:So what are the implications? by Anonymous Coward · · Score: 0

      No, you are bound by your employment contract.

      This really has no far reaching implications outside of the resolution of this one dispute. Most business deals dont begin with a handshake in a bar. The ones that do rarely ever escalate to needing the highest court in the land to resolve the dispute.

      This is a one-off resolution to a one-off scenario.

  20. Indiana Jones by Anonymous Coward · · Score: 0

    I downloaded and watched a blueray rip of Crystal Skull, and I'd like to point the movie out as a good example of why I don't pay for this garbage anymore. Didn't even finish it. Thankfully I didn't pay for it.

    1. Re:Indiana Jones by brantondaveperson · · Score: 1

      Oh come one, the guy survives a nuclear blast by hiding in a fridge - what's not to like?

  21. Copyright is for the Publishers, not the Artists by paulsnx2 · · Score: 1

    So does copyright in this instance pay the Artists?

    Wasn't this guy at least one of them? I know he didn't do the sketches, but he did the interpretation. He sold instances of his work. He never assigned his copyright formally.

    And Lucas gets billions, and he gets sued? And makes from his art just enough to cover this legal fight?

    And so why do we care about extensive copyright again? For the Artists? HA!

  22. Article written by Peter Jackson.. by Anonymous Coward · · Score: 0

    Anyone else find that ironic???

  23. after those by nimbius · · Score: 1

    ridiculously bad prequels, im convinced the judge acted in the interest of protecting the entire franchise.

    --
    Good people go to bed earlier.
  24. George? by ArchieBunker · · Score: 1

    George Lucas has a slashdot account?

    --
    Only the State obtains its revenue by coercion. - Murray Rothbard
  25. What is my wish is a big pile of cash by SmallFurryCreature · · Score: 1

    Poor Mr Lucas, I wonder how sleeps at night knowing he let his talent go to waste.

    On soft pile of 1000 dollar bills while a fountain of liquid gold softly murmurs.

    And I would trade a 100 American Graffiti for a single Star Wars. So called great directors that nobody actually want to watch are a dime a dozen. The number of Star Wars movies can be counted on the fingers of Yoda's hand (3).

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:What is my wish is a big pile of cash by Anonymous Coward · · Score: 0

      So you're comeback is to point out that Star Wars fans are some of the most easy to milk out of money continually from the constant re-releases and re-merchandising of 20+ years old movies? And you're somehow proud to be a part of that gullible group? LOL

    2. Re:What is my wish is a big pile of cash by Anonymous Coward · · Score: 0

      I feel sorry for you. It must be really lonely in that skull of yours.

  26. It gets worse George (if I read it right) by Anonymous Coward · · Score: 0

    Copyright, Design and Patents Act 1988
    http://www.legislation.gov.uk/ukpga/1988/48/section/52

    If I read that right, by making a copy under license using an industrial process ( like, say, toys) and marketing it in the UK then you lose the copyright after 25 years ?

    Did Star Wars have many toys before 1986 ? Ooops.

  27. Sounds like many didn't rtfa by kelemvor4 · · Score: 1

    Sounds to me like a lot of you didn't rtfa. Ainsworth didn't win the copyright to stormtroopers. The judge ruled the copyright was expired and ANYONE can make stormtrooper helmets and sell them. Ainsworth just has the original mold in his possession with which he can make perfect helmets.
    Hopefully he'll be able to counter-sue for court costs, which sound like they're pretty massive.

    1. Re:Sounds like many didn't rtfa by Grumbleduke · · Score: 1

      Actually, the judges ruled that there wasn't any copyright in the armour in the first place. Just a design right (which is a different thing). There's copyright in the plans/design sketches/films, but they aren't infringed by making things from them (s51, CDPA).

      He doesn't need to counter-sue for court costs... it's usually standard procedure in UK courts that the loser pays all anyway.

  28. I really wanted to side with Lucas on this one... by erroneus · · Score: 3, Interesting

    I do see the stormtrooper costume as art or at the very least, a critical component of art creations such as video and images. How is a prop not art?

    But you know? Still glad Lucas lost in this case.

    But one argument I didn't read and kind of expected to read at some level is that these costumes are COSTUMES. They are CLOTHES. And guess what? Clothes are not eligible for protection under copyright or trademark. Logos and branding on clothes are eligible, but for hundreds of years, this has been the case and courts have held this up for nearly as many years.

