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Hollywood Studios Fuming Over Indie Studio Deal With BitTorrent

silentbrad sends this quote from TheWrap: "'It's a deal with the devil,' one studio executive [said]. 'Cinedigm is being used as their pawn.' Cinedigm announced this weekend that it would offer the first seven minutes of the Emily Blunt-Colin Firth indie Arthur Newman exclusively to BitTorrent users, which number up to 170 million people.... Hollywood studios have spent years and many millions of dollars to protect their intellectual property and worry that by teaming up with BitTorrent, Cinedigm has embraced a company that imperils the financial underpinnings of the film business and should be kept at arm's length. 'It's great for BitTorrent and disingenuous of Cinedigm,' said the executive. 'The fact of the matter is BitTorrent is in it for themselves, they're not in it for the health of the industry.' Other executives including at Warner Brothers and Sony echoed those comments, fretting that Cinedigm had unwittingly opened a Pandora's box in a bid to get attention for its low-budget release. ... 'Blaming BitTorrent for piracy is like blaming a freeway for drunk drivers, ' Jill Calcaterra, Cinedigm's chief marketing officer said. 'How people use it can be positive for the industry or it can hurt the industry. We want it help us make this indie film successful.' ... 'We'll be working with all of [the studios] one day,' [Matt Mason, BitTorrent's vice president of marketing] said. 'It's really up to them how quickly they come to the table and realize we're not the villain, we're the heroes.'"

187 comments

  1. and WHO are the movie studios in it for, us? by d00m.wizard · · Score: 5, Insightful

    really?

    --
    * A world imprisoned screams with pain There are no leaders you can blame Your avarice destroyed your sphere And the
    1. Re:and WHO are the movie studios in it for, us? by interkin3tic · · Score: 5, Insightful

      I'm astonished that the studio executives own intestines didn't spring forth and strangle the man for such blatant hypocrisy. I'm astonished that politicians aren't on television right now saying "Yeah, that's some pot/kettle 'black' shit right there. I'm astonished any reporter he was talking to didn't kick him in the balls. I mean, I probably would have done all those things. Simultaneously in fact.

    2. Re:and WHO are the movie studios in it for, us? by AlphaWolf_HK · · Score: 5, Insightful

      The Screen Actors Guild is really uptight about making sure that every actor everywhere is in their union, to the point of fining its members if they perform in the same piece as an actor that isn't part of that union. I wouldn't be surprised if they tried to kill this either, namely because indie studios might be more likely to stay away from that union because they can't afford to pay what any of its members demand.

      --
      Careful with names containing L slashdot.org/~AiphaWolf_HK slashdot.org/~AlphaWoif_HK slashdot.org/~AiphaWoif_HK
    3. Re:and WHO are the movie studios in it for, us? by Anonymous Coward · · Score: 5, Funny

      That's simply because gutless worms have no intestines.

    4. Re:and WHO are the movie studios in it for, us? by KiloByte · · Score: 2

      Yeah, that's some pot/kettle 'black'

      More like pot calling the refrigerator black.

      --
      The creatures outside looked from Alt-Right to Antifa; but already it was impossible to say which was which.
    5. Re:and WHO are the movie studios in it for, us? by ShieldW0lf · · Score: 5, Insightful

      The Screen Actors Guild is really uptight about making sure that every actor everywhere is in their union, to the point of fining its members if they perform in the same piece as an actor that isn't part of that union. I wouldn't be surprised if they tried to kill this either, namely because indie studios might be more likely to stay away from that union because they can't afford to pay what any of its members demand.

      If that leads to a series of entertaining films coming out that don't contain any members of the Screen Actors Guild, they're really going to be up shit creek.

      --
      -1 Uncomfortable Truth
    6. Re:and WHO are the movie studios in it for, us? by hedwards · · Score: 1

      That's how unions work. If you don't have to be in the union to work a job then it greatly weakens the power that the union has to protect the members and advocate for better compensation and conditions.

      As for indie studios, unions negotiate with the studios and ultimately the union isn't just a one dimensional entity. Having more roles being available for members is something that they also have to worry about along side having the best working conditions and compensation.

    7. Re:and WHO are the movie studios in it for, us? by Anonymous Coward · · Score: 4, Insightful

      Unions are in it for money, you can just stop there. They don't give a rat's ass about conditions anymore.

    8. Re:and WHO are the movie studios in it for, us? by Karl+Cocknozzle · · Score: 4, Funny

      I'm astonished that the studio executives own intestines didn't spring forth and strangle the man for such blatant hypocrisy. I'm astonished that politicians aren't on television right now saying "Yeah, that's some pot/kettle 'black' shit right there. I'm astonished any reporter he was talking to didn't kick him in the balls. I mean, I probably would have done all those things. Simultaneously in fact.

      That's a television show, all to itself, if you can actually pull it off without hurting yourself. I'd DVR that.... Or maybe D/L the torrent if I forgot. ...Shit, even if you do get hurt, the audience would be mesmerized...

      MES-MER-IZED!

      --
      Who did what now?
    9. Re:and WHO are the movie studios in it for, us? by icebike · · Score: 1

      That's how unions work. If you don't have to be in the union to work a job then it greatly weakens the power that the union has to protect the members and advocate for better compensation and conditions.

      Because we all know that screen actors are working for slave wages.....

      --
      Sig Battery depleted. Reverting to safe mode.
    10. Re:and WHO are the movie studios in it for, us? by Frosty+Piss · · Score: 1

      Because we all know that screen actors are working for slave wages...

      Many more than you might imagine work for "scale".

      --
      If you want news from today, you have to come back tomorrow.
    11. Re:and WHO are the movie studios in it for, us? by Anonymous Coward · · Score: 1

      Possibly not, but many actors are having a hard time getting their deserved money. Hollywood banking is one son of a bitch.

    12. Re:and WHO are the movie studios in it for, us? by AlphaWolf_HK · · Score: 1

      Non union actors need better conditions and better wages?

      --
      Careful with names containing L slashdot.org/~AiphaWolf_HK slashdot.org/~AlphaWoif_HK slashdot.org/~AiphaWoif_HK
    13. Re:and WHO are the movie studios in it for, us? by iluvcapra · · Score: 1

      In LA they routinely work for $20 a day, and the promise of free lunch and a copy of the film when finished. Check out the production announcements on Craigslist LA sometime and you can see what non-union production puts people through.

      --
      Don't blame me, I voted for Baltar.
    14. Re:and WHO are the movie studios in it for, us? by hazah · · Score: 1

      Good luck for you... you're both!

    15. Re:and WHO are the movie studios in it for, us? by Rinikusu · · Score: 5, Informative

      As an aspiring independent filmmaker, it's not really as bad as you make it out to be. There are very affordable indie-extremely-low-budget rates for us, and waivers and what not that can be had. Film permits, on the other hand...

      --
      If you were me, you'd be good lookin'. - six string samurai
    16. Re:and WHO are the movie studios in it for, us? by Rinikusu · · Score: 4, Funny

      (also, I used a SAG actor in my last film. I paid him in korean barbeque)

      --
      If you were me, you'd be good lookin'. - six string samurai
    17. Re:and WHO are the movie studios in it for, us? by Mr.+Slippery · · Score: 4, Informative

      Because we all know that screen actors are working for slave wages.....

      Most, yes. Like musicians, a handful become stars and get rich, the rest make a marginal living at best, usually with some other job.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    18. Re:and WHO are the movie studios in it for, us? by hedwards · · Score: 1

      Assuming even that much. Considering how many people are trying to catch a break, it's probably not uncommon to find folks that are working for free.

      I'm a teensy bit surprised it's that little. IIRC my first and only paycheck as an actor was for about $25 probably 20 years ago. Then again, I'm not in LA or NYC where people tend to flock to with dreams of becoming a star.

    19. Re:and WHO are the movie studios in it for, us? by VortexCortex · · Score: 2

      Yeah, that's some pot/kettle 'black'

      More like pot calling the refrigerator black.

      More like pot smoking the refridgerator sober.

    20. Re:and WHO are the movie studios in it for, us? by kermidge · · Score: 1

      http://www.actorpoint.com/acting-articles/actorpay.html

      sheds some light. Background actor (guild), scale, 2003, $115/day.

      Do note, please, that even many guild actors get nowhere near a 40-hour week. Harrison Ford worked as a carpenter for years, getting bit jobs here and there as an actor. Just one example of many, and most never 'hit the big time.'

      How much better do you think non-union actors get paid or are treated?

    21. Re:and WHO are the movie studios in it for, us? by Raenex · · Score: 2

      I'm astonished that the studio executives own intestines didn't spring forth and strangle the man for such blatant hypocrisy.

      I don't see it as hypocrisy. Did the studios ever claim to be looking out for the consumer? Their concern is the "industry", always has been, and that's what their concern is here. You can debate if their tactics are hurting the industry more than helping, but I don't doubt their motivations.

    22. Re:and WHO are the movie studios in it for, us? by AlphaWolf_HK · · Score: 1

      Sort of goes with the territory of the job title I guess. Very high supply of labor (especially people willing to work for peanuts with the expectation of rapport) with not nearly as high of demand.

      --
      Careful with names containing L slashdot.org/~AiphaWolf_HK slashdot.org/~AlphaWoif_HK slashdot.org/~AiphaWoif_HK
    23. Re:and WHO are the movie studios in it for, us? by Luckyo · · Score: 2

      This is on the level of "black hole calling kettle black" at this point.

      "Health of the industry". Good one.

    24. Re:and WHO are the movie studios in it for, us? by zugmeister · · Score: 1

      More like pot smoking the refridgerator sober.

