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Art School's Expensive Art History Textbook Contains No Actual Art

Dr Herbert West writes "Students at Ontario College of Art and Design were forced to buy a $180 textbook filled with blank squares. Instead of images of paintings and sculpture throughout history (that presumably would fall under fair-use) the textbook for 'Global Visual and Material Culture: Prehistory to 1800' features placeholders with a link to an online image. A letter from the school's dean stated that had they decided to clear all the images for copyright to print, the book would have cost a whopping $800. The screengrabs are pretty hilarious, or depressing, depending on your point of view."

371 comments

  1. Comment removed by account_deleted · · Score: 5, Interesting

    Comment removed based on user account deletion

  2. Hmm. by Mister+Transistor · · Score: 5, Funny

    This is what great art has come to in our time: Michaelangelo's "Broken Link"

    --
    -- You are in a maze of little, twisty passages, all different... --
    1. Re:Hmm. by sootman · · Score: 1

      Pfft, Michaelangelo's "Broken Link" pales in comparison to Rembrandt's "NO HOTLINKING" gif. Get some colture, heathen.

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  3. So by sjames · · Score: 5, Insightful

    They seem to believe that a url where you can see it online is as good as having it printed right in fromt of you. Were I one of those parents I would just hand then a piece of paper with a link to a picture of $180. Fair is fair.

    1. Re:So by swillden · · Score: 4, Informative

      They seem to believe that a url where you can see it online is as good as having it printed right in fromt of you. Were I one of those parents I would just hand then a piece of paper with a link to a picture of $180. Fair is fair.

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more... take a look at the very high resolution imagery provided by http://googleartproject.com./ You can see the work as a whole or if you'd like to you can zoom in to see more detail than you could see if you were standing in front of the real piece.

      OTOH, I have to agree that having the images the text is discussing right next to the images would be much more useful if you want to, for example, study art history.

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    2. Re:So by Anonymous Coward · · Score: 0

      That website looks pretty cool, but...why in the hell would you sort artists by first name?

    3. Re:So by mysidia · · Score: 3, Insightful

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more...

      Including a hyperlink or button to open a high-res version of an image on a reliable site (no Geocities or john doe's website, that might be down tomorrow, or replaced with advertising) could be acceptable on an e-Book, intended for consumption on a tablet with a high-def display, with an internet connection available at all times.

      You could read the eBook, and view the image in the same browser without exiting the book or 'breaking' your reading session or stream of thought; so it's as good as if the image were in the book.

      However, in a print work, for an art class a picture of the art in the book itself, is indispensable, should be considered mandatory.

    4. Re:So by Altrag · · Score: 2

      How much work can it be to click a link really?

      Oh, right.

    5. Re:So by AK+Marc · · Score: 4, Funny

      Because so many artists are know by only one name. Madonna, Rianna, Michaelangelo...

    6. Re:So by Anonymous Coward · · Score: 1

      Because, the kind of people who study art history couldn't figure out how to sort by last name.

    7. Re:So by phantomfive · · Score: 4, Insightful

      The problem with online is the colors will all be wrong.

      --
      "First they came for the slanderers and i said nothing."
    8. Re:So by Man+On+Pink+Corner · · Score: 1

      To which the school will respond by sending you a link to a picture of your transcript.

    9. Re:So by sjames · · Score: 2

      If a pictureless art history book is the best it can do, the picture of the transcript probably IS just as good as the actual transcript, just cheaper.

    10. Re:So by Anonymous Coward · · Score: 0

      Good thing is that at least you sorted the artists correctly.

    11. Re:So by amRadioHed · · Score: 1

      While that is cool, as you point out having the image right there in front of you is much better for most purposes. The ideal solution would be an image in the text with a link to a high res online version for when that is necessary.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    12. Re:So by Grayhand · · Score: 1

      Because so many artists are know by only one name. Madonna, Rianna, Michaelangelo...

      Gallagher

    13. Re:So by Anonymous Coward · · Score: 0

      So you have not calibrated your monitor?

    14. Re:So by Solandri · · Score: 1

      Anyone serious about the visual arts will have their monitor calibrated. The Macs which seem to be ubiquitous among art students even come with their screens pre-calibrated (one of the reasons they're popular among artists). For years Safari was the only browser which used color profiles embedded in JPEGs.

    15. Re:So by Anonymous Coward · · Score: 0

      Were I one of those parents I would just hand then a piece of paper with a link to a picture of $180. Fair is fair.

      +1 "The Life of Gargantua and of Pantagruel" by François Rabelais

    16. Re:So by Anonymous Coward · · Score: 1

      You mean like St Yves?

      Once a case came before him brought by a rich man against a poor man. The rich man claimed, he was entitled to recompense as a poor man had the benefit of smelling the food from the rich man's table.
      Saint Yves agreed the rich man was entitled to judgement.
      Calling for a coin he clicked it on the table saying, that the poor man had the benefit of the smell of the food, the rich man must be satisfied with the sound of the coin.

    17. Re:So by Anonymous Coward · · Score: 0

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more... take a look at the very high resolution imagery provided by http://googleartproject.com./ You can see the work as a whole or if you'd like to you can zoom in to see more detail than you could see if you were standing in front of the real piece.

      Even consumer grade printers can print at 1200 dots per inch. A decent monitor may display around 2048 x 1152 pixels though of course there are some better. Pixels do not directly translate into dots per inch but a four inch by four inch square on photo paper can outdo the resolution of a monitor.

    18. Re:So by realityimpaired · · Score: 1

      How can you pre-calibrate a monitor? Doesn't the calibration depend on the ambient lighting in the room you're using it in? The colour temperature of your ambient lights makes a huge difference to the perceived colour on a screen.

      Some of the good monitors have optical sensors and will self-calibrate, but it's not always reliable, and if you're using the wrong connection to the computer then there's no point in using the calibration. There's nothing that says that you can't use such a setup on a Windows-based system, though, and the reason that Macs tend to be popular among artists isn't the availability of self-calibrating hardware, it's because, generally, Macs have less hassle. The chances of having a virus wipe everything out are slimmer, and because it's a closed ecosystem hardware-wise you generally don't have to worry about whether everything will play friendly together. Even if it's not playing friendly, you just have to take it in to an Apple store, and somebody else will fix it for you. I have an artist friend who bought herself a MacBook Pro 4 years ago when she was studying interior design, and she doesn't regret it at all, even though she spent more on that laptop than I have spent on the laptop, tablet, and desktop computer that I've bought since then, combined (and she spent almost double what I did). And the reason she doesn't regret it is that she saw the kinds of problems that her non-computer-savvy classmates were having with their cheap computers they bought at retail.

      The sad truth is that for somebody who isn't even remotely computer savvy, and who recognizes that limitation, a Mac is the best thing they can buy, because it's harder for them to screw it up (and easier to recover if they do). It requires at least some knowledge, or at least wariness about the stupid things other people do, to be able to use a Windows system safely. Thanks to the changes they're making to piss off all the power users, Windows 8 will probably change that story a bit, but I guess time will tell.

    19. Re:So by Anonymous Coward · · Score: 0

      Because so many artists are know by only one name. Madonna, Rianna, Michaelangelo...

      Hitler, Stalin, Mussolini.

    20. Re:So by sootman · · Score: 1

      The problem with books is the colors will all be wrong. There are TONS of colors that exist in paint (to say nothing of other materials) that can't be reproduced with CMYK. Plus it depends on being photographed and processed correctly in the first place, and then printed perfectly. Oh yeah, and color will change over time. You think there's something magical about printing that makes it an exact reproduction of the original?

      Add to that the fixed resolution, finite number of views for sculpture, etc etc etc... I'd take an electronic art book over a printed book every day of the week and twice on Sunday.

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    21. Re:So by pla · · Score: 1

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more

      A professionally printed book can have a resolution upwards of 2400dpi. At a typical college textbook size of 7.5"x9.5", that comes out to a 410 megapixel image.

      While you could present that, or even much, much, larger, in an online form - No actual monitor in existence would let you view the whole thing at once. And while I certainly consider the ability to zoom (such as with the Google Art Project) a cool feature, it just doesn't even come close to having the entire work right in front of you at a higher resolution than your eyes can resolve.

    22. Re:So by omnichad · · Score: 1

      And compare that with a cheap laptop, trying to display in sRGB on a 6-bit TN panel. Not to mention the pictures on the web site might be no better than 3 or 4 inches at 72dpi.

    23. Re:So by tepples · · Score: 1

      To which the school will respond by sending you a link to a picture of your transcript.

      And if this scan of my transcript is digitally signed by the school, why wouldn't it be admissible for at least an entry-level position?

    24. Re:So by sjames · · Score: 1

      Very much so.

    25. Re:So by phantomfive · · Score: 1

      I have a Mac and the screen is horrible. Greens sometimes will be displayed as brown, for example. It came pre-calibrated, and I've also calibrated it myself, but it's just bad.

      And even good monitors are still bad.

      --
      "First they came for the slanderers and i said nothing."
    26. Re:So by Anonymous Coward · · Score: 0

      Carrottop

    27. Re:So by Anonymous Coward · · Score: 0

      Oh, I don't know... a printed image in a book has a pretty limited resolution.

      FYI

      Screen resolution = 72dpi

      Print resolution = 300-3600dpi

      In general, printed graphics have enormous resolutions, while web graphics, to save bandwidth, have resolutions as small as possible. There are high resolution graphics on the web, but the vast majority of web graphics are low res and are unacceptable for print media.

    28. Re:So by mcgrew · · Score: 1

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more... take a look at the very high resolution imagery provided by http://googleartproject.com./ You can see the work as a whole or if you'd like to you can zoom in to see more detail than you could see if you were standing in front of the real piece.

      I don't care how high the resolution is, it's not going to look as good as the original unless the original is crap, and if it's crap you won't see it in a museum or an art history class... well, ok I take that last back, many hitsorians will show slides of crappy work that went for big money two centuries ago that are worthless now because they were always artistically worthless. But he'll have slides, the pictures won't be in any book I know of. Also, you're not going to need a magnifying glass to look at a one square inch piece of a six by ten foot painting, not even in a drawing class.

      The book illustration is to show the artists' style, composition, and... well, for use of color you're going to have to see the original work, because neither in a book or a web page will the colors match the actual work exactly.

    29. Re:So by mcgrew · · Score: 1

      How can you "click a link" from a dead tree book?

    30. Re:So by Anonymous Coward · · Score: 0

      That's what QR codes are for. ;-)

    31. Re:So by mcgrew · · Score: 1

      Because so many artists are know by only one name. Madonna, Rianna, Michaelangelo

      mcgrew?

      Joking aside, your first two are no more "artists" than I am, and it was Michaelangelo Bonnoratti (and I may have spelled his name wrong). Da Vinci, on the other hand, was known simply as "Leonardo"; Da Vinci is Italian for "of Venice".

    32. Re:So by AK+Marc · · Score: 1

      What about the other ninja turtles? Raphael, Donatello? They had longer names, but even their contemporaries called them by only their first name. Or the Greeks? I don't remember any artists, as most works were collaborations or anonymous, but certainly the playrights were all known by one and only one name, as well as most others we hear about from that era. Or do you know Hercules's last name, or Achilles, or the rest?

      I'm not saying it's a good thing, or even the right thing. I'm just saying that it is logical. Especially if they started with the oldest (out of copyright) works and worked their way forward. But yes, it is weird to find Warhol under "A".

    33. Re:So by swillden · · Score: 1

      Yet, oddly enough, Google Maps can display an entire continent or an individual street... in the same window!

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    34. Re:So by sootman · · Score: 1

      Or compare that to an iPad, with a glorious IPS display with twice the pixels of most desktops. And images on the web are ZOOMABLE! A 4"x4" print in an art book at 300dpi is only 1200x1200 pixels. Images on the web can EASILY be 10x bigger. Also, no screen has been 72 dpi for over ten years. They START at 100 anymore, most are 110-130 -- that's 2x-3x as many pixels per square inch than 72.

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    35. Re:So by toddestan · · Score: 1

      With a Cuecat?

  4. College textbooks a scam? by hsmith · · Score: 3

    Well file this under no fucking shit.

    Schools don't care, because they are making filthy money off of them, that have no incentive to do anything to reduce the prices.

    1. Re:College textbooks a scam? by Intrepid+imaginaut · · Score: 2

      Are the schools to blame though, or rent seeking stock photo sources? Some of the licences these guys try to pull are insane.

    2. Re:College textbooks a scam? by Rockoon · · Score: 1

      Are the schools to blame though, or rent seeking stock photo sources?

      The stock photo sources didnt put a gun to the schools head and make them choose this textbook.

      In the case of Ontario, the Minister of Education creates a list of acceptable textbooks called the Trillium List which the schools may then choose from.

      The question is, do you believe that this was the best art history textbook on the list? The guilty party depends on the answer.

      --
      "His name was James Damore."
    3. Re:College textbooks a scam? by Sir_Sri · · Score: 2

      Schools don't care, because they are making filthy money off of them, that have no incentive to do anything to reduce the prices.

      Schools don't make money from the sale of books anymore, if you're dumb enough to buy from the university bookstore without checking online first that's a reasonable stupid tax. Gone are the days of waiting 6 weeks in a 12 week course for the textbook you ordered from amazon. Also, maintaining a storefront on a university campus can be surprisingly expensive, and have shitty sales. You have a captive market of poor people who don't really want to buy anything they don't have to, and no access to foot traffic from elsewhere, also, the bookstores are supposed to guarantee adequate supply for classes so they have huge inventory fees that no one else would have to deal with.

      As to the story itself.. .first of all, it's OCAD, you kind of expect some weird shit if you go to OCAD. Second of all, none of my computer science books have computers in them, lots of them don't have code in them. That is, believe it or not, not the point. My physics textbooks have descriptions of the experiments, usually not pictures of the actual apparatus used, etc. Publications in art don't necessarily have a picture of the image itself (no more than movie critics include a copy of the book with their review). It's a textbook, for whatever reason the professor figured it had the best analysis of the works s/he was going to talk about in class.

      Where I am, which is a couple of hours west of OCAD, we have some courses with text books (some expensive) some without, and some with 15 dollar course packs, though those are largely now just done as the raw files on the web. Some profs require books they themselves wrote (which usually has the advantage of them actually covering things only in the texbook), some of us did quite a lot of research to select a book. And sometimes a book is selected

      Don't get me wrong, it's a bizarre choice to require a book that looks like it's a broken webpage, but lots of professors are bizarre, and one should be grateful the professor speaks english. It's also possible the 180 dollars is really just the cost of the access code to the website, and the 'book' is just a very inefficient delivery mechanism of that code. In context though, to even go to OCAD you're paying the (by ontario standards average) Sum of 6400* dollars per 2 semesters, sept - may roughly, or about 600 dollars per course to even be allowed to sit in the room. (http://www.ocadu.ca/Assets/pdf_media/Finance/2012+2013+FW+UG+DOM+TUITION.pdf), it's not obvious if this text would have use in only one course or two. But asking students to spend 800 dollars on a book for a 600 dollar course is unlikely to prove any more popular than a 180 dollar book with the right words but no pictures.

      *foreign students pay 18K, the difference is subsidized by the government for domestic students, and is roughly the same for all non professional undergraduate programmes across Ontario

    4. Re:College textbooks a scam? by hazem · · Score: 1

      Gone are the days of waiting 6 weeks in a 12 week course for the textbook you ordered from amazon.

      It's not as great as you say... yet. My AI class starts next week and we only found out yesterday what the book would be. Amazon has the book for quite a bit cheaper than the school bookstore, but says, "this title usually ships in 2 to 3 weeks".... "usually"? Even all the used sellers say it will take a 2 or more weeks to ship; and this for a book published in 2005. I'm taking the gamble with Amazon, but mostly because I found a website that summarizes the contents of the book.

    5. Re:College textbooks a scam? by Rockoon · · Score: 1

      Second of all, none of my computer science books have computers in them

      Do they have an empty spaces where a computer was meant to be, with a newegg URL so that you can buy your own?

      lots of them don't have code in them.

      Do they have empty spaces where source code was meant to be, with a URL?

      --
      "His name was James Damore."
    6. Re:College textbooks a scam? by Sir_Sri · · Score: 1

      Do they have empty spaces where source code was meant to be, with a URL?

      Yes, quite a lot of them actually.

      Most coding books these days have an online presence where you get the actual source code, and the text itself just points you to it.

    7. Re:College textbooks a scam? by Sir_Sri · · Score: 1

      AI Application Programming?

      I thought, and admittedly, I'm purely a game AI guy, so I could be wrong, but I thought that book was replaced by that author with some newer variant (the systems approach one).

      This is why we shouldn't recommend old books, just because you can get one copy cheap doesn't mean you can get a full class worth of them cheap. We had a prof at the last place I was that used to find textbooks from bargain bins to keep costs down. Unfortunately finding 150 or 300 copies of books that are bargain binned is not trivial.

      Also, you've made a choice - you gambled on Amazon, and you could lose. You could suck it up and pay the full price and know you'll have the book from the bookstore. That's a fair market. At least here you couldn't use the book as a text if the bookstore couldn't get it, but that comes with a premium cost because anyone who can find it cheap will.

    8. Re:College textbooks a scam? by mrbester · · Score: 1

      Computer science textbooks don't have code. That's for computer programming textbooks. Even then, they don't necessarily have code if their purpose is purely paradigms, concepts and methodologies.

        That book you bought for Comp Sci? It's for the practical application (programming) bit of your curriculum.

      --
      "Wait. Something's happening. It's opening up! My God, it's full of apricots!"
    9. Re:College textbooks a scam? by Another,+completely · · Score: 3, Informative

      I don't think that list is relevant to colleges and universities.