    I would have argued that the helmet and armor are clothes and are simply not eligible for that kind of intellectual property protection. I wonder how that argument, if made, would have fared through the courts?

  29. Work for hire is covered by very specific rules by Quila · · Score: 1

    If the guy isn't hired and produces it for his employer as part of his employment contract that states all products are considered works for hire, then he retains the copyright.

    Lucasfilm paid for and got use of the products. That was the original extent of Lucasfilm's interest. This guy created a product and sold some of it to Lucasfilm. He is free to sell it to others, too.

    It boils down to this: Lucasfilm paid for the uniforms, not the right to the design of the uniforms. They are two very separate things. You pay a photographer and get pictures. You have to pay a lot more if you want that photographer to hand over the copyright for the pictures too.

  30. and yet I ask again - by Lead+Butthead · · Score: 1

    Oh, and considering Lucas helmed two of the most successful movie franchises of the late 20th century, while founding companies that set the standard for cinima sound (THX) and special effects (ILM),Yet I ask again. Mr. Lucas, what HAVE YOU DONE LATELY (besides recycling SW and cashing in on endless mediocre SW spinoffs) ?

    "Han shoots first".

    --
    ELOI, ELOI, LAMA SABACHTHANI!?
  31. Don't worry by linear+a · · Score: 1

    Lucas' real Star Wars stormtroopers will take care of this little problem.

  32. Get ready for digitally re-re-mastered... by Radical+Moderate · · Score: 1

    ...Episodes IV-VI, with the original stormtrooper helmets replaced by Genuine Lucas Approved (TM) helmets. Honestly, I wouldn't put it past him.

    And Han will still shoot second, of course.

    --
    Never let a lack of data get in the way of a good rant.
  33. "Piracy"? by Anonymous Coward · · Score: 0

    You know, the fat cats are just abusing the word now. Perhaps we should redefine "Piracy" to mean "Whatever the Big Guy doesn't agree with". Looks like too much money really does make idiots out of us.

    1. Re:"Piracy"? by kelemvor4 · · Score: 1

      You know, the fat cats are just abusing the word now. Perhaps we should redefine "Piracy" to mean "Whatever the Big Guy doesn't agree with". Looks like too much money really does make idiots out of us.

      Isn't that how it's already defined?

  34. stormtroopers "everywhere" in colorado by peter303 · · Score: 1

    Colorado/Denver has major group of them (I am not a participant). Besides showing up at every major scifi convention, I've seen them at other public events. They added a bit of green and marched in the St Pats parade this year.

  35. spelling error by Lead+Butthead · · Score: 1

    I feel a great disturbance in the Farce...

    There, fixed it fer ya.

    --
    ELOI, ELOI, LAMA SABACHTHANI!?
  36. So as an artist by Anonymous Coward · · Score: 0

    If I sell a sculpture to someone now in the US, am I forbidden from ever making another without their permission if we don't have a contract?

  37. one word - extradition by Lead+Butthead · · Score: 1

    Remember this gem? What's there to prevent Lucas Art from seeking one for "Willful Infringement" just to ruin the guy?

    --
    ELOI, ELOI, LAMA SABACHTHANI!?
    1. Re:one word - extradition by Grumbleduke · · Score: 1

      Because extradition involves criminal law - this was a civil action.

      But yes, if they have the same influence with the US's ICE et al. as Disney, they could probably make a complaint for various criminal offences, get his domain name seized and have him extradited. Of course, the difference between Ainsworth and O'Dwyer is that Ainsworth has enough money to hire a QC for a Supreme Court trial, while O'Dwyer is an impoverished student. Somehow I think that any attempt to extradite Ainsworth or seize his website will run into trouble.

  38. Work for hire doesn't apply to contractors by realxmp · · Score: 1

    Work for hire only applies if there is an employee employer relationship (at least in the UK). In the case of work under contract (even verbal) the copyright for a work vests in the contractor, not the person who hired them. If you employ a contractor to build something, you have to get an explicit transfer of copyright. In this case copyright is irrelevant anyway because it was ruled a "design" rather than a copyright. Design rights expire after 15 years, so who owned them is moot.