      Ok, I admit it. I have NO IDEA what the heck that's supposed to mean!

    25. Re:and WHO are the movie studios in it for, us? by interkin3tic · · Score: 1

      I'm going to assume that vortexcortex inhaled/smoked coolant from his refrigerator.

    26. Re:and WHO are the movie studios in it for, us? by Anonymous Coward · · Score: 0

      its an hilarous avent ur just a looser lol!

    27. Re:and WHO are the movie studios in it for, us? by Anonymous Coward · · Score: 0

      Do note, please, that even many guild actors get nowhere near a 40-hour week. Harrison Ford worked as a carpenter for years, getting bit jobs here and there as an actor. Just one example of many, and most never 'hit the big time.'

      That reminds me. I found out some time ago (from the DVD extras?) that Mr. Ford was in the midst of a carpentry job when he got the part of Han Solo from Mr. Lucas. If I remembered right, he finished that job and was on a plane the next day to England to start shooting Greedo^W STAR WARS (EPISOD IV: A NEW HOPE)

      I wonder if he kept his old carpentry tools around to never forget where he came from....

      CAPTCHA: comply [How apt! :D Ford complied with the one(s) who hired him for that last carpentry job by finishing it before going to England to (unknowingly at the time) help create cinematic history that is still remembered, cherished, (and reviled) today...]

      I HATED these CAPTCHAs when they first came out but I don't mind them now, having to comply with them to make posts to /. :)

      Are they still effective?

      Or does the community here have to (still) downmod spam posted manually by spammers/griefers who fill in the CAPTCHAs and post anyway? :P

    28. Re:and WHO are the movie studios in it for, us? by kermidge · · Score: 1

      "I wonder if he kept his old carpentry tools around to never forget where he came from...."

      Dunno for sure, but I seem to recall from an interview somewhen that he did; said he still uses them for puttering or so. Most of the people I know who've made a living working with wood keep at least some of their tools if they can afford to.

      I don't think it's a strictly guy thing, either; my mother kept her old Singer long after she used it on any kind of regular basis.

    29. Re:and WHO are the movie studios in it for, us? by hazah · · Score: 1

      Ouch. That really punched me in the feelings.

  2. Next Up by Anonymous Coward · · Score: 1

    This is like watching the Hale Bob folks watch someone decide not to drink the Kool Aid. Here comes the clue train media companies: your distribution model is 20 years out of date. Embrace it or die trying.

    1. Re:Next Up by Anonymous Coward · · Score: 0

      So putting what's basically a trailer up for legal torrent download shows the majors that their model is out of date?
       
      While this is significant, it's really not that significant. Get a hold of yourself.

  3. Honestly? by DiSKiLLeR · · Score: 4, Insightful

    Honestly? A deal with the movie studios (or any of the recording studios) is a deal with the devil.

    I applaud Cinedigm for giving an alternative a shot.

    --
    You can tell how powerful someone is by the magnitude of the crime they can commit and be able to get away with.
    1. Re:Honestly? by nametaken · · Score: 3, Insightful

      Well and, what exactly is wrong with this even if it's true?

      fretting that Cinedigm had unwittingly opened a Pandora's box in a bid to get attention for its low-budget release

      Isn't that precisely what you're supposed to do for your project? Get attention and as many eyes on the product as possible?

      Besides, we're talking about 7m of content here. It's not like they're relying on BitTorrent to sell and distribute a feature film. Though with external mechanisms, that's entirely possible. It's not like we don't have private trackers and such, and guys like Louis CK have demonstrated that a little good faith effort can make non-DRM'd content a financially viable product.

    2. Re:Honestly? by Anonymous Coward · · Score: 3, Insightful

      It's an indie flick. The big studios want it to fail no matter what.

    3. Re:Honestly? by iluvcapra · · Score: 1

      "guys like Louis CK have demonstrated that a little good faith effort and a career developed on for-pay and ad-supported television can make non-DRM'd content a financially viable advertising platform for his subscriber-supported HBO show."

      FTFY.

      --
      Don't blame me, I voted for Baltar.
    4. Re:Honestly? by crutchy · · Score: 3, Insightful

      Goliath (Hollywood) is simply worried that David (indie) may create a slingshot.

    5. Re:Honestly? by lister+king+of+smeg · · Score: 2

      Goliath (Hollywood) is simply worried that David (indie) may create a slingshot.

      Actually it was a sling with which David killed Goliath (well actually David knocked him out then cut Goliaths head with his own sword.) not a slingshot. The sling is a weapon thats been around since the paleolithic era, the slingshot has been around since about the mid 1800's.

      --
      ---Saying gnome 3 is better than windows 8 not so much a compliment as it is damning with light praise.
    6. Re:Honestly? by Anonymous Coward · · Score: 1

      I disagree. I was on pirate bay and bought anodyne on a whim from promo bay. I thought it was awesome and spread the word to my friends. It isn't cut and dry what harms the industry and what helps it. I don't think any one knows what will work going forward to make money. That scares the traditional media industries like crazy. The stupidest thing though is the fighting of the change. You just alienate your user base.

    7. Re:Honestly? by Anonymous Coward · · Score: 0

      David didn't just knock him out. The account specifically mentions that the rock sunk into Goliath's forehead. The beheading part was just incontrovertible proof. He was most likely already dead from the rock.

    8. Re:Honestly? by crutchy · · Score: 1

      Makes me wonder what your reply might have been if I had said...

      Goliath (Hollywood) is simply worried that David (indie) may create an RPG.

      :)

    9. Re:Honestly? by lister+king+of+smeg · · Score: 1

      Makes me wonder what your reply might have been if I had said...

      Goliath (Hollywood) is simply worried that David (indie) may create an RPG.

      :)

      i would wondered why the MPAA would care about a role playing game.

      --
      ---Saying gnome 3 is better than windows 8 not so much a compliment as it is damning with light praise.
    10. Re:Honestly? by crutchy · · Score: 1

      hmmm... i was actually thinking of rocket propelled grenade, but ok

  4. Cinedigm gets it! by Anonymous Coward · · Score: 3, Insightful

    It's not the technology, it's how you use it!

    1. Re:Cinedigm gets it! by jamstar7 · · Score: 4, Insightful

      It's like owning matches makes you an arsonist in the *AA's eyes. If you have bittorrent on your computer, you're a pirate, plain and simple.

      A 7 minute trailer distributed by bittorrent (After all, that's about all it will be equivilent to) gets the *AA up inside themselves? Good deal.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    2. Re:Cinedigm gets it! by Nidi62 · · Score: 2

      A 7 minute trailer distributed by bittorrent (After all, that's about all it will be equivilent to) gets the *AA up inside themselves? Good deal.

      Reminds me of when the Dawn of the Dead remake came out a few years ago. They had a deal where they showed the first 10 minutes of the film on USA to help promote the movie (and it worked, at least for me). To me, this is exactly the same thing, just distributed and shown through a different mechanism.

      --
      The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
    3. Re:Cinedigm gets it! by jamstar7 · · Score: 1

      A 7 minute trailer distributed by bittorrent (After all, that's about all it will be equivilent to) gets the *AA up inside themselves? Good deal.

      Reminds me of when the Dawn of the Dead remake came out a few years ago. They had a deal where they showed the first 10 minutes of the film on USA to help promote the movie (and it worked, at least for me). To me, this is exactly the same thing, just distributed and shown through a different mechanism.

      Exactly. And it's the fact that it's being done by bittorrent rather than through approved *AA channels that has them pissing themselves. It shows just how relevant their business model really is.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
  5. Obligatory Nelson... by trooper9 · · Score: 1, Funny

    Ha ha.

    --
    blah
  6. I'd support Cindigm even if its a crappy movie by detain · · Score: 3, Insightful

    I probably won't like the movie but I respect them for trying to incorperate technologies that are uncommon in that industry.

    --
    http://interserver.net/
    1. Re:I'd support Cindigm even if its a crappy movie by amiga3D · · Score: 5, Insightful

      I don't give a shit if it is the worst movie I've ever seen. I'm going to buy the blu-ray edition when it comes out. I hope they sell more copies than any movie ever. With a little luck that will cause some of the movie execs to die from apoplexy.

    2. Re:I'd support Cindigm even if its a crappy movie by crutchy · · Score: 4, Funny

      someone should stick the 7 minute clip at the start of a pirated copy of the latest hollywood flick and then spread that throughout the torrent world... that would help with marketing for the indie film and really piss the mpaa off... two birds, one stone :)

    3. Re:I'd support Cindigm even if its a crappy movie by EvilNTUser · · Score: 1

      I don't give a shit if it is the worst movie I've ever seen. I'm going to buy the blu-ray edition when it comes out

      I'm not going to buy the blu-ray, but if they offer the full movie as an mkv download they've got my money.

      --
      My Sig: SEGV
    4. Re:I'd support Cindigm even if its a crappy movie by Anonymous Coward · · Score: 0

      This!!!

  7. Bittorrent != piracy by Shadow+of+Eternity · · Score: 5, Insightful

    What we need is to stop the delegitimization of torrenting as a file transfer method. Equating torrents with piracy is ridiculous on it's face, it's nothing more than a means of transfering ANY data that's use legally all over the place. i haven't downloaded a linux distro the normal way in years, steam uses torrents, the list goes on.

    --
    A bullet may have your name on it but splash damage is addressed "To whom it may concern."
    1. Re:Bittorrent != piracy by amicusNYCL · · Score: 1

      steam uses torrents

      Where did you hear that?

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
    2. Re:Bittorrent != piracy by Anonymous Coward · · Score: 0

      He's probably confusing it with WoW.