      The Trillium guide explains that "School boards may select textbooks from the Trillium List and approve them for use in their schools." but the Ontario College of Art & Design is a university with a board of governors (6 individuals appointed by the Ontario government, 2 elected by the OCAD U Alumni, and 9 by the Board itself), not a school with a school board.

    10. Re:College textbooks a scam? by Anonymous Coward · · Score: 0

      Are the schools to blame though, or rent seeking stock photo sources? Some of the licences these guys try to pull are insane.

      False dichotomy. There's enough blame to go around.

      Also, I take exception to this line from the story: "were forced to buy".
      No, they were not forced to buy anything. Just because it's on the syllabus and the professor tells you to buy it doesn't mean you actually HAVE to buy it.

    11. Re:College textbooks a scam? by Sir_Sri · · Score: 1

      to quote myself on the topic

      Second of all, none of my computer science books have computers in them, lots of them don't have code in them. That is, believe it or not, not the point.

      A comp sci book doesn't need to have programming in it because comp sci is not all programming. I specifically mentioned coding books as not having code in them.

      An art book need not be about looking at art, it's about critique of art and discussion of the art. How representative the sample image is of the entire book I don't know.

      Also, I develop the curriculum and choose the CS textbook these days. Which is why I have so many textbooks, and I'm still not sure if students end up happier (or better off) with a book that is entirely self contained, but has no fully working code, or with a book that requires you access a website to get the code at all. My general feeling is that 10 years from now the book that is entirely self contained is better as a textbook - because the code snippets in isolation should still do their thing so to speak - whereas the more immediately topical stuff is good as a course pack, but I haven't found the sweet spot yet.

      Especially in first and second year we cover a lot of core CS concepts as part of programming, so they tend to intermingle a bit. Not everyone does though, I know our colleagues down the highway at waterloo are more theoretically inclined than we are, but their admission average is also 10 points higher than ours.

    12. Re:College textbooks a scam? by hazem · · Score: 1

      That is indeed the book. Oddly enough, the teacher who last taught the course used the newer book you mention, so I got it earlier this summer when I saw it cheap on Amazon. I assumed the teacher this fall would use the same book. I don't mind having the newer book... again another gamble - maybe I should have taken the game theory class I dropped last spring term.

      For this term, looking at the syllabus he's put out, I don't think there will be an urgent need for the older book in the first couple weeks.

      As for AI itself, I'm fascinated by the subject and am diving in. I'm starting a 2nd masters degree in Systems Science and intend to make a big part of my work related to AI, Machine Learning, and applying those methods to supply chain decision making (I'm a supply chain analyst in my professional work). I've been working through Andrew Ng's ML class on Coursera and have been having fun with it so far.

    13. Re:College textbooks a scam? by Cinder6 · · Score: 4, Insightful

      Right. Nobody's holding a gun to your head. However, what if, in order to graduate, you must pass the class? And in order to pass the class, you must buy the textbook? In that case, the distinction is quite small.

      It's similar to saying, "You don't HAVE to obey the law." It's technically correct. You're a free-will being, and you can make your own choices. However, there will be consequences if you decide to go that route.

      --
      If you can't convince them, convict them.
    14. Re:College textbooks a scam? by Cinder6 · · Score: 1

      Some courses don't need pictures, you're right. But I think an art history book would be on the shortlist of those that do need pictures. If you look at the images on TFA, you can even see that the book has arrows pointing to various elements on the (not pictured) artwork.

      --
      If you can't convince them, convict them.
    15. Re:College textbooks a scam? by shiftless · · Score: 1

      However, what if, in order to graduate, you must pass the class? And in order to pass the class, you must buy the textbook?

      ....and it costs $2000 just to take one class? Wait....why the fuck am I wasting my time and money at this school again?

    16. Re:College textbooks a scam? by shiftless · · Score: 1

      Most coding books these days have an online presence where you get the actual source code, and the text itself just points you to it.

      Which is idiotic. Why not just put it on a damn CD, or hell, a cheap disposable thumb drive? If someone is paying $150 for the god damn book, why can't they get the same courtesy people used to get 10-15 years ago with $20-$30 books?

      My God, the world has really gone to shit.

    17. Re:College textbooks a scam? by Anonymous Coward · · Score: 1

      Because you've found that the consequences of having the qualification from a school of that reputation far outweigh the consequences of not having it?

    18. Re:College textbooks a scam? by mrbester · · Score: 1

      Sorry, I accidentally a word in my rhetorical question (language)

      --
      "Wait. Something's happening. It's opening up! My God, it's full of apricots!"
    19. Re:College textbooks a scam? by Anonymous Coward · · Score: 0

      the Ontario College of Art & Design is a university with a board of governors

      Yes, but it's OCAD.

      Much like the University of Windsor or Carleton University, students & professors there aren't the sharpest tools in the shed - they would have gone to a real university.

    20. Re:College textbooks a scam? by lahvak · · Score: 1

      My stats book comes with a cd that contains all the datasets referred to in the text, plus some stat software. The same contents is available online from the publisher (you do not need any code, its freely available to anyone, although it is probably of little use to someone who does not have the book). The other day I asked my students how many of them use the CD. It turned out in two classes of 30, there was not a single person using the CD, everybody just got the stuff online. Most people didn't even take the CD out of the sleeve in the back of the book.

      It would be cheaper for the publisher not to include the CD, and simply point
      students to the online resource. One would hope that it would reflect in the
      price of the textbook.

      --
      AccountKiller
    21. Re:College textbooks a scam? by Sir_Sri · · Score: 1

      that's what makes it bizarre. It's more like the book wasn't finished.

      Again though, as I say, if the 'book' is just a very expensive way to get the online version of the book that does actually work properly then whatever, it weird, if you didn't want weird don't go to OCAD.

    22. Re:College textbooks a scam? by JimCanuck · · Score: 1


      Remember this is a private college in Ontario, and they tend to do things differently then every other school. There are plenty of textbooks worldwide that could be had for cheap, but instead they decide to print their own unique textbook, then complain about the costs of creating a full textbook because their enrollments are relatively low, and they will make a new textbook in a year or 2 anyways instead of actually using the textbook for a while to make the copyright costs negligible.

    23. Re:College textbooks a scam? by shiftless · · Score: 1

      In what universe is that true?

    24. Re:College textbooks a scam? by mcgrew · · Score: 2

      Second of all, none of my computer science books have computers in them

      Do your math books have numbers and mathematic symbols in them? If not, then they were exactly like an art history book without pictures.

      An art book need not be about looking at art, it's about critique of art and discussion of the art.

      It's an art history book. A critique of a work is useless unless you've at lest seen a representation of the work being discussed. An art book that teaches drawing (not the one under discussion) would need examples of techniques, just as a physical engineering book would need pictures and representations of structures.

      I do agree that a programming, comp-si, math, or general history book needs no illustrations, but different fields have different teaching requirements. An art history book most certainly need illustrations, justa as a math book needs formulas.

    25. Re:College textbooks a scam? by Sir_Sri · · Score: 1

      It's an art history book. A critique of a work is useless unless you've at lest seen a representation of the work being discussed.

      Powerpoint in class... links on the web.

      obviously we have to disagree on this point, but art history journals and discussions don't include a print of the original. Obviously the book was at least in part written assuming it would have the images -that's bad form, but you don't need the image in the book to discuss it in class.

    26. Re:College textbooks a scam? by pantaril · · Score: 1

      Are the schools to blame though, or rent seeking stock photo sources? Some of the licences these guys try to pull are insane.

      In this case, these are the things/people to blame (in no particular order):

      - Authors of the textbook.
      - School teachers who force the textbook on the students
      - Students who bend over and buy such shitty book
      - Insane copyright laws which allows photographers to charge money for photos of public domain paintings.

  5. Re:Global Visual Culture From Preshistory to 1800 by NotQuiteReal · · Score: 4, Insightful

    Maybe the photographs they wanted to use were copyrighted, not the artwork, per se... they were too lazy to take their own pictures? For a $180 book they should have the budget. Heck, I've been to many of those museums, I'd be happy to go back and take pix if they'd pay for the trip.

    --
    This issue is a bit more complicated than you think.
  6. Reading the summary by Rizimar · · Score: 5, Funny

    Before I got halfway into the summary, I started to think that this was some kind of self-referential post-modern art book.

    1. Re:Reading the summary by kenj0418 · · Score: 5, Funny

      Maybe they are teaching the Art History majors their most important lesson "You have wasted your money."

      Normally it takes them 4 years of college and then a year or more working at Starbucks to learn that.

    2. Re:Reading the summary by Grayhand · · Score: 2

      Maybe they are teaching the Art History majors their most important lesson "You have wasted your money."

      Normally it takes them 4 years of college and then a year or more working at Starbucks to learn that.

      At least the Art History books have text related to art. The Liberal Arts one just has "SUCKERS" printed in big letters on the Index page.

    3. Re:Reading the summary by Anonymous Coward · · Score: 0

      I thought it was one of those trading card albums.

      I've got a spare Starry Night, will swap for a Cafe Terrace or The Persistence of Memory.

    4. Re:Reading the summary by blagooly · · Score: 1

      A protest about the err, state of the art? An art history book makes an artistic statement. More likely the expensive book scam combines here with academia's standard unconsciousness to make them look like greedy fools. They may recover from it, if there is a lot of bad PR. Just go the full Pee Wee. "We meant to do that".

    5. Re:Reading the summary by Anonymous Coward · · Score: 0

      Maybe they are teaching the Art History majors their most important lesson "You have wasted your money."

      Normally it takes them 4 years of college and then a year or more working at Starbucks to learn that.

      Joking aside, OCAD is not a fine arts college but rather more of a polytechnic.

      The folks coming out of there will be doing design (i.e., a similar job like Jony Ive or Dieter Rams) as well as illustration (typography, posters, magazines, etc.).

      Everything that you own (and haven't, say, carved out of wood yourself) was designed by someone and then put together by various engineers. The folks that graduate OCAD will be some of the people making those things.

    6. Re:Reading the summary by Anonymous Coward · · Score: 0

      That's not strictly true. I worked in art restoration before working as an assistant curator. Both are dream jobs for me. I'm sorry that my definition of such doesn't fall in line with yours.

    7. Re:Reading the summary by cpt+kangarooski · · Score: 1

      Liberal arts are not intended to be vocational training. Rather, they are meant to educate a person in what he needs to know to be an active citizen (the Latin 'artes liberales' roughly means skills for a free person -- as distinguished from a slave). Arguably, modern colleges may not be doing a good job producing well rounded, thoughtful graduates, but that's no reason to belittle the idea.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    8. Re:Reading the summary by quacking+duck · · Score: 1

      At the very least they could've had actual images instead of text links.

      Images of QR codes for those links, that is.

  7. Different Book by noobermin · · Score: 1

    TFA doesn't say why they couldn't find another book (or I just did a poor read).

    Art is hard to teach without pictures, just look at the examples given, "line, light, form, and color" without being about to see the line, light, form, and color...unless the placeholder borders are the lines, the form is the rectangle, and the color and light are combined by the stark white on the page where an image should be (God, it sounds like some obscure, abstract art already)..

    Think about it like this, it is a programming book without code snippets, although having online snippets would make sense since it is programming and you program on a computer, so it's even worse than that.

  8. Re:Global Visual Culture From Preshistory to 1800 by OAB_X · · Score: 4, Interesting

    You can't just go into a museum and take a picture of something and have it be good enough for print. You need the proper lighting, etc, etc.

    That and presumably the museum could refuse you access if you were going to take pictures for commercial purposes.

  9. Re:Global Visual Culture From Preshistory to 1800 by sjames · · Score: 4, Insightful

    Even a poor snapshot is better than a blank white square.

  10. Original Source by Anonymous Coward · · Score: 5, Informative

    Link from summary - Salon: "This article originally appeared on Hyperallergic. "

    Hyperallergic - "What is this, October!? According to a blog post"

    Original Source: http://www.ashleyit.com/blogs/brentashley/2012/09/16/copyright-and-the-pictureless-art-history-textbook/

  11. Forced? by OAB_X · · Score: 1

    Having attended University, I fail to see how someone is "forced" to buy a copy of the text. Borrowing a copy from the library, borrowing a copy from a friend, etc. are all ways to avoid being "forced" into buying a text.

    Having made it through university without being "forced" to buy any texts for libral arts courses, I fail to see how the purchase of an art history text "forces" someone to actually buy the text.

    That and it seems that the ebook edition has the pictures in it.

    Stupid Canadian copyright law apparently (or inept publishers, there have been texts published with art pictures for a while right? Even in Canada?)

    1. Re:Forced? by Formalin · · Score: 4, Informative

      They've since invented codes that go along with the book - required to view online information and submit assignments, if the teacher is using their online framework.
      Naturally the code is only functional for a single semester, so even if you buy a used book, or share a book, you need your own code to submit assignments.

      They'll gladly sell you just the code, for the low fee of... almost as much as a new book+code cost.

      Cancerous as hell...

    2. Re:Forced? by mysidia · · Score: 1

      They've since invented codes that go along with the book - required to view online information and submit assignments, if the teacher is using their online framework.

      Sounds like a lawsuit, or an administrative complaint to be made to the school, about being requested to make unreasonable expenditures to participate in the class, beyond the standard used book cost.....

    3. Re:Forced? by Sir_Sri · · Score: 1

      I fail to see how the purchase of an art history text "forces" someone to actually buy the text.

      Generally it doesn't. This likely the parent of a first year who saw 'required' and thought 'required means required'. Not everyone knows these things, and it's not something you normally talk about.

      It's also possible however that the textbook is supposed to be actively used in class (where, for example, he may have all of the relevant images on the projector).

      I have had, in 1.75 undergrads, 2.5 masters degrees and most of the way through a PhD a few occasions where a 'required' textbook really did mean required, or at least, for all practical purposes meant required. Sure chem 101 had 9 copies of the book on reserve in the library, but there were 2700 students in the class, 9 copies doesn't go very far, and it doesn't take a lot of assholes sabotaging the books for the 9 in the library to be worthless. I had a java professor who used a standard java textbook but he used it in class, every class. He wasn't very good at his job, but I would have been doomed without the textbook there in front of me because everything he did depended on you being able to read the book in front of you. I've had classes where all examinations were open textbook - and not having your own copy poses a lot of problems there. And I've had expensive books (notably my calculus textbook from way back in 1998), which are still useful as a phd student in a different field years later. Claude Cohen-Tannoudji's Photons and Atoms: Introduction to Quantum Electrodynamics is just a pile of dead trees if you're not in the field, but David J. Griffiths Introduction to Electrodynamics has proven enormously valuable in everything from E&M to AI and graphics and hardware engineering.

    4. Re:Forced? by AK+Marc · · Score: 2

      I've had classes require you bring a copy to class. No copy, no grade. You aren't "forced" to get the book any more than you are "forced" to take the class. "Forced" when talking about a class in an optional program is obviously not the "forced" of prison rape. You are "forced" in many cases because it's new this semester, there is nobody to buy/borrow from who isn't already in the class. It should be a requirement that all texts be in the library, but almost none of mine were, and the ones that were were checked out long before class started (often before the book selection was public, from students guessing what they'll need). I think they'd hold on to them, as the fees for late for a semester were below the costs of the book. Or maybe they'd sell it and just pay the replacement cost to the library. I don't know, I just know that I've never been able to use the library for access to a class text. 3 degrees and 10 or so total years of post-secondary education.

    5. Re:Forced? by Bryansix · · Score: 1

      Well they already do it with Video Games in an attempt to stifle the secondary market. Higher Ed is just the next frontier.

    6. Re:Forced? by Anonymous Coward · · Score: 0

      If the code is not listed in the syllabus, then they can't charge you for it. And no, they can't say "but the code is in the book and the book is required." If they say that, then they have to honor the code which is actually IN the book regardless of whether or not it has been used before.

      You're not a child, you're an adult, and you need to learn how to stand up for yourself. If the professor isn't willing to work with you, then file a complaint with the administration, and if it's not part of your core requirements drop the class and demand a full refund. Don't ask, demand.

    7. Re:Forced? by jbeaupre · · Score: 1

      Shut up! I'm making a fortune selling blank reams of paper to these idiots. Don't clue them in!

      --
      The world is made by those who show up for the job.
    8. Re:Forced? by Anonymous Coward · · Score: 0

      The school gets a kick-back from the publisher. Try again.

    9. Re:Forced? by Anonymous Coward · · Score: 0

      Hey, if education were free how could the 1% remain only 1% ?

    10. Re:Forced? by Trepidity · · Score: 1

      At most schools, the cost of the new book is what's considered the "reasonable expenditure" (e.g. if you're on financial aid, that's what they budget for).

    11. Re:Forced? by Anonymous Coward · · Score: 0

      I do believe you will find you agreed to pay this cost by agreeing to go to the school and signing all of your initial paperwork. And if you didn't, you certainly will next semester, on pain of them withholding your grades forever.

    12. Re:Forced? by Anonymous Coward · · Score: 0

      Stop calling it a code, call it an online pass.

  12. Re:Global Visual Culture From Preshistory to 1800 by NotQuiteReal · · Score: 0

    On the other hand, this is probably just a hoax. Nothing to see here, please move along. (no pun intended, really)

    --
    This issue is a bit more complicated than you think.
  13. Bullshit by flibbidyfloo · · Score: 1

    I call BS on the school. I took an Art History class in the US maybe 5 years ago, and it was chock full of really good reprints of famous works throughout history. The book cost me like $80.

    1. Re:Bullshit by OAB_X · · Score: 2

      OCAD is a very well known and respected school in Ontario. The school itself is not a scam. Having a textbook custom created by a company (Prentice Hall) is very expensive. And the economies of scale that come with a very large run for dozens of schools are not present. Especially if the photographs need to be licensed at a flat rate.