  39. Had I been Lucas' lawyer by hey! · · Score: 1

    I'd have settled out of court. Really, that's most of what you pay lawyers to do: keep you away from high stakes showdowns in court.

    If it were me I'd say, "Mr. Lucas, we can probably win, but there's a small chance that the court will rule the armor isn't a sculpture. That would threaten licensing income streams, which would be huge. So what we should do is sign a licensing agreement that allows him to sell the armor, as long as it's made by him personally using the original mold. That will have just about zero effect on your revenues, but look like a bonanza to this guy. In fact, we'll draft a nice little letter of appreciation he can send out with every piece over your signature. You'll look like a mensch, but what you're really doing is protecting your interests at essentially no cost to yourself."

    I've dealt with lawyers in business deals, and that's how they think, at least the good ones. They prefer that future events be governed by minutely specified agreements rather than by winner-take-all courtroom drama. I can only suppose that Lucas himself is a lousy, headstrong client.

    --
    Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    1. Re:Had I been Lucas' lawyer by PhxBlue · · Score: 1

      If it were me I'd say, "Mr. Lucas, we can probably win, but there's a small chance that the court will rule the armor isn't a sculpture.

      Retreat? In our hour of triumph? I think you overestimate their chances!

      --
      !#@%*)anks for hanging up the phone, dear.
  40. "The UK should not allow itself to become... by Anonymous Coward · · Score: 0

    a safe haven for piracy."
    once again.

  41. I for one... by DarthVain · · Score: 1

    eagerly await mass production of star wars storm trooper costumes!

    No more shall fans have to buy off some some dude on ebay with a vacuum press!

  42. Re:I really wanted to side with Lucas on this one. by j33px0r · · Score: 1

    I think that you make a very good point here. Props and clothing are "Art" from a philosophical perspective, just as everything else can be. Ultimately, however, not everything is "Art" from a legal standpoint. A restaurant cannot put coconut on a hamburger, call it art, and claim copyright for X number of years.

    I can't help but think of the sale of faux or replica designer handbags (the ones without the actual designer label) but I can't find much on the legality of this. Otherwise, clothing falls under the category of something that is useful or having a utilitarian purpose and typically not subject to copyright.

  43. Re:I really wanted to side with Lucas on this one. by erroneus · · Score: 1

    I read into it a little more as well and found there is a "separability" rule. This rule, frequently described as a painting on a truck does not make a truck copyrightable. However, in another example, a decorative belt buckle would be copyrightable as its form is not an inherent part of its function.

    So, a Star Wars Stormtrooper costume... where between those two obvious points does this fall? One could say that the helmet is not copyrightable, but the form or design of the stormtrooper helmet isn't fully inherent to its function as a helmet. The same might be claimed of the armor's form or design.

    Frankly, it's an area I do not feel 100% certain about. I know which direction I would want such a decision to go, but it would be unclear exactly how the decision would go if someone else were making it... or even if I were making the decision for that matter. When I try to opine about something, I try to discard my own wishes on the matter and focus on the reality of the situation. (I like free ice cream, but I wouldn't rule that selling ice cream is illegal.)

    The argument has been made that the reason clothing and other utilitarian items are not eligible for copyright is because of the problems that would inevitable occur from them. Utilitarian items most often take a form which is determined by their function. So by making clothing copyrightable, it would most certainly impede the market for clothing.

    On the other hand, the singing cowboys from the early movies are wearing costumes with a distinct look about them. Those movies are still in copyright... pretty sure anyway as I am pretty sure my grandchildren's grandchildren haven't died yet since they I don't have any grandchildren yet and isn't that the current "limit" on copyright terms these days? In any case, today's "cowboy" dresses in a way most similar to that of the fictional singing cowboys from the old movies. So if Star Wars Stormtroomer costumes would be infringing, so too should the "costumes" we see frequently in Texas, Tennessee and similar locations.

    It's an ugly and murky grey area that just boggles the mind. I should hope the next time such a case comes about (and there will be, I am sure) a supreme court ruling says "if you wear it, it's not copyrightable damnit, now shut the hell up and get out of my court room!"

  44. Hasn't this guy hosed himself? by buybuydandavis · · Score: 1

    Doesn't this mean that any yahoo in the world can start making knock offs?