    3. Re:Bittorrent != piracy by TapeCutter · · Score: 2

      A lot of commercial applications use torrents to run their automatic updates but it makes no difference because in the eyes of the studios the entire internet is synonymous with piracy. Coincidentally I was watching a satirical political show last night on ABC (Australia's answer to the BBC). They were taking the piss out of some US diplomat that said people shouldn't download a particular US TV show, the comic's answer was - "I'll make you a deal America, you stop making that shit and I will stop downloading it". The comic was quite good, admitting that he probably wold "steal a car" if he could do it with a couple of clicks on his computer. My point about the comic is that all this bullshit no longer affects just the nerds as it did 10yrs ago, it's now worked it's way into mainstream parody.

      --
      And did you exchange a walk on part in the war for a lead role in a cage? - Pink Floyd.
    4. Re:Bittorrent != piracy by mcgrew · · Score: 2

      Seconded. I'm torrenting half a dozen files right now, mostly Linux distros, and my first book (only available at the pirate bay; I put it there myself).

    5. Re:Bittorrent != piracy by Anonymous Coward · · Score: 0

      So his answer was that our TV shows are so horrible that they're not worth giving up money for, but they're still more worthy of Aussie's time than other, cheaper activities? I disagree with the diplomat but that's not really the best argument.

    6. Re:Bittorrent != piracy by ArsonSmith · · Score: 5, Funny

      that's like equating tors silkroad with drug purchasing. there is literally tens of other things on there.

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    7. Re:Bittorrent != piracy by Anonymous Coward · · Score: 0

      While this is certainly true the fact of the matter is that the overwhelming use of bit-torrent is for illegal purposes. Go to a legal torrent site then go to isohunt and tell me which one is flourishing and which one looks like someone's forgotten GeoCities website.

    8. Re:Bittorrent != piracy by Anonymous Coward · · Score: 2, Insightful

      No, it was a total non sequitur, on purpose. Aussie humor, you know.

      The reason Aussies pirate that particular HBO show is HBO refuses to sell it to them. Seriously. It can not be had in Australia, for any price, while it is being cablecast in the US. For any price except free, that is. Which is a state of affairs that never ceases to amaze me. I really don't understand how Hollywood thinks dividing up the world into independent little market regions is even remotely possible anymore. It hasn't been possible in a decade for the technologically savvy, and now it isn't possible for pretty much everybody. There's no excuse not to have simultaneous release worldwide, or at the very least for the English-speaking markets (the US, the Commonwealth nations, and most of Europe, plus India). But really, there's no excuse not to have simultaneous release worldwide, with subtitles for other languages. French, German, Spanish, Simplified Chinese, Onyomi, and Korean and you've covered 90% of the most affluent markets and probably 70% (wild-ass guess) of the world's population. Sounds like money to me.

    9. Re:Bittorrent != piracy by VortexCortex · · Score: 1

      i haven't downloaded a linux distro the normal way in years

      Odd, so you don't torrent your distros?

    10. Re:Bittorrent != piracy by Anonymous Coward · · Score: 0

      I would not steal a car but once I can afford a good 3D printer I might download a Veyron.

    11. Re:Bittorrent != piracy by Shadow+of+Eternity · · Score: 1

      Bloody ages ago there was a lot of talk of steam using torrent-like protocols to speed up sending out patches and help deal with the constant server woes.

      --
      A bullet may have your name on it but splash damage is addressed "To whom it may concern."
    12. Re:Bittorrent != piracy by amicusNYCL · · Score: 1

      Steam traffic goes over HTTP and is not peer-to-peer, they just have a massive content delivery network. It used to be that they would tell you which server you're downloading from. I haven't seen any evidence that I'm downloading from more than one server, let alone a peer.

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
  8. I don't get it by jfengel · · Score: 3, Insightful

    It's the first seven minutes. That is, it's an ad for the movie, not the movie.

    They could have just used YouTube, which would probably get them a lot more eyeballs, and has social-networky features to try to encourage others to watch it. You _want_ people to watch your ads, for free; you'd pay them if you could. I can't imagine why they'd use BitTorrent, aside from the fact that BitTorrent gets you a few headlines.

    This isn't any skin off Hollywood's nose. Well, maybe a little: by acknowledging that BitTorrent isn't universally evil, it cuts into their deranged "BitTorrent = piracy" campaign. But I can't see anything more to it than that.

    If they were using it to distribute the film, the studio might have some kind of point, though that point would be "How the heck can you distribute a movie on which you spent a minimum of $10 million just on the two lead actors (and probably more) via a medium you can't charge for?"

    1. Re:I don't get it by ShieldW0lf · · Score: 1

      "How the heck can you distribute a movie on which you spent a minimum of $10 million just on the two lead actors (and probably more) via a medium you can't charge for?"

      Merchandising?

      --
      -1 Uncomfortable Truth
    2. Re:I don't get it by Threni · · Score: 4, Funny

      > I can't imagine why they'd use BitTorrent, aside from the fact that BitTorrent gets
      > you a few headlines.

      "Hmm...this one says `7 minutes`...and this one says `116 minutes`....where to click...."

    3. Re:I don't get it by sixsixtysix · · Score: 1
      I was just going to write something similar. At least with, say, Comcast's onDemand, you can watch the first 10 minutes, and then pay and continue the film, if you want. This is stupid.

      If they were using it to distribute the film, the studio might have some kind of point, though that point would be "How the heck can you distribute a movie on which you spent a minimum of $10 million just on the two lead actors (and probably more) via a medium you can't charge for?"

      Well, they could make it work like many private tracker sites, where if you're not a member, it won't work. Just pay at the site to get the torrent.

      --
      ...
    4. Re:I don't get it by chilvence · · Score: 5, Insightful

      Why does no one ever consider the possibility that perhaps $10 million for a lead actor is a slightly over the top wage for the challenge of 'looking pretty while pretending to be someone else in front of a video camera for a few months'?

    5. Re:I don't get it by chilvence · · Score: 3, Insightful

      I mean seriously, it's no wonder no one has any shame about robbing hollywood, they've been robbing everyone else for decades :)

      It isn't really that hard to piece together the big picture is it?

    6. Re:I don't get it by Hentes · · Score: 1

      These options are not exclusive.

    7. Re:I don't get it by Seumas · · Score: 1

      It falls along the line of game developers whining that we need to pay more than $65 (tax inc) for video games, because some of them cost $200m or $300m to make. Don't blame me because of your shitty budgeting and hundred million dollar advertising budgets for $100m-$200m games.

    8. Re:I don't get it by Seumas · · Score: 1

      After you pay the $100-$200/mo for Comcast, of course.

    9. Re:I don't get it by Black+Parrot · · Score: 2

      Why does no one ever consider the possibility that perhaps $10 million for a lead actor is a slightly over the top wage for the challenge of 'looking pretty while pretending to be someone else in front of a video camera for a few months'?

      If I were a filmmaker I'd *insist* on using unknown actors. I'd want viewers to see Indiana Jones, not Harrison Ford. (Or whatever.)

      --
      Sheesh, evil *and* a jerk. -- Jade
    10. Re:I don't get it by hedwards · · Score: 1

      Sigh, I take it you've never worked as an actor or studied film in any meaningful way.

      $10m is a lot of money, but with top rate talent that can easily translate into a much larger profit than going with a nobody, even after you pay the huge salary. What's more, it's not just 'looking pretty while pretending to be someone else in front of a video camera for a few months." There's often times a ton of work that goes into learning not just the lines, but how the character reacts to the situations that he or she has been presented. To make the film come alive.

      There's the incredibly uncomfortable scenes at times where you're hot or cold or having to have sex with somebody that you probably don't want to have sex with. The endless stalking by the paparazzi and random fans. The TV show appearances during the media blitz and the loss of the ability to do normal things like going to the beach without people staring.

      To say that the money is being paid for a few months work is really only applicable to minor actors, anybody being paid that kind of cash is doing a lot more work than that. And what's more potential actors are a dime a dozen, Hollywood would not be paying that kind of scratch if it weren't the most profitable way of doing it.

    11. Re:I don't get it by Anonymous Coward · · Score: 0

      Many of us already do - there's probably a number of this particular set also in the set who think CEO and board member pay levels are stupidly high, too.

    12. Re:I don't get it by Grieviant · · Score: 3, Interesting

      I think Harrison Ford would actually be in complete agreement with you. I recall an interview with him where he was recounting his early career and how he eventually became a big name actor. Basically, in a minor role as a bus boy, he had been pulled aside by a movie exec and told that he didn't have the 'star power' required to make it in Hollywood. The exec cited another popular actor of the era and said that he was easily recognizable as a star, even in a similar minor role. Ford replied something like "I thought the audience was supposed to be seeing a bus boy, not a movie star".

      I managed to find part of the interview here:
      http://www.biography.com/people/harrison-ford-9298701/videos
      Relevant bit starts 40 seconds in, but unfortunately it does not include Ford's rebuttal to the exec.

    13. Re:I don't get it by elashish14 · · Score: 1

      You mean like this?

      --
      I have left slashdot and am now on Soylent News. FUCK YOU DICE.
    14. Re:I don't get it by iluvcapra · · Score: 4, Informative

      The economic reality is that motion pictures are a star-delivery system -- people pay to see faces and people they are familiar with, more than story and any other "quality" metric. A $10 million salary is justified if the movie will make $100 million, when the reality is that if it didn't have the star in the first place, it would have only barely made its cost back. Most of being an "star" actor isn't in the acting, it's the intentional ruining of your life in order to maintain a brand or image that audiences will seek out again and again.