    2. Re:Bullshit by flibbidyfloo · · Score: 2

      Sure, ok, but what makes more sense to give to art students: a book with a bunch of empty boxes, or an "off-the-shelf" book with pictures of the art? Whatever benefit they supposedly get from a custom-made book they should be able to get from lecture and teachers notes, at least compared to the bother and expense of the shite they ended up with.

    3. Re:Bullshit by SeaFox · · Score: 4, Insightful

      OCAD is a very well known and respected school in Ontario. The school itself is not a scam. Having a textbook custom created by a company (Prentice Hall) is very expensive.

      And was it really necessary to have a custom-created Art History textbook?

      Those two core Art History classes (covering pre-history to around the year 1400, and the second covering 1400 to 1945) are a requirement for literally everyone who studies Art, regardless of major or if they're pursuing a BA or BFA, painting, sculpture, or graphic design, etc. It's not like there weren't oodles of candidate textbooks for their curriculum to choose from.

      The joke of this story is that the Art History department actually went along with Prentice Hall on this scam, instead of turning right around and looking elsewhere.

    4. Re:Bullshit by Mashiki · · Score: 1

      And was it really necessary to have a custom-created Art History textbook?

      In Canada, some private colleges and universities provide curriculum that sits outside the norm of what is mandated by the provinces. There is a standard to which they have to apply and cram everything in. But a lot of schools also 'do more with less time'. So yes, a 'custom-created' book isn't all that unusual in some cases. There are perks to applying to these schools, especially from those schools where employers will hire before students graduate. OCAD is one of them, there is a few others Fanshawe(known for it's broadcasting courses), Westervelt(law/paralegal and policing courses) as well.

      --
      Om, nomnomnom...
    5. Re:Bullshit by Carewolf · · Score: 1

      In Canada, some private colleges and universities provide curriculum that sits outside the norm of what is mandated by the provinces. There is a standard to which they have to apply and cram everything in. But a lot of schools also 'do more with less time'. So yes, a 'custom-created' book isn't all that unusual in some cases.

      So the perk of going to an expensive high prestige school is art books without art? :D

      I love free education.

    6. Re:Bullshit by Anonymous Coward · · Score: 0

      Yeah, this is even dumber than that book on color theory I had when I was getting my I graphic arts degree. That book only had two pages that were actually in color. (Yes, all the other illustrations and reference diagrams were in grayscale/B&W.)

      However my art history class wasn't so bad. Marilyn Stokstad's Art History is what I had, and would be a much better deal than that piece of unfinished crap they got. It still wasn't cheap though, but at least you'd get your money's worth. (Stokstad wrote one of those books you'd keep because it's plenty interesting on it's own.)

    7. Re:Bullshit by Anonymous Coward · · Score: 0

      OCAD is a very well known and respected school in Ontario.

      Was. OCADU has been on a massive program of getting rid of their best teaching staff lately. It's not surprising that there is no longer anyone there who knows how to write a paper or source images for publication.

  14. Re:Global Visual Culture From Preshistory to 1800 by cpt+kangarooski · · Score: 3, Interesting

    Yes, while such slavish copying would not result in a copyrightable photograph here in the US, the school and textbook in this case are Canadian, and it is likely that photographs of public domain works in which nothing creative is added by the photographer are copyrightable anyway for some reason.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  15. gits by Anonymous Coward · · Score: 0

    time to go bionic eyes and put barcodes everywhere...

    1. Re:gits by omnichad · · Score: 1

      You joke, but even putting QR codes in the holes would be easier than their stupid placeholder scheme.

  16. Re:Global Visual Culture From Preshistory to 1800 by wvmarle · · Score: 3, Interesting

    The cost of hiring a professional photographer to travel to all these museums (and probably a bunch of private collectors) and take all these photographs is probably higher than just buying these photographs from someone.

    Anyway at $180 a book one would expect to be able to get photos in it. The $800 each for copyright clearance as TFS claims sounds totally unrealistic to me. Works that are in museums should have photos available at low cost; privately owned works maybe a little more but also not too much. It's mostly stock photo work after all.

  17. Re:Global Visual Culture From Preshistory to 1800 by wvmarle · · Score: 1

    Old art works are not copyright protected of course. Everyone is free to make their own copies of such a work - make an identical painting, make a photo, print that photo.

    However the newly made painting and photo do have copyright on them. Just like you can not copyright a building or a person, but you can copyright a photo of that building or person.

  18. Deserved by Anonymous Coward · · Score: 0, Insightful

    Honestly, they're art history students. I doubt they even know what money is, if they've even heard of it. I mean, if you're already charging for the world's most worthless education you're pretty much robbing someone, may as well grab all you can along the way.

    1. Re:Deserved by Anonymous Coward · · Score: 0

      if you're already charging for the world's most worthless education

      Hey asshole, this isn't Women's Studies, or Basketweaving, or any shit like that!

    2. Re:Deserved by drkim · · Score: 1

      if you're already charging for the world's most worthless education

      Hey asshole, this isn't Women's Studies, or Basketweaving, or any shit like that!

      Yeah! This is Art History!

      With a Ph.D. in Art History, the world is your oyster. You can get work as a, um, Art Historian, or like a cool job, ah, as a Professor of Art History.

      Or, you could be like a, you know, ah, a lifetime career as an, er, well, just repeat after me, "Do you want fries with that?"

    3. Re:Deserved by StoneyMahoney · · Score: 1

      Honestly, they're art history students. Couldn't they just paint/draw/sculpt their own money?

    4. Re:Deserved by Anonymous Coward · · Score: 0

      How about "Have you tried rebooting it?"

    5. Re:Deserved by Anonymous Coward · · Score: 0

      Ignorant American twit.

    6. Re:Deserved by systemeng · · Score: 1

      Honestly, some of the most interesting and intelligent people I have ever met were art historians. On the other hand, it isn't a degree you get as professional training to do something lucrative.

    7. Re:Deserved by drkim · · Score: 1

      Or, you could be like a, you know, ah, a lifetime career as an, er, well, just repeat after me, "Do you want fries with that?"

      Ignorant American twit.

      Sorry, mate: repeat after me, "Do you want chips with that?"

  19. What a load of... by Tastecicles · · Score: 1

    ...I picked up a DVDROM off the front of a magazine several years ago which had no less than 46,000 paintings digitally reproduced in printable resolution - including some of the more famous (Da Vinci's Mona Lisa and Il Cenacolo or L'Ultima Cena, Van Gogh's Tournesols, Van Eyck's Adam And Eve and The Adoration Of The Lamb, to name but a few). I've still got that disc somewhere. If the school need a decent source, they should see me.

    --
    Operation Guillotine is in effect.
    1. Re:What a load of... by Altrag · · Score: 1

      Having a source != having copyright clearance to use the material from the source. Not that you can't question their claim regarding copyright clearance, but simply having a copy of the photo available isn't sufficient.

    2. Re:What a load of... by Tastecicles · · Score: 2

      common to most other similar material found on the front of computer magazines, the images were accompanied by public domain type licensing documents. Or restrictive licenses in the case of software (in this case it was a giveaway version of Paint Shop Pro which was also on the disc, free on proviso that the user registered for a free key). As it's always useful to have such documents attached to an image either via linking from source or as meta information, I tend to avoid copyright issues either by citing the image source (hence to the attached license) or by creating my own image, by whatever means at my disposal.

      --
      Operation Guillotine is in effect.
  20. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 1

    Except the whole book is a scam.

    Professors say, to teach this course I need four books! However, by piecing together a book from other books and paying only the necessary royalties I can save you (the students) money.

    Never mind the professor/publisher makes a small sum from each student he sales his crap too. Unfortunately, looks like publishers are getting wise to the piece-mail offering and want in on the pie. The good news is now they can save a lot of money by not paying any royalties. Somehow, the savings don't get passed onto the consumer.

    We had this happen a few times in college and some dealt with it as any good/scrupulous student would. They thoroughly made copies of the material and distributed accordingly. Fortunately, a few of us had the master print code for the printers and the university appeared to be happy to foot the bill for the copies.

    As a small note, when confronted with the scam the professor completely defended his practice. Though no great portion of any piece of the book was used in great detail. I know, I neither purchased the book nor took one of the photocopies. The material presented for testing was nearly one hundred percent lecture material or wild draft speculation.

  21. qr codes by dirtyhippie · · Score: 1

    Egads. The least they could have done is print QR codes linking to online versions instead of blank space...

  22. At least... by Shoten · · Score: 0

    It'll be right at home in Alabama and Missouri, next to the science textbooks that contain no science...

    --

    For your security, this post has been encrypted with ROT-13, twice.
  23. Re:Global Visual Culture From Preshistory to 1800 by Taco+Cowboy · · Score: 4, Insightful

    Even a poor snapshot is better than a blank white square

    You forgot one thing -

    A book filled with poor snapshots will not make Slashdot

    A book filled with blank white squares ... will

    --
    Muchas Gracias, Señor Edward Snowden !
  24. Where's Pilot Pirx? by Anonymous Coward · · Score: 1

    This sounds like something from a Stanislaw Lem short story. Pirx visits a planet where IP laws have gone mad but everybody goes along with the insanity.

    1. Re:Where's Pilot Pirx? by Anonymous Coward · · Score: 0

      Naturally Pirx's spacecraft is confiscated because its shape is covered under local IP law and he does not have a license.

  25. Too bad. by iroll · · Score: 1

    It's a crying shame that no other art history books have ever been written or published. Ever.

    --
    Repetition does not transform a lie into the truth. - FDR
  26. Re:Global Visual Culture From Preshistory to 1800 by mysidia · · Score: 1

    Anyway at $180 a book one would expect to be able to get photos in it. The $800 each for copyright clearance as TFS claims sounds totally unrealistic to me.

    Perhaps it was just a small run book for one specific class at a specific school. So while the licensing fee for copyright clearance could be nominal, it might still be a lot of paperwork to be done, and a prohibitive cost for a book that might sell 60 copies a semester...

    It would cut down on a lot of legwork, to just not bother with printing images in the first place, and give students links instead.

    Although, of course it devalues the textbook as well (IMO)... for no pictures or diagrams, the book should be less than $50 a pop.

  27. First Edition! by reverseengineer · · Score: 4, Funny

    Anyone here teaching a course might be interested in the comprehensive new textbook I'm writing. It has an attractive hard cover, a quality binding, and a single page inside which lists the URLs for Google and Wikipedia. My planned retail price is $499, but I'm willing to offer a volume discount.

    --
    "FDA staff reviewers expressed concern about the number of patients who were left out of the study because they died."
    1. Re:First Edition! by Anonymous Coward · · Score: 0

      I WANT IT! TAKE MY MONEY!!

    2. Re:First Edition! by Grayhand · · Score: 1

      Anyone here teaching a course might be interested in the comprehensive new textbook I'm writing. It has an attractive hard cover, a quality binding, and a single page inside which lists the URLs for Google and Wikipedia. My planned retail price is $499, but I'm willing to offer a volume discount.

      To hell with that my book "Local Library" sells for $0.99 on iTunes!

    3. Re:First Edition! by Bigby · · Score: 1

      I will require it in my classes if you give me 50% of the proceeds.

  28. The photos of art are being licenced, not the art by Bevilr · · Score: 5, Insightful

    There is a huge misunderstanding in the summary about what is copyright (the art vs the images of the art), and the comments so far do poor job of explaining it, so I'll try. What the textbook maker does not want to pay for is licencing is photos of the works of art. If you wanted to take your own photo of any of these works of art you could (so long as the museum allowed photography), but without setting up, lighting or permission of the museum to use flash, a nice camera, or the proper angle your photo might look like shit. Especially on larger images in poorly lit churches with bars over the chapel in which a work of art is hung, getting your own photo is next to impossible. Museum and private collections take super high quality photos of their work and then licence out these images, using these fees to support the collection. Why they would charge $180 for a book which is essential just text I don't understand. No one out side of these classes will buy the book at $180 if it has no images, so why not just cut the blank spots, and have an all text textbook that has footnotes or side-notes with links to the art the text is talking about? You'd save a number of pages of space from the new layout, and you no longer have to pay for glossy photo pages, you could even make it a paper back and reduce the price to $50 or $60 and probably make the same overall profit off the book, if not more.

  29. It's a scam by Sycraft-fu · · Score: 3, Insightful

    The book likely is authored by someone who works at the university. So they write the book with all the pictures. Publisher says "Pictures are real expensive we'll have to charge a ton." So they leave the pictures out, and require the students to buy the book anyhow.

    You often find that the very worst textbooks are required by the teacher that wrote them (or they were written by the department head or so on).

    1. Re:It's a scam by Anonymous Coward · · Score: 0

      TF-Picture I'm seeing doesn't even have a URL. It says "To view this image, please go to page xxx of The Art History, Fourth Edition by Marilyn Stokstad ebook."

      WTF!

    2. Re:It's a scam by Anonymous Coward · · Score: 0

      That only applies to some teachers.

      A calculus professor at our university wrote his own book, which was $140 when I got it. But holy goddamn hell, did that man know what he was talking about (Donald Trim, who was at the U of Manitoba back then). I actively avoided reselling the book once the course was done. I still have it... the 'big book of Calculus' as I like to call it. If it's calculus, it's in there.

      So you'll have some professors that will just scam the students... such as one other course that I took... can't recall it offhand. Then you get those that know what they're doing, know what's needed in a book, and make that book the best goddamn thing that could possibly be made for that course.

    3. Re:It's a scam by firewrought · · Score: 1

      You often find that the very worst textbooks are required by the teacher that wrote them.

      Oh, definitely.

      On the flipside, the best teachers tend to be those who have written their own textbook. (And the all-time-best teacher I had gave his PDF's away for free.)

      --
      -1, Too Many Layers Of Abstraction
    4. Re:It's a scam by Spinalcold · · Score: 1

      which is why I'm starting to love my university (university of Saskatchewan, top end physics and comp sci), my computer science department spent a couple years investigating the most successful teaching programs in the field. They wrote their own textbook but just did it in pdfs for us to either print or download or just read online. They told us to return our textbooks (required on the main website to put a textbook). Also my linear algebra prof said any textbook will do, she hates the one the department uses anyway. Tons of books in the library so I just use that. Last, my classics prof said we can use open domain translations as long as we cite the material.

      I saved a ton on textbooks this year, only needed one physics book.

  30. Old news is old by narcc · · Score: 2

    The next Slashdot Idle story will be ready soon, but Fark users can beat the rush and see it early!

    1. Re:Old news is old by Anonymous Coward · · Score: 0

      I don't have time to browse dozens and dozens of web sites daily. Why did you not inform anyone here of that story if you found it interesting and read about it before anyone here at slashdot?

  31. So... by Anonymous Coward · · Score: 0

    So where the fuck did the rest of the $180 cost come from? Oh right, raw profit and instructor kickbacks...

  32. Re:Global Visual Culture From Preshistory to 1800 by AK+Marc · · Score: 1

    Presuming the photos were taken to portray the art as faithfully as possible, then the photos are not copyrightable. There is no "creativity" in making a copy, any more than a Xerox machine owns a copyright of every copy it makes. Even if it takes considerable skill and time to get such a faithful photo, it's still not "creative" to copy something faithfully.

  33. Re:Global Visual Culture From Preshistory to 1800 by AK+Marc · · Score: 3, Interesting

    But you can't copyright something that isn't creative, and a picture of something designed to be as un-creative as possible (faithful to the original) is not copyrightable, even if it takes considerable skill and time to achieve the effect.

  34. Museums don't let you by Anonymous Coward · · Score: 5, Interesting

    You can't go into a museum and take a photograph, BECAUSE THEY DON'T LET YOU. They'll provide photographs if you want, but only under license.

    So the paintings are out of copyright, but the DRM, erm phyical barrier to them, WILL GO ON FOREVER. This is necessary to encourage Picaso to paint more painting, Van Gogh needs to be rewarded to paint more.

    1. Re:Museums don't let you by Bryansix · · Score: 1

      Exactly! I know I've photographed in museums before but only before getting caught. Then its like, "stop taking photos or we'll throw on the street".

    2. Re:Museums don't let you by Anonymous Coward · · Score: 0

      It depends on the museum. If you ask about it ahead of time, they'll often allow you to take pictures provided that you don't use a flash.

    3. Re:Museums don't let you by spooje · · Score: 3, Informative

      Actually most museums will let you take photos, but you can't use a flash or tripod.

      --
      Tea and kung-fu. Life is good. Rising Phoenix
    4. Re:Museums don't let you by Cinder6 · · Score: 1

      There are two reasons I actually like a "no pictures" policy.

      1. Tourists taking pictures are annoying. Just look and enjoy. Your camera gets in the way of that.
      2. Most people taking pictures would be too brain-dead to realize they need to turn off the flash.

      Bonus: If having to pay for a postcard in the museum gift shop helps keep that museum open, it's worth it. Though it sounds like they may be charging textbook makers too much. (Also: Why is the license to show them on a website more expensive than the license to print it in a book? Presumably, it won't let you view the images unless you own a copy of the book, so...why?)

      --
      If you can't convince them, convict them.
    5. Re:Museums don't let you by Anonymous Coward · · Score: 5, Informative

      Indeed. From the Art Institute of Chicago...

      Photography

      You are welcome to take photographs of the permanent collection and selected loan exhibitions. Please respect signage in exhibitions prohibiting photography of specific works of art. Photographs must use existing light (no flash photography) and are allowed with the condition that the images are for personal, nondistributional, noncommercial use. Flashes, tripods, and video cameras are prohibited.

      Members of the media should contact our Department of Public Affairs at (312) 443-3626 or aicpublicaffairs@artic.edu to arrange shoots for still photography and film.

      Emphasis mine. I'm not sure what the arrangements would look like for commercial use, but I'd guess they're usually expensive and very specific. As a side note, any school that makes it mandatory to purchase a $180 art book with no photos should suffer a lack of enrollment. That's disgusting, even beyond the usual, disgusting text book scam.