  45. you misunderstood rule #17 by Anonymous Coward · · Score: 0

    Uh, what? The #1 rule of screenwriting is show, don't tell. This is extended to dialogue, where terseness is a highly valued characteristic across the entire medium's history.

    If you are valuing terseness then you are guilty of the Cargo Cult mentality.

    "Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell."

    Strunk was right that this applies equally across all mediums and Hitchcock's application of this is a key part of what made so many of his movies great classics.

  46. star wars helmet by Anonymous Coward · · Score: 0

    I think everyone owes Germany copyright money, These helmets resemble world war 2 German Army Helmets and I think Lucas should be forced to give Germany a lot of money, I mean a lot too.

  47. Re:I really wanted to side with Lucas on this one. by cpt+kangarooski · · Score: 1

    Frankly, it's an area I do not feel 100% certain about.

    IMO conceptual seperability for purposes of the utility doctrine in copyright is a total gut decision on the part of the judge, and then some sort of explanation gets devised to cover that up. I've yet to see a good rule for it.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  48. CGI by theshowmecanuck · · Score: 1

    The worst thing to happen to movie special effects.

    --
    -- I ignore anonymous replies to my comments and postings.
  49. and thingiverse? 3d printers? by decora · · Score: 1

    this is incredibly confusing... do you have a blog or a web page or something where you break all this down?

  50. To quote.. by Anonymous Coward · · Score: 0

    "The more you tighten your grip, Tarkin, the more star systems will slip through your fingers.."

  51. Waiting for Lucas to die by rephlex · · Score: 1

    I think people are just waiting for George Lucas to die so they can have the original trilogy back, unmodified and in Hi-Def. It saddens me that Peter Jackson and others who should know better supported this greedy legal crusade.

  52. People are awful rough on the prequels by Anonymous Coward · · Score: 0

    . When really they're no stupider than the original trilogy if you're going to take the movies that seriously. Yeah, Ep. 1 had Jar Jar, but Ep. 6 had Ewoks. What's the difference? No matter what someone thinks of the dialogue in the prequels, lines like "Traveling through hyperspace ain't like dusting crops, boy" are no better. The space battles and the lightsaber/blaster duels are all of it. The dialogue, the story, the character development are all nonsense in all 6. And i say this as a 30 year SW fan. I like'em for what they are. People just take this shit too seriously. It's not like we're talking about the Godfather trilogy here. If you expected more out of the prequels than you got, then you simply hadn't taken a hard enough look at the OT and it's failings.

  53. Prequels vs. OT by grimharvest · · Score: 1

    Some of you just plain take movies too seriously, instead of enjoying them for what they are, light entertainment. This especially goes for SW. Always I see this in SW threads, "the OT was amazing, the Prequels sucked." Jesus Christ, people. The dialogue was just as bad in the OT as in the prequels ie "traveling through hyperspace ain't like dusting crops, boy". The ewoks were no more a brilliant concept than Jar-Jar (who was put in for the kids, and the kids actually liked him even if the voice was annoying). The lightsaber battles were infinitely better in the prequels, and the blaster fights were about the same. There was no Harrison Ford in the prequels, and Jedi characters are always going to be largely dry and tasteless. Then again, there was no brother and sister kissing each other in the prequels either. Honestly, you tolerated all the shortcomings in the OT that film critics would point out and forgave them, but when they repeated it in the prequels, THEN you were bitching about it. Lucas is a lousy director and writer, but he was consistent through all six movies. Why are so many of you so unable to see that? With action films, you really need to leave the critic thing at home. This ain't Shakespeare on the stage.

    1. Re:Prequels vs. OT by tmarsh86 · · Score: 1

      Honestly, you tolerated all the shortcomings in the OT that film critics would point out and forgave them, but when they repeated it in the prequels, THEN you were bitching about it. Lucas is a lousy director and writer, but he was consistent through all six movies.

      There was nothing entertaining in about 90% of the prequels. And FYI, Lucas did not write or direct either Episode V or VI. A pratice he should have followed for the prequels, as well.

  54. Stormtrooper Che? by Anonymous Coward · · Score: 0

    Does this mean I can finally order a Stormtrooper Che costume online now?

  55. Re:I really wanted to side with Lucas on this one. by Anonymous Coward · · Score: 0

    "clothes [are] simply not eligible for that kind of intellectual property protection"

    Ah, that explains Jean Paul Gautier's poverty.