      This is why lead actors don't generally get "$10 million," but in fact get $5 million or $10 million "against" some percentage of the producer's gross take of the box office. Their celebrity is the primary equity contribution they make to the film. Sad, and not a very nice thing to say about the intelligence of the median moviegoer, but it's the truth, particularly when the move is sold to foreign markets, where movies make the majority of their money nowadays.

      The alternative would be to pay the actors flat and let the producers keep the $100 million -- this is how it generally worked before the Free Agency revolution in Hollywood the 1950s, and the system was universally derided as exploitive and biased in favor of the studios over working artists.

      --
      Don't blame me, I voted for Baltar.
    15. Re:I don't get it by jamstar7 · · Score: 2

      If they posted the 7 min clip on Youtube, the *AA would probably hit it with a DCMA takedown notice. They've done it before even on content they don't 'own'.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    16. Re:I don't get it by jedidiah · · Score: 1

      > $10m is a lot of money, but with top rate talent that can easily translate into a much larger profit than going with a nobody

      You are paying $10M not for talent but for a big name that's expected to draw an audience regardless of the quality of the work or their performance.

      That can also translate into a big fat flop as you fixate on bean counting and forget about art and craftsmanship.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    17. Re:I don't get it by flimflammer · · Score: 2

      In a nutshell, they're just doing it for publicity, not because using torrents explicitly is going to garner them the most views. It's controversial; a movie studio embracing bittorrent in any quantity? This sort of thing sticks in minds a lot better than some tiny indie studio releasing a seven minute trailer on YouTube. Look at all the apparent good will it has garnered just in the slashdot comments? You think people would feel that way if it were just uploaded to YouTube?

    18. Re:I don't get it by Anonymous Coward · · Score: 0

      What's more, it's not just 'looking pretty while pretending to be someone else in front of a video camera for a few months." There's often times a ton of work that goes into learning not just the lines, but how the character reacts to the situations that he or she has been presented. To make the film come alive.

      All of which can be done by talented actors who dont get paid this much.

      The endless stalking by the paparazzi and random fans. The TV show appearances during the media blitz and the loss of the ability to do normal things like going to the beach without people staring.

      Yeah that kind of hypocrisy is laughable. They spend half of their time saying "look at me, folllow/like me" then cry when someone sees them doing something embarrassing in public. If you willingly choose a high profile public life that depends on your recognisability its idiotic to complain when people notice you.

    19. Re:I don't get it by Solandri · · Score: 3, Insightful

      perhaps $10 million for a lead actor is a slightly over the top wage

      Because it's not. Or at least it wasn't. Back in the days when distribution required printing thousands of copies, inking deals with thousands of theaters to show them, and contacting hundreds of local TV stations, magazines, and newspapers for advertising. Back then the barrier to entry was so high that only a few companies could make widely-distributed movies. Which meant only a few movies could become national (or worldwide) memes. Which meant only a few movies could rake in hundreds of millions of dollars. Which meant the actors who could consistently help you create a blockbuster movie commanded extraordinarily high salaries.

      The Internet completely pulls the rug out of that at the very lowest layer. Distribution is now essentially free, advertising nearly so especially if you can go viral. The obvious (well, obvious to me) outcome of all this is that whereas we used to have a few big studios, a few big movies, and a few big stars, now we're going to have lots of smaller studios, lots of smaller movies, and lots of small stars. Aggregate "filmmaking" revenue will go up, but it'll be distributed across a much larger population so average revenue per studio/movie/actor will go down. Yeah there will still be the blockbuster, but it's going to become increasingly rare (be sure to take into account inflation before you post any data claiming otherwise - the top grossing domestic film of all time in inflation-adjusted dollars is still 1939's Gone with the Wind).

      The established studios are scared to death of this, so are fighting tooth and nail to prevent it and preserve their old, outdated business model. Just like happened with the VCR and movie rental stores. They fought those tooth and nail too, claiming they'd be the doom of the movie industry. Instead they turned into the lifeblood of the industry (tape/disc sales and rentals have long since surpassed movie theaters for revenue).

    20. Re:I don't get it by Rinikusu · · Score: 2

      While it may be hard to believe, that $10 million dollar actor brings in an additional $25-50 million at the box office because people think "OMG is in it, let's go see that movie!" even if it's a piece of shit. That's why the stars get paid what they do. Same with just about any other entertainment industry. Put Kanye or another the top producer's name on a track with another "hot artist" and it's almost like printing money.

      --
      If you were me, you'd be good lookin'. - six string samurai
    21. Re:I don't get it by Anonymous Coward · · Score: 0

      that's actually what makes Star Wars and Indiana Jones great. The actors were allowed to be the character instead of being themselves being the character. Harrison Ford was "discovered" when he was making George Lucas' cabinets.

    22. Re:I don't get it by Anonymous Coward · · Score: 0

      Which kind of just reinforces my point. If they could get buy with unestablished names for a fraction of the cost, then why don't they?

      Bottom line is that just because they have different values from you doesn't mean that the consequences of being a famous actor are any less significant.

    23. Re:I don't get it by hedwards · · Score: 2

      It can translate into a big fat flop, but the likelihood is substantially less than if you're dealing with people that don't know how to work the talk show circuit and whose name isn't already known to the audience.

      Bottom line is that all things being equal a Johnny Depp film is substantially more likely to be a blockbuster than one by Joe Shmoe. And even if you're talking about somebody that's relatively untalented like Keanu is likely to fill far more theater seats than an unknown actor with substantially more talent.

      Having a big name star that's being well paid does not generally mean that the other standards are lowered. Most of the true big name talent has the experience and drive necessary to make the material work. Unknown actors likely have drive, but they are unknown quantities that may or may not be successful in the film.

    24. Re:I don't get it by Raenex · · Score: 1

      Sad, and not a very nice thing to say about the intelligence of the median moviegoer, but it's the truth

      I don't think it's so sad or unintelligent. Celebrities are celebrities for a reason. They have a certain charisma. Watching a movie with an actor without this quality can easily ruin the movie. It's like eating out at a restaurant. Sometimes you go with something new, but often you go with known favorites.

    25. Re:I don't get it by brit74 · · Score: 2

      The established studios are scared to death of this, so are fighting tooth and nail to prevent it and preserve their old, outdated business model. Just like happened with the VCR and movie rental stores. They fought those tooth and nail too, claiming they'd be the doom of the movie industry [slashdot.org]. Instead they turned into the lifeblood of the industry (tape/disc sales and rentals have long since surpassed movie theaters for revenue).

      I don't think movie studios fought movie rental stores or video discs. They fought re-recordable media like the VCR because it was *re-recordable*. It turns out that there wasn't the large scale copying that they feared would undermine the industry. There's a variety of reasons that things worked out that way (maybe it has to do with the fact that you had to get a copy of the movie in the first place in order to make a copy, and the fact that VCR copies always look worse than the original - neither of these problems plague BitTorrent). Additionally, VCR/VideoDiscs allow for the existence of rental stores. BitTorrent doesn't provide them anything at all. They're already streaming movies via NetFlix and Amazon video-on-demand.

      So, no, I don't think BitTorrent is comparable.

    26. Re:I don't get it by Anonymous Coward · · Score: 0

      On one hand, you're right: 7 minutes is an ad, not a movie.

      On the other hand, bittorrent sort of makes more sense than youtube, because youtube requires special software but anyone can bittorrent. Assuming the ad file is standard, it ought to work on more computers than youtube's stuff can .. hmm.. and look better, too. Maybe that's it: they want the ad to look good, so streaming was out. If it's a special effects movie that would make sense, but "Arthur Newman" doesn't sound like an eye-candy title. A little bit of pausing/jitter or blockiness doesn't sound like a major turnoff for a dramedy, so streaming ought to be good enough.

  9. BitTorrent is not what they fear by BitZtream · · Score: 4, Insightful

    But its cute to try and blame it on one particular ... protocol? I'm not sure what 'deal with bittorrent' means. I mean, I get the 'first 7 minutes to bittorrent users' but who is that exactly? People that use software from bittorrent inc? Anyone with a bittorrent client? Who are they actually talking about? Well thought out statement you have there.

    Anyway, my point is that the big studios fear anything they don't completely control. They are afraid of people sharing things without them making a cut. They don't give damn about bittorrent, they care about sharing without them profiting.

    You just sound stupid when you propagate the stereotype, anyone with a clue knows they are just as afraid of you downloading something from HTTP as they are with bit torrent. Its not like they let you get buy with it via HTTP but not BitTorrent.

    From what I can tell from the actual article is that:

    The studios repeated their default statements anytime anyone shares anything online when they aren't getting a cut of the profits.
    Some indie movie is going to be put shared via bittorrent ... which isn't anything new, there are thousands of shitty indie movies on bittorrent already, thats like saying some indie movie is going to be uploaded to youtube. Contrary to what you may think: Indie does not imply that its worth watching.
    No one has heard of or cares about this indie movie either.

    Forget news for nerds, this isn't even news.

    --
    Persistent Volume manager for Kubernetes - https://github.com/dwimsey/openshift-pvmanager
    1. Re:BitTorrent is not what they fear by ShieldW0lf · · Score: 4, Informative

      But its cute to try and blame it on one particular ... protocol? I'm not sure what 'deal with bittorrent' means. I mean, I get the 'first 7 minutes to bittorrent users' but who is that exactly? People that use software from bittorrent inc? Anyone with a bittorrent client? Who are they actually talking about? Well thought out statement you have there.

      If you visit http://www.bittorrent.com/ it will become quickly apparent what they mean, I think.

      http://bundles.bittorrent.com/torrents/BitTorrent-ArthurNewman.torrent

      I imagine they're seeding it.