    6. Re:Museums don't let you by TheGratefulNet · · Score: 2

      that's why photographers use a 'step tripod' or string tripod. a string that is attached to the camera, runs to the ground and you step on the string and pull UP on the camera for taughtness.

      it helps. that, and the self-timer, goes a long way toward getting rid of camera shake.

      also, todays cams go to quite high iso's.

      its do-able.

      but the point is what a shame things have gotton to, when stuff like this is a barrier to common education. its hard to get my brain around why we think that only the priviledged should be educated in this country. we are our own worst enemies, sometimes.

      --

      --
      "It is now safe to switch off your computer."
    7. Re:Museums don't let you by Genda · · Score: 5, Insightful

      Think about it, if your text book has 750 pictures in it, and you have to wrap a dollar bill around each image for licensing, your book in now $750 above your cost to publish it. Ergo an $850 test book. Which just goes to show you that the world is now officially Bat Fuck Crazy. Since the kids have to go to the web anyway to see the images, just turn the book into a webpage, with WORKING LINKS, and force each student to pay $180 to access the website for a semester. After the end of the semester, as a gift, they can have one of these image free door stops as a thank you for having taken this ridiculous class... or they can save the trees and waste of all other human resources and forgo dead tree version.

      So now we need to beat the author, the School Administration, and perhaps kill all the lawyers involved in passing the laws resulting in the absurdity. Then as a fitting finale, we can bring all the people responsible for this body of legal atrocities and who've put their profit ahead of the future education of our society and launch them to the moon without benefit of a space capsule. When their collective bodies hit the lunar surface we can rename the region Mare Stultitia et Avaritia, The Sea of Stupidity and Greed. We can take a picture of it. Put in a book at no cost and show our children this is what happens to scum sucking pigs. Its a dream, I know, but its a good dream.

    8. Re:Museums don't let you by Grayhand · · Score: 1

      Actually most museums will let you take photos, but you can't use a flash or tripod.

      Depends the museum. I remember when I was in France the Museum of Comparative Anatomy forced me to check in my camera. They sold stills but not of what I wanted. With some images are considered a revenue source. I'd have been happier if they charged me an extra $10US and just didn't allow publication rights. Some museums are very touchy about photos.

    9. Re:Museums don't let you by 1u3hr · · Score: 4, Insightful

      I'm not sure what the arrangements would look like for commercial use, but I'd guess they're usually expensive and very specific.

      Yes, that's what their sign says. But it doesn't have the force of law. They can make it physically hard for you to take the photos, but if you manage to take a photo of a painting 100 years old, the copyright of the photo belongs to you 100%. You can do anything you want with it.

    10. Re:Museums don't let you by shiftless · · Score: 1

      Since the kids have to go to the web anyway to see the images, just turn the book into a webpage, with WORKING LINKS, and force each student to pay $180 to access the website for a semester.

      Or better yet, download all the images off bittorrent for free, put them on a CD with html, and give it to them free. Or even better, print the book with these pictures and just give it away free to all who enroll in class. In completely unrelated news, some other miscellaneous university fine or fee just went up $20-30.

      Want to beat a bully? The first step is to stop bowing down to him.

    11. Re:Museums don't let you by Anonymous Coward · · Score: 0

      ..except sell it to a textbook publishing company for use in a textbook, or otherwise make money off the use of its image without a copyright on the work itself.

    12. Re:Museums don't let you by Anonymous Coward · · Score: 0

      By entering a contract, you waive rights which you'd otherwise have. As a single example, if I enter a contract to buy a specific item for a specific price, then I waive my right to not give you the money corresponding to the price, and in turn the other party waives the right to not give you the item, both of course only in case the respective other party also fulfils their part of the contract.

      In the case of the museum, by buying the card, you not only waive the right to keep the money the ticket costs, but also the right to sell photos you make in the museum. You are not forced to enter that contract, but then you'll not be let into the museum, and thus cannot make the photos.

      Note that this is completely independent of copyright; you of course own the copyright on those pictures, but "copyright" is actually the right to forbid making copies. So since you own the copyright, the museum cannot say "oh, nice photo you've made there, we'll use that in our advertising without asking your permission or compensating you for it." But due to the contract you entered by buying the ticket you also cannot sell the picture without getting explicit permission from the museum (which most probably also will involve some payment).

      So in short: "Copyright" isn't the right to copy, it's the right to forbid making copies even to parties you don't have a contract with. Contracts are effectively a way to voluntarily restrict the rights of both involved parties.

    13. Re:Museums don't let you by Anonymous Coward · · Score: 0

      So just go there and take the pictures without permission. Just because they can forbid taking pictures at their premises doesn't magically convert them into their property.

    14. Re:Museums don't let you by The+Rizz · · Score: 3, Informative

      Incorrect. As the GP stated, the art is out of copyright, and their vague sign has no force of law (if they could even prove you saw and/or agreed to it), Even trying to come after you for Breach of Contract would be fruitless; there are no actual damages they can prove (they don't hold copyright to the paintings, so they can't claim damages for copying), so the worst they could do is refuse to let you back in.

    15. Re:Museums don't let you by magic+maverick+ · · Score: 2

      It isn't a contract unless I agree to it. Merely handing over money does not create agreement. Unless the museum explicitly draws attention to the contract, and makes you agree (and some how records that agreement), before you hand over money, then there is no contract. Moreover, if I go and buy three tickets, it doesn't matter whether I agree or not, if I hand those tickets over to a couple of friends. The friends haven't agreed to diddly squat. Moreover, what if a kid buys a ticket? They can't enter into contracts, so...

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
    16. Re:Museums don't let you by martin-boundary · · Score: 2

      That doesn't matter. The copyright to the original paintings hanging in a museum expired some years after the painter died. The museum may own the canvases, but they don't own the copyright itself which no longer exists. So you can make copies of the original paintings as photographs if you like.

    17. Re:Museums don't let you by jimicus · · Score: 3, Interesting

      Taking this approach is well and good if you're an individual who wants a photo as a souvenir.

      If you're a textbook publisher and you want well lit, high quality photos you can include in a textbook - and you're going to need hundreds of such photos because it's an art history book - you realistically have two choices:

        - Hire a couple of photographers (Eeeks! Expensive)
        - Send them to every museum you can think of that has works that are worth photographing.
        - Ask them to take photos as discreetly as possible. With a couple of studio flashes, a good quality lens, an SLR and a tripod. And keep going back when they inevitably get kicked out until they've built up enough photographs.
        - In the case of sculptures, remove them from their glass cases and spend ages arranging the lighting so the whole thing appears clearly without getting thrown out and/or arrested.

      OR

        - Buy photographs that the museum has already got at the fee the museum wants, on the understanding that the photographs will go into a printed book for students to look at.

      I'd say the second one is a lot cheaper, and a lot less likely to guarantee you'll never work with a museum again.

    18. Re:Museums don't let you by Anonymous Coward · · Score: 4, Informative

      They don't let you use flash because it can cause chemical degradation to the pieces. Many xenon discharge flashes are many times brighter than the sun, so over time people photographing the works with flash illumination would be just as devestating as leaving the works in the sun.

    19. Re:Museums don't let you by Anonymous Coward · · Score: 0

      Actually that's not true at all (at least on this side of the pound)

    20. Re:Museums don't let you by realityimpaired · · Score: 4, Insightful

      Or better yet, download all the images off bittorrent for free, put them on a CD with html, and give it to them free. Or even better, print the book with these pictures and just give it away free to all who enroll in class. In completely unrelated news, some other miscellaneous university fine or fee just went up $20-30.

      Or just use an older textbook... the class in question is an art history class ending at 1800, with nothing more recent. I'm pretty sure, given that I've taken such classes as electives in the past, that there are other textbooks exist which don't cost anyhere near that much, and which cover the period in question. Of course, then the class wouldn't be using the textbook which was written by their prof, and they wouldn't make money off it! Had a lot of that when I was at university....

    21. Re:Museums don't let you by Kirth · · Score: 1

      License? If they don't have you sign an NDA, you're not bound by anything.

      Because they actually don't hold any copyright on the photographs of two-dimensional works they provide. Because there is NONE for this kind of replication, because there is no originality, which is paramount for being eligible for copyright.

      It's different for pictures of statues and other three-dimensional works, there the photograph actually can be a piece of art itself (and thus subject to copyright).

      --
      "The more prohibitions there are, The poorer the people will be" -- Lao Tse
    22. Re:Museums don't let you by Anonymous Coward · · Score: 0, Interesting

      Not entirely correct. They'll get you on taking pictures on private property, copyright is not necessary. Even if you own the copyright of the resulting photograph, you don't have the right to publish it.

      But even beyond that, "weird" lighting and semi-reflective glass cases is all it takes.

    23. Re:Museums don't let you by BenoitRen · · Score: 1

      After the end of the semester, as a gift, they can have one of these image free door stops as a thank you for having taken this ridiculous class...

      This made laugh out loud. Thank you. :)

    24. Re:Museums don't let you by OnePumpChump · · Score: 1

      There may even be textbooks that are out of copyright. Not sure their images would be good enough to use, though.

    25. Re:Museums don't let you by Zobeid · · Score: 3, Interesting

      I don't understand how its even possible for the photograph to be copyrighted. As far as I know, copyright only applies to original works. If I take a photo of a 100 year old painting, my photo isn't an original work. It's just a copy. How is that copyrightable?

      I could use it in a collage or something, transform it in some way, and make something out of it that's copyrightable, but I don't see any way that a straight-up photo of the painting can be. Does not make sense. (But then, there's a lot about copyright law these days that doesn't make sense to me.)

    26. Re:Museums don't let you by Gilmoure · · Score: 1

      Yup, I still have several art history text books. Some are from the 90's when I took the courses, some are fom the 60's when my Mom was in college. The basic pictures don't change but the text about them does.

      Would make more sense that art schools would have a virtual collection of art and the analysis changes as needed. Just make it an app or charge more for PoD.

      --
      I drank what? -- Socrates
    27. Re:Museums don't let you by Anonymous Coward · · Score: 0

      You would be correct in the US. But this happened in Canada.

    28. Re:Museums don't let you by interkin3tic · · Score: 3, Insightful

      Which just goes to show you that the world is now officially Bat Fuck Crazy.

      Have some perspective: we've stopped talking about mutually assured thermonuclear destruction as if it were the most natural thing ever. We're starting to end the prohibition of pot, and haven't tried nationally to ban alcohol in decades. The west has not had anything quite at the level of the crusades in quite some time.

      One idiotic committee at one shitty school who made a very stupid decision about copyright doesn't mean the world is heading to legal hell in a briefcase. That said, I do think the idea of lynching some lawyers to set an example has some merit.

    29. Re:Museums don't let you by Daniel_Staal · · Score: 3, Informative

      Choice of lighting, positioning, focus, shutter speed, filters used, etc. all can have a significant difference to how a photograph turns out, and that's before you do anything drastic. It's not hard to show that there's a lot of creative effort involved in a good photograph.

      --
      'Sensible' is a curse word.
    30. Re:Museums don't let you by Anonymous Coward · · Score: 2, Insightful

      but the point is what a shame things have gotton to, when stuff like this is a barrier to common education.

      Let's not lose sight of what happened here. The barrier to education wasn't a barrier or a no-flashes policiy in a museum; it was a school, for recommending/requiring a useless book (which even if it had been done correctly, would have still been overpriced). If this school has a single student enrolled next semester, then our own low standards are the real barrier.

    31. Re:Museums don't let you by Wovel · · Score: 1

      So if xerox an out-of-print book, is it now an original work? I can control many of the same factors on any good Xerox machine.

    32. Re:Museums don't let you by Anonymous Coward · · Score: 0

      Once. Then the museum staff throws you and your expensive lighting and camera out on the street and bars you for life.

    33. Re:Museums don't let you by kimvette · · Score: 1

      This is where an f/2.8 or faster lens and a really great DSLR body like a 5D mk III or D800 comes in - then you can shoot handheld in typical museum lighting.

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    34. Re:Museums don't let you by necro81 · · Score: 1

      Picasso and Van Gogh doesn't need to be rewarded or encouraged to paint more (though, if they wanted to come out of a mortal retirement, I think the world would welcome them). However, the people and organizations that keep ownership of those works need some inducement, and the means, to protect those artworks, conserve them, and display them in a proper setting. The copyright for them may have expired ages ago, but that does not mean that they can just be given away to The People: they were expensive to acquire, and are surprisingly expensive to keep. Proper conservation of artwork requires climate controlled spaces, appropriate lighting, security and insurance, curators. For maximum impact and access, artworks need museums that have ample space to display large collections of related artworks, preferably in the middle of major cities where the most people can get to them. None of these things come cheap.

      In other words, these artworks require some ongoing revenue stream. Without it, such artworks will eventually fall into disrepair, end up in private collections, and eventually be lost to the public in general. Consider it a tragedy of the commons, applied to Picasso and Van Gogh.

      Count yourself lucky to be living in this day and age. Although you aren't yet able to access gigapixel renderings of every priceless work of art, for free, from your computing-device-of-choice, anywhere in the world, you are getting pretty damn close. No other generation in the whole history of humanity has ever had that chance. A century ago, if you wanted to have a good look at the Mona Lisa, you needed to travel to Paris and see it in person. While that is still mostly true (i.e., to see it yourself you have to travel to it, rather than the other way around), you can get close by visiting the Louvre's website. See also Google Art Project.

    35. Re:Museums don't let you by smooth+wombat · · Score: 0

      the worst they could do is refuse to let you back in.

      And make you delete the picture. If you refuse, they can hold you as you are on their property, subject to their rules.

      You then have the right to go to court and try to convince a judge and/or jury that you should be able to take pictures of paintings on private property which has explicit rules about what you can and can't do on their property.

      Contrary to popular belief, just because you can walk into a museum without paying (some you can, others you must pay) does not mean you get to do what you want. You are in a public area subject to the rules of a private organization. Just like a casino. Anyone, of age, can walk into a casino and gamble. However, they have the right to both refuse you entry, for any reason (as you stated) and hold you for detention if they believe you are violating their rules, even to the point of taking any of your winnings.

      You can whine all you want about your right to do this and that, but when you are on someone else's property, it's their rules. Either obey or suffer the consequences. If you don't like the rules, open your own museum and let people have at it.

      --
      We will bankrupt ourselves in the vain search for absolute security. -- Dwight D. Eisenhower
    36. Re:Museums don't let you by Anonymous Coward · · Score: 0

      You're completely right. It's not a contract when you buy a ticket. You implicitly assume that a ticket means you won't get kicked out of the museum but since it's not a contract they can easily tell you to take a hike without a refund. That's how they enforce it, if you go to a museum and take a bunch of photos from a tripod, they'll kick you out. As for selling the photos, since taking photos for commercial purposes is not allowed (there are signs in museums) it can easily fall under whatever laws makes taking videos in a movie theater illegal or laws about taking photos where there is expectation of privacy, no contract needed when its an issue of law.

    37. Re:Museums don't let you by sidthegeek · · Score: 1

      Wrong. Your photo of the painting is still in the public domain. See Bridgeman Art Library v. Corel Corp.

    38. Re:Museums don't let you by mcgrew · · Score: 1

      It depends on the museum. You're not allowed to take pictures in the Dali museum, but you can (haven't been there in a while, they may have changed it) in the St Louis Art Museum. Much of what's there is in the art history books, it's a very good museum.

    39. Re:Museums don't let you by Baloroth · · Score: 1

      So if xerox an out-of-print book, is it now an original work? I can control many of the same factors on any good Xerox machine.

      If you go in front of a judge and try to defend it, maybe (IANAL and don't know if there is case law around this subject already, so I could be completely wrong). Probably not though, since most of the copying is done by a machine (whereas photography involves vastly more manual effort e.g. positioning lights, cameras, shutters, etc.), but you certainly could try.

      --
      "None can love freedom heartily, but good men; the rest love not freedom, but license." --John Milton
    40. Re:Museums don't let you by debrain · · Score: 1

      Yes, that's what their sign says. But it doesn't have the force of law. They can make it physically hard for you to take the photos, but if you manage to take a photo of a painting 100 years old, the copyright of the photo belongs to you 100%. You can do anything you want with it.

      As a matter of interest, the right to enter the private property of the museum is granted pursuant to a license -- a contract. Depending on what that license says, taking photographs for commercial use may be a violation of the terms of entry. The legal effect of breaching the license could potentially be equivalent to or worse than a breach of copyright, but the license restrictions may apply regardless of whether there are copyrights on the work being photographed.

      So if you do take the photo, and there are no copyright restrictions that apply to the work photographed, and there are no other restrictions on the photograph, the agreement to enter the museum may bar commercial use of the photograph. Any such commercial use may lead to a civil lawsuit for breach of contract, potentially including damages in the amount of any commercial gains from the use of the photograph.

      Of course, the above is a generalization and not legal advice on any specific issue; please retain a lawyer for any specific legal advice.

    41. Re:Museums don't let you by gnapster · · Score: 1

      Mod parent to (5, eyes on the prize).

    42. Re:Museums don't let you by mrchaotica · · Score: 1

      But not if you're trying to take the kind of photo that would be useful for an art history textbook...!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    43. Re:Museums don't let you by omnichad · · Score: 1

      A photograph isn't a copy, it's a photograph of a painting. There are artistic and lighting choices involved and that makes it a derivative work. This is a good thing. Otherwise, where's the financial incentive for a company to take an out-of-copyright film and create a nice digital master, and even do some cleanup of scratches in the film for DVD/Blu-Ray distribution? It's not just a copy, it's a derivative work and subject to copyright.

    44. Re:Museums don't let you by gorzek · · Score: 1

      A photo is a new copyright in the same way that a recording of a new performance of a public domain musical piece is a new copyright.