      --
      -1 Uncomfortable Truth
    2. Re:BitTorrent is not what they fear by Anonymous Coward · · Score: 0

      But its cute to try and blame it on one particular ... protocol? I'm not sure what 'deal with bittorrent' means.

      bittorrent is not only a file transfer protocol, but also is the name of the company (bittorrent inc) founded by its creators, as well as its original client software (bittorrent mainline).

      so yes, it is valid to say that there is a "deal with bittorrent".

  10. Whos is the Devil by Dorianny · · Score: 2

    "'It's a deal with the devil,' one studio executive" [said]. I agree with that, but I would say the devil is the MPAA and the studio executives not Bittorrent.

    1. Re:Whos is the Devil by Anonymous Coward · · Score: 0

      Who is the devil from the perspective of the Devil? God, that's who. Bittorrent is God.

  11. Awwww, boo hoo hoo, studios. Ha Ha Ha! by Anonymous Coward · · Score: 0

    I have no clue what Cindigm is about, but this 100% guarantees that I will find a way to pay money for it.

  12. the right technology by zipoh · · Score: 2

    Bittorrent is the right technology to deliver reams of data to multiple client. It's really good at that. I think it's about time that the media companies accept the reality. If they weren't such dinosaurs, they would have made the move along time ago. But they are dino's, so they will probably still resist to the end.

    1. Re:the right technology by mark-t · · Score: 0

      Emphasis there on "reams of data".

      Seven minutes of video isn't reams. Youtube would probably be a smarter choice in this case... there seems little point to using bittorrent for this other than to make a political statement that loads of other people already do anyways.

    2. Re:the right technology by jamstar7 · · Score: 1

      Emphasis there on "reams of data".

      Seven minutes of video isn't reams. Youtube would probably be a smarter choice in this case... there seems little point to using bittorrent for this other than to make a political statement that loads of other people already do anyways.

      Can't do a DCMA takedown notice on a torrent the way you can a Youtube upload...

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    3. Re:the right technology by doesnothingwell · · Score: 1

      But they are dino's, so they will probably still resist to the end.

      More like enforcers or police, they can't relinquish control without an order from a higher authority. Unfortunately they don't believe there is one.

      --
      They can have my command prompt when they pry it from my cold dead fingers.
  13. Indie - pendent by strangeattraction · · Score: 1

    Check me is I'm wrong Scotty but isn't "indie" short for "independent"? Can't they do what ever the hell they think is in their best interest. And why is it when studios bleed Anamation and CGI shops dry and put them into bankruptcy - that is somehow good for the industry? Fatcat and Bigwigs trying to protect their turf if you ask me.

    1. Re:Indie - pendent by mill3d · · Score: 3, Interesting

      I second that. We CG people sure don't get to see the kind of money the major production houses flaunt and only have our jobs shipped out of country as ultimate reward. Many would be better off if it wasn't for overly-greedy middlemen ; we might actually see more cultural diversity as well. CG work is gruesome, constant focus work with short deadlines and low salaries for the amount of skill required. If Cinedigm opens an alternate route that turns out to be viable, new life can be breathed into the suffocating US film and animation industries and add some extra fluidity to the economy as a consequence.

      This should be an interesting fight.

      --
      Nothing is enough for whom enough is too little - Confucius
    2. Re:Indie - pendent by iluvcapra · · Score: 5, Informative

      Champions of "indie" cinema take note: Cinedigm is simply a production/distribution division of Technicolor, (yes that Technicolor), a multi-billion dollar Hollywood production service company that operates as a vendor to all the Hollywood studios. Several of the producers have ongoing relationships with Technicolor and Focus Features, a division of NBCUniversal, which is handling distribution of the film in several foreign territories. Cinedigm is the US film and animation industries.

      This entire thing is just Technicolor putting up a tiny film, probably entirely produced with UK Lottery Fund money and North Carolina tax credits, as a stalking horse/advertising experiment. The film has no stars to speak of, it was probably going to die an unlamented death on pay-per-view before they upgraded their marketing campaign to full Viral mode.

      --
      Don't blame me, I voted for Baltar.
    3. Re:Indie - pendent by mill3d · · Score: 0

      +1 informative.

      --
      Nothing is enough for whom enough is too little - Confucius
    4. Re:Indie - pendent by chihowa · · Score: 1

      As gross as it is to "fall" for a big corp pretending to be indie, I think supporting this film is still a good idea. This is a big studio actually dipping its toes into bittorrent as a distribution method. If this little experiment goes well for them, they may voluntarily enter the 21st century. We could actually benefit from that.

      Of course, I wouldn't mind seeing them fail to adapt and die completely, so I'm still a little torn here...

      --
      If you want a vision of the future, imagine a youtube comments section scrolling - forever.
    5. Re:Indie - pendent by gronofer · · Score: 1

      Cinedigm is a separate company, listed on Nasdaq. They sold their cinema distribution business to Technicolor and now do some production work for them. However, not being in the movie business, I don't have a great understanding of what this company does exactly.

    6. Re:Indie - pendent by iluvcapra · · Score: 1

      When Chris McGurk took over Cinedigm in 2011, he sold off the physical delivery network (couriers carrying DCPs to theaters), but it still sells show-control software and digital cinema management software and gear. McGurk was a former MGM VP and a principle at Overture Films, the "indie" distro division of the Liberty Media/Starz battleship. Cinedigm offers "alternative" content to theaters, a bit like Fantom Events, their software business is a sort of iTunes, flogging the content their distribution/acquisition business lays its hands on.

      Under McGurk, the company has started getting more aggressively into distribution, with the idea that they can create a "multi platform" distribution model that releases in theaters, on the internet, on cable and everything else in such a way that everybody makes money -- a one-stop-shop for producers selling their movies to all media. I assure you, these are not the sort of people that will be trading movies for bit coin donations on TPB; Cinedigm's bread and butter is asses in theater seats.

      --
      Don't blame me, I voted for Baltar.
  14. Paid Studio Shill Torrenting Movie In 3, 2 by Anonymous Coward · · Score: 0

    1... Just watch, the studios are going to try to undermine this by working overtime to seed torrents of the entire movie. Cindigm isn't the movie, by the way, it's "Arthur Newman": http://arthur-newman.com/

    1. Re:Paid Studio Shill Torrenting Movie In 3, 2 by mark-t · · Score: 1

      If they seed it, then they are willfully distributing it. If they do not have the authority to do this, they are arguably committing copyright infringement simply in the act of making unauthorized copies publicly available in the first place. If they *do* have the authority to do this, then any download from them would be a legitimately acquired copy, since it was received from a source that was authorized to distribute such a copy to them.

    2. Re:Paid Studio Shill Torrenting Movie In 3, 2 by zlives · · Score: 1

      hard to prove... some could have seeded from their IP, without their knowledge or consent. o wait

    3. Re:Paid Studio Shill Torrenting Movie In 3, 2 by Hamsterdan · · Score: 1

      The difference is they have money, therefore are above the law. We don't

      --
      I've got better things to do tonight than die.
  15. Holy shit, that hypocrisy by Anonymous Coward · · Score: 1

    The entirety of Hollywood is built on greedy publishers.

    Every little helps... for their expensive steaks and bubbly at the end of the first half of the day.

    Too bad, you are losing your grip Hollywood.
    More and more of the film industry are going independent and there is fuck-all you can do about it.
    Keep crying piracy, it only exists because of your greed.

  16. As an indie filmmaker... by dex22 · · Score: 5, Interesting

    As an indie filmmaker, I understand the dilemma. Granted, I'm at the low end, and don't get to work with name actors, but the problems stay the same until you have to start worrying about territories and distribution - and this is a dispute about controlling distribution.

    If I invest, say, $20,000 of my own money in a project, I need to be reasonably confident about making at least some of that money back or I don't get to make another movie. I don't have a patron or rich lover to fund what I do, so... I have to not make consistent losses.

    Facing this reality, the main way I make money is through private showings in indie theaters, selling disks direct, and then when the economic potential of the production seems tapped out, sticking it somewhere accessible so at least it is seen by *people*.

    That doesn't really work. I don't know what else to do. I have a couple of really fun hard sci-fi ideas I'd love to develop, but the audience is hard to reach and still get paid enough to just cover my costs... Or I can participate in the conventional distribution system and be SURE of making no money.

    Unless there's some rich benefactor or wealthy single lady out there *grins* my really very specialist movies have no chance of being made or seen by a wide audience.

    Bittorrent breaks the distribution problem, but doesn't help the money problem.

    1. Re:As an indie filmmaker... by jfengel · · Score: 2

      I'd like to think that Kickstarter would help solve the money problem. Technology has already helped solve the other side of the money problem: it's pretty remarkable that you can get a film made for $20k. (I'm an actor myself, and I realize what kinds of corners you're cutting to get a film made that cheaply. I know you'd love to hire real sound, light, and camera people, for example; they can make your film look so much better, but you've already blown past your $20k budget.)

    2. Re:As an indie filmmaker... by Black+Parrot · · Score: 2

      I'd like to think that Kickstarter would help solve the money problem. Technology has already helped solve the other side of the money problem: it's pretty remarkable that you can get a film made for $20k.

      Technology has also solved the money problem re distribution of indie films.

      But that's why we're having this conversation.

      --
      Sheesh, evil *and* a jerk. -- Jade
    3. Re:As an indie filmmaker... by Anonymous Coward · · Score: 2, Insightful

      I completely agree here, this seems like a deal for kickstarter. Kickstarter will take care of several things right away, namely

      Getting the money to do the project (most important part)
      Knowing if there is an audience (simply not everybody wants everything, kickstarter will at least give you an idea if you production has an audience before you start)
      Advertisement (lots of people browse through kickstarter, its not the best advertisement, but its a start)

      Remember, with any project, creating the project is only a part of the job. There is a reason why most big firms have people dedicated to advertisement and other things. Its not because you don't have the funds to hire people for the job that you should not do those jobs, you just gonna have to spend some of your own time for it.