      The original work is no longer copyrighted, so you can go take pictures of that. However, people can't just endlessly copy your photos--they'd have to go take photos themselves, or get photos from someone who has made them public domain.

      Likewise, say an orchestra plays a Beethoven symphony, and the symphony records it in order to sell it. People can't then take that and give it away. The original work is public domain. The new recording of its performance is not.

      It is that creation of a new derivative work which produces a new copyright, but you can always duplicate/perform the original without legal problems.

    45. Re:Museums don't let you by fuzznutz · · Score: 2

      And make you delete the picture. If you refuse, they can hold you as you are on their property, subject to their rules.

      Not in my state. That sort of thing is called felony abduction. You can't just hold someone against their will because you don't like what they do. If they are suspected of theft, you can detain them until the authorities arrive, but if they are just taking pictures and you decide to hold them, I'd be looking for a good lawyer. You can kick them out, keep the admission, and refuse to let them back in ever.

      Your hypothetical casino is an example of theft. Photography is not illegal.

    46. Re:Museums don't let you by swalve · · Score: 1

      Yes, the photo belongs to you, but they could potentially sue you for ownership of the copyright, since you created that work only through violating their rights or contract of admission.

    47. Re:Museums don't let you by tepples · · Score: 1

      Have some perspective: we've stopped talking about mutually assured thermonuclear destruction as if it were the most natural thing ever.

      And Apple v. Samsung (patent not copyright) isn't thermonuclear?

    48. Re:Museums don't let you by mcgrew · · Score: 2

      The copyright to the original paintings hanging in a museum expired some years after the painter died.

      Art produced before the 20th century usually went out of copyright BEFORE the artist died; copyright lengths used to be reasonable. OTOH, 20th century paintings are almost all still under copyright, and a lot of these will be in art textbooks.

      But $180 for an artless art book? I'd never attend a university run by anyone so stupid. I have several high quality art books with very large pages and very large reproductions, and I don't think I paid more than $40 for any of them.

      This is nothing short of a ripoff and it's inexcusable.

    49. Re:Museums don't let you by swalve · · Score: 1

      That argument might work for things like strict liability and other things for which it is in the public interest to not allow the public to waive or that do not affect a regular person's rights and ability to enjoy their end of the contract, but not for something like commercial photography. You agreed to it when you didn't ask for your money back. As with so many other things, when you enter the commercial realm, you are burdened with a stricter responsibility to know what you are doing than the general public.

    50. Re:Museums don't let you by green1 · · Score: 1

      Well on the bright side, it's not really any more expensive than most textbooks... (at least here in Canada)
      My worst one was a $250 textbook the instructor insisted on the first day that would be absolutely essential for his class. He never once referenced it the entire semester. I was furious!

    51. Re:Museums don't let you by green1 · · Score: 1

      I'm not sure that "taking pictures on private property" is actually an offence (as much as most corporations would like you to believe it to be so)

    52. Re:Museums don't let you by Anonymous Coward · · Score: 0

      They cant 'hold you', you idiot. You cant be constrained by anyone except police and then only if under arrest. Sure, the museum can say "You cant leave", but if you decide youre leaving and walk out, theres really not a damn thing they can do about it - they certainly cant physically restrain you from leaving. Depending on the issue, the police may charge you latter with fleeing the scene or something, but neither the museum nor anyone else can physically restrain you no matter whose property it is.

    53. Re:Museums don't let you by smooth+wombat · · Score: 1

      Photography is not illegal

      It is if the private organization says it is. You may not like it, but since you are on their property, they make the rules. Stop thinking you are allowed to do what you want where you want when you are on someone else's property. You can't. Private property, private rules. You can go to court to contest their rules, but you will lose.

      You might also want to look up what the real definition of felony abduction is. In every case, holding someone with justification is not felony abduction. Further, in most cases, felony abduction generally includes some intent to harm a person, hide that person from someone or related matters, none of which would be done in cases of you taking a picture where you are not allowed to.

      Holding someone because they violated your rules is not felony abduction. If that were the case, then people making citizens arrests would be committing felony abductions when they hold someone until the police arrive. Or, to use the museum analogy, if someone writes on a painting and they are held, your logic says that would be felony abduction even though in both cases, taking a picture or writing on a painting, someone has violated the museum rules.

      You are free to do what you want on your property. You are slightly less free to do what you want when out in public. You have the least amount of freedom when on someone else's property.

      --
      We will bankrupt ourselves in the vain search for absolute security. -- Dwight D. Eisenhower
    54. Re:Museums don't let you by swalve · · Score: 1

      Your photo is an original work, just as if you took a pencil and drew your own copy. But the difference is subtle; the copyright is for "a photograph of the Mona Lisa" not "the Mona Lisa". Your copyright only covers your rights concerning your particular photo, and has nothing to do with the Mona Lisa.

    55. Re:Museums don't let you by swalve · · Score: 1

      You might have a copyright on the images that you created with the Xerox machine, but you wouldn't have a copyright on the content.

    56. Re:Museums don't let you by fuzznutz · · Score: 2

      It is if the private organization says it is

      No it isn't. You cannot unilaterally declare something illegal and hold someone against their will because YOU say it's illegal. You can make it a condition of admittance and remove those who do not follow your rules, but you can't just imprison someone because you don't like their LEGAL behavior.

      ORC 2905.02 Abduction.

      (A) No person, without privilege to do so, shall knowingly do any of the following:
      (1) By force or threat, remove another from the place where the other person is found;
      (2) By force or threat, restrain the liberty of another person under circumstances that create a risk of physical harm to the victim or place the other person in fear;


      Being pissed off about a camera does not grant privilege. You are right about one thing. Private property, private rules. You can disallow anything you want on your property, but you can't prevent someone from leaving if they have done nothing illegal. and as I said, PHOTOGRAPHY IS NOT ILLEGAL.

      Citizen's arrests and a store detective detaining shoplifters are NOT abduction because the person detained did something illegal. As I said earlier...

    57. Re:Museums don't let you by noahwh · · Score: 1

      In fact, the article states that this textbook is a combination of chapters from three existing books. Somehow I think you could by those three books for less than $800.

    58. Re:Museums don't let you by ESarge · · Score: 1

      You certainly can have a contract on the ticket - esp. if you get it from a human. You could read the ticket, protest the contract and hand it straight back.
      See the obiter dicta in Thornton v Shoe Lane Parking (http://en.wikipedia.org/wiki/Thornton_v_Shoe_Lane_Parking_Ltd).

    59. Re:Museums don't let you by Daniel_Staal · · Score: 1

      Technically, probably yes.

      And yes, there are people who make Xerox art

      --
      'Sensible' is a curse word.
    60. Re:Museums don't let you by girlintraining · · Score: 1

      As a matter of interest, the right to enter the private property of the museum is granted pursuant to a license -- a contract

      Yes, and if you violate the "contract", they can ask you to leave. And if you stay, then they can charge you with trespass. This is no different than walking into a grocery store and scanning the items on the shelves for prices or taking pictures there either -- they don't want you to do it. Some places even have signs prohibiting "electronic devices" or photographs. But all they can do is ask you to leave, and forbid you from returning.

      --
      #fuckbeta #iamslashdot #dicemustdie
    61. Re:Museums don't let you by DM9290 · · Score: 1

      Indeed. From the Art Institute of Chicago...

      Photography

      You are welcome to take photographs of the permanent collection and selected loan exhibitions. Please respect signage in exhibitions prohibiting photography of specific works of art. Photographs must use existing light (no flash photography) and are allowed with the condition that the images are for personal, nondistributional, noncommercial use. Flashes, tripods, and video cameras are prohibited.

      Members of the media should contact our Department of Public Affairs at (312) 443-3626 or aicpublicaffairs@artic.edu to arrange shoots for still photography and film.

      If you violated that term they would have a hard time making a case against you.

      the problem for them is that YOU own the rights on the photographs, not them.

      --
      No one has a right to their *own* opinion. They have a right to the TRUTH.
    62. Re:Museums don't let you by Anonymous Coward · · Score: 0

      In the UK if you agree to conditions of entry to a premises and then break them, you're trespassing, for which you could presumably be taken to court. Perhaps there is a similar provision elsewhere? It does not make sense that if you are allowed in someone's property (like an art gallery or shop) they don't have any say over what you're allowed to do there beyond what the law already says.

    63. Re:Museums don't let you by Anonymous Coward · · Score: 0

      Of course, then the class wouldn't be using the textbook which was written by their prof, and they wouldn't make money off it! Had a lot of that when I was at university....

      I was with you up until this point. Few, if any, professors write textbooks in order to make money off of them. In fact, a professor who writes a textbook will likely never even break even on the time s/he spent writing it. Professors write textbooks because they feel like they can customize their materials to fit the needs of their classes, not because of some devious scheme to separate college kids from their money. I know one who wrote a textbook because in order to teach the material he was supposed to be teaching, his students would need to buy five or six books and cover only part of each one. Some professors write textbooks because they have an inflated ego and they want to impress people with their obvious intellectual prowess; they still do not make money on their books. There is a very, very small number of profs who actually profit from textbook royalties, but these are people who write intro level texts that are used across the country. It's just not really a thing in academics to write textbooks for the pittance that the publisher gives you in royalties.

    64. Re:Museums don't let you by Solandri · · Score: 1

      Think about it, if your text book has 750 pictures in it, and you have to wrap a dollar bill around each image for licensing, your book in now $750 above your cost to publish it.

      Standard rate to license a quarter-page photo for publications of 10,000 or fewer is about $200-$400. So you'd need a really small run of textbooks for each photo to cost $1 per book.

    65. Re:Museums don't let you by 1u3hr · · Score: 1

      the agreement to enter the museum may bar commercial use of the photograph. Any such commercial use may lead to a civil lawsuit for breach of contract

      I really doubt a contract has any force unless it's signed. A contract has to be agreed, you can't just declare that you have agreed to something by entering a door.

    66. Re:Museums don't let you by 1u3hr · · Score: 1

      Yes, the photo belongs to you, but they could potentially sue you for ownership of the copyright, since you created that work only through violating their rights or contract of admission.

      Looks like a non sequitur to me. Also, who signed a contract anyway? A contract requires an agreement, preferably signed.

    67. Re:Museums don't let you by Sparton · · Score: 1

      I really doubt a contract has any force unless it's signed. A contract has to be agreed, you can't just declare that you have agreed to something by entering a door.

      Undoubtably this may vary depending on where you live, but an oral contract (ie something you agree to verbally) can be legally binding, even if hard to enforce. That includes if it is not recorded.

      In fact, in many cultures (I think at least in Canada), entering , for example, a restaurant, does have you implicitly agreeing to a contract (in the case of a restaurant, that you will pay according to what you order after you've eaten). Dine-and-dashing is breaking the law at that point.

    68. Re:Museums don't let you by kaatochacha · · Score: 1

      You've obviously never had a class where the professor's textbook was one of many assigned readings, yet you were never assigned any reading from it.

    69. Re:Museums don't let you by robogun · · Score: 1

      A photograph IS an original work, whatever the subject.

      The area you're straying into is licensing and releases. Many subjects, and all people, require releases before commercial use of the photo.

    70. Re:Museums don't let you by brantondaveperson · · Score: 1

      If you refuse, they can hold you as you are on their property,

      Really? They can hold you? Wouldn't that be unlawful imprisonment, or something equally illegal. I'm pretty sure they can't even take your camera off you, or compel you to delete the photos. They can certainly chuck you out, but I'm almost certain that's all

      Of course for most works of art, photos are available online. So all you have to do is a web search.

      For instance

      By the way, as an aside, I was in the Chicago Art Institute last year and everyone was taking photos. In my opinion this harmed the quality of the experience of looking at the art (which was to the photos as a man is to his shadow).

    71. Re:Museums don't let you by 1u3hr · · Score: 1
      Both your examples are true, times when a non-written contract is valid, but neither are relevant to a person entering an art gallery.

      There needs to be a LOT of case law to uphold an implicit contract. You can't just put page of small print on the back of a ticket and then require the purchaser to give you a blow job, or in this case, to give up their right to take a photograph and own the result.

    72. Re:Museums don't let you by Lucractius · · Score: 1

      As a 'semi-pro' photographer (Ive been paid for work but its a hobby to me these days) I totally agree. Someone taking a photo involves a lot of things that can make it unique and deserving of copyright.

      However... I personally don't believe that a photographic reproduction designed explicitly for the purpose of optimum and faithful reproduction of the existing work deserves the full protections of copyright.
      The principle I hold is simple, if your copying it like a photocopier would, trying to make an exact flat replica of the public domain original as if you laid it down on the glass of a hypothetical photocopier that it could fit on, it shouldn't matter how complicated your photocopier is. If your not changing the original it should stay public domain regardless of format. Retyping the works of Shakespeare shouldnt let you copyright them based on the fact you chose a different font, page width, line spacing, etc.

      This kind of thing is an unfortunate grey area, while I believe the photographer deserves full credit and has a right to get paid. I don't feel that existing law properly handles 'reproduction copying' in a suitable fashion.

      Personally I would licence any kind of photo-reproduction work I did with Creative Commons Attribution-NonCommercial-NoDerivs by default and offer alternative licensing like Creative Commons Attribution-NoDerivs on request for a small cost depending on what they were doing with it, Creative Commons Attribution for a bit more, or Creative Commons Attribution-NonCommercial-ShareAlike on request when it seemed appropriate.
      Its my reproduction shot so I want to be acknowledged as the photographer and I don't want the reproduction modified as it is meant to be a reproduction shot, not source material for further works, however I'm not a jerk and I would happily give people needed permission if they asked and if they were trying to make money, then I would expect a payment in proportion to how important my stuff was to their work. If its litterally a block mount photo print of my photo... I'm expecting a percentage cut or big pay... if its used as a texture in a student developed game set in a museum or something like that... Id probably only want attribution.

      --
      XML - A clever joke would be here if /. didn't mangle tag brackets.
    73. Re:Museums don't let you by Beren+Erchamion · · Score: 0

      There's a reason we don't use The Decline and Fall of the Roman Empire as a textbook for late Roman history classes these days.

      Just because the time period covered is over doesn't mean the state-of-the-art in our understanding of it is. This applies as much to art history as it does to any other discipline concerned with the past.

    74. Re:Museums don't let you by Hognoxious · · Score: 1

      Are you a liar, or just stupid?

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    75. Re:Museums don't let you by Hognoxious · · Score: 1

      It isn't a contract unless I agree to it. Merely handing over money does not create agreement.

      Reference to statute or precedent, please.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    76. Re:Museums don't let you by Hognoxious · · Score: 1

      Sure. But the macrotopic is photos of paintings. While we may well reevaluate the reasons for Ceasar's crossing the Rubicon in the light of Atlas Shrugged, the Mona Lisa looks pretty much the same as it always did.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    77. Re:Museums don't let you by debrain · · Score: 1

      Yes, and if you violate the "contract", they can ask you to leave. And if you stay, then they can charge you with trespass. This is no different than walking into a grocery store and scanning the items on the shelves for prices or taking pictures there either -- they don't want you to do it. Some places even have signs prohibiting "electronic devices" or photographs. But all they can do is ask you to leave, and forbid you from returning.

      With all due respect, as a litigator with nearly a decade of experience involving intellectual property and licenses, I respectfully offer some suggested corrections to the above.

      If you agree to enter the property under certain terms, you are bound to abide by those terms if you enter the property. Damages that flow from failure to abide can include, but are not limited to, losses and restitution. Restitution - the more likely larger set of damages - can include the reimbursement to the property-holder of any unjust enrichment - namely, any profits gained by breaching the contract.

      This sort of litigation is not uncommon. It is not a matter of "they do not want you to do it", but the fact that one agrees to terms when entering into privately controlled premises. The visitor is bound to the obligations set out in the agreement to enter, or otherwise trespasses on the property.

      There are bounds on what the terms of contract may be, notably excluding illegal or unconscionable terms (e.g. racism, slavery, onerous financial terms for breach, etc). I would argue that a prohibition on photography is not an onerous restriction barred.

      Typically, a breach can be construed by the law in one of two ways. Either the failure to enter into the contract resulted in a conclusion of trespass, or alternatively the failure to abide by agreed terms in a breach of contract. In both cases, the Court would seek to put the party into the position had the wrong not been committed (i.e. return the property-holder to the position they were in before the trespass, or the position they would have been in had the contract been abided by).

      In addition, one need not actually enter into an agreement to be bound by reasonable terms. For example, there is case law where people have been held liable to pay the fee for a guided tour because they knew the terms of payment for the tour, failed to pay the fee, but tagged along and received the benefit of the tour - then refused to pay after-the-fact. The Court felt the visitor had benefitted from the performance of the tour-guide, and the visitor was obliged to pay the equivalent amount as if they had entered into an agreement.

      So a contracting property-holder can do quite a bit more than ask one to leave. They can bring a civil lawsuit on grounds of breach of contract or trespass. Of course, photographs taken for personal use would have fairly nominal damages, and those damages would likely have to be proven (contrast statutory damages for copyright infringement). Nevertheless, most common law states have a legal framework of this sort.

      I hope the above is somewhat illuminating. Of course, seek the counsel of a lawyer in your jurisdiction for specific legal advice.

    78. Re:Museums don't let you by 1u3hr · · Score: 1

      Are you a liar, or just stupid?

      Are you an asshole, or just a stupid cunt?

    79. Re:Museums don't let you by 1u3hr · · Score: 1

      If you agree to enter the property under certain terms,

      And then you would have to prove that these terms had been explicitly offered and accepted.

      No doubt a lawyer could sue and intimidate someone regardless..

      there is case law where people have been held liable to pay the fee for a guided tour because they knew the terms of payment for the tour

      Because that they knew the terms of payment for the tour was not disputable. Anyway, comparing using a service without paying to having a restriction of your normal right to take and subsequently publish photo is a big stretch.

    80. Re:Museums don't let you by girlintraining · · Score: 1

      I have no doubts that everything you said was true. We live in a litigous society, and the law is sufficiently complex that nobody, yourself included, can possibly anticipate what may or may not be illegal. It's a crap shoot. That said, what you're describing sounds like a civil, not criminal matter, to the best of my understanding. It's not a crime to take those pictures. It's trespass (a crime) if you don't leave after you do it and they ask you to leave.

      --
      #fuckbeta #iamslashdot #dicemustdie
    81. Re:Museums don't let you by swalve · · Score: 1

      I don't think you know what those words mean.

    82. Re:Museums don't let you by debrain · · Score: 1

      I have no doubts that everything you said was true. We live in a litigous society, and the law is sufficiently complex that nobody, yourself included, can possibly anticipate what may or may not be illegal. It's a crap shoot. That said, what you're describing sounds like a civil, not criminal matter, to the best of my understanding. It's not a crime to take those pictures. It's trespass (a crime) if you don't leave after you do it and they ask you to leave.

      Sorry if I was unclear. Yes, everything I described was from a civil litigation standpoint. As a civil litigator, I see (and speak about) the universe through that lens. It's warped to most people, but has spectacular clarity on issues like this. :)

      To be fair though, the discussion was about the distinction between copyright versus breach of contract or trespass, and almost all prosecutions of violations of any of these lot are civil.

  35. Copyright KILLS! by CanEHdian · · Score: 1

    because I almost choked laughing... oh my, oh my... what has this world come to. "To promote the Progress of Science and useful Arts" and here is copyright in 2012 managing to do the exact opposite of BOTH these noble goals.

    --
    When the copyright term is "forever minus a day", live every day like it's the last.
    1. Re:Copyright KILLS! by Anonymous Coward · · Score: 0

      Agreed. At this point it's basically game over.

      Now the 'fear' of copyright is actually unwinding education. Education was supposed to be the last bastion of fair use rights.

      Oh well, looks like human history is up for grabs to the highest bidder...what's our call?

    2. Re:Copyright KILLS! by Anonymous Coward · · Score: 0

      Copyright and patents were never anything but counter intuitive.
      Using the government's monopoly on initiating violence to protect your precious idea is not moral.
      If people weren't willing to come up with new ideas without getting a government violence assisted monopoly to stimulate them into developing new ideas and so on, the internet would never have happened since it was built on open source.
      If James Watt hadn't been able to secure a patent on steam engines, we'd probably had the industrial revolution 30 years earlier. In other words, are tech level could literally be more like 2042 instead of 2012.
      And if 1 patent could do that, just imagine how far and fast our technology could develop if there were no patents holding us back.
      Hollywood developed by pirating edisons moving picture cameras, then when the movie industry emerged, it uses copyrights and patents to strangle competition.
      The recorded music industry started through avoiding the copyrights on sheet music by playing and recording it. Then when that industry emerged, the copyrights and patenting of that industry started.
      Copyrights and patents don't create industry add innovation. They grind it to a halt.

    3. Re:Copyright KILLS! by tibit · · Score: 2

      I don't think U.S. Constitution applies in Canada. In many countries copyright is not set up to promote anything. Besides, you're presuming a whole lot. Namely that the book authors and publisher were competent. As far as I'm concerned, they were stupid as shit, and that's all there's to it. For all I know they could have crowdsourced the pictures of all the art they needed. You know, for fame and such, and the book could have been collaboartively done, etc.

      --
      A successful API design takes a mixture of software design and pedagogy.
    4. Re:Copyright KILLS! by Eponymous+Hero · · Score: 1

      fair use includes educational purposes. why doesn't that apply here? because the school is private?

      --
      insensitive clod overlords obligatory xkcd car analogy russian reversals whoosh pedant fanbois ftfy in 3...2...1..PROFIT
    5. Re:Copyright KILLS! by omnichad · · Score: 1

      Initiating violence? This is would be a civil case, not criminal.

  36. Re:reply by Anonymous Coward · · Score: 0

    I've used some of their equipment. It sucks. Everything from China sucks. It's made by chinks.

  37. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 1

    Bridgeman Art Library v. Corel Corp.

  38. Sounds familiar to me by Mr.+Daemon · · Score: 1

    So this book just contains links to graphic material that might o might not be copyrighted, but hosted and provided by others not related to the book?

    I'm I the only one who thinks that sounds a lot like a torrent list site?

  39. Re:reply by Anonymous Coward · · Score: 0

    I'd like a dozen of these please. Can you deliver them to the principal of Sequoia High? He receives packages on my behalf all the time. Oh, and he wants a pizza. Just bill him. He's cool.

  40. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 0

    So you're saying that if I take my $500 dollar camera to a museum and snap a picture of a picture then I can sell it on for $800 a pop...per viewer? What are we now, a nation of TicketBastard scalpers? That's what this is, a copyright fueled analog of scalping. Eventually we're all going to say no thanks to art, music or science. They'll eventually become too expensive for common folk.

    What gets me is that these people demand power plants and roads and infrastructure. Are these people going to complain in 20 years when we all collectively shrug and say "what's a road?" or "what's a power plant?" because we weren't allowed to see pictures of them?

    Humanity has cashed out.

  41. Well, by Tablizer · · Score: 1

    at least the Goatse chapter is not as scary now

  42. Re:Global Visual Culture From Preshistory to 1800 by wvmarle · · Score: 1

    Making a photo of an existing painting is creative, as you created something that wasn't there before.

    You are probably thinking of the popular definition of "creative" which means doing something original, special, and not obvious. That's another meaning of the same word. Luckily the makers of copyright law were smarter than that.

    And even though I wouldn't call your comment special or anything, you still own the copyright on your comment for the simple reason that you created it.

  43. Re:Global Visual Culture From Preshistory to 1800 by mcvos · · Score: 4, Interesting

    This is how many public domain works end up recopyrighted. Nobody is allowed to take photos of the original, and the only existing photos are copyrighted. This especially happens after an historic work of art has had some work done to restore it to its original glory. The old photos all show the unrestored version, and all photos of the restored version are recent and copyrighted. It's an ugly practice and needs to be outlawed.

  44. Nothing New by GumphMaster · · Score: 2

    Fraudulent claims of copyright requiring 'clearance' and (ab)use of gatekeepers to control access to public domain works, where no copyrights in the original works exist, is a common method of revenue raising that is well known and nothing new. "Copyfraud and Other Abuses of Intellectual Property Law" by Jason Mazzone attempts to address this and other abuses of so-called "intellectual property" law with suggestion of ways to reform the law. Very US-centric but an interesting read anyway.

    (I am in no way affiliated with the author or publisher.)

    --
    Patent litigation: A doctrine of Mutually Assured Destruction... in which everyone seems willing to push the button
  45. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 0

    Why not go whole hog? You put the text of the book online, with links, free for everyone. For your class you charge a $200 "book fee". If anyone complains you give them a second URL together with a username and password. They log in, enter their name in field, and send it to you. That was the "homework", and what they get for $200 and asking silly questions.
    Sign up now. If you join after the start of the semester it'll be $250. Actually, make that a round $300. And your password will be "imacunt".

  46. Re:The photos of art are being licenced, not the a by tetromino · · Score: 1

    Bridgeman Art Library v. Corel Corp.

    A US federal court decision is hardly relevant in a question of Canadian copyright law. (The Ontario College of Art and Design is, as ought to be clear from the name, located in the Canadian province of Ontario.)

  47. Re:reply by Anonymous Coward · · Score: 0

    Thankyou, I have added your domains and associated IP scopes to my global blacklist.

  48. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 0

    That still doesn't clear the makers of the book of seeming to be incompetent and lazy. And that's quite a bit of incompetence, for $180 a pop. Though one could say these students should be learning something with economic substance instead, but that doesn't clear the authors and gee, looking at it that way, this book does look like a barely-disguised attempt at fleecing the gullible. I may be out of a job right now, despite having some actual skills, but I'm actually glad I didn't go to that art college.

  49. Linking Is Infringing in The Netherlands by Bob9113 · · Score: 1

    the textbook for 'Global Visual and Material Culture: Prehistory to 1800' features placeholders with a link to an online image.

    I hope they don't plan to publish in the Netherlands, since linking is infringing there now.

  50. Re:Global Visual Culture From Preshistory to 1800 by Bremic · · Score: 1

    The future of education in the digital age? Courses unable to provide the information they are teaching because the anti-piracy laws mean only the original publisher of the material is allowed to talk about it?

  51. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 0

    There are more Ontarios in the United States than there are in Canada if I'm not mistaken.

    In all seriousness, why couldn't they just get a book with the pictures and then stick with that book for the duration of the class? Used books are cheap. Book rentals are cheaper. But if the school buys the books and loans them to the students in the class, that would be the cheapest. Assuming it's not illegal to rent or loan said books.

  52. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 0

    Why do we apply copyright to photos of works of art? They've already been created: there's no extra benefit to incentivise their creator.

  53. Re:Global Visual Culture From Preshistory to 1800 by mwvdlee · · Score: 1

    If a book with images costs $800 and one with blank placeholders costs $180, imagine what a book would cost that was printed on 1/4th the amount of paper and just included URL's instead of blank placeholder boxes.
    In fact, why not just sell a $0.01 Post-it with a download link to a PDF file written on it?

    --
    Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
  54. Re:Global Visual Culture From Preshistory to 1800 by tibit · · Score: 1

    Don't pretend that your definition of "creativity" is the same as copyright law's. Just because you produce something that wasn't there before doesn't make it subject to copyright law protection, not in the U.S. at least. There are plenty of things that you can make that weren't there before that won't be subject to copyright protection, and making faithful scans or photographs of flat art is one of them. What usually happens is that even though the photograph may not be subject to any protection, the terms under which the museums let the photographer take the photographs mandate that the museums retain the rights. This is a contractual obligation and doesn't need copyright law to stand. The museums then decide on what terms they let anyone get access to said photographs. In a contract you sign with the museum (or a licensing agency), you, again, contractually oblige not to disseminate copies except in a set of predetermined circumstances. This doesn't need copyright law to have standing either. If someone copies that picture from you, though, then it's fair game as long as you didn't facilitate it (or whatever other terms of the contract there may be as to safeguarding of the picture). Once those pictures end up somewhere where others have access to them, they may often be legally copied even if everyone pretends it isn't so. One usually doesn't sign contracts when buying books, so that pretty much means that apart from inapplicable copyright law there's nothing else stopping you from copying. Of course copying dithered printed reproductions is somewhat silly, you'd need quite high resolution scanners to do a good job of it, and then you probably want to retain the dithered color separation unaltered for reprinting, ideally at similar scale.

    --
    A successful API design takes a mixture of software design and pedagogy.
  55. Public domain book? by Anonymous Coward · · Score: 0

    If they are trying to make a point about copyright I have to assume that they released their book into the public domain. In this case, how can they expect someone to buy a physical copy of their book for 180 USD? A small amateur binders should be able to print a decent physical copy for much less than that.

    Is some of the price set to go to charity or something?

  56. rip off by Anonymous Coward · · Score: 0

    This cant be right

  57. Re:The photos of art are being licenced, not the a by tibit · · Score: 1

    The technology is quickly getting to a point where you'll be able to take quite amazing pictures using nothing more but a hand-held custom camera. These days you can illuminate the scene with infrared light and use that for realtime motion tracking augmentation to a built-in inertial reference platform. This is used to stabilize a longer-exposure done on the main imager. Even in poor light on modern imaging chips it won't take longer than a couple seconds to get enough light to have decent noise. Of course obstructions may be a problem, but you can always take multiple exposures from slightly different angles and then reproject the images and stich them up. No biggie.

    --
    A successful API design takes a mixture of software design and pedagogy.
  58. I call this "Pulling a Romney" by Required+Snark · · Score: 0
    When you treat your customers, or in Romney's case potential voters, with such contempt I propose we call it Pulling a Romney.

    Definition: Pulling a Romney. When you publicly reveal such contempt for your stakeholders that you render your entire enterprise meaningless. It is as if you are the captain of the Titanic, and of your own volition you create the iceberg that sinks your ship. You are not just shooting yourself in the foot, you are negating your entire existence.

    --
    Why is Snark Required?
    1. Re:I call this "Pulling a Romney" by Anonymous Coward · · Score: 0

      Sorry, that's already called doing a Ratner.

    2. Re:I call this "Pulling a Romney" by Bigby · · Score: 1

      I think Romney was referring to people who weren't going to vote for him anyway. That was actually the context of the whole speech. He was saying that would vote for Obama no matter what (left out that many are children that can't vote). However, the point still stands. There is a segment of society that will not vote Republican, even if Jesus ran for the party. Just like there is a segment of society that will not vote Democrat. There is no point in Obama trying to woo pro-life voters. They ain't listening.

    3. Re:I call this "Pulling a Romney" by kaatochacha · · Score: 1

      Where's the -1 Partisan rating?

  59. Getting caught has nothing to do with it by Anonymous Coward · · Score: 0

    The ticket will have 'no photography permitted' printed on it, if you tried to use those images in commercial work, they can pursue you for what is basically breach of contract.

    Museums license the images out, some more permissive than others, this is typical:
    http://www.metmuseum.org/research/image-resources

    1. Re:Getting caught has nothing to do with it by magic+maverick+ · · Score: 5, Insightful

      It can't be a breach of contract. I didn't agree to anything when I paid them money for the ticket. I certainly didn't agree to have conditions imposed on me after the sale. (I can't see a ticket until I pay money for it...) That's like, "by opening this package, you agree to the terms of the license enclosed". No, no I don't! Especially if I can't see the license until I pay money.

      Also, how are they really going to enforce "no commercial use"? Let's say I take a picture with their permission under the no commercial use. I then turn around and give (not sell) the copyright to that picture to someone else. They can then use that picture commercially because there is no agreement forcing me to force any future copyright owner to agree to the conditions.

      I'm sure the same argument would apply in national parks and similar, except that they are generally run by people with access to guns and prisons and such. Still, if I'm in country B, and I then return to my original country A, there isn't much the authorities in country B can do to stop me selling my pictures or using them for advertising or whatever.

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
    2. Re:Getting caught has nothing to do with it by cpt+kangarooski · · Score: 3, Informative

      It's actually fairly common to have enforcible contracts where some terms are not evident until after the parties have agreed to enter it. So long as there is an opportunity to exit the agreement after having had a chance to review the additional terms, with the parties being restored to their pre-contract conditions, then it's considered acceptable.

      Of course, adhesive contracts is an area of law that is badly in need of strong consumer protection reforms, but good luck with that these days.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    3. Re:Getting caught has nothing to do with it by todrules · · Score: 1

      The terms are also "nondistributional," so you're not really allowed to even give it to someone else.

    4. Re:Getting caught has nothing to do with it by Anonymous Coward · · Score: 1

      you cant give a copyright on an image, it has to be sold.. as a photographer I do it a lot, when I do volunteer work for various organisations I often transfer my copyrigth to them, in the contract I have to state "sold for 1 dollar".. Therefor making it commercial.

      Also, with regards to law, since i dont own the stuff I am taking a photograph of, they can come after me.. its why us photographer use release forms.. both a property release for, and a model/subject release form.

    5. Re:Getting caught has nothing to do with it by Anonymous Coward · · Score: 0

      The museum is private property. They can kick you out, and don't need a reason.

      You won't get a print quality image of more than one exhibit before this happens (you probably won't even get one given they'll stop you as soon as you set up a tripod and/or start urging patrons out of the way of the ambient light).

      You will need a large number of images for an art history book, and photographers charge for their services.

      The net result is that it's almost certainly cheaper to pay the licensing fees than it would be to cry "damn the torpedoes" and hire a legion of photographers to get the photos (being expelled from the museum in the process). If the lisencing was too expensive, than theres no way "just getting the picture yourself" woud be cheaper)

    6. Re:Getting caught has nothing to do with it by Anonymous Coward · · Score: 0

      If you are on private property the owner of the property has the legal right to forbid photography on the premises, and has legal grounds to forbid for the use of images obtained on the grounds without permission (or at least sue for damages). Photography in public areas is protected in most cases. I'm not sure how the legalities would work in a public museum.

    7. Re:Getting caught has nothing to do with it by Bryansix · · Score: 1

      Yes, I get the commercial part of it. I take all manner of photos that I cannot sell. I just think museums need to be concerned about the availability of their artwork to the public. Of course they are going to charge for people to walk through their air conditioned halls. But they should allow some photographers who are willing to do work under the public domain or CC to photograph the work and release it. That's what I do.

    8. Re:Getting caught has nothing to do with it by chrismcb · · Score: 1

      It can't be a breach of contract. I didn't agree to anything when I paid them money for the ticket.

      Usually things like "No Photography" are actually posted, and you can see that BEFORE you buy the ticket.
      While the artwork is in public domain, the people who own the art don't have to let you take a picture of it.

    9. Re:Getting caught has nothing to do with it by cundare · · Score: 1
      Uh-oh, Slashdot alert! Non-lawyers making authoritative statements about law again!

      Here's how it really works: A ticket to attend an event or enter a museum is legally considered a license and licenses can easily revoked, almost at will in some states. There's plenty of case law to back up policies like a "no photos" constraint on admission to a museum.

      As for your example about giving a picture away to a third party who infringes, there's a concept known as contributory infringement that makes you liable regardless of your own use. And the commercial user is also liable, regardless of whether it signed anything. Copyright is not a negative right. You don't collect the right to use a copyrighted property in a way not authorized by the rights owner simply because you didn't agree not to use it in that way. It's the other way around. But I mean, just think about it: How could it work any other way? It doesn't take Wiley Coyote to come up with the loopholes you cite.

    10. Re:Getting caught has nothing to do with it by Hognoxious · · Score: 1

      I didn't agree to anything when I paid them money for the ticket.