      I have the feeling most indie things that fail fail because they didn't manage to reach their audience, time after time I find projects that are great but now abandoned simply because they didn't manage to reach their audience. Making sure people know you is a big part of the job.

    4. Re:As an indie filmmaker... by vanyel · · Score: 1

      Bittorrent breaks the distribution problem, but doesn't help the money problem.

      There are subscription trackers that can solve that problem as well. Many people use bittorrent because it's the easiest or only way to get content, not because they don't want to pay for it. There are those that don't of course, but they're not going to pay for it regardless, so they don't really count. Make it easy to get and easy to pay for and you'll get paid as much as, if not more than (no need to give others a cut), you will through other means.

    5. Re:As an indie filmmaker... by Jah-Wren+Ryel · · Score: 2

      Bittorrent breaks the distribution problem, but doesn't help the money problem.

      Services like kickstarter fix the money problem. Forget trying to find one rich benefactor, look for a couple of thousand regular benefactors.

      --
      When information is power, privacy is freedom.
    6. Re:As an indie filmmaker... by Anonymous Coward · · Score: 0

      Try contacting Zombie Orpheus Entertainment. http://zombieorpheus.com/producers-faq/ http://www.kickstarter.com/profile/zombieorpheus

    7. Re:As an indie filmmaker... by mcgrew · · Score: 2

      As Cory Doctorow points out, nobody ever lost a dime from piracy but many artists have starved from obscurity. He credits his putting his books online for free as the reason he's a best seller.

      Put your films on bittorrent and let people know. Free sells.

    8. Re:As an indie filmmaker... by Rinikusu · · Score: 1

      Let me know if your wealthy single lady has a wealthy ugly friend. I have a films to make, as well. :D

      --
      If you were me, you'd be good lookin'. - six string samurai
    9. Re:As an indie filmmaker... by Areyoukiddingme · · Score: 1

      He credits his putting his books online for free as the reason he's a best seller.

      I don't know what else it could be. He's certainly not a very good writer. Too didactic.

    10. Re:As an indie filmmaker... by zippthorne · · Score: 1

      Kickstarter is terrible advertising, because their discovery interface is not well designed. I've literally never found anything on kickstarter I was interested in that I did not already know about from other sources (such as here...).

      I've tried to find stuff on my own, but I don't have the time or inclination to drill into one of their overly broad categories and browse through everything. You can't even do an intersection of categories like music and <my town> which should be a pretty obvious one to make available.

      The most prominent stuff you can find is also the stuff that is already past the funding date...

      --
      Can you be Even More Awesome?!
    11. Re:As an indie filmmaker... by brit74 · · Score: 2

      Cory Doctorow says a lot of stupid things. I especially like when he argued that "Nobody woke up one day and decided they'd like to have less rights with the digital content they buy" (in other words: copyright is dumb because it doesn't serve the customer's interest). Meanwhile, he believes that free piracy should be legal, he also believes that nobody should be allowed to sell his copyrighted material (beyond the first sale). Excuse me for pointing out the obvious contradiction, but (1) despite what he's always heard, the customer is not always right and (2) if copyright restricts selling copyrighted material (example: I can't sell the same copy of digital media over and over on ebay or amazon or on the street corner) that constitutes a restriction that I (as the consumer) don't want. More bluntly: I didn't wake up one day and say, "I'd like Cory Doctorow to restrict my ability to keep reselling copyrighted material over and over." He's a man of many contradictions and poor rationalizations.

      BTW, a few years ago, the technology to copy Nintendo DS disks came out and started to become common in places like Spain. Nintendo saw their sales drop in half in about a year. So, yeah, there's definitely cases of piracy hurting an industry. Even worse for Cory's point, I've seen him argue elsewhere that piracy helps middle-level musicians (by getting their music out there), but harms the big-players (like Metallica) because they're already known and don't benefit much from the extra publicity. I disagree with his point (and think it probably applies better to a society where there is some piracy, but where society hasn't entirely switched over to being fully pirate-based), It's obvious that his claim that big-names get hurt by piracy directly contradicts his argument here that "nobody ever lost a dime from piracy". Like I said: He's a man of many contradictions and poor rationalizations.

    12. Re:As an indie filmmaker... by mcgrew · · Score: 1

      I especially like when he argued that "Nobody woke up one day and decided they'd like to have less rights with the digital content they buy" (in other words: copyright is dumb because it doesn't serve the customer's interest).

      Copyright is supposed to protect everyone; writer, publisher, customer. DRM takes away the customer's (the person who is keeping the writer and publisher employed) right to resale. I can buy a physical book, read it, and give it away or sell it. That isn't possible with a DRM ebook. You can't buy DRMed content, you can only rent it.

      He's not saying copyright is dumb, he's saying DRM is dumb.

      he also believes that nobody should be allowed to sell his copyrighted material (beyond the first sale).

      Citation? That would indeed be stupid if true, but I doubt the assertion.

      Nintendo saw their sales drop in half in about a year.

      Correlation does not imply causation.

  17. Re:Bittorrent != piracy... by Anonymous Coward · · Score: 1

    replace http with BitTorrent and repost it elsewhere.

  18. Delusional Nitwits by FuzzNugget · · Score: 3, Insightful

    In what other business could you act so profoundly antagonistic towards your own customers and expect your business to actually be around to see the next day?

    Fun object lesson: what happens when a violent animal is backed into a corner?

    1. Re:Delusional Nitwits by ebno-10db · · Score: 1

      Banking. Medical insurance. Hollywood is small potatoes compared to finance.

    2. Re:Delusional Nitwits by PRMan · · Score: 1

      Cable TV. Telcos. Sports teams. How long do you want me to go on?

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    3. Re:Delusional Nitwits by Jah-Wren+Ryel · · Score: 1

      In what other business could you act so profoundly antagonistic towards your own customers and expect your business to actually be around to see the next day?

      Basically any business which has a monopoly. In this case there are two related monopolies - copyright and distribution. The studios' monopoly on distribution is fading and that's why they are shitting bricks about this. Anything that even remotely speeds up their loss of control over distribution channels is an existential threat to these guys.

      --
      When information is power, privacy is freedom.
    4. Re:Delusional Nitwits by gronofer · · Score: 1

      Utilities in general, public transport including airlines, government at all levels.

    5. Re:Delusional Nitwits by FuzzNugget · · Score: 1

      Perhaps the distinction I was trying to make is ... at least all of these other businesses you mentioned put on a facade of respect and politeness towards their customers. Whereas Hollywood comes right out in the open and gives everyone a big fuck-you.

  19. The end of block by assumption by sgt+scrub · · Score: 3, Informative

    I ditched warner bro's cable because they assumed all my UDP traffic was P2P. The went from shaping UDP to flat out blocking it. I wouldn't doubt they have hope other ISPs would follow. Anything legitimizing P2P would mean they couldn't block UDP based on assumption. Well. Considering how clue free their networking engineers seem to be, that might not be true.

    --
    Having to work for a living is the root of all evil.
    1. Re:The end of block by assumption by Anonymous Coward · · Score: 2, Informative

      Did they really block all your UDP traffic?!

      Somehow I find that very unlikely.
      UDP is used in a wide variety of common internet protocols, including DNS, so I highly doubt that they blocked all UDP traffic.
      If they did, you should complain to the FCC, and let the FCC give them a nasty fine and force them to change their practices, because that sounds very illegal.
      I am pretty sure ISP's are not allowed to block ports or protocols.

      HasHie @ TrYPNET.net

  20. I think Louisiana has these, BTW. by Impy+the+Impiuos+Imp · · Score: 1

    > " 'Blaming BitTorrent for piracy is like blaming a freeway for drunk drivers, ' Jill Calcaterra, Cinedigm's chief marketing officer said"

    I like Bittorrent, but this is a bit disingenuous. It's more like blaming a freeway with with drive-thru bars every 100 feet because zoning doesn't forbid it, for having drunk drivers.

    --
    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
    1. Re:I think Louisiana has these, BTW. by Crypto+Gnome · · Score: 4, Insightful

      > " 'Blaming BitTorrent for piracy is like blaming a freeway for drunk drivers, ' Jill Calcaterra, Cinedigm's chief marketing officer said"

      I like Bittorrent, but this is a bit disingenuous. It's more like blaming a freeway with with drive-thru bars every 100 feet because zoning doesn't forbid it, for having drunk drivers.

      Seriously? You HONESTLY believe what you wrote?

      I don't often bite back on such OBVIOUS BULLSHIT but you, sir are a complete ASSHAT.

      The PRIMARY reason there is blatant and comprehensive copyright violation is because THE INDUSTRY HEAVYWEIGHTS (RIAA/MPAA,and friends) have a ridiculous stranglehold on distribution. And by RIDICULOUS I mean literally impossible for some customers (eg outside the USofA) to legally purchase some content.

      LITERALLY impossible to purchase. In some cases literally FOR EVER, in most cases "what the hell do you mean I have to wait YEARS before I can legally purchase this content". And NO, for the record, I'm NOT only talking about "purchasing online", some content you CANNOT purchase even on "original media" (DVD or whatever) outside the US; for NO REASON other than "I control the distribution and I could not be bothered distributing THAT".

      The Music/Movie distribution industry constantly sends a big FUCK YOU, FUCK YOU ALL to literally millions of customers - but STILL insists they have a right to cry UNFAIR.

      Seriously folks, SHUT THE FUCK UP AND TAKE MY MONEY ALREADY.