      Yes you did. The fact that you didn't read the notice at the entrance and/or were ignorant of locally applicable laws are of zero legal weight.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  60. Re:The photos of art are being licenced, not the a by Anonymous Coward · · Score: 0

    I expect the idea is that the students go and find the images online, print them out and stick them in.

    It's more of a workbook than a textbook.

  61. So how much to fly to Paris and close the Louvre? by fantomas · · Score: 1

    "I'd be happy to go back and take pix if they'd pay for the trip."

    - Cost of hotels and airflights around the world will be the small part of the expenses. How much does it cost to ask the Louvre in Paris to close their gallery and reposition the Mona Lisa for you to get a nice shot, then ask the Vatican if they'd close the Sistine Chapel while you take photos, the big galleries in the USA to retrieve their most priceless paintings from the secure vaults and set them up so you can "take pix"?

    That I think will be where the costs are... hence probably cheaper when writing art history books to purchase the rights to use an existing high quality image.

  62. Re:Global Visual Culture From Preshistory to 1800 by shiftless · · Score: 2

    5. Profit ...?

  63. Re:Global Visual Culture From Preshistory to 1800 by shiftless · · Score: 2

    Perhaps it was just a small run book for one specific class at a specific school. So while the licensing fee for copyright clearance could be nominal, it might still be a lot of paperwork to be done, and a prohibitive cost for a book that might sell 60 copies a semester...

    You're missing the point. Why publish a book with no photos? What is the fucking point?

  64. Re:Global Visual Culture From Preshistory to 1800 by Genda · · Score: 5, Insightful

    Its worse, even the original publisher will now have to pay for the authorized use of controlled content items otherwise in the public domain. Uses will conflict, law suits will fly like flocks of birds on the wing and ultimately every thought, every word, every idea will be locked down tighter than Lady Guinevere's chastity belt. You so much as hum more than 3 notes in public and a duly appointed officer of the court will pull you up so hard and so fast, you'll need to check to if your feet are still in the shoes. The stupid is accelerating people. It was fine a hundred years ago when your stupid only meant you'd have to learn to walk without the toe on your left foot anymore... damn farm machinery. Your neighbor couldn't even hear you scream curses, nobody was disturbed. Things worked just fine in spite of the stupid, because the percentage of stupid per unit mass was low.

    Flash forward a century and now I can pay some imbecile to go to Washington, to have another imbecile pass a law that will require people have to drive with their children glued to the roof. And they'll do it, sure as Gawd made little green apples these crazy fucks will try to pass this law, and if I throw enough money around it'll pass, and the Supreme Court will find it Constitutional. We now live in a time where you can make people do anything if you just throw money around. You can remove consciousness from future generations by making it pay per view. You can put all our rights in little jars and show them in a museum. You can even turn flesh and blood people into "Human Resource Assets". Makes you want to throw up just a little, doesn't it? I don't know any more where to get off this bus, but I want off. Either someone please steer this thing in a sane direction or let me off at the next stop thanks.

  65. Fuck this nonsense. Abolish Artificial Scarcity. by Anonymous Coward · · Score: 0

    Copyrights are Copywrongs.

    Patents are patently absurd.

    Fuck all who spray forth their individual spittle made of the very languages given freely to all and having worth only due to the culture to in which they share, and then choose to restrict who may share their works. Fuck them all -- Abolish Copyrights. Abolish Patents. You are ALL fools if you do not.

  66. Re:Global Visual Culture From Preshistory to 1800 by drkim · · Score: 5, Funny

    Have you guys seen the new art history book I wrote?

    It's waaaaaay better than that Canadian book. I've embedded the pictures right in the book:
    A Brief History Of Art
    (Please send me $180 if you click on it)

    Thanks!

  67. Re:Global Visual Culture From Preshistory to 1800 by ohnocitizen · · Score: 0

    In those examples, the photos fall under copyright, not the original work.

  68. Re:Global Visual Culture From Preshistory to 1800 by ohnocitizen · · Score: 1

    It makes sense once you employ the kind of math that turns a $20 textbook into a $180 textbook.

  69. Re:millions of people crazy pursuit of louis vuitt by shiftless · · Score: 0

    Seems legit.

  70. Re:Global Visual Culture From Preshistory to 1800 by Genda · · Score: 5, Insightful

    Although, of course it devalues the textbook as well (IMO)... for no pictures or diagrams, the book should be less than $50 a pop.

    Are you mad! An art appreciation book with no pictures... here let me frame this in a context you might better grasp. You go to an adult bookstore. You see a hot little DVD, the clerk says "Oh, great choice, this is so hot, that'll be $180." You say $180! How can this possibly be! Is it that good?" He assures you it is, so you put down your money, and go home, pop it in the player and every time someone is about to consummate the boom chicka wow wow, the image is replaced with the URL pointing you to a site where you can see people engaging in sexual acts. Now, tell me, how are you feeling? How much is that DVD worth? Would you say that DVD is now worth only $50? Would "Devalue" even be the first word that popped into your head?

    This is education as rape. This is copyright gone bug fuck. This is student abuse in no uncertain terms and a dark cloud that threatens to extinguish education as we know it. What this is not is the devaluation of a text book. This is the devaluation of future society.

  71. Re:Global Visual Culture From Preshistory to 1800 by thegarbz · · Score: 2

    Err in light of the topic of the debate, THAT IS A GOOD THING.

  72. Monitor quality by thegarbz · · Score: 1

    Well yes on my $1000 calibrated monitor they look fantastic. On my sister's $500 piece of crap laptop on the other hand it looks complete different. It looks completely different even on the same screen depending on where you stand, what angle the screen is on, what the backlight is doing.

    Screw the resolution.

  73. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 1

    You are not allowed to make an identical painting. That would be punished as counterfeit.

  74. Re:The photos of art are being licenced, not the a by Solandri · · Score: 1

    No one out side of these classes will buy the book at $180 if it has no images, so why not just cut the blank spots, and have an all text textbook that has footnotes or side-notes with links to the art the text is talking about?

    My guess would be it's a ploy to "encourage" students to by the digital version which has the photos hotlinked. If my hunch is right, it'll cost the publisher nothing to "print" the digital version, but they'll still charge ~$180 for it. And the students can't sell it used to next year's students.

  75. Re:Global Visual Culture From Preshistory to 1800 by mcvos · · Score: 2

    But the problem is that the only available images of the original work in its current state are copyrighted.

  76. Free copy of this? by Geeky · · Score: 2

    Why not just throw in a free copy of this and refer to the page numbers!!?

    Seriously, I can walk into any local bookshop and browse through any number of books with reproductions of famous artworks, most of which are pretty cheap. They could do worse than picking up a copy of "The Story of Art" by Gombrich.

    Failing that, could they not take the position that Wikipedia do: 'The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain'?

    --
    Sigs are so 1990s. No way would I be seen dead with one.
  77. pirate it ? by gedw99 · · Score: 1

    i imagine someone will scan the physical book and combine it with the pictures online and put it on pirate bay, and then email all the students.

  78. Re:Global Visual Culture From Preshistory to 1800 by AK+Marc · · Score: 1

    You are probably thinking of the popular definition of "creative" which means doing something original, special, and not obvious. That's another meaning of the same word. Luckily the makers of copyright law were smarter than that.

    The example I gave in another post is that a Xerox machine doesn't get copyright on the copies that come out. It's creating something that wasn't there before. But it took no creativity to produce it, just as a mechanical replica (by means of a photograph) designed to have the least creativity possible (so as to be faithful to the original) is not copyrightable.

    Luckily the makers of copyright law were smarter than that.

    So that's why the courts have decided that a photograph taken to approximate a scan includes no creative element, even if it took significant cost, effort and skill to produce. Though they have protected photos of buildings, as they require a choice of location to shoot from, and will always have perspective issues. But a scale sculpture of it would not be covered, even if extraordinary skill was required, as it requires no creativity to produce.

  79. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 0

    If it's been "restored", then its current state is no longer the original work. It's a derivative work, at best.

  80. You've got to be kidding me? by Anonymous Coward · · Score: 0

    Why would anyone in their right mind purchase art books which contain no art references. A link to a website just doesn't cut it. At $180 I want a text book that either prints the images in the damn book or provides a color calibration device and it's own viewer program to ensure I'm seeing correct colors. It's far from just calibrate your display and all color is correct, there are so many other factors involved that are mostly out of your control unless your very meticulous about what parts you buy, what software you install, and regular maintenance to remove the poorly engineered codecs that random software likes to install for you.

  81. What I don't get by ZeroMS · · Score: 1

    Why would the school endorse this book? It just makes no sense.

  82. Don't they get public funding? by denzacar · · Score: 1

    How much does it cost to ask the Louvre in Paris to close their gallery and reposition the Mona Lisa for you to get a nice shot, then ask the Vatican if they'd close the Sistine Chapel while you take photos, the big galleries in the USA to retrieve their most priceless paintings from the secure vaults and set them up so you can "take pix"?

    Don't most of those places get funding from the government? I.e. From taxes.

    --
    Mit der Dummheit kämpfen Götter selbst vergebens
    1. Re:Don't they get public funding? by xaxa · · Score: 1

      Don't most of those places get funding from the government? I.e. From taxes.

      Yes, but it reduces the amount of funding needed (or, alternatively, means more work can be done) if they can generate income by licensing photographs for commercial use.

  83. Re:Global Visual Culture From Preshistory to 1800 by Kirth · · Score: 2

    You're wrong. It's NOT possible to copyright photographs of two-dimensional art. Copyright law only allows copyright on "original works of art". And photographs of text and pictures are not original. And there's not only the law (just about anywhere in the world, including the US and Canada) which doesn't give them copyright, but there are also court decisions support that.

    This doesn't keep photographers from claiming copyright, but actually, what they're doing is FRAUD. And the people doing that book could have just ignored these fraudulent claims. There was no need at all to "clear copyrights", because there aren't any. And if the photographer is unhappy and sues -- tough luck, he's actually the criminal trying to defraud the public.

    --
    "The more prohibitions there are, The poorer the people will be" -- Lao Tse
  84. Re:The photos of art are being licenced, not the a by Kirth · · Score: 2

    You're only right for three-dimensional works of art. With two-dimensional ones, you're dead wrong. It's not possible to copyright a photograph, scan or photocopy of a picture or text, because it's lacking originality. Just read your copyright-law.

    So anyone claiming copyright on a two-dimensional replication of a two-dimensional work he does not hold copyright on is simply trying to the DEFRAUD the copyright holder -- and if that work happens to be in the public domain, he's trying to defraud the public.

    I'm totally baffled that so many here believe anyone can claim copyright on a photo of a public domain picture. Propaganda must have worked wonders. But it's just not what the law says. Not in Europe, not in the USA, not in Canada.

    --
    "The more prohibitions there are, The poorer the people will be" -- Lao Tse
  85. What links? by Clovis42 · · Score: 1

    I went to the article and the "links" in the sample page all directed students to the e-book of "Art History" by Marilyn Stokstad. Is there a free e-book of this out there? It's like $184 for a Kindle version. Am I missing something?

    --
    Clovis
    ^ Clovis, look! It's that guy you are!
  86. Re:Global Visual Culture From Preshistory to 1800 by lahvak · · Score: 1

    According to the summary, it was not an art appreciation book, it was an art history textbook. So your comparison to a pron dvd does not fit. It would be more like buing a book about anatomy and psychology of sex, and instead of images of sexual acts to illustrate the text, they would put in links to pron sites.

    I think 180 is ridiculus, but if the text was good, $50 is, IMHO, not unreasonable. It would be better if it was an electronic version, with clickable links, though.

    --
    AccountKiller
  87. Just another example of student rip-off. by Anonymous Coward · · Score: 0

    Why they would charge $180 for a book which is essential just text I don't understand.

    ALL the arguments and explanations about Copyright and whatnot are irrelevant in this situation - it was used as an excuse.

    Since the only people who will pay are the students, the school and department won't give a shit. But if this happened in industry, Prentice Hall would get sued.

  88. No royalties for you, Young Art Student by Anonymous Coward · · Score: 0

    I think this sends an excellent message to students: don't even think about making money over the long term from royalties.

  89. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 1

    Even a poor snapshot is better than a blank white square.

    Not if the intention is for the students to draw the images themselves.

  90. Seriously? by Murdoch5 · · Score: 1

    That is rediculous, no art in an art textbook. That would be like having no equations in a math textbook or no electic circuits in a circuit textbook. I think when it comes to students and textbooks there needs to be a lighter stance taken to fair use, what good can come from holding back information from students trying to learn.

  91. Re:Global Visual Culture From Preshistory to 1800 by cpt+kangarooski · · Score: 1

    Well, this case deals with Canada, and who knows what their laws are all about.

    But in the US, anyway, a work cannot be copyrighted unless it is original to the author. If only part of it has originality, then only that part (at best) is copyrightable.

    Check out 17 USC 102(a):

    Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.

    You may also wish to read the Bridgeman case which is the leading precedent around these parts.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  92. Copyright Exception for Education use by Anonymous Coward · · Score: 0

    I thought there was an exception in copyright law allowing copying for educational use, whether it be the (probably expired) copyright on the original work of art, or the photo of said work.

  93. If ugh by Anonymous Coward · · Score: 0

    Jfhdfjf

  94. It was an accident! by lahvak · · Score: 4, Interesting

    It is pretty clear what happened. They are using a system that automatically
    downloads and inserts the images at the time the book is typeset. On the final
    run just before printing, someone accidentally switched on the draft mode.
    Nobody checked the pdf file, and they ended with several hundreds printed textbooks with placeholders for all the images.

    They wanted to throw them away, but someone had the brilliant idea to pretend it was done on purpose, because of copyright issues.

    --
    AccountKiller
  95. Re:Global Visual Culture From Preshistory to 1800 by jellomizer · · Score: 1

    Well more to the point they decided to publish and sell a book (and a facultity/department actually choose to buy) that wasn't complete.

    I am sorry if the publisher saw this they should had gone, and stated we cannot publish this book. I use to write software for publishing companies, and it takes into accounts of things like pictures and paying for rights and royalties, paper pages, bounding extra media.... They should have did that work before they published it.

    --
    If something is so important that you feel the need to post it on the internet... It probably isn't that important.
  96. Re:It's common, but illegal. by cpt+kangarooski · · Score: 1

    Why do you think that I'm a "copyright shill?" I don't pretend to like what the law currently is, but I'm not going to ignore the reality we're currently facing either. I feel that only if people know what the law really is will there be enough of a call for reform that we might actually get it. (Also, I was talking about contract and sales law, not copyright)

    I will say that I think the underlying idea of copyright is sound; I'm not in favor of abolition on a matter of principle, although I would support it if I felt that there were no better alternative. But I don't think that this is what you meant. I'll bet you haven't seen my posts on what I'd like to see copyright become.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  97. Sure, here you are, with a $20 tip. by Kugrian · · Score: 4, Funny
    1. Re:Sure, here you are, with a $20 tip. by Anonymous Coward · · Score: 0

      best
      reply
      yet!

  98. Re:Global Visual Culture From Preshistory to 1800 by interkin3tic · · Score: 2

    A professor I knew who taught anatomy at the local medical school said they were using Grey's anatomy texts. Another professor, understandably shocked, asked "Aren't there any newer textbooks with color pictures of real anatomy they could use?" The first one replied that, yes, but they were copyrighted and generally couldn't be used for overheads without highway robbery, and the texts were expensive for the students. He said they would simply refuse to buy them, which wouldn't do well for the school's ranking.

    I'm guessing the situation isn't quite the same between medical schools and (ahem) art schools. If your art students at your art school don't know art history, well, they can still find jobs in retail just as easily. Still, students there should try striking and seeing where that gets them. If no one takes the class and the school has a bunch of texts printed up and not bought, that's going to be an incentive to change in some way. If it's a required class, try not buying them and just google it or fake it.

  99. Re:Global Visual Culture From Preshistory to 1800 by black6host · · Score: 1

    The old photos all show the unrestored version, and all photos of the restored version are recent and copyrighted. It's an ugly practice and needs to be outlawed.

    Ugly indeed. As an example, I give you this:

    http://news.blogs.cnn.com/2012/08/23/church-masterpiece-restored-as-mr-bean-would-do-it/

  100. Re:Global Visual Culture From Preshistory to 1800 by pla · · Score: 1

    imagine what a book would cost that was printed on 1/4th the amount of paper and just included URL's instead of blank placeholder boxes.

    Now lets take that even further - Since this book has no pictures, a student's only reason to buy it comes from the questions likely to end up as homework assignments.

    So, imagine a book that has only the chapter questions ("paraphrased" of course), and a link to Wikipedia for the answers.

    Hmmm... On second thought, don't imagine that. I think I need to go file a business method patent now...

  101. well computer science is NOT IT and borderline cod by Joe_Dragon · · Score: 1

    well computer science is NOT IT and borderline coding (varied based on the school).

    Go to a IT trade / tech school and you will find computers in them.

  102. but why do you need a Art major for job with adobe by Joe_Dragon · · Score: 1

    but why do you need a Art major for job working with adobe CS and other tools??? When you should learn that at a 2 year or less tech / trade school or even own your own.

    The Idea of a 4 year college with mostly theory based classes is a hold over from the past that we need to fix.

  103. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 0

    This is student abuse in no uncertain terms and a dark cloud that threatens to extinguish education as we know it.

    In all honesty, education has been very messed up for at least a few decades now, but this may help tick off enough people that we get something better.

  104. some schools have books as part of the class cost by Joe_Dragon · · Score: 1

    some schools have books as part of the class cost.

    AKA is like having all the BS stuff like forced resort fees build in to the list price. Vs say having one list price and then when you get there they say you must pay and no refunds.

  105. Re:Global Visual Culture From Preshistory to 1800 by nospam007 · · Score: 3, Funny

    "A professor I knew who taught anatomy at the local medical school said they were using Grey's anatomy texts."