      Let me say this again, there is ABSOLUTELY NO VALID MORAL ARGUMENT IN DEFENSE OF THE BEHAVIOUR OF THE MUSIC AND MOVIE INDUSTRY.

      They have literally gone out of their way, time and time again, to make it actually impossible to purchase content (either at all, or online, or they simply restrict it to some obscure almost unused format, or they excessively compress it so it's ONY worth watching on the postage-stamp that is a 10 yr old phone).

      ...

      To be fair (and even handed) lets be clear, the MPAA/RIAA "claim" to be "the industry body" but IN PRACTICE they act in the interests of existing distribution channels (and NOT "the movie/music industry" as a whole).

      --
      Visit CryptoGnome in his home.
    2. Re:I think Louisiana has these, BTW. by HairyNevus · · Score: 1

      Seriously, I've never heard of Cinedigm in my life. But, after reading that quote I'll be keeping a close eye on their releases and I'll be patronizing them as they release material I like for a while. The fact that he's chief marketing officer isn't lost on me--he made that quote to win a crowd I (must) belong to over...but whatever. It worked.

      --
      You were critically hit for no damage. The bruise will look nice, and maybe the scars will make good party talk.
    3. Re:I think Louisiana has these, BTW. by Anonymous Coward · · Score: 0

      The thing is, 'piracy' only exists at all if you start by assuming intellectual property (which has no adequate philosophical or economic justification) as the default circumstance.

      So it's really more like redefining 'alcoholic beverages' to include soda, milk, coffee, fruit juice and tea, and then blaming the freeway for 'drunk' drivers.

    4. Re:I think Louisiana has these, BTW. by bruce_the_loon · · Score: 1

      The fact that She's chief marketing officer isn't lost on me--She made that quote to win a crowd I (must) belong to over...but whatever. It worked.

      FTFY. We aren't dwarves, there is an easy way to determine whether it is a boy or a girl. And it's even easier when they name the person with a proper gender-specific name. I know Tracey Hickman confused things a bit, but he's in a minority.

      --
      Trying to become famous by taking photos. Visit my homepage please.
  21. All I can say to the studios is: by Black+Parrot · · Score: 1

    "Ha, ha."

    Or maybe "neener".

    Or, in the unlikely event that they actually want advice: "You picked the wrong war to fight."

    --
    Sheesh, evil *and* a jerk. -- Jade
  22. Fake? by Anonymous Coward · · Score: 0

    Is the whole article fake?
    Merely put together to get views and media attention for the movie and the companies?
    Is there any official statement from any company mentioned in the article or otherwise?

  23. subject by Legion303 · · Score: 2

    "The fact of the matter is BitTorrent is in it for themselves, they're not in it for the health of the industry."

    The irony is so heavy it could shift Jupiter from its orbit.

    1. Re:subject by FauxReal · · Score: 2

      No man, they're trying to bring high art to the masses. I hear they're living hand to mouth out in Hollywood.

  24. BitTorrent doesn't pirate - People do. by Bill_the_Engineer · · Score: 1

    The summary make BitTorrent equivalent to Pirate Bay. Sure the movie executives believes this but nothing can be farther than the truth. Of course, their logic sounds quite similar to the one used in the gun control debate.

    They believe that if they get rid of BitTorrent then it would make piracy less convenient. Little do they realize that the hard core infringers will just move on to the next tool to use.

    --
    These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
  25. Matter of time by mrops · · Score: 1

    Film industry is going to go redundant sooner or later, bittorrent as a distribution channel is already mature, stuff like blender is maturing. How long before a talented bunch of individuals are capable of making high quality movies without the industries backing.

    1. Re:Matter of time by mcgrew · · Score: 4, Informative

      How long before a talented bunch of individuals are capable of making high quality movies without the industries backing.

      What? You haven't seen Star Wreck? Hilarious and better than half the dreck from hollywood. And it's a free download! DUDE!!!!

    2. Re:Matter of time by schnell · · Score: 1

      How long before a talented bunch of individuals are capable of making high quality movies without the industries backing.

      Occasionally, a talented amateur will strike gold and make a really good film on no budget (remember "Clerks?") But for every "talented bunch of individuals" that does that, there are literally thousands who completely SUCK. And not in a good way.

      If people off the street who wanted to make movies could do it well, everyone would just watch YouTube all the time and nobody would ever go to the movies. And yet, somehow, I plan to pay money to see "Star Trek Into Darkess" in a few weeks when I could have been watching "Overly Attentive Girlfriend" for free. The movie and TV industries have a lot of D-Bag executives, but the working professionals there really do actually know how to do things like write, act, film and edit. Sometimes amateurs do strike gold but the signal to noise ratio is just way too low compared to even the crappy movie industry we have today.

      I'm as interested in seeing the "open source" ethos extend into entertainment as anyone else (love me some FreeCiv!) But let's not kid ourselves that certain industries like games or TV/movies (where more "code review"/cooks in the kitchen generally means a worse product rather than better e.g. a movie with 150 scriptwriters) will ever be produced in high quality and quantity by the same distributed peer review/input model that works for F/OSS. If it were, then TuxRacer and fanfic would have completely consumer the professional media industry by now.

      --
      "95% of all Slashdot .sig quotes are incorrect or completely fabricated." -Benjamin Franklin
    3. Re:Matter of time by pslytely+psycho · · Score: 1

      Already here, and while it may not be a free download, but Iron Sky looked as slick and professional as any Hollywood film. Great story, Great acting, and special effects to rival a blockbuster.....for around (as I recall...might be off some) 9 million US....

      Plus, no political correctness B.S....
      The Palin caricature is priceless....

      And Udo Kier!!!!

      http://en.wikipedia.org/wiki/Iron_Sky

      --
      Donald Trump, on a crusade to make Nixon look respectable
    4. Re:Matter of time by mcgrew · · Score: 1

      It looks interesting, I loved Star Wreck, where can I get a legit copy of Iron Sky? TPB is for iffy stuff you might have wished you'd not have wasted your money on had you bought a pig in a poke.

    5. Re:Matter of time by zugmeister · · Score: 1

      erm, Netflix?

    6. Re:Matter of time by Anonymous Coward · · Score: 0

      Strike that "write" from this statement "professionals there really do actually know how to do things like write, act, film and edit" please. It's offensive to dozens(hundreds?) of games launched in the past decade and the thousands and thousands of books that were made into movies.

    7. Re:Matter of time by mcgrew · · Score: 1

      I can get NetFlix on Linux now?

  26. So the "industry" is harmed. So what? by John+Hasler · · Score: 4, Insightful

    > The fact of the matter is BitTorrent is in it for themselves, they're
    > not in it for the health of the industry.

    The fact of the matter is the studios are in it for themselves, they're not in it for the health of anyone but themselves. And that's fine, but why should the rest of us give a shit about their health? So Cinedigm's innovative move might cause movies to become less expensive and owning a studio less profitable. So what? That's competition.

    In fact, if the studios have some sort of agreement not to make any of their "properties" available via BitTorrent they should be sued for engaging in a restraint of trade.

    --
    Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
  27. Deal with the Devil? by russotto · · Score: 2

    A movie studio making a deal with the Devil? So it's business as usual, right?

    1. Re:Deal with the Devil? by Anonymous Coward · · Score: 0

      ;>

  28. This is not New by wisnoskij · · Score: 1

    Many small time indie studios have launched entire movies exclusively through bittorrent.

    If Hollywood was going to fret about Indies embracing bittorrent they should of started a few years ago.

    --
    Troll is not a replacement for I disagree.
  29. bittorrent is NOT FOR PROFIT by Anonymous Coward · · Score: 0

    In it for themselves seems a bit silly. Also, it's not like they haven't used things that are destroying the industries for their own ends before, YouTube can certainly confirm that.

  30. There's the problem by viperidaenz · · Score: 2

    BitTorrent are not in the movie industry. It's not an "us and them" game.
    Cinedigm are embracing the internet and what it is evolving in to. Hollywood film studios are clinging to their outdated business models and throwing their toys out the cot when not everyone plays by their rules.

    1. Re:There's the problem by Anonymous Coward · · Score: 0

      You so insightful! You should write about this on your blog.

  31. yeah... by Anonymous Coward · · Score: 0

    'It's really up to them how quickly they come to the table and realize we're not the villain, they're our bitch.'"

    FTFY

  32. Creative Destruction by Anonymous Coward · · Score: 0

    What Cinedigm did with BiTorrent is Creative Destruction, in the most raw form !

    Not only it would turn the movie industry upside down, it would also change the way the world look at BiTorrent, and its users !!

    1. Re:Creative Destruction by kermidge · · Score: 1

      Sure, but I don't know as I'd give that much import to a seven-minute tease. Had they released the entire movie, I'd be more enthusiastic. Still, foot in the door, breaking the ice, all that.

    2. Re: Creative Destruction by Anonymous Coward · · Score: 0

      My question is ( being ignorant) how do the movies get made if no one gets paid to make them? If we eliminate pay for product... Does product cease? How do creators make money?

    3. Re: Creative Destruction by kermidge · · Score: 2

      Okay, I was commenting on how proud they were (at least the way it was phrased); I'm not against the doing of a promo to stimulate sales.

      I've no problem with any artist in any medium displaying their wares to prospective customers - just as happens at craft fairs, for instance.

      Relating to a newer post - somebody asking if there are _any_ benefits to DRM, the simple answer is "No"; the more complicated answer includes "What have you been smoking?"

      This is not meant to offend, but one problem I see is that some people apparently think that because they produce a work of art on their own hook that they are automagically entitled an income stream. To quote from the old song, "It ain't necessarily so."