    Hardly. They would use the book from Henry Gray and not a script from a bad TV show.

    http://en.wikipedia.org/wiki/Gray's_Anatomy

  106. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 0

    i can see this as the next frontier of apple, selling ebooks with pristine white images!

  107. Re:Global Visual Culture From Preshistory to 1800 by ohnocitizen · · Score: 1

    Hahahah, I'm not saying what you said isn't a problem. I'm saying that your statement "the public domain work ends up recopyrighted" is inaccurate - the painting itself isn't suddenly under copyright because photos of it are under copyright. An observation that was apparently worth "-1 zomg flamewurthy" to someone.

  108. Missed by all. Book costs 3 days wages. by 140Mandak262Jamuna · · Score: 1

    What is missed by all the commentators is this simple startling fact. But for a lucky few get to teach art history creating more art history majors, majority of them will end up in some minimum wage job. After graduating as an Arts history major, how many hours of toiling in minimum wage will it take for them to earn back that 180$?

    --
    sed -e 's/Chuck Norris/Rajnikant/g' joke > fact
  109. Re:Global Visual Culture From Preshistory to 1800 by interkin3tic · · Score: 1

    Well, this wasn't the BEST medical school. The students all really loved crappy soap operas and hated reading.

    (yes, you're right, my mistake)

  110. Re:well computer science is NOT IT and borderline by Sir_Sri · · Score: 1

    No, I meant literally. You don't find computers in books.

    A photograph of a computer isn't functional, theoretically a photograph of a piece of art might be useful (but maybe not, if you're shrinking it down to book size it might lose some of its appeal).

    Also, as I pointed out to someone else, most of the coding books you get these days have the code online and the text just references the code online. At least in my little corner of the CS universe which is AI/Graphics/Game programming/HPC.

  111. Which case? by tepples · · Score: 1

    Could you please cite the case in Canada that was decided the opposite way to the U.S. Bridgeman case?

  112. Re:Global Visual Culture From Preshistory to 1800 by tepples · · Score: 1

    Can you or anyone else cite an example of a Canadian case that was decided the opposite way to the U.S. Bridgeman case?

  113. Re:Global Visual Culture From Preshistory to 1800 by balbus000 · · Score: 1

    I've you haven't seen it yet: Google Art Project

    Google street view style 360 degree angle views through the museums and incredibe high resolution images of each painting, fully zoomable to where you can see cracks in the paint.

  114. Re:Global Visual Culture From Preshistory to 1800 by sjames · · Score: 1

    Were that the case, surely a $20 blank pad with nice paper would suffice.

  115. Filter by Anonymous Coward · · Score: 0

    Expensive textbooks are something that students commonly complain about as a horrible offence against justice.

    However....

    We have a real problem of over-education in the developed world. There are more educated people in the job market than there is demand for educated labor. Worse yet, these educated people are burdened with lifelong debt that they can't repay because it survives bankruptcy and the only jobs they can get don't pay squat (due to the over-abundance problem just mentioned).

    There is no fair and just way to solve this problem. Everyone wants to get a high-paying job that engages their finest talents, but there aren't enough such jobs to go around so not everyone can. We used to solve this problem by making education so expensive it was only available to a small subset of the population. Thus, the free market balanced itself out. But now, under the auspices of equal opportunity, we create a much worse situation...a nation of people in debt and depressed because they are way overqualified for their job, and because the dream they were promised has vanished in a puff of smoke.

    1. Re:Filter by McGiraf · · Score: 1

      no.

  116. But... the pictures are in the book by cellocgw · · Score: 1

    It's just that they're all pictures of the overlords of the universe: invisible pink unicorns.

    Plus a few pictures of the god that Atheists worship.

    --
    https://app.box.com/WitthoftResume Code: https://github.com/cellocgw
  117. The dean should be hiding by Anonymous Coward · · Score: 0

    The students should all march into the deans office and punch him right in the mouth for that stunt.

  118. Who on Earth!? by Anonymous Coward · · Score: 0

    Who the fuck approved THIS textbook for use in that class?

    I have an Art History book from college propping up one of my monitors right now that's full of pictures.

  119. Re:Global Visual Culture From Preshistory to 1800 by sarysa · · Score: 1

    Keep in mind that part of the price is the size of the audience. I've become quite aware of this as I have some niche interests in the realm of scuba diving -- they're not cheap, even though manufacturing should be. I have an expensive computer which would be worth maybe $400 if it had mass appeal. Mine was numbered 3879 so I get why it was considerably more. The research, development, and building the manufacturing process have to be offset somehow...and with an art history major being a frequent punchline, I doubt their audience is large enough to charge much less than $180 and pay for the publisher fees, time spent writing, researching, revising, etc.

    While it's true that a book about prehistory to 1800 won't need much updating, short term returns are a necessity in the publishing world.

    --
    Charisma is the measure of someone's ability to lie with a straight face.
  120. Is THIS a sign of the new ownership? Already? by HiThere · · Score: 1

    That's the second huge piece of spam I've seen posted today on /., and before such things were so rare as not to be remembered.

    --

    I think we've pushed this "anyone can grow up to be president" thing too far.
  121. Re:Global Visual Culture From Preshistory to 1800 by rwise2112 · · Score: 1

    You're missing the point. Why publish a book with no photos? What is the fucking point?

    Most books I have contain words to be read. In this case they are probably refering the the color composition of the white rectangles.

    --

    "For every expert, there is an equal and opposite expert"
  122. Re:So how much to fly to Paris and close the Louvr by Bob+the+Super+Hamste · · Score: 1

    With a good telephoto lens you can stand away from the crowd and have a tripod setup to take your picture. Since it is on a tripod you can do a long exposure to compensate for not having a flash. I would suggest setting up near the Virgin of the Rocks (unless they have moved it) as the big draw is Mona Lisa and almost no one goes to that section to see anything else.

    --
    Time to offend someone
  123. Oblig. xkcd by Anonymous Coward · · Score: 0

    816
    Read the alt text.

  124. Re:Global Visual Culture From Preshistory to 1800 by mcgrew · · Score: 1

    I think 180 is ridiculus, but if the text was good, $50 is, IMHO, not unreasonable.

    No, it is in fact very unreasonable. An art history book without photos is like a mathematics book without numbers.

  125. roman_mir, up all night... by Anonymous Coward · · Score: 0

    (though right now I am very tired, I had to be up all night, not work related).

    so were you watching porn, or just setting up more sock puppet accounts? or did you have a late night cult meeting to attend?

    one things for sure - there was no woman involved.

  126. Hooray for... Things! by Greyfox · · Score: 1

    Art book: $180
    Art degree: $60000
    Interest on art degree: $200000
    Working as a WalMart cashier for your entire career because you have an art degree: Priceless.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  127. Re:Global Visual Culture From Preshistory to 1800 by lahvak · · Score: 1

    An art history book without photos is like a mathematics book without numbers.

    Hmm, let me see: on my shelf, I have about 50 math books. They all have some numbers in them, namely the page numbers, but more than half of them don't really have more than that. You probably would not find a math book with only page numbers, but there are math books that do perfectly fine with just numbers 0 and 1 (and I don't mean digits 0 and 1, I mean numbers 0 and 1).

    Anyway, when I was in college, all textbooks, including the art history ones, were printed on the cheapest available paper, with very bad black and white reproductions of whatever graphics was necessary. Most of the art works were not available on the internet, either, and students were usually referred to either the actual works, if they were in a local museum, or to a high quality prints in a book that was on reserve in the library.

    --
    AccountKiller
  128. Re:Global Visual Culture From Preshistory to 1800 by mcgrew · · Score: 2

    You are not allowed to make an identical painting. That would be punished as counterfeit.

    You are indeed allowed to make an identical painting, so long as the original isn't under copyright protection and you don't try to pass it off as the original.

    Make an exact copy of the Mona Lisa and sell it as a reproduction, legal.

    Make an exact copy of a Rothenberg, punished for copyright infringement.

    Make an exact copy of the Mona Lisa and sell it as the original, punished for fraud.

  129. Re:Global Visual Culture From Preshistory to 1800 by DanielRavenNest · · Score: 1

    My approach:

    1. Write open-source rocket science textbook: http://en.wikibooks.org/wiki/Space_Transport_and_Engineering_Methods and give it away

    2. Get hired by someone like Elon Musk or Richard Branson to help build their next space project.

    3. Profit!

    Free textbook is a nice side effect, since printed textbooks are too damn expensive, but the payoff is someone actually building one of the projects in the book. The book just serves as advertising for the ideas.

  130. Re:So how much to fly to Paris and close the Louvr by xaxa · · Score: 1

    Where I work, most disruptive commercial photography is done outside normal visitor hours (i.e. between 18:00 and 09:00).

    However, all images we have are available for license for commercial use, and can be browsed and bought on a website. Prices for a book seem to be between £30 and £200, depending how large you want to print it and the number of books being produced. I expect a non-profit would be charged much less, if anything.

    (We do get funding from the government; charging to license images for commercial use reduces the amount of funding we need.)

  131. Copyright laws... by Firethorn · · Score: 1

    I'm not a lawyer, nor am I familiar with every country's laws. HOWEVER, there's a critical difference between taking a still in a museum of a 100+ year old painting and making a video in a theater of a first run movie.

    The video is an illegal copy of a copyrighted work - It's generally less than a year old. The painting is OUT OF COPYRIGHT, therefore duplicating it is 100% legal, no matter what the owner(museum) says. "No Commercial photography" has no force of law, other than the possibility of kicking you out.

    Still, to my knowledge, educational use of the artwork is incredibly cheap, depending on the resolution. It indicates to me that the creators of the book were horrible/lazy negotiators, it shouldn't have been $800 for a bunch of(say) ~3" diagonal sized pictures of various works.

    --
    I don't read AC A human right
  132. Well, that's really nice of them... by denzacar · · Score: 1

    ...but getting public funding means they can't act about any of it as if its private property.
    They are just the caretakers of the public domain - not its owners or managers.

    It is not their duty to make a profit but to assure the proper level of care for the works so that they may remain available to the public, now and in the future.
    That is why they get to have a part of the public money. Instead of say... public schools.

    --
    Mit der Dummheit kämpfen Götter selbst vergebens
    1. Re:Well, that's really nice of them... by xaxa · · Score: 1

      French custom is almost certainly different to US custom. As far as I know, the US law that puts everything done by the government in the public domain is unusual -- it's good in some respects, but there are also reasonable arguments about it.

      Just copying a bit from Wikipedia:

      The Louvre is owned by the French government; however, since the nineties it has become more independent.[34][37][38][39] Since 2003, the museum has been required to generate funds for projects.[38] By 2006, government funds had dipped from 75 percent of the total budget to 62 percent. As the Louvre became a point of interest in the book The Da Vinci Code and the 2006 film based on the book, the museum earned $2.5 million by allowing filming in its galleries.[40][41] In 2008, the French government provided $180 million of the Louvre's yearly $350 million budget; the remainder came from private contributions and ticket sales.[37]

      That's also more-or-less how things work here in the UK (except the large museums are free to visit, apart from special exhibitions).

    2. Re:Well, that's really nice of them... by denzacar · · Score: 1

      It is not the issue of one specific law or custom.

      It is an issue of the rule of law (instead of subjective rule of men) and democracy (instead of dictatorship or despotism).
      Both of those ideas, once introduced, must lead to the conclusion that the works of art belong to the entirety of the human race.
      If for no other reason, then because both the artists and the owners are mortal and institutions and corporations are not capable of experiencing art no more than a hamburger is.

      With those natural and social rules in place art MUST eventually belong to the people.
      As you can't really chop the Mona Lisa into ~7 billion pieces, nor would those ~7 billion pieces after being given to the ~7 billion humans make them experience The Mona Lisa - we, the humans, have created institutions to care for such unique works of art, so that we all can have a chance to take part in the "Mona Lisa experience".
      Eventually.

      Those institutions exist solely BECAUSE the people have given them a mandate to care about such art.
      And because they are being given such a mandate, they get to have ANY public funding.
      Should they lose ALL public funding they still don't get to take the art home as private property - because it belongs to the public.

      Any money they make on top of the public funding is just them being more economical and frugal with people's resources - but that is not their job.
      Their job is making sure that the art is taken care of so that it remains available to its owners - the people.

      --
      Mit der Dummheit kämpfen Götter selbst vergebens
  133. Reread copyright law... by Firethorn · · Score: 1

    As mentioned earlier, Bridgeman Art Library v. Corel Corp, decided, at least in the USA, that a 'close as possible' copy of a public domain work can't be copyrighted, due to lack of originality.

    Yes, this 'discourages' creating a digital master, but most of the time there's enough public interest to create one anyways, at least if the work has enough merit.

    --
    I don't read AC A human right
    1. Re:Reread copyright law... by omnichad · · Score: 1

      I pulled that up myself earlier. I still think the restoration of an out-of-copyright movie would count as an original work in the sense that artistic direction exists and it filling in scratches can never recreate the original perfectly.

      You know, like this painting restoration:
      http://www.telegraph.co.uk/culture/art/9491391/Elderly-woman-destroys-19th-century-fresco-with-DIY-restoration.html

  134. I'll bet for $800 by dlingman · · Score: 1

    they could have got that lady who "restored" that one picture to paint versions of all the artwork for this book.

  135. Introduction to copyright by Anonymous Coward · · Score: 0

    Artists have been the ones pushing the hardest for copyrights. They have made all of our lives miserable. Restaurants can't play music without copyright cops beating up the owner, fitness centres can't play music without copyright cops shaking down the owner, you can't even modify an image and add it as background to something else you've done, its all under heavy lockdown. The artists have done this. Now comes the flipside. Links in an artbook instead of pictures. Instead of being given a physical book, a PDF with links would have been better (instead of costing $180, they probably could have gotten away with $40). Instead, they pay $180 for the privilege of browsing the web. Have fun with that.

  136. Re:Global Visual Culture From Preshistory to 1800 by chrismcb · · Score: 1

    I took a look... there were no blank white squares. I want my money back.

  137. Re:Global Visual Culture From Preshistory to 1800 by chrismcb · · Score: 1

    It's an ugly practice and needs to be outlawed.

    So what you are suggesting is, if I let you into my house, I HAVE to let you take pictures?
    Just because something doesn't have a copyright on it, doesn't mean you can copy it. If the owner won't let you make a copy, then you can't make a copy.

  138. Re:Global Visual Culture From Preshistory to 1800 by Lucractius · · Score: 1

    I would love you to back that up with a legal reference such as a particular case that delivered this as the final verdict.
    You can claim it to be true and I wish it was, but I do need to see the proof.

    --
    XML - A clever joke would be here if /. didn't mangle tag brackets.
  139. Re:Global Visual Culture From Preshistory to 1800 by mcvos · · Score: 1

    You don't consider it a problem that public domain works become inaccessible, despite interest in them?

  140. Re:Global Visual Culture From Preshistory to 1800 by pantaril · · Score: 1

    Making a photo of an existing painting is creative, as you created something that wasn't there before.

    Great, so when i copy a movie or a book, i can claim copyright on the copy?

  141. Which case went the other way? by tepples · · Score: 1

    A US federal court decision is hardly relevant in a question of Canadian copyright law.

    Which Canadian case was decided in a way contrary to the U.S. Bridgeman case?

  142. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 0

    You can't just go into a museum and take a picture of something and have it be good enough for print. You need the proper lighting, etc, etc.

    That and presumably the museum could refuse you access if you were going to take pictures for commercial purposes.

    you can do as well as the average magazine picture with a good camera and SOME expertise. Too dim? Use a tripod.
    the museum should not allow photoflash as the UV degrades pigments.

  143. Re:Global Visual Culture From Preshistory to 1800 by Hognoxious · · Score: 1

    But can you see the paint in the cracks. Isn't it weird how they follow you round the room?

    --
    Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  144. Re:Global Visual Culture From Preshistory to 1800 by Hognoxious · · Score: 1

    I took a look... there were no blank white squares.

    Apple have patented them.

    --
    Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  145. In a word: printing by boyfaceddog · · Score: 1

    Four-color high quality lithographic reproductions of all that art, with the proofs, the layout, the press-checks, sign-offs, specialty inks, and on and on would have cost $800 dollars.
    But what a book!
    My father took art history as an art-teaching major in the 50s and his professor swore by this one book. I think it was $200. My dad bought it. Full color reproductions of 50 master works. He still has it and used it every year in his teaching. Done right, this is an investment.

    --
    Here will be an old abusing of God's patience and the king's English.
  146. Re:Global Visual Culture From Preshistory to 1800 by DirtyLiar · · Score: 1

    A book filled with blank white squares ... will [make slashdot / the media]

    A pathetic goal for a textbook, but understandable in the context of business.

    You know, the idea that "There's no such thing as bad press" .

    --

    THINK! It's patriotic

  147. Re:Global Visual Culture From Prehistory to 1800 by overmod · · Score: 1

    Lord, this is funny... 'the book from Henry Gray'

    Surely you recognize that 'Gray's' Anatomy isn't the same thing Gray wrote... they just use his name in respect, in the title?

    Or do you think that Fred Jane still works for IHS?

    Of course, had you actually READ the wiki reference you provided, you might have figured this out, but I guess it was too hard to read past the first paragraph or too... ;-}

  148. Education... by _4rkain3 · · Score: 1

    ...at its finest. This is a fine example of how our education system works -- you pay for an expensive education and then never stand a chance of having the best education in the world because you don't live in Finland.

  149. Re:Global Visual Culture From Preshistory to 1800 by Anonymous Coward · · Score: 0

    Yep, shit's bad and about to get worse.

    Pull up a stump to the campfire, put a marshmallow on a stick and read this:

    http://www.scp-wiki.net/scp-342

    Your last two sentences really reminded me of it... creepy shit.