      No, look, I've friends over the years who've produced all manner of art, from songs, poems, sculpture, paintings, textiles, and fonts, among other stuff. Some is offered for sale, essentially to highest bidder (however informal the process), some is available if somebody makes an offer, a few things have been for-hire or other form of contract, basically a form of patronage. The rest is apportioned to gifts, decor, storage.

      Few have made a living at it, regardless of how good I think it is. A larger number of them have made some money at it, anywhere from a coupla hundred to several thousands of dollars per year, averaged over, say, twenty years.

      "If we eliminate pay for product... Does product cease? How do creators make money?"

      First, I believe in 'pay for product'. Just as a laborer is worthy of his hire. The rub is that you've got to accept as true that the only people who pay for something are the people who want to pay for it.

      (This goes back to the teaser - if folks see it, want to watch the whole thing, let 'em buy it. Understand there is no DRM in the world that will protect anything digital or that can be digitized from being copied, so don't even bother. An exception might be, DRM it, get some cash before it's copied, and then collect from whomever is gonna pay for it later on. Works for sculpture as well - somebody takes multiple-vantage point pics, models it, spits out a 3-D print of it.)

      "Does product cease?" Yes and no. Big money financing big projects in the manner of the larger production houses for film and TV, I think will wane - at least if they continue with their current methods. Some alternatives are crowdfunding, pre-subscription, a bit of traditional funding (it's a gamble as always, just differing odds, just like now), fund-raising events, and whatever someone thinks up to do. The 'big' payout comes from sales before the digital copy spreads, just like now. People still go to theatres, buy DVDs. That's mainstream visual media.

      We will still make our choices as we do now - download a copy or pay Amazon, Netflix, Hulu. Or both.

      Realize also that, in a much deeper manner than audience members tapping their feet to a tune, some have the _need_ to create. They will do so as they've done throughout history. The luckier ones will find patronage, hire, other forms of commission. The rest will be some version of the craft-fair hopefuls. There is also still plenty of room for ad-sponsored things as well, but nowhere near as it is done today or yesteryear.

      Creators will make money as they've always done, by making something that people will buy.

      An aside: As someone who grew up in the Fifties, watching old and not-so-old black and white movies from the cornucopia that was early Hollywood, I'll be sad to see that whole form of the industry pretty much vanish. As someone living in the Ought-Teens, I've little choice but to take the bad with the good, hope the good folks make it; and hope the hangars-on and ten-percenters and the back-room boys finding ways to fill their pockets at the expense of those who really made the product, fade away.

      Ah, crap, man, best I can come up with. I confess a bit of nostalgia. Gonna have to read a while. I thank you for the questions, made me think a bit - to what end, I can only offer my poor thoughts.

  33. Civil Lawsuit Time. by bl968 · · Score: 2

    I think Bittorrent should file a RICO civil suit for conspiracy and copyright abuse against the RIAA and the MPAA and their associated companies for conspiracy in attempting to de-legitimize an essentially legal service by prohibiting member companies from making legitimate use of the service. The flack Cinedigm is getting is the first layer of proof needed that they colluded to do so. The discovery process alone should quite be fun to watch.

    --
    "GET / HTTP/1.0" 200 51230 "-" "Mozilla/4.0 (compatible; Setec Astronomy)"
    1. Re:Civil Lawsuit Time. by VortexCortex · · Score: 1

      You're forgetting the golden rule.

  34. Wrong. by Anonymous Coward · · Score: 1

    Did you see Iron Sky? Do you know why it was a great-looking yet completely incoherent piece of shit? Because it was made by a bunch of guys who are skilled at producing CGI, but fucking terrible at actually making movies.

    It failed so dismally on almost every level because it had no director. A movie without a director is like an orchestra without a conductor: no matter how talented each player may be, all they'll collectively produce is noise without coherent direction.

    Star Wreck is horribly amateurish in almost every way, but is notable for having been made against the odds. OTOH, Iron Sky is notable for being horribly amateurish without an excuse. It has the best premise in movies for just about ever -- Nazis from the moon! -- and a (mostly) great cast; Yet the whole thing was tossed away because the Star Wreck guy who scraped it together couldn't or wouldn't hand over Iron Sky to a capable director, and instead did it himself.

    It's easy and fun to bag Hollywood pros, but the fact of the matter is that they know what they're doing, at least most of the time. Sure, the studios insist that they make nothing but worthless dreck for the 14-year-old boy market, but that isn't the fault of the people actually making that stuff, and it won't be improved by handing the keys to the likes of those who made (and completely fucked) Iron Sky.

    1. Re:Wrong. by DKlineburg · · Score: 1

      I thought Iron sky was funny. But I also like Mystery Science Theater.

      --
      Memory is deceptive because it is colored by today's events. - Albert Einstein
    2. Re:Wrong. by Anonymous Coward · · Score: 0

      Did you see Iron Sky? Do you know why it was a great-looking yet completely incoherent piece of shit? Because it was made by a bunch of guys who are skilled at producing CGI, but fucking terrible at actually making movies.

      s/Iron Sky/$recent_hollywood_blockbuster/

    3. Re:Wrong. by Anonymous Coward · · Score: 1

      Fwiw, I agree wth the OP on this. 'Iron Sky' snatched defeat from the jaws of victory by not having a real Director at the helm.

      And I think the other difference is that all those dumb as hell Hollwood cgi blockbusters are made by skilled and talented professionals forced by studio execs to always regurgitate prequel/sequel/reboot superhero/vampire/zombie explosion-fests, where 'Iron Sky' was made by guys who knew CGI and nothing else. They took a potentially awesome story and screwed it up badly because they didn't know how to do anything beyond the cgi.

    4. Re:Wrong. by Raenex · · Score: 1

      A movie without a director is like an orchestra without a conductor: no matter how talented each player may be, all they'll collectively produce is noise without coherent direction.

      I'd like to see this experiment, because my gut feeling is that conductors are vastly overrated.

    5. Re:Wrong. by AlphaWolf_HK · · Score: 1

      Iron Sky could have been worse. It could have been directed by Uwe Boll.

      If you haven't heard of Uwe Boll...well, let's put it this way: They say James Cameron turns everything he touches into gold. Uwe Boll is the opposite, he turns everything he touches into dog shit, only unlike other directors who realize at the end when they just created dog shit, he actually thinks his shit is good.

      --
      Careful with names containing L slashdot.org/~AiphaWolf_HK slashdot.org/~AlphaWoif_HK slashdot.org/~AiphaWoif_HK
    6. Re:Wrong. by zippthorne · · Score: 1

      Yet the whole thing was tossed away because the Star Wreck guy who scraped it together couldn't or wouldn't hand over Iron Sky to a capable director, and instead did it himself.

      That's not unique to indie films. That's not even unique to films with the word, "star" in the title...

      --
      Can you be Even More Awesome?!
  35. Gabe Newell has it right with Steam. by Anonymous Coward · · Score: 0

    It's all a distribution/availability problem. If I can download a movie easily and quickly, why in the world would I waste my time and money going outside and drive 2 miles to rent/buy a movie? Not to mention why should I wait hours, days, weeks, months or god forbid, years, until a certain movie finally reach my area outside the US? It's high time that big studios stop living in the stone age and start seriously thinking up ways to go digital, one that isn't a monthly subscription like Netflix but more like pay once, own digital copy forever, which can be redownloaded as many times as you want, similar to how Steam works.
    Until big studios can come up with a proper method of obtaining digitally movies, piracy will remain a problem. Hell, giving the first 15 minutes of a movie for free, to give the customer an idea of what he/she is buying would be great. But are they going to do that? No, of course not, that would just be too smart for them to handle.

    1. Re:Gabe Newell has it right with Steam. by brit74 · · Score: 1

      Sorry to be the bearer of truth, but Gabe is a good marketer: he's talking out of both sides of his mouth - telling you what you want to hear, but meanwhile, Steam is DRM.

  36. Argument from Video Home System by sethrosen · · Score: 1

    Didn't the movie industry say the same thing about VHS tape recorders about 30 years ago? Good luck MPAA.

  37. word of advice by Anonymous Coward · · Score: 0

    Make sure you get a p2p for level2 by bluetack from iblocklist.com or an equally decent block list and load it into your qbittorrent or peerblock for IP filtering, since Hollywood is going to track who downloaded this and probably retaliate even though it's a legit download.

  38. hollywood account is worse for movie industry by Dan667 · · Score: 1

    big studios stifle movie development by funneling money away from the people who actually make the movies. It would be better is something was done about that.

  39. "'Blaming BitTorrent for piracy is like blaming.." by brit74 · · Score: 1

    'Blaming BitTorrent for piracy is like blaming a freeway for drunk drivers, ' Jill Calcaterra, Cinedigm's chief marketing officer said.

    I'd say BitTorrent is more like selling ruffies to the general public, and then complaining when the public blames the company for women getting ruffied and raped. It's obvious that they're aiding and abetting the rapists - all to make a few bucks. It's also obvious what people are going to use ruffies and BitTorrent for, if given the chance. BitTorrent is empowering pirates to screw over creators.

  40. BitTorrent Not evil anymore by Mabhatter · · Score: 1

    Somebody didn't get the memo from a few years ago where the Official BitTorrent creator and outlet took the BitTorrent brand out of the "pirate" business. Of course the software had an open specification, so the cat was out of the bag and MANY clients exist.. But "Bittottent" is actively building a channel of paid content.

    This shows how badly these old guys are out of their league when they don't understand what's going on. AND they don't WANT TO MAKE themselves understand

  41. i think the word is by KingBenny · · Score: 1

    pwned

    --
    Free speech was meant to be free for all... how can anyone grow up in a nanny state